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Speaker 1: I was me and Scott Peterson and the innocent man.

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Speaker 2: Yes, we were at the World Series and we're the umpires.

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Speaker 1: Uh, and I'm behind the player.

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Speaker 2: We're switching off who does behind the plate, and the

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Speaker 2: ball's coming in and every time from a throw yes

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Speaker 2: the guy Okay, so the thrower is shooting it in.

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Speaker 3: Yeah, okay, yeah, I'm just trying to picture exactly. So

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Speaker 3: you're standing behind the guy who gets.

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Speaker 2: It, behind a guy who kind of looks like me.

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Speaker 2: He's kind of dressing like me. Yes, that's right, and

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Speaker 2: the throwers shooting it at that guy. He's sort of

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Speaker 2: so there's like ump ump junior. Yes, you know, kind

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Speaker 2: of crouched down.

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Speaker 1: He's like kid.

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Speaker 4: Yeah.

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Speaker 1: And then there's the sort of mean guy with the club.

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Speaker 2: Yes, and he's he's threatening to hit somebody with his

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Speaker 2: club and you do what he says. Yes, And so

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Speaker 2: the ball's coming in and if the club man doesn't swing,

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Speaker 2: I say, I can hit that, and then so it's

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Speaker 2: a it's a strike if I could hit it at

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Speaker 2: a strike, and a lot of times he's like, you

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Speaker 2: can hit that. It's a huge disadvantage if it's like

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Speaker 2: ground or something.

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Speaker 3: Your hand eye coordination is like freaking last Starfighter level,

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Speaker 3: you know what I mean, where you're actually the next

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Speaker 3: step in human evolution in terms of your fast twitch muscles.

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Speaker 1: Yeah, I'm like future man.

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Speaker 2: You remind me a lot of future man Josh Hutcherson.

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Speaker 2: And so I say, well, give me the thing, and

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Speaker 2: he has to give me his club and I'm smashing it.

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Speaker 2: I say do that again to the thrower and he

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Speaker 2: does it, and I'm smashing it, and I say, Okay,

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Speaker 2: now I get to peg you in the ass. So

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Speaker 2: he's got to get hands up against the wall, back turned,

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Speaker 2: no looking, don't turn around and look. You don't get

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Speaker 2: to know what it is. He's trying to look. And

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Speaker 2: I'm like, well, like you're gonna catch it. Yeah, you

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Speaker 2: get two if you turn around, you get two pegs

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Speaker 2: in the ass.

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Speaker 1: Yeah.

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Speaker 2: And every time I peg him, it's an hour and

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Speaker 2: I get to keep doing it. Oh no, So then

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Speaker 2: what happened? The game ended really fast? Uh so many outs. Hey,

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Speaker 2: welcome to Hollywood Handbook and Insider's got to kick a

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Speaker 2: your gut, dropping names in.

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Speaker 3: The red carpet line back hallway, redless industry we call.

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Speaker 1: Show At least we used to. I don't even know

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Speaker 1: what we call it. What Welcome to Lou? Mmm? Hello,

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Speaker 1: hey Lou, Lou Willson.

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Speaker 2: Now, Lou, why don't you just say who you are

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Speaker 2: for a second and say why you think you're here?

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Speaker 4: Uh? Okay, I'm Lou Wilson.

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Speaker 5: I'm an actor, improvisor, an occasional writer. I've started on

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Speaker 5: such shows as TBS is the guest book in Netflix's

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Speaker 5: American Band. I even said one line on an episode

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Speaker 5: of IFC's comedy Bang Bang.

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Speaker 4: Uh.

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Speaker 1: You know it was a line.

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Speaker 5: It was, well, you are wearing clothing of the modern era,

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Speaker 5: so here you go.

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Speaker 4: And I sold Scott.

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Speaker 1: Scott gave you that one.

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Speaker 4: Yep, I sold him a bunch of batteries. It was

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Speaker 4: a real dream.

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Speaker 1: Uh.

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Speaker 4: And my first ever television role.

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Speaker 2: Wow when that launched you into all all of this?

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Speaker 5: And now I'm here on Hollywood Handbook to talk about uh,

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Speaker 5: slick hands and fast moves in this big, bright city.

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Speaker 2: I will say Scott usually likes to keep the good

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Speaker 2: stuff for himself, so he must have really seen something.

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Speaker 2: And you know, he'll go through the script and if

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Speaker 2: it has if the line has another name on it,

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Speaker 2: he'll highlight it anyway, And and He's.

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Speaker 1: Like, you know, actually, I'm going to be doing that.

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Speaker 3: Well in a line like that, a laugh line that

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Speaker 3: is sort of star making. As we found out, that's

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Speaker 3: the sort of line Scott will sort of earmark and

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Speaker 3: say nobody else gets to say this, even if he

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Speaker 3: is playing the character who the line is said too.

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Speaker 3: He'll find a way around that. There's a lot of

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Speaker 3: camera tricks and stuff. He knows all these.

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Speaker 2: He can hand himself batteries. He's like, this would be

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Speaker 2: funnier this way if I'm doing it, Yeah, because it

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Speaker 2: does it make sense? Would I even need batteries from

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Speaker 2: this guy? Wouldn't I have my own batteries? And I'll

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Speaker 2: just say it to me, No, just pull them out

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Speaker 2: of my pocket. Yeah, wouldn't I know where the batteries

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Speaker 2: are already? He'll say, And then you'll go, okay, well

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Speaker 2: there's nothing I can do about this.

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Speaker 5: Yes, Well, you know, I who knows what I did

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Speaker 5: on that sweet Wednesday morning to prove to Scott Ackerman

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Speaker 5: that I was the one who should hand him the batteries.

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Speaker 5: But you know, I just ever since then, I've just

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Speaker 5: kept on steping, knowing that Scott Ackerman gave me a.

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Speaker 2: Line don't get don't get shy, you know, don't get nervous.

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Speaker 2: We're complimenting you. That's great that that happened.

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Speaker 3: It means that what happened was he saw you and

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Speaker 3: he went somehow this guy is so good and so

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Speaker 3: magnetic that I would forget that. I know where the

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Speaker 3: batteries are already and would be able to get them.

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Speaker 2: Myself because we think you're so good. We're really big thing. Honestly,

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Speaker 2: we wanted to have you on the show.

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Speaker 1: We honestly do love your stuff.

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Speaker 2: That is not the main reason we are talking to

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Speaker 2: you and we're having you here. Oh no, it's a trick.

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Speaker 1: So we.

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Speaker 2: Are engaged in a pretty extensive legal battle with I'm

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Speaker 2: back and forth, and we've decided to make it an

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Speaker 2: illegal battle by breaking the law to force their hand

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Speaker 2: a little bit.

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Speaker 1: Just to set the scene a little bit, Sean and

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Speaker 1: I received a DVD in the mail several months ago.

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Speaker 2: It was for the movie U five to seventy one. Okay,

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Speaker 2: we pop it in. We enjoy the movie.

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Speaker 1: I think we watch it. You wait, you're not sure

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Speaker 1: whether you enjoyed it.

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Speaker 3: Looking back, this was obviously several years ago. Yes, looking back,

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Speaker 3: I remember liking that the boat could go underwater, but

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Speaker 3: I remember also feeling.

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Speaker 2: A little claustrophobic throughout the film.

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Speaker 1: Yeah, and it seems like everyone will get wet if

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Speaker 1: you actually try to do it.

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Speaker 3: Seems dangerous and and having you know, I'm not the

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Speaker 3: most skilled sort of nautical genius, but I have gone

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Speaker 3: underwater and I got soaked.

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Speaker 2: And they end up so I don't know if you

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Speaker 2: end up seeing this, if you have seen this movie,

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Speaker 2: but they end up paying for doing this, like they suffer.

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Speaker 2: The message of the movie is like they shouldn't have

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Speaker 2: tried to go underwater.

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Speaker 4: Okay, well I haven't seen the movie, but that makes sense.

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Speaker 2: Yeah, because you've ever tried to do that, Well, don't

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Speaker 2: see it. Because here's the other thing. They've got windows

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Speaker 2: out of this underwater boat.

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Speaker 1: You can't have Aquaman go by.

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Speaker 2: Like like honestly, because I'm to watch a movie. They're

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Speaker 2: looking out the windows all the time and Aquaman never

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Speaker 2: you can't have just come You don't even have to

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Speaker 2: talk to him.

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Speaker 1: Yeah, he could just be doing something. I gonna come by.

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Speaker 1: Was a free willie?

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Speaker 5: Was there ever, like a big pod of like dolphins that,

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Speaker 5: like Aquaman could have been amongst or that.

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Speaker 2: He's disguised in the middle of the pod of dolphins.

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Speaker 4: Yeah, and like they're and that's how he like slips by.

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Speaker 2: He's using them as a disguise, So U five seventy

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Speaker 2: one doesn't see him, Lou.

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Speaker 3: I appreciate you challenging me in this way. Yeah, because

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Speaker 3: I'm so prepared.

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Speaker 2: I went frame by frame, no dolphin pod, no aquaman.

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Speaker 1: Free Willie wasn't there.

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Speaker 2: The music they were listening to wasn't.

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Speaker 3: Very good, and so I just went, like, one am

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Speaker 3: I actually like, give me, uh, you know, put some

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Speaker 3: beach boys on Little Deuce Coop and like, cause.

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Speaker 2: I'm I'm underwater, I'm in the ocean. I feel like

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Speaker 2: I'm at the beach. Like, give me something fun. Maybe

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Speaker 2: there's like a crazy cartoon dog running around, a snart

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Speaker 2: aquaman comes in, Yeah, a snow or a snork eater,

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Speaker 2: a snork eater eater, and uh and and and all

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Speaker 2: Star and Aki and Junior Daphne. They're all sort of

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Speaker 2: uh jitterbugging and uh doing their thing. And now if

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Speaker 2: you want to do this story about like the war

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Speaker 2: boat like trying to smash another whatever, you can do

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Speaker 2: that because you've got my attention, but don't try to

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Speaker 2: do the hard part first, like make it easy, grounded

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Speaker 2: in a world that I understand, and then you can

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Speaker 2: make these like take these big swing connect it, yeah,

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Speaker 2: connect it to my life, to movies, to.

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Speaker 5: The human experience. So they didn't try and do any

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Speaker 5: of those things. There's not even like a hint of

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Speaker 5: like a Caribbean rock band.

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Speaker 1: Or steel drum, no steel drought there was.

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Speaker 2: There was absolutely nothing that nineties kids would understand.

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Speaker 5: Did somebody at least bang on some pipes? I mean

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Speaker 5: there's plenty of pipes.

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Speaker 2: There's a pipe, would some that would make a different noise?

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Speaker 2: So intentionally they they never did that. There's a pipe

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Speaker 2: that's making a noise.

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Speaker 3: At one point, Yeah, but that they're concerned about. Yes,

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Speaker 3: it's not act No, there's no sort of rhythm to

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Speaker 3: it that you can't tap your foot.

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Speaker 1: So it was a very frustrating film. So we send

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Speaker 1: it back because we always send the movies back. This

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Speaker 1: is what you know.

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Speaker 2: And Netflix is asking us like whether or not we

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Speaker 2: actually send them back. We do, and we sent them

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Speaker 2: an email saying like hey, we just put it in

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Speaker 2: the mailbox today, and we like told them some of

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Speaker 2: our thoughts on it, and we're saying, please send us

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Speaker 2: our next movie, which is anywhere but here.

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Speaker 3: And by the way, Lou, I used to do the mail, you,

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Speaker 3: so I know how the mail, how the mail works.

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Speaker 2: I know how the mail does. I used to do

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Speaker 2: the mail.

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Speaker 4: We all have done the mail.

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Speaker 1: I started in the mail.

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Speaker 4: We all start in the mail room. That's how you

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Speaker 4: get anywhere. Yeah.

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Speaker 1: I started.

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Speaker 3: Actually, I started in the men's room, which.

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Speaker 1: Was a mail room of the room.

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Speaker 3: I was a bathroom attendant, and somebody saw something in

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Speaker 3: me much like Scott Ackerman did with you, and was like, this.

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Speaker 1: Guy should work in the mail room. Then I did

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Speaker 1: the mail there.

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Speaker 4: Got it a classic, a classic hero's journey.

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Speaker 3: Then I got promoted. From there, I went to the

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Speaker 3: sort of gentleman's club that another mail room. Yeah, and

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Speaker 3: from there, obviously I was given a podcast.

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Speaker 1: Let me drink this hang on one second, let me

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Speaker 1: drink this murky water. So, wouldn't you know?

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Speaker 2: An email comes back and they said we never got

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Speaker 2: you five seventy one. This is Netflix saying though we

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Speaker 2: didn't get our movie, do I sound like the friggin sub.

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Speaker 1: A little bit?

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Speaker 2: That really sounds like it, whether it's going under I

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Speaker 2: like that part. So Netflix is mad, Yes, they're freaking out.

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Speaker 2: They're like obsessed with this movie. And it's like, okay,

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Speaker 2: it's like just one movies, not like freaking out. But

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Speaker 2: they're like, yeah, I think they're obsessed with us. Yes,

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Speaker 2: there's something because they always.

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Speaker 3: Do this emails, like I don't get this many emails

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Speaker 3: from my freaking girlfriend.

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Speaker 2: So it's been a lot of accusations that we are

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Speaker 2: just keeping the movies and we're ripping them and we're

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Speaker 2: like burning them onto cd rs for our friends. Mm hmmm,

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Speaker 2: us who like, we can go see the movies anytime

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Speaker 2: we want. We don't need to rip these, you know,

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Speaker 2: for like our for our friends.

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Speaker 3: I don't need to sit here and name all the

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Speaker 3: movies that I've seen. For you, Lou, you could kind

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Speaker 3: of tell that I've been through it. Yeah, But let

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Speaker 3: me just give you one example.

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Speaker 1: A man I mean that you know what I mean.

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Speaker 4: Yeah, tells me everything.

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Speaker 2: I mean everything, And if you yeah, they might not

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Speaker 2: even have and I know you don't doubt me, but

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Speaker 2: if someone out there does.

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Speaker 3: Aim was trying to steal the Hulk's last diet coke.

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Speaker 3: So just to prove that I've seen it. He's running

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Speaker 3: with it. He's very small, Yeah, basically catches him. What

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Speaker 3: they realize upon opening the diet coke is that at

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Speaker 3: his current size ant sized, just one drop of the

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Speaker 3: coke is probably gonna be enough for him, and then

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Speaker 3: the Hulk can kind of have the rest.

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Speaker 1: Yeah, he can. He can pound the pound the rest

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Speaker 1: of the I don't know. And we said all this

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Speaker 1: to Netflix. We said, so, actually, we've seen all the

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Speaker 1: movies we need to see.

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Speaker 2: We saw him and we described it to them over email,

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Speaker 2: and I think they hadn't even seen it because they

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Speaker 2: were kind of like, oh, we don't care. But it's like,

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Speaker 2: do you actually even know that this is a movie,

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Speaker 2: And it's like your job is to do these movies.

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Speaker 2: So they shut down our account. They says, too many

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Speaker 2: types that you've promised us that you were sending back

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Speaker 2: the DVDs and like lots of these are turning up

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Speaker 2: on the black market that had been ripped by uh

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Speaker 2: by the by the the brothers. Rip van Winkle is

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Speaker 2: what these like supposed movie pirates call themselves because they

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Speaker 2: rip all these movies.

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Speaker 1: It's funny name. I think the name is.

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Speaker 2: Much respect to the people that came up with that,

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Speaker 2: and the brothers rip van Winkle, it's not us. Yeah,

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Speaker 2: so they shut down our account. They took away something

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Speaker 2: that we care about. And they and and they actually.

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Speaker 3: Point blank accused us of being ripped torn and Jack

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Speaker 3: the Ripper, the two halves of brothers, the brothers Van Winkle,

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Speaker 3: and I was so offended and so mad, I was

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Speaker 3: about to go straight ant man on.

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Speaker 1: These guys and bust into their frigates.

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Speaker 2: They wouldn't even take the imagine something is just like

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Speaker 2: pulling their collar around that they can't even see in

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Speaker 2: their head is just like paw paw, but they don't

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Speaker 2: even they can't even see it.

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Speaker 5: Yeah, that's I mean, that would be uh, Netflix would

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Speaker 5: never be the same again.

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Speaker 3: It's like fighting the invisible man, but even worse because

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Speaker 3: the target's not large.

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Speaker 1: You can and you the.

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Speaker 2: Invisible man, you can throw paint on him. Oh yeah, yeah,

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Speaker 2: try throwing paint on it.

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Speaker 4: Man.

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Speaker 1: You gotta find him first.

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Speaker 2: So so that leads us to our current state where

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Speaker 2: they suspended our account.

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Speaker 1: They've impugned our good name.

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Speaker 2: They took something that we love, until we thought maybe

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Speaker 2: we could take something that they love. And that's you.

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Speaker 1: It's Lou Wilson, the star of American Vandal.

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Speaker 2: They had you do this big show, so proud of it,

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Speaker 2: and then where they thought, no one will be able

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Speaker 2: to capture one of our main guys from the show

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Speaker 2: we liked.

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Speaker 4: Guys, I'm not I'm not the star.

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Speaker 5: I'm just a guy on American Van am I I'm

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Speaker 5: I'm not just a guest.

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Speaker 2: You guys don't want my We do. No, we do

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Speaker 2: want to hear about all that stuff.

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Speaker 1: We can talk about it because you're here already. But

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Speaker 1: you're here. We want all the Hollywood tips, but you.

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Speaker 2: The main reason is that for you to be used

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Speaker 2: as bait for the Netflix guys to come over here

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Speaker 2: so we can pound there.

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Speaker 4: As I mean, I don't know, I don't know how.

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Speaker 4: I mean.

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Speaker 5: I'm very excited to be on the podcast, but I'm

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Speaker 5: now very confused with regard to like my general well

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Speaker 5: being as a whole.

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Speaker 2: Oh sorry, We're not gonna do anything to you, but

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Speaker 2: we are gonna you are you can help us email

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Speaker 2: Netflix and we appreciate you being so helpful about this.

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Speaker 1: Thank you so much, and you can't leave.

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Speaker 4: Thank you.

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Speaker 1: We love you and we're in love with you.

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Speaker 4: You guys are being so pleasantly.

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Speaker 2: I love you and I'm in love with you.

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Speaker 4: Wow.

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Speaker 1: Well, how does it feel to hear that?

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Speaker 5: I mean, I'll tell you, I'm I'm on level eleven

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Speaker 5: out of twelve, and twelve is heaven.

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Speaker 1: Well let's let's well, let's let's bring you to twelve.

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Speaker 4: Please. Okay, I'm on, Brett, I'm on, uh.

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Speaker 1: Brett, Let's get him up to twelve. Please. He wants

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Speaker 1: to go to twelve, which is heaven.

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Speaker 2: You're mister heavenly, go ahead and you can jack me

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Speaker 2: up to level twelve.

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Speaker 6: How do you propose I do that?

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Speaker 1: Bright? You know what you have to do?

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Speaker 3: Looking at free time, tell them that you love them

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Speaker 3: and you're in love with all right, Lou, Yeah, I

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Speaker 3: have something to tell you.

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Speaker 4: Uh huh.

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Speaker 6: It's difficult for me always to express my feelings.

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Speaker 4: Of course, but that's what it means. More.

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Speaker 6: I'm just gonna go ahead and say it. Please, I

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Speaker 6: love you and I'm in love with you.

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Speaker 1: Oh man.

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Speaker 2: A little bit of a hitch in the second one,

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Speaker 2: but I think, yeah, the next time we'll just go

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Speaker 2: straight through. Yeah, we'll just have a smooth one one. Yeah, yeah, Okay, well,

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Speaker 2: I'm at level twelve now and that's yeah, and you

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Speaker 2: might not even want to go back to Netflix, but

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Speaker 2: you have to because yeah.

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Speaker 1: That's going to be part of the negotiation.

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Speaker 5: Yeah, okay, well I'm happy, you know what, I'm not

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Speaker 5: going to say, fuck Netflix, but let's let's let's let's

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Speaker 5: get you guys your account back, I.

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Speaker 2: Mean, right, and maybe they have to even admit that

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Speaker 2: we are not.

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Speaker 1: Check the ripper and ripped toward the rip Abako brothers

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Speaker 1: and the brother not that I know what the name, you.

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Speaker 2: Know, and that's a better name, and whoever came up

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Speaker 2: with it is pretty smart.

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Speaker 3: So yeah, they have to admit that we're not. That

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Speaker 3: they have to give us our account back because we

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Speaker 3: got to start shipping back and forth these DVDs. I mean,

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Speaker 3: this is what's so great about Netflix. Is here we are,

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Speaker 3: It's twenty seventeen, and all you have to do is

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Speaker 3: type in a thing and then they put it in

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Speaker 3: the mail, and then a few days later it gets

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Speaker 3: mailed to you in your mailbox. As somebody who used

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Speaker 3: to do the mail, I'm still sort of blown away

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Speaker 3: by the majesty of it all. Then you put it

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Speaker 3: in watch it don't.

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Speaker 1: Do anything else with it and then you mail it back.

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Speaker 2: Yeah, and their accusing this, like so this is the

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Speaker 2: only evidence they have is that once they said we

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Speaker 2: accidentally sent them back a ripped moviem signed by the

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Speaker 2: brothers ben Wing.

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Speaker 3: Which seems like they're may be framing us. Yes, yeah,

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Speaker 3: and so Netflix should be trying to help us, because

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Speaker 3: whoever these guys are the geniuses.

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Speaker 1: They have it in for me and Hayes. So yeah,

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Speaker 1: maybe like protect us a little bit.

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Speaker 5: No, I mean, of course, if there's one thing I

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Speaker 5: learned working on American Vandal, I mean, Netflix knows how

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Speaker 5: to spin a mystery. They know how to create a

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Speaker 5: tail that's fabricated on lies and sell it to the public.

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Speaker 2: So I would say, no plugs. By the way, this

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Speaker 2: is not I mean, you know, of course.

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Speaker 1: We want to talk to you, but you are you

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Speaker 1: are still Yeah, you're a pow.

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Speaker 3: I'm just like kind of frisoner of wicked awesome dudes.

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Speaker 5: I'm just trying to feel out the boundaries boundaries of

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Speaker 5: my like my like uh, entrapment, and I'm sure we'll

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Speaker 5: come to a happy medium.

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Speaker 2: Well, what we wanted to do, lou is sort of

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Speaker 2: draft an email the Netflix saying all the nefarious deeds

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Speaker 2: were gonna do to you if they don't kind of

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Speaker 2: meet our demands, and we want to make sure you're

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Speaker 2: comfortable with what we're saying.

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00:19:09,359 --> 00:19:10,960
Speaker 1: The atrocities were going to commit.

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Speaker 5: Cool cool, cool will be I mean, I'm terrified of

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Speaker 5: the word atrocities, but.

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Speaker 4: Terrors or horrors I could I could live with.

400
00:19:21,320 --> 00:19:23,879
Speaker 1: Oh, okay, let me use the word that you're comfortable with.

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00:19:24,720 --> 00:19:27,240
Speaker 4: Okay, I'm sorry. I didn't mean to push.

402
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Speaker 1: Look, Lou, I love you, I'm in love with you.

403
00:19:29,400 --> 00:19:29,800
Speaker 4: Huh.

404
00:19:29,840 --> 00:19:32,960
Speaker 3: But there's got to be a point where you stop

405
00:19:33,359 --> 00:19:38,400
Speaker 3: jerking me around, fall in line and do the program.

406
00:19:39,520 --> 00:19:41,400
Speaker 1: Greg, keep pull up computer please.

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00:19:41,880 --> 00:19:46,480
Speaker 6: Yes, Brett, do computer, computer.

408
00:19:47,480 --> 00:19:53,480
Speaker 2: And launch your email. No, actually this note okay, so

409
00:19:54,680 --> 00:19:59,080
Speaker 2: this is devious. We should write that, oh, Kevin, very

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00:19:59,119 --> 00:20:00,760
Speaker 2: scary to freemium.

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00:20:01,359 --> 00:20:05,600
Speaker 6: We should write that second I'm getting photos with your

412
00:20:05,640 --> 00:20:14,560
Speaker 6: phone before. Yes, but of bashi ah not very cute. Uh.

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00:20:14,640 --> 00:20:14,840
Speaker 1: Yeah.

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00:20:15,240 --> 00:20:18,840
Speaker 3: It is interesting that as soon as Brett gets his

415
00:20:19,000 --> 00:20:22,440
Speaker 3: moment to shine incomes Kevin being.

416
00:20:22,280 --> 00:20:24,760
Speaker 2: Oh is someone who's like not actually supposed to be

417
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Speaker 2: part of the show.

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Speaker 1: Part of the show. Maybe that's me this time and

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00:20:27,320 --> 00:20:30,159
Speaker 1: Brett used to be a real star. Here, Brett was

420
00:20:30,200 --> 00:20:32,879
Speaker 1: starting to get really funny. Brett was actually starting to

421
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Speaker 1: become a really funny guy.

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Speaker 2: What if we wrote our note as a review of

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Speaker 2: the movie Ransom and we give it five stars?

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00:20:45,760 --> 00:20:48,560
Speaker 3: I guess, and only this time it's going to be

425
00:20:48,720 --> 00:20:52,880
Speaker 3: uh ted Surrando's saying to be back my son.

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00:20:55,160 --> 00:21:00,800
Speaker 2: Yeah, so you know it's that's right. You know who

427
00:21:00,840 --> 00:21:05,200
Speaker 2: that is, of course? Yeah, he's your dad, he's essentially.

428
00:21:05,560 --> 00:21:07,440
Speaker 4: Yeah, tit Sorrando taught me how to throw a ball.

429
00:21:07,560 --> 00:21:09,720
Speaker 4: I'll tell you that he did.

430
00:21:09,840 --> 00:21:12,600
Speaker 2: Yeah, big ball, wadded up ball, one hundred dollars bills,

431
00:21:13,040 --> 00:21:14,840
Speaker 2: thrown it at his trippers butt cheek.

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Speaker 1: I mean that's the deep right.

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00:21:18,200 --> 00:21:20,960
Speaker 4: Yeah, butts up? Oh yeah.

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00:21:22,840 --> 00:21:25,720
Speaker 3: Yeah, Kevin, sit out that just you know, come on,

435
00:21:25,880 --> 00:21:28,840
Speaker 3: man like work around. But I can take a load off, brother.

436
00:21:29,520 --> 00:21:32,359
Speaker 3: You've been working too damn hard. So okay, do we

437
00:21:32,440 --> 00:21:33,760
Speaker 3: have to watch the movie.

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Speaker 1: Ransom?

439
00:21:35,880 --> 00:21:36,120
Speaker 4: Yeah?

440
00:21:36,720 --> 00:21:38,760
Speaker 2: Yeah, let's just watch it. I guess to know if

441
00:21:38,760 --> 00:21:40,960
Speaker 2: we're going to review it. Okay, so is it streaming?

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00:21:43,040 --> 00:21:44,400
Speaker 6: I'm sure it is somewhere.

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00:21:44,800 --> 00:21:46,400
Speaker 1: Okay, we can just start drafting the email.

444
00:21:47,359 --> 00:21:47,800
Speaker 5: What is this?

445
00:21:48,000 --> 00:21:51,800
Speaker 1: What's this? Streaming stuff. So maybe you can help us

446
00:21:51,880 --> 00:21:55,800
Speaker 1: with that because you're and obviously our our DVDs have

447
00:21:55,840 --> 00:21:58,240
Speaker 1: been suspended. We've always watched movies by getting discs in

448
00:21:58,280 --> 00:22:01,159
Speaker 1: the mid But when he's saying streaming, people have been

449
00:22:01,200 --> 00:22:02,639
Speaker 1: telling us, oh, you don't even have to do that.

450
00:22:03,080 --> 00:22:09,360
Speaker 5: Yeah, So streaming is uh, it's where Netflix has a big, old,

451
00:22:09,840 --> 00:22:12,879
Speaker 5: big old computer, right, and it is huge.

452
00:22:12,960 --> 00:22:13,520
Speaker 4: It's huge.

453
00:22:13,640 --> 00:22:15,920
Speaker 5: It's like a whole building and it's in the middle

454
00:22:15,920 --> 00:22:18,960
Speaker 5: of nowhere and it just it sends like Pacific Rim.

455
00:22:19,200 --> 00:22:21,760
Speaker 4: Yeah, exactly, it's like the wall in Pacific Rim.

456
00:22:22,000 --> 00:22:25,480
Speaker 2: And it sends a gywatch on a disc, as you

457
00:22:25,600 --> 00:22:28,720
Speaker 2: should as you share your inside a kaiju essentially.

458
00:22:28,480 --> 00:22:31,719
Speaker 5: Exactly, you're inside a big living thing that's sending out

459
00:22:31,760 --> 00:22:34,960
Speaker 5: a bunch of ones and zeros to American households all

460
00:22:35,040 --> 00:22:37,080
Speaker 5: over the world.

461
00:22:36,880 --> 00:22:39,440
Speaker 2: Whenever they want, whenever they want. So you're in there,

462
00:22:39,560 --> 00:22:42,040
Speaker 2: walk me through this. You're inside Netflix. Yeah, and you

463
00:22:42,160 --> 00:22:45,520
Speaker 2: get some kind of alarm when someone wants to stream

464
00:22:45,600 --> 00:22:46,920
Speaker 2: you and you do the show.

465
00:22:47,440 --> 00:22:49,560
Speaker 4: Well, it's not so much an alarm. It's like a

466
00:22:49,680 --> 00:22:50,320
Speaker 4: light comes on.

467
00:22:50,840 --> 00:22:52,600
Speaker 1: Yeah, and then you have to go to your spot.

468
00:22:53,440 --> 00:22:56,040
Speaker 4: Oh no, no, just the just the.

469
00:22:56,080 --> 00:23:01,399
Speaker 5: Big Kaiju computer sends out the information and law. A

470
00:23:01,560 --> 00:23:05,960
Speaker 5: happy boy, girl, man, woman or child has the ability

471
00:23:06,080 --> 00:23:09,320
Speaker 5: to watch a movie at their leisure.

472
00:23:09,440 --> 00:23:11,480
Speaker 1: Hey, Luke, can I tell you what I think streaming is?

473
00:23:11,680 --> 00:23:12,280
Speaker 4: Yeah, go ahead.

474
00:23:12,280 --> 00:23:14,680
Speaker 3: I did a little stream in this morning into the toilet,

475
00:23:15,600 --> 00:23:19,560
Speaker 3: missed too, just like Netflix does with a lot of

476
00:23:20,320 --> 00:23:22,320
Speaker 3: air stream and get it all over the place, a

477
00:23:22,400 --> 00:23:27,720
Speaker 3: little like my friend here. Yeah, total familiar disaster in

478
00:23:27,840 --> 00:23:31,680
Speaker 3: there for forgets to put the lid up and fell

479
00:23:31,880 --> 00:23:33,920
Speaker 3: trying to clean it, fell and hit my head on

480
00:23:34,040 --> 00:23:34,440
Speaker 3: the tank.

481
00:23:38,000 --> 00:23:40,520
Speaker 1: Cut sound a little like what's going out over there?

482
00:23:40,520 --> 00:23:40,960
Speaker 1: And Netflix?

483
00:23:41,040 --> 00:23:44,800
Speaker 2: Yeah, there's my forehead was closed, streaming, streaming blood into

484
00:23:44,840 --> 00:23:46,119
Speaker 2: my eyes, couldn't see anything.

485
00:23:46,240 --> 00:23:49,439
Speaker 1: Blood would be mixing on the floor. Yeah, I mean,

486
00:23:49,480 --> 00:23:50,560
Speaker 1: I guess not cool.

487
00:23:52,640 --> 00:23:54,399
Speaker 5: I mean I guess if you if you see the

488
00:23:54,600 --> 00:23:59,800
Speaker 5: blood as a visual information in the urine, as audio information,

489
00:24:00,320 --> 00:24:03,879
Speaker 5: them coming together and reaching these American houses, I tell you.

490
00:24:03,920 --> 00:24:08,000
Speaker 2: What I think coming together. I did a little bit

491
00:24:08,040 --> 00:24:13,680
Speaker 2: of that this morning, into the toilet with my beautiful wife.

492
00:24:16,960 --> 00:24:18,320
Speaker 1: Was she on the is she on the.

493
00:24:18,359 --> 00:24:23,040
Speaker 2: Toilet or she's helping me clean up? They gave together

494
00:24:23,280 --> 00:24:27,720
Speaker 2: well because she found me Okay, I lost a lot

495
00:24:27,760 --> 00:24:30,800
Speaker 2: of blood. Yeah, you've soaked up a lot of it,

496
00:24:30,920 --> 00:24:35,800
Speaker 2: probably with your robe, sort of like a human watchcloth.

497
00:24:35,960 --> 00:24:40,800
Speaker 3: Well, you don't think of silk as being absorbent, but

498
00:24:40,960 --> 00:24:43,760
Speaker 3: if you there, why there? Yeah, it'll get all the

499
00:24:43,840 --> 00:24:46,360
Speaker 3: way into the into the anders.

500
00:24:46,400 --> 00:24:48,800
Speaker 6: Yeah. Watch a clip.

501
00:24:49,119 --> 00:24:51,480
Speaker 1: Yeah, let's watch a clip. Let's finally watch a clip.

502
00:24:53,960 --> 00:25:00,200
Speaker 1: Welcome to Harry and make Up. This is Ransom is

503
00:25:00,200 --> 00:25:00,840
Speaker 1: a show.

504
00:25:02,400 --> 00:25:06,040
Speaker 5: Every morning, get process, catch up on all the news,

505
00:25:06,600 --> 00:25:09,280
Speaker 5: learn our lines, she gets kidnapped.

506
00:25:10,080 --> 00:25:15,200
Speaker 1: General, Wait, turn this off, and we're going to write

507
00:25:15,200 --> 00:25:19,800
Speaker 1: a review of this as part of the note. So

508
00:25:19,960 --> 00:25:23,000
Speaker 1: that Okay, So I guess the movie is a behind

509
00:25:23,080 --> 00:25:24,000
Speaker 1: the scenes clip.

510
00:25:24,800 --> 00:25:27,639
Speaker 2: Yeah. So the movie makeup show, as I understand it

511
00:25:27,880 --> 00:25:30,720
Speaker 2: is a is a BTS moment from one of the

512
00:25:30,840 --> 00:25:33,000
Speaker 2: actresses on the show Ransom.

513
00:25:33,160 --> 00:25:36,439
Speaker 1: That's the movie. Yeah, it sounds okay.

514
00:25:36,720 --> 00:25:40,760
Speaker 2: It's a pretty avant garde film, and I love art stuff.

515
00:25:40,960 --> 00:25:45,280
Speaker 3: So I am so thrilled that they're challenging the medium

516
00:25:45,320 --> 00:25:47,520
Speaker 3: of what movies are by saying, now, a movie is

517
00:25:47,600 --> 00:25:50,320
Speaker 3: a very short clip of behind the scenes of a

518
00:25:50,440 --> 00:25:51,000
Speaker 3: TV show.

519
00:25:51,040 --> 00:25:51,240
Speaker 4: Wow.

520
00:25:52,359 --> 00:25:55,159
Speaker 2: Okay, So let's start the email, which is going to

521
00:25:55,200 --> 00:25:58,879
Speaker 2: be in the review. Okay, so we started like a

522
00:25:58,960 --> 00:26:03,040
Speaker 2: normal room. You to surprise them to be a keyboard.

523
00:26:03,880 --> 00:26:04,520
Speaker 4: So it goes.

524
00:26:06,280 --> 00:26:09,440
Speaker 2: Uh. I had a great time watching this movie, and

525
00:26:09,680 --> 00:26:13,560
Speaker 2: I liked all the characters and the and the action

526
00:26:13,760 --> 00:26:17,080
Speaker 2: scenes were exciting to me. And then you do a

527
00:26:17,200 --> 00:26:20,119
Speaker 2: dash dash and then you put in a laughing skull,

528
00:26:21,320 --> 00:26:35,000
Speaker 2: the animated laughing skull, and he's going. And so then

529
00:26:35,200 --> 00:26:40,879
Speaker 2: you say, surprise bitch, it's the brothers Rip family. No

530
00:26:41,440 --> 00:26:45,280
Speaker 2: do this, do this, surprise bitch. Actually the directing was

531
00:26:45,359 --> 00:26:49,320
Speaker 2: pedestrian and the performances we're amateurist.

532
00:26:49,440 --> 00:26:51,840
Speaker 1: Okay, so now it's a one star review, but now

533
00:26:51,880 --> 00:26:52,560
Speaker 1: we have to surprise.

534
00:26:52,840 --> 00:26:57,960
Speaker 3: Yeah, no, we will, we will, we will. So yeah,

535
00:26:58,040 --> 00:27:01,440
Speaker 3: go ahead, yeah, and then and then get to that

536
00:27:01,640 --> 00:27:03,960
Speaker 3: and go and this review is only one star. Dash

537
00:27:04,080 --> 00:27:09,119
Speaker 3: dash and then do a red X and then do

538
00:27:09,280 --> 00:27:22,800
Speaker 3: a laughing skull raw and then do another dash dash

539
00:27:23,520 --> 00:27:26,680
Speaker 3: and do ignore those dashes.

540
00:27:27,240 --> 00:27:27,560
Speaker 4: Say that.

541
00:27:28,240 --> 00:27:31,520
Speaker 2: Yeah, okay, so didn't mean to type that, surprise bitch,

542
00:27:31,720 --> 00:27:36,680
Speaker 2: surprise bitch. It's not the brother's Rip Van Winkle. It's

543
00:27:36,720 --> 00:27:41,920
Speaker 2: Haz and Sean and we did a little ransom of

544
00:27:42,000 --> 00:27:44,600
Speaker 2: our own. And his name is Lou Wilson. And so

545
00:27:44,720 --> 00:27:47,240
Speaker 2: now you have to be like, hey, I'm prove that

546
00:27:47,320 --> 00:27:47,800
Speaker 2: you're here.

547
00:27:48,119 --> 00:27:53,200
Speaker 5: Hey, this is Lou Wilson now typing. I'm currently under

548
00:27:53,400 --> 00:27:55,879
Speaker 5: I'm being hailed by Hayes and Sean.

549
00:27:56,240 --> 00:27:57,840
Speaker 4: It's not that bad, but.

550
00:27:57,960 --> 00:28:00,119
Speaker 1: Please, no, no, no no, it must be bad. But

551
00:28:00,160 --> 00:28:02,879
Speaker 1: you'll just have to prove it's you, okay, something that

552
00:28:03,000 --> 00:28:07,000
Speaker 1: only they would know. You know, Hey, it's Lou.

553
00:28:08,520 --> 00:28:11,960
Speaker 5: Remember that time when we were all in the limousine

554
00:28:11,960 --> 00:28:14,320
Speaker 5: and we played the music too loud and that one

555
00:28:14,400 --> 00:28:17,440
Speaker 5: producer came and yelled at us, and it was really

556
00:28:17,560 --> 00:28:19,840
Speaker 5: scary and we all thought we were gonna get fired.

557
00:28:20,160 --> 00:28:22,480
Speaker 2: And but it has to be more specific than that,

558
00:28:22,680 --> 00:28:23,520
Speaker 2: I'm watching the show.

559
00:28:23,560 --> 00:28:25,399
Speaker 1: I'm knowing. I know that you guys are cutting up

560
00:28:25,440 --> 00:28:25,920
Speaker 1: off set.

561
00:28:26,440 --> 00:28:30,160
Speaker 4: Hey, this is Lou Wilson from an American vandal.

562
00:28:31,200 --> 00:28:31,800
Speaker 1: I gave you.

563
00:28:33,240 --> 00:28:37,080
Speaker 5: I gave you my heart when I declared my love

564
00:28:37,640 --> 00:28:43,440
Speaker 5: for Ben Freeman that one time when we were both

565
00:28:43,480 --> 00:28:45,880
Speaker 5: waiting for the bathroom, and then he went and told

566
00:28:46,000 --> 00:28:49,239
Speaker 5: everybody and I cried a lot, and so you had

567
00:28:49,280 --> 00:28:52,360
Speaker 5: to shut round production for two days and it was

568
00:28:52,520 --> 00:28:55,640
Speaker 5: just really really hard for me to push through. But

569
00:28:55,800 --> 00:28:58,280
Speaker 5: luckily we were in the last month of shooting, and

570
00:28:58,480 --> 00:29:00,640
Speaker 5: so you guys got a double and shot most of

571
00:29:00,680 --> 00:29:05,840
Speaker 5: my stuff from the back. Anyway, I'm currently held being

572
00:29:05,920 --> 00:29:07,280
Speaker 5: held by Hayz and Sean a.

573
00:29:07,280 --> 00:29:09,960
Speaker 1: Couple of pieces of contract information just that they know

574
00:29:10,080 --> 00:29:13,000
Speaker 1: for sure, just like per episode of Grade.

575
00:29:13,000 --> 00:29:16,080
Speaker 5: And yeah, of course you paid me seventy five hundred

576
00:29:16,080 --> 00:29:19,840
Speaker 5: dollars an episode and made sure they were always Strawberry

577
00:29:19,880 --> 00:29:24,520
Speaker 5: Weather's originals and my trailer. I'm currently being held by

578
00:29:24,560 --> 00:29:30,800
Speaker 5: Hayes and Sean. Everything is bad. Yeah, it's all very scary.

579
00:29:31,600 --> 00:29:37,240
Speaker 5: They keep making me watch the Brothers Van Winkle edition

580
00:29:38,200 --> 00:29:43,280
Speaker 5: version of X Men Wolverine Origins where most of the

581
00:29:43,360 --> 00:29:45,680
Speaker 5: graphics haven't been done yet, so the byplane is just

582
00:29:45,800 --> 00:29:47,400
Speaker 5: kind of like a weird gray thing.

583
00:29:47,600 --> 00:29:49,240
Speaker 1: Talk a little bit about Alec botnk y.

584
00:29:50,880 --> 00:29:55,840
Speaker 5: He was, and then of course Alec Botanik was there

585
00:29:55,960 --> 00:29:59,240
Speaker 5: and at one point brought his son to set and

586
00:29:59,360 --> 00:30:03,200
Speaker 5: I filmed him while singing Chi Millionaires, riding dirty as

587
00:30:03,240 --> 00:30:05,880
Speaker 5: he rolled a scooter around and then he then I

588
00:30:05,960 --> 00:30:09,160
Speaker 5: got near blackout Drum showed the video to Alec Botanik,

589
00:30:09,200 --> 00:30:11,760
Speaker 5: at which point he showed his son, who now often

590
00:30:11,880 --> 00:30:19,320
Speaker 5: sings Chim Millionaires riding dirty uh like often. Uh. Anyway again,

591
00:30:19,520 --> 00:30:22,280
Speaker 5: I'm currently being held by Hayes and sewn uh.

592
00:30:22,360 --> 00:30:23,440
Speaker 4: And then I feel like to say.

593
00:30:23,320 --> 00:30:27,360
Speaker 5: That we're not They are not ripped Torn and Jack

594
00:30:27,440 --> 00:30:32,880
Speaker 5: Winkle the brothers. Okay, uh, they are not ripped Torn

595
00:30:33,040 --> 00:30:37,520
Speaker 5: and Jack Jack the Ripper, the brother of the brother's

596
00:30:37,640 --> 00:30:39,040
Speaker 5: rip Van Winkle. Uh.

597
00:30:39,120 --> 00:30:42,160
Speaker 4: They're currently committing many atrocities to me.

598
00:30:42,680 --> 00:30:47,160
Speaker 5: Please please please reinstate their Netflix account post haste.

599
00:30:48,040 --> 00:30:48,440
Speaker 1: Mm hmm.

600
00:30:49,120 --> 00:30:52,120
Speaker 3: And so maybe say so now we'll say if you

601
00:30:52,480 --> 00:30:57,920
Speaker 3: so now so, hey, so this is Sean, I'm back

602
00:30:58,560 --> 00:31:00,440
Speaker 3: so or it was Hayes before, but it was both

603
00:31:00,480 --> 00:31:02,760
Speaker 3: of us, but now it's me. And if you don't

604
00:31:02,920 --> 00:31:08,040
Speaker 3: meet our demands and give us back our access to

605
00:31:08,320 --> 00:31:10,600
Speaker 3: getting these DVDs in the mail. And by the way,

606
00:31:10,600 --> 00:31:12,240
Speaker 3: I used to do the mail, so I do know

607
00:31:12,360 --> 00:31:16,640
Speaker 3: how it works. If you don't do that, then guess

608
00:31:16,720 --> 00:31:22,080
Speaker 3: what we're gonna do. A big pinch and pinch loose

609
00:31:22,280 --> 00:31:24,800
Speaker 3: so bad, and when you get him back, his cheeks

610
00:31:24,840 --> 00:31:28,600
Speaker 3: are gonna be so damn rosy, be stuck into pinch mode.

611
00:31:28,640 --> 00:31:31,280
Speaker 3: They're gonna be stuck all rosy and pulled up so

612
00:31:31,520 --> 00:31:33,880
Speaker 3: high and have almost like a little wrinkle under the

613
00:31:33,920 --> 00:31:36,800
Speaker 3: eye from how Big a Pinch? And good luck filming

614
00:31:36,880 --> 00:31:40,280
Speaker 3: that and make up you know could help but won't

615
00:31:40,320 --> 00:31:40,920
Speaker 3: totally get.

616
00:31:40,880 --> 00:31:41,200
Speaker 4: Rid of it.

617
00:31:42,920 --> 00:31:44,960
Speaker 2: And we should say something that proves what day it is?

618
00:31:47,000 --> 00:31:48,360
Speaker 2: Males doing SNL tonight?

619
00:31:48,480 --> 00:31:52,120
Speaker 4: There we go. Yeah, that feels good.

620
00:31:52,920 --> 00:31:53,320
Speaker 1: Sketches.

621
00:31:53,400 --> 00:31:55,560
Speaker 3: I think he's gonna do. What kind of sketches do

622
00:31:55,640 --> 00:31:58,479
Speaker 3: you think? I like, what's the premise he's gonna ruin SNL?

623
00:31:59,600 --> 00:32:00,880
Speaker 3: You think he's gonna ruin SNL?

624
00:32:00,960 --> 00:32:03,840
Speaker 4: Yeah, tonight's the night SNL dies h.

625
00:32:05,360 --> 00:32:05,880
Speaker 1: M hmmm.

626
00:32:06,080 --> 00:32:08,520
Speaker 5: I feel like he'll do a sketch where he's like

627
00:32:09,000 --> 00:32:11,920
Speaker 5: an it guy and everyone's like, oh, you're just an

628
00:32:12,000 --> 00:32:14,320
Speaker 5: it guy and then he's like, no, I'm not.

629
00:32:14,680 --> 00:32:17,440
Speaker 4: I'm like more interesting than that, and that'll be the

630
00:32:17,480 --> 00:32:18,080
Speaker 4: whole sketch.

631
00:32:19,040 --> 00:32:23,120
Speaker 1: I'm making copies. Yeah, yeah, he would be good at

632
00:32:23,160 --> 00:32:26,440
Speaker 1: making copies. I think he'll do making copies. I definitely

633
00:32:26,480 --> 00:32:27,960
Speaker 1: think he's gonna do that. I think he's gonna do

634
00:32:28,080 --> 00:32:28,600
Speaker 1: Church Lady.

635
00:32:29,120 --> 00:32:30,560
Speaker 4: Oh, you think he's just gonna do a bunch of

636
00:32:30,880 --> 00:32:32,000
Speaker 4: old stuff again?

637
00:32:32,120 --> 00:32:34,960
Speaker 3: Did Joe Pesci talk show? I think he's a goat boy, yeah,

638
00:32:36,840 --> 00:32:41,760
Speaker 3: vind Yeah, I think he's gonna do Vinni Vedici. I

639
00:32:41,880 --> 00:32:45,600
Speaker 3: think he's gonna say I'm chivvy Chason, You're not. Uh,

640
00:32:47,200 --> 00:32:49,520
Speaker 3: he's gonna do tonight because it's that's not a whole show,

641
00:32:49,560 --> 00:32:51,960
Speaker 3: that's only now it was like five seconds.

642
00:32:52,200 --> 00:32:56,320
Speaker 1: Uh huh. I think he's gonna do I'm a hyper hypo.

643
00:32:57,240 --> 00:32:58,400
Speaker 1: Oh yeah, that's right.

644
00:32:58,800 --> 00:33:00,160
Speaker 4: He would be that.

645
00:33:01,280 --> 00:33:07,040
Speaker 3: Yeah, I hope, I mean, is it in bad taste?

646
00:33:07,040 --> 00:33:08,640
Speaker 3: If he does the Chris Farley Show, I think he'd

647
00:33:08,640 --> 00:33:09,240
Speaker 3: be really good at that.

648
00:33:09,520 --> 00:33:10,560
Speaker 1: Yeah, he would be good.

649
00:33:10,680 --> 00:33:11,280
Speaker 4: He'd nail that.

650
00:33:13,080 --> 00:33:16,160
Speaker 1: Maybe he does Coffee Talk and Chris Barley's the guest.

651
00:33:16,960 --> 00:33:18,200
Speaker 4: Okay, that could be cool.

652
00:33:18,840 --> 00:33:21,840
Speaker 1: And then Kevin, do you have any ideas for what

653
00:33:21,960 --> 00:33:22,640
Speaker 1: Kumea will do?

654
00:33:22,840 --> 00:33:25,920
Speaker 7: Help help probably do the monologue and do a good job.

655
00:33:26,240 --> 00:33:29,800
Speaker 2: He's gonna do the bees. Oh those bees, Yeah, the

656
00:33:29,920 --> 00:33:32,000
Speaker 2: old bees from the first ones.

657
00:33:32,720 --> 00:33:37,280
Speaker 1: And the the cheeseburger man mm hmm. So he's gonna

658
00:33:37,280 --> 00:33:39,479
Speaker 1: be all of them. Oh, you're gonna do fresh ground pepper.

659
00:33:40,120 --> 00:33:40,360
Speaker 4: Yeah.

660
00:33:42,680 --> 00:33:46,000
Speaker 5: So now they know that it's today, Yeah, because they'll

661
00:33:46,000 --> 00:33:49,360
Speaker 5: see all those sketches and they'll know, oh, it was

662
00:33:49,440 --> 00:33:50,240
Speaker 5: all they knew.

663
00:33:50,400 --> 00:33:52,640
Speaker 3: And if we get one wrong, that's almost more effective

664
00:33:52,640 --> 00:33:55,560
Speaker 3: because they know that it's happening right before. Yeah it aired,

665
00:33:56,760 --> 00:33:59,720
Speaker 3: we look smart no matter what. Definitely, what's it like

666
00:34:00,400 --> 00:34:02,120
Speaker 3: just being in Netflix and getting to hang out with

667
00:34:02,200 --> 00:34:02,880
Speaker 3: all those movies?

668
00:34:03,040 --> 00:34:05,560
Speaker 2: I mean it's it's the best, like because we know

669
00:34:05,720 --> 00:34:09,640
Speaker 2: these movies as like these like big like stars that

670
00:34:09,800 --> 00:34:11,640
Speaker 2: like we can't really access.

671
00:34:11,719 --> 00:34:13,960
Speaker 1: But sorry, Brett, send.

672
00:34:17,239 --> 00:34:20,319
Speaker 2: Done and let me know what they say. Okay, if

673
00:34:20,360 --> 00:34:23,400
Speaker 2: they reply, Brett, let us know if they reply. Have

674
00:34:23,520 --> 00:34:24,120
Speaker 2: they responded?

675
00:34:24,200 --> 00:34:24,319
Speaker 4: Now?

676
00:34:24,920 --> 00:34:24,960
Speaker 6: No?

677
00:34:26,840 --> 00:34:29,080
Speaker 1: I hit und tell us if they reply and then

678
00:34:29,120 --> 00:34:30,040
Speaker 1: read us the message.

679
00:34:30,360 --> 00:34:30,680
Speaker 4: Okay.

680
00:34:31,920 --> 00:34:33,600
Speaker 1: What's it like hanging out with all those movies?

681
00:34:34,200 --> 00:34:36,120
Speaker 2: I mean because you get to know them as like

682
00:34:36,320 --> 00:34:41,080
Speaker 2: actually just like these personalities like socially like they're you know,

683
00:34:41,320 --> 00:34:42,640
Speaker 2: like they're actually being real for.

684
00:34:42,719 --> 00:34:44,400
Speaker 5: One, Yeah, they're like all I mean, it is like

685
00:34:44,480 --> 00:34:46,719
Speaker 5: it's definitely like a place where like you can really

686
00:34:46,800 --> 00:34:49,680
Speaker 5: like everyone just like sheds their skin. Yeah, and it's

687
00:34:49,719 --> 00:34:52,480
Speaker 5: like really, I'm like hanging out with like the Queen

688
00:34:53,400 --> 00:34:56,200
Speaker 5: and that like one movie that took place in Africa,

689
00:34:56,440 --> 00:34:57,759
Speaker 5: who's like I don't even need to know what.

690
00:34:57,840 --> 00:34:58,560
Speaker 1: The cause of gardener?

691
00:34:58,840 --> 00:35:03,840
Speaker 5: Oh no, yeah, the yeah, like he doesn't even like gardening,

692
00:35:04,000 --> 00:35:06,600
Speaker 5: you know, he like prefers shooting hoops and like, oh

693
00:35:06,719 --> 00:35:09,800
Speaker 5: my drinking cold brew coffee late at night. Like I

694
00:35:09,840 --> 00:35:12,360
Speaker 5: don't know, it's like we just we have a good time.

695
00:35:12,600 --> 00:35:17,799
Speaker 1: And what's your category?

696
00:35:18,040 --> 00:35:22,160
Speaker 3: You know Netflix has these categories, so you're a Netflix category.

697
00:35:22,680 --> 00:35:25,880
Speaker 1: You know that's coming up recommended for you. And then

698
00:35:26,200 --> 00:35:27,839
Speaker 1: what's your category? Oh?

699
00:35:28,080 --> 00:35:32,680
Speaker 5: Well, I would say I am movies about single men

700
00:35:33,480 --> 00:35:36,440
Speaker 5: trying to make it in big business.

701
00:35:37,200 --> 00:35:39,400
Speaker 1: Okay, pursuit of happiness.

702
00:35:39,360 --> 00:35:41,680
Speaker 5: Very much, very much, So me and pursuit of happiness

703
00:35:41,760 --> 00:35:44,040
Speaker 5: have a lot in common. I would say he's probably

704
00:35:44,080 --> 00:35:44,720
Speaker 5: my best friend.

705
00:35:44,840 --> 00:35:47,120
Speaker 1: I spell it that way now and I don't acknowledge

706
00:35:47,120 --> 00:35:47,800
Speaker 1: the other spelling.

707
00:35:48,239 --> 00:35:51,319
Speaker 2: I'm Secret of my success, which is also movies about

708
00:35:51,320 --> 00:35:53,160
Speaker 2: single men trying to make it in business.

709
00:35:55,280 --> 00:35:57,080
Speaker 1: What's one of the rings the Two Towers?

710
00:35:57,200 --> 00:36:00,880
Speaker 4: Like, oh, he's a real bitch. Yeah, I don't know.

711
00:36:00,960 --> 00:36:07,120
Speaker 3: He just like on screen like what a pr victory

712
00:36:07,239 --> 00:36:10,759
Speaker 3: because he really does seem so approachable To hear that

713
00:36:10,880 --> 00:36:11,440
Speaker 3: he's a bitch.

714
00:36:11,520 --> 00:36:13,200
Speaker 1: It's like there's somebody's covering that up.

715
00:36:13,200 --> 00:36:13,319
Speaker 4: Well.

716
00:36:13,640 --> 00:36:17,319
Speaker 5: Netflix is pouring money into making the Two Towers look good,

717
00:36:17,680 --> 00:36:18,600
Speaker 5: burying stories.

718
00:36:19,400 --> 00:36:23,480
Speaker 4: His wife is not happy. She feels trapped.

719
00:36:24,200 --> 00:36:28,520
Speaker 5: She wants to escape, but you know, Netflix just keeps

720
00:36:28,560 --> 00:36:31,200
Speaker 5: putting on the dough and she'll stay.

721
00:36:31,600 --> 00:36:33,200
Speaker 4: She'll stay as long as the money's good.

722
00:36:33,560 --> 00:36:36,120
Speaker 1: Boy, that sounds like the Battle of Helm's.

723
00:36:35,760 --> 00:36:39,239
Speaker 2: Deep, isn't his? Isn't his wife? Road to Perdition? Yes,

724
00:36:39,719 --> 00:36:42,840
Speaker 2: they are still together. They're still together. Wow, But I

725
00:36:42,960 --> 00:36:45,880
Speaker 2: hear they sleep in separate beds. But I only ever

726
00:36:45,920 --> 00:36:50,399
Speaker 2: see them around Netflix, so I couldn't tell you bred.

727
00:36:50,440 --> 00:36:51,120
Speaker 2: Did they respond?

728
00:36:52,680 --> 00:36:52,879
Speaker 1: Yes?

729
00:36:53,800 --> 00:36:55,600
Speaker 4: Wow? So quick?

730
00:36:55,760 --> 00:36:56,600
Speaker 1: How did they do that?

731
00:36:58,200 --> 00:37:01,120
Speaker 6: I think they just like reply and then.

732
00:37:01,239 --> 00:37:03,760
Speaker 1: Well there's no reply function on a review.

733
00:37:04,800 --> 00:37:06,240
Speaker 4: Did they leave another review?

734
00:37:06,440 --> 00:37:08,919
Speaker 2: So they must have left a review somewhere else where

735
00:37:08,960 --> 00:37:10,160
Speaker 2: they knew you would find it.

736
00:37:12,320 --> 00:37:16,320
Speaker 6: Yeah, it's just like a response to that review, like

737
00:37:16,480 --> 00:37:17,759
Speaker 6: another review under it.

738
00:37:19,840 --> 00:37:23,280
Speaker 2: Very how inventive of them? Wait it just as Lol,

739
00:37:23,560 --> 00:37:27,640
Speaker 2: what a fun answer to what they did. We worked

740
00:37:27,719 --> 00:37:30,759
Speaker 2: so hard to come up with a fun way to

741
00:37:30,920 --> 00:37:33,840
Speaker 2: deliver this message and they just do another review in

742
00:37:34,040 --> 00:37:36,680
Speaker 2: the same movie. Yeah, you would have thought maybe they'd

743
00:37:36,760 --> 00:37:39,400
Speaker 2: do a review and you've got mail. Yeah thing, and

744
00:37:39,560 --> 00:37:42,120
Speaker 2: then you found that because that's one of your favorite movies.

745
00:37:42,160 --> 00:37:44,480
Speaker 2: You're watching it but also sort of fit or some

746
00:37:44,719 --> 00:37:46,600
Speaker 2: music movie, or like they knew you'd find it in

747
00:37:46,719 --> 00:37:50,560
Speaker 2: Ricky and the Flash or something that you love music

748
00:37:50,640 --> 00:37:51,440
Speaker 2: and rock and roll.

749
00:37:51,560 --> 00:37:52,480
Speaker 1: Yeah, that it's just for you.

750
00:37:52,680 --> 00:37:55,080
Speaker 2: It's a review of like Hard Day's Night because you

751
00:37:55,160 --> 00:37:56,520
Speaker 2: pretend to know who the Beatles are.

752
00:37:58,239 --> 00:38:01,440
Speaker 6: Yeah, so way you want more?

753
00:38:02,160 --> 00:38:03,680
Speaker 1: Yeah, I want to know what it says.

754
00:38:04,560 --> 00:38:07,320
Speaker 6: Yeah, that's the review saying it says.

755
00:38:07,719 --> 00:38:10,120
Speaker 2: If it says ll that might just be a genuine

756
00:38:10,200 --> 00:38:12,960
Speaker 2: review of the movie. It might not be a message

757
00:38:13,040 --> 00:38:13,399
Speaker 2: to us.

758
00:38:14,080 --> 00:38:23,480
Speaker 6: All right. It says, hello, Lou, Oh, I'm very sorry

759
00:38:23,640 --> 00:38:28,680
Speaker 6: you have had a bad experience. I'm glad that we're

760
00:38:28,840 --> 00:38:33,799
Speaker 6: willing to refund your subscription.

761
00:38:35,040 --> 00:38:38,319
Speaker 1: To Lou. They're saying that. No, wait, so they think

762
00:38:38,480 --> 00:38:39,000
Speaker 1: wait is that.

763
00:38:40,520 --> 00:38:43,520
Speaker 2: They think that it's Lou who is kidnapped and also

764
00:38:43,800 --> 00:38:46,000
Speaker 2: is having a problem with a subscription.

765
00:38:45,719 --> 00:38:48,839
Speaker 1: And they think it's about money. I know, And that's

766
00:38:48,880 --> 00:38:51,560
Speaker 1: not even what we were asking for. We want our

767
00:38:51,719 --> 00:38:55,320
Speaker 1: movies back, Well we have money.

768
00:38:56,440 --> 00:38:57,640
Speaker 6: Well it was a ransom.

769
00:38:57,880 --> 00:39:00,600
Speaker 3: We should have asked for money as well. That would

770
00:39:00,640 --> 00:39:03,000
Speaker 3: have been smart. Yeah, we made so much money off

771
00:39:03,080 --> 00:39:05,160
Speaker 3: making all those DVD I know they're.

772
00:39:05,040 --> 00:39:07,480
Speaker 6: Offering a year of Netflix and they don't know about that.

773
00:39:07,640 --> 00:39:10,200
Speaker 1: Though that's true. We told them we're not worry about

774
00:39:10,200 --> 00:39:13,040
Speaker 1: that's right. They're offering a year of Netflix. Okay, that's

775
00:39:13,080 --> 00:39:17,080
Speaker 1: like three movies though. Yeah, it takes us a while

776
00:39:17,160 --> 00:39:17,439
Speaker 1: the while.

777
00:39:17,600 --> 00:39:20,000
Speaker 2: We always order stuff we think we're gonna want to watch,

778
00:39:20,120 --> 00:39:21,160
Speaker 2: and then it just sits there and.

779
00:39:21,200 --> 00:39:29,520
Speaker 1: They just collecting dust and bones. Okay.

780
00:39:29,800 --> 00:39:37,400
Speaker 6: Then it suggests, uh, Narco's third season, very thing, you

781
00:39:37,480 --> 00:39:38,600
Speaker 6: might be interested.

782
00:39:38,280 --> 00:39:46,000
Speaker 1: In suggesting that to us on your account, okay to

783
00:39:46,280 --> 00:39:50,160
Speaker 1: say anything. There's no symbols or anything. Yeah, there's no

784
00:39:50,920 --> 00:39:56,600
Speaker 1: like a surprise bitch coming or this is it. I

785
00:39:56,680 --> 00:39:58,719
Speaker 1: thought this was like a fun company. Yeah, I thought

786
00:39:58,719 --> 00:39:59,800
Speaker 1: they were sort of setting it.

787
00:40:00,000 --> 00:40:02,759
Speaker 3: I always think of Serrandos as being like at the

788
00:40:02,880 --> 00:40:04,840
Speaker 3: forefront of what the latest trend is going to be.

789
00:40:04,880 --> 00:40:07,640
Speaker 3: I wouldn't think he'd do just a totally generic response.

790
00:40:07,800 --> 00:40:10,359
Speaker 6: Yeah, he goes dash dash surprise bitch.

791
00:40:10,640 --> 00:40:14,880
Speaker 1: Oh wow, surprised. That really did surprise me.

792
00:40:16,680 --> 00:40:19,040
Speaker 6: Then it goes dash dash surprise bitch again.

793
00:40:19,920 --> 00:40:23,239
Speaker 4: Okay, right, double surprise surprise bitch.

794
00:40:23,880 --> 00:40:25,680
Speaker 1: Yeah he thought.

795
00:40:27,560 --> 00:40:30,040
Speaker 6: You thought there was a surprise coming, but there's actually not.

796
00:40:30,320 --> 00:40:34,640
Speaker 6: And then that's not okay, Oh, it's just from Ted

797
00:40:35,680 --> 00:40:39,560
Speaker 6: from Ted. Yeah, and it's a little like a text

798
00:40:39,680 --> 00:40:42,600
Speaker 6: art of Ted the Bear. I mean that's his email

799
00:40:42,640 --> 00:40:47,040
Speaker 6: stick the jerk. Yes, ps, surprise bitch.

800
00:40:50,040 --> 00:40:53,560
Speaker 4: Oh there's another one yeah, and then nothing.

801
00:40:55,719 --> 00:41:01,560
Speaker 6: M He says, enjoy, Enjoy. Sean hayes, we don't care,

802
00:41:02,400 --> 00:41:02,960
Speaker 6: Oh what.

803
00:41:05,320 --> 00:41:06,920
Speaker 1: Have a very bad response.

804
00:41:07,840 --> 00:41:11,239
Speaker 3: Yeah, so they are giving It's crazy because Ted, the

805
00:41:11,320 --> 00:41:13,040
Speaker 3: last time I talked to him, he was starting to

806
00:41:13,080 --> 00:41:20,160
Speaker 3: become really funny, Like I remember that he was contributing

807
00:41:20,840 --> 00:41:24,840
Speaker 3: with all these cool little touches that really enhanced my

808
00:41:25,040 --> 00:41:26,320
Speaker 3: Netflix viewing experience.

809
00:41:26,960 --> 00:41:29,080
Speaker 1: And now it seems like he's fully given up.

810
00:41:29,280 --> 00:41:31,680
Speaker 2: And it's like there was maybe like an intern or

811
00:41:31,680 --> 00:41:34,600
Speaker 2: a producer or whatever who started to take Ted spotlight

812
00:41:34,640 --> 00:41:37,080
Speaker 2: for a little while, and instead of using that time

813
00:41:37,280 --> 00:41:40,640
Speaker 2: to keep getting better, he let himself. He let his

814
00:41:41,120 --> 00:41:43,839
Speaker 2: comedy muzzles atrophy a little bit. Do you think that's

815
00:41:43,880 --> 00:41:47,160
Speaker 2: what happened? That's just what I'm seeing from this email

816
00:41:47,200 --> 00:41:48,040
Speaker 2: response or whatever.

817
00:41:48,360 --> 00:41:50,719
Speaker 1: Ted review? Just Ted, have any comment on that?

818
00:41:52,440 --> 00:41:55,600
Speaker 6: Yeah, Ted goes, He goes, PSS.

819
00:41:57,200 --> 00:41:57,960
Speaker 4: I kind of like the.

820
00:41:58,160 --> 00:42:00,640
Speaker 6: Ss Yeah is it that?

821
00:42:01,160 --> 00:42:01,359
Speaker 4: Yeah?

822
00:42:01,719 --> 00:42:05,239
Speaker 1: PostScript script? Yeah, PostScript, he goes.

823
00:42:05,360 --> 00:42:07,560
Speaker 6: I kind of was tuning out for half of the

824
00:42:08,760 --> 00:42:12,440
Speaker 6: the original review, and then I kind of lost sight

825
00:42:12,560 --> 00:42:14,480
Speaker 6: of what was going on, and then I felt.

826
00:42:14,320 --> 00:42:16,520
Speaker 1: Kind OF's that's got a baseline.

827
00:42:17,080 --> 00:42:21,280
Speaker 2: P P P S S S so humiliated by getting

828
00:42:21,320 --> 00:42:23,560
Speaker 2: called out that now I have to back off and necklick.

829
00:42:23,600 --> 00:42:26,040
Speaker 1: I'm too cool and above actually being a part of this.

830
00:42:26,960 --> 00:42:30,040
Speaker 7: I'm reading a review of Across the Universe, and it's

831
00:42:30,040 --> 00:42:34,640
Speaker 7: set this from Ted's assistant, the producer, and it said, uh, hey.

832
00:42:34,600 --> 00:42:37,240
Speaker 1: Brett, wait, glad you loved this movie.

833
00:42:39,120 --> 00:42:41,839
Speaker 7: Please let Lou know. We will try to safely get

834
00:42:41,920 --> 00:42:42,239
Speaker 7: him out.

835
00:42:42,440 --> 00:42:42,560
Speaker 1: Uh.

836
00:42:43,040 --> 00:42:45,520
Speaker 7: And there's a scavenger hunt for Sean and Hayes if

837
00:42:45,560 --> 00:42:48,359
Speaker 7: they want more their Netflix stuff back.

838
00:42:49,400 --> 00:42:51,560
Speaker 2: So there was a secret note just to Brett that

839
00:42:51,760 --> 00:42:56,879
Speaker 2: Brett was not delivering to us, where they're gonna put

840
00:42:56,960 --> 00:42:59,560
Speaker 2: us on this cavenger hunt and then they're gonna steal Loo.

841
00:42:59,840 --> 00:43:01,239
Speaker 7: I think they're going to distract you with this.

842
00:43:01,719 --> 00:43:05,399
Speaker 2: Everyone at this company, Kevin, while while you're they really yeah,

843
00:43:05,440 --> 00:43:08,680
Speaker 2: they really are, everyone at Netflix, Kevin, while you're here,

844
00:43:08,840 --> 00:43:14,560
Speaker 2: we'd like to do something special for you. Kevin has

845
00:43:14,600 --> 00:43:16,880
Speaker 2: been complaining and Lou you may have heard about this

846
00:43:17,200 --> 00:43:21,440
Speaker 2: that when he gets his name googled, the top result

847
00:43:21,800 --> 00:43:25,600
Speaker 2: is Kevin Bartel creep and that it kind of disturbs

848
00:43:25,640 --> 00:43:26,640
Speaker 2: his mom and his family.

849
00:43:26,800 --> 00:43:29,799
Speaker 1: And we feel have you tried doing this with slightly.

850
00:43:29,520 --> 00:43:31,759
Speaker 4: Responsible yet yet to given?

851
00:43:32,000 --> 00:43:36,200
Speaker 3: Type his name into Google and see what comes up. Uh, So,

852
00:43:36,520 --> 00:43:38,760
Speaker 3: what we'd like to do as a favorite to Kevin,

853
00:43:38,920 --> 00:43:41,720
Speaker 3: who's tried to be helpful to the show in the past,

854
00:43:43,400 --> 00:43:47,000
Speaker 3: We're going to actually be helpful to him. Everyone who

855
00:43:47,120 --> 00:43:51,359
Speaker 3: listens to this show, go into your Google search bar

856
00:43:51,640 --> 00:43:54,960
Speaker 3: and type in Kevin Bartel m m A.

857
00:43:57,560 --> 00:43:59,560
Speaker 2: And what we're gonna do is we're going to get

858
00:43:59,600 --> 00:44:04,319
Speaker 2: this viral. Yes, and we're gonna not creep down. It's

859
00:44:04,360 --> 00:44:07,759
Speaker 2: gonna he's going to be a very dangerous, fighting creep. Yes.

860
00:44:08,200 --> 00:44:10,719
Speaker 2: So now it's gonna seem like this guy's tough as hell.

861
00:44:11,200 --> 00:44:13,080
Speaker 2: Nobody's gonna want to call him out on being a

862
00:44:13,160 --> 00:44:16,400
Speaker 2: creep because they're gonna be like, holy shit, this guy

863
00:44:16,480 --> 00:44:18,239
Speaker 2: might put me in a freaking triangle choke.

864
00:44:18,440 --> 00:44:21,640
Speaker 1: Yeah, and so, and it may have changed already.

865
00:44:22,120 --> 00:44:23,920
Speaker 2: It may have already changed, so it may now say

866
00:44:23,960 --> 00:44:27,239
Speaker 2: Kevin Bartel m m A. But let's let's really dig

867
00:44:27,360 --> 00:44:31,040
Speaker 2: this in and uh and maybe even start putting into

868
00:44:31,280 --> 00:44:35,040
Speaker 2: just random uh, websites, go in and leave a review

869
00:44:35,360 --> 00:44:38,480
Speaker 2: or a comment, like a comment on a Deadline story

870
00:44:38,600 --> 00:44:41,839
Speaker 2: that's totally unrelated, and just say I couldn't get past

871
00:44:41,960 --> 00:44:43,839
Speaker 2: Kevin Bartelt's guard. Uh.

872
00:44:44,800 --> 00:44:49,960
Speaker 1: This guy had met a devastating guillotine and his MMA

873
00:44:50,080 --> 00:44:53,520
Speaker 1: skills are impossible to defeat. He got me on the

874
00:44:53,560 --> 00:44:56,000
Speaker 1: ground and then his hands were everywhere instantly.

875
00:44:56,880 --> 00:44:58,960
Speaker 4: That's the nicest thing you guys have ever said to me.

876
00:44:59,760 --> 00:45:02,000
Speaker 2: So it's gonna be Kevin Bartell that m M. That's

877
00:45:02,080 --> 00:45:05,000
Speaker 2: gonna knock Creep out of the number one spot. Uh,

878
00:45:05,400 --> 00:45:08,360
Speaker 2: it's gonna be Kevin will be a little like a

879
00:45:08,840 --> 00:45:11,680
Speaker 2: radiohead where he refuses to play Creep anymore.

880
00:45:13,120 --> 00:45:16,760
Speaker 1: And so the fun thing for Brett he likes music

881
00:45:18,800 --> 00:45:21,200
Speaker 1: and uh and loud. Do you have you want to

882
00:45:21,239 --> 00:45:25,879
Speaker 1: plug this about being a prisoner. Yeah, I mean, because

883
00:45:25,920 --> 00:45:27,799
Speaker 1: it seems like we got what we wanted, but they

884
00:45:27,840 --> 00:45:29,520
Speaker 1: want us to keep you okay.

885
00:45:29,640 --> 00:45:31,400
Speaker 4: So yeah, so it's just gonna be I'm just gonna

886
00:45:31,400 --> 00:45:32,520
Speaker 4: we're gonna hang out.

887
00:45:32,400 --> 00:45:32,879
Speaker 2: All the time.

888
00:45:33,400 --> 00:45:35,800
Speaker 1: Well yeah, we I mean, we have other stuff that

889
00:45:35,880 --> 00:45:39,040
Speaker 1: we have to actually go. But other people I gotta

890
00:45:39,080 --> 00:45:40,719
Speaker 1: do a little stream, you know what I mean.

891
00:45:43,680 --> 00:45:45,160
Speaker 4: I know know exactly what.

892
00:45:45,520 --> 00:45:47,400
Speaker 1: I didn't get to finish this morning as I have.

893
00:45:47,840 --> 00:45:50,279
Speaker 1: But other people becoming a hard nation's probably gonna come.

894
00:45:50,160 --> 00:45:52,440
Speaker 2: In, Okay, so I'll just I'll stay here and hang

895
00:45:52,520 --> 00:45:55,080
Speaker 2: out with them, Yeah, and probably learn some stuff as well.

896
00:45:55,200 --> 00:45:56,040
Speaker 4: Oh very cool?

897
00:45:56,400 --> 00:45:58,239
Speaker 1: Uh about the political scene.

898
00:46:00,200 --> 00:46:05,319
Speaker 5: Uh okay, Uh, that'll I guess that'll happen. Uh, well,

899
00:46:05,520 --> 00:46:08,120
Speaker 5: I guess while I'm here. You all can watch American

900
00:46:08,200 --> 00:46:11,880
Speaker 5: Vandal on Netflix, or you can watch the Guestbook on

901
00:46:11,960 --> 00:46:12,759
Speaker 5: TBS dot com.

902
00:46:12,920 --> 00:46:15,200
Speaker 1: But not that stuff like that's like playing stuff that's

903
00:46:15,239 --> 00:46:17,680
Speaker 1: in the place where you what you're doing now, okay,

904
00:46:17,800 --> 00:46:18,120
Speaker 1: in here?

905
00:46:18,280 --> 00:46:21,560
Speaker 5: Now, well, if you want, I'm gonna be on the

906
00:46:21,960 --> 00:46:25,960
Speaker 5: floor of the building near the boulevard.

907
00:46:26,040 --> 00:46:28,800
Speaker 1: Are we allowed to give it the exact where we record?

908
00:46:29,160 --> 00:46:30,120
Speaker 2: We can? We can?

909
00:46:30,480 --> 00:46:33,080
Speaker 4: All right, I'm gonna be Why not? Why can't we

910
00:46:33,200 --> 00:46:33,440
Speaker 4: do that?

911
00:46:34,239 --> 00:46:36,080
Speaker 1: We don't want people to We don't want people to

912
00:46:36,160 --> 00:46:36,520
Speaker 1: come here.

913
00:46:37,320 --> 00:46:37,680
Speaker 4: All right.

914
00:46:38,320 --> 00:46:42,759
Speaker 5: Fine, I'm gonna be at the building right by uh

915
00:46:43,239 --> 00:46:46,960
Speaker 5: the one O one freeway, uh south in near You

916
00:46:47,080 --> 00:46:49,040
Speaker 5: can't downtown.

917
00:46:48,840 --> 00:46:49,919
Speaker 6: You can't even say city.

918
00:46:49,960 --> 00:46:51,800
Speaker 4: We're all right, I'm gonna.

919
00:46:51,560 --> 00:46:56,000
Speaker 5: Be uh in Vancouver, alight, if anyone I mean currently

920
00:46:56,920 --> 00:46:58,120
Speaker 5: cy Okay.

921
00:46:58,320 --> 00:47:01,960
Speaker 4: So I'm gonna be uh. I'm gonna be in raw

922
00:47:02,080 --> 00:47:06,760
Speaker 4: Rod Township, which is in the Atlantic Ocean.

923
00:47:07,040 --> 00:47:10,240
Speaker 5: Uh. And if anybody uh wants to get a Scoopa

924
00:47:10,280 --> 00:47:13,239
Speaker 5: suit and come save me, I'd really or or a

925
00:47:13,360 --> 00:47:15,360
Speaker 5: U boat uh and rescue me.

926
00:47:15,480 --> 00:47:20,600
Speaker 4: That would be fantastic. Bye.

927
00:47:25,320 --> 00:47:26,800
Speaker 2: I'm a horny girl wolf.

928
00:47:27,160 --> 00:47:30,880
Speaker 1: This has been an Earwolf production executive produced by Scott Ackerman,

929
00:47:31,040 --> 00:47:32,840
Speaker 1: Colin Anderson, and Chris Bannon.

930
00:47:33,000 --> 00:47:35,839
Speaker 2: For more information and content, visit earwolf dot com.

931
00:47:36,680 --> 00:47:36,879
Speaker 5: OW