WEBVTT - Episode 2: Devil's Prank

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<v Speaker 1>The Manowa Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Manawat Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television and Psycopia Pictures. Fuck fuck, I just I

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<v Speaker 1>just woke up to the sound of my own screams.

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<v Speaker 1>The lights are still on, and I must have fallen

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<v Speaker 1>asleep put them on. I remember laying down to go

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<v Speaker 1>to sleep, and Manna. A figure appeared in the corner

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<v Speaker 1>of my room, bearded and where oil soaked coveralls, blackened

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<v Speaker 1>and rotten, and a tattered red scarf around his neck.

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<v Speaker 1>The scarf, it was familiar, but I couldn't place it.

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<v Speaker 1>This figure, part man, part shadow. This gray man just

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<v Speaker 1>stood there watching me. His body was stooped, his face

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<v Speaker 1>was too long, job stretched in pain, like he was

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<v Speaker 1>stranded in permanent anguish. I was paralyzed in my bed

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<v Speaker 1>while the gray man came closer and closer, not walking,

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<v Speaker 1>just somehow closer crashed h I'll get seconds three thirty

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<v Speaker 1>three am. I just listened to my last entry, my

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<v Speaker 1>last recording about an um a nightmare. I UM. I

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<v Speaker 1>have no memory of it, not of the nightmare or

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<v Speaker 1>or or they're they're gray man. I don't remember recording

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<v Speaker 1>the entry, none of it. M I tried to stay away,

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<v Speaker 1>but it found me. It's been pulling me back. I

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<v Speaker 1>give her since and I know in my core that

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<v Speaker 1>it's not gonna stop until I see James Fincher set free.

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<v Speaker 1>I have trouble remembering that time in our lives, but

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<v Speaker 1>I remember that day we found him six times. But

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<v Speaker 1>if you want to find out who was behind this,

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<v Speaker 1>he should find out what Smith knew follow his tracks.

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<v Speaker 1>August second, twenty twenty one. The fog. I hoped it

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<v Speaker 1>would clear, but it's only gotten thicker the longer I

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<v Speaker 1>stay here. Every minute I remain in Maniwa County, In

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<v Speaker 1>every minute, James Fincher's execution draws nearer, the thinker the

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<v Speaker 1>fall gets. I needed to go away for good this time.

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<v Speaker 1>I need to set things right. But the only way

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<v Speaker 1>to do that is to find out who or what

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<v Speaker 1>really killed the Hadley brothers. Now, I'm not a homicide

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<v Speaker 1>detective or even an investigative journalist. But I know this town,

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<v Speaker 1>I know these people. Detective Solomon Smith didn't, but he

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<v Speaker 1>believed James Fincher was innocent. He came on board the

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<v Speaker 1>Hadley Brothers murder investigation for a time, at least before

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<v Speaker 1>Ye disappeared. If I can trace his steps, maybe I

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<v Speaker 1>can back up the trail, finish what he started. Detective Smith,

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<v Speaker 1>he was the only one in the whole Lord deal

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<v Speaker 1>that seemed among justice, the only one who knew somehow,

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<v Speaker 1>he knew that James Fincher didn't kill those kids. So

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<v Speaker 1>now there's no one left to fight for James except

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<v Speaker 1>you and his sister Dina, and the attorney. And now

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<v Speaker 1>you looks like I met up with Jill again. Jill Campbell.

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<v Speaker 1>At the time of the Hadley Brothers murder investigation, she

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<v Speaker 1>was one of Sheriff Hooper's deputies. Now she's a mitigation

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<v Speaker 1>specialist on the Fincher defense appeals letters. Any tools she

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<v Speaker 1>can use to mitigate and reduce his sentence to anything,

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<v Speaker 1>anything less than death. What do you think Detective Smith knew?

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<v Speaker 1>From a homicide detective's point of view, there's no way

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<v Speaker 1>he would have crossed Fincher off of his suspect list

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<v Speaker 1>unless he knew he was innocent. And the only way

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<v Speaker 1>he could have known that is either Fincher had an

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<v Speaker 1>alibi or he uncovered who the killer really was. He

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<v Speaker 1>was on to something, though, that's for sure soon so

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<v Speaker 1>maybe he had proof, but he was reluctant to come forward,

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<v Speaker 1>not solemn. From what I understand about the man, the

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<v Speaker 1>idea that he was ever reluctant is unlikely. Either way,

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<v Speaker 1>he vanished before he could say anything even if he

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<v Speaker 1>wanted to. I'm beside who in the Sheriff's department would

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<v Speaker 1>have listened anyway? They already caught their killer, James Fincher. Okay,

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<v Speaker 1>Argust third, three thirty four am. Just that day, Um,

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<v Speaker 1>an interesting thing happened. I couldn't sleep because this mortel

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<v Speaker 1>ricks and mothballs and mold, plus the sec fan won't

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<v Speaker 1>shut the fuck up. Jill gave me a stack of

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<v Speaker 1>court documents and recordings that she had obtained from Finch's trial.

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<v Speaker 1>So I left my motel a few hours ago, decided

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<v Speaker 1>to take a little drive up into the mountains while

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<v Speaker 1>listening to them angel evidence discovered at the scene of

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<v Speaker 1>the crime. Remember these red wolf fibers there was no

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<v Speaker 1>other identifiable DNA found at the crime scene other than

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<v Speaker 1>the DNA from Thomas and Deacon Hadley. I turned on

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<v Speaker 1>Mathison Road. It's a road I grew up on above

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<v Speaker 1>Spalding Gorge to Windon Mountain Road that goes by my

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<v Speaker 1>old house, what's left of it anyway. Fibers imbedded in

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<v Speaker 1>Thomas's fingernails and as I drove, the fog sit in.

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<v Speaker 1>I also noticed some headlights in my rear view. Didn't

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<v Speaker 1>think much of it, trying to focus on the recordings

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<v Speaker 1>from the trial, and the static was taken over again again,

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<v Speaker 1>so I had to crank the volume. I had to

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<v Speaker 1>lean into the car speaker in order to hear the voices.

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<v Speaker 1>The tape the only one year with an oct imagination.

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<v Speaker 1>It was as if they were trying to crawl out

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<v Speaker 1>from the vault They've been locked in for over a decade.

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<v Speaker 1>James finer and as I drove, the fog got thick, fast,

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<v Speaker 1>still thick. I was squinting to see twenty feet ahead

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<v Speaker 1>just to see the winding road. I had to slow

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<v Speaker 1>way down, and before long the headlights were rite on

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<v Speaker 1>my ass. I couldn't make out the car, but when

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<v Speaker 1>I looked back at the world. The gray man. Jesus,

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<v Speaker 1>the fog was so thick I didn't see them until

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<v Speaker 1>I almost hit them, the gray man standing there in

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<v Speaker 1>the middle of the fucking road when I rounded the

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<v Speaker 1>bed right, God damn. It turns out the car behind

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<v Speaker 1>me was a Sheriff's deputy evening officer. Thanks for stopping.

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<v Speaker 1>There was a there was a figure just standing, And

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<v Speaker 1>so the prodigal son returns, excuse me, way, Tamper, Dowey, Tamper,

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<v Speaker 1>Julian Right, you're a you're a long man now, Huh

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<v Speaker 1>that a bear cane and floorboard? What I say, is

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<v Speaker 1>that a bear cane and a floorboard? No, that was earlier. Duey,

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<v Speaker 1>I just ran off the road. And how much you

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<v Speaker 1>had to drink tonight? Are you serious? You know? Six

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<v Speaker 1>six to radio? What I gotta coach? Seven? How many?

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<v Speaker 1>Did you just step out of the car? What I

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<v Speaker 1>almost just died? Are you are you like? Are you

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<v Speaker 1>like messing with me? Or some account of the car

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<v Speaker 1>walk to the back of the automobile. Jesus, Well, I

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<v Speaker 1>gotta make sure you're like to operate this veible. What

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<v Speaker 1>you're doing back here? Anyway? I thought we run you

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<v Speaker 1>out of time for good. Oh, don't worry. I'm just

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<v Speaker 1>visiting who my mother's grave. How the hell is that

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<v Speaker 1>fucking relevance? You making me walk a line? Duly? Well? Hell,

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<v Speaker 1>I'm just making conversation, is all. Who was you so

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<v Speaker 1>nervous for what I'm not? Look, I just ran off

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<v Speaker 1>the fucking road for Christ's sakes. Man, You ain't been

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<v Speaker 1>smoking under that wacky weed, have you? What? No? I

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<v Speaker 1>know you and Tyler Wilson used to light up back

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<v Speaker 1>in the day, and you didn't know if I put

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<v Speaker 1>a sniffing dog and you car what am I gona fine?

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<v Speaker 1>Legal drugs? May hope you don't got no concealed weapons

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<v Speaker 1>on you anything like that? You sure? Oh you know

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<v Speaker 1>where I forgot about the nunshockers? You want to pat

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<v Speaker 1>me down? D O? You'd like that, wouldn't. You don't

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<v Speaker 1>get smart with me, solace, Just turn and face me.

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<v Speaker 1>But you fake together with your hands down by your side, Yes, sir,

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<v Speaker 1>all right, follow the tip of my finger with your

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<v Speaker 1>eyes without moving your head. Do you understand? Ye? Did

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<v Speaker 1>I pass? I guess you knowld You look at better

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<v Speaker 1>than you used to. Kid. You're done? See, I thought

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<v Speaker 1>you were may be in town for the big show

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<v Speaker 1>to see your old buddy James Fincher get the jab.

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<v Speaker 1>I know you too, are thick as thieves in those days.

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<v Speaker 1>It's gonna be quiet the spectator sport. How long are

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<v Speaker 1>you following me? What's that you've been telling me for

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<v Speaker 1>a while? How long you've been following me? Look, we

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<v Speaker 1>were never that social back in the day, but because

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<v Speaker 1>we do go back a long ways, I'm give you

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<v Speaker 1>a bit of advice between you and me, I wouldn't

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<v Speaker 1>go digging around stirring up trouble if I was you.

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<v Speaker 1>It's passed if you just let things play out the

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<v Speaker 1>way they're supposed to the way they're supposed to. Enjoy

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<v Speaker 1>your visit. August third, one, twenty pm. The smell of

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<v Speaker 1>this damn mountain there, the mind flashes back. Then there

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<v Speaker 1>are some good memories, but mostly the town feels haunted.

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<v Speaker 1>I can feel the aches of old grudges in my limbs,

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<v Speaker 1>no matter how much I've tried to repress them. All

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<v Speaker 1>the old feelings to live there in my gut like snakes, rage, sorrow.

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<v Speaker 1>I'm trying to remain calm, objective, and partial. I'm trying

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<v Speaker 1>to assume a moral ambiguity here, even as I recall

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<v Speaker 1>the lowest, most unforgivable types of people that still inhabit

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<v Speaker 1>this town. Anyway, I'm supposed to meet Joe Campbell for lunch,

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<v Speaker 1>but I'm late. I overslept. Doesn't feel like I'm going

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<v Speaker 1>to sleep at all, though I finally passed out around

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<v Speaker 1>seven this morning. Listening to the police interrogation tapes. You know,

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<v Speaker 1>my goddamn day. I just need you to state at Griff,

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<v Speaker 1>something about Griff Washington's interviews bugging me, Edward Washington, There

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<v Speaker 1>wasn't so hard. We appreciate your cooperation. We just need

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<v Speaker 1>your help right now. We need all the intel we

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<v Speaker 1>can get. Fine, But it don't seem like you're asking

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<v Speaker 1>for my That dog of yours, he was pretty messed up, Griff.

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<v Speaker 1>There's a lot of blood. He's a meaning sile bit sheriff.

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<v Speaker 1>But he's a good dog. He had to sedate him.

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<v Speaker 1>That's probably for the best. I have caging, and I

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<v Speaker 1>don't want him to getting fights and hurt animals or

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<v Speaker 1>people or anything. When's the last time he got into

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<v Speaker 1>a fight. Hell, I don't know. He got loose, He

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<v Speaker 1>got loose, and then he just came back all torn up. Yeah. Hell,

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<v Speaker 1>that dog's face looks like ground beef. Like. I don't

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<v Speaker 1>know what to tell you, Kirby. Those kids broke the

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<v Speaker 1>law and not me. They were trespassing on my goddamn property,

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<v Speaker 1>all right, my property. Now, what happened to them is

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<v Speaker 1>a real tragedy, and I feel for their mom and daddy.

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<v Speaker 1>If that ain't no excuse to go violating my right,

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<v Speaker 1>how exactly are your right to being violated? I'm being

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<v Speaker 1>held against my will? No, No, you're not. Did I

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<v Speaker 1>or anybody else read you your rights that we tell

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<v Speaker 1>you that you were under arrest? Are you saying I'm

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<v Speaker 1>afraid to go? Griff? We have two boys found dead

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<v Speaker 1>on your property. Now, all I ever asked for was

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<v Speaker 1>your help. But you kept a dog that you knew

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<v Speaker 1>to be vicious. That's on you. There are regulations in

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<v Speaker 1>this county for keeping dangerous dogs, and from the looks

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<v Speaker 1>of it, you failed to follow them. That makes you liable.

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<v Speaker 1>You understand it turns out that your dog was involved

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<v Speaker 1>in the death of these boys. Well that is manslaughter.

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<v Speaker 1>Am I free to go? Yes or no? Sheriff Hooper,

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<v Speaker 1>let Crift go easy? Yes? Too easy? But seemed to

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<v Speaker 1>me he should have been their prime suspect to get

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<v Speaker 1>my fucking dog back. Griff Washington was later convicted of

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<v Speaker 1>several felonies for running a dogfighting operation, animal cruelty, and

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<v Speaker 1>operating a kennel without a license, though the Corps wentn't

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<v Speaker 1>easy on him there too. He got slap with the fine.

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<v Speaker 1>But that was about it. And here's the problem. Some

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<v Speaker 1>of the dogs DNA was near the scene of the

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<v Speaker 1>Hadley brothers bodies. There was also a piece of evidence

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<v Speaker 1>that was never accounted for, red wolf fibers found under

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<v Speaker 1>Thomas Hadley's fingernails, indicating a violent struggle. Maybe Griff Washington's

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<v Speaker 1>dog had a red collar on or something, but if

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<v Speaker 1>it did, the red collar was never found. So where

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<v Speaker 1>did the red wolf come from? What happened? If the

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<v Speaker 1>shareful phil Griff go? It seemed clear to me and

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<v Speaker 1>others that we needed a medical examiner to do an

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<v Speaker 1>autopsy because a corner had no medical experience. Corners are

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<v Speaker 1>elected officials and a man of wat They're not even

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<v Speaker 1>required to have medical training. Yet he was the only

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<v Speaker 1>one that could order an autopsy. Pretty politically convenient, ain't now? Anyway?

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<v Speaker 1>They looked like stamp wounds to me. What the actual fuck? Yeah, well,

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<v Speaker 1>I told Cooper he was investigating the wrong goddamn species.

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<v Speaker 1>We didn't need animal control, we needed a homicide detective.

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<v Speaker 1>But even then, Hooper didn't want the Tennessee Bureau of

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<v Speaker 1>Investigation involved, so he didn't invite them. And why not

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<v Speaker 1>he was up for reelection. It was a perception thing

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<v Speaker 1>TBI involved UC would make Hooper look weak, like he

0:17:21.119 --> 0:17:25.040
<v Speaker 1>wasn't capable of handling local affairs. He needed to be

0:17:25.160 --> 0:17:29.480
<v Speaker 1>the hero. That's ironic. Takes more than just experience and

0:17:29.600 --> 0:17:33.280
<v Speaker 1>qualification to be the sheriff. You also have to have

0:17:33.359 --> 0:17:36.199
<v Speaker 1>the backing of the right people, the powers that be.

0:17:36.800 --> 0:17:40.480
<v Speaker 1>What do you mean you can't get elected sheriff to

0:17:40.520 --> 0:17:43.920
<v Speaker 1>Maniwa County without the endorsement of the first Baptist Church.

0:17:44.640 --> 0:17:47.760
<v Speaker 1>Delivering on a case like this was only sure fireaway

0:17:47.800 --> 0:17:51.840
<v Speaker 1>Hooper could guarantee his reelection, and between you and me,

0:17:52.440 --> 0:17:55.600
<v Speaker 1>Reverend Perkins had already made up his mind on who

0:17:55.640 --> 0:18:01.399
<v Speaker 1>the killer was. Faith is not the absent of fear. No,

0:18:01.960 --> 0:18:08.439
<v Speaker 1>our faith thrives in spite of fear. We like God's

0:18:08.560 --> 0:18:16.600
<v Speaker 1>candle despite the darkness. I know, I know, fear and

0:18:16.840 --> 0:18:22.040
<v Speaker 1>doubt creep in because there's more to it, isn't there?

0:18:23.280 --> 0:18:30.240
<v Speaker 1>And it's hard to not assume the worst. That the

0:18:30.359 --> 0:18:39.720
<v Speaker 1>devil has been living amongst us all this time. Well,

0:18:40.480 --> 0:18:46.000
<v Speaker 1>I have news for you. He has. He has been

0:18:46.119 --> 0:18:54.280
<v Speaker 1>living among us, and he is still here. Sheriff Hooper

0:18:54.359 --> 0:18:56.959
<v Speaker 1>was in attendance that day, and I can only imagine

0:18:57.000 --> 0:19:01.840
<v Speaker 1>that as the congregation of the First Baptist Church clung

0:19:01.920 --> 0:19:05.720
<v Speaker 1>to the Reverence Guide in words, Hooper was plotting this

0:19:05.840 --> 0:19:09.040
<v Speaker 1>next move even though I walked through the valley of

0:19:09.119 --> 0:19:13.600
<v Speaker 1>the Shadow of Death, I will fear no evil. Did

0:19:13.600 --> 0:19:21.359
<v Speaker 1>you get that the Lord is my shepherd? David wrote

0:19:21.400 --> 0:19:26.399
<v Speaker 1>these words because he himself was once a shepherd, and

0:19:26.640 --> 0:19:32.840
<v Speaker 1>David understood that we are also sheep, and like sheep,

0:19:34.119 --> 0:19:39.680
<v Speaker 1>we two need a shepherd. Even though Sheriff Hooper had

0:19:39.720 --> 0:19:43.040
<v Speaker 1>refused to call into the TBI, there was one man

0:19:43.160 --> 0:19:46.719
<v Speaker 1>he thought could help a shepherd. If you will to

0:19:47.520 --> 0:19:51.400
<v Speaker 1>think like a killer to catch a killer, I looked

0:19:51.480 --> 0:19:55.680
<v Speaker 1>up Detective Solomon Swallow. Put yourself in their shoes. He

0:19:55.800 --> 0:19:58.719
<v Speaker 1>was something of a celebrity detective, and he was featured

0:19:58.760 --> 0:20:01.160
<v Speaker 1>in an interview on a true I'm show called shadowy

0:20:01.200 --> 0:20:05.080
<v Speaker 1>death's drive to paint the accused as a monster, something

0:20:05.240 --> 0:20:10.000
<v Speaker 1>not human. But do monsters exist? Of course, monsters exist.

0:20:11.119 --> 0:20:16.760
<v Speaker 1>Without monsters, there are no victims, no prosecutions, no defenses,

0:20:18.080 --> 0:20:24.520
<v Speaker 1>no justice. They have to be monsters, because without them

0:20:24.520 --> 0:20:44.280
<v Speaker 1>we only have ourselves to blame for our suffering. Smith

0:20:44.400 --> 0:20:47.359
<v Speaker 1>was a long man from Atlanta. He landed in the

0:20:47.440 --> 0:20:51.880
<v Speaker 1>national spotlight back in nineteen ninety five when Jennifer Fowler,

0:20:52.560 --> 0:20:55.159
<v Speaker 1>a nineteen year old college student, was found naked and

0:20:55.200 --> 0:20:57.720
<v Speaker 1>dead in a public park near the Atlanta's Zoo, just

0:20:57.800 --> 0:21:00.320
<v Speaker 1>a few months before the ninety six in Earlands were

0:21:00.320 --> 0:21:03.560
<v Speaker 1>said to begin. There. The world was watching closely, and

0:21:03.640 --> 0:21:05.879
<v Speaker 1>the pressure was on to keep the face of the

0:21:05.960 --> 0:21:09.919
<v Speaker 1>New South blemish free. It certainly couldn't be seen as

0:21:09.920 --> 0:21:14.199
<v Speaker 1>a gang infested crime zone played by racial disparities, suburban decay,

0:21:14.440 --> 0:21:17.760
<v Speaker 1>and neglected parks where nineteen year old white girls could

0:21:17.800 --> 0:21:22.960
<v Speaker 1>be found raped, murdered and dumped with no explanation, no recourse,

0:21:23.000 --> 0:21:27.280
<v Speaker 1>and no justice, No fucking way. Chapter two. This is

0:21:27.320 --> 0:21:29.280
<v Speaker 1>from the true crime novel Murder in the Park by

0:21:29.320 --> 0:21:32.159
<v Speaker 1>Douglas Burger. Jennifer Fowler had been in the city for

0:21:32.280 --> 0:21:35.280
<v Speaker 1>less than a month, she was found faced down in

0:21:35.320 --> 0:21:38.520
<v Speaker 1>the Red Clay a few blocks from the Zone three

0:21:38.640 --> 0:21:41.920
<v Speaker 1>police precinct. The buzz at the APD was that they

0:21:41.960 --> 0:21:44.080
<v Speaker 1>needed to be out in front of this. They needed

0:21:44.119 --> 0:21:48.760
<v Speaker 1>a clear and direct display of strength, efficiency, and intelligence.

0:21:49.280 --> 0:21:53.840
<v Speaker 1>Entered Detective Solomon Smith. He was specifically good at understanding

0:21:54.040 --> 0:21:57.520
<v Speaker 1>how a killer thinks and deriving motive from the evidence,

0:21:57.960 --> 0:22:01.240
<v Speaker 1>and his predictions about a killer's neck move were spot on.

0:22:01.880 --> 0:22:05.440
<v Speaker 1>He knew that in cases like Jennifer Fowler's, the perpetrator

0:22:05.480 --> 0:22:09.159
<v Speaker 1>would often revisit the scene of the crime, perhaps trying

0:22:09.200 --> 0:22:14.119
<v Speaker 1>to relive the moment, the passion, the excitement, perhaps taking

0:22:14.160 --> 0:22:16.879
<v Speaker 1>pleasure in the power trip of standing close enough that

0:22:16.960 --> 0:22:20.920
<v Speaker 1>he could watch the cops scratch their heads. Solomon also

0:22:21.000 --> 0:22:25.880
<v Speaker 1>knew that murder is an intimate act. If you think

0:22:25.920 --> 0:22:29.119
<v Speaker 1>about it, it's probably one of the most intense human

0:22:29.200 --> 0:22:32.600
<v Speaker 1>experiences that can be shared by two people, and not

0:22:32.720 --> 0:22:35.960
<v Speaker 1>just in the instant of the actual killing. The relationship

0:22:36.000 --> 0:22:39.200
<v Speaker 1>that develops between a killer and a victim is complex.

0:22:40.000 --> 0:22:44.000
<v Speaker 1>Just think of the proximity, the extremity of the circumstances

0:22:44.000 --> 0:22:46.399
<v Speaker 1>that the victim and the killer navigate together. Think of

0:22:46.440 --> 0:22:53.440
<v Speaker 1>the negotiations the expectations and disappointments, the lies, deceptions, manipulations,

0:22:54.040 --> 0:22:57.120
<v Speaker 1>the power plays, and the pleas. Not to mention the

0:22:57.119 --> 0:23:03.160
<v Speaker 1>physicality of murder itself. The energy and effort required, especially

0:23:03.200 --> 0:23:07.159
<v Speaker 1>in strangulation, would apparently take a tremendous amount of strength

0:23:07.160 --> 0:23:13.160
<v Speaker 1>at commitment. Smith was right. Jennifer Fowler's killer did come

0:23:13.160 --> 0:23:17.000
<v Speaker 1>back to the scene of the crime. Detective Smith was

0:23:17.119 --> 0:23:21.080
<v Speaker 1>already thinking like the killer. He took his time surveying

0:23:21.119 --> 0:23:25.080
<v Speaker 1>the crowd, the onlookers, especially the men, especially the ones

0:23:25.119 --> 0:23:29.000
<v Speaker 1>who were alone, especially the one across the street, sitting

0:23:29.000 --> 0:23:35.800
<v Speaker 1>in his green Volkswagen for an hour watching the post

0:23:35.840 --> 0:23:40.199
<v Speaker 1>mortem indicated that Jennifer had died at approximately four forty

0:23:40.240 --> 0:23:44.600
<v Speaker 1>eight am, and because there was indication of a struggle,

0:23:45.119 --> 0:23:50.360
<v Speaker 1>the body hadn't been moved. Smith awoke at three am

0:23:50.400 --> 0:23:54.000
<v Speaker 1>with an idea. He had a newborn at home and

0:23:54.040 --> 0:23:57.640
<v Speaker 1>a regular sleep was impossible, so before dawn he would

0:23:57.720 --> 0:24:01.200
<v Speaker 1>drive to Grant Park and from four thirty to five

0:24:01.400 --> 0:24:05.120
<v Speaker 1>thirty he'd sit parked three blocks from the spot where

0:24:05.200 --> 0:24:09.439
<v Speaker 1>Jennifer's body was found. He did this for six weeks,

0:24:09.480 --> 0:24:13.280
<v Speaker 1>every morning, sitting with his thernis of coffee, a beau

0:24:13.320 --> 0:24:18.639
<v Speaker 1>Jangle's chicken biscuit and the Atlantic Constitution waiting. It was

0:24:18.680 --> 0:24:20.760
<v Speaker 1>near enough to the zoo you could hear the lions

0:24:20.880 --> 0:24:25.440
<v Speaker 1>roar as the sky grew lighter, and soon enough there

0:24:25.440 --> 0:24:30.440
<v Speaker 1>it was, that green seventy six Volkswagon. The driver could

0:24:30.440 --> 0:24:33.919
<v Speaker 1>have been innocent, a resident of the neighborhood, But then

0:24:34.440 --> 0:24:38.119
<v Speaker 1>he stepped out of his car and walked hesitantly to

0:24:38.200 --> 0:24:43.720
<v Speaker 1>the exact spot where Jennifer was found. He just stood there,

0:24:44.600 --> 0:24:49.800
<v Speaker 1>staring at the ground. Solomon ran the plates. The owner

0:24:49.840 --> 0:24:56.440
<v Speaker 1>of the car was Richard Rydell. He was a maintenance

0:24:56.480 --> 0:25:00.080
<v Speaker 1>man at Jennifer's college. It took time to get a

0:25:00.119 --> 0:25:03.359
<v Speaker 1>warrant to search Rydell's car. He played by the rules,

0:25:03.440 --> 0:25:07.560
<v Speaker 1>and because he built a bulletproof case, the prosecution got

0:25:07.560 --> 0:25:14.879
<v Speaker 1>an easy conviction and Ridell got the death penalty. Mister Rydell,

0:25:15.000 --> 0:25:18.239
<v Speaker 1>can you tell us why what made you want to

0:25:18.280 --> 0:25:27.000
<v Speaker 1>take Jennifer Fowler's life that day? A won't I answer

0:25:27.080 --> 0:25:40.000
<v Speaker 1>all your questions? Go on? I just had to. In

0:25:40.080 --> 0:25:45.680
<v Speaker 1>other circumstances, Solomon and Jennifer Fowler's grandfather, William Fowler, would

0:25:45.720 --> 0:25:47.760
<v Speaker 1>have been unlikely. Friends. Have you reached the desk of

0:25:47.840 --> 0:25:50.840
<v Speaker 1>Detective Solomon Smith. I will return your call at my

0:25:50.920 --> 0:25:54.960
<v Speaker 1>earliest convenience. If this is an emergency, dial nine one one.

0:25:58.520 --> 0:26:02.760
<v Speaker 1>What Adiam Fowler here? I wanted to let you know

0:26:02.880 --> 0:26:06.840
<v Speaker 1>that I sent a package I enjoyed. I talk about

0:26:06.920 --> 0:26:10.040
<v Speaker 1>meat smoking, and I said you some apple wood chips

0:26:10.080 --> 0:26:13.720
<v Speaker 1>from my property for you to experiment with it. Now.

0:26:13.760 --> 0:26:20.560
<v Speaker 1>This particular wood is over a century old. It's from

0:26:20.600 --> 0:26:26.080
<v Speaker 1>a tree that got struck by lightning. Happened right around

0:26:26.240 --> 0:26:32.159
<v Speaker 1>Jenny was taken. Big storm came through. Jenny used to

0:26:32.200 --> 0:26:38.080
<v Speaker 1>call that a devil's prank, like when two events running parallel,

0:26:38.200 --> 0:26:41.200
<v Speaker 1>Like like when you wake up with a song in

0:26:41.320 --> 0:26:44.000
<v Speaker 1>your in your head and then you hear it on

0:26:44.040 --> 0:26:47.760
<v Speaker 1>the radio or you or you think of somebody hadn't

0:26:47.840 --> 0:26:49.920
<v Speaker 1>thought of it in a long while, and then they

0:26:50.000 --> 0:26:59.679
<v Speaker 1>call maybe a coincidence. But I'm comforted by the idea

0:26:59.760 --> 0:27:09.959
<v Speaker 1>that Lord works in mysterious ways. I'm digression, I guess anyway, Detective,

0:27:10.080 --> 0:27:13.120
<v Speaker 1>Please let me know if you hear anything about when

0:27:13.119 --> 0:27:17.120
<v Speaker 1>the execution date is set for. I tried to call

0:27:17.200 --> 0:27:20.240
<v Speaker 1>the day's Alvius down there, but nobody seems to be

0:27:20.320 --> 0:27:26.000
<v Speaker 1>able to answer. All right, dear take care of Detective.

0:27:29.480 --> 0:27:32.480
<v Speaker 1>Perhaps Grandpa Fowler felt in debted Solomon Smith, who had

0:27:32.480 --> 0:27:35.679
<v Speaker 1>given him the only semblance of closure he would ever have.

0:27:35.920 --> 0:27:40.480
<v Speaker 1>Following the violent murder of his precious granddaughter, Solomon hunted

0:27:40.560 --> 0:27:45.800
<v Speaker 1>Jennifer Fowler's killer, caught him, and attended Ridell's execution three

0:27:45.880 --> 0:27:49.120
<v Speaker 1>years later. He would receive a card from Fowler every

0:27:49.200 --> 0:27:52.159
<v Speaker 1>year after that, not on Jennifer's birthday or even on

0:27:52.200 --> 0:27:55.640
<v Speaker 1>the anniversary of her death, but to commemorate the anniversary

0:27:55.680 --> 0:27:59.280
<v Speaker 1>of Richard Rydell's execution, as if that was the event

0:27:59.560 --> 0:28:05.080
<v Speaker 1>that some bolically solidified and consecrated their relationship. And after

0:28:05.200 --> 0:28:08.960
<v Speaker 1>Ridal's execution, the two men never spoke again in person.

0:28:09.840 --> 0:28:12.840
<v Speaker 1>So it was quite a shock when Solomon received a

0:28:12.880 --> 0:28:15.879
<v Speaker 1>letter from the attorney of Fowler's of State explaining that

0:28:15.920 --> 0:28:19.480
<v Speaker 1>mister Fowler had died and left his house and property

0:28:19.480 --> 0:28:27.080
<v Speaker 1>in Manowa County entirely to him. It was dilapidated, sagging roof,

0:28:27.119 --> 0:28:31.040
<v Speaker 1>busted pipes, chipped in whether it's side, and the Christmas

0:28:31.080 --> 0:28:33.800
<v Speaker 1>Tree farm had been abandoned, and the trees had grown

0:28:33.840 --> 0:28:37.919
<v Speaker 1>to thirty feet tall in perfect rows. In two thousand

0:28:37.920 --> 0:28:39.920
<v Speaker 1>and seven, the house wasn't worth the dirt it was

0:28:39.960 --> 0:28:44.160
<v Speaker 1>built on. At the time, Manoel County had a population

0:28:44.200 --> 0:28:49.200
<v Speaker 1>of only sixteen thousand, mostly white, poor, and Christian. Solomon

0:28:49.320 --> 0:28:52.080
<v Speaker 1>was a black Metropolitan cop who had lost his faith

0:28:52.080 --> 0:28:57.240
<v Speaker 1>in God. Despite this, Solomon quit the Atlanta Police Department,

0:28:57.600 --> 0:29:00.880
<v Speaker 1>sold his home, and moved to this isolated farmhouse in

0:29:01.000 --> 0:29:06.240
<v Speaker 1>Maniwa County, leaving behind his career, his church, his friends,

0:29:06.720 --> 0:29:10.080
<v Speaker 1>and his wife. He took with him the only meigroup

0:29:10.080 --> 0:29:13.120
<v Speaker 1>possessions he could shove into his gmc acadia, a few

0:29:13.200 --> 0:29:18.560
<v Speaker 1>changes of close fishing gear and a shotgun. But Atlanta,

0:29:18.600 --> 0:29:23.280
<v Speaker 1>Georgia or Manowa County, Tennessee, Solomon had his own set

0:29:23.320 --> 0:29:26.960
<v Speaker 1>of personal demons he couldn't escape. They stuck with him,

0:29:28.120 --> 0:29:32.280
<v Speaker 1>haunted him. He needed to set things right in order

0:29:32.280 --> 0:29:35.800
<v Speaker 1>to be freed from them, and he did that by

0:29:35.840 --> 0:29:38.040
<v Speaker 1>coming on board to solve to have the Boys case.

0:29:44.040 --> 0:29:48.640
<v Speaker 1>Manowa County had experienced occasional homicides like once every couple

0:29:48.680 --> 0:29:52.800
<v Speaker 1>of years, usually drug related myth Most of my calls

0:29:52.800 --> 0:29:57.640
<v Speaker 1>were land disputes, domestic violence, bar brawl, stupid ship. The

0:29:57.760 --> 0:30:00.160
<v Speaker 1>Hadley murders were in a category all their own own.

0:30:01.800 --> 0:30:03.920
<v Speaker 1>So how does Soloma Smith get involved? Now I was

0:30:03.960 --> 0:30:07.400
<v Speaker 1>actually the one who suggested it. I knew Solomon had

0:30:07.400 --> 0:30:11.600
<v Speaker 1>moved to town, and well, Hooper was out of his league,

0:30:11.600 --> 0:30:15.920
<v Speaker 1>and he knew it. So we approached him. Approached him.

0:30:15.920 --> 0:30:18.000
<v Speaker 1>He didn't have a landline or nothing, so we just

0:30:18.080 --> 0:30:20.960
<v Speaker 1>drove out there, knocked on his door and ask him.

0:30:21.040 --> 0:30:24.840
<v Speaker 1>He said no at first. How did you get him

0:30:24.840 --> 0:30:30.560
<v Speaker 1>to agree? Well, we played him the audio retrieved from

0:30:30.600 --> 0:30:34.680
<v Speaker 1>Deacon Hadley's cell phone. It's hard to make out, but

0:30:34.840 --> 0:30:37.840
<v Speaker 1>you can clearly hear Deacon talking to someone right before

0:30:37.880 --> 0:30:42.280
<v Speaker 1>he gets murdered, talking to someone, yes, pleading for his life.

0:30:42.560 --> 0:31:11.600
<v Speaker 1>It was pretty gruesome. Thomas Charms Armers just somewhere, hell,

0:31:19.320 --> 0:31:26.400
<v Speaker 1>help me, help me? Oh man, why are you just

0:31:26.440 --> 0:31:35.320
<v Speaker 1>standing there? How could you do it? Wait? Wait wait,

0:31:35.320 --> 0:31:44.000
<v Speaker 1>wait wait wait, I'm sorry, I'm sorry, please, I'm pleasing, please,

0:31:45.320 --> 0:31:52.840
<v Speaker 1>I'm never, I'm never. Just let me go and just slipping.

0:31:54.760 --> 0:32:18.360
<v Speaker 1>So I decided to drive out here to the old

0:32:18.400 --> 0:32:22.000
<v Speaker 1>fowl of State. The county record showed the Solomon Smith

0:32:22.080 --> 0:32:24.760
<v Speaker 1>as the last owner of record. It's been empty since

0:32:24.800 --> 0:32:30.000
<v Speaker 1>two thousand and seven. The yard is overgrown with high

0:32:30.040 --> 0:32:33.680
<v Speaker 1>grass and brush. Some of the windows they are busted.

0:32:33.880 --> 0:32:38.080
<v Speaker 1>Looks like they're still furniture in there, doors boarded up.

0:32:39.760 --> 0:32:44.920
<v Speaker 1>No trespassing violators will be prosecuted. Danger there's properties condemned.

0:32:47.400 --> 0:32:50.840
<v Speaker 1>In two thousand and seven, Detective Solomon Smith was deputized,

0:32:51.120 --> 0:32:55.480
<v Speaker 1>and he and Sheriff Kirby, who performed an unlikely partnership.

0:32:56.120 --> 0:32:59.880
<v Speaker 1>They were like complimentary opposites. One was an insider and

0:33:00.040 --> 0:33:02.720
<v Speaker 1>one was an outsider. One was out of his league

0:33:02.720 --> 0:33:07.480
<v Speaker 1>and the other one was out of his element. And

0:33:07.600 --> 0:33:10.680
<v Speaker 1>Manoua County needed Solomon every bit as much as Solomon

0:33:10.720 --> 0:33:13.720
<v Speaker 1>needed Maniwa County. But it was no coincidence that he

0:33:13.800 --> 0:33:21.600
<v Speaker 1>ended up here. Devil's Pranks something William Fowler's granddaughter Jennifer

0:33:21.640 --> 0:33:26.280
<v Speaker 1>talked about before her life was taken. I guess the

0:33:26.400 --> 0:33:30.720
<v Speaker 1>Devil's prank is like a passive acknowledgement from the universe

0:33:31.280 --> 0:33:33.760
<v Speaker 1>that everything is connected, that it's all meant to be.

0:33:34.760 --> 0:33:37.760
<v Speaker 1>Or maybe it's just God's way of calling our attention

0:33:37.840 --> 0:33:43.160
<v Speaker 1>to the little things like That's cute, but I don't

0:33:43.160 --> 0:33:46.840
<v Speaker 1>think so. I don't think Solomon was simply in the

0:33:46.960 --> 0:33:54.160
<v Speaker 1>right place at the right time. No. I think maybe

0:33:54.320 --> 0:33:59.280
<v Speaker 1>he was summoned and on the some level deep down

0:33:59.320 --> 0:34:03.560
<v Speaker 1>in his psyche. He knew I had to know inheriting

0:34:03.680 --> 0:34:10.600
<v Speaker 1>Fowler's land moving to Manowa County. That's too neat to

0:34:10.680 --> 0:34:23.400
<v Speaker 1>be a coincident. Well, look who it is, Duly tappered again.

0:34:24.640 --> 0:34:30.800
<v Speaker 1>Maybe you didn't say the sign no trashpasser, my bad, Dully, yup,

0:34:31.719 --> 0:34:35.160
<v Speaker 1>I just saw the signs there on the porch. Don't worry,

0:34:35.200 --> 0:34:40.600
<v Speaker 1>I'm leaving m say, Duly, I'm curious. What do you

0:34:40.680 --> 0:34:44.480
<v Speaker 1>think this property is worth. I don't believe it for sale.

0:34:45.440 --> 0:34:48.600
<v Speaker 1>That's a shame. It could be a great fixer upper.

0:34:50.160 --> 0:34:52.799
<v Speaker 1>Oh and I'm heading back to my motel now, in

0:34:52.800 --> 0:34:54.880
<v Speaker 1>case you wanted to know, I thought i'd save you

0:34:54.920 --> 0:35:12.480
<v Speaker 1>the trouble following me there. God damn smart ass. Solomon Smith.

0:35:13.360 --> 0:35:16.080
<v Speaker 1>I'd never seen people around here treated black man with

0:35:16.080 --> 0:35:20.600
<v Speaker 1>so much respect. He was kind of a celebrity cop,

0:35:21.600 --> 0:35:25.480
<v Speaker 1>and he caught the man who killed Jennifer. Jennifer Fowler,

0:35:26.840 --> 0:35:32.319
<v Speaker 1>you knew her. We were in grade school together. I

0:35:32.440 --> 0:35:38.920
<v Speaker 1>knew Richard too. Richard Rydell, What do you mean? Well,

0:35:39.000 --> 0:35:44.880
<v Speaker 1>he was a janitor, worked at Carter Riddell worked at

0:35:44.960 --> 0:35:50.759
<v Speaker 1>Carter High. Yeah, you didn't know that Richard Rydell was

0:35:50.800 --> 0:36:26.160
<v Speaker 1>from Manawak County. He was from Here, a Ghost in

0:36:26.320 --> 0:36:38.160
<v Speaker 1>the Mire and the Hounds of Hell Dancing in Dancing

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<v Speaker 1>the Manowat Caves stars Jonathan Tucker as Juliet Salis, Eddie

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<v Speaker 1>Gathegy as James Fincher, Clark Peters as Detective Solomon Smith,

0:36:50.920 --> 0:36:55.600
<v Speaker 1>Nick Sercy as Sheriff Kirby Hooper, Justin Wellborn as Tyler Wilson,

0:36:56.000 --> 0:37:00.360
<v Speaker 1>Jill Jane Clements as Jill Campbell, Brad Carter as Dooley Apart,

0:37:00.840 --> 0:37:05.120
<v Speaker 1>Scott Poythress as Reverend Perkins, Samantha Ashley as Dena Fincher,

0:37:05.600 --> 0:37:09.920
<v Speaker 1>Justin Matthews Smith as Paul Salis, Tara Oakes as Laura Salis,

0:37:10.480 --> 0:37:15.080
<v Speaker 1>Jonathan Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley,

0:37:15.840 --> 0:37:20.000
<v Speaker 1>Mike w Anderson as Griff Washington, Bodie Walter Roth as

0:37:20.040 --> 0:37:24.440
<v Speaker 1>Jimmy Fincher, Brian McClure as Ian Spinks, Larry Clark as

0:37:24.440 --> 0:37:28.600
<v Speaker 1>Bobby Hadley, Peyton Fallis as ed le Blanc, Vic Polisis

0:37:28.600 --> 0:37:32.680
<v Speaker 1>as William Fowler, Nick Dakosky as Richard Rydell, and Aileen

0:37:32.760 --> 0:37:37.400
<v Speaker 1>moy as The Darkness, with additional performances by Clint McGown,

0:37:37.719 --> 0:37:44.000
<v Speaker 1>Dina Dill, Edward Howard, Henry Foster Brown, Jamie Joseph, Juan Monsalvez,

0:37:44.520 --> 0:37:49.920
<v Speaker 1>Christopher Curry, Bailey Hyneman, David Mitchell, and Bernard Satara Clark.

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<v Speaker 1>Created by Connell Byrne and Dan Bush. Written by Dan Push,

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<v Speaker 1>Zoe Cooper and Nicholas Dakoski, featuring our theme song Killer Inside,

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<v Speaker 1>written produced and performed by Lea Lynn. Our executive producers

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<v Speaker 1>are Matt Frederick, Alexander Williams, Michael Monty, and Courtney Dufrees.

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<v Speaker 1>Our executive producers at Blumhouse Television are Jeremy Gold, Chris Dickey,

0:38:14.560 --> 0:38:19.720
<v Speaker 1>and Noah Feinberg. Produced by Dan Bush, music by Ben Lovett,

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<v Speaker 1>Additional music by Alexander Rodriguez. This episode features the song

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<v Speaker 1>Darlin Corey, performed by Helena Rose. Edited by Dan Bush,

0:38:28.440 --> 0:38:32.839
<v Speaker 1>Chris Childs, Stephen Perez and David Chen. Sound design by

0:38:32.840 --> 0:38:37.719
<v Speaker 1>Benjamin Malcolm. Additional sound designed by Alexander Rodriguez. Dialogue editing

0:38:37.719 --> 0:38:41.360
<v Speaker 1>and sound mixing by wand Campus. Recorded at Studio Awesome

0:38:41.400 --> 0:38:45.360
<v Speaker 1>in Los Angeles, SoundBite Studio in Atlanta, and Echo Mountain

0:38:45.600 --> 0:38:49.240
<v Speaker 1>in Asheville. Casting by Sunday Bowling. Kennedy and Meg Warner.

0:38:49.480 --> 0:38:53.320
<v Speaker 1>Our dialect coach is Linda Thessist Assistant director, Michael Monte

0:38:53.880 --> 0:38:58.479
<v Speaker 1>second assistant director, script supervisor and production coordinator. Sarah Klein

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<v Speaker 1>supervising ser Josh Thing Special thanks to Mary Ellen and

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<v Speaker 1>Jason Davis, Jonathan Deeter, and Joe Rickman. Manoa Caves is

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<v Speaker 1>a production of iHeart Radio, Blumhouse Television, and Psycopia Pictures.