1 00:00:00,560 --> 00:00:03,400 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:05,080 --> 00:00:09,039 Speaker 2: Elizabeth. All Right, my friend, I got a question for you. 3 00:00:09,520 --> 00:00:10,480 Speaker 2: He it's ridiculous. 4 00:00:10,520 --> 00:00:17,440 Speaker 3: I do decapitation like as in yeah, really yeah, decapitation. 5 00:00:16,840 --> 00:00:18,239 Speaker 4: Of a boy? What? 6 00:00:18,840 --> 00:00:21,520 Speaker 3: Yeah, like when someone hits a fire hydrant in the 7 00:00:21,560 --> 00:00:24,200 Speaker 3: fire hydrant like in their car, right, yeah, and they 8 00:00:24,200 --> 00:00:26,640 Speaker 3: lose control and the fire hydrant flies through the air 9 00:00:26,720 --> 00:00:28,240 Speaker 3: and it decapitates the boy. 10 00:00:28,600 --> 00:00:31,080 Speaker 2: What are you talking about? That ridiculous? We had a 11 00:00:31,120 --> 00:00:31,640 Speaker 2: head wound. 12 00:00:32,200 --> 00:00:34,519 Speaker 4: But you know what makes it super ridiculous is this? 13 00:00:35,400 --> 00:00:38,360 Speaker 2: Is there a follow up to that hereditary heredity? I 14 00:00:38,400 --> 00:00:39,960 Speaker 2: don't know. Isn't that the movie where the girl gets 15 00:00:39,960 --> 00:00:42,519 Speaker 2: her head on the driving in the car? I don't 16 00:00:42,520 --> 00:00:44,239 Speaker 2: speak anyah. 17 00:00:44,760 --> 00:00:48,160 Speaker 3: No, what makes this ridiculous is that it's. 18 00:00:48,240 --> 00:00:51,000 Speaker 4: The boy is Bob's big Boy? 19 00:00:52,200 --> 00:00:55,480 Speaker 3: Not talking about a real human boy, of course, I'm 20 00:00:55,520 --> 00:00:57,320 Speaker 3: talking about the statue. 21 00:00:56,960 --> 00:00:59,880 Speaker 2: Yes, Bob's big giant figurine. 22 00:01:00,320 --> 00:01:05,639 Speaker 3: Yeah, and so in Downey, California, I got this article. 23 00:01:05,640 --> 00:01:05,920 Speaker 4: Okay. 24 00:01:05,920 --> 00:01:08,760 Speaker 3: First of all, this was recommended to us by Kathleen 25 00:01:08,840 --> 00:01:12,280 Speaker 3: mccauliffe on Instagram. Are you always just good looking? 26 00:01:12,319 --> 00:01:12,520 Speaker 4: Out? 27 00:01:13,319 --> 00:01:13,399 Speaker 3: So? 28 00:01:13,480 --> 00:01:13,880 Speaker 4: Anyway? 29 00:01:14,080 --> 00:01:18,600 Speaker 3: KTLA the most unhinged television station in the world. Every 30 00:01:18,600 --> 00:01:20,640 Speaker 3: time I have to go down to Los Angeles. Like, 31 00:01:20,640 --> 00:01:22,880 Speaker 3: when I'm traveling, I find myself. If I'm staying in 32 00:01:22,920 --> 00:01:25,759 Speaker 3: a hotel, I always watch morning news, which I don't 33 00:01:25,800 --> 00:01:30,440 Speaker 3: mean to do here in Oakland, California, A But when 34 00:01:30,440 --> 00:01:32,120 Speaker 3: I'm on the road, I like to do that and 35 00:01:32,319 --> 00:01:35,039 Speaker 3: kind of get a sense of like what's happening, what's 36 00:01:36,319 --> 00:01:40,320 Speaker 3: Oh my god, KTLA. 37 00:01:38,440 --> 00:01:41,480 Speaker 2: Amazing crazy I all the time. 38 00:01:41,600 --> 00:01:46,520 Speaker 4: So anyways, the best good day La, Oh god, it's wild. 39 00:01:47,160 --> 00:01:50,480 Speaker 3: So KTLA has this story about how this happened. August 40 00:01:51,120 --> 00:01:53,120 Speaker 3: twenty eighth, twenty twenty four. 41 00:01:53,360 --> 00:01:53,920 Speaker 2: Special day. 42 00:01:53,920 --> 00:01:55,080 Speaker 4: It's a very special day. 43 00:01:55,440 --> 00:01:59,200 Speaker 3: So it's said a Bob statue outside of Bob's Big 44 00:01:59,240 --> 00:02:02,320 Speaker 3: Boy in Downey lost his head after a violent crash 45 00:02:02,440 --> 00:02:06,280 Speaker 3: early Wednesday. So this lady, she goes out of control. 46 00:02:06,440 --> 00:02:09,640 Speaker 3: She hits a fire hydrant. It flips up, it like 47 00:02:09,840 --> 00:02:11,640 Speaker 3: shears off most of the head. 48 00:02:12,040 --> 00:02:15,200 Speaker 2: There's great for car just launched off the fire hydrant. 49 00:02:15,560 --> 00:02:16,959 Speaker 4: No, no, she hits the fire hydrant. 50 00:02:17,040 --> 00:02:20,880 Speaker 3: The fire hydrant flies through the air, yeah yeah, and 51 00:02:20,919 --> 00:02:26,520 Speaker 3: then hits the Bob's Big Boys exactly yeah, and floods 52 00:02:26,560 --> 00:02:27,000 Speaker 3: the street. 53 00:02:27,080 --> 00:02:27,840 Speaker 4: The lady was. 54 00:02:27,880 --> 00:02:32,240 Speaker 3: Trapped in the vehicle underneath going Yeah, for a very 55 00:02:32,280 --> 00:02:34,079 Speaker 3: long time. They'd use the jaws of life to get 56 00:02:34,080 --> 00:02:36,920 Speaker 3: her out, damn. And I don't know what her condition was. 57 00:02:36,960 --> 00:02:40,320 Speaker 3: But there's actual living footage of this. 58 00:02:40,840 --> 00:02:43,880 Speaker 2: Did anyone come up and steal the jaws of life? 59 00:02:44,320 --> 00:02:46,799 Speaker 3: No, that happens in Oakland though, saw that the news. Right, 60 00:02:48,800 --> 00:02:50,520 Speaker 3: that's also ridiculous. 61 00:02:50,600 --> 00:02:55,560 Speaker 4: Someone stole Oh I love my hometown so much. They 62 00:02:55,600 --> 00:02:56,800 Speaker 4: make it so hard. 63 00:02:57,600 --> 00:03:02,359 Speaker 3: Yeah, someone stole the jaws of life. 64 00:02:59,720 --> 00:03:05,200 Speaker 4: And anyway, there's footage of the crack the. 65 00:03:05,160 --> 00:03:07,399 Speaker 2: Person had been rescued. We should point that out. Yeah, 66 00:03:08,639 --> 00:03:11,040 Speaker 2: set it down and then it turned around and you. 67 00:03:13,120 --> 00:03:18,720 Speaker 4: Yes, that's a doubles there you go. That is what 68 00:03:18,760 --> 00:03:19,679 Speaker 4: else is ridiculous. 69 00:03:20,080 --> 00:03:22,720 Speaker 2: But I'm so glad you asked, because you know you 70 00:03:22,720 --> 00:03:25,200 Speaker 2: you have a home, right, you in a house, you 71 00:03:25,240 --> 00:03:29,240 Speaker 2: live indoors. I do imagine someone trying to steal your home, right, 72 00:03:29,320 --> 00:03:31,640 Speaker 2: but doing it like without like a gun. Right, they 73 00:03:31,680 --> 00:03:34,840 Speaker 2: do it just with paperwork, so not like not. 74 00:03:34,760 --> 00:03:36,800 Speaker 4: Like a big flatbed truck. 75 00:03:37,480 --> 00:03:39,560 Speaker 2: They didn't like lift it up like Russian style. No. 76 00:03:39,880 --> 00:03:42,040 Speaker 2: So this person, by the way, the person who owns 77 00:03:42,040 --> 00:03:44,960 Speaker 2: a home, not you, But I'm talking about the actual factual, 78 00:03:45,520 --> 00:03:48,040 Speaker 2: the intended victim was famous. Someone tried to steal a 79 00:03:48,080 --> 00:03:50,920 Speaker 2: famous person's home, but not only that, this person was 80 00:03:50,920 --> 00:03:53,440 Speaker 2: one of the most famous persons to ever live. 81 00:03:54,280 --> 00:03:54,960 Speaker 4: Interesting. 82 00:03:55,320 --> 00:04:19,960 Speaker 5: Yeah, this is Ridiculous Crime A podcast about absurd and 83 00:04:20,240 --> 00:04:25,520 Speaker 5: outrageous capers, heists, and cons It's always ninety nine percent 84 00:04:25,600 --> 00:04:29,839 Speaker 5: murder free and one hundred percent ridiculous. 85 00:04:30,040 --> 00:04:31,200 Speaker 4: Ridiculous. 86 00:04:31,360 --> 00:04:34,440 Speaker 2: Oh, Isabeth, Oh Saron. Today, I want to tell you 87 00:04:34,520 --> 00:04:36,000 Speaker 2: about Graceland. You ever heard of it? 88 00:04:36,200 --> 00:04:36,880 Speaker 4: Yeah? 89 00:04:37,279 --> 00:04:38,360 Speaker 2: You know what is grace like? 90 00:04:38,440 --> 00:04:44,080 Speaker 4: You know, it's Elvis Presley's house in God, what's in Memphis? 91 00:04:44,400 --> 00:04:45,200 Speaker 2: Yeah? 92 00:04:45,360 --> 00:04:45,920 Speaker 4: Where is it? 93 00:04:45,960 --> 00:04:48,839 Speaker 2: A lot of people make this mistake. I was doing research, 94 00:04:48,880 --> 00:04:50,799 Speaker 2: I was looking into it. I looked it up online 95 00:04:51,360 --> 00:04:56,039 Speaker 2: and Graceland is actually it's the home of Elvis. 96 00:04:56,640 --> 00:04:57,159 Speaker 4: Oh really. 97 00:04:57,600 --> 00:04:59,240 Speaker 2: Oh, I don't know what I was thinking, And I 98 00:04:59,279 --> 00:05:03,960 Speaker 2: understand Also you probably didn't know this as well. Graceland 99 00:05:04,000 --> 00:05:06,960 Speaker 2: is actually the seventh solo album from Paul Simon. 100 00:05:07,240 --> 00:05:08,720 Speaker 4: Oh my god, it's such a good run. 101 00:05:08,800 --> 00:05:10,640 Speaker 2: Yeah. A lot of people get those confused and they're like, oh, 102 00:05:10,640 --> 00:05:12,480 Speaker 2: I'm going to Graceland. I'm like, that's an album. 103 00:05:12,720 --> 00:05:16,719 Speaker 3: Yeah, that's how I know where it is it is 104 00:05:16,800 --> 00:05:18,680 Speaker 3: a good ALB. 105 00:05:19,720 --> 00:05:21,040 Speaker 2: So you've heard of it, you're familiar. 106 00:05:21,200 --> 00:05:21,840 Speaker 4: I own it? 107 00:05:22,080 --> 00:05:23,640 Speaker 2: Yeah, well, I mean digitally. 108 00:05:23,760 --> 00:05:25,240 Speaker 4: I think I used to have it on CD. 109 00:05:25,480 --> 00:05:25,880 Speaker 2: I don't know. 110 00:05:26,760 --> 00:05:29,719 Speaker 4: Does that make me like a boomer boomer? 111 00:05:29,760 --> 00:05:33,839 Speaker 2: Light l t E light Yeah, like light. So anyway, 112 00:05:33,880 --> 00:05:35,920 Speaker 2: what's up with Graceland? The album? 113 00:05:36,000 --> 00:05:36,520 Speaker 4: The album? 114 00:05:36,680 --> 00:05:36,920 Speaker 2: Right? 115 00:05:37,120 --> 00:05:37,520 Speaker 4: So good? 116 00:05:37,600 --> 00:05:40,480 Speaker 2: Why did Paul Simon name his album after Elvis's house? 117 00:05:41,560 --> 00:05:42,960 Speaker 4: Yeah, that's a really good question. 118 00:05:43,240 --> 00:05:45,360 Speaker 2: Yeah, I don't have an answer. The album came out with. 119 00:05:45,360 --> 00:05:48,560 Speaker 3: His little commodification of culture totally South Africa. 120 00:05:48,640 --> 00:05:51,680 Speaker 2: What is it? Right? The Appropriation of So album comes 121 00:05:51,720 --> 00:05:54,880 Speaker 2: out August twenty fifth, nineteen eighty six. Right, it's famous for, 122 00:05:55,000 --> 00:05:57,400 Speaker 2: as you point out, how it incorporated the South African 123 00:05:57,480 --> 00:06:02,039 Speaker 2: music styles of em but Coonga and is said Katha Mia. 124 00:06:02,080 --> 00:06:04,359 Speaker 2: I believe or may maybe pronouncing those it wrong. But 125 00:06:04,440 --> 00:06:07,560 Speaker 2: Paul Simon he hears this music Smith Lady Smith's Black 126 00:06:07,600 --> 00:06:10,159 Speaker 2: Mombasa is the band. So those are two genres of 127 00:06:10,279 --> 00:06:13,320 Speaker 2: South African music. Yeah, and then Lady Smith's Black Mambaso 128 00:06:13,480 --> 00:06:16,520 Speaker 2: is the very famous band that is predominantly the band. 129 00:06:16,560 --> 00:06:19,480 Speaker 2: He picks a bunch of different South African musicians among 130 00:06:19,520 --> 00:06:22,080 Speaker 2: them anyway. He's like he hears them, right, He's like, 131 00:06:22,160 --> 00:06:24,000 Speaker 2: he's like, oh, I want to play with them, but 132 00:06:24,080 --> 00:06:26,560 Speaker 2: apartheid's on, right, so he's like, oh, this isn't easy 133 00:06:26,560 --> 00:06:28,719 Speaker 2: to pull off. So this is what this means is 134 00:06:28,760 --> 00:06:31,880 Speaker 2: South Africa denied travel to black musicians, right, They could 135 00:06:31,920 --> 00:06:35,920 Speaker 2: not leave the country, so that often meant people couldn't 136 00:06:35,960 --> 00:06:36,680 Speaker 2: go to the country. 137 00:06:36,680 --> 00:06:38,680 Speaker 3: Also, Paul Simon's like, I ain't going to play some 138 00:06:38,880 --> 00:06:39,839 Speaker 3: city exactly. 139 00:06:39,880 --> 00:06:41,400 Speaker 2: No, I mean I wish that was the case. But 140 00:06:41,480 --> 00:06:45,400 Speaker 2: instead Warner Brothers exactly like, hey, Paul, babe, we work 141 00:06:45,480 --> 00:06:47,440 Speaker 2: with a bunch of South African artists. Rather than just 142 00:06:47,480 --> 00:06:49,520 Speaker 2: getting you one band, Let's hire a bunch of musicians 143 00:06:49,600 --> 00:06:51,640 Speaker 2: and it's cheaper. We'll get them over come over here 144 00:06:51,800 --> 00:06:53,919 Speaker 2: or you go over there. He's like, I'll go to 145 00:06:53,960 --> 00:06:56,240 Speaker 2: South Africa. So he goes to South Africa, does a 146 00:06:56,240 --> 00:06:58,479 Speaker 2: bunch of research, listen to a bunch of bands, writes 147 00:06:58,480 --> 00:07:00,600 Speaker 2: down a bunch of lyrics, ends up only using one 148 00:07:00,720 --> 00:07:02,880 Speaker 2: line from all the lyrics he writes while he's there. 149 00:07:02,960 --> 00:07:05,400 Speaker 2: I'll get that later. Yeah, But the result is the 150 00:07:05,400 --> 00:07:08,760 Speaker 2: Graceland album. Right. So the story is that Paul Simon 151 00:07:08,800 --> 00:07:11,600 Speaker 2: makes the album because you know he was he was 152 00:07:11,640 --> 00:07:13,720 Speaker 2: going through it as an artist. He'd had a bad album, 153 00:07:13,800 --> 00:07:16,040 Speaker 2: his previous album had kind of bonked, and then he'd 154 00:07:16,080 --> 00:07:19,480 Speaker 2: also recently broken up with Kerry Fisher. Now don't ask 155 00:07:19,520 --> 00:07:21,560 Speaker 2: me how a folk singer like Paul Simon was able 156 00:07:21,560 --> 00:07:25,120 Speaker 2: to pull Princess Leah, but I guess carry Fisher like smart, sensitive, funny, 157 00:07:25,200 --> 00:07:29,680 Speaker 2: he writes egotistical men, yes exactly, and professionally, you know, 158 00:07:29,760 --> 00:07:31,800 Speaker 2: as I said, And he was coming off a failed album. 159 00:07:31,800 --> 00:07:33,200 Speaker 2: So maybe she liked him because he was like in 160 00:07:33,200 --> 00:07:35,120 Speaker 2: like a phase of like I need to get back 161 00:07:35,160 --> 00:07:37,880 Speaker 2: on it. Yeah exactly. Who knows, but there he is 162 00:07:37,880 --> 00:07:39,800 Speaker 2: at this point. He's broken up with her, he's split 163 00:07:39,880 --> 00:07:42,440 Speaker 2: up with Art Garfunkel. He's ego brews from his career. 164 00:07:42,600 --> 00:07:44,800 Speaker 2: Then he hears this tape of South African music and 165 00:07:44,840 --> 00:07:48,640 Speaker 2: he listened to it. He starts thinking about Elvis Presley, Okay, 166 00:07:48,800 --> 00:07:51,320 Speaker 2: and his own son where and also where he was 167 00:07:51,320 --> 00:07:52,960 Speaker 2: in his life, and then decides, I'm gonna write some 168 00:07:53,000 --> 00:07:54,600 Speaker 2: songs about this, and he hires him as they told 169 00:07:54,640 --> 00:07:57,440 Speaker 2: you South African musicians. Then he brings in other bands 170 00:07:57,520 --> 00:08:01,520 Speaker 2: not from South Africa, like Los Lobos Mexican band, totally 171 00:08:01,520 --> 00:08:05,120 Speaker 2: big fans, Linda Ronstadt another one also the Everly Brothers. 172 00:08:05,960 --> 00:08:08,440 Speaker 2: Who knows why? Right, and then he releases this. What's 173 00:08:08,440 --> 00:08:09,960 Speaker 2: the reaction it was? 174 00:08:10,760 --> 00:08:11,960 Speaker 4: It was a big hit right. 175 00:08:12,160 --> 00:08:14,360 Speaker 2: Well, for one, I remember I said apartheid was still 176 00:08:14,400 --> 00:08:16,120 Speaker 2: going on, right, So this is at the time when 177 00:08:16,160 --> 00:08:19,840 Speaker 2: the United Nations led a cultural boycott against the Nation 178 00:08:19,920 --> 00:08:22,600 Speaker 2: of South Africa. So what that means for Paul Simon 179 00:08:22,720 --> 00:08:24,800 Speaker 2: is people were big mad at him for working with 180 00:08:24,840 --> 00:08:28,760 Speaker 2: South Africans. Paul Simon was like, they're black, the black ones, 181 00:08:28,800 --> 00:08:30,680 Speaker 2: the ones who were being oppressed. How was this a 182 00:08:30,720 --> 00:08:32,840 Speaker 2: bad thing? Yeah? So people are like, okay, well, maybe 183 00:08:32,840 --> 00:08:34,360 Speaker 2: we'll forgive them. And then some of the people came 184 00:08:34,400 --> 00:08:37,320 Speaker 2: along to like, hey, Paul Simon, you're appropriating the music 185 00:08:37,320 --> 00:08:39,760 Speaker 2: of those South African musicians, which you kind of mentioned before. 186 00:08:40,000 --> 00:08:45,040 Speaker 2: Paul Simon's like, duh, folk singer, what I do songs? 187 00:08:45,480 --> 00:08:47,800 Speaker 2: I'm just not limiting who those people are. And he 188 00:08:47,960 --> 00:08:50,000 Speaker 2: was like, people like, oh, he's got us. And so 189 00:08:50,040 --> 00:08:52,440 Speaker 2: then the album Gracelind comes out becomes a huge success. 190 00:08:52,480 --> 00:08:56,880 Speaker 2: Ye you remember that one? Okay, yeah, this is back 191 00:08:56,920 --> 00:08:59,959 Speaker 2: when MTV played music videos. Do you remember that music video. 192 00:09:00,120 --> 00:09:01,200 Speaker 4: Yeah, with Chevy Chase. 193 00:09:01,320 --> 00:09:04,599 Speaker 2: Yes, and totally Now the videos just the two of 194 00:09:04,640 --> 00:09:07,280 Speaker 2: them sitting there. They got two chairs, a drum stand 195 00:09:07,280 --> 00:09:09,280 Speaker 2: next to Chevy Chase. He does the whole thing. He 196 00:09:09,280 --> 00:09:11,080 Speaker 2: tries to put the glass on it and there's nothing there. 197 00:09:11,120 --> 00:09:14,280 Speaker 2: It goes right through, right. Chevy's mouthing the words hammating 198 00:09:14,360 --> 00:09:17,040 Speaker 2: up like we're talking peach peak Chevy Chase. 199 00:09:17,720 --> 00:09:17,960 Speaker 4: Yeah. 200 00:09:18,160 --> 00:09:20,400 Speaker 2: Now this is also I think before everyone knew, he 201 00:09:20,440 --> 00:09:23,640 Speaker 2: was like a kind of you know, like only Hollywood 202 00:09:23,640 --> 00:09:24,200 Speaker 2: people knew it. 203 00:09:24,280 --> 00:09:27,280 Speaker 4: Yeah, they it wasn't publicly known. How absolutely horrible. 204 00:09:27,360 --> 00:09:30,199 Speaker 2: Yeah, but you remember the video right, how charming he was. 205 00:09:30,240 --> 00:09:32,440 Speaker 2: Oh yeah, he's just sitting there and he's like all big. 206 00:09:32,480 --> 00:09:33,840 Speaker 4: But they like in linen suits. 207 00:09:33,920 --> 00:09:37,280 Speaker 2: Yeah, they're like, yeah, like matching kind of like jeans 208 00:09:37,320 --> 00:09:40,440 Speaker 2: and linen suit jackets. Do you remember? Also, did you 209 00:09:40,440 --> 00:09:43,000 Speaker 2: know he was in a band Chevy Chase. No, yeah, 210 00:09:43,040 --> 00:09:44,840 Speaker 2: Like I think the band is called Leather Canary. 211 00:09:45,000 --> 00:09:46,400 Speaker 4: Wait are you making this up? 212 00:09:46,480 --> 00:09:47,520 Speaker 2: No? 213 00:09:47,920 --> 00:09:48,840 Speaker 4: You sound like me. 214 00:09:50,480 --> 00:09:53,840 Speaker 2: Called clear Leather. Yeah, no leather. I think it's Leather Canary. 215 00:09:53,800 --> 00:09:57,960 Speaker 4: And his uh he won't like I gross you out. 216 00:09:57,840 --> 00:10:02,320 Speaker 2: Never forgetting that one he he had his other partners 217 00:10:02,360 --> 00:10:05,199 Speaker 2: in this progressive rock band that he was in. They 218 00:10:05,400 --> 00:10:07,200 Speaker 2: he left. He's like, I'm gonna go off and do comedy. 219 00:10:07,240 --> 00:10:10,000 Speaker 2: Good for him. He goes SNL. The other two they quit, 220 00:10:10,080 --> 00:10:11,839 Speaker 2: and you know, they leave the band that he's quit 221 00:10:11,880 --> 00:10:13,960 Speaker 2: and they start their own band. That band becomes Steely. 222 00:10:14,080 --> 00:10:18,680 Speaker 2: Dan chevy Chase was in the O G Steely, so 223 00:10:18,840 --> 00:10:22,800 Speaker 2: chevy Chase anyway. Paul Simon writing songs for this album, 224 00:10:22,840 --> 00:10:25,600 Speaker 2: Braceland album, right. It wasn't easy for Paul Simon, right, 225 00:10:25,880 --> 00:10:29,600 Speaker 2: especially the title song, Braceland Guess song. It took him 226 00:10:29,600 --> 00:10:35,760 Speaker 2: to write the forty years four months, but not quite 227 00:10:35,760 --> 00:10:37,800 Speaker 2: that long. Boy in the Bubble another one took a 228 00:10:37,800 --> 00:10:38,199 Speaker 2: long time. 229 00:10:38,280 --> 00:10:39,679 Speaker 4: Oh that's such a good song, yeah. 230 00:10:39,480 --> 00:10:41,880 Speaker 2: Which is not based on the nineteen seventy six John 231 00:10:41,920 --> 00:10:44,920 Speaker 2: Travolta TV movie Boy in the Plastic Bubble, which I 232 00:10:44,920 --> 00:10:47,559 Speaker 2: had to look up anyway, So I just want to 233 00:10:47,559 --> 00:10:49,160 Speaker 2: clear that up for you, Elizabeth. I know how your 234 00:10:49,200 --> 00:10:52,240 Speaker 2: mind goes. So now you take that song, the Boy 235 00:10:52,240 --> 00:10:53,840 Speaker 2: in the Bubble, do you know? It features a line 236 00:10:53,840 --> 00:10:56,679 Speaker 2: that was inspired by the assassination of JFK and the 237 00:10:56,720 --> 00:10:59,360 Speaker 2: attempted assassination of Ronald Reagan one line. 238 00:10:59,440 --> 00:11:01,480 Speaker 4: I'm trying to think, but right now I've just got 239 00:11:01,480 --> 00:11:03,720 Speaker 4: the line. She makes a sign of a tea spoon, 240 00:11:04,040 --> 00:11:06,600 Speaker 4: she makes a sign of a wave. Yeah, I can't 241 00:11:06,600 --> 00:11:07,800 Speaker 4: get that out of my head right now. 242 00:11:07,920 --> 00:11:10,520 Speaker 2: Don't worry. I got some lyrics. So this one is 243 00:11:10,960 --> 00:11:13,320 Speaker 2: the way the camera follows him in slow mo, the 244 00:11:13,360 --> 00:11:16,600 Speaker 2: way he smiled at us all. So that one hits 245 00:11:16,600 --> 00:11:17,960 Speaker 2: it from Boy in the Bubble, right. It was a 246 00:11:18,000 --> 00:11:20,560 Speaker 2: mix of as Paul Simon said, and I quote hope 247 00:11:20,600 --> 00:11:22,840 Speaker 2: and dread. That's right. That's the way I see the world, 248 00:11:22,920 --> 00:11:24,960 Speaker 2: a balance between the two, but coming down on the 249 00:11:25,000 --> 00:11:27,920 Speaker 2: side of hope. That's my world food too, Elizabeth, you 250 00:11:27,920 --> 00:11:30,040 Speaker 2: know that. I mean Paul Simon, who knew Paul Simon 251 00:11:30,040 --> 00:11:32,600 Speaker 2: and I had the same worldview. Anyway, Now, I remember 252 00:11:33,440 --> 00:11:36,079 Speaker 2: remember how I said earlier, but Paul Simon was married 253 00:11:36,080 --> 00:11:38,000 Speaker 2: to Carrie Fisher aka Princess Leah. Yeah. 254 00:11:38,000 --> 00:11:40,240 Speaker 4: I also remember how you said something about someone steal 255 00:11:40,280 --> 00:11:40,760 Speaker 4: in the house. 256 00:11:40,880 --> 00:11:42,960 Speaker 2: Yeah, and I'm getting there, don't worry. She makes an 257 00:11:43,000 --> 00:11:45,880 Speaker 2: appearance on the album Graceland. Yeah, okay, on the title 258 00:11:45,920 --> 00:11:48,959 Speaker 2: song Graceland Really Yeah, this line goes she comes back 259 00:11:49,000 --> 00:11:51,120 Speaker 2: to me to tell me she's gone, as if I 260 00:11:51,120 --> 00:11:53,280 Speaker 2: didn't know that, as if I didn't know my bed, 261 00:11:53,520 --> 00:11:55,480 Speaker 2: as if i'd ever noticed the way she'd brushed her 262 00:11:55,520 --> 00:11:57,960 Speaker 2: hair from her fore head right. So, I guess Carrie 263 00:11:57,960 --> 00:12:00,200 Speaker 2: Fisher used to brush her hair at the foot of the. 264 00:12:00,080 --> 00:12:02,280 Speaker 4: Best the only person in the world who. 265 00:12:02,880 --> 00:12:04,480 Speaker 2: Well, I mean she was. I guess it's really common 266 00:12:04,480 --> 00:12:06,560 Speaker 2: for anyway, whatever, who knows. So at this point we 267 00:12:06,600 --> 00:12:10,160 Speaker 2: got apartheid South Africa, Princess Leah, Ronald Reagan, the assassination 268 00:12:10,280 --> 00:12:13,280 Speaker 2: of JFK, and Chevy Chase. This album is so eighties. 269 00:12:13,280 --> 00:12:16,079 Speaker 4: This is so eighties, heavy eighties Elizabeth. 270 00:12:16,120 --> 00:12:18,199 Speaker 2: I forgot to tell you why Paul Simon called the 271 00:12:18,240 --> 00:12:20,559 Speaker 2: album Graceland. I didn't have an answer. I lied, I 272 00:12:20,640 --> 00:12:22,920 Speaker 2: do have an answer. So while he recorded the album, 273 00:12:22,960 --> 00:12:25,520 Speaker 2: he used to write random words like he liked phrases 274 00:12:25,559 --> 00:12:27,880 Speaker 2: that sounded good, and he hopes some connecting theme for 275 00:12:27,920 --> 00:12:30,720 Speaker 2: the album would emerge from his like yo legal pad phrases, 276 00:12:31,040 --> 00:12:33,760 Speaker 2: shout out yo legal pads right now, the phrase Elizabeth 277 00:12:33,920 --> 00:12:36,880 Speaker 2: was driving through wasteland, that's the phrase he loved, and 278 00:12:36,920 --> 00:12:38,960 Speaker 2: so over the course of the recording the album, he 279 00:12:39,200 --> 00:12:43,120 Speaker 2: changes that to going to Graceland and boom for real. 280 00:12:43,280 --> 00:12:46,200 Speaker 2: That was the magic phrase, just like that History's main album. 281 00:12:46,440 --> 00:12:48,520 Speaker 2: I'm like, you know, we've been talking about the lyrics, 282 00:12:48,559 --> 00:12:50,200 Speaker 2: so you've had some in your head, the ones I 283 00:12:50,280 --> 00:12:54,160 Speaker 2: Love from Graceland. My traveling companion is nine years old. 284 00:12:54,200 --> 00:12:56,280 Speaker 2: He is the child of my first marriage. But I've 285 00:12:56,360 --> 00:13:01,840 Speaker 2: reason to believe we both will be received in Graceland, Graceland, Memphis, Tennessee. 286 00:13:02,040 --> 00:13:03,640 Speaker 2: I'm going to Graceland, Graceland. 287 00:13:03,720 --> 00:13:07,160 Speaker 3: No, it's it's beautiful, right, because you have if you 288 00:13:07,240 --> 00:13:10,920 Speaker 3: take it out of context of Elvis, you know, just 289 00:13:10,960 --> 00:13:14,040 Speaker 3: the whole notion of grace first of fall. Linguistically it 290 00:13:14,200 --> 00:13:18,760 Speaker 3: sounds total, but the concept is beautiful, the whole land 291 00:13:18,840 --> 00:13:21,640 Speaker 3: of grace that can be bestowed upon you and you 292 00:13:21,679 --> 00:13:22,480 Speaker 3: can bestow upon you. 293 00:13:22,679 --> 00:13:25,360 Speaker 2: Take your child there. Yeah, it's beautiful, and you can 294 00:13:25,440 --> 00:13:28,040 Speaker 2: guarantee he will be received there too. I mean yeah. 295 00:13:28,080 --> 00:13:31,800 Speaker 2: So also, I said, he direct quoted Carrie Fisher earlier, 296 00:13:31,800 --> 00:13:33,680 Speaker 2: I kind of mentioned I forgot to tell you she's 297 00:13:33,679 --> 00:13:36,520 Speaker 2: got the best line in his song. Right. So the 298 00:13:36,520 --> 00:13:38,439 Speaker 2: section goes the way she brushed her hair from her 299 00:13:38,440 --> 00:13:41,600 Speaker 2: forehead and she said, losing love is like a window 300 00:13:41,640 --> 00:13:45,160 Speaker 2: in your heart. Everybody sees you're blown apart. Everybody sees 301 00:13:45,240 --> 00:13:48,680 Speaker 2: the wind blow. I'm going to Graceland, Memphis, Tennessee. 302 00:13:48,920 --> 00:13:51,000 Speaker 3: See this is why you're like, Okay, I can see 303 00:13:51,000 --> 00:13:51,760 Speaker 3: why Carrie. 304 00:13:51,559 --> 00:13:52,920 Speaker 4: Fishers this guy. 305 00:13:53,200 --> 00:13:55,320 Speaker 2: I mean, it's beautify see why he loves carry Fisher. 306 00:13:55,440 --> 00:14:00,360 Speaker 3: Well, sure, of course questions quoting him, that's true, that's true. 307 00:14:00,400 --> 00:14:03,240 Speaker 2: But it's like she's a badass, word all around bad ass. 308 00:14:03,440 --> 00:14:05,160 Speaker 4: Oh god, she's a great she was a great writ. 309 00:14:05,040 --> 00:14:07,640 Speaker 2: Writers, amazing writing, right r I p Kerry Fisher. 310 00:14:07,800 --> 00:14:10,800 Speaker 3: You know, I just to be so moved by words, 311 00:14:10,920 --> 00:14:12,840 Speaker 3: it's like such a gift, you know. 312 00:14:13,160 --> 00:14:14,719 Speaker 2: It recommends the sensitivity. 313 00:14:14,840 --> 00:14:15,080 Speaker 4: Yeah. 314 00:14:15,400 --> 00:14:17,880 Speaker 2: So anyway, I brought all this up to say, Elizabeth today, 315 00:14:18,040 --> 00:14:22,760 Speaker 2: just like my man Paul Simon, we're going down to Graceland, Graceland, Memphis, Tennessee. 316 00:14:23,120 --> 00:14:24,920 Speaker 2: Have you ever been? I never have. 317 00:14:25,160 --> 00:14:27,520 Speaker 4: I've never been to the parking lot of Graceland. 318 00:14:27,600 --> 00:14:32,880 Speaker 2: Yeah, wow, you went to the parking lot? What were 319 00:14:32,920 --> 00:14:34,400 Speaker 2: you guys? Were you guys barred from going in? 320 00:14:34,440 --> 00:14:36,800 Speaker 4: It's a long kind of it's a long story. 321 00:14:36,840 --> 00:14:39,120 Speaker 2: Were you wearing punk rockettire? Like you can't come in? 322 00:14:39,320 --> 00:14:39,560 Speaker 4: No? 323 00:14:39,920 --> 00:14:41,600 Speaker 2: Were you like, like what happened is. 324 00:14:42,760 --> 00:14:43,360 Speaker 4: Talk about it? 325 00:14:43,520 --> 00:14:46,520 Speaker 2: Oh my god, I'm gonna ask you this later. But okay, 326 00:14:46,600 --> 00:14:50,360 Speaker 2: I haven't been either inside. I been to the parking lot. 327 00:14:50,480 --> 00:14:52,160 Speaker 2: I'd like to go, mostly because you know, I want 328 00:14:52,200 --> 00:14:53,640 Speaker 2: to see the people who go to Graceland. 329 00:14:53,680 --> 00:14:53,880 Speaker 5: Now. 330 00:14:54,120 --> 00:14:57,840 Speaker 2: Yeah, apparently it's still like a million visitors go there 331 00:14:57,880 --> 00:15:01,400 Speaker 2: every Yeah, that's like three thousand that is a day, basically. 332 00:15:01,440 --> 00:15:03,800 Speaker 2: People are they still love hitting up Graceland. Yeah, it's 333 00:15:03,840 --> 00:15:06,360 Speaker 2: one of the five most visited homes in the US, 334 00:15:06,400 --> 00:15:07,880 Speaker 2: second only to the White the White House. 335 00:15:08,040 --> 00:15:11,200 Speaker 4: Imagine, I want to the other give me the three 336 00:15:11,280 --> 00:15:11,840 Speaker 4: four and five. 337 00:15:12,600 --> 00:15:16,480 Speaker 2: I'm sure the Vanderbilt House, you know, yeah, right, and 338 00:15:16,920 --> 00:15:19,320 Speaker 2: San Simeon I figet that's got to be up there, 339 00:15:19,400 --> 00:15:23,600 Speaker 2: and Falling Rock, you know, oh, the Franklin right, Yeah, 340 00:15:23,600 --> 00:15:25,160 Speaker 2: like I figured some Lloyd Wright house has got to 341 00:15:25,200 --> 00:15:26,720 Speaker 2: be up there. These are just guesses. I didn't check 342 00:15:26,720 --> 00:15:30,040 Speaker 2: out house from Friday, of course. Yeah, house for Friday. 343 00:15:30,320 --> 00:15:32,880 Speaker 4: Come on, the full house houses. 344 00:15:33,360 --> 00:15:36,320 Speaker 2: Yeah, but you don't really visit the houses. You just 345 00:15:36,600 --> 00:15:36,880 Speaker 2: at them. 346 00:15:36,880 --> 00:15:38,640 Speaker 4: You just stare up there. 347 00:15:38,880 --> 00:15:42,280 Speaker 2: The painted ladies ladies. Okay, So Graceland brings in one 348 00:15:42,360 --> 00:15:44,080 Speaker 2: hundred and fifty to one hundred and seventy five million 349 00:15:44,080 --> 00:15:46,200 Speaker 2: dollars a year to the greater Memphis area. It was 350 00:15:46,240 --> 00:15:49,120 Speaker 2: the first thing to really bring attention to Memphis apparently. Anyway, 351 00:15:49,160 --> 00:15:50,800 Speaker 2: do you know what it looks like? I'm just talking 352 00:15:50,800 --> 00:15:55,960 Speaker 2: about it? Did you know? All White Southern mansion? The truth? 353 00:15:56,000 --> 00:15:58,400 Speaker 3: I was driving across country and I had my I 354 00:15:58,480 --> 00:16:00,520 Speaker 3: was moving, I had my dogs in the car, and 355 00:16:00,560 --> 00:16:02,240 Speaker 3: it like didn't dawn on me till I got in 356 00:16:02,240 --> 00:16:04,560 Speaker 3: the parking lot. I can't leave these dogs in the car. 357 00:16:04,640 --> 00:16:06,920 Speaker 3: Wo check this place out. And then I was like, 358 00:16:07,280 --> 00:16:09,360 Speaker 3: had this moment where I just like rethought things. 359 00:16:09,400 --> 00:16:10,560 Speaker 4: I'm like, do I really. 360 00:16:10,400 --> 00:16:11,520 Speaker 2: Do I even care about going to. 361 00:16:11,440 --> 00:16:13,840 Speaker 3: Give a toss about it? Like not really, It's just 362 00:16:13,880 --> 00:16:15,000 Speaker 3: sort of something that you're suppo to. 363 00:16:15,120 --> 00:16:17,760 Speaker 4: I've been there. I'm going to Graceland Graceland. 364 00:16:17,680 --> 00:16:18,720 Speaker 2: To see No. 365 00:16:19,000 --> 00:16:20,200 Speaker 4: So I just peeled out. 366 00:16:22,880 --> 00:16:28,000 Speaker 2: Dogs, let the glass dogs, let's roll. Yeah. So at 367 00:16:28,000 --> 00:16:29,880 Speaker 2: this point, Elizabeth, I'll just tell you a little bit 368 00:16:29,880 --> 00:16:31,840 Speaker 2: about it, since you haven't seen it, Nora have Yeah, 369 00:16:32,120 --> 00:16:34,320 Speaker 2: the place. It was built after the Civil War. So, 370 00:16:34,560 --> 00:16:36,800 Speaker 2: and it was also not built to replace some plantation 371 00:16:36,960 --> 00:16:39,240 Speaker 2: mansion that General Sherman burned down on his way to 372 00:16:39,280 --> 00:16:42,080 Speaker 2: Savannah and the Sea. Grace Land was built in nineteen 373 00:16:42,160 --> 00:16:45,320 Speaker 2: thirty nine. Yeah. Original owners were Ruth Brown Moore and 374 00:16:45,360 --> 00:16:48,720 Speaker 2: Thomas D. Moore. They named the mansion after her aunt Grace, 375 00:16:48,880 --> 00:16:51,080 Speaker 2: the woman who'd owned the land. Thus Grace. 376 00:16:51,200 --> 00:16:52,080 Speaker 4: Oh really. 377 00:16:52,560 --> 00:16:55,800 Speaker 2: Elvis bought the mansion in nineteen fifty seven. You see, 378 00:16:55,800 --> 00:16:57,400 Speaker 2: Elvis was in the family at this point. He had 379 00:16:57,400 --> 00:17:00,200 Speaker 2: a young wife, Priscilla, Yeah, and a young daughter, Lisa Marie, 380 00:17:00,200 --> 00:17:04,159 Speaker 2: and together they made Graceland into the landmark that it is. Yeah, 381 00:17:04,400 --> 00:17:07,639 Speaker 2: today you don't have like gardens and arts and stuff. 382 00:17:07,640 --> 00:17:09,560 Speaker 2: We'll get into it. You can find it located at 383 00:17:09,560 --> 00:17:13,040 Speaker 2: three seven sixty three Elvis Presley Boulevard in Memphis, Tennessee. 384 00:17:13,400 --> 00:17:14,080 Speaker 2: Bring your family. 385 00:17:14,160 --> 00:17:15,040 Speaker 4: I like Memphis. 386 00:17:15,119 --> 00:17:18,359 Speaker 2: Oh yeah, I've enjoyed it Deel Street. Yeah, Elizabeth, now 387 00:17:18,359 --> 00:17:21,399 Speaker 2: that we've kind of sorted out Graceland from Graceland and 388 00:17:21,400 --> 00:17:23,000 Speaker 2: we got to know the lay of the land, take 389 00:17:23,040 --> 00:17:25,680 Speaker 2: a little break for something warm, delicious, ads, and I'll 390 00:17:25,720 --> 00:17:28,160 Speaker 2: tell you about the ridiculous crimes that went down to Graceland. 391 00:17:28,400 --> 00:17:51,560 Speaker 6: Graceland, Memphis, Tennessee, and we're back. 392 00:17:51,640 --> 00:17:54,360 Speaker 2: Elizabeth. Hey, buddy, now I promised you a trip down 393 00:17:54,359 --> 00:17:54,920 Speaker 2: to Graceland. 394 00:17:54,920 --> 00:17:55,840 Speaker 4: You certainly did. 395 00:17:55,800 --> 00:17:59,560 Speaker 2: With or without Paul Simon. Okay, we're going without. Okay. Now, 396 00:17:59,560 --> 00:18:01,040 Speaker 2: I gotta say, I'm kind of surprised we have yet 397 00:18:01,080 --> 00:18:03,359 Speaker 2: to recover Elvis Presley on Ridiculous Crime. 398 00:18:03,400 --> 00:18:05,280 Speaker 4: I'm well, oh yeah, I was gonna say up until 399 00:18:05,280 --> 00:18:05,640 Speaker 4: now and. 400 00:18:05,600 --> 00:18:10,119 Speaker 3: Then yeah, no, I mean I feel like he's got 401 00:18:10,160 --> 00:18:13,840 Speaker 3: all sorts of like a satellite system of crimes around him. 402 00:18:13,880 --> 00:18:16,760 Speaker 2: Oh my god, dude, the Memphis Mafia boys who basically 403 00:18:16,840 --> 00:18:19,600 Speaker 2: are always like getting his drugs, his women buying Cadillacs 404 00:18:19,600 --> 00:18:23,199 Speaker 2: for him. They're just like a floating ring of crime. Anyway, Uh, 405 00:18:23,600 --> 00:18:26,040 Speaker 2: the dude, as they pointed out, ridiculous criminal. My pop 406 00:18:26,119 --> 00:18:27,359 Speaker 2: loves Elvis. Do you know this? 407 00:18:28,280 --> 00:18:28,639 Speaker 4: Really? 408 00:18:28,760 --> 00:18:31,320 Speaker 2: He named his dog Elvis, like he loves him a 409 00:18:31,400 --> 00:18:34,119 Speaker 2: black hound dogs. I named him Elvis's interesting. So I 410 00:18:34,240 --> 00:18:36,040 Speaker 2: know me some. Elvis is what I'm trying to tell you. 411 00:18:36,119 --> 00:18:39,880 Speaker 2: My black nationalist father. So I watched his movies, listen 412 00:18:39,960 --> 00:18:42,439 Speaker 2: to his albums, the rock ones, the rock and roll albums, 413 00:18:42,560 --> 00:18:45,159 Speaker 2: and the gospel albums. I know him both. Oh yeah, 414 00:18:45,200 --> 00:18:49,040 Speaker 2: and I've watched Elvis's comeback Special in Vegas multiple times. 415 00:18:48,960 --> 00:18:50,000 Speaker 4: When he has like the jumpsuit. 416 00:18:50,520 --> 00:18:53,639 Speaker 2: Yeah yeah. And he's also like on the stage that's 417 00:18:53,640 --> 00:18:54,359 Speaker 2: singing to the girls. 418 00:18:54,520 --> 00:18:54,920 Speaker 4: Yeah yeah. 419 00:18:54,960 --> 00:18:57,320 Speaker 2: Yeah. So I was born in the South, right, so 420 00:18:57,480 --> 00:18:59,639 Speaker 2: you know, Elvis has long been a presence in my 421 00:18:59,680 --> 00:19:02,240 Speaker 2: life much since I was been born. Elvis has been 422 00:19:02,320 --> 00:19:04,480 Speaker 2: the King, Yeah, whether I liked it or not. Now, 423 00:19:04,640 --> 00:19:07,240 Speaker 2: growing up out here in the West, far from Graceland's 424 00:19:07,280 --> 00:19:09,760 Speaker 2: advertising and the legend of the King, what do you 425 00:19:09,880 --> 00:19:12,400 Speaker 2: know about Elvis as a cultural presence, influence, movie star, 426 00:19:12,440 --> 00:19:15,119 Speaker 2: og rock star, and all around cultural force. 427 00:19:15,240 --> 00:19:17,960 Speaker 3: I never really got into Elvis, I mean way before 428 00:19:18,040 --> 00:19:18,560 Speaker 3: my time. 429 00:19:18,680 --> 00:19:21,520 Speaker 2: Well yeah, but like growing up as a figure. 430 00:19:21,400 --> 00:19:25,080 Speaker 3: It wasn't he wasn't Like no one in my family 431 00:19:25,280 --> 00:19:26,720 Speaker 3: listened to Elvis and. 432 00:19:26,680 --> 00:19:28,960 Speaker 2: Yeah, and no one in college wanted to go watch 433 00:19:29,040 --> 00:19:30,600 Speaker 2: like one of his old movies on a lark. 434 00:19:31,000 --> 00:19:34,080 Speaker 4: No, though, there's probably like some rockabilly folks. 435 00:19:33,840 --> 00:19:35,960 Speaker 2: Who it's kind of guessing, but you gotta have to 436 00:19:36,000 --> 00:19:38,760 Speaker 2: age into rockabilly, I think totally did you start punking 437 00:19:38,920 --> 00:19:39,520 Speaker 2: age into rock? 438 00:19:39,960 --> 00:19:40,720 Speaker 4: Yeah, I don't know. 439 00:19:40,720 --> 00:19:42,800 Speaker 3: Know, it's just sort of like I'm aware of Elvis, 440 00:19:42,880 --> 00:19:44,600 Speaker 3: you know, just in terms of the history of rock 441 00:19:44,640 --> 00:19:48,119 Speaker 3: and roll and speaking of cultural. 442 00:19:50,200 --> 00:19:54,040 Speaker 4: And say hound dog. Yeah, but no, I just I've 443 00:19:54,040 --> 00:19:54,879 Speaker 4: always kind of thought. 444 00:19:54,760 --> 00:19:57,840 Speaker 2: He was a little corny, really corny. Yeah, it's not 445 00:19:57,880 --> 00:19:59,439 Speaker 2: the word I'd used for it, but I totally can 446 00:19:59,480 --> 00:20:02,800 Speaker 2: see that from you guys would have that. I imagine, not 447 00:20:02,880 --> 00:20:04,959 Speaker 2: like a looking down on the South, but he's very 448 00:20:05,080 --> 00:20:08,520 Speaker 2: much that South. Like he is corny as you would say. Yeah, 449 00:20:08,560 --> 00:20:11,439 Speaker 2: I mean he's not like corny, you know, like how 450 00:20:11,720 --> 00:20:14,159 Speaker 2: there's a lot more this is beneath Elvis. There's plenty 451 00:20:14,200 --> 00:20:14,960 Speaker 2: of corn. 452 00:20:16,480 --> 00:20:18,359 Speaker 4: There's a lot of merchandise around Elvis. 453 00:20:18,400 --> 00:20:20,440 Speaker 2: Oh my god, they just the whole thing about the malls. 454 00:20:20,480 --> 00:20:21,879 Speaker 2: I'll tell you all about it in a second. Do you 455 00:20:21,880 --> 00:20:24,360 Speaker 2: know about the time that Elvis showed up that Nixon's 456 00:20:24,359 --> 00:20:26,680 Speaker 2: White House is zooted out of his mind on Doctor 457 00:20:26,680 --> 00:20:28,160 Speaker 2: feel Good's Finest Wonder Pills. 458 00:20:28,160 --> 00:20:29,679 Speaker 4: I feel like I have a vague notion of it. 459 00:20:29,760 --> 00:20:31,480 Speaker 2: And Elvis he goes there because he wants to meet 460 00:20:31,520 --> 00:20:33,560 Speaker 2: the president, and he goes there because he wants to 461 00:20:33,600 --> 00:20:36,360 Speaker 2: become an official federal agent at large. 462 00:20:36,440 --> 00:20:38,520 Speaker 4: Yeah, he wanted to like be a dea. 463 00:20:38,359 --> 00:20:41,320 Speaker 2: Yeah, like a rock and roll g man. Basically, the 464 00:20:41,359 --> 00:20:43,520 Speaker 2: story goes a few days. It's a few days before Christmas, 465 00:20:43,600 --> 00:20:46,520 Speaker 2: December twenty first, nineteen seventy, Elvis Presley, he goes to 466 00:20:46,520 --> 00:20:49,600 Speaker 2: the White House for a noontime meeting with President Richard Nixon. 467 00:20:49,720 --> 00:20:51,520 Speaker 2: Now at this point, you got to keep this in mind. 468 00:20:51,800 --> 00:20:54,080 Speaker 2: These are two of the most powerful and famous men 469 00:20:54,119 --> 00:20:56,520 Speaker 2: in the world, and neither has like anything tarnishing them. 470 00:20:56,560 --> 00:20:58,879 Speaker 2: At this point, Nixon is elected with a mandate to 471 00:20:58,920 --> 00:21:01,159 Speaker 2: calm down the widening divisions in the violence in the 472 00:21:01,280 --> 00:21:04,480 Speaker 2: US falling sixty eight. Elvis is coming off his comeback 473 00:21:04,520 --> 00:21:07,359 Speaker 2: special also sixty eight. So now he's doing a comeback tour, 474 00:21:07,680 --> 00:21:10,280 Speaker 2: selling out concerts everywhere. They're both cresting, is what I'm 475 00:21:10,280 --> 00:21:14,399 Speaker 2: trying to say. Yeah, so both men beloved Americans nineteen seventy. 476 00:21:14,440 --> 00:21:16,800 Speaker 2: Now this lead for the normy. So let's just say 477 00:21:16,880 --> 00:21:19,160 Speaker 2: right now, things are never what the normies believe them 478 00:21:19,160 --> 00:21:21,200 Speaker 2: to be. Because when Elvis shows up at the White 479 00:21:21,200 --> 00:21:24,640 Speaker 2: House for a noon exactly, he's armed with a cult 480 00:21:24,680 --> 00:21:25,560 Speaker 2: forty five pistol. 481 00:21:25,640 --> 00:21:28,600 Speaker 4: He's warning brought a gun into the White House, totally wearing. 482 00:21:28,320 --> 00:21:31,120 Speaker 2: A full on purple velvet jumpsuit but decked with enormous 483 00:21:31,160 --> 00:21:33,680 Speaker 2: gold belt that looks like he's just won the Intercontinental 484 00:21:33,760 --> 00:21:36,040 Speaker 2: Championship of the WWE. 485 00:21:35,480 --> 00:21:37,200 Speaker 4: Elizabeth Velvet jumpsuit. 486 00:21:38,040 --> 00:21:40,280 Speaker 2: He walks into the Elvis and he hands President Nixon 487 00:21:40,320 --> 00:21:43,000 Speaker 2: a personal letter that explains his visit. And it's written 488 00:21:43,000 --> 00:21:46,159 Speaker 2: in like child script, like child handwriting. Oh my god, Yes, 489 00:21:46,359 --> 00:21:48,400 Speaker 2: he's thirty five years old at point. Elvis is thirty 490 00:21:48,400 --> 00:21:51,639 Speaker 2: five years old right now, he said, and I quote 491 00:21:51,680 --> 00:21:54,399 Speaker 2: in the letter, I've done an in depth study of 492 00:21:54,480 --> 00:21:57,800 Speaker 2: drug use and communist brainwashing techniques, and I'm right in 493 00:21:57,840 --> 00:21:59,520 Speaker 2: the middle of the whole thing where I can and 494 00:21:59,560 --> 00:22:00,680 Speaker 2: we'll do the most good. 495 00:22:00,920 --> 00:22:01,840 Speaker 4: He is right in the middle. 496 00:22:02,440 --> 00:22:03,560 Speaker 2: He's got the control. 497 00:22:03,840 --> 00:22:07,000 Speaker 4: Now, mister, like you know, pharmacy rolls up. 498 00:22:07,440 --> 00:22:10,760 Speaker 2: Exactly I got. I want to get the I want 499 00:22:10,760 --> 00:22:12,360 Speaker 2: to keep the kids off of the drugs I need. 500 00:22:14,040 --> 00:22:16,000 Speaker 2: So Elvis shows up asking if he can get a 501 00:22:16,040 --> 00:22:18,199 Speaker 2: real de A badge, but the DEA didn't exist at 502 00:22:18,200 --> 00:22:22,159 Speaker 2: this time. Is called the Bureau of Narcotics and Dangerous Drugs. 503 00:22:22,600 --> 00:22:24,760 Speaker 2: So Elvis he wants to be named an official federal 504 00:22:24,760 --> 00:22:27,960 Speaker 2: Agent at Large for the Bureau of Narcotics and Dangerous Drum. Yeah, 505 00:22:28,000 --> 00:22:30,160 Speaker 2: So why did Elvis want to be official drug cops 506 00:22:30,240 --> 00:22:32,680 Speaker 2: so bad? Did he want early access to the drugs. 507 00:22:32,720 --> 00:22:34,360 Speaker 2: Did you want to be able to confiscate drugs, like. 508 00:22:34,560 --> 00:22:37,040 Speaker 4: Give me those drugs, like I'll just bust like the 509 00:22:37,119 --> 00:22:38,359 Speaker 4: big drug dens. 510 00:22:38,400 --> 00:22:44,080 Speaker 2: Yeah, and then just take their bugis boys, Elvis came 511 00:22:44,119 --> 00:22:47,600 Speaker 2: through and seized my drugs, flashed the badge. 512 00:22:47,320 --> 00:22:49,560 Speaker 4: Drug velvet jumps Did he. 513 00:22:49,520 --> 00:22:51,359 Speaker 2: Want to get out of jail free card? Is that 514 00:22:51,400 --> 00:22:53,000 Speaker 2: where he could say, oh, these drugs that I have 515 00:22:53,040 --> 00:22:55,720 Speaker 2: it for research? Like say he gets popped, right, wink wink, 516 00:22:55,800 --> 00:22:57,720 Speaker 2: you go on, officer one of you guys. 517 00:22:57,800 --> 00:23:00,720 Speaker 4: You we went commando in the jumps in the velvet. 518 00:23:00,400 --> 00:23:04,200 Speaker 2: You're stuck jumpsuit. Yeah, I'm thinking he probably wore underwear 519 00:23:04,240 --> 00:23:05,000 Speaker 2: with his name on it. 520 00:23:05,000 --> 00:23:06,280 Speaker 4: It had to be so sweaty. 521 00:23:07,119 --> 00:23:10,160 Speaker 2: Oh it's open, so it's open chest. Remember these are 522 00:23:10,160 --> 00:23:12,200 Speaker 2: like open chests like he's got Yeah, like it it's 523 00:23:12,200 --> 00:23:14,720 Speaker 2: a jumpsuits. It's not like skin tight. I don't want 524 00:23:14,720 --> 00:23:16,399 Speaker 2: I want you to think it more like how James 525 00:23:16,400 --> 00:23:18,760 Speaker 2: brownl No. 526 00:23:18,600 --> 00:23:22,439 Speaker 3: No, it's kind of think of its velvet. 527 00:23:22,560 --> 00:23:24,600 Speaker 2: Think of it like a Sanza belt suit, you know, 528 00:23:24,800 --> 00:23:27,760 Speaker 2: like the seventies, So like it's all one connected. Yeah, 529 00:23:27,800 --> 00:23:29,960 Speaker 2: and then the v's out from like the belly button. 530 00:23:30,080 --> 00:23:32,560 Speaker 2: And goes up to the lapels, so you kind of 531 00:23:32,560 --> 00:23:35,359 Speaker 2: got an open chest area to ventilate. I got and 532 00:23:35,400 --> 00:23:38,480 Speaker 2: then also to show off your like plumage or whatever 533 00:23:38,720 --> 00:23:41,880 Speaker 2: you want or like probably a big medallion most like. 534 00:23:42,080 --> 00:23:44,119 Speaker 4: It makes sense. Yeah, all right, can they get you 535 00:23:44,160 --> 00:23:45,320 Speaker 4: one of those jumpsuits? 536 00:23:45,320 --> 00:23:47,600 Speaker 2: I have an Elvis jumpsuit that I ordered online that 537 00:23:47,640 --> 00:23:51,280 Speaker 2: I wear around the house. No, it's two pieces. I 538 00:23:51,280 --> 00:23:52,600 Speaker 2: need to get one. I need to get one piece. 539 00:23:52,640 --> 00:23:53,920 Speaker 2: That the only thing I could find online. 540 00:23:53,960 --> 00:24:00,000 Speaker 4: The butt flap like a union. Anyway, I'm sorry. 541 00:23:59,920 --> 00:24:02,240 Speaker 2: The reason why Elvis wanted his badge is he really 542 00:24:02,320 --> 00:24:03,360 Speaker 2: liked badges. 543 00:24:04,040 --> 00:24:04,920 Speaker 4: Stinking badges. 544 00:24:05,119 --> 00:24:08,719 Speaker 2: I need those stinking badges. It's Accordion's ex wife, Priscilla Presley. 545 00:24:08,800 --> 00:24:11,200 Speaker 2: She wrote a memoir about their life together called Fittingly 546 00:24:11,320 --> 00:24:13,880 Speaker 2: Elvis and Me, and she said in it, I quote, 547 00:24:14,119 --> 00:24:17,320 Speaker 2: the nark badge represented some kind of ultimate power to him. 548 00:24:18,080 --> 00:24:20,720 Speaker 2: So there was another part, though, the part I suspected 549 00:24:20,760 --> 00:24:23,120 Speaker 2: Elvis wanted to get out of jail free card right. So, 550 00:24:23,400 --> 00:24:26,359 Speaker 2: as Priscilla Presley also put in her memoir and I quote, 551 00:24:26,359 --> 00:24:29,520 Speaker 2: once again, with the federal narcotics badge, he believed he 552 00:24:29,560 --> 00:24:32,760 Speaker 2: could legally enter any country, both wearing guns and carry 553 00:24:32,800 --> 00:24:33,359 Speaker 2: any drugs. 554 00:24:33,359 --> 00:24:36,439 Speaker 3: He wished, Well, you know I have a badge. 555 00:24:36,520 --> 00:24:38,439 Speaker 2: I know you do. You got a special investigator badge. 556 00:24:38,480 --> 00:24:43,800 Speaker 4: It's like a real badge. Yeah, investigator. 557 00:24:44,480 --> 00:24:46,560 Speaker 3: Someday I'm gonna whip it out at like a crime 558 00:24:46,600 --> 00:24:48,000 Speaker 3: scene and be like, all right, tell me everything. 559 00:24:48,119 --> 00:24:49,919 Speaker 2: I can't believe. It'll carry around you, on you all 560 00:24:49,960 --> 00:24:51,360 Speaker 2: the time, just floating. 561 00:24:51,800 --> 00:24:52,680 Speaker 4: I'll get arrested. 562 00:24:53,119 --> 00:24:55,640 Speaker 2: As long as you don't say I'm a cop. Okay, yeah, 563 00:24:55,640 --> 00:24:56,119 Speaker 2: you're fine. 564 00:24:56,119 --> 00:25:00,880 Speaker 4: People like what what's happening here? 565 00:25:00,960 --> 00:25:02,800 Speaker 2: Just don't say I'm a copper, I'm an officer of law, 566 00:25:02,920 --> 00:25:04,960 Speaker 2: or I'm with the police, any of that you're asking. 567 00:25:05,560 --> 00:25:08,720 Speaker 2: Just start asking questions like your Columbo just come in, Yeah, 568 00:25:08,800 --> 00:25:09,920 Speaker 2: yeah those listen. 569 00:25:09,920 --> 00:25:10,520 Speaker 4: Do you this? 570 00:25:10,440 --> 00:25:11,840 Speaker 2: This is what worked for me. I can't pull it 571 00:25:12,040 --> 00:25:15,840 Speaker 2: would work. So at this point we got Elvis. He 572 00:25:15,920 --> 00:25:17,800 Speaker 2: comes into Nixon, right, he goes to Nixon. He's in 573 00:25:17,840 --> 00:25:20,000 Speaker 2: his office. He's in the Oval office in his purple 574 00:25:20,080 --> 00:25:23,080 Speaker 2: jumpsuit with his forty five pistol, and he says, can 575 00:25:23,119 --> 00:25:25,960 Speaker 2: the King get a badge or what? Now? We've already 576 00:25:26,040 --> 00:25:28,440 Speaker 2: covered Watergate, and so do you remember how he said, 577 00:25:28,520 --> 00:25:31,399 Speaker 2: Nixon was recording everything in his oval office. Well, this 578 00:25:31,480 --> 00:25:33,920 Speaker 2: happened to be just before the tape system was secretly 579 00:25:33,960 --> 00:25:37,159 Speaker 2: installed all the things from Nixon's hitehouse. We do not 580 00:25:37,280 --> 00:25:40,000 Speaker 2: have transcripts of Elvis and Nixon meeting. All we have 581 00:25:40,160 --> 00:25:43,199 Speaker 2: is one aid wrote down a memo and records all 582 00:25:43,200 --> 00:25:46,280 Speaker 2: the events. So I'm going to read quotes from the memo, right, please, 583 00:25:46,359 --> 00:25:49,320 Speaker 2: the Elvis. According to this aid, Elvis was bragging about 584 00:25:49,320 --> 00:25:51,960 Speaker 2: his powers to affect and persuade the youth of America. 585 00:25:52,000 --> 00:25:54,239 Speaker 2: He wanted President Nixon, who he didn't think understood who 586 00:25:54,320 --> 00:25:57,240 Speaker 2: he really was, Yeah, to understand his powers. Right. Yeah, 587 00:25:57,280 --> 00:26:00,320 Speaker 2: he may be president, but I'm Elvis. Yeah, exactly, And 588 00:26:00,440 --> 00:26:03,240 Speaker 2: I quote Presley responded that he did his thing just 589 00:26:03,240 --> 00:26:05,760 Speaker 2: boss singing. He said that he could not get to 590 00:26:05,800 --> 00:26:07,719 Speaker 2: the kids if he made a speech on the stage, 591 00:26:07,760 --> 00:26:09,359 Speaker 2: that he had to reach them in his own way. 592 00:26:09,480 --> 00:26:12,840 Speaker 2: The President nodded in agreement. Now we also know Elvis 593 00:26:12,840 --> 00:26:14,720 Speaker 2: bad mouth the Beatles to Nixon. I think it's to 594 00:26:14,760 --> 00:26:17,200 Speaker 2: getting Nixon's good side. I don't know. Apparently, he said 595 00:26:17,440 --> 00:26:19,320 Speaker 2: he thought the Beatles had been a real force for 596 00:26:19,359 --> 00:26:21,840 Speaker 2: anti American spirit. He said that the Beatles came to 597 00:26:21,920 --> 00:26:24,439 Speaker 2: this country, made their money, and then returned to England, 598 00:26:24,440 --> 00:26:27,800 Speaker 2: where they promoted an anti American theme. The President nodded 599 00:26:27,840 --> 00:26:32,520 Speaker 2: in agreement and expressed some surprise whatever, yeah, all right, 600 00:26:32,520 --> 00:26:34,000 Speaker 2: But I like, how if you read this moment makes 601 00:26:34,000 --> 00:26:36,080 Speaker 2: it sounds like Elvis is in there just flying high, 602 00:26:36,080 --> 00:26:39,320 Speaker 2: grinding his jaw sideways, and Nixon's the reasonable one, just 603 00:26:39,400 --> 00:26:41,639 Speaker 2: nodding along with well, of course, Elvis, of course el 604 00:26:42,440 --> 00:26:44,520 Speaker 2: el of a sudden, he's trapped in a men's room 605 00:26:44,560 --> 00:26:46,560 Speaker 2: with a cooke head, and it was like, oh, Elvis, 606 00:26:46,600 --> 00:26:49,199 Speaker 2: you know anyway, Nixon he lays out his plan for 607 00:26:49,280 --> 00:26:52,840 Speaker 2: criminalizing drugs and associating them with the student protesters, the 608 00:26:52,960 --> 00:26:55,520 Speaker 2: urban youth, the black kids who were also protesting, for 609 00:26:55,680 --> 00:26:58,399 Speaker 2: like basically all the kids of color are protesting, and 610 00:26:58,440 --> 00:27:00,280 Speaker 2: he's like, oh, if I get all of them tarnished 611 00:27:00,280 --> 00:27:01,480 Speaker 2: with drugs, we could come in. 612 00:27:01,600 --> 00:27:01,719 Speaker 3: Right. 613 00:27:01,800 --> 00:27:05,080 Speaker 2: He's telling this the Elvis before he's become national policy. 614 00:27:05,320 --> 00:27:07,560 Speaker 2: He's like, what do you think, Elvis? Now, Elvis is 615 00:27:07,600 --> 00:27:09,359 Speaker 2: going a my limit at this point, right, So he 616 00:27:09,400 --> 00:27:12,720 Speaker 2: sticks to his old anti American screed, the aid documented 617 00:27:12,720 --> 00:27:15,679 Speaker 2: in the memo, and I quote again Pressley indicated to 618 00:27:15,720 --> 00:27:18,000 Speaker 2: the President in a very emotional manner that he was 619 00:27:18,080 --> 00:27:20,879 Speaker 2: on your side. Presley kept repeating that he wanted to 620 00:27:20,920 --> 00:27:22,960 Speaker 2: be helpful, and he added that he was quote just 621 00:27:23,000 --> 00:27:25,120 Speaker 2: a poor boy from Tennessee who had gotten a lot 622 00:27:25,119 --> 00:27:27,679 Speaker 2: from this country, which in some ways he wanted to repay. 623 00:27:28,040 --> 00:27:30,480 Speaker 2: So other than doing drugs legally with his special badge 624 00:27:30,480 --> 00:27:33,119 Speaker 2: and carrying guns through airports, how did Elvis want to 625 00:27:33,119 --> 00:27:34,520 Speaker 2: repay the country? Elizabeth? 626 00:27:34,600 --> 00:27:35,280 Speaker 4: Very good question. 627 00:27:35,400 --> 00:27:38,160 Speaker 2: It's a great question. I'm asked that totally. 628 00:27:38,240 --> 00:27:39,560 Speaker 4: It was like on the tip of my tongue for 629 00:27:39,600 --> 00:27:40,600 Speaker 4: the lot, like for days. 630 00:27:40,640 --> 00:27:42,679 Speaker 2: I saw it there like ring, like it's. 631 00:27:42,520 --> 00:27:44,320 Speaker 4: Going to getting in the way of a lot. 632 00:27:44,720 --> 00:27:47,320 Speaker 2: Well, Elvis told Nixon he was particularly skilled at spotting 633 00:27:47,320 --> 00:27:50,760 Speaker 2: a commie. Yeah, the memo says, and I quote Elvis 634 00:27:50,880 --> 00:27:54,199 Speaker 2: quote also mentioned that he is studying communist brainwashing in 635 00:27:54,240 --> 00:27:57,359 Speaker 2: the drug culture for over ten years, and he brags 636 00:27:57,359 --> 00:27:59,200 Speaker 2: how the hippie kids love him. He said he could 637 00:27:59,200 --> 00:28:01,399 Speaker 2: go right into like with young people or hippies and 638 00:28:01,440 --> 00:28:03,440 Speaker 2: he'd be accepted, which he felt could be helpful to 639 00:28:03,520 --> 00:28:06,359 Speaker 2: him in his drug drive. The President indicated again his 640 00:28:06,440 --> 00:28:09,480 Speaker 2: concern that Presley retained his credibility. No, Elvis, Come on, 641 00:28:10,720 --> 00:28:13,359 Speaker 2: Elvis is so high talking that the President of the 642 00:28:13,440 --> 00:28:16,760 Speaker 2: United States at noon a couple of days before Christmas, 643 00:28:16,800 --> 00:28:18,359 Speaker 2: and Nixon's like, I don't want you to lose your 644 00:28:18,400 --> 00:28:23,600 Speaker 2: cool with the kids. Elvis, Yeah, exactly. So when Elvis 645 00:28:23,920 --> 00:28:26,280 Speaker 2: then surprises Nixon, he puts his arm around him, kind 646 00:28:26,280 --> 00:28:27,080 Speaker 2: of half hugging him. 647 00:28:27,119 --> 00:28:28,840 Speaker 4: The sweats sweat stain. 648 00:28:29,640 --> 00:28:34,760 Speaker 2: Can you imagine? He flashes at ten thousand Vegas, comeback mego, 649 00:28:34,880 --> 00:28:38,360 Speaker 2: Watts smile right. Photographer snaps a photo. That photo, Elizabeth 650 00:28:38,440 --> 00:28:44,080 Speaker 2: is the most requested photograph ever from the entire US archive. Really, yes, 651 00:28:44,120 --> 00:28:46,680 Speaker 2: and Elvis did indeed get his badge to be a 652 00:28:46,720 --> 00:28:49,440 Speaker 2: federal agent at large. However, the badge was not official, 653 00:28:49,440 --> 00:28:52,480 Speaker 2: It was purely honorary, but Elvis was convinced it was real, 654 00:28:52,560 --> 00:28:55,600 Speaker 2: so he acted as if he was now state sponsored 655 00:28:55,680 --> 00:28:59,040 Speaker 2: rock and roll karate master and freelance federal drug agent. 656 00:29:00,200 --> 00:29:01,840 Speaker 2: By the way, there's a movie of the infamous meeting 657 00:29:01,880 --> 00:29:05,200 Speaker 2: between Michael between Elvis and Nixon. It stars Michael Shannon 658 00:29:05,200 --> 00:29:08,920 Speaker 2: as Elvis, which if you can stomach the Kevin Spacey 659 00:29:08,920 --> 00:29:11,520 Speaker 2: as Nixon, then it's worth the price of admission alone. 660 00:29:11,560 --> 00:29:14,200 Speaker 2: It's kind of like a scales there on that one. Anyway, 661 00:29:14,240 --> 00:29:16,800 Speaker 2: he plays Michael Shannon's amazing. He plays Elvis as this 662 00:29:17,000 --> 00:29:20,000 Speaker 2: feral rock star with like a kid's mind and a 663 00:29:20,040 --> 00:29:23,360 Speaker 2: man's gun collection. It's really wild, right. So anyway, this 664 00:29:23,400 --> 00:29:25,880 Speaker 2: brings us to the crimes Elvis committed at Graceland. You'd 665 00:29:25,880 --> 00:29:28,479 Speaker 2: wait as long enough, Elizabeth, Yes, if you didn't know it. 666 00:29:28,520 --> 00:29:31,680 Speaker 2: The parties at Graceland are somewhat legends. I can imagine, right, 667 00:29:31,720 --> 00:29:34,920 Speaker 2: the stories told. They made a series of memoirs from 668 00:29:35,040 --> 00:29:36,960 Speaker 2: anyone who seemed to be there at the time. There 669 00:29:36,960 --> 00:29:39,000 Speaker 2: are so many books about Elvis from people who are 670 00:29:39,040 --> 00:29:40,640 Speaker 2: like I was there, I was a secretary, I was 671 00:29:40,680 --> 00:29:42,680 Speaker 2: a neighbor, I was a barber. I used to give 672 00:29:42,720 --> 00:29:45,120 Speaker 2: them drugs, you know, like whoever did anything. But his 673 00:29:45,240 --> 00:29:49,120 Speaker 2: main circle was called the Memphis Mafia. This was primarily 674 00:29:49,160 --> 00:29:51,720 Speaker 2: a group of cousins, like Elvis's cousins and friends that 675 00:29:51,760 --> 00:29:53,959 Speaker 2: he grew up with that surrounded the king. These are 676 00:29:53,960 --> 00:29:55,480 Speaker 2: the ones who would go out and they would buy 677 00:29:55,600 --> 00:29:58,160 Speaker 2: like ten cadillacts because Elvis wanted a new car. They 678 00:29:58,200 --> 00:29:59,880 Speaker 2: would go out and get drugs from the Memphis scene, 679 00:30:00,160 --> 00:30:01,840 Speaker 2: go get girls, from the club. One of them is 680 00:30:01,880 --> 00:30:03,840 Speaker 2: like a radio DJ, so they're all like able to 681 00:30:03,840 --> 00:30:04,920 Speaker 2: work their different angles. 682 00:30:05,000 --> 00:30:05,320 Speaker 4: Yeah. 683 00:30:05,320 --> 00:30:07,320 Speaker 2: And also at this point he also has his wife 684 00:30:07,320 --> 00:30:10,240 Speaker 2: Priscilla because he gets married young so or relatively young. 685 00:30:10,640 --> 00:30:12,520 Speaker 2: And they're also all the women who are around him, 686 00:30:12,520 --> 00:30:14,960 Speaker 2: all the secretary. So all these people are writing books, right, 687 00:30:15,040 --> 00:30:17,320 Speaker 2: So according to all of them, the party start in 688 00:30:17,400 --> 00:30:21,160 Speaker 2: fifty seven when he buys Graceland and George Klein he's 689 00:30:21,160 --> 00:30:24,320 Speaker 2: the radio DJ. He wrote a memoir in twenty ten 690 00:30:24,480 --> 00:30:27,400 Speaker 2: called Elvis My best Man. I guess he was the 691 00:30:27,400 --> 00:30:29,000 Speaker 2: best man at his wedding. Is my guest? I guess 692 00:30:29,040 --> 00:30:31,680 Speaker 2: that's probably the cover photo book. Look into it. I 693 00:30:31,680 --> 00:30:35,360 Speaker 2: didn't care anyway. It's George Clin radio DJ. So he 694 00:30:35,400 --> 00:30:37,280 Speaker 2: has the angles on the girls, right, So he was 695 00:30:37,320 --> 00:30:39,959 Speaker 2: responsible for bringing them to Graceland. And as he writes, 696 00:30:40,120 --> 00:30:42,360 Speaker 2: Elvis and his boys may have liked to be surrounded 697 00:30:42,360 --> 00:30:44,720 Speaker 2: by beautiful girls, but boys being boys, they often played 698 00:30:44,720 --> 00:30:47,360 Speaker 2: with each other. What I mean by that is Elvis 699 00:30:47,360 --> 00:30:49,120 Speaker 2: may have liked pills. He did, but he didn't like 700 00:30:49,160 --> 00:30:51,480 Speaker 2: to smoke, pod or get drunk. They didn't keep any 701 00:30:51,520 --> 00:30:53,120 Speaker 2: booze in the house for the most part. There was 702 00:30:53,120 --> 00:30:56,240 Speaker 2: no beer, no wine, no liquor. I yeah, no pot, 703 00:30:56,240 --> 00:30:58,840 Speaker 2: no booze, no liquor. So George Klein put it, quote, 704 00:30:58,840 --> 00:31:01,000 Speaker 2: there were nights where the oldest thing that happened was 705 00:31:01,000 --> 00:31:03,280 Speaker 2: having Elvis lead us through a game of Name that Tune, 706 00:31:04,720 --> 00:31:08,920 Speaker 2: wild parties Elizabeth. Now, these guys weren't choir boys, though, 707 00:31:08,960 --> 00:31:11,160 Speaker 2: they were still the entourage of a very famous man, 708 00:31:11,240 --> 00:31:13,560 Speaker 2: so they would act out accordingly. And that also meant 709 00:31:13,600 --> 00:31:15,560 Speaker 2: they would bring folks to Graceland. And then they had 710 00:31:15,560 --> 00:31:17,160 Speaker 2: to lay down the rules of like how to act 711 00:31:17,200 --> 00:31:21,240 Speaker 2: around Elvis. So the DJ amateur matchmaker, George Klein, he said, 712 00:31:21,240 --> 00:31:23,640 Speaker 2: and I quote, I told them to keep things positive. 713 00:31:23,680 --> 00:31:25,600 Speaker 2: I'd seen people try to act cool around Elvis by 714 00:31:25,600 --> 00:31:29,280 Speaker 2: having a negative, critical attitude. He never responded well to that. Also, 715 00:31:29,320 --> 00:31:31,160 Speaker 2: you would tell him, don't assume you can. You can't 716 00:31:31,240 --> 00:31:33,280 Speaker 2: say anything nice to him because you think he's probably 717 00:31:33,360 --> 00:31:35,640 Speaker 2: heard it before. He didn't want to hear anything phony. 718 00:31:35,840 --> 00:31:38,920 Speaker 2: But he was only human and was always enjoying hearing compliments. 719 00:31:39,640 --> 00:31:42,440 Speaker 2: So there you go a bunch of fawning like Siica fans, 720 00:31:42,480 --> 00:31:45,320 Speaker 2: hanging around, not drunk, not doing anything, playing Name that 721 00:31:45,360 --> 00:31:46,960 Speaker 2: Tune and going girls, are you having a fun time? 722 00:31:47,800 --> 00:31:51,200 Speaker 2: So Graceland, right, the gates of the mansion, they had 723 00:31:51,200 --> 00:31:56,240 Speaker 2: this very famous iconic guitar themed iron gates like music notes, 724 00:31:56,280 --> 00:31:59,600 Speaker 2: and yeah, exactly music notes. So, according to one of 725 00:31:59,600 --> 00:32:02,040 Speaker 2: the Memphis Mafia, this dude, Marty Lacker, one day Elvis 726 00:32:02,080 --> 00:32:05,200 Speaker 2: decided he'd do some redecorating. Right, So the year's nineteen 727 00:32:05,240 --> 00:32:07,400 Speaker 2: sixty two at this point, still very young man. Elvis 728 00:32:07,440 --> 00:32:09,640 Speaker 2: hired his cousin. Because he's hired all of his cousins. 729 00:32:09,680 --> 00:32:12,120 Speaker 2: They all live in the area from Tupelo, Mississippi, so 730 00:32:12,120 --> 00:32:14,040 Speaker 2: he's like, yeah, come on up to Memphis. So he's 731 00:32:14,080 --> 00:32:16,280 Speaker 2: hired one of his cousins to work the gate as 732 00:32:16,280 --> 00:32:19,080 Speaker 2: a security guard on the night shift. So it's a 733 00:32:19,120 --> 00:32:21,720 Speaker 2: warm summer night Elvis in the Memphis Mafia. They went 734 00:32:21,760 --> 00:32:24,280 Speaker 2: to town to watch a movie. They come back to 735 00:32:24,320 --> 00:32:26,719 Speaker 2: Graceland around three four in the morning. Must have been 736 00:32:26,760 --> 00:32:30,040 Speaker 2: a long movie. So the cousin isn't there, right, he 737 00:32:30,080 --> 00:32:32,200 Speaker 2: isn't manning the gate. At this point, Elvis has yet 738 00:32:32,200 --> 00:32:34,680 Speaker 2: to switch to Cadillacs. He's now driving a sixty three 739 00:32:34,760 --> 00:32:38,960 Speaker 2: Buick Riviera. Okay, beautiful convertible car. Behind the wheel Elvis 740 00:32:38,960 --> 00:32:41,880 Speaker 2: gets impatient, so he lays on the horn right, And 741 00:32:41,880 --> 00:32:44,280 Speaker 2: I forgot to tell you it wasn't just Elvis and 742 00:32:44,320 --> 00:32:47,040 Speaker 2: the Memphis Mafia in his convertible Buick Riviera. I don't 743 00:32:47,080 --> 00:32:48,800 Speaker 2: want you to picture the wrong thing. There were some 744 00:32:48,840 --> 00:32:51,800 Speaker 2: other people with them. There was a train of fifteen 745 00:32:51,880 --> 00:32:55,960 Speaker 2: cars behind Elvis's car, a convoy, all waiting to get 746 00:32:55,960 --> 00:32:59,320 Speaker 2: into Graceland. He brought back fifteen car. Yeah, they went 747 00:32:59,320 --> 00:33:02,000 Speaker 2: out to a movie back with fifteen cars. Elvis gonna 748 00:33:02,000 --> 00:33:03,719 Speaker 2: starts to get irritated because he's showing off for these 749 00:33:03,760 --> 00:33:08,080 Speaker 2: fifteen cars and nobody's opening up grace exactly. So what's 750 00:33:08,120 --> 00:33:11,160 Speaker 2: he do? He backs that Buick Riviera up with the 751 00:33:11,200 --> 00:33:13,680 Speaker 2: boys in the Memphis Mafia. And apparently there's a highway 752 00:33:13,680 --> 00:33:15,360 Speaker 2: that used to runs right there in front of the gate, 753 00:33:15,440 --> 00:33:20,240 Speaker 2: or like a big Southern high So yeah, so he runs, 754 00:33:20,400 --> 00:33:23,720 Speaker 2: he backs up and then floors it. Elvis floors it. 755 00:33:24,760 --> 00:33:27,240 Speaker 2: Oh you better believe it. Has lacquer recalled it. Quote 756 00:33:27,360 --> 00:33:30,440 Speaker 2: Elvis tore the hell out of those gates. He also 757 00:33:30,640 --> 00:33:33,000 Speaker 2: damages up the hell out of that Buick Rivierra. And 758 00:33:33,080 --> 00:33:35,800 Speaker 2: I quote because as the gates swung open, hit the curb. 759 00:33:35,880 --> 00:33:38,160 Speaker 2: They flew back and slapped the sides of the buick. 760 00:33:38,520 --> 00:33:41,160 Speaker 2: Hearing all this commotion, the cousin wakes up, comes running down, 761 00:33:41,200 --> 00:33:43,560 Speaker 2: and Elvis yells at him, from now on, those gates 762 00:33:43,560 --> 00:33:46,760 Speaker 2: better open when I get there. So new, Now we 763 00:33:46,840 --> 00:33:49,680 Speaker 2: got vehicular mayhem. Right, that's just one thing. Boys being boys. 764 00:33:49,680 --> 00:33:53,959 Speaker 2: I told you, right. What about Elvis in all those guns? Elizabeth? Yeah, 765 00:33:54,000 --> 00:33:57,240 Speaker 2: he like the Thankfully these guys don't drink so anyway, 766 00:33:57,280 --> 00:33:59,600 Speaker 2: that's true. But they are boys. They had guns, so 767 00:33:59,640 --> 00:34:03,000 Speaker 2: they said, let's do some shooting practice. Now. Becky Yancey, 768 00:34:03,080 --> 00:34:05,600 Speaker 2: she was a secretary. He used to answer Elvis Presley's 769 00:34:05,600 --> 00:34:08,920 Speaker 2: fan mail. She did that job for thirteen years, starting 770 00:34:08,960 --> 00:34:11,839 Speaker 2: in March of sixty two, lasting until July seventy five. 771 00:34:11,880 --> 00:34:13,000 Speaker 2: He dies in seventy seven. 772 00:34:13,160 --> 00:34:14,959 Speaker 4: This stuff she must have read. 773 00:34:15,120 --> 00:34:16,600 Speaker 2: Oh my god. She also wrote a book, so if 774 00:34:16,600 --> 00:34:19,120 Speaker 2: you want to read about it, Elizabeth, really, but my goodness, 775 00:34:20,040 --> 00:34:23,040 Speaker 2: my life with my life with Elvis, with Elizabeth. 776 00:34:22,680 --> 00:34:24,719 Speaker 4: My life, that's your book. 777 00:34:24,520 --> 00:34:29,239 Speaker 2: That's my book. Yes, so we found this. I guess 778 00:34:29,239 --> 00:34:32,120 Speaker 2: this is another surefire way to become an author. You 779 00:34:32,160 --> 00:34:34,399 Speaker 2: do a crime, go to prison, come out a writer. Yeah, 780 00:34:34,520 --> 00:34:37,399 Speaker 2: or the friend, assumeer super famous person and then tell 781 00:34:37,440 --> 00:34:40,399 Speaker 2: all their dirt and slicious gossip. Well, whatever it is, you. 782 00:34:40,400 --> 00:34:41,360 Speaker 4: Have be a snitch. 783 00:34:41,440 --> 00:34:44,000 Speaker 2: Yeah. Anyways, she, as you put it, saw it all. Now, 784 00:34:44,080 --> 00:34:45,400 Speaker 2: what was all, Elizabeth? 785 00:34:45,880 --> 00:34:49,120 Speaker 3: I am terrified, like just a bunch of guys running around, 786 00:34:49,160 --> 00:34:50,920 Speaker 3: all alluded to the gills. 787 00:34:50,800 --> 00:34:53,480 Speaker 4: Exactly, firing guns in their underpants. 788 00:34:53,560 --> 00:34:55,600 Speaker 2: So one day it works, She and another secretary they 789 00:34:55,600 --> 00:34:58,799 Speaker 2: hear this quote a series of short, sharp explosions. Now 790 00:34:58,840 --> 00:35:01,200 Speaker 2: the two women they leap for the floor, They hide 791 00:35:01,280 --> 00:35:04,680 Speaker 2: under their desk. Then the walls around them start to deteriorate. 792 00:35:05,120 --> 00:35:07,719 Speaker 2: Women suspect his gunfire. They're from the South, They're like, oh, 793 00:35:07,760 --> 00:35:08,480 Speaker 2: these are bullet holes. 794 00:35:08,560 --> 00:35:08,640 Speaker 3: Right. 795 00:35:09,000 --> 00:35:13,080 Speaker 2: So, as she put it, quote, ragged chips, some as 796 00:35:13,160 --> 00:35:15,799 Speaker 2: large as dollar bills, other the size of needles, and 797 00:35:15,880 --> 00:35:19,680 Speaker 2: equally sharp showered the room like so much wooden confetti. 798 00:35:20,120 --> 00:35:21,280 Speaker 2: What was the deal, Elizabeth? 799 00:35:21,520 --> 00:35:22,239 Speaker 4: What was the deal? 800 00:35:22,440 --> 00:35:25,520 Speaker 2: Elizabeth? Elvis and the Memphis Mafia had pulled out their 801 00:35:25,520 --> 00:35:27,680 Speaker 2: three fifty seven magnum and were shooting it at the 802 00:35:27,719 --> 00:35:30,040 Speaker 2: old Well House, which happened to be right connected to 803 00:35:30,080 --> 00:35:31,560 Speaker 2: where the secretary's office was. 804 00:35:31,600 --> 00:35:32,840 Speaker 4: Oh my god, they could have killed that. 805 00:35:33,000 --> 00:35:35,600 Speaker 2: Yeah, they had. The boys had slapped up a target 806 00:35:35,600 --> 00:35:36,920 Speaker 2: that she had the shape of a man, and they 807 00:35:36,920 --> 00:35:38,880 Speaker 2: were dotting the man with holes and they were not 808 00:35:38,960 --> 00:35:40,120 Speaker 2: apparently the best shots. 809 00:35:40,440 --> 00:35:41,120 Speaker 4: Oh my god. 810 00:35:41,280 --> 00:35:44,440 Speaker 2: Yeah, so the adjoining secretary's office just starts getting peppered 811 00:35:44,440 --> 00:35:46,799 Speaker 2: with bullets. If they had been in the bathroom at 812 00:35:46,800 --> 00:35:50,280 Speaker 2: the time, mm hmm. Elvis's game fun with gun ranges, 813 00:35:50,360 --> 00:35:53,279 Speaker 2: it would have probably ventilated either woman, right, Oh, no, 814 00:35:53,320 --> 00:35:55,920 Speaker 2: one of them. Her husband. She he came to Graceland 815 00:35:55,920 --> 00:35:57,839 Speaker 2: to pick her up, right, he said, If you were 816 00:35:57,880 --> 00:35:59,760 Speaker 2: paul Lette had been hit by one of those bullets, 817 00:35:59,760 --> 00:36:02,680 Speaker 2: your head would have exploded like watermelons. Those guys had 818 00:36:02,719 --> 00:36:04,520 Speaker 2: to be crazy to be doing that with two women 819 00:36:04,560 --> 00:36:04,839 Speaker 2: in there. 820 00:36:05,600 --> 00:36:07,160 Speaker 4: Did you go and yell at Elvis about it? 821 00:36:07,200 --> 00:36:09,000 Speaker 2: Then? Didn't do that? I didn't even see that in 822 00:36:09,000 --> 00:36:11,560 Speaker 2: the story. Now, Elvis and his boys did not stop 823 00:36:11,600 --> 00:36:14,120 Speaker 2: this because in New Year's Eve, Elvis fired so many 824 00:36:14,160 --> 00:36:16,719 Speaker 2: bullets at that same wellhouse that the damn thing caught 825 00:36:16,719 --> 00:36:18,479 Speaker 2: fire the house. 826 00:36:18,680 --> 00:36:19,440 Speaker 4: Oh my god. 827 00:36:19,840 --> 00:36:22,120 Speaker 2: Just before midnight in New Year's Eve, Elvis sent one 828 00:36:22,120 --> 00:36:24,040 Speaker 2: of the Memphis Mafia into the main house to get 829 00:36:24,080 --> 00:36:28,239 Speaker 2: the big guns. Right as Becky the Secretary's puts it. 830 00:36:28,680 --> 00:36:32,239 Speaker 2: They're Baars Browning automatic rifles. They're in the next big thing, 831 00:36:32,280 --> 00:36:35,000 Speaker 2: the machine guns. So right at the stroke of midnight, 832 00:36:35,040 --> 00:36:37,000 Speaker 2: elvis fire is the first shot with the Browning, and 833 00:36:37,000 --> 00:36:39,719 Speaker 2: then all the others in Memphis Mafia they follow suit 834 00:36:39,760 --> 00:36:42,480 Speaker 2: and they all unload on this well house together. Becky 835 00:36:42,560 --> 00:36:45,000 Speaker 2: watches the gunfire from the safety of a window view 836 00:36:45,280 --> 00:36:49,320 Speaker 2: as she tells Elizabeth, Elvis, his body bucking and jerking 837 00:36:49,560 --> 00:36:52,720 Speaker 2: as he held the bar under one arm, fired twenty 838 00:36:52,760 --> 00:36:55,120 Speaker 2: five or thirty rounds into the Whitehouse in less than 839 00:36:55,120 --> 00:36:57,920 Speaker 2: a minute. Chunks of the clay targets flew in every direction, 840 00:36:57,960 --> 00:37:01,520 Speaker 2: and the White House started to burn. Stop don't burn 841 00:37:01,560 --> 00:37:05,560 Speaker 2: the office down. I need my job now. At this point, 842 00:37:05,560 --> 00:37:08,120 Speaker 2: Elvis's father, Vernon runs out of the house because he 843 00:37:08,120 --> 00:37:09,759 Speaker 2: lives there, and he tries to put out the fire 844 00:37:09,800 --> 00:37:12,160 Speaker 2: with his that his full grown son is lit with 845 00:37:12,239 --> 00:37:14,360 Speaker 2: his buddies. He doesn't bring any water with him, so 846 00:37:14,440 --> 00:37:16,960 Speaker 2: what does he do? He also doesn't turn on the hose. Nope, 847 00:37:16,960 --> 00:37:18,759 Speaker 2: what do you do? He takes off his jacket and 848 00:37:18,800 --> 00:37:21,759 Speaker 2: starts slapping at the flames with his jacket. It's like 849 00:37:21,800 --> 00:37:23,920 Speaker 2: a truck driver's idea. I don't know his son, Elvis 850 00:37:24,000 --> 00:37:26,319 Speaker 2: yells at him. Oh, hell, daddy, let it burn. It's 851 00:37:26,360 --> 00:37:29,759 Speaker 2: only money. Oh my goodness, So the well house that 852 00:37:29,880 --> 00:37:31,520 Speaker 2: was just the price to pay for Elvis and his 853 00:37:31,560 --> 00:37:34,600 Speaker 2: boys have some semi sober fun on Near's eve. Elizabeth, Okay, 854 00:37:34,680 --> 00:37:39,240 Speaker 2: now that we've covered a little semi yeah, the mostly 855 00:37:39,320 --> 00:37:42,160 Speaker 2: legal fund that Elvis had. Agree, let's take a little break, 856 00:37:42,160 --> 00:37:44,520 Speaker 2: crack open some fresh ads. When we get back, I'll 857 00:37:44,520 --> 00:37:47,720 Speaker 2: tell you about Elvis shooting TVs and uh oh yeah, 858 00:37:47,800 --> 00:37:49,239 Speaker 2: someone trying to steal Graceland. 859 00:37:55,280 --> 00:38:14,160 Speaker 7: Oh Elizabeth, Hey, buddy, you ready for some more Elvis 860 00:38:14,200 --> 00:38:14,800 Speaker 7: and Graceland. 861 00:38:14,960 --> 00:38:18,520 Speaker 2: Yes, no, Paul Simon. Sorry, anyway, we've been talking Elvis, Graceland. 862 00:38:18,640 --> 00:38:20,120 Speaker 2: They have the best for last. Yes. 863 00:38:20,160 --> 00:38:20,440 Speaker 4: Please. 864 00:38:20,520 --> 00:38:22,520 Speaker 2: Have you ever heard stories that Elvis kept a wall 865 00:38:22,560 --> 00:38:25,359 Speaker 2: of TVs in Graceland, that sometimes he'd watch them at once, 866 00:38:25,360 --> 00:38:26,879 Speaker 2: and then if he didn't like somebody, he'd shoot out 867 00:38:26,880 --> 00:38:30,440 Speaker 2: the TV. It's a very famous story, right. Is this 868 00:38:30,480 --> 00:38:32,480 Speaker 2: story true? Is it fact? Is it fiction? Is it 869 00:38:32,480 --> 00:38:33,200 Speaker 2: part of the legend. 870 00:38:33,280 --> 00:38:34,120 Speaker 4: I say it's true. 871 00:38:34,160 --> 00:38:37,480 Speaker 2: I looked into it. I have answers for you, and Elizabeth. 872 00:38:37,480 --> 00:38:39,960 Speaker 2: I'd like you to close your up my eyes, and 873 00:38:40,000 --> 00:38:46,080 Speaker 2: I'd like you to picture it. Elizabeth. It's a warm 874 00:38:46,080 --> 00:38:49,560 Speaker 2: spring night. The date is May twenty fifth, nineteen sixty five, 875 00:38:49,719 --> 00:38:52,680 Speaker 2: and at the moment, you're seated on a white leather couch, 876 00:38:52,960 --> 00:38:55,759 Speaker 2: sipping on a sweet tea as you watch at the 877 00:38:55,840 --> 00:38:59,360 Speaker 2: time large screen twenty five inch TV. It's not your choice, 878 00:38:59,360 --> 00:39:03,280 Speaker 2: but you're watching the heavyweight boxing championship rematch between Muhammad 879 00:39:03,320 --> 00:39:06,359 Speaker 2: Ali and Sonny Listen, and you're not alone. There are 880 00:39:06,360 --> 00:39:09,120 Speaker 2: a few friends and hangers on with you. They like 881 00:39:09,200 --> 00:39:11,319 Speaker 2: you are the guests of the King. And by the king, 882 00:39:11,360 --> 00:39:14,279 Speaker 2: of course, I mean Elvis Presley. That's right, Elizabeth. You're 883 00:39:14,320 --> 00:39:17,000 Speaker 2: watching one of the most famous fights in boxing history, 884 00:39:17,000 --> 00:39:19,560 Speaker 2: and you're watching it with Elvis at Graceland. You are 885 00:39:19,600 --> 00:39:22,680 Speaker 2: living a peak moment of the twentieth century. As the 886 00:39:22,719 --> 00:39:24,680 Speaker 2: hangers on giggle and laugh and the boys from the 887 00:39:24,680 --> 00:39:29,120 Speaker 2: Memphis Mafia laugh and get not drunk. You notice Priscilla Presley, 888 00:39:29,160 --> 00:39:31,160 Speaker 2: Elvis's wife, come into the room with their young daughter, 889 00:39:31,280 --> 00:39:34,080 Speaker 2: Lisa Marie, the five year old. The heavyweight fight has 890 00:39:34,160 --> 00:39:36,720 Speaker 2: yet to start. At the moment, the actor singer Robert 891 00:39:36,719 --> 00:39:40,239 Speaker 2: Goulai is singing The Star Spangled banner and it's not 892 00:39:40,400 --> 00:39:43,160 Speaker 2: going well watching it. Elvis speaks up and says, you 893 00:39:43,239 --> 00:39:45,839 Speaker 2: got a lovely voice, but there's no feeling there. It's 894 00:39:45,920 --> 00:39:47,960 Speaker 2: like vocally, you can sing an opera and you have 895 00:39:48,000 --> 00:39:51,560 Speaker 2: to have feelings in your voice like you're talking. You're 896 00:39:51,560 --> 00:39:54,759 Speaker 2: not along. Elvis makes good points. The Memphis Mafia Boys 897 00:39:54,800 --> 00:39:58,080 Speaker 2: offers him Hallelujahs to the King, seconding his opinion. You 898 00:39:58,120 --> 00:39:59,839 Speaker 2: sort of humble along in your head as you listen 899 00:39:59,880 --> 00:40:03,120 Speaker 2: to Robert Gulay croon the tune of the National anthem. 900 00:40:03,360 --> 00:40:05,879 Speaker 2: Then he gets to the words by the Don's Early Light, 901 00:40:05,960 --> 00:40:08,680 Speaker 2: and you hear him sing by the Downs early night 902 00:40:09,680 --> 00:40:12,680 Speaker 2: night that doesn't even make sense, By the Dons Early Night. 903 00:40:13,600 --> 00:40:16,200 Speaker 2: You see Elvis grumble to himself too. You seem to 904 00:40:16,320 --> 00:40:18,400 Speaker 2: both agree he's just as annoyed by the mistake and 905 00:40:18,520 --> 00:40:21,160 Speaker 2: lyrics as you are. Then Robert Gulay does it again. 906 00:40:21,440 --> 00:40:25,240 Speaker 2: Instead of singing Gave Proof through the Night, Gulay sings 907 00:40:25,280 --> 00:40:28,359 Speaker 2: gave Proof through the Fight. You roll your eyes at 908 00:40:28,360 --> 00:40:31,279 Speaker 2: that one. Elvis grumbles. Now he's pissed off and he 909 00:40:31,360 --> 00:40:33,880 Speaker 2: isn't letting it go. You see a flash of metal. 910 00:40:34,040 --> 00:40:36,960 Speaker 2: Elvis whips out a three point fifty seven magnum handgun, 911 00:40:37,160 --> 00:40:39,880 Speaker 2: and he shouts at the TV, you learn the words 912 00:40:39,880 --> 00:40:43,800 Speaker 2: of our national anthem usob and he squeezes the trigger. 913 00:40:44,080 --> 00:40:47,279 Speaker 2: The gun dark explames, A bullet screams through the air, 914 00:40:47,320 --> 00:40:50,560 Speaker 2: and he shatters the TV. A couple of young women 915 00:40:50,840 --> 00:40:54,160 Speaker 2: seated with the Memphis Mafia boy scream startled by the gunfire. 916 00:40:54,400 --> 00:40:56,799 Speaker 2: You saw it coming, so you're not as terrified. But 917 00:40:56,880 --> 00:41:00,000 Speaker 2: you notice Priscilla and Lisa Marie are entirely non played. 918 00:41:00,360 --> 00:41:02,839 Speaker 2: They have seen this plenty of times. It's like it's 919 00:41:02,840 --> 00:41:05,240 Speaker 2: a remote control for him. Elvis says to his Memphis 920 00:41:05,239 --> 00:41:09,319 Speaker 2: Mafia boys, take it to the graveyard. One of the 921 00:41:09,400 --> 00:41:12,279 Speaker 2: boys dutifully hops up unplugs the TV. A second guy 922 00:41:12,360 --> 00:41:15,120 Speaker 2: brings in a fresh twenty five inch TV and plugs 923 00:41:15,120 --> 00:41:18,120 Speaker 2: it in. He changes the channel and finds the muhammadad 924 00:41:18,160 --> 00:41:21,279 Speaker 2: Li Sonny Liston fight. Thankfully, Robert hu Leigh is gone. 925 00:41:21,480 --> 00:41:24,319 Speaker 2: The boxers are being introduced silently. You make a little 926 00:41:24,320 --> 00:41:27,000 Speaker 2: wish that muhammadad Lee and Sonny Liston don't do anything 927 00:41:27,000 --> 00:41:29,960 Speaker 2: to piss off Elvis. And then you hear little Lisa 928 00:41:30,000 --> 00:41:33,120 Speaker 2: Marie ask her daddy why he shot out the TV 929 00:41:33,640 --> 00:41:35,920 Speaker 2: and Elvis says in a soft voice to his daughter, 930 00:41:36,400 --> 00:41:38,359 Speaker 2: I didn't want to stand up and turn it off. 931 00:41:39,160 --> 00:41:42,960 Speaker 2: Oh my god, there you go, Elizabeth. That was the 932 00:41:43,040 --> 00:41:45,480 Speaker 2: most famous thing, since he did this multiple times, but 933 00:41:45,520 --> 00:41:47,319 Speaker 2: this is my favorite and the most famous. He did 934 00:41:47,320 --> 00:41:50,279 Speaker 2: this in hotels. He got into Vegas, he stayed on Yeah, 935 00:41:50,280 --> 00:41:52,000 Speaker 2: I stayed in a hotel and he'd shoot TVs. He 936 00:41:52,040 --> 00:41:54,040 Speaker 2: did this like this happens a bunch. It was like 937 00:41:54,200 --> 00:41:56,560 Speaker 2: it literally was like, I don't have a remote control, 938 00:41:56,640 --> 00:42:00,319 Speaker 2: so I've got a gun replace it. So anyway, and 939 00:42:00,360 --> 00:42:02,120 Speaker 2: all those these are all direct quotes. I pulled that 940 00:42:02,200 --> 00:42:04,919 Speaker 2: from multiple stories of people who were there, and those 941 00:42:04,920 --> 00:42:07,640 Speaker 2: are all there a recollection. So wow, that story of 942 00:42:07,640 --> 00:42:10,000 Speaker 2: Elvis shooting out the TV because of Robert Gulay flubbing 943 00:42:10,040 --> 00:42:12,680 Speaker 2: the national anthem was a very famous story at the time. 944 00:42:13,120 --> 00:42:15,480 Speaker 2: It had to annoy Gulay, right because this guy is 945 00:42:15,520 --> 00:42:18,480 Speaker 2: also a star. Now decades later, in two thousand and four, 946 00:42:18,560 --> 00:42:20,800 Speaker 2: he was still having the answer to it. A local 947 00:42:20,800 --> 00:42:22,680 Speaker 2: Memphis newspaper. He was in town at the time the 948 00:42:22,680 --> 00:42:25,280 Speaker 2: commercial appeal. They had the local newspaper. They asked Gulay 949 00:42:25,680 --> 00:42:29,280 Speaker 2: about Elvis shooting his TV rather than listen to Gulay 950 00:42:29,320 --> 00:42:32,720 Speaker 2: sing asked the man to his face. Yeah, and Gulay defends, 951 00:42:32,800 --> 00:42:34,600 Speaker 2: of course he's a good name. But I love how 952 00:42:34,600 --> 00:42:37,280 Speaker 2: he throws Frank Sinatra under the bus to clear himself. 953 00:42:37,360 --> 00:42:40,560 Speaker 2: Wait what Yes, according to Gulay, and I quote when 954 00:42:40,560 --> 00:42:43,520 Speaker 2: he shot the television set, he also shot fifty other people. 955 00:42:43,640 --> 00:42:46,040 Speaker 2: He told me that he had about one hundred sets 956 00:42:46,040 --> 00:42:47,839 Speaker 2: in the basement and he'd shoot the damn thing out. 957 00:42:47,880 --> 00:42:50,400 Speaker 2: You know, he was on pills and he didn't know 958 00:42:50,480 --> 00:42:52,719 Speaker 2: quite what he was doing, and he'd bang, and then 959 00:42:52,760 --> 00:42:54,880 Speaker 2: he'd look at each other and say, get another set. 960 00:42:55,160 --> 00:42:57,160 Speaker 2: They mentioned me all the time. I don't know why 961 00:42:57,360 --> 00:43:00,439 Speaker 2: the point is. I know he was not done self, 962 00:43:00,520 --> 00:43:02,759 Speaker 2: so therefore it wasn't anything to do with me. He 963 00:43:02,840 --> 00:43:05,719 Speaker 2: shot out miltur May, he shot out Frank Sinatra, but 964 00:43:05,960 --> 00:43:09,320 Speaker 2: I get all the credit. So the story is apparently, 965 00:43:09,320 --> 00:43:11,200 Speaker 2: when Milt Turmae was on one time, he shot it. 966 00:43:11,200 --> 00:43:13,239 Speaker 2: When Frank Sinatra was on one time, he shot it. 967 00:43:13,520 --> 00:43:16,759 Speaker 2: But everyone knows Gulet he shot it because he don't 968 00:43:16,800 --> 00:43:17,520 Speaker 2: like Gulet. Right. 969 00:43:18,040 --> 00:43:22,200 Speaker 4: The best Robert Gulay is will Ferris Robert. 970 00:43:23,080 --> 00:43:29,759 Speaker 2: Robert check it on. Now, when you have someone who's 971 00:43:29,760 --> 00:43:32,319 Speaker 2: dispensing firearms inside the house. It often means you'll need 972 00:43:32,360 --> 00:43:36,080 Speaker 2: to do some home repair time, right, which certainly did. 973 00:43:36,160 --> 00:43:38,759 Speaker 4: They'll like plasters, spackle. 974 00:43:38,480 --> 00:43:41,080 Speaker 2: House spinders would hate him. Bill, you got to show 975 00:43:41,160 --> 00:43:43,680 Speaker 2: up on Monday again after long weekend standing. 976 00:43:43,520 --> 00:43:45,879 Speaker 3: Order at the local hardware store where they just drop 977 00:43:45,960 --> 00:43:48,120 Speaker 3: off crates of this stuff to patch up the water. 978 00:43:48,000 --> 00:43:51,200 Speaker 2: Sackle, plaster, pain. Here's some prime. We do it again, boy. 979 00:43:51,440 --> 00:43:53,680 Speaker 2: So uh at this point, let's see, as I told 980 00:43:53,719 --> 00:43:56,280 Speaker 2: you elvious, he bought Graceland fifty seven. Well, he immediately 981 00:43:56,360 --> 00:43:58,360 Speaker 2: set to put his stamp on his new home. Elvis, 982 00:43:58,400 --> 00:44:00,200 Speaker 2: at the time, a very young man, said, I will 983 00:44:00,239 --> 00:44:03,120 Speaker 2: probably have a black bedroom, sweet trimmed in white leather 984 00:44:03,200 --> 00:44:06,200 Speaker 2: with a white rug alost knew what he liked. So 985 00:44:07,080 --> 00:44:09,480 Speaker 2: his last decorator, she wrote a book because she was 986 00:44:09,480 --> 00:44:12,000 Speaker 2: his decorator, such as like Elvis and me and holding 987 00:44:12,040 --> 00:44:13,759 Speaker 2: a spackle. I don't know, because of course she did 988 00:44:13,800 --> 00:44:15,480 Speaker 2: all right, and so in her case it was an 989 00:44:15,520 --> 00:44:18,680 Speaker 2: autobiography though, so we'll give her some slack. Who woman's 990 00:44:18,719 --> 00:44:21,360 Speaker 2: name is Linda Thompson. She worked with Elvis until nineteen 991 00:44:21,360 --> 00:44:25,080 Speaker 2: seventy four. So as Linda Thompson recalled, Elvis would tell 992 00:44:25,080 --> 00:44:25,720 Speaker 2: her his plans. 993 00:44:25,760 --> 00:44:25,880 Speaker 8: Right. 994 00:44:26,040 --> 00:44:28,080 Speaker 2: He's like, oh, you know, I want I want a 995 00:44:28,160 --> 00:44:30,080 Speaker 2: jungle room. She's like, Elvis, what do you mean a 996 00:44:30,160 --> 00:44:32,319 Speaker 2: jungle room. He's like, you know that basement room I have. 997 00:44:32,640 --> 00:44:34,759 Speaker 2: I want it to open out to the outside, but 998 00:44:34,800 --> 00:44:36,680 Speaker 2: I want the outside to be on the inside. And 999 00:44:36,719 --> 00:44:39,319 Speaker 2: they're like, we take this screened in porch, right, and 1000 00:44:39,360 --> 00:44:41,799 Speaker 2: then just enclose it, make it. Make it a jungle room. 1001 00:44:41,800 --> 00:44:44,400 Speaker 2: They're quite You're like, yeah, lots of plants, right. She's like, Elvis, 1002 00:44:44,440 --> 00:44:47,239 Speaker 2: are you serious? He said, and I quote, Honey, I 1003 00:44:47,280 --> 00:44:49,319 Speaker 2: want this to look like you're in the jungle. And 1004 00:44:49,320 --> 00:44:51,439 Speaker 2: we're gonna put green carpet up the wall. I want 1005 00:44:51,440 --> 00:44:54,360 Speaker 2: green carpet to climb the wall like moss is climbing 1006 00:44:54,360 --> 00:44:54,760 Speaker 2: the wall. 1007 00:44:54,840 --> 00:44:56,600 Speaker 4: Oh my god, I'm live Tiger. 1008 00:44:56,680 --> 00:45:00,319 Speaker 2: I knew you would love that wall carpet. I mean, thick, rich, 1009 00:45:00,400 --> 00:45:02,040 Speaker 2: green shag carpet gone. 1010 00:45:01,880 --> 00:45:02,680 Speaker 4: Halfway up the wall. 1011 00:45:02,760 --> 00:45:06,600 Speaker 3: All these tropical plants and it's the South mustiness in 1012 00:45:06,640 --> 00:45:08,520 Speaker 3: that carpet jungle room. 1013 00:45:09,440 --> 00:45:10,759 Speaker 2: Also, by the way, they went to one of your 1014 00:45:10,760 --> 00:45:15,840 Speaker 2: favorite spots, peer One Import. They bought up some chairs, 1015 00:45:15,840 --> 00:45:18,239 Speaker 2: not just any chairs, these chairs had fake fur on them. 1016 00:45:18,280 --> 00:45:20,839 Speaker 2: They were fake fur chairs chairs. They went fog while 1017 00:45:20,880 --> 00:45:23,400 Speaker 2: and peer one import. It's all wicker, odd furniture. 1018 00:45:23,120 --> 00:45:24,719 Speaker 4: So much wicker, so many campbells. 1019 00:45:24,760 --> 00:45:27,080 Speaker 2: Now, what colors do you think he decorated his bedroom 1020 00:45:27,560 --> 00:45:31,600 Speaker 2: black and white, red and black with touches of gold. Oh, 1021 00:45:31,719 --> 00:45:33,520 Speaker 2: the dining room living and what colors are those? 1022 00:45:34,160 --> 00:45:34,680 Speaker 4: Uh? 1023 00:45:34,880 --> 00:45:40,239 Speaker 2: Blue, red and black with touches, with huge, oversized high 1024 00:45:40,239 --> 00:45:42,640 Speaker 2: backed chairs like you were just dining with bales above. 1025 00:45:43,200 --> 00:45:44,600 Speaker 2: Elvis was a bit of a goth in case you 1026 00:45:44,640 --> 00:45:47,960 Speaker 2: didn't know that now, as the decorator Linda Thompson remembered, quote, 1027 00:45:48,120 --> 00:45:51,319 Speaker 2: everything was exaggerated over the top. It looked like a bordello. 1028 00:45:51,480 --> 00:45:53,239 Speaker 2: It truly did. It wouldn't have been my taste, but 1029 00:45:53,239 --> 00:45:55,719 Speaker 2: it was totally all this. Now, Elizabeth, I'd like you 1030 00:45:55,719 --> 00:45:58,000 Speaker 2: to imagine what the pool room looked like, where Elvis 1031 00:45:58,000 --> 00:46:00,919 Speaker 2: and the Memphis Mafia would hang out table or yeah, 1032 00:46:01,560 --> 00:46:03,600 Speaker 2: pool table and they'd shoot pool and not drink. 1033 00:46:03,640 --> 00:46:06,200 Speaker 4: I think it was red black with touches of gold. 1034 00:46:06,440 --> 00:46:09,840 Speaker 2: No, it had a tent like feel, got the circus 1035 00:46:09,880 --> 00:46:12,080 Speaker 2: tent like, Yeah, you had like fabric going up to 1036 00:46:12,120 --> 00:46:12,480 Speaker 2: a point. 1037 00:46:12,640 --> 00:46:14,760 Speaker 4: Oh and I'm sure that was awesome. 1038 00:46:14,520 --> 00:46:16,239 Speaker 2: Right, Yeah, And then there was the TV room that 1039 00:46:16,320 --> 00:46:18,640 Speaker 2: had all the wall of TVs so that way one 1040 00:46:18,640 --> 00:46:21,560 Speaker 2: could watch CBS, NBC, and ABC all at the same time. 1041 00:46:21,840 --> 00:46:24,600 Speaker 2: Because remember there's only like so many five channels. You 1042 00:46:24,640 --> 00:46:28,040 Speaker 2: got that PBS and a uh chef channel. So yeah, 1043 00:46:28,080 --> 00:46:30,000 Speaker 2: so if unless you wanted to watch my mother the car, 1044 00:46:30,040 --> 00:46:32,640 Speaker 2: he was probably watching NBC. Now in this TV room, 1045 00:46:32,680 --> 00:46:36,400 Speaker 2: Elvis also had design touches like quote, lightning bolts zinging 1046 00:46:36,440 --> 00:46:39,080 Speaker 2: through the clouds on the back wall. Elvis apparently also 1047 00:46:39,160 --> 00:46:41,520 Speaker 2: quote wanted mirrors on the ceiling to make the room 1048 00:46:41,560 --> 00:46:45,279 Speaker 2: appear higher and more open, and she also bought him 1049 00:46:45,320 --> 00:46:48,640 Speaker 2: ceramic monkeys to just place around wherever he thought ceramic 1050 00:46:48,680 --> 00:46:49,319 Speaker 2: monkey should go. 1051 00:46:49,480 --> 00:46:53,960 Speaker 3: Mirrors on the ceilings, ceramic monkeys, clouds with lightning bolts 1052 00:46:53,960 --> 00:46:54,920 Speaker 3: coming out of them on the. 1053 00:46:54,840 --> 00:46:56,760 Speaker 2: Back carpet on the walls. 1054 00:46:56,960 --> 00:46:57,520 Speaker 4: Oh my god. 1055 00:46:57,600 --> 00:47:00,560 Speaker 2: Yeah. So sadly much of this design work was time 1056 00:47:01,680 --> 00:47:03,960 Speaker 2: in the living rooms and the dining room. They were 1057 00:47:03,960 --> 00:47:06,239 Speaker 2: repainted white like his mother preferred them, because his mother 1058 00:47:06,280 --> 00:47:08,080 Speaker 2: and father lived with him when he first got the house. 1059 00:47:08,400 --> 00:47:10,000 Speaker 2: Then they tried to slow this down, and then when 1060 00:47:10,000 --> 00:47:11,680 Speaker 2: they like passed away, and he's like, all right, red 1061 00:47:11,680 --> 00:47:15,239 Speaker 2: and black walls, sorry, daddy. Now the jungle room boat, though, 1062 00:47:15,280 --> 00:47:19,400 Speaker 2: has remained unchanged. So when we go to Graceland. 1063 00:47:18,880 --> 00:47:20,480 Speaker 4: Yeah, we should have recorded the first. 1064 00:47:20,400 --> 00:47:23,480 Speaker 2: Thing going to Jungle Room, just as Elvis intended it. Now, 1065 00:47:23,520 --> 00:47:26,360 Speaker 2: Elvias says, you probably may know, don't know, I don't know. 1066 00:47:26,600 --> 00:47:29,600 Speaker 2: Died on August sixteenth, nineteen seventy seven. Yeah, Elvis is 1067 00:47:29,600 --> 00:47:32,640 Speaker 2: no longer with us. Elizabeth, he was, however old somebody 1068 00:47:32,640 --> 00:47:36,120 Speaker 2: would be when they died nineteen seventy seven. I don't 1069 00:47:36,160 --> 00:47:41,040 Speaker 2: know what he was. I could pro he's in his forties. 1070 00:47:41,080 --> 00:47:43,239 Speaker 4: He was between fifteen eighty six. 1071 00:47:43,280 --> 00:47:44,920 Speaker 2: I think he's in his early forties. I don't I 1072 00:47:44,960 --> 00:47:45,520 Speaker 2: don't quite know. 1073 00:47:45,800 --> 00:47:48,879 Speaker 4: He was more than five and less than one hundred. 1074 00:47:49,000 --> 00:47:52,080 Speaker 2: Yeah, I mean he's like in his early twenties. Stories, 1075 00:47:52,280 --> 00:47:55,320 Speaker 2: so yeah, he's in his mid forties. So anyway, quite famously, 1076 00:47:55,320 --> 00:47:58,279 Speaker 2: he died on the toilet. Five years later, Graceland opened 1077 00:47:58,320 --> 00:48:00,640 Speaker 2: to the public as a museum. Why would they do 1078 00:48:00,719 --> 00:48:03,719 Speaker 2: that because the house now belonged to Priscilla, and she 1079 00:48:03,840 --> 00:48:05,960 Speaker 2: was the heir when Elvis passed. Yeah, and she was 1080 00:48:06,080 --> 00:48:09,200 Speaker 2: also the daughter Lisa Marie and so when Elvis died, 1081 00:48:09,239 --> 00:48:11,200 Speaker 2: he left them with a half million dollar a year 1082 00:48:11,320 --> 00:48:13,879 Speaker 2: bill for the taxes and the maintenance of the home. 1083 00:48:14,320 --> 00:48:16,520 Speaker 2: They're like, I'm not getting it on stage, and so 1084 00:48:16,680 --> 00:48:18,839 Speaker 2: I'm not Elvis. I don't have a comeback special. So 1085 00:48:18,880 --> 00:48:20,759 Speaker 2: they opened the doors of the public. They said, come 1086 00:48:20,800 --> 00:48:22,640 Speaker 2: on in, look at it. Give me five dollars. So 1087 00:48:22,800 --> 00:48:25,480 Speaker 2: visitors they go crazy and they go there. They told 1088 00:48:25,520 --> 00:48:28,040 Speaker 2: you by the millions, right, and then didn't they start 1089 00:48:28,080 --> 00:48:30,600 Speaker 2: adding attractions they had like they had lost things over 1090 00:48:30,640 --> 00:48:33,600 Speaker 2: the years. So like apparently some of the had family jets. 1091 00:48:33,719 --> 00:48:35,719 Speaker 2: I don't know what that means, jets. They had their 1092 00:48:35,760 --> 00:48:38,120 Speaker 2: own jets, like the Elvis Presley family owned a jet. 1093 00:48:38,360 --> 00:48:40,279 Speaker 2: They didn't say it was Elvis's jets, like a family jet, 1094 00:48:40,360 --> 00:48:43,040 Speaker 2: because there was one. Elvis's personal jet was called the 1095 00:48:43,080 --> 00:48:45,360 Speaker 2: Lisa Marie, named after his daughter. And then there was 1096 00:48:45,400 --> 00:48:48,000 Speaker 2: his other plane, the hound Dog two, right, which I 1097 00:48:48,040 --> 00:48:49,520 Speaker 2: have to assume as a play on Air Force one, 1098 00:48:49,600 --> 00:48:52,640 Speaker 2: Like I was like, well, nick'son era right. So according 1099 00:48:52,680 --> 00:48:56,279 Speaker 2: to the official Graceland website, the next major development was 1100 00:48:56,320 --> 00:48:59,279 Speaker 2: the purchase of an existing nearby hotel property, renovating it 1101 00:48:59,320 --> 00:49:02,680 Speaker 2: and renaming it Elvis Presley's Heartbreak Hotel. Oh god, yeah, 1102 00:49:02,760 --> 00:49:04,880 Speaker 2: Heartbreak Hotel. Thought you liked that one because you have 1103 00:49:04,880 --> 00:49:08,000 Speaker 2: to have a heartbreak hotel. But then the Elvis fans 1104 00:49:08,040 --> 00:49:10,239 Speaker 2: were forced to find a new place to go when 1105 00:49:10,239 --> 00:49:14,440 Speaker 2: the Heartbreak Hotel shut its doors in twenty sixteen. So now, 1106 00:49:14,440 --> 00:49:16,680 Speaker 2: at first, after Elvis passed his father, who's in charge 1107 00:49:16,680 --> 00:49:17,600 Speaker 2: of Graceland Vernon? 1108 00:49:17,680 --> 00:49:17,799 Speaker 8: Right? 1109 00:49:17,960 --> 00:49:18,160 Speaker 4: Yeah? 1110 00:49:18,160 --> 00:49:20,640 Speaker 2: Then it was Priscilla, And then when Lisa Marie turned 1111 00:49:20,680 --> 00:49:24,400 Speaker 2: twenty five, she inherits Graceland. And then after Lisa Marie 1112 00:49:24,920 --> 00:49:28,000 Speaker 2: passes away in twenty twenty three, the Presley family home 1113 00:49:28,080 --> 00:49:31,319 Speaker 2: now gets left to her daughter, Riley Keo, who's now 1114 00:49:31,360 --> 00:49:34,520 Speaker 2: the current owner of Graceland. And almost as soon as 1115 00:49:34,520 --> 00:49:36,320 Speaker 2: that poor girl in harted grace Land, along came a 1116 00:49:36,360 --> 00:49:39,239 Speaker 2: scammer to try to steal it away from her. Oh no, yeah, 1117 00:49:39,239 --> 00:49:41,600 Speaker 2: the story goes. The court document gets filed on behalf 1118 00:49:41,640 --> 00:49:45,560 Speaker 2: of Nausony Investments. The company claims that they are holding 1119 00:49:45,600 --> 00:49:48,640 Speaker 2: a loan dating back to twenty eighteen. The loan is 1120 00:49:48,680 --> 00:49:51,920 Speaker 2: the amount of three point eight million dollars. They say 1121 00:49:52,040 --> 00:49:55,160 Speaker 2: the loan is from Lisa Marie Presley, her mother. Now 1122 00:49:55,160 --> 00:49:57,799 Speaker 2: when fifty four year old Lisa Marie Presley passed away 1123 00:49:57,880 --> 00:50:00,440 Speaker 2: in January of twenty twenty three. Hard document claim she 1124 00:50:00,560 --> 00:50:03,560 Speaker 2: left behind the sizeable debt right, specifically the three point 1125 00:50:03,560 --> 00:50:06,320 Speaker 2: eight million dollars. Yeah, and since Lisa Marie had failed 1126 00:50:06,320 --> 00:50:08,959 Speaker 2: to pay the loan, the plaintiff claimed in their court 1127 00:50:09,000 --> 00:50:11,480 Speaker 2: documents that Lisa Marie had put up Graceland as collateral 1128 00:50:11,520 --> 00:50:14,080 Speaker 2: the whole thing. Yeah, So now the plaintiff wants to 1129 00:50:14,239 --> 00:50:18,080 Speaker 2: legally claim what's rightfully theirs, namely Graceland. So they file paperwork, 1130 00:50:18,160 --> 00:50:21,200 Speaker 2: the court honors it and starts to process like the 1131 00:50:21,239 --> 00:50:25,160 Speaker 2: transfer of Graceland the new owner, Elvis's granddaughter, Riley Cooe. 1132 00:50:25,360 --> 00:50:27,279 Speaker 2: Here's about this because it gets like updates and then 1133 00:50:27,320 --> 00:50:30,000 Speaker 2: has to go into court to fight these claims. Yeah, 1134 00:50:30,080 --> 00:50:33,400 Speaker 2: the foreclosure is granted at first, as I said, right, 1135 00:50:33,480 --> 00:50:34,840 Speaker 2: they start foreclosing. 1136 00:50:34,360 --> 00:50:36,360 Speaker 4: Out, you're gonna auction it on the courthouse stead. 1137 00:50:36,200 --> 00:50:39,440 Speaker 2: They're gonna sell Graceland, do whatever, right Keo's lawyers, they 1138 00:50:39,520 --> 00:50:42,879 Speaker 2: argue in a Tennessee court, this is Elvis's granddaughter. That 1139 00:50:42,920 --> 00:50:46,240 Speaker 2: loan paperwork was fraudulent. Her mother, Lisa Marie, never signed 1140 00:50:46,239 --> 00:50:50,000 Speaker 2: this paperwork. Oh, this is clearly not her signature. Here's 1141 00:50:50,040 --> 00:50:52,520 Speaker 2: what her signature looks like. Here's another example. Does that 1142 00:50:52,560 --> 00:50:55,480 Speaker 2: look like it? The judge's like, oh, you make good points. 1143 00:50:56,239 --> 00:50:59,360 Speaker 2: So the mother's signature was designated to be faked, clearly forged. 1144 00:50:59,400 --> 00:51:01,680 Speaker 2: So what happened now, well, they stopped the foreclosure of 1145 00:51:01,719 --> 00:51:05,800 Speaker 2: Graceland obviously, right yeah. So then the court investigates Keo's claims, 1146 00:51:05,880 --> 00:51:07,839 Speaker 2: you know, and they go, okay, let's let's look into this. 1147 00:51:07,880 --> 00:51:11,360 Speaker 2: And at this point the scams averted. The ring leader emerges, 1148 00:51:11,400 --> 00:51:15,359 Speaker 2: they get discovered and it's this guy from behind Nauseny Investments, right. 1149 00:51:15,440 --> 00:51:18,480 Speaker 2: So his name is Gregory Nauseny and Elizabeth. He was 1150 00:51:18,480 --> 00:51:19,760 Speaker 2: a Nigerian scammer. 1151 00:51:20,360 --> 00:51:23,120 Speaker 4: Oh no way, Oh that's so good. 1152 00:51:23,400 --> 00:51:25,799 Speaker 2: He sent emails bragging boasting about how he and his 1153 00:51:25,880 --> 00:51:29,520 Speaker 2: gang of fellow Nigerian scammers almost pulled off the impossible 1154 00:51:29,560 --> 00:51:33,520 Speaker 2: stealing Graceland, which is some paperwork. As Gregoradion Nauseny boasted 1155 00:51:33,560 --> 00:51:35,759 Speaker 2: in his email, we sit back and laugh at you 1156 00:51:35,880 --> 00:51:38,680 Speaker 2: idiots and watch you make fools of yourself. Come find 1157 00:51:38,760 --> 00:51:41,560 Speaker 2: us in Nigeria. So that was a tall order, right, 1158 00:51:41,600 --> 00:51:44,000 Speaker 2: good luck with that, and even more impossible than stealing 1159 00:51:44,040 --> 00:51:46,160 Speaker 2: Graceland with just some paperwork. By the way, Yeah, his 1160 00:51:46,200 --> 00:51:49,000 Speaker 2: email had all these like grammatical errors one would expect 1161 00:51:49,040 --> 00:51:52,000 Speaker 2: from a Nigerian scammer. But turns out, Elizabeth, that was 1162 00:51:52,040 --> 00:51:55,440 Speaker 2: on purpose, because you see, the Nigerian scammer, Gregory Naseny 1163 00:51:55,600 --> 00:51:56,840 Speaker 2: was also a fraud. 1164 00:51:57,480 --> 00:51:58,520 Speaker 4: Wait, what a fake? 1165 00:51:58,600 --> 00:52:01,560 Speaker 2: A mask for an American gammer to wear, and because 1166 00:52:01,840 --> 00:52:03,680 Speaker 2: just like how you leapt to believe it was a 1167 00:52:03,760 --> 00:52:07,319 Speaker 2: Nigerian scammer, everybody else you told me, I know, that's what, 1168 00:52:07,400 --> 00:52:10,200 Speaker 2: that's all. That's all anybody ever does they go, hey, 1169 00:52:10,320 --> 00:52:12,040 Speaker 2: this guy he told me this thing, or that guy 1170 00:52:12,080 --> 00:52:15,560 Speaker 2: lives there. It's called lying, Elizabeth, What you then choose 1171 00:52:15,560 --> 00:52:18,200 Speaker 2: to believe the lie based on the gulbibility of you 1172 00:52:18,480 --> 00:52:21,440 Speaker 2: or the culpability of my life sounding real and like 1173 00:52:21,480 --> 00:52:25,440 Speaker 2: what weight it can carry? Anyway, The emails, the court documents, 1174 00:52:25,440 --> 00:52:27,280 Speaker 2: they all get traced back to a woman named Lisa 1175 00:52:27,360 --> 00:52:31,399 Speaker 2: Janine Finley. Was she some secret Elvis daughter trying to 1176 00:52:31,440 --> 00:52:34,680 Speaker 2: finiss her way into the inheritance? No, nope, nope, nope. 1177 00:52:34,880 --> 00:52:38,280 Speaker 2: She was just a great I know, guys, it should 1178 00:52:38,320 --> 00:52:41,600 Speaker 2: be should be definitely skeptical of this one. She was 1179 00:52:41,640 --> 00:52:45,920 Speaker 2: a grade eight uncut American scammer. Elizabeth homegrown fifty three 1180 00:52:46,000 --> 00:52:49,000 Speaker 2: year old fraudster was a woman with six aliases known 1181 00:52:49,080 --> 00:52:54,640 Speaker 2: as Carolyn Williams, Kisa Holden, Lisa Janine soulland Gregory Nawsony 1182 00:52:54,800 --> 00:52:58,239 Speaker 2: and Kurt Nawseny. She was not from Nigeria, she was 1183 00:52:58,280 --> 00:53:02,800 Speaker 2: from Missouri. Her rap sheet was impressive, Elizabeth. She was 1184 00:53:02,880 --> 00:53:05,480 Speaker 2: no criminal spring chicken this one. She had busts for fraud, 1185 00:53:05,680 --> 00:53:09,360 Speaker 2: forged checks, scams going back decades decades. Frederic grand Jury 1186 00:53:09,480 --> 00:53:11,960 Speaker 2: easily persuaded to bring charges against her. They're like, just 1187 00:53:12,000 --> 00:53:15,040 Speaker 2: where do we sign I got? I wanted my parking validated? 1188 00:53:15,120 --> 00:53:18,080 Speaker 4: Now this was to be her magnum opens. 1189 00:53:17,840 --> 00:53:21,200 Speaker 2: Totally, really was she got real close if the lawyers 1190 00:53:21,239 --> 00:53:23,440 Speaker 2: have been a little slower, or if the news headlines 1191 00:53:23,440 --> 00:53:26,160 Speaker 2: hadn't bust broken because people notice the court documents and 1192 00:53:26,200 --> 00:53:29,440 Speaker 2: the news is really what broke out anyway. Former roommates 1193 00:53:29,440 --> 00:53:32,320 Speaker 2: testified about how old Lisa Jeanine had bragged them about 1194 00:53:32,320 --> 00:53:35,040 Speaker 2: her plans to foreclose on Graceland and steal it with 1195 00:53:35,120 --> 00:53:37,000 Speaker 2: just a stroke of a pen and a judge's gavel. 1196 00:53:37,080 --> 00:53:41,000 Speaker 4: And then Lisa Janine is actually of cover for someone up. 1197 00:53:42,440 --> 00:53:44,400 Speaker 2: No, she was. Really she's the one because she was 1198 00:53:44,480 --> 00:53:47,920 Speaker 2: arrested charged with aggravated identity theft and mail fraud. Ooh, 1199 00:53:48,040 --> 00:53:48,520 Speaker 2: mail fraud. 1200 00:53:48,560 --> 00:53:50,160 Speaker 4: That's a tough one to every. 1201 00:53:50,040 --> 00:53:51,960 Speaker 2: Mail fraud telling it's a banker, because you'll get twenty 1202 00:53:52,080 --> 00:53:55,400 Speaker 2: years for each charge. Each single incident is a charge. 1203 00:53:56,239 --> 00:53:59,000 Speaker 2: So family, she's convicted, and if she gets convicted, she's 1204 00:53:59,080 --> 00:54:01,640 Speaker 2: right now in federal corre. The conviction rate is about 1205 00:54:01,719 --> 00:54:06,960 Speaker 2: ninety eight percent. Get invested anyway. The expected sentence is 1206 00:54:06,960 --> 00:54:11,880 Speaker 2: a maximum of twenty years. All her an attempt to steal, Well, 1207 00:54:12,200 --> 00:54:14,040 Speaker 2: that's what that's what What are you in here for? 1208 00:54:14,080 --> 00:54:16,400 Speaker 2: I tried to steal Elvis's house? Seriously, what are you 1209 00:54:16,440 --> 00:54:20,960 Speaker 2: in here for? I tried to steal Graceland White two 1210 00:54:20,960 --> 00:54:22,879 Speaker 2: copies of the album. How many copies of the album 1211 00:54:22,880 --> 00:54:25,720 Speaker 2: do you try to No? I tried to steal Graceland anyway, 1212 00:54:25,719 --> 00:54:27,320 Speaker 2: it was already take away here, Elizabeth. 1213 00:54:27,360 --> 00:54:28,759 Speaker 4: I don't steal Graceland, right. 1214 00:54:28,920 --> 00:54:31,480 Speaker 2: That's if you do only steal the album, it's much 1215 00:54:31,480 --> 00:54:33,880 Speaker 2: easier to get away with and the punishment is much less. 1216 00:54:34,080 --> 00:54:37,640 Speaker 3: You hear about people stealing homes and where they kind 1217 00:54:37,640 --> 00:54:41,080 Speaker 3: of get was get someone to sign over like McCart. 1218 00:54:41,040 --> 00:54:42,480 Speaker 2: I told you a story of the guys stealing home. 1219 00:54:42,560 --> 00:54:44,520 Speaker 4: Yeah, yeah, but this that's that's but. 1220 00:54:44,480 --> 00:54:47,600 Speaker 2: They were yeah, they were abandon not abandon but you 1221 00:54:47,680 --> 00:54:50,920 Speaker 2: know under like those they are vacated homes, right, nobody 1222 00:54:51,160 --> 00:54:51,680 Speaker 2: living in the home. 1223 00:54:51,840 --> 00:54:54,439 Speaker 4: Do it like out from under like an elder. 1224 00:54:54,520 --> 00:54:56,960 Speaker 2: Families completely, But you're not going to do it through 1225 00:54:57,080 --> 00:54:59,759 Speaker 2: like you know Elvis's granddaughter and his legal team. Yeah 1226 00:55:00,000 --> 00:55:01,080 Speaker 2: oh wow yeah, so. 1227 00:55:01,239 --> 00:55:03,800 Speaker 4: Uh that's your ridiculous takeaway. 1228 00:55:03,600 --> 00:55:05,480 Speaker 2: The fact I was able to scam you so quickly 1229 00:55:05,520 --> 00:55:10,719 Speaker 2: with a Nigerian woo, that's my ridiculous a right, good 1230 00:55:10,719 --> 00:55:12,320 Speaker 2: for you in the move for talk about just to 1231 00:55:12,360 --> 00:55:27,480 Speaker 2: clear the palate, get some of that feeling. Yes, oh god, Hello. 1232 00:55:27,320 --> 00:55:30,200 Speaker 8: Elizabeth and Zaren. This is Vanessa in Texas. And you 1233 00:55:30,239 --> 00:55:34,359 Speaker 8: know what's ridiculous the idea that nobody has yet made 1234 00:55:34,480 --> 00:55:39,240 Speaker 8: the animated version of Mob Barker Gang Adventures as envisioned 1235 00:55:39,280 --> 00:55:42,839 Speaker 8: by young Zaren, with characters such as Joe Beagle, Al 1236 00:55:42,960 --> 00:55:48,080 Speaker 8: the Bone, Braby's Face, Nelson Machine, and Jay Edgar Rover. 1237 00:55:49,000 --> 00:55:51,880 Speaker 8: Is somebody out there who can make it? As listening, please. 1238 00:55:51,560 --> 00:55:52,360 Speaker 3: Make this happen. 1239 00:55:53,200 --> 00:55:58,439 Speaker 4: It is genius. I love that this is so good. 1240 00:55:58,640 --> 00:56:01,239 Speaker 2: I also gotta say I missed a talk that was uh. 1241 00:56:01,840 --> 00:56:05,279 Speaker 2: They had the talkback where the guy did specifically for 1242 00:56:05,320 --> 00:56:06,839 Speaker 2: me and I wasn't here, and I said, I wanted 1243 00:56:06,840 --> 00:56:09,919 Speaker 2: to say that was dope. I listened on the road. 1244 00:56:10,200 --> 00:56:13,760 Speaker 2: I was like, y'all killing it. So yeah, I've always 1245 00:56:14,000 --> 00:56:17,080 Speaker 2: thank you for listening, and we will catch you next crime. 1246 00:56:17,239 --> 00:56:20,040 Speaker 2: And until then, you can find us online at Ridiculous 1247 00:56:20,040 --> 00:56:23,840 Speaker 2: Crime on social media's and the website ridiculous Crime dot coms. 1248 00:56:24,360 --> 00:56:26,880 Speaker 2: And we love your talkbacks obviously, so please go to 1249 00:56:26,880 --> 00:56:29,680 Speaker 2: the iHeart app downloaded, leave a talkback and maybe we'll 1250 00:56:29,680 --> 00:56:32,000 Speaker 2: hear your voice here, or you can go old school. 1251 00:56:32,040 --> 00:56:34,040 Speaker 2: You can email us if you like a Ridiculous Crime 1252 00:56:34,120 --> 00:56:37,560 Speaker 2: at gmail dot com and please write dear producer d 1253 00:56:38,400 --> 00:56:40,760 Speaker 2: all right, thanks again for listening. We'll catch you next crime. 1254 00:56:45,960 --> 00:56:49,680 Speaker 2: Ridiculous Crime is hosted by Elizabeth Dutton Fans and I'm 1255 00:56:49,719 --> 00:56:53,520 Speaker 2: produced and edited by Elvis Presley's plant guy Dave Kustin 1256 00:56:53,880 --> 00:56:57,520 Speaker 2: and starring Anaalice Rutger as Judith. Research is by Elvis 1257 00:56:57,560 --> 00:57:01,240 Speaker 2: impersonators to the Stars MRSA Brown and Andrea Song Sharpened 1258 00:57:01,280 --> 00:57:04,239 Speaker 2: to You. Our theme song is by Thomas Elves, the 1259 00:57:04,320 --> 00:57:08,400 Speaker 2: Mexican Elvis Lee, and Travis I don't really like Elvis Dutton. 1260 00:57:08,719 --> 00:57:12,280 Speaker 2: The host wardrobe provided by Body five hundred, Guest Harry, 1261 00:57:12,360 --> 00:57:16,440 Speaker 2: makeup by Sparkle Shot and mister Andre. Executive producers are 1262 00:57:16,480 --> 00:57:20,520 Speaker 2: Ben Robert Goulay was Innocent Bowlin and Noel So was 1263 00:57:20,560 --> 00:57:22,000 Speaker 2: Meltourmet Brown. 1264 00:57:28,960 --> 00:57:32,320 Speaker 4: Crime Say It One More Time, Geek. 1265 00:57:32,400 --> 00:57:37,160 Speaker 1: Cry Ridiculous Crime is a production of iHeartRadio four more podcasts. 1266 00:57:37,280 --> 00:57:40,440 Speaker 1: My heart Radio, visit the iHeartRadio app, Apple Podcasts, or 1267 00:57:40,440 --> 00:57:42,240 Speaker 1: wherever you listen to your favorite shows.