1 00:00:00,520 --> 00:00:03,239 Speaker 1: Hi there. At the top of this episode, Matt breaks 2 00:00:03,320 --> 00:00:08,119 Speaker 1: some pretty shocking news that ended up being false. I 3 00:00:08,160 --> 00:00:10,400 Speaker 1: come to you today with my tale between my legs 4 00:00:10,440 --> 00:00:12,520 Speaker 1: you guys. Listeners, I want you to know that I 5 00:00:13,440 --> 00:00:16,640 Speaker 1: love you. Guys. I would never provide you with information 6 00:00:16,680 --> 00:00:19,120 Speaker 1: that was incorrect. However, you're about to hear us yap 7 00:00:19,200 --> 00:00:22,599 Speaker 1: on about how Hugh Hefner has passed away at the 8 00:00:22,640 --> 00:00:25,080 Speaker 1: age of ninety one. You, guys, he is very much 9 00:00:25,120 --> 00:00:28,800 Speaker 1: alive at the time of recording. He is very much alive. Um, 10 00:00:28,840 --> 00:00:32,600 Speaker 1: but we know what. It opens up the show this episode, 11 00:00:32,920 --> 00:00:34,640 Speaker 1: but we just roll with it. We hope you you 12 00:00:34,680 --> 00:00:37,560 Speaker 1: can strap yourself in for the ride, if you know what, guys. Um, 13 00:00:37,640 --> 00:00:42,840 Speaker 1: clickbait is real, and sometimes clickbait can be really shockingly 14 00:00:42,960 --> 00:00:48,360 Speaker 1: detailed and fucking fake as fuck. That's how they get you. Yeah, honestly, 15 00:00:49,040 --> 00:00:50,800 Speaker 1: I'm telling you. He was dead at the age of 16 00:00:50,880 --> 00:00:54,040 Speaker 1: ninety one, found in his home. They went into detail 17 00:00:54,080 --> 00:00:57,960 Speaker 1: about how like, uh, he had been like succumbing to 18 00:00:58,000 --> 00:01:01,360 Speaker 1: illness for some time. Listen, the man is alive. He's alive. 19 00:01:02,360 --> 00:01:04,720 Speaker 1: He's alive. But um, you know what, we sort of 20 00:01:05,280 --> 00:01:07,959 Speaker 1: look back on his legacy and all of that still stands, 21 00:01:08,000 --> 00:01:11,080 Speaker 1: So enjoy the episode. We're so sorry this was fake news, 22 00:01:11,240 --> 00:01:15,040 Speaker 1: and enjoy it. Thanks. My grandma and your grandma was 23 00:01:15,160 --> 00:01:19,880 Speaker 1: sitting bad fire. My grandma to your granda, I'm gonna 24 00:01:19,959 --> 00:01:25,320 Speaker 1: sit back on fire. You're talking about hin? I like, 25 00:01:25,480 --> 00:01:32,160 Speaker 1: go on day Jagomo, I'm Jagmo. Don loves culture racist? 26 00:01:34,120 --> 00:01:39,560 Speaker 1: Who is dead? Who's dead? Hugh Hefner, Oh, Mike, wait 27 00:01:39,640 --> 00:01:44,520 Speaker 1: what today? He died? Just now? What are you kidding? God? 28 00:01:44,640 --> 00:01:50,040 Speaker 1: What dead? At? Yes? I did wait and this is 29 00:01:50,480 --> 00:01:55,800 Speaker 1: yes Peter Peters jumping it? Well, absolutely not. But now 30 00:01:55,840 --> 00:01:59,120 Speaker 1: that you have, let's welcome our guests into the conversation. No, 31 00:02:00,000 --> 00:02:02,680 Speaker 1: absolutely not. All three of us will talk about this. Okay, everyone, 32 00:02:02,760 --> 00:02:05,400 Speaker 1: we have an incredible guest with us. To amazing, amazing. 33 00:02:05,440 --> 00:02:08,840 Speaker 1: They they are just they were floored by the information. 34 00:02:08,840 --> 00:02:11,280 Speaker 1: They were fore by the information. She's such a wonderful performer. 35 00:02:11,320 --> 00:02:13,720 Speaker 1: You've seen the performing Carolines on Broadway. They have a 36 00:02:13,760 --> 00:02:18,440 Speaker 1: show coming up August at the Duplex Um and you 37 00:02:18,480 --> 00:02:20,959 Speaker 1: saw them open the I Don't Think so Hony Live 38 00:02:21,320 --> 00:02:24,840 Speaker 1: first installment with their amazing impression of Minette Benning. Look 39 00:02:24,919 --> 00:02:28,360 Speaker 1: for that please please please do And they were going 40 00:02:28,400 --> 00:02:30,840 Speaker 1: to be at the second live show on August eleven. Yes, 41 00:02:30,919 --> 00:02:34,400 Speaker 1: and they are a star in the upcoming limited series 42 00:02:34,440 --> 00:02:37,440 Speaker 1: on Forever Dog podcast called Turner Master's Memory Hospital. A 43 00:02:37,480 --> 00:02:39,919 Speaker 1: star in a start and we we might have a 44 00:02:39,919 --> 00:02:41,720 Speaker 1: little role in that too. We can't wait to listen 45 00:02:41,720 --> 00:02:47,400 Speaker 1: to it. Yes, absolutely. I think their name is Peter Smith. Now, Peter, 46 00:02:50,160 --> 00:02:53,160 Speaker 1: what say you about the death of you? Um? I 47 00:02:53,200 --> 00:02:56,520 Speaker 1: need to see a like a tweet notification or some 48 00:02:56,639 --> 00:02:59,520 Speaker 1: kind of proof, because I Peter needs to see the body. 49 00:02:59,639 --> 00:03:02,480 Speaker 1: I just like, it's so shocking to me. Can you believe? 50 00:03:02,560 --> 00:03:04,480 Speaker 1: Talk about a death of culture? But I'm sorry, Yeah, 51 00:03:04,480 --> 00:03:06,160 Speaker 1: this is the world we live in though now, where 52 00:03:06,200 --> 00:03:10,400 Speaker 1: we don't believe news unless it's in a Washington Post notification. 53 00:03:11,560 --> 00:03:15,760 Speaker 1: He yeah, well the magazine is shifted now right there's 54 00:03:15,760 --> 00:03:19,639 Speaker 1: no naked I feel like, yeah, it's changed right now. 55 00:03:19,680 --> 00:03:22,560 Speaker 1: It's like there, it's like it's it's like a lifestyle 56 00:03:22,600 --> 00:03:25,120 Speaker 1: just a general lifestyle magazine and there's just funny articles 57 00:03:25,160 --> 00:03:29,160 Speaker 1: and sudd I think it's kind of important playboy absolutely, 58 00:03:29,200 --> 00:03:31,079 Speaker 1: but like the death of him kind of like it's 59 00:03:31,560 --> 00:03:38,960 Speaker 1: this like sexual thing. Was he a gross guy? But 60 00:03:39,120 --> 00:03:43,480 Speaker 1: also not in a pejorative way. I mean, I'm not 61 00:03:43,520 --> 00:03:47,640 Speaker 1: saying this like in a negative ways as to like, um, 62 00:03:47,680 --> 00:03:51,000 Speaker 1: you know, shame that it was it was important, what 63 00:03:51,120 --> 00:03:53,280 Speaker 1: he did was important. Well, I guess it's different for 64 00:03:53,320 --> 00:03:56,160 Speaker 1: every woman, right, of course, whether whether they all felt 65 00:03:56,160 --> 00:03:59,240 Speaker 1: I'm sure we can't gauge whether they all felt empowered 66 00:03:59,240 --> 00:04:01,360 Speaker 1: doing that. No, that's not up to us. That's not 67 00:04:01,480 --> 00:04:03,400 Speaker 1: up to us, you know what, not even close, not 68 00:04:03,480 --> 00:04:07,120 Speaker 1: even at all. And I resent I retract my previous 69 00:04:07,240 --> 00:04:10,760 Speaker 1: statement I made thirty seconds ago. I have no opinion. 70 00:04:12,080 --> 00:04:15,000 Speaker 1: I have none. That's your cultural right. That's my cultural 71 00:04:15,080 --> 00:04:19,320 Speaker 1: rule number forty eight, no rule number forty three of culture, 72 00:04:19,360 --> 00:04:22,200 Speaker 1: because I'm sure we haven't add Yes, it's your cultural 73 00:04:22,440 --> 00:04:27,479 Speaker 1: right to take back in an opinion. Absolutely absolutely, Peter, 74 00:04:27,680 --> 00:04:30,200 Speaker 1: how about that? I agree, Peter. Okay, So I'm sorry 75 00:04:30,200 --> 00:04:31,920 Speaker 1: we just launched right into this. Wow, this is the 76 00:04:32,000 --> 00:04:34,880 Speaker 1: first for the show. What's a long held opinion of yours? 77 00:04:35,880 --> 00:04:39,480 Speaker 1: A long held opinion about what? Anything? About anything? Anything? 78 00:04:39,600 --> 00:04:41,800 Speaker 1: What have you held an opinion about all your life? Long? 79 00:04:41,839 --> 00:04:44,599 Speaker 1: But you'd like to take back? This roller coaster started 80 00:04:44,680 --> 00:04:48,280 Speaker 1: and we're on it. This is it the opinion I've 81 00:04:48,320 --> 00:04:53,400 Speaker 1: had my whole life. I don't know that, like, uh, 82 00:04:53,640 --> 00:04:57,479 Speaker 1: dudes look great in makeup? Yes, okay, but you and 83 00:04:57,839 --> 00:05:00,000 Speaker 1: I mean the rules. I agree to you the rule 84 00:05:00,080 --> 00:05:03,200 Speaker 1: as you can retract that, but we're not doing that. 85 00:05:03,240 --> 00:05:05,080 Speaker 1: I'm not going to. You know, you can take back 86 00:05:05,160 --> 00:05:06,760 Speaker 1: that if you want to, if I want to that. 87 00:05:06,880 --> 00:05:08,720 Speaker 1: If you see me in a full beat later and 88 00:05:08,760 --> 00:05:11,599 Speaker 1: you don't think it looks very good, you can take iteous. 89 00:05:11,600 --> 00:05:14,200 Speaker 1: But Peter, I want to say, um, not to play 90 00:05:14,240 --> 00:05:18,480 Speaker 1: devil's advocate, but I've been wearing makeup this week for 91 00:05:18,240 --> 00:05:21,760 Speaker 1: for just for shows and such, and I saw, oh, yes, 92 00:05:21,800 --> 00:05:24,240 Speaker 1: that's right in makeup three nights out of this week. 93 00:05:24,960 --> 00:05:28,960 Speaker 1: I think I look just awful in makeup. Just when 94 00:05:28,960 --> 00:05:31,560 Speaker 1: you're talking about your makeup. Can we talk about we 95 00:05:31,560 --> 00:05:33,440 Speaker 1: can talk about we can talk about sluck. But here's 96 00:05:33,440 --> 00:05:36,560 Speaker 1: the thing, Peter. You don't understand Bowen came out for 97 00:05:36,560 --> 00:05:39,480 Speaker 1: a night soap in his actual beat that Ruby real, 98 00:05:39,640 --> 00:05:42,800 Speaker 1: what's up? Ruby to Bowen? And you don't understand the 99 00:05:42,839 --> 00:05:50,000 Speaker 1: crowd gas, I'm but the gorgeous beauty, beauty. I refused 100 00:05:50,040 --> 00:05:53,599 Speaker 1: to sit here and tell you that you look bad 101 00:05:53,680 --> 00:05:56,960 Speaker 1: and I don't you're lying. I just it's hard. It's hard. 102 00:05:57,000 --> 00:05:59,360 Speaker 1: It's it's hard for I'm going to say it, it's 103 00:05:59,400 --> 00:06:05,599 Speaker 1: hard for Asians because our eyes are so almond so ruby. 104 00:06:05,760 --> 00:06:08,719 Speaker 1: Put on a lot of liner and my eyes just disappeared, 105 00:06:08,720 --> 00:06:11,360 Speaker 1: and I just I just looked like a beautiful skull. 106 00:06:11,560 --> 00:06:14,559 Speaker 1: I think you looked like a glamorous Okay, he looked 107 00:06:14,600 --> 00:06:18,159 Speaker 1: like one of the most beautiful creatures ever to Grace's stage. 108 00:06:18,279 --> 00:06:20,320 Speaker 1: It was shocking when he came out and I had 109 00:06:20,360 --> 00:06:22,880 Speaker 1: been seeing him all day in the makeup, and Bowen 110 00:06:22,960 --> 00:06:26,279 Speaker 1: stepped out into the light nique and I was like, 111 00:06:26,320 --> 00:06:31,479 Speaker 1: oh my god, she's here. Speaking of beautiful stage visions, 112 00:06:32,000 --> 00:06:34,280 Speaker 1: I just want to and it's it's because Peter's here, 113 00:06:34,279 --> 00:06:36,320 Speaker 1: but it's also because I truly believe it's to be 114 00:06:36,360 --> 00:06:40,480 Speaker 1: empirically true. Most beautiful thing I've ever seen on stage 115 00:06:40,480 --> 00:06:42,839 Speaker 1: was Peter at Carnegie Hall at the three Busy Dever 116 00:06:42,960 --> 00:06:48,359 Speaker 1: show Angel Wings a mesh see through. I keep forgetting 117 00:06:48,400 --> 00:06:51,119 Speaker 1: I didn't have any clothes on. You looked amazing, Peter. 118 00:06:51,400 --> 00:06:53,320 Speaker 1: That was my introduction to you as well. Really that 119 00:06:53,400 --> 00:06:55,080 Speaker 1: was your first time seeing the first time. That was 120 00:06:55,120 --> 00:06:56,720 Speaker 1: the first time I ever saw you too, because I 121 00:06:56,760 --> 00:07:05,320 Speaker 1: could see everybody in there, because never off that no 122 00:07:05,760 --> 00:07:09,720 Speaker 1: vile vile Hall. We had the Vile Hall because you 123 00:07:09,760 --> 00:07:15,360 Speaker 1: know famously Carnegie Hall not just one hall, in fact three. 124 00:07:15,440 --> 00:07:18,600 Speaker 1: But it's a it's an honor to perform in any 125 00:07:18,640 --> 00:07:22,800 Speaker 1: of them. Absolutely an honor and expensive and expensive. Well 126 00:07:22,840 --> 00:07:25,720 Speaker 1: but okay, explain to me this whole light situation. It 127 00:07:25,800 --> 00:07:28,360 Speaker 1: was it would cost you money to turn them off. 128 00:07:28,520 --> 00:07:31,200 Speaker 1: There are so many I mean, you know you guys 129 00:07:31,240 --> 00:07:36,920 Speaker 1: ever heard of unions? Oh? Yeah, yeah, so they're great 130 00:07:37,160 --> 00:07:40,200 Speaker 1: and they apply to Carnegie Hall. So there's just lots 131 00:07:40,240 --> 00:07:42,160 Speaker 1: of stuff that if you need this to be done, 132 00:07:42,200 --> 00:07:44,880 Speaker 1: you'll have to hire someone to do it union. And 133 00:07:44,920 --> 00:07:47,480 Speaker 1: then you get you know, it's just like a girl. 134 00:07:47,800 --> 00:07:50,400 Speaker 1: It adds up. Sure, okay, that's fair, okay, because you 135 00:07:50,400 --> 00:07:51,880 Speaker 1: would have if you turn the lights off, we would 136 00:07:51,880 --> 00:07:55,480 Speaker 1: need a tech persons. I say that that makes sense, 137 00:07:55,600 --> 00:08:02,040 Speaker 1: like another thousand dollars eater. Um, how are you? How 138 00:08:02,080 --> 00:08:04,920 Speaker 1: am I? This weather? That is kind of take I 139 00:08:04,960 --> 00:08:07,800 Speaker 1: mean not to talk about the weather, but really now 140 00:08:07,880 --> 00:08:10,640 Speaker 1: in the heat of summer and then today had this 141 00:08:10,720 --> 00:08:16,440 Speaker 1: kind of chill, really appreciated it. Yeah, it's been so 142 00:08:17,080 --> 00:08:19,360 Speaker 1: much and this has been nice over the last several days, 143 00:08:19,400 --> 00:08:22,600 Speaker 1: I've been saying to myself, am I really sick? Or 144 00:08:22,600 --> 00:08:25,800 Speaker 1: do I just live in Manhattan like I feel I'm 145 00:08:26,200 --> 00:08:29,240 Speaker 1: constantly carvered in a film. You're an uptown girls, a 146 00:08:29,320 --> 00:08:32,000 Speaker 1: town girl. You are Spanish Harlem, living in life in 147 00:08:32,000 --> 00:08:37,520 Speaker 1: Spanish Harlem, live in life, just like a movie stars. Wait, 148 00:08:37,400 --> 00:08:42,360 Speaker 1: which song was this, Marie Maria John. I'm saying there's 149 00:08:42,360 --> 00:08:45,000 Speaker 1: a rose in Spanish? Do you know that? Does anyone 150 00:08:45,000 --> 00:08:48,280 Speaker 1: know that? The Elton John. We're saying two different Spanish 151 00:08:48,280 --> 00:08:51,440 Speaker 1: Harlem songs. Here's here's a third. It's an Elton John 152 00:08:51,559 --> 00:08:57,240 Speaker 1: deep cut and now no Spanish Harlem er not just 153 00:08:57,480 --> 00:09:02,360 Speaker 1: pretty words to see Elton Elton. I know, I feel 154 00:09:02,400 --> 00:09:08,960 Speaker 1: like I feel like Elton was here. I when Elson gonna. Sorry, 155 00:09:09,120 --> 00:09:12,200 Speaker 1: sorry I went there, Okay, you went there and we 156 00:09:12,320 --> 00:09:15,160 Speaker 1: loved it. No, we want to talk about the legends, 157 00:09:15,200 --> 00:09:16,959 Speaker 1: dyeing the legend. You know who's going to be a 158 00:09:17,000 --> 00:09:22,520 Speaker 1: sad one Stubbs, Stevie Steview. I think I had to 159 00:09:22,720 --> 00:09:26,520 Speaker 1: think us. My first w wonder not that Stevie Dubbs 160 00:09:26,559 --> 00:09:30,800 Speaker 1: isn't like maybe the one, the one Stevie to rule 161 00:09:30,840 --> 00:09:36,520 Speaker 1: all Stevies. But whenever he's whenever any of the Max 162 00:09:36,559 --> 00:09:39,840 Speaker 1: and the Fleets die. I whenever once that happens is 163 00:09:39,920 --> 00:09:43,080 Speaker 1: I'll be a wreck, No Joanie, when Joanie passes, when 164 00:09:44,360 --> 00:09:48,439 Speaker 1: everyone always talks about that, everyone's always like God, when Mitchell, 165 00:09:48,800 --> 00:09:53,960 Speaker 1: I'm like, stop saying that, right, like a breeze through 166 00:09:54,000 --> 00:09:58,400 Speaker 1: the planes, and like every wildflower will quiver quiver, yes, 167 00:09:58,640 --> 00:10:02,719 Speaker 1: and they'll make a sound like a flu yeah, like yeah, 168 00:10:02,800 --> 00:10:06,559 Speaker 1: and the caves will echo. It'll be when Johnny dies, 169 00:10:06,760 --> 00:10:10,880 Speaker 1: the plants will know first, and every child in Canada 170 00:10:11,080 --> 00:10:15,160 Speaker 1: will be orphaned, and Mark Albrooke will flee the town 171 00:10:15,520 --> 00:10:18,400 Speaker 1: that he lives in with his family. These plants is 172 00:10:18,480 --> 00:10:23,679 Speaker 1: talking places walking, Peter, Um, we are going to ask 173 00:10:23,720 --> 00:10:25,760 Speaker 1: you what we ask all of our guests. Yeah, yeah, yeah, 174 00:10:26,160 --> 00:10:29,079 Speaker 1: And that is what was the culture that made you 175 00:10:29,120 --> 00:10:32,560 Speaker 1: a young Peter think culture is for me. Yeah. So 176 00:10:32,640 --> 00:10:36,200 Speaker 1: it's the culture that made you say to yourself, you 177 00:10:36,280 --> 00:10:41,360 Speaker 1: know what now I'm ready to think about this. Yes, 178 00:10:41,600 --> 00:10:45,320 Speaker 1: in terms of your growth. Um, the film too Wong Food, 179 00:10:45,320 --> 00:10:49,679 Speaker 1: Thanks for everything, Julie near amazing answer. I would watch 180 00:10:49,760 --> 00:10:55,960 Speaker 1: that straight up on a loop and yeah, because that 181 00:10:56,120 --> 00:11:00,280 Speaker 1: was like, oh yeah, that's what I was like. I 182 00:11:00,840 --> 00:11:05,640 Speaker 1: supposed to, okay, Yeah, and then I did in terms 183 00:11:05,640 --> 00:11:09,200 Speaker 1: of what in terms of like like comedy performance are 184 00:11:09,240 --> 00:11:13,040 Speaker 1: like like gender gender like it was just like, oh, 185 00:11:13,120 --> 00:11:16,080 Speaker 1: these like guys that are born with a male bod, 186 00:11:16,240 --> 00:11:22,440 Speaker 1: like are fucking around with ship and like funny performances, 187 00:11:22,480 --> 00:11:26,480 Speaker 1: like good performances in a real way, like yeah, like 188 00:11:26,520 --> 00:11:29,080 Speaker 1: in a just like being honest. And then like the 189 00:11:29,160 --> 00:11:31,400 Speaker 1: small town I love a fish out of water, yes, 190 00:11:32,400 --> 00:11:39,160 Speaker 1: fish and those were three fishes water of water. Okay. 191 00:11:39,200 --> 00:11:41,440 Speaker 1: And then and you said you mentioned small towns and 192 00:11:42,200 --> 00:11:45,560 Speaker 1: does this sort of track back to your origins at 193 00:11:45,600 --> 00:11:48,560 Speaker 1: all or no? I mean I was in like the bourbs, 194 00:11:48,800 --> 00:11:51,800 Speaker 1: small suburbs of Chicago, so yeah, it was kind of 195 00:11:51,840 --> 00:11:55,679 Speaker 1: this like oh this like community whatever. But then I 196 00:11:55,720 --> 00:12:01,320 Speaker 1: did Dragon fifth grade. Wow, you know what in what capacity? 197 00:12:01,800 --> 00:12:03,680 Speaker 1: Just like you have to. I have it on YouTube. 198 00:12:04,080 --> 00:12:10,200 Speaker 1: My dad filmed it really okay, incredible, very incredible. Yes, 199 00:12:10,440 --> 00:12:13,040 Speaker 1: I give us paint it for us with words. The 200 00:12:13,040 --> 00:12:17,080 Speaker 1: blue velvet curtain opens Ship. I am standing with like 201 00:12:17,120 --> 00:12:21,720 Speaker 1: a blonde kind of like bump it with that flows 202 00:12:21,760 --> 00:12:24,440 Speaker 1: down a little bit of a there's a good burn 203 00:12:24,440 --> 00:12:27,280 Speaker 1: nous to my right, like because I'm kind of like 204 00:12:27,440 --> 00:12:32,040 Speaker 1: rubenesque fat fifth grader and like this hair is big 205 00:12:32,080 --> 00:12:35,000 Speaker 1: and peroxide blonde, and then I have there's like cape 206 00:12:35,040 --> 00:12:37,320 Speaker 1: on and I'm all black covered up, and then the 207 00:12:37,360 --> 00:12:40,680 Speaker 1: beginning of I Will Survive starts, and I didn't really 208 00:12:40,679 --> 00:12:42,600 Speaker 1: get the lip sync thing. I was like, no, I'm 209 00:12:42,640 --> 00:12:46,319 Speaker 1: going to sing. I'm supposed to sing like this is 210 00:12:46,360 --> 00:12:48,080 Speaker 1: in the lip sync. This is like I will. So 211 00:12:48,120 --> 00:12:49,840 Speaker 1: I sang over the track and they're like, want your 212 00:12:49,880 --> 00:12:51,640 Speaker 1: mic on? And I was like, of course, have my 213 00:12:51,720 --> 00:12:54,200 Speaker 1: mic on? So I kind of bleed it along with 214 00:12:54,440 --> 00:12:57,560 Speaker 1: the track. Did this like reveal with this cape to 215 00:12:57,640 --> 00:13:00,920 Speaker 1: like this sparkly look, had someone backstage jan Boa, It 216 00:13:01,000 --> 00:13:04,000 Speaker 1: was like a fully produced Yeah, it's the greatest before 217 00:13:04,280 --> 00:13:07,400 Speaker 1: I Ever, how did this opportunity arise? The fifth grade 218 00:13:07,400 --> 00:13:09,680 Speaker 1: talent show? Oh it was a talent show and you 219 00:13:09,760 --> 00:13:14,280 Speaker 1: did drag in the talent Yeah, of course what can 220 00:13:14,320 --> 00:13:18,120 Speaker 1: follow that? Sucking a baton twirler? But fucking the popular 221 00:13:18,160 --> 00:13:21,880 Speaker 1: girls doing a dance to what? Fucking the girls protected 222 00:13:21,920 --> 00:13:25,160 Speaker 1: by Brittany Janet Jackson? All for you? It was it 223 00:13:25,240 --> 00:13:28,520 Speaker 1: was always all for you. All those stupid pitchers were 224 00:13:28,559 --> 00:13:31,760 Speaker 1: doing dance routin for you. They all are and guess 225 00:13:31,760 --> 00:13:35,120 Speaker 1: what rule number one hundred and one of culture, Janet 226 00:13:35,200 --> 00:13:38,679 Speaker 1: Jackson for you? It wasn't for you know, I did 227 00:13:38,760 --> 00:13:40,920 Speaker 1: not finish that rule because I don't know that are 228 00:13:40,920 --> 00:13:43,079 Speaker 1: these rules also opinion? Can you take them back later? 229 00:13:43,160 --> 00:13:46,880 Speaker 1: I was exactly gonna say, I recently, thank keeping. You 230 00:13:46,880 --> 00:13:50,040 Speaker 1: can take it back any opinion, and that includes rules. 231 00:13:50,080 --> 00:13:53,839 Speaker 1: And we've just built a new rule into the rules 232 00:13:53,840 --> 00:14:00,320 Speaker 1: of culture. It's incredible how cyclical it all is. Yeah, sure, now, Peter, 233 00:14:01,480 --> 00:14:04,720 Speaker 1: you took it upon yourself, and it wasn't It wasn't 234 00:14:04,760 --> 00:14:06,880 Speaker 1: even like a resourcefulness thing. As a fifth grader. You 235 00:14:06,920 --> 00:14:10,559 Speaker 1: were just like, oh, I am going to dress this way, 236 00:14:10,679 --> 00:14:12,959 Speaker 1: and and it was just there was no friction about it. 237 00:14:13,000 --> 00:14:15,560 Speaker 1: You just did it. Yeah, well I would wear like 238 00:14:17,000 --> 00:14:19,360 Speaker 1: skirts at home or whatever, like just like with my sister, 239 00:14:19,360 --> 00:14:22,760 Speaker 1: we'd like funk around and then like of course until 240 00:14:22,840 --> 00:14:25,240 Speaker 1: like middle school, you're not like well, at least we 241 00:14:25,240 --> 00:14:29,360 Speaker 1: weren't really. It wasn't like boys girls. So we had 242 00:14:29,400 --> 00:14:31,960 Speaker 1: this like sleepaway thing where it was like the boys 243 00:14:31,960 --> 00:14:34,000 Speaker 1: and the girls would sleep separate, and every time that 244 00:14:34,040 --> 00:14:37,120 Speaker 1: would happen, I would be with like the losers because 245 00:14:37,120 --> 00:14:39,280 Speaker 1: it was like, no, we didn't have any like dude friends. 246 00:14:40,360 --> 00:14:43,240 Speaker 1: And then I in fifth grade was like, oh, no, 247 00:14:43,320 --> 00:14:46,600 Speaker 1: this is hilarious. I'm going to do this because like 248 00:14:46,640 --> 00:14:50,960 Speaker 1: I didn't think like, oh I need to express this 249 00:14:51,080 --> 00:14:53,840 Speaker 1: because it doesn't really exist yet, but like, this is hilarious, 250 00:14:54,520 --> 00:14:58,560 Speaker 1: I'm going to pose it. That around fifth grade like 251 00:14:58,640 --> 00:15:02,160 Speaker 1: your nine ten however, many years old. But I just 252 00:15:02,160 --> 00:15:04,880 Speaker 1: distinctly remember fifth grade being like the beginning of what 253 00:15:05,040 --> 00:15:09,800 Speaker 1: I thought I started to absorb was like being internalized 254 00:15:09,800 --> 00:15:14,480 Speaker 1: and like developing within. It's when you awaken sexually, right, 255 00:15:14,520 --> 00:15:16,360 Speaker 1: I mean the majority of people, and it's not that 256 00:15:17,160 --> 00:15:20,080 Speaker 1: it has to do exactly with sexuality, but like you 257 00:15:20,080 --> 00:15:22,480 Speaker 1: start to become conscious or more conscious of how the 258 00:15:22,480 --> 00:15:25,080 Speaker 1: world sees you and how you're responding to what you're 259 00:15:25,080 --> 00:15:27,760 Speaker 1: supposed to be in the world. You get social, so 260 00:15:27,800 --> 00:15:31,320 Speaker 1: then you get there, you go exactly that's it. I 261 00:15:31,360 --> 00:15:33,560 Speaker 1: remember that was when that was when it all kind 262 00:15:33,560 --> 00:15:36,640 Speaker 1: of went to help for me and being self conscious 263 00:15:37,160 --> 00:15:39,680 Speaker 1: because I wasn't. I wasn't there, Like I wasn't the 264 00:15:39,720 --> 00:15:42,160 Speaker 1: kind of person that was like, oh this is funny, 265 00:15:42,240 --> 00:15:44,240 Speaker 1: this is all a construct. I mean that didn't become 266 00:15:44,800 --> 00:15:47,680 Speaker 1: that didn't become aware to me until like I guess, 267 00:15:47,680 --> 00:15:51,200 Speaker 1: like two or three years ago honestly or actually knew 268 00:15:51,240 --> 00:15:54,520 Speaker 1: what the sentence gender as a construct, like what it meant? 269 00:15:55,000 --> 00:15:56,560 Speaker 1: I mean, but it just seems like you were very 270 00:15:56,560 --> 00:16:03,880 Speaker 1: precocious that Peter, I. I guess no, you know, own it? Sure? 271 00:16:04,200 --> 00:16:08,480 Speaker 1: What does precocious really mean? I think, um that you're 272 00:16:08,520 --> 00:16:13,160 Speaker 1: ahead of um your own time. That God done this? Well, 273 00:16:13,160 --> 00:16:15,040 Speaker 1: this sucks. It's like a such as child is like 274 00:16:15,240 --> 00:16:18,520 Speaker 1: a child who behaves in sort of an advanced matter, 275 00:16:18,600 --> 00:16:23,200 Speaker 1: an advanced man. Okay, I'll take yes, I was. Yeah, 276 00:16:23,200 --> 00:16:25,080 Speaker 1: I told when I was a kid, people would say 277 00:16:25,080 --> 00:16:28,120 Speaker 1: that and I'd be like, why you know, you're like 278 00:16:28,800 --> 00:16:32,720 Speaker 1: shut up something that shut up? It is like an 279 00:16:32,800 --> 00:16:35,080 Speaker 1: irritating thing to say to someone when you're a kid. 280 00:16:35,160 --> 00:16:37,160 Speaker 1: And then yeah, yeah, you're a really old soul, Like 281 00:16:37,200 --> 00:16:38,840 Speaker 1: what does that mean? I'm not fitting in and you're 282 00:16:38,840 --> 00:16:41,280 Speaker 1: calling it out because I'm aware of it. Something different 283 00:16:41,280 --> 00:16:44,280 Speaker 1: than okay, great, Yeah, thank you, thank you for underlining 284 00:16:44,280 --> 00:16:48,760 Speaker 1: that to Wong Foo. Um God, I draged movies in 285 00:16:48,800 --> 00:16:52,160 Speaker 1: general general, right, yeah, Mrs doubt find some of those 286 00:16:52,200 --> 00:16:55,480 Speaker 1: are like fucked up? Is RuPaul important to you? Rupa? 287 00:16:56,240 --> 00:16:58,640 Speaker 1: The opening of too Wong Foo. She like comes down 288 00:16:58,720 --> 00:17:03,960 Speaker 1: in a Confederate flag. Wow, she's hosting this drag competition. 289 00:17:04,960 --> 00:17:07,880 Speaker 1: So and then she doesn't come back. It's like there's 290 00:17:07,920 --> 00:17:11,160 Speaker 1: this like cameo from someone who's like actually an amazing 291 00:17:11,280 --> 00:17:14,480 Speaker 1: drag queen this movie that then these three straight dudes 292 00:17:14,560 --> 00:17:19,439 Speaker 1: take on too. But RuPaul right now, yes, I mean 293 00:17:19,520 --> 00:17:22,919 Speaker 1: yeah I don't. I don't watch drag Race. Is there 294 00:17:22,960 --> 00:17:27,240 Speaker 1: a reason for that? No, yeah, I'm just not interested. Yeah, 295 00:17:27,320 --> 00:17:32,280 Speaker 1: And then I sometimes I'm I would like seeing it live, yes, totally, 296 00:17:32,520 --> 00:17:34,520 Speaker 1: like even like comedy specials. I'm like, this is funny, 297 00:17:34,560 --> 00:17:40,040 Speaker 1: but like it's it's interesting that there's a whole now 298 00:17:40,160 --> 00:17:43,720 Speaker 1: millions of people that watched Drupaul's Drag Race, and the 299 00:17:43,840 --> 00:17:46,400 Speaker 1: vast majority of them have never been to see Dragon 300 00:17:47,080 --> 00:17:50,760 Speaker 1: and would yeah and wouldn't understand what drag even is live. 301 00:17:51,080 --> 00:17:53,439 Speaker 1: It's so funny to me, Like when people kind of 302 00:17:54,520 --> 00:17:56,720 Speaker 1: take issue with drag queens for their behavior on the show, 303 00:17:56,760 --> 00:17:58,520 Speaker 1: it's like, well, you've never been to a real drag 304 00:17:58,560 --> 00:18:00,679 Speaker 1: show then, and you've never seen d because if you 305 00:18:00,760 --> 00:18:03,000 Speaker 1: think like this is subversive what they're allowed to get 306 00:18:03,040 --> 00:18:05,680 Speaker 1: away with on v H one, like you don't even 307 00:18:05,720 --> 00:18:08,760 Speaker 1: understand what rose pedals spunk them from your head. Yeah 308 00:18:09,320 --> 00:18:12,000 Speaker 1: you saw that, well you saw that. You saw us 309 00:18:12,040 --> 00:18:13,360 Speaker 1: do that live and that was a trick and I've 310 00:18:13,400 --> 00:18:15,919 Speaker 1: seen money. Yeah, it's like that's kind of that was 311 00:18:15,960 --> 00:18:20,400 Speaker 1: an iconic moment in whatever. Yes, it's become quite the meme. 312 00:18:20,760 --> 00:18:24,720 Speaker 1: It's become a very perfect prolific meme. I'd say out 313 00:18:24,720 --> 00:18:26,840 Speaker 1: of the nine seasons, i'd say it's in the probably 314 00:18:26,920 --> 00:18:33,200 Speaker 1: top ten iconicized and like intentionally, like like there was 315 00:18:33,440 --> 00:18:36,119 Speaker 1: a lot of thought put into that. Yeah. Yeah, I 316 00:18:36,160 --> 00:18:38,160 Speaker 1: think she knew what she was doing. Totally, totally, totally, 317 00:18:38,280 --> 00:18:42,760 Speaker 1: um yeah, I mean other drag movies, some like It Hot, 318 00:18:42,920 --> 00:18:46,200 Speaker 1: some like that was. My grandma told me to watch 319 00:18:46,240 --> 00:18:48,320 Speaker 1: that because I would like burn out the two long 320 00:18:48,359 --> 00:18:50,520 Speaker 1: food tapes and she's like, why don't you watch this one? 321 00:18:51,040 --> 00:18:55,280 Speaker 1: And then that one is funny? In what way is 322 00:18:55,320 --> 00:18:57,520 Speaker 1: that movie funny? Is it is? It? Is? It? Like? 323 00:18:58,000 --> 00:19:01,840 Speaker 1: It can't get no? The joke is like they're boys actually, 324 00:19:02,440 --> 00:19:04,440 Speaker 1: which just like I don't know I was. I was 325 00:19:04,520 --> 00:19:08,200 Speaker 1: just like soothed by seeing like dudes with dresses on. Yeah, 326 00:19:08,400 --> 00:19:10,560 Speaker 1: you haveely exist in this world and like I get 327 00:19:10,560 --> 00:19:13,520 Speaker 1: that whatever, and they were doing it. But then usually 328 00:19:13,600 --> 00:19:15,520 Speaker 1: the punch line was the thing where it's like, oh no, 329 00:19:15,600 --> 00:19:18,400 Speaker 1: this is I guess like Mrs Doulfer. At the ending, 330 00:19:18,440 --> 00:19:21,359 Speaker 1: it's like, you don't do that because then everyone's mad 331 00:19:21,400 --> 00:19:25,280 Speaker 1: at you and it's very wrong. Yeah, and it's like you, yeah, 332 00:19:25,320 --> 00:19:30,040 Speaker 1: like you. It's there. It's kind of fucked, but the 333 00:19:30,040 --> 00:19:33,080 Speaker 1: rest of it is great. There you go, Sally Field 334 00:19:34,400 --> 00:19:38,600 Speaker 1: the whole time, the whole time, the whole time. You 335 00:19:38,640 --> 00:19:41,000 Speaker 1: know that line. I haven't seen it in in a minute. 336 00:19:41,960 --> 00:19:44,720 Speaker 1: I thought you haven't seen it. Um, Oh my god, 337 00:19:44,800 --> 00:19:49,520 Speaker 1: Joel was talking to me about that show Emerald City. Oh, 338 00:19:49,520 --> 00:19:52,200 Speaker 1: what's the new Wizard of Oz. It's like it's like 339 00:19:52,200 --> 00:19:54,640 Speaker 1: a sort of a Game of Thrones layer on top 340 00:19:54,680 --> 00:19:57,920 Speaker 1: of the like a Wizard of Oz prequel? Were our 341 00:19:58,040 --> 00:20:02,000 Speaker 1: readings where why and we go in for that? Um 342 00:20:02,040 --> 00:20:06,320 Speaker 1: And apparently Ozma so in the in the Frankel Bomb books, Ozma. 343 00:20:07,040 --> 00:20:11,440 Speaker 1: I think Ozma is like the it's like some princess. 344 00:20:11,480 --> 00:20:15,000 Speaker 1: I'm not I don't quite understand the whole mythology. I 345 00:20:15,040 --> 00:20:17,480 Speaker 1: don't know her. I don't know her, so thank you, Matt. 346 00:20:17,960 --> 00:20:23,399 Speaker 1: But Ozma is apparently born a princess and um longs 347 00:20:23,640 --> 00:20:28,520 Speaker 1: longs to be a boy, and so there's that journey. 348 00:20:28,640 --> 00:20:31,840 Speaker 1: But then and so so so that's so that's very interesting. 349 00:20:31,880 --> 00:20:36,439 Speaker 1: But then in the show, for some reason that the 350 00:20:36,640 --> 00:20:39,720 Speaker 1: creative people behind this show took it, took it upon 351 00:20:39,760 --> 00:20:45,399 Speaker 1: themselves too complicate that by having Ozma like talk to 352 00:20:45,440 --> 00:20:47,680 Speaker 1: the Wicked Witch of the West, who is sort of 353 00:20:47,720 --> 00:20:52,200 Speaker 1: a sympathetic character, and the witch wants to help Ozma transition. 354 00:20:52,920 --> 00:20:57,240 Speaker 1: But then but then the other witchards are like, no, Ozma, no, 355 00:20:57,320 --> 00:21:00,800 Speaker 1: there's oz has to have a princess. So then, for 356 00:21:00,880 --> 00:21:03,040 Speaker 1: some reason, this is just an added thing. Droll was 357 00:21:03,080 --> 00:21:08,720 Speaker 1: telling me Ozma is like resigned to their gender, going 358 00:21:08,800 --> 00:21:11,440 Speaker 1: back to yes being being female, and I was, and 359 00:21:11,480 --> 00:21:13,880 Speaker 1: then we were just all like why would they do that? 360 00:21:14,520 --> 00:21:16,800 Speaker 1: I don't know. It's like, let's you know what, this 361 00:21:16,840 --> 00:21:18,680 Speaker 1: is a this is a Wizard of Oz prequel in 362 00:21:18,720 --> 00:21:22,880 Speaker 1: the high fantasy world. Let's let's let's gender. Let's go 363 00:21:22,960 --> 00:21:27,920 Speaker 1: in there, let's talk about it, right and part anyway, 364 00:21:28,720 --> 00:21:31,240 Speaker 1: I think people are like, really, they're trying to get 365 00:21:31,240 --> 00:21:33,120 Speaker 1: on the ground floor a little bit with that. It's 366 00:21:33,160 --> 00:21:35,639 Speaker 1: about the next thing. It's like, well, they ate ass 367 00:21:35,680 --> 00:21:40,280 Speaker 1: on ABC, So what do we gotta do? They actually yes, 368 00:21:41,040 --> 00:21:43,720 Speaker 1: on How to Get Away with Murder? Those boys ate 369 00:21:43,760 --> 00:21:47,400 Speaker 1: each other's butt holes right up? They ate it right up. Wait, 370 00:21:47,400 --> 00:21:50,520 Speaker 1: what's that guy's name? Jack Fallon and the other one, 371 00:21:51,119 --> 00:21:56,680 Speaker 1: Connor rick A Mora is the guys he's actually gay. Yeah, 372 00:21:57,240 --> 00:21:59,400 Speaker 1: but they played a cut face. He's got the Oh 373 00:21:59,400 --> 00:22:01,840 Speaker 1: they're both super cute. In fact, we went to we 374 00:22:01,880 --> 00:22:03,760 Speaker 1: went to college. We didn't know him, but we went 375 00:22:03,800 --> 00:22:06,600 Speaker 1: to college. Jack Valley, I can't can point him out. Yeah, 376 00:22:08,160 --> 00:22:16,360 Speaker 1: he's handsome and eights on TV, and you know, for ABC, 377 00:22:16,520 --> 00:22:19,280 Speaker 1: I guess that was a lot. But but now it's 378 00:22:19,320 --> 00:22:21,719 Speaker 1: funny because they're all there. It's funny that you say that, 379 00:22:21,760 --> 00:22:24,199 Speaker 1: because they're all like, all right, how do we do 380 00:22:24,240 --> 00:22:27,720 Speaker 1: the next outrageous thing they or may not appropriate a 381 00:22:27,760 --> 00:22:32,600 Speaker 1: whole people. Yeah, it's I mean. Also, the way that 382 00:22:32,640 --> 00:22:35,200 Speaker 1: the guy got his butt it was so funny, like 383 00:22:35,720 --> 00:22:38,080 Speaker 1: they were having dialogue and like making out and then 384 00:22:38,119 --> 00:22:41,440 Speaker 1: the guy just like flips him over very like like 385 00:22:41,520 --> 00:22:43,719 Speaker 1: kind of like cinematically, and the guy just throws his 386 00:22:43,760 --> 00:22:50,560 Speaker 1: head back and goes, oh, that's how it happened. Cartoon. Yeah, 387 00:22:51,840 --> 00:22:54,399 Speaker 1: and at at home all the middle aged women watching it, 388 00:22:54,400 --> 00:22:57,679 Speaker 1: We're like, oh, I felt it on my button because 389 00:22:57,840 --> 00:23:01,119 Speaker 1: he was such a good actor. And then I'll like 390 00:23:02,200 --> 00:23:04,680 Speaker 1: of us are just like kind of watching the highlight 391 00:23:04,720 --> 00:23:07,200 Speaker 1: reel one. It's like I heard the eight s on television? 392 00:23:07,240 --> 00:23:09,280 Speaker 1: Did you see this the eight s on television? Here's 393 00:23:09,280 --> 00:23:12,600 Speaker 1: the link? Watch this, yeah, I mean the link. Yeah. 394 00:23:12,760 --> 00:23:15,280 Speaker 1: We never consume it. Just from the primary it was 395 00:23:15,359 --> 00:23:21,680 Speaker 1: just like eating as on television, watching by Failly he 396 00:23:22,800 --> 00:23:26,760 Speaker 1: second clip, I mean context, no banks, I think I 397 00:23:26,840 --> 00:23:29,600 Speaker 1: think that's my media diet. Now it's just compilation videos. 398 00:23:29,640 --> 00:23:32,520 Speaker 1: I was I was literally talking about a compilation video. Wait, 399 00:23:32,720 --> 00:23:36,160 Speaker 1: what was I talking about? When I came in something? Oh, 400 00:23:36,240 --> 00:23:39,200 Speaker 1: when you came into the to this room, into this room, 401 00:23:39,800 --> 00:23:43,040 Speaker 1: it was a compilation about something. Oh, it was about 402 00:23:43,040 --> 00:23:49,600 Speaker 1: why Hilaries wink in Hollywood? Why everyone in Hollywood's negative content? 403 00:23:49,640 --> 00:23:52,920 Speaker 1: Why did you want? Because he was again he was interested. 404 00:23:54,080 --> 00:23:57,159 Speaker 1: I fell for it, and um, there are such a 405 00:23:57,200 --> 00:24:00,840 Speaker 1: negative companies. It's awful, awful, And I love Hillary Swanks 406 00:24:00,920 --> 00:24:04,639 Speaker 1: so much. And I was like, yes, I'm telling you, 407 00:24:04,720 --> 00:24:07,399 Speaker 1: wondering why everyone else doesn't. I'm wondering how Yes that 408 00:24:07,680 --> 00:24:12,560 Speaker 1: And I truly was changed by her sentil episode because 409 00:24:12,560 --> 00:24:15,879 Speaker 1: it had some of my It had a great she 410 00:24:15,880 --> 00:24:17,960 Speaker 1: played a great heide clue. She she was was this 411 00:24:18,160 --> 00:24:22,280 Speaker 1: two three or something? She um, I need to watch. 412 00:24:22,280 --> 00:24:26,280 Speaker 1: Her musical guest was fifty uh and she The first 413 00:24:26,280 --> 00:24:29,359 Speaker 1: sketch was this morning talk show called the l A 414 00:24:29,520 --> 00:24:32,120 Speaker 1: Face I think, and it was about the botox lifestyle 415 00:24:32,320 --> 00:24:38,480 Speaker 1: all that or something and um, and Hillary Swank played 416 00:24:38,480 --> 00:24:44,200 Speaker 1: this botox woman and um, botox woman box a woman. 417 00:24:44,200 --> 00:24:47,439 Speaker 1: I'm sorry and she um and her story was her 418 00:24:47,520 --> 00:24:52,560 Speaker 1: character was that she was operating UM. Oh no, no, no 419 00:24:52,440 --> 00:24:54,359 Speaker 1: no no. So she was like, I work in the 420 00:24:54,640 --> 00:24:57,399 Speaker 1: in the entertainment industry, so I had to get botox. 421 00:24:57,760 --> 00:25:00,720 Speaker 1: I felt, I had to get botox. And then my 422 00:25:00,880 --> 00:25:03,000 Speaker 1: Rodolf plays the host and she's like, here's a photo 423 00:25:03,040 --> 00:25:04,560 Speaker 1: of you. Here's a bit for a photo of you, 424 00:25:04,640 --> 00:25:07,320 Speaker 1: and it's just just a really nice looking head shot 425 00:25:07,359 --> 00:25:10,679 Speaker 1: of Hillary's like with like a Universal Studios a rollercoaster 426 00:25:10,840 --> 00:25:12,800 Speaker 1: behind her. She was like, yes, I work in the 427 00:25:12,840 --> 00:25:17,399 Speaker 1: entertainment industry. I operated the roller coaster. She was just 428 00:25:17,560 --> 00:25:19,960 Speaker 1: very committed and good and I was like, yeah, I 429 00:25:20,000 --> 00:25:23,200 Speaker 1: love Hillary Slank Now I always have. It's true when 430 00:25:23,320 --> 00:25:25,639 Speaker 1: whenever they come on and I hosted damn good episode 431 00:25:25,680 --> 00:25:27,440 Speaker 1: of s Now and they're committed and they can pull 432 00:25:27,480 --> 00:25:29,960 Speaker 1: it off. I do have more respect for them, and 433 00:25:29,960 --> 00:25:33,640 Speaker 1: when they're trashed, I'm christ had a good episode. Yes, 434 00:25:34,240 --> 00:25:36,439 Speaker 1: or she kind of just killed it with that. She 435 00:25:36,480 --> 00:25:40,600 Speaker 1: did a really good and that was transphobic and that 436 00:25:40,640 --> 00:25:45,720 Speaker 1: was transported to like what Samantha I did live I 437 00:25:45,760 --> 00:25:49,160 Speaker 1: do live in the district. I was like, come on, 438 00:25:49,840 --> 00:25:53,960 Speaker 1: she did a good voice and also, um, she's also 439 00:25:54,000 --> 00:25:56,600 Speaker 1: the musical girl. She did one of those like double turns. Yeah, 440 00:25:56,680 --> 00:25:58,480 Speaker 1: like I can do it all, but she can do 441 00:25:58,560 --> 00:26:01,679 Speaker 1: it all. Have you seen burlesque? I love culture. That 442 00:26:01,760 --> 00:26:06,560 Speaker 1: then catapulted me into any kind of new light. My 443 00:26:06,600 --> 00:26:09,199 Speaker 1: favorite scene in burlesque is shares like I gotta go 444 00:26:09,280 --> 00:26:13,399 Speaker 1: home and they're like a song. Yeah. The thing is, 445 00:26:13,440 --> 00:26:15,880 Speaker 1: we set the lights and we rehearsed, we we were 446 00:26:15,880 --> 00:26:18,000 Speaker 1: it's all ready for it's all set up. She's like, alright, 447 00:26:18,200 --> 00:26:26,720 Speaker 1: just one puts her shi down this like huge ballot. Yeah, 448 00:26:27,200 --> 00:26:31,680 Speaker 1: I've never seen it. Oh my god. And Kristen Bella 449 00:26:31,920 --> 00:26:33,680 Speaker 1: plays a great she does It was like a hot 450 00:26:34,840 --> 00:26:37,400 Speaker 1: kind of naked walking around and being like wait, why, 451 00:26:37,440 --> 00:26:39,800 Speaker 1: what's his name. What's his name? His eyeline around the 452 00:26:39,800 --> 00:26:41,840 Speaker 1: whole time. Yeah, yeah, yeah, what's his name? He's hot. 453 00:26:42,320 --> 00:26:46,480 Speaker 1: Cam Gigain did one of those you'll see you're like, oh, yeah, 454 00:26:46,600 --> 00:26:49,960 Speaker 1: you someone was trying to make us like you for 455 00:26:50,000 --> 00:26:52,600 Speaker 1: a while. He was. He was on the o C 456 00:26:52,840 --> 00:26:57,160 Speaker 1: as Marissa's like edgy like boyfriend who like maybe was abusive. 457 00:26:57,880 --> 00:27:00,480 Speaker 1: Not all of our track, no, no, no, later on 458 00:27:00,560 --> 00:27:02,800 Speaker 1: in this season, like right before she died in a 459 00:27:02,840 --> 00:27:05,480 Speaker 1: tragic car accident this season three, did you watch the 460 00:27:05,520 --> 00:27:09,480 Speaker 1: o C? Yeah? Excellent, he was on that. It's all 461 00:27:09,520 --> 00:27:12,199 Speaker 1: on Hulu. Did you know? I did. I did know 462 00:27:12,440 --> 00:27:14,240 Speaker 1: because I was watching The Bachelor OUTE the other day 463 00:27:14,280 --> 00:27:16,560 Speaker 1: and I watched the last episode and then they just 464 00:27:16,640 --> 00:27:19,320 Speaker 1: started in OC episode and I was like, oh my god, 465 00:27:19,400 --> 00:27:21,280 Speaker 1: because they're like, whoever was watching The bed Store it 466 00:27:21,359 --> 00:27:23,879 Speaker 1: wants to watch the o C. That's what they or 467 00:27:23,920 --> 00:27:25,440 Speaker 1: they just need to know what's on here because they're 468 00:27:25,440 --> 00:27:29,760 Speaker 1: gonna be like, oh I didn't know that. Yeah that's it. Yeah. 469 00:27:29,800 --> 00:27:33,879 Speaker 1: I mean I feel like everyone has my this opinion. 470 00:27:33,960 --> 00:27:36,240 Speaker 1: I'm about to share, but no, maybe not. I think 471 00:27:36,280 --> 00:27:40,000 Speaker 1: share is shares number one, number one deepa for me. No, 472 00:27:40,119 --> 00:27:42,040 Speaker 1: I've I've said on the show Selene before, but Share 473 00:27:42,200 --> 00:27:47,080 Speaker 1: just how the personality that can't honestly can't write them, 474 00:27:47,119 --> 00:27:49,800 Speaker 1: they can't have their own special like Selene. You can't 475 00:27:49,800 --> 00:27:52,480 Speaker 1: compare Selene to Share that, No you can't. It's it's 476 00:27:52,600 --> 00:27:55,240 Speaker 1: very hard. But Share has just been since day one, 477 00:27:55,320 --> 00:27:59,359 Speaker 1: since days of Sonny and Share, like just this funny 478 00:27:59,440 --> 00:28:02,560 Speaker 1: started a person and she's evolved into this like caricature 479 00:28:02,600 --> 00:28:06,520 Speaker 1: but still like so charming and interviews and like god, 480 00:28:06,560 --> 00:28:08,440 Speaker 1: she was even doing an interview with RuPaul And in 481 00:28:08,520 --> 00:28:10,679 Speaker 1: the nineties on v H one and she was just 482 00:28:10,760 --> 00:28:15,960 Speaker 1: so funny. So she's just so funny, she can handle 483 00:28:16,119 --> 00:28:18,439 Speaker 1: She like a variety show, and it was like she 484 00:28:18,560 --> 00:28:21,679 Speaker 1: went from that to like a pop career, but then 485 00:28:21,720 --> 00:28:25,000 Speaker 1: she was like an actress, serious actress, and then she 486 00:28:25,040 --> 00:28:27,240 Speaker 1: did it. It's like she just just like yeah, I'll 487 00:28:27,240 --> 00:28:29,119 Speaker 1: do that. Yes, yeah, I'll do that. I can do that, 488 00:28:29,200 --> 00:28:32,400 Speaker 1: I'll do that. I'll try that. She's really good at everything. 489 00:28:33,040 --> 00:28:36,640 Speaker 1: And the thing is, like you could even debate how 490 00:28:36,680 --> 00:28:38,680 Speaker 1: good she is at everything, Like I don't think she's 491 00:28:38,720 --> 00:28:40,640 Speaker 1: a tan in any area, but at least she's but 492 00:28:40,800 --> 00:28:46,360 Speaker 1: she's clearly as something altogether it's just like you just 493 00:28:46,400 --> 00:28:50,960 Speaker 1: can't take your eyes off, no superstar. This is the 494 00:28:51,240 --> 00:28:55,360 Speaker 1: irony of irony. Is is that my father's favorite Western 495 00:28:55,640 --> 00:28:59,640 Speaker 1: culture song is believed by share and I don't have 496 00:28:59,720 --> 00:29:04,160 Speaker 1: it in He's to tell him, I don't. I can't 497 00:29:04,200 --> 00:29:06,160 Speaker 1: tell him that shares a gay icona, that this is 498 00:29:06,160 --> 00:29:09,680 Speaker 1: a very queer song, because he would just immediately hate 499 00:29:09,680 --> 00:29:11,640 Speaker 1: it and it would ruin the song for him. So 500 00:29:11,720 --> 00:29:13,560 Speaker 1: then you have this kind of special thing where it's 501 00:29:13,560 --> 00:29:15,000 Speaker 1: like you could put it on and he'd be like, 502 00:29:15,000 --> 00:29:18,000 Speaker 1: oh great. You'd be like, oh yeah great. We would 503 00:29:18,000 --> 00:29:20,800 Speaker 1: both enjoyed so much. You guys want to know when 504 00:29:20,840 --> 00:29:23,320 Speaker 1: he danced to it. He will sing along to it, 505 00:29:23,320 --> 00:29:25,640 Speaker 1: and he doesn't know the actual title of the song 506 00:29:25,800 --> 00:29:29,400 Speaker 1: because he only refers to it as Bowen play that 507 00:29:29,560 --> 00:29:34,960 Speaker 1: a La la song, which is his fineticization of after love, 508 00:29:35,080 --> 00:29:38,120 Speaker 1: After Love, he calls it a la la So it's 509 00:29:38,360 --> 00:29:40,480 Speaker 1: the a la la song to him. It's like, I'm 510 00:29:40,520 --> 00:29:46,440 Speaker 1: not so good. Yeah, that whole album it is such 511 00:29:46,480 --> 00:29:48,920 Speaker 1: a gay song. It's it's such a I love it. 512 00:29:49,440 --> 00:29:51,000 Speaker 1: I think Bob the Drag Queen had a bit we 513 00:29:51,040 --> 00:29:52,640 Speaker 1: did were You with Me? When we saw him live 514 00:29:52,680 --> 00:29:56,000 Speaker 1: like before that he was and he was saying how 515 00:29:56,760 --> 00:29:59,120 Speaker 1: like he was like getting driven around by his mom 516 00:29:59,160 --> 00:30:00,360 Speaker 1: and it was when I believe is what kind of 517 00:30:00,400 --> 00:30:02,520 Speaker 1: popular And you just hear the beginning of like like 518 00:30:02,840 --> 00:30:06,479 Speaker 1: dude Dune and then he just like felt something change 519 00:30:06,480 --> 00:30:09,240 Speaker 1: in him when it played, and his mom knew, like, oh, ship, 520 00:30:10,880 --> 00:30:13,160 Speaker 1: I have a gay kid. It is a very sort 521 00:30:13,200 --> 00:30:18,120 Speaker 1: of seminal album. I will say, oh yeah, And then well, 522 00:30:18,320 --> 00:30:20,840 Speaker 1: there really wasn't that much else on that album though, 523 00:30:21,240 --> 00:30:27,640 Speaker 1: Taxi Taxi was a song song for the this that 524 00:30:27,680 --> 00:30:29,680 Speaker 1: on that album. That album, Oh great, well then I 525 00:30:29,720 --> 00:30:32,760 Speaker 1: love Um. I mean, I just want to say share. 526 00:30:33,280 --> 00:30:35,560 Speaker 1: She had like wintry blonde hair on the album cover 527 00:30:35,680 --> 00:30:38,240 Speaker 1: right it was black, okay, um, but I just want 528 00:30:38,240 --> 00:30:41,320 Speaker 1: to say that children have forgotten share because now it's like, 529 00:30:41,440 --> 00:30:45,560 Speaker 1: oh she tweeted something so funny. That is a shame. Yeah, 530 00:30:45,680 --> 00:30:49,280 Speaker 1: It's like she has such a massive canon of stuff 531 00:30:49,360 --> 00:30:51,760 Speaker 1: to watch. You put her into YouTube. It's like this 532 00:30:51,800 --> 00:30:54,960 Speaker 1: is from six It's like, fuck, yeah, she walks out 533 00:30:54,960 --> 00:30:58,040 Speaker 1: in sixty years of ship to watch six years to 534 00:30:58,040 --> 00:31:00,880 Speaker 1: watch and not to like just to fire anything. But 535 00:31:00,960 --> 00:31:07,000 Speaker 1: her body beyond was just like just like actually just 536 00:31:07,040 --> 00:31:11,000 Speaker 1: like cigarettes and and that, but the head but it 537 00:31:11,080 --> 00:31:12,760 Speaker 1: was so beautiful and that the hair, the way the 538 00:31:12,800 --> 00:31:16,400 Speaker 1: hair beautiful, I mean, just a dream. That's ruse Number 539 00:31:16,400 --> 00:31:21,600 Speaker 1: one Share Share. She is so smart and funny and charmie. 540 00:31:21,840 --> 00:31:23,320 Speaker 1: I can't get over there's there's just you don't know 541 00:31:23,320 --> 00:31:26,200 Speaker 1: where to start with. Share. I've never seen moonstruck. I've 542 00:31:26,200 --> 00:31:30,520 Speaker 1: never seen it either. Whoops. She's just like a joy 543 00:31:30,600 --> 00:31:35,560 Speaker 1: to watch. Do talk. You're like, yeah, I believe anything 544 00:31:35,560 --> 00:31:37,480 Speaker 1: you say, and you're dealing with this right now, like 545 00:31:37,480 --> 00:31:40,040 Speaker 1: even burlesque, like this is a great performance. Share. Yeah, 546 00:31:40,680 --> 00:31:44,520 Speaker 1: you are dropped in. I'll never forget. I love to 547 00:31:44,760 --> 00:31:48,479 Speaker 1: do the monologue that Share gives to Christina Aguila when 548 00:31:48,520 --> 00:31:50,520 Speaker 1: Christina egither sitting there like I don't know how to 549 00:31:50,520 --> 00:31:55,640 Speaker 1: do my makeup, and like my mother would say, when 550 00:31:55,680 --> 00:31:59,080 Speaker 1: you're doing your makeup, just like painting a canvas, except 551 00:31:59,160 --> 00:32:03,440 Speaker 1: you're painting a face. Christina gets it, and then she 552 00:32:03,520 --> 00:32:08,880 Speaker 1: becomes a superstar, full star, raised the curtain, Raise the curtain. 553 00:32:08,880 --> 00:32:16,200 Speaker 1: When she goes yeah and shares like hold on and 554 00:32:16,240 --> 00:32:21,640 Speaker 1: everyone's like the girl growl. The mark of a great 555 00:32:21,680 --> 00:32:26,920 Speaker 1: singer and vocalist is a growler. Imagine like the power 556 00:32:27,000 --> 00:32:31,280 Speaker 1: going out and then someone doing that, and then it's like, no, 557 00:32:31,640 --> 00:32:33,600 Speaker 1: let's keep this going, and then the band's like, I 558 00:32:33,600 --> 00:32:36,320 Speaker 1: guess we'll play. Oh god, how can we keep up 559 00:32:36,360 --> 00:32:41,600 Speaker 1: with her? I remember, like me being a little gay 560 00:32:41,640 --> 00:32:44,520 Speaker 1: twelve year old, there was growls and everything I sang 561 00:32:45,520 --> 00:32:48,680 Speaker 1: like pretending to be Kelly Clarkson singing. That was how 562 00:32:48,720 --> 00:32:55,840 Speaker 1: I learned what vocalization for. You know, she did it. Yeah, 563 00:32:55,960 --> 00:32:58,440 Speaker 1: she started at the growl. You always started at the 564 00:32:58,440 --> 00:33:00,640 Speaker 1: growl if you're a pop star. When she came to 565 00:33:00,680 --> 00:33:03,680 Speaker 1: prominence on that show was when she sang RSPCT and 566 00:33:03,800 --> 00:33:07,040 Speaker 1: she did no no, she was like giving you growls 567 00:33:07,120 --> 00:33:10,160 Speaker 1: and riffs. I'm gonna And this is an opinion. They 568 00:33:10,200 --> 00:33:16,040 Speaker 1: will not take back growls or gammicks, growls or gamics. 569 00:33:16,840 --> 00:33:21,280 Speaker 1: They are gummicks, but they work. Sometimes it's like hell yeah, 570 00:33:21,360 --> 00:33:24,360 Speaker 1: but sometimes it's like you don't need that fine, No, yeah, 571 00:33:24,400 --> 00:33:26,920 Speaker 1: I think I don't think you ever need it, but 572 00:33:27,000 --> 00:33:28,440 Speaker 1: I do like to like to hear it because it 573 00:33:28,520 --> 00:33:31,920 Speaker 1: makes me laugh. I think singing should be funny. Singing 574 00:33:32,000 --> 00:33:35,200 Speaker 1: should be funny. That's should definitely give your joy. It 575 00:33:35,240 --> 00:33:40,320 Speaker 1: should absolutely do that spark joy. You cannot were you 576 00:33:41,120 --> 00:33:45,200 Speaker 1: were taken to make that a cultural rule. I didn't 577 00:33:45,200 --> 00:33:46,600 Speaker 1: want to make it a cultural rule because I'm sure 578 00:33:46,640 --> 00:33:49,760 Speaker 1: all I want the people to come for me on 579 00:33:49,880 --> 00:33:52,760 Speaker 1: social because I want to have a discussion about this, 580 00:33:52,880 --> 00:33:54,360 Speaker 1: but um so I don't. I don't. I don't want 581 00:33:54,360 --> 00:33:55,920 Speaker 1: to candle with the community. You just kind of want 582 00:33:55,960 --> 00:33:58,000 Speaker 1: to spark. I do want to spark. You know what 583 00:33:58,160 --> 00:34:01,160 Speaker 1: this is? People are really tweet us their opinions, and 584 00:34:01,240 --> 00:34:03,480 Speaker 1: they get really impatient with us when we don't have 585 00:34:03,560 --> 00:34:06,400 Speaker 1: new episodes, which we love, because please, we want you 586 00:34:06,480 --> 00:34:09,600 Speaker 1: to clamor for this. What did I someone read us 587 00:34:09,760 --> 00:34:13,160 Speaker 1: for we did something wrong? Because we we butchered the 588 00:34:13,320 --> 00:34:16,640 Speaker 1: synopsis for Three Company. Yeah, apparently, I actually didn't know 589 00:34:16,719 --> 00:34:19,279 Speaker 1: what Free's Company, the television show was about. What did 590 00:34:19,320 --> 00:34:21,080 Speaker 1: you say it was? I said it was he was 591 00:34:21,160 --> 00:34:23,040 Speaker 1: a straight guy who pretended to be gay to live 592 00:34:23,080 --> 00:34:25,520 Speaker 1: with those two women, which I just believe is it 593 00:34:26,440 --> 00:34:28,160 Speaker 1: weren't they just like living together? I think that I 594 00:34:28,200 --> 00:34:30,239 Speaker 1: don't think that's enough for a show. I'm sorry, I 595 00:34:30,280 --> 00:34:32,000 Speaker 1: don't think that's enough for a show. It was like 596 00:34:32,200 --> 00:34:33,880 Speaker 1: there was a lot of stuff that's not enough for 597 00:34:33,920 --> 00:34:38,200 Speaker 1: a show. It was different fact, Charlie's Angels. I mean, yeah, 598 00:34:38,280 --> 00:34:42,880 Speaker 1: three women who are fierce with guns and you never 599 00:34:42,960 --> 00:34:46,360 Speaker 1: see Charlie. I love it making a movie. You know what, 600 00:34:47,320 --> 00:34:51,440 Speaker 1: they should they and they should make another one after that. Yes, 601 00:34:51,719 --> 00:34:56,400 Speaker 1: full throttle, full throttle. I loved Charlie's Angels movie. I 602 00:34:56,520 --> 00:34:58,480 Speaker 1: kind of just got lost thinking about it. Yeah, right, 603 00:34:58,840 --> 00:35:02,040 Speaker 1: I had the DVD and I just loved I kind 604 00:35:02,080 --> 00:35:04,080 Speaker 1: of loved that. The sequel was just a beat for beat, 605 00:35:04,160 --> 00:35:07,799 Speaker 1: the same movie as the first one. Like love them both. 606 00:35:07,880 --> 00:35:10,480 Speaker 1: Like Cameron Diaz has like a dance. It's like seeing 607 00:35:11,040 --> 00:35:14,120 Speaker 1: with with with Luke Wilson and Cameron. I'm sorry to 608 00:35:14,320 --> 00:35:16,200 Speaker 1: no please rail the train, but Cameron Diaz is a 609 00:35:16,239 --> 00:35:19,200 Speaker 1: miss Hannigan. I never saw. I never saw that because 610 00:35:19,239 --> 00:35:21,359 Speaker 1: you know what, I thought it would make me violently ill, 611 00:35:21,600 --> 00:35:25,000 Speaker 1: really weird. I mean yeah, I mean it's kind of 612 00:35:25,200 --> 00:35:28,960 Speaker 1: it's kind of it's amazing. You think, Carol Burnett, you 613 00:35:29,120 --> 00:35:35,080 Speaker 1: think Cameron like all people. I mean, you think, like 614 00:35:36,719 --> 00:35:40,960 Speaker 1: it's just like Jane Lynch in the Broadway version, and 615 00:35:41,000 --> 00:35:44,759 Speaker 1: then Cameron d Has in the film adaptation. My God, 616 00:35:44,920 --> 00:35:47,080 Speaker 1: Like nothing about it makes sense, Nothing about it makes sense. 617 00:35:47,120 --> 00:35:50,919 Speaker 1: But it's kind of hilarious though, yeah, because what else 618 00:35:51,000 --> 00:35:53,520 Speaker 1: I mean, who, well, who else was miscasting that movie? 619 00:35:53,560 --> 00:35:55,800 Speaker 1: Feel like, who's who played? Oh no, Jimmie Fox, Dy Warbock, 620 00:35:55,840 --> 00:35:59,839 Speaker 1: Jamie Foxes, Daddy Warbocks, Rose Byrne was yes, yes, yes, 621 00:36:00,040 --> 00:36:04,080 Speaker 1: cavan jen Ay Wallace was I heard how was she? 622 00:36:04,400 --> 00:36:06,680 Speaker 1: Was she good? Well? She can't sing, she can't sing. 623 00:36:06,800 --> 00:36:09,200 Speaker 1: The movie was not good. Right. You could argue that 624 00:36:09,280 --> 00:36:11,719 Speaker 1: everyone was miscast, but you want you wanted to root 625 00:36:11,840 --> 00:36:13,840 Speaker 1: for it though, sort of from the side. I mean, 626 00:36:13,960 --> 00:36:18,719 Speaker 1: Jamie Fox is talented, Yes, definitely, Rose Burne is the 627 00:36:18,840 --> 00:36:23,080 Speaker 1: most talented and beautiful, smooth creature in the world, incredibly smooth, 628 00:36:23,280 --> 00:36:26,120 Speaker 1: and then want talented. But it's just kind of like Cameron, 629 00:36:26,480 --> 00:36:29,360 Speaker 1: I guess, yes, is talented. You had the stars, you 630 00:36:29,400 --> 00:36:33,560 Speaker 1: didn't align them. Here's the thing, Cameron dis has star quality. 631 00:36:34,880 --> 00:36:38,800 Speaker 1: I don't know if she's talented talented in terms of 632 00:36:39,360 --> 00:36:43,600 Speaker 1: versatile acting giving you everything. I think that she when 633 00:36:43,680 --> 00:36:46,719 Speaker 1: she's directed well, can be phenomenal, Like I think that 634 00:36:46,960 --> 00:36:49,840 Speaker 1: my best friends my best friend's wedding is like, I 635 00:36:49,920 --> 00:36:52,359 Speaker 1: think she's amazing in it. That was her first role 636 00:36:52,480 --> 00:36:55,560 Speaker 1: well after The Masters, and she was good in the 637 00:36:55,640 --> 00:36:57,040 Speaker 1: Mask she did what she needed to do in the 638 00:36:57,120 --> 00:36:59,879 Speaker 1: mask and then Best Friend's Wedding, It's like that whole 639 00:37:00,200 --> 00:37:02,880 Speaker 1: movie relies on that you buying that character and also 640 00:37:03,000 --> 00:37:05,279 Speaker 1: to like her, Julia Roberts, you like to despite that 641 00:37:05,360 --> 00:37:07,320 Speaker 1: character being awful as well. I think My Best Friend's 642 00:37:07,320 --> 00:37:10,200 Speaker 1: Wedding is like one of the underrated great romantic comedies. Well, 643 00:37:10,239 --> 00:37:12,920 Speaker 1: it was like it weirdly set a template that was 644 00:37:13,000 --> 00:37:15,400 Speaker 1: never followed again, does that make sense? Like it was like, oh, 645 00:37:15,520 --> 00:37:18,239 Speaker 1: this is the way, but then no one, no one 646 00:37:18,280 --> 00:37:20,200 Speaker 1: ever did that, right, It's like it was a romantic 647 00:37:20,239 --> 00:37:23,520 Speaker 1: comedy that like was ultimately sort of a tragedy in 648 00:37:23,560 --> 00:37:25,480 Speaker 1: the end, like there wasn't another guy for her to 649 00:37:25,520 --> 00:37:28,200 Speaker 1: go to. She was kind of like, right, yeah, like 650 00:37:28,280 --> 00:37:32,839 Speaker 1: she it was a tragedy. Spinster, she was, Yeah, she dies, 651 00:37:33,120 --> 00:37:36,080 Speaker 1: she dies at the end, she gets crushed by the cake. 652 00:37:36,280 --> 00:37:39,879 Speaker 1: That's what a spinster is. And then no, but then yeah, 653 00:37:39,920 --> 00:37:42,960 Speaker 1: like no one ever really followed that? Is this was 654 00:37:43,040 --> 00:37:45,880 Speaker 1: that the wait? Did the the moment? I wake up 655 00:37:48,560 --> 00:37:52,920 Speaker 1: a many iconic movies moments in that Also, I always 656 00:37:52,920 --> 00:37:56,400 Speaker 1: say one of my favorite scenes in any romantic comedy. Well, 657 00:37:56,400 --> 00:38:00,200 Speaker 1: the opening is great, but it's when Cameron d as 658 00:38:00,400 --> 00:38:04,480 Speaker 1: like Dermott Moroney has like runaway, and Cameron Diaz has 659 00:38:04,520 --> 00:38:08,440 Speaker 1: trusted Julia Roberts to go ask him what's wrong, and Julia's, 660 00:38:08,560 --> 00:38:11,799 Speaker 1: of course, you know, has her high jinks. She goes 661 00:38:11,880 --> 00:38:14,160 Speaker 1: back and she's going to tell Cameron that he's not 662 00:38:14,680 --> 00:38:16,440 Speaker 1: doesn't want to be with her anymore. So the way 663 00:38:16,520 --> 00:38:19,160 Speaker 1: that she does say she does this Creme Brulet analogy. 664 00:38:19,760 --> 00:38:23,880 Speaker 1: She says, you're Creme Brulet, You're perfect, You're irritatingly perfect. 665 00:38:24,440 --> 00:38:27,560 Speaker 1: Suddenly he realizes he doesn't want Creme brul he wants 666 00:38:27,719 --> 00:38:33,080 Speaker 1: something else. Cameron goes, what does he want? Jello? And 667 00:38:33,200 --> 00:38:36,000 Speaker 1: She's like, I could be Jello, and Julia's like, You're 668 00:38:36,120 --> 00:38:39,640 Speaker 1: never gonna be Jello. Since it's an insane scene, it's 669 00:38:39,719 --> 00:38:43,520 Speaker 1: so good, but they're so good. I mean, it's such 670 00:38:43,560 --> 00:38:46,919 Speaker 1: a weird scene, but they're sooth and Cameron Diaz will 671 00:38:47,000 --> 00:38:49,680 Speaker 1: never be Jello. She will never be She's like, I 672 00:38:49,880 --> 00:38:52,759 Speaker 1: have to be Jello. And also one of the great 673 00:38:52,920 --> 00:38:55,200 Speaker 1: iconic moments in that movie, which I think made her 674 00:38:55,239 --> 00:39:00,000 Speaker 1: a star, was the karaoke scene. Yes I don't really remember, 675 00:39:00,560 --> 00:39:02,839 Speaker 1: I remember, I can see like the kind of shot 676 00:39:02,920 --> 00:39:05,680 Speaker 1: of her like jumping around. She's petrified, and Julia Roberts 677 00:39:05,760 --> 00:39:07,560 Speaker 1: thinks the way that she's going to break her down 678 00:39:07,840 --> 00:39:13,080 Speaker 1: is by making her and she's petrified, and she really 679 00:39:13,120 --> 00:39:15,160 Speaker 1: starts to cry and break down when she realizes that 680 00:39:15,239 --> 00:39:17,520 Speaker 1: she has to, and she's like she starts off super shaky, 681 00:39:17,600 --> 00:39:20,200 Speaker 1: she's nervous, she's about to like fully break down. But 682 00:39:20,239 --> 00:39:23,480 Speaker 1: then like eventually she wins everybody in the room over 683 00:39:23,560 --> 00:39:26,600 Speaker 1: and then she's just the triumphant ending and then like 684 00:39:27,400 --> 00:39:30,279 Speaker 1: like Julia Roberts, his character is like fuck, And it's 685 00:39:30,320 --> 00:39:34,160 Speaker 1: because Cameron dis is endearing in a real way. Wow, 686 00:39:34,239 --> 00:39:35,839 Speaker 1: I mean you know what like talking about this now, 687 00:39:35,880 --> 00:39:38,640 Speaker 1: I'm just like yeah, like Cameron and and Charlie's Angels too, 688 00:39:38,800 --> 00:39:41,120 Speaker 1: like full Star, she does not get to get the 689 00:39:41,160 --> 00:39:44,080 Speaker 1: credit she deserves. No, she jumps off that screen. I mean, 690 00:39:44,160 --> 00:39:46,080 Speaker 1: there was a reason why she was like number one 691 00:39:46,160 --> 00:39:48,680 Speaker 1: for a minute, and her salary was up there. She 692 00:39:48,800 --> 00:39:50,880 Speaker 1: was getting paid like twenty meal out of all out 693 00:39:50,920 --> 00:39:53,719 Speaker 1: of all three Charlie's and she was making the most moment. 694 00:39:54,200 --> 00:39:58,080 Speaker 1: I saw the sweetest thing in theaters with like a babysitter, 695 00:39:58,239 --> 00:40:01,239 Speaker 1: and I was who young. It was like a ratedar movie, 696 00:40:01,719 --> 00:40:04,320 Speaker 1: like let's see this movie. And then there was a 697 00:40:04,320 --> 00:40:07,919 Speaker 1: seem like her mouth or like someone's mouth gets caught 698 00:40:08,000 --> 00:40:10,960 Speaker 1: on a dick or something like the tongue ring gets 699 00:40:11,000 --> 00:40:13,440 Speaker 1: caught on his dick. There's something where it's like the 700 00:40:13,560 --> 00:40:15,520 Speaker 1: shot is her mouth over a dick for like ten 701 00:40:15,560 --> 00:40:17,000 Speaker 1: minutes of trying to get like a dick out of 702 00:40:17,040 --> 00:40:20,080 Speaker 1: this person's mouth. And then my baby was like, don't 703 00:40:20,600 --> 00:40:24,120 Speaker 1: tell your parents took me to this movie, and I 704 00:40:24,239 --> 00:40:27,160 Speaker 1: was like I won't. But then we were like chuckling 705 00:40:27,200 --> 00:40:29,120 Speaker 1: about it. But it was this like secret, Oh cool, 706 00:40:29,760 --> 00:40:32,560 Speaker 1: I'm not telling my parents saw this dirty movie. I'm nine. 707 00:40:33,120 --> 00:40:35,480 Speaker 1: Whatever the hell he got it though, because oh my god, yeah, 708 00:40:35,640 --> 00:40:38,799 Speaker 1: this this happened with me with um something about Mary 709 00:40:39,440 --> 00:40:41,359 Speaker 1: and yes it was com in the hair. They come 710 00:40:41,400 --> 00:40:42,560 Speaker 1: in the hair and it was just all these it 711 00:40:42,640 --> 00:40:45,040 Speaker 1: was like three Chinese families that a dinner party and 712 00:40:45,120 --> 00:40:46,560 Speaker 1: we were all like, let's watch a movie and I 713 00:40:46,640 --> 00:40:49,760 Speaker 1: was like, yeah, like what seven And then they played 714 00:40:49,800 --> 00:40:51,480 Speaker 1: it and I just did not understand what was going 715 00:40:51,520 --> 00:40:53,080 Speaker 1: on with the comb in the hair thing, and they 716 00:40:53,120 --> 00:40:57,319 Speaker 1: were like yead's gel and yeah, um, but Cameron, has 717 00:40:58,400 --> 00:41:00,320 Speaker 1: you mentioned the sweetest thing, which has me to do 718 00:41:00,360 --> 00:41:04,440 Speaker 1: another rule of culture. It's rule number thirty four of culture. 719 00:41:05,480 --> 00:41:12,200 Speaker 1: Christina Applicate always steals the movie always always I can Okay, 720 00:41:12,520 --> 00:41:14,560 Speaker 1: she's the great icon of our time. She's the great 721 00:41:14,680 --> 00:41:16,560 Speaker 1: Wait a minute, am I thinking I've seen an applicate? 722 00:41:16,600 --> 00:41:22,399 Speaker 1: When I think of don't yes, yes, don't tell mom? 723 00:41:22,480 --> 00:41:24,800 Speaker 1: The babysitting is the ultimate. If I could be in 724 00:41:24,880 --> 00:41:27,200 Speaker 1: any remake of anything, it would be that. That should 725 00:41:27,239 --> 00:41:29,319 Speaker 1: be you, Like, can you imagine just like baby saying 726 00:41:29,360 --> 00:41:31,759 Speaker 1: I'm like no, Now I'm in corporate fashion and I like, 727 00:41:31,960 --> 00:41:35,359 Speaker 1: oh god, how do I juggle this? Like you think? 728 00:41:36,520 --> 00:41:39,480 Speaker 1: Only you could do it, Peter, only you could do it. 729 00:41:39,680 --> 00:41:41,799 Speaker 1: It's so good. And then she's like a fashion show 730 00:41:41,840 --> 00:41:44,479 Speaker 1: at her house and she's she's like playing a forty 731 00:41:44,560 --> 00:41:48,840 Speaker 1: year old one with kids. She's like sixteen, but you 732 00:41:49,040 --> 00:41:53,279 Speaker 1: buy it, you because she's like five but playing an 733 00:41:53,320 --> 00:41:56,399 Speaker 1: eighteen year old. So she looks, Oh, it's just perfect. Yeah, 734 00:41:56,520 --> 00:41:58,719 Speaker 1: that was like, well, I guess while she was getting 735 00:41:58,760 --> 00:42:01,480 Speaker 1: married with children, Oh yeah, when they were like you're 736 00:42:01,520 --> 00:42:05,800 Speaker 1: a star. But then she she is, She's funny. She 737 00:42:06,080 --> 00:42:09,360 Speaker 1: is talk about staying power like she's a star. Of 738 00:42:09,440 --> 00:42:12,400 Speaker 1: the stage. She's on Broadway. Yeah, she didn't Sweet Charity. 739 00:42:12,600 --> 00:42:15,200 Speaker 1: She was nominated for a Tony she did. Oh yeah, 740 00:42:15,400 --> 00:42:17,200 Speaker 1: like what the ten years ago? Right, it was a 741 00:42:17,239 --> 00:42:19,680 Speaker 1: while back, but yeah, she was nominated for a Tony 742 00:42:19,680 --> 00:42:22,440 Speaker 1: for Sweet famously broke her foot during a performance and 743 00:42:22,480 --> 00:42:25,960 Speaker 1: finished the whole week of shows. I remember. I think 744 00:42:26,040 --> 00:42:30,359 Speaker 1: Christina Applegate is gunning for that egot. I don't think 745 00:42:30,440 --> 00:42:32,560 Speaker 1: she has, she doesn't have anything, but like, think about 746 00:42:32,560 --> 00:42:35,400 Speaker 1: what she's done. She's she's she's done Broadway, She's obviously 747 00:42:35,480 --> 00:42:38,120 Speaker 1: done movies, TV and maybe she and she can sing. 748 00:42:38,800 --> 00:42:42,000 Speaker 1: She is one where I would love to see that happen. 749 00:42:42,719 --> 00:42:45,160 Speaker 1: I would love to see Christine Applegate one day like 750 00:42:45,360 --> 00:42:47,680 Speaker 1: blow everyone away and win an oscar and like and 751 00:42:47,840 --> 00:42:50,560 Speaker 1: like a sort of you don't see it coming, but 752 00:42:50,640 --> 00:42:52,560 Speaker 1: it happens way like I guess for Jennifer Hudson it 753 00:42:52,640 --> 00:42:57,239 Speaker 1: happened like exactly where it's like returned to the top. 754 00:42:57,600 --> 00:42:59,920 Speaker 1: And you know who else mcnathew, McConaughey, you know who 755 00:43:00,040 --> 00:43:02,480 Speaker 1: used to think it will happen for Maggie mcgonay has 756 00:43:02,480 --> 00:43:07,720 Speaker 1: a perfect example. Judy Greer. Oh, but to meet Judy Greers, 757 00:43:07,840 --> 00:43:12,720 Speaker 1: like like then like she everyone everyone loves her because 758 00:43:12,800 --> 00:43:15,080 Speaker 1: you can't of her. Yeah, I think, but she has 759 00:43:15,120 --> 00:43:17,959 Speaker 1: to start that inflection now, like she has to start 760 00:43:18,080 --> 00:43:20,799 Speaker 1: turning that trip around. Not that it's going anywhere bad, 761 00:43:20,880 --> 00:43:23,520 Speaker 1: but it's like she should start. She was in The Descendants. 762 00:43:24,719 --> 00:43:26,439 Speaker 1: She had like a big dramatic part in the movie 763 00:43:26,480 --> 00:43:28,080 Speaker 1: The Descendants with George Clooney, which I think was a 764 00:43:28,080 --> 00:43:30,680 Speaker 1: ship movie, which was like eight years ago. Yeah, I 765 00:43:30,760 --> 00:43:32,360 Speaker 1: guess you're right. It was a long time ago. The 766 00:43:32,440 --> 00:43:35,400 Speaker 1: movie was like every sad dad. Yeah, I hate that. 767 00:43:36,280 --> 00:43:40,440 Speaker 1: I've realized that Alexander Payne movies are the worst. It's 768 00:43:40,480 --> 00:43:45,960 Speaker 1: like George Clooney is like playing a Hawaiian horrid? Who did? 769 00:43:46,520 --> 00:43:51,160 Speaker 1: Who did? Oh? What's the aloha? O? God? Cameron Crowe? 770 00:43:51,200 --> 00:43:54,959 Speaker 1: Cameron Crowe? Cameron Crowe? Who man? I used to love? 771 00:43:55,880 --> 00:43:57,840 Speaker 1: Why did you used to love him? Because Jerry McGuire 772 00:43:58,000 --> 00:44:01,240 Speaker 1: was just like, okay, Jerry McGuire, super were permissible, Almost 773 00:44:01,280 --> 00:44:06,040 Speaker 1: Famous not permissible for me? Okay, explain they secretly love 774 00:44:06,080 --> 00:44:10,839 Speaker 1: almost Famous. I don't like that movie. It doesn't hold 775 00:44:10,960 --> 00:44:13,919 Speaker 1: up because of the gay panic. Oh yeah, yeah, yeah, 776 00:44:13,920 --> 00:44:16,560 Speaker 1: there's gay panic. And I haven't seem like a part 777 00:44:16,600 --> 00:44:19,560 Speaker 1: of it. I think the plane scene, Yeah, I know 778 00:44:19,600 --> 00:44:22,080 Speaker 1: what you're talking about. They hack, they hack, joke it 779 00:44:22,160 --> 00:44:23,759 Speaker 1: up when they're they all think they're going down in 780 00:44:23,800 --> 00:44:25,839 Speaker 1: the plane, like all of still works on this plane. 781 00:44:25,920 --> 00:44:28,200 Speaker 1: The plane's crashing and they're all like telling each other 782 00:44:28,239 --> 00:44:30,800 Speaker 1: their secrets and the one guy's like, I'm gay, and 783 00:44:30,840 --> 00:44:34,400 Speaker 1: then the plane rights itself and they're like I know, 784 00:44:34,560 --> 00:44:37,160 Speaker 1: and it's just like comedic climax of the movie. And 785 00:44:37,239 --> 00:44:40,000 Speaker 1: it's like, really, you're right, you know what I resent 786 00:44:40,200 --> 00:44:42,200 Speaker 1: my opinion. You can do and you can do that. 787 00:44:42,360 --> 00:44:45,880 Speaker 1: You can do that here here it's a rule. Um oh. 788 00:44:46,000 --> 00:44:49,560 Speaker 1: And also, um, I like hate love, love hate whatever. 789 00:44:49,640 --> 00:44:56,720 Speaker 1: Elizabethtown really, especially especially with acting Paula Deane is acting 790 00:44:56,760 --> 00:45:00,400 Speaker 1: in that movie. She's she she plays his aunt. All right. 791 00:45:00,440 --> 00:45:03,040 Speaker 1: I remember thinking like that, Wow, like because I loved 792 00:45:03,440 --> 00:45:06,120 Speaker 1: food celebrity. I love celebrity chefs. When I was like 793 00:45:06,400 --> 00:45:08,640 Speaker 1: food celebrity, I love calling them food celebrity. I was 794 00:45:08,680 --> 00:45:11,719 Speaker 1: trying to think of food celebrity. I was thinking of 795 00:45:11,760 --> 00:45:15,000 Speaker 1: a joke walking up the It was like, Oh, I'm 796 00:45:15,040 --> 00:45:16,440 Speaker 1: a celebrity chef, and then it was like, no, I'm 797 00:45:16,440 --> 00:45:18,560 Speaker 1: a Celebrity's chef, and I was like, that's not funny, 798 00:45:18,680 --> 00:45:21,120 Speaker 1: but I will think of it and then throw it away. 799 00:45:21,120 --> 00:45:24,320 Speaker 1: I think there's something, there's something there. But Pauladine was 800 00:45:24,400 --> 00:45:27,920 Speaker 1: a celebrity chef and then she was a mom in 801 00:45:28,320 --> 00:45:30,839 Speaker 1: a film, and I remember thinking like, wow, you've made 802 00:45:30,880 --> 00:45:35,920 Speaker 1: the jump from like you're set your home in Savannah, 803 00:45:35,960 --> 00:45:40,160 Speaker 1: Georgia to now this like film with Kristen. Kristen's like 804 00:45:40,320 --> 00:45:44,160 Speaker 1: playing her mom. Yeah, it's I mean, do you know this? 805 00:45:44,239 --> 00:45:46,600 Speaker 1: Polden used to be aguoraphobic, like she would not leave 806 00:45:46,640 --> 00:45:49,440 Speaker 1: the house, like she was a shut end. She was terrified. 807 00:45:49,560 --> 00:45:53,080 Speaker 1: That explains a lot of her comments. Absolutely, Like I'm 808 00:45:53,120 --> 00:45:57,840 Speaker 1: saying she's still like a disgusting demon, poisonous demon sucks 809 00:45:58,000 --> 00:46:01,360 Speaker 1: but um, it's but I just find her fascinating and 810 00:46:01,719 --> 00:46:04,000 Speaker 1: it's just so funny that she's in Elizabethtown and she's 811 00:46:04,040 --> 00:46:07,200 Speaker 1: like she's like, oh you like that, Like she's just 812 00:46:09,760 --> 00:46:13,640 Speaker 1: oh wait, no, no, no, I can't. I watched Elizabethtown recently. 813 00:46:13,680 --> 00:46:15,880 Speaker 1: It was on the Apartment and and I thought, oh, 814 00:46:16,000 --> 00:46:18,880 Speaker 1: there's obviously like ten minutes left. The movie went on 815 00:46:19,080 --> 00:46:21,399 Speaker 1: for an hour and a half. I was like, if 816 00:46:21,520 --> 00:46:25,319 Speaker 1: it's felt like the end the whole time and then 817 00:46:25,360 --> 00:46:28,000 Speaker 1: at the end when when Susan Surrandon does that dance 818 00:46:28,520 --> 00:46:35,640 Speaker 1: Susan about Elizabethtown. Susan Surandon plays Orlando Bloom's mother. Really yes, 819 00:46:35,840 --> 00:46:37,360 Speaker 1: and she does a dance at the end on the 820 00:46:37,440 --> 00:46:43,680 Speaker 1: stage positive and then everything starts. Did you see it? 821 00:46:46,160 --> 00:46:48,920 Speaker 1: It's like she's she's doing it. Wait, listeners of last 822 00:46:48,920 --> 00:46:52,279 Speaker 1: colature races confirm this. Susan Srandon like gets up on 823 00:46:52,360 --> 00:46:54,480 Speaker 1: stage and does it dance. It's like her ex husband 824 00:46:54,480 --> 00:46:57,799 Speaker 1: who's Alando Bloom's Father's like funeral or something. And then 825 00:46:57,920 --> 00:47:02,480 Speaker 1: something happens where the the like hanging pieces from the 826 00:47:02,560 --> 00:47:06,680 Speaker 1: ceiling start to fall. Oh no, too much, but it's bizarre. 827 00:47:08,040 --> 00:47:10,680 Speaker 1: And the whole time here and duns taken pictures but 828 00:47:10,760 --> 00:47:13,279 Speaker 1: don't exist. That was her kind of thing. It was like, 829 00:47:13,360 --> 00:47:16,320 Speaker 1: she's a photographer, she's a photographer. That that movie was 830 00:47:16,440 --> 00:47:19,359 Speaker 1: the origin of the PDG. Yeah, Man Pixie dream Girl 831 00:47:19,400 --> 00:47:21,759 Speaker 1: Like I really forgot which critic coined that phrase, but 832 00:47:21,800 --> 00:47:25,200 Speaker 1: it was based for Garden State. Now that she's lumped 833 00:47:25,200 --> 00:47:27,200 Speaker 1: in with she's lumped in with that because Elizabethtown is 834 00:47:27,280 --> 00:47:30,080 Speaker 1: so derivative of Garden State. But yeah, are they both 835 00:47:30,080 --> 00:47:33,280 Speaker 1: in New Jersey. You know that Elizabethtown is in Kentucky, 836 00:47:33,960 --> 00:47:37,800 Speaker 1: southern hence the Dean, hence the dean. What was it? 837 00:47:38,040 --> 00:47:45,080 Speaker 1: What was that? How you look dead like your lad? 838 00:47:46,160 --> 00:47:51,640 Speaker 1: There you go, thank you dead date. That's my politican 839 00:47:51,680 --> 00:47:57,240 Speaker 1: impression in Orlando Bloom. I here's the thing about Orlando Bloom. 840 00:47:57,680 --> 00:48:00,239 Speaker 1: He was naked recently. He was naked recently with his 841 00:48:00,600 --> 00:48:04,000 Speaker 1: dick out, like very near to Katie Perry's back. And 842 00:48:04,120 --> 00:48:05,759 Speaker 1: you have a story about him. I've told it on 843 00:48:05,800 --> 00:48:09,680 Speaker 1: the pod before. He was screaming a crazy in the McDonald's. 844 00:48:09,760 --> 00:48:10,920 Speaker 1: He was, Yeah, he was in front of me at 845 00:48:10,960 --> 00:48:14,400 Speaker 1: McDonald's at three in the morning and he was just 846 00:48:14,560 --> 00:48:18,439 Speaker 1: screaming and just um, just yelling at the people behind 847 00:48:18,480 --> 00:48:21,440 Speaker 1: the counter about like he was like, why aren't you 848 00:48:21,520 --> 00:48:24,120 Speaker 1: feeding this homeless person who is standing next to me? 849 00:48:24,760 --> 00:48:29,480 Speaker 1: He was advocating for the homeless, but not gracefully. Are 850 00:48:29,480 --> 00:48:33,960 Speaker 1: there any other Perry Katie Pry like a Katie Perry lacking, 851 00:48:34,640 --> 00:48:39,920 Speaker 1: lacking grace but with questionable intention? Um okay, let's take 852 00:48:40,000 --> 00:48:42,439 Speaker 1: this moment now to read off one of our rules 853 00:48:42,480 --> 00:48:45,680 Speaker 1: of culture. Yes, it's a fan submitted rule of culture. Yes, 854 00:48:45,840 --> 00:48:47,880 Speaker 1: and um, let me let me just pull this right now. 855 00:48:48,040 --> 00:48:51,320 Speaker 1: I think which fan I believe this is. This is 856 00:48:51,440 --> 00:48:57,200 Speaker 1: from our very good friend Sutie Green. I was getting 857 00:48:57,200 --> 00:49:00,239 Speaker 1: a coffee two days ago. Where was it at Riet 858 00:49:00,840 --> 00:49:03,440 Speaker 1: Riete or whatever? No is in. I was on the 859 00:49:03,480 --> 00:49:05,240 Speaker 1: way to work and I stopped at the Whole Foods 860 00:49:05,280 --> 00:49:08,480 Speaker 1: on Bedford and Forest, and I got a coffee there 861 00:49:08,800 --> 00:49:11,880 Speaker 1: because they had the almond milk I like. So she 862 00:49:12,080 --> 00:49:14,799 Speaker 1: walks in from swimming and she's like, oh my god, 863 00:49:14,920 --> 00:49:17,279 Speaker 1: and we had kind of a convo in line. Yeah, 864 00:49:17,680 --> 00:49:19,960 Speaker 1: it was just kind of like a enjoy your day 865 00:49:20,440 --> 00:49:22,959 Speaker 1: seeing comedians first thing in the morning is the best. 866 00:49:23,040 --> 00:49:27,719 Speaker 1: I see Annie Donnalley. Sometimes she's a treat to eat. 867 00:49:28,080 --> 00:49:30,719 Speaker 1: We gotta get we gotta get her on I'll be 868 00:49:30,800 --> 00:49:35,239 Speaker 1: a wild coaster. Yea of an episode Annie's only did 869 00:49:35,320 --> 00:49:37,400 Speaker 1: you get? Did Annie Donley read you? I know I 870 00:49:37,400 --> 00:49:39,239 Speaker 1: didn't put my name on that thing. Okay, okay, Well 871 00:49:39,280 --> 00:49:44,120 Speaker 1: she's done. The library's closed. But comedian Annie Donney recently 872 00:49:44,160 --> 00:49:47,920 Speaker 1: posted on Facebook comment on this or like this status 873 00:49:48,000 --> 00:49:51,200 Speaker 1: and I'll read you like a fucking drag queen. And 874 00:49:51,480 --> 00:49:55,200 Speaker 1: so a lot of people commented and liked it, and 875 00:49:55,640 --> 00:49:57,640 Speaker 1: they got red. Now what did she say about you? Bow? 876 00:49:57,719 --> 00:49:59,640 Speaker 1: And she said about me? Um here here's her read. 877 00:49:59,640 --> 00:50:02,080 Speaker 1: I'm gonna try to I'm in a paraphrase that she goes, 878 00:50:02,560 --> 00:50:05,600 Speaker 1: do your parents know your secret? No, not that you're gay, 879 00:50:06,000 --> 00:50:08,799 Speaker 1: that you're honestly trying to break into the podcast day 880 00:50:10,080 --> 00:50:14,000 Speaker 1: I read. I loved it. I loved it. Um she 881 00:50:14,160 --> 00:50:17,399 Speaker 1: said about me? Uh, Matt Rodgers. If I ever want 882 00:50:17,440 --> 00:50:19,560 Speaker 1: to find out what's happening in pop culture, I just 883 00:50:19,640 --> 00:50:21,560 Speaker 1: have to go to your feed. If I ever want 884 00:50:21,600 --> 00:50:23,759 Speaker 1: to find out everything I ever need to know about you, 885 00:50:23,920 --> 00:50:25,719 Speaker 1: I need to talk to you for five minutes. You 886 00:50:25,840 --> 00:50:31,960 Speaker 1: loud bitch. So read. She just cuts it down, cuts 887 00:50:31,960 --> 00:50:35,839 Speaker 1: it down. You gotta love. This is our second fan 888 00:50:35,920 --> 00:50:38,959 Speaker 1: s admitted rule of culture from Sudie Green. Rule number 889 00:50:41,480 --> 00:50:43,840 Speaker 1: so many. The sibling of a pop star may have 890 00:50:44,160 --> 00:50:49,239 Speaker 1: one good album and that is it. So I I 891 00:50:49,600 --> 00:50:55,080 Speaker 1: have questions about this. Your exhale there because burden a burden, 892 00:50:55,440 --> 00:50:59,320 Speaker 1: because I was like, yeah, okay, sure, but Ashley Simpson, no, no, 893 00:51:00,040 --> 00:51:05,040 Speaker 1: well she had one metamorphosis, No, out of biography, autobiography whatever, 894 00:51:05,080 --> 00:51:07,640 Speaker 1: that's Hillary Duff. Metamorphosis was Hillary Duff. They've all gone 895 00:51:07,680 --> 00:51:12,480 Speaker 1: through changes, but no Solange would you count I would 896 00:51:12,520 --> 00:51:14,839 Speaker 1: Cancelange as a sibling. If a pop star who has 897 00:51:15,520 --> 00:51:19,320 Speaker 1: I would too, who has transcended that sort of label 898 00:51:19,520 --> 00:51:21,879 Speaker 1: and released her own body of work. That is also, 899 00:51:21,960 --> 00:51:25,399 Speaker 1: to be honest, there is Janet Jackson. Of course, yeah 900 00:51:25,440 --> 00:51:30,880 Speaker 1: you can't. You know what this? Wow? Are we refusing 901 00:51:31,000 --> 00:51:34,359 Speaker 1: to I don't refuse it, but it's just there are 902 00:51:34,520 --> 00:51:38,840 Speaker 1: such exceptions, exceptions to this rule such as Janet Jackson. 903 00:51:39,040 --> 00:51:41,920 Speaker 1: There you go, yeah, you know what, Sudi, I'm sorry, 904 00:51:42,560 --> 00:51:47,080 Speaker 1: we reject this. We reject this rule. Guys. The stakes 905 00:51:47,120 --> 00:51:50,400 Speaker 1: are high, high high. If even if you submit a 906 00:51:50,520 --> 00:51:53,800 Speaker 1: rule of culture for us to include UM in Canada, 907 00:51:54,000 --> 00:51:56,200 Speaker 1: is there's a chance that we will reject it out right. 908 00:51:57,280 --> 00:51:59,200 Speaker 1: And that's not that's not on us, that's on you. 909 00:51:59,320 --> 00:52:02,520 Speaker 1: And you have to go about with that absolutely absolutely, 910 00:52:02,520 --> 00:52:07,640 Speaker 1: because we don't work for you. We work for Forever 911 00:52:07,760 --> 00:52:13,880 Speaker 1: Dog Podcast Network. Yes, now, Peter Um, tell us a 912 00:52:14,000 --> 00:52:19,920 Speaker 1: little bit more. You're making a face about Okay, you're 913 00:52:19,960 --> 00:52:23,040 Speaker 1: going I saw you on the street. You were wearing 914 00:52:23,120 --> 00:52:27,480 Speaker 1: this beautiful pink shirt and what you don't want to 915 00:52:27,480 --> 00:52:33,920 Speaker 1: talk about this? I was looking at your shirt. Yes, 916 00:52:34,040 --> 00:52:36,520 Speaker 1: we are talking about you man. So Peters is wearing 917 00:52:36,560 --> 00:52:38,759 Speaker 1: this pink shirt that says two thousand, four sixty four 918 00:52:38,880 --> 00:52:42,800 Speaker 1: Sturgis Rally, Live to Ride, Ride to Live SD, South Dakota, MCN. 919 00:52:43,239 --> 00:52:46,840 Speaker 1: So it's got a beautiful, bright pink beautiful hot roddy 920 00:52:47,000 --> 00:52:51,719 Speaker 1: motorcycle there. Um, bright pink looks fantastic on Peter, I 921 00:52:51,800 --> 00:52:54,560 Speaker 1: said to them. I think they even said, um, this 922 00:52:54,760 --> 00:52:56,960 Speaker 1: is just giving off Joanne vibes because I was looking 923 00:52:57,000 --> 00:52:59,160 Speaker 1: at your shirt. Let's all for the listeners at home. 924 00:52:59,440 --> 00:53:02,799 Speaker 1: Bonus where a Lady Gaga brand t shirt. Yes it's 925 00:53:02,800 --> 00:53:05,960 Speaker 1: a black shirt. Was just a simple embroidered she is 926 00:53:06,040 --> 00:53:12,239 Speaker 1: simple now and she she's paired it down now. And 927 00:53:12,440 --> 00:53:15,320 Speaker 1: I am wearing the shirt that because when I was 928 00:53:16,000 --> 00:53:20,560 Speaker 1: whatever along I ninety which which it's a highway that 929 00:53:20,640 --> 00:53:23,719 Speaker 1: goes through many states, but it's how you get from 930 00:53:23,800 --> 00:53:28,000 Speaker 1: Chicago to Montana. Okay. So I drive a lot as 931 00:53:28,000 --> 00:53:30,600 Speaker 1: a kid, and we would get Sturgis. It was like 932 00:53:30,760 --> 00:53:33,640 Speaker 1: we would always drive and Sturgis as this motorcycle rally, 933 00:53:33,719 --> 00:53:35,320 Speaker 1: and so for most of the trip would be like 934 00:53:35,800 --> 00:53:39,880 Speaker 1: surrounded by thousands of motorcycles on this road, this highway. 935 00:53:39,880 --> 00:53:41,759 Speaker 1: And he was like, oh fuck, oh fuck, oh, fun, fun, 936 00:53:41,800 --> 00:53:45,400 Speaker 1: because they just were like boom Past starring. So I 937 00:53:45,600 --> 00:53:47,840 Speaker 1: drove there a few years ago when I got this 938 00:53:47,960 --> 00:53:50,719 Speaker 1: shirt because I was like cute, Yeah, it was a 939 00:53:50,800 --> 00:53:53,080 Speaker 1: gas station and then I saw your shirt and then 940 00:53:53,160 --> 00:53:56,560 Speaker 1: I have anxiety about this shirt because it's Joe. It's 941 00:53:56,600 --> 00:53:59,640 Speaker 1: like Joe Anne, because it's pain the aesthetic of Joe 942 00:53:59,719 --> 00:54:04,320 Speaker 1: Ane Sure, her look of Joanne it's like girly, like girly, 943 00:54:04,719 --> 00:54:09,880 Speaker 1: like western wear, girly Americana. Yeah, sure, okay, and she 944 00:54:10,000 --> 00:54:13,279 Speaker 1: looks good. But I just was like, this is like now, 945 00:54:13,560 --> 00:54:18,839 Speaker 1: unfortunately she's branded. Might you know image of this? She's 946 00:54:18,840 --> 00:54:20,520 Speaker 1: done her job. She took that from you, but I 947 00:54:20,760 --> 00:54:24,560 Speaker 1: wouldn't have made that connection necessarily. But now you've imprinted. 948 00:54:24,680 --> 00:54:29,839 Speaker 1: Obviously It's in and and Peter a couple of weeks ago. Um, 949 00:54:30,239 --> 00:54:32,839 Speaker 1: Peter is a great Instagram story. It's it's it's one 950 00:54:32,920 --> 00:54:35,719 Speaker 1: of the superior ones out there. I will say that 951 00:54:35,880 --> 00:54:40,600 Speaker 1: Peter had a sequence of a sequence of images one 952 00:54:40,719 --> 00:54:45,560 Speaker 1: night of Lady Gaga photos, mostly during the art pop 953 00:54:45,719 --> 00:54:48,800 Speaker 1: slash cheek to cheek era, where she was wearing a 954 00:54:48,840 --> 00:54:53,560 Speaker 1: lot of calftans, a lot of um. She had just 955 00:54:53,800 --> 00:54:58,600 Speaker 1: lost one of her costume designers art director's Nickel informer Chetti, 956 00:54:59,120 --> 00:55:01,719 Speaker 1: who went on to you work for nuclear I think, 957 00:55:02,560 --> 00:55:07,359 Speaker 1: but she was, he was already working. We can't, we can't, 958 00:55:07,360 --> 00:55:09,320 Speaker 1: we can't. But basically she was sort of she was 959 00:55:09,360 --> 00:55:13,360 Speaker 1: sort of at sea with her aesthetic and she was 960 00:55:13,440 --> 00:55:17,279 Speaker 1: wearing a lot of really funny, goofy things. I think 961 00:55:17,320 --> 00:55:19,160 Speaker 1: it was sort of I think it's sort of perfect 962 00:55:19,239 --> 00:55:21,560 Speaker 1: like it. It reflects the messiness of that time for her, 963 00:55:22,280 --> 00:55:25,000 Speaker 1: But she was also she also sort of put on someone. 964 00:55:25,080 --> 00:55:27,719 Speaker 1: She filled out a little bit. And Peter was just 965 00:55:28,960 --> 00:55:33,239 Speaker 1: viciously posting these photos. It was not vicious. Sorry, There 966 00:55:33,320 --> 00:55:36,080 Speaker 1: was like five pictures of her in these looks where she, 967 00:55:36,960 --> 00:55:42,359 Speaker 1: I guess is unflattering. Some of them were unflattering, one 968 00:55:42,440 --> 00:55:45,520 Speaker 1: of them more than flattering. Yes, yes, um, But I 969 00:55:45,640 --> 00:55:47,600 Speaker 1: laughed and I didn't I didn't necessarily think, oh, this 970 00:55:47,719 --> 00:55:50,640 Speaker 1: is a malicious thing. But I said Peter, these these 971 00:55:50,719 --> 00:55:53,719 Speaker 1: lady guys. I texted Peter as like these that she 972 00:55:54,000 --> 00:55:57,839 Speaker 1: is a vessel too. I don't know like I put 973 00:55:58,000 --> 00:55:59,959 Speaker 1: we all. I mean, I think we put some stuff 974 00:56:00,480 --> 00:56:03,560 Speaker 1: emotionally into her. Were like some pointed in that time 975 00:56:04,200 --> 00:56:08,640 Speaker 1: of her, like eating a lot and like wearing dumb outfits. 976 00:56:08,920 --> 00:56:13,319 Speaker 1: I'm going to say it because she was at sea 977 00:56:13,680 --> 00:56:16,560 Speaker 1: without someone to say like where this it's really cool, 978 00:56:16,800 --> 00:56:20,680 Speaker 1: right right um, and which people need to know that 979 00:56:20,760 --> 00:56:24,960 Speaker 1: she had a great team working for right. And I 980 00:56:25,000 --> 00:56:28,480 Speaker 1: don't know, I was just feeling it, so I was like, yeah, okay, mood, 981 00:56:28,840 --> 00:56:31,080 Speaker 1: I'm not taking it a task for this necessarily. I 982 00:56:31,120 --> 00:56:33,279 Speaker 1: just thought it was very funny and it affected me 983 00:56:34,040 --> 00:56:37,080 Speaker 1: because I just I do have this emotional investment. And 984 00:56:37,120 --> 00:56:40,080 Speaker 1: so I texted Peter and I said, um, I forgot 985 00:56:40,120 --> 00:56:41,759 Speaker 1: what I said, like, what is this? What is this? 986 00:56:41,840 --> 00:56:45,880 Speaker 1: But then they said, um, oh this is just like 987 00:56:46,200 --> 00:56:48,920 Speaker 1: this is reflecting my weight journey. It's like, well me too, 988 00:56:49,040 --> 00:56:50,839 Speaker 1: because I feel like I'm going through this now where 989 00:56:50,880 --> 00:56:54,120 Speaker 1: I'm like it's summer, I can't fit into my shorts 990 00:56:54,160 --> 00:56:56,920 Speaker 1: from last year, all this stuff, and I think this 991 00:56:57,040 --> 00:57:00,799 Speaker 1: is a conversation worth having. We've talked about bodies before, yes, 992 00:57:01,040 --> 00:57:05,120 Speaker 1: weight weight journeys through the lens of Gaga, just in general, Well, 993 00:57:05,160 --> 00:57:07,000 Speaker 1: this is like and then after this time period of 994 00:57:07,080 --> 00:57:09,880 Speaker 1: these like outfits she had her like my body is 995 00:57:10,000 --> 00:57:12,480 Speaker 1: you know, like yeah can be fat, but I can't 996 00:57:12,520 --> 00:57:16,960 Speaker 1: think that was kind of weird. It was weird and 997 00:57:17,400 --> 00:57:20,840 Speaker 1: it was obviously come out of a crazy insecurity. Yeah. 998 00:57:21,120 --> 00:57:23,080 Speaker 1: Well it's like, I mean, how would you react to 999 00:57:23,120 --> 00:57:25,040 Speaker 1: what was talking about your body? I mean talking about 1000 00:57:25,160 --> 00:57:27,680 Speaker 1: like oh yeah, it's such a weird time because it's like, 1001 00:57:28,440 --> 00:57:31,560 Speaker 1: I guess, not the beginning of the summer anymore. But 1002 00:57:31,680 --> 00:57:34,240 Speaker 1: it's just past that point where it was like, well, 1003 00:57:34,960 --> 00:57:37,840 Speaker 1: I really didn't get ready for the summer in terms 1004 00:57:37,880 --> 00:57:39,720 Speaker 1: of my body, and now it's like in terms of 1005 00:57:39,800 --> 00:57:42,360 Speaker 1: like the social events where then you are judged on 1006 00:57:42,520 --> 00:57:45,720 Speaker 1: how you look like without any closure. Yes, yes I 1007 00:57:45,840 --> 00:57:48,960 Speaker 1: didn't even yeah, okay, but it's just it's just at 1008 00:57:49,040 --> 00:57:51,280 Speaker 1: that point now where it's like, okay, it's July, like 1009 00:57:51,560 --> 00:57:53,560 Speaker 1: this is it for this summer. I mean again I 1010 00:57:53,760 --> 00:57:56,640 Speaker 1: didn't do it. I didn't get it right for the 1011 00:57:56,720 --> 00:58:01,000 Speaker 1: summer again, and this is what it is. Sure. I 1012 00:58:01,560 --> 00:58:06,560 Speaker 1: saw you both in middriff bearing tease last night. Well 1013 00:58:06,600 --> 00:58:11,080 Speaker 1: I saw Sluck in middriff bearing. That was that was 1014 00:58:11,520 --> 00:58:14,880 Speaker 1: I didn't know, like the persona sluck for everyone that's listening, 1015 00:58:14,960 --> 00:58:18,240 Speaker 1: it doesn't know is boning and eyes um Garbage Danced 1016 00:58:18,480 --> 00:58:22,760 Speaker 1: Garbage Dance Duo we lip sync to trashy songs and 1017 00:58:23,400 --> 00:58:26,800 Speaker 1: pieces of little sounds and it's disgusting. We have a 1018 00:58:26,840 --> 00:58:30,480 Speaker 1: full face of makeup and a little shitty shirts and 1019 00:58:31,120 --> 00:58:33,600 Speaker 1: down door and we and we we lip sync and perform. 1020 00:58:33,760 --> 00:58:35,640 Speaker 1: So Peter saw us last night. I was gonna say, 1021 00:58:35,640 --> 00:58:39,640 Speaker 1: you both looked gorgeous. But this Gaga weight journey, I 1022 00:58:39,800 --> 00:58:41,680 Speaker 1: was feeling it, and I was like, Okay, this is 1023 00:58:41,760 --> 00:58:46,160 Speaker 1: the only thing that can just like sum up when 1024 00:58:46,160 --> 00:58:48,560 Speaker 1: I'm feeling right now. Okay, that's fair, Because I was 1025 00:58:48,640 --> 00:58:50,200 Speaker 1: like trying on outfits for a show and I was 1026 00:58:50,240 --> 00:58:55,720 Speaker 1: like yeah, and then these pictures of her just like 1027 00:58:55,920 --> 00:58:58,560 Speaker 1: chilling walking out of a plane and then like the 1028 00:58:58,840 --> 00:59:03,840 Speaker 1: weird cheek to cheek stuff where but she was wearing 1029 00:59:05,480 --> 00:59:09,600 Speaker 1: like Warren Afro. It's like, yeah, she was going crazy 1030 00:59:09,680 --> 00:59:12,560 Speaker 1: there for a minute. It was really strange that like 1031 00:59:12,800 --> 00:59:16,640 Speaker 1: that like black like Afro. I kind of love that 1032 00:59:16,680 --> 00:59:19,360 Speaker 1: she's singing Bang bang and that baby shot me down 1033 00:59:19,880 --> 00:59:23,120 Speaker 1: and kind of my cousin Vinny sort of thing, or 1034 00:59:23,160 --> 00:59:26,960 Speaker 1: even even a Moonstruck thing, yeah, um or like share 1035 00:59:26,960 --> 00:59:31,440 Speaker 1: at the Oscars for Moonstruck, like gigantic, gigantic black leg um. No, Yeah, 1036 00:59:31,520 --> 00:59:33,479 Speaker 1: she's sing bang bang by baby shot me down live 1037 00:59:34,240 --> 00:59:36,480 Speaker 1: with Tony Bennett. Um, it wasn't a doubt. But she's 1038 00:59:36,480 --> 00:59:39,640 Speaker 1: sang herself and I've gotten so much mileage out of 1039 00:59:39,800 --> 00:59:42,200 Speaker 1: just covering her rendition of that at the Do you 1040 00:59:42,280 --> 00:59:44,560 Speaker 1: really have so much? It's a show stop. I've ever 1041 00:59:44,640 --> 00:59:47,480 Speaker 1: seen Bowen singing that song? You I thought you've seen 1042 00:59:47,520 --> 00:59:49,440 Speaker 1: me do this? Okay, well next time. Here's what I 1043 00:59:49,480 --> 00:59:51,440 Speaker 1: think we have to do. I think Lasco Triesas has 1044 00:59:51,480 --> 00:59:54,680 Speaker 1: to do a live show at the Duplex at some point, 1045 00:59:55,040 --> 00:59:59,200 Speaker 1: and we have to have Bowen's performance of Bang Bang. 1046 00:59:59,480 --> 01:00:01,160 Speaker 1: I would love and shot me down. I would love 1047 01:00:01,200 --> 01:00:06,720 Speaker 1: a musical um themed live show. Yeah, not not musical theater. 1048 01:00:06,800 --> 01:00:10,000 Speaker 1: I just mean, like, like songs are we could? We could? Uh? 1049 01:00:10,680 --> 01:00:14,320 Speaker 1: We do know a pianist. We're familiar with a pianist. 1050 01:00:14,680 --> 01:00:17,000 Speaker 1: We've got many singers friends who are singers. Oh my god, 1051 01:00:17,040 --> 01:00:20,560 Speaker 1: have you heard Peter sing? Yes? I have, but Torn 1052 01:00:21,320 --> 01:00:23,760 Speaker 1: by Natalie and bruliant. Oh my god. I was going 1053 01:00:23,840 --> 01:00:26,920 Speaker 1: to bring this up earlier Peter at their show, Um 1054 01:00:27,440 --> 01:00:33,280 Speaker 1: was it? Chump's Jubilee sings the most huntingly beautiful rendition 1055 01:00:33,320 --> 01:00:36,480 Speaker 1: of Torn by Natalie. It's a good song, it's a 1056 01:00:36,520 --> 01:00:38,560 Speaker 1: great song. Oh my god, the lyrics are so good. 1057 01:00:39,120 --> 01:00:42,280 Speaker 1: It's a classic song. Goga's gotta cover it on Cheeked 1058 01:00:42,440 --> 01:00:47,480 Speaker 1: Cheek too, only the standards. It's cheek to cheek, but 1059 01:00:47,560 --> 01:00:54,280 Speaker 1: it's a two right, right, and Tony Bennett's dead. She's 1060 01:00:54,280 --> 01:00:56,400 Speaker 1: just wheeling him around there you go. I mean it 1061 01:00:56,520 --> 01:00:58,360 Speaker 1: kind of felt like that at some point. Definitely, she's 1062 01:00:58,360 --> 01:01:01,640 Speaker 1: like Tony. It was weird the Graham and she was like, 1063 01:01:01,800 --> 01:01:05,080 Speaker 1: I love Tony, And then I think Tony Bennett really 1064 01:01:05,160 --> 01:01:07,720 Speaker 1: does think Lady Gaga's first name is Lady. I think 1065 01:01:07,760 --> 01:01:12,480 Speaker 1: so in all the songs, he's like Lady. I think 1066 01:01:12,640 --> 01:01:15,240 Speaker 1: this cheek to cheek body time was when she started 1067 01:01:15,320 --> 01:01:18,800 Speaker 1: doing like plastic surgery in her face. She certainly looks 1068 01:01:18,880 --> 01:01:21,760 Speaker 1: different because she got she got lip injections. I think 1069 01:01:23,880 --> 01:01:27,480 Speaker 1: there was some she like did Frank Sinatra performance some 1070 01:01:27,560 --> 01:01:29,520 Speaker 1: of that, and it was like her face was she's 1071 01:01:29,520 --> 01:01:33,280 Speaker 1: got a facelift different, and it was like a turning 1072 01:01:34,000 --> 01:01:36,040 Speaker 1: from me or being like, WHOA, your face is now new? 1073 01:01:36,320 --> 01:01:39,320 Speaker 1: Yeahs different than it was, but there is still a 1074 01:01:39,440 --> 01:01:43,160 Speaker 1: sort of striesandesk quality about the profile that the noses 1075 01:01:43,360 --> 01:01:46,360 Speaker 1: just juts out and it's very bold and sharp, and 1076 01:01:46,440 --> 01:01:48,720 Speaker 1: I like that. I think I think she's still maintained 1077 01:01:48,760 --> 01:01:51,560 Speaker 1: the essence. And think about Gaga is like there were 1078 01:01:51,640 --> 01:01:54,600 Speaker 1: so many years where you didn't really know where she looked, 1079 01:01:54,680 --> 01:01:56,520 Speaker 1: like you know what I mean, Like when she first 1080 01:01:56,560 --> 01:01:58,640 Speaker 1: came out, her bangs were so in her face and 1081 01:01:58,720 --> 01:02:01,600 Speaker 1: like she doesn't such have a costume, like you never 1082 01:02:02,120 --> 01:02:04,960 Speaker 1: such intense makeup, Like you never really got a sense 1083 01:02:05,000 --> 01:02:06,640 Speaker 1: of what she looks like. And so now I feel 1084 01:02:06,680 --> 01:02:09,960 Speaker 1: like people don't really talk about Gaga and how much 1085 01:02:10,000 --> 01:02:12,760 Speaker 1: plastic surgery she has or hasn't had, because it wasn't 1086 01:02:13,440 --> 01:02:15,760 Speaker 1: the thing. It wasn't because she did like she would 1087 01:02:15,840 --> 01:02:18,480 Speaker 1: the contour differently some days and it was like, your 1088 01:02:18,560 --> 01:02:21,800 Speaker 1: face looks different. She would line her lips crazy some days, 1089 01:02:22,040 --> 01:02:23,960 Speaker 1: Like you really didn't have a sense of what her 1090 01:02:25,160 --> 01:02:27,600 Speaker 1: quote unquote makeup free face looked like until maybe like 1091 01:02:28,360 --> 01:02:31,640 Speaker 1: you and I, where she just wasn't wearing anything or 1092 01:02:31,680 --> 01:02:34,080 Speaker 1: even bad romance was the first time that it was unobstructed. 1093 01:02:34,120 --> 01:02:37,919 Speaker 1: It was like, oh, there's not a fucking like bang, yeah, 1094 01:02:38,080 --> 01:02:40,280 Speaker 1: like but not a banger, you know, like a fucking 1095 01:02:40,520 --> 01:02:44,240 Speaker 1: iPhone chrome my iPhone on your face? Yeah? Um, But 1096 01:02:44,360 --> 01:02:46,720 Speaker 1: now I mean, and that's kind of that's kind of 1097 01:02:46,760 --> 01:02:48,880 Speaker 1: brilliant on her part. I will say that she like 1098 01:02:49,080 --> 01:02:53,720 Speaker 1: kept the image, so whatever, flexible, Okay, um, But I 1099 01:02:54,000 --> 01:02:56,160 Speaker 1: didn't mean to force this away conversation on all three 1100 01:02:56,160 --> 01:02:58,720 Speaker 1: of no no No, I just feel I was thinking 1101 01:02:58,760 --> 01:03:01,280 Speaker 1: to myself, like, because I've been thinking about it, and 1102 01:03:01,360 --> 01:03:03,760 Speaker 1: I was thinking to myself, imagine looking in the mirror 1103 01:03:03,760 --> 01:03:07,320 Speaker 1: and being like, fuck, yeah, some people do that, I know, 1104 01:03:07,400 --> 01:03:10,760 Speaker 1: but imagine how what that would feel like? Yeah, and 1105 01:03:10,840 --> 01:03:15,439 Speaker 1: I don't know if yeah, I mean like would fix 1106 01:03:15,480 --> 01:03:19,840 Speaker 1: all the problems. That's how people get eating disorders when 1107 01:03:19,880 --> 01:03:24,440 Speaker 1: they fixes all the problems. Yes, yes, yes, and it doesn't. 1108 01:03:24,720 --> 01:03:28,560 Speaker 1: But by summer there are so many just like hot 1109 01:03:28,640 --> 01:03:30,760 Speaker 1: people walking around with no clothes on, and I'm like, 1110 01:03:30,880 --> 01:03:32,760 Speaker 1: darn it. I'm not like darnet. I'm like, thank you, 1111 01:03:34,480 --> 01:03:39,240 Speaker 1: thank you, I will thank you. I love to look 1112 01:03:39,320 --> 01:03:41,240 Speaker 1: at hot people. And then part of me is like 1113 01:03:41,320 --> 01:03:43,720 Speaker 1: am I turned on by them? AREM I jealous of them? 1114 01:03:43,800 --> 01:03:46,760 Speaker 1: Or what? I think? It's it's obviously a vicious human 1115 01:03:46,840 --> 01:03:53,520 Speaker 1: combination of everything. We are complict the greatest Yeah, what 1116 01:03:53,760 --> 01:03:55,640 Speaker 1: is that? The great Is it? The greatest game? The 1117 01:03:55,720 --> 01:03:59,080 Speaker 1: most dangerous the most dangerous, which is about humans hunting 1118 01:03:59,120 --> 01:04:02,840 Speaker 1: each other, which I would love to bring back as 1119 01:04:02,920 --> 01:04:08,760 Speaker 1: a reality show with Jillian Michaels. You're hunting your skinny sealth. Yes, 1120 01:04:08,960 --> 01:04:11,960 Speaker 1: oh that's fine. Peter can ask you a question, Yes, 1121 01:04:12,400 --> 01:04:14,240 Speaker 1: how do you think Bowen and I would do on 1122 01:04:14,360 --> 01:04:19,400 Speaker 1: the Amazing Race? Just hypothetical? Is there a doubt in 1123 01:04:19,520 --> 01:04:24,080 Speaker 1: your mind that you wouldn't win? Absolutely, but only because 1124 01:04:24,200 --> 01:04:27,560 Speaker 1: I'm garbage. I think would win because I don't have 1125 01:04:27,680 --> 01:04:29,520 Speaker 1: the stamina for it and I don't have the patience 1126 01:04:29,560 --> 01:04:31,720 Speaker 1: for it. And I think I'm a good problem solver. 1127 01:04:31,840 --> 01:04:34,600 Speaker 1: But after there is a critical when you're a certified genius, 1128 01:04:36,600 --> 01:04:40,760 Speaker 1: multiple languages, and I have great ground speed, like I 1129 01:04:40,840 --> 01:04:43,520 Speaker 1: can get places very fast, and you can like you 1130 01:04:43,640 --> 01:04:47,840 Speaker 1: can risk it all for like you know, you can 1131 01:04:47,960 --> 01:04:50,720 Speaker 1: grab something. I would grab things the fastest we did 1132 01:04:50,880 --> 01:04:54,919 Speaker 1: escape the room, and I was always like over here, yeah, 1133 01:04:55,000 --> 01:04:57,160 Speaker 1: like you keep it, and was like, oh wait, now 1134 01:04:57,800 --> 01:05:01,240 Speaker 1: it's I think you would one hundred percent when the 1135 01:05:01,400 --> 01:05:05,840 Speaker 1: damn I can't. I would refuse to swallow you know, 1136 01:05:06,240 --> 01:05:08,320 Speaker 1: a mole rat. I would do what they do. I 1137 01:05:08,320 --> 01:05:11,720 Speaker 1: would do that. I don't know the factor I wanted 1138 01:05:11,720 --> 01:05:13,640 Speaker 1: to go on Fear Factor when you would do great 1139 01:05:13,680 --> 01:05:15,880 Speaker 1: on Fear Factors. Put me in that tarantula? Are you 1140 01:05:16,360 --> 01:05:19,840 Speaker 1: listen that way? I think I just was like, this 1141 01:05:19,960 --> 01:05:22,200 Speaker 1: would be crazy because there are so many cameras on 1142 01:05:22,320 --> 01:05:24,840 Speaker 1: you that you're like, is this real? Yea, And then 1143 01:05:24,880 --> 01:05:27,240 Speaker 1: you're like, I guess it is, But like if I die, 1144 01:05:27,320 --> 01:05:28,919 Speaker 1: then this whole thing is going down. So they don't 1145 01:05:28,920 --> 01:05:31,760 Speaker 1: want me to die. So that's this is a weird 1146 01:05:31,920 --> 01:05:35,720 Speaker 1: environment where things are enabled, but you're being a it's 1147 01:05:36,160 --> 01:05:39,760 Speaker 1: by I want to get on that. Either you get 1148 01:05:39,800 --> 01:05:42,400 Speaker 1: on that or you host the fucking reboot, the reboot 1149 01:05:42,400 --> 01:05:46,640 Speaker 1: of fat You know who won Celebrity for a Factor once? 1150 01:05:46,680 --> 01:05:52,120 Speaker 1: Who Rosa? Wow? Because the final challenges like to go 1151 01:05:52,240 --> 01:05:57,840 Speaker 1: into a room facing Amar Rosa. She just broke the 1152 01:05:57,920 --> 01:06:03,479 Speaker 1: mirror staring at her self Rosa. She won Celebrity Fair Factor. 1153 01:06:03,520 --> 01:06:06,560 Speaker 1: I guess who she beat Nicky mckibbon from American Idol 1154 01:06:06,600 --> 01:06:12,280 Speaker 1: season She was pink haired rocker. She was a Jennifer Hudson. 1155 01:06:12,640 --> 01:06:15,920 Speaker 1: She was a Jennifer Hudson by by rank, Yes, and 1156 01:06:16,040 --> 01:06:19,040 Speaker 1: but she was she was the upset third place and 1157 01:06:19,080 --> 01:06:22,480 Speaker 1: she because she beat out to my regret. Yeah, but 1158 01:06:22,640 --> 01:06:24,800 Speaker 1: not an American Idol queen sitting in front of us. 1159 01:06:24,920 --> 01:06:30,400 Speaker 1: I really American Idol rubs me the wrong way. It should. 1160 01:06:30,840 --> 01:06:34,880 Speaker 1: It's an evil It's an evil show like making fun 1161 01:06:34,920 --> 01:06:39,720 Speaker 1: of people singing however they want to die. Don't like it? Yeah, 1162 01:06:39,760 --> 01:06:43,160 Speaker 1: we we we have friends who have been personally it's 1163 01:06:43,840 --> 01:06:48,640 Speaker 1: victimized and it's horrible. Um but no, I mean I 1164 01:06:48,800 --> 01:06:51,680 Speaker 1: think there needs to be TV is evil. TV is evil. 1165 01:06:51,960 --> 01:06:55,200 Speaker 1: Um just justin general. Took The Great British Baking Show. 1166 01:06:55,240 --> 01:06:58,400 Speaker 1: Oh yes, of course. Wait how far are you I've 1167 01:06:58,480 --> 01:07:01,960 Speaker 1: seen three seasons that the ones that are on I 1168 01:07:02,040 --> 01:07:05,560 Speaker 1: haven't pursued further. Are you a fan? What are your 1169 01:07:05,560 --> 01:07:14,440 Speaker 1: thoughts on Chatna? Come on, this is such an important question. 1170 01:07:14,920 --> 01:07:19,680 Speaker 1: The Great British Baking Show finds a success on not 1171 01:07:19,800 --> 01:07:22,360 Speaker 1: tearing anybody down, or I'm not asking to tear it down. 1172 01:07:22,440 --> 01:07:25,760 Speaker 1: I think she's talented. She The only reason I ask 1173 01:07:25,880 --> 01:07:27,840 Speaker 1: is because first of all, I will say I found 1174 01:07:27,840 --> 01:07:30,040 Speaker 1: her to be she in the Middle Eastern one, She's 1175 01:07:30,080 --> 01:07:33,240 Speaker 1: she's Indian, Indian and she um. I found her to 1176 01:07:33,400 --> 01:07:36,280 Speaker 1: be a little bit not not compelling to watch, which 1177 01:07:36,360 --> 01:07:39,200 Speaker 1: is not the point. But she was just a kind 1178 01:07:39,240 --> 01:07:41,200 Speaker 1: to the point. It's kind of the point. It's TV. 1179 01:07:41,440 --> 01:07:44,520 Speaker 1: But she does have an amazing cooking channel on YouTube. 1180 01:07:45,200 --> 01:07:50,760 Speaker 1: She bakes, obviously, but she makes amazing native dishes. She does. 1181 01:07:51,480 --> 01:07:53,840 Speaker 1: I can't taste it, so I couldn't say definitively, but 1182 01:07:54,320 --> 01:07:58,520 Speaker 1: that's the people have the most amazing butter chicken and 1183 01:07:58,600 --> 01:08:04,000 Speaker 1: chicken and chicken tacking assy. Oh god. Okay, So there's 1184 01:08:04,040 --> 01:08:07,080 Speaker 1: a lot of garbage with those cooking shows though, because 1185 01:08:07,600 --> 01:08:12,120 Speaker 1: you can't taste it. And also I heard tea that 1186 01:08:13,040 --> 01:08:15,680 Speaker 1: none of the contestants can taste each other's food. And 1187 01:08:16,200 --> 01:08:20,640 Speaker 1: and you know all these cooking shows. Wait why specifically 1188 01:08:22,160 --> 01:08:26,400 Speaker 1: I'm talking about Top Chef, not Top Chef, I'm talking 1189 01:08:26,400 --> 01:08:30,920 Speaker 1: about Master Chef. I'm just I hear, what is this 1190 01:08:31,280 --> 01:08:38,080 Speaker 1: that you're like, I'm not supposed to say. You leave 1191 01:08:38,160 --> 01:08:41,680 Speaker 1: the room, people taste your things, and then you come 1192 01:08:41,760 --> 01:08:45,360 Speaker 1: back and then they give the critiques, and it's like, 1193 01:08:45,880 --> 01:08:47,920 Speaker 1: you're never allowed to taste each other's food. You would 1194 01:08:48,000 --> 01:08:50,000 Speaker 1: never know if a person deserves to win, and as 1195 01:08:50,040 --> 01:08:52,479 Speaker 1: a viewer, you would never know. You have to take 1196 01:08:52,520 --> 01:08:54,559 Speaker 1: their word for it based on who's the best. Sounds 1197 01:08:54,560 --> 01:08:58,200 Speaker 1: like scientology. It sounds a lot like the room, somebody 1198 01:08:58,360 --> 01:09:00,320 Speaker 1: decides something for you to come back, can auestern it? 1199 01:09:00,520 --> 01:09:03,760 Speaker 1: You can't question it? Is that scientology? Sure, sure, it's 1200 01:09:04,640 --> 01:09:07,960 Speaker 1: a bad way to do something with groups of people 1201 01:09:08,120 --> 01:09:11,240 Speaker 1: and secrets. That's all you need. Yeah, yeah, that's all 1202 01:09:11,280 --> 01:09:13,400 Speaker 1: you need to make scientology happen. But Top Chef, I 1203 01:09:13,439 --> 01:09:16,559 Speaker 1: mean they don't make I was always confused, like how one, 1204 01:09:17,760 --> 01:09:21,000 Speaker 1: how did they get the food plated to then have 1205 01:09:21,240 --> 01:09:24,560 Speaker 1: like the shot of you know where they like show it, 1206 01:09:24,600 --> 01:09:26,800 Speaker 1: and then like the three sixty view of the food, 1207 01:09:26,920 --> 01:09:29,760 Speaker 1: and then also they eat it, and then they have 1208 01:09:30,560 --> 01:09:34,519 Speaker 1: how many are you making? And like ten minutes left? 1209 01:09:34,680 --> 01:09:36,560 Speaker 1: Like what is this actually mean because you probably have 1210 01:09:36,640 --> 01:09:40,400 Speaker 1: to plate the like yes, close up shot one. And 1211 01:09:40,479 --> 01:09:42,800 Speaker 1: that's how we feel about greepers bake off too. It's 1212 01:09:42,840 --> 01:09:46,960 Speaker 1: like this is impossible. I would collapse from exhaustion if 1213 01:09:47,000 --> 01:09:49,840 Speaker 1: I were also in the heat of summer under that 1214 01:09:50,000 --> 01:09:53,680 Speaker 1: tent with a bunch of ovens. No, no way, no, 1215 01:09:53,880 --> 01:09:56,840 Speaker 1: no thank you. These like ruddy British people who are 1216 01:09:56,880 --> 01:10:00,920 Speaker 1: like it's just very hot. They go home after each episode, 1217 01:10:00,960 --> 01:10:02,920 Speaker 1: like they go to their own literal homes and they 1218 01:10:03,000 --> 01:10:08,679 Speaker 1: travel back to this beautiful coughing on coughing on Cape 1219 01:10:09,200 --> 01:10:15,360 Speaker 1: be living on. Sure it sounds lovely. I want to 1220 01:10:15,439 --> 01:10:20,320 Speaker 1: go to Yes, well that's where the Great British Baking 1221 01:10:20,400 --> 01:10:25,360 Speaker 1: Show season eight. You know you know how many seasons 1222 01:10:25,400 --> 01:10:27,559 Speaker 1: are there? Oh, there's there's been many and the ones 1223 01:10:27,600 --> 01:10:29,800 Speaker 1: that are not did they just come to America? Well 1224 01:10:29,840 --> 01:10:33,240 Speaker 1: there's the American one. American one. I don't want to 1225 01:10:33,280 --> 01:10:36,679 Speaker 1: watch that. I haven't seen with American bakers. Are they mean? 1226 01:10:37,040 --> 01:10:40,519 Speaker 1: I don't know. I probably it's probably cutthroat. No, they're 1227 01:10:40,520 --> 01:10:42,920 Speaker 1: not mean. Hot producers. Joe is shaking his head. It's 1228 01:10:42,960 --> 01:10:46,240 Speaker 1: on PBS, right, yeah, he's nodding. Um, I'm sure, I'm 1229 01:10:46,240 --> 01:10:50,639 Speaker 1: sure it's it's PBS. Yes, and it's tame as it's 1230 01:10:50,720 --> 01:10:56,200 Speaker 1: genteel and tam um. Yes. Um. We've reached the point 1231 01:10:56,240 --> 01:11:00,160 Speaker 1: in our show where we will um, I don't Think 1232 01:11:00,240 --> 01:11:02,519 Speaker 1: so honey for the gods and guess what Now we 1233 01:11:02,600 --> 01:11:07,280 Speaker 1: can really freely talk about this. On August eleven, at 1234 01:11:07,360 --> 01:11:11,160 Speaker 1: eight pm a p m. At Little Field, we will 1235 01:11:11,320 --> 01:11:13,840 Speaker 1: be doing a second edition of I Don't Think So Honey, 1236 01:11:14,120 --> 01:11:17,400 Speaker 1: and you can get your tickets now online. Go to 1237 01:11:17,479 --> 01:11:21,720 Speaker 1: our Facebook page. Um, look it up. I don't Think 1238 01:11:21,760 --> 01:11:24,360 Speaker 1: so Honey, last Coltursa's Live at Little Field and y 1239 01:11:24,439 --> 01:11:28,200 Speaker 1: see single Wannas. It's single Wannas. We have Peter Smith. 1240 01:11:28,400 --> 01:11:31,080 Speaker 1: It's like, can I just say to the people listening 1241 01:11:31,360 --> 01:11:34,120 Speaker 1: who might be like, should I go see this? Like 1242 01:11:34,680 --> 01:11:37,960 Speaker 1: the first one was a party, a party. It was fun. 1243 01:11:38,040 --> 01:11:40,760 Speaker 1: It was really you had a party going on. It 1244 01:11:40,920 --> 01:11:44,240 Speaker 1: was so fun and everyone was just like watching this party, 1245 01:11:44,400 --> 01:11:46,200 Speaker 1: but they were also in the party. It's like how 1246 01:11:46,280 --> 01:11:49,120 Speaker 1: I felt watching Hello Dolly the other day. Oh my god, 1247 01:11:49,439 --> 01:11:52,200 Speaker 1: don't we talk about that Hello? How was it in 1248 01:11:53,240 --> 01:11:55,479 Speaker 1: the best thing I've ever seen? Is it? Are you serious? 1249 01:11:55,520 --> 01:11:59,840 Speaker 1: It was the best thing I've ever seen. God damn, 1250 01:11:59,880 --> 01:12:02,799 Speaker 1: it was the best thing I have ever I lost 1251 01:12:03,000 --> 01:12:05,519 Speaker 1: myself for the majority of it. What did you think 1252 01:12:05,520 --> 01:12:10,519 Speaker 1: of the train? Sure? Yeah, great? She sat on it, 1253 01:12:10,560 --> 01:12:13,519 Speaker 1: it went off. I'm like, yeah, okay, man, But just 1254 01:12:13,720 --> 01:12:18,240 Speaker 1: that doing bits, driving him into the goddamn ground like 1255 01:12:18,680 --> 01:12:22,240 Speaker 1: a ten minute having fun. She was having a great time. 1256 01:12:22,800 --> 01:12:25,479 Speaker 1: We're just there for it. God damn, I wanted to 1257 01:12:25,600 --> 01:12:28,240 Speaker 1: see that. I'll see it with anybody. I love me 1258 01:12:28,360 --> 01:12:30,040 Speaker 1: some Donna. I love to see it with her to 1259 01:12:31,120 --> 01:12:35,640 Speaker 1: go again, that Bernette. They're okay. The rumors changed a 1260 01:12:35,720 --> 01:12:38,160 Speaker 1: week after week. First week here it's not Dolly Parton, 1261 01:12:38,320 --> 01:12:41,439 Speaker 1: but then before that it was someone else McIntire, they said, 1262 01:12:41,439 --> 01:12:43,320 Speaker 1: for a second, but then it was also going to 1263 01:12:43,439 --> 01:12:49,880 Speaker 1: be um like some someone else, like all crazy crazy, 1264 01:12:49,920 --> 01:12:53,920 Speaker 1: crazy crazy. Well when well, Sudi went to go see 1265 01:12:54,000 --> 01:12:58,280 Speaker 1: it and Bernadette was there, and she posted about Bernadette 1266 01:12:58,320 --> 01:13:00,680 Speaker 1: being there, and someone who's really like they knew what 1267 01:13:00,720 --> 01:13:02,960 Speaker 1: they were talking about, was like, that's because she's taking over. 1268 01:13:03,120 --> 01:13:05,439 Speaker 1: That's the tea. But every week it's always someone who 1269 01:13:05,520 --> 01:13:07,920 Speaker 1: really knows what they're talking about. Yeah, everyone really knows 1270 01:13:08,000 --> 01:13:09,840 Speaker 1: what they're talking about, and they should know that only 1271 01:13:10,000 --> 01:13:12,160 Speaker 1: we know what we're talking about. And I do want 1272 01:13:12,200 --> 01:13:14,840 Speaker 1: to say one thing. I'm so sorry I have to 1273 01:13:14,920 --> 01:13:19,280 Speaker 1: say this. Okay, there is Orlando T Okay, all right, 1274 01:13:19,720 --> 01:13:25,920 Speaker 1: by Virginia Wolf. There is Orlando. Virgin Orlando T. She 1275 01:13:26,120 --> 01:13:31,639 Speaker 1: killed herself shortly after writing it is never published until now. Um, 1276 01:13:31,880 --> 01:13:35,760 Speaker 1: so listen, as you know, I love to deliver the 1277 01:13:35,920 --> 01:13:39,120 Speaker 1: Orlando t truth, the Orlando gossip. This is what's happening 1278 01:13:39,160 --> 01:13:40,960 Speaker 1: in Orlando. Let's just say there's about to be a 1279 01:13:41,040 --> 01:13:46,760 Speaker 1: theme park war coming your way about one, okay, So 1280 01:13:46,920 --> 01:13:48,800 Speaker 1: let me first go over what's going to happen over 1281 01:13:48,840 --> 01:13:54,200 Speaker 1: at Disney World. They have released a detailed, detailed model 1282 01:13:54,560 --> 01:13:58,360 Speaker 1: of Star Wars Land. Now, this is in depth. It 1283 01:13:58,400 --> 01:14:01,960 Speaker 1: shows where everything's going to be actually see what where 1284 01:14:01,960 --> 01:14:05,240 Speaker 1: everything's going to be located. You're getting a millennium force 1285 01:14:05,720 --> 01:14:10,880 Speaker 1: simulator attraction. Apparently it will be interactive to the point 1286 01:14:11,000 --> 01:14:14,640 Speaker 1: where how you do on the ride in quotes, like 1287 01:14:14,800 --> 01:14:18,800 Speaker 1: in terms of like how how you participate in the ride. 1288 01:14:19,920 --> 01:14:22,720 Speaker 1: While you're in the rest of the land, characters will 1289 01:14:22,760 --> 01:14:26,879 Speaker 1: approach you, oh my god, and interact with you based 1290 01:14:27,000 --> 01:14:31,080 Speaker 1: on your performance, your heroic or failure of a performance 1291 01:14:31,320 --> 01:14:34,640 Speaker 1: in the ride, so they'll berate you. They were going 1292 01:14:34,680 --> 01:14:36,960 Speaker 1: to sleep No More you, Yes, this is the rumor. 1293 01:14:37,760 --> 01:14:40,600 Speaker 1: Now obviously some people are not going to want that, 1294 01:14:40,800 --> 01:14:43,320 Speaker 1: so it's going to be voluntary, I hear. But do 1295 01:14:43,360 --> 01:14:45,240 Speaker 1: you know they have those magic bands which apparently that 1296 01:14:45,280 --> 01:14:48,240 Speaker 1: system is getting updated too, so look for that you 1297 01:14:48,360 --> 01:14:51,880 Speaker 1: opt in to sleep No More. Yes, So what was 1298 01:14:52,040 --> 01:14:54,880 Speaker 1: formally Disney MGM Studios is now Disney Hollywood Studios is 1299 01:14:54,880 --> 01:15:01,000 Speaker 1: probably gonna get renamed to No to like to like wait, 1300 01:15:01,080 --> 01:15:06,040 Speaker 1: is that one with the big They've taken that down 1301 01:15:06,200 --> 01:15:10,880 Speaker 1: and they're thinking about. They're going to demolish or take 1302 01:15:10,960 --> 01:15:14,080 Speaker 1: down the Great Movie Ride, replaced it with rumored the 1303 01:15:14,160 --> 01:15:17,880 Speaker 1: Great Mickey Ride, which is gonna be a Spiderman, Transformers, 1304 01:15:17,960 --> 01:15:24,200 Speaker 1: Ask three D motion simulator dark Ride using Mickey, Donald, Duck, Minni, 1305 01:15:24,840 --> 01:15:28,120 Speaker 1: all those So they're trying to move into that direction, 1306 01:15:28,240 --> 01:15:30,040 Speaker 1: and they don't really have a ride that uses all 1307 01:15:30,080 --> 01:15:34,960 Speaker 1: those characters. So essentially they're turning they're turning Hollywood Studios 1308 01:15:35,000 --> 01:15:37,880 Speaker 1: into like an adventure park based on their big adventure 1309 01:15:37,960 --> 01:15:41,600 Speaker 1: movie properties. So probably what's going to happen is the 1310 01:15:41,640 --> 01:15:44,040 Speaker 1: Tower of Terror is unfortunately going to get re themed 1311 01:15:44,080 --> 01:15:46,479 Speaker 1: to the Guardians of the Galaxy rock and roller coaster. 1312 01:15:46,600 --> 01:15:49,200 Speaker 1: Probably same thing, probably gonna be turned into something else, 1313 01:15:49,360 --> 01:15:51,719 Speaker 1: theme to Marvel because Marvel is also going to figure 1314 01:15:51,760 --> 01:15:56,120 Speaker 1: into this park. Fantasmic, the Nighttime Spectacular Show is going 1315 01:15:56,160 --> 01:16:00,320 Speaker 1: to get completely rethemed and updated. Toy Storyland is open there. 1316 01:16:00,439 --> 01:16:02,920 Speaker 1: They've released a lot of stuff about what's going to 1317 01:16:02,960 --> 01:16:04,280 Speaker 1: be in Toy story And I just want to say, 1318 01:16:04,360 --> 01:16:07,000 Speaker 1: Matt is just this is off the top of his head. 1319 01:16:07,080 --> 01:16:10,640 Speaker 1: He there, and you don't under this is this is 1320 01:16:10,680 --> 01:16:12,360 Speaker 1: in the last This is in the last two or 1321 01:16:12,400 --> 01:16:14,160 Speaker 1: three days and he just come out. I'm sorry, he 1322 01:16:14,240 --> 01:16:16,640 Speaker 1: just match just has this memory. To me, this is 1323 01:16:16,680 --> 01:16:22,040 Speaker 1: sad because like the old like and well for just 1324 01:16:22,160 --> 01:16:24,240 Speaker 1: like drag queens in general. Like I I'm just still 1325 01:16:24,280 --> 01:16:26,479 Speaker 1: talking about this because we're all here just sort of 1326 01:16:26,520 --> 01:16:30,240 Speaker 1: working at each other. Um like the aesthetic of us 1327 01:16:30,360 --> 01:16:32,920 Speaker 1: going to Disney World and being like oh even just 1328 01:16:33,040 --> 01:16:35,920 Speaker 1: like the old Hollywood writing thing, like no, now it's 1329 01:16:35,960 --> 01:16:38,320 Speaker 1: like snider Man. So these kids aren't going to have 1330 01:16:38,520 --> 01:16:44,080 Speaker 1: this like enchantment with forty to like just like weld 1331 01:16:44,160 --> 01:16:47,400 Speaker 1: Zone was weird, like it was like Twilight Zone. And 1332 01:16:47,600 --> 01:16:49,680 Speaker 1: that will be something that people have to reckon with, 1333 01:16:49,880 --> 01:16:51,960 Speaker 1: is the death of that kind of old aesthetic there 1334 01:16:52,000 --> 01:16:53,880 Speaker 1: because they're going to try to revamp into something that 1335 01:16:54,040 --> 01:16:57,360 Speaker 1: also coming down as the Indiana Jones stunt show. So 1336 01:16:57,640 --> 01:16:59,960 Speaker 1: it's all coming down. I mean, wouldn't know about Twilights 1337 01:17:00,000 --> 01:17:03,080 Speaker 1: them without Disney right a little bit. And that's kind 1338 01:17:03,120 --> 01:17:05,760 Speaker 1: of like how I felt about, you know, all the 1339 01:17:05,840 --> 01:17:07,760 Speaker 1: old movie properties that they used to kind of there 1340 01:17:07,840 --> 01:17:10,799 Speaker 1: was a lot of classic movie rights at Universal Studios, 1341 01:17:11,120 --> 01:17:14,360 Speaker 1: like you know your Jaws, You're they still have your 1342 01:17:14,439 --> 01:17:16,040 Speaker 1: t but like all that stuff is kind of gone 1343 01:17:16,080 --> 01:17:18,519 Speaker 1: now for like you know, Fast and Furious is getting 1344 01:17:18,520 --> 01:17:20,679 Speaker 1: a ride next year, and that's that's like a movie property, 1345 01:17:20,720 --> 01:17:23,320 Speaker 1: but it's not a classic movie property. They did an 1346 01:17:23,360 --> 01:17:26,200 Speaker 1: okay job of kind of like it's a franchise, right, 1347 01:17:26,240 --> 01:17:27,439 Speaker 1: and so they know it to make money and they 1348 01:17:27,479 --> 01:17:30,080 Speaker 1: don't want to bring people in now. So that's happening 1349 01:17:30,160 --> 01:17:33,439 Speaker 1: over at Hollywood Studios, which is to be renamed and 1350 01:17:33,520 --> 01:17:38,880 Speaker 1: to be completely rethemed. Additionally, the Magic Kingdom is getting 1351 01:17:38,920 --> 01:17:44,280 Speaker 1: Tron light Cycle is getting the Tron light Cycle roller coaster. Now, 1352 01:17:44,439 --> 01:17:48,200 Speaker 1: originally the tea was they were going to take out 1353 01:17:48,320 --> 01:17:52,160 Speaker 1: the Speedway, they were going to take out the Tomorrow 1354 01:17:52,240 --> 01:17:53,960 Speaker 1: Last Fear where you drove around in the little car. 1355 01:17:54,760 --> 01:17:57,599 Speaker 1: Now they're saying they're going to keep that. The Tron 1356 01:17:57,680 --> 01:18:01,080 Speaker 1: Lightcycle coaster is going to be behind it. Also rumored 1357 01:18:01,160 --> 01:18:05,320 Speaker 1: there's going to be an in park hotel behind the 1358 01:18:05,400 --> 01:18:10,000 Speaker 1: Haunted Mansion that's themed as a Haunted Mansion hotel. This 1359 01:18:10,200 --> 01:18:12,880 Speaker 1: is your wildest dream that this is and this is 1360 01:18:12,960 --> 01:18:15,240 Speaker 1: like I love this is a break. That's a brand 1361 01:18:15,280 --> 01:18:18,880 Speaker 1: new rumor. Now moving over to Universal, okay, and this 1362 01:18:19,040 --> 01:18:21,040 Speaker 1: is where this is where the gag. This is the 1363 01:18:21,080 --> 01:18:23,840 Speaker 1: gag and now we now we find this is the gag. 1364 01:18:24,760 --> 01:18:32,040 Speaker 1: So hearing that Disney is getting the Tron light Cycle Ride, 1365 01:18:32,840 --> 01:18:35,519 Speaker 1: which is a half of half light, half dark roller coaster. Yes, 1366 01:18:35,640 --> 01:18:38,360 Speaker 1: and as you ride it like a bike and Bonus 1367 01:18:38,360 --> 01:18:40,559 Speaker 1: done it and he described it as it's it's space 1368 01:18:40,600 --> 01:18:44,000 Speaker 1: Mountain on on every drug. It's the most thrilling thing 1369 01:18:44,040 --> 01:18:46,160 Speaker 1: I've ever been on. They made me take my glasses off. 1370 01:18:46,439 --> 01:18:49,519 Speaker 1: So once we were in the indoor portions, I didn't 1371 01:18:49,560 --> 01:18:52,120 Speaker 1: have Death Person dark all around you, but with like 1372 01:18:52,320 --> 01:18:53,920 Speaker 1: neon lights and it just looked like I was in 1373 01:18:54,000 --> 01:18:58,400 Speaker 1: this infinity field of light and it was Martin blurry light. 1374 01:18:58,520 --> 01:19:02,800 Speaker 1: It was gorgeous. So Universe Universal hears that Disney is 1375 01:19:02,840 --> 01:19:05,000 Speaker 1: bringing Tron to the United States, and you know this 1376 01:19:05,160 --> 01:19:06,439 Speaker 1: is gonna be a one of a kind of theme 1377 01:19:06,479 --> 01:19:10,680 Speaker 1: park experience. But they are going to tear down the 1378 01:19:10,800 --> 01:19:14,599 Speaker 1: Dragon Challenge formerly Dueling Dragons, iconic roller coasters that are there. 1379 01:19:14,800 --> 01:19:17,960 Speaker 1: You know they were racing and inverted and dueled to 1380 01:19:18,040 --> 01:19:20,880 Speaker 1: a different roller coasters or Mrs Helisses into your right. 1381 01:19:21,439 --> 01:19:23,360 Speaker 1: They're taking it down. There's going to be a Harry 1382 01:19:23,600 --> 01:19:29,439 Speaker 1: Potter Forbidden Forest Dark Ride slash rollercoaster that uses the 1383 01:19:29,800 --> 01:19:34,679 Speaker 1: same exact ride vehicle and technology as Tron. So basically 1384 01:19:34,720 --> 01:19:37,880 Speaker 1: they're coming in and saying they're they're they're You're not 1385 01:19:37,960 --> 01:19:40,840 Speaker 1: in a broomstick. You're on that thing that Hagrid rides. 1386 01:19:42,120 --> 01:19:44,120 Speaker 1: And someone's gonna be able to ride in the little 1387 01:19:44,200 --> 01:19:48,400 Speaker 1: thing next the little pod. Yes, and you're gonna exactly 1388 01:19:48,479 --> 01:19:52,080 Speaker 1: it's gonna be like a Hagrid ride I guess through 1389 01:19:52,240 --> 01:19:57,439 Speaker 1: the Forbidden Forest because because literally right where Dragon Challenges 1390 01:19:57,720 --> 01:20:00,160 Speaker 1: is where the Forbidden Forest would be in RelA to 1391 01:20:00,240 --> 01:20:03,760 Speaker 1: Hogwarts Castle. So yeah, so Disney is not going to 1392 01:20:03,800 --> 01:20:05,760 Speaker 1: be happy when they hear about that. Okay, I'm sure 1393 01:20:05,800 --> 01:20:11,800 Speaker 1: they're not happy. Now when when, of course, of course 1394 01:20:11,840 --> 01:20:15,479 Speaker 1: I am breaking all the news. So now we're going 1395 01:20:15,520 --> 01:20:21,120 Speaker 1: to have another Harry Potter extreme theme park experience. I'm 1396 01:20:21,280 --> 01:20:23,080 Speaker 1: up there with Green Guts and the friends. I get 1397 01:20:23,200 --> 01:20:26,000 Speaker 1: to go to Harry Potter. You must know, are you 1398 01:20:26,080 --> 01:20:29,320 Speaker 1: a fan of the series. Yeah, I mean not everybody. 1399 01:20:29,479 --> 01:20:31,599 Speaker 1: We can't assume that everybody is. But I didn't read 1400 01:20:31,600 --> 01:20:34,280 Speaker 1: the Curse of Child. I think of coming the new stuff, 1401 01:20:34,479 --> 01:20:37,679 Speaker 1: like we did a whole episode of this podcast about 1402 01:20:37,720 --> 01:20:41,760 Speaker 1: how the Cursal Child was garbage. You gotta go up 1403 01:20:41,760 --> 01:20:43,960 Speaker 1: here the Seven Books and then also to have it 1404 01:20:44,040 --> 01:20:48,519 Speaker 1: be like live in it. Yeah, it's the same aesthetic 1405 01:20:48,840 --> 01:20:51,000 Speaker 1: the movies, right, It's like the same set. When I 1406 01:20:51,200 --> 01:20:54,840 Speaker 1: walk very similar when I walked into diagon Alley, would 1407 01:20:54,880 --> 01:20:59,440 Speaker 1: you not? It was an emotional diagonally diagonally it was diagonally. 1408 01:20:59,600 --> 01:21:03,040 Speaker 1: The music was playing and it's just a sound a 1409 01:21:03,120 --> 01:21:05,920 Speaker 1: sound bath, sound bath, and it felt like I was 1410 01:21:06,080 --> 01:21:08,519 Speaker 1: in Digona early and I wanted to cry. Anyway, So 1411 01:21:08,640 --> 01:21:12,439 Speaker 1: all of this is happening in also one. Probably you're 1412 01:21:12,479 --> 01:21:16,320 Speaker 1: getting Super Nintendo Land in Universal Studios Florida, which is 1413 01:21:16,360 --> 01:21:18,840 Speaker 1: taking over the kids section of the thing. Apparently you're 1414 01:21:18,840 --> 01:21:22,040 Speaker 1: getting a Donkey Kong mine cart coaster, You're getting a 1415 01:21:22,120 --> 01:21:26,120 Speaker 1: Mario Kart sort of dark ride slash coaster. And Zelda 1416 01:21:27,560 --> 01:21:30,840 Speaker 1: apparently like a Broadway level Zelda show. Oh my god, 1417 01:21:31,000 --> 01:21:38,280 Speaker 1: there's my ticket and moved to Orlando. You're just starting 1418 01:21:39,080 --> 01:21:42,519 Speaker 1: would just be screaming or anything. Just get me in this. 1419 01:21:43,040 --> 01:21:46,040 Speaker 1: They should get Peter to play both Zelda end I 1420 01:21:46,160 --> 01:21:49,720 Speaker 1: think and and and she was queer. Give me all 1421 01:21:49,760 --> 01:21:54,920 Speaker 1: the checks. Here's the thing, guys, you gotta book your 1422 01:21:54,960 --> 01:21:58,200 Speaker 1: tickets for one because all this new ship is going 1423 01:21:58,240 --> 01:22:01,800 Speaker 1: to be there. Also, you know you have yours today, 1424 01:22:01,880 --> 01:22:03,880 Speaker 1: Bowen texted me, and he goes, I was thinking about 1425 01:22:03,960 --> 01:22:06,640 Speaker 1: doing an impulse by for like literally next week, and 1426 01:22:06,680 --> 01:22:08,120 Speaker 1: I was like, no, we have to wait, we have 1427 01:22:08,280 --> 01:22:12,479 Speaker 1: to wait to go again. I was just literally it 1428 01:22:12,640 --> 01:22:17,720 Speaker 1: was altogether under a thousand, but still I want to go. 1429 01:22:17,920 --> 01:22:20,280 Speaker 1: I still haven't gone to Pandora. Bone has been to Pandora. 1430 01:22:20,320 --> 01:22:22,080 Speaker 1: I haven't been to Pandora a couple of months ago. 1431 01:22:22,120 --> 01:22:25,479 Speaker 1: But I'm just saying it was fine. All it took 1432 01:22:25,520 --> 01:22:27,480 Speaker 1: was fine. All it took for me to be inspired 1433 01:22:27,800 --> 01:22:30,320 Speaker 1: to text Matt to buy let's buy tickets again was 1434 01:22:30,800 --> 01:22:33,880 Speaker 1: I was literally just looking at a map of Florida 1435 01:22:34,120 --> 01:22:36,679 Speaker 1: on my laptop and I was like why and smacked 1436 01:22:36,680 --> 01:22:38,040 Speaker 1: out in the middle of Orlando, and I was like, 1437 01:22:38,160 --> 01:22:40,000 Speaker 1: I want to go back. What brought you to the 1438 01:22:40,080 --> 01:22:42,599 Speaker 1: map of Florida? Its shaped like a dick. It's shaped 1439 01:22:42,640 --> 01:22:44,840 Speaker 1: like a dick, and I'm just drawn to Fallas But 1440 01:22:45,080 --> 01:22:47,240 Speaker 1: I saw Orlando on the map and I was like, 1441 01:22:47,760 --> 01:22:50,360 Speaker 1: there was magic happening there every day. I'm sorry I 1442 01:22:50,439 --> 01:22:52,720 Speaker 1: took us so far away, but I had to give 1443 01:22:52,760 --> 01:22:55,880 Speaker 1: the tea because there is so much you love Disney, 1444 01:22:56,120 --> 01:22:58,599 Speaker 1: It's not Disney, it's Orlando. It's this, it's everything. It's 1445 01:22:58,600 --> 01:23:03,519 Speaker 1: the part culture, it's part called, it's part even to Branson. 1446 01:23:04,200 --> 01:23:07,160 Speaker 1: Even what you've been to Branson? Have you been? You've been? Sorry? 1447 01:23:07,200 --> 01:23:11,479 Speaker 1: Have you? No? No? No, what's in Branson, Missouri? It's 1448 01:23:12,280 --> 01:23:20,240 Speaker 1: basically Vegas for queers. No in a major way. No. Um, 1449 01:23:21,240 --> 01:23:27,360 Speaker 1: Like okay, the the flat image to d image that 1450 01:23:27,479 --> 01:23:29,160 Speaker 1: we have created of like in our mind what a 1451 01:23:29,200 --> 01:23:31,479 Speaker 1: Trump supporter is and looks like, and like where they 1452 01:23:31,600 --> 01:23:35,519 Speaker 1: live and all that whatever jazz, it's for that creation 1453 01:23:35,720 --> 01:23:38,840 Speaker 1: in our minds. It's catered to them. I mean, Dolly 1454 01:23:38,920 --> 01:23:42,479 Speaker 1: Parton has an experience there um which is like enchanted 1455 01:23:42,560 --> 01:23:48,360 Speaker 1: castle but like like pistol, you know, saloon e shop 1456 01:23:48,439 --> 01:23:52,160 Speaker 1: shooters show on horses. Uh, there's like a huge Madame 1457 01:23:52,240 --> 01:23:54,639 Speaker 1: Tussaus with like all of the kind of like fucked 1458 01:23:54,720 --> 01:23:57,360 Speaker 1: up like the first tries kind of goes there. Yes. 1459 01:23:59,040 --> 01:24:03,560 Speaker 1: Actually I've picture with Hugh Hefner on his bed in Branson. 1460 01:24:04,640 --> 01:24:06,640 Speaker 1: I got to drag that out on his like it 1461 01:24:06,760 --> 01:24:09,680 Speaker 1: was this weird room of like this bed that you 1462 01:24:09,800 --> 01:24:12,360 Speaker 1: take a picture on with him and you put these 1463 01:24:12,439 --> 01:24:14,360 Speaker 1: ears on and it's like in the middle of Missouri, 1464 01:24:14,400 --> 01:24:17,400 Speaker 1: and I'm like, this is for like Christian, Like everything 1465 01:24:17,720 --> 01:24:19,320 Speaker 1: has a cross on it and everything kind of comes 1466 01:24:19,360 --> 01:24:22,000 Speaker 1: back to a Bible story. And we went on like 1467 01:24:22,040 --> 01:24:25,400 Speaker 1: a show boat and every song had no matter what song, 1468 01:24:25,439 --> 01:24:28,000 Speaker 1: I had a slideshow of Jesus behind it and everyone 1469 01:24:28,080 --> 01:24:32,439 Speaker 1: just eating their potato, enjoying themselves. But Branson, in terms 1470 01:24:32,520 --> 01:24:37,639 Speaker 1: of park culture, Silver Dollar City, you must go, all, well, 1471 01:24:37,960 --> 01:24:42,120 Speaker 1: you must go. There are beautiful ladies in like turquoise 1472 01:24:42,200 --> 01:24:45,639 Speaker 1: belts and long skirts and like in Trio's singing songs 1473 01:24:45,760 --> 01:24:47,360 Speaker 1: of the Hills. Well, I have to dress up like 1474 01:24:47,360 --> 01:24:49,920 Speaker 1: a Trump voter to fit in. No, I think I 1475 01:24:50,040 --> 01:24:54,719 Speaker 1: was wearing like they have a Titanic museum there. Wow, 1476 01:24:55,400 --> 01:24:57,400 Speaker 1: they have a Titanic museum where you get like a 1477 01:24:57,520 --> 01:24:59,640 Speaker 1: character and you go in and you might die at 1478 01:24:59,680 --> 01:25:03,160 Speaker 1: the end and everybody dies. Okay, Well, have you been 1479 01:25:03,200 --> 01:25:06,840 Speaker 1: to Worlds of Fun in Kansas City? No? Okay, it's 1480 01:25:06,840 --> 01:25:09,600 Speaker 1: another theme park. It's like it's pretty decent, but it 1481 01:25:09,720 --> 01:25:13,559 Speaker 1: is sort of like just a tier below six Flags 1482 01:25:13,760 --> 01:25:16,519 Speaker 1: in terms of quality. But it's pretty solid and safety 1483 01:25:16,880 --> 01:25:18,640 Speaker 1: and sake. I think it's a safe park. It's a 1484 01:25:18,720 --> 01:25:20,880 Speaker 1: safe park theme parks. They're out there. Let's move on 1485 01:25:20,960 --> 01:25:23,280 Speaker 1: to I don't think so honey. Um, this is our 1486 01:25:23,320 --> 01:25:25,559 Speaker 1: segment in the show where we go on a one 1487 01:25:25,600 --> 01:25:29,519 Speaker 1: minute screed against anything in culture. Um, Matt, or do 1488 01:25:29,600 --> 01:25:32,000 Speaker 1: you have something something prepared? I have something that I 1489 01:25:32,080 --> 01:25:34,240 Speaker 1: could go on. Okay, all right, let's let's do it. 1490 01:25:34,320 --> 01:25:35,920 Speaker 1: So this is Matt Rodgers. I don't think so honey. 1491 01:25:35,960 --> 01:25:38,800 Speaker 1: Time starts now. I don't think so honey. Bronchitis I 1492 01:25:38,920 --> 01:25:40,400 Speaker 1: have you right now, and I don't know if you've 1493 01:25:40,479 --> 01:25:42,599 Speaker 1: been hearing on the podcast, but I've been turning away 1494 01:25:42,640 --> 01:25:46,439 Speaker 1: from the mic took off. Don't worry all, I'm not contagious. Okay. 1495 01:25:47,120 --> 01:25:49,200 Speaker 1: Bronchitis has been very difficult for me because when you 1496 01:25:49,280 --> 01:25:51,719 Speaker 1: have broncottis, you have to have cough medicine and cough medicine. 1497 01:25:51,760 --> 01:25:52,960 Speaker 1: I don't know if we ever had. It makes you 1498 01:25:53,200 --> 01:25:56,840 Speaker 1: very tired. I have been in a feug state for 1499 01:25:56,920 --> 01:25:59,479 Speaker 1: the past three days. You guys, I don't think so honey. Bronchitis. 1500 01:25:59,560 --> 01:26:01,559 Speaker 1: It makes me off. I feel like I can't breathe. 1501 01:26:01,680 --> 01:26:03,200 Speaker 1: I went to the doctor the other day and I 1502 01:26:03,240 --> 01:26:06,559 Speaker 1: said to him, you know, this feels different. This feels different, 1503 01:26:07,280 --> 01:26:09,280 Speaker 1: and he said, let me test you. And I had 1504 01:26:09,320 --> 01:26:12,240 Speaker 1: a funny doctor and I think, so, honey, my funny doctor, 1505 01:26:12,760 --> 01:26:14,960 Speaker 1: he felt my chest said breathe in. He goes, M, 1506 01:26:15,280 --> 01:26:16,880 Speaker 1: that's good. He's like, you got a good heart too. 1507 01:26:16,960 --> 01:26:18,760 Speaker 1: Do you know what that means? I said what he said, 1508 01:26:18,800 --> 01:26:21,639 Speaker 1: It means you're a good person. And I laughed because 1509 01:26:21,640 --> 01:26:23,439 Speaker 1: it like it wasn't a good joke, but you know 1510 01:26:23,520 --> 01:26:25,519 Speaker 1: what I mean, like he was making it fun for him. 1511 01:26:25,920 --> 01:26:27,599 Speaker 1: So I think, so, honey, M I don't think, so, honey, 1512 01:26:27,720 --> 01:26:30,680 Speaker 1: is diagnosis of bronchitis. I'm on a z pac right now. 1513 01:26:31,600 --> 01:26:33,720 Speaker 1: I will tell if if I this is even enough 1514 01:26:33,960 --> 01:26:35,920 Speaker 1: for medication. I don't think, so honey, the seapac, I 1515 01:26:35,960 --> 01:26:39,519 Speaker 1: feel still feel congested. One oh man, I'm so sorry. 1516 01:26:40,040 --> 01:26:41,840 Speaker 1: I don't know. And you know, it's not comfortable to 1517 01:26:41,920 --> 01:26:45,280 Speaker 1: have this in the summer, in the summer. It's not 1518 01:26:45,439 --> 01:26:50,280 Speaker 1: cool for the summer, for the summer summer. I just 1519 01:26:50,439 --> 01:26:53,600 Speaker 1: feel like, what about this zpac? Like I hope that 1520 01:26:54,280 --> 01:26:57,360 Speaker 1: make me break out full body high. Okay, we just 1521 01:26:57,400 --> 01:26:59,639 Speaker 1: have Rachel when on the show sheet had a vomit 1522 01:26:59,720 --> 01:27:02,640 Speaker 1: fat when she had her back. I can't do it. 1523 01:27:03,240 --> 01:27:05,439 Speaker 1: I can't do it. You can't do it either. Oh no, 1524 01:27:05,880 --> 01:27:07,920 Speaker 1: I'm saying I will not do it because I've never 1525 01:27:07,920 --> 01:27:09,960 Speaker 1: had a back. But all these horror stories are making me. 1526 01:27:10,160 --> 01:27:12,560 Speaker 1: I blew up and I had tiny dots. I was 1527 01:27:12,600 --> 01:27:16,240 Speaker 1: like like it was medieval. What happened to God? My 1528 01:27:16,439 --> 01:27:20,240 Speaker 1: face swoll like swollen up. Shut. I rolled myself to 1529 01:27:20,280 --> 01:27:22,559 Speaker 1: the er, and they like, pop me in blood, let 1530 01:27:22,640 --> 01:27:26,120 Speaker 1: me go. God, Oh my god, you know what they 1531 01:27:26,120 --> 01:27:27,880 Speaker 1: had to pop them in blood? Let him? Yeah, baby, 1532 01:27:28,439 --> 01:27:31,200 Speaker 1: they draw cord. I think we can put them out 1533 01:27:31,240 --> 01:27:34,120 Speaker 1: of business. It's time for bone Yanks. I don't think so, honey. 1534 01:27:34,200 --> 01:27:37,080 Speaker 1: And is he prepared? I'm prepared, Okay, bone Yanks, I 1535 01:27:37,080 --> 01:27:39,479 Speaker 1: don't think so Hony. Time starts now, I don't think 1536 01:27:39,520 --> 01:27:42,200 Speaker 1: so Hony. Final Fantasy fourteen servers. I am not able 1537 01:27:42,280 --> 01:27:46,240 Speaker 1: to even log on to my character Rupp, a level 1538 01:27:46,280 --> 01:27:48,760 Speaker 1: fifty one summoner who has an amazing garu to Edgy 1539 01:27:48,880 --> 01:27:51,479 Speaker 1: all the time, and every time I log on, you 1540 01:27:51,520 --> 01:27:53,519 Speaker 1: always boot me and say that there's the world is full. 1541 01:27:53,560 --> 01:27:55,360 Speaker 1: There's a que of twenty other players going. But then 1542 01:27:55,400 --> 01:27:57,799 Speaker 1: I try again, and lo and behold, I magically appeared 1543 01:27:57,800 --> 01:27:59,439 Speaker 1: into the world all of a sudden, I skipped that 1544 01:27:59,479 --> 01:28:00,880 Speaker 1: line and my doning other people in line because I 1545 01:28:00,880 --> 01:28:02,360 Speaker 1: don't want to do that. I don't I don't think, so, honey. 1546 01:28:02,360 --> 01:28:04,320 Speaker 1: I don't want to don't make me be that person. 1547 01:28:04,360 --> 01:28:05,840 Speaker 1: I don't want to be a villain in this world. 1548 01:28:06,000 --> 01:28:07,600 Speaker 1: I don't want people coming after me saying, hey, you 1549 01:28:07,680 --> 01:28:08,840 Speaker 1: cut me in the line for the que to the 1550 01:28:08,880 --> 01:28:11,040 Speaker 1: world and how are you playing in as the level 1551 01:28:11,360 --> 01:28:14,400 Speaker 1: one summer with a Garuda Edgy avatar and I'm I can't. 1552 01:28:14,760 --> 01:28:17,000 Speaker 1: So I don't think, so honey, Final fourteen servers for 1553 01:28:17,120 --> 01:28:18,800 Speaker 1: not being reliable. And when I go into a dungeon 1554 01:28:18,880 --> 01:28:20,799 Speaker 1: or a raid with eight other players who are expecting 1555 01:28:20,840 --> 01:28:23,040 Speaker 1: me to support them as a DPS and deal damage 1556 01:28:23,080 --> 01:28:25,200 Speaker 1: to the bosses and to all the mobs, I don't think, 1557 01:28:25,240 --> 01:28:26,640 Speaker 1: so honey. That makes me look bad and I do 1558 01:28:26,760 --> 01:28:31,560 Speaker 1: not respect you assassinating my character. Final fourteen servers, So 1559 01:28:31,760 --> 01:28:34,960 Speaker 1: I don't think, so honey, Square Soft, square Enix mock 1560 01:28:35,040 --> 01:28:39,080 Speaker 1: station uh and my square Enix password that sometimes does 1561 01:28:39,160 --> 01:28:42,040 Speaker 1: not work. That's why, men, honey, you had a lot 1562 01:28:42,080 --> 01:28:44,120 Speaker 1: of words per minute there. That was actually your most 1563 01:28:44,160 --> 01:28:49,760 Speaker 1: word w PM, great secretary, Thank you, sex secretary great. Stood. Um, 1564 01:28:50,080 --> 01:28:52,960 Speaker 1: I don't think so, honey. I am not prepared because 1565 01:28:53,000 --> 01:28:54,920 Speaker 1: I think the best thing that happened at your show, 1566 01:28:55,000 --> 01:28:56,720 Speaker 1: which I hope happens up the next one, if I 1567 01:28:56,840 --> 01:29:00,840 Speaker 1: may say, the fish bowl is the the troll ball 1568 01:29:00,880 --> 01:29:03,720 Speaker 1: will return. And in fact, how about you're saying, Peter, 1569 01:29:03,880 --> 01:29:08,240 Speaker 1: I think I think everyone should just pop in. I 1570 01:29:09,240 --> 01:29:13,040 Speaker 1: can give you a trollball. Please give me a truck. Okay, okay, 1571 01:29:13,920 --> 01:29:21,360 Speaker 1: got it? Um hm alright, great, Peter Smith. Your topic 1572 01:29:21,560 --> 01:29:24,880 Speaker 1: is the hardworking middle class, and your time starts now. 1573 01:29:25,840 --> 01:29:30,240 Speaker 1: I don't think so hardworking middle class. Yeah, I don't 1574 01:29:30,280 --> 01:29:34,760 Speaker 1: want to see uh oh complaining about gas prices as 1575 01:29:34,800 --> 01:29:37,439 Speaker 1: you're trying to get to the gap at the mall. Yeah. 1576 01:29:37,479 --> 01:29:41,840 Speaker 1: I don't think so, honey. I don't think so. You're 1577 01:29:41,880 --> 01:29:45,280 Speaker 1: talking about going paleo. Yeah, I hear you over there. 1578 01:29:45,640 --> 01:29:50,439 Speaker 1: I hear you over there. College kid who's parents are 1579 01:29:50,439 --> 01:29:54,240 Speaker 1: a hardworking middle class Yeah, I don't think so. Who 1580 01:29:54,280 --> 01:29:57,519 Speaker 1: are paying your ask to get through college? Yeah? Yeah. Oh, 1581 01:29:57,560 --> 01:30:00,439 Speaker 1: Now you're complaining about oh, your different diet, your one. Yeah, 1582 01:30:00,439 --> 01:30:04,679 Speaker 1: that's bullshit all right because your parents, yeah, they're doing 1583 01:30:04,800 --> 01:30:08,519 Speaker 1: their jobs that they're getting in the way of their 1584 01:30:08,840 --> 01:30:12,479 Speaker 1: own happiness because they're working too hard. I don't think 1585 01:30:12,560 --> 01:30:15,920 Speaker 1: so working too hard. I don't think so very hard 1586 01:30:16,040 --> 01:30:18,840 Speaker 1: working middle class, because you know what, you've given up 1587 01:30:18,880 --> 01:30:24,200 Speaker 1: on something and you're devoting your life to money. And 1588 01:30:24,479 --> 01:30:29,559 Speaker 1: that's one minute. Wow burned him. Don't you ever ever 1589 01:30:29,840 --> 01:30:33,320 Speaker 1: come for Peter Smith on his also like the hard 1590 01:30:33,400 --> 01:30:36,920 Speaker 1: working middle class, the hard working middle class, not not 1591 01:30:37,240 --> 01:30:40,479 Speaker 1: not lazy middle time. You know, you have to come 1592 01:30:40,520 --> 01:30:43,839 Speaker 1: for the hard working middle class, the ones who deserve 1593 01:30:43,960 --> 01:30:46,519 Speaker 1: to be helped out of the whole. The elbow grease 1594 01:30:46,600 --> 01:30:48,240 Speaker 1: gotta come from that. You gotta come for them because 1595 01:30:48,360 --> 01:30:50,559 Speaker 1: because sometimes they don't always make the right decisions. Got 1596 01:30:51,080 --> 01:30:53,360 Speaker 1: pigged down a couple of times. That was a part 1597 01:30:53,520 --> 01:30:57,360 Speaker 1: I think, so, honey, you know why because Peter measured, measured, 1598 01:30:57,439 --> 01:31:00,599 Speaker 1: but dug Into just chewed into every word. I loved. 1599 01:31:00,640 --> 01:31:03,439 Speaker 1: I loved that, you know I loved it too. And 1600 01:31:03,960 --> 01:31:08,599 Speaker 1: I loved this episode of the podcast. I cannot wait 1601 01:31:08,800 --> 01:31:12,639 Speaker 1: to see Peter at the live show, as well as 1602 01:31:13,120 --> 01:31:17,599 Speaker 1: forty nine other brave souls who are going to confront 1603 01:31:17,640 --> 01:31:19,439 Speaker 1: the trill bill. They're going to confront the audience, They're 1604 01:31:19,479 --> 01:31:22,840 Speaker 1: going to confront us, They're going to confront themselves. They're 1605 01:31:22,840 --> 01:31:24,799 Speaker 1: gonna confront themselves. I like you call it a fool's 1606 01:31:24,920 --> 01:31:28,200 Speaker 1: errand it was the fool's errand for us to get 1607 01:31:28,280 --> 01:31:32,840 Speaker 1: fifty people together. I mean, I mean, well, we have 1608 01:31:33,000 --> 01:31:36,200 Speaker 1: we have lots and lots of people that that will 1609 01:31:36,240 --> 01:31:38,360 Speaker 1: in future installments also come on and booby, We're just like, 1610 01:31:38,439 --> 01:31:40,160 Speaker 1: these are the fifty. But it's a fool's errand to 1611 01:31:40,280 --> 01:31:42,519 Speaker 1: just organize this, but it's so fun, it's so worthwhile. 1612 01:31:42,680 --> 01:31:44,920 Speaker 1: Also then you realize, I mean I already started making 1613 01:31:44,960 --> 01:31:46,519 Speaker 1: a list of people that we haven't had on the 1614 01:31:46,560 --> 01:31:49,200 Speaker 1: first or second one. And there's a long list. So 1615 01:31:49,520 --> 01:31:53,200 Speaker 1: don't worry everyone. The sun will touch your face. You 1616 01:31:53,240 --> 01:31:56,280 Speaker 1: will get to get up on that stage and and 1617 01:31:56,479 --> 01:31:59,960 Speaker 1: and go honest, the sunshines, and go honest, the sunshine 1618 01:32:00,120 --> 01:32:02,680 Speaker 1: is over the Goannas Canal. Thank you so much for 1619 01:32:02,760 --> 01:32:06,120 Speaker 1: having When you sent me the invitation, I just started 1620 01:32:06,200 --> 01:32:09,800 Speaker 1: laughing and no one had said anything yet, but I 1621 01:32:10,439 --> 01:32:18,439 Speaker 1: threw my head back and started cackling. And we don't 1622 01:32:18,479 --> 01:32:20,479 Speaker 1: know the show yet that just know that Peter will 1623 01:32:20,640 --> 01:32:23,320 Speaker 1: turn out an incredible performance. Oh my god, they will 1624 01:32:23,320 --> 01:32:26,280 Speaker 1: be performing and one more time. August eleventh, go online 1625 01:32:26,280 --> 01:32:27,880 Speaker 1: and by tickets for I Don't Think So, Honey. Last 1626 01:32:27,920 --> 01:32:30,320 Speaker 1: Culture says Live at Little Field a PM. Okay, this 1627 01:32:30,479 --> 01:32:34,719 Speaker 1: has been Bowen Yang, and this has been oh my god, 1628 01:32:34,920 --> 01:32:41,640 Speaker 1: Oh my god, what you forgot? I don't know your name, Cina, 1629 01:32:44,000 --> 01:32:52,160 Speaker 1: and that's Peter Smith. Guys, Bye bye bye bye, guys bye. 1630 01:32:55,120 --> 01:32:58,439 Speaker 1: This has been a Forever Dog Production executive produced by 1631 01:32:58,520 --> 01:33:02,520 Speaker 1: Joe Celio, Alex ram Ze, and bread Bone. For more podcasts, 1632 01:33:02,600 --> 01:33:09,840 Speaker 1: please visit re Revor Dog Productions dot com door h