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Speaker 1: Thank you for coming back. Part two is underway. What

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Speaker 1: made you? Uh?

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Speaker 2: You on stage and you Snoop Dogg and Doctor Dre

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Speaker 2: and y'all passed the torch to Kendrick.

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Speaker 1: Why did you feel you need to do that?

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Speaker 3: Because I knew what Kendrick was the first time I

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Speaker 3: ever heard him spit, and so when they call my name,

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Speaker 3: I got up off the bed. I shot downtown and

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Speaker 3: I made sure that I was present for what I

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Speaker 3: knew would be a historic night.

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Speaker 1: There's a lot of there was a lot of crew

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Speaker 1: you call it com curticisms like I wanted to sign Kendrick, yeah,

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Speaker 1: and then there are I don't know if it was

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Speaker 1: in danger there say somebody that didn't happen, So you

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Speaker 1: want to clarify that.

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Speaker 3: The thing about that is, if you tell me you

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Speaker 3: want a subway sandwich, right, yeah, how can I tell

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Speaker 3: you that you don't want a subway sandwich?

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Speaker 1: Okay? I feel what you said you wanted decigning. If

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Speaker 1: I say I want to do something, it's what I

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Speaker 1: want that you don't need validation for wanting to do something. Correct.

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Speaker 1: If you want to go to.

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Speaker 3: Aspen, this winner, one of your homies could be like, no,

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Speaker 3: he don't want to go to Aspen.

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Speaker 1: He don't. I do. I said, that's what I wanted

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Speaker 1: to do.

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Speaker 3: That's what I'm saying. So it's just it's just that, man.

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Speaker 3: And you can't you know, we can't entertain. Everybody that

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Speaker 3: you know has an opinion on things that we say.

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Speaker 3: But I know one hundred percent sure you can't tell

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Speaker 3: anyone what they want to do if they're a conscious

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Speaker 3: you know, mind.

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Speaker 2: When Kendrick mentioned you in the song back Black Boys Fly, Yeah,

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Speaker 2: but when to have your to have your name mentioned

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Speaker 2: in the song, what is that?

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Speaker 1: What does that mean? Is that? Is that the ultimate

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Speaker 1: side of respect? Is that the ultimate validation? Yeah?

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Speaker 3: Man, I think that for him to do that, what

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Speaker 3: showed his early on set vulnerability, his his adoration, respect

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Speaker 3: and appreciation for something that I got, you know, got

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Speaker 3: out the gate a little earlier than him on and uh,

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Speaker 3: I'm appreciative, Uh, you know, to the fact that he

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Speaker 3: did that to this day.

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Speaker 1: Who's the best Who's the best rap on the West

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Speaker 1: Coast today? Game? Damn that was quick. Yeah, it ain't

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Speaker 1: it's yeah, that's it.

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Speaker 3: Ain't Nobody getting at you can't nobody outright me man,

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Speaker 3: And anybody that knows, anybody that knows no, because people

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Speaker 3: can't even if you are, like, no one can do

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Speaker 3: what I can do, Like no one has my skill

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Speaker 3: set because not only am I do I have the

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Speaker 3: ability to wrap circles around people, I'm also with all

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Speaker 3: the bullshit too, if it came down to that. So

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Speaker 3: it's like I'm, yeah, I'm I'm I'm the best rapper

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Speaker 3: in this town.

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Speaker 1: Damn game. I mean the og Man og the Mamweights,

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Speaker 1: I mean Cubes, Snoop. I love Cube, but Q can't

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Speaker 1: outrap me. I love Cube.

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Speaker 3: And by the way, the reason that Q can outrap

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Speaker 3: me is because I used Cubes. You know, I use

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Speaker 3: cubes legacy to help me sharpen. I use Snoop's legacy

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Speaker 3: to help me sharpen myself. I used doctor Dre n

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Speaker 3: w A. So it's like those guys came before me,

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Speaker 3: you know what I'm saying. So it's like Kobe, right,

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Speaker 3: you know, Kobe watched Mike growing up, for sure.

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Speaker 2: Absolutely, But you see the way walk you see the

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Speaker 2: way chew that gun because the wristband on his elbow.

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Speaker 3: Now, Mike in Kobe's prime, Mike couldn't old Kobe no,

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Speaker 3: but that's because he came before him and he done

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Speaker 3: with it. I'm not saying if I was in nineteen

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Speaker 3: ninety two with q Q, might be able to you know,

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Speaker 3: go crazy, right you know, but right now, like, nah,

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Speaker 3: it's not.

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Speaker 1: It's not a rapper on the West that can that's

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Speaker 1: better than me. You're still the best rapper from Compton.

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Speaker 1: I'm definitely the best rapper from Compton. Definitely, definitely.

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Speaker 4: Is it?

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Speaker 2: Uh, I think we're gonna talk about it, maybe talk

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Speaker 2: about i' gonna talk about it now. Now we just

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Speaker 2: saw who had that verses we had no limit and

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Speaker 2: uh Birdman.

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Speaker 1: Oh yeah, cash cash money, Yeah, So who would you

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Speaker 1: want to do with verses against I'm not I'm more

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Speaker 1: of a fan, like I'm a fan of the versus

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Speaker 1: a series, more of a fan than I am a participant.

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Speaker 1: And I think that, you know, with my career, there's.

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Speaker 3: Only a few names that could really that really even

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Speaker 3: make sense, you know, right, And I think the only

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Speaker 3: person so that I could probably be on the verses

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Speaker 3: where it's probably fifty or something like that.

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Speaker 1: Right, Yeah, you still got beef with Sugar. Nah.

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Speaker 3: I talked to Sugar like a few months ago he

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Speaker 3: was in good spirits and uh, you know, he gave

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Speaker 3: me my prows. We had our we bumped hands over

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Speaker 3: the years. But again I don't I don't dug no smoke.

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Speaker 3: So he ended up finding out that, you know, the

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Speaker 3: hard way.

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Speaker 1: What's your relationship with Drake? Drake?

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Speaker 3: Oh, Drake, that's that's my brother, man, that's my brother.

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Speaker 3: I don't cut no corners about my friendship with Drake.

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Speaker 3: He always been solid with me. He ain't never done

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Speaker 3: me no wrong. He always look out, you know, for

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Speaker 3: the kids when they want to go to shows and whatnot,

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Speaker 3: and he ain't never he had never done me no wrong.

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Speaker 2: So when Drake comes to come, when Drake come to

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Speaker 2: your hot to yo hood, right, what is the undertaking

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Speaker 2: that you have to take to make sure he can

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Speaker 2: get in and out and have no issue?

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Speaker 3: Well, it was all It's all love. But number one,

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Speaker 3: you have to be accepted and loved in your hood.

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Speaker 3: You know what I'm saying, which I am. I've always

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Speaker 3: kept it a buck with people from my neighborhood coming up.

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Speaker 3: I've been in Compton all my life, so it's not

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Speaker 3: like I'm some implant, right, I've been there all my night.

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Speaker 1: My life.

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Speaker 3: I know, everybody, everybody know me, people seeing me while

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Speaker 3: I was in my you know, in my dark days,

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Speaker 3: and know what I'm was capable of when I was

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Speaker 3: on that type of time.

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Speaker 1: And at this point, all around.

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Speaker 3: LA, it's just a it's a respect thing like I

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Speaker 3: I you know, I get nothing, but like, what's up,

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Speaker 3: big homie, what's up?

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Speaker 1: Game?

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Speaker 3: Like that's all around LA from anyhood. So I think

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Speaker 3: I'm far removed from getting banged on the trip dogs

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Speaker 3: at this point, Like you know, my household name. So

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Speaker 3: it is what it is. But yeah, Drake, it was.

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Speaker 3: It was easy and easy out.

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Speaker 2: I mean when you like, I mean he's got to

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Speaker 2: be one of the biggest art well rappers. I mean yeah,

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Speaker 2: I think he's probably the biggest, yeah right now, one

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Speaker 2: of the biggest artists. I mean you can make a case.

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Speaker 2: I mean maybe Beyonce, Taylor Swift. I mean maybe they're

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Speaker 2: right there. But to hang out with somebody, somebody like him,

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Speaker 2: I mean you're like, you don't look at him like

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Speaker 2: with the outside world looks at him, you look like

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Speaker 2: a homie.

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Speaker 3: You know what Drake does whenever he's in my presence, man,

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Speaker 3: he always he always makes me feel like the bigger brother.

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Speaker 3: There's always a respect, and I don't think I think

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Speaker 3: with him, it's never been a I've so more records

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Speaker 3: than you, or I get more.

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Speaker 1: Money than you, because he didn't done both.

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Speaker 3: When you ever, you're breaking Beatles records, Michael Jackson doing

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Speaker 3: all that as a you know, a rap artist or

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Speaker 3: you know whatever. Drake doesn't even have a music genre

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Speaker 3: to fit in.

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Speaker 1: He just he just Drake.

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Speaker 5: You know.

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Speaker 1: It's one of those things like I'm not black, im

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Speaker 1: oj I guess.

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Speaker 3: But yeah, man, uh, he always he's always humble man

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Speaker 3: in my presence, man, and I really really appreciate that.

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Speaker 1: It makes it easier to navigate the friendship that way. Man.

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Speaker 1: When you heard Drake like man, Drake's in his label,

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Speaker 1: he like, huh yeah what yeah nah nah nah Miss

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Speaker 1: that's me. I don't sue, but that's just me. And again,

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Speaker 1: it's one of those things.

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Speaker 3: I can't judge man for doing what he thinks is

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Speaker 3: just for his self, his career, his legacy, and his family.

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Speaker 1: I'm not that it has nothing to do with me.

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Speaker 1: I did. I did say that.

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Speaker 3: I didn't that I don't think he should do that,

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Speaker 3: But again, I'm just that's just me being a brother,

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Speaker 3: don't you know, I have to listen to me.

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Speaker 2: Do you believe rappers need to check in when they

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Speaker 2: come to LA because you see this. I mean I've

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Speaker 2: seen it before that somebody go to Chicago, or they

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Speaker 2: go to the Old Block, or they go to this

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Speaker 2: place and they need to check in.

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Speaker 3: I think people get that, uh get that twisted right.

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Speaker 3: This thing's the old days where you come to LA

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Speaker 3: and you were gonna, you know, bully you or say

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Speaker 3: what say you gotta do this or else. I think

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Speaker 3: it's just put you in a better position. If you

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Speaker 3: know somebody that's from that is the city that is

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Speaker 3: in the genre of music that you're into. You give

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Speaker 3: a call like, yo, I'm coming with up Brody, just

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Speaker 3: a courtesy car, and then me genuinely, if you my homie,

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Speaker 3: I'm gonna make sure that you straight that you got

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Speaker 3: guys that notice area. You know, when American sins troops overseas,

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Speaker 3: they got a lias.

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Speaker 1: Somebody that's over there who knows the area, language, speak

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Speaker 1: the language.

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Speaker 3: Who down with our casts. So that's what it is.

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Speaker 3: I don't think it's a bully should night check in thing.

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Speaker 3: I think it's just like you should. And you know

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Speaker 3: in the past we've seen how it goes ugly when

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Speaker 3: when you don't. And I don't condone that in any way.

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Speaker 3: I think it's I don't like that the pass and

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Speaker 3: the pop smoke, the pm B rock.

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Speaker 1: Thing, like I don't I don't like that at all.

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Speaker 2: Right, you went to Detroit to record with M. Yeah,

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Speaker 2: what what was that like? Because had you had you

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Speaker 2: met M before?

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Speaker 1: Yeah?

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Speaker 3: I met him before, uh in l A after a

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Speaker 3: few times, like Sam, he was around, like we were

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Speaker 3: all tight knit in those days. But I went to

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Speaker 3: Detroit and that was probably the the craziest studio session

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Speaker 3: that I've ever been in. Man, what ma It's so

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Speaker 3: unique because M eats like Taco Bell, like like it's

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Speaker 3: like gum, Like he just eat Tago Bell, Taco Bell,

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Speaker 3: and he drinks Hi Mountain dew. And he also he

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Speaker 3: sometimes he writes his raps in circles on the paper

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Speaker 3: and then when he read the raps, he turned it

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Speaker 3: the opposite way, so he reading like that. Yeah, it's crazy, man,

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Speaker 3: but one of the most talented rappers alive and it's

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Speaker 3: ever been.

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Speaker 1: And Yeah, that experience in Detroit was kind of cool.

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Speaker 2: When they told you, because I'm sure they probably told

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Speaker 2: you about m before you actually saw him, And they say, man,

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Speaker 2: hey is his white dude bro spit five? Man, Like,

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Speaker 2: get this, bro. The last dude y'all told the spit

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Speaker 2: five was Milly was a Ice Life baby Vanilla Ice Yeah.

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Speaker 1: No, no, no, no, no, no no. He liked that.

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Speaker 2: So when you heard him the first I don't know

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Speaker 2: if you heard it his record or you heard him

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Speaker 2: in the studio when you first heard him, what went

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Speaker 2: through you mind?

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Speaker 1: When I first heard Hi, my Name Is?

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Speaker 3: I saw that on TV and I was like, damn,

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Speaker 3: this shit is weird, but I like it. I never

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Speaker 3: heard anything like that. I even know you could talk

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Speaker 3: about your mom and shit, and yet like you know,

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Speaker 3: so I thought it was crazy. So by the time

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Speaker 3: I met him, I was probably like pretty much already

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Speaker 3: a fan of him in the early stages of his career.

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Speaker 3: So be it to be on a label with, you know,

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Speaker 3: a guy that out wrapped Jay Z on Renegade, you

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Speaker 3: know was crazy for me?

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Speaker 2: Is that what you try to do when you go

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Speaker 2: on somebody with somebody ask you for a feature, you

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Speaker 2: get on somebody, you try to you try to bury.

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Speaker 3: Anybody that is getting on the song with me, they

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Speaker 3: know that they better go crazy because I'm definitely gonna

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Speaker 3: go crazy, especially if it's my song, because I get,

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Speaker 3: I get, I get to hear what you did and

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Speaker 3: then live with it and then go crazy. But yeah,

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Speaker 3: I'm I'm gonna try to be my best on every

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Speaker 3: song that I'm on. Well, then what how you would

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Speaker 3: end up having a beef? I was twenty four, man,

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Speaker 3: Lord haveber you ain't aged a bit?

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Speaker 1: Nah? You know what it was?

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Speaker 3: Man, I was pissed off at Doctor Dre and he

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Speaker 3: came out wrapped me.

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Speaker 1: So I was like, let me just try and throw

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Speaker 1: some shots at him. So that's what it was.

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Speaker 3: Another one of Game's bullheaded decisions that pissed a lot

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Speaker 3: of people off.

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Speaker 2: You do a lot of stuff to piss people off.

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Speaker 2: You you win at you win at a hole.

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Speaker 3: Yeah I did, man early on, But hey, man, I

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Speaker 3: survived through it all.

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Speaker 1: Hey you ain't. You ain't got no apology letters or nothing,

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Speaker 1: and I don't really you know, I'm not doing it.

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Speaker 1: It's okay. Made me apologize once, man, But I'm just

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Speaker 1: saying it's okay to apologize. You were wrong, Game, damn

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Speaker 1: I wasn't wrong for going at hole man. That like

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Speaker 1: that was the and still to this day like like

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Speaker 1: jay Z is jay Z Man, that's rap royalty man,

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Speaker 1: that's like what rock and roll Hall of Fame. Like, yeah,

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Speaker 1: what I'm saying, like, that's whole.

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Speaker 3: So it's like if when you was on when you

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Speaker 3: was on the field, man, right, like you you you

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Speaker 3: running like a you know, post corner right yeah, and

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Speaker 3: nigga roundie lot out there. Yeah, and he wanted the

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Speaker 3: best safeties in the game, like we ain't. We got

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Speaker 3: to catch the b and we gotta run him over.

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Speaker 1: Yeah, you know what I'm saying. So it's just it's

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Speaker 1: just like that, it's just my competitor. But I ain't

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Speaker 1: gonna say running sit your old lass down, you need

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Speaker 1: to go home.

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Speaker 3: Well, but you're gonna tell him that with your skill

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Speaker 3: set I am, and that's what it is. So me,

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Speaker 3: I use my voice to translate my you know, my aggression,

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Speaker 3: and you have to use.

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Speaker 1: Your Uh is there anything that you wouldn't say on

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Speaker 1: the disc track? Hell no, And that's what makes me dangerous,

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Speaker 1: the most dangerous man.

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Speaker 2: You got some stuff you gotta keep, man, you can't

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Speaker 2: keep going below the belt, no game, tam. You gotta

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Speaker 2: keep right here. Oh you're still away y yeah? Kids, okay, yeah,

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Speaker 2: But other than that.

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Speaker 1: Other than that, it's up all the way up hold

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Speaker 1: on mm hm hmmm. So you do you go look

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Speaker 1: at do you go look at the start beasts? Sometimes

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Speaker 1: I do, Man, Sometimes I find myself in beefs. I

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Speaker 1: don't have no you ain't got no business man, But

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Speaker 1: it's yeah, it's just my competitive nature. Man. I get

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Speaker 1: I get angry sometimes when you know, but you ain't

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Speaker 1: even the game. Huh, you ain't in the game. They

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Speaker 1: playing basketball, you're a football player. But I'm always in

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Speaker 1: the game.

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Speaker 2: Man.

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Speaker 1: Sometimes I sell myself in That's what I'm saying. They

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Speaker 1: got too many men on the field, man.

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Speaker 3: You know sometimes man, and like certain you know certain

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Speaker 3: sports man, somebody has a bench on the bench, get

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Speaker 3: mad they just running the game.

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Speaker 1: Yeah, you've seen that happen.

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Speaker 2: Collap Is there anybody that you haven't worked with that

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Speaker 2: you want to work with.

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Speaker 3: There's one collab that I always wanted that I'll never

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Speaker 3: get and I wouldn't do it, you know post their death.

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Speaker 1: It's Amy Whitehouse. I'm a huge Amy Whitehouse.

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Speaker 2: Yeah, I saw her document man. She could say, look, mer,

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Speaker 2: I'm a big fan of Elton John too. Okay, yeah,

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Speaker 2: just like abstract collapse that nobody would ever see.

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Speaker 1: Man, Like you know, you said, NBA Young Boy is

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Speaker 1: this generation's Tupac. You feel bad?

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Speaker 3: Well number one is not. I didn't make the decision.

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Speaker 3: These kids did, and it is what it is. But

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Speaker 3: I respect it, right because you couldn't tell me nothing

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Speaker 3: about TUPAC, and you can't tell these Hyns nothing about

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Speaker 3: the NBA Young Boy.

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Speaker 1: And that's just what I mean. They go crazy, like

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Speaker 1: have you been to the concert?

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Speaker 3: I haven't been to the concert, but my son went,

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Speaker 3: and like from his videos, right from his videos, the

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Speaker 3: videos that he sent me, I don't see nobody like

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Speaker 3: going that crazy.

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Speaker 1: And I see people going crazy at concerts. But I've

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Speaker 1: seen kids crying.

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Speaker 3: Man, I've seen kids crying, and I ain't seen nobody

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Speaker 3: crying for nobody outside of maybe like Michael Jackson. I've

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Speaker 3: seen people crying, Morgan Wiland. Michael Jackson is the cry maker.

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Speaker 3: Everybody at Michael Jackson. He gets to sing and hell

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Speaker 3: of the world or you know human nature, everybody's crying,

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Speaker 3: you know, shit thing out make a grown man cry.

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Speaker 3: But yeah, other than like you know, the Beyonce Morgan

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Speaker 3: wild like I'm not Taylor Swift, the Swifties, they cried,

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Speaker 3: they go crazy. But NBA Young Boy is a rapper man,

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Speaker 3: so rappers making people cry like I haven't seen that sense,

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Speaker 3: like you know, like Drake, And I can't say pique

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00:15:06,040 --> 00:15:08,880
Speaker 3: Drake because Drake is still He's the most stream artist

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Speaker 3: like this year.

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Speaker 1: Still.

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Speaker 2: Yeah, NBA Young Boy tweeted, I want to drop this album,

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Speaker 2: ben die.

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Speaker 1: My life is literally perfect. I'm just not happy. It's me.

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Speaker 3: Yeah, when you read that, I know where that's coming from.

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Speaker 1: And I don't know anything about his personal life.

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Speaker 3: I just knowing be a young boy son in our concerts,

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Speaker 3: being a remarkable young artist. But you reading that he

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Speaker 3: got he got a problem with a woman, for sure?

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Speaker 3: Think so for sure, you only we only want to

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Speaker 3: die when we lose our girl, for real. I'm just

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Speaker 3: being honest, man. And so if I had to give

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Speaker 3: him advice, man, I would just say, there's so much

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Speaker 3: more to live for. There's number one, there's so much

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Speaker 3: more to live for. He he got, he got a

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Speaker 3: lot of kids. You know, he's also a very very

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Speaker 3: talented guy that is changing a lot of people's lives.

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Speaker 1: Man.

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Speaker 3: He giving a lot of people motivation inspiration. No matter

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Speaker 3: what we we older OG's feel about it. Man Nba

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Speaker 3: young boy is one of those guys that has a lot,

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Speaker 3: a lot to live for as far as uh you know,

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Speaker 3: again the tweet, Man, I would just say, pouring to yourself, man,

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Speaker 3: and whatever you gotta do, because I'm assuming that's either

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Speaker 3: it like it has to be about a woman. Anytime

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Speaker 3: that I wanted to kill myself, it was probably about

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Speaker 3: a woman and we and he probably just throwing that

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Speaker 3: out there, and God forbid that he, you know, actually

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Speaker 3: does something to himself. I don't think he would do that,

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Speaker 3: and I really hope he doesn't. But just again, it's

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Speaker 3: what I told you at the beginning of the show man.

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Speaker 3: Maybe he needs to take a break from music and

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Speaker 3: pouring to his family, his girl, his kids and do

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Speaker 3: that because I find I find myself being my happiest

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Speaker 3: self when I'm surrounding myself with people that love me

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Speaker 3: the way that I love them. So I would say

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Speaker 3: tap into that.

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Speaker 2: You also say a little baby and little Dirk would

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Speaker 2: be the jay Z and Nods of this generation. Dir

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Speaker 2: I had g Herbalt and herbal like. Man, look in

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Speaker 2: my heart of hearts, I believe Dirk gonna come home.

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Speaker 1: So I would.

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Speaker 3: I were word that different, I would say that Kendrick

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Speaker 3: and j Cole would be more of the Nods. Yeah,

383
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Speaker 3: of this generation. But uh, Dirk and and little Baby

384
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Speaker 3: are great talents, man. And I hate to see Dirk

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Speaker 3: in the jam that he in and uh yeah, free

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Speaker 3: him too, man. I'm just to free everybody, man, I

387
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Speaker 3: see and I apologize to Kim.

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Speaker 1: So maybe you know Kim trying to be a lawyer.

389
00:17:41,400 --> 00:17:44,639
Speaker 1: You know she was trying to God. You never know

390
00:17:44,680 --> 00:17:46,120
Speaker 1: where you need to get out of pre j free

391
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Speaker 1: togods dot com.

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Speaker 4: Ye.

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Speaker 1: Yeah. Fans saying NBA Young Boy is bigger now than

394
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Speaker 1: Little Wayne was in his pro No, no, that's not true. Wayne.

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Speaker 3: Wayne is one of those guys, man that I know.

396
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Speaker 3: NBA Young Boy in his harder heart staring in the mirror,

397
00:18:06,880 --> 00:18:09,400
Speaker 3: knows that he wants that he is like, he aspires

398
00:18:09,440 --> 00:18:12,520
Speaker 3: to be that great now. I'm not saying that he

399
00:18:12,680 --> 00:18:16,360
Speaker 3: not on the road the greatness because an NBA Young Boy,

400
00:18:16,400 --> 00:18:20,040
Speaker 3: this is his uh, this is the resurgence in his

401
00:18:20,680 --> 00:18:22,800
Speaker 3: you know, in his career, he had a little legal trouble,

402
00:18:23,160 --> 00:18:24,359
Speaker 3: had to sit down for a minute.

403
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Speaker 1: Man. Yeah, club man, everybody will know what club man.

404
00:18:29,400 --> 00:18:30,920
Speaker 3: I don't know why I wanted to go so bad,

405
00:18:30,960 --> 00:18:33,320
Speaker 3: but then my grandma told me, boy, that's for old people.

406
00:18:34,080 --> 00:18:34,320
Speaker 1: Yeah.

407
00:18:34,480 --> 00:18:36,919
Speaker 3: But yeah, man, I think that NBA young boy, if

408
00:18:36,920 --> 00:18:39,840
Speaker 3: he keeps going man with with his generation, right, because

409
00:18:39,960 --> 00:18:43,280
Speaker 3: people have to put you in in these you know,

410
00:18:43,640 --> 00:18:45,600
Speaker 3: on these pedestals. So I think that if he going,

411
00:18:45,720 --> 00:18:47,440
Speaker 3: if he keep going at the way that he's going now,

412
00:18:47,520 --> 00:18:50,240
Speaker 3: man and selling off these arenas and making these kids

413
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Speaker 3: go crazy, man.

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00:18:51,040 --> 00:18:53,480
Speaker 1: That he who knows? Man? But Wayne, Wayne, Wayne is

415
00:18:53,480 --> 00:18:54,000
Speaker 1: the gold man.

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Speaker 2: Where would you put Wayne? Because like when people's like, okay,

417
00:18:57,320 --> 00:19:00,280
Speaker 2: give me your mouth rushmore. You know they have they

418
00:19:00,320 --> 00:19:02,600
Speaker 2: have jay Z. You know you have this rapper you

419
00:19:02,760 --> 00:19:04,440
Speaker 2: where would you put where you put Wayne?

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Speaker 1: I don't.

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00:19:04,960 --> 00:19:06,480
Speaker 3: I think I've got to the point of my life

422
00:19:06,520 --> 00:19:09,280
Speaker 3: where I don't like putting artists in order. I would

423
00:19:09,320 --> 00:19:12,280
Speaker 3: just I just know Wayne with Jay and Pock and

424
00:19:12,440 --> 00:19:15,919
Speaker 3: Big and m are all Andre three thousand and you

425
00:19:15,960 --> 00:19:18,800
Speaker 3: know the other guys Biggie or all of just all in.

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Speaker 1: The top ten.

427
00:19:19,480 --> 00:19:23,200
Speaker 3: Yeah, like just like like just scribble scrabbled up the

428
00:19:23,359 --> 00:19:24,400
Speaker 3: man in no certain order.

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Speaker 1: I just think that I know for sure that Wayne's

430
00:19:26,840 --> 00:19:29,000
Speaker 1: up there. But a young boy tried to charge you

431
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Speaker 1: one hundred fifty K for a verse.

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Speaker 3: I think that was his team. Man, I can't see

433
00:19:32,480 --> 00:19:35,560
Speaker 3: and I can't see young boy doing that. But that's

434
00:19:35,600 --> 00:19:38,520
Speaker 3: to go all right, it's the going rate. But I

435
00:19:38,560 --> 00:19:41,200
Speaker 3: just think it was like the wires got crossed because

436
00:19:41,200 --> 00:19:45,000
Speaker 3: I've never paid for a verse in my career. Time different,

437
00:19:45,800 --> 00:19:48,399
Speaker 3: I mean this was a time ago though, so again

438
00:19:48,440 --> 00:19:52,919
Speaker 3: I think sometimes yeah. But so the thing is, sometimes

439
00:19:52,920 --> 00:19:55,400
Speaker 3: your management has your best interest at heart, and they'll

440
00:19:55,440 --> 00:19:57,679
Speaker 3: throw out the rate. Sometimes the artist doesn't know what

441
00:19:57,800 --> 00:20:00,520
Speaker 3: goes on. So again I'm thinking, b a young boy

442
00:20:00,600 --> 00:20:02,400
Speaker 3: himself with charge game for a verse?

443
00:20:03,560 --> 00:20:07,240
Speaker 1: What's the most money you charge? You charged for a verse? Yeah? Whoa,

444
00:20:07,280 --> 00:20:09,240
Speaker 1: whoa yo. But here's the thing.

445
00:20:09,480 --> 00:20:12,880
Speaker 3: I don't charge my friends or rappers that I think

446
00:20:13,000 --> 00:20:14,560
Speaker 3: are top tier for verses.

447
00:20:14,640 --> 00:20:17,400
Speaker 1: I just don't, Okay. But then a lot of people.

448
00:20:17,440 --> 00:20:19,760
Speaker 2: See that's how that's I see, that's how the rich

449
00:20:19,800 --> 00:20:22,480
Speaker 2: stay rich. Who get all the free stuff. People that

450
00:20:22,520 --> 00:20:26,119
Speaker 2: can afford it, who get all the free verses? Artists

451
00:20:26,160 --> 00:20:26,760
Speaker 2: that can afford it.

452
00:20:26,800 --> 00:20:30,720
Speaker 1: Yeah, now you're right. What am I supposed to do? Man?

453
00:20:33,119 --> 00:20:34,840
Speaker 1: You didn't make the rules out. I got kids to

454
00:20:34,880 --> 00:20:39,920
Speaker 1: take it. Bird you almost had with bird Man. Yeah.

455
00:20:40,000 --> 00:20:45,200
Speaker 1: Birdman is like, uh, just one of the biggest Game fans. Man.

456
00:20:45,240 --> 00:20:46,159
Speaker 1: He'll tell you himself.

457
00:20:46,160 --> 00:20:47,840
Speaker 3: Man, it'd be like, I've always been a fan of

458
00:20:47,920 --> 00:20:50,600
Speaker 3: Game Man and he wanted to sign me in the

459
00:20:50,600 --> 00:20:52,560
Speaker 3: beginning of my career. But I just, you know, I

460
00:20:52,600 --> 00:20:55,200
Speaker 3: had a choice to make, and I felt like Dre

461
00:20:55,400 --> 00:20:56,000
Speaker 3: was the best fit.

462
00:20:58,160 --> 00:21:00,720
Speaker 2: After being in the rap game for almost two decades,

463
00:21:00,760 --> 00:21:02,400
Speaker 2: what have you learned about this business?

464
00:21:03,480 --> 00:21:09,160
Speaker 3: That it ain't ship that people it people? Everyone uses everybody, right.

465
00:21:09,880 --> 00:21:12,800
Speaker 1: You know, I had what you Oh you said that,

466
00:21:13,160 --> 00:21:15,080
Speaker 1: Oh you said everybody to tell you they brother, They

467
00:21:15,200 --> 00:21:18,360
Speaker 1: not your brother, they your brother. I've seen a whole

468
00:21:18,359 --> 00:21:21,320
Speaker 1: interviewpreciate you. I can tell you what he said. He

469
00:21:21,400 --> 00:21:23,480
Speaker 1: got got it. He got into little hot water to

470
00:21:23,560 --> 00:21:24,760
Speaker 1: a little bit, a little bit, a little bit.

471
00:21:24,960 --> 00:21:26,800
Speaker 3: But again, man, again we're not in judgment, and I

472
00:21:26,800 --> 00:21:29,440
Speaker 3: felt like what he said was accurate to how I feel.

473
00:21:29,480 --> 00:21:31,159
Speaker 3: Now I'm here on Club Sha shape, I tell you

474
00:21:31,160 --> 00:21:31,720
Speaker 3: the same thing.

475
00:21:32,119 --> 00:21:32,440
Speaker 1: I think.

476
00:21:32,480 --> 00:21:36,080
Speaker 3: I don't know, you know what needs to happen. But

477
00:21:36,480 --> 00:21:40,440
Speaker 3: the bullshit level is it's I don't know, it's top.

478
00:21:40,520 --> 00:21:44,320
Speaker 3: It's just it's blowing the Richter scale, bro, Like, it's crazy.

479
00:21:44,400 --> 00:21:46,960
Speaker 2: Why we can't Why why can't just be honest with

480
00:21:47,000 --> 00:21:50,479
Speaker 2: each other? Bro, I'm doing this feature, that's what it is.

481
00:21:50,880 --> 00:21:54,120
Speaker 2: I'm not your brother. I'm not We're doing business together, right,

482
00:21:54,240 --> 00:21:56,280
Speaker 2: and it's okay, we can do business together.

483
00:21:56,680 --> 00:21:58,080
Speaker 1: But it's that when you lie to.

484
00:21:58,040 --> 00:21:59,800
Speaker 2: My Oh, that's my boy, that's my friend, that's my

485
00:22:00,280 --> 00:22:03,520
Speaker 2: that's my boat, and then you doing flowing behind my back.

486
00:22:03,600 --> 00:22:04,600
Speaker 1: But then again.

487
00:22:08,280 --> 00:22:10,360
Speaker 3: To go off with T Pain was saying about itself

488
00:22:10,880 --> 00:22:12,080
Speaker 3: a lot of and I don't and I don't know

489
00:22:12,119 --> 00:22:13,840
Speaker 3: if he did this, but you'll be able to tell me,

490
00:22:14,000 --> 00:22:15,400
Speaker 3: Like a lot of that is our owner fault.

491
00:22:15,480 --> 00:22:15,640
Speaker 5: Right.

492
00:22:15,840 --> 00:22:18,160
Speaker 1: Should we be thinking everybody's our brother to begin with?

493
00:22:18,720 --> 00:22:19,440
Speaker 1: Or are we young?

494
00:22:19,520 --> 00:22:21,600
Speaker 3: And then we grow wise and we understand that everybody

495
00:22:21,640 --> 00:22:24,000
Speaker 3: ain't our brother. So I think that whatever T Pain

496
00:22:24,040 --> 00:22:26,240
Speaker 3: went through in the industry, which is simular to what

497
00:22:26,320 --> 00:22:28,600
Speaker 3: I've been through in the industry, you wouldn't be who

498
00:22:28,600 --> 00:22:31,879
Speaker 3: you were today unless you went through those experiences. Everybody

499
00:22:31,960 --> 00:22:34,680
Speaker 3: in NFL when your brother all the casts that you ran.

500
00:22:34,800 --> 00:22:37,320
Speaker 3: You know that you went to training camp with who

501
00:22:37,560 --> 00:22:39,080
Speaker 3: you might have saw in college when you all were

502
00:22:39,160 --> 00:22:40,960
Speaker 3: young and cool, like when you'll.

503
00:22:40,800 --> 00:22:42,879
Speaker 1: Get into the NFL. It's a competition.

504
00:22:43,320 --> 00:22:45,360
Speaker 2: Yeah it is, but don't tell me you my partner,

505
00:22:45,560 --> 00:22:47,360
Speaker 2: Oh that's my boy man get mad and me and game.

506
00:22:47,520 --> 00:22:50,400
Speaker 1: Yeah, so a lot of people throw that. I think

507
00:22:50,400 --> 00:22:53,280
Speaker 1: that we do that a lot as humans these days,

508
00:22:53,359 --> 00:22:56,840
Speaker 1: right we love bomb, homie bomb, brother bomb, friend bomb

509
00:22:56,840 --> 00:22:58,280
Speaker 1: and do all that too much.

510
00:22:58,320 --> 00:22:59,960
Speaker 3: And I don't know what that is, man. I just

511
00:23:00,280 --> 00:23:04,399
Speaker 3: I definitely limit who I call like family, brother and

512
00:23:04,440 --> 00:23:05,879
Speaker 3: do all that. And I told you in the beginning man,

513
00:23:05,960 --> 00:23:09,399
Speaker 3: like I I'm really adamant about pouring into who pours

514
00:23:09,680 --> 00:23:13,240
Speaker 3: to me because it's yielding more positive results and making

515
00:23:13,280 --> 00:23:14,920
Speaker 3: me happier every day of my life.

516
00:23:15,560 --> 00:23:17,080
Speaker 1: So is it a situation to business?

517
00:23:17,160 --> 00:23:21,720
Speaker 2: Like, ain't nothing going on that ain't ish but the

518
00:23:21,760 --> 00:23:25,119
Speaker 2: bad contract? You feel like people push you. You signed

519
00:23:25,119 --> 00:23:27,080
Speaker 2: some bad deals, you got to put in some bad situations.

520
00:23:27,119 --> 00:23:30,800
Speaker 1: I feel like, yeah, I feel like the the there's

521
00:23:30,840 --> 00:23:34,520
Speaker 1: a mass agenda to take advantage of younger talented artists

522
00:23:34,520 --> 00:23:37,080
Speaker 1: that transcends music.

523
00:23:37,520 --> 00:23:41,240
Speaker 3: It goes into every business in the in the world,

524
00:23:41,320 --> 00:23:43,199
Speaker 3: whether it be Wall Street or the NFL or the

525
00:23:43,320 --> 00:23:46,240
Speaker 3: NBA like of course, if you if you don't have

526
00:23:46,280 --> 00:23:49,040
Speaker 3: the right representation and you allow them to, you know,

527
00:23:49,119 --> 00:23:53,840
Speaker 3: get you put you in a contractual situation where again

528
00:23:53,960 --> 00:23:55,480
Speaker 3: you are rendered helpless.

529
00:23:55,680 --> 00:23:56,399
Speaker 1: It is what it is.

530
00:23:56,440 --> 00:23:57,960
Speaker 3: You got to get your team up from the beginning.

531
00:23:58,000 --> 00:24:00,760
Speaker 3: So all younger artists sit in here watching me speak

532
00:24:01,480 --> 00:24:03,639
Speaker 3: should make sure that their lawyers top tier and and

533
00:24:03,640 --> 00:24:06,040
Speaker 3: their team is on point, and you're trusting the people

534
00:24:06,080 --> 00:24:08,680
Speaker 3: who are down with you in the early stages of

535
00:24:08,760 --> 00:24:14,479
Speaker 3: your career, you built something like Birdman and Slim Birdman

536
00:24:14,560 --> 00:24:16,440
Speaker 3: been winning for I don't know how long you could

537
00:24:16,440 --> 00:24:17,399
Speaker 3: be mad as you want.

538
00:24:17,440 --> 00:24:19,920
Speaker 1: But he good got so he.

539
00:24:19,840 --> 00:24:22,800
Speaker 3: Did his business right, Master p Another guy did his

540
00:24:22,880 --> 00:24:28,960
Speaker 3: business right. Snoop Dogg's selling Corona's car, insurance, selling pizza.

541
00:24:29,359 --> 00:24:33,880
Speaker 2: Yeah, Snoop. Snoop might be the biggest thing. I mean,

542
00:24:33,960 --> 00:24:36,800
Speaker 2: have you ever seen anybody have a bigger transformation to

543
00:24:36,880 --> 00:24:39,760
Speaker 2: go from what he was from Long Beach, California. Now

544
00:24:39,800 --> 00:24:43,280
Speaker 2: he doing the Olympics, He's got he's gotten a project

545
00:24:43,320 --> 00:24:43,960
Speaker 2: with Martha.

546
00:24:44,119 --> 00:24:46,719
Speaker 1: Yes, Stuart, can you get any more? Lily?

547
00:24:47,960 --> 00:24:50,520
Speaker 3: Always say that my top three people in life that

548
00:24:50,720 --> 00:24:57,160
Speaker 3: everyone knows exists. Everyone, everybody on earth know these three names. Jesus,

549
00:24:58,080 --> 00:25:04,080
Speaker 3: Michael Jackson and Snoop guaranteed. Guarantee, Yeah, Snoop one. Snoop

550
00:25:04,080 --> 00:25:05,800
Speaker 3: guy would mark the steward. It was it was, it

551
00:25:05,880 --> 00:25:08,320
Speaker 3: was up, It was up, because that's that's a match

552
00:25:08,359 --> 00:25:12,880
Speaker 3: to that nobody saw. Yeah, nobody saw Snoop get his money, man,

553
00:25:14,040 --> 00:25:14,960
Speaker 3: I ain't mad at him.

554
00:25:15,119 --> 00:25:19,760
Speaker 2: The Navy seal, the one that killed Osama Ben Yeah,

555
00:25:20,000 --> 00:25:21,040
Speaker 2: was listening to the Red Nation.

556
00:25:22,520 --> 00:25:26,240
Speaker 1: How did that make you feel? That made me feel

557
00:25:26,359 --> 00:25:27,480
Speaker 1: kind of cool? I ain't gonna lie.

558
00:25:27,480 --> 00:25:29,639
Speaker 3: You know some things like you know, you go through

559
00:25:29,680 --> 00:25:32,120
Speaker 3: your career, man, and you got certain accolades that mean

560
00:25:32,560 --> 00:25:34,080
Speaker 3: a lot, and some you could just be like.

561
00:25:34,080 --> 00:25:35,840
Speaker 1: All right, but that one, that one was kind of

562
00:25:36,880 --> 00:25:37,640
Speaker 1: that was a big deal.

563
00:25:38,160 --> 00:25:40,760
Speaker 2: When you write a song, are you thinking about the

564
00:25:40,960 --> 00:25:44,280
Speaker 2: environment or the people that could potentially listen to that song,

565
00:25:44,560 --> 00:25:45,440
Speaker 2: or you just write the song.

566
00:25:45,480 --> 00:25:48,200
Speaker 1: You write how you feel in that moment. I just

567
00:25:48,240 --> 00:25:51,000
Speaker 1: write how I feel in that moment. And then at

568
00:25:51,000 --> 00:25:51,720
Speaker 1: the end of the day.

569
00:25:52,080 --> 00:25:54,400
Speaker 3: But you know what, I only when I write songs,

570
00:25:54,520 --> 00:25:57,119
Speaker 3: I'll I'll write a verse, yeah, and a hook and

571
00:25:57,160 --> 00:26:00,520
Speaker 3: if I don't feel like it's gonna be like great,

572
00:26:00,640 --> 00:26:04,199
Speaker 3: then I just won't finish it, you know, right, So

573
00:26:04,240 --> 00:26:05,680
Speaker 3: I'm not wasting time in the studio.

574
00:26:06,240 --> 00:26:08,600
Speaker 2: So you so you write the verse before you because

575
00:26:08,680 --> 00:26:11,240
Speaker 2: like you hear like ho hole just be like dumping.

576
00:26:11,320 --> 00:26:13,120
Speaker 1: He here to beat. I don't think he's right though,

577
00:26:13,119 --> 00:26:16,520
Speaker 1: he I think he just yeah like Wayne, Wayne don't

578
00:26:16,560 --> 00:26:17,960
Speaker 1: like right so wayIn don't write at all.

579
00:26:18,119 --> 00:26:20,720
Speaker 3: But see those guys, man, But see the difference between

580
00:26:20,760 --> 00:26:25,080
Speaker 3: me and them is they like they were always rappers,

581
00:26:25,359 --> 00:26:27,560
Speaker 3: you know what I'm saying, Like they've been rapping for

582
00:26:27,560 --> 00:26:30,920
Speaker 3: so long. Me I chose rap to save my life,

583
00:26:30,960 --> 00:26:32,879
Speaker 3: so I had to learn how to rap, you know

584
00:26:32,920 --> 00:26:35,320
Speaker 3: what I'm saying, like really learning and it was based

585
00:26:35,359 --> 00:26:37,600
Speaker 3: on like Wayne was already I think Wayne might have

586
00:26:37,680 --> 00:26:41,560
Speaker 3: been in rap longer than jay Z. But yeah, I

587
00:26:41,680 --> 00:26:44,000
Speaker 3: just again, I studied Wayne early Wayne and all that.

588
00:26:44,119 --> 00:26:45,439
Speaker 3: So it's like those guys are different.

589
00:26:45,440 --> 00:26:45,600
Speaker 1: Man.

590
00:26:45,600 --> 00:26:49,000
Speaker 3: The things that I've seen Wayne doing the studios, it

591
00:26:49,040 --> 00:26:50,560
Speaker 3: is just remarkable.

592
00:26:51,400 --> 00:26:54,120
Speaker 1: Have you written for other artists? Yeah, a lot? What

593
00:26:54,119 --> 00:26:56,320
Speaker 1: what where are you on ghost writing?

594
00:26:56,600 --> 00:26:58,159
Speaker 2: Because I've had a lot of having a lot of

595
00:26:58,160 --> 00:27:00,760
Speaker 2: people on and then something like nah, Nah, you can't

596
00:27:00,760 --> 00:27:03,600
Speaker 2: be a true MC if you if you have ghost riders,

597
00:27:03,640 --> 00:27:05,840
Speaker 2: and then some people like it's okay, where are you

598
00:27:05,920 --> 00:27:06,119
Speaker 2: on this?

599
00:27:06,400 --> 00:27:10,159
Speaker 3: You can't be a true MC if if you have

600
00:27:11,640 --> 00:27:15,400
Speaker 3: ghost riders. I don't think a true MC. A true

601
00:27:15,480 --> 00:27:19,880
Speaker 3: MC to me is like a nas Or or jay

602
00:27:20,000 --> 00:27:25,359
Speaker 3: Z or ice Cube or m C Wren, Kendrick Lamar,

603
00:27:25,560 --> 00:27:28,000
Speaker 3: like you know J Cole. These are guys that have

604
00:27:28,080 --> 00:27:31,080
Speaker 3: a skill set to really like they can go in

605
00:27:31,200 --> 00:27:34,480
Speaker 3: any any any rap room and old their own Yeah,

606
00:27:34,480 --> 00:27:35,159
Speaker 3: that's a true m C.

607
00:27:35,359 --> 00:27:39,480
Speaker 1: KRS one and you know, yeah those guys, that's KRS one.

608
00:27:39,520 --> 00:27:42,240
Speaker 2: I look at KRS one, I look at rock Hemp,

609
00:27:42,400 --> 00:27:43,399
Speaker 2: I look at Scarface.

610
00:27:43,640 --> 00:27:47,080
Speaker 1: Those are lyricists. Yeah, it ain't very many of those anymore.

611
00:27:47,200 --> 00:27:50,600
Speaker 3: Uh, you know what, but it makes it it makes

612
00:27:50,600 --> 00:27:53,480
Speaker 3: it a lot easier to appreciate the ones that are here.

613
00:27:53,520 --> 00:27:55,680
Speaker 3: Like I listened to you know a lot of Kendrick.

614
00:27:55,720 --> 00:27:57,679
Speaker 3: I listened to a lot of J Cole. I listened

615
00:27:57,720 --> 00:28:02,040
Speaker 3: to a lot of J I D. I've been listening

616
00:28:02,119 --> 00:28:05,920
Speaker 3: to Old Yay lately just to you know, go back

617
00:28:05,960 --> 00:28:08,240
Speaker 3: and just you know, really feel good about the artistry

618
00:28:08,359 --> 00:28:13,000
Speaker 3: of music. This this genre of music. I mean, this

619
00:28:13,000 --> 00:28:16,080
Speaker 3: this era of music, it's not all for me, but

620
00:28:16,160 --> 00:28:17,879
Speaker 3: I can still appreciate it, and I still and I

621
00:28:17,880 --> 00:28:20,000
Speaker 3: can still God. Yeah, I'm not one of them, you

622
00:28:20,040 --> 00:28:23,440
Speaker 3: know them older artists or you know the legendary artists.

623
00:28:23,119 --> 00:28:25,240
Speaker 1: Who was like this ain't how it was when it

624
00:28:25,320 --> 00:28:25,879
Speaker 1: used to be. I'm not.

625
00:28:25,960 --> 00:28:27,280
Speaker 3: I'm not doing that, you know what I'm saying. I

626
00:28:27,800 --> 00:28:29,320
Speaker 3: can appreciate it and I can.

627
00:28:29,240 --> 00:28:32,600
Speaker 2: Apply You call some criticism because the fans say you

628
00:28:32,680 --> 00:28:34,680
Speaker 2: was rapping some of the same freestyle that you was

629
00:28:34,720 --> 00:28:35,720
Speaker 2: rapping when you were younger.

630
00:28:35,840 --> 00:28:38,320
Speaker 3: Yeah, well no, it wasn't a It wasn't a freestyle,

631
00:28:38,520 --> 00:28:40,840
Speaker 3: and I'm not I'm not really a freestyle artist, right,

632
00:28:40,960 --> 00:28:43,520
Speaker 3: you know what I'm saying. And most times when when

633
00:28:43,600 --> 00:28:46,480
Speaker 3: rappers are freestyling, they probably wrote it, learned it, and

634
00:28:46,560 --> 00:28:47,720
Speaker 3: then are coming in freestyle.

635
00:28:47,720 --> 00:28:49,640
Speaker 1: So it ain't really it ain't really off the off

636
00:28:49,680 --> 00:28:50,800
Speaker 1: the dome like they saying it.

637
00:28:51,080 --> 00:28:52,760
Speaker 3: No, and it's not a lot of people that could

638
00:28:52,800 --> 00:28:55,080
Speaker 3: do that. There's a there's a few guys that could

639
00:28:55,120 --> 00:28:58,120
Speaker 3: really really freestyle go crazy. Wayne is one of them,

640
00:28:58,200 --> 00:29:01,480
Speaker 3: Kendricks another one, and you got a bunch of like

641
00:29:01,600 --> 00:29:03,840
Speaker 3: freestyle rap artists, you know what I'm saying, But that's

642
00:29:03,880 --> 00:29:04,320
Speaker 3: what they do.

643
00:29:04,520 --> 00:29:06,720
Speaker 1: It would be like Steve Kerr.

644
00:29:06,720 --> 00:29:09,600
Speaker 3: Steve Kurr is not a dunker, but he can you know,

645
00:29:09,760 --> 00:29:11,000
Speaker 3: put it, he can put it in the rim, you know.

646
00:29:10,960 --> 00:29:11,320
Speaker 1: What I'm saying.

647
00:29:11,320 --> 00:29:13,200
Speaker 3: He's a shooter. curR he's a shooter, not a dunker.

648
00:29:13,480 --> 00:29:16,560
Speaker 3: Lebron Jordan Kobe he's a dunker. So it's just you know, different.

649
00:29:16,640 --> 00:29:19,360
Speaker 3: I mean, it differs. But for me, I was just

650
00:29:19,360 --> 00:29:21,440
Speaker 3: being lazy and rap at that time. They would ask

651
00:29:21,520 --> 00:29:23,080
Speaker 3: me a freestyle and I would just be lazy. I

652
00:29:23,080 --> 00:29:25,600
Speaker 3: would put like two four bars before it, and I

653
00:29:25,600 --> 00:29:29,240
Speaker 3: would spit this song that I knew by heart because

654
00:29:29,240 --> 00:29:30,160
Speaker 3: they had no hook.

655
00:29:30,040 --> 00:29:31,520
Speaker 1: And it was just long, you know what I'm saying.

656
00:29:31,520 --> 00:29:33,000
Speaker 1: And there was a rare Rose White cyling.

657
00:29:33,040 --> 00:29:35,600
Speaker 3: And so when I see my kid said it to

658
00:29:35,640 --> 00:29:37,360
Speaker 3: me first, and they thought it was funny, but I

659
00:29:37,400 --> 00:29:40,959
Speaker 3: thought it was funny too. And anytime that somebody's critiquing you,

660
00:29:41,080 --> 00:29:45,400
Speaker 3: or there's constructive criticism or destructive criticism.

661
00:29:45,080 --> 00:29:48,840
Speaker 2: If you just embrace it, you can just go with it, man, right,

662
00:29:49,000 --> 00:29:54,720
Speaker 2: you know rapping, other people are getting involved. Where are

663
00:29:54,760 --> 00:29:58,880
Speaker 2: you on this? You know you hear this term culture vulture. Yeah,

664
00:29:59,440 --> 00:30:00,280
Speaker 2: where are you on bad?

665
00:30:02,480 --> 00:30:04,640
Speaker 3: I think that we all voltures or something man like

666
00:30:04,720 --> 00:30:08,000
Speaker 3: you it again, all we have all these different scenarios

667
00:30:08,040 --> 00:30:10,800
Speaker 3: in the world where we can pass judgment on anybody,

668
00:30:11,120 --> 00:30:15,720
Speaker 3: and there are entities that soak up the culture. But

669
00:30:16,800 --> 00:30:21,120
Speaker 3: they've been doing that since Shit Levin's strass. The first

670
00:30:21,400 --> 00:30:23,880
Speaker 3: blue jean was made by black people. You know, all

671
00:30:23,960 --> 00:30:26,520
Speaker 3: the first uh you know, uh, you know, the soul

672
00:30:26,640 --> 00:30:28,640
Speaker 3: singers and the jazz it's all black people.

673
00:30:28,760 --> 00:30:30,480
Speaker 1: So if other.

674
00:30:30,320 --> 00:30:34,160
Speaker 3: Humans come in, man and they become culture vultures, I mean,

675
00:30:34,200 --> 00:30:35,080
Speaker 3: it is what it is.

676
00:30:35,120 --> 00:30:35,280
Speaker 1: You know.

677
00:30:35,360 --> 00:30:38,920
Speaker 3: We didn't necessarily create and I'm talking about you know,

678
00:30:39,080 --> 00:30:41,720
Speaker 3: black people. We didn't create everything, but we created a

679
00:30:41,720 --> 00:30:44,240
Speaker 3: lot lot of it, and other people created some things,

680
00:30:44,280 --> 00:30:47,920
Speaker 3: like I mean, you have people like Asian people right

681
00:30:48,000 --> 00:30:50,200
Speaker 3: over in China, Japan, all those countries over there that

682
00:30:50,320 --> 00:30:52,840
Speaker 3: created certain things. And am I like if I like,

683
00:30:53,120 --> 00:30:54,800
Speaker 3: if I like sushi, am I a culture vulture?

684
00:30:55,320 --> 00:30:56,960
Speaker 1: You know what I'm saying. So it's just like, man,

685
00:30:57,280 --> 00:31:01,000
Speaker 1: I'm getting to a point and again, you know, we we're.

686
00:31:00,640 --> 00:31:02,880
Speaker 3: Older, and I'm getting to a point where I'm just

687
00:31:03,480 --> 00:31:07,320
Speaker 3: more relaxed, more understanding, more patient more wise, and I'm

688
00:31:07,320 --> 00:31:08,600
Speaker 3: not really passing judgment.

689
00:31:08,640 --> 00:31:15,560
Speaker 1: Man, right sample, would you let someone sample your music? Yeah,

690
00:31:15,720 --> 00:31:17,640
Speaker 1: for the right price. Let me ask you a question.

691
00:31:18,200 --> 00:31:20,960
Speaker 2: They sample it, do you have to hear their song

692
00:31:21,120 --> 00:31:22,560
Speaker 2: before you say okay?

693
00:31:23,360 --> 00:31:27,440
Speaker 3: If you are really meticulous about, you know, letting your

694
00:31:27,480 --> 00:31:32,840
Speaker 3: music go. For instance, like Anita Baker doesn't let anyone sample.

695
00:31:33,640 --> 00:31:36,160
Speaker 3: I remember when I was younger, I think Dre tried

696
00:31:36,160 --> 00:31:38,400
Speaker 3: to sample and she said no to doctor Dre. So

697
00:31:38,440 --> 00:31:41,200
Speaker 3: it's like some people just want their music to stay,

698
00:31:41,640 --> 00:31:44,800
Speaker 3: you know, sacred to them and their fans and the

699
00:31:44,880 --> 00:31:47,440
Speaker 3: legacy that they've built, and leave it in that time

700
00:31:48,400 --> 00:31:50,440
Speaker 3: that it was and just let it be exactly what

701
00:31:50,520 --> 00:31:52,920
Speaker 3: it was, which is amazing music that transcends, you know,

702
00:31:53,000 --> 00:31:55,800
Speaker 3: decades and decades. So another person that does that is

703
00:31:55,960 --> 00:31:59,040
Speaker 3: I think Shade, But I do think that she. I

704
00:31:59,040 --> 00:32:02,640
Speaker 3: think she let Rima use her. You know, her voice

705
00:32:02,640 --> 00:32:04,880
Speaker 3: on is of the crime. So I mean, yeah, it

706
00:32:04,960 --> 00:32:07,080
Speaker 3: just varies, man, But I'm I'm always down man to

707
00:32:07,280 --> 00:32:08,520
Speaker 3: you know, support other artists.

708
00:32:08,560 --> 00:32:10,480
Speaker 1: You want to sample my music, it's all good. But

709
00:32:10,640 --> 00:32:12,560
Speaker 1: you know, so what was the hardest sample that you

710
00:32:12,600 --> 00:32:18,000
Speaker 1: had to get cleared? Sheh?

711
00:32:18,120 --> 00:32:20,480
Speaker 3: I don't think I've ever really had a hard time

712
00:32:20,520 --> 00:32:23,400
Speaker 3: clearing the sample when you got the machine, and I

713
00:32:23,440 --> 00:32:27,240
Speaker 3: mean like in the scope, your innerscope and and you

714
00:32:27,280 --> 00:32:30,160
Speaker 3: know Doctor dre aftermath behind you. It's it's really about

715
00:32:30,160 --> 00:32:32,480
Speaker 3: the dollar amount. So as long as somebody can cover

716
00:32:32,520 --> 00:32:34,800
Speaker 3: the dollar amount, you pretty good. I've never tried to

717
00:32:34,800 --> 00:32:37,360
Speaker 3: sample Anita or or anything like that, but I've never

718
00:32:37,360 --> 00:32:37,920
Speaker 3: really ran.

719
00:32:37,800 --> 00:32:42,600
Speaker 1: Into any super Tupac samples. Might be the hardest, right, Yeah,

720
00:32:42,720 --> 00:32:43,760
Speaker 1: where are you on streaming?

721
00:32:43,920 --> 00:32:45,600
Speaker 2: Because I get a lot of I mean, some people

722
00:32:45,640 --> 00:32:47,640
Speaker 2: like love it, some people that hate it. Some people

723
00:32:47,680 --> 00:32:50,800
Speaker 2: say is destroyed the music industry as far as albums

724
00:32:50,880 --> 00:32:53,720
Speaker 2: being able to sell albums because everything, like everything damn

725
00:32:53,720 --> 00:32:54,800
Speaker 2: that goes straight to streaming.

726
00:32:54,840 --> 00:32:56,120
Speaker 1: Now. I think it's.

727
00:32:56,040 --> 00:33:00,840
Speaker 3: Another ploy that the messaging the came up with to

728
00:33:00,960 --> 00:33:06,280
Speaker 3: short change the artist. Talented people and so impartial to it.

729
00:33:06,360 --> 00:33:10,320
Speaker 3: But then people are getting streams in the billions. Yes,

730
00:33:10,360 --> 00:33:15,200
Speaker 3: we weren't selling billions of albums, so I mean, you know,

731
00:33:15,440 --> 00:33:17,600
Speaker 3: it's just it is what it is. This is where

732
00:33:17,600 --> 00:33:20,040
Speaker 3: we're at in life. We're streaming music. We phased out

733
00:33:20,040 --> 00:33:23,480
Speaker 3: of CDs and records and eight tracks, and you just

734
00:33:23,520 --> 00:33:25,560
Speaker 3: gotta go with the times, man. And the person that

735
00:33:25,640 --> 00:33:30,240
Speaker 3: told me to do that to have longevity was ICEQ.

736
00:33:30,760 --> 00:33:33,080
Speaker 1: Wow. He said, you have to embrace where hip hop

737
00:33:33,200 --> 00:33:35,760
Speaker 1: is right now, man, and not worry about what it

738
00:33:35,840 --> 00:33:36,600
Speaker 1: used to be. Man.

739
00:33:36,640 --> 00:33:38,280
Speaker 2: I remember with it, you know, because the old time.

740
00:33:38,320 --> 00:33:40,719
Speaker 2: But man, I remember back in my day. You're not

741
00:33:40,760 --> 00:33:43,160
Speaker 2: back in your day, Novo, and it ain't coming back,

742
00:33:44,120 --> 00:33:49,600
Speaker 2: it's not right. Best hip hop album in history.

743
00:33:51,000 --> 00:33:59,480
Speaker 3: Hmm, best hip hop album in history, Jesus man for

744
00:33:59,600 --> 00:34:02,520
Speaker 3: me personally. Miseducation of Lauryn Hill.

745
00:34:03,000 --> 00:34:06,400
Speaker 1: Wow for me personally, if I'm not mistaken, that got

746
00:34:06,440 --> 00:34:08,400
Speaker 1: But didn't I get voted like the best album of

747
00:34:08,440 --> 00:34:11,000
Speaker 1: all time? Oh? Did it? I think it did? When

748
00:34:11,920 --> 00:34:18,440
Speaker 1: the Apple Music, I think Apple Music that album? I

749
00:34:18,560 --> 00:34:20,719
Speaker 1: questioned it. I listened to it.

750
00:34:21,360 --> 00:34:24,160
Speaker 3: I asked myself, how while I'm listening to it, everything

751
00:34:24,440 --> 00:34:30,040
Speaker 3: on there, from start to finish is seamlessly classic and

752
00:34:30,080 --> 00:34:34,600
Speaker 3: so yeah, it's funny that there's number one. Yeah, it's crazy. Yeah,

753
00:34:34,640 --> 00:34:35,800
Speaker 3: I think that's that's it.

754
00:34:35,880 --> 00:34:39,359
Speaker 1: What's the best rap album?

755
00:34:39,400 --> 00:34:47,759
Speaker 3: The best rap album of all time? For me, this

756
00:34:47,960 --> 00:34:57,759
Speaker 3: is tough Man. The Chronic Wow wow, The Chronic? Yeah,

757
00:34:57,800 --> 00:35:01,799
Speaker 3: that that album. That album set us up for a

758
00:35:01,920 --> 00:35:04,719
Speaker 3: very long time. And I mean again, man, Snoop is

759
00:35:04,719 --> 00:35:06,480
Speaker 3: selling Q tips coronas.

760
00:35:07,760 --> 00:35:10,920
Speaker 1: Come on, man, and.

761
00:35:10,920 --> 00:35:12,799
Speaker 3: That wasn't that more like you do you feel like?

762
00:35:12,920 --> 00:35:15,400
Speaker 3: I mean, I feel like this It was more Snoops

763
00:35:15,440 --> 00:35:17,560
Speaker 3: album than it was dre because.

764
00:35:17,320 --> 00:35:19,680
Speaker 2: Snoop it was definitely Snoops coming out part and wrote

765
00:35:19,680 --> 00:35:21,880
Speaker 2: that wrote the rhymes too, all of them, you know,

766
00:35:22,000 --> 00:35:24,520
Speaker 2: for the most part. So yeah, him and corrupt, but yeah, yeah,

767
00:35:24,680 --> 00:35:28,839
Speaker 2: crona gobum is crazy now that you uh, you know,

768
00:35:29,120 --> 00:35:31,720
Speaker 2: you're not twenty four anymore. You're done fighting in the streets.

769
00:35:31,760 --> 00:35:34,960
Speaker 1: Am I am? I not? I don't know.

770
00:35:35,000 --> 00:35:36,680
Speaker 3: I looked at myself for I left. I'm looking twenty

771
00:35:36,719 --> 00:35:41,920
Speaker 3: fours maybe, yeah, man, you know that go game, man,

772
00:35:41,920 --> 00:35:45,160
Speaker 3: I'm on Jim Jones five main oh stuff. You know

773
00:35:45,200 --> 00:35:45,640
Speaker 3: what I'm saying?

774
00:35:45,760 --> 00:35:48,239
Speaker 1: Why in out here? Hey?

775
00:35:48,440 --> 00:35:51,600
Speaker 2: What about? Would you do an exhibition exhibition boxing match?

776
00:35:52,440 --> 00:35:56,839
Speaker 2: The money right, I'll do it when los draw?

777
00:35:56,920 --> 00:36:00,319
Speaker 1: No matter to me. Just get the bread, right, don't.

778
00:36:01,080 --> 00:36:03,120
Speaker 1: I ain't taking no a. I gotta I gotta feel like.

779
00:36:03,080 --> 00:36:05,239
Speaker 3: I mean, hey, at the end of the day, man,

780
00:36:05,320 --> 00:36:08,120
Speaker 3: I'm not I'm not a professional boxer. So somebody got

781
00:36:08,120 --> 00:36:11,480
Speaker 3: the right bread I'll get in there. Man, I guess

782
00:36:11,560 --> 00:36:15,319
Speaker 3: another non professional boxer for sure that I see I'm

783
00:36:15,320 --> 00:36:18,439
Speaker 3: taking that off off top and you told me extra

784
00:36:18,440 --> 00:36:18,919
Speaker 3: couple million.

785
00:36:18,960 --> 00:36:26,719
Speaker 1: I fall, I fall inside you take you, You're gonna

786
00:36:26,719 --> 00:36:28,040
Speaker 1: taste the canvas. Take a fall.

787
00:36:28,600 --> 00:36:30,480
Speaker 3: I'll make that shit look like the most dramatic fall

788
00:36:30,520 --> 00:36:32,360
Speaker 3: you have to see, depending on them.

789
00:36:33,840 --> 00:36:38,279
Speaker 1: On the Did you beat Mike Tyson in an arm

790
00:36:38,320 --> 00:36:42,640
Speaker 1: wrestling match? For sure? But again it's the older Mike Tyson. Man,

791
00:36:42,840 --> 00:36:44,600
Speaker 1: Oh so you called it with he like fifty five

792
00:36:44,640 --> 00:36:45,120
Speaker 1: fifty six?

793
00:36:45,360 --> 00:36:47,719
Speaker 3: Yeah, man, a few a few years. I think it

794
00:36:47,719 --> 00:36:50,279
Speaker 3: was like two years ago. He definitely strong. But I

795
00:36:50,280 --> 00:36:52,319
Speaker 3: definitely won. And it wasn't like I won.

796
00:36:52,600 --> 00:36:55,279
Speaker 1: It wasn't close, no one, No, it was. It was

797
00:36:55,320 --> 00:36:57,360
Speaker 1: a little it was a little bit tough. But I

798
00:36:57,400 --> 00:36:59,160
Speaker 1: definitely beat Mike Tyson and arm wrestling.

799
00:36:59,239 --> 00:37:02,960
Speaker 3: And you know he gonna laugh about camel, you know,

800
00:37:03,200 --> 00:37:03,680
Speaker 3: like thistate.

801
00:37:03,840 --> 00:37:08,160
Speaker 1: But I definitely won for sure. Hello, tell me about this.

802
00:37:08,160 --> 00:37:12,240
Speaker 1: This the dating show that you was on, Change of Heart. Yeah,

803
00:37:13,000 --> 00:37:15,840
Speaker 1: you try. You know what, I wasn't twenty four, I was.

804
00:37:15,920 --> 00:37:19,200
Speaker 1: I was eighteen, Okay, I was eighteen.

805
00:37:19,280 --> 00:37:22,479
Speaker 3: My girlfriend at the time, bro listen, we were laying

806
00:37:22,560 --> 00:37:26,400
Speaker 3: in the bed chilling at my mom's house. Okay, was

807
00:37:26,440 --> 00:37:28,640
Speaker 3: watching TV. Commercial came on, if you want to be

808
00:37:28,640 --> 00:37:31,680
Speaker 3: on Change your Heart. She was like, where's she going there?

809
00:37:32,320 --> 00:37:34,759
Speaker 3: I was like, okay, cool. She was like, they pay

810
00:37:34,880 --> 00:37:37,920
Speaker 3: week one thousand dollars for every couple. We saw that,

811
00:37:38,000 --> 00:37:41,960
Speaker 3: right right, I'm like, once out dollars fived five hundred, cool,

812
00:37:42,200 --> 00:37:45,600
Speaker 3: let's do it. She called the people, man put our

813
00:37:45,680 --> 00:37:47,279
Speaker 3: name in. I'm never thinking they gonna call back.

814
00:37:47,320 --> 00:37:48,400
Speaker 1: Man. They call back to the next.

815
00:37:48,320 --> 00:37:51,480
Speaker 3: Day, were like, here you come down in La next week.

816
00:37:52,160 --> 00:37:54,200
Speaker 1: I'll end up getting I cut my hair ball man.

817
00:37:54,239 --> 00:37:56,000
Speaker 1: I got me a little Foolboo shirt for the mall,

818
00:37:56,120 --> 00:37:59,200
Speaker 1: some Foodboo jeans, some Jordan's she got, you know, she

819
00:37:59,239 --> 00:38:00,879
Speaker 1: got all did up and we got in the car

820
00:38:01,320 --> 00:38:03,080
Speaker 1: and we drove down to La Man and we went

821
00:38:03,080 --> 00:38:03,440
Speaker 1: to it.

822
00:38:04,200 --> 00:38:07,120
Speaker 3: And that was my first brush with like, this is

823
00:38:07,200 --> 00:38:10,480
Speaker 3: really like a show for the show, right. So what

824
00:38:10,640 --> 00:38:14,719
Speaker 3: happened was you don't get to choose the outcome. They

825
00:38:14,800 --> 00:38:17,520
Speaker 3: have it already written, its scripted. But I didn't know that.

826
00:38:17,560 --> 00:38:19,399
Speaker 3: I thought you I thought I get to go on,

827
00:38:19,560 --> 00:38:22,360
Speaker 3: you know, a little date with a chick smash maybe

828
00:38:22,480 --> 00:38:25,200
Speaker 3: leave my girl for her and like experience something real.

829
00:38:25,840 --> 00:38:28,960
Speaker 3: But it was it wasn't like that, man, It was

830
00:38:29,000 --> 00:38:31,000
Speaker 3: a whole production. We had to learn the script and

831
00:38:31,040 --> 00:38:34,160
Speaker 3: read it like exact. We had to cut tape cut,

832
00:38:34,360 --> 00:38:36,520
Speaker 3: and then we had to come back and they made

833
00:38:36,520 --> 00:38:36,920
Speaker 3: the decision.

834
00:38:37,000 --> 00:38:39,520
Speaker 1: And when I saw my card, I was like, wow,

835
00:38:39,560 --> 00:38:43,960
Speaker 1: I gotta get dumb, you know, and hers was like

836
00:38:44,000 --> 00:38:45,080
Speaker 1: to choose another guy.

837
00:38:45,120 --> 00:38:46,840
Speaker 3: But yeah, we after that we went home together. I

838
00:38:46,880 --> 00:38:49,839
Speaker 3: mean we went back, drove back together, blah blah blah.

839
00:38:49,880 --> 00:38:51,880
Speaker 1: So they don't actually go out on a date with no,

840
00:38:51,960 --> 00:38:52,799
Speaker 1: we went on a date.

841
00:38:52,920 --> 00:38:55,200
Speaker 3: But after the show, like me and my girl at

842
00:38:55,200 --> 00:38:56,960
Speaker 3: that time, we were locked in. So we drove right

843
00:38:57,000 --> 00:38:59,239
Speaker 3: back home and we had our little check and we

844
00:38:59,280 --> 00:39:01,800
Speaker 3: busted down. We end up like going to the movies

845
00:39:01,840 --> 00:39:03,560
Speaker 3: and doing a bunch of stuff, and you know, we

846
00:39:03,600 --> 00:39:04,360
Speaker 3: went in J. C.

847
00:39:04,480 --> 00:39:04,840
Speaker 1: Penny's.

848
00:39:04,880 --> 00:39:07,080
Speaker 3: I got me some docker fits and she got her

849
00:39:07,080 --> 00:39:08,440
Speaker 3: some little dresses and was like.

850
00:39:08,760 --> 00:39:11,600
Speaker 1: So what do you think when those clips resurfed.

851
00:39:11,200 --> 00:39:14,160
Speaker 2: Like damn, man, gang got dump this girl dumb and

852
00:39:14,320 --> 00:39:15,080
Speaker 2: told the other guy.

853
00:39:15,200 --> 00:39:17,120
Speaker 3: Man, I was eighteen. I had the time of my

854
00:39:17,160 --> 00:39:19,200
Speaker 3: life and I got paid for it. And I think

855
00:39:19,280 --> 00:39:21,400
Speaker 3: that that's just part of my story too, man, Like

856
00:39:21,440 --> 00:39:23,279
Speaker 3: I was just you know, when you're young, man, you

857
00:39:23,320 --> 00:39:25,040
Speaker 3: do all kinds of stuff trying to find your way.

858
00:39:25,719 --> 00:39:27,920
Speaker 2: I read that you said I regret sleeping with so

859
00:39:28,000 --> 00:39:31,680
Speaker 2: many women because there was really no intent to have

860
00:39:31,760 --> 00:39:32,960
Speaker 2: anything long term.

861
00:39:33,040 --> 00:39:40,480
Speaker 3: Yeah about that, sleeping with women, just multiple women during

862
00:39:40,680 --> 00:39:43,000
Speaker 3: times in my life where I was just.

863
00:39:42,920 --> 00:39:43,600
Speaker 1: Going through life.

864
00:39:43,640 --> 00:39:47,040
Speaker 3: As in young hip hop artists, It wasn't when I

865
00:39:47,080 --> 00:39:49,120
Speaker 3: was in my twenties, I didn't really I didn't really care.

866
00:39:49,239 --> 00:39:54,080
Speaker 1: You know, I'm young, the girls young. We having a

867
00:39:54,080 --> 00:39:55,960
Speaker 1: good time. I'm having a good and that's it.

868
00:39:56,080 --> 00:39:58,279
Speaker 3: I keep your number on my phone, you know, and

869
00:39:58,320 --> 00:40:00,719
Speaker 3: then we'll talk again or maybe we want. As you

870
00:40:00,719 --> 00:40:03,120
Speaker 3: get older, man, you start to realize that because I

871
00:40:03,120 --> 00:40:08,160
Speaker 3: have a type of woman, like I'm I'm into classy women,

872
00:40:08,360 --> 00:40:10,719
Speaker 3: you know what I'm saying, Classy independent women who are

873
00:40:10,760 --> 00:40:13,319
Speaker 3: like not easy, you know, meaning that money and like

874
00:40:13,520 --> 00:40:15,399
Speaker 3: fame ain't gonna really get you this type of woman.

875
00:40:15,440 --> 00:40:17,359
Speaker 3: You gotta be charismatic, funny, and you have to be

876
00:40:17,920 --> 00:40:19,640
Speaker 3: a gentleman. These are the type of women that I

877
00:40:19,719 --> 00:40:20,880
Speaker 3: that I'm attracted.

878
00:40:20,480 --> 00:40:21,440
Speaker 1: To so.

879
00:40:23,120 --> 00:40:27,840
Speaker 3: Frequenting different women in that caliber of women. You start

880
00:40:27,840 --> 00:40:30,520
Speaker 3: to feel bad because these are somebody You're like, you're

881
00:40:30,520 --> 00:40:32,920
Speaker 3: literally holding somebody's wife hostage.

882
00:40:32,480 --> 00:40:37,520
Speaker 1: Because these women are going on married. Great God, yes, right.

883
00:40:37,600 --> 00:40:40,839
Speaker 3: So the longer that you prolong this relationship or this

884
00:40:41,000 --> 00:40:44,960
Speaker 3: or this uh, this, this, these relations with this person

885
00:40:45,000 --> 00:40:47,279
Speaker 3: you have no intention and having the future with man,

886
00:40:47,440 --> 00:40:49,880
Speaker 3: the worse you feel as you get older. If you

887
00:40:49,920 --> 00:40:51,400
Speaker 3: have a if you have the type of heart and

888
00:40:51,440 --> 00:40:54,040
Speaker 3: conscience that I do, so yeah, I have to slow

889
00:40:54,080 --> 00:40:54,680
Speaker 3: down on all that.

890
00:40:54,760 --> 00:40:57,320
Speaker 1: Do you feel like you were a womanizer? For sure?

891
00:40:57,640 --> 00:40:58,080
Speaker 1: For sure?

892
00:40:58,280 --> 00:41:03,280
Speaker 3: For sure? And I don't think it was fair to anybody,

893
00:41:03,320 --> 00:41:04,000
Speaker 3: not even myself.

894
00:41:04,160 --> 00:41:08,840
Speaker 1: Did you apologize to her? Now that's a big napology?

895
00:41:08,920 --> 00:41:11,760
Speaker 1: How big on apology? I'll be apologizing. That's Christmas.

896
00:41:16,239 --> 00:41:18,919
Speaker 2: You was saying the men should stay single unless they're

897
00:41:18,920 --> 00:41:21,000
Speaker 2: ready for a two week minimum of two hundred dollars

898
00:41:21,080 --> 00:41:23,799
Speaker 2: last years, three hundred dollars here, two fifty nails, two

899
00:41:23,880 --> 00:41:26,399
Speaker 2: hundred toes, two hundred makeup, five hundred lunch money, five

900
00:41:26,480 --> 00:41:28,840
Speaker 2: hundred drink with the homegirls, and a thousand dollars for

901
00:41:28,880 --> 00:41:31,160
Speaker 2: clothes not including rent card note bill.

902
00:41:31,200 --> 00:41:31,439
Speaker 1: Help.

903
00:41:32,640 --> 00:41:35,360
Speaker 3: Yeah, I think that that is bare minimum for a

904
00:41:35,400 --> 00:41:36,640
Speaker 3: woman that you're taking serious.

905
00:41:36,719 --> 00:41:41,480
Speaker 5: Five hundred seven fifty nine, fifty eleven fifty sixteen fifty

906
00:41:41,880 --> 00:41:48,280
Speaker 5: twenty one, fifty twenty two fifty not including rent card

907
00:41:48,320 --> 00:41:50,560
Speaker 5: note damn.

908
00:41:50,960 --> 00:41:53,920
Speaker 1: Yeah, so that's like five that's like five six random

909
00:41:53,920 --> 00:41:57,200
Speaker 1: monk gang. That's and that's that's low. That ain't you know?

910
00:41:57,480 --> 00:41:59,480
Speaker 1: Five grand? Oh? Yeah for la that's really low. Like

911
00:41:59,480 --> 00:42:00,000
Speaker 1: we live alone.

912
00:42:00,000 --> 00:42:02,239
Speaker 3: I'm saying, yeah, if you, if you even if you

913
00:42:02,239 --> 00:42:05,160
Speaker 3: give a woman five grand, right and she has a

914
00:42:05,239 --> 00:42:09,040
Speaker 3: decent apartment, yeah, that's you know, it's twenty seven hundred

915
00:42:09,200 --> 00:42:10,360
Speaker 3: for decent easy.

916
00:42:10,520 --> 00:42:11,479
Speaker 1: She has a car, no.

917
00:42:11,440 --> 00:42:13,920
Speaker 3: Car assurance, that's gonna be about a thousand, So that's

918
00:42:13,960 --> 00:42:20,120
Speaker 3: thirty seven, right, she gotta herself care her self care.

919
00:42:20,080 --> 00:42:21,520
Speaker 1: Man, that's gonna be about a thousand.

920
00:42:21,600 --> 00:42:23,839
Speaker 2: Yeah, you want to look nice now you have forty

921
00:42:23,880 --> 00:42:25,840
Speaker 2: seven hundred, sit in the bill cell phone and be

922
00:42:25,960 --> 00:42:26,200
Speaker 2: all that.

923
00:42:26,239 --> 00:42:27,799
Speaker 1: She's gonna be flat broke yea.

924
00:42:28,280 --> 00:42:30,960
Speaker 3: So what I was saying is, if you're going to

925
00:42:31,000 --> 00:42:32,920
Speaker 3: take a woman serious, and you're the type of man

926
00:42:32,960 --> 00:42:34,400
Speaker 3: that I am, like, I'm a caretaker.

927
00:42:34,440 --> 00:42:37,799
Speaker 1: I just that is my You take over everything. You

928
00:42:37,840 --> 00:42:39,680
Speaker 1: hit the dough you like, I got this, I got you,

929
00:42:39,840 --> 00:42:40,279
Speaker 1: I got you.

930
00:42:40,320 --> 00:42:42,400
Speaker 3: If we're exclusive, this is what I think that you

931
00:42:42,480 --> 00:42:45,239
Speaker 3: deserve based on how I was raised by the three

932
00:42:45,280 --> 00:42:47,440
Speaker 3: women that I was raised by, which would be my

933
00:42:47,560 --> 00:42:53,680
Speaker 3: aunt my auntie, Pat, my mother, and my grandmother. There

934
00:42:53,719 --> 00:42:55,640
Speaker 3: was a lot of cam cam Newton caused a lot

935
00:42:55,640 --> 00:43:00,600
Speaker 3: of controversy that he asked his girl, who's you've been with?

936
00:43:01,120 --> 00:43:04,920
Speaker 1: Body out? Don't do that, uh, because he's saying he

937
00:43:04,920 --> 00:43:07,080
Speaker 1: didn't want to be he didn't want to be kiing

938
00:43:07,120 --> 00:43:08,960
Speaker 1: in some guy phase knowing that.

939
00:43:09,520 --> 00:43:13,839
Speaker 3: I don't mind, don't don't tell me I'm with you. Yeah,

940
00:43:13,880 --> 00:43:17,600
Speaker 3: I don't when you're right, because we we always be like,

941
00:43:17,680 --> 00:43:19,920
Speaker 3: you know, like you got to give women credit because

942
00:43:20,360 --> 00:43:22,680
Speaker 3: they strong. We do a lot of bullshit and women

943
00:43:22,760 --> 00:43:26,239
Speaker 3: put up with it, right, but women lead with emotions,

944
00:43:26,640 --> 00:43:30,000
Speaker 3: We lead, you know, we lead with and so you

945
00:43:30,040 --> 00:43:33,319
Speaker 3: know sometimes you know, my girl asked me, you know, like,

946
00:43:33,440 --> 00:43:35,880
Speaker 3: what what is it? And I be like, I don't know.

947
00:43:36,719 --> 00:43:40,200
Speaker 3: Like we men in general, you can be tall, fat, skinny, rich, poor.

948
00:43:40,239 --> 00:43:42,080
Speaker 3: We all have this thing to where we like to

949
00:43:42,120 --> 00:43:45,879
Speaker 3: frequent multiple women, which makes me believe that I don't

950
00:43:45,920 --> 00:43:49,160
Speaker 3: know somewhere in our creation that we're we weren't supposed

951
00:43:49,160 --> 00:43:51,680
Speaker 3: to just be with woman. Yeah, we weren't supposed to

952
00:43:51,680 --> 00:43:53,880
Speaker 3: be like that or else. Why do we have these urges?

953
00:43:54,120 --> 00:43:56,520
Speaker 3: We didn't create ourselves. Right, I'm still a work in

954
00:43:56,600 --> 00:44:04,839
Speaker 3: progress myself. But women they're faithful and they're intuitive, and

955
00:44:04,880 --> 00:44:07,960
Speaker 3: they know when you're doing it anyway, They just know somehow, right.

956
00:44:08,400 --> 00:44:10,960
Speaker 3: But yeah, women leave with their emotions. So take this

957
00:44:11,400 --> 00:44:15,359
Speaker 3: your girl. Most women, right, especially the good women, they're

958
00:44:15,400 --> 00:44:18,400
Speaker 3: not just gonna go and have sex with somebody. No

959
00:44:18,480 --> 00:44:20,799
Speaker 3: they're not. They have to be fully moved on. They're

960
00:44:20,800 --> 00:44:24,160
Speaker 3: not even gonna do it for revenge. They have to

961
00:44:24,160 --> 00:44:29,239
Speaker 3: be emotionally detached from you to move on. We can

962
00:44:29,280 --> 00:44:31,920
Speaker 3: be in love with you still go have sex with

963
00:44:31,960 --> 00:44:33,480
Speaker 3: a woman. As soon as we get that post and

964
00:44:33,520 --> 00:44:36,560
Speaker 3: that clarity, we are Scooby Doo legs back to the house.

965
00:44:36,600 --> 00:44:40,080
Speaker 1: Hey baby, how would you tell you? You know? He hello, hella,

966
00:44:40,239 --> 00:44:42,279
Speaker 1: like walking in there, like you know, we don't know

967
00:44:42,280 --> 00:44:45,919
Speaker 1: what's going on, but yeah, man, like women and men

968
00:44:46,040 --> 00:44:49,080
Speaker 1: differ in that space, man, and so you know, as men,

969
00:44:49,280 --> 00:44:52,160
Speaker 1: as real man, we just got to do better. Where

970
00:44:52,160 --> 00:44:55,640
Speaker 1: are you on your homeboy? Your homeboy dating this girl?

971
00:44:55,719 --> 00:45:00,359
Speaker 1: She's five five ten? What's sixty five. Nice, earl, you've

972
00:45:00,440 --> 00:45:05,320
Speaker 1: nailed I mean yet five ten though? Yeah, yes, you

973
00:45:05,400 --> 00:45:09,040
Speaker 1: on up there. You know what I'm like? Yes, stack

974
00:45:09,120 --> 00:45:11,080
Speaker 1: like dirty laundry in the dorm room. You know what I'm.

975
00:45:12,920 --> 00:45:13,000
Speaker 5: So?

976
00:45:14,120 --> 00:45:19,600
Speaker 1: They break up? You cool, holling etta? I think that

977
00:45:20,400 --> 00:45:24,680
Speaker 1: I think I'm cool with that. Ah No, No, here's

978
00:45:24,680 --> 00:45:28,520
Speaker 1: the damna is. No, let me tell you why. Let

979
00:45:28,600 --> 00:45:31,880
Speaker 1: me tell you why. The reason is is love is

980
00:45:31,920 --> 00:45:37,520
Speaker 1: a really mysterious fruit. And the person, the woman that's

981
00:45:37,600 --> 00:45:41,840
Speaker 1: dating your homie, yeah, that might be your soulmate. You

982
00:45:41,920 --> 00:45:45,719
Speaker 1: don't know. And if he didn't marry her, or he

983
00:45:45,760 --> 00:45:48,680
Speaker 1: doesn't have children with her, then she just goes back

984
00:45:48,719 --> 00:45:51,880
Speaker 1: into the single market with everybody.

985
00:45:51,440 --> 00:45:55,239
Speaker 2: Else for somebody that don't know her. Right, But I

986
00:45:55,320 --> 00:45:57,439
Speaker 2: just feel like, which is me? I feel like it's

987
00:45:57,440 --> 00:46:00,520
Speaker 2: better if you know her? No, it's not better. Yeah, No,

988
00:46:01,120 --> 00:46:03,759
Speaker 2: So how you about your whole? Hey, homeboy, come on over, man,

989
00:46:04,000 --> 00:46:06,879
Speaker 2: let's watch the game. Look and she come dropping out there?

990
00:46:07,200 --> 00:46:07,480
Speaker 5: Hey?

991
00:46:07,719 --> 00:46:08,719
Speaker 1: Gay? What you want to dream?

992
00:46:08,800 --> 00:46:08,840
Speaker 5: No?

993
00:46:08,920 --> 00:46:13,080
Speaker 1: But guess what again? The type of woman that I'm

994
00:46:13,080 --> 00:46:19,040
Speaker 1: attracted to is never gonna date my homie ever. Never,

995
00:46:19,080 --> 00:46:21,680
Speaker 1: I mean never and ever the long time it hasn't happened.

996
00:46:22,200 --> 00:46:26,520
Speaker 1: I'm half dead because I'm saying if I if I'm

997
00:46:26,920 --> 00:46:28,799
Speaker 1: when I was, you know, forty five, three days ago,

998
00:46:29,200 --> 00:46:32,120
Speaker 1: when I was forty five, you double that, that's ninety.

999
00:46:32,160 --> 00:46:34,360
Speaker 1: I mean, am I maybe I lived in ninety, but

1000
00:46:34,400 --> 00:46:36,759
Speaker 1: I'm on the other side. Oh sure? Like yeah, man,

1001
00:46:36,800 --> 00:46:37,200
Speaker 1: I gotta be.

1002
00:46:37,280 --> 00:46:39,719
Speaker 3: I gotta be really, you know, a realist, and people

1003
00:46:39,760 --> 00:46:41,360
Speaker 3: would agree if they're honest with themselves.

1004
00:46:41,480 --> 00:46:43,239
Speaker 1: But you got a lot of people. They gonna cut

1005
00:46:43,239 --> 00:46:45,640
Speaker 1: this up. They're gonna see clip sing. I'm like, games, Hey, y,

1006
00:46:45,760 --> 00:46:47,360
Speaker 1: I'm talking about your your homie.

1007
00:46:47,400 --> 00:46:47,960
Speaker 3: Homie.

1008
00:46:48,200 --> 00:46:50,200
Speaker 1: Ain't talking about something. I ain't talking about somebody in

1009
00:46:50,239 --> 00:46:52,400
Speaker 1: the industry that you were cool with something like that.

1010
00:46:52,400 --> 00:46:53,640
Speaker 1: I'm talking about your homie.

1011
00:46:53,719 --> 00:46:57,919
Speaker 3: I feel like, if you guys are not engaged, not married,

1012
00:46:57,960 --> 00:46:59,920
Speaker 3: and you do not have children, that that woman is

1013
00:47:00,080 --> 00:47:00,560
Speaker 3: fair game.

1014
00:47:01,200 --> 00:47:03,640
Speaker 1: He's not fair game. I don't know. He is off

1015
00:47:03,840 --> 00:47:08,640
Speaker 1: she is off the game. He off the block. I

1016
00:47:08,640 --> 00:47:11,360
Speaker 1: don't know, but I agree to disagree. So where are

1017
00:47:11,360 --> 00:47:15,000
Speaker 1: you on spending the block? I don't really I don't

1018
00:47:15,000 --> 00:47:15,920
Speaker 1: really spend the block. Man.

1019
00:47:15,920 --> 00:47:18,480
Speaker 3: I feel like what's in the review is in a rearview,

1020
00:47:18,680 --> 00:47:23,560
Speaker 3: and then you know, like I know, ain't nothing like

1021
00:47:23,600 --> 00:47:24,240
Speaker 3: that new new.

1022
00:47:26,280 --> 00:47:29,200
Speaker 1: Although I just you know, a maybe it's not to

1023
00:47:29,200 --> 00:47:32,000
Speaker 1: spend the block. Let me know how that works out

1024
00:47:32,040 --> 00:47:32,239
Speaker 1: for you.

1025
00:47:33,920 --> 00:47:36,240
Speaker 2: You had to really had a reality show called Marrying

1026
00:47:36,239 --> 00:47:38,799
Speaker 2: the Game. Yeah you still want to get married. Yeah,

1027
00:47:38,800 --> 00:47:40,200
Speaker 2: I want to be I want to be a husband.

1028
00:47:40,280 --> 00:47:43,600
Speaker 1: He'll be a husband, yeah, I mean just entitled or

1029
00:47:43,600 --> 00:47:45,799
Speaker 1: you want to be a hug. That's why I'm not

1030
00:47:45,880 --> 00:47:47,200
Speaker 1: married because I ain't been right.

1031
00:47:47,239 --> 00:47:50,160
Speaker 3: I haven't been husband material up to this point, I think,

1032
00:47:50,560 --> 00:47:53,440
Speaker 3: but I think that I'm the best version of myself

1033
00:47:53,719 --> 00:47:55,920
Speaker 3: that I've ever been. Now as far as, like you know,

1034
00:47:56,040 --> 00:48:00,200
Speaker 3: relationship is concerned these days, like you know, you have

1035
00:48:00,239 --> 00:48:00,840
Speaker 3: been engaged.

1036
00:48:01,239 --> 00:48:04,440
Speaker 1: I've been engaged twice. Who called it up? You or her?

1037
00:48:06,760 --> 00:48:09,839
Speaker 3: I think the first one I called off because I

1038
00:48:09,880 --> 00:48:14,120
Speaker 3: was just immature twenty four and then the second one

1039
00:48:14,920 --> 00:48:16,920
Speaker 3: my kid's mom. She called it off because I was

1040
00:48:17,120 --> 00:48:19,719
Speaker 3: running around got that bad. She a school teacher, man.

1041
00:48:19,800 --> 00:48:22,040
Speaker 3: She just wasn't going for the disrespect the public. The

1042
00:48:22,080 --> 00:48:23,000
Speaker 3: public disrespect.

1043
00:48:23,040 --> 00:48:30,000
Speaker 2: Yeah for sure, you have a new kid and it's boy,

1044
00:48:29,880 --> 00:48:31,000
Speaker 2: they tear you up game.

1045
00:48:31,040 --> 00:48:32,440
Speaker 1: I had to look at it would tear you up.

1046
00:48:32,480 --> 00:48:32,960
Speaker 1: Tear me up.

1047
00:48:33,120 --> 00:48:35,279
Speaker 2: Yeah, God of bad days, like you how you have

1048
00:48:35,440 --> 00:48:37,760
Speaker 2: a kid from your friends?

1049
00:48:37,920 --> 00:48:38,160
Speaker 1: Doc?

1050
00:48:39,280 --> 00:48:43,319
Speaker 3: Yeah, so the thing is is my kid's mom went

1051
00:48:43,400 --> 00:48:48,200
Speaker 3: to Evelyn's baby shower. But they are not friends. Okay,

1052
00:48:48,440 --> 00:48:50,320
Speaker 3: she just went to the baby shower. Okay, you know

1053
00:48:50,360 --> 00:48:52,319
Speaker 3: what I'm saying here. Go to Taylor Swift concert. It

1054
00:48:52,320 --> 00:48:55,160
Speaker 3: don't make you and Taylor's you know, yeah friends, right,

1055
00:48:55,200 --> 00:48:58,720
Speaker 3: you're just there. But yeah they so the public fans

1056
00:48:58,760 --> 00:49:01,080
Speaker 3: or whatever, they just got that part, you know, twisted

1057
00:49:01,200 --> 00:49:02,640
Speaker 3: like they're not they're not friends.

1058
00:49:02,880 --> 00:49:05,480
Speaker 2: Okay, so you just happened to be at the shower.

1059
00:49:05,520 --> 00:49:06,680
Speaker 2: She just came to her baby shower.

1060
00:49:06,719 --> 00:49:10,960
Speaker 1: Okay, Oh I thought baby shows like inby don't.

1061
00:49:11,000 --> 00:49:14,680
Speaker 3: But okay, man, you got you gotta get with these women.

1062
00:49:14,719 --> 00:49:16,240
Speaker 3: But what I can tell you is they're not friends.

1063
00:49:16,280 --> 00:49:19,160
Speaker 3: But again, man, when you're dealing with you know, grown,

1064
00:49:19,280 --> 00:49:22,600
Speaker 3: immature and classy women, man, they you notice that they

1065
00:49:22,600 --> 00:49:25,040
Speaker 3: don't really speak much on it or have anything to

1066
00:49:25,080 --> 00:49:28,040
Speaker 3: say negative about it or feed into you know, the

1067
00:49:28,040 --> 00:49:30,520
Speaker 3: internet's pool of like explanation.

1068
00:49:30,920 --> 00:49:33,000
Speaker 1: Did you know who she? Did? You know who she

1069
00:49:33,200 --> 00:49:35,080
Speaker 1: was when you saw her when you met her? Yeah?

1070
00:49:35,120 --> 00:49:37,840
Speaker 3: For sure, But then again, you know I don't be

1071
00:49:37,840 --> 00:49:44,239
Speaker 3: having no filter. Sometimes I am working progress.

1072
00:49:44,560 --> 00:49:48,879
Speaker 1: So I mean you like classy, like you like independent,

1073
00:49:49,440 --> 00:49:51,680
Speaker 1: So this might like two p'ss too.

1074
00:49:51,840 --> 00:49:55,279
Speaker 2: Yeah, two she might come from us, you know, might

1075
00:49:55,320 --> 00:49:57,800
Speaker 2: come you know, this might be your best chance?

1076
00:49:57,960 --> 00:50:02,160
Speaker 3: Yeah who my be my best chance? Situation you in

1077
00:50:02,280 --> 00:50:05,600
Speaker 3: right now? Oh yeah, you know, you never know, man,

1078
00:50:06,320 --> 00:50:08,839
Speaker 3: you never know. I'm on the clock for sure.

1079
00:50:09,120 --> 00:50:11,439
Speaker 1: Yeah. My grandma used to tell me, man, we only

1080
00:50:11,440 --> 00:50:12,759
Speaker 1: lived for three scores and the ten.

1081
00:50:12,840 --> 00:50:15,840
Speaker 3: You know what that is? No, that's uh, it's in

1082
00:50:15,880 --> 00:50:18,480
Speaker 3: the Bible. I think every score is twenty years, twenty

1083
00:50:18,520 --> 00:50:22,000
Speaker 3: years ten. So seventy years is if you live seventy years,

1084
00:50:22,000 --> 00:50:23,919
Speaker 3: then you lived a good life, for sure.

1085
00:50:24,280 --> 00:50:25,239
Speaker 1: And you shit we.

1086
00:50:25,520 --> 00:50:28,799
Speaker 2: You Oh I got fifty seven something under. But see

1087
00:50:29,960 --> 00:50:30,600
Speaker 2: thirteen more.

1088
00:50:30,680 --> 00:50:30,839
Speaker 1: Man.

1089
00:50:31,000 --> 00:50:33,799
Speaker 3: Yeah, you know, I'm not saying that get on the ball,

1090
00:50:33,880 --> 00:50:35,560
Speaker 3: not saying that at thirteen mo you're gone.

1091
00:50:35,560 --> 00:50:37,520
Speaker 2: But I'm saying, like, you know, after thirteen you live good.

1092
00:50:37,560 --> 00:50:39,719
Speaker 2: Just the case that better speed up? Yeah, man, they

1093
00:50:39,719 --> 00:50:41,480
Speaker 2: talking about bad you need to slow down. I got

1094
00:50:41,560 --> 00:50:41,960
Speaker 2: left time.

1095
00:50:41,960 --> 00:50:42,560
Speaker 1: I'm strong.

1096
00:50:42,600 --> 00:50:47,080
Speaker 3: Looking at your homies exes, it might no no, no.

1097
00:50:46,840 --> 00:50:49,759
Speaker 1: Watch we gonna see Shannon end Up engaged the one homies.

1098
00:50:49,520 --> 00:50:52,360
Speaker 2: X that ain't gonna happen better love of your life, dude,

1099
00:50:52,440 --> 00:50:58,280
Speaker 2: absolutely not. Would you have ever abstain from pre battle

1100
00:50:58,280 --> 00:50:59,240
Speaker 2: sex until you were married.

1101
00:50:59,800 --> 00:51:03,399
Speaker 1: I was thinking, I'm that guy. I think I'm raw

1102
00:51:03,480 --> 00:51:08,640
Speaker 1: diggity dog. He ain't gonna lie. Man. Sometimes I can't

1103
00:51:08,640 --> 00:51:09,560
Speaker 1: even find the condos.

1104
00:51:09,600 --> 00:51:16,839
Speaker 3: Man, Come on, game, Come on, man, you would know

1105
00:51:16,880 --> 00:51:18,239
Speaker 3: you wear you wear your shoes with.

1106
00:51:18,239 --> 00:51:24,680
Speaker 1: No socks, same thing you like to be free? Come on, man,

1107
00:51:25,600 --> 00:51:28,040
Speaker 1: come on man. Let the church say hey, man here man,

1108
00:51:28,320 --> 00:51:38,000
Speaker 1: no restriction you know, cheer? Oh damn. See Early Off

1109
00:51:38,040 --> 00:51:42,640
Speaker 1: said to me, hey, but you call some criticism. Man,

1110
00:51:42,680 --> 00:51:44,040
Speaker 1: you had to wear the how you hug the man

1111
00:51:44,080 --> 00:51:46,880
Speaker 1: wife like that game? Yo? That's like my sister.

1112
00:51:46,960 --> 00:51:47,200
Speaker 5: Man.

1113
00:51:48,040 --> 00:51:52,400
Speaker 3: Yeah, the Internet is terrible man. I've been knowing commining

1114
00:51:52,480 --> 00:51:53,120
Speaker 3: for so long.

1115
00:51:53,160 --> 00:51:54,399
Speaker 1: Man. I'm good with her.

1116
00:51:54,600 --> 00:51:57,239
Speaker 3: Like people see that, but they don't see me, you know,

1117
00:51:57,320 --> 00:51:58,920
Speaker 3: in the picture with her dad and the picture with

1118
00:51:59,000 --> 00:52:02,000
Speaker 3: her mom, and then is my dog, Like that's my dog.

1119
00:52:02,040 --> 00:52:03,880
Speaker 3: That's like my brother and my sister. You know what

1120
00:52:03,920 --> 00:52:05,759
Speaker 3: I'm saying. So it is what it is. But the

1121
00:52:05,760 --> 00:52:07,479
Speaker 3: Internet always don't find something out of something.

1122
00:52:07,520 --> 00:52:07,680
Speaker 5: Man.

1123
00:52:08,400 --> 00:52:13,440
Speaker 1: Yeah, man, I don't know but you talking about you

1124
00:52:13,560 --> 00:52:17,200
Speaker 1: date your whole boy girl. Yeah, not that, not that.

1125
00:52:17,200 --> 00:52:21,160
Speaker 2: That's literally like my sister. Man, So what type of

1126
00:52:21,160 --> 00:52:22,960
Speaker 2: father are you? What type of father to you? If

1127
00:52:23,000 --> 00:52:25,440
Speaker 2: you're hey, come talk to your dad. You you you

1128
00:52:25,480 --> 00:52:27,799
Speaker 2: know you're stern but fair. I mean, what type of

1129
00:52:27,840 --> 00:52:32,799
Speaker 2: dad is game? I'm just I'm an open book. Just

1130
00:52:32,880 --> 00:52:35,160
Speaker 2: keep it one hundred and we want no problems. Don't

1131
00:52:35,200 --> 00:52:36,440
Speaker 2: lie to me because I'm gonna catch it.

1132
00:52:37,320 --> 00:52:39,719
Speaker 3: I'm you know, old enough to be to be a

1133
00:52:39,760 --> 00:52:41,799
Speaker 3: real father, but I'm young enough to keep up with

1134
00:52:41,840 --> 00:52:42,720
Speaker 3: you on social media.

1135
00:52:43,280 --> 00:52:46,359
Speaker 1: So just don't try to get it off. It's not

1136
00:52:46,400 --> 00:52:46,919
Speaker 1: gonna work.

1137
00:52:47,360 --> 00:52:49,560
Speaker 3: I tell my kids that every single time I've got

1138
00:52:49,600 --> 00:52:51,799
Speaker 3: I've got my sons to a point where they're you know,

1139
00:52:52,480 --> 00:52:55,040
Speaker 3: adults now and they you know, living together and doing

1140
00:52:55,080 --> 00:52:57,640
Speaker 3: they you know, they brother thing. And uh so I

1141
00:52:57,640 --> 00:52:59,160
Speaker 3: got my daughter and then I got my little son.

1142
00:52:59,200 --> 00:53:01,840
Speaker 3: But yeah, parents are away. I treat them all the same.

1143
00:53:01,920 --> 00:53:04,440
Speaker 3: I give them the same values. And you know, to

1144
00:53:04,480 --> 00:53:06,480
Speaker 3: this point, it's went off without a hitch.

1145
00:53:06,600 --> 00:53:08,719
Speaker 1: Do you do you parent the girls different than you

1146
00:53:08,760 --> 00:53:10,320
Speaker 1: do the boys? Yeah?

1147
00:53:10,440 --> 00:53:14,160
Speaker 3: Man, my daughter, man, she she she is a straight

1148
00:53:14,160 --> 00:53:16,560
Speaker 3: a student and she is the love of my life.

1149
00:53:17,560 --> 00:53:19,640
Speaker 1: She also has a Christian podcast too. We all have

1150
00:53:19,680 --> 00:53:23,680
Speaker 1: to get you on one Christian podcast. Oh yeah, we

1151
00:53:23,719 --> 00:53:24,719
Speaker 1: gotta get you on season two.

1152
00:53:24,719 --> 00:53:27,120
Speaker 3: Week yeah, season one. We is busy, you know, but

1153
00:53:27,160 --> 00:53:29,600
Speaker 3: we got you. But yeah, man, she's a good girl.

1154
00:53:29,640 --> 00:53:33,120
Speaker 3: But parenting a daughter is being a father to a

1155
00:53:33,200 --> 00:53:38,319
Speaker 3: daughter that's going through being a teenager. It's crazy, man.

1156
00:53:38,400 --> 00:53:43,319
Speaker 3: And all my kids except the baby, has had one

1157
00:53:43,760 --> 00:53:45,880
Speaker 3: not a whooping traditional with a belt. But I had

1158
00:53:45,880 --> 00:53:47,920
Speaker 3: to buy them on my sons once each and then

1159
00:53:47,920 --> 00:53:49,600
Speaker 3: they got it and we never had a thing again.

1160
00:53:50,280 --> 00:53:52,600
Speaker 3: And so not long ago, man, I had me and

1161
00:53:52,640 --> 00:53:54,759
Speaker 3: my daughter we had a little challenging day and I

1162
00:53:54,880 --> 00:53:58,280
Speaker 3: was like, hey, is it punishment or is it a whooping?

1163
00:53:58,280 --> 00:54:00,719
Speaker 1: And she was like, yep, punishment. So that's about as

1164
00:54:00,719 --> 00:54:01,839
Speaker 1: far as we got it. But I don't think.

1165
00:54:01,840 --> 00:54:05,480
Speaker 3: I don't think I could ever, I could ever discipline

1166
00:54:05,520 --> 00:54:06,520
Speaker 3: her the way that.

1167
00:54:06,440 --> 00:54:07,480
Speaker 1: We got disciplined.

1168
00:54:07,800 --> 00:54:10,160
Speaker 2: Oh no, you're going to jail. Yeah, Oh for sure, Dan,

1169
00:54:10,200 --> 00:54:12,640
Speaker 2: you're going to jail. You can still get that off

1170
00:54:12,640 --> 00:54:13,400
Speaker 2: in the South somewhere.

1171
00:54:13,480 --> 00:54:16,520
Speaker 1: No you can't. My kids grown, so I ain't got

1172
00:54:16,560 --> 00:54:18,840
Speaker 1: to worry about that and I'm done. Yeah, my mama

1173
00:54:18,840 --> 00:54:23,480
Speaker 1: threatened me. Oh yeah, like two days ago, I'm saying,

1174
00:54:23,560 --> 00:54:27,839
Speaker 1: can she go to jail? Yeah? Yeah, that's a threat.

1175
00:54:27,840 --> 00:54:29,040
Speaker 1: Imagine called the CPS.

1176
00:54:29,080 --> 00:54:33,520
Speaker 3: He I'm forty six, man, but yeah, nah man, my daughter, man,

1177
00:54:34,560 --> 00:54:37,759
Speaker 3: she's my lifeline, man, and I definitely she's the number

1178
00:54:37,800 --> 00:54:39,840
Speaker 3: one drive for everything that I do these days.

1179
00:54:40,120 --> 00:54:42,560
Speaker 1: Nick Cannon said he'd rather raise a bully than his

1180
00:54:42,680 --> 00:54:47,160
Speaker 1: child be bullied. I agree with that. Yeah.

1181
00:54:47,200 --> 00:54:50,160
Speaker 3: I mean, as a father, your kids grown grown and

1182
00:54:50,280 --> 00:54:53,840
Speaker 3: so yeah, so when you raise them, man, you you you,

1183
00:54:54,160 --> 00:54:57,840
Speaker 3: I know you raised them to not be push wants

1184
00:54:57,880 --> 00:54:59,799
Speaker 3: to have kids to be bully.

1185
00:54:59,880 --> 00:55:02,120
Speaker 1: But sometimes kids just get bullied.

1186
00:55:02,680 --> 00:55:05,399
Speaker 3: So I think I'm I'm I'm partial to both sides

1187
00:55:05,400 --> 00:55:07,239
Speaker 3: because I sympathized with kids that are getting bullied. I

1188
00:55:07,280 --> 00:55:11,080
Speaker 3: don't think that's cool and being a former bully, but

1189
00:55:11,160 --> 00:55:13,160
Speaker 3: I like I bullied different, Like I bullied all the

1190
00:55:13,200 --> 00:55:15,279
Speaker 3: bullies in school. You know what I'm saying. I've been

1191
00:55:15,320 --> 00:55:18,680
Speaker 3: like the same height since great. They thought I was

1192
00:55:18,680 --> 00:55:21,520
Speaker 3: gonna be a giant. But yeah, man, I'm not. I'm

1193
00:55:21,680 --> 00:55:25,040
Speaker 3: my kids are not. My daughter don't fight, but she shouldn't.

1194
00:55:25,360 --> 00:55:28,200
Speaker 3: My daughter's like dad, what would I if somebody trying

1195
00:55:28,200 --> 00:55:30,200
Speaker 3: to fight me, what would I do? Like, well, I

1196
00:55:30,239 --> 00:55:31,799
Speaker 3: was like you just you know, you put your arms

1197
00:55:31,800 --> 00:55:33,880
Speaker 3: and she's like, oh no, I could never. You know

1198
00:55:33,920 --> 00:55:35,919
Speaker 3: what I'm saying, Hey, well be a princess. But yeah,

1199
00:55:36,160 --> 00:55:39,279
Speaker 3: and she five nine, you know, but my sons they

1200
00:55:39,320 --> 00:55:39,960
Speaker 3: you know, they would it.

1201
00:55:41,120 --> 00:55:42,200
Speaker 1: How do you different?

1202
00:55:42,440 --> 00:55:46,200
Speaker 2: How do you parent the oldest two boys compared to

1203
00:55:46,239 --> 00:55:49,360
Speaker 2: the youngest now? How you how are you parenting different?

1204
00:55:49,440 --> 00:55:50,879
Speaker 2: Because that was a long time ago game.

1205
00:55:50,960 --> 00:55:54,839
Speaker 3: Yeah, I think I'm more seasoned as a father at

1206
00:55:54,840 --> 00:55:57,799
Speaker 3: this point, and I think, you know, for the most part,

1207
00:55:58,160 --> 00:56:00,640
Speaker 3: during these stages, the early tyler said, I think it's

1208
00:56:00,680 --> 00:56:05,279
Speaker 3: all mommy and and all financial support and presence from

1209
00:56:05,280 --> 00:56:07,600
Speaker 3: the father, but the mom has to do the day

1210
00:56:07,680 --> 00:56:08,879
Speaker 3: to day and so I think it's shit.

1211
00:56:09,520 --> 00:56:10,399
Speaker 1: That's just what it is.

1212
00:56:10,440 --> 00:56:13,279
Speaker 3: And it yields better results when you let the mom

1213
00:56:13,360 --> 00:56:15,319
Speaker 3: take control and you just stare at the support, you know,

1214
00:56:15,360 --> 00:56:16,799
Speaker 3: whatever they may need, no matter what.

1215
00:56:16,840 --> 00:56:20,960
Speaker 2: That is what's the key to co parenting successfully. She

1216
00:56:21,200 --> 00:56:23,080
Speaker 2: let the woman just run it.

1217
00:56:24,320 --> 00:56:26,840
Speaker 3: Larry picked the school, picked the clothes, and you just

1218
00:56:26,920 --> 00:56:29,680
Speaker 3: pay that shut up.

1219
00:56:30,000 --> 00:56:31,480
Speaker 1: Is it hard to discipline the child?

1220
00:56:31,560 --> 00:56:33,759
Speaker 2: Because I found it very hard to discipline my child

1221
00:56:34,600 --> 00:56:37,200
Speaker 2: when you know, they do something and their mom would

1222
00:56:37,200 --> 00:56:38,839
Speaker 2: call me. I was like, well, what do you want

1223
00:56:38,880 --> 00:56:41,280
Speaker 2: me to do? I'm not there right, So it's really

1224
00:56:41,320 --> 00:56:43,520
Speaker 2: hard because I don't want the child that when they

1225
00:56:43,560 --> 00:56:47,160
Speaker 2: see me, I'm playing and when they see me, I'm

1226
00:56:47,200 --> 00:56:48,080
Speaker 2: all of your face like that.

1227
00:56:48,120 --> 00:56:48,800
Speaker 1: You know what I'm saying.

1228
00:56:49,000 --> 00:56:51,560
Speaker 2: So you know, it's like, take care of it now

1229
00:56:51,600 --> 00:56:54,640
Speaker 2: when you what they're under my roof and they misbehaving.

1230
00:56:56,000 --> 00:57:00,160
Speaker 2: It's obviously, but how difficult is that for you? You

1231
00:57:00,680 --> 00:57:02,640
Speaker 2: when the kids were growing up and you weren't there

1232
00:57:02,640 --> 00:57:04,480
Speaker 2: on the day to day and they call you just

1233
00:57:04,520 --> 00:57:07,000
Speaker 2: like man game. They probably they didn't call you, probably

1234
00:57:07,000 --> 00:57:07,920
Speaker 2: called you by your gub.

1235
00:57:07,760 --> 00:57:09,480
Speaker 1: But nay, we just you know, we do it like

1236
00:57:09,520 --> 00:57:12,160
Speaker 1: the fans do. We just build a case and when

1237
00:57:12,160 --> 00:57:14,359
Speaker 1: I get back. When I get back, I'm gonna get

1238
00:57:14,400 --> 00:57:19,560
Speaker 1: with you. They they got a rico. They have got

1239
00:57:19,640 --> 00:57:22,040
Speaker 1: to recoach y'all. Y'all, we're gonna hit you with the rico.

1240
00:57:22,160 --> 00:57:23,920
Speaker 1: You did this, this, and that. We're gonna let it

1241
00:57:24,000 --> 00:57:24,320
Speaker 1: stack up.

1242
00:57:24,360 --> 00:57:29,000
Speaker 2: If I he' there, did you see Like I think

1243
00:57:29,040 --> 00:57:31,439
Speaker 2: with Kanye that he had an issue with I think

1244
00:57:31,480 --> 00:57:33,760
Speaker 2: Northwest is his oldest daughter. He had an issue with

1245
00:57:33,760 --> 00:57:36,200
Speaker 2: the way the way she's dressing. Did you ever have

1246
00:57:36,280 --> 00:57:38,160
Speaker 2: an issue with the way your daughter's dressed?

1247
00:57:38,360 --> 00:57:38,520
Speaker 1: Uh?

1248
00:57:38,600 --> 00:57:42,000
Speaker 3: Yeah, you know, times are changing, man, And I've never

1249
00:57:42,040 --> 00:57:48,640
Speaker 3: seen my daughter dress any more inappropriately than the advertisements

1250
00:57:48,720 --> 00:57:50,440
Speaker 3: in the wall at these little girls stores.

1251
00:57:50,520 --> 00:57:53,400
Speaker 1: Okay, so that's where I gazed it from.

1252
00:57:53,480 --> 00:57:56,919
Speaker 3: It's their time they wearing you know, their stomach out

1253
00:57:57,080 --> 00:58:00,440
Speaker 3: and altertimes and little skirts and whatnot. And so we

1254
00:58:00,480 --> 00:58:02,680
Speaker 3: got we ran into a couple of little times where

1255
00:58:02,680 --> 00:58:04,840
Speaker 3: I had to get her right. But that's when that

1256
00:58:04,880 --> 00:58:09,400
Speaker 3: private school come in. Wearing the same thing every single day.

1257
00:58:09,440 --> 00:58:11,760
Speaker 3: You know, the skirts gotta be you know, covered knees

1258
00:58:11,800 --> 00:58:14,480
Speaker 3: and all that. So she really on the week By

1259
00:58:14,480 --> 00:58:16,000
Speaker 3: the time the weekend comes, she wants to hang out

1260
00:58:16,040 --> 00:58:16,520
Speaker 3: with her friends.

1261
00:58:16,560 --> 00:58:17,840
Speaker 1: You know, usually her mom's with her.

1262
00:58:17,840 --> 00:58:20,400
Speaker 3: Now she's getting to a point, she's fifteen, where I'm

1263
00:58:20,440 --> 00:58:22,480
Speaker 3: letting her go to the promenade or hang out with

1264
00:58:22,520 --> 00:58:24,480
Speaker 3: her friends and all that. And I got her location.

1265
00:58:24,640 --> 00:58:27,520
Speaker 3: But I trust my daughter, Yeah, I trust her. We

1266
00:58:27,640 --> 00:58:30,280
Speaker 3: built over the last fifteen years, which it felt like thirty,

1267
00:58:30,800 --> 00:58:33,560
Speaker 3: We've built a good rapport with each other. And yeah,

1268
00:58:33,600 --> 00:58:35,840
Speaker 3: I love her and I trust her and she yeah. Again,

1269
00:58:36,120 --> 00:58:38,280
Speaker 3: you know she got fairing, man, so she knowss up?

1270
00:58:38,440 --> 00:58:40,600
Speaker 1: Is there anything that you wouldn't allow her to rent where?

1271
00:58:41,320 --> 00:58:48,800
Speaker 3: Uh? Yeah, man, we're not over sexualizing ourselves, not doing

1272
00:58:48,880 --> 00:58:51,920
Speaker 3: piercings in places where they where I don't feel like

1273
00:58:51,920 --> 00:58:54,680
Speaker 3: they belong. But I also did tell her as soon

1274
00:58:54,680 --> 00:58:56,640
Speaker 3: as she's eighteen, she can make decisions.

1275
00:58:57,200 --> 00:58:59,320
Speaker 1: That's how I was. I'm gonna tap out at that point.

1276
00:58:59,360 --> 00:59:02,320
Speaker 3: And I think that all decisions as far as like

1277
00:59:02,400 --> 00:59:06,440
Speaker 3: boyfriends and relationships and intimacy and all that revert back

1278
00:59:06,480 --> 00:59:07,080
Speaker 3: to her mother.

1279
00:59:07,240 --> 00:59:08,800
Speaker 1: Yes, I think that I've got you to eighteen.

1280
00:59:09,000 --> 00:59:12,080
Speaker 3: Obviously she's going to a premier college, and from there,

1281
00:59:12,160 --> 00:59:14,080
Speaker 3: you and your mother should be able to navigate through

1282
00:59:14,080 --> 00:59:17,160
Speaker 3: these things. I only come in when something gets weird

1283
00:59:17,240 --> 00:59:20,000
Speaker 3: or disrespectful or something like that. But I think that

1284
00:59:20,480 --> 00:59:24,000
Speaker 3: I'm raising an outstanding young woman and she'll be She's

1285
00:59:24,000 --> 00:59:25,240
Speaker 3: gonna go on and do great things.

1286
00:59:25,480 --> 00:59:28,400
Speaker 1: How do you have the social media? My daughters?

1287
00:59:28,480 --> 00:59:31,080
Speaker 2: You because you know, people come at you all kind

1288
00:59:31,120 --> 00:59:34,240
Speaker 2: of high and say crazy thing, But so where are

1289
00:59:34,280 --> 00:59:39,400
Speaker 2: you now? Because I can't imagine, And it's hard because

1290
00:59:39,480 --> 00:59:43,000
Speaker 2: like people are so receptive and so respectful when they

1291
00:59:43,080 --> 00:59:45,640
Speaker 2: see you in person. But when they can hide behind

1292
00:59:45,680 --> 00:59:49,240
Speaker 2: that computer screen and be in that basement, be somewhere

1293
00:59:49,280 --> 00:59:51,400
Speaker 2: that's far far away, out of reach, out of touch,

1294
00:59:51,840 --> 00:59:54,840
Speaker 2: they say the most disrespectful and reckless. Well, you got

1295
00:59:54,840 --> 00:59:57,640
Speaker 2: to start the foundation. The foundation of it all is

1296
00:59:57,880 --> 01:00:00,880
Speaker 2: they follow you, not the other the other way around.

1297
01:00:01,040 --> 01:00:06,080
Speaker 2: So if you are one invested in yourself, your brand

1298
01:00:06,080 --> 01:00:08,640
Speaker 2: and who you are, and you're operating at, you know,

1299
01:00:08,880 --> 01:00:11,240
Speaker 2: the highest level of confidence you share, have no problem

1300
01:00:11,280 --> 01:00:13,720
Speaker 2: with anybody saying what they say. It would be like

1301
01:00:13,840 --> 01:00:17,120
Speaker 2: the the the Walton family in Walmarts, Like everybody ain't

1302
01:00:17,120 --> 01:00:20,760
Speaker 2: gonna like the Chicken and al three, but we Walmart.

1303
01:00:20,440 --> 01:00:23,400
Speaker 3: And we got one hundred thousand of these stores. And

1304
01:00:23,480 --> 01:00:26,400
Speaker 3: you can't please everybody, man, So I don't even if

1305
01:00:26,400 --> 01:00:28,880
Speaker 3: I catch some bullshit, I'll go in there and be

1306
01:00:28,920 --> 01:00:29,280
Speaker 3: a troll.

1307
01:00:29,520 --> 01:00:29,760
Speaker 1: You know.

1308
01:00:29,920 --> 01:00:31,720
Speaker 3: I have my fifty moments where I just go and

1309
01:00:31,720 --> 01:00:33,880
Speaker 3: don't care and make comedy out of it. But for

1310
01:00:33,920 --> 01:00:35,480
Speaker 3: the most part, I don't. I don't even read it,

1311
01:00:35,520 --> 01:00:37,480
Speaker 3: and I don't even care about it because it is

1312
01:00:37,520 --> 01:00:41,640
Speaker 3: someone somewhere unhappy with themselves, you know, diving in with

1313
01:00:41,720 --> 01:00:45,000
Speaker 3: an opinion that no one else cares to hear except

1314
01:00:45,040 --> 01:00:47,200
Speaker 3: you know this platform. So and we I think a

1315
01:00:47,200 --> 01:00:48,080
Speaker 3: lot of times.

1316
01:00:47,760 --> 01:00:52,560
Speaker 1: These days, we we lose, we lose the we lose

1317
01:00:52,600 --> 01:00:55,240
Speaker 1: sight of what social media is.

1318
01:00:55,680 --> 01:01:00,240
Speaker 3: It's literally social media. Instagram is a video and picture app.

1319
01:01:00,280 --> 01:01:02,360
Speaker 3: TikTok is a you know, a video app. You just

1320
01:01:02,360 --> 01:01:07,440
Speaker 3: got to understand. But then again, listen, if I got

1321
01:01:07,440 --> 01:01:09,840
Speaker 3: a gambler problem and I keep going to the casino,

1322
01:01:09,920 --> 01:01:12,760
Speaker 3: I mean, is it MGM fall to my fault if

1323
01:01:12,800 --> 01:01:15,080
Speaker 3: I have a If I have a social media addiction

1324
01:01:15,280 --> 01:01:17,120
Speaker 3: and I can't stay off the app, then how am

1325
01:01:17,160 --> 01:01:19,480
Speaker 3: I gonna complain about something that's going on within you

1326
01:01:19,520 --> 01:01:21,840
Speaker 3: know that little camera space. So it's like, I don't

1327
01:01:21,840 --> 01:01:24,000
Speaker 3: get into all that. Man, I get on there. I

1328
01:01:24,000 --> 01:01:25,960
Speaker 3: don't really post that much. But when I do post

1329
01:01:26,000 --> 01:01:28,840
Speaker 3: and people comment or they got something to say about game, like, say.

1330
01:01:28,640 --> 01:01:29,360
Speaker 1: What you want to say.

1331
01:01:29,480 --> 01:01:31,880
Speaker 3: At the end of the day, I started off trying

1332
01:01:31,920 --> 01:01:33,800
Speaker 3: to make a name for myself and be great and

1333
01:01:33,880 --> 01:01:35,720
Speaker 3: being able to take care of my family and provide

1334
01:01:35,720 --> 01:01:38,520
Speaker 3: for my children. I've done a remarkable job at that.

1335
01:01:38,960 --> 01:01:41,000
Speaker 3: And so I don't really care what nobody got to say.

1336
01:01:41,000 --> 01:01:43,000
Speaker 1: If it ain't positive. Is that how you protect your

1337
01:01:43,000 --> 01:01:43,560
Speaker 1: mental health.

1338
01:01:44,560 --> 01:01:47,040
Speaker 3: Oh, the mental health started back in the you know,

1339
01:01:47,080 --> 01:01:48,600
Speaker 3: the Foster home. When I told you I built that

1340
01:01:48,640 --> 01:01:51,840
Speaker 3: wall up. I stopped giving a shit about things that

1341
01:01:52,360 --> 01:01:55,960
Speaker 3: would like have me in my head too much. I

1342
01:01:56,040 --> 01:01:58,200
Speaker 3: just don't. I'm not thinking about that. I'm thinking about

1343
01:01:58,600 --> 01:02:00,800
Speaker 3: how many days left I got on earth, making the

1344
01:02:00,840 --> 01:02:03,360
Speaker 3: best of them, and being kind to as many people

1345
01:02:03,600 --> 01:02:04,800
Speaker 3: as I can before I go.

1346
01:02:06,720 --> 01:02:08,480
Speaker 1: This was about the tattoos. I mean, what made you

1347
01:02:08,520 --> 01:02:11,120
Speaker 1: decide to get tattoos on your face? Because my grandmother,

1348
01:02:11,240 --> 01:02:13,600
Speaker 1: everything's gonna revert back to my grandmother. She told me.

1349
01:02:14,080 --> 01:02:15,960
Speaker 3: My mom was mad that I was getting tattoos when

1350
01:02:15,960 --> 01:02:19,320
Speaker 3: I was young, and her mother, my grandmother, told her

1351
01:02:19,520 --> 01:02:23,760
Speaker 3: her daughter. She was like, well, the skin is just

1352
01:02:23,800 --> 01:02:26,840
Speaker 3: a costume, and he borrowing for God, borrowing from God

1353
01:02:26,880 --> 01:02:28,840
Speaker 3: for about eighty years, she said, And you know, at

1354
01:02:28,840 --> 01:02:30,280
Speaker 3: the end of the day when we passed, we all

1355
01:02:30,320 --> 01:02:32,280
Speaker 3: have to turn our costumes back in to God. Let

1356
01:02:32,360 --> 01:02:34,000
Speaker 3: us borrow, which would be the shell of a man.

1357
01:02:34,480 --> 01:02:36,000
Speaker 3: He is just gonna have right on it. What's the

1358
01:02:36,000 --> 01:02:39,680
Speaker 3: big deal? And so from there, man, I just went

1359
01:02:39,760 --> 01:02:42,280
Speaker 3: crazy and tattoos addicted. Man, once you get one, you

1360
01:02:42,360 --> 01:02:44,720
Speaker 3: just keep on going. I ain't got none, good man.

1361
01:02:45,200 --> 01:02:47,040
Speaker 3: I always wanted to be you. I was you at

1362
01:02:47,040 --> 01:02:50,400
Speaker 3: one point and then yeah see.

1363
01:02:50,480 --> 01:02:57,040
Speaker 1: Limited facial hair. Yeah you're good man, living the American dream.

1364
01:02:57,600 --> 01:02:59,440
Speaker 2: But you have look, you got to face with tattoos.

1365
01:02:59,440 --> 01:03:02,680
Speaker 2: You got a tattoo dedicated to Kobe. Which tattue did

1366
01:03:02,680 --> 01:03:05,960
Speaker 2: you have? Means the most of you. I think I

1367
01:03:06,000 --> 01:03:08,320
Speaker 2: got my daughter's face plaster like right in the middle of.

1368
01:03:08,240 --> 01:03:12,120
Speaker 3: My chest, and every time I see it, I just

1369
01:03:12,400 --> 01:03:17,800
Speaker 3: remember this point in life where she was like, I

1370
01:03:17,800 --> 01:03:19,040
Speaker 3: didn't want her to grow.

1371
01:03:19,040 --> 01:03:21,120
Speaker 1: Older than that age, right, you know how it is?

1372
01:03:21,280 --> 01:03:23,400
Speaker 1: And then they do, and then it gets a little weirdy,

1373
01:03:23,560 --> 01:03:26,520
Speaker 1: like where's my baby? But yeah, man, that that's they'll

1374
01:03:26,520 --> 01:03:26,919
Speaker 1: come back.

1375
01:03:27,480 --> 01:03:29,800
Speaker 2: It's because they go through that stage like they're cute,

1376
01:03:29,840 --> 01:03:31,600
Speaker 2: and then all of a sudden they get that teenage

1377
01:03:31,680 --> 01:03:34,200
Speaker 2: years and they get them hormones start goring and they

1378
01:03:34,240 --> 01:03:36,439
Speaker 2: hate you. Yeah, and then they come back and they're

1379
01:03:36,520 --> 01:03:40,880
Speaker 2: like everything that you said. Yeah, so it's gonna be

1380
01:03:40,920 --> 01:03:44,320
Speaker 2: it's gonna be full circle. But she fifteen, Yeah, how

1381
01:03:44,400 --> 01:03:44,960
Speaker 2: is your oldest?

1382
01:03:45,480 --> 01:03:50,880
Speaker 1: Thirty three? Oh? Yeah? See, so where do you get seventeen? Eighteen, nineteen? Yeah?

1383
01:03:52,000 --> 01:03:52,560
Speaker 1: Mm hmm.

1384
01:03:55,320 --> 01:03:57,680
Speaker 2: Acting, man, what are you doing with acting? Or you

1385
01:03:57,720 --> 01:03:58,600
Speaker 2: want to get back into it?

1386
01:03:58,840 --> 01:04:03,600
Speaker 3: You know what, I'm really good at acting, but I

1387
01:04:03,960 --> 01:04:07,440
Speaker 3: like it's the hurry up and wait. I do not

1388
01:04:07,840 --> 01:04:08,200
Speaker 3: like that.

1389
01:04:08,280 --> 01:04:10,360
Speaker 1: Man. Crazy. It's like we.

1390
01:04:10,320 --> 01:04:12,920
Speaker 3: Would be shooting a movie and they would ask us

1391
01:04:12,920 --> 01:04:14,320
Speaker 3: to be there at four am and I wouldn't be

1392
01:04:14,320 --> 01:04:16,280
Speaker 3: shooting until four pm. And I can't figure out for

1393
01:04:16,360 --> 01:04:20,280
Speaker 3: the life of me why they trailer. But then again,

1394
01:04:20,320 --> 01:04:22,680
Speaker 3: it's somebody's money. They want everybody on set, and you

1395
01:04:22,720 --> 01:04:25,480
Speaker 3: know they may want you earlier, it may it may change,

1396
01:04:25,520 --> 01:04:28,040
Speaker 3: So I get it. But that was a That was

1397
01:04:28,080 --> 01:04:29,840
Speaker 3: the main reason why I passed on a lot of

1398
01:04:29,840 --> 01:04:32,760
Speaker 3: stuff in my twenties and thirties. But now I think

1399
01:04:32,800 --> 01:04:35,040
Speaker 3: I'm at that age where I can get back into

1400
01:04:35,120 --> 01:04:36,080
Speaker 3: it because you.

1401
01:04:36,040 --> 01:04:38,520
Speaker 2: Know, kids are Yeah, you got more patient that You

1402
01:04:38,600 --> 01:04:40,000
Speaker 2: got a lot more patience.

1403
01:04:40,080 --> 01:04:42,680
Speaker 1: Man. Is there any roles that you turn down that

1404
01:04:42,720 --> 01:04:43,840
Speaker 1: you regret?

1405
01:04:45,840 --> 01:04:51,400
Speaker 3: I think the the BA barracas rolling in the eighteen

1406
01:04:51,480 --> 01:04:53,360
Speaker 3: oh yeah, and it went to a rampage.

1407
01:04:53,440 --> 01:04:58,280
Speaker 1: Yeah, yeah, why you turn it down? Yeah? I think

1408
01:04:58,360 --> 01:05:02,640
Speaker 1: I might have been twenty four. You know that was

1409
01:05:02,680 --> 01:05:05,600
Speaker 1: a good and a bad year for you. Huh.

1410
01:05:05,640 --> 01:05:07,760
Speaker 2: So what of all, because you've been on sit with

1411
01:05:08,280 --> 01:05:11,240
Speaker 2: Ty Reeves Making Good, you had Jamie Fox, Robert Downey Jr.

1412
01:05:11,240 --> 01:05:14,280
Speaker 1: And Street King had Keanu Reeve as far as Whittaker.

1413
01:05:14,080 --> 01:05:16,960
Speaker 2: What's your favorite what's your favorite memories about being on

1414
01:05:17,000 --> 01:05:17,560
Speaker 2: the set?

1415
01:05:18,960 --> 01:05:20,800
Speaker 3: Just being in a in a place that I know,

1416
01:05:21,160 --> 01:05:23,640
Speaker 3: where I know I was the rookie and I needed

1417
01:05:23,680 --> 01:05:26,960
Speaker 3: to be my best. And because I didn't want to

1418
01:05:27,160 --> 01:05:29,280
Speaker 3: make anybody think that just because I was big in

1419
01:05:29,360 --> 01:05:31,320
Speaker 3: one genre, that I can come over here and just.

1420
01:05:31,560 --> 01:05:34,680
Speaker 1: You know, act like a spoiled rich rapper from the

1421
01:05:34,720 --> 01:05:35,360
Speaker 1: hip hop world.

1422
01:05:35,440 --> 01:05:40,120
Speaker 3: But again, man from uh you know, working with Reese

1423
01:05:40,120 --> 01:05:43,080
Speaker 3: and uh Forrest Whittaker and Megan and you know, these

1424
01:05:43,080 --> 01:05:45,560
Speaker 3: are actor actors, you know what I'm saying. And so

1425
01:05:46,040 --> 01:05:49,320
Speaker 3: I never wanted to I never wanted to make them

1426
01:05:49,360 --> 01:05:52,560
Speaker 3: feel like I didn't I didn't appreciate the opportunities because

1427
01:05:52,600 --> 01:05:55,760
Speaker 3: the Street Kings that was all recent did that for me.

1428
01:05:57,080 --> 01:05:58,800
Speaker 3: And so I just always wanted to make sure that

1429
01:05:58,840 --> 01:06:00,880
Speaker 3: when I step into and acting role or when I

1430
01:06:00,920 --> 01:06:04,480
Speaker 3: step on set, that I am just playing my position.

1431
01:06:05,680 --> 01:06:08,320
Speaker 2: If you could go back and do anything differently in

1432
01:06:08,400 --> 01:06:10,440
Speaker 2: your career, what would it be and why.

1433
01:06:12,880 --> 01:06:14,480
Speaker 3: If I can go back and I don't really regret

1434
01:06:14,560 --> 01:06:16,800
Speaker 3: my regret anything, but if I can go back and

1435
01:06:16,880 --> 01:06:20,400
Speaker 3: change anything, I probably.

1436
01:06:21,520 --> 01:06:25,640
Speaker 1: Damn. Yeah. I don't know.

1437
01:06:25,760 --> 01:06:30,120
Speaker 3: That's crazy because I just don't live with regret. One

1438
01:06:30,160 --> 01:06:33,480
Speaker 3: thing I would have did better money management. I think

1439
01:06:33,520 --> 01:06:36,920
Speaker 3: that's it. I think when I was young spending, I

1440
01:06:36,960 --> 01:06:40,800
Speaker 3: spent maybe ten million dollars on just jewelry. And from

1441
01:06:40,800 --> 01:06:43,360
Speaker 3: the time that I was twenty four to the time

1442
01:06:43,400 --> 01:06:47,160
Speaker 3: that probably I was thirty. Yeah, and I don't have

1443
01:06:47,240 --> 01:06:48,960
Speaker 3: any of it. I gave it away or threw it

1444
01:06:49,000 --> 01:06:52,120
Speaker 3: in the crowd, or did a lot of stuff. And

1445
01:06:52,160 --> 01:06:54,480
Speaker 3: it's like, remember you're saying the rich give rich. I

1446
01:06:54,480 --> 01:06:56,400
Speaker 3: gave Dray like two watches before.

1447
01:06:56,880 --> 01:06:57,240
Speaker 1: Wow.

1448
01:06:57,800 --> 01:07:00,680
Speaker 2: What is the biggest difference between the game two thousand

1449
01:07:00,720 --> 01:07:02,840
Speaker 2: and five and the wine that's sitting on the couch

1450
01:07:02,880 --> 01:07:03,680
Speaker 2: across from me today.

1451
01:07:05,200 --> 01:07:07,720
Speaker 3: I think the biggest The one thing that stands out

1452
01:07:07,760 --> 01:07:09,600
Speaker 3: when you ask me. The first thing that I thought

1453
01:07:09,600 --> 01:07:11,400
Speaker 3: about is that I care if I live or die.

1454
01:07:11,440 --> 01:07:17,440
Speaker 1: Now you got a reason too. Yeah, there's nothing like

1455
01:07:17,520 --> 01:07:18,480
Speaker 1: living for someone else.

1456
01:07:18,800 --> 01:07:21,400
Speaker 3: Nah, that's that's all the all the joy in life

1457
01:07:21,400 --> 01:07:22,880
Speaker 3: comes from that sentiment right there.

1458
01:07:25,120 --> 01:07:28,760
Speaker 1: Wow, you got anything you want to promote.

1459
01:07:28,920 --> 01:07:31,120
Speaker 2: You got a mixtape coming out with DJ Drama drops

1460
01:07:31,160 --> 01:07:36,680
Speaker 2: on December fifth, Your album drops next year. Mixtape, Game album, Game.

1461
01:07:37,800 --> 01:07:40,560
Speaker 2: Mixtape is fun. I don't have to take it too serious.

1462
01:07:40,640 --> 01:07:44,360
Speaker 2: I did this mixtape in a weekend. My album worked

1463
01:07:44,360 --> 01:07:46,720
Speaker 2: on for a year, so maybe a little maybe longer

1464
01:07:46,720 --> 01:07:46,960
Speaker 2: than that.

1465
01:07:47,080 --> 01:07:52,040
Speaker 3: But I can't my album my album, and you know,

1466
01:07:52,160 --> 01:07:55,320
Speaker 3: my catalog has to be given the type of love

1467
01:07:55,320 --> 01:07:57,200
Speaker 3: and deserve. So if I'm working on the album, it's

1468
01:07:57,240 --> 01:07:59,080
Speaker 3: serious and mixtape. I just want to ask some fun,

1469
01:07:59,280 --> 01:07:59,680
Speaker 3: all right.

1470
01:08:00,440 --> 01:08:05,880
Speaker 1: The coast guards the game appreciation all my.

1471
01:08:05,880 --> 01:08:10,160
Speaker 4: Life, the grinding, all my life, sacrifice, hustle, pay the price.

1472
01:08:10,840 --> 01:08:13,720
Speaker 4: Wanta slice? Got to brow the dice to swap all

1473
01:08:13,720 --> 01:08:16,360
Speaker 4: my life. I've been grinding all my life. Yeah, all

1474
01:08:16,400 --> 01:08:20,360
Speaker 4: my life, the grinning, all my life, sacrifice, hustle, pay

1475
01:08:20,439 --> 01:08:22,200
Speaker 4: the price. Want a slice?

1476
01:08:22,520 --> 01:08:23,640
Speaker 1: Got to brow the dice to.

1477
01:08:23,640 --> 01:08:28,560
Speaker 4: Swap all my life. I've been grinding all my life.