1 00:00:00,080 --> 00:00:02,320 Speaker 1: And you've probably heard of this guy. You've seen him 2 00:00:02,360 --> 00:00:05,640 Speaker 1: on TV, You've seen him on Netflix. Ornie Adams is 3 00:00:05,680 --> 00:00:07,120 Speaker 1: hanging out in the studio. How you doing? 4 00:00:07,160 --> 00:00:08,319 Speaker 2: I'm great? How you doing? Oh? 5 00:00:08,400 --> 00:00:10,760 Speaker 1: You know I can't play. Ornie is at Zany's this 6 00:00:10,880 --> 00:00:13,600 Speaker 1: weekend and you can still get tickets Zanies dot Com 7 00:00:13,600 --> 00:00:15,480 Speaker 1: at the box office. So what's what brings you to 8 00:00:15,560 --> 00:00:17,560 Speaker 1: Nashville besides telling comedy? Have you done any of the 9 00:00:17,600 --> 00:00:18,360 Speaker 1: sight seeing yet? 10 00:00:18,680 --> 00:00:20,160 Speaker 2: You know, I just got in last night. I was 11 00:00:20,200 --> 00:00:23,720 Speaker 2: in Huntsville, Alabama, last night. So this is I just 12 00:00:23,760 --> 00:00:26,040 Speaker 2: got here a few hours ago. This was my first stop, 13 00:00:26,800 --> 00:00:29,280 Speaker 2: first time. My first sight is his studio. 14 00:00:29,520 --> 00:00:32,400 Speaker 1: So I feel very honored then that your first stop 15 00:00:32,400 --> 00:00:33,680 Speaker 1: in Nashville is this studio. 16 00:00:33,840 --> 00:00:35,400 Speaker 2: Right, this is all I've seen. 17 00:00:37,120 --> 00:00:40,200 Speaker 1: So people know you from the show Teenwolf and your 18 00:00:40,400 --> 00:00:41,000 Speaker 1: role coach. 19 00:00:41,040 --> 00:00:44,919 Speaker 2: How did all that come about? Like, Well, the guy 20 00:00:44,960 --> 00:00:48,760 Speaker 2: who created the show also created a show called Criminal Minds, 21 00:00:49,360 --> 00:00:51,919 Speaker 2: and he was a fan of my comedy. He used 22 00:00:51,960 --> 00:00:54,040 Speaker 2: to come watch my shows and he wrote the part 23 00:00:54,120 --> 00:00:56,600 Speaker 2: for me. So I got very lucky. I never auditioned. 24 00:00:56,680 --> 00:00:59,360 Speaker 2: If I auditioned, I wouldn't have gotten it. Really, that's 25 00:00:59,360 --> 00:01:01,440 Speaker 2: the truth. Yeah, I'm not good at auditioning. 26 00:01:01,640 --> 00:01:03,720 Speaker 1: Now this is gonna show me. But I have I've 27 00:01:03,800 --> 00:01:05,840 Speaker 1: got Jess in here. She's our promotion director. So I 28 00:01:06,200 --> 00:01:07,560 Speaker 1: asked her about this and I was like, I've never 29 00:01:07,640 --> 00:01:08,960 Speaker 1: seen the show teen Wolf at all. 30 00:01:09,400 --> 00:01:11,319 Speaker 2: Yeah, so you're not alone. 31 00:01:11,760 --> 00:01:14,360 Speaker 1: So Enlighten Me is the show teen Wolf? 32 00:01:14,560 --> 00:01:15,000 Speaker 2: Yeah? 33 00:01:15,480 --> 00:01:17,440 Speaker 1: Like the movie with Michael J. Fox teen Wolf? 34 00:01:17,520 --> 00:01:20,520 Speaker 2: Oh you know, no, it's very different. This was Jess. 35 00:01:20,520 --> 00:01:23,200 Speaker 2: How would you describe her? Like a supernatural? Uh? Yeah? 36 00:01:23,240 --> 00:01:25,360 Speaker 1: So Ornie Adams is hanging out in the studio with us. 37 00:01:25,400 --> 00:01:28,920 Speaker 1: He's at Zany's this weekend. Uh, You've got a special 38 00:01:29,120 --> 00:01:31,480 Speaker 1: More than Loud airing on Showtime now. 39 00:01:31,600 --> 00:01:34,600 Speaker 2: Yeah, that's how was that? I love? I'm very happy 40 00:01:34,600 --> 00:01:37,000 Speaker 2: with it. Yeah, it's uh and we shot it in 41 00:01:37,040 --> 00:01:39,880 Speaker 2: a very uh you know, Showtime came to me. This 42 00:01:39,920 --> 00:01:43,039 Speaker 2: is my third special, so I did one previously for 43 00:01:43,240 --> 00:01:47,920 Speaker 2: Comedy Central, Netflix and now Showtime and Showtime came to 44 00:01:47,960 --> 00:01:50,279 Speaker 2: me and they said, here's here's a here's some money, 45 00:01:50,320 --> 00:01:53,600 Speaker 2: go shoot it. And we shot it almost like our 46 00:01:53,720 --> 00:01:57,200 Speaker 2: like a live rock show. A lot of handheld weird angles, 47 00:01:57,240 --> 00:02:00,320 Speaker 2: me sweating, you know, not the most flattering shot. The 48 00:02:00,400 --> 00:02:03,440 Speaker 2: lighting is a little bizarre at times, but it should 49 00:02:03,520 --> 00:02:07,040 Speaker 2: feel like you're there, It should place you in the audience. 50 00:02:07,080 --> 00:02:09,639 Speaker 2: And it was like it. You know, I've been doing comedy. 51 00:02:10,000 --> 00:02:12,480 Speaker 2: You know a lot of people know they know me 52 00:02:12,520 --> 00:02:14,760 Speaker 2: from teen Wolf, but I've been doing comedy for twenty 53 00:02:14,800 --> 00:02:19,280 Speaker 2: five years. So the people that have been supporting me 54 00:02:19,320 --> 00:02:22,360 Speaker 2: come to my specials and the crowd you would think 55 00:02:22,400 --> 00:02:26,000 Speaker 2: they were being paid. Really laugh the way they laugh. Yeah, 56 00:02:26,040 --> 00:02:28,560 Speaker 2: it was. It was pretty remarkable. It was a touching night. 57 00:02:28,880 --> 00:02:32,120 Speaker 1: So and I know you have the special on Netflix, 58 00:02:32,160 --> 00:02:33,760 Speaker 1: So let me ask you this question. I've asked quite 59 00:02:33,800 --> 00:02:35,600 Speaker 1: a few other comedians that come in that have Netflix. 60 00:02:35,639 --> 00:02:38,000 Speaker 1: Since you've done a special on Netflix. So they give 61 00:02:38,000 --> 00:02:39,760 Speaker 1: you like a lifetime membership for free and you start 62 00:02:39,800 --> 00:02:40,079 Speaker 1: to pay. 63 00:02:40,160 --> 00:02:42,280 Speaker 2: No, mine keeps going up. What do you pay? Fourteen 64 00:02:42,360 --> 00:02:45,720 Speaker 2: ninety nine? They charge me twenty y They charge us 65 00:02:45,880 --> 00:02:47,920 Speaker 2: if my special is not on there. Now, my let 66 00:02:48,000 --> 00:02:52,560 Speaker 2: me tell you something. My Netflix. My relationship with Netflix 67 00:02:53,440 --> 00:02:56,680 Speaker 2: and now Netflix is just you know, they don't they 68 00:02:56,680 --> 00:02:59,040 Speaker 2: don't care about you know, comics, like they're looking for 69 00:02:59,080 --> 00:03:01,840 Speaker 2: the who's the big who's the biggest comedian in the 70 00:03:01,880 --> 00:03:03,919 Speaker 2: in the in the bush and the Amazon you know, 71 00:03:04,800 --> 00:03:08,440 Speaker 2: it's very it's become market Comedy has become marketing, which 72 00:03:08,440 --> 00:03:12,800 Speaker 2: is unfortunate. But I remember when I my first special 73 00:03:12,880 --> 00:03:16,560 Speaker 2: came out, I had DVDs of it, and this is 74 00:03:16,560 --> 00:03:19,280 Speaker 2: when Netflix was a mail order was still sending out Yeah, 75 00:03:19,480 --> 00:03:21,800 Speaker 2: and they sent an email through my website saying, hey, 76 00:03:21,840 --> 00:03:24,119 Speaker 2: we'd like to you know, and so I said, great, 77 00:03:24,160 --> 00:03:25,840 Speaker 2: let me send you some copies to go. No, we'll 78 00:03:25,840 --> 00:03:29,639 Speaker 2: pay for it. And they actually bought physical DVDs from 79 00:03:29,639 --> 00:03:33,680 Speaker 2: me personally and put it on the mail order site. Yeah, 80 00:03:33,720 --> 00:03:37,200 Speaker 2: that's how far back. And then my second special was 81 00:03:37,240 --> 00:03:39,000 Speaker 2: on there for a while. I guess the license ran up, 82 00:03:39,000 --> 00:03:41,200 Speaker 2: but isn't there anymore. I don't know why they don't 83 00:03:41,240 --> 00:03:43,960 Speaker 2: stockpile all specials, right, you would. 84 00:03:43,800 --> 00:03:46,760 Speaker 1: Think that the big conglomerate of streaming, and. 85 00:03:47,120 --> 00:03:49,600 Speaker 2: Well, I go on Netflix all the time, and I go, 86 00:03:49,760 --> 00:03:51,760 Speaker 2: this is the same stuff I've seen. Like, let's get more. 87 00:03:51,960 --> 00:03:54,120 Speaker 2: Like it'd be really great if there were old movies 88 00:03:54,120 --> 00:03:58,280 Speaker 2: we could see in every comedy special, which I think 89 00:03:58,280 --> 00:04:01,400 Speaker 2: they could acquire for what ever they gave you know, 90 00:04:01,680 --> 00:04:05,040 Speaker 2: Chappelle for one special, right, I'm sure they could buy 91 00:04:05,120 --> 00:04:05,640 Speaker 2: us all out. 92 00:04:05,920 --> 00:04:08,720 Speaker 1: Of course, my guest Ornie Adams is hanging out in 93 00:04:08,760 --> 00:04:11,080 Speaker 1: the studio right now. He's at Zany's this weekend. Tickets 94 00:04:11,080 --> 00:04:14,320 Speaker 1: are still availablet zanies dot com. I've seen that you've 95 00:04:14,320 --> 00:04:17,560 Speaker 1: performed on The Tonight Show, David Letterman Conan tell me 96 00:04:17,600 --> 00:04:20,400 Speaker 1: some very interesting stories about those appearances. 97 00:04:20,800 --> 00:04:24,080 Speaker 2: I mean, Leno is just the nicest guy in the world. 98 00:04:24,120 --> 00:04:27,880 Speaker 2: He just he comes backstage, he hangs out from Massachusett's 99 00:04:27,880 --> 00:04:30,440 Speaker 2: like me, my parents would come in for the tapings 100 00:04:30,440 --> 00:04:32,760 Speaker 2: and he'd hang you know, just a really sweet guy 101 00:04:32,760 --> 00:04:36,760 Speaker 2: in fact, the which is an interesting story if you're 102 00:04:37,160 --> 00:04:39,520 Speaker 2: you know, in business or a comedian or even you know. 103 00:04:39,560 --> 00:04:43,000 Speaker 2: I feel like, I really feel comedy music are just 104 00:04:43,040 --> 00:04:45,440 Speaker 2: so similar, like when it's done right. Like if you 105 00:04:45,440 --> 00:04:49,120 Speaker 2: take a comic like Jerry Seinfeld, it's very rhythmic, a Kinnison, 106 00:04:49,240 --> 00:04:52,719 Speaker 2: it's rhythmic like it just it's done in a way, 107 00:04:53,200 --> 00:04:56,719 Speaker 2: and you'll see musicians love watching comedy right. And I 108 00:04:56,760 --> 00:04:58,640 Speaker 2: feel like, you know, since I'm here, I'm sort of 109 00:04:58,680 --> 00:05:01,000 Speaker 2: like grouping the two d together. I feel like I'm 110 00:05:01,000 --> 00:05:06,480 Speaker 2: almost speaking to a very sophisticated music audience right now. 111 00:05:07,880 --> 00:05:12,200 Speaker 2: I had an agent. I was submitted for the Tonight 112 00:05:12,240 --> 00:05:17,080 Speaker 2: Show several times and kept getting turned down, and finally 113 00:05:17,200 --> 00:05:23,480 Speaker 2: I brought the tape that I had submitted to Gary Shanling, 114 00:05:23,520 --> 00:05:25,159 Speaker 2: who was a friend and a mentor of mine, and 115 00:05:25,200 --> 00:05:27,279 Speaker 2: Gary said, this is as good or better than anything 116 00:05:27,520 --> 00:05:30,640 Speaker 2: that's on that show. Get it to Jay. So what 117 00:05:30,720 --> 00:05:33,480 Speaker 2: I did was I knew what Jay plays every Sunday 118 00:05:33,520 --> 00:05:35,960 Speaker 2: in Los Angeles, plays a small comedy club called the 119 00:05:35,960 --> 00:05:39,520 Speaker 2: Comedy Magic Club, and I dropped off a DVD on 120 00:05:39,600 --> 00:05:43,240 Speaker 2: a Sunday. On a Monday, I got a call from 121 00:05:43,320 --> 00:05:45,240 Speaker 2: Jay Leno and said, I'm putting you on the show 122 00:05:45,240 --> 00:05:45,800 Speaker 2: this Friday. 123 00:05:45,839 --> 00:05:46,119 Speaker 1: Wow. 124 00:05:46,640 --> 00:05:49,800 Speaker 2: And my agent couldn't do it, my manager couldn't do it, nobody, 125 00:05:50,080 --> 00:05:52,040 Speaker 2: nobody could do it. But I did it. I made 126 00:05:52,040 --> 00:05:55,880 Speaker 2: it happen. And then of course my agent called and said, hey, 127 00:05:56,120 --> 00:05:58,840 Speaker 2: good news here on the night Showyeah, I go, whoa, 128 00:05:58,839 --> 00:06:02,279 Speaker 2: well really, oh my god? Wow. You know this is 129 00:06:02,279 --> 00:06:05,360 Speaker 2: after I'd already spoken to Jay, like I I already knew, 130 00:06:05,680 --> 00:06:07,159 Speaker 2: you know, but he got it for me. You know, 131 00:06:07,200 --> 00:06:10,680 Speaker 2: they had to play Doune very quick. Yeah, they take credit. Uh. 132 00:06:10,720 --> 00:06:13,360 Speaker 2: And so Jay called me the night before and on 133 00:06:13,360 --> 00:06:15,359 Speaker 2: a Thursday, and he said, what are you excited? As 134 00:06:15,400 --> 00:06:19,000 Speaker 2: him I'm really excited. And he said, and by the way, 135 00:06:19,680 --> 00:06:21,160 Speaker 2: I said, yeah, I'm very very excited. Said what are 136 00:06:21,160 --> 00:06:23,800 Speaker 2: your concerns? I said, my concerns are you know, Uh, 137 00:06:23,839 --> 00:06:26,520 Speaker 2: this is a bit a big act. Don't worry about it. 138 00:06:26,520 --> 00:06:28,280 Speaker 2: And I said, this a seems to be a lot 139 00:06:28,279 --> 00:06:31,240 Speaker 2: of applause and said, I'm worried about coming in under 140 00:06:31,320 --> 00:06:32,640 Speaker 2: you know, at the right time. He said, if you 141 00:06:32,920 --> 00:06:36,160 Speaker 2: if you're killing and you go over, all sins are forgotten. 142 00:06:36,440 --> 00:06:38,080 Speaker 2: And so I knew that, and I and I did 143 00:06:38,160 --> 00:06:40,400 Speaker 2: go long and I and Jay was waving off the 144 00:06:40,480 --> 00:06:42,520 Speaker 2: Q card guys telling me to wrap it up. He said, 145 00:06:42,600 --> 00:06:44,479 Speaker 2: let him go, let him go. So Jay made me 146 00:06:44,480 --> 00:06:47,000 Speaker 2: feel very comfortable. When you do something like a Letterman, 147 00:06:47,279 --> 00:06:49,760 Speaker 2: it's you know, it's very it was restrictive, it was 148 00:06:49,839 --> 00:06:50,440 Speaker 2: very differ. 149 00:06:50,320 --> 00:06:52,120 Speaker 1: Right, And I've heard some stories about Letterman. He just 150 00:06:52,200 --> 00:06:54,400 Speaker 1: kind of stays to himself and comes out when it's 151 00:06:54,400 --> 00:06:55,320 Speaker 1: time to And then. 152 00:06:55,360 --> 00:06:59,160 Speaker 2: Yeah, every interaction I've had with Letterman, uh you see 153 00:06:59,440 --> 00:07:03,599 Speaker 2: on TV. So you know, like, for instance, I was 154 00:07:03,800 --> 00:07:07,280 Speaker 2: at a club last night in Huntsville, Alabama, and you know, 155 00:07:07,360 --> 00:07:10,360 Speaker 2: the manager of the club was so nice and just 156 00:07:10,440 --> 00:07:13,320 Speaker 2: so like made me feel so welcome that you actually 157 00:07:13,360 --> 00:07:15,320 Speaker 2: put on a better show, right, you know what I mean? 158 00:07:15,360 --> 00:07:17,760 Speaker 1: Like you you feel comfortable and you feel like you're 159 00:07:17,800 --> 00:07:19,400 Speaker 1: in your own skin. You could just go out there 160 00:07:19,440 --> 00:07:19,600 Speaker 1: and I. 161 00:07:19,680 --> 00:07:22,120 Speaker 2: Don't really want you there. He took care of me. 162 00:07:22,600 --> 00:07:25,720 Speaker 2: It like you know, it just and you It makes 163 00:07:25,720 --> 00:07:28,080 Speaker 2: you perform better, and that's what Jay Jay brought out 164 00:07:28,600 --> 00:07:31,680 Speaker 2: the best of me. So I appreciate him for that. 165 00:07:31,720 --> 00:07:33,520 Speaker 2: And I know you know, I think that. 166 00:07:34,400 --> 00:07:35,920 Speaker 1: You know. So, were we going to see you on 167 00:07:35,960 --> 00:07:38,000 Speaker 1: any of Leno's car's garage thing? 168 00:07:38,240 --> 00:07:39,800 Speaker 2: No, I won't do any of that stuff. You want 169 00:07:39,800 --> 00:07:41,320 Speaker 2: to do any of that? I don't. You know, I'm 170 00:07:41,600 --> 00:07:44,960 Speaker 2: very selective about what I do. 171 00:07:45,440 --> 00:07:47,640 Speaker 1: I'm very fortunately, very smart thing because I mean some 172 00:07:47,640 --> 00:07:49,400 Speaker 1: people just throw their name on everything and then if 173 00:07:49,400 --> 00:07:50,640 Speaker 1: it tanks, they're just kind of like. 174 00:07:50,800 --> 00:07:53,960 Speaker 2: Yeah, just keep going. Drives my you know, my representation 175 00:07:54,120 --> 00:07:56,920 Speaker 2: nuts because I say no to most things. I just 176 00:07:57,920 --> 00:08:01,160 Speaker 2: I'm very proud of what I've done and I don't 177 00:08:01,160 --> 00:08:04,720 Speaker 2: want to dilute if you call it a brand or 178 00:08:04,720 --> 00:08:06,960 Speaker 2: what I am. I just I just want to be 179 00:08:07,480 --> 00:08:08,520 Speaker 2: proud of what I do. 180 00:08:08,840 --> 00:08:14,240 Speaker 1: Right, So, what's what's new on the horizon for you? 181 00:08:14,440 --> 00:08:16,680 Speaker 1: Is there another special coming out? Are you working on 182 00:08:16,720 --> 00:08:19,360 Speaker 1: new material? And zanies? And that's why you're here in Nashville. 183 00:08:19,440 --> 00:08:22,160 Speaker 2: I mean, here's the deal. You know, More Than Loud, 184 00:08:22,160 --> 00:08:24,120 Speaker 2: which is airing on Showtime now, which just you know 185 00:08:24,200 --> 00:08:30,120 Speaker 2: came out a few months ago, really was I'll say 186 00:08:30,120 --> 00:08:33,760 Speaker 2: this about Showtime since I've been on several platforms, Comedy 187 00:08:33,760 --> 00:08:35,920 Speaker 2: Central being the one that played at the least, Showtime 188 00:08:36,120 --> 00:08:41,040 Speaker 2: was playing at fifty times a week, right, people saw it, right, 189 00:08:41,040 --> 00:08:43,400 Speaker 2: And it's you know, in some markets, you know I'm 190 00:08:43,440 --> 00:08:46,720 Speaker 2: selling out and these people have just watched me on TV. 191 00:08:46,800 --> 00:08:48,480 Speaker 2: So it's like, I've got to do new stuff. So 192 00:08:49,280 --> 00:08:51,960 Speaker 2: I'm here working on what will become the Fourth Hour. 193 00:08:52,200 --> 00:08:54,480 Speaker 2: There's a lot of new stuff. I do some of 194 00:08:54,480 --> 00:08:57,600 Speaker 2: the More Than Loud stuff at the end because then 195 00:08:57,640 --> 00:09:01,760 Speaker 2: people it's weird. Some people like unlike music. Right, music 196 00:09:02,360 --> 00:09:04,920 Speaker 2: gets the greatest pass of all time. You write one 197 00:09:05,000 --> 00:09:07,839 Speaker 2: hit your the stones, you write Satisfaction, you got to 198 00:09:07,880 --> 00:09:10,520 Speaker 2: play that every If you don't play Satisfaction, everybody's pi, 199 00:09:10,720 --> 00:09:14,800 Speaker 2: they're angry, they're ain't great. Right, So you write a 200 00:09:14,880 --> 00:09:16,720 Speaker 2: hit in music, you can live off it. Right. Then 201 00:09:16,760 --> 00:09:19,520 Speaker 2: the other thing with comedy is you've got to write 202 00:09:19,600 --> 00:09:23,680 Speaker 2: such unique original you know, I'm I don't I'm not divisive. 203 00:09:23,760 --> 00:09:26,520 Speaker 2: I don't talk about politics, I don't talk about religion. 204 00:09:26,640 --> 00:09:29,000 Speaker 2: I'm not there to make anybody feel uncomfortable. I like 205 00:09:29,080 --> 00:09:31,280 Speaker 2: to bring the audience together. I like to show how 206 00:09:31,360 --> 00:09:36,000 Speaker 2: humans are more similar than dissimilar through comedy, and so 207 00:09:36,040 --> 00:09:38,400 Speaker 2: I do that by talking about small things, you know, 208 00:09:38,760 --> 00:09:42,959 Speaker 2: whether it's electronics or my my refriger or whatever whatever 209 00:09:43,320 --> 00:09:45,960 Speaker 2: it is. But you've got to be everybody wants you 210 00:09:46,040 --> 00:09:50,400 Speaker 2: to be so unique and so in music once again, 211 00:09:50,559 --> 00:09:54,640 Speaker 2: like if you reviewed a rock or country album, let's 212 00:09:54,679 --> 00:09:59,360 Speaker 2: say country on the standards of of you know, they 213 00:10:00,080 --> 00:10:04,199 Speaker 2: all this this songs. His voice sounds like the voice 214 00:10:04,240 --> 00:10:07,160 Speaker 2: and other songs, and he's talking about love again. Here 215 00:10:07,200 --> 00:10:09,520 Speaker 2: we go with love and it's the same three chord 216 00:10:09,640 --> 00:10:12,040 Speaker 2: c D. You know, it's like right, it's like music 217 00:10:12,080 --> 00:10:15,520 Speaker 2: gets his past, whereas comedy just has to keep pushing boundaries. 218 00:10:15,840 --> 00:10:18,520 Speaker 2: And that's why so many comics get themselves in trouble 219 00:10:18,520 --> 00:10:22,319 Speaker 2: by creating or pushing artificial boundaries for no reason. You 220 00:10:22,360 --> 00:10:23,959 Speaker 2: can be funny without doing that. 221 00:10:24,120 --> 00:10:26,840 Speaker 1: Of course, my guess Ornie Adams is hanging out in 222 00:10:26,880 --> 00:10:29,559 Speaker 1: the studio right now. He's at Zany's this weekend. Shows 223 00:10:30,240 --> 00:10:32,400 Speaker 1: still available. You can buy tickets zanies dot com. 224 00:10:32,480 --> 00:10:35,680 Speaker 2: I'm only doing the early show, so it's the early 225 00:10:35,720 --> 00:10:39,720 Speaker 2: show tonight, the early show tomorrow night, which is what 226 00:10:39,840 --> 00:10:45,320 Speaker 2: is that a Saturday now? Yep, so it still goes Thursday, Friday, Saturday. Man, busy, 227 00:10:45,320 --> 00:10:48,400 Speaker 2: busy man man. I love these of the week should change, 228 00:10:48,640 --> 00:10:49,240 Speaker 2: of course. 229 00:10:49,440 --> 00:10:52,920 Speaker 1: That's the next thing is every day will be Friday. 230 00:10:52,960 --> 00:10:58,160 Speaker 2: We're changing the days of the week. Ne order. My guess. 231 00:10:58,280 --> 00:11:00,720 Speaker 1: Ornie Adams is hanging out with us right now. Definitely 232 00:11:00,800 --> 00:11:02,880 Speaker 1: check him out at Zanies this weekend. And I just 233 00:11:02,880 --> 00:11:04,400 Speaker 1: want to say thank you for stopping by and hanging out. 234 00:11:04,480 --> 00:11:05,160 Speaker 2: Appreciate it.