Speaker 1: First of all, you don't know me.
Speaker 2: We all about that high school drama girl, drama girl,
Speaker 2: all about them high school queens.
Speaker 3: We'll take you for a ride. And our comic girl
Speaker 3: cheered for the right teams.
Speaker 2: Drama queens girl fashion, but your tough girl, you could
Speaker 2: sit with us.
Speaker 1: Girl drama, Queens drama, Queens Drama, Queens Drama, Drama, Queens Drama, Queens.
Speaker 4: All right, we're kicking this off. I just want to say,
Speaker 4: can I get my honorable mention out of the way
Speaker 4: right away? Do it like right away? You guys. The
Speaker 4: T shirt that Quinton is wearing in this episode, oh god,
Speaker 4: on the river court, it looks like a penis roarshack.
Speaker 4: It looks like such a dish. Three nicks got smashed together,
Speaker 4: and it's and it was all I cared about. Everything
Speaker 4: else was so like like cringey and like oh good.
Speaker 4: But that penis shirt made me laugh so hard.
Speaker 5: I think they might have been little like silk screens
Speaker 5: of R two D two's, but they looked like Dick's.
Speaker 2: Damn. I wish I had noticed that. I totally missed it.
Speaker 2: You have to go back, okay, can pause it.
Speaker 3: When Nathan is talking to Quinn on the River Court.
Speaker 4: Yeah, you're never gonna unsee it.
Speaker 2: Well, welcome everybody at Season five, episode six, Don't Dream
Speaker 2: It Overhead February eighth, two thousand and eight. Lucas confronts
Speaker 2: Peyton about her harsh treatment of Lindsey, which ends up
Speaker 2: in a huge argument over their past. Brooke intervenes when
Speaker 2: Victoria meddles with Peyton's record label Girl, and Nathan grows
Speaker 2: closer to Jamie's live in nanny Carrie, is she living here?
Speaker 4: Why is she living in?
Speaker 2: I kind of thought she was just showing up but
Speaker 2: for work every day and going home. While Haley is
Speaker 2: challenged by her difficult student, Quentin Mouth becomes torn with
Speaker 2: a loyalty to his coworkers or his illicit affair with
Speaker 2: his boss Alice.
Speaker 5: You know, we're we're all in really different time zones
Speaker 5: now with Ye and Overseas. So yeah, us, me and
Speaker 5: Hill and the team watched the episode. But you watched
Speaker 5: it this morning, Joy, Where were you?
Speaker 2: I watched it this morning. I was home. Maria did
Speaker 2: not have school today because it's like final exams week.
Speaker 2: I had to help her study for some stuff today.
Speaker 2: So well, that's sweet. Just I watched the episode on
Speaker 2: my own a little earlier this morning while she was sleeping.
Speaker 3: Is there stuff like now that you're.
Speaker 5: Because you guys, basically you know, have teenagers like yeah,
Speaker 5: are you reading shit in their books and going what
Speaker 5: is this? I don't remember this? How do we do
Speaker 5: this math?
Speaker 3: You know? I think about that.
Speaker 2: No new math is no fun.
Speaker 4: We had to make a biome chart last night. I
Speaker 4: was like, the fuck is a biome chart? Don't here?
Speaker 2: I don't even know what that is. That sounds terrifying
Speaker 2: to me.
Speaker 4: It was dumb.
Speaker 2: Maria. I got her a math tutor because she's blessed
Speaker 2: in math the same way that I am. And so
Speaker 2: she was talking with this and her tutor is he's
Speaker 2: an older guy. He's like a grandpa kind of guy. He's,
Speaker 2: you know, probably in his sixties, and she's he's looking
Speaker 2: through her sheet of all this math and it's you know,
Speaker 2: she writes it like it's all over the page, and
Speaker 2: he's looking at what the problem the teacher gave her,
Speaker 2: and it took him a second, and finally he's like,
Speaker 2: can we just do it this way? And he showed
Speaker 2: her the way that we know, like the easiest way
Speaker 2: to do long division or whatever. I don't know. I
Speaker 2: think she's in geometright now, and it's like it took
Speaker 2: her four seconds. I mean she just listened watched it,
Speaker 2: and she was like, oh, and from now on, it's
Speaker 2: so easy. But I don't understand why I'm not a teacher.
Speaker 2: I don't know what the deal is with core curriculum.
Speaker 2: I don't know where it's coming from or who's making
Speaker 2: these decisions. But new math sucks, guys. Whoever's in charge,
Speaker 2: he needs to stop it.
Speaker 5: I mean I thought the old math sucked, so I
Speaker 5: don't want to know anything about this new math of
Speaker 5: which you speak.
Speaker 4: Guys, I'm hearing from other parents in town. Other parents
Speaker 4: are like coming up to me at basketball games, going, oh,
Speaker 4: the math teacher hates your kid. And other parents, Yes,
Speaker 4: she's made her position known. Thank you so much. Wow,
Speaker 4: appreciate you. If only we all had teachers like Haley
Speaker 4: James Scott.
Speaker 2: Oh boy, by.
Speaker 5: The way, I was gonna say, you get one or
Speaker 5: two options. I had teachers that were my Haley's, like amazing,
Speaker 5: incredible teachers who rocked my world in the best way,
Speaker 5: that expanded every horizon I knew to exist. And then
Speaker 5: I think about how your kid could end up with
Speaker 5: a nanny Carey, and I'm like, suck.
Speaker 2: The older I get, the more I realize how realistic
Speaker 2: it is that there are real, deeply narcissistic, actual psychopaths
Speaker 2: out there.
Speaker 3: All the time.
Speaker 2: Oof, and you never know who it is.
Speaker 5: And Tory is playing the shifts in her so well,
Speaker 5: like she's moving in these ways that are a little slinkier,
Speaker 5: but then with you, she's very prim and proper, but
Speaker 5: her wardrobe is changing and her like by the end
Speaker 5: of the episode, when Haley says, good to know there
Speaker 5: aren't monsters in the house and she's out, and I
Speaker 5: was like, oh, I'm so uncomfortable, Like my skin was crawling.
Speaker 2: She did it. She was doing it so subtly. It's
Speaker 2: that perfect blend of the dinner table is the best
Speaker 2: example I can think of when she says he looks
Speaker 2: great out there. Your rehab's coming along, and it's it's
Speaker 2: the thing that makes you go, what the hell And
Speaker 2: then you're like, oh, oh, no, I'm reading into it.
Speaker 4: It's me. I'm the psycho. Yeah, yep, Haley's not the
Speaker 4: psycho here.
Speaker 5: No.
Speaker 4: When we were watching Joy and it was the scene
Speaker 4: where Carrie's in the pool with the boy and haleys
Speaker 4: it like we couldn't stomach it, Like standing there watching it.
Speaker 4: We've we've all lived that moment at some point in
Speaker 4: our lives where we're watching a betrayal happen right in
Speaker 4: front of our eyes and you can't react, like you
Speaker 4: have to keep your composure. And it made me want
Speaker 4: a vomit.
Speaker 2: Yeah, yeah, and you so deep I mean, I so
Speaker 2: deeply don't and I think Hayley does too. Didn't want
Speaker 2: to believe and doesn't you know, when you see those
Speaker 2: things happen, you don't want to believe that that's true
Speaker 2: because it shifts the reality of everything else that you
Speaker 2: had built a foundation on. So it's like there's so
Speaker 2: much at stake if that, if a betrayal is true,
Speaker 2: then you have to unravel all this other stuff from
Speaker 2: the history. So yeah, it's really hard. And to watch
Speaker 2: Haley justify it in her mind and try and figure
Speaker 2: out and even apologize the next morning. I'm sorry, I
Speaker 2: don't mean to be. It's me.
Speaker 3: You're great. It's so great in the world.
Speaker 4: Is Nanny Carey living in the house with you guys?
Speaker 2: That's so strange. I did not think that was the case.
Speaker 5: By the way, because in the beginning, remember that scene
Speaker 5: we talked about where you come in in the car
Speaker 5: and she's like, Okay, see you tomorrow and she leaves.
Speaker 5: They've shifted it, and I think they've put living and
Speaker 5: nanny in the you know, episode description because they like
Speaker 5: the idea of oh, now she lives in the house.
Speaker 5: Oh that's why she's there swimming at night. The writers
Speaker 5: have just decided to shift it. And then they're doing
Speaker 5: that thing where they're like, no, it's always been like this,
Speaker 5: and as audience members slash actors, we go, but it
Speaker 5: hasn't because three episodes ago you made me say this.
Speaker 4: Go ahead, yeah, yeah, go back to your house. Well,
Speaker 4: should give up the lease on her apartment.
Speaker 3: But like, do you.
Speaker 5: Think when Haley came out in that moment, was she
Speaker 5: watching the action in the pool and going ret row
Speaker 5: or did she hear Because Wolf, when you talk about
Speaker 5: that feeling of betrayal that turns your stomach upside down.
Speaker 3: When Jamie goes.
Speaker 5: Get me, daddy, and Nanny Carey says, yeah, get me daddy.
Speaker 3: I would drag that woman out of that pulled by
Speaker 3: her hair and be like get out of my house.
Speaker 3: Like that was so inappropriate. Did you hear it?
Speaker 4: Oh? God, it is making my chest red.
Speaker 2: Right, skin crawling.
Speaker 3: I'm looking at as we're all red in the face.
Speaker 2: But hey, in what world is Nathan picking up a
Speaker 2: woman in a bikini and throwing her around in the pool?
Speaker 4: Ye? Come on, that's his stick because remember when when
Speaker 4: Peyton and Nathan went on their like boy toy auction
Speaker 4: date we ended up in the pool and he was
Speaker 4: picking me up and throwing me around. Yeah, yeah, that's
Speaker 4: his thing. Nathan loves throwing a chick around. Man.
Speaker 2: Still, this like has this insecurity that just needs to
Speaker 2: be wanted, needs to.
Speaker 4: Be Peter Pan.
Speaker 2: Yeah.
Speaker 3: And I also think there is a little bit of
Speaker 3: a like, well, obviously I don't mean it like that
Speaker 3: everybody's playing the kids around. Peyton's my friend.
Speaker 5: We were just playing like there is a there is
Speaker 5: this like deniability I think that sometimes handsome men have
Speaker 5: because there's I'm so used to things going their way
Speaker 5: that they're like, no, it's not like that, and it's like,
Speaker 5: well maybe not.
Speaker 3: For you, you ding dong.
Speaker 4: They're gonna toe right up to that line.
Speaker 5: But if you don't thing that woman got in that
Speaker 5: pool covered in body oil and a little teeny weenie
Speaker 5: poke it out bikini girl on purpose.
Speaker 3: You're an idiot.
Speaker 4: I'm mad about it.
Speaker 2: I don't buy that upset.
Speaker 4: I wish Haley would have just walked right up to
Speaker 4: the edge of the pool and been like, yeah, daddy, Yeah,
Speaker 4: what the.
Speaker 2: Hell are you doing?
Speaker 4: Oh?
Speaker 3: That was so upsety.
Speaker 4: And then you've let her come to dinner. Yeah, why
Speaker 4: was she at the dinner table?
Speaker 2: I invited her to dinner. I felt so bad for
Speaker 2: asking her not to wear a bikini in the pool
Speaker 2: with my husband.
Speaker 3: And then she's in a V neck that goes like
Speaker 3: almost to her belly button.
Speaker 2: Yeah, now, so strange.
Speaker 3: Putting his pants on, Oh so strange.
Speaker 2: I wonder if, like I probably could have helped that
Speaker 2: a little bit more, made a little bit more sense
Speaker 2: in retrospect, I feel like if I had played hate
Speaker 2: a little more frazzled in the last couple of episodes,
Speaker 2: where I was more distracted and more like just I
Speaker 2: don't know as an observer now, if I was watching,
Speaker 2: if I was doing it again, I meant, I think
Speaker 2: I would have done that.
Speaker 4: But that's the ownership that women take, which we shouldn't
Speaker 4: where it's like, well, if I were paying more attention,
Speaker 4: he wouldn't be paying attention to this nanny, or it
Speaker 4: wouldn't seem so weird. And like I was frowz. No,
Speaker 4: Haley is doing everything right, everything right, and these kinds
Speaker 4: she makes.
Speaker 2: It more believable that that's why she would have she
Speaker 2: would have missed it, like not really noticed it if
Speaker 2: she was distracted. I was like, Hailey, smart, why isn't
Speaker 2: she seeing what's going on?
Speaker 3: Well, but most of it's happening behind your back. That's
Speaker 3: fair and to your point, you don't want.
Speaker 5: To think that that's going on, And like, you know,
Speaker 5: your kid loves this person, and having help is giving
Speaker 5: you some freedom as an individual.
Speaker 3: I get how layered that is.
Speaker 5: I just wish the writers would have had some sort
Speaker 5: of a line to acknowledge the fact that this woman
Speaker 5: moved in, Like just put it in a scene. Just
Speaker 5: make it clear so that we're not going, oh, it's
Speaker 5: it's in the synopsis, Like come on, guys, tell us.
Speaker 2: Yeah, my condo burnt down, that's what it should have been, right, Yeah,
Speaker 2: she burned it down.
Speaker 5: Yeah, she set fire to her building so she could
Speaker 5: live with you.
Speaker 3: Guys.
Speaker 2: Oh my gosh. Well, okay, so there was a lot
Speaker 2: in this episode. It felt like it was really jumping
Speaker 2: around and hitting a lot. Do you know what it
Speaker 2: kind of felt like. Do you remember Hillary when we
Speaker 2: would were on set that one time and we I
Speaker 2: don't know why we did it, but we ran through
Speaker 2: Lamez in five minutes. Oh, this is what that episode
Speaker 2: felt like to me. Yes, it's just slammed all together.
Speaker 5: Yeah, they were cramming so much in They wanted to
Speaker 5: do this whole dream sequence for everyone having a dream
Speaker 5: that turned into a nightmare.
Speaker 3: So it starts happy and then it gets dark and
Speaker 3: it's Jamie and it's it's everyone, it's you, it's me.
Speaker 5: And then they also wanted the repeats, So Alice is
Speaker 5: a bitch, Peyton is a bitch, your mom's a bitch.
Speaker 5: It won't happen again, It won't happen again. They have
Speaker 5: everybody echoing. The last sentence of this scene is the
Speaker 5: first sentence of the next scene. And so there were
Speaker 5: there were so many devices that it made the episode
Speaker 5: feel a little frazzled.
Speaker 2: Yeah, disjoin it.
Speaker 4: It was dense though. Man starting out with that creepy
Speaker 4: music and Dan Scott in fangs. Oh my god, I
Speaker 4: was like, they did not make him a fucking vampire.
Speaker 4: Was True Blood on at this point? Is this when
Speaker 4: we were in our True Blood face?
Speaker 2: Wait, it was on because Joe got that job like
Speaker 2: a year later.
Speaker 5: Yeah, Joe went from our show to True Blood like
Speaker 5: season five or something.
Speaker 4: Yeah, guys, we thought vampires were so sexy. I loved
Speaker 4: that show so much.
Speaker 2: I read all the Sickie Stackhouse novels.
Speaker 4: Oh god, sure it did. How do we didn't get
Speaker 4: to be vampires? Just Dan Scott Man.
Speaker 3: Dan Scott and Victoria Davis.
Speaker 2: Yes, Victory is her own version of a vampire.
Speaker 4: Yeah, she's like that really mean vampire that hung out
Speaker 4: with Alexandra Scarsgard on the show. Just Oh yeah, she
Speaker 4: was hot Boston, those chicks around. Yeah. The Dan thing.
Speaker 4: I like that conversation that Skills has with Nathan at
Speaker 4: the beginning of the episode, because I've been in that
Speaker 4: position where it's like, what does your kid know? Because
Speaker 4: I know what my kid knows, and you want to
Speaker 4: make sure we're all on the same page, and you're
Speaker 4: asking me to lie to this child. Yeah, okay, I'm
Speaker 4: just set the boundaries here, and I like that skills,
Speaker 4: felt like he could just tell Jamie the truth.
Speaker 2: Yeah. I like that too. I think that's a good
Speaker 2: polacy with kids.
Speaker 3: And it also just made for such good comedy. Yeah,
Speaker 3: like him trying.
Speaker 5: Not to blow it again and then you told him
Speaker 5: Dan went to prison because he didn't clean his room.
Speaker 2: So it really was nice.
Speaker 4: I mean, does that work. I've got a five year
Speaker 4: old right now.
Speaker 3: You guys report back.
Speaker 2: Yeah, that's a fun experiment to try children. I want
Speaker 2: to talk about Victoria Moore though. This was fun the
Speaker 2: Brook and Victoria storyline. First of all, Daphne looks so
Speaker 2: fucking amazing every time she's on screen, those colors on
Speaker 2: her everything, She's just hair holds herself like a queen.
Speaker 2: It's an incredible Uh. Yeah, this was interesting, this constant
Speaker 2: struggle with Brooke and Victoria to find and Brook so
Speaker 2: desperately wanting coming to terms with how badly she wants
Speaker 2: her mother's love. Yeah, and that moment in the end
Speaker 2: really gutted me. That was so sad that she has
Speaker 2: the dream, goes and has the moment and repeats it.
Speaker 2: Does she sleep in the back of the store? I
Speaker 2: missed that part. Why did she wake up? In the
Speaker 2: back of the store.
Speaker 3: No, she went home.
Speaker 5: That's the that's bedroom in Brooks House. But it's like,
Speaker 5: you know, she's gone home from the night out with
Speaker 5: Millicent and Peyton and wakes up and goes to the
Speaker 5: store because she's had a dream about having gone to
Speaker 5: the store instead of going home.
Speaker 3: It wasn't super clear.
Speaker 2: Yeah, maybe just because that's the back of the set. Yeah,
Speaker 2: I was thinking something else. Anyway, that was well done
Speaker 2: and I made me sad.
Speaker 5: I know, it made me, said too, And it's funny.
Speaker 5: I as soon as it started to happen, I was like,
Speaker 5: oh my god, I remember shooting this with Daphne, and
Speaker 5: I remember, you know, we shot, we block shot, so
Speaker 5: we did all my coverage of the happy dream and
Speaker 5: then into the sad reality, and then we turned around
Speaker 5: and did the happy dream and the sad reality, and
Speaker 5: it was really emotional for both of us. It was
Speaker 5: so hard to have to, you know, play those those
Speaker 5: two differences, and I don't know, it gave me one
Speaker 5: of those like muscle memory sense memory feelings where I
Speaker 5: was like, oh shit, it's like I can feel that hug.
Speaker 5: And how nice it was for us both to have
Speaker 5: a great moment, especially because so much for her in
Speaker 5: this episode was so vicious. Yeah, vicious with mea Lindsay
Speaker 5: and Mia vicious with peyton Ah like pain going out
Speaker 5: and defending Brooks on or like a true best friend,
Speaker 5: and then Victoria saying it's clear you didn't have a mother, Like,
Speaker 5: oh my.
Speaker 2: God, it was heavy.
Speaker 4: Here's the thing, what we normally see in romantic relationships
Speaker 4: for other characters is what we are seeing in Brooke
Speaker 4: Davis's female relationships. Yeah, she's got this problem where with
Speaker 4: her mom, which is a toxic love where like we
Speaker 4: see the teasings, we see like a tease of like
Speaker 4: what it could be. Because there's that scene where you
Speaker 4: guys are having together and you're getting pissy about zero
Speaker 4: is not a size and your mom is like, ugh,
Speaker 4: we're their models whatever, and then she tells you to
Speaker 4: eat and you're like, oh, but almost I was four.
Speaker 4: She says, but you're my daughter and you're not a model.
Speaker 4: You're far too talented. And so we get that backhanded
Speaker 4: compliment that sometimes you get in a romantic relationship where
Speaker 4: it's like, no, this person loves me, like they think
Speaker 4: I'm great. And Brook tells her friends she's like you
Speaker 4: don't know, like she's.
Speaker 3: My mom's great supported she's better.
Speaker 4: Oh, Peyton Sawyer just wants to be your ducky. Peyton
Speaker 4: Surrey just wants to show up and be like she's
Speaker 4: mine and I'm the only person that's allowed to tackle
Speaker 4: her in the front lawn. No one allowed to talk
Speaker 4: about her.
Speaker 3: Oh my god, I love that. I love Peyton as ducky.
Speaker 4: Yeah, she's your duck yeah.
Speaker 5: And it's and it's interesting that Brooke goes to bat
Speaker 5: for Peyton with Victoria and then Peyton turns around and
Speaker 5: goes to batford Brooke with Victoria. And in this way,
Speaker 5: especially because our two characters have really, you know, found
Speaker 5: the reconnection, found the bond we're living together, it's almost
Speaker 5: like now she's our mom, you know, she's she's like
Speaker 5: both of our nightmares.
Speaker 3: And I love that Haley gets in on it.
Speaker 5: He is the one who's like Pitchtoria was waiting and
Speaker 5: it's Victoria. We got Bitchtoria out of this episode. We
Speaker 5: got zero is not a size out of this episode.
Speaker 5: We get We go into such ah just like iconic,
Speaker 5: like quote from our show.
Speaker 3: It was so fun.
Speaker 4: Have you ever had to fight one of your friend's parents. No,
Speaker 4: it's such a weird thing to have to fight a
Speaker 4: friend's like family member. Yeah, I mean guys, I'm not
Speaker 4: one to mince words, and so yeah, without going into
Speaker 4: personal detail, I have had to check some people I
Speaker 4: love relatives, and it is uncomfortable because you have to
Speaker 4: say it with a smile, like as a girl. You
Speaker 4: have to present it in a palatable way where you're like, hey, look,
Speaker 4: let's just all get on the same page here, And
Speaker 4: it is rare that anyone wants to get on the
Speaker 4: same page with you.
Speaker 2: Normally it's like so funny that you can do like
Speaker 2: I'm man, I'm so just like, well, that's freking rude.
Speaker 4: Just say it.
Speaker 2: I don't know how you manage to like contain and
Speaker 2: then also present it in a palatable way. That is
Speaker 2: the talent, Well.
Speaker 4: Because you're trying to love the person that you love
Speaker 4: right and creating a battle with their oppressor if you will,
Speaker 4: is not going to make it any easier on them.
Speaker 4: But yeah, that's such a fine line where it's like,
Speaker 4: how do I fight for you but not make it
Speaker 4: wor worse.
Speaker 2: Well, I love that Peyton just takes the risk because
Speaker 2: clearly it can't get any worse with Victoria.
Speaker 4: No, no, Like, what do you think the first interaction
Speaker 4: was in third grade where probably where Victoria was like
Speaker 4: this one, this is what you bring home.
Speaker 2: Yeah, it's like a stray puppy. Peyton had some good
Speaker 2: stuff in this episode too. I know we're kind of
Speaker 2: jumping around, but it's fitting because the episode bounced around
Speaker 2: a lot.
Speaker 3: The episode jumped around so much.
Speaker 4: Well, we're exhausted. Well the fact that you brought Lindsay
Speaker 4: to the studio, so listen joy.
Speaker 3: Oh yeah, yeah, let's go to the beginning.
Speaker 4: I can't stop with the Peyton defense, Like I'm watching
Speaker 4: this like why the fuck is Lindsay there? And then
Speaker 4: when all that dialogue came out, I was like.
Speaker 5: Oh, okay, you're like turns out I feel exactly the
Speaker 5: way they wrote me to feel.
Speaker 4: This is a business endeavor. I don't need Lindsey, like,
Speaker 4: you know, spilling a drink on the board, like she
Speaker 4: can't come in here, get out. I get so defensive
Speaker 4: about it.
Speaker 5: It is also a weird thing when somebody brings an
Speaker 5: outsider who doesn't have any place in your creative process
Speaker 5: into your creative work, like it's one of the things
Speaker 5: that I find weird kind of about our jobs. Like
Speaker 5: if you were coding at a tech company, nobody would
Speaker 5: ever stand over your shoulder at your chair and be.
Speaker 2: Like, what are you doing now?
Speaker 3: What are you doing now?
Speaker 2: What's going on there?
Speaker 5: And sometimes you'll get to work on a set which
Speaker 5: is not nearly as intimate as a recording studio and
Speaker 5: there's like ten people at video village or like standing
Speaker 5: behind the a camera and you're like, who are these people?
Speaker 3: I have to like fake a sex scene today?
Speaker 6: Like I don't have to think Europe, yeah or yeah,
Speaker 6: Like I have to cry?
Speaker 3: Could you not? Like could you not stand in the
Speaker 3: corner and like record on your phone right now?
Speaker 5: Like hold on, guys, we got to have like a
Speaker 5: little bit of a boundary for the thing we're doing
Speaker 5: in this room that's so intimate, and that's like a
Speaker 5: bunch of us as actors on a stage with a
Speaker 5: bunch of people and camera guys.
Speaker 2: But you've built a circle of trust.
Speaker 5: Well yeah you have. They're your family, Like there there
Speaker 5: are your people. I can't imagine how completely emotionally naked
Speaker 5: I would feel as a recording artist if it was
Speaker 5: just me in a room and two women that I
Speaker 5: was working with in the booth, and then suddenly there's
Speaker 5: just a stranger being like, so, what are you going
Speaker 5: to sing for me today?
Speaker 2: Yeah? Hailey should have known better.
Speaker 5: You're like, you're probably a really nice person, but please leave,
Speaker 5: like come back tomorrow, I guess so I can like
Speaker 5: know you're coming if you have to be here.
Speaker 3: But why are you here?
Speaker 2: Was Hailey there to record with me? Or was she
Speaker 2: just like passing through to grab something on her way?
Speaker 2: I think that's where I was confused, Like were they
Speaker 2: on their way to lunch?
Speaker 4: Why would may it be there by herself?
Speaker 3: That's the thing.
Speaker 5: Victoria tells Haley, you're late for the session? Oh right, yes,
Speaker 5: which is what makes it weird. So it's like, so
Speaker 5: did they come to the session together and then they
Speaker 5: were going to hang out until lunch and then go
Speaker 5: to lunch? Like again, this is this is just not
Speaker 5: great writing, Like they didn't make clear what was happening.
Speaker 2: Yeah, no, but it is weird that she brought Lindsay,
Speaker 2: especially not only just everything you said, Sophia, but just
Speaker 2: even the sheer fact that she's Lucas's girlfriend and Peyton's
Speaker 2: like his ex girlfriend and it's already been tense. Why
Speaker 2: would she do that? Another reason why Haley should have
Speaker 2: been really frazzled and just distracted and like overwhelmed. You know,
Speaker 2: it's like give her free paths. She's just completely overwhelmed.
Speaker 4: Yeah, I just figured that Haley was like forcing Peyton's
Speaker 4: hand a little bit in like a loving way, like
Speaker 4: I know you're gonna be fucking weird about this, and
Speaker 4: I'm not gonna let you make it weird. You know,
Speaker 4: like that's a reasonable girlfriend thing to do, and it's
Speaker 4: irritating for Peyton, it's irritating for Hillary.
Speaker 6: Burton, who totally aligns with my character. Yeah, but do
Speaker 6: that on like a shopping day or like a lunch.
Speaker 6: Don't do it a professional endeavor.
Speaker 5: But don't you think that this is one of those
Speaker 5: things that happens on a TV show because they need
Speaker 5: to do certain scenes in certain sets and then they're like, yeah,
Speaker 5: we're gonna do this combo and we're just gonna make
Speaker 5: this happen. We got to get them together, so she'll
Speaker 5: just go with her. You know, there's always one person
Speaker 5: in the room going, don't you think that's weird?
Speaker 3: And everybody else goes it doesn't matter we don't have time.
Speaker 2: Yeah, here's what I want to know.
Speaker 4: Why does Lindsay have a job. She's never working on anything.
Speaker 4: Lizy's just going to lunches, going to dinners, popping into
Speaker 4: Peyton's place, going to clothes over bros. Lindsay's just bugging everybody.
Speaker 2: Yeah, and why wasn't she always have a manuscript on
Speaker 2: her If she's an editor, she should always be reading something.
Speaker 3: Yeah. Well, apparently she's waiting on Lucas to write this book.
Speaker 2: Yeah, just waiting on this, dude.
Speaker 4: I'm mad about it.
Speaker 2: Speaking of Lindsay and Lucas, this my brain is going
Speaker 2: now to the fight that you guys had, which was
Speaker 2: so good. But when he walked in and sat down
Speaker 2: in the studio, it felt to me like Lucas really
Speaker 2: was actually the emotional center of the whole episode. That
Speaker 2: didn't it hadn't grounded until he walked into that room,
Speaker 2: into your office and started talking to you, because I
Speaker 2: realized all the other storylines. Everybody was buzzing on this
Speaker 2: like high energy drama, like trying to solve problems and
Speaker 2: kind of scurrying around, and Lucas was the only one
Speaker 2: who was calm and dropped in, which was nice to see.
Speaker 2: I feel I feel like I hadn't seen that from
Speaker 2: him in a while.
Speaker 5: Do you mean when he comes in to tell Peyton
Speaker 5: she has to apologize and then offers to help her,
Speaker 5: like in the beginning of the episode.
Speaker 2: Yeah, that's right, and they got and then they got
Speaker 2: into a they got into a fight later. Was that
Speaker 2: was later the scene?
Speaker 4: Yeah, there's there's scenes and trick and I loved filming
Speaker 4: these scenes with Chad. We had Tom Wright as our director,
Speaker 4: who I'll say in a million times was just a
Speaker 4: favorite of mine on multiple shows that I've worked on.
Speaker 4: I've done three different televisions, maybe four different television shows
Speaker 4: with him. He's just wonderful. And I remember really trusting
Speaker 4: him because it's we're having to deliver all this backstory
Speaker 4: in these two fight scenes and get out all this
Speaker 4: exposition and stuff, and we both feel one hundred percent
Speaker 4: right in our approach, Like he really thought it was
Speaker 4: appropriate for him to show up and be like, I'm
Speaker 4: going to be the peacemaker, and Peyton like one hundred
Speaker 4: percent feels she's right to be like, I need to
Speaker 4: avoid this with you at all costs, and I have
Speaker 4: a million other things going on and watching the show back,
Speaker 4: like I remember Peyton catching so much shit for like, oh,
Speaker 4: she broke up Locus and broke and she broke up
Speaker 4: Locus and blends it. Peyton is avoiding him at every turn.
Speaker 4: She's just like pass pass, pass pass. He's the one
Speaker 4: that keeps showing up, and so I need that to
Speaker 4: be acknowledged. But him saying can I help you, and
Speaker 4: her saying no, Like if she were trying to reel
Speaker 4: him in, it would be like, you know, would be great,
Speaker 4: could you know, maybe stick around?
Speaker 2: No, She's like, leave me alone so I can get
Speaker 2: over you and get on with my life instead of
Speaker 2: living other things and having other dreams. That's what the
Speaker 2: fact that it all came out, it was like pushing
Speaker 2: pushing away. I can't remember what he said that really
Speaker 2: launched you in to your thing about the books, but
Speaker 2: it was. It felt so real. The progression of that
Speaker 2: scene was so real and so visceral. I just thought
Speaker 2: it was so well. That was my favorite scene in
Speaker 2: the episode and was the best written scene in the
Speaker 2: episode two.
Speaker 4: He says, you didn't think I could do it?
Speaker 2: Yeah, that's what it was ew, which.
Speaker 4: Is so shocking to Peyton because it was like, wait
Speaker 4: a second, yeah, hold on now, but also that that
Speaker 4: would be the thing that was such a turn off
Speaker 4: for him, that he could get over her.
Speaker 2: Yeah, but he didn't. He clearly didn't because he was
Speaker 2: so upset in the office, saying to her, I propose
Speaker 2: to you. You don't go in and fight for somebody
Speaker 2: that you're not still connected to, that you don't still
Speaker 2: kind of want.
Speaker 5: But what I thought was really interesting about it and
Speaker 5: what made it feel so real to me is exactly
Speaker 5: that moment you're talking about Joy because he's yelling saying,
Speaker 5: I did this.
Speaker 2: I asked you.
Speaker 3: And you said no, and you gave up on us.
Speaker 3: And she's like, you're a story.
Speaker 5: That's not what happened. I said, I'm not ready. I said,
Speaker 5: we're nineteen. I said give me time. I said I
Speaker 5: want to marry you. I want to be with you forever.
Speaker 5: She's reminding all of us in that scene of exactly
Speaker 5: what she said, and you do really realize, like, oh,
Speaker 5: he's telling a story about what happened.
Speaker 2: Heard one thing.
Speaker 3: Yeah, because he didn't get what he wanted and he
Speaker 3: didn't get it the way he wanted it, and so
Speaker 3: he threw it all back in her face, and it's
Speaker 3: so vindicating that she gets to say, you're the one.
Speaker 5: Who gave up on us, Yeah, because you didn't get
Speaker 5: it your way.
Speaker 2: And I thought that was so special that he didn't
Speaker 2: get it his I mean, it could have been that
Speaker 2: he didn't get it his way. I think I saw
Speaker 2: it as he his expectation was at a certain place
Speaker 2: because it was so vulnerable, like he was really putting
Speaker 2: everything out there, and when it didn't turn out. It's
Speaker 2: not I don't know if so much that it was
Speaker 2: like his way, like he was throwing a fit. Is
Speaker 2: just the expectation of if I'm going to put everything
Speaker 2: out there, you got to put everything out there too,
Speaker 2: And it just because it didn't come out the way
Speaker 2: he was expecting, he couldn't adjust. Does that make sense
Speaker 2: what I'm saying. It feels to me like he was
Speaker 2: throwing a fit. It felt just like he he just
Speaker 2: didn't know how to adjust. He didn't know how to
Speaker 2: hear it.
Speaker 4: We've said in the past couple of weeks, where you know,
Speaker 4: because our characters keep reminding everybody we're twenty one years
Speaker 4: old and this is such a twenty twenty one, twenty
Speaker 4: two year old fight to have where you know, he's
Speaker 4: allowed to be kind of bitchy and be like, oh,
Speaker 4: you didn't want me, but now that I'm a successful writer,
Speaker 4: now you want me, which is gross. It's so gross,
Speaker 4: but it's also gross. It's like kind of what it
Speaker 4: looked like from his angle. And yeah, Hayton, I remember
Speaker 4: having trouble with the blocking because we'd done the first
Speaker 4: scene and they were like, don't cry in this, Hillary,
Speaker 4: don't cry in this. You gotta hold it, suck it up,
Speaker 4: don't cry in this, because there was a part of
Speaker 4: me when he was like, can I help you that
Speaker 4: just wanted to scream, right, So hold it in for
Speaker 4: the second one, and then I just didn't. I couldn't
Speaker 4: figure out what to do with my energy in that
Speaker 4: second one. During the blocking rehearsal, what I say, it
Speaker 4: was Greg Prange that was like, do you just want
Speaker 4: to whip those books at him? And I was like, yes,
Speaker 4: I do, I really do. Yeah, And so I was
Speaker 4: whipping those things across the room and there was one
Speaker 4: that did hit Chad and you know when you do
Speaker 4: something and you don't know what the reaction is going
Speaker 4: to be, and he loved it. He was just like,
Speaker 4: oh godness feels so real, like he was so game
Speaker 4: for it. But when we watched the episode, we were
Speaker 4: talking about how in that fight scene, Lucas goes in
Speaker 4: there and totally baits Peyton. Yes, she's calm, she's calm.
Speaker 4: He starts making wild accusations, and then when she finally
Speaker 4: loses her shit, I did this thing where I like
Speaker 4: covered my mouth and that was a total, like natural
Speaker 4: reaction to spitting all that venomount and he threw his
Speaker 4: hands up in the air and I think those that
Speaker 4: was like the only takes that we did, and it
Speaker 4: was like he couldn't handle her crazy. He'd driven her
Speaker 4: to the brink of crazy.
Speaker 3: He was like, oh, you're being irrational.
Speaker 2: Oh you've gone too far. God, he makes our nuts.
Speaker 2: He's the one that went down there, though, why do
Speaker 2: you come looking for it?
Speaker 4: Man?
Speaker 3: That's it and what it reminds me of.
Speaker 5: And I guess the reason I say, like, you know,
Speaker 5: they wrote it. They wrote Lucas to be unable to
Speaker 5: tolerate anybody's reality but his own in this situation, and
Speaker 5: it really harkens back to some of that stuff that
Speaker 5: we all identified in like the beginning of high school,
Speaker 5: going oh shit. Now watching it back, you realize there's
Speaker 5: a narcissism under this person who when he's with Peyton,
Speaker 5: he goes and he provokes Brooke, and he checks in
Speaker 5: on Brook and he wants to hear how she's doing.
Speaker 5: When he's with Brook, he's always going to check on
Speaker 5: Peyton and provoking And.
Speaker 3: I like I saw that, and part of me likes
Speaker 3: that the writers brought it back because you.
Speaker 5: Go up, there's still a little bit of a child
Speaker 5: in there, just like there is with Nathan. He's throwing
Speaker 5: any carry around the pool, just like he did with Peyton. Yeah,
Speaker 5: like you see, we're twenty one, you see them in there.
Speaker 2: I don't even know that it's like clinical narcissism so
Speaker 2: much as just selfishness and scurious, like little boys that
Speaker 2: just don't grow up yet, like every little kid.
Speaker 5: I think Dan Scott is a clinical narcissist. I'm not sure,
Speaker 5: but you.
Speaker 3: Know what I mean.
Speaker 5: It's it's the tendency, it's the trait, and it is
Speaker 5: that thing of like most women, because of the way
Speaker 5: the world is for us, like we suck up not
Speaker 5: getting things the way we want to get them.
Speaker 3: We're not very used to getting our way? When do
Speaker 3: we ever? And when the boys don't get their way,
Speaker 3: they lose their fucking minds.
Speaker 2: Yeah, they implode.
Speaker 5: And his immaturity and his is need to keep her
Speaker 5: on the hook and yet to blame her for it.
Speaker 5: I think the scene feels so beautiful because it feels
Speaker 5: so real.
Speaker 3: It feels so.
Speaker 5: Messy and human, and I love that Peyton gets to
Speaker 5: be like off you, like, not again.
Speaker 3: You've been doing this to me my whole life. And
Speaker 3: it's like it's so oh.
Speaker 5: It's like it's so indicating when she's whipping those books
Speaker 5: at him, because you're like, yeah, man, like he's got
Speaker 5: to realize what he's doing.
Speaker 2: Yeah, you took this from me. I didn't take it
Speaker 2: from you. I was ready. I wanted to be there
Speaker 2: with you. I wanted to do it. I just needed
Speaker 2: to go slower man. That's it.
Speaker 4: Yeah, all dude, he left a dinner party with his
Speaker 4: girlfriend Ella to come and have that conversation with Payde.
Speaker 5: You're right, and even notice that and his girlfriend, who
Speaker 5: by the way, drives by go into their house and
Speaker 5: sees his car next to Peyton's car.
Speaker 3: Oof.
Speaker 4: And here's what I don't like. This pissed me off.
Speaker 4: When Lindsay got the dinner table, is all like, oh,
Speaker 4: Peyton showed up because she's got some weird territorial thing
Speaker 4: about Lucas.
Speaker 3: Bayden hasn't reached out to Lucas once once.
Speaker 4: Wow, Yeah, so what's he going home to tell her? Oh?
Speaker 4: Sorry I ran into Peyton.
Speaker 3: Sorry, she just needed something at the office.
Speaker 5: Yeah, god, barf barf is Wow, that's a really good point.
Speaker 2: Why were you in your underwear on that bed in
Speaker 2: her dream?
Speaker 3: It was his dream?
Speaker 4: It was his dream, Lucas's dream.
Speaker 2: Did you have a fight about that? Yeah?
Speaker 4: I did have a fight about it because they wanted
Speaker 4: me seated like like tits first they did, yeah right,
Speaker 4: and I was like, I'm actually gonna hide as much
Speaker 4: of my body as possible. Someone laid down and have
Speaker 4: real big hair, so all you see is feet popping it.
Speaker 2: It was very cute, I mean a Zari like pin
Speaker 2: up girl cute. But I just knowing everything, I was like,
Speaker 2: I wonder if she had a fight about that or
Speaker 2: if that was just.
Speaker 4: That blocking was for sure a fight. Yeah.
Speaker 2: It just seems so dumb, like you could have been
Speaker 2: wearing a short, little black slip and it would and
Speaker 2: would have had the same effect of just like looking
Speaker 2: sexy on a bed.
Speaker 4: I could have been fully clothed. You could have been
Speaker 4: fully in jeans.
Speaker 5: You could have been in the T shirt with the
Speaker 5: long sleeve, in the jeans and been like when he
Speaker 5: proposed to me. You could have been in the outfit
Speaker 5: from the proposal, could have.
Speaker 4: Been yeah instead tits up. But that was Tom right again.
Speaker 4: I could say to Tom Wright like I don't want
Speaker 4: to do it, and he'd be like, baby, just do
Speaker 4: it however you want.
Speaker 3: Well, here's what I am gonna say.
Speaker 5: If I can plunk us out of the like ick
Speaker 5: of always.
Speaker 3: Being asked to be in our underwear on our show.
Speaker 5: And just from like our adult perspectives acknowledged that you
Speaker 5: looked smoking fucking hot, I'm gonna do it. I was like,
Speaker 5: damn girl, because you're right, Joyce. She looked like a
Speaker 5: little pin up character.
Speaker 4: Yeah.
Speaker 3: And I gotta give props for your.
Speaker 5: Hatty McCatty moment in this episode and for us getting
Speaker 5: spicy hotty McCatty, Joe Maganello so spicy. I got how
Speaker 5: spicy Owen is. With Brooke joy we were watching the
Speaker 5: episode and we both were like.
Speaker 3: Oh my god, Oh my god, oh my god.
Speaker 2: Like he's very forward.
Speaker 3: Whoa he threw the vibes and y'all, y'all both did
Speaker 3: really great.
Speaker 4: Why didn't we have bartenders that look like that in
Speaker 4: real life in Wilmington?
Speaker 5: I mean we did sort of, but if we if
Speaker 5: we flip it to Stephanie.
Speaker 4: Yeah, there was no There was no Owen.
Speaker 3: Yeah, no, there was no Owen.
Speaker 4: I like Owen because you know he's doing that kind
Speaker 4: of douchey guy move of like I don't know who
Speaker 4: you are, but like I really got the sense he
Speaker 4: had no I know, she was same, no idea.
Speaker 2: It was such a good move. Can you sign this?
Speaker 4: Yeah?
Speaker 2: Who do we make it out to a trick for
Speaker 2: thirty seven dollars? Yeah?
Speaker 3: It was so good. It was so good.
Speaker 5: I also love him being behind the bar for all
Speaker 5: these interactions that Brooke is having with female fans of
Speaker 5: clothes over bros, girls who wear her clothes and him.
Speaker 3: Being like, I know how I'm gonna hit on that lady.
Speaker 3: I'm gonna with her.
Speaker 5: Like it's such alpha energy. It it was spicy.
Speaker 4: He's playing a long game. Yeah, I'm into it.
Speaker 3: Yeah, I liked it.
Speaker 4: They cast Joe. We all were just like he is tall.
Speaker 2: He was so large, yes, yeah, yeah, and him and
Speaker 2: Paul would like stand next to each other and it
Speaker 2: was amazing to see too, like Viking giants, gigantic.
Speaker 4: Man.
Speaker 5: I just loved knowing because that was all of our
Speaker 5: first interaction on camera, like the look on your face, Hillary,
Speaker 5: and the look on Lisa Goldstein's face, like y'all were
Speaker 5: not acting, No, it was Lisa.
Speaker 3: Did a little nose touch that she always.
Speaker 5: Used to do, and then it became Millicent's thing, but
Speaker 5: that was Lisa.
Speaker 4: All the time.
Speaker 3: And I was like, oh, everybody's blushing. This is great.
Speaker 4: Well, because he came in and he was so nice,
Speaker 4: like he was incredibly kind and was kind of nervous,
Speaker 4: had like a little bit of a nervous energy. And
Speaker 4: I remember me being nervous because he was so physically large,
Speaker 4: like yeah, And I said something really lame to him
Speaker 4: in the transpo van one day. I was just like,
Speaker 4: your bigness kind of creeps me out because I was
Speaker 4: trying to explain to him why I need Like I
Speaker 4: was like leaning back and I didn't mean it as
Speaker 4: like mean, I just meant like, you're really big and
Speaker 4: it is intimidating, and as a woman, I feel vulnerable
Speaker 4: around it, and I don't like the way this is feeling.
Speaker 4: And so rather than I was just trying to explain
Speaker 4: myself and I I really stepped in it, and he
Speaker 4: was just like, I'm sorry, Oh no, do apologize for
Speaker 4: being large.
Speaker 5: You're like, I'm just trying to tell you why I
Speaker 5: might be awkward around you.
Speaker 4: Yeah, I'm the awkward one. Let me apologize.
Speaker 2: Let me explain how awkward I am. Give me ten minutes.
Speaker 2: Hold on, yeah, let me just give you a little dietripe.
Speaker 3: If I remember correctly, I think Joe is like six '
Speaker 3: five or six six.
Speaker 2: He's a big, big, big, very tall, And.
Speaker 3: I remember only realizing.
Speaker 5: Like, obviously I knew he was a big dude because
Speaker 5: Brooke and Owen had a whole vibe.
Speaker 3: So I wound up spending a lot of.
Speaker 5: Time with him, but I only ever realized what it
Speaker 5: meant to be that tall. Ironically, one night I was
Speaker 5: out playing pool with Lee Norris and Joe and Jane
Speaker 5: Beck and a bunch of our friends from work after
Speaker 5: we'd wrapped the scene at trick and somebody dropped a
Speaker 5: beer bottle and I had sandals on, and Joe went
Speaker 5: joint and just grabbed me by the shoulders and picked
Speaker 5: me up and lifted me out of the glass.
Speaker 3: And I remember being in the air going, oh my god,
Speaker 3: this is how tall you are, Like, wow, you see
Speaker 3: the bot. Wow, the floor is so f always.
Speaker 5: From here, because he me right in front of his
Speaker 5: face and moved me over and it was like I
Speaker 5: was essentially like Jackson's size.
Speaker 3: I was like a child. He just picked me up
Speaker 3: and moved me and I was.
Speaker 5: Like, whoa you you see like the floor is so
Speaker 5: far from your face.
Speaker 3: It's not that far from my face. I've never known
Speaker 3: what that is like. And we just died laughing.
Speaker 2: I love that instinct strong men using their powers for good.
Speaker 3: Yeah, it was really nice.
Speaker 4: I remember getting in the van with them one day
Speaker 4: and being like, hey, man, what did you do last night?
Speaker 4: And he was like, yeah, I went on a ghost
Speaker 4: tour by myself, and it was like he had said
Speaker 4: the magic words. I was like, who are you going?
Speaker 3: We're going to be friends now. Yeah.
Speaker 4: He did a movie with my husband right when I
Speaker 4: gave birth to George, and so I was still like, yeah,
Speaker 4: I literally had given birth to a baby, like four
Speaker 4: weeks before, and I'm on a red carpet with like
Speaker 4: eight pairs of spanks on, and I look up and
Speaker 4: I see handsome Joe and I'm like, of course you're here.
Speaker 4: It's still awkward, Joe. What do I am? How you doing?
Speaker 3: Give me a hug, but not too hard, don't freak
Speaker 3: me out?
Speaker 4: Yeah, God, you're just yeah. No, he's lovely.
Speaker 3: He's so lovely.
Speaker 4: How long does he stick around? Is he around?
Speaker 2: He's here for a while, he's back in a season
Speaker 2: eight nine.
Speaker 4: He came back.
Speaker 5: I think we have him in five and six if
Speaker 5: I'm not mistaken. And then we lost him for a
Speaker 5: while because he got that big part.
Speaker 3: On True Blood.
Speaker 4: He got famous.
Speaker 3: Man, Yeah he got real famous. Did he to wait?
Speaker 2: I don't think he'd got True Blood until later.
Speaker 4: It was while I was still on the show, because
Speaker 4: I remember being like, you dumbasses lost him. You lost
Speaker 4: him to the were wolves?
Speaker 2: Come on, yeah, Okay, my timeline's all mixed up. I
Speaker 2: just remember him working out incessantly for this part and
Speaker 2: to play this were wolf. And I don't even remember
Speaker 2: if it was an auditionary. I I think maybe he
Speaker 2: did have the part, but he was training for it,
Speaker 2: and he came in and he was sick. One day,
Speaker 2: he had a cold and he was like, clearly very sick.
Speaker 2: He was like, yeah, I got to go to the
Speaker 2: gym after this. It's like, dude, why don't you just
Speaker 2: go home and sleep? Like you're sick your body needs
Speaker 2: to heal. He's like, what did he say. It's like,
Speaker 2: sickness is a figment of your imagination and it's like
Speaker 2: your body, like your subconscious knows that you're that you
Speaker 2: want to stop because it's hurt so much to train,
Speaker 2: So it's manifesting a sickness to make you stop and
Speaker 2: you have to push through it. I have never forgotten that.
Speaker 2: And there are days when I don't want to work
Speaker 2: out and I'm like, am I pretending to be sick?
Speaker 2: Because that's what Joe Mango said?
Speaker 3: Honestly incredible.
Speaker 4: Oh yeah, I'm real into it. And I like that
Speaker 4: we get to see Brooky flirty but not prioritize it,
Speaker 4: like she's like, yeah, that was fun. I'm gonna go
Speaker 4: hold of you guys. Yeah right.
Speaker 3: I also love I just love the dynamic.
Speaker 5: The friendship dynamics feel so strong, like you teasing me
Speaker 5: about dating and then Millicent coming in and you know,
Speaker 5: saying there's one special.
Speaker 3: Yeah, you can be fired, you know that. And I tackled.
Speaker 5: When Peyton said yeah, but then she'd just come work
Speaker 5: for me and you'd still be paying her.
Speaker 3: I was like, that is just so funny, and like,
Speaker 3: I love when.
Speaker 5: We get to see us all being together as women
Speaker 5: and the energy is up and everybody's having a good time,
Speaker 5: and you're right, we're not prioritizing these dudes. And I
Speaker 5: think maybe that's what makes that contrast when Peyton gets
Speaker 5: ambushed by Lucas again by the way, ambushed, just like
Speaker 5: you fucking ambush her with that engagement ring girl comes
Speaker 5: and ambushes her in her office.
Speaker 2: In Brooks party, ruining, ruining her night.
Speaker 3: Every single time you can do better? Whoaf so annoying?
Speaker 4: God? I just had fun with my friends. I just
Speaker 4: got Mia to agree to finally like write this record.
Speaker 2: Yeah.
Speaker 4: The mogul was so cute in this episode. What a
Speaker 4: sweet little lamb.
Speaker 5: Oh God, that speech that she delivered about if I
Speaker 5: can just make you know a listener's experience better for
Speaker 5: five minutes.
Speaker 3: That whole thing. She did that so beautifully, And as
Speaker 3: I was watching that scene. I was like, God, I
Speaker 3: forget that. This was like Kate's first acting.
Speaker 5: Job was our show, and she just is so honest
Speaker 5: and present and.
Speaker 3: It was really beautiful that scene between the two of you.
Speaker 4: And it like that scene makes sense where she's like,
Speaker 4: I don't need the money, I don't need the fame.
Speaker 4: I just want to write a song that makes someone's
Speaker 4: day okay for five minutes when they're real low. And
Speaker 4: the whole time she's giving that speech, all I can
Speaker 4: think about is that heart song, bar A Kuda, Because
Speaker 4: if I'm having a bad day and Bara, it comes
Speaker 4: on of like those bitches nailed it, nailed it. Yeah, yeah, yeah,
Speaker 4: that's my five minutes of magic.
Speaker 2: And and Nancy really came through for you.
Speaker 4: They sure did. No. I like that sentiment.
Speaker 2: So sidebar the passenger train that exists in tree Hill.
Speaker 2: Apparently Quentin reading his book on the train.
Speaker 4: Is he on the subway?
Speaker 2: He's on a subway?
Speaker 3: He said the train.
Speaker 2: Never ever seen a train in tree Hill, and never
Speaker 2: since I don't believe.
Speaker 4: No, no, there's no public transportation.
Speaker 2: It wasn't a bus. It was a terrain.
Speaker 4: Literally, the only public transportation that exists in Wilmington. Is
Speaker 4: the trolley.
Speaker 2: Yes, that would have been hilarious though, Quentin on the
Speaker 2: trolley ding ding.
Speaker 3: Or those carriages, I mean I would have been into it.
Speaker 5: I also hats off to Robbie because I loved the
Speaker 5: way he came into your dinner party, as random as
Speaker 5: it was, yeah, and said I'm going to do this
Speaker 5: and essentially make amends with his teacher and his coach,
Speaker 5: and then by the door he's just a dick to Nathan,
Speaker 5: and I'm like, God, this kid, because just when you
Speaker 5: think you're getting him, he doesn't let you have the payoff.
Speaker 3: And as frustrating.
Speaker 5: As it is because I'm like, just let these people
Speaker 5: help you, it also feels.
Speaker 3: So great that he just doesn't.
Speaker 5: He doesn't have a reason to trust them yet, and
Speaker 5: he's not going to give it up too soon.
Speaker 3: It's nice.
Speaker 4: Well, Nathan's comeback was perfect. He's like, he's like, when
Speaker 4: I'm back on the team, I'm going to crush your
Speaker 4: scoring title and I'm going to erase you. And Nathan's like, yeah, yeah,
Speaker 4: I would have said the same thing anyway later, dude,
Speaker 4: hope you do.
Speaker 5: It was cool to me that what seemed at least
Speaker 5: as if Vie were to have cracked that facade for
Speaker 5: Quentin was Nathan being honest with him. And when Quentin
Speaker 5: gets in his face asking where his team is and
Speaker 5: you know, essentially telling Nathan he's a washed up athlete,
Speaker 5: James made this choice to be really quiet and still
Speaker 5: and just say, yeah, I have a team. My uniform
Speaker 5: is regret mistakes. And he just was like, join my shitty.
Speaker 3: Team if you want it.
Speaker 5: My wife and my brother they're giving you a chance.
Speaker 5: Like that was all in the subtext of his performance,
Speaker 5: and it was so effective and it was nice to
Speaker 5: see that that got to him. And then that Robbie
Speaker 5: made the choice to try to kind of come back
Speaker 5: and act invulnerable with him, that for me made it
Speaker 5: feel clearer that he really was feeling vulnerable.
Speaker 4: Yeah, everybody's being so provocative in this episode. Maybe that's
Speaker 4: like there's so many fights being picked yea.
Speaker 6: Even Mouth's boss. Yeah, my god, we have to talk
Speaker 6: about that. But yeah, we've got Robbie Hook and Nathan
Speaker 6: in the chest. We've got Peyton Poke and Lindsay in
Speaker 6: the chest, Lucas Pok and Peyton, Yeah, and.
Speaker 2: Then Victoria Pok and Brook Carry poking Haley.
Speaker 5: It's like the whole episode has been turned up to
Speaker 5: a boil. You know when like a pot is on
Speaker 5: the stove and the lid is rattling. Like this whole
Speaker 5: episode feels like a rattling lid.
Speaker 2: That's a great analogy for this episode. Actually, right, yeah.
Speaker 4: Yeah, out pops naked Nanny Carey at the end, full boil,
Speaker 4: full boil.
Speaker 2: I mean it was so uncomfortable watching her put those
Speaker 2: pants on. I couldn't eat. I really actually couldn't watch it. No, dude,
Speaker 2: on what planet is this guy?
Speaker 6: Not?
Speaker 2: Like she's got to go?
Speaker 4: Dude, James's face in the scene where you're having your
Speaker 4: nightmare and you walk in and here and carry her.
Speaker 2: Making out, he looked really happy to be making out
Speaker 2: for real.
Speaker 5: By the way his face in this whole episode when
Speaker 5: she's putting his pants on, when he turns to you
Speaker 5: and they're making out, I was.
Speaker 2: Like, oh, yeah, like is he acting? What's going on?
Speaker 3: What's going on with baby j over there?
Speaker 4: Like no chill.
Speaker 2: He really looks like cough. You was so happy to
Speaker 2: have somebody else to make out with. That's why kissing
Speaker 2: me for like four years.
Speaker 4: Joy. I think he legitimately was worried you were gonna
Speaker 4: be mad. Do you know what I mean? Like, you know, no,
Speaker 4: you know when you have an acting partner for so
Speaker 4: so long that when there's a shift in the dynamic,
Speaker 4: it's a little Yeah, it's an unconscious loyalty, but but
Speaker 4: also it shakes the dynamic. And I could feel James
Speaker 4: being like, hey, this isn't gonna change anything between us, right,
Speaker 4: Like we're still cool, right are we? Okay, we got
Speaker 4: a kid, Come on, baby, we could work through this.
Speaker 4: Oh oh my god, it's so uncomfortable. Okay, so the
Speaker 4: mouth boss stuff. Yeah, yeah, guys. I I'm struggling with
Speaker 4: this storyline so much because it's like literally the fight
Speaker 4: that I had with our boss in season four, and
Speaker 4: then it gets put on camera and it's like.
Speaker 2: As a woman, well yeah, it's like a way to get.
Speaker 4: Out in front of it in a way where then
Speaker 4: if it's like, oh, Hillary tells the story, she's just
Speaker 4: taking that from the narrative of the show, like, yeah,
Speaker 4: whoa getting out in front of something is a skill.
Speaker 5: Yeah, And to make the woman the villain to write
Speaker 5: a storyline with things you have said to your employees,
Speaker 5: Oh what.
Speaker 3: You're not into me? Well, maybe you're not long. Maybe
Speaker 3: you're not going to be long on this show.
Speaker 4: Yeah, maybe you're not good for on camera.
Speaker 5: Yeah, to flip it and make it a woman, Yeah,
Speaker 5: that's really intentional. It's not that women can't do that.
Speaker 5: I mean, there are they are totally true. Doesn't matter
Speaker 5: which sex you are, like, you can be you can
Speaker 5: treat people badly. But the fact that it was specifically
Speaker 5: taken from that personal situation and then twisted and put
Speaker 5: into the mouth of a woman on purpose, Yeah, because
Speaker 5: he was trying to dig that's so gross and.
Speaker 4: Well, look, I mean the narrative in the show is
Speaker 4: that the group of co workers have all gotten together
Speaker 4: and been like, there's a problem here and that person
Speaker 4: is toxic and someone needs to stand up to them,
Speaker 4: and the one that does is secretly hot for her,
Speaker 4: yeah you know.
Speaker 5: Yeah, and the one that does in public gets fired.
Speaker 2: Mm hmm.
Speaker 4: It feels so yucky. And you know what, that might
Speaker 4: just be me reading into it. I am grown up
Speaker 4: enough to be like, I'm sensitive to the meta of
Speaker 4: it all. It could just be a big old kowinkadink.
Speaker 2: That's very big of you. I doubt that it is.
Speaker 3: Yeah, I co signed what Joyce said.
Speaker 2: I appreciate that about you. Hillary.
Speaker 4: I oh god, every line and every well, well just
Speaker 4: pisses me. Right.
Speaker 2: I hate it now too, I hate it.
Speaker 3: I hate it.
Speaker 4: Like three different characters in this episode.
Speaker 2: Are all like, wo well, well, barf, it's not enough
Speaker 2: just for Chris call to have that line.
Speaker 4: No, now, Dan Scott is talking like the kids.
Speaker 3: I gotta be honest.
Speaker 5: The only person that I don't hate saying it is
Speaker 5: Chris Keller because Tyler's just delicious.
Speaker 4: And he's supposed to be a douche.
Speaker 5: When the rest of us had to say it, I
Speaker 5: was like, oh, now you're just getting greedy.
Speaker 3: Now you're just being gross and like pissing on trees.
Speaker 3: Stop it.
Speaker 2: Well, hopefully Mouth stops dating his boss, because I'm tired
Speaker 2: of that whole storyline. And I'm super excited that Millie
Speaker 2: thinks that mouth it's really cat and I can't wait
Speaker 2: to see that develop more.
Speaker 5: Oh my god, the Hawkeye from the opening and then
Speaker 5: the Duck, I's funny, so cutie.
Speaker 4: She's so immediately likable, like right away, it just feels
Speaker 4: like she's part of the pack. And yeah, that's a
Speaker 4: cool vibe. She sure did a good job.
Speaker 3: She just adds such.
Speaker 5: Lovely energy to our show. And Lisa has such amazing
Speaker 5: comedic timing every little thing she does, the way she
Speaker 5: drops behind the counter, or the way when Daphne walks
Speaker 5: in she goes, I'll be in the back.
Speaker 3: Like. She just has all these.
Speaker 5: Little things that really jump off the page, and it's
Speaker 5: like such a testament to who she is as an actor,
Speaker 5: and it feels so exciting to think about where her
Speaker 5: character goes.
Speaker 2: Yeah, she kind of functions on pure instinct, it seems like,
Speaker 2: which is really refreshing. There's no I'm sure she rehearses
Speaker 2: and does her own process, but I love that on
Speaker 2: set it feels like whenever she's delivering a line, she's
Speaker 2: just in the moment and fully reacting with exactly whatever
Speaker 2: she's actually feeling. It's fun to work with.
Speaker 5: It's so cool, and it's just exciting when I think
Speaker 5: about all the years of material we got to do
Speaker 5: together and where even for Millicent and Brooke, where zero
Speaker 5: is not a size winds up you know, it's a
Speaker 5: big It's like a big arc that we're endeavoring on,
Speaker 5: and it was cool to see. I really didn't know
Speaker 5: that that was happening in this episode.
Speaker 2: Yeah, can I when you and Victoria were at lunch
Speaker 2: having that conversation. These are the kinds of things that
Speaker 2: I think about that drive me crazy that sometimes I
Speaker 2: just have to let go. Does it bother either of
Speaker 2: you that they're clearly done with their lunch or like,
Speaker 2: well into their lunch and now they're having the relevant conversation,
Speaker 2: like how did they get through? How did they get
Speaker 2: through arriving at the restaurant, sitting down, ordering and eating
Speaker 2: half their meal before the major conversation came up.
Speaker 4: Yeah, prop food has always confounded me.
Speaker 3: Prop food is hard.
Speaker 4: I remember hearing that, like Brad Pitt always ate an
Speaker 4: apple in everything because he like loves prop food, Like
Speaker 4: he's always eating something and scenes and ever being so
Speaker 4: irritated with that. I hate prop eating prop eating.
Speaker 3: It's terrible.
Speaker 2: I just don't get why they, Like why couldn't they
Speaker 2: have been arriving at the restaurant and have the meal?
Speaker 2: Like why this is the kinds of things to drive
Speaker 2: me crazy, come and sit down and I'm like, why
Speaker 2: is there a half eat and plate of food in front?
Speaker 2: I mean, this would have been the first thing that
Speaker 2: I had to say to her, So how did we
Speaker 2: but audiences maybe nobody notices that kind of stuff.
Speaker 5: Well, but I would also say that Victoria is like
Speaker 5: such a business person. I wouldn't be surprised if it
Speaker 5: was a lot of like ticking of things and then
Speaker 5: it's like, Okay, we've done all the work.
Speaker 2: Now I have to talk to you by the way. Yeah, okay,
Speaker 2: fair enough, good, thank you. That's how that would have
Speaker 2: gone on set. I would have been like, this doesn't
Speaker 2: make any sense, and Sophia would go, oh, actually we
Speaker 2: could have done it this way, and I would say, oh, okay.
Speaker 5: I feel like that would be it, because yeah, it
Speaker 5: would have been interesting if you know, you'd seen them
Speaker 5: get out of the car and be like, okay, we
Speaker 5: really need to whatever and then get seated and get interrupted.
Speaker 3: But we just don't have the luxury in forty two minutes.
Speaker 2: Nope, I am.
Speaker 3: It's funny now.
Speaker 5: Thinking about that storyline and thinking about you know, Brooke
Speaker 5: kind of taking agency with resetting the Macy's meeting and
Speaker 5: saying like, I do have a mind for business.
Speaker 3: I can do this.
Speaker 5: I have good ideas. God, it's really wild to remember
Speaker 5: how many people loved zero is not a size.
Speaker 3: Yeah, And also the people who got really mad about it.
Speaker 4: Really, people got mad about it.
Speaker 3: People got mad about it.
Speaker 5: People were like, it's just the reverse of fat shaming,
Speaker 5: like to make fun of skinny girls and to and
Speaker 5: I was like, that's not it. Also, please go on
Speaker 5: the internet and do a little bit of research that
Speaker 5: a size zero didn't exist until like the mid to
Speaker 5: late sixties.
Speaker 2: Like really, I thought it was going to be like eighties.
Speaker 3: No, I don't think so.
Speaker 5: I think truly apparently if I'm remembering correctly, because I
Speaker 5: looked this up then to make sure I knew what
Speaker 5: I was talking about when I got asked about it.
Speaker 5: So if my math is a little off or my
Speaker 5: memory is a little off, feel free to let us know,
Speaker 5: but please do it kindly. I believe that it all
Speaker 5: kind of came to be because of that model Twiggy,
Speaker 5: that like super super skinny girl who essentially didn't fit
Speaker 5: into things. But you know, the notion, and the thing
Speaker 5: that really stuck with me was reading a report from
Speaker 5: a psychologist who specializes in disordered eating, who said the
Speaker 5: idea that we could tell people that to be nothing
Speaker 5: is the ultimate attainment, Like if you had sizes like one, three, five, seven, nine,
Speaker 5: which happened, you know in some countries, and or you
Speaker 5: start at two four six and you go up to
Speaker 5: you know, twenty two or whatever. Wherever we go, people
Speaker 5: have something to them. But like what it does subconsciously
Speaker 5: to say to someone, well, the smallest you can be,
Speaker 5: which society tells women is the best they can be,
Speaker 5: is nothing. And then in the nineties you had I
Speaker 5: don't know if Abercrombie did. At first, I think they did,
Speaker 5: but again.
Speaker 4: I could be wrong. With double zero man, Yeah.
Speaker 5: Yeah, when they introduced a double zero and like and
Speaker 5: that they correlated that with eating disorders on all of
Speaker 5: these things.
Speaker 3: Yeah, I was like, we got to talk about this.
Speaker 3: It's weird, Like we don't do this to men. I
Speaker 3: don't know men have a size zero. It's just women,
Speaker 3: you know. And I was really proud.
Speaker 5: Of us for having that conversation and really excited about it,
Speaker 5: you know. I thought that it was really important. And
Speaker 5: I don't know, I guess I'm curious as we get
Speaker 5: back into it on the pod, I'm curious to hear
Speaker 5: what our listeners think as they rewatch these episodes with us.
Speaker 4: I mean, hopefully it feels like a no brainer.
Speaker 2: Now.
Speaker 4: The fact that it was like kind of shocking back
Speaker 4: then to make this declaration, and hopefully now it's just
Speaker 4: like well yeah, nah.
Speaker 2: Yeah, obviously, yeah we like a dull.
Speaker 4: Is that Okay? So I already gave my honorable mention
Speaker 4: of the penis were shak But what are your honorable
Speaker 4: mentions for.
Speaker 2: The Peyton's Lightning T shirt at the beginning? If we're
Speaker 2: giving honorable mentions to clothing items.
Speaker 3: I have two.
Speaker 5: I would say the actors. I would say the actress
Speaker 5: who played Mollie for your beginning swinging that like seeing
Speaker 5: you go back to your childhood home and seeing your
Speaker 5: bedroom in the shelves with this new paint and this
Speaker 5: new person. It made me really nostalgic. I cried through
Speaker 5: that whole scene. It really hit me. And the other
Speaker 5: honorable mention is that vintage coral colored telephone chair that
Speaker 5: Mia is sitting on in that scene and trick, because
Speaker 5: that is the chair that I girl literally shoved in the.
Speaker 3: Back of my station wagon for you when our show wrapped.
Speaker 5: Oh my got get out When like when all the
Speaker 5: stages were getting cleaned out, the front legs are broken,
Speaker 5: there's like split fabric, and I was like, I'll have
Speaker 5: it repaired.
Speaker 3: I don't care. I'm taking this for Hillary. So I
Speaker 3: have I have that.
Speaker 5: And by the way, all of this is still in
Speaker 5: storage because right after we wrapped and moved to Chicago,
Speaker 5: so like, I really got to go through my storage unit.
Speaker 5: I have the red fringe lamp from Trick from the OGVS.
Speaker 5: Trick was so fun, I know, and I have that
Speaker 5: telephone chair, and I was like, I'm taking these for her,
Speaker 5: and if I get in trouble, I don't give.
Speaker 3: A shit, and so so good to see that. I'm like, oh,
Speaker 3: I got that. I haven't wrapped in plastic in a
Speaker 3: storage unit in the valley.
Speaker 4: I'm going to get an RV in the valley, load up,
Speaker 4: make my way back cross country. When you said that
Speaker 4: was the chair, I was like, that's the chair. That one.
Speaker 3: No, she like joy, she like fell out of her chair.
Speaker 4: I loved that set so so great.
Speaker 3: It was the best set.
Speaker 4: When we would wrap work, I would stay after work
Speaker 4: with Mike Rail and that Fan and Polar Bear and
Speaker 4: a bunch of the other dudes and we would have
Speaker 4: band practice for like two hours after work and just
Speaker 4: drink beers and hang out.
Speaker 3: I love drinking beers. On the drink set.
Speaker 4: Yeah.
Speaker 2: I loved it. Like a cool bar, a very own, private,
Speaker 2: little cool bar.
Speaker 4: You guys, we have a fan question.
Speaker 2: Okay, oh what is it from Wendy? As far as
Speaker 2: careers go, if your lives had turned out exactly as
Speaker 2: you had pictured they would as teenagers, what would it
Speaker 2: look like now?
Speaker 4: M I mean as a teenager?
Speaker 2: Yeah, I always just wanted to be on Broadway. I
Speaker 2: would just be living in New York with a family
Speaker 2: and being on Broadway, and that's all I would be doing.
Speaker 4: I really thought I was going to work for the government. Uh. Real,
Speaker 4: Glad that didn't pan out. Guys, Like I went to
Speaker 4: college for forensic psychology and like criminology and stuff, and
Speaker 4: I just remember them handing me this big binder for
Speaker 4: the autopsy photos and I was like, Okay, this is
Speaker 4: my homework, like this is what I have to study
Speaker 4: this year, and realizing how unsuited I am because I
Speaker 4: get so emotionally attached to things that it was not
Speaker 4: a line of work that I was going to be
Speaker 4: able to do long term, but that I wanted to
Speaker 4: be able to support maybe later, which is like what
Speaker 4: I'm doing right now. But I for real thought I
Speaker 4: was going to be Clarice from Silence of.
Speaker 2: The Lambs, yeah, minus the kidnapping.
Speaker 4: Yeah yeah, yeah, just an old country bumpkin solving crimbs.
Speaker 3: I mean you kind of do that now with your show.
Speaker 4: By the way, it's a yeah, it's a different entry point.
Speaker 3: Yeah, but you figure it out right, Like.
Speaker 2: I don't know.
Speaker 5: I I guess it would depend on what teenage year,
Speaker 5: because there was.
Speaker 3: Still a point.
Speaker 5: Yeah, Like in my early teens, I still thought I
Speaker 5: was going to be a heart surgeon, like I was
Speaker 5: going to medical school, dude. And then suddenly and I
Speaker 5: had this arts requirement that I thought was such a
Speaker 5: pain the ass. I was like, what do you mean
Speaker 5: I have to do play stupid so maddom.
Speaker 3: And then I did it and was like, oh it's weird.
Speaker 5: It's like literally my favorite subject in school comes off
Speaker 5: the page into life. My parents were so thrilled when.
Speaker 4: I talked about I was gonna say, what did your
Speaker 4: parents say? Oh that's great, babe.
Speaker 3: Theater school here we are now I'm just doing eight
Speaker 3: shows a week on the West End.
Speaker 2: So yeah, it's so awesome.
Speaker 3: So crazy, all.
Speaker 4: Right, do we want to spin a wheel? I like,
Speaker 4: where this season's going to really wild places. I'm into
Speaker 4: all of it. I'm happy with. I'm happy with this
Speaker 4: season so far.
Speaker 2: What oh, most likely too.
Speaker 4: Be a secret super here?
Speaker 2: We have a question mark?
Speaker 4: Okay, characters most likely to be a secret superhero who's
Speaker 4: got like an underground layer.
Speaker 2: Who's making those choices?
Speaker 5: I mean, I think it would be Nathan Scott, Like
Speaker 5: he's the Bruce Wayne of Tree Hills, Like he doesn't
Speaker 5: have any powers, but he's got money, and we've seen
Speaker 5: him in a Batman suit, like you.
Speaker 4: Know, yeah, his dad's a bad guy. So it's like, yeah,
Speaker 4: origin story is all there.
Speaker 3: What do you I mean, what do you think it's
Speaker 3: gonna say?
Speaker 2: Maybe like a one of the River Court boys, maybe
Speaker 2: Colin I mean Junk or somebody somebody who we don't
Speaker 2: know enough about.
Speaker 4: We give boys too much credit. I needed to girl great, like,
Speaker 4: who's unsuspected? Bevin pulled that out of her hat. She's like,
Speaker 4: this is a conifer that's with the trees.
Speaker 3: Yeah.
Speaker 2: I could totally see that mm hmm saving people's lives
Speaker 2: and then just being like, please don't tell anyone.
Speaker 4: Yeah, oh my god, you guys it was nothing.
Speaker 2: Okay, bab Yeah, yeah, it's totally bevn.
Speaker 4: Yeah, okay, and then who in real life is a
Speaker 4: secret superhero?
Speaker 2: Barbara?
Speaker 4: Yeah, I could see Barb thwarting some shit like seeing
Speaker 4: somebody steal an old lady's purse on the sidewalk and
Speaker 4: just get right in there.
Speaker 3: Yeah.
Speaker 4: She's the right amount of graceful and aggressive.
Speaker 3: Yeah.
Speaker 4: I would say like any of our moms, like Daphnee,
Speaker 4: Barbara Moira, Yeah, I like that, you know, Cheryl, they
Speaker 4: all take no prisoners.
Speaker 3: Okay, they're like the miss is incredible come to life.
Speaker 4: Yeah, where's that show? I got a bunch of moms
Speaker 4: that are just like, we'll fix this.
Speaker 2: Actual superheroes. That's actually kind of great. Yeah, like soccer
Speaker 2: moms by day superheroes, Paine happen in to it.
Speaker 4: What do we got next week?
Speaker 3: Guys?
Speaker 5: Next week we've got season five, episode seven in the club, bro.
Speaker 2: That's not what it says, Sophia, What does it say?
Speaker 3: I cannot, I shan't do it?
Speaker 4: Do it?
Speaker 2: Do it?
Speaker 3: Nobody wants to hear any of us go me into
Speaker 3: club like.
Speaker 2: No dog club Dog Club.
Speaker 4: Yeah.
Speaker 5: Oh man, I hope it's happy. I'm really scared of
Speaker 5: what is going.
Speaker 3: To be happening. With Nanny Carey in the next episode. You, guys,
Speaker 3: we're only seven episodes into the season and she's naked
Speaker 3: in the pool.
Speaker 5: Blessed Tory for committing so hard and doing it so beautifully.
Speaker 2: We'll have to have her on to talk about it soon,
Speaker 2: I can't. Thanks for joining us, guys. That's fun all right,
Speaker 2: even though the episode is weir Hey, thanks for listening.
Speaker 3: Don't forget to leave us a review.
Speaker 5: You can also follow us on Instagram, them at Drama
Speaker 5: Queens O t H.
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.
Speaker 4: See you next time.
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