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Speaker 1: No, William, I'm trying to build you up.

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Speaker 2: You through those stones back at me. You need that

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Speaker 2: money and all through being happy, happy y'all too, will

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Speaker 2: teach yourself conscious by hearty job shave.

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Speaker 1: Homies. An't nobody doubt you looked in at me?

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Speaker 2: The lady I know the mirror would say, who are

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Speaker 2: you any way? Who are you any way? Who are

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Speaker 2: you anyway?

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Speaker 1: Are you sure? I'll be mad? I don't recognize avg?

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Speaker 3: Who are you want to be?

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Speaker 4: Wait?

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Speaker 2: Who are you any ways?

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Speaker 5: Who are you who anyway?

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Speaker 1: Who are the people that you travel with? Those are

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Speaker 1: the times you used to is? What are those habits

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Speaker 1: you picked up?

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Speaker 2: Nose is made for me?

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Speaker 1: Schedule?

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Speaker 5: I fucked up with them?

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Speaker 2: Days you change and sleep?

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Speaker 1: How trying to build you up? You through them stones?

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Speaker 2: Backing me? You think that money and loans through being happy,

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Speaker 2: happy y'all too pretentious, subconscious riding job saved, always done up?

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Speaker 2: But I doubt you know to me the lady I

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Speaker 2: know the bedroom would say, who are you anyway?

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Speaker 1: Who are you anyway?

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Speaker 2: Who are you anyway? Who are you anyway?

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Speaker 4: And that was a new tune from the very success

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Speaker 4: full and popular artist Rory featuring Leon Thomas, Who Are

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Speaker 4: You Anyways?

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Speaker 6: Exactly available now.

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Speaker 4: I think I've annoyed you guys between Patreon and all

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Speaker 4: our other content and promoting the song, but this is

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Speaker 4: the first time we're talking about it on the actual episode.

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Speaker 7: Keep asking you how much trouble are you in with

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Speaker 7: the label? Is you and Bruno Mars? I don't know

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Speaker 7: who's in more trouble Bruno Bruno doing.

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Speaker 3: Songs with hey body, you know what I'm saying, he

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Speaker 3: Backway and the Cowboy Hat.

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Speaker 4: I had like a backlog on some of my paperwork

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Speaker 4: to actually get the royalties for songs from the last album,

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Speaker 4: and because it was delayed, I was like, Oh, was

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Speaker 4: cool that I left that alone. Now just get a

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Speaker 4: bigger check because yeah, it's been on backlog that she

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Speaker 4: was like eleven hundred dollars.

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Speaker 7: Yeah, new single available now on your DSPs. Rory feature

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Speaker 7: in the Talented, the super super talented Leon Thomas Who

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Speaker 7: Are You Anyway?

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Speaker 3: Go?

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Speaker 7: Stream that available on all your DSPs right now. Support

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Speaker 7: Rory while.

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Speaker 4: They're listening to this. It already happened, but recording this

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Speaker 4: on February sixth Leon Thomas is doing Stephen Colbert tonight so,

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Speaker 4: like you figure, he probably changed his entire set from

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Speaker 4: Mutt Records. He's just gonna do this just to plug

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Speaker 4: the right you. Right now he's rehearsing.

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Speaker 3: Nobody wants to hear Mutt, even though.

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Speaker 4: Nobody it just Hot one hundred.

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Speaker 3: Nobody wants to hear that.

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Speaker 4: But we were talking about that with DOCI, and I

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Speaker 4: think that's great with Leon too. I love that the

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Speaker 4: industry is now realizing that post promotion is so important,

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Speaker 4: like first week is whatever. Yeah, Muth's been out for

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Speaker 4: a minute. You just got to keep working a record.

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Speaker 4: Now it's in the Hot one hundreds as it deserves

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Speaker 4: to be, absolutely so congrats to Leon for that being there.

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Speaker 7: The real song of the year my record, Well, oh,

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Speaker 7: the year just started, so technically.

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Speaker 4: I don't know. I feel like there's probably been what's

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Speaker 4: come out this year so far?

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Speaker 3: Nothing? Nothing really blick some remix? I hate that record?

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Speaker 6: What How do you hate that record?

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Speaker 3: By my Bad? I don't hate that. I hate that

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Speaker 3: message blick some.

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Speaker 5: If you love me, hit something, if you love me

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Speaker 5: better not put nobody but ops above passy Princess When

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Speaker 5: I slide through them, niggas ain't not nothing classy does

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Speaker 5: that make you.

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Speaker 4: An accessory after the fact, Like I do feel like

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Speaker 4: if a woman sends a man on a dummy mission

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Speaker 4: because she knows he has a fragile ego and will

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Speaker 4: kill another man just because she wanted to fuck with

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Speaker 4: that dude. Now he just wants you to anymore, she

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Speaker 4: should be involved.

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Speaker 6: In the case.

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Speaker 4: In my opinion, Oh, she will be.

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Speaker 3: Is it a planned assassination.

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Speaker 7: It's a rica. Niggas in the hood get assassinated. Let

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Speaker 7: me know, they get killed. Assassinated and killed are two

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Speaker 7: totally different things. I can promise you. None of these

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Speaker 7: blood niggas have been assassinated. Them niggas are killed. It's

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Speaker 7: a difference. Malcolm X was assassinated, Martin Luther King was assassinated,

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Speaker 7: Dawskin Jermaine was killed.

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Speaker 3: That nigga was just murdered.

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Speaker 6: Yes, all right, Tupac.

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Speaker 3: After an assassination, he wasn't assassinated.

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Speaker 6: I forget it. Ship for what he that was gang

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Speaker 6: what he stood for. Yes, I see why people would

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Speaker 6: say Tupac was assassinateed.

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Speaker 3: Okay, if he got it was just some gang bag.

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Speaker 7: If Pop got killed at the NAACP like he was

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Speaker 7: giving a speech assassinated.

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Speaker 6: Yeah, on the on the strip in Vegas, murdered.

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Speaker 5: Yeah, the difference Okay, So I looked up the definitions

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Speaker 5: of the twos or the difference between the two. Assassination

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Speaker 5: is a type of murder that involves killing a high

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Speaker 5: profile target, usually for political or ideological reasons. Murder is

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Speaker 5: the unlawful killing of another person, so assassination typically involves

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Speaker 5: a public figure. Murder can be the killing of anyone.

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Speaker 5: I feel like Tupac was assassinated.

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Speaker 4: Yeah, no, no, no, no, no, no, no, no, said, there's no

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Speaker 4: way a rapper is going to punch me.

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Speaker 7: She missed a very important part of the definition for

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Speaker 7: political or ideological POC was not killed for no political

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Speaker 7: or ideological gang politics.

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Speaker 4: There's no way an active crip is getting punched by

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Speaker 4: a rapper and living to see the day.

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Speaker 5: That's that's politics or your ideals of the ideals of

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Speaker 5: you can't do this or you can't do that. I

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Speaker 5: feel like that's I don't know, I'm voting assassination.

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Speaker 3: So you believe Tupac was assassinated, Okay, gang politics.

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Speaker 5: If you get killed for how you feel, for anything

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Speaker 5: you say on this podcast, that's an assassination because your

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Speaker 5: ideals that you're spewing. Other people disagree. That would be

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Speaker 5: an assassination.

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Speaker 3: I think I would have just been killed. Well, I guess,

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Speaker 3: don't be at my funeral to my I go assassinated.

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Speaker 4: It would It would depend your definition of like ideologies,

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Speaker 4: Like if you spilt a drink on me, my ideologies.

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Speaker 4: I don't like that. Now you must die.

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Speaker 3: No, that's not.

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Speaker 7: It's natural order. You spill a drink on me, you

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Speaker 7: gotta die. You step on my sneakers. That's just that's

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Speaker 7: that's the universe that was in place before I got here.

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Speaker 7: So I mean, talk to the people before me, don't

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Speaker 7: talk to me about it.

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Speaker 4: Well, I appreciate that you guys are saying I already

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Speaker 4: have song of the Year, even though you said that

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Speaker 4: in just new music is coming out, Like you know,

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Speaker 4: I also want to plug like my peers too. I

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Speaker 4: don't want to just make it a selfish thing. A

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Speaker 4: lot of good music coming out on Friday, Like we

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Speaker 4: all have to stick together.

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Speaker 5: The peers are your mentor, because you definitely copy and

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Speaker 5: DJ Khaled.

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Speaker 4: First of all, Kalin's not coming out today. First and foremost,

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Speaker 4: he dropped the trailer and DJ Khaled, While I do

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Speaker 4: appreciate what he has contributed to the music industry, has

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Speaker 4: not been a mentor of mine. What are you trying

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Speaker 4: to get at?

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Speaker 5: I'm just saying I feel like you to R and

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Speaker 5: B DJ Khaled allegedly, So I'm not the R and

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Speaker 5: B D But that's what you're trying to be. You

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Speaker 5: not singing on that album exactly.

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Speaker 3: So that's what DJ Kalen does.

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Speaker 7: At least, he writes the ads production were a drop

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Speaker 7: game at I had the new Roy Mull drop on

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Speaker 7: the first one that was like one song, it was

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Speaker 7: the intro.

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Speaker 6: Yeah, yeah, I'm not really like the drop guy, Like

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Speaker 6: I don't.

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Speaker 3: Want you don't want to interfere with the art. You

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Speaker 3: want to just kind of.

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Speaker 4: Just I'm going to steal that answer even though it's

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Speaker 4: not true. I want to make it seem that way,

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Speaker 4: like I don't want to mess with like have you

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Speaker 4: like okay? Like you ever see when people put the parents'

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Speaker 4: advisory ship on a beautiful album cover, like why'd you

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Speaker 4: do that? That's kind of me with the drops, But Kali,

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Speaker 4: it didn't start the ship like Clue's been doing this forever.

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Speaker 6: He wasn't rapping. He was talking on it.

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Speaker 4: Yeah, everything recorded. So even though Khaled has done it

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Speaker 4: to the highest level, I would say he would be

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Speaker 4: my mentor in this entire thing, but I should reach

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Speaker 4: out to my mentor because I think he spent maybe

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Speaker 4: a quarter million dollars on a trailer that got taken

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Speaker 4: down the same fucking day. This means does this mean

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Speaker 4: I win Friday with the compilation album wars Oh? Because

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Speaker 4: I was nervously when I was trying to put together

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Speaker 4: my assets for this record that's out today. Then I

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Speaker 4: saw Kaled put out a trailer with Mark Wahlberg that

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Speaker 4: was seven minutes long where Kaled is running with a

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Speaker 4: suitcase full of money.

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Speaker 6: I was like, Oh, I'm fucked. It's over now.

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Speaker 3: Yeah, you can't compete with that.

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Speaker 4: And then finally, after everything this pod has had to

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Speaker 4: deal with because of Aubrey Drake Graham, he came through

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Speaker 4: for me and sent the c and D send the

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Speaker 4: CND through a comment is fucking hilarious, Say you must

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Speaker 4: mean Drake Bell. For those that don't know, Kalid put

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Speaker 4: out this amazing trailer for his next album. He was

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Speaker 4: pitching all of twenty four that it was coming out

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Speaker 4: clearly it got pushed and he puts this out and

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Speaker 4: in the little slide show he had the photo of

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Speaker 4: Drake walking out to the stage and photoshopped himself in

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Speaker 4: which I'm sure Peach did, which is fucked up, like

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Speaker 4: who side are you on in this collaboration album? Shit

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Speaker 4: with a sign saying I have two Drake Records? And

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Speaker 4: if you guys remember in twenty twenty four he was

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Speaker 4: following Drake around with that exact same sign, so we

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Speaker 4: assume he has two Drake.

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Speaker 6: Records on the album?

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Speaker 7: Was that twenty twenty four? It was his last star

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Speaker 7: that was twenty three? You are correct?

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Speaker 4: Yeah, four, the album in twenty twenty four, so he

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Speaker 4: just took the date off posted that, and then Drake commented,

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Speaker 4: must be at Drake Bell. I think it's funny that

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Speaker 4: he added Drake.

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Speaker 5: Bell's poor Drake Bell probably was just enjoying his cereal.

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Speaker 4: So then Khaled takes down this quarter of a million

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Speaker 4: dollar trailer that was incredible fucking if rivera incredible director.

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Speaker 4: Do we think he took it down because of that

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Speaker 4: Drake comment? Because I don't see why you would do that,

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Speaker 4: even if you can't use the two Drake Records. I'm

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Speaker 4: leaving my Mark Wahlberg seven minute trailer of there. The

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Speaker 4: trailer's nothing to do with Drake.

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Speaker 3: What do you mean you don't.

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Speaker 7: The entire program has changed now now you know you

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Speaker 7: don't have two Drake songs, but.

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Speaker 4: I can My album can still come out and I

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Speaker 4: can still keep my Mark Wahlberg.

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Speaker 3: No, it cannot stop it. Bro.

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Speaker 7: You know, if you had one of the biggest artists

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Speaker 7: in the world two songs from them and that was

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Speaker 7: what you were leading as part as your promo for

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Speaker 7: your album, and then that artist leaves that comment, your

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Speaker 7: entire staff is scrambling because you now know those two

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Speaker 7: songs will not be on the album. And I'm willing

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Speaker 7: to guess that one of those is probably the single.

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Speaker 4: I agree with you. I'm sure one of those out

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Speaker 4: of the two was the first or second single. But

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Speaker 4: to take out everything from your role out like I

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Speaker 4: get everything that photo of you holding that shit up,

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Speaker 4: but nah, and then even hinting at having Rihanna and

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Speaker 4: jay Z features.

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Speaker 5: So that's why I thought it got taken out, and

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Speaker 5: I'm like, is that confirmed?

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Speaker 7: That's what I was Is anything confirmed now on this album?

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Speaker 7: That's why I was like, is that confirmed?

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Speaker 6: So Drake and the Smurfs stepped on Kalleg's rollout?

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Speaker 3: Yeah, and you well, Drake didn't step for he was interrupted.

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Speaker 4: I like to think it was really me once he

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Speaker 4: saw that I was coming with.

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Speaker 3: Yeah out for sure, I can promise you it wasn't.

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Speaker 4: But it was the Smurf.

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Speaker 3: Yeah, it was definitely the Smurfs. They have crazy numbers.

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Speaker 4: I mean, I just feel like, as someone that has

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Speaker 4: been part of albums being pushed back so much, I

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Speaker 4: feel like you would check in with the artists once

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Speaker 4: you're ready to go, like, hey, are we still good?

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Speaker 3: Especially after everything that happened.

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Speaker 6: Two years ago.

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Speaker 4: You're saying you have these two Drake records based off

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Speaker 4: everything that happened in twenty twenty four. I would maybe

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Speaker 4: just check in with Drake, like, yo, remember those two records, like.

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Speaker 6: We're still good?

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Speaker 4: To clear though, right before I post this, that leaves

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Speaker 4: me before before I put together this budget to shoot

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Speaker 4: Bad Boys ten in fucking Miami.

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Speaker 7: That leaves me to think, when was the last time

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Speaker 7: Caled actually spoke to Drake?

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Speaker 3: Are you gonna tell us one me? Yeah? How the

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Speaker 3: fuck would I know?

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Speaker 4: I would speculate they didn't speak in twenty twenty four.

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Speaker 3: Okay, so if.

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Speaker 6: That's what I'm guessing, so off that speculation.

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Speaker 7: If you say you're Kalid and you don't speak to

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Speaker 7: Drake the entire twenty twenty four, do you roll out

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Speaker 7: this trailer and say I have two Drake songs?

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Speaker 4: I would put the trailer film out, but no way

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Speaker 4: in that slide show what I put I have two

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Speaker 4: Drake songs. Okay, I would confirm with that. I'd actually

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Speaker 4: hold that regardless to like use it as another asset

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Speaker 4: later down with a role. This trailer stood by itself. Yeah,

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Speaker 4: I didn't need Kala to hold that sign for me

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Speaker 4: to be intrigued about what this album is going to be,

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Speaker 4: especially at this time. Yeah, So I don't know. I

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Speaker 4: feel like that was one of the wildest mistakes I've

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Speaker 4: seen in a rollout in quite some time. And I

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Speaker 4: feel bad because I think Kaled spent a lot of

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Speaker 4: time and money on that. Yeah, and I'm sure he

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Speaker 4: was super excited about it and then to have that.

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Speaker 3: But what do you need to triple check?

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Speaker 6: I agree? Yeah, Like what, I don't know.

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Speaker 4: If I'm sitting there, if I'm Drake and I'm in

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Speaker 4: als Shelly, and I'm watching this shit, like what, I

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Speaker 4: never agreed to this shit.

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Speaker 7: Not only I haven't spoken to you, and god knows

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Speaker 7: how long if we're going on for that, It's like, yo,

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Speaker 7: obviously haven't spoken. You put this out in Drake comments

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Speaker 7: with he Comments's like, okay, clearly they're not in communication

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Speaker 7: with each other. I just don't know how somebody like

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Speaker 7: Kaled just makes that mishap of you know, lack lack

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Speaker 7: of discernment. Let's call it a lack of discernment and

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Speaker 7: allude to having too. Now, Kalen does have two Drake songs.

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Speaker 7: I'm positive he has that.

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Speaker 4: Probably has fifteen Drake songs.

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Speaker 3: Will those Drake songs ever see the light of day?

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Speaker 3: Will they ever get cleared? Absolutely not?

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Speaker 4: Well?

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Speaker 5: Why okay, so am I missing something? Is there a

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Speaker 5: specific reason why?

303
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Speaker 4: I just think so much is messy behind the scenes

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Speaker 4: with everyone and Drake at the moment that I would

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Speaker 4: probably triple check when releasing Drake. Even French Montana, who

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Speaker 4: has a great relationship with Drake Drake, was like, yo,

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Speaker 4: chill putting out my verse. It's a weird time right now.

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Speaker 4: So if I'm somebody and we don't know if Kalen

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Speaker 4: and Drake have spoken, If I have not spoken to

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Speaker 4: a person over a year and they had the year

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Speaker 4: that Drake had.

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Speaker 6: In twenty twenty four, I'm gonna, matter.

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Speaker 4: Of fact, I'm just going to shut the fuck up,

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Speaker 4: because if I didn't check on you at all throughout

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Speaker 4: that entire year, that first fucking text of saying, yo,

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Speaker 4: we still get on those records from twenty twenty three,

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Speaker 4: I would hope i'd be left on red. That would

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Speaker 4: be the craziest text message. I told y'all last year, YO,

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Speaker 4: hope all as well. YO told y'all, I told y'all

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Speaker 4: last year. Target was closed. And this is what I meant.

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Speaker 4: I don't think Drake is given the feature to nobody.

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Speaker 4: I don't think anybody gets a feature from Drake anymore.

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Speaker 5: I think DJ Khaled went the it's better to ask

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Speaker 5: for forgiveness than to ask for permission route because he

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Speaker 5: knew he knew if he would have text Drake it

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Speaker 5: would have been a no. So I think he was

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Speaker 5: hoping that he could just go along with it and

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Speaker 5: throw it out there and Drake won't say anything.

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Speaker 7: I think that was Oh, that's a that's you hoping

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Speaker 7: on your album released for you hope that it's too Yeah,

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Speaker 7: you can't go off hope and film that type of trailer.

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Speaker 7: You gotta know for sure what we're doing, what's happening

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Speaker 7: with this project trailer.

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Speaker 5: Like this trailer's probably been shot for a long time though.

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Speaker 7: Yeah, but you drop the trailer along with announcing the

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Speaker 7: big the big artist that's on it. This is all

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Speaker 7: promo for the album. But you gotta kal It is

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Speaker 7: no no rookie. He's been in the industry for years.

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Speaker 7: He knows how this goes. You gotta make sure, like, Okay,

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Speaker 7: I haven't spoken to Drake, and I don't know when

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Speaker 7: he's had a year. You know, last year was it

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Speaker 7: was it was an insane year for Drake. Let me

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Speaker 7: at least reach out to him and see, like, are

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Speaker 7: we still good with these songs? Am I still good

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Speaker 7: to go with these records? Given everything that happened? I'm

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Speaker 7: pretty sure you know Drake's stands on a lot of

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Speaker 7: things that's changed. So to do that and and not

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Speaker 7: have that conversation with Drake, which we know because he

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Speaker 7: responded via a comment, Yeah, it's like, I don't know

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Speaker 7: how Kaled makes that mistake. That's just not That's not

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Speaker 7: something that I expect him. Kalen is too much of

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Speaker 7: a veteran to make a lapse in judgment like that.

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Speaker 4: Do we think klet is funding a lot of this

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Speaker 4: himself over the past few years.

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Speaker 3: I don't think so. I think this is all label.

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Speaker 7: I think the label understands college relationships with some of

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Speaker 7: the biggest artists in the world. He's been proven to

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Speaker 7: be able to put some of the biggest artists in

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Speaker 7: the world together on a project. I think at that point,

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Speaker 7: when you prove that to labels, I think they open

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Speaker 7: up the budget for you.

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Speaker 6: That's the fact.

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Speaker 4: And I've felt that way, especially after the Rihanna and

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Speaker 4: Bryson record, like That's that's a certified classic record of

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Speaker 4: the last decade. And I'm sure brought so much money.

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Speaker 4: And we know for a fact Khaled albums have brought

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Speaker 4: in money the last three. Do we think have brought

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Speaker 4: ROI where you can shoot you can even go to

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Speaker 4: your boss and say, hey, are you guys cool with

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Speaker 4: clearing a quarter million dollars for a college trailer?

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Speaker 3: M M yeah.

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Speaker 4: At this point, I think, which is I mean, that's

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Speaker 4: not a personal coalogy and that's a music business that

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Speaker 4: I think Kalid has to put up a good amount

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Speaker 4: of money himself, which I respect and appreciate. You care

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Speaker 4: that much about your art, put your own money up,

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Speaker 4: even when you're on a major. I don't know if

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Speaker 4: Sony is clear in this whole thing. I don't care

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Speaker 4: if you have Mark Wahlberg, that entire cast doesn't mean

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Speaker 4: that money is gonna come back with it like that

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Speaker 4: God did Verse with Jay Z. Incredible love that that

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Speaker 4: moment happened. Do you think that was a profitable record

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Speaker 4: based off how big that budget really was.

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Speaker 3: I don't think so.

385
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Speaker 4: I don't think it was either. It was an amazing

386
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Speaker 4: moment and I love kalied for it. But if I'm

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Speaker 4: working at Sony, I don't know what the ROI is

388
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Speaker 4: with KLi right now because his whole entire thing is

389
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Speaker 4: the A lister shit, and I know it's favors, like

390
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Speaker 4: no one's really charging Kalid a verse fee or anything

391
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Speaker 4: like that. But once you compilation projects are expensive regardless

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Speaker 4: and even paying out those producers those splits. Even if

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Speaker 4: Sony owns half the master or all of the master,

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Speaker 4: I don't know how profitable it's been over the past

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Speaker 4: few years.

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Speaker 6: Yeah, but it's pretty profitable.

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Speaker 4: It's Kalid's commercial where he can get brand deals that

398
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Speaker 4: he has. I think Khalid is a great business this man.

399
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Speaker 4: I think Sony's the one getting fucked in this situation,

400
00:19:03,840 --> 00:19:05,960
Speaker 4: which I'm all four Yeah, multifower T.

401
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Speaker 7: If you sit down with Sony and say, hey, I

402
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Speaker 7: have two new Drake songs, you think they don't open

403
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Speaker 7: up the budget for you.

404
00:19:12,320 --> 00:19:15,760
Speaker 4: I think someone that Sony would say the same exact

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Speaker 4: things that we are saying in his chairs now, when

406
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Speaker 4: was the last time he spoke to him?

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Speaker 3: I don't think so.

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Speaker 7: I don't think nobody a Sony says actsat I think

409
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Speaker 7: people that Sony assumed that him and Drake are in communication.

410
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Speaker 7: I don't think nobody has somebody say, yo, when did

411
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Speaker 7: the last time he spoke to him? You are you

412
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Speaker 7: still speaking to him? I don't think nobody a Sony

413
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Speaker 7: says that. I think they trust Khaled that he has

414
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Speaker 7: all of that lined up already ready to go. I

415
00:19:36,000 --> 00:19:37,840
Speaker 7: think that they when he's coming to them saying I

416
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Speaker 7: have two Drake songs. I don't think somebody in the

417
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Speaker 7: office saying, do you what was the last time he

418
00:19:42,840 --> 00:19:45,040
Speaker 7: spoke to him. I don't think that anybody says that.

419
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Speaker 4: Okay, new theory, just spinning the wheels as this goes.

420
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Speaker 4: In twenty twenty three, when he was following Drake with

421
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Speaker 4: that sign at his tour, saying, I have two Drake

422
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Speaker 4: songs on my album, there may be a world where

423
00:19:57,720 --> 00:19:59,679
Speaker 4: that paperwork was done. And that's why Khaled was so

424
00:19:59,680 --> 00:20:02,840
Speaker 4: comfort walking around with that sign and why he was

425
00:20:02,840 --> 00:20:09,399
Speaker 4: comfortable putting it in his little real shit. Drake may

426
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Speaker 4: be on some fuck you type of shit like I'll

427
00:20:12,280 --> 00:20:13,560
Speaker 4: fight this to the dat. I don't care that I

428
00:20:13,600 --> 00:20:16,400
Speaker 4: signed anything. I'll happily spend as much money as possible

429
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Speaker 4: for that not to come out. Even though I did

430
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Speaker 4: sign that paperwork.

431
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Speaker 3: I don't think Drake signed anything. I think he gave

432
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Speaker 3: him the records, and.

433
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Speaker 4: I'm just still trying to give Kalid the benefit of

434
00:20:23,960 --> 00:20:26,159
Speaker 4: the doubt of being so confident in that and Sony

435
00:20:26,200 --> 00:20:28,400
Speaker 4: being so confident like, oh, well, we have the paperwork

436
00:20:28,400 --> 00:20:30,760
Speaker 4: from twenty twenty three, like we're good, We'll be fine

437
00:20:30,800 --> 00:20:30,960
Speaker 4: with that.

438
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Speaker 3: Yeah.

439
00:20:31,440 --> 00:20:31,600
Speaker 2: Nah.

440
00:20:31,600 --> 00:20:33,200
Speaker 7: I think that it was just on good faith. They've

441
00:20:33,240 --> 00:20:36,800
Speaker 7: worked together before. He obviously does have the records. I

442
00:20:36,880 --> 00:20:40,000
Speaker 7: just thought that I think that Kali just assumed that

443
00:20:40,359 --> 00:20:43,320
Speaker 7: when it was time to release the project, that Drake

444
00:20:43,359 --> 00:20:46,080
Speaker 7: would you know, sign off and clear everything and they

445
00:20:46,080 --> 00:20:46,800
Speaker 7: would be good to go.

446
00:20:46,840 --> 00:20:48,680
Speaker 3: But obviously that's not the case.

447
00:20:49,640 --> 00:20:51,280
Speaker 6: Yeah, I'm just curious.

448
00:20:51,320 --> 00:20:51,920
Speaker 3: I think.

449
00:20:53,520 --> 00:20:58,040
Speaker 4: I think I speak for everyone comfortably in this is

450
00:20:58,160 --> 00:21:00,960
Speaker 4: that Kaled does need a bit of a reboot in

451
00:21:01,000 --> 00:21:03,320
Speaker 4: how he approaches these projects.

452
00:21:04,040 --> 00:21:06,000
Speaker 3: What type of reboot, like, what does it look like.

453
00:21:06,640 --> 00:21:11,800
Speaker 4: Just grabbing a bunch of A listers isn't really working.

454
00:21:11,840 --> 00:21:12,760
Speaker 3: It's not doing it for you.

455
00:21:13,359 --> 00:21:17,320
Speaker 4: I don't feel like Kaled earlier on used to do

456
00:21:17,480 --> 00:21:20,280
Speaker 4: pairings that we were really into, like when you got

457
00:21:20,280 --> 00:21:23,480
Speaker 4: like Nas and Scarface I believe together, Like there was

458
00:21:23,680 --> 00:21:25,960
Speaker 4: pairings that we were like, oh shit, only Kalen could

459
00:21:26,000 --> 00:21:28,159
Speaker 4: do that. And that's dope that his mind came up

460
00:21:28,200 --> 00:21:31,840
Speaker 4: with putting these people together. Yeah, Drake and little baby

461
00:21:32,440 --> 00:21:35,800
Speaker 4: Drake YACHTI are cool. They do that on their own. Like,

462
00:21:35,840 --> 00:21:38,720
Speaker 4: I just think he needs Rihanna and Bryson. I thought

463
00:21:38,840 --> 00:21:41,320
Speaker 4: was especially where Bryson was out at that time, was

464
00:21:41,359 --> 00:21:45,920
Speaker 4: a fire collapse together. I just don't think Kalid does

465
00:21:45,920 --> 00:21:47,640
Speaker 4: that anymore. I think he goes with the way too

466
00:21:47,680 --> 00:21:49,840
Speaker 4: obvious a listers keep us your a list. Shit, I'm

467
00:21:49,840 --> 00:21:53,119
Speaker 4: not hating on that, but I mean mix it up

468
00:21:53,160 --> 00:21:53,640
Speaker 4: a little bit.

469
00:21:55,280 --> 00:21:59,960
Speaker 3: I mean, yeah, but if it's working, But is it working?

470
00:22:00,520 --> 00:22:01,400
Speaker 3: I mean he's put.

471
00:22:01,240 --> 00:22:04,920
Speaker 7: Out some albums that had some pretty cool songs from big,

472
00:22:05,000 --> 00:22:06,200
Speaker 7: big name artists.

473
00:22:06,320 --> 00:22:08,439
Speaker 5: If we're talking about I mean before yeah, I'm just

474
00:22:08,440 --> 00:22:11,399
Speaker 5: talking the last one, the last one, like Major.

475
00:22:11,200 --> 00:22:13,119
Speaker 4: Key is fired. To me, I changed a lot. As

476
00:22:13,119 --> 00:22:15,480
Speaker 4: great suffer from success. I love we the best forever,

477
00:22:15,560 --> 00:22:18,200
Speaker 4: Like Kalid has great albums. I'm no way sitting here

478
00:22:18,240 --> 00:22:23,040
Speaker 4: even a father of a I pronounce his sons last night.

479
00:22:23,040 --> 00:22:23,320
Speaker 3: Inside.

480
00:22:23,359 --> 00:22:25,840
Speaker 4: Yeah, I didn't want to be dispectful. I loved from

481
00:22:25,960 --> 00:22:28,600
Speaker 4: Kalid Khalid to God did it started to feel a

482
00:22:28,600 --> 00:22:32,760
Speaker 4: little weird. It's just getting too redundant, and he's a

483
00:22:32,800 --> 00:22:36,040
Speaker 4: brilliant marketer. So people are going to continue to pay attention,

484
00:22:37,280 --> 00:22:38,639
Speaker 4: but it's kind of a waste.

485
00:22:39,240 --> 00:22:42,760
Speaker 7: So do we think that Kaled completely pushes the project back?

486
00:22:43,320 --> 00:22:46,120
Speaker 7: Is he trying to scramble to get to replace those

487
00:22:46,119 --> 00:22:46,760
Speaker 7: two records?

488
00:22:49,680 --> 00:22:50,880
Speaker 6: I don't think he pushes it back.

489
00:22:50,920 --> 00:22:54,280
Speaker 4: I think Kalid can eat let me decide, I can't speak.

490
00:22:54,359 --> 00:22:55,160
Speaker 4: Let me not say.

491
00:22:55,000 --> 00:22:55,960
Speaker 6: Easily replace it.

492
00:22:56,000 --> 00:22:59,720
Speaker 4: But he had two Drake records on God did one

493
00:22:59,720 --> 00:23:01,199
Speaker 4: of them he could have kept. It was like an

494
00:23:01,240 --> 00:23:04,240
Speaker 4: intro that clearly like was just left on Drake's hard drive,

495
00:23:04,320 --> 00:23:06,680
Speaker 4: like you could have just left that that wasn't worth it.

496
00:23:06,920 --> 00:23:09,359
Speaker 4: So I'm not saying that these two Drake records that

497
00:23:09,359 --> 00:23:11,920
Speaker 4: he thought he had were too smashes, because we've seen

498
00:23:11,960 --> 00:23:13,439
Speaker 4: him have two Drake records and one of them was

499
00:23:13,560 --> 00:23:16,920
Speaker 4: a fucking waist. And I also didn't like the single,

500
00:23:17,320 --> 00:23:19,680
Speaker 4: So I don't know if they're the top tier Drake records.

501
00:23:19,680 --> 00:23:22,159
Speaker 4: I don't know what's the flip that he did with

502
00:23:22,240 --> 00:23:25,359
Speaker 4: the two short record you mean for free Yeah, for

503
00:23:25,440 --> 00:23:28,400
Speaker 4: Freezer smash, No New Friends smash?

504
00:23:28,520 --> 00:23:29,080
Speaker 6: What's the other one?

505
00:23:29,119 --> 00:23:30,840
Speaker 4: When Drake and Forty got a ten but then they

506
00:23:30,840 --> 00:23:34,600
Speaker 4: went back to work smashes. Drake and Khaled have fucking

507
00:23:34,640 --> 00:23:38,760
Speaker 4: smashes together, but as of recent like No Secret that started,

508
00:23:38,800 --> 00:23:44,359
Speaker 4: God did throw Away, Staying Alive, absolute fucking trash. Yeah,

509
00:23:44,520 --> 00:23:46,560
Speaker 4: So I don't I'm not that confident that these two

510
00:23:46,640 --> 00:23:49,639
Speaker 4: Drake records needed to even be on this project, So

511
00:23:49,640 --> 00:23:52,399
Speaker 4: I think Kaled can replace those quickly. I think he

512
00:23:52,440 --> 00:23:55,400
Speaker 4: could still be on par Also, this is gonna sound

513
00:23:55,400 --> 00:23:58,280
Speaker 4: crazy as a whole venger. I don't know what the

514
00:23:58,320 --> 00:24:03,080
Speaker 4: whole feature on the Kalid album does anymore. I'm gonna

515
00:24:03,119 --> 00:24:04,879
Speaker 4: run to it. Of course, people always want to hear

516
00:24:04,960 --> 00:24:08,080
Speaker 4: jay Z, but it's not that crazy moment that it

517
00:24:08,240 --> 00:24:11,200
Speaker 4: was in the past. It's not even getting like now

518
00:24:11,200 --> 00:24:13,119
Speaker 4: we know we're getting the Jay shit every single time.

519
00:24:14,000 --> 00:24:18,240
Speaker 4: But is that much of a moment for the Kalid

520
00:24:18,280 --> 00:24:20,560
Speaker 4: album when they used to have way crazier moments?

521
00:24:20,880 --> 00:24:23,560
Speaker 7: Yeah, but you know, the Kaleit's albums are based on

522
00:24:24,200 --> 00:24:27,640
Speaker 7: the names, the features, because now you're trying to guess

523
00:24:27,720 --> 00:24:29,520
Speaker 7: or what does that song sound like? He has a

524
00:24:29,600 --> 00:24:32,280
Speaker 7: new Jay Verse, what is Jay rapping about? Who else

525
00:24:32,320 --> 00:24:35,080
Speaker 7: is on the song with Jay? The solo Jay record?

526
00:24:35,200 --> 00:24:37,639
Speaker 7: He has a song with Rihanna? What does that sound like?

527
00:24:37,720 --> 00:24:39,360
Speaker 7: She hasn't put out anything, you know, I mean like.

528
00:24:39,359 --> 00:24:40,000
Speaker 6: He gets Rihanna.

529
00:24:40,040 --> 00:24:43,160
Speaker 4: That's a huge moment to me. That's way bigger than anything.

530
00:24:43,160 --> 00:24:46,040
Speaker 4: But as we're talking about music that's coming out, Rihanna

531
00:24:46,160 --> 00:24:49,639
Speaker 4: just teased that she may be on the Smurf soundtrack.

532
00:24:51,400 --> 00:24:52,320
Speaker 6: I don't know if she's doing.

533
00:24:52,440 --> 00:24:53,879
Speaker 4: I mean, you guys can give you my flowers on

534
00:24:53,920 --> 00:24:57,720
Speaker 4: my twenty twenty five predictions. I think Rihanna's gonna tease

535
00:24:57,800 --> 00:25:00,000
Speaker 4: music with the Smurfs, give us one record this year

536
00:25:00,160 --> 00:25:01,640
Speaker 4: to make it seem like she's back in the music,

537
00:25:01,640 --> 00:25:03,200
Speaker 4: and then not give us anything else. I don't know

538
00:25:03,240 --> 00:25:05,480
Speaker 4: if she's definitely on the Kalid album and it's gonna

539
00:25:05,480 --> 00:25:07,160
Speaker 4: sound like, hey, I promise you it's not. I don't

540
00:25:07,160 --> 00:25:09,399
Speaker 4: know if Rihanna's coming back to music for Dj Khaled,

541
00:25:11,880 --> 00:25:16,680
Speaker 4: I mean she's I could be completely across my forehead

542
00:25:16,720 --> 00:25:18,720
Speaker 4: when that's a smash with Kalad and Rihanna.

543
00:25:18,480 --> 00:25:20,879
Speaker 3: Put hater across. The last time she gave Kalid the record,

544
00:25:21,040 --> 00:25:23,080
Speaker 3: was it the Brice record? Yeah, that was a record.

545
00:25:23,200 --> 00:25:24,919
Speaker 5: And the last time she did a song was the

546
00:25:24,920 --> 00:25:26,480
Speaker 5: Black Panther to soundtrack.

547
00:25:29,000 --> 00:25:30,760
Speaker 4: I get it with the Smurf thing, and I know

548
00:25:30,880 --> 00:25:34,480
Speaker 4: Rock is heavily involved with the soundtrack, Like I see that.

549
00:25:34,600 --> 00:25:37,879
Speaker 4: I don't know if she's doubling up on the Calid.

550
00:25:38,800 --> 00:25:40,639
Speaker 4: They have a good track record, so I would like

551
00:25:40,680 --> 00:25:42,560
Speaker 4: to see it. I'm not sitting here saying like I

552
00:25:42,600 --> 00:25:45,080
Speaker 4: don't want Kalid and Rihanna put some shit together.

553
00:25:45,119 --> 00:25:50,200
Speaker 3: So the of Rihanna feature before Calid, Yes, okay, all right.

554
00:25:50,080 --> 00:25:52,200
Speaker 7: Well we'll have to see either way, they all scrambling

555
00:25:52,200 --> 00:25:54,119
Speaker 7: over there, and everything has to change as a result

556
00:25:54,480 --> 00:25:56,440
Speaker 7: of Drake commenting.

557
00:25:56,560 --> 00:25:57,800
Speaker 3: Must be Drake Bell.

558
00:25:58,000 --> 00:26:01,920
Speaker 7: So now that that one little comment has completely shifted

559
00:26:01,960 --> 00:26:03,000
Speaker 7: the entire building.

560
00:26:02,680 --> 00:26:04,159
Speaker 4: Over there, I think he should have leaned into it,

561
00:26:04,240 --> 00:26:06,000
Speaker 4: left it up, and then put Drake Bell on the

562
00:26:06,040 --> 00:26:10,080
Speaker 4: project lights like Drake could have done the interless.

563
00:26:10,080 --> 00:26:12,000
Speaker 7: I don't know if that hits the same, but I

564
00:26:12,040 --> 00:26:13,840
Speaker 7: don't know if cal it was if he felt like

565
00:26:13,840 --> 00:26:15,119
Speaker 7: that would be a good replacement.

566
00:26:15,160 --> 00:26:17,800
Speaker 5: But is there a chance that Drake's fucking.

567
00:26:17,440 --> 00:26:19,679
Speaker 3: With him as far as well.

568
00:26:19,560 --> 00:26:21,760
Speaker 5: That like Drake's like, like, is it is it? Is

569
00:26:21,800 --> 00:26:23,800
Speaker 5: there a chance that that's a I don't want to

570
00:26:23,840 --> 00:26:27,280
Speaker 5: say roll out thing, but that like Drake's just like

571
00:26:27,920 --> 00:26:28,440
Speaker 5: fucking with.

572
00:26:28,440 --> 00:26:32,320
Speaker 3: Him, like like I'm just joking ship yeah, fuck though though,

573
00:26:32,359 --> 00:26:34,639
Speaker 3: And those songs will not be on the album.

574
00:26:34,880 --> 00:26:36,680
Speaker 5: And that's coming I'm asking is that coming from your

575
00:26:37,440 --> 00:26:38,960
Speaker 5: your predictions are insider knowledge?

576
00:26:38,960 --> 00:26:41,159
Speaker 3: I gotta ask. I'm never speaking from inside of knowledge.

577
00:26:41,440 --> 00:26:43,399
Speaker 6: Cool, I have none of that.

578
00:26:43,480 --> 00:26:45,440
Speaker 4: But I think it's pretty sick to assume Drake was

579
00:26:45,480 --> 00:26:47,960
Speaker 4: not joking, like that's I don't think this is a

580
00:26:47,960 --> 00:26:51,280
Speaker 4: funny rollout. Drake was just on stage with smoke coming

581
00:26:51,320 --> 00:26:53,879
Speaker 4: out of his back for a three hour set. I

582
00:26:53,880 --> 00:26:56,560
Speaker 4: don't think he's playing. I think he's actually like really upset.

583
00:26:56,880 --> 00:26:58,200
Speaker 3: So that's nobody.

584
00:26:58,280 --> 00:26:59,720
Speaker 4: He had steam coming out of him and it was

585
00:27:00,040 --> 00:27:01,960
Speaker 4: even through a smoke machine. That shit comeing out as

586
00:27:01,960 --> 00:27:02,959
Speaker 4: bullet pro vests was from it.

587
00:27:03,040 --> 00:27:05,840
Speaker 3: I was really like his steam. That's yeah, he's not furious.

588
00:27:06,080 --> 00:27:08,719
Speaker 7: It's over anybody that thought they was getting the Drake feature,

589
00:27:09,000 --> 00:27:10,280
Speaker 7: it's over for that shit.

590
00:27:11,080 --> 00:27:11,840
Speaker 6: I think it's smart too.

591
00:27:11,880 --> 00:27:15,160
Speaker 4: Let's say Kaladin Drake had a good relationship right now,

592
00:27:15,760 --> 00:27:17,440
Speaker 4: same thing he did with French. I don't think it's

593
00:27:17,440 --> 00:27:19,879
Speaker 4: a good time for this verse. Everything I do right

594
00:27:19,920 --> 00:27:23,760
Speaker 4: now is super important. Yeah, just two records I gave

595
00:27:23,760 --> 00:27:26,000
Speaker 4: you in twenty twenty two, twenty twenty three. No, you're

596
00:27:26,040 --> 00:27:27,560
Speaker 4: not putting those out in twenty twenty five.

597
00:27:27,760 --> 00:27:30,800
Speaker 7: Yeah, but I think that don't you've put up Musically.

598
00:27:30,800 --> 00:27:34,879
Speaker 7: I think that anybody in me understands that they know, Like,

599
00:27:34,960 --> 00:27:39,159
Speaker 7: if if an artist is completely doing something totally different,

600
00:27:39,200 --> 00:27:41,240
Speaker 7: you haven't spoken to him, and I don't know how long.

601
00:27:41,880 --> 00:27:44,840
Speaker 7: I just don't understand how you just assume that it's

602
00:27:44,920 --> 00:27:47,639
Speaker 7: okay to just say, I have these two records on

603
00:27:47,640 --> 00:27:51,359
Speaker 7: my own, like you, I really don't understand how Calen

604
00:27:51,400 --> 00:27:52,520
Speaker 7: and his team made that mistake.

605
00:27:52,840 --> 00:27:54,200
Speaker 3: I don't don't. I don't get it.

606
00:27:53,800 --> 00:27:56,080
Speaker 7: I think they was hoping, like I think they knew

607
00:27:56,080 --> 00:27:59,639
Speaker 7: going into it, like damn having spoken to him a

608
00:27:59,640 --> 00:28:01,440
Speaker 7: little right now he's on tour.

609
00:28:02,840 --> 00:28:04,240
Speaker 3: Fuck it, let me just throw that out there and

610
00:28:04,280 --> 00:28:05,240
Speaker 3: see what he says.

611
00:28:05,280 --> 00:28:07,000
Speaker 4: And it was like that one time an artist hadn't

612
00:28:07,000 --> 00:28:08,600
Speaker 4: spoken to in a really long time that we did

613
00:28:08,600 --> 00:28:11,600
Speaker 4: a record, text me and said, hey, that record we

614
00:28:11,640 --> 00:28:13,560
Speaker 4: did a few years ago. I sent it to Justin Bieber.

615
00:28:13,600 --> 00:28:16,119
Speaker 4: I said, who, First of all, Hello, how are you?

616
00:28:16,720 --> 00:28:20,280
Speaker 4: It's been a long time. No, that's not your song.

617
00:28:21,359 --> 00:28:23,320
Speaker 4: You're not gonna impress me with the Justin Bieber drop.

618
00:28:23,320 --> 00:28:26,560
Speaker 4: I'm putting that song out and yeah, we have not

619
00:28:26,600 --> 00:28:28,560
Speaker 4: smoken at all. What made you think you could.

620
00:28:28,400 --> 00:28:28,720
Speaker 3: Go do that?

621
00:28:28,960 --> 00:28:31,879
Speaker 7: Yeah, it's just it's crazy that people people that are

622
00:28:32,040 --> 00:28:35,080
Speaker 7: in the industry. It's crazy that people that in the

623
00:28:35,200 --> 00:28:38,200
Speaker 7: industry will make a mistake like that. Though, like they know, because.

624
00:28:38,000 --> 00:28:40,880
Speaker 3: Kalin knows somebody couldn't do that to him. Somebody can.

625
00:28:41,200 --> 00:28:43,120
Speaker 7: Like you all got these two Kalid songs on my

626
00:28:43,160 --> 00:28:46,920
Speaker 7: album and what we haven't spoken in I don't know

627
00:28:47,000 --> 00:28:47,920
Speaker 7: how long, Like no you don't.

628
00:28:48,120 --> 00:28:49,959
Speaker 6: Yeah, I mean we'll see.

629
00:28:50,400 --> 00:28:54,040
Speaker 4: But outside of having to battle with Khalid for the

630
00:28:54,120 --> 00:28:57,200
Speaker 4: King of Compilations, now I gotta I gotta battle with

631
00:28:57,280 --> 00:28:58,000
Speaker 4: Kiss today too.

632
00:28:59,040 --> 00:29:02,040
Speaker 5: It's like the Friday Pallations. That's who you should have

633
00:29:02,040 --> 00:29:05,840
Speaker 5: linked with Ki Kith. Yeah, they make me.

634
00:29:05,920 --> 00:29:07,560
Speaker 4: They don't even give me the friends and family anymore.

635
00:29:07,560 --> 00:29:08,240
Speaker 4: I paid full price.

636
00:29:08,280 --> 00:29:08,800
Speaker 3: Man. Fuck that.

637
00:29:10,400 --> 00:29:13,320
Speaker 4: Shots to Kiff and Ronnie. Congrats on the new location.

638
00:29:13,800 --> 00:29:16,520
Speaker 4: That was my favorite, uh, Creighton Barrel. So fuck y'all,

639
00:29:18,000 --> 00:29:19,560
Speaker 4: no one was I the only one that this is

640
00:29:19,560 --> 00:29:23,160
Speaker 4: too local? I'm sorry. Yeah, they moved Kith to my favorite,

641
00:29:23,400 --> 00:29:25,480
Speaker 4: Creighton Berrel. They got Creighton Barrel the fuck out of there.

642
00:29:25,920 --> 00:29:29,160
Speaker 4: Which Creighton Barrel and soho it's going. It was the

643
00:29:29,200 --> 00:29:31,000
Speaker 4: best one in the in the country. It was the

644
00:29:31,000 --> 00:29:32,960
Speaker 4: best one. Yeah.

645
00:29:33,560 --> 00:29:33,960
Speaker 3: Wow.

646
00:29:34,760 --> 00:29:38,800
Speaker 4: And I love that Kith is continuing to prosper and

647
00:29:38,840 --> 00:29:42,160
Speaker 4: it's seventeen floors. But like that was that was the

648
00:29:42,280 --> 00:29:46,640
Speaker 4: Creighton Barrel. Yeah, but either way, Kith Records launched, which

649
00:29:46,640 --> 00:29:48,760
Speaker 4: we saw some press release about that before they put

650
00:29:48,760 --> 00:29:52,200
Speaker 4: out their first record, produced by Scott Storch with Fab

651
00:29:52,320 --> 00:29:55,640
Speaker 4: in Jadakiss video by Hype Williams. Congrats to Rannie. I

652
00:29:55,640 --> 00:29:59,320
Speaker 4: love the record. I think it's fire. I will say

653
00:29:59,520 --> 00:30:02,280
Speaker 4: as a music fan, I was a little worried about

654
00:30:02,320 --> 00:30:04,000
Speaker 4: what Kith Records was going to be and if this

655
00:30:04,120 --> 00:30:08,000
Speaker 4: was just a gimmick to make like merch, which I get,

656
00:30:08,000 --> 00:30:10,640
Speaker 4: I'd probably buy it too. Give me some vinyl Kiss shit,

657
00:30:10,800 --> 00:30:13,400
Speaker 4: I'm there. But I like the record a lot. You

658
00:30:13,400 --> 00:30:16,560
Speaker 4: can't really go wrong with Scott Storch, keys, Fab and Kiss.

659
00:30:16,640 --> 00:30:18,880
Speaker 7: So yeah, there's no that's a beautiful LP. Yeah, that's

660
00:30:19,200 --> 00:30:22,240
Speaker 7: an easy, easy call anytime you get Kissing Fab to

661
00:30:22,400 --> 00:30:24,840
Speaker 7: just you know, lay some balls on a beat like this,

662
00:30:25,040 --> 00:30:27,520
Speaker 7: I mean it's not that not that hard to understand.

663
00:30:27,560 --> 00:30:30,160
Speaker 7: And they're talking about just getting fly away and shit

664
00:30:30,360 --> 00:30:32,680
Speaker 7: like there's nothing you know that's that's an easy call

665
00:30:32,720 --> 00:30:33,560
Speaker 7: for Kissing Fab.

666
00:30:33,640 --> 00:30:36,040
Speaker 6: What do you think the first Kiss album looks like?

667
00:30:36,520 --> 00:30:40,200
Speaker 3: Off Kids Records. I think they lean more into stuff

668
00:30:40,240 --> 00:30:40,440
Speaker 3: like this.

669
00:30:41,000 --> 00:30:44,000
Speaker 7: I think they'll probably do some cool shit around like drops,

670
00:30:44,040 --> 00:30:47,400
Speaker 7: like different Kiss drops, release a song with the drop,

671
00:30:47,800 --> 00:30:48,240
Speaker 7: things like that.

672
00:30:48,280 --> 00:30:50,400
Speaker 3: I think it's pretty cool what they're doing. The creative

673
00:30:50,400 --> 00:30:51,040
Speaker 3: team over there.

674
00:30:51,200 --> 00:30:54,640
Speaker 4: Does he stay you know, because Ronnie put like a

675
00:30:54,680 --> 00:30:57,760
Speaker 4: whole thing about how the record came together and obviously

676
00:30:57,800 --> 00:31:00,000
Speaker 4: his you know, him being from Queens and his tie

677
00:31:00,160 --> 00:31:01,719
Speaker 4: to New York, And does he stay in the New

678
00:31:01,800 --> 00:31:04,280
Speaker 4: York boom bab shit with Kiff Records or do we think,

679
00:31:05,040 --> 00:31:08,960
Speaker 4: like I've seen host Malone in there before. Do you

680
00:31:08,960 --> 00:31:10,600
Speaker 4: think his investors are going to be like, maybe we

681
00:31:10,600 --> 00:31:11,520
Speaker 4: should go get Chappelle.

682
00:31:11,560 --> 00:31:16,000
Speaker 7: Ron I don't see it. I just don't see h Yeah, Chapel,

683
00:31:16,080 --> 00:31:17,400
Speaker 7: I don't see I don't see the.

684
00:31:17,800 --> 00:31:18,680
Speaker 4: Mother nighbor Chappelle.

685
00:31:18,840 --> 00:31:20,280
Speaker 7: I think he keeps it. I think he keeps it

686
00:31:20,320 --> 00:31:22,000
Speaker 7: like this. I think he keeps it true to what

687
00:31:22,120 --> 00:31:25,360
Speaker 7: Kith is. I don't think that he starts reaching for like,

688
00:31:25,600 --> 00:31:29,320
Speaker 7: you know, the super pop acts. I think he keeps it.

689
00:31:29,360 --> 00:31:32,240
Speaker 7: I think he keeps it Kith. This feels original. This

690
00:31:32,280 --> 00:31:36,320
Speaker 7: feels like original Kiff type of energy. Fab obviously has

691
00:31:36,360 --> 00:31:39,880
Speaker 7: a relationship with kiv Jade as well. They've done the

692
00:31:39,920 --> 00:31:42,680
Speaker 7: Knicks drops with the Locks. Yeah, full of Kiff stuff

693
00:31:42,720 --> 00:31:46,120
Speaker 7: like that. I think that's too well. With the dip set,

694
00:31:46,120 --> 00:31:47,480
Speaker 7: it's a little different right now, the era, but it

695
00:31:47,520 --> 00:31:48,480
Speaker 7: is a little different.

696
00:31:48,760 --> 00:31:52,520
Speaker 4: Ronnie has enough money to get them back together with

697
00:31:52,600 --> 00:31:56,360
Speaker 4: a feature for Mace, all right, because Dip said, we've

698
00:31:56,560 --> 00:31:59,320
Speaker 4: we've seen even them post locks battle.

699
00:31:59,400 --> 00:32:01,400
Speaker 7: You mean to tell me you think that Ronnie fig

700
00:32:02,280 --> 00:32:06,560
Speaker 7: is gonna get Jim Jones and Cameron on a song

701
00:32:06,720 --> 00:32:07,480
Speaker 7: together with.

702
00:32:07,480 --> 00:32:09,760
Speaker 6: Mace and Andrews and shoot it.

703
00:32:09,840 --> 00:32:15,320
Speaker 4: And like, I think he has enough money for them

704
00:32:15,320 --> 00:32:18,360
Speaker 4: to agree to do it, because even watching Cam post

705
00:32:18,440 --> 00:32:21,560
Speaker 4: versus Jim post versus, they were all not in a

706
00:32:21,600 --> 00:32:27,239
Speaker 4: great place for versus be not a great place with things,

707
00:32:27,280 --> 00:32:29,320
Speaker 4: and they have said we'll just do this because of

708
00:32:29,360 --> 00:32:29,680
Speaker 4: the bread.

709
00:32:30,120 --> 00:32:30,600
Speaker 3: It's different.

710
00:32:30,640 --> 00:32:31,600
Speaker 6: We are business at.

711
00:32:31,480 --> 00:32:32,960
Speaker 4: The end of the day. We can squash the ship

712
00:32:33,000 --> 00:32:34,680
Speaker 4: and not we'll be in separate green rooms.

713
00:32:34,840 --> 00:32:36,080
Speaker 3: It's different right now.

714
00:32:36,240 --> 00:32:39,000
Speaker 7: It's extremely different, coming coming out of the verses and

715
00:32:39,120 --> 00:32:41,520
Speaker 7: coming out of what they're going through right now, two

716
00:32:41,560 --> 00:32:43,000
Speaker 7: totally different energies.

717
00:32:43,120 --> 00:32:43,320
Speaker 5: Yeah.

718
00:32:43,360 --> 00:32:45,840
Speaker 4: Man, I've just seen Jim Jones and Compton.

719
00:32:45,880 --> 00:32:49,080
Speaker 6: I was like, oh, yes, Ronnie, Ronnie get kid.

720
00:32:49,160 --> 00:32:50,040
Speaker 3: What you talk about.

721
00:32:50,280 --> 00:32:52,000
Speaker 7: Ronnie is not going to be the guy that gets

722
00:32:52,080 --> 00:32:54,240
Speaker 7: Jim and Cam and Mace on a song.

723
00:32:54,280 --> 00:32:55,520
Speaker 6: I'm not saying it would be Ronnie.

724
00:32:55,760 --> 00:32:58,240
Speaker 4: He would have the amount of money I'm saying the

725
00:32:58,360 --> 00:32:59,920
Speaker 4: right number would get them all back to.

726
00:33:00,280 --> 00:33:03,560
Speaker 3: I don't think so. I don't think so. I don't

727
00:33:03,560 --> 00:33:03,880
Speaker 3: think so.

728
00:33:04,800 --> 00:33:08,360
Speaker 4: Nah, Jim and Cam are both businessmen that I think

729
00:33:08,520 --> 00:33:11,560
Speaker 4: right to the side, for which I think is fine, Like,

730
00:33:11,600 --> 00:33:13,480
Speaker 4: all right, look, we a group, we got a legacy,

731
00:33:13,800 --> 00:33:15,800
Speaker 4: we could work together for the right price, and most

732
00:33:15,800 --> 00:33:18,960
Speaker 4: stay in separate green rooms. Fife and Tip did it

733
00:33:18,960 --> 00:33:20,880
Speaker 4: for years? Did it rock the bells for like six

734
00:33:20,960 --> 00:33:22,840
Speaker 4: years and hate each other? Yeah, but that's not but

735
00:33:22,840 --> 00:33:23,960
Speaker 4: they was dancing.

736
00:33:24,080 --> 00:33:26,840
Speaker 7: But fight and Tip is they never fell out publicly

737
00:33:26,960 --> 00:33:30,360
Speaker 7: like Cam and Jim have. Yeah, this this last fallout,

738
00:33:30,440 --> 00:33:33,840
Speaker 7: this was like very very personal, Like it's not Michael

739
00:33:33,880 --> 00:33:35,720
Speaker 7: Rappaport got a hold of it. It's it's a little

740
00:33:35,720 --> 00:33:37,760
Speaker 7: different now. And I don't I'm just saying I don't

741
00:33:37,760 --> 00:33:39,360
Speaker 7: think Ronnie is a god that's gonna fix that.

742
00:33:39,920 --> 00:33:42,040
Speaker 4: Would you sign to Kith Records?

743
00:33:42,520 --> 00:33:43,760
Speaker 3: Would I sign the Kith Records?

744
00:33:43,880 --> 00:33:46,120
Speaker 4: If you were an up and coming artist put yourself

745
00:33:46,120 --> 00:33:48,160
Speaker 4: in that. She's not mall like a young artist from

746
00:33:48,160 --> 00:33:54,120
Speaker 4: New York anywhere. Maybe I'd have to see the infrastructure.

747
00:33:54,360 --> 00:33:57,320
Speaker 7: Yeah, I mean yeah, but who's doing my marketing?

748
00:33:57,400 --> 00:33:57,600
Speaker 3: Yeah?

749
00:33:57,640 --> 00:33:59,280
Speaker 7: But I'm just saying if you're if you're young and

750
00:33:59,320 --> 00:34:01,040
Speaker 7: you don't know any better and you just know the

751
00:34:01,120 --> 00:34:03,560
Speaker 7: Kith brand. Yeah, And they came and was like, Yo,

752
00:34:03,600 --> 00:34:04,800
Speaker 7: we want to sign you want to do it? I

753
00:34:04,840 --> 00:34:06,600
Speaker 7: put an album out on you. I could see a

754
00:34:06,600 --> 00:34:09,360
Speaker 7: young artist taking that, absolutely.

755
00:34:09,120 --> 00:34:09,520
Speaker 4: I get it.

756
00:34:09,520 --> 00:34:11,080
Speaker 6: But I think every young don't try to pay me

757
00:34:11,080 --> 00:34:12,520
Speaker 6: a Kith though, oh you know that.

758
00:34:12,600 --> 00:34:13,040
Speaker 3: Yeah you're not.

759
00:34:13,080 --> 00:34:14,919
Speaker 7: Don't pay me a Kith. Don't give me every drop

760
00:34:14,960 --> 00:34:17,080
Speaker 7: before it drops and all that. I don't care about that.

761
00:34:17,360 --> 00:34:20,520
Speaker 4: If they're doing the Kith compilation album, Ronnie, I think

762
00:34:20,520 --> 00:34:22,160
Speaker 4: you owe it to Dixon to put him on there.

763
00:34:23,000 --> 00:34:25,200
Speaker 4: Shout out to Dixon where he worked at Kith. He

764
00:34:25,360 --> 00:34:28,719
Speaker 4: is he won what fucking seven Grammys yesterday? Three like

765
00:34:29,680 --> 00:34:33,759
Speaker 4: shout out, shout talented musicians in the industry right now

766
00:34:34,640 --> 00:34:35,359
Speaker 4: worked at Kith.

767
00:34:35,520 --> 00:34:36,279
Speaker 6: He better be on.

768
00:34:36,239 --> 00:34:39,440
Speaker 4: That that Kith the compilation. I'm gonna be tight. And

769
00:34:39,480 --> 00:34:41,440
Speaker 4: I understand Scott Storge is a legend, But Ronnie, you

770
00:34:41,520 --> 00:34:43,000
Speaker 4: need some You need some Dixon beats.

771
00:34:43,239 --> 00:34:44,480
Speaker 3: You might not be able to afford him.

772
00:34:44,480 --> 00:34:47,080
Speaker 5: You got an Album of the Year Grammy.

773
00:34:47,320 --> 00:34:48,840
Speaker 3: He might not be able to afford Dixon, but he

774
00:34:48,880 --> 00:34:50,400
Speaker 3: has Scott Storch.

775
00:34:51,200 --> 00:34:53,400
Speaker 4: But Scott like the debt that he's in.

776
00:34:53,520 --> 00:34:56,479
Speaker 7: Scott is like, oh, he talking about something totally different.

777
00:34:56,760 --> 00:34:58,759
Speaker 7: I'm not getting people's pockets. I ain't doing that. I

778
00:34:59,640 --> 00:35:01,280
Speaker 7: don't know was going over with Scott.

779
00:35:01,440 --> 00:35:05,080
Speaker 4: Scott one of my favorite producers legend. I watched all

780
00:35:05,080 --> 00:35:07,320
Speaker 4: his interviews. That's why I know he blew one hundred

781
00:35:07,320 --> 00:35:12,360
Speaker 4: and twenty million dollars in six months. Like yeah, he'll.

782
00:35:11,200 --> 00:35:13,799
Speaker 6: Tell you now, just put a camera in front of him.

783
00:35:13,800 --> 00:35:17,080
Speaker 4: You know, I need some money. Love to see that

784
00:35:17,120 --> 00:35:20,040
Speaker 4: Scott is sober and doing much better, and he's he

785
00:35:20,080 --> 00:35:22,760
Speaker 4: put out some great music with Russ Like Scott Sorts

786
00:35:22,760 --> 00:35:25,719
Speaker 4: has quietly been been working. Yeah, I like to see

787
00:35:25,719 --> 00:35:30,440
Speaker 4: that we can stay on new music. I don't want

788
00:35:30,440 --> 00:35:33,279
Speaker 4: to get mall like two rouled up. You know what,

789
00:35:33,280 --> 00:35:36,040
Speaker 4: I'm gonna get rid up with you man. I'd love Wayne,

790
00:35:36,040 --> 00:35:38,120
Speaker 4: but I don't think he was right for this Tweaker remix.

791
00:35:38,560 --> 00:35:39,560
Speaker 4: It feels lazy.

792
00:35:40,400 --> 00:35:42,600
Speaker 7: I think, why wasn't he It sounds like a fucking

793
00:35:42,680 --> 00:35:44,880
Speaker 7: chat GBT Hot Boys record. I've been telling y'all that,

794
00:35:45,200 --> 00:35:46,759
Speaker 7: now he does a fucking remix with one of the

795
00:35:46,800 --> 00:35:49,200
Speaker 7: original Hot Boys it and it doesn't sound right.

796
00:35:49,920 --> 00:35:53,319
Speaker 6: It would be talking about obvious like, yes it is.

797
00:35:53,520 --> 00:35:57,399
Speaker 4: It would have been cooler with either a younger act

798
00:35:57,600 --> 00:36:00,439
Speaker 4: or all the way left legacy like Annelly or someone

799
00:36:00,480 --> 00:36:05,120
Speaker 4: like that like Wayne. Features on everyone's ship it's not

800
00:36:05,160 --> 00:36:08,480
Speaker 4: that big because Wayne is Wayne and always pops out

801
00:36:08,680 --> 00:36:10,600
Speaker 4: the past four years, I feel like he's had the

802
00:36:10,600 --> 00:36:12,200
Speaker 4: best features no matter what.

803
00:36:12,560 --> 00:36:15,239
Speaker 3: Okay, So with all that being said, why wouldn't Jello.

804
00:36:15,719 --> 00:36:17,800
Speaker 4: It's just it's too obvious.

805
00:36:17,840 --> 00:36:19,720
Speaker 5: Sometimes obvious ship works for everything.

806
00:36:20,360 --> 00:36:26,280
Speaker 6: This is my fucking opinion. This is my opinion.

807
00:36:28,040 --> 00:36:33,759
Speaker 4: Double is my mother fucking there you go, Demarus, do

808
00:36:34,239 --> 00:36:37,799
Speaker 4: help me talking to that that song that Gym and

809
00:36:37,800 --> 00:36:40,279
Speaker 4: Wayne wanted to get on the record, and Jello has

810
00:36:40,800 --> 00:36:44,360
Speaker 4: seven million dollars to recoup. It's Super Bowl weekend. Everyone's

811
00:36:44,360 --> 00:36:47,439
Speaker 4: looking at Wayne for an announcement. He does the fucking trailer. Yes,

812
00:36:47,680 --> 00:36:49,520
Speaker 4: it's great. Can I talk as a music fan for

813
00:36:49,520 --> 00:36:51,480
Speaker 4: once and not? I know, we just went through the

814
00:36:51,520 --> 00:36:54,479
Speaker 4: splits for the past hour with college shit. As a fan,

815
00:36:54,600 --> 00:36:56,680
Speaker 4: I would have liked to see some a cooler look

816
00:36:56,719 --> 00:36:58,640
Speaker 4: than that than the most obvious ship in the world.

817
00:36:58,719 --> 00:36:59,759
Speaker 3: I would have liked to see Nelly.

818
00:37:00,200 --> 00:37:02,919
Speaker 4: Nelly would have been amazing, but it's weird now because

819
00:37:03,080 --> 00:37:07,000
Speaker 4: you know, inauguration and like, but I feel like, uh,

820
00:37:07,080 --> 00:37:10,000
Speaker 4: nobody balls Pops voted for Trump for sure. The ball

821
00:37:10,040 --> 00:37:13,120
Speaker 4: the Ball household is definitely a Trump household without questions.

822
00:37:13,200 --> 00:37:14,840
Speaker 6: Yello voted for fucking Trump?

823
00:37:14,840 --> 00:37:15,600
Speaker 3: Are you kidding me?

824
00:37:16,200 --> 00:37:16,359
Speaker 4: Yeah?

825
00:37:16,400 --> 00:37:18,000
Speaker 6: Take it back. Nelly was the right.

826
00:37:17,840 --> 00:37:20,520
Speaker 5: One, so has the has the did they drop a

827
00:37:20,640 --> 00:37:21,560
Speaker 5: like a sample of it?

828
00:37:21,600 --> 00:37:23,160
Speaker 3: Like did it leak?

829
00:37:22,920 --> 00:37:23,920
Speaker 6: Oh, it's coming up.

830
00:37:23,920 --> 00:37:26,520
Speaker 4: Well when people are listening to this, it's out already,

831
00:37:26,680 --> 00:37:28,200
Speaker 4: but as we're recording, it's coming out of it.

832
00:37:28,239 --> 00:37:29,719
Speaker 7: But I just don't understand how you feel like it

833
00:37:29,800 --> 00:37:32,320
Speaker 7: just doesn't make sense when I told you that that's

834
00:37:32,760 --> 00:37:33,680
Speaker 7: the Hot Boys sound.

835
00:37:33,760 --> 00:37:35,280
Speaker 3: That record sounds like a Hot Boys.

836
00:37:35,120 --> 00:37:38,200
Speaker 4: Record, just the way of how it was viewed, of

837
00:37:38,239 --> 00:37:41,120
Speaker 4: how it it was an organic rollout, even if it

838
00:37:41,160 --> 00:37:43,239
Speaker 4: really wasn't, Like the snippets started in the back of

839
00:37:43,239 --> 00:37:45,480
Speaker 4: a car with a streamer, like it felt like a

840
00:37:45,480 --> 00:37:48,080
Speaker 4: really cool organic rollout, like, oh shit, this is actually

841
00:37:48,160 --> 00:37:50,880
Speaker 4: kind of good. Like what the fuck? This just feels

842
00:37:50,920 --> 00:37:53,879
Speaker 4: like a label here you go. I would have liked

843
00:37:54,040 --> 00:37:56,640
Speaker 4: a cooler, more organic way with the remix too.

844
00:37:57,440 --> 00:37:58,640
Speaker 3: So Nelly, instead of a little wing.

845
00:37:59,320 --> 00:38:00,279
Speaker 4: Ye think I would have cool?

846
00:38:00,640 --> 00:38:03,960
Speaker 3: You think that's organic? That could sound like a Nelly record.

847
00:38:03,680 --> 00:38:06,800
Speaker 4: Too, But Nelly doesn't like make music like that anymore.

848
00:38:06,880 --> 00:38:08,480
Speaker 4: That's why it would have been cool. I would have

849
00:38:08,480 --> 00:38:09,560
Speaker 4: stopped what I was doing.

850
00:38:09,600 --> 00:38:11,399
Speaker 5: It wouldn't have been I think organic is the wrong word.

851
00:38:11,440 --> 00:38:13,879
Speaker 5: I think you're looking for it more surprising. That would

852
00:38:13,880 --> 00:38:14,880
Speaker 5: have surprised you more.

853
00:38:14,760 --> 00:38:16,560
Speaker 4: The way the way I was like, Damn, I did

854
00:38:16,600 --> 00:38:18,240
Speaker 4: not know Jello like could make.

855
00:38:18,160 --> 00:38:21,200
Speaker 7: Music, I can promise you everybody at that label. But

856
00:38:21,360 --> 00:38:22,440
Speaker 7: even totally happy with.

857
00:38:22,440 --> 00:38:24,960
Speaker 3: Him getting little Wayne over there, I'm happy too.

858
00:38:25,000 --> 00:38:27,640
Speaker 4: I'm actually really really excited Wayne is gonna smoke that

859
00:38:28,080 --> 00:38:30,359
Speaker 4: mm hmm. But I mean I also could have seemed

860
00:38:30,360 --> 00:38:32,799
Speaker 4: more of like a young boy or them trying to

861
00:38:32,840 --> 00:38:35,480
Speaker 4: go with the younger route than Wayne.

862
00:38:35,560 --> 00:38:36,520
Speaker 3: One of the whyans.

863
00:38:36,960 --> 00:38:38,200
Speaker 4: I mean, I'm not gonna call them that.

864
00:38:39,080 --> 00:38:39,920
Speaker 3: You can't say why in?

865
00:38:40,160 --> 00:38:44,560
Speaker 6: No, you can't do acronyms.

866
00:38:44,040 --> 00:38:48,480
Speaker 5: Like no, why in he can't say that? No, wait

867
00:38:48,760 --> 00:38:51,320
Speaker 5: what he can't say the letter why in?

868
00:38:51,400 --> 00:38:53,360
Speaker 3: The letter in? You know what the end stands for?

869
00:38:53,480 --> 00:38:53,760
Speaker 8: Though?

870
00:38:54,400 --> 00:38:55,760
Speaker 3: Yo, fam all right, man.

871
00:38:55,719 --> 00:38:56,960
Speaker 6: It was like the time I didn't want to say this.

872
00:38:57,960 --> 00:39:01,200
Speaker 3: I don't know what the rules already fucking ridiculous.

873
00:39:01,760 --> 00:39:04,400
Speaker 4: It was because you know that there's to be Elliott's nickname,

874
00:39:04,760 --> 00:39:07,400
Speaker 4: but not what it stands for. It was yellow and

875
00:39:07,400 --> 00:39:09,440
Speaker 4: then that. And I saw mc search call him that

876
00:39:09,440 --> 00:39:10,359
Speaker 4: one time, and I was like, you.

877
00:39:10,280 --> 00:39:10,839
Speaker 6: Can do that.

878
00:39:12,080 --> 00:39:13,239
Speaker 3: I think you could say why in?

879
00:39:14,239 --> 00:39:16,759
Speaker 5: No, you will say why in if? Okay, So if

880
00:39:16,760 --> 00:39:19,160
Speaker 5: he was to call Elliott why n that makes sense.

881
00:39:19,160 --> 00:39:21,440
Speaker 5: Actually I've never called him that. I don't like that,

882
00:39:21,480 --> 00:39:22,200
Speaker 5: and I call him.

883
00:39:22,040 --> 00:39:26,960
Speaker 3: Elliott with two teas yo, I just don't know why in.

884
00:39:28,000 --> 00:39:30,200
Speaker 6: It feels like you're getting away with it. You're getting away.

885
00:39:30,200 --> 00:39:32,640
Speaker 3: We'll call it somebody a nigga. Y'all got this ship.

886
00:39:32,840 --> 00:39:35,640
Speaker 3: It's very this is out of good. This is the

887
00:39:35,680 --> 00:39:36,319
Speaker 3: way too out of here.

888
00:39:36,440 --> 00:39:38,800
Speaker 4: It's worse than to me, in my opinion, of people

889
00:39:38,840 --> 00:39:41,360
Speaker 4: of color, because now you're just getting away with saying.

890
00:39:41,920 --> 00:39:46,800
Speaker 6: To me, that's worse you're colop people of color, is way.

891
00:39:46,560 --> 00:39:47,440
Speaker 3: Worse than saying why in?

892
00:39:48,080 --> 00:39:49,400
Speaker 6: But you know what it stands.

893
00:39:49,239 --> 00:39:52,200
Speaker 5: Why why exactly? Why do you know what you're saying?

894
00:39:52,239 --> 00:39:53,880
Speaker 5: Why does it why does it not make sense to

895
00:39:53,960 --> 00:39:54,920
Speaker 5: people of color?

896
00:39:55,239 --> 00:39:55,520
Speaker 3: Yes?

897
00:39:55,800 --> 00:39:57,200
Speaker 6: Okay, but then where does that go work?

898
00:39:57,200 --> 00:39:59,360
Speaker 7: I might as well go outside and start fucking marching

899
00:39:59,360 --> 00:40:01,759
Speaker 7: and with fucking civil rights.

900
00:40:01,880 --> 00:40:03,600
Speaker 3: If somebody to say people of color over.

901
00:40:03,440 --> 00:40:06,160
Speaker 5: There, what No, because people of color doesn't just color

902
00:40:06,280 --> 00:40:09,520
Speaker 5: color black people. That's why it colors all of.

903
00:40:11,160 --> 00:40:11,200
Speaker 8: Me.

904
00:40:11,320 --> 00:40:13,799
Speaker 4: Always felt like a cheat code. When people can no

905
00:40:13,840 --> 00:40:16,120
Speaker 4: longer say colored people because that is offensive, they would

906
00:40:16,120 --> 00:40:16,919
Speaker 4: say people of color.

907
00:40:16,960 --> 00:40:18,000
Speaker 6: You're just like reversing.

908
00:40:18,080 --> 00:40:20,680
Speaker 5: It's still because colored people will used to be referred

909
00:40:20,680 --> 00:40:23,720
Speaker 5: to just black people. They to call them colors. That's different.

910
00:40:23,840 --> 00:40:26,799
Speaker 5: People of color means you're referring to all of the

911
00:40:26,800 --> 00:40:30,040
Speaker 5: people who are not white. So that's a whole array

912
00:40:30,080 --> 00:40:30,560
Speaker 5: of people.

913
00:40:30,560 --> 00:40:32,920
Speaker 3: But whyans ain't talking about none of that?

914
00:40:32,960 --> 00:40:33,200
Speaker 4: Ship?

915
00:40:33,520 --> 00:40:35,600
Speaker 5: Whyans literally means young nigga?

916
00:40:35,800 --> 00:40:38,200
Speaker 6: Yeah, but it's not. That's not just a blacks.

917
00:40:38,600 --> 00:40:39,279
Speaker 3: It's not young.

918
00:40:40,000 --> 00:40:43,400
Speaker 5: But it's not about who it's about. It's about nigga.

919
00:40:43,760 --> 00:40:45,040
Speaker 6: So is that what if a.

920
00:40:45,360 --> 00:40:46,960
Speaker 4: White kid came up to you and said what's up

921
00:40:47,000 --> 00:40:48,479
Speaker 4: and and you knew what it meant?

922
00:40:48,680 --> 00:40:50,520
Speaker 6: Like, come on, where we draw the line?

923
00:40:52,760 --> 00:40:55,840
Speaker 3: Because that's I'm like, what does that mean? Nigga?

924
00:40:55,920 --> 00:40:58,920
Speaker 5: And he can say nigga, that's what it means.

925
00:40:58,920 --> 00:40:59,440
Speaker 3: Okay.

926
00:41:00,280 --> 00:41:02,440
Speaker 5: Oh, but you also if you understand that you're you

927
00:41:02,520 --> 00:41:03,920
Speaker 5: are talking to the person who said that he was

928
00:41:03,920 --> 00:41:05,240
Speaker 5: okay with people being called niggas.

929
00:41:05,280 --> 00:41:08,360
Speaker 3: He said that on this podcast. You know where I'm from, Yeah.

930
00:41:08,120 --> 00:41:10,319
Speaker 5: We know up uptown where all the Spanish people say

931
00:41:10,400 --> 00:41:11,680
Speaker 5: nigga when they ain't got no big So.

932
00:41:11,680 --> 00:41:14,719
Speaker 7: You cool with that to make it okay? Nothing like

933
00:41:14,920 --> 00:41:16,839
Speaker 7: the fuck are we talking about? I was twenty twenty five.

934
00:41:17,040 --> 00:41:18,360
Speaker 7: You can be a man and a woman at the

935
00:41:18,360 --> 00:41:19,760
Speaker 7: same time, but you can't say why.

936
00:41:19,680 --> 00:41:22,680
Speaker 4: In I don't know how those two things connect.

937
00:41:22,800 --> 00:41:25,040
Speaker 6: The I was talking about why why did this get

938
00:41:25,040 --> 00:41:25,560
Speaker 6: brought up again?

939
00:41:25,600 --> 00:41:30,400
Speaker 4: What was I saying? Oh, a younger, a younger gentleman. Uh,

940
00:41:30,520 --> 00:41:34,080
Speaker 4: that could have featured d that's crazy to be a

941
00:41:35,080 --> 00:41:38,000
Speaker 4: younger gentleman that tends to crash out and kill people.

942
00:41:38,040 --> 00:41:40,720
Speaker 3: Oh my god, this world is fucking crazy.

943
00:41:42,600 --> 00:41:45,280
Speaker 4: Well, yes, I would have liked maybe a younger feature.

944
00:41:45,280 --> 00:41:47,279
Speaker 4: Either way, I'm here for it. Congress, you will not have.

945
00:41:47,200 --> 00:41:48,839
Speaker 5: Liked the younger feature because then you wouldn't have listened

946
00:41:48,880 --> 00:41:49,920
Speaker 5: to that ship stop.

947
00:41:50,719 --> 00:41:52,840
Speaker 4: You wouldn't have listened to I don't listen to the

948
00:41:52,920 --> 00:41:55,759
Speaker 4: Jello shit because I think it's some boombab shit that

949
00:41:55,840 --> 00:41:58,640
Speaker 4: I know I like it because of the melody.

950
00:41:59,320 --> 00:42:00,160
Speaker 6: That's what the younger rap.

951
00:42:00,280 --> 00:42:01,719
Speaker 5: Ye. But if he got an NB, a young boy

952
00:42:01,719 --> 00:42:03,800
Speaker 5: featuring it, if he got on that ship, it'd be

953
00:42:03,840 --> 00:42:05,920
Speaker 5: the greatest in the world. To me, Thug is not

954
00:42:05,960 --> 00:42:08,200
Speaker 5: a y n you said, I don't think anyone is.

955
00:42:09,000 --> 00:42:12,600
Speaker 5: You say younger? You not listening to one of the

956
00:42:12,640 --> 00:42:18,319
Speaker 5: little tiny niggas and him You're not? You would you

957
00:42:18,360 --> 00:42:20,280
Speaker 5: wouldn't have ranked, You wouldn't have ranted.

958
00:42:20,640 --> 00:42:23,560
Speaker 4: Okay, is Gunn are considered a younger artist?

959
00:42:23,600 --> 00:42:28,080
Speaker 3: Why did you put the e r? What we doing?

960
00:42:28,200 --> 00:42:28,359
Speaker 9: Man?

961
00:42:28,760 --> 00:42:30,359
Speaker 3: What the sound?

962
00:42:30,400 --> 00:42:30,680
Speaker 4: Proper?

963
00:42:31,120 --> 00:42:31,359
Speaker 1: Dog?

964
00:42:31,760 --> 00:42:34,720
Speaker 6: What I'm saying like, why did you get your gunner? Scout?

965
00:42:35,040 --> 00:42:37,040
Speaker 3: Was crazy? Like what?

966
00:42:38,160 --> 00:42:39,600
Speaker 5: I wouldn't want to hear Gunn on that?

967
00:42:39,600 --> 00:42:40,160
Speaker 3: That's not there?

968
00:42:40,880 --> 00:42:41,399
Speaker 6: You don't think?

969
00:42:41,880 --> 00:42:42,680
Speaker 3: Nah, I wouldn't.

970
00:42:43,640 --> 00:42:44,759
Speaker 6: All right, well, you know what.

971
00:42:44,880 --> 00:42:47,080
Speaker 5: The person who's on it is supposed to be on it.

972
00:42:47,560 --> 00:42:50,160
Speaker 4: I will admit that I am wrong in this entire thing.

973
00:42:50,160 --> 00:42:51,399
Speaker 4: And Wayne is Wayne is great.

974
00:42:51,600 --> 00:42:53,840
Speaker 3: Finally I have I have a favorite rapper.

975
00:42:53,880 --> 00:42:55,799
Speaker 6: Ever, No, it's not. I love Wayne. He's not my

976
00:42:55,800 --> 00:42:56,319
Speaker 6: favorite rapper.

977
00:42:56,360 --> 00:42:57,520
Speaker 3: He t your top five?

978
00:42:58,400 --> 00:43:00,279
Speaker 4: When have you ever heard me say that? Whene is

979
00:43:00,280 --> 00:43:01,719
Speaker 4: in my top five fairite rappers of all time.

980
00:43:02,040 --> 00:43:04,359
Speaker 7: You've never said Wayne was top five to you? No,

981
00:43:04,640 --> 00:43:06,000
Speaker 7: that's crazy that he's saying that.

982
00:43:06,040 --> 00:43:07,479
Speaker 3: Who your favorite? Who's your top five?

983
00:43:11,280 --> 00:43:13,800
Speaker 4: J nas fonte.

984
00:43:14,880 --> 00:43:17,239
Speaker 3: X Scarfix.

985
00:43:17,880 --> 00:43:20,359
Speaker 7: Nah, he keep capping Wayne is in his top five.

986
00:43:20,400 --> 00:43:23,040
Speaker 7: He capping ball Facing his top five. See, I'm not

987
00:43:23,120 --> 00:43:25,560
Speaker 7: twenty twenty five. I'm just I'm here for the lives with.

988
00:43:25,600 --> 00:43:26,120
Speaker 3: Cut the ship.

989
00:43:26,680 --> 00:43:28,960
Speaker 6: Wayne would probably end up in a seven or eight position.

990
00:43:29,080 --> 00:43:31,000
Speaker 3: Man, Wayne is in. You said Wayne was one of

991
00:43:31,000 --> 00:43:32,880
Speaker 3: your favorite rappers ever at one point?

992
00:43:33,320 --> 00:43:34,520
Speaker 6: At yeah one point.

993
00:43:34,719 --> 00:43:35,440
Speaker 3: Not of all time?

994
00:43:35,560 --> 00:43:36,439
Speaker 6: Yeah, not of all time.

995
00:43:36,560 --> 00:43:38,440
Speaker 4: When I was in high school, Wayne was definitely in

996
00:43:38,520 --> 00:43:39,879
Speaker 4: my top five and it wasn't even close.

997
00:43:39,960 --> 00:43:42,279
Speaker 7: Whenever in your life was scarfacing your top five?

998
00:43:43,040 --> 00:43:43,200
Speaker 8: Uh?

999
00:43:44,160 --> 00:43:46,520
Speaker 4: Probably in high school too, when the Fix? When the

1000
00:43:46,560 --> 00:43:49,319
Speaker 4: Fix came out? No, may you stop what you want

1001
00:43:49,360 --> 00:43:50,680
Speaker 4: to tell me about what I listened to him?

1002
00:43:50,680 --> 00:43:52,320
Speaker 3: Stopped. I'm not saying what you listen.

1003
00:43:52,160 --> 00:43:55,439
Speaker 4: To people on Twitter like you try to tell you listen,

1004
00:43:56,560 --> 00:43:58,200
Speaker 4: not in your top when the Fix came out?

1005
00:43:58,239 --> 00:43:59,080
Speaker 6: He was definitely in my time.

1006
00:43:59,320 --> 00:43:59,759
Speaker 3: He was not.

1007
00:44:00,080 --> 00:44:02,759
Speaker 7: Man, we capp in we capping right now, that just

1008
00:44:02,840 --> 00:44:05,560
Speaker 7: sounds good. Scall face was not in your top five.

1009
00:44:05,760 --> 00:44:07,840
Speaker 7: I've never heard you play a Scarface.

1010
00:44:07,360 --> 00:44:10,440
Speaker 6: Song when if you we don't hang out and listen to.

1011
00:44:10,440 --> 00:44:12,000
Speaker 7: Me your phone, give me your phone. Let me see

1012
00:44:12,000 --> 00:44:13,279
Speaker 7: the last time you played Scarface rega.

1013
00:44:13,480 --> 00:44:14,480
Speaker 6: It doesn't even show up.

1014
00:44:14,440 --> 00:44:16,399
Speaker 7: There I shows it. It shows recently played. Let me scroll

1015
00:44:16,440 --> 00:44:17,399
Speaker 7: your recently play So.

1016
00:44:17,360 --> 00:44:19,040
Speaker 6: I listened to Scarface today.

1017
00:44:18,840 --> 00:44:20,759
Speaker 7: No, not today, but it goes back, it goes back

1018
00:44:20,800 --> 00:44:23,640
Speaker 7: a few weeks. If you ain't playing Scarface in the

1019
00:44:23,719 --> 00:44:25,600
Speaker 7: last two months, that ain't your.

1020
00:44:25,560 --> 00:44:27,600
Speaker 5: Top I don't think that's fair because Rory doesn't really

1021
00:44:27,600 --> 00:44:28,480
Speaker 5: listen to rap like that.

1022
00:44:28,560 --> 00:44:30,040
Speaker 3: Rory listens the more this.

1023
00:44:30,040 --> 00:44:32,279
Speaker 4: Is my this is my recent as far back as

1024
00:44:32,280 --> 00:44:36,000
Speaker 4: it goes with Skallface that time playlist, ABC Kids, Rufus,

1025
00:44:36,000 --> 00:44:40,479
Speaker 4: dessoulu Hey Now, Kendrick Lamar, Stay Nas DJ Khaled, because

1026
00:44:40,480 --> 00:44:42,960
Speaker 4: that's why I was looking at Scarface, Chantel May Day

1027
00:44:42,960 --> 00:44:48,800
Speaker 4: twenty six, Reason, Jay Z, They Lilah, Rory, Frank Ocean, Fonte,

1028
00:44:49,040 --> 00:44:52,560
Speaker 4: Black Jay electronicas Very Fonte, Okay Fante.

1029
00:44:52,320 --> 00:44:53,560
Speaker 6: Is dead, Well Jay is it there?

1030
00:44:53,640 --> 00:44:55,520
Speaker 5: And you know Jason's favorite rapper at all times that

1031
00:44:55,680 --> 00:44:57,319
Speaker 5: kind of mutsha, No Jay's there?

1032
00:44:57,719 --> 00:44:58,600
Speaker 3: Oh damn.

1033
00:45:00,000 --> 00:45:03,200
Speaker 4: So now he's in there, nas is right. Yeah, damn fuck.

1034
00:45:03,280 --> 00:45:04,880
Speaker 5: I'm trying to help you.

1035
00:45:04,520 --> 00:45:06,720
Speaker 6: You can keep knowing because I want to be truthful.

1036
00:45:07,200 --> 00:45:09,759
Speaker 7: I'm over this shit, and y'all just sitting here sounds

1037
00:45:09,760 --> 00:45:11,560
Speaker 7: like I'm stupid.

1038
00:45:10,560 --> 00:45:10,600
Speaker 3: No.

1039
00:45:10,680 --> 00:45:13,359
Speaker 6: No, you have to listen to your top five every day.

1040
00:45:13,880 --> 00:45:16,000
Speaker 3: No, I never said that, because my top five I haven't.

1041
00:45:16,080 --> 00:45:16,920
Speaker 3: I don't listen to every day.

1042
00:45:17,000 --> 00:45:18,879
Speaker 4: And by the way, I'm subject to change my top

1043
00:45:18,880 --> 00:45:19,680
Speaker 4: five all the time.

1044
00:45:19,920 --> 00:45:21,879
Speaker 7: So okay, I'm glad you said that. So at one

1045
00:45:21,880 --> 00:45:23,520
Speaker 7: point you sat here and said Wayne was in your

1046
00:45:23,520 --> 00:45:25,080
Speaker 7: top five. That's what I'm talking on.

1047
00:45:25,239 --> 00:45:27,880
Speaker 4: We were talking about that specific era. I remember this

1048
00:45:27,880 --> 00:45:31,359
Speaker 4: conversation was coming back from DC right, Yes, that era

1049
00:45:31,440 --> 00:45:33,759
Speaker 4: when I was in high school, Carter two, to the

1050
00:45:33,840 --> 00:45:36,160
Speaker 4: Drought mixtapes, to everything he was doing with drama at

1051
00:45:36,200 --> 00:45:38,759
Speaker 4: that time. Yes, Wayne may have been number one to

1052
00:45:38,800 --> 00:45:40,719
Speaker 4: me outside of maybe Banks.

1053
00:45:41,160 --> 00:45:42,960
Speaker 7: So how could somebody be number one to you at

1054
00:45:43,000 --> 00:45:44,319
Speaker 7: one point but not in your top five?

1055
00:45:44,400 --> 00:45:46,880
Speaker 4: Because I'm thirty four and I've lived somewhat of a

1056
00:45:46,960 --> 00:45:47,480
Speaker 4: long life.

1057
00:45:47,560 --> 00:45:49,759
Speaker 5: Wayne was in my Wayne was probably school was four

1058
00:45:49,800 --> 00:45:51,400
Speaker 5: years two or three to me at that time, and

1059
00:45:51,440 --> 00:45:52,960
Speaker 5: he's not in my current top.

1060
00:45:53,000 --> 00:45:54,080
Speaker 3: Who's your current top five?

1061
00:45:55,280 --> 00:45:56,200
Speaker 5: I won't say top.

1062
00:45:56,040 --> 00:45:58,560
Speaker 3: I'll say favorite. I can't say top. Top is this

1063
00:45:58,640 --> 00:45:59,280
Speaker 3: is all favorite.

1064
00:45:59,320 --> 00:46:07,080
Speaker 5: Favorite would have to be uh, jay Z, Fab, J Cole, DMX,

1065
00:46:08,760 --> 00:46:09,440
Speaker 5: NICKI Minaj.

1066
00:46:12,440 --> 00:46:15,279
Speaker 6: I believe her. I don't believe. I don't feel the

1067
00:46:15,320 --> 00:46:15,920
Speaker 6: need to attack her.

1068
00:46:15,920 --> 00:46:16,440
Speaker 3: No, I believe her.

1069
00:46:16,480 --> 00:46:18,840
Speaker 4: I don't believe we had three of the same five.

1070
00:46:19,520 --> 00:46:21,920
Speaker 4: What that means that I should believe you because you

1071
00:46:22,000 --> 00:46:23,520
Speaker 4: got three. You don't think DMX is one of my

1072
00:46:23,520 --> 00:46:24,920
Speaker 4: favorite rappers. Don't think DMX.

1073
00:46:28,000 --> 00:46:30,400
Speaker 3: You didn't name him just now he named X. He

1074
00:46:30,440 --> 00:46:33,719
Speaker 3: did his number four. I believe that.

1075
00:46:33,760 --> 00:46:37,160
Speaker 4: I believe J's ex fonse. You don't believe out of

1076
00:46:37,239 --> 00:46:39,920
Speaker 4: those that those four rappers, out of what you know

1077
00:46:39,960 --> 00:46:41,399
Speaker 4: about number five?

1078
00:46:41,440 --> 00:46:45,920
Speaker 7: You number five on your list is shaky. Scar Face

1079
00:46:46,000 --> 00:46:48,359
Speaker 7: is not one of your top five rappers of all time.

1080
00:46:48,560 --> 00:46:51,000
Speaker 7: I'm not rolling with that. And I love Scarface, but

1081
00:46:51,040 --> 00:46:52,839
Speaker 7: he ain't in your top five. I think I think

1082
00:46:52,880 --> 00:46:56,080
Speaker 7: you would put Drake before Scarface. He gonna put three

1083
00:46:56,160 --> 00:46:59,719
Speaker 7: niggas before Scarface, Drake, Wayne, and probably Fab.

1084
00:47:01,280 --> 00:47:02,359
Speaker 6: Is from New York City.

1085
00:47:02,760 --> 00:47:03,480
Speaker 3: What are we doing here?

1086
00:47:03,480 --> 00:47:09,359
Speaker 4: I don't know. I probably listen to Fab more because

1087
00:47:09,400 --> 00:47:10,799
Speaker 4: there's more to pick off.

1088
00:47:10,800 --> 00:47:11,879
Speaker 3: Of of course you.

1089
00:47:11,840 --> 00:47:14,920
Speaker 4: Do like as much as like, I don't really go

1090
00:47:14,960 --> 00:47:18,000
Speaker 4: back to ghetto boys like that. Of course the Starface

1091
00:47:19,239 --> 00:47:20,840
Speaker 4: star Face solo idea.

1092
00:47:21,040 --> 00:47:25,600
Speaker 7: Listen, I love Scarface legend, legend, but he's not in yours,

1093
00:47:25,680 --> 00:47:28,240
Speaker 7: and that's just a special place in my heart.

1094
00:47:28,239 --> 00:47:30,320
Speaker 3: Like amazing, project, amazing.

1095
00:47:30,560 --> 00:47:32,920
Speaker 7: You won't hear me say anything less, but I'm just

1096
00:47:32,920 --> 00:47:36,160
Speaker 7: saying in your personal personal top five, I don't believe.

1097
00:47:36,280 --> 00:47:38,399
Speaker 4: I'm not mad at the attack, but I do think

1098
00:47:38,440 --> 00:47:41,920
Speaker 4: there is some nuance between what you listen to consistently

1099
00:47:42,320 --> 00:47:44,960
Speaker 4: versus what you deem as your your favorite.

1100
00:47:45,239 --> 00:47:45,800
Speaker 3: I agree.

1101
00:47:45,960 --> 00:47:49,920
Speaker 4: I agree because sometimes other music is just easier to

1102
00:47:49,960 --> 00:47:54,640
Speaker 4: listen because, like as an adult in lifestyle and like

1103
00:47:54,800 --> 00:47:59,080
Speaker 4: just moving around, sometimes I can't always have Scarface, like

1104
00:47:59,120 --> 00:48:01,840
Speaker 4: I can't always have g Old banging, like when I'm

1105
00:48:02,120 --> 00:48:05,600
Speaker 4: on the train or in the crib. Like some music

1106
00:48:05,640 --> 00:48:08,880
Speaker 4: is more palatable for everyday lifestyle, like I could throw

1107
00:48:08,920 --> 00:48:11,120
Speaker 4: in a fab mixtape and go about my day and

1108
00:48:11,160 --> 00:48:11,920
Speaker 4: be great.

1109
00:48:12,120 --> 00:48:14,440
Speaker 6: But that doesn't mean I don't value the fix higher.

1110
00:48:15,280 --> 00:48:17,920
Speaker 5: Yeah, X can be a little like X is one

1111
00:48:17,960 --> 00:48:20,640
Speaker 5: of my favorite. X might be number two, but he's

1112
00:48:20,680 --> 00:48:23,279
Speaker 5: heavy it's very heavy sometimes, so it's not I'm gonna

1113
00:48:23,320 --> 00:48:25,960
Speaker 5: listen to Megan thee Stallion. I repeat, I'm gonna listen

1114
00:48:26,000 --> 00:48:28,279
Speaker 5: to Cardi. I'm repeat, I'm not gonna Actually, I might

1115
00:48:28,320 --> 00:48:29,040
Speaker 5: put Cardi.

1116
00:48:28,840 --> 00:48:30,400
Speaker 3: Be for Nikki.

1117
00:48:30,840 --> 00:48:34,640
Speaker 5: I might put Carty with for Nikki. Listen that goals

1118
00:48:34,719 --> 00:48:37,200
Speaker 5: and changes. But I'm just saying the later half of

1119
00:48:37,280 --> 00:48:40,120
Speaker 5: Nicki's career, I listen to Cardi way more than I

1120
00:48:40,160 --> 00:48:40,600
Speaker 5: do Nikki.

1121
00:48:40,840 --> 00:48:42,360
Speaker 3: At one point, Nikki was number.

1122
00:48:42,120 --> 00:48:43,960
Speaker 4: One, respectfully, I don't even have Cardi and Niki in

1123
00:48:44,000 --> 00:48:45,840
Speaker 4: the same sentence, but of course not.

1124
00:48:45,920 --> 00:48:48,839
Speaker 5: But we're talking about favorite We're talking about favorite songs like.

1125
00:48:50,640 --> 00:48:52,440
Speaker 3: That's what we're talking about. Now.

1126
00:48:52,480 --> 00:48:57,600
Speaker 4: Who's the better routing her scarface? It's just one project.

1127
00:48:57,760 --> 00:49:01,400
Speaker 7: Speaking of Cardi, Cardian Party announced that they are putting

1128
00:49:01,400 --> 00:49:02,080
Speaker 7: out a new song.

1129
00:49:02,080 --> 00:49:04,080
Speaker 3: When does that come out? Is that tonight? Y? It's

1130
00:49:04,120 --> 00:49:05,839
Speaker 3: called Touda and I'm mad excited? What's up?

1131
00:49:06,120 --> 00:49:08,680
Speaker 5: I'm ready ready to tote it? What's what's going on?

1132
00:49:09,360 --> 00:49:12,960
Speaker 4: I like it? I like it. Cardi, we've seen has

1133
00:49:13,000 --> 00:49:16,400
Speaker 4: been struggling a bit to put out a record that connects,

1134
00:49:16,400 --> 00:49:17,480
Speaker 4: to make it an actual single.

1135
00:49:18,160 --> 00:49:19,480
Speaker 6: Go back to the party roots.

1136
00:49:19,800 --> 00:49:20,319
Speaker 3: I like it.

1137
00:49:21,760 --> 00:49:24,600
Speaker 4: What Dirk and Kanye isn't working? All the big names

1138
00:49:24,600 --> 00:49:27,000
Speaker 4: are working. Go back to what started your career.

1139
00:49:27,320 --> 00:49:28,279
Speaker 3: This record is old though.

1140
00:49:28,200 --> 00:49:31,440
Speaker 5: Right, yes, it's actually an eight year record, and Parties

1141
00:49:31,560 --> 00:49:33,200
Speaker 5: is saying that he's the one dropping it. He like,

1142
00:49:33,200 --> 00:49:34,920
Speaker 5: get this off my heart dry like I'm dropping it,

1143
00:49:35,000 --> 00:49:37,360
Speaker 5: YadA YadA. But yeah, it's it's eight years.

1144
00:49:37,200 --> 00:49:38,239
Speaker 4: Old, even if it's coming.

1145
00:49:38,320 --> 00:49:41,040
Speaker 3: So this record is eight years old. Yes, what was

1146
00:49:41,040 --> 00:49:42,440
Speaker 3: the name of the party's record?

1147
00:49:42,880 --> 00:49:45,640
Speaker 5: It's yeah, it's party record with a card Car.

1148
00:49:45,800 --> 00:49:48,160
Speaker 4: There's no way that Atlantic is just letting this go

1149
00:49:48,239 --> 00:49:51,200
Speaker 4: for a party. This is there a big party rollouts,

1150
00:49:51,320 --> 00:49:53,319
Speaker 4: you know, whether it's like yeah, letting Lucy go with Cardi.

1151
00:49:53,520 --> 00:49:55,200
Speaker 6: This is a record that's eight years old. This is

1152
00:49:55,200 --> 00:49:55,920
Speaker 6: part of a strategy.

1153
00:49:56,000 --> 00:49:59,279
Speaker 4: Yeah, what was the name of the record they had

1154
00:49:59,320 --> 00:50:02,000
Speaker 4: that was an incredible back backing it up? Backing it

1155
00:50:02,080 --> 00:50:04,799
Speaker 4: up was fire. If she is not clicking right now,

1156
00:50:05,280 --> 00:50:07,319
Speaker 4: all right, fine, what was working eight years ago?

1157
00:50:08,560 --> 00:50:08,759
Speaker 3: Fam?

1158
00:50:08,800 --> 00:50:12,080
Speaker 7: We're not doing this. Why any other artists that would

1159
00:50:12,080 --> 00:50:14,080
Speaker 7: do this, y'all will be killing them an eight year

1160
00:50:14,080 --> 00:50:14,680
Speaker 7: old record?

1161
00:50:14,960 --> 00:50:19,080
Speaker 4: If she hasn't had a record to connect saying a

1162
00:50:19,160 --> 00:50:21,240
Speaker 4: nice thing right now, no, I'm just saying, stop.

1163
00:50:21,040 --> 00:50:23,000
Speaker 5: Asking for the detoxs y'all been asking for the detox

1164
00:50:23,040 --> 00:50:24,520
Speaker 5: for fucking four people.

1165
00:50:25,360 --> 00:50:25,879
Speaker 3: That's a joke.

1166
00:50:25,880 --> 00:50:27,719
Speaker 7: People are not People are not ask people that ask

1167
00:50:27,760 --> 00:50:29,440
Speaker 7: for No, it's never coming out. That's why they keep

1168
00:50:29,440 --> 00:50:33,919
Speaker 7: that going. But Atlantic again this this is obviously a

1169
00:50:34,000 --> 00:50:37,920
Speaker 7: party right correct record. Maybe he has something coming. I

1170
00:50:37,920 --> 00:50:41,160
Speaker 7: don't see Atlantic using this as a Cardi rollout of

1171
00:50:41,200 --> 00:50:42,279
Speaker 7: record that's eight years old.

1172
00:50:42,320 --> 00:50:44,920
Speaker 4: There's no way anything Cardi B puts out is not

1173
00:50:45,040 --> 00:50:47,560
Speaker 4: attached to what her rollout is going to be with

1174
00:50:47,640 --> 00:50:49,920
Speaker 4: her career when she hasn't put music out like that.

1175
00:50:50,000 --> 00:50:51,879
Speaker 7: She's put out music for the past how many years

1176
00:50:51,920 --> 00:50:53,000
Speaker 7: and didn't put an album out.

1177
00:50:52,880 --> 00:50:55,000
Speaker 4: One or two records a year, and they just haven't connected.

1178
00:50:55,000 --> 00:50:56,560
Speaker 4: So you think they'll just be like, yeah for for

1179
00:50:56,680 --> 00:50:58,560
Speaker 4: parties album, will let Verse Go?

1180
00:50:58,920 --> 00:50:59,560
Speaker 3: Didn't connect?

1181
00:50:59,760 --> 00:51:02,080
Speaker 4: And video clearly there's a video in the snippet like

1182
00:51:02,520 --> 00:51:03,160
Speaker 4: this is a thing.

1183
00:51:03,239 --> 00:51:04,760
Speaker 3: You know what I'm saying. WAP didn't connect?

1184
00:51:05,160 --> 00:51:05,920
Speaker 6: Yeah, of course it did.

1185
00:51:06,440 --> 00:51:07,560
Speaker 3: No album came after that.

1186
00:51:07,840 --> 00:51:10,879
Speaker 4: Because nothing connected after that. They thought they banked on

1187
00:51:11,120 --> 00:51:14,600
Speaker 4: that Kanye and Dirk record to be the one Cardi

1188
00:51:14,640 --> 00:51:16,440
Speaker 4: delivered on it. The rest of them didn't. They banked

1189
00:51:16,440 --> 00:51:18,560
Speaker 4: on that to be the one. It didn't connect. She

1190
00:51:18,640 --> 00:51:20,440
Speaker 4: put out some cool freestyles that I liked.

1191
00:51:20,480 --> 00:51:22,680
Speaker 5: The one actually up came after WOP if I'm not

1192
00:51:22,719 --> 00:51:24,080
Speaker 5: mistaking it, Up connected Up.

1193
00:51:24,040 --> 00:51:27,080
Speaker 4: Yeah, uped it okay, up with number one, Yeah, okay,

1194
00:51:27,120 --> 00:51:28,600
Speaker 4: and still no album.

1195
00:51:29,080 --> 00:51:31,239
Speaker 5: Well, to be fair, when that was when all of

1196
00:51:31,280 --> 00:51:32,880
Speaker 5: those were dropping, it was a weird time. That was

1197
00:51:32,920 --> 00:51:35,720
Speaker 5: during the pandemic. So it was for a Cardio album.

1198
00:51:35,760 --> 00:51:39,080
Speaker 5: We talked about that pandemic no, but that's when those

1199
00:51:39,120 --> 00:51:40,920
Speaker 5: songs came out. So it was a weird time for

1200
00:51:40,960 --> 00:51:43,440
Speaker 5: a Cardi album to drop when people couldn't come outside.

1201
00:51:43,480 --> 00:51:45,440
Speaker 3: That was a weird time. That was one of the

1202
00:51:45,480 --> 00:51:47,480
Speaker 3: best years in music. We talked about that all the time.

1203
00:51:47,760 --> 00:51:50,160
Speaker 5: Not for music that makes you shake your ass, No,

1204
00:51:50,400 --> 00:51:53,120
Speaker 5: it was so like, what like, we.

1205
00:51:53,160 --> 00:51:55,000
Speaker 7: Do this all the time, bro, let's cut the shit

1206
00:51:55,000 --> 00:51:57,279
Speaker 7: they're not putting in a bunch of and that came

1207
00:51:57,320 --> 00:51:58,520
Speaker 7: out during the pandemic.

1208
00:51:58,800 --> 00:52:01,279
Speaker 4: Some of the best music we have I love Freddi

1209
00:52:01,320 --> 00:52:04,600
Speaker 4: Gibbs put out. It made sense during the pandemic. Atlantic's

1210
00:52:04,600 --> 00:52:07,080
Speaker 4: not letting Cardi b put out an album in the pandemic.

1211
00:52:07,880 --> 00:52:10,200
Speaker 5: No fucking way, and we have had that conversation. Ma's right,

1212
00:52:10,239 --> 00:52:11,799
Speaker 5: so we can move forward from that.

1213
00:52:11,719 --> 00:52:12,000
Speaker 3: All right.

1214
00:52:12,280 --> 00:52:16,040
Speaker 5: For example, the glow Rilla and Cardi record, that's incredible

1215
00:52:16,040 --> 00:52:17,480
Speaker 5: to smoke that.

1216
00:52:17,719 --> 00:52:20,600
Speaker 4: She also did a feature with Lotto shortly after that,

1217
00:52:20,640 --> 00:52:22,640
Speaker 4: when she was doing her feature run. All of that

1218
00:52:22,760 --> 00:52:26,400
Speaker 4: was connected to a Cardi rollout as well. Atlantic is

1219
00:52:26,400 --> 00:52:28,640
Speaker 4: not letting videos and versus just go for the fuck

1220
00:52:28,640 --> 00:52:30,920
Speaker 4: of it for Cardi B. This is part of a

1221
00:52:31,000 --> 00:52:33,640
Speaker 4: Cardi rollout. Let's get back to the basics. We'll give

1222
00:52:33,640 --> 00:52:37,240
Speaker 4: it to party so we actually have somewhat of a cushion.

1223
00:52:37,440 --> 00:52:39,080
Speaker 4: If it doesn't go the way we want, we could

1224
00:52:39,120 --> 00:52:41,440
Speaker 4: say it was just a feature for parties album. This

1225
00:52:41,680 --> 00:52:44,360
Speaker 4: is definitely connected to trying to get Cardi B to

1226
00:52:44,360 --> 00:52:47,720
Speaker 4: put album out. They've had a record that's connected before.

1227
00:52:50,719 --> 00:52:52,320
Speaker 4: You don't seem satisfied.

1228
00:52:52,840 --> 00:52:53,640
Speaker 3: We'll wait to hear it.

1229
00:52:54,040 --> 00:52:55,480
Speaker 7: I don't think this has anything to do with a

1230
00:52:55,520 --> 00:52:56,560
Speaker 7: Cardi album.

1231
00:52:57,040 --> 00:52:58,719
Speaker 3: I think it's a part of a rollout for sure.

1232
00:52:59,239 --> 00:53:01,360
Speaker 7: What rollout we've seen to have number one songs and

1233
00:53:01,400 --> 00:53:03,600
Speaker 7: no album came after that. What are y'all talking about

1234
00:53:03,640 --> 00:53:06,960
Speaker 7: right now? Not only one in here keeping a thousand

1235
00:53:07,040 --> 00:53:07,319
Speaker 7: right now?

1236
00:53:08,520 --> 00:53:09,960
Speaker 4: So why don't you think we've gotten one of them?

1237
00:53:10,719 --> 00:53:11,319
Speaker 3: I don't know.

1238
00:53:11,640 --> 00:53:14,040
Speaker 7: It ain't because they couldn't roll nothing out of nothing connected.

1239
00:53:14,160 --> 00:53:16,440
Speaker 7: If your song goes number one, that shit connected.

1240
00:53:16,480 --> 00:53:19,839
Speaker 4: You don't think after Up and that momentum and then

1241
00:53:19,880 --> 00:53:23,800
Speaker 4: the dud that the Kanye Dirk record was didn't start

1242
00:53:24,080 --> 00:53:26,480
Speaker 4: somewhat of a lower trajectory of what Cardi had been doing,

1243
00:53:26,520 --> 00:53:29,719
Speaker 4: the momentum shifted, and I feel like the momentum has

1244
00:53:29,760 --> 00:53:31,400
Speaker 4: been inconsistent since.

1245
00:53:31,960 --> 00:53:34,279
Speaker 7: I'm maybe I'm on another fucking planet here. I don't

1246
00:53:34,320 --> 00:53:37,360
Speaker 7: think Cardi needs any fucking roller. I think Carti is

1247
00:53:37,360 --> 00:53:39,840
Speaker 7: at a point where if she announces her album is

1248
00:53:39,840 --> 00:53:42,799
Speaker 7: coming out next week, that people are gonna go listen

1249
00:53:42,840 --> 00:53:44,240
Speaker 7: to that album and stream that Albut.

1250
00:53:44,400 --> 00:53:45,040
Speaker 6: It's too risky.

1251
00:53:45,120 --> 00:53:50,000
Speaker 7: She don't made here and she's Cardi B. Her name

1252
00:53:50,120 --> 00:53:52,640
Speaker 7: once is on DSP's, people are clicking on it. She

1253
00:53:52,680 --> 00:53:56,080
Speaker 7: don't need no fucking rollout. Let's stop behind this rollout word.

1254
00:53:56,120 --> 00:53:59,880
Speaker 5: I think Cardi is scared. I think what of not.

1255
00:54:00,680 --> 00:54:01,279
Speaker 6: People like you?

1256
00:54:01,840 --> 00:54:03,440
Speaker 3: Yeah, people like me? I want to hear it.

1257
00:54:04,000 --> 00:54:06,520
Speaker 4: Got rap album of the Year off your first fucking project.

1258
00:54:06,640 --> 00:54:08,719
Speaker 4: You had ten number ones off that ship and then

1259
00:54:08,760 --> 00:54:10,480
Speaker 4: you stop putting out fucking music like that.

1260
00:54:10,600 --> 00:54:12,279
Speaker 3: So why she's scared of people like me when I'm saying,

1261
00:54:12,280 --> 00:54:13,120
Speaker 3: I'm gonna listen.

1262
00:54:13,080 --> 00:54:16,520
Speaker 4: Because you rightfully are going to go into this with

1263
00:54:16,880 --> 00:54:20,200
Speaker 4: crazy expectations and if everything isn't perfect, I'm not rolling

1264
00:54:20,239 --> 00:54:21,960
Speaker 4: out a Cardi B fucking album if I'm atlantic.

1265
00:54:22,000 --> 00:54:24,239
Speaker 3: But what is the perfect rollout? If you've put out

1266
00:54:24,280 --> 00:54:25,200
Speaker 3: records that win, no.

1267
00:54:25,440 --> 00:54:28,120
Speaker 4: Music that we haven't heard yet, you have to have

1268
00:54:28,160 --> 00:54:29,719
Speaker 4: the momentum plus the music to match.

1269
00:54:30,120 --> 00:54:32,239
Speaker 5: Because she put out she put out two records, and

1270
00:54:32,480 --> 00:54:34,520
Speaker 5: sales wise, as far as what I know, they didn't

1271
00:54:34,560 --> 00:54:38,000
Speaker 5: do too well. So but that's another thing.

1272
00:54:38,160 --> 00:54:41,000
Speaker 7: Cares about sales? Do She's so delimedout with last Week

1273
00:54:41,040 --> 00:54:43,399
Speaker 7: and that has best rap album? Who gives a fuck

1274
00:54:43,440 --> 00:54:46,880
Speaker 7: about sales? Even though it is like her brand is

1275
00:54:47,400 --> 00:54:49,240
Speaker 7: fucking huge, her name is huge.

1276
00:54:49,320 --> 00:54:52,239
Speaker 3: She don't need this this perfect rollout to put out

1277
00:54:52,239 --> 00:54:53,160
Speaker 3: an album.

1278
00:54:53,239 --> 00:54:55,560
Speaker 6: What are we talking about comparing and card.

1279
00:54:56,520 --> 00:54:59,360
Speaker 7: I'm not comparing. I'm staying who cares about numbers? The

1280
00:54:59,440 --> 00:55:02,200
Speaker 7: girl that just old eleven thousand her first week just

1281
00:55:02,280 --> 00:55:03,440
Speaker 7: one best rap album?

1282
00:55:03,520 --> 00:55:06,000
Speaker 4: Who gives a fuck about the numbers? You think the

1283
00:55:06,040 --> 00:55:08,640
Speaker 4: person that's keeping the fucking lights on over there. At

1284
00:55:08,640 --> 00:55:10,719
Speaker 4: one point, they're going to risk to just put some

1285
00:55:10,719 --> 00:55:13,879
Speaker 4: shit out for the fact that one.

1286
00:55:12,880 --> 00:55:15,200
Speaker 3: Point, there's been how many years since we've had an album.

1287
00:55:15,239 --> 00:55:17,120
Speaker 4: You think she could risk a dud if she came

1288
00:55:17,200 --> 00:55:19,480
Speaker 4: right back with a sophomore album right after the first one,

1289
00:55:19,640 --> 00:55:22,000
Speaker 4: she'd have some more grace in that situation. It's been

1290
00:55:22,040 --> 00:55:24,399
Speaker 4: so long, which is why I agree with you. It's

1291
00:55:24,400 --> 00:55:27,439
Speaker 4: been this fucking long. Where is the music. It has

1292
00:55:27,520 --> 00:55:31,319
Speaker 4: to be perfect. Her first album was perfect. You wait

1293
00:55:31,400 --> 00:55:33,280
Speaker 4: five six years. This shit has to be insane.

1294
00:55:33,480 --> 00:55:35,440
Speaker 3: Her first album had a perfect rollout.

1295
00:55:36,080 --> 00:55:36,600
Speaker 4: I mean it was.

1296
00:55:36,640 --> 00:55:37,760
Speaker 3: The momentum was insane.

1297
00:55:37,880 --> 00:55:41,600
Speaker 4: Every song is a single. Every song, every song charted.

1298
00:55:41,880 --> 00:55:43,759
Speaker 4: It was not the way it does on the first

1299
00:55:43,840 --> 00:55:44,920
Speaker 4: night when everyone's just clicking it.

1300
00:55:45,080 --> 00:55:47,640
Speaker 5: It stayed on the charts. It stayed on the charts.

1301
00:55:47,680 --> 00:55:49,520
Speaker 5: I liked that was on the charts for years, like

1302
00:55:49,880 --> 00:55:52,840
Speaker 5: it might still be. Yeah, So, Maul, this is what

1303
00:55:52,880 --> 00:55:55,319
Speaker 5: I'm saying. I'm not arguing, I'm not I agree with you,

1304
00:55:55,560 --> 00:55:57,719
Speaker 5: But what I'm saying is people might be scared of

1305
00:55:57,760 --> 00:55:59,800
Speaker 5: putting music out because a lot of people's and securities.

1306
00:55:59,840 --> 00:56:01,920
Speaker 5: They might be afraid of failure. We all know that

1307
00:56:02,000 --> 00:56:04,839
Speaker 5: Cardi pays attention to what people says. I can't speak

1308
00:56:04,880 --> 00:56:07,480
Speaker 5: for her, but I would be fucking terrified and I

1309
00:56:07,520 --> 00:56:09,440
Speaker 5: would be like very like insecure, and what if they

1310
00:56:09,440 --> 00:56:10,640
Speaker 5: say this or what if they don't like this? I

1311
00:56:10,640 --> 00:56:12,799
Speaker 5: don't think that she should be. I don't think that

1312
00:56:12,840 --> 00:56:15,440
Speaker 5: she should be. But you can't control how people feel.

1313
00:56:15,520 --> 00:56:17,480
Speaker 7: I'm not trying to control how anybody feels. What I'm

1314
00:56:17,520 --> 00:56:19,160
Speaker 7: saying is, or what I would like to say, is,

1315
00:56:19,880 --> 00:56:22,279
Speaker 7: if you have a brand as big as Cardi does,

1316
00:56:23,920 --> 00:56:28,200
Speaker 7: I'm cool, you nervous, you want the album be perfect, great,

1317
00:56:28,680 --> 00:56:30,600
Speaker 7: I get all of that, But I'm saying, if you

1318
00:56:30,680 --> 00:56:33,919
Speaker 7: keep dropping songs and the songs keep connecting, obviously going

1319
00:56:34,040 --> 00:56:37,640
Speaker 7: number one, people love it. At some point, it's like,

1320
00:56:37,920 --> 00:56:42,080
Speaker 7: what exactly, what are they waiting for to put this

1321
00:56:42,120 --> 00:56:43,280
Speaker 7: project out?

1322
00:56:43,640 --> 00:56:44,520
Speaker 3: What do they need to see?

1323
00:56:44,560 --> 00:56:47,560
Speaker 7: People are still supporting Cardi, People still are waiting for

1324
00:56:47,640 --> 00:56:50,480
Speaker 7: to drop an album. That's all you can ask for

1325
00:56:50,560 --> 00:56:52,799
Speaker 7: as an artist is that people still want to hear

1326
00:56:52,840 --> 00:56:54,920
Speaker 7: from you and that people still support you. Obviously, when

1327
00:56:54,960 --> 00:56:56,840
Speaker 7: she puts out a single, if people still listen to

1328
00:56:56,840 --> 00:56:57,759
Speaker 7: it, it goes number one.

1329
00:56:58,520 --> 00:57:00,600
Speaker 6: So what is this perfect role out.

1330
00:57:01,080 --> 00:57:04,120
Speaker 5: I'm telling is her last two singles have not charted

1331
00:57:04,560 --> 00:57:06,200
Speaker 5: like that, They have not gone number one.

1332
00:57:07,560 --> 00:57:08,440
Speaker 3: Shit fuck it.

1333
00:57:08,480 --> 00:57:10,799
Speaker 7: At some point it's like, so what that means that

1334
00:57:10,880 --> 00:57:13,840
Speaker 7: I'm never coming down until we get another number one single?

1335
00:57:14,320 --> 00:57:15,399
Speaker 4: Welcome to the music visiness.

1336
00:57:15,440 --> 00:57:17,680
Speaker 7: You had one and didn't put an album out. Yeah,

1337
00:57:17,840 --> 00:57:19,360
Speaker 7: so now you don't have one and you still not

1338
00:57:19,360 --> 00:57:21,520
Speaker 7: put an album out. So I'm asking y'all, what the

1339
00:57:21,560 --> 00:57:22,640
Speaker 7: fuck is the label doing.

1340
00:57:23,360 --> 00:57:26,160
Speaker 4: I think after Up, they thought they had the momentum

1341
00:57:26,200 --> 00:57:29,040
Speaker 4: because Up did well outside of charts that she was

1342
00:57:29,040 --> 00:57:29,800
Speaker 4: playing everywhere too.

1343
00:57:29,800 --> 00:57:31,959
Speaker 6: It was culturally culturally cool as well.

1344
00:57:32,480 --> 00:57:35,040
Speaker 4: Then the Dirk and Kanye should happened and a dud hit,

1345
00:57:35,480 --> 00:57:37,760
Speaker 4: and I think that stopped a lot of their plans,

1346
00:57:39,440 --> 00:57:42,880
Speaker 4: and the momentum has been very shaky since where it's

1347
00:57:42,880 --> 00:57:45,560
Speaker 4: it's up sometimes and it's low, Like she decided.

1348
00:57:45,320 --> 00:57:47,760
Speaker 7: This is why I hate the music business when the

1349
00:57:47,800 --> 00:57:51,600
Speaker 7: business overshadows the music. This is this is why I

1350
00:57:51,600 --> 00:57:53,840
Speaker 7: hate the music business. Because with somebody as big as

1351
00:57:54,160 --> 00:57:57,280
Speaker 7: as a brand as Cardi has a bigger fan base

1352
00:57:57,320 --> 00:58:00,560
Speaker 7: that Carti does. For this, for the label to not

1353
00:58:01,360 --> 00:58:03,200
Speaker 7: or to miss the opportunity to keep putting out an

1354
00:58:03,200 --> 00:58:05,640
Speaker 7: album and maybe it's Cardi. Maybe she's not ready. We

1355
00:58:05,680 --> 00:58:08,720
Speaker 7: know she you know family, she had kids like give Grace.

1356
00:58:08,760 --> 00:58:10,560
Speaker 7: Did we understand life gets in the way to life

1357
00:58:10,560 --> 00:58:12,760
Speaker 7: gets in the way of art. We understand that family first.

1358
00:58:13,360 --> 00:58:17,080
Speaker 7: What I'm saying is as the label. If they're planning

1359
00:58:17,120 --> 00:58:21,600
Speaker 7: on using this eight year old party record as a

1360
00:58:21,720 --> 00:58:25,520
Speaker 7: rollout to a Cardi album, I don't I don't think

1361
00:58:25,560 --> 00:58:27,840
Speaker 7: that makes any not an eight year old record like

1362
00:58:28,040 --> 00:58:30,960
Speaker 7: the eight years old You know how much is changed

1363
00:58:31,000 --> 00:58:32,680
Speaker 7: in eight years? You know how much sound has changed.

1364
00:58:33,000 --> 00:58:35,000
Speaker 7: You know how much music is changed in eight years.

1365
00:58:35,360 --> 00:58:37,040
Speaker 4: I mean from the snippet that we heard, it sounds

1366
00:58:37,080 --> 00:58:40,560
Speaker 4: like a familiar sample with Cardi rapping well that I'm

1367
00:58:40,560 --> 00:58:42,360
Speaker 4: sure Party had a hand in and we've been wanting

1368
00:58:42,480 --> 00:58:45,320
Speaker 4: to hear party right for Cardi for quite some time. Okay,

1369
00:58:45,360 --> 00:58:49,920
Speaker 4: So that so music changed much by familiar samples.

1370
00:58:50,120 --> 00:58:51,560
Speaker 3: To ask you, if this doudge, then what?

1371
00:58:52,240 --> 00:58:54,840
Speaker 4: Oh? I don't know, And to your point, I agree.

1372
00:58:54,880 --> 00:58:57,240
Speaker 4: I hate the business as well, but Cardi b is

1373
00:58:57,280 --> 00:58:59,600
Speaker 4: the music business. I'm not trying to take anything away

1374
00:58:59,600 --> 00:59:02,640
Speaker 4: from her to I think she has a specific set

1375
00:59:02,680 --> 00:59:07,440
Speaker 4: of talent that is delivery, personality. Everything about her is

1376
00:59:07,520 --> 00:59:09,920
Speaker 4: on the record. But let's not say Cardi B is

1377
00:59:09,960 --> 00:59:13,080
Speaker 4: this musician. She's the music business. She is herself but

1378
00:59:13,280 --> 00:59:17,560
Speaker 4: very much a product of the business, taking something that

1379
00:59:17,760 --> 00:59:20,520
Speaker 4: is so organic and authentic and putting it all the

1380
00:59:20,520 --> 00:59:22,520
Speaker 4: way up here. She's the business, so they have to

1381
00:59:22,520 --> 00:59:24,520
Speaker 4: go by business rules with her. They don't have the

1382
00:59:24,600 --> 00:59:26,840
Speaker 4: luxury of just trying some shit out because she's just

1383
00:59:26,880 --> 00:59:29,680
Speaker 4: some spacey artists that will come back with something new

1384
00:59:29,720 --> 00:59:30,360
Speaker 4: and innovative.

1385
00:59:30,680 --> 00:59:31,360
Speaker 6: She's the business.

1386
00:59:31,400 --> 00:59:33,160
Speaker 4: They have to follow the business rules with her because

1387
00:59:33,160 --> 00:59:36,440
Speaker 4: there's too much on the line. People lose their jobs

1388
00:59:36,480 --> 00:59:39,440
Speaker 4: when they can't get Cardi B to do something. It's different.

1389
00:59:39,520 --> 00:59:41,280
Speaker 4: It's the music business. When it comes to Cardi B.

1390
00:59:42,200 --> 00:59:43,880
Speaker 4: It's not music and then business.

1391
00:59:44,160 --> 00:59:46,480
Speaker 5: It sucks because I agree, you know, bringing up the

1392
00:59:46,480 --> 00:59:50,000
Speaker 5: DOCI point of Okay, you don't sell first week, you

1393
00:59:50,160 --> 00:59:53,120
Speaker 5: keep post proo and post. Like that song that they

1394
00:59:53,120 --> 00:59:56,480
Speaker 5: did Bongos with Megan and Carti. It came out, it

1395
00:59:56,520 --> 00:59:58,920
Speaker 5: wasn't what people expected it to sound like, and I

1396
00:59:58,920 --> 01:00:01,720
Speaker 5: feel like when it didn't chart or do this whole thing,

1397
01:00:01,840 --> 01:00:03,720
Speaker 5: it became like, oh, that's just a dud. When it's

1398
01:00:03,760 --> 01:00:05,840
Speaker 5: like no that y'all spent so much money on that video,

1399
01:00:06,040 --> 01:00:08,160
Speaker 5: and this song has a great concept. Y'all have to

1400
01:00:08,240 --> 01:00:10,200
Speaker 5: keep pushing that, like you have to keep pushing it.

1401
01:00:10,200 --> 01:00:12,720
Speaker 5: So I don't know who's in charge, But maybe they

1402
01:00:12,760 --> 01:00:13,360
Speaker 5: know more than me.

1403
01:00:13,840 --> 01:00:14,480
Speaker 3: I don't know.

1404
01:00:14,840 --> 01:00:17,040
Speaker 7: Well, or maybe they don't, which is the problem. They

1405
01:00:17,040 --> 01:00:19,440
Speaker 7: think they know more than you just because you work

1406
01:00:19,480 --> 01:00:21,240
Speaker 7: at a label on make you no more than people?

1407
01:00:21,880 --> 01:00:22,360
Speaker 3: Very true.

1408
01:00:22,640 --> 01:00:26,120
Speaker 4: I mean, the Grange family is taking over two of three.

1409
01:00:27,480 --> 01:00:28,400
Speaker 4: They must know something.

1410
01:00:28,760 --> 01:00:29,760
Speaker 3: Well, we know something that.

1411
01:00:30,600 --> 01:00:34,960
Speaker 7: Lil Wayne announced that June sixth right Favorite Rapper of

1412
01:00:35,000 --> 01:00:38,720
Speaker 7: All Times, June six Carter six Greatest Album Series of

1413
01:00:38,760 --> 01:00:39,160
Speaker 7: All Time.

1414
01:00:39,200 --> 01:00:42,440
Speaker 4: We are getting the sixth edition Carter six. The Goat

1415
01:00:42,480 --> 01:00:46,560
Speaker 4: is finally fucking back. Number one, not number two, not

1416
01:00:46,640 --> 01:00:49,040
Speaker 4: number three, not number four, not number five, not six, seven,

1417
01:00:49,080 --> 01:00:50,000
Speaker 4: eight nine or ten.

1418
01:00:50,560 --> 01:00:50,920
Speaker 7: Number one.

1419
01:00:51,000 --> 01:00:51,840
Speaker 3: You're gonna listen to it?

1420
01:00:52,320 --> 01:00:52,400
Speaker 8: What?

1421
01:00:53,440 --> 01:00:55,080
Speaker 4: I'm not even gonna come in and record that day.

1422
01:00:55,840 --> 01:00:58,640
Speaker 3: He's not listening to that. He didn't listen to the last.

1423
01:00:58,400 --> 01:01:01,880
Speaker 4: One in a Carter five. Did I go back to it? No?

1424
01:01:02,520 --> 01:01:04,280
Speaker 6: No, the last album you're saying I did not listen

1425
01:01:04,280 --> 01:01:06,000
Speaker 6: to the last Long the Lane, the last.

1426
01:01:05,840 --> 01:01:08,960
Speaker 3: What's the last album he put up? I don't know exactly.

1427
01:01:09,000 --> 01:01:11,280
Speaker 3: You didn't exactly, so he said.

1428
01:01:13,320 --> 01:01:15,040
Speaker 4: Your point of saying that Wayne is my favorite rapper,

1429
01:01:15,080 --> 01:01:16,640
Speaker 4: I don't know the fucking what his last album on.

1430
01:01:17,560 --> 01:01:19,360
Speaker 3: No, you said he's one of your favorite rappers.

1431
01:01:20,320 --> 01:01:22,440
Speaker 6: I don't, and I'm saying he's not.

1432
01:01:22,760 --> 01:01:24,400
Speaker 7: We went to that show at the Apollo because he

1433
01:01:24,440 --> 01:01:26,560
Speaker 7: was loved it, one of your favorite top five rappers.

1434
01:01:27,040 --> 01:01:28,840
Speaker 7: You kept yelling in my ear that whole night. That's

1435
01:01:29,000 --> 01:01:30,160
Speaker 7: what top five looks like.

1436
01:01:31,320 --> 01:01:35,520
Speaker 6: I left early. You stayed. Yeah, okay that means, but you.

1437
01:01:35,480 --> 01:01:37,400
Speaker 7: Still was in my ear like this is what top

1438
01:01:37,440 --> 01:01:38,040
Speaker 7: five looks like.

1439
01:01:38,080 --> 01:01:40,480
Speaker 3: I'm like, okay, this is what top five looks like.

1440
01:01:40,880 --> 01:01:42,040
Speaker 3: That he kept yelling all that.

1441
01:01:42,320 --> 01:01:45,600
Speaker 4: Did anyone see uh skip yesterday post on his Twitter

1442
01:01:46,240 --> 01:01:48,720
Speaker 4: yet again, a monologue about how Wayne should have been

1443
01:01:48,760 --> 01:01:51,840
Speaker 4: the halftime performer. Like skip, all of us are past

1444
01:01:51,880 --> 01:01:54,560
Speaker 4: this conversation. It's okay, so you can move on.

1445
01:01:54,640 --> 01:01:55,600
Speaker 3: It's all right, we get it.

1446
01:01:56,080 --> 01:01:59,880
Speaker 4: Well, congrats to Wayne for announcing Carter six. I mean, wait, wait,

1447
01:02:00,000 --> 01:02:02,240
Speaker 4: he was momentum going into this weekend of something that

1448
01:02:02,280 --> 01:02:04,960
Speaker 4: didn't pan out the way you wanted with an announcement.

1449
01:02:06,520 --> 01:02:09,720
Speaker 3: See what is doing smart marketing? You used this weekend

1450
01:02:09,720 --> 01:02:11,200
Speaker 3: for his own announcement. I'll get it.

1451
01:02:13,240 --> 01:02:19,640
Speaker 4: Okay. See, I didn't know Funeral was his last album.

1452
01:02:19,680 --> 01:02:20,600
Speaker 3: He's over here giggling.

1453
01:02:21,160 --> 01:02:23,240
Speaker 6: I just love how as much more time passes.

1454
01:02:23,400 --> 01:02:26,800
Speaker 4: I've just proven right that he's not my favorite reprovol

1455
01:02:27,240 --> 01:02:28,160
Speaker 4: because I would know my.

1456
01:02:29,040 --> 01:02:31,240
Speaker 7: No, you just said I'm listening to this Carter six. No,

1457
01:02:31,320 --> 01:02:35,120
Speaker 7: you're not the last album.

1458
01:02:35,280 --> 01:02:37,640
Speaker 4: I'm trying to remember if I know any of these records.

1459
01:02:37,840 --> 01:02:40,520
Speaker 7: You didn't listen to it. That's why you don't know it.

1460
01:02:40,840 --> 01:02:42,400
Speaker 7: We spoke about this in private.

1461
01:02:42,760 --> 01:02:43,240
Speaker 3: Gonna do nothing?

1462
01:02:43,360 --> 01:02:45,280
Speaker 5: Is he gonna pull out that laptop and start googling ship?

1463
01:02:45,400 --> 01:02:45,880
Speaker 6: No, I am.

1464
01:02:46,000 --> 01:02:48,080
Speaker 4: I'm trying to see because I in my mind I

1465
01:02:48,080 --> 01:02:51,280
Speaker 4: had part or five as the last one.

1466
01:02:51,360 --> 01:02:53,400
Speaker 3: Yeah, because five is before six. I see what you did.

1467
01:02:53,520 --> 01:02:57,040
Speaker 4: No, I was saying his last album he put in

1468
01:02:57,080 --> 01:02:58,000
Speaker 4: between the Carter series.

1469
01:02:58,040 --> 01:03:00,280
Speaker 6: He put out other albums. Didn't just go one too before.

1470
01:03:00,440 --> 01:03:01,760
Speaker 7: I just actually, did you listen to the last I

1471
01:03:01,760 --> 01:03:03,880
Speaker 7: know you didn't because you said you didn't. Yeah, I

1472
01:03:03,880 --> 01:03:05,240
Speaker 7: didn't listen because I came here. I was like, Yo,

1473
01:03:05,240 --> 01:03:06,439
Speaker 7: we're not going to talk about the New Way album.

1474
01:03:06,520 --> 01:03:08,080
Speaker 7: He was like, I didn't listen to it. I was like, Okay,

1475
01:03:08,680 --> 01:03:09,040
Speaker 7: did you.

1476
01:03:09,000 --> 01:03:10,720
Speaker 5: Ever listen to that Chance album that you said you

1477
01:03:10,720 --> 01:03:11,480
Speaker 5: were never going to listen to?

1478
01:03:12,520 --> 01:03:14,000
Speaker 3: Yes, No, he didn't.

1479
01:03:14,200 --> 01:03:15,640
Speaker 6: I came in and gave a full review on it.

1480
01:03:15,640 --> 01:03:16,280
Speaker 6: That's what people.

1481
01:03:16,680 --> 01:03:16,840
Speaker 9: I know.

1482
01:03:16,880 --> 01:03:18,520
Speaker 4: It was a running joke, but yes, I came in

1483
01:03:18,600 --> 01:03:20,600
Speaker 4: and I actually think y'all were very hard on that album.

1484
01:03:21,040 --> 01:03:24,200
Speaker 7: Production is on Chances last album. Yeah, I don't really

1485
01:03:24,200 --> 01:03:25,000
Speaker 7: go back to it, but.

1486
01:03:26,160 --> 01:03:27,960
Speaker 5: I don't go back to it. It's my favorite disc.

1487
01:03:29,200 --> 01:03:29,800
Speaker 6: That's not this.

1488
01:03:30,480 --> 01:03:30,919
Speaker 3: It's real.

1489
01:03:31,560 --> 01:03:33,760
Speaker 7: I understand that like more than ever now, like because

1490
01:03:34,000 --> 01:03:36,160
Speaker 7: there's albums that come out. I listened to it and

1491
01:03:36,200 --> 01:03:38,120
Speaker 7: then it's like five months go past and I didn't

1492
01:03:38,120 --> 01:03:41,200
Speaker 7: listen to a song off the album. Doesn't mean I

1493
01:03:41,200 --> 01:03:42,720
Speaker 7: didn't like that album, but it's just like it didn't

1494
01:03:42,720 --> 01:03:44,040
Speaker 7: really it didn't stay with me, that's all.

1495
01:03:44,200 --> 01:03:47,080
Speaker 5: Okay, Yeah, I like that it didn't stay with you

1496
01:03:47,160 --> 01:03:49,440
Speaker 5: didn't stay with me. You guys had a brief encounter.

1497
01:03:49,680 --> 01:03:52,560
Speaker 3: Yeah, it was like, Okay, went on one date. You

1498
01:03:52,560 --> 01:03:54,120
Speaker 3: know what I'm saying. It was cool, but it was

1499
01:03:54,160 --> 01:03:56,800
Speaker 3: like I don't need to see her again. You know

1500
01:03:56,800 --> 01:03:57,240
Speaker 3: what I'm saying.

1501
01:03:57,240 --> 01:03:59,440
Speaker 4: It was like, that's cool, But there's a lot of

1502
01:03:59,480 --> 01:04:02,800
Speaker 4: albums that if I listened to them at this age

1503
01:04:03,560 --> 01:04:06,360
Speaker 4: that I did ten years ago, probably wouldn't have stuck

1504
01:04:06,360 --> 01:04:07,840
Speaker 4: with me. But they stuck with me ten years ago.

1505
01:04:07,920 --> 01:04:12,040
Speaker 4: I just feel like there is also this age gap

1506
01:04:12,440 --> 01:04:15,120
Speaker 4: that allows you to process so many albums at one time,

1507
01:04:15,520 --> 01:04:17,640
Speaker 4: and then like when adulthood really hits, it's tough to

1508
01:04:17,640 --> 01:04:19,960
Speaker 4: have that same process, only you could only take a

1509
01:04:19,960 --> 01:04:22,000
Speaker 4: few albums in a year that are gonna stay with you.

1510
01:04:22,160 --> 01:04:24,720
Speaker 4: Not only that, I think that a lot of a

1511
01:04:24,800 --> 01:04:27,760
Speaker 4: million blog era mixtapes stay with me now. If I

1512
01:04:27,800 --> 01:04:30,080
Speaker 4: was thirty four in the blog era, I don't know

1513
01:04:30,120 --> 01:04:31,600
Speaker 4: if I could say that all those would have stuck

1514
01:04:31,640 --> 01:04:31,800
Speaker 4: with me.

1515
01:04:31,840 --> 01:04:33,480
Speaker 7: Well, that's what I'm That's what I'm getting to is

1516
01:04:33,920 --> 01:04:37,080
Speaker 7: it is a thing of when you where you're atting

1517
01:04:37,080 --> 01:04:39,640
Speaker 7: your life, when you listen to certain musics, Yeah, because

1518
01:04:39,680 --> 01:04:41,800
Speaker 7: it brings you back to that time. So you will

1519
01:04:41,800 --> 01:04:44,760
Speaker 7: listen to certain songs and albums just because it gives

1520
01:04:44,840 --> 01:04:47,200
Speaker 7: us that nostalgic, you know, it takes us back to

1521
01:04:47,240 --> 01:04:49,440
Speaker 7: what we were doing ten years ago, whether it was

1522
01:04:49,440 --> 01:04:52,880
Speaker 7: in college or high school or my first job got fired.

1523
01:04:52,880 --> 01:04:56,160
Speaker 7: Whatever it was, it just reminds you of a specific time.

1524
01:04:56,200 --> 01:05:00,080
Speaker 7: As you get older, time means nothing. What day is it?

1525
01:05:00,400 --> 01:05:01,120
Speaker 7: That's all it is?

1526
01:05:01,640 --> 01:05:05,800
Speaker 4: Everyone hold the clocks. I did listen to funeral. Oh,

1527
01:05:06,320 --> 01:05:09,040
Speaker 4: and you know how I know that because hard to

1528
01:05:09,080 --> 01:05:12,240
Speaker 4: a funeral. Yes, I've been to a few those. Harden

1529
01:05:12,600 --> 01:05:16,400
Speaker 4: on this album, I ran into the fucking ground. I

1530
01:05:16,440 --> 01:05:18,480
Speaker 4: didn't go back to any other songs. That was like

1531
01:05:18,560 --> 01:05:22,120
Speaker 4: vintage Wayne. It's all about James Harden fucking his bitch,

1532
01:05:22,200 --> 01:05:24,000
Speaker 4: but for a soul sample fire.

1533
01:05:24,080 --> 01:05:25,840
Speaker 3: So you ran the Hardened song into the ground.

1534
01:05:25,840 --> 01:05:26,400
Speaker 6: I did every one.

1535
01:05:26,480 --> 01:05:27,600
Speaker 3: That's the one that stuck with you.

1536
01:05:27,920 --> 01:05:28,480
Speaker 6: Go back and.

1537
01:05:28,440 --> 01:05:31,360
Speaker 4: Listen to that. That's like old mixtape soulful Wayne. I

1538
01:05:31,480 --> 01:05:33,000
Speaker 4: loved Tarden a lot. I think I put that on

1539
01:05:33,000 --> 01:05:34,440
Speaker 4: my ig story a bunch of times, but it was,

1540
01:05:34,480 --> 01:05:38,440
Speaker 4: you know, pandemic. I was going, it's actually a really

1541
01:05:38,440 --> 01:05:41,600
Speaker 4: good Wayne underrated Hardened go look it up right now.

1542
01:05:42,120 --> 01:05:44,440
Speaker 4: I don't think it's better than anything Tommy Richmond's ever

1543
01:05:44,440 --> 01:05:44,880
Speaker 4: put out there.

1544
01:05:45,320 --> 01:05:46,560
Speaker 6: Where's my fucking Flowers?

1545
01:05:46,560 --> 01:05:49,560
Speaker 4: I was right about Rihanna already this can we get

1546
01:05:49,600 --> 01:05:52,080
Speaker 4: like a graphic and start checking it off of my

1547
01:05:52,080 --> 01:05:52,720
Speaker 4: twenty twenty five.

1548
01:05:52,680 --> 01:05:54,240
Speaker 5: Year were gonna talk about it on Patreon. We're gonna

1549
01:05:54,240 --> 01:05:54,840
Speaker 5: see how you doing.

1550
01:05:55,960 --> 01:05:58,040
Speaker 6: I'm batting pretty fucking high. I said.

1551
01:05:58,040 --> 01:06:01,800
Speaker 4: Tommy Richmond was gonna black it up for his next single,

1552
01:06:02,080 --> 01:06:03,840
Speaker 4: and then he's going to go right to country music.

1553
01:06:04,040 --> 01:06:04,320
Speaker 3: M HM.

1554
01:06:04,960 --> 01:06:06,520
Speaker 6: As of now a formula.

1555
01:06:08,000 --> 01:06:09,959
Speaker 4: Now he has women and doobies at the gas station

1556
01:06:10,120 --> 01:06:11,240
Speaker 4: to a soldier boy sample.

1557
01:06:11,400 --> 01:06:13,800
Speaker 3: But he's not a hip hop artist, not solely. Don't

1558
01:06:13,840 --> 01:06:18,040
Speaker 3: you box him in solely? Solely? Yes, he's more than

1559
01:06:18,160 --> 01:06:19,080
Speaker 3: just a hip hop artist.

1560
01:06:19,680 --> 01:06:21,920
Speaker 4: It sounds like I'm hating, but me and Peaged were

1561
01:06:21,960 --> 01:06:23,439
Speaker 4: off Mike saying that snippet is fire.

1562
01:06:24,080 --> 01:06:25,360
Speaker 6: That record sounds really good.

1563
01:06:25,680 --> 01:06:29,800
Speaker 7: It sounds like a good Mountain Dew commercial. Yo, you

1564
01:06:29,920 --> 01:06:33,360
Speaker 7: a hater, what that's big? You get a Mountain New commercial.

1565
01:06:33,400 --> 01:06:33,840
Speaker 3: That's major.

1566
01:06:33,960 --> 01:06:37,160
Speaker 4: Nobody took that as a compliment, and one of us

1567
01:06:37,280 --> 01:06:40,280
Speaker 4: he would the artists would do you like the song?

1568
01:06:40,960 --> 01:06:43,040
Speaker 7: The snippets sounded good. I didn't hear the whole song,

1569
01:06:43,080 --> 01:06:43,720
Speaker 7: but it's not out.

1570
01:06:43,640 --> 01:06:44,040
Speaker 3: Yet, is it.

1571
01:06:44,360 --> 01:06:46,400
Speaker 4: Well, when you're listening to this, it will be okay. Yeah,

1572
01:06:46,480 --> 01:06:48,880
Speaker 4: I heard sound Peach brought to my attention, and I

1573
01:06:48,920 --> 01:06:50,280
Speaker 4: was a little nervous because P is like he has

1574
01:06:50,320 --> 01:06:52,480
Speaker 4: a soldier boy flipping there, and I was like, oh God,

1575
01:06:52,520 --> 01:06:56,120
Speaker 4: here we go again. But whoever produced that amazing flip?

1576
01:06:56,560 --> 01:06:58,000
Speaker 4: It was a really formula.

1577
01:06:58,920 --> 01:07:01,520
Speaker 3: I see the formula he's he's sticking to. I get it.

1578
01:07:01,520 --> 01:07:02,480
Speaker 3: I see what Tommy's doing.

1579
01:07:02,560 --> 01:07:04,480
Speaker 4: No, I record does sound really really good.

1580
01:07:04,600 --> 01:07:05,360
Speaker 3: Yeah, it sounds good.

1581
01:07:05,440 --> 01:07:08,320
Speaker 4: It's just I don't know that snippet with that visual

1582
01:07:08,560 --> 01:07:09,800
Speaker 4: coming off your tweets.

1583
01:07:10,280 --> 01:07:12,120
Speaker 7: I mean, he's not.

1584
01:07:12,120 --> 01:07:14,680
Speaker 3: Solely a hip hop artist, that's all was he.

1585
01:07:14,680 --> 01:07:16,600
Speaker 4: He told the Grammys he's a rap artist.

1586
01:07:17,920 --> 01:07:20,080
Speaker 7: That because he didn't want to go to the I

1587
01:07:20,080 --> 01:07:21,920
Speaker 7: think the Grammys told him he's a rap artist.

1588
01:07:22,280 --> 01:07:23,760
Speaker 3: He said, no, no, no, this is raps.

1589
01:07:23,800 --> 01:07:25,160
Speaker 6: Nothing rap about that album.

1590
01:07:26,040 --> 01:07:27,400
Speaker 4: No, it's because you didn't want to compete with the

1591
01:07:27,400 --> 01:07:29,280
Speaker 4: pop stars and you thought you could, which I get

1592
01:07:29,480 --> 01:07:31,200
Speaker 4: get a nomination if you go in the rap category.

1593
01:07:31,280 --> 01:07:36,160
Speaker 6: Yeah, but come on, man, who do you think.

1594
01:07:36,040 --> 01:07:39,560
Speaker 4: He sent like maybe the treatment images for what women

1595
01:07:39,600 --> 01:07:41,040
Speaker 4: he wanted in that video and how he wanted them

1596
01:07:41,040 --> 01:07:44,600
Speaker 4: to address. Oh that he might as well said said

1597
01:07:44,640 --> 01:07:47,440
Speaker 4: whyan like, do you think that's his homegirls?

1598
01:07:47,560 --> 01:07:50,600
Speaker 3: Or yeah, I think that's the homies I like the Homies.

1599
01:07:50,400 --> 01:07:51,680
Speaker 6: Or do you think that's his mood board.

1600
01:07:52,520 --> 01:07:55,160
Speaker 3: No, that's the Homies. I don't do that fucking around.

1601
01:07:55,440 --> 01:07:56,960
Speaker 4: I like Tommy Richmond, and I know he gave him

1602
01:07:56,960 --> 01:08:00,360
Speaker 4: a lot of shit. This record does sound great, But

1603
01:08:00,400 --> 01:08:03,960
Speaker 4: I do think he's going to go the quote unquote

1604
01:08:04,040 --> 01:08:05,840
Speaker 4: urban route, which I'm sure they said in the meeting,

1605
01:08:06,240 --> 01:08:06,680
Speaker 4: and he's.

1606
01:08:06,520 --> 01:08:08,800
Speaker 6: Gonna this, and he's gonna he's gonna take a left

1607
01:08:08,840 --> 01:08:09,880
Speaker 6: and show his range.

1608
01:08:10,600 --> 01:08:13,080
Speaker 4: You know, he's from Virginia, he has country roots, like

1609
01:08:13,560 --> 01:08:15,400
Speaker 4: you know, maybe we'll get a shaboozi thing just so

1610
01:08:15,520 --> 01:08:19,400
Speaker 4: they can check two boxes. But he's he's definitely gonna

1611
01:08:19,439 --> 01:08:22,519
Speaker 4: take it to outside of the box, as they would say.

1612
01:08:22,400 --> 01:08:26,360
Speaker 7: Yeah, he'll be in Wyoming next week. He went from

1613
01:08:26,400 --> 01:08:30,719
Speaker 7: w to Wyoming. You know, niggasupposed to wild Wi shoot

1614
01:08:30,720 --> 01:08:33,200
Speaker 7: a video. It's like, good, don't try it. That doesn't

1615
01:08:33,200 --> 01:08:35,360
Speaker 7: mean you tapped in because you have Wiwai shooting the video.

1616
01:08:35,439 --> 01:08:38,080
Speaker 4: And first of all, sorry to South Jersey. WHI is

1617
01:08:38,080 --> 01:08:40,479
Speaker 4: the most overrated shit I've ever had. When I got

1618
01:08:40,520 --> 01:08:42,120
Speaker 4: to college, they was like, yo, you gotta have Wawhi.

1619
01:08:42,120 --> 01:08:43,960
Speaker 4: We went down the turnpike. I was like, oh, this

1620
01:08:44,040 --> 01:08:46,120
Speaker 4: is this is actually a gas station sandwich.

1621
01:08:46,200 --> 01:08:47,599
Speaker 3: Yeah, it takes a gas station.

1622
01:08:47,800 --> 01:08:49,320
Speaker 4: Yeah. I thought you guys are about to tell me

1623
01:08:49,360 --> 01:08:50,640
Speaker 4: like Noah, Dot, don't get it fucked up. It's a

1624
01:08:50,680 --> 01:08:52,760
Speaker 4: gas station. But they got the sandwiches. Now, this is

1625
01:08:52,800 --> 01:08:54,200
Speaker 4: a gas station sandwich. Why did that?

1626
01:08:54,479 --> 01:08:55,599
Speaker 3: It's just that deli.

1627
01:08:55,800 --> 01:08:57,040
Speaker 6: We passed seventeen delies.

1628
01:08:57,080 --> 01:08:57,880
Speaker 3: But that's what I'm about to say.

1629
01:08:57,920 --> 01:09:00,000
Speaker 7: When you're from New York City, you can't take nobody

1630
01:09:00,080 --> 01:09:04,040
Speaker 7: else is like what they say about sandwiches seriously, Like,

1631
01:09:04,080 --> 01:09:06,320
Speaker 7: if you're from like the DMV, you can't tell me

1632
01:09:06,360 --> 01:09:08,760
Speaker 7: anything about a sandwich. I'm from New York City. I

1633
01:09:08,800 --> 01:09:11,360
Speaker 7: grew up in front of the deli. Like, what are

1634
01:09:11,360 --> 01:09:13,360
Speaker 7: you going? This sandwich is the best sandwich in the

1635
01:09:13,360 --> 01:09:15,400
Speaker 7: city right here, this one at the gas station, right

1636
01:09:15,400 --> 01:09:16,200
Speaker 7: next to pump six.

1637
01:09:17,360 --> 01:09:19,400
Speaker 3: I'm cool. I'm fucking cool.

1638
01:09:19,479 --> 01:09:19,679
Speaker 8: Man.

1639
01:09:20,400 --> 01:09:21,880
Speaker 3: You can't tell me about a good sandwich.

1640
01:09:21,920 --> 01:09:23,439
Speaker 4: And I'm from New York, which I mean, I get

1641
01:09:23,520 --> 01:09:26,160
Speaker 4: South Jersey. There's not a lot there, but I was

1642
01:09:26,200 --> 01:09:28,679
Speaker 4: expecting it to be like some crazy shit.

1643
01:09:29,640 --> 01:09:30,120
Speaker 3: It's cool.

1644
01:09:30,800 --> 01:09:32,519
Speaker 6: I get it seven to eleven with us to hang

1645
01:09:32,560 --> 01:09:33,360
Speaker 6: out your space.

1646
01:09:33,160 --> 01:09:35,200
Speaker 7: To hang out for you know, the high school kids,

1647
01:09:35,280 --> 01:09:38,320
Speaker 7: college kids. They drive there, park up, listen to some music,

1648
01:09:38,360 --> 01:09:40,360
Speaker 7: you know, somebody going there and get a beer or something.

1649
01:09:40,400 --> 01:09:44,520
Speaker 7: You know, let's eat some fucking turkey and cheese sandwiches.

1650
01:09:44,080 --> 01:09:45,360
Speaker 4: All and listen to Soldier Boy.

1651
01:09:45,439 --> 01:09:46,360
Speaker 3: Yeah, and shoot a video.

1652
01:09:46,880 --> 01:09:49,080
Speaker 4: Did anyone watch the Kanye West? I don't know if

1653
01:09:49,120 --> 01:09:52,800
Speaker 4: I'll call it the mass drunk yard. What are you

1654
01:09:52,920 --> 01:09:57,120
Speaker 4: even trying to do? It's just drunk shit, drunk shit not.

1655
01:09:57,560 --> 01:09:58,280
Speaker 3: I'm not even drunk.

1656
01:09:58,280 --> 01:10:00,559
Speaker 5: I haven't been drinking for a while, but I just

1657
01:10:00,600 --> 01:10:01,559
Speaker 5: went to She ignored me.

1658
01:10:01,640 --> 01:10:06,720
Speaker 3: She's going through withdraw handsy, shaky.

1659
01:10:05,760 --> 01:10:07,320
Speaker 5: I am, I'm doing a damn February, Ma, all you

1660
01:10:07,360 --> 01:10:07,920
Speaker 5: want to do it with me?

1661
01:10:08,000 --> 01:10:11,240
Speaker 3: What's damn February? Damp? Well? Now damp roy?

1662
01:10:11,240 --> 01:10:12,040
Speaker 6: Do you want to do it with me?

1663
01:10:12,080 --> 01:10:12,160
Speaker 2: No?

1664
01:10:12,280 --> 01:10:13,200
Speaker 3: What's damp February?

1665
01:10:13,280 --> 01:10:15,479
Speaker 5: So instead of a dry like how it did dry January,

1666
01:10:15,520 --> 01:10:17,680
Speaker 5: instead of a dry February, it's damn, which means I

1667
01:10:17,680 --> 01:10:20,240
Speaker 5: pick one day in February where I get to drink,

1668
01:10:20,320 --> 01:10:20,799
Speaker 5: So it's.

1669
01:10:20,600 --> 01:10:22,760
Speaker 3: Not all the way dry. That's Valentine's Dale, but.

1670
01:10:22,680 --> 01:10:26,120
Speaker 5: One it's gall for my Gallentines gathering with the girl.

1671
01:10:26,200 --> 01:10:28,920
Speaker 3: That's the thirteenth what is the Galentine's.

1672
01:10:28,479 --> 01:10:30,439
Speaker 5: Gallentine It doesn't matter. You could do it whenever, but

1673
01:10:30,479 --> 01:10:32,920
Speaker 5: we're doing it on the fifteenth, the day after.

1674
01:10:33,120 --> 01:10:33,360
Speaker 3: Yeah.

1675
01:10:33,479 --> 01:10:35,479
Speaker 7: Oh, y'all want to talk about the niggas that didn't call,

1676
01:10:35,640 --> 01:10:38,240
Speaker 7: didn't send no flowers, did Yeah, I know.

1677
01:10:38,720 --> 01:10:39,639
Speaker 3: Or that's just the.

1678
01:10:39,600 --> 01:10:44,360
Speaker 5: Saturday Sunday two though it's the sixteenth. No, we're gonna

1679
01:10:44,400 --> 01:10:47,120
Speaker 5: do the fifteenth. But yeah, I'm just that's the only

1680
01:10:47,160 --> 01:10:49,000
Speaker 5: day this month I'm drinking. Or you want to try

1681
01:10:49,040 --> 01:10:50,479
Speaker 5: it just one day a month drinking.

1682
01:10:50,840 --> 01:10:53,240
Speaker 7: No, No, he wants to He wants to pick one

1683
01:10:53,280 --> 01:10:54,519
Speaker 7: day this month where he doesn't drink.

1684
01:10:55,560 --> 01:10:57,880
Speaker 4: It's not true. Don't pay me that.

1685
01:10:58,840 --> 01:11:02,040
Speaker 3: Not a flooded February. Yeah, where was like, okay today

1686
01:11:02,280 --> 01:11:03,120
Speaker 3: cutting off the hose.

1687
01:11:04,400 --> 01:11:07,280
Speaker 4: No, it was Amara. I didn't have any moral stance

1688
01:11:07,360 --> 01:11:10,200
Speaker 4: on drinking less. It was my daughter's up at six

1689
01:11:10,240 --> 01:11:13,960
Speaker 4: a m. And drinking does not coincide with that. Like,

1690
01:11:14,000 --> 01:11:16,400
Speaker 4: you can't drink every day and wake up at six am.

1691
01:11:16,520 --> 01:11:18,240
Speaker 4: You gotta you gotta chill.

1692
01:11:18,360 --> 01:11:19,840
Speaker 3: You gotta drink some water and go to sleep.

1693
01:11:19,920 --> 01:11:23,320
Speaker 4: Yeah, absolutely so, No, I won't do that, but uh,

1694
01:11:23,439 --> 01:11:24,559
Speaker 4: I mean I'll support you.

1695
01:11:25,240 --> 01:11:26,559
Speaker 3: Thank you.

1696
01:11:26,800 --> 01:11:30,800
Speaker 7: Jerry wird was easy, but my FaceTime Durren Gallentin's we

1697
01:11:30,840 --> 01:11:31,559
Speaker 7: ain't never face time.

1698
01:11:31,560 --> 01:11:33,479
Speaker 5: I'm gonna be with I'm gonna be with Kellen Rocks

1699
01:11:33,560 --> 01:11:35,200
Speaker 5: Penny like be with the King.

1700
01:11:35,520 --> 01:11:36,800
Speaker 7: Yeah, but I'm saying I want to I want to

1701
01:11:36,840 --> 01:11:39,080
Speaker 7: just facetimed ladies and say Happy Gallantine's Day.

1702
01:11:39,600 --> 01:11:41,400
Speaker 4: Wait, what can mall go to Gallentine's Day?

1703
01:11:41,840 --> 01:11:44,919
Speaker 3: Is he a galldam? What am I what a galadam?

1704
01:11:45,000 --> 01:11:45,679
Speaker 3: Are you a gallous?

1705
01:11:45,720 --> 01:11:45,800
Speaker 8: Oh?

1706
01:11:46,080 --> 01:11:46,960
Speaker 3: No, I'm not.

1707
01:11:47,120 --> 01:11:50,760
Speaker 5: Okay, So no, but I mean you can say you

1708
01:11:50,800 --> 01:11:54,000
Speaker 5: are not anymore anyway.

1709
01:11:55,200 --> 01:11:57,559
Speaker 3: I like that, not anymore. Yeah, but I.

1710
01:11:57,520 --> 01:12:01,040
Speaker 4: Mean so they replaced side Chicken d which was the fifteenth,

1711
01:12:01,120 --> 01:12:02,880
Speaker 4: with Valentine's Day. That's what it is.

1712
01:12:03,200 --> 01:12:05,040
Speaker 5: Yeah, I mean, side chicks are still going to do

1713
01:12:05,080 --> 01:12:06,800
Speaker 5: their thing, but none of us are side chicks.

1714
01:12:06,920 --> 01:12:09,280
Speaker 4: I'm not calling you guys that okay. Teenth used to

1715
01:12:09,320 --> 01:12:09,519
Speaker 4: be that.

1716
01:12:10,840 --> 01:12:12,960
Speaker 5: I thought side chicks. There was always the thirteenth, It's

1717
01:12:13,000 --> 01:12:19,080
Speaker 5: always the friday before Valentine's Day, but side chicks days. Yeah,

1718
01:12:19,280 --> 01:12:20,880
Speaker 5: so it's the day before Valentine's Day.

1719
01:12:21,240 --> 01:12:21,559
Speaker 6: That's no.

1720
01:12:21,840 --> 01:12:24,479
Speaker 4: You have two girlfriends like a side chick, You're not

1721
01:12:24,520 --> 01:12:27,320
Speaker 4: doing anything for Valentine's Day at all for the day.

1722
01:12:27,360 --> 01:12:28,960
Speaker 4: If you have to do the thirteenth or the fifteenth,

1723
01:12:29,000 --> 01:12:31,559
Speaker 4: you have two girlfriends, So.

1724
01:12:31,520 --> 01:12:32,639
Speaker 3: What was side chicks day?

1725
01:12:33,880 --> 01:12:35,400
Speaker 6: Side chicks don't see Valentine's Day.

1726
01:12:36,120 --> 01:12:38,280
Speaker 3: Sadicks just created for some recognition.

1727
01:12:39,240 --> 01:12:41,960
Speaker 7: I'm not paying those side checks no mind during Valentine's

1728
01:12:42,000 --> 01:12:45,320
Speaker 7: Day like that. Any the thirteenth to fifteenth or sixteenth,

1729
01:12:45,680 --> 01:12:48,519
Speaker 7: you know, you get nothing. I'll speak to you super

1730
01:12:48,560 --> 01:12:49,519
Speaker 7: Bowl Sunday and that's it.

1731
01:12:49,600 --> 01:12:52,400
Speaker 3: I'll speak to you in my Oh what's happen? Oh

1732
01:12:52,479 --> 01:12:53,799
Speaker 3: y'all that's rough.

1733
01:12:54,160 --> 01:12:56,760
Speaker 7: Yeah, it's rough being a side check out here for

1734
01:12:56,800 --> 01:12:57,439
Speaker 7: a real nigga.

1735
01:12:58,400 --> 01:12:59,840
Speaker 3: These lames now, they make it easy more.

1736
01:12:59,880 --> 01:13:02,000
Speaker 4: You have to be in a relationship to episodeject who

1737
01:13:02,360 --> 01:13:03,640
Speaker 4: you who made that rule up?

1738
01:13:04,400 --> 01:13:06,240
Speaker 5: So she she gotta be honest with you.

1739
01:13:06,280 --> 01:13:07,160
Speaker 3: Just something.

1740
01:13:08,600 --> 01:13:13,560
Speaker 7: On the side of his bed, on the side of me, yeah,

1741
01:13:13,720 --> 01:13:14,559
Speaker 7: or the left side, you know.

1742
01:13:14,600 --> 01:13:15,160
Speaker 3: Not by the door.

1743
01:13:15,160 --> 01:13:16,200
Speaker 7: You get to put them, you know what I'm saying.

1744
01:13:16,200 --> 01:13:18,960
Speaker 7: By the window, Yeah, that's fuck that putting. You want

1745
01:13:18,960 --> 01:13:21,559
Speaker 7: to protect windows? Truth, Yeah, because if the intruder comes in,

1746
01:13:21,600 --> 01:13:23,439
Speaker 7: you know, he kills me first and then he kills her,

1747
01:13:24,439 --> 01:13:26,080
Speaker 7: So he's not gonna kill me.

1748
01:13:26,120 --> 01:13:29,360
Speaker 3: Didn't leave. You know he's gonna kill you too. You

1749
01:13:29,400 --> 01:13:30,240
Speaker 3: can sleep on that side.

1750
01:13:30,280 --> 01:13:33,240
Speaker 4: If you want to make specific serial killers that only

1751
01:13:33,240 --> 01:13:34,840
Speaker 4: go after the person the first year.

1752
01:13:35,080 --> 01:13:37,080
Speaker 7: Whoever sleeping by the door, he gets killed, then another one.

1753
01:13:37,120 --> 01:13:38,920
Speaker 7: Let us know, we all just keep your mouth shut.

1754
01:13:39,000 --> 01:13:39,479
Speaker 7: I'm out of here.

1755
01:13:39,479 --> 01:13:43,560
Speaker 3: You didn't see anything. It doesn't work like that, okay.

1756
01:13:43,840 --> 01:13:47,040
Speaker 4: Well, gallon times they should be fund Did anyone watch

1757
01:13:47,160 --> 01:13:50,479
Speaker 4: the Kanye West interview slash episode slash? I don't really

1758
01:13:50,560 --> 01:13:51,439
Speaker 4: know exactly what to call.

1759
01:13:51,600 --> 01:13:53,040
Speaker 3: I saw clips of it. I didn't. I didn't didn't

1760
01:13:53,040 --> 01:13:54,240
Speaker 3: watch the entire episode.

1761
01:13:54,360 --> 01:13:54,960
Speaker 6: I watched it.

1762
01:13:55,320 --> 01:13:57,880
Speaker 4: I really liked how it was shot, like they had

1763
01:13:57,920 --> 01:14:00,120
Speaker 4: the whole projector. It was definitely shot really cool. I

1764
01:14:00,160 --> 01:14:03,160
Speaker 4: liked how they went in and out of the I

1765
01:14:03,200 --> 01:14:06,920
Speaker 4: guess interview to certain things Kanye was working on old

1766
01:14:06,920 --> 01:14:09,400
Speaker 4: clips like. It was definitely put together very well for

1767
01:14:09,439 --> 01:14:10,320
Speaker 4: that first episode.

1768
01:14:10,400 --> 01:14:10,800
Speaker 3: I liked it.

1769
01:14:10,720 --> 01:14:12,799
Speaker 7: It wasn't It didn't feel like it was overly produced.

1770
01:14:12,840 --> 01:14:14,200
Speaker 7: It felt like it was just like, Yo, let's set

1771
01:14:14,240 --> 01:14:17,120
Speaker 7: up some right here, you know, just just make your

1772
01:14:17,120 --> 01:14:19,080
Speaker 7: own rules. Like like, I like that type of vibe

1773
01:14:19,080 --> 01:14:20,960
Speaker 7: where it doesn't seem like it was too scripted.

1774
01:14:22,320 --> 01:14:24,439
Speaker 3: You know, we just had a chance to get Yay.

1775
01:14:24,280 --> 01:14:27,120
Speaker 7: On camera for a few hours, shot a bunch of shit,

1776
01:14:27,320 --> 01:14:28,679
Speaker 7: and then you know, we put it together.

1777
01:14:28,720 --> 01:14:30,880
Speaker 4: So I like that they played to Justin le Boy's

1778
01:14:30,880 --> 01:14:34,000
Speaker 4: strengths where Kanye just talks and then they cut to

1779
01:14:34,160 --> 01:14:37,599
Speaker 4: old footage or him in the studio. Yeah, and then

1780
01:14:37,680 --> 01:14:42,120
Speaker 4: the boy's like, oh crazy, and then they cut like,

1781
01:14:42,400 --> 01:14:43,879
Speaker 4: you know, they played to his strengths.

1782
01:14:45,000 --> 01:14:47,360
Speaker 7: That was hate, right that you caught that baby, That

1783
01:14:47,400 --> 01:14:48,719
Speaker 7: was a little shot for Justin, Yo.

1784
01:14:48,600 --> 01:14:50,519
Speaker 6: What's up with you? That was hate?

1785
01:14:50,760 --> 01:14:54,360
Speaker 4: Yeah? Can we reverse the footage to when the actual

1786
01:14:54,360 --> 01:14:55,200
Speaker 4: interview came out?

1787
01:14:55,400 --> 01:14:55,960
Speaker 6: That was hate.

1788
01:14:55,960 --> 01:14:57,639
Speaker 4: I was shitting on Justin le Boy the whole time.

1789
01:14:57,840 --> 01:14:59,120
Speaker 4: That was the worst interview I ever saw in my

1790
01:14:59,160 --> 01:15:00,080
Speaker 4: fucking life.

1791
01:15:00,560 --> 01:15:01,320
Speaker 6: This I liked.

1792
01:15:02,080 --> 01:15:04,320
Speaker 4: I actually really enjoyed what they put together. You didn't

1793
01:15:04,360 --> 01:15:08,000
Speaker 4: really get much outside of Kanye's.

1794
01:15:07,600 --> 01:15:08,200
Speaker 6: Stance on AI.

1795
01:15:08,200 --> 01:15:09,640
Speaker 4: I would say that was probably the biggest thing I

1796
01:15:09,640 --> 01:15:13,519
Speaker 4: took from it, which we kind of predicted. He views

1797
01:15:13,560 --> 01:15:16,920
Speaker 4: it the way everyone shitted on samples in the beginning,

1798
01:15:17,560 --> 01:15:20,280
Speaker 4: and then that became the norm. Everyone shitted on auto tune,

1799
01:15:20,320 --> 01:15:22,479
Speaker 4: and then that became the norm. He thinks AI is

1800
01:15:22,520 --> 01:15:24,360
Speaker 4: the same thing. It doesn't want to get left behind,

1801
01:15:25,120 --> 01:15:28,680
Speaker 4: which we expected from Kanye. I still think there's a

1802
01:15:28,760 --> 01:15:29,960
Speaker 4: drastic difference between it.

1803
01:15:30,000 --> 01:15:31,799
Speaker 3: It's an incredible drastic difference.

1804
01:15:32,000 --> 01:15:35,040
Speaker 4: But Kanye is putting it in that same exact category.

1805
01:15:35,120 --> 01:15:37,280
Speaker 4: And I don't know, when the dust settles in ten

1806
01:15:37,400 --> 01:15:40,719
Speaker 4: fifteen years, we may look at it that way. I don't.

1807
01:15:40,840 --> 01:15:45,559
Speaker 7: But this entire Bully album is AI, right, Yeah, yeah,

1808
01:15:45,600 --> 01:15:46,479
Speaker 7: I'm not jacking it.

1809
01:15:46,640 --> 01:15:47,280
Speaker 6: Well he didn't.

1810
01:15:47,800 --> 01:15:49,920
Speaker 4: He didn't outright say that, but you got that idea.

1811
01:15:50,120 --> 01:15:50,719
Speaker 3: It's AI.

1812
01:15:50,800 --> 01:15:54,240
Speaker 4: They were even like showing other verses that other people

1813
01:15:54,280 --> 01:15:55,639
Speaker 4: cut and then yeah, it was like, you know, put

1814
01:15:55,640 --> 01:15:58,400
Speaker 4: my voice on it, and then it became Kanye.

1815
01:15:58,680 --> 01:16:01,720
Speaker 3: Yeah. See, that's a dangerous thing to play with.

1816
01:16:01,800 --> 01:16:01,960
Speaker 5: Man.

1817
01:16:02,000 --> 01:16:04,360
Speaker 7: When you got an artist as dope as Kanye and

1818
01:16:04,400 --> 01:16:07,880
Speaker 7: as you know, innovative and creative as Kanye, embracing that

1819
01:16:07,920 --> 01:16:11,320
Speaker 7: type of technology with the music, it's just it's such

1820
01:16:11,360 --> 01:16:14,280
Speaker 7: a it's such a dangerous it's such a dangerous tone

1821
01:16:14,720 --> 01:16:16,760
Speaker 7: for other artists. Because now your argument is THO, shit,

1822
01:16:16,840 --> 01:16:18,720
Speaker 7: Kanye just did it, and he sold this many he

1823
01:16:18,760 --> 01:16:21,320
Speaker 7: streamed this and he did Now you can start pointing.

1824
01:16:21,000 --> 01:16:22,439
Speaker 4: To that the snippets sound right.

1825
01:16:22,520 --> 01:16:24,920
Speaker 7: Yeah, it's so, it's just a dangerous It's a dangerous

1826
01:16:24,920 --> 01:16:27,040
Speaker 7: thing for somebody like Kanye to like cos on that.

1827
01:16:27,240 --> 01:16:30,400
Speaker 4: He says he's by hand cutting every sample himself. He's

1828
01:16:30,439 --> 01:16:33,040
Speaker 4: producing everything by himself. He says he's gonna bring Mike

1829
01:16:33,040 --> 01:16:34,800
Speaker 4: Dean back into the mix on the engineering side. But

1830
01:16:34,800 --> 01:16:36,600
Speaker 4: he did say this is this is Yay on the

1831
01:16:36,680 --> 01:16:39,479
Speaker 4: NPC cutting everything up. So we get that for the

1832
01:16:39,479 --> 01:16:41,920
Speaker 4: first time in a while, m H. Which I don't

1833
01:16:41,920 --> 01:16:44,479
Speaker 4: know if that does that add any credence to it

1834
01:16:44,520 --> 01:16:45,080
Speaker 4: for you.

1835
01:16:45,080 --> 01:16:47,439
Speaker 7: No, I mean, I understand that he still has a

1836
01:16:47,920 --> 01:16:51,639
Speaker 7: hand in the music, but to embrace you know, vocally

1837
01:16:51,720 --> 01:16:55,479
Speaker 7: and the song, the lyrics, the music, for you to

1838
01:16:55,560 --> 01:16:57,720
Speaker 7: lean so heavily into the AI thing, I think it's

1839
01:16:57,720 --> 01:17:01,519
Speaker 7: just dangerous for somebody like artist like Kanye to do

1840
01:17:01,560 --> 01:17:04,719
Speaker 7: that because again we've seen him create such classic pieces

1841
01:17:04,760 --> 01:17:08,439
Speaker 7: of music and create such beautiful moments in music to

1842
01:17:08,600 --> 01:17:12,760
Speaker 7: now embrace this technology where essentially it can it can

1843
01:17:12,800 --> 01:17:14,759
Speaker 7: get to a point where we don't even need the artists.

1844
01:17:15,800 --> 01:17:17,320
Speaker 7: It would just be a thing where people sign off

1845
01:17:17,360 --> 01:17:19,680
Speaker 7: on their likeness. You can use my likeness, but you

1846
01:17:19,800 --> 01:17:21,920
Speaker 7: never step into studio, so we don't get real emotion,

1847
01:17:22,080 --> 01:17:25,320
Speaker 7: real soul, real like I just I just think that's

1848
01:17:25,320 --> 01:17:28,200
Speaker 7: a dangerous thing for artists to embrace.

1849
01:17:28,280 --> 01:17:30,800
Speaker 4: Well, then do we owe old heads and apology? Because

1850
01:17:31,160 --> 01:17:34,600
Speaker 4: I was even one of the younger people. You know,

1851
01:17:34,920 --> 01:17:37,320
Speaker 4: we watched prints say, yeah, samples are cool, but when

1852
01:17:37,320 --> 01:17:40,040
Speaker 4: are we gonna end up having the samples sample the sample,

1853
01:17:40,160 --> 01:17:43,639
Speaker 4: sample the sample, which clearly has happened. Yeah, but there

1854
01:17:43,680 --> 01:17:47,160
Speaker 4: were so many people older than me that hated my

1855
01:17:47,400 --> 01:17:50,879
Speaker 4: favorite era of hip hop production, which is soul samples

1856
01:17:50,920 --> 01:17:53,960
Speaker 4: being chopped up, even to the point that they're extremely

1857
01:17:54,000 --> 01:17:56,479
Speaker 4: obvious and you're just adding a few snares to a

1858
01:17:56,520 --> 01:18:00,240
Speaker 4: record that's already been proven. But to me it was amazing.

1859
01:18:00,360 --> 01:18:02,160
Speaker 4: To them, it was like, this is bullshit, this is

1860
01:18:02,200 --> 01:18:05,920
Speaker 4: gonna ruin music. Then auto tune came and a shit,

1861
01:18:05,960 --> 01:18:07,680
Speaker 4: people even three four years older than me thought it

1862
01:18:07,720 --> 01:18:10,000
Speaker 4: was awful. I was like, yeah, fuck with autotune, Like I.

1863
01:18:09,880 --> 01:18:10,479
Speaker 6: Think it's cool.

1864
01:18:10,560 --> 01:18:11,719
Speaker 3: But it's still a difference though.

1865
01:18:11,840 --> 01:18:15,000
Speaker 4: I know, But did all these changes lead to now

1866
01:18:15,000 --> 01:18:18,479
Speaker 4: where we're at for AI to be more acceptable? So

1867
01:18:18,560 --> 01:18:21,479
Speaker 4: maybe these people were right based off like I love

1868
01:18:21,520 --> 01:18:23,320
Speaker 4: what just Blaze does, but there's so many people that

1869
01:18:23,479 --> 01:18:25,920
Speaker 4: were older that were like, he's that's someone else's music.

1870
01:18:25,960 --> 01:18:27,519
Speaker 4: He's chopping that shit up with the fuck. I was like,

1871
01:18:27,560 --> 01:18:30,080
Speaker 4: you can't see the art and that that is the

1872
01:18:30,120 --> 01:18:31,360
Speaker 4: first step to getting here.

1873
01:18:31,760 --> 01:18:36,439
Speaker 7: I think it's different like hearing a Beanie Bean's Beanie

1874
01:18:36,439 --> 01:18:41,000
Speaker 7: Sigual was gonna use AI on his new music because obviously,

1875
01:18:41,000 --> 01:18:44,920
Speaker 7: you know, he had such a change in his voice,

1876
01:18:44,920 --> 01:18:49,400
Speaker 7: his tone, but you know he's just using it to

1877
01:18:49,520 --> 01:18:53,000
Speaker 7: kind of sound like he did before. Yeah, but he's

1878
01:18:53,000 --> 01:18:55,800
Speaker 7: still writing, he's still actually laying down the vocals. They're

1879
01:18:55,840 --> 01:18:59,840
Speaker 7: just gonna implement that technology to enhance his audio to

1880
01:19:00,320 --> 01:19:03,280
Speaker 7: similar to it sounded to what it sounded like before

1881
01:19:03,360 --> 01:19:06,880
Speaker 7: his voice changed. I'm not mad at it there in

1882
01:19:06,920 --> 01:19:09,240
Speaker 7: that sense, because he's actually still going in the booth.

1883
01:19:09,600 --> 01:19:12,679
Speaker 7: He's still right and he's still like laying down bars.

1884
01:19:13,400 --> 01:19:15,560
Speaker 7: But just in the mix, you know, we got to

1885
01:19:15,600 --> 01:19:17,760
Speaker 7: tweak his voice his vocals a little bit. I'm not

1886
01:19:17,800 --> 01:19:20,040
Speaker 7: mad at that. When you say this artist didn't step

1887
01:19:20,040 --> 01:19:24,800
Speaker 7: into booth at all all emotions, and to me, that's

1888
01:19:24,880 --> 01:19:26,479
Speaker 7: like connection is going on. Yeah, it's like, all right,

1889
01:19:26,600 --> 01:19:30,839
Speaker 7: so this is we had a problem with posthumous albums,

1890
01:19:31,880 --> 01:19:34,160
Speaker 7: even though the artists actually laid that song down at

1891
01:19:34,160 --> 01:19:36,280
Speaker 7: one point may not have laid it down to that music.

1892
01:19:36,320 --> 01:19:38,280
Speaker 7: They may have took those vocals and then put it

1893
01:19:38,320 --> 01:19:41,840
Speaker 7: on a new track. Yeah, but people hated that this

1894
01:19:42,000 --> 01:19:45,599
Speaker 7: is beyond that. This is like I mean, he never

1895
01:19:45,680 --> 01:19:48,120
Speaker 7: even said that. He never even went in the booth

1896
01:19:48,160 --> 01:19:50,479
Speaker 7: and laid that down. To me, that's a problem. And

1897
01:19:50,520 --> 01:19:53,800
Speaker 7: somebody thinks if Biggie was alive, right, so to me,

1898
01:19:54,680 --> 01:19:58,960
Speaker 7: go do the duet right? Like to me, somebody like Kanye,

1899
01:19:59,000 --> 01:20:02,680
Speaker 7: who has influen as he is probably the most influential

1900
01:20:02,760 --> 01:20:06,000
Speaker 7: artist in music, I just think it's dangerous for him

1901
01:20:06,000 --> 01:20:07,600
Speaker 7: to embrace that type of technology.

1902
01:20:07,680 --> 01:20:10,080
Speaker 4: Why I think it's extremely dangerous outside of everything that

1903
01:20:10,120 --> 01:20:11,800
Speaker 4: you was named, is that it's probably going to be

1904
01:20:11,880 --> 01:20:15,120
Speaker 4: really good and you probably will feel emotion connected to it.

1905
01:20:15,320 --> 01:20:17,120
Speaker 4: I think Kanye is going to be really good at

1906
01:20:17,160 --> 01:20:19,519
Speaker 4: AI the way that we watch some of like the

1907
01:20:19,560 --> 01:20:22,639
Speaker 4: Weekend stuff and Drake and you know people on Twitter

1908
01:20:22,680 --> 01:20:24,640
Speaker 4: that we're putting stuff up and we're like, this is

1909
01:20:24,680 --> 01:20:27,280
Speaker 4: getting close to good what y'all are doing. But we

1910
01:20:27,280 --> 01:20:30,519
Speaker 4: can still tell. I don't know if we would be

1911
01:20:30,560 --> 01:20:34,280
Speaker 4: able to tell with Kanye's album unless he told us

1912
01:20:34,400 --> 01:20:36,760
Speaker 4: what he did in this episode, like that's how good.

1913
01:20:36,800 --> 01:20:39,080
Speaker 4: I think he's going to be at it because Kanye,

1914
01:20:39,120 --> 01:20:41,439
Speaker 4: we wouldn't say is the most lyrical person ever, but

1915
01:20:41,520 --> 01:20:43,880
Speaker 4: his bravado and his delivery is what put him up there.

1916
01:20:44,080 --> 01:20:46,400
Speaker 4: Why he could do Watch the Throne with Jay because

1917
01:20:46,400 --> 01:20:48,800
Speaker 4: his energy is just like that. I think he's going

1918
01:20:48,840 --> 01:20:50,360
Speaker 4: to figure out a way to do that with AI

1919
01:20:50,640 --> 01:20:53,080
Speaker 4: and Tricky, and it's going to be so good that

1920
01:20:53,080 --> 01:20:54,920
Speaker 4: that's why it's going to be accepted, because it's like.

1921
01:20:55,240 --> 01:20:56,439
Speaker 6: Yo, there's a motion in this shit.

1922
01:20:56,520 --> 01:20:59,200
Speaker 4: Yeah, this isn't just some straight AI weekend shit.

1923
01:20:59,200 --> 01:20:59,679
Speaker 6: That's a motion.

1924
01:21:00,040 --> 01:21:02,280
Speaker 7: It's tricky with with with Kanye too, because he is

1925
01:21:02,320 --> 01:21:05,800
Speaker 7: actually still involved in the producing of the music. So

1926
01:21:05,920 --> 01:21:08,479
Speaker 7: technically it is Kanye, like he's still on the MP

1927
01:21:08,680 --> 01:21:10,880
Speaker 7: he's you know, he's doing those things. So it's like, yeah, no,

1928
01:21:11,000 --> 01:21:13,559
Speaker 7: it's it's him. But when you start talking about you know,

1929
01:21:13,600 --> 01:21:15,599
Speaker 7: the lyrics, the vocals and things like that, and that's

1930
01:21:15,640 --> 01:21:19,519
Speaker 7: just all AI, I'm just yeah, I think this is

1931
01:21:19,520 --> 01:21:21,160
Speaker 7: where I started listening to country music.

1932
01:21:21,200 --> 01:21:23,759
Speaker 4: Man, who that's not gonna be AI.

1933
01:21:24,000 --> 01:21:25,840
Speaker 7: I don't not see that. I think that they keep that.

1934
01:21:26,600 --> 01:21:28,960
Speaker 7: They they look like they protect their coach a little

1935
01:21:29,000 --> 01:21:29,960
Speaker 7: more than hip hop does.

1936
01:21:30,320 --> 01:21:31,439
Speaker 6: Just from Beyonce, no one else.

1937
01:21:32,920 --> 01:21:33,840
Speaker 3: Boozy didn't get nothing.

1938
01:21:34,040 --> 01:21:36,240
Speaker 5: Yeah, Booze ain't win none, either of you know, he should.

1939
01:21:35,960 --> 01:21:40,360
Speaker 4: Have, Okay from black people. I didn't want to be

1940
01:21:40,360 --> 01:21:40,960
Speaker 4: the one to say.

1941
01:21:40,840 --> 01:21:43,880
Speaker 3: It, Okay, glad you cleared that one. The fuck up?

1942
01:21:44,479 --> 01:21:47,360
Speaker 4: Oh man, Yeah, that's the only people they protected from.

1943
01:21:47,400 --> 01:21:50,160
Speaker 3: Well, Kanye did say he's not bipolar. He said he's autistic.

1944
01:21:51,439 --> 01:21:53,760
Speaker 3: I think he's a little bit of both. I think, yeah,

1945
01:21:53,760 --> 01:21:56,840
Speaker 3: I think you know, pick and roll, you need, you

1946
01:21:56,880 --> 01:21:58,600
Speaker 3: need to screen to get the shot off. I get it.

1947
01:21:59,240 --> 01:22:02,320
Speaker 7: So are we surprised that he said he's autistic? Do

1948
01:22:02,360 --> 01:22:04,559
Speaker 7: we believe that he is really autistical? We think this

1949
01:22:04,600 --> 01:22:07,200
Speaker 7: is Kanye just saying Kanye shit.

1950
01:22:07,080 --> 01:22:10,960
Speaker 5: I'm not a medical professional. I'm kind of rolling with

1951
01:22:11,160 --> 01:22:12,720
Speaker 5: the fact that I've said that. I think we've said

1952
01:22:12,760 --> 01:22:15,000
Speaker 5: before though, we think he had a little bit of theutism.

1953
01:22:15,160 --> 01:22:18,040
Speaker 4: No, I don't like, I don't. I think that was

1954
01:22:18,120 --> 01:22:22,360
Speaker 4: only news to Kanye West. Like when he was sitting

1955
01:22:22,360 --> 01:22:24,840
Speaker 4: there with Justin Woy's like, yeah him. My wife came

1956
01:22:24,920 --> 01:22:26,320
Speaker 4: up to me and was like, you know, I've seen

1957
01:22:26,320 --> 01:22:28,479
Speaker 4: bipolar people, but that's not you. I think you might

1958
01:22:29,160 --> 01:22:31,600
Speaker 4: be autistic. And like you could see the bulb go

1959
01:22:31,680 --> 01:22:34,080
Speaker 4: up in Kanye's head and I'm like, oh, I was

1960
01:22:34,960 --> 01:22:36,519
Speaker 4: thirteen when you came out, and I could tell he

1961
01:22:36,520 --> 01:22:39,640
Speaker 4: was autistic. Yeah, this is just news to you. But

1962
01:22:39,720 --> 01:22:42,280
Speaker 4: I mean, I'm glad he's getting the help that he needs.

1963
01:22:42,280 --> 01:22:45,320
Speaker 4: And he didn't really touch too much into it. I

1964
01:22:45,360 --> 01:22:47,639
Speaker 4: did like the point he was bringing up of staying

1965
01:22:47,680 --> 01:22:51,240
Speaker 4: on medication, but how to balance that without losing your

1966
01:22:51,280 --> 01:22:54,759
Speaker 4: creativity because you know a lot of autistic or bipolar

1967
01:22:54,760 --> 01:22:57,080
Speaker 4: people that are super creative need their meds, but that

1968
01:22:57,120 --> 01:22:59,600
Speaker 4: can kind of comatose you and not keep you in

1969
01:22:59,640 --> 01:23:02,000
Speaker 4: the rights state. So him finding that balance, I thought

1970
01:23:02,040 --> 01:23:04,840
Speaker 4: was a really important conversation that I hope he talks

1971
01:23:04,880 --> 01:23:08,040
Speaker 4: more about because there is you know, some of our

1972
01:23:08,080 --> 01:23:12,920
Speaker 4: greatest creative people are autistic, and in this new world

1973
01:23:13,040 --> 01:23:15,920
Speaker 4: of big pharma, they're just trying to put everyone on

1974
01:23:16,000 --> 01:23:18,639
Speaker 4: every medication period. And I'm not saying people don't need that,

1975
01:23:18,920 --> 01:23:21,080
Speaker 4: but you are taking away a lot of the genius

1976
01:23:21,120 --> 01:23:23,240
Speaker 4: that they have with doing so, so there does need

1977
01:23:23,280 --> 01:23:25,479
Speaker 4: to be a conversation how to balance that. With creatives.

1978
01:23:25,640 --> 01:23:28,880
Speaker 3: Has Kanye has he ever taken the toad? He?

1979
01:23:29,800 --> 01:23:31,599
Speaker 6: I think he lives in the toe bro. I want

1980
01:23:31,600 --> 01:23:32,439
Speaker 6: to think I don't let to.

1981
01:23:32,360 --> 01:23:35,280
Speaker 7: See Kanye take the like see him after like a

1982
01:23:35,360 --> 01:23:37,480
Speaker 7: real like Ayahuasca's experience.

1983
01:23:37,800 --> 01:23:40,480
Speaker 4: You know, with people that don't have like super ADHD

1984
01:23:40,640 --> 01:23:44,200
Speaker 4: that adderall makes them more focused and more hyper, and

1985
01:23:44,240 --> 01:23:46,960
Speaker 4: then people that actually have it adderall can actually calm

1986
01:23:47,000 --> 01:23:49,600
Speaker 4: them down, because that's what it's supposed to do. I

1987
01:23:49,640 --> 01:23:51,960
Speaker 4: think the toad would turn Kanye West into a regular

1988
01:23:52,000 --> 01:23:56,519
Speaker 4: human being. I think he's in the toad every day.

1989
01:23:56,520 --> 01:23:58,080
Speaker 4: I think he would turn into like a regular guy.

1990
01:23:58,120 --> 01:23:59,840
Speaker 3: Does he lose all of his superpowers as far as

1991
01:24:00,160 --> 01:24:02,200
Speaker 3: artistically in music for.

1992
01:24:02,160 --> 01:24:03,960
Speaker 4: The trip, I think he would. He'd turn into, like,

1993
01:24:04,080 --> 01:24:06,519
Speaker 4: you know, just a regular guy that works a nine

1994
01:24:06,560 --> 01:24:09,880
Speaker 4: to five job. He like all the thoughts in his head,

1995
01:24:09,880 --> 01:24:11,640
Speaker 4: he'd keep to himself because he knows those would be

1996
01:24:11,680 --> 01:24:12,679
Speaker 4: insane to say out loud.

1997
01:24:12,880 --> 01:24:14,120
Speaker 3: Right, So, because.

1998
01:24:13,920 --> 01:24:18,080
Speaker 7: He's built on Kanye's being somebody who's built largely on ego,

1999
01:24:18,800 --> 01:24:21,439
Speaker 7: I think to be stripped of all ego after Ayahwaska experience.

2000
01:24:21,439 --> 01:24:22,920
Speaker 7: Would just be interested to see the type of person

2001
01:24:22,960 --> 01:24:26,360
Speaker 7: Kanye is Yeah.

2002
01:24:25,479 --> 01:24:28,479
Speaker 4: I would do it. I mean, not to make this

2003
01:24:28,720 --> 01:24:31,240
Speaker 4: a drake thing. I forgot what interview he was talking about,

2004
01:24:31,240 --> 01:24:33,960
Speaker 4: which I thought was really interesting that he said he

2005
01:24:34,000 --> 01:24:36,479
Speaker 4: didn't want to go into therapy because a lot of

2006
01:24:36,520 --> 01:24:39,200
Speaker 4: what would heal him that he needs to go to

2007
01:24:39,240 --> 01:24:42,639
Speaker 4: therapy for would take away a lot of the edge

2008
01:24:42,800 --> 01:24:45,840
Speaker 4: and the creativeness, Like he needs to have that shit

2009
01:24:46,200 --> 01:24:49,160
Speaker 4: that he needs to heal from, Yeah, to stay as

2010
01:24:49,160 --> 01:24:51,000
Speaker 4: creative as possible, like going up there. I can't heal

2011
01:24:51,040 --> 01:24:52,880
Speaker 4: that right now. If I heal that, I'll lose a

2012
01:24:52,920 --> 01:24:55,679
Speaker 4: lot of shit. Which I thought was a really really

2013
01:24:55,720 --> 01:24:57,880
Speaker 4: interesting point in conversation.

2014
01:24:57,439 --> 01:24:59,680
Speaker 7: That that's dope that he recognizes that and understands that

2015
01:24:59,680 --> 01:25:03,439
Speaker 7: though I need I need this thing, this ego thing,

2016
01:25:03,479 --> 01:25:05,960
Speaker 7: I need this fuels this funds all of this.

2017
01:25:06,760 --> 01:25:08,360
Speaker 4: Yeah, I just I guess it gets to the point,

2018
01:25:08,400 --> 01:25:11,639
Speaker 4: and not specifically to those two gentlemen, but the older

2019
01:25:11,680 --> 01:25:13,960
Speaker 4: you get, that will take a toll on you and

2020
01:25:13,960 --> 01:25:15,320
Speaker 4: how many years fuck your career?

2021
01:25:15,400 --> 01:25:16,639
Speaker 3: Like, yeah, how.

2022
01:25:16,520 --> 01:25:19,400
Speaker 4: Many more years can your body handle that type of shit?

2023
01:25:19,439 --> 01:25:22,879
Speaker 4: Because I mean, even mental health still affects your physical

2024
01:25:22,920 --> 01:25:26,360
Speaker 4: health too. If you're constantly having those type of episodes

2025
01:25:26,560 --> 01:25:29,280
Speaker 4: it's gonna take a toll ony. Yeah, so, I mean,

2026
01:25:29,880 --> 01:25:32,920
Speaker 4: we'll see and again. My only last takeaway from the

2027
01:25:33,000 --> 01:25:37,599
Speaker 4: Kanye thing. On the negative side is a lot of

2028
01:25:37,640 --> 01:25:40,479
Speaker 4: the shocking, crazy shit that he was saying. He said

2029
01:25:40,479 --> 01:25:43,040
Speaker 4: a million times. I think Kanye is gonna have to

2030
01:25:43,200 --> 01:25:47,040
Speaker 4: find a new strategy of the shock and awe gimmick.

2031
01:25:47,240 --> 01:25:49,880
Speaker 4: I just said something insane. He didn't say anything that

2032
01:25:49,920 --> 01:25:52,280
Speaker 4: we haven't heard before. That's why I don't think it

2033
01:25:52,360 --> 01:25:54,600
Speaker 4: hit the same way that he thought. He used to

2034
01:25:54,680 --> 01:25:56,840
Speaker 4: do this all the time, and to be insane, we'd

2035
01:25:56,840 --> 01:25:58,479
Speaker 4: be at the edge of our seat. Kanye is about

2036
01:25:58,479 --> 01:26:00,679
Speaker 4: to say this. He didn't say anything that we hadn't

2037
01:26:00,720 --> 01:26:03,280
Speaker 4: heard that wasn't shocking. Still, Got's why I feel like

2038
01:26:03,360 --> 01:26:06,880
Speaker 4: it didn't get in the algorithm the way Kanye usually does.

2039
01:26:07,600 --> 01:26:10,960
Speaker 4: But either way, I'm here for Bully. I mean, the

2040
01:26:11,120 --> 01:26:14,200
Speaker 4: snippets sounded really, really good. I'll probably watch the Drewski

2041
01:26:14,280 --> 01:26:15,360
Speaker 4: reality show before Bully.

2042
01:26:15,400 --> 01:26:19,920
Speaker 3: But Drew Ski, Uh, I like Drew.

2043
01:26:21,720 --> 01:26:23,040
Speaker 6: He's so fucking funny.

2044
01:26:23,400 --> 01:26:27,080
Speaker 7: He has a reality show could have been love Uh,

2045
01:26:27,800 --> 01:26:28,880
Speaker 7: thank you the flavor flave.

2046
01:26:29,640 --> 01:26:31,920
Speaker 4: This is all shouts of delicious New York.

2047
01:26:32,160 --> 01:26:36,840
Speaker 7: Yeah, but I like this man, Drew Ski has leaned

2048
01:26:36,920 --> 01:26:40,719
Speaker 7: all the way into his character, his persona.

2049
01:26:42,280 --> 01:26:43,000
Speaker 3: He's entertaining.

2050
01:26:43,080 --> 01:26:45,280
Speaker 7: He's one of the few dudes that I I probably

2051
01:26:45,320 --> 01:26:49,480
Speaker 7: would click on their you know, their skits and ship online.

2052
01:26:49,640 --> 01:26:52,439
Speaker 7: I think that he's genuinely a funny guy. So I'm

2053
01:26:52,479 --> 01:26:54,160
Speaker 7: looking forward to this to see what he put together

2054
01:26:55,640 --> 01:26:56,120
Speaker 7: so far.

2055
01:26:56,240 --> 01:27:00,200
Speaker 4: I mean, the trailer has Kayler from Sunday Conversation, who's hilarious.

2056
01:27:00,680 --> 01:27:03,040
Speaker 4: Uh be a barstool. If anyone hasn't watched that, I mean,

2057
01:27:03,040 --> 01:27:06,320
Speaker 4: I'm sure people have at this point. Who else were

2058
01:27:06,360 --> 01:27:08,040
Speaker 4: some of the bigger names that were in there?

2059
01:27:08,240 --> 01:27:12,000
Speaker 5: Yeah, I'm seeing Meatball. That's Mall's girl from Baddie.

2060
01:27:11,880 --> 01:27:13,040
Speaker 3: The Home Meatball.

2061
01:27:13,120 --> 01:27:16,719
Speaker 4: That's my at the Homie though, that's my home Meatball,

2062
01:27:17,160 --> 01:27:18,240
Speaker 4: like y'all speak on the regular.

2063
01:27:18,400 --> 01:27:20,639
Speaker 7: No, we never spoke, but that's hold her down. That's

2064
01:27:20,640 --> 01:27:23,519
Speaker 7: my that's my nigga, the whole Meatball. That's my nigga.

2065
01:27:23,560 --> 01:27:24,040
Speaker 3: Real talk.

2066
01:27:25,200 --> 01:27:27,280
Speaker 6: So she doesn't win love with Drewsky.

2067
01:27:28,360 --> 01:27:30,880
Speaker 7: I'm running down on Drew Sky. If Jewski kicked her out,

2068
01:27:30,920 --> 01:27:33,080
Speaker 7: if he don't pick her, Juicsky is beef.

2069
01:27:33,479 --> 01:27:36,400
Speaker 4: I kind of want young Maid win. I don't think younger.

2070
01:27:36,560 --> 01:27:38,559
Speaker 4: I don't think she was competing. I think she was like,

2071
01:27:39,080 --> 01:27:41,120
Speaker 4: she's holding me to judge some of the wa He's.

2072
01:27:40,960 --> 01:27:42,559
Speaker 7: There to like kind of spy on the women and

2073
01:27:42,600 --> 01:27:45,040
Speaker 7: figure out who's best for him. Yeah, I think that's

2074
01:27:45,040 --> 01:27:47,679
Speaker 7: her role in this. I don't think she's like trying

2075
01:27:47,680 --> 01:27:49,280
Speaker 7: to be who Jukie falls in love with.

2076
01:27:49,320 --> 01:27:51,120
Speaker 5: I can't wait to see who doctor, what Doctor? Umar

2077
01:27:51,200 --> 01:27:51,599
Speaker 5: say doctor.

2078
01:27:52,040 --> 01:27:53,479
Speaker 3: He's just trying to keep him away from the from

2079
01:27:53,520 --> 01:27:55,120
Speaker 3: the white powder. That's so funny.

2080
01:27:55,120 --> 01:27:58,040
Speaker 4: Well, in the trailer, that was the conversation she was like,

2081
01:27:58,640 --> 01:27:59,280
Speaker 4: I'm trying to get you.

2082
01:27:59,320 --> 01:28:02,519
Speaker 3: To yeah like Doc Gulmore.

2083
01:28:02,560 --> 01:28:04,880
Speaker 7: I get it, but nah, fam, you ain't seen some

2084
01:28:04,920 --> 01:28:06,839
Speaker 7: of the white women I've seen, bro, are you tripping?

2085
01:28:07,400 --> 01:28:09,840
Speaker 4: It was definitely an interesting gas to stay the least.

2086
01:28:09,920 --> 01:28:11,639
Speaker 4: I don't know if drew Ski has a type per se.

2087
01:28:11,920 --> 01:28:15,240
Speaker 3: No type man, drewcy just having fun, living life.

2088
01:28:15,280 --> 01:28:15,439
Speaker 4: Man.

2089
01:28:16,360 --> 01:28:17,160
Speaker 3: When is this coming out?

2090
01:28:18,240 --> 01:28:21,400
Speaker 4: I don't know if I saw an exact date, but

2091
01:28:21,479 --> 01:28:25,400
Speaker 4: I do appreciate, like, in a world where Drewski got

2092
01:28:25,439 --> 01:28:29,639
Speaker 4: so popular with the ig stuff and like the low budget,

2093
01:28:30,280 --> 01:28:33,519
Speaker 4: I love that he is actually focusing on putting together

2094
01:28:34,560 --> 01:28:36,519
Speaker 4: well produced content at this point because I feel like

2095
01:28:36,560 --> 01:28:39,320
Speaker 4: so many people have lost that now because it's so

2096
01:28:39,400 --> 01:28:42,280
Speaker 4: easy to just turn on a camera and stream that

2097
01:28:42,320 --> 01:28:45,760
Speaker 4: we've we've lost like really well put together content. And

2098
01:28:45,800 --> 01:28:47,599
Speaker 4: to me this is like, I know how this must

2099
01:28:47,600 --> 01:28:50,439
Speaker 4: have taken forever to really put together, and I appreciate that.

2100
01:28:50,680 --> 01:28:53,240
Speaker 5: And I feel like more people who do get famous

2101
01:28:53,280 --> 01:28:55,920
Speaker 5: off ig and stuff should I mean, I know not

2102
01:28:56,000 --> 01:28:58,920
Speaker 5: everybody has worked as long as Drewski has, but find

2103
01:28:58,920 --> 01:29:00,880
Speaker 5: a way to collab with the these people like to

2104
01:29:01,080 --> 01:29:04,200
Speaker 5: Be or like Zeus or these production companies where they're

2105
01:29:04,200 --> 01:29:06,000
Speaker 5: making these like low budget movies and stuff like that.

2106
01:29:06,040 --> 01:29:07,920
Speaker 5: People say all the time that they want to see

2107
01:29:07,920 --> 01:29:09,519
Speaker 5: their favorite creators, like oh, I will watch you on

2108
01:29:09,560 --> 01:29:11,599
Speaker 5: the TV show, Like, come up with it, y'all have

2109
01:29:11,680 --> 01:29:14,479
Speaker 5: the creativity, go pitch these people for the money.

2110
01:29:15,720 --> 01:29:19,760
Speaker 4: Drew Ski out of that whole vine wave and just

2111
01:29:19,760 --> 01:29:23,639
Speaker 4: coming out of social media. He is a legitimate, legitimate comedian, Yes,

2112
01:29:24,000 --> 01:29:24,479
Speaker 4: Drewski is.

2113
01:29:24,640 --> 01:29:27,960
Speaker 7: So this just dropping the day before Valentine's Day, Grade thirteen.

2114
01:29:29,320 --> 01:29:31,240
Speaker 4: If this is a paywalk, I pay for it. I

2115
01:29:31,280 --> 01:29:33,320
Speaker 4: want to binge it is it is weekly.

2116
01:29:35,160 --> 01:29:35,840
Speaker 3: One day.

2117
01:29:36,000 --> 01:29:38,640
Speaker 7: I watch all twelve episodes in one day, shout out

2118
01:29:38,680 --> 01:29:40,000
Speaker 7: to Drewsky though, Man, I'm going forward to.

2119
01:29:40,000 --> 01:29:40,880
Speaker 4: This and not for nothing.

2120
01:29:41,000 --> 01:29:42,439
Speaker 6: I love I love Drew.

2121
01:29:42,280 --> 01:29:46,160
Speaker 4: Ski with white people, Him with THEO Vaughn is fucking hilarious,

2122
01:29:46,640 --> 01:29:49,760
Speaker 4: Him with a roll Tide, which I'm sure has some

2123
01:29:49,840 --> 01:29:52,880
Speaker 4: crazy black face Facebook videos that will come out eventually.

2124
01:29:52,600 --> 01:29:55,479
Speaker 3: Absolutely, but for now, Yeah, well I love him.

2125
01:29:55,800 --> 01:29:58,640
Speaker 5: Get pissed a boy none but the time exactly.

2126
01:29:58,520 --> 01:30:01,559
Speaker 4: Him with Caleb when they did their Sunday conversation with hilarious,

2127
01:30:01,560 --> 01:30:03,640
Speaker 4: So I know their chemistry already is going to be

2128
01:30:04,040 --> 01:30:06,400
Speaker 4: great for this. Yeah, Drew Skin and white people that

2129
01:30:06,800 --> 01:30:10,040
Speaker 4: they should do like a buddy cop movie, National.

2130
01:30:09,680 --> 01:30:11,160
Speaker 3: Security d a long type of thing.

2131
01:30:13,640 --> 01:30:14,840
Speaker 6: What is with production.

2132
01:30:14,640 --> 01:30:16,920
Speaker 4: Companies and putting a black guy and white guy together

2133
01:30:16,960 --> 01:30:20,120
Speaker 4: as cop Partners's gotta be like fifty of them at

2134
01:30:20,120 --> 01:30:21,400
Speaker 4: this point they all work.

2135
01:30:21,720 --> 01:30:24,120
Speaker 7: Yeah, but you need that because if we pull over

2136
01:30:24,160 --> 01:30:25,479
Speaker 7: a white guy, I need a white guy there to

2137
01:30:25,520 --> 01:30:26,360
Speaker 7: kind of speak white.

2138
01:30:26,920 --> 01:30:28,320
Speaker 3: If we pull over a black guy, we need a

2139
01:30:28,360 --> 01:30:31,080
Speaker 3: black guy to condor. You know, we need more of that.

2140
01:30:31,760 --> 01:30:35,000
Speaker 4: Well, who was the first ever two podcast in Blushi?

2141
01:30:35,600 --> 01:30:38,280
Speaker 3: Can promise you that was not the first? Yeah? Was

2142
01:30:38,320 --> 01:30:38,599
Speaker 3: that great?

2143
01:30:38,800 --> 01:30:42,360
Speaker 6: It was Clint Eastwood and a slave and maybe cut that.

2144
01:30:42,400 --> 01:30:46,680
Speaker 3: I don't know he would say slave, but not why See.

2145
01:30:46,720 --> 01:30:49,559
Speaker 4: Well, first of all, slavery happened, and Clint Eastwood is

2146
01:30:49,720 --> 01:30:51,400
Speaker 4: ninety nine years old, so.

2147
01:30:51,920 --> 01:30:53,240
Speaker 3: He knows a little bit about it.

2148
01:30:54,280 --> 01:30:59,480
Speaker 4: To say those two things couldn't exist, oh man huh. Anyways,

2149
01:31:00,200 --> 01:31:03,920
Speaker 4: not to damn for the mood, per se, but to

2150
01:31:04,000 --> 01:31:07,080
Speaker 4: celebrate the life of, in my opinion, one of the

2151
01:31:07,120 --> 01:31:09,639
Speaker 4: greatest an rs of all time, one of the greatest

2152
01:31:09,720 --> 01:31:13,320
Speaker 4: execs hip hop has ever had or ever seen. I

2153
01:31:13,320 --> 01:31:16,800
Speaker 4: think the answer to why music has been suffering lately

2154
01:31:16,880 --> 01:31:19,479
Speaker 4: is because we don't have men like IRV Gotti who

2155
01:31:19,520 --> 01:31:22,200
Speaker 4: are in those offices and in those studios and fighting

2156
01:31:22,200 --> 01:31:25,080
Speaker 4: for their artists the way he did. Rest in peace

2157
01:31:25,120 --> 01:31:27,719
Speaker 4: to one of the greatest that we have ever had.

2158
01:31:28,120 --> 01:31:31,080
Speaker 4: I don't even know where to begin on IRV Gotti's accolades.

2159
01:31:31,479 --> 01:31:34,280
Speaker 4: He created and had a hand in the soundtrack of

2160
01:31:34,320 --> 01:31:38,720
Speaker 4: my entire life. This was a big, big, big hit.

2161
01:31:39,400 --> 01:31:42,639
Speaker 4: Condolences to Chris, to Ricky, to Kyle, to his whole family.

2162
01:31:43,000 --> 01:31:45,920
Speaker 4: Condolences to everyone that was at Deaf Jam with him.

2163
01:31:46,000 --> 01:31:48,679
Speaker 4: Murder inc. I know everyone is hurting today.

2164
01:31:49,360 --> 01:31:49,759
Speaker 3: IRV.

2165
01:31:50,880 --> 01:31:53,400
Speaker 4: What more do you say about someone like IRV Gotti.

2166
01:31:53,680 --> 01:32:02,400
Speaker 3: Yeah, Irv is he's the prototypical hip hop.

2167
01:32:05,640 --> 01:32:07,200
Speaker 7: I don't want to say his storian, but he's one

2168
01:32:07,240 --> 01:32:09,880
Speaker 7: of those guys in our culture that you go back

2169
01:32:09,920 --> 01:32:13,439
Speaker 7: to the beginning and then you watch the transition and

2170
01:32:13,560 --> 01:32:17,960
Speaker 7: when hip hop started to become this worldwide phenomenon, and

2171
01:32:18,040 --> 01:32:20,400
Speaker 7: IRV Gotti has his fingerprints on that moment.

2172
01:32:20,720 --> 01:32:23,839
Speaker 6: The second wave of deaf Jam.

2173
01:32:24,040 --> 01:32:28,679
Speaker 4: I mean you start obviously with Rick Rubin and Russell

2174
01:32:29,960 --> 01:32:32,040
Speaker 4: We don't need to say with that. From the BC Boys,

2175
01:32:32,200 --> 01:32:37,360
Speaker 4: ll Run created the first real hip hop label. They

2176
01:32:37,400 --> 01:32:40,120
Speaker 4: were hurting at one point. Once that started to fade in,

2177
01:32:41,000 --> 01:32:43,040
Speaker 4: and then you had Leor and keV come in, who

2178
01:32:43,080 --> 01:32:45,360
Speaker 4: are absolute legends as well that deserve every bit of

2179
01:32:45,400 --> 01:32:47,479
Speaker 4: credit that they do get. But if you don't have

2180
01:32:47,560 --> 01:32:52,360
Speaker 4: IRV Gotti, I don't think def Jam even gets to

2181
01:32:52,479 --> 01:32:56,599
Speaker 4: twenty ten if you don't have him bringing in Rough

2182
01:32:56,680 --> 01:32:59,800
Speaker 4: Riders having a huge hand and bringing in Rockefeller and

2183
01:33:00,240 --> 01:33:02,960
Speaker 4: starting Murder Inc. Right after that, the big three that

2184
01:33:03,080 --> 01:33:05,800
Speaker 4: kept def Jam and that legacy alive. Yeah, I don't

2185
01:33:05,840 --> 01:33:08,840
Speaker 4: know if def Jam still has the same iconic logo

2186
01:33:08,880 --> 01:33:12,080
Speaker 4: the way we view it without that wave that IRV Gotti,

2187
01:33:12,720 --> 01:33:15,240
Speaker 4: I'll almost say damn near single handedly with his vision

2188
01:33:15,280 --> 01:33:17,920
Speaker 4: of like, no, you need to fuck with rough riders X.

2189
01:33:18,000 --> 01:33:20,000
Speaker 4: This makes no sense to you. Yeah, I promise you

2190
01:33:20,600 --> 01:33:24,120
Speaker 4: this will this will work. This depressed drug addict. People

2191
01:33:24,160 --> 01:33:26,160
Speaker 4: want to hear from this. This will be a monster.

2192
01:33:26,479 --> 01:33:28,680
Speaker 7: He just was somebody that was always in tune and

2193
01:33:28,800 --> 01:33:31,559
Speaker 7: you know, had had a fingerprint on the pulse of

2194
01:33:31,600 --> 01:33:33,719
Speaker 7: what was going on, what was next in hip hop,

2195
01:33:35,760 --> 01:33:41,640
Speaker 7: legendary songs, legendary albums, legendary artists. Uh, you know, from

2196
01:33:41,880 --> 01:33:46,639
Speaker 7: the greatest ever to you know, some of the biggest acts.

2197
01:33:47,080 --> 01:33:50,120
Speaker 7: Everybody had a relationship with IRV. Everybody has worked with

2198
01:33:50,200 --> 01:33:54,000
Speaker 7: IRV at some point or another. And you know, it's

2199
01:33:54,000 --> 01:33:56,479
Speaker 7: just sad that we lost another one of our giants

2200
01:33:56,560 --> 01:34:00,960
Speaker 7: in our culture, so so young, say fifty four, I

2201
01:34:01,040 --> 01:34:01,680
Speaker 7: believe he was.

2202
01:34:02,880 --> 01:34:04,240
Speaker 3: It's just sad, you know what I mean.

2203
01:34:04,400 --> 01:34:07,559
Speaker 7: We lost legendary DJ Clark Kent a few months ago,

2204
01:34:08,800 --> 01:34:09,920
Speaker 7: now we lose Earth Godi.

2205
01:34:11,680 --> 01:34:13,320
Speaker 3: So yeah, it's just you know, it's a sad time.

2206
01:34:13,760 --> 01:34:15,840
Speaker 7: But we want to be grateful for everything that Earth

2207
01:34:16,080 --> 01:34:20,080
Speaker 7: has given us, has left with us, has definitely you know,

2208
01:34:20,640 --> 01:34:24,120
Speaker 7: pushed us forward as far as us meaning the culture

2209
01:34:24,120 --> 01:34:26,960
Speaker 7: of hip hop, and you know, we want to send

2210
01:34:27,000 --> 01:34:29,960
Speaker 7: prayers and condolences to his family, everybody that he worked with,

2211
01:34:30,600 --> 01:34:33,479
Speaker 7: everybody here he impacted in one way or another. I'm

2212
01:34:33,520 --> 01:34:36,800
Speaker 7: sure everyone is affected by this. This is a big,

2213
01:34:36,880 --> 01:34:39,920
Speaker 7: big loss in our culture and there will never ever

2214
01:34:40,000 --> 01:34:45,080
Speaker 7: be another figure as big, as important, as legendary as

2215
01:34:45,280 --> 01:34:49,639
Speaker 7: earth Gody. So prayers to IRV Gotti, prayers to his family,

2216
01:34:51,200 --> 01:34:53,240
Speaker 7: and we thank you for everything that you've given us

2217
01:34:53,240 --> 01:34:54,880
Speaker 7: and left with us in this culture.

2218
01:34:55,040 --> 01:35:00,839
Speaker 4: Yeah, sounding a conversation with someone last night, like IRV

2219
01:35:00,960 --> 01:35:05,479
Speaker 4: just based off his personality kind of overtook a lot

2220
01:35:05,600 --> 01:35:08,720
Speaker 4: of what his accolades were behind the scenes. Like IRV

2221
01:35:08,800 --> 01:35:10,720
Speaker 4: had that personality where you either love him or hate him,

2222
01:35:10,800 --> 01:35:14,280
Speaker 4: Like he had that type of bravado shit too. I

2223
01:35:14,280 --> 01:35:18,439
Speaker 4: don't know if there's been very many execs and music

2224
01:35:18,520 --> 01:35:23,879
Speaker 4: men that have done it at the highest caliber outside

2225
01:35:23,920 --> 01:35:26,280
Speaker 4: of IRV, and you know, in the hip hop world, IRV,

2226
01:35:26,600 --> 01:35:33,920
Speaker 4: La Reid, Jermaine Duprie, jay Z, that list is very

2227
01:35:33,960 --> 01:35:38,559
Speaker 4: short of the people that did exec and producer on

2228
01:35:38,600 --> 01:35:41,200
Speaker 4: the creative side at the highest level on both sides.

2229
01:35:41,760 --> 01:35:45,280
Speaker 4: IRV is on a very short list in hip hop

2230
01:35:45,320 --> 01:35:47,800
Speaker 4: and R and B that is a music man and

2231
01:35:47,880 --> 01:35:51,160
Speaker 4: an executive and funny, huge executives. And then I know,

2232
01:35:51,200 --> 01:35:53,280
Speaker 4: good music, but you're not a music like. You can't

2233
01:35:53,280 --> 01:35:55,760
Speaker 4: get in there with a ASR. And if we need

2234
01:35:55,800 --> 01:35:58,680
Speaker 4: a hit, the CEO is going in to get get

2235
01:35:58,720 --> 01:35:59,080
Speaker 4: us a hit.

2236
01:35:59,200 --> 01:36:01,679
Speaker 7: No, he's a he's a guy, you know talking about

2237
01:36:01,840 --> 01:36:06,639
Speaker 7: starting out DJing, you know, and being in those places

2238
01:36:06,640 --> 01:36:09,479
Speaker 7: around those artists on the come up and being able

2239
01:36:09,520 --> 01:36:11,479
Speaker 7: to identify the next star.

2240
01:36:12,080 --> 01:36:13,559
Speaker 3: That takes a certain talent.

2241
01:36:13,640 --> 01:36:17,160
Speaker 7: That takes a certain gift to be able to identify

2242
01:36:17,360 --> 01:36:20,479
Speaker 7: somebody that you know is going to be great because

2243
01:36:20,479 --> 01:36:22,559
Speaker 7: you could all say, oh, this person is amazing just

2244
01:36:22,640 --> 01:36:24,840
Speaker 7: and then it turns out like I wasn't really what

2245
01:36:24,880 --> 01:36:27,960
Speaker 7: we thought. But you look at IRV Gotti's track record

2246
01:36:28,280 --> 01:36:30,880
Speaker 7: of the people that you know he brought to the

2247
01:36:30,960 --> 01:36:35,120
Speaker 7: labels and produced and worked with and what they've done.

2248
01:36:36,040 --> 01:36:38,160
Speaker 7: Like you said, there's not many on that list that

2249
01:36:38,240 --> 01:36:42,120
Speaker 7: have done what IRV Gotti was able to accomplish in

2250
01:36:42,160 --> 01:36:43,040
Speaker 7: such a short time.

2251
01:36:43,120 --> 01:36:47,880
Speaker 4: So and even you know people from that two thousands era,

2252
01:36:48,360 --> 01:36:51,280
Speaker 4: a lot of people disappeared. Gott he stayed, got a

2253
01:36:51,280 --> 01:36:54,160
Speaker 4: whole deal with BT details like he also had a

2254
01:36:54,200 --> 01:36:58,280
Speaker 4: second run yeah as well and in a whole different department,

2255
01:36:58,600 --> 01:37:01,720
Speaker 4: which I think just speaks to his creative so yes

2256
01:37:01,920 --> 01:37:05,639
Speaker 4: and prayers to Jah, like I always loved that through

2257
01:37:05,680 --> 01:37:08,120
Speaker 4: this whole business from the outside looking in, of every

2258
01:37:08,160 --> 01:37:10,360
Speaker 4: crew that broke up, everyone that had problems with everyone,

2259
01:37:11,560 --> 01:37:15,960
Speaker 4: John IRV stayed brothers up until yesterday and continued on

2260
01:37:16,080 --> 01:37:18,760
Speaker 4: like it was always beautiful to see those two no

2261
01:37:18,800 --> 01:37:22,200
Speaker 4: matter what, we're always moving together, Like that's a very rare,

2262
01:37:22,360 --> 01:37:22,840
Speaker 4: rare thing.

2263
01:37:23,200 --> 01:37:24,000
Speaker 6: There's no real up.

2264
01:37:24,040 --> 01:37:25,600
Speaker 4: There's ups and downs and murder, inc there's ups and

2265
01:37:25,600 --> 01:37:28,639
Speaker 4: now everyone else John IRV like that was a true

2266
01:37:28,680 --> 01:37:30,439
Speaker 4: friendship that you could look at.

2267
01:37:30,520 --> 01:37:33,200
Speaker 7: So unfortunately, the business that you know of hip hop,

2268
01:37:33,560 --> 01:37:37,680
Speaker 7: it does break a lot of relationships in brotherhood, but

2269
01:37:37,800 --> 01:37:40,920
Speaker 7: it is, you know, dope to know that him and

2270
01:37:41,040 --> 01:37:44,559
Speaker 7: Jah always remained what they started as, which was brothers.

2271
01:37:45,840 --> 01:37:47,880
Speaker 7: I'm pretty sure Joe has had some moments where he

2272
01:37:47,920 --> 01:37:50,599
Speaker 7: wanted to strangle Godi, like, Yo, what are you doing?

2273
01:37:50,720 --> 01:37:52,919
Speaker 6: IRV definitely doesn't seem like the easiest person.

2274
01:37:52,840 --> 01:37:55,320
Speaker 7: Years, but you know, it is it is beautiful to

2275
01:37:55,320 --> 01:37:59,360
Speaker 7: see that the brotherhood remained intact throughout the years, So

2276
01:38:00,040 --> 01:38:03,799
Speaker 7: getting rest in peace to the legendary iconic IRV Gotti

2277
01:38:04,560 --> 01:38:08,200
Speaker 7: prays condolences to his family rest well, for sure.

2278
01:38:08,840 --> 01:38:09,800
Speaker 4: Do we have voicemails?

2279
01:38:10,000 --> 01:38:12,920
Speaker 3: You've got mail? You're worried? We got two of them.

2280
01:38:13,120 --> 01:38:17,080
Speaker 4: Okay, how's how's our Valentine's Day situation going?

2281
01:38:17,200 --> 01:38:20,479
Speaker 5: I'm collecting them, well, actually Josh is collecting them. He

2282
01:38:20,560 --> 01:38:23,120
Speaker 5: We're going to see and see how they're coming. But

2283
01:38:23,160 --> 01:38:24,760
Speaker 5: I want to let a couple of them build up.

2284
01:38:24,840 --> 01:38:25,040
Speaker 5: You know.

2285
01:38:25,760 --> 01:38:29,400
Speaker 4: I went back and listened to the one from last episode.

2286
01:38:29,479 --> 01:38:32,880
Speaker 4: I think I'm always hating once I put the AirPods in, Like,

2287
01:38:33,160 --> 01:38:34,160
Speaker 4: Homie was kind of talking.

2288
01:38:34,280 --> 01:38:36,280
Speaker 3: You wanted him to talk to you in your ears? Like, yeah,

2289
01:38:36,280 --> 01:38:39,519
Speaker 3: he had Homie talking in his ear? Wow, the mix

2290
01:38:39,680 --> 01:38:41,120
Speaker 3: ride my tongue, sweetness.

2291
01:38:42,040 --> 01:38:45,360
Speaker 5: What but you guys, So when I thought about it later,

2292
01:38:45,400 --> 01:38:48,439
Speaker 5: you guys didn't even get the entendre of he was

2293
01:38:48,479 --> 01:38:51,360
Speaker 5: comparing me to a fine wine. And when you're drinking

2294
01:38:51,439 --> 01:38:54,200
Speaker 5: wine and really trying to taste it, it does kind

2295
01:38:54,240 --> 01:38:56,360
Speaker 5: of ride your tongue a little bit. The wine does. So,

2296
01:38:56,520 --> 01:38:58,200
Speaker 5: like I get where he was going with that.

2297
01:38:58,479 --> 01:39:00,479
Speaker 7: The marriage that Nigga is going to kill you if

2298
01:39:00,479 --> 01:39:02,599
Speaker 7: you have a link up with him. He's a serial killer.

2299
01:39:03,560 --> 01:39:05,080
Speaker 7: Calling into a podcast, I.

2300
01:39:05,040 --> 01:39:07,000
Speaker 5: Wouldn't say serial serial means you have to kill like

2301
01:39:07,080 --> 01:39:08,080
Speaker 5: four or five in a row.

2302
01:39:08,160 --> 01:39:09,880
Speaker 3: Oh you know him? He didn't kill nobody yet.

2303
01:39:09,920 --> 01:39:12,519
Speaker 4: What if he were his fifth and made him I

2304
01:39:12,560 --> 01:39:14,519
Speaker 4: wouldn't say, you don't know this, thick, What are you

2305
01:39:14,640 --> 01:39:15,439
Speaker 4: talking about?

2306
01:39:15,800 --> 01:39:18,160
Speaker 5: Well, anyway, we'll see. I don't want to scare off anybody.

2307
01:39:18,280 --> 01:39:20,400
Speaker 6: What if you kill three random people, you're just not serial.

2308
01:39:20,560 --> 01:39:21,639
Speaker 6: You just kill, you're a serial.

2309
01:39:21,920 --> 01:39:23,920
Speaker 5: It has to be in a certain amount of time

2310
01:39:24,040 --> 01:39:24,720
Speaker 5: next to each other.

2311
01:39:24,920 --> 01:39:27,280
Speaker 4: I feel like, if you randomly kill one person, I

2312
01:39:27,320 --> 01:39:30,320
Speaker 4: know the definition serial isn't that, but you're by two

2313
01:39:30,360 --> 01:39:31,600
Speaker 4: you're a serial killer.

2314
01:39:31,800 --> 01:39:34,080
Speaker 3: No, it has to be three. I think three or more.

2315
01:39:34,080 --> 01:39:35,360
Speaker 6: And I love the fact that we're like, how many

2316
01:39:35,360 --> 01:39:35,880
Speaker 6: of he killed?

2317
01:39:36,000 --> 01:39:36,240
Speaker 3: Nah?

2318
01:39:36,280 --> 01:39:38,400
Speaker 4: Not so if you randomly kill somebody, to me, that's

2319
01:39:38,439 --> 01:39:39,160
Speaker 4: serial killer shit.

2320
01:39:39,439 --> 01:39:44,280
Speaker 7: Ye'ah think that's assassination as well too. According to y'all, No,

2321
01:39:44,400 --> 01:39:45,160
Speaker 7: he was killed.

2322
01:39:45,040 --> 01:39:47,240
Speaker 4: Because you sleep closest to the door, you'll be assassinated

2323
01:39:47,280 --> 01:39:48,040
Speaker 4: and Shorty will.

2324
01:39:47,880 --> 01:39:50,840
Speaker 3: Live and she'll be killed. Okay, got it all right?

2325
01:39:50,880 --> 01:39:56,000
Speaker 9: Well let's get to this voicemail, ab D, I think

2326
01:39:57,000 --> 01:39:58,439
Speaker 9: I think and you should get together.

2327
01:39:58,600 --> 01:39:58,960
Speaker 4: Fuck it.

2328
01:39:59,560 --> 01:40:01,960
Speaker 9: I'm not leaving to no spoken word, none of that.

2329
01:40:03,000 --> 01:40:05,920
Speaker 9: I think you're fired, like when you put the red

2330
01:40:05,960 --> 01:40:08,679
Speaker 9: hair on it just to do something to a nigga.

2331
01:40:08,760 --> 01:40:11,960
Speaker 9: But the eyes just crazy. I think your are amazing.

2332
01:40:12,840 --> 01:40:15,439
Speaker 9: I mean you should just be dating. Like there's a

2333
01:40:15,439 --> 01:40:20,720
Speaker 9: little round right there. But like me and you, I

2334
01:40:20,720 --> 01:40:23,040
Speaker 9: can really catch your remedy. I'm just trying to vibe.

2335
01:40:23,120 --> 01:40:27,080
Speaker 9: Like your remedy what you're really about three syllable and

2336
01:40:27,280 --> 01:40:29,640
Speaker 9: just makes you live and make that as baby.

2337
01:40:30,640 --> 01:40:32,200
Speaker 3: I miss you, baby, he love you.

2338
01:40:33,080 --> 01:40:34,120
Speaker 5: What is going?

2339
01:40:34,400 --> 01:40:36,400
Speaker 3: You know who that is? So he missed you? What

2340
01:40:36,479 --> 01:40:38,400
Speaker 3: who is that? You know that?

2341
01:40:38,800 --> 01:40:41,240
Speaker 7: You always don't know when he called into your job

2342
01:40:41,320 --> 01:40:42,960
Speaker 7: leaving voicemails now you don't know.

2343
01:40:44,040 --> 01:40:45,880
Speaker 4: Sometimes when you feel like you was together with someone

2344
01:40:45,920 --> 01:40:47,080
Speaker 4: in a past life, you missed it.

2345
01:40:47,240 --> 01:40:49,360
Speaker 3: Yeah, that niggas said, Yo, he just trying to catch

2346
01:40:49,360 --> 01:40:55,400
Speaker 3: a vibe. Laugh, make that ass jiggle, niggas, be horny.

2347
01:40:55,680 --> 01:40:57,440
Speaker 6: You're calling and leaving a voicemail.

2348
01:40:57,840 --> 01:40:59,840
Speaker 4: I will say this Valentine's Day special is gonna be

2349
01:40:59,840 --> 01:41:02,479
Speaker 4: in off the two teasers we had with the poem

2350
01:41:02,560 --> 01:41:04,280
Speaker 4: and then just the regular Riz voicemail.

2351
01:41:04,479 --> 01:41:07,320
Speaker 6: Yo, they set the bar pretty high, baby did. He's

2352
01:41:07,360 --> 01:41:08,200
Speaker 6: what's up, sir?

2353
01:41:08,320 --> 01:41:10,880
Speaker 5: That's not how you talk to a lady, like.

2354
01:41:11,280 --> 01:41:12,800
Speaker 3: That's how he gives it up. He said he wants

2355
01:41:12,800 --> 01:41:15,360
Speaker 3: you to be his remedy. Nigga. He never told you

2356
01:41:15,400 --> 01:41:17,720
Speaker 3: to be your remedy. Means you sick though, Like.

2357
01:41:17,920 --> 01:41:20,040
Speaker 6: Yeah, so he's sick. He loves feeling.

2358
01:41:20,080 --> 01:41:21,479
Speaker 3: I'm not healing no more, niggas.

2359
01:41:21,560 --> 01:41:21,920
Speaker 6: He loves.

2360
01:41:21,960 --> 01:41:23,600
Speaker 3: He loves sick. He say he wants you to me

2361
01:41:24,280 --> 01:41:24,720
Speaker 3: will suck.

2362
01:41:24,760 --> 01:41:25,599
Speaker 4: How many of you healed?

2363
01:41:27,400 --> 01:41:29,200
Speaker 3: We'll talk about it.

2364
01:41:28,720 --> 01:41:33,559
Speaker 5: He baby did, what's up? He said he missed you.

2365
01:41:33,800 --> 01:41:36,760
Speaker 5: I don't know him now, you don't know, really don't know.

2366
01:41:36,840 --> 01:41:38,720
Speaker 5: I feel like you my nigga. Now I don't know that,

2367
01:41:38,840 --> 01:41:40,200
Speaker 5: Like I don't know him, Like.

2368
01:41:40,240 --> 01:41:42,280
Speaker 3: Stay on my phone. I don't know that nigga.

2369
01:41:43,479 --> 01:41:49,040
Speaker 4: He lying on last week's voicemail and Yo, can he

2370
01:41:49,080 --> 01:41:52,160
Speaker 4: get in the car? He remember, we're gonna have a goal. Bro,

2371
01:41:52,600 --> 01:41:53,920
Speaker 4: I'm gonna have a gun you.

2372
01:41:54,000 --> 01:41:56,559
Speaker 7: We don't have no choice. He's getting in the car.

2373
01:41:57,080 --> 01:41:58,880
Speaker 7: If he sees baby d in a car, he's getting in.

2374
01:41:58,960 --> 01:42:02,160
Speaker 7: He laid the lord down, he's I miss you.

2375
01:42:02,320 --> 01:42:04,479
Speaker 3: I love you. Yeah, Like he's like, what's up baby?

2376
01:42:04,520 --> 01:42:06,960
Speaker 3: The plowing pressure y'all? Like when the niggas step up

2377
01:42:07,000 --> 01:42:08,280
Speaker 3: and your mean you like that?

2378
01:42:08,400 --> 01:42:08,559
Speaker 7: Right?

2379
01:42:08,640 --> 01:42:09,320
Speaker 3: I gotta know you.

2380
01:42:09,439 --> 01:42:11,200
Speaker 5: I feel like my love is blind because I don't

2381
01:42:11,200 --> 01:42:12,320
Speaker 5: know what any of these people look like.

2382
01:42:12,400 --> 01:42:14,479
Speaker 6: That's all right, they get engaged in one day.

2383
01:42:15,680 --> 01:42:17,200
Speaker 7: You should be on This is love is blind. This

2384
01:42:17,280 --> 01:42:20,960
Speaker 7: is our version of leave a voicemail based on what

2385
01:42:21,040 --> 01:42:22,919
Speaker 7: he said. I'm like, all right, I'll give him a shot.

2386
01:42:23,120 --> 01:42:24,840
Speaker 7: I think with this gentleman, you don't have no choice.

2387
01:42:24,880 --> 01:42:27,000
Speaker 7: You have to give him a shot. Like he's he's

2388
01:42:27,080 --> 01:42:29,120
Speaker 7: let you know he loves you and he misses you.

2389
01:42:29,640 --> 01:42:31,000
Speaker 7: He wanted to make that ass jiggle.

2390
01:42:31,560 --> 01:42:33,600
Speaker 5: And I'm easy to love, though, Like why should I

2391
01:42:33,640 --> 01:42:36,680
Speaker 5: love you back? That's really the question. It's easy to

2392
01:42:36,720 --> 01:42:38,280
Speaker 5: love me. You're saying you love me. It's not like,

2393
01:42:38,360 --> 01:42:40,479
Speaker 5: oh he loves me. Everybody loves me, Like, why should

2394
01:42:40,479 --> 01:42:41,040
Speaker 5: I love you back?

2395
01:42:41,840 --> 01:42:43,080
Speaker 3: Gentlemen, sir, what's his name?

2396
01:42:43,880 --> 01:42:46,120
Speaker 4: You just are gonna let her say she's easy to love.

2397
01:42:46,240 --> 01:42:47,160
Speaker 4: You're just going to go over there.

2398
01:42:47,200 --> 01:42:48,160
Speaker 3: You love me, don't you?

2399
01:42:48,240 --> 01:42:50,880
Speaker 4: Yeah, it's just really difficult.

2400
01:42:51,800 --> 01:42:54,240
Speaker 6: Yeah I do but that's a lot of experience.

2401
01:42:54,360 --> 01:42:58,040
Speaker 4: Like your text mess don't do not disturb all the time.

2402
01:42:58,080 --> 01:42:59,639
Speaker 6: There's no reciprocity, Like.

2403
01:43:00,240 --> 01:43:01,080
Speaker 3: There's no up.

2404
01:43:02,040 --> 01:43:03,880
Speaker 6: You don't even text back. It's hard.

2405
01:43:04,040 --> 01:43:04,920
Speaker 3: I don't mean I don't love you.

2406
01:43:05,000 --> 01:43:08,280
Speaker 4: It's always confused and speaking different ways.

2407
01:43:08,280 --> 01:43:10,479
Speaker 3: I don't got to text you back. Well, this gentleman,

2408
01:43:10,520 --> 01:43:12,000
Speaker 3: you gotta you gotta respond to.

2409
01:43:12,120 --> 01:43:14,040
Speaker 6: So if you text him back, he's showing up to

2410
01:43:14,080 --> 01:43:14,479
Speaker 6: your door.

2411
01:43:14,600 --> 01:43:15,080
Speaker 3: Yeah.

2412
01:43:15,320 --> 01:43:18,559
Speaker 4: I'm just gonna chalk it up to the game. Like energy,

2413
01:43:18,720 --> 01:43:21,000
Speaker 4: there is other there are others say that till they

2414
01:43:21,000 --> 01:43:23,439
Speaker 4: show up on Twitter. They'll be like, Yo, that's so

2415
01:43:23,520 --> 01:43:24,240
Speaker 4: sexy until he.

2416
01:43:24,360 --> 01:43:27,080
Speaker 7: At your asking me how my day wasn't come make it? Well,

2417
01:43:27,080 --> 01:43:30,720
Speaker 7: he's gonna come make your day, y'all. Love they love

2418
01:43:30,960 --> 01:43:32,880
Speaker 7: good women love getting that off on social media. Stop

2419
01:43:32,920 --> 01:43:35,400
Speaker 7: asking me what you're doing and come do it. Well,

2420
01:43:35,400 --> 01:43:36,120
Speaker 7: he's coming to do it.

2421
01:43:36,160 --> 01:43:37,840
Speaker 6: He's gonna make the cops quota too.

2422
01:43:37,920 --> 01:43:40,080
Speaker 3: Yeah day, Yeah, he's coming. He's letting you know.

2423
01:43:40,439 --> 01:43:42,800
Speaker 5: I will see what other entries we have. But thank you,

2424
01:43:42,800 --> 01:43:43,559
Speaker 5: young man, for.

2425
01:43:44,000 --> 01:43:48,000
Speaker 3: Having so much older than you. Young man.

2426
01:43:48,560 --> 01:43:50,559
Speaker 5: Now, he that's a lion. He said, I'm just trying

2427
01:43:50,560 --> 01:43:52,840
Speaker 5: to catch a vibe for real? He twenty two.

2428
01:43:53,360 --> 01:43:55,360
Speaker 7: Yeah, that's the nigga that's sitting in and smoking plate

2429
01:43:55,960 --> 01:43:57,120
Speaker 7: grant theffod all day.

2430
01:43:57,240 --> 01:43:59,080
Speaker 3: Yeah, and they hope that his paul A.

2431
01:43:59,120 --> 01:44:01,599
Speaker 4: Hit was my eras version of I'm trying to catch

2432
01:44:01,640 --> 01:44:02,560
Speaker 4: a vibe.

2433
01:44:03,320 --> 01:44:06,920
Speaker 3: You would just sending a plate like a playlist music.

2434
01:44:07,360 --> 01:44:10,519
Speaker 4: That is romantic at least. No, that's better than you.

2435
01:44:10,560 --> 01:44:12,200
Speaker 4: I'm trying to see you ask jiggle, let's catch a

2436
01:44:12,280 --> 01:44:13,360
Speaker 4: vibe and smoke that.

2437
01:44:15,320 --> 01:44:21,679
Speaker 3: It was chill? Yeah, I guess Yeah, before literation, you'll

2438
01:44:21,680 --> 01:44:23,720
Speaker 3: come through so we can make a liituation.

2439
01:44:23,760 --> 01:44:27,880
Speaker 4: At the zooviie like it was before, Like Netflix and chill.

2440
01:44:27,920 --> 01:44:28,400
Speaker 3: What was that?

2441
01:44:29,520 --> 01:44:32,400
Speaker 4: I forgot what we chilling? Yeah?

2442
01:44:33,439 --> 01:44:36,599
Speaker 7: My ship she I'm older and we lamping. My ship was, y'all.

2443
01:44:36,640 --> 01:44:41,320
Speaker 7: I got open crib, open crib. You niggas don't know

2444
01:44:41,320 --> 01:44:43,400
Speaker 7: when openk mom said she was going out of town

2445
01:44:43,800 --> 01:44:46,920
Speaker 7: when you were younger. Oh my god, the prudence.

2446
01:44:46,600 --> 01:44:49,080
Speaker 4: Of girl on Earth would never turn down the I

2447
01:44:49,120 --> 01:44:51,840
Speaker 4: have the open crib, open girl showing up to I

2448
01:44:51,880 --> 01:44:52,559
Speaker 4: have the open crib.

2449
01:44:52,680 --> 01:44:54,200
Speaker 3: My god, I remember open crib.

2450
01:44:54,760 --> 01:44:56,800
Speaker 5: And then your homies always want to be there kicking it,

2451
01:44:57,000 --> 01:44:58,600
Speaker 5: move not the.

2452
01:44:58,600 --> 01:45:00,720
Speaker 7: Homies could come through, but it's like, you know, we

2453
01:45:00,840 --> 01:45:03,200
Speaker 7: know who we was waiting for the pull up. She

2454
01:45:03,320 --> 01:45:05,920
Speaker 7: pull up with two of us lit open crib.

2455
01:45:07,439 --> 01:45:10,120
Speaker 3: That was a time. Boy, M, I can't wait to

2456
01:45:10,160 --> 01:45:12,240
Speaker 3: tell your mother the next time I see her. My mom,

2457
01:45:12,320 --> 01:45:14,120
Speaker 3: she know you think my mother don't know about me?

2458
01:45:14,680 --> 01:45:18,360
Speaker 4: Shit, it wasn't The open crib was cool, but it was.

2459
01:45:18,439 --> 01:45:21,920
Speaker 4: It was the friend with the cool mom and now

2460
01:45:21,920 --> 01:45:23,519
Speaker 4: he was in the Bronx. You guys didn't have basements.

2461
01:45:24,400 --> 01:45:25,120
Speaker 6: The friend with the.

2462
01:45:25,080 --> 01:45:26,920
Speaker 4: Cool mom or the girl with the cool mom that

2463
01:45:27,000 --> 01:45:27,719
Speaker 4: had a basement.

2464
01:45:28,000 --> 01:45:29,360
Speaker 3: You think we would have basements in the Bronx.

2465
01:45:29,680 --> 01:45:32,519
Speaker 4: Not where you was living. We had definitely like the

2466
01:45:32,520 --> 01:45:34,519
Speaker 4: fourth foot. No, the basement was where the laundry was

2467
01:45:34,600 --> 01:45:36,120
Speaker 4: and you could get killed. Like, no, I'm not talking

2468
01:45:36,120 --> 01:45:36,439
Speaker 4: about that.

2469
01:45:36,640 --> 01:45:38,080
Speaker 3: Yeah, you know what I say basement.

2470
01:45:38,080 --> 01:45:39,680
Speaker 4: I'm not even saying like the finished basement. But at

2471
01:45:39,760 --> 01:45:41,559
Speaker 4: least there was some form of a carpet down there.

2472
01:45:41,560 --> 01:45:43,600
Speaker 4: You could all kick it in the basement. There was

2473
01:45:43,600 --> 01:45:44,960
Speaker 4: some somewhat of a TV.

2474
01:45:45,040 --> 01:45:47,120
Speaker 3: At least. That's why I love Queen's Girls. Growing up.

2475
01:45:47,280 --> 01:45:50,720
Speaker 7: All these girls had houses. Wait, this is all your

2476
01:45:50,720 --> 01:45:52,040
Speaker 7: parents don't even come down here.

2477
01:45:52,120 --> 01:45:55,400
Speaker 4: So when you yeah, no, first of all, First of all,

2478
01:45:55,400 --> 01:45:57,040
Speaker 4: they live on the third floor. There's tenants on the

2479
01:45:57,040 --> 01:45:59,680
Speaker 4: second floor. And the basement was that's how it was.

2480
01:45:59,760 --> 01:46:02,280
Speaker 4: And when you had short had the cool mom, there

2481
01:46:02,360 --> 01:46:04,920
Speaker 4: was a whole different entrance to that basement. Yeah, you

2482
01:46:04,960 --> 01:46:06,599
Speaker 4: could come and go as you please. The cool mom

2483
01:46:06,680 --> 01:46:10,360
Speaker 4: girl was typically a whore. Now she's a loving mother

2484
01:46:10,439 --> 01:46:12,599
Speaker 4: of six in high school.

2485
01:46:12,760 --> 01:46:17,280
Speaker 3: Damn, Matt is so accurate. Wow, that's very accurate.

2486
01:46:17,840 --> 01:46:19,800
Speaker 7: All right, So, baby, d we don't know if if

2487
01:46:19,840 --> 01:46:22,280
Speaker 7: you're gonna take this young gentleman's offer up and going

2488
01:46:22,280 --> 01:46:22,880
Speaker 7: to do We don't know.

2489
01:46:22,920 --> 01:46:24,800
Speaker 3: I have to listen to the other people.

2490
01:46:24,520 --> 01:46:27,000
Speaker 6: Who are Yeah all the last dude, is he like

2491
01:46:27,120 --> 01:46:28,560
Speaker 6: number one or hey.

2492
01:46:28,280 --> 01:46:28,760
Speaker 3: Number two?

2493
01:46:28,960 --> 01:46:31,800
Speaker 5: I really like Poe gave creativity.

2494
01:46:32,280 --> 01:46:34,080
Speaker 7: But he told you he's like Yo's he gave you

2495
01:46:34,120 --> 01:46:35,519
Speaker 7: one bar to kind of roy He said that kind

2496
01:46:35,520 --> 01:46:36,240
Speaker 7: of rhym a little bit.

2497
01:46:36,240 --> 01:46:38,280
Speaker 3: So there you go. He got straight to the ship.

2498
01:46:38,360 --> 01:46:39,720
Speaker 5: Now I could tell that you're not gonna put that

2499
01:46:39,800 --> 01:46:42,280
Speaker 5: much effort in. You're gonna you think you have a

2500
01:46:42,320 --> 01:46:45,240
Speaker 5: winning personality. You think your personality is gonna win me over.

2501
01:46:45,400 --> 01:46:46,760
Speaker 5: That's what he thinks is gonna happen?

2502
01:46:46,880 --> 01:46:50,160
Speaker 4: Is he a representation of this new generation of men

2503
01:46:50,600 --> 01:46:52,760
Speaker 4: that think they should be chased? Like, he's not gonna

2504
01:46:52,760 --> 01:46:54,920
Speaker 4: put any efforts, She'll just come to me type of vibe.

2505
01:46:55,000 --> 01:46:57,880
Speaker 3: Yes, No, he's not. He's he's he's running down you.

2506
01:46:58,000 --> 01:46:59,880
Speaker 3: He's not. You don't got to chase this.

2507
01:47:00,040 --> 01:47:01,519
Speaker 5: He don't look like he running. He's like he gonna

2508
01:47:01,520 --> 01:47:03,599
Speaker 5: walk down like like, yo, what's up?

2509
01:47:03,840 --> 01:47:04,880
Speaker 4: Like he high?

2510
01:47:05,600 --> 01:47:06,760
Speaker 3: Yeah. I don't like that.

2511
01:47:08,000 --> 01:47:10,320
Speaker 5: I like passion. I like you to be present in

2512
01:47:10,400 --> 01:47:12,800
Speaker 5: the moment, like not you just sitting up there chilling eyes.

2513
01:47:12,840 --> 01:47:15,000
Speaker 3: So like you say, you're trying to make your ass jiggle.

2514
01:47:14,880 --> 01:47:17,960
Speaker 5: Exactly, You're worried about the wrong things. What about, you know,

2515
01:47:18,080 --> 01:47:20,400
Speaker 5: making the crinkles in my eyes go up when I smile?

2516
01:47:20,479 --> 01:47:21,839
Speaker 4: What about having her mind jiggle?

2517
01:47:23,200 --> 01:47:24,080
Speaker 3: That's I feel like.

2518
01:47:26,600 --> 01:47:30,160
Speaker 4: That actually makes your brain bleed. Yeah, I think it's

2519
01:47:30,200 --> 01:47:34,719
Speaker 4: the definition of a concussion. That's a that's a seizure.

2520
01:47:34,720 --> 01:47:35,920
Speaker 3: We don't want we don't want that to happen.

2521
01:47:36,960 --> 01:47:39,160
Speaker 5: The next episode we'll see who else has submitted. But

2522
01:47:39,240 --> 01:47:41,240
Speaker 5: do we have another voicemail? You called me off guard

2523
01:47:41,240 --> 01:47:42,160
Speaker 5: without what I didn't.

2524
01:47:42,160 --> 01:47:46,599
Speaker 3: Know the whole vibe up yeah good. I was ready

2525
01:47:46,640 --> 01:47:47,599
Speaker 3: to give some bad advice.

2526
01:47:48,800 --> 01:47:48,960
Speaker 7: Yo.

2527
01:47:49,040 --> 01:47:52,559
Speaker 8: What's up Rory Malda marriage page? Keep doing what y'all doing? Man,

2528
01:47:52,640 --> 01:47:56,000
Speaker 8: y'all killing and y'all doing God's work out here. No

2529
01:47:56,120 --> 01:47:57,360
Speaker 8: two things I want to say.

2530
01:47:57,680 --> 01:47:59,840
Speaker 3: So the first one is a question. The second one

2531
01:47:59,880 --> 01:48:00,479
Speaker 3: is statement.

2532
01:48:01,200 --> 01:48:05,439
Speaker 8: My question is, make pretend it's your birthday, right, It's

2533
01:48:05,479 --> 01:48:07,800
Speaker 8: the best night of your life. You got front row,

2534
01:48:07,920 --> 01:48:12,280
Speaker 8: Madison Square Garden, you, your friends, your family, and the building.

2535
01:48:13,120 --> 01:48:15,760
Speaker 8: It's it's your night. Everybody's there to celebrate you. You

2536
01:48:15,880 --> 01:48:19,519
Speaker 8: get to choose three artists to come out that night

2537
01:48:20,080 --> 01:48:22,240
Speaker 8: and perform in front of it, like everybody. Twenty five

2538
01:48:22,280 --> 01:48:24,679
Speaker 8: songs set. It's thirty songs settings from all of them.

2539
01:48:24,760 --> 01:48:27,000
Speaker 8: Who's your opener, who's your middleman?

2540
01:48:27,520 --> 01:48:27,880
Speaker 2: Pause?

2541
01:48:28,600 --> 01:48:29,280
Speaker 3: Mega pause?

2542
01:48:30,439 --> 01:48:33,720
Speaker 8: And who's your closer? Who's gonna, you know, like just

2543
01:48:34,120 --> 01:48:35,200
Speaker 8: finish the night off for you.

2544
01:48:38,240 --> 01:48:39,000
Speaker 3: That's a good question.

2545
01:48:40,760 --> 01:48:45,200
Speaker 7: Who's the opener, who's the middle act, and who's the closer?

2546
01:48:45,640 --> 01:48:51,080
Speaker 3: Twenty five twenty five songs set? Damn, I got mine.

2547
01:48:51,320 --> 01:48:53,720
Speaker 4: Damn I shoul would have heard this before. It's a

2548
01:48:53,800 --> 01:48:54,439
Speaker 4: very tough one.

2549
01:48:54,600 --> 01:48:56,000
Speaker 3: Really, mine is easy.

2550
01:48:56,920 --> 01:48:58,920
Speaker 7: I'm just basing off the shows that I've actually been

2551
01:48:58,960 --> 01:49:02,040
Speaker 7: to that. I was like, that was great opener.

2552
01:49:06,479 --> 01:49:11,920
Speaker 5: Mmmm damn, I'll do mine first and give you guys open.

2553
01:49:11,960 --> 01:49:15,760
Speaker 3: It could be Usher, Okay, I let Usher be the

2554
01:49:15,760 --> 01:49:16,320
Speaker 3: opening act.

2555
01:49:16,400 --> 01:49:17,920
Speaker 4: Do you think Usher is gonna be okay with that?

2556
01:49:18,560 --> 01:49:20,880
Speaker 3: I mean, it's my it's my night, it's my night.

2557
01:49:21,479 --> 01:49:22,960
Speaker 6: How are you going to pitch the Usher that he's

2558
01:49:23,000 --> 01:49:23,519
Speaker 6: the opener?

2559
01:49:25,120 --> 01:49:27,320
Speaker 4: When people coming in whatever, you can set them like

2560
01:49:27,360 --> 01:49:29,760
Speaker 4: you can set the tongue because it's tough to it's

2561
01:49:29,800 --> 01:49:31,759
Speaker 4: tough to follow that Usher the roller skates.

2562
01:49:32,080 --> 01:49:34,519
Speaker 7: It's tough to follow up the roller skates facts. So

2563
01:49:34,560 --> 01:49:36,280
Speaker 7: you gon Usher opening act.

2564
01:49:37,800 --> 01:49:38,920
Speaker 3: Middle. I would.

2565
01:49:44,640 --> 01:49:49,080
Speaker 7: I probably put Drake as the second act, and I would.

2566
01:49:48,840 --> 01:49:57,760
Speaker 3: Probably end the night with you. Not picking J is

2567
01:49:57,760 --> 01:49:58,439
Speaker 3: insane to me.

2568
01:50:00,920 --> 01:50:02,760
Speaker 6: Come on now close though?

2569
01:50:04,840 --> 01:50:08,120
Speaker 3: Yeah? That you close the highest, you close on a high.

2570
01:50:08,760 --> 01:50:10,120
Speaker 3: Actually J would be my closer.

2571
01:50:10,240 --> 01:50:15,320
Speaker 7: Yeah, as long as he ends with reasonable doubt with

2572
01:50:15,400 --> 01:50:15,960
Speaker 7: the orchestra.

2573
01:50:17,400 --> 01:50:18,800
Speaker 4: Okay, I like that.

2574
01:50:18,840 --> 01:50:19,000
Speaker 3: Three.

2575
01:50:19,040 --> 01:50:21,400
Speaker 4: I would probably just switch up the order.

2576
01:50:22,400 --> 01:50:23,720
Speaker 3: Who would open Jay?

2577
01:50:24,960 --> 01:50:28,840
Speaker 6: I think J would open Drake to Usher, Usher would close.

2578
01:50:28,960 --> 01:50:29,160
Speaker 4: Yeah.

2579
01:50:29,240 --> 01:50:30,559
Speaker 3: Oh you're trying to go home with something?

2580
01:50:31,120 --> 01:50:34,360
Speaker 4: Yeah, reasons not one of my favorite shits ever. You

2581
01:50:34,400 --> 01:50:36,120
Speaker 4: think I want to end the night with Can I Live?

2582
01:50:36,800 --> 01:50:37,640
Speaker 3: No, you don't end with you.

2583
01:50:40,160 --> 01:50:42,280
Speaker 6: Would though like I would.

2584
01:50:42,080 --> 01:50:44,040
Speaker 4: But it's my night and I want to leave with

2585
01:50:44,080 --> 01:50:46,000
Speaker 4: something like I think Usher would close that night out

2586
01:50:46,240 --> 01:50:48,800
Speaker 4: the way I would like to leave the arena and

2587
01:50:48,840 --> 01:50:50,280
Speaker 4: the vibe of the arena at that time.

2588
01:50:50,479 --> 01:50:52,760
Speaker 3: So you want to start R and B? Okay? Did

2589
01:50:52,800 --> 01:50:53,479
Speaker 3: you get it to Drake?

2590
01:50:53,479 --> 01:50:55,200
Speaker 7: Because he got records all over with R and B

2591
01:50:55,360 --> 01:50:58,000
Speaker 7: rap Dan get into all of that ship.

2592
01:50:58,160 --> 01:51:00,640
Speaker 4: That's why j would get us the vibe going. And

2593
01:51:00,680 --> 01:51:01,080
Speaker 4: then Drake.

2594
01:51:01,120 --> 01:51:02,760
Speaker 6: Can you at R and B?

2595
01:51:02,840 --> 01:51:04,080
Speaker 3: Because Jay gonna bring be out.

2596
01:51:04,680 --> 01:51:07,839
Speaker 6: Wait, we had no stipulations this twenty five songs.

2597
01:51:08,360 --> 01:51:10,280
Speaker 3: You picked the twenty five songs? Okay?

2598
01:51:10,479 --> 01:51:13,559
Speaker 6: So I would the Black Tour to open.

2599
01:51:14,840 --> 01:51:16,560
Speaker 7: No, I'm just saying in that set we would have

2600
01:51:16,880 --> 01:51:20,160
Speaker 7: Beyonce come out do some of their joints together, you

2601
01:51:20,240 --> 01:51:20,640
Speaker 7: know what I mean?

2602
01:51:20,960 --> 01:51:23,720
Speaker 3: Bring maybe bring Mary have her due the joints they got.

2603
01:51:23,760 --> 01:51:24,240
Speaker 3: I don't think.

2604
01:51:24,240 --> 01:51:26,479
Speaker 5: I don't know if that's fair. That's a lot, but

2605
01:51:26,560 --> 01:51:28,320
Speaker 5: I get.

2606
01:51:28,200 --> 01:51:30,640
Speaker 3: To pick the set. Niggas is crazy if you think

2607
01:51:30,680 --> 01:51:32,639
Speaker 3: Beyonce and Mary not coming out on that set.

2608
01:51:33,280 --> 01:51:36,760
Speaker 6: Absolutely, are they free? Like I got to pay them

2609
01:51:36,760 --> 01:51:36,920
Speaker 6: for that.

2610
01:51:38,040 --> 01:51:39,360
Speaker 4: No, I mean, like, are they available.

2611
01:51:40,240 --> 01:51:42,600
Speaker 3: I think I think b will be available that she

2612
01:51:42,680 --> 01:51:46,160
Speaker 3: make herself free from It's my night on before.

2613
01:51:46,200 --> 01:51:48,240
Speaker 4: It's funny, it's not even like your birthday. It's just

2614
01:51:48,320 --> 01:51:49,800
Speaker 4: my night, he said.

2615
01:51:49,800 --> 01:51:50,719
Speaker 3: Imagine it's your birthday.

2616
01:51:50,760 --> 01:51:51,080
Speaker 6: Okay.

2617
01:51:51,080 --> 01:51:52,880
Speaker 3: I thought he was just saying, oh, yeah, my birthday. Yeah,

2618
01:51:52,920 --> 01:51:54,599
Speaker 3: she gotta come out for that. Of course she's been.

2619
01:51:54,880 --> 01:52:02,240
Speaker 5: Mine would be Bruno Mars open, beyond say, Beyonce middle

2620
01:52:03,560 --> 01:52:07,080
Speaker 5: and then no, Bruno Maris opened, Jen and Jackson in

2621
01:52:07,120 --> 01:52:11,040
Speaker 5: the middle, Beyonce close, but also doing some of her

2622
01:52:11,400 --> 01:52:12,240
Speaker 5: her Jay features.

2623
01:52:14,000 --> 01:52:15,920
Speaker 7: I ain't gonna lie while Bruno opening. I'm at the

2624
01:52:16,360 --> 01:52:17,400
Speaker 7: I'm at the concession stand.

2625
01:52:17,479 --> 01:52:21,120
Speaker 5: Let me whatever, nigga, it's not your birthday, your birthday,

2626
01:52:21,120 --> 01:52:24,679
Speaker 5: I gotta go to your birthday party, right ones.

2627
01:52:24,800 --> 01:52:26,760
Speaker 3: You ain't had no birth I took you. I was

2628
01:52:26,840 --> 01:52:27,879
Speaker 3: with you one of your birthdays.

2629
01:52:28,120 --> 01:52:28,439
Speaker 4: The fact.

2630
01:52:28,880 --> 01:52:30,960
Speaker 3: See maybe yo, stop doing that, yo, because you were

2631
01:52:31,000 --> 01:52:32,439
Speaker 3: trying to paint me that this nigga that the old funk.

2632
01:52:32,439 --> 01:52:33,200
Speaker 3: Would you stopped doing that?

2633
01:52:34,360 --> 01:52:35,320
Speaker 6: Stop doing that for me.

2634
01:52:36,840 --> 01:52:38,720
Speaker 3: About I never I've been I took you out for

2635
01:52:38,800 --> 01:52:39,240
Speaker 3: your birthday.

2636
01:52:39,479 --> 01:52:41,040
Speaker 5: No, no, no, no, no no we were in l A.

2637
01:52:41,360 --> 01:52:44,559
Speaker 5: Me and Rory went out. You happened to come see

2638
01:52:45,080 --> 01:52:50,400
Speaker 5: usually like to w that's that is crazy, knowing it

2639
01:52:50,520 --> 01:52:51,160
Speaker 5: was your birthday.

2640
01:52:51,240 --> 01:52:54,360
Speaker 7: When going out, I would see my hotel room getting dressed, like, yo,

2641
01:52:54,439 --> 01:52:56,200
Speaker 7: we're going out for baby these birthdays.

2642
01:52:56,560 --> 01:52:58,719
Speaker 3: I didn't know. That's crazy.

2643
01:53:00,000 --> 01:53:01,000
Speaker 6: I was fully involved in that.

2644
01:53:01,560 --> 01:53:02,320
Speaker 1: That's what you fuck through.

2645
01:53:02,320 --> 01:53:02,479
Speaker 2: You know.

2646
01:53:02,560 --> 01:53:04,720
Speaker 5: That was twenty twenty two. Niggas a twenty twenty five.

2647
01:53:04,800 --> 01:53:06,800
Speaker 5: I'm about to be thirty one this year. Yeah, but

2648
01:53:07,280 --> 01:53:08,799
Speaker 5: you asked me what I'm doing for my birthday?

2649
01:53:09,120 --> 01:53:11,080
Speaker 3: No, but you doing for your birthday? Nothing. I don't

2650
01:53:11,080 --> 01:53:12,840
Speaker 3: have any plans and any friends, so I don't have anything.

2651
01:53:12,960 --> 01:53:13,599
Speaker 3: You got friends?

2652
01:53:13,680 --> 01:53:16,559
Speaker 7: You go on to gallentimes we're talking about that's February. Yeah,

2653
01:53:16,560 --> 01:53:17,519
Speaker 7: but Sevons you have friends.

2654
01:53:18,280 --> 01:53:19,960
Speaker 4: After Galenti's they they are going to fall out because

2655
01:53:19,960 --> 01:53:20,479
Speaker 4: that's what women do.

2656
01:53:20,640 --> 01:53:23,600
Speaker 7: And somebody, somebodys gonna get a boyfriend. Somebody's gonna go

2657
01:53:23,640 --> 01:53:25,600
Speaker 7: back to the nigga. Y'all said on Galentime's day, do

2658
01:53:25,760 --> 01:53:26,920
Speaker 7: not go back to that nigga.

2659
01:53:27,280 --> 01:53:28,679
Speaker 3: Three years later, what you doing?

2660
01:53:28,800 --> 01:53:29,080
Speaker 5: Girl?

2661
01:53:29,960 --> 01:53:32,120
Speaker 3: This nigga came over and we went to dinner and

2662
01:53:32,320 --> 01:53:34,240
Speaker 3: this Nigga, ain't leave. It's been three days. He's still here.

2663
01:53:34,680 --> 01:53:37,320
Speaker 6: He's a different person though he's he's changed.

2664
01:53:37,320 --> 01:53:39,519
Speaker 3: He's like he twenty five knew him like in therapy.

2665
01:53:39,640 --> 01:53:41,320
Speaker 3: You know, believe him.

2666
01:53:41,520 --> 01:53:45,519
Speaker 6: I believe him, so Bruno, Janet Jackson, Beyonce.

2667
01:53:45,760 --> 01:53:47,680
Speaker 4: Yeah, I'm a text baby D and ask for the

2668
01:53:47,920 --> 01:53:50,560
Speaker 4: set list and like what time everyone's coming on and

2669
01:53:50,760 --> 01:53:52,400
Speaker 4: be like, yo, you want to do a pregame and

2670
01:53:52,400 --> 01:53:53,320
Speaker 4: then we'll get there for Janet.

2671
01:53:53,439 --> 01:53:57,160
Speaker 3: Yeah, let's get there for jas Hated.

2672
01:53:57,800 --> 01:54:01,360
Speaker 4: Let's get dinner before, like you'll get right when he's yeah,

2673
01:54:01,680 --> 01:54:05,559
Speaker 4: right down the street, Like get dinner minutes before Janet.

2674
01:54:07,000 --> 01:54:11,200
Speaker 6: No, I was definitely going, of course, absolutely talking all right.

2675
01:54:13,840 --> 01:54:16,040
Speaker 4: I'm trying not to repeat because I would steal a

2676
01:54:16,120 --> 01:54:17,000
Speaker 4: lot of what you guys have.

2677
01:54:17,320 --> 01:54:23,639
Speaker 3: Face scarface opening, scar face, open it, little Wayne.

2678
01:54:24,439 --> 01:54:25,920
Speaker 6: Wait, did he did he put dead or alive?

2679
01:54:26,000 --> 01:54:26,040
Speaker 2: Like?

2680
01:54:26,080 --> 01:54:27,240
Speaker 6: Are we allowed to do dead people?

2681
01:54:27,479 --> 01:54:27,519
Speaker 5: No?

2682
01:54:27,960 --> 01:54:30,160
Speaker 3: Dead people? Y'all?

2683
01:54:30,240 --> 01:54:32,360
Speaker 4: Y'all got Beyonce coming out on Jay set from all

2684
01:54:32,400 --> 01:54:34,640
Speaker 4: Day and we can't just make a hypothetical, Well, both

2685
01:54:34,680 --> 01:54:36,680
Speaker 4: of them are still alive. I know at this point

2686
01:54:36,960 --> 01:54:39,160
Speaker 4: that's a version of hypothetical. So I feel like dead

2687
01:54:39,160 --> 01:54:39,720
Speaker 4: people should be.

2688
01:54:39,760 --> 01:54:41,800
Speaker 5: No dead people is a completely different hypothetical.

2689
01:54:42,880 --> 01:54:51,600
Speaker 4: All right, fine, so Tupac to open hmmm, I would

2690
01:54:52,080 --> 01:54:59,040
Speaker 4: ye start the night with di'angelo. Okay, set the tone RB,

2691
01:54:59,400 --> 01:55:06,600
Speaker 4: Yeah hmmm. I would then go fuck you guys, took

2692
01:55:06,640 --> 01:55:08,200
Speaker 4: so many minds, so then do one of.

2693
01:55:08,200 --> 01:55:11,400
Speaker 7: Ours take another artist we picked. We only picked some

2694
01:55:11,440 --> 01:55:12,360
Speaker 7: of the greatest artists ever.

2695
01:55:13,600 --> 01:55:17,600
Speaker 4: I would go Di'angelo. I would put this would be

2696
01:55:17,720 --> 01:55:21,080
Speaker 4: risky because he'd probably go over his time. Kanye is

2697
01:55:21,120 --> 01:55:22,520
Speaker 4: a middle could get really risky.

2698
01:55:22,840 --> 01:55:24,680
Speaker 3: Oh ship, see once you stop putting.

2699
01:55:24,680 --> 01:55:26,400
Speaker 4: But I don't want him to close the night out

2700
01:55:26,400 --> 01:55:28,400
Speaker 4: because it fuck up the vibe when he starts ranting,

2701
01:55:29,040 --> 01:55:30,760
Speaker 4: or it could be like to the girl that I'm

2702
01:55:30,760 --> 01:55:32,240
Speaker 4: talking to, like it was probably time to leave. He

2703
01:55:32,560 --> 01:55:33,440
Speaker 4: talked about Facebook and.

2704
01:55:33,680 --> 01:55:35,400
Speaker 5: Yeah, but I feel like that's I feel like that's

2705
01:55:35,480 --> 01:55:37,200
Speaker 5: better as an in there, because if you put Kanye

2706
01:55:37,240 --> 01:55:39,320
Speaker 5: in the middle ranton, that's gonna suck up the vibe.

2707
01:55:39,440 --> 01:55:48,360
Speaker 4: Yeah, okay. If Beyonce is the closer, I think Kanye

2708
01:55:48,400 --> 01:55:52,240
Speaker 4: would respect that Beyonce's time was coming and they would

2709
01:55:52,280 --> 01:55:56,560
Speaker 4: do this summertime ship or what's the record that they

2710
01:55:56,640 --> 01:55:58,200
Speaker 4: have that cold Andre three thousand.

2711
01:56:01,240 --> 01:56:04,120
Speaker 6: Uh, we like to put it. Yeah, that would that

2712
01:56:04,200 --> 01:56:04,760
Speaker 6: would get.

2713
01:56:04,680 --> 01:56:06,760
Speaker 4: Us into the Beyonce set, and I feel like Kanye

2714
01:56:06,800 --> 01:56:07,320
Speaker 4: would respect.

2715
01:56:07,440 --> 01:56:11,680
Speaker 5: Oh, Drunken Love remix. Drunken Love Remix with Kanye is

2716
01:56:11,720 --> 01:56:12,520
Speaker 5: one of my favorite.

2717
01:56:12,600 --> 01:56:12,800
Speaker 2: Oh.

2718
01:56:12,920 --> 01:56:13,640
Speaker 3: I love it so much.

2719
01:56:13,920 --> 01:56:16,240
Speaker 4: And I would combine that Kanye set. Since you guys

2720
01:56:16,240 --> 01:56:18,280
Speaker 4: said we could just bring anyone in. It would be

2721
01:56:18,400 --> 01:56:21,240
Speaker 4: a watch the Throne mash up into the Beyonce set.

2722
01:56:21,800 --> 01:56:24,040
Speaker 4: Lift off would close it and then we'd get into

2723
01:56:24,120 --> 01:56:25,400
Speaker 4: some on the run too.

2724
01:56:25,560 --> 01:56:28,120
Speaker 3: So you said di Angelo Kanye Beyonce.

2725
01:56:29,960 --> 01:56:32,200
Speaker 4: That would be for like an arena.

2726
01:56:33,000 --> 01:56:35,520
Speaker 3: Yeah, I'm gonna be at the bathroom when DiAngelo's.

2727
01:56:36,720 --> 01:56:36,840
Speaker 4: Yo.

2728
01:56:37,160 --> 01:56:38,920
Speaker 3: Get that out the way. First of all, that line

2729
01:56:39,000 --> 01:56:39,520
Speaker 3: is gonna be long.

2730
01:56:40,280 --> 01:56:42,520
Speaker 4: You guys got to bring in all the people affiliated.

2731
01:56:42,760 --> 01:56:45,240
Speaker 4: If D'Angelo is there, I don't get all the soul aquariums.

2732
01:56:45,320 --> 01:56:48,280
Speaker 4: He doesn't bring out Badu, he doesn't bring out Maxwell,

2733
01:56:48,320 --> 01:56:50,000
Speaker 4: he doesn't bring out the roots, he doesn't bring.

2734
01:56:49,920 --> 01:56:50,680
Speaker 3: Out the opener.

2735
01:56:50,720 --> 01:56:52,360
Speaker 5: He's not the main act. So no, he's not bringing

2736
01:56:52,360 --> 01:56:53,040
Speaker 5: out the roots.

2737
01:56:53,080 --> 01:56:54,720
Speaker 3: And and he only got fifteen minutes.

2738
01:56:54,880 --> 01:56:57,520
Speaker 5: Yeah, so he had a twenty five song, No you

2739
01:56:57,600 --> 01:57:01,520
Speaker 5: have it's a total song, so it'll probably be five.

2740
01:57:02,600 --> 01:57:04,600
Speaker 3: You're give me the Angelo A Medley is crazy.

2741
01:57:04,800 --> 01:57:05,280
Speaker 4: I don't do that.

2742
01:57:07,160 --> 01:57:10,680
Speaker 6: See, I'm just what you mean. I'm just saying legends.

2743
01:57:10,680 --> 01:57:11,120
Speaker 6: I don't like it.

2744
01:57:11,200 --> 01:57:13,400
Speaker 7: I hate I'm just saying, if you got too minutes, No,

2745
01:57:13,840 --> 01:57:15,560
Speaker 7: the Angelo's a legend. I'm just saying, if it only

2746
01:57:15,600 --> 01:57:19,480
Speaker 7: gave him fifteen minutes to do twenty five songs, he

2747
01:57:19,520 --> 01:57:21,120
Speaker 7: would do uh Medley.

2748
01:57:21,360 --> 01:57:23,400
Speaker 4: He would just do the really love song off the

2749
01:57:23,480 --> 01:57:26,640
Speaker 4: last album. I think that I think thirty got songs

2750
01:57:26,680 --> 01:57:30,640
Speaker 4: twenty five minutes. You think the Angel would be a

2751
01:57:30,640 --> 01:57:31,120
Speaker 4: cool opener.

2752
01:57:31,600 --> 01:57:33,600
Speaker 7: Now I'm lying for my open I'm gonna go Alldred

2753
01:57:33,600 --> 01:57:36,080
Speaker 7: th two thousand, but only New Blue, New Blue Son.

2754
01:57:36,480 --> 01:57:38,320
Speaker 3: You gotta you gotta perform the Marris.

2755
01:57:38,360 --> 01:57:40,000
Speaker 4: I'm gonna next you and say, Yo, let's figure out

2756
01:57:40,040 --> 01:57:41,400
Speaker 4: when Mal's second act is going on?

2757
01:57:42,160 --> 01:57:44,360
Speaker 3: Yeah, live on Man three stacks, get to open it.

2758
01:57:44,440 --> 01:57:46,200
Speaker 3: Man me play the play the flute.

2759
01:57:46,280 --> 01:57:47,240
Speaker 6: Man be out the floor.

2760
01:57:47,240 --> 01:57:48,800
Speaker 5: I'm gonna tell mam to save me a seat. I'll

2761
01:57:48,840 --> 01:57:49,320
Speaker 5: be there soon.

2762
01:57:49,880 --> 01:57:51,600
Speaker 4: I never want to do Andre two thousand. Hey, but

2763
01:57:51,680 --> 01:57:54,440
Speaker 4: shout out to the Grammys for for fixing their mistake.

2764
01:57:54,800 --> 01:57:55,600
Speaker 4: You guys, got it right?

2765
01:57:55,880 --> 01:57:56,400
Speaker 3: What did they do?

2766
01:57:56,520 --> 01:57:58,560
Speaker 4: Should have never fucking nominated that coddamn album?

2767
01:57:58,880 --> 01:58:00,880
Speaker 3: Yeah, they were wild. How did they fix that? After

2768
01:58:00,920 --> 01:58:01,520
Speaker 3: the Grammys though?

2769
01:58:01,840 --> 01:58:04,840
Speaker 4: They even brought it up. Just let's let's let's brush

2770
01:58:04,880 --> 01:58:07,760
Speaker 4: that mistake under their rug. Really, there was no Audre

2771
01:58:07,880 --> 01:58:10,200
Speaker 4: two thousand talk on the red carpet. No one was like,

2772
01:58:10,240 --> 01:58:11,960
Speaker 4: who do you say? Do we think three Stacks is

2773
01:58:11,960 --> 01:58:13,240
Speaker 4: gonna win? They just shut up.

2774
01:58:13,600 --> 01:58:15,680
Speaker 3: So what did they say post the Grammys? Did they

2775
01:58:15,720 --> 01:58:18,320
Speaker 3: release statement? So why? He said? They cleaned it up?

2776
01:58:18,440 --> 01:58:22,040
Speaker 4: They talked about everyone that was nominated but him, Oh, yeah,

2777
01:58:23,360 --> 01:58:26,440
Speaker 4: shouldn't have been nominated. Three Stacks were sitting there like,

2778
01:58:26,560 --> 01:58:28,720
Speaker 4: huh yeah, the fuck is wrong with y'all?

2779
01:58:29,800 --> 01:58:32,960
Speaker 6: All right, well super Bowl Sunday is this weekend. I'm

2780
01:58:32,960 --> 01:58:34,360
Speaker 6: gonna go to New Orleans tomorrow.

2781
01:58:34,800 --> 01:58:37,680
Speaker 3: My guy, he will be in New Orleans the super Bowl. Yeah.

2782
01:58:40,200 --> 01:58:42,560
Speaker 4: I tried to budget it, and Leoyon sent me a

2783
01:58:42,640 --> 01:58:43,680
Speaker 4: very long description.

2784
01:58:43,400 --> 01:58:48,640
Speaker 3: That this was but for all of them later, you know, anytime,

2785
01:58:48,680 --> 01:58:50,320
Speaker 3: it's telling to party, hang out, baby d trying to

2786
01:58:50,320 --> 01:58:51,720
Speaker 3: beat it. That's not true.

2787
01:58:52,360 --> 01:58:53,840
Speaker 5: I'm not even drinking this month.

2788
01:58:54,040 --> 01:58:55,600
Speaker 3: You would be drinking if you went to New Orleans.

2789
01:58:56,560 --> 01:58:59,440
Speaker 3: You think you're talking to you would.

2790
01:58:59,200 --> 01:59:00,960
Speaker 4: Be you would be, say a in an Airbnb with

2791
01:59:01,080 --> 01:59:01,879
Speaker 4: me and Jay Electronic?

2792
01:59:01,920 --> 01:59:02,160
Speaker 3: Got it?

2793
01:59:02,760 --> 01:59:02,920
Speaker 8: Oh?

2794
01:59:03,000 --> 01:59:08,840
Speaker 3: I need I need alcohol just to survive predictions. My

2795
01:59:08,960 --> 01:59:10,640
Speaker 3: heart says the Eagles.

2796
01:59:11,480 --> 01:59:14,680
Speaker 7: My money is on Kansas City, but I would like

2797
01:59:14,720 --> 01:59:16,240
Speaker 7: to see Jalen Hurts and Sat Kwan.

2798
01:59:16,560 --> 01:59:19,000
Speaker 4: Yeah, I'm I'm gonna. I'm gonna lean into the story

2799
01:59:19,000 --> 01:59:19,480
Speaker 4: book ending.

2800
01:59:19,720 --> 01:59:21,960
Speaker 3: I'm going with the Eagles, Going with the Eagles. Would

2801
01:59:22,000 --> 01:59:23,120
Speaker 3: you put your money on the Eagles? Though?

2802
01:59:23,200 --> 01:59:25,680
Speaker 5: No, God, no, Okay, I would put my money on

2803
01:59:25,720 --> 01:59:28,160
Speaker 5: the Chiefs. Baby d I'm going with the Eagles, but

2804
01:59:28,160 --> 01:59:29,320
Speaker 5: I wouldn't put money on it either.

2805
01:59:29,920 --> 01:59:32,920
Speaker 3: We don't have to ask mister Kansas City himself who

2806
01:59:33,000 --> 01:59:34,640
Speaker 3: he's going for. Who you are going for?

2807
01:59:36,320 --> 01:59:38,600
Speaker 6: He said the Eagles get the fuck out of here.

2808
01:59:38,680 --> 01:59:41,080
Speaker 3: You believe peg if you want to. He ain't gonna

2809
01:59:41,080 --> 01:59:43,840
Speaker 3: for no fucking Eagles. That's Kansas City through and through

2810
01:59:43,920 --> 01:59:44,800
Speaker 3: right there? You kidding me?

2811
01:59:46,560 --> 01:59:50,080
Speaker 4: What type of uh New Orleans activity should I get into?

2812
01:59:50,080 --> 01:59:53,640
Speaker 4: Should I go full like Ratchet Rory? Or should I

2813
01:59:54,040 --> 01:59:55,160
Speaker 4: be reserved? What do you guys think?

2814
01:59:55,760 --> 01:59:58,520
Speaker 7: I think you should do whatever your heart desires. I'm

2815
01:59:58,520 --> 02:00:00,360
Speaker 7: gonna want to get drunk on Bourbon Street and pass

2816
02:00:00,400 --> 02:00:01,160
Speaker 7: out in your own vomit.

2817
02:00:01,200 --> 02:00:02,560
Speaker 3: Go ahead and do that. Ship you got a single

2818
02:00:02,640 --> 02:00:04,080
Speaker 3: coming out like party? Fuck it.

2819
02:00:04,480 --> 02:00:06,080
Speaker 4: Nah, I'm gonna be with someone that doesn't want to

2820
02:00:06,120 --> 02:00:07,760
Speaker 4: be seen. So I think I'm probably flying to New

2821
02:00:07,880 --> 02:00:09,720
Speaker 4: Orleans to stay in a Airbnb and then flying back

2822
02:00:09,760 --> 02:00:11,680
Speaker 4: home as if I were still in New Jersey.

2823
02:00:11,840 --> 02:00:15,160
Speaker 3: Yeah, yeah, good time. Watched the game in the crib.

2824
02:00:16,040 --> 02:00:17,640
Speaker 4: They'll probably go to the game. I'm watching that game

2825
02:00:17,680 --> 02:00:18,200
Speaker 4: in the AIRBB.

2826
02:00:18,560 --> 02:00:20,200
Speaker 3: Yeah, you're gonna get tickets.

2827
02:00:21,520 --> 02:00:25,280
Speaker 4: I I'm not gonna ask, so I get it if

2828
02:00:25,320 --> 02:00:28,800
Speaker 4: somebody says, yo, you want to roll. Yeah, I already

2829
02:00:28,800 --> 02:00:30,560
Speaker 4: have my outfit laid out and picked out. It's iron

2830
02:00:30,760 --> 02:00:34,200
Speaker 4: and everything, and I even have like the laminate that's

2831
02:00:34,200 --> 02:00:36,320
Speaker 4: empty with the pass. I just put the pass in there.

2832
02:00:37,600 --> 02:00:38,320
Speaker 6: It's already there.

2833
02:00:38,480 --> 02:00:38,720
Speaker 3: Yeah.

2834
02:00:38,960 --> 02:00:41,800
Speaker 4: But I am gonna play koy on the couch like

2835
02:00:41,920 --> 02:00:45,800
Speaker 4: oh what do you Oh you're going with Hove and

2836
02:00:45,880 --> 02:00:47,960
Speaker 4: b oh okay, yeah, hell let me know how ship

2837
02:00:48,440 --> 02:00:51,600
Speaker 4: like you know, like if they be like, oh there's

2838
02:00:52,000 --> 02:00:54,440
Speaker 4: a spot like more just like when we go through

2839
02:00:55,240 --> 02:00:57,640
Speaker 4: like the door, just stay really close to me. Yeah,

2840
02:00:57,640 --> 02:00:58,440
Speaker 4: I'll have my fit ready.

2841
02:00:58,760 --> 02:01:01,240
Speaker 7: I did that for It's funny that you said that

2842
02:01:01,320 --> 02:01:04,960
Speaker 7: I did the same exact thing for All Star Weekend.

2843
02:01:07,000 --> 02:01:10,840
Speaker 3: I want to say that was two thousand.

2844
02:01:11,920 --> 02:01:12,120
Speaker 8: One.

2845
02:01:13,680 --> 02:01:15,640
Speaker 7: Well, the year they was in talk about nine eleven,

2846
02:01:15,760 --> 02:01:18,320
Speaker 7: whenever it was February of nine eleven, I believe, I

2847
02:01:18,360 --> 02:01:20,520
Speaker 7: think the year it was in DC.

2848
02:01:21,600 --> 02:01:24,040
Speaker 3: That's exactly how I got in the game. I literally took.

2849
02:01:25,680 --> 02:01:27,920
Speaker 7: God bless somebody have been a lea that snuck me yet,

2850
02:01:28,280 --> 02:01:30,400
Speaker 7: because she was with Dame at the time, and I

2851
02:01:30,600 --> 02:01:32,320
Speaker 7: like got just walked right next to the lea and

2852
02:01:32,320 --> 02:01:34,680
Speaker 7: we kind of like just went through security together. I

2853
02:01:34,760 --> 02:01:37,280
Speaker 7: didn't have a ticket, but like we was all in

2854
02:01:37,400 --> 02:01:39,040
Speaker 7: DC together and I was They was just like, fuck

2855
02:01:39,040 --> 02:01:42,720
Speaker 7: are we mobbing? I was like, word, fuck it, I'm young, dumb,

2856
02:01:42,840 --> 02:01:44,600
Speaker 7: didn't think about your if they stopped me, what I'm

2857
02:01:44,600 --> 02:01:46,360
Speaker 7: gonna do walk back to the hotel.

2858
02:01:46,720 --> 02:01:49,560
Speaker 3: Yeah, but we all got in and had a good time. Yeah.

2859
02:01:49,560 --> 02:01:51,680
Speaker 4: I feel like two thousand and one All Star Weekend

2860
02:01:51,800 --> 02:01:56,560
Speaker 4: is a things have changed post nine eleven. Yeah, I

2861
02:01:56,640 --> 02:01:59,760
Speaker 4: don't know with jay Z being a partner with the

2862
02:02:00,120 --> 02:02:03,200
Speaker 4: f L if I'll be able to finagle just grab

2863
02:02:03,240 --> 02:02:05,920
Speaker 4: the back of j Electronica shirt. Yeah, I don't know

2864
02:02:05,920 --> 02:02:08,960
Speaker 4: if it's gonna work at the super Bowl.

2865
02:02:09,560 --> 02:02:11,120
Speaker 7: I mean it worked all Star weeking for me, but

2866
02:02:11,160 --> 02:02:14,120
Speaker 7: the Super Bowls is a different, whole, different animal.

2867
02:02:14,160 --> 02:02:15,680
Speaker 4: I don't want to put Pege on blast though, but

2868
02:02:15,760 --> 02:02:18,320
Speaker 4: he he's done some photoshop things back in the day,

2869
02:02:18,520 --> 02:02:22,760
Speaker 4: statute of limitations of some shows he's gotten into. If

2870
02:02:22,840 --> 02:02:24,720
Speaker 4: I get a quick peek at what that pass looks

2871
02:02:24,800 --> 02:02:27,280
Speaker 4: like and I hit peage, I might find a little

2872
02:02:27,280 --> 02:02:27,959
Speaker 4: print shop.

2873
02:02:27,760 --> 02:02:30,760
Speaker 3: In New Orleans and yeah, swap it out, put a

2874
02:02:30,800 --> 02:02:34,440
Speaker 3: security vest on. It's so good, old hands on deck.

2875
02:02:34,560 --> 02:02:36,680
Speaker 5: Julie is gonna come from out of nowhere, tackle your

2876
02:02:36,760 --> 02:02:37,520
Speaker 5: ass to the ground.

2877
02:02:37,680 --> 02:02:38,200
Speaker 3: Don't play.

2878
02:02:38,400 --> 02:02:40,280
Speaker 6: Julius knows me old on.

2879
02:02:40,400 --> 02:02:41,040
Speaker 3: That's big roar.

2880
02:02:42,520 --> 02:02:44,160
Speaker 6: I've been I've been indicting with Julius.

2881
02:02:44,200 --> 02:02:46,400
Speaker 7: Like I thought you about say, I've been indicted with Julius.

2882
02:02:46,400 --> 02:02:51,640
Speaker 7: I'm about to be like going on what you trying

2883
02:02:51,640 --> 02:02:52,480
Speaker 7: to throw that out right now?

2884
02:02:52,640 --> 02:02:55,480
Speaker 3: Like word, okay, that's what's up? That's funny?

2885
02:02:56,240 --> 02:02:57,080
Speaker 6: Well, yeah, this was fun.

2886
02:02:57,120 --> 02:03:00,240
Speaker 4: I would be in New Orleans minding my business, yes,

2887
02:03:01,840 --> 02:03:03,720
Speaker 4: and maybe having some fun. Do you have a Super

2888
02:03:03,760 --> 02:03:05,000
Speaker 4: Bowl party plans? Where you watching them?

2889
02:03:05,280 --> 02:03:07,280
Speaker 7: Nah, man, I mean one of the actually one of

2890
02:03:07,360 --> 02:03:10,320
Speaker 7: my boys does have a super Bowl party at his

2891
02:03:10,440 --> 02:03:12,160
Speaker 7: house that he's trying to do, but I don't.

2892
02:03:12,160 --> 02:03:13,720
Speaker 3: I don't know if I'm gonna go yet, but that

2893
02:03:13,840 --> 02:03:15,080
Speaker 3: that'll probably be the only thing I go to.

2894
02:03:15,360 --> 02:03:18,040
Speaker 5: It's embarrassed I'm having a party, but so far it's

2895
02:03:18,120 --> 02:03:19,200
Speaker 5: just me. I only invited me.

2896
02:03:19,400 --> 02:03:20,080
Speaker 4: Thank God, I'm going.

2897
02:03:20,120 --> 02:03:20,800
Speaker 3: It's just you, baby?

2898
02:03:20,840 --> 02:03:22,480
Speaker 6: Did Orleans invited me?

2899
02:03:22,600 --> 02:03:23,880
Speaker 3: It's just gonna be me watching the game.

2900
02:03:24,800 --> 02:03:27,920
Speaker 5: I think I'm gonna make some sliders, m or maybe

2901
02:03:27,920 --> 02:03:29,680
Speaker 5: I should just make one burger, being that it's just me.

2902
02:03:29,880 --> 02:03:31,520
Speaker 7: Yeah, if it's just you, you don't need nobody else

2903
02:03:31,560 --> 02:03:33,560
Speaker 7: to slide to just make one big ass burger. Maybe

2904
02:03:33,640 --> 02:03:35,880
Speaker 7: just stop playing over there playing sliders.

2905
02:03:36,160 --> 02:03:36,640
Speaker 3: It's just you.

2906
02:03:37,200 --> 02:03:39,000
Speaker 7: Ain't nobody going back to that trade to get that

2907
02:03:39,080 --> 02:03:42,760
Speaker 7: other little ass burger. Man take all that they call

2908
02:03:42,880 --> 02:03:46,160
Speaker 7: that ground by put that ship together one big ass burger, baby,

2909
02:03:46,200 --> 02:03:46,680
Speaker 7: d fuck it?

2910
02:03:47,520 --> 02:03:50,080
Speaker 6: I mean shit, what did you guys do last year? Year?

2911
02:03:50,160 --> 02:03:52,200
Speaker 6: Before we all spent together last night?

2912
02:03:52,560 --> 02:03:52,920
Speaker 3: Last year?

2913
02:03:53,000 --> 02:03:53,200
Speaker 8: Was who?

2914
02:03:53,680 --> 02:03:55,680
Speaker 3: Last year? It was Kansas City?

2915
02:03:55,760 --> 02:03:56,400
Speaker 4: Right three years ago?

2916
02:03:57,120 --> 02:03:57,960
Speaker 3: Yeah, Kansas City?

2917
02:03:58,080 --> 02:03:59,720
Speaker 6: And when did we do it?

2918
02:03:59,720 --> 02:04:02,360
Speaker 4: At my that was the Doctor Dre Snoop Kendrick.

2919
02:04:02,520 --> 02:04:03,400
Speaker 3: I was twenty twenty two.

2920
02:04:04,320 --> 02:04:08,280
Speaker 4: Then it was Usher Rihannah. The years have passed, Yeah,

2921
02:04:08,280 --> 02:04:08,879
Speaker 4: no idea.

2922
02:04:08,760 --> 02:04:11,040
Speaker 5: Usher Usher, which was last year I had a super

2923
02:04:11,080 --> 02:04:13,320
Speaker 5: Bowl party me and Alex did. The year before that

2924
02:04:13,520 --> 02:04:16,400
Speaker 5: was Rihanna. I was home, and then the year before

2925
02:04:16,480 --> 02:04:17,640
Speaker 5: that was Doctor Dre and them.

2926
02:04:18,200 --> 02:04:20,240
Speaker 3: Yeah, so it was Kansas City, San Francisco last.

2927
02:04:20,160 --> 02:04:21,000
Speaker 4: Year, yea Francisco.

2928
02:04:22,360 --> 02:04:25,880
Speaker 3: Well everyone, man, and in New Orleans, be safe out there.

2929
02:04:27,040 --> 02:04:27,640
Speaker 6: I did all start.

2930
02:04:27,640 --> 02:04:30,120
Speaker 4: We get out there one time. That city's not designed

2931
02:04:30,200 --> 02:04:33,360
Speaker 4: for these type of weekends like the super Bowl. It's

2932
02:04:33,400 --> 02:04:37,000
Speaker 4: not on foot. Yeah, no fucking way, you can get anywhere.

2933
02:04:37,160 --> 02:04:39,400
Speaker 3: We'll be safe out there, a good time. Tell Ja,

2934
02:04:39,480 --> 02:04:40,320
Speaker 3: I said, hello, sing my.

2935
02:04:40,360 --> 02:04:43,480
Speaker 4: Love with We're we're not leaving that Airbnb.

2936
02:04:43,720 --> 02:04:45,000
Speaker 3: No, well, Jay's definitely not.

2937
02:04:45,520 --> 02:04:49,720
Speaker 7: But anyway, everybody, be safe, be blessed, enjoy each other,

2938
02:04:49,800 --> 02:04:53,960
Speaker 7: love each other, and just appreciate each other while we

2939
02:04:54,000 --> 02:04:56,200
Speaker 7: still have each other. Man, because tomorrow is not promised,

2940
02:04:56,880 --> 02:04:59,120
Speaker 7: and you know, every time we have such a huge

2941
02:04:59,160 --> 02:05:01,040
Speaker 7: loss in our culture, like Earth God, he is kind

2942
02:05:01,040 --> 02:05:04,080
Speaker 7: of reminding of that of just enjoying our time together

2943
02:05:04,200 --> 02:05:07,320
Speaker 7: and and and be legendary. While you're here, try to

2944
02:05:07,360 --> 02:05:10,120
Speaker 7: be legendary because that's exactly what Earth God he was.

2945
02:05:10,240 --> 02:05:13,040
Speaker 7: So we'll talk to y'all soon. Be safe, be blessed.

2946
02:05:13,440 --> 02:05:15,200
Speaker 7: I'm that nigga, he's just Ginger Peace