1
00:00:00,080 --> 00:00:01,280
Speaker 1: First of all, you don't know me.

2
00:00:02,279 --> 00:00:05,640
Speaker 2: We all about that high school drama girl, drama girl,

3
00:00:05,720 --> 00:00:08,160
Speaker 2: all about them high school queens.

4
00:00:08,200 --> 00:00:10,400
Speaker 3: We'll take you for a ride. And our comic girl

5
00:00:11,200 --> 00:00:12,680
Speaker 3: cheered for the right teams.

6
00:00:12,480 --> 00:00:16,880
Speaker 2: Drama queens girl fashion, but your tough girl, you could

7
00:00:16,920 --> 00:00:17,480
Speaker 2: sit with us.

8
00:00:17,560 --> 00:00:23,400
Speaker 1: Girl drama, Queens drama, Queens Drama, Queens Drama, Drama, Queens Drama, Queens.

9
00:00:24,480 --> 00:00:27,000
Speaker 4: All right, we're kicking this off. I just want to say,

10
00:00:28,000 --> 00:00:30,480
Speaker 4: can I get my honorable mention out of the way

11
00:00:30,560 --> 00:00:34,120
Speaker 4: right away? Do it like right away? You guys. The

12
00:00:34,159 --> 00:00:37,519
Speaker 4: T shirt that Quinton is wearing in this episode, oh god,

13
00:00:38,120 --> 00:00:41,040
Speaker 4: on the river court, it looks like a penis roarshack.

14
00:00:41,240 --> 00:00:45,720
Speaker 4: It looks like such a dish. Three nicks got smashed together,

15
00:00:46,120 --> 00:00:50,440
Speaker 4: and it's and it was all I cared about. Everything

16
00:00:50,440 --> 00:00:53,840
Speaker 4: else was so like like cringey and like oh good.

17
00:00:54,440 --> 00:00:57,320
Speaker 4: But that penis shirt made me laugh so hard.

18
00:00:57,840 --> 00:01:01,600
Speaker 5: I think they might have been little like silk screens

19
00:01:01,640 --> 00:01:04,840
Speaker 5: of R two D two's, but they looked like Dick's.

20
00:01:05,160 --> 00:01:08,520
Speaker 2: Damn. I wish I had noticed that. I totally missed it.

21
00:01:08,760 --> 00:01:11,319
Speaker 2: You have to go back, okay, can pause it.

22
00:01:11,400 --> 00:01:13,840
Speaker 3: When Nathan is talking to Quinn on the River Court.

23
00:01:14,000 --> 00:01:16,959
Speaker 4: Yeah, you're never gonna unsee it.

24
00:01:18,560 --> 00:01:22,160
Speaker 2: Well, welcome everybody at Season five, episode six, Don't Dream

25
00:01:22,319 --> 00:01:27,600
Speaker 2: It Overhead February eighth, two thousand and eight. Lucas confronts

26
00:01:27,640 --> 00:01:30,160
Speaker 2: Peyton about her harsh treatment of Lindsey, which ends up

27
00:01:30,160 --> 00:01:32,840
Speaker 2: in a huge argument over their past. Brooke intervenes when

28
00:01:32,920 --> 00:01:36,720
Speaker 2: Victoria meddles with Peyton's record label Girl, and Nathan grows

29
00:01:36,760 --> 00:01:40,000
Speaker 2: closer to Jamie's live in nanny Carrie, is she living here?

30
00:01:40,520 --> 00:01:41,839
Speaker 4: Why is she living in?

31
00:01:42,200 --> 00:01:43,760
Speaker 2: I kind of thought she was just showing up but

32
00:01:43,880 --> 00:01:46,280
Speaker 2: for work every day and going home. While Haley is

33
00:01:46,360 --> 00:01:51,240
Speaker 2: challenged by her difficult student, Quentin Mouth becomes torn with

34
00:01:51,240 --> 00:01:54,360
Speaker 2: a loyalty to his coworkers or his illicit affair with

35
00:01:54,400 --> 00:01:55,480
Speaker 2: his boss Alice.

36
00:01:56,440 --> 00:01:59,040
Speaker 5: You know, we're we're all in really different time zones

37
00:01:59,080 --> 00:02:02,960
Speaker 5: now with Ye and Overseas. So yeah, us, me and

38
00:02:03,040 --> 00:02:05,120
Speaker 5: Hill and the team watched the episode. But you watched

39
00:02:05,160 --> 00:02:06,280
Speaker 5: it this morning, Joy, Where were you?

40
00:02:06,840 --> 00:02:09,600
Speaker 2: I watched it this morning. I was home. Maria did

41
00:02:09,600 --> 00:02:12,160
Speaker 2: not have school today because it's like final exams week.

42
00:02:13,480 --> 00:02:15,120
Speaker 2: I had to help her study for some stuff today.

43
00:02:15,120 --> 00:02:17,959
Speaker 2: So well, that's sweet. Just I watched the episode on

44
00:02:18,000 --> 00:02:20,000
Speaker 2: my own a little earlier this morning while she was sleeping.

45
00:02:20,240 --> 00:02:22,399
Speaker 3: Is there stuff like now that you're.

46
00:02:22,680 --> 00:02:25,760
Speaker 5: Because you guys, basically you know, have teenagers like yeah,

47
00:02:25,880 --> 00:02:27,880
Speaker 5: are you reading shit in their books and going what

48
00:02:28,080 --> 00:02:31,480
Speaker 5: is this? I don't remember this? How do we do

49
00:02:31,560 --> 00:02:32,080
Speaker 5: this math?

50
00:02:32,480 --> 00:02:34,200
Speaker 3: You know? I think about that.

51
00:02:34,639 --> 00:02:36,079
Speaker 2: No new math is no fun.

52
00:02:36,600 --> 00:02:39,560
Speaker 4: We had to make a biome chart last night. I

53
00:02:39,600 --> 00:02:42,560
Speaker 4: was like, the fuck is a biome chart? Don't here?

54
00:02:43,040 --> 00:02:45,840
Speaker 2: I don't even know what that is. That sounds terrifying

55
00:02:45,880 --> 00:02:46,080
Speaker 2: to me.

56
00:02:46,240 --> 00:02:46,760
Speaker 4: It was dumb.

57
00:02:47,280 --> 00:02:50,200
Speaker 2: Maria. I got her a math tutor because she's blessed

58
00:02:50,200 --> 00:02:54,760
Speaker 2: in math the same way that I am. And so

59
00:02:55,160 --> 00:02:58,079
Speaker 2: she was talking with this and her tutor is he's

60
00:02:58,120 --> 00:02:59,959
Speaker 2: an older guy. He's like a grandpa kind of guy. He's,

61
00:03:00,360 --> 00:03:04,080
Speaker 2: you know, probably in his sixties, and she's he's looking

62
00:03:04,120 --> 00:03:06,800
Speaker 2: through her sheet of all this math and it's you know,

63
00:03:06,880 --> 00:03:08,520
Speaker 2: she writes it like it's all over the page, and

64
00:03:08,520 --> 00:03:11,120
Speaker 2: he's looking at what the problem the teacher gave her,

65
00:03:11,560 --> 00:03:13,600
Speaker 2: and it took him a second, and finally he's like,

66
00:03:14,320 --> 00:03:17,480
Speaker 2: can we just do it this way? And he showed

67
00:03:17,520 --> 00:03:19,960
Speaker 2: her the way that we know, like the easiest way

68
00:03:20,000 --> 00:03:21,880
Speaker 2: to do long division or whatever. I don't know. I

69
00:03:21,919 --> 00:03:25,560
Speaker 2: think she's in geometright now, and it's like it took

70
00:03:25,600 --> 00:03:28,400
Speaker 2: her four seconds. I mean she just listened watched it,

71
00:03:28,440 --> 00:03:31,919
Speaker 2: and she was like, oh, and from now on, it's

72
00:03:31,919 --> 00:03:35,080
Speaker 2: so easy. But I don't understand why I'm not a teacher.

73
00:03:35,120 --> 00:03:36,760
Speaker 2: I don't know what the deal is with core curriculum.

74
00:03:36,800 --> 00:03:38,400
Speaker 2: I don't know where it's coming from or who's making

75
00:03:38,440 --> 00:03:41,440
Speaker 2: these decisions. But new math sucks, guys. Whoever's in charge,

76
00:03:41,480 --> 00:03:42,440
Speaker 2: he needs to stop it.

77
00:03:42,440 --> 00:03:45,120
Speaker 5: I mean I thought the old math sucked, so I

78
00:03:45,160 --> 00:03:47,560
Speaker 5: don't want to know anything about this new math of

79
00:03:47,640 --> 00:03:48,600
Speaker 5: which you speak.

80
00:03:49,000 --> 00:03:53,000
Speaker 4: Guys, I'm hearing from other parents in town. Other parents

81
00:03:53,000 --> 00:03:55,680
Speaker 4: are like coming up to me at basketball games, going, oh,

82
00:03:55,720 --> 00:04:01,360
Speaker 4: the math teacher hates your kid. And other parents, Yes,

83
00:04:01,560 --> 00:04:05,400
Speaker 4: she's made her position known. Thank you so much. Wow,

84
00:04:05,400 --> 00:04:09,200
Speaker 4: appreciate you. If only we all had teachers like Haley

85
00:04:09,280 --> 00:04:10,080
Speaker 4: James Scott.

86
00:04:10,280 --> 00:04:11,760
Speaker 2: Oh boy, by.

87
00:04:11,600 --> 00:04:13,720
Speaker 5: The way, I was gonna say, you get one or

88
00:04:13,760 --> 00:04:17,760
Speaker 5: two options. I had teachers that were my Haley's, like amazing,

89
00:04:17,839 --> 00:04:21,680
Speaker 5: incredible teachers who rocked my world in the best way,

90
00:04:22,160 --> 00:04:26,719
Speaker 5: that expanded every horizon I knew to exist. And then

91
00:04:27,120 --> 00:04:29,200
Speaker 5: I think about how your kid could end up with

92
00:04:29,200 --> 00:04:32,600
Speaker 5: a nanny Carey, and I'm like, suck.

93
00:04:32,960 --> 00:04:36,520
Speaker 2: The older I get, the more I realize how realistic

94
00:04:36,520 --> 00:04:41,680
Speaker 2: it is that there are real, deeply narcissistic, actual psychopaths

95
00:04:41,760 --> 00:04:42,560
Speaker 2: out there.

96
00:04:43,440 --> 00:04:44,159
Speaker 3: All the time.

97
00:04:44,360 --> 00:04:47,080
Speaker 2: Oof, and you never know who it is.

98
00:04:47,600 --> 00:04:52,839
Speaker 5: And Tory is playing the shifts in her so well,

99
00:04:53,600 --> 00:04:57,760
Speaker 5: like she's moving in these ways that are a little slinkier,

100
00:04:58,200 --> 00:05:01,520
Speaker 5: but then with you, she's very prim and proper, but

101
00:05:01,640 --> 00:05:05,520
Speaker 5: her wardrobe is changing and her like by the end

102
00:05:05,560 --> 00:05:08,840
Speaker 5: of the episode, when Haley says, good to know there

103
00:05:08,839 --> 00:05:11,839
Speaker 5: aren't monsters in the house and she's out, and I

104
00:05:11,880 --> 00:05:17,360
Speaker 5: was like, oh, I'm so uncomfortable, Like my skin was crawling.

105
00:05:17,880 --> 00:05:20,160
Speaker 2: She did it. She was doing it so subtly. It's

106
00:05:20,200 --> 00:05:24,040
Speaker 2: that perfect blend of the dinner table is the best

107
00:05:24,040 --> 00:05:25,880
Speaker 2: example I can think of when she says he looks

108
00:05:25,920 --> 00:05:30,120
Speaker 2: great out there. Your rehab's coming along, and it's it's

109
00:05:30,160 --> 00:05:32,440
Speaker 2: the thing that makes you go, what the hell And

110
00:05:32,480 --> 00:05:35,560
Speaker 2: then you're like, oh, oh, no, I'm reading into it.

111
00:05:35,560 --> 00:05:40,240
Speaker 4: It's me. I'm the psycho. Yeah, yep, Haley's not the

112
00:05:40,240 --> 00:05:40,920
Speaker 4: psycho here.

113
00:05:41,640 --> 00:05:41,800
Speaker 5: No.

114
00:05:42,520 --> 00:05:46,200
Speaker 4: When we were watching Joy and it was the scene

115
00:05:46,200 --> 00:05:49,400
Speaker 4: where Carrie's in the pool with the boy and haleys

116
00:05:49,440 --> 00:05:53,800
Speaker 4: it like we couldn't stomach it, Like standing there watching it.

117
00:05:54,200 --> 00:05:57,320
Speaker 4: We've we've all lived that moment at some point in

118
00:05:57,360 --> 00:05:59,800
Speaker 4: our lives where we're watching a betrayal happen right in

119
00:05:59,800 --> 00:06:02,120
Speaker 4: front of our eyes and you can't react, like you

120
00:06:02,160 --> 00:06:05,200
Speaker 4: have to keep your composure. And it made me want

121
00:06:05,240 --> 00:06:05,680
Speaker 4: a vomit.

122
00:06:06,040 --> 00:06:08,680
Speaker 2: Yeah, yeah, and you so deep I mean, I so

123
00:06:08,800 --> 00:06:11,480
Speaker 2: deeply don't and I think Hayley does too. Didn't want

124
00:06:11,480 --> 00:06:13,160
Speaker 2: to believe and doesn't you know, when you see those

125
00:06:13,160 --> 00:06:15,760
Speaker 2: things happen, you don't want to believe that that's true

126
00:06:16,360 --> 00:06:19,080
Speaker 2: because it shifts the reality of everything else that you

127
00:06:19,120 --> 00:06:22,279
Speaker 2: had built a foundation on. So it's like there's so

128
00:06:22,360 --> 00:06:25,119
Speaker 2: much at stake if that, if a betrayal is true,

129
00:06:25,160 --> 00:06:27,840
Speaker 2: then you have to unravel all this other stuff from

130
00:06:27,839 --> 00:06:31,600
Speaker 2: the history. So yeah, it's really hard. And to watch

131
00:06:31,640 --> 00:06:34,279
Speaker 2: Haley justify it in her mind and try and figure

132
00:06:34,320 --> 00:06:37,719
Speaker 2: out and even apologize the next morning. I'm sorry, I

133
00:06:37,720 --> 00:06:39,240
Speaker 2: don't mean to be. It's me.

134
00:06:40,120 --> 00:06:43,719
Speaker 3: You're great. It's so great in the world.

135
00:06:43,800 --> 00:06:45,800
Speaker 4: Is Nanny Carey living in the house with you guys?

136
00:06:45,960 --> 00:06:48,680
Speaker 2: That's so strange. I did not think that was the case.

137
00:06:49,000 --> 00:06:51,760
Speaker 5: By the way, because in the beginning, remember that scene

138
00:06:51,760 --> 00:06:54,040
Speaker 5: we talked about where you come in in the car

139
00:06:54,200 --> 00:06:56,640
Speaker 5: and she's like, Okay, see you tomorrow and she leaves.

140
00:06:56,960 --> 00:07:00,080
Speaker 5: They've shifted it, and I think they've put living and

141
00:07:00,240 --> 00:07:05,800
Speaker 5: nanny in the you know, episode description because they like

142
00:07:05,880 --> 00:07:08,719
Speaker 5: the idea of oh, now she lives in the house.

143
00:07:08,800 --> 00:07:11,640
Speaker 5: Oh that's why she's there swimming at night. The writers

144
00:07:11,680 --> 00:07:14,720
Speaker 5: have just decided to shift it. And then they're doing

145
00:07:14,760 --> 00:07:16,640
Speaker 5: that thing where they're like, no, it's always been like this,

146
00:07:17,040 --> 00:07:20,080
Speaker 5: and as audience members slash actors, we go, but it

147
00:07:20,200 --> 00:07:23,960
Speaker 5: hasn't because three episodes ago you made me say this.

148
00:07:24,280 --> 00:07:28,120
Speaker 4: Go ahead, yeah, yeah, go back to your house. Well,

149
00:07:28,120 --> 00:07:29,960
Speaker 4: should give up the lease on her apartment.

150
00:07:30,080 --> 00:07:31,840
Speaker 3: But like, do you.

151
00:07:31,960 --> 00:07:35,640
Speaker 5: Think when Haley came out in that moment, was she

152
00:07:36,440 --> 00:07:39,720
Speaker 5: watching the action in the pool and going ret row

153
00:07:40,360 --> 00:07:43,559
Speaker 5: or did she hear Because Wolf, when you talk about

154
00:07:43,560 --> 00:07:46,520
Speaker 5: that feeling of betrayal that turns your stomach upside down.

155
00:07:47,320 --> 00:07:48,680
Speaker 3: When Jamie goes.

156
00:07:48,560 --> 00:07:54,040
Speaker 5: Get me, daddy, and Nanny Carey says, yeah, get me daddy.

157
00:07:54,120 --> 00:07:56,960
Speaker 3: I would drag that woman out of that pulled by

158
00:07:56,960 --> 00:07:59,120
Speaker 3: her hair and be like get out of my house.

159
00:08:01,200 --> 00:08:04,560
Speaker 3: Like that was so inappropriate. Did you hear it?

160
00:08:04,880 --> 00:08:07,200
Speaker 4: Oh? God, it is making my chest red.

161
00:08:07,080 --> 00:08:08,400
Speaker 2: Right, skin crawling.

162
00:08:08,840 --> 00:08:11,080
Speaker 3: I'm looking at as we're all red in the face.

163
00:08:12,240 --> 00:08:15,200
Speaker 2: But hey, in what world is Nathan picking up a

164
00:08:15,240 --> 00:08:18,040
Speaker 2: woman in a bikini and throwing her around in the pool?

165
00:08:18,080 --> 00:08:21,680
Speaker 4: Ye? Come on, that's his stick because remember when when

166
00:08:21,840 --> 00:08:25,080
Speaker 4: Peyton and Nathan went on their like boy toy auction

167
00:08:25,280 --> 00:08:26,960
Speaker 4: date we ended up in the pool and he was

168
00:08:27,000 --> 00:08:30,320
Speaker 4: picking me up and throwing me around. Yeah, yeah, that's

169
00:08:30,360 --> 00:08:33,080
Speaker 4: his thing. Nathan loves throwing a chick around. Man.

170
00:08:33,320 --> 00:08:36,960
Speaker 2: Still, this like has this insecurity that just needs to

171
00:08:37,000 --> 00:08:38,240
Speaker 2: be wanted, needs to.

172
00:08:38,160 --> 00:08:39,200
Speaker 4: Be Peter Pan.

173
00:08:39,960 --> 00:08:40,880
Speaker 2: Yeah.

174
00:08:40,920 --> 00:08:44,360
Speaker 3: And I also think there is a little bit of

175
00:08:44,400 --> 00:08:47,120
Speaker 3: a like, well, obviously I don't mean it like that

176
00:08:47,840 --> 00:08:50,840
Speaker 3: everybody's playing the kids around. Peyton's my friend.

177
00:08:50,920 --> 00:08:53,880
Speaker 5: We were just playing like there is a there is

178
00:08:53,920 --> 00:08:58,600
Speaker 5: this like deniability I think that sometimes handsome men have

179
00:08:59,520 --> 00:09:01,680
Speaker 5: because there's I'm so used to things going their way

180
00:09:01,720 --> 00:09:03,400
Speaker 5: that they're like, no, it's not like that, and it's like,

181
00:09:03,440 --> 00:09:04,040
Speaker 5: well maybe not.

182
00:09:03,960 --> 00:09:04,880
Speaker 3: For you, you ding dong.

183
00:09:05,000 --> 00:09:07,600
Speaker 4: They're gonna toe right up to that line.

184
00:09:07,880 --> 00:09:10,360
Speaker 5: But if you don't thing that woman got in that

185
00:09:10,440 --> 00:09:13,960
Speaker 5: pool covered in body oil and a little teeny weenie

186
00:09:14,320 --> 00:09:17,600
Speaker 5: poke it out bikini girl on purpose.

187
00:09:17,720 --> 00:09:18,439
Speaker 3: You're an idiot.

188
00:09:18,720 --> 00:09:19,719
Speaker 4: I'm mad about it.

189
00:09:19,920 --> 00:09:21,240
Speaker 2: I don't buy that upset.

190
00:09:21,559 --> 00:09:23,760
Speaker 4: I wish Haley would have just walked right up to

191
00:09:23,800 --> 00:09:26,960
Speaker 4: the edge of the pool and been like, yeah, daddy, Yeah,

192
00:09:27,360 --> 00:09:27,679
Speaker 4: what the.

193
00:09:27,640 --> 00:09:28,280
Speaker 2: Hell are you doing?

194
00:09:28,640 --> 00:09:28,840
Speaker 4: Oh?

195
00:09:29,520 --> 00:09:32,040
Speaker 3: That was so upsety.

196
00:09:32,280 --> 00:09:34,960
Speaker 4: And then you've let her come to dinner. Yeah, why

197
00:09:35,040 --> 00:09:36,040
Speaker 4: was she at the dinner table?

198
00:09:36,040 --> 00:09:38,360
Speaker 2: I invited her to dinner. I felt so bad for

199
00:09:38,480 --> 00:09:40,959
Speaker 2: asking her not to wear a bikini in the pool

200
00:09:41,000 --> 00:09:41,640
Speaker 2: with my husband.

201
00:09:41,640 --> 00:09:43,440
Speaker 3: And then she's in a V neck that goes like

202
00:09:43,520 --> 00:09:44,800
Speaker 3: almost to her belly button.

203
00:09:45,120 --> 00:09:47,920
Speaker 2: Yeah, now, so strange.

204
00:09:47,920 --> 00:09:51,760
Speaker 3: Putting his pants on, Oh so strange.

205
00:09:51,920 --> 00:09:54,880
Speaker 2: I wonder if, like I probably could have helped that

206
00:09:54,960 --> 00:09:57,000
Speaker 2: a little bit more, made a little bit more sense

207
00:09:57,040 --> 00:09:59,960
Speaker 2: in retrospect, I feel like if I had played hate

208
00:10:00,000 --> 00:10:03,120
Speaker 2: a little more frazzled in the last couple of episodes,

209
00:10:03,120 --> 00:10:05,959
Speaker 2: where I was more distracted and more like just I

210
00:10:06,679 --> 00:10:11,360
Speaker 2: don't know as an observer now, if I was watching,

211
00:10:12,480 --> 00:10:14,640
Speaker 2: if I was doing it again, I meant, I think

212
00:10:14,640 --> 00:10:15,320
Speaker 2: I would have done that.

213
00:10:15,800 --> 00:10:18,760
Speaker 4: But that's the ownership that women take, which we shouldn't

214
00:10:18,800 --> 00:10:20,920
Speaker 4: where it's like, well, if I were paying more attention,

215
00:10:21,000 --> 00:10:23,240
Speaker 4: he wouldn't be paying attention to this nanny, or it

216
00:10:23,240 --> 00:10:25,800
Speaker 4: wouldn't seem so weird. And like I was frowz. No,

217
00:10:26,080 --> 00:10:30,600
Speaker 4: Haley is doing everything right, everything right, and these kinds

218
00:10:30,800 --> 00:10:31,319
Speaker 4: she makes.

219
00:10:31,120 --> 00:10:33,760
Speaker 2: It more believable that that's why she would have she

220
00:10:33,760 --> 00:10:36,800
Speaker 2: would have missed it, like not really noticed it if

221
00:10:36,800 --> 00:10:39,400
Speaker 2: she was distracted. I was like, Hailey, smart, why isn't

222
00:10:39,400 --> 00:10:40,360
Speaker 2: she seeing what's going on?

223
00:10:41,160 --> 00:10:43,719
Speaker 3: Well, but most of it's happening behind your back. That's

224
00:10:43,760 --> 00:10:45,680
Speaker 3: fair and to your point, you don't want.

225
00:10:45,600 --> 00:10:48,200
Speaker 5: To think that that's going on, And like, you know,

226
00:10:48,240 --> 00:10:52,720
Speaker 5: your kid loves this person, and having help is giving

227
00:10:52,760 --> 00:10:54,520
Speaker 5: you some freedom as an individual.

228
00:10:54,640 --> 00:10:56,320
Speaker 3: I get how layered that is.

229
00:10:57,440 --> 00:11:01,840
Speaker 5: I just wish the writers would have had some sort

230
00:11:01,880 --> 00:11:05,280
Speaker 5: of a line to acknowledge the fact that this woman

231
00:11:05,520 --> 00:11:08,880
Speaker 5: moved in, Like just put it in a scene. Just

232
00:11:08,960 --> 00:11:12,920
Speaker 5: make it clear so that we're not going, oh, it's

233
00:11:13,000 --> 00:11:16,640
Speaker 5: it's in the synopsis, Like come on, guys, tell us.

234
00:11:16,600 --> 00:11:21,000
Speaker 2: Yeah, my condo burnt down, that's what it should have been, right, Yeah,

235
00:11:21,080 --> 00:11:22,000
Speaker 2: she burned it down.

236
00:11:22,400 --> 00:11:25,680
Speaker 5: Yeah, she set fire to her building so she could

237
00:11:25,720 --> 00:11:26,160
Speaker 5: live with you.

238
00:11:26,200 --> 00:11:26,520
Speaker 3: Guys.

239
00:11:27,480 --> 00:11:30,199
Speaker 2: Oh my gosh. Well, okay, so there was a lot

240
00:11:30,240 --> 00:11:33,000
Speaker 2: in this episode. It felt like it was really jumping

241
00:11:33,000 --> 00:11:34,760
Speaker 2: around and hitting a lot. Do you know what it

242
00:11:34,800 --> 00:11:38,120
Speaker 2: kind of felt like. Do you remember Hillary when we

243
00:11:38,320 --> 00:11:40,160
Speaker 2: would were on set that one time and we I

244
00:11:40,160 --> 00:11:41,719
Speaker 2: don't know why we did it, but we ran through

245
00:11:41,800 --> 00:11:45,680
Speaker 2: Lamez in five minutes. Oh, this is what that episode

246
00:11:45,720 --> 00:11:49,520
Speaker 2: felt like to me. Yes, it's just slammed all together.

247
00:11:49,760 --> 00:11:51,760
Speaker 5: Yeah, they were cramming so much in They wanted to

248
00:11:51,760 --> 00:11:54,959
Speaker 5: do this whole dream sequence for everyone having a dream

249
00:11:54,960 --> 00:11:56,079
Speaker 5: that turned into a nightmare.

250
00:11:56,440 --> 00:11:58,080
Speaker 3: So it starts happy and then it gets dark and

251
00:11:58,120 --> 00:12:00,520
Speaker 3: it's Jamie and it's it's everyone, it's you, it's me.

252
00:12:01,200 --> 00:12:04,880
Speaker 5: And then they also wanted the repeats, So Alice is

253
00:12:04,920 --> 00:12:06,800
Speaker 5: a bitch, Peyton is a bitch, your mom's a bitch.

254
00:12:06,880 --> 00:12:09,080
Speaker 5: It won't happen again, It won't happen again. They have

255
00:12:09,320 --> 00:12:15,120
Speaker 5: everybody echoing. The last sentence of this scene is the

256
00:12:15,120 --> 00:12:18,079
Speaker 5: first sentence of the next scene. And so there were

257
00:12:18,240 --> 00:12:23,719
Speaker 5: there were so many devices that it made the episode

258
00:12:23,800 --> 00:12:25,840
Speaker 5: feel a little frazzled.

259
00:12:26,559 --> 00:12:28,120
Speaker 2: Yeah, disjoin it.

260
00:12:28,120 --> 00:12:30,600
Speaker 4: It was dense though. Man starting out with that creepy

261
00:12:30,679 --> 00:12:35,680
Speaker 4: music and Dan Scott in fangs. Oh my god, I

262
00:12:35,760 --> 00:12:38,120
Speaker 4: was like, they did not make him a fucking vampire.

263
00:12:38,559 --> 00:12:40,760
Speaker 4: Was True Blood on at this point? Is this when

264
00:12:40,760 --> 00:12:42,319
Speaker 4: we were in our True Blood face?

265
00:12:42,760 --> 00:12:45,319
Speaker 2: Wait, it was on because Joe got that job like

266
00:12:45,360 --> 00:12:46,080
Speaker 2: a year later.

267
00:12:46,480 --> 00:12:50,000
Speaker 5: Yeah, Joe went from our show to True Blood like

268
00:12:50,080 --> 00:12:51,080
Speaker 5: season five or something.

269
00:12:51,200 --> 00:12:55,640
Speaker 4: Yeah, guys, we thought vampires were so sexy. I loved

270
00:12:55,640 --> 00:12:56,600
Speaker 4: that show so much.

271
00:12:56,640 --> 00:12:58,520
Speaker 2: I read all the Sickie Stackhouse novels.

272
00:12:58,640 --> 00:13:02,480
Speaker 4: Oh god, sure it did. How do we didn't get

273
00:13:02,480 --> 00:13:04,720
Speaker 4: to be vampires? Just Dan Scott Man.

274
00:13:04,840 --> 00:13:07,160
Speaker 3: Dan Scott and Victoria Davis.

275
00:13:07,320 --> 00:13:10,000
Speaker 2: Yes, Victory is her own version of a vampire.

276
00:13:10,559 --> 00:13:12,880
Speaker 4: Yeah, she's like that really mean vampire that hung out

277
00:13:12,920 --> 00:13:17,040
Speaker 4: with Alexandra Scarsgard on the show. Just Oh yeah, she

278
00:13:17,160 --> 00:13:22,000
Speaker 4: was hot Boston, those chicks around. Yeah. The Dan thing.

279
00:13:22,360 --> 00:13:25,600
Speaker 4: I like that conversation that Skills has with Nathan at

280
00:13:25,600 --> 00:13:28,120
Speaker 4: the beginning of the episode, because I've been in that

281
00:13:28,160 --> 00:13:30,480
Speaker 4: position where it's like, what does your kid know? Because

282
00:13:30,520 --> 00:13:32,760
Speaker 4: I know what my kid knows, and you want to

283
00:13:32,760 --> 00:13:34,520
Speaker 4: make sure we're all on the same page, and you're

284
00:13:34,559 --> 00:13:37,920
Speaker 4: asking me to lie to this child. Yeah, okay, I'm

285
00:13:38,000 --> 00:13:41,840
Speaker 4: just set the boundaries here, and I like that skills,

286
00:13:42,080 --> 00:13:44,080
Speaker 4: felt like he could just tell Jamie the truth.

287
00:13:44,520 --> 00:13:46,959
Speaker 2: Yeah. I like that too. I think that's a good

288
00:13:47,000 --> 00:13:48,000
Speaker 2: polacy with kids.

289
00:13:48,200 --> 00:13:51,360
Speaker 3: And it also just made for such good comedy. Yeah,

290
00:13:51,520 --> 00:13:53,880
Speaker 3: like him trying.

291
00:13:53,559 --> 00:13:55,679
Speaker 5: Not to blow it again and then you told him

292
00:13:55,720 --> 00:13:59,000
Speaker 5: Dan went to prison because he didn't clean his room.

293
00:13:59,520 --> 00:14:01,960
Speaker 2: So it really was nice.

294
00:14:02,400 --> 00:14:05,280
Speaker 4: I mean, does that work. I've got a five year

295
00:14:05,320 --> 00:14:06,319
Speaker 4: old right now.

296
00:14:06,240 --> 00:14:07,400
Speaker 3: You guys report back.

297
00:14:08,679 --> 00:14:12,559
Speaker 2: Yeah, that's a fun experiment to try children. I want

298
00:14:12,600 --> 00:14:14,439
Speaker 2: to talk about Victoria Moore though. This was fun the

299
00:14:14,720 --> 00:14:18,440
Speaker 2: Brook and Victoria storyline. First of all, Daphne looks so

300
00:14:18,720 --> 00:14:22,280
Speaker 2: fucking amazing every time she's on screen, those colors on

301
00:14:22,360 --> 00:14:26,320
Speaker 2: her everything, She's just hair holds herself like a queen.

302
00:14:26,480 --> 00:14:34,040
Speaker 2: It's an incredible Uh. Yeah, this was interesting, this constant

303
00:14:34,120 --> 00:14:37,960
Speaker 2: struggle with Brooke and Victoria to find and Brook so

304
00:14:38,080 --> 00:14:42,240
Speaker 2: desperately wanting coming to terms with how badly she wants

305
00:14:42,240 --> 00:14:46,720
Speaker 2: her mother's love. Yeah, and that moment in the end

306
00:14:46,880 --> 00:14:49,680
Speaker 2: really gutted me. That was so sad that she has

307
00:14:49,720 --> 00:14:51,960
Speaker 2: the dream, goes and has the moment and repeats it.

308
00:14:52,000 --> 00:14:53,560
Speaker 2: Does she sleep in the back of the store? I

309
00:14:53,600 --> 00:14:55,520
Speaker 2: missed that part. Why did she wake up? In the

310
00:14:55,520 --> 00:14:56,160
Speaker 2: back of the store.

311
00:14:56,560 --> 00:14:57,680
Speaker 3: No, she went home.

312
00:14:58,640 --> 00:15:03,040
Speaker 5: That's the that's bedroom in Brooks House. But it's like,

313
00:15:03,120 --> 00:15:06,840
Speaker 5: you know, she's gone home from the night out with

314
00:15:06,960 --> 00:15:12,200
Speaker 5: Millicent and Peyton and wakes up and goes to the

315
00:15:12,240 --> 00:15:15,560
Speaker 5: store because she's had a dream about having gone to

316
00:15:15,600 --> 00:15:16,800
Speaker 5: the store instead of going home.

317
00:15:16,840 --> 00:15:17,920
Speaker 3: It wasn't super clear.

318
00:15:18,360 --> 00:15:21,560
Speaker 2: Yeah, maybe just because that's the back of the set. Yeah,

319
00:15:21,560 --> 00:15:25,080
Speaker 2: I was thinking something else. Anyway, that was well done

320
00:15:25,080 --> 00:15:26,560
Speaker 2: and I made me sad.

321
00:15:27,240 --> 00:15:29,680
Speaker 5: I know, it made me, said too, And it's funny.

322
00:15:29,720 --> 00:15:32,200
Speaker 5: I as soon as it started to happen, I was like,

323
00:15:32,200 --> 00:15:34,600
Speaker 5: oh my god, I remember shooting this with Daphne, and

324
00:15:34,680 --> 00:15:40,160
Speaker 5: I remember, you know, we shot, we block shot, so

325
00:15:40,200 --> 00:15:43,240
Speaker 5: we did all my coverage of the happy dream and

326
00:15:43,240 --> 00:15:46,280
Speaker 5: then into the sad reality, and then we turned around

327
00:15:46,280 --> 00:15:48,680
Speaker 5: and did the happy dream and the sad reality, and

328
00:15:49,120 --> 00:15:51,560
Speaker 5: it was really emotional for both of us. It was

329
00:15:51,600 --> 00:15:55,920
Speaker 5: so hard to have to, you know, play those those

330
00:15:55,920 --> 00:16:00,520
Speaker 5: two differences, and I don't know, it gave me one

331
00:16:00,520 --> 00:16:03,320
Speaker 5: of those like muscle memory sense memory feelings where I

332
00:16:03,360 --> 00:16:06,640
Speaker 5: was like, oh shit, it's like I can feel that hug.

333
00:16:06,720 --> 00:16:09,200
Speaker 5: And how nice it was for us both to have

334
00:16:09,240 --> 00:16:13,080
Speaker 5: a great moment, especially because so much for her in

335
00:16:13,120 --> 00:16:18,120
Speaker 5: this episode was so vicious. Yeah, vicious with mea Lindsay

336
00:16:18,200 --> 00:16:22,640
Speaker 5: and Mia vicious with peyton Ah like pain going out

337
00:16:22,640 --> 00:16:25,360
Speaker 5: and defending Brooks on or like a true best friend,

338
00:16:25,720 --> 00:16:28,840
Speaker 5: and then Victoria saying it's clear you didn't have a mother, Like,

339
00:16:29,160 --> 00:16:29,880
Speaker 5: oh my.

340
00:16:29,800 --> 00:16:32,360
Speaker 2: God, it was heavy.

341
00:16:40,200 --> 00:16:44,120
Speaker 4: Here's the thing, what we normally see in romantic relationships

342
00:16:44,160 --> 00:16:47,040
Speaker 4: for other characters is what we are seeing in Brooke

343
00:16:47,160 --> 00:16:50,840
Speaker 4: Davis's female relationships. Yeah, she's got this problem where with

344
00:16:50,880 --> 00:16:53,600
Speaker 4: her mom, which is a toxic love where like we

345
00:16:53,680 --> 00:16:57,080
Speaker 4: see the teasings, we see like a tease of like

346
00:16:57,160 --> 00:16:59,120
Speaker 4: what it could be. Because there's that scene where you

347
00:16:59,120 --> 00:17:03,800
Speaker 4: guys are having together and you're getting pissy about zero

348
00:17:03,960 --> 00:17:07,000
Speaker 4: is not a size and your mom is like, ugh,

349
00:17:07,640 --> 00:17:10,199
Speaker 4: we're their models whatever, and then she tells you to

350
00:17:10,240 --> 00:17:12,800
Speaker 4: eat and you're like, oh, but almost I was four.

351
00:17:12,960 --> 00:17:16,399
Speaker 4: She says, but you're my daughter and you're not a model.

352
00:17:16,480 --> 00:17:20,320
Speaker 4: You're far too talented. And so we get that backhanded

353
00:17:20,359 --> 00:17:23,640
Speaker 4: compliment that sometimes you get in a romantic relationship where

354
00:17:23,640 --> 00:17:26,200
Speaker 4: it's like, no, this person loves me, like they think

355
00:17:26,240 --> 00:17:28,760
Speaker 4: I'm great. And Brook tells her friends she's like you

356
00:17:28,800 --> 00:17:30,520
Speaker 4: don't know, like she's.

357
00:17:30,440 --> 00:17:32,639
Speaker 3: My mom's great supported she's better.

358
00:17:33,600 --> 00:17:37,160
Speaker 4: Oh, Peyton Sawyer just wants to be your ducky. Peyton

359
00:17:37,200 --> 00:17:39,600
Speaker 4: Surrey just wants to show up and be like she's

360
00:17:39,640 --> 00:17:41,440
Speaker 4: mine and I'm the only person that's allowed to tackle

361
00:17:41,480 --> 00:17:43,640
Speaker 4: her in the front lawn. No one allowed to talk

362
00:17:43,800 --> 00:17:44,239
Speaker 4: about her.

363
00:17:45,600 --> 00:17:49,240
Speaker 3: Oh my god, I love that. I love Peyton as ducky.

364
00:17:49,600 --> 00:17:51,840
Speaker 4: Yeah, she's your duck yeah.

365
00:17:52,119 --> 00:17:57,200
Speaker 5: And it's and it's interesting that Brooke goes to bat

366
00:17:57,440 --> 00:18:00,240
Speaker 5: for Peyton with Victoria and then Peyton turns around and

367
00:18:00,280 --> 00:18:03,920
Speaker 5: goes to batford Brooke with Victoria. And in this way,

368
00:18:04,400 --> 00:18:08,760
Speaker 5: especially because our two characters have really, you know, found

369
00:18:08,760 --> 00:18:11,520
Speaker 5: the reconnection, found the bond we're living together, it's almost

370
00:18:11,560 --> 00:18:14,480
Speaker 5: like now she's our mom, you know, she's she's like

371
00:18:14,600 --> 00:18:16,040
Speaker 5: both of our nightmares.

372
00:18:16,400 --> 00:18:18,360
Speaker 3: And I love that Haley gets in on it.

373
00:18:18,600 --> 00:18:21,119
Speaker 5: He is the one who's like Pitchtoria was waiting and

374
00:18:21,160 --> 00:18:24,440
Speaker 5: it's Victoria. We got Bitchtoria out of this episode. We

375
00:18:24,520 --> 00:18:26,840
Speaker 5: got zero is not a size out of this episode.

376
00:18:27,080 --> 00:18:30,800
Speaker 5: We get We go into such ah just like iconic,

377
00:18:32,240 --> 00:18:33,800
Speaker 5: like quote from our show.

378
00:18:33,840 --> 00:18:34,919
Speaker 3: It was so fun.

379
00:18:35,320 --> 00:18:38,119
Speaker 4: Have you ever had to fight one of your friend's parents. No,

380
00:18:38,520 --> 00:18:40,320
Speaker 4: it's such a weird thing to have to fight a

381
00:18:40,400 --> 00:18:43,399
Speaker 4: friend's like family member. Yeah, I mean guys, I'm not

382
00:18:43,480 --> 00:18:48,760
Speaker 4: one to mince words, and so yeah, without going into

383
00:18:48,760 --> 00:18:51,879
Speaker 4: personal detail, I have had to check some people I

384
00:18:52,000 --> 00:18:57,159
Speaker 4: love relatives, and it is uncomfortable because you have to

385
00:18:57,160 --> 00:18:59,040
Speaker 4: say it with a smile, like as a girl. You

386
00:18:59,080 --> 00:19:04,080
Speaker 4: have to present it in a palatable way where you're like, hey, look,

387
00:19:04,840 --> 00:19:06,800
Speaker 4: let's just all get on the same page here, And

388
00:19:06,880 --> 00:19:08,680
Speaker 4: it is rare that anyone wants to get on the

389
00:19:08,720 --> 00:19:09,800
Speaker 4: same page with you.

390
00:19:09,880 --> 00:19:12,359
Speaker 2: Normally it's like so funny that you can do like

391
00:19:12,440 --> 00:19:16,600
Speaker 2: I'm man, I'm so just like, well, that's freking rude.

392
00:19:17,400 --> 00:19:18,200
Speaker 4: Just say it.

393
00:19:18,280 --> 00:19:20,679
Speaker 2: I don't know how you manage to like contain and

394
00:19:20,720 --> 00:19:23,879
Speaker 2: then also present it in a palatable way. That is

395
00:19:23,920 --> 00:19:25,080
Speaker 2: the talent, Well.

396
00:19:24,880 --> 00:19:26,960
Speaker 4: Because you're trying to love the person that you love

397
00:19:27,400 --> 00:19:33,640
Speaker 4: right and creating a battle with their oppressor if you will,

398
00:19:33,840 --> 00:19:35,480
Speaker 4: is not going to make it any easier on them.

399
00:19:35,920 --> 00:19:38,080
Speaker 4: But yeah, that's such a fine line where it's like,

400
00:19:38,200 --> 00:19:40,520
Speaker 4: how do I fight for you but not make it

401
00:19:40,920 --> 00:19:41,520
Speaker 4: wor worse.

402
00:19:43,600 --> 00:19:45,840
Speaker 2: Well, I love that Peyton just takes the risk because

403
00:19:45,880 --> 00:19:47,720
Speaker 2: clearly it can't get any worse with Victoria.

404
00:19:47,960 --> 00:19:51,440
Speaker 4: No, no, Like, what do you think the first interaction

405
00:19:51,760 --> 00:19:55,760
Speaker 4: was in third grade where probably where Victoria was like

406
00:19:55,960 --> 00:19:58,080
Speaker 4: this one, this is what you bring home.

407
00:19:58,359 --> 00:20:02,520
Speaker 2: Yeah, it's like a stray puppy. Peyton had some good

408
00:20:02,560 --> 00:20:04,639
Speaker 2: stuff in this episode too. I know we're kind of

409
00:20:04,680 --> 00:20:07,200
Speaker 2: jumping around, but it's fitting because the episode bounced around

410
00:20:07,200 --> 00:20:07,440
Speaker 2: a lot.

411
00:20:07,520 --> 00:20:09,200
Speaker 3: The episode jumped around so much.

412
00:20:09,800 --> 00:20:12,479
Speaker 4: Well, we're exhausted. Well the fact that you brought Lindsay

413
00:20:12,520 --> 00:20:14,720
Speaker 4: to the studio, so listen joy.

414
00:20:15,200 --> 00:20:16,880
Speaker 3: Oh yeah, yeah, let's go to the beginning.

415
00:20:17,119 --> 00:20:19,919
Speaker 4: I can't stop with the Peyton defense, Like I'm watching

416
00:20:19,960 --> 00:20:22,199
Speaker 4: this like why the fuck is Lindsay there? And then

417
00:20:22,240 --> 00:20:24,240
Speaker 4: when all that dialogue came out, I was like.

418
00:20:24,320 --> 00:20:29,240
Speaker 5: Oh, okay, you're like turns out I feel exactly the

419
00:20:29,280 --> 00:20:30,480
Speaker 5: way they wrote me to feel.

420
00:20:30,840 --> 00:20:33,840
Speaker 4: This is a business endeavor. I don't need Lindsey, like,

421
00:20:34,119 --> 00:20:36,800
Speaker 4: you know, spilling a drink on the board, like she

422
00:20:36,920 --> 00:20:42,280
Speaker 4: can't come in here, get out. I get so defensive

423
00:20:42,320 --> 00:20:42,919
Speaker 4: about it.

424
00:20:42,920 --> 00:20:48,280
Speaker 5: It is also a weird thing when somebody brings an

425
00:20:48,280 --> 00:20:52,840
Speaker 5: outsider who doesn't have any place in your creative process

426
00:20:53,000 --> 00:20:55,600
Speaker 5: into your creative work, like it's one of the things

427
00:20:55,600 --> 00:20:59,719
Speaker 5: that I find weird kind of about our jobs. Like

428
00:21:00,119 --> 00:21:03,520
Speaker 5: if you were coding at a tech company, nobody would

429
00:21:03,520 --> 00:21:06,240
Speaker 5: ever stand over your shoulder at your chair and be.

430
00:21:06,240 --> 00:21:07,119
Speaker 2: Like, what are you doing now?

431
00:21:07,280 --> 00:21:08,080
Speaker 3: What are you doing now?

432
00:21:08,440 --> 00:21:09,480
Speaker 2: What's going on there?

433
00:21:09,760 --> 00:21:12,680
Speaker 5: And sometimes you'll get to work on a set which

434
00:21:12,760 --> 00:21:15,480
Speaker 5: is not nearly as intimate as a recording studio and

435
00:21:15,520 --> 00:21:19,720
Speaker 5: there's like ten people at video village or like standing

436
00:21:19,760 --> 00:21:22,240
Speaker 5: behind the a camera and you're like, who are these people?

437
00:21:22,720 --> 00:21:25,760
Speaker 3: I have to like fake a sex scene today?

438
00:21:26,040 --> 00:21:28,920
Speaker 6: Like I don't have to think Europe, yeah or yeah,

439
00:21:28,960 --> 00:21:29,760
Speaker 6: Like I have to cry?

440
00:21:29,800 --> 00:21:32,080
Speaker 3: Could you not? Like could you not stand in the

441
00:21:32,119 --> 00:21:34,120
Speaker 3: corner and like record on your phone right now?

442
00:21:34,200 --> 00:21:35,919
Speaker 5: Like hold on, guys, we got to have like a

443
00:21:35,960 --> 00:21:38,520
Speaker 5: little bit of a boundary for the thing we're doing

444
00:21:38,520 --> 00:21:41,600
Speaker 5: in this room that's so intimate, and that's like a

445
00:21:41,640 --> 00:21:44,040
Speaker 5: bunch of us as actors on a stage with a

446
00:21:44,040 --> 00:21:45,440
Speaker 5: bunch of people and camera guys.

447
00:21:45,480 --> 00:21:47,240
Speaker 2: But you've built a circle of trust.

448
00:21:47,080 --> 00:21:49,439
Speaker 5: Well yeah you have. They're your family, Like there there

449
00:21:49,440 --> 00:21:54,520
Speaker 5: are your people. I can't imagine how completely emotionally naked

450
00:21:54,560 --> 00:21:57,080
Speaker 5: I would feel as a recording artist if it was

451
00:21:57,240 --> 00:22:01,040
Speaker 5: just me in a room and two women that I

452
00:22:01,119 --> 00:22:04,280
Speaker 5: was working with in the booth, and then suddenly there's

453
00:22:04,320 --> 00:22:06,000
Speaker 5: just a stranger being like, so, what are you going

454
00:22:06,040 --> 00:22:06,919
Speaker 5: to sing for me today?

455
00:22:07,280 --> 00:22:08,640
Speaker 2: Yeah? Hailey should have known better.

456
00:22:08,800 --> 00:22:12,240
Speaker 5: You're like, you're probably a really nice person, but please leave,

457
00:22:13,119 --> 00:22:15,280
Speaker 5: like come back tomorrow, I guess so I can like

458
00:22:15,359 --> 00:22:17,200
Speaker 5: know you're coming if you have to be here.

459
00:22:17,280 --> 00:22:18,120
Speaker 3: But why are you here?

460
00:22:18,640 --> 00:22:21,199
Speaker 2: Was Hailey there to record with me? Or was she

461
00:22:21,359 --> 00:22:24,720
Speaker 2: just like passing through to grab something on her way?

462
00:22:24,760 --> 00:22:27,080
Speaker 2: I think that's where I was confused, Like were they

463
00:22:27,160 --> 00:22:28,080
Speaker 2: on their way to lunch?

464
00:22:28,240 --> 00:22:30,199
Speaker 4: Why would may it be there by herself?

465
00:22:30,400 --> 00:22:31,000
Speaker 3: That's the thing.

466
00:22:31,720 --> 00:22:35,840
Speaker 5: Victoria tells Haley, you're late for the session? Oh right, yes,

467
00:22:36,200 --> 00:22:38,359
Speaker 5: which is what makes it weird. So it's like, so

468
00:22:38,480 --> 00:22:41,439
Speaker 5: did they come to the session together and then they

469
00:22:41,440 --> 00:22:43,320
Speaker 5: were going to hang out until lunch and then go

470
00:22:43,359 --> 00:22:45,639
Speaker 5: to lunch? Like again, this is this is just not

471
00:22:45,680 --> 00:22:48,600
Speaker 5: great writing, Like they didn't make clear what was happening.

472
00:22:49,440 --> 00:22:51,440
Speaker 2: Yeah, no, but it is weird that she brought Lindsay,

473
00:22:51,560 --> 00:22:54,399
Speaker 2: especially not only just everything you said, Sophia, but just

474
00:22:54,480 --> 00:22:57,600
Speaker 2: even the sheer fact that she's Lucas's girlfriend and Peyton's

475
00:22:57,640 --> 00:23:00,600
Speaker 2: like his ex girlfriend and it's already been tense. Why

476
00:23:00,640 --> 00:23:03,280
Speaker 2: would she do that? Another reason why Haley should have

477
00:23:03,320 --> 00:23:07,600
Speaker 2: been really frazzled and just distracted and like overwhelmed. You know,

478
00:23:07,720 --> 00:23:10,440
Speaker 2: it's like give her free paths. She's just completely overwhelmed.

479
00:23:10,520 --> 00:23:13,480
Speaker 4: Yeah, I just figured that Haley was like forcing Peyton's

480
00:23:13,480 --> 00:23:15,640
Speaker 4: hand a little bit in like a loving way, like

481
00:23:16,119 --> 00:23:17,960
Speaker 4: I know you're gonna be fucking weird about this, and

482
00:23:18,000 --> 00:23:20,800
Speaker 4: I'm not gonna let you make it weird. You know,

483
00:23:20,960 --> 00:23:24,720
Speaker 4: like that's a reasonable girlfriend thing to do, and it's

484
00:23:24,800 --> 00:23:27,600
Speaker 4: irritating for Peyton, it's irritating for Hillary.

485
00:23:27,280 --> 00:23:33,600
Speaker 6: Burton, who totally aligns with my character. Yeah, but do

486
00:23:33,680 --> 00:23:35,959
Speaker 6: that on like a shopping day or like a lunch.

487
00:23:36,119 --> 00:23:38,120
Speaker 6: Don't do it a professional endeavor.

488
00:23:38,359 --> 00:23:40,040
Speaker 5: But don't you think that this is one of those

489
00:23:40,080 --> 00:23:45,160
Speaker 5: things that happens on a TV show because they need

490
00:23:45,200 --> 00:23:48,760
Speaker 5: to do certain scenes in certain sets and then they're like, yeah,

491
00:23:48,840 --> 00:23:51,239
Speaker 5: we're gonna do this combo and we're just gonna make

492
00:23:51,280 --> 00:23:53,120
Speaker 5: this happen. We got to get them together, so she'll

493
00:23:53,160 --> 00:23:55,960
Speaker 5: just go with her. You know, there's always one person

494
00:23:55,960 --> 00:23:57,600
Speaker 5: in the room going, don't you think that's weird?

495
00:23:57,640 --> 00:23:59,680
Speaker 3: And everybody else goes it doesn't matter we don't have time.

496
00:24:00,240 --> 00:24:01,679
Speaker 2: Yeah, here's what I want to know.

497
00:24:02,160 --> 00:24:05,280
Speaker 4: Why does Lindsay have a job. She's never working on anything.

498
00:24:05,359 --> 00:24:08,240
Speaker 4: Lizy's just going to lunches, going to dinners, popping into

499
00:24:08,240 --> 00:24:11,880
Speaker 4: Peyton's place, going to clothes over bros. Lindsay's just bugging everybody.

500
00:24:12,119 --> 00:24:14,080
Speaker 2: Yeah, and why wasn't she always have a manuscript on

501
00:24:14,119 --> 00:24:16,200
Speaker 2: her If she's an editor, she should always be reading something.

502
00:24:16,240 --> 00:24:19,040
Speaker 3: Yeah. Well, apparently she's waiting on Lucas to write this book.

503
00:24:19,480 --> 00:24:21,080
Speaker 2: Yeah, just waiting on this, dude.

504
00:24:21,119 --> 00:24:21,959
Speaker 4: I'm mad about it.

505
00:24:22,320 --> 00:24:27,080
Speaker 2: Speaking of Lindsay and Lucas, this my brain is going

506
00:24:27,080 --> 00:24:28,879
Speaker 2: now to the fight that you guys had, which was

507
00:24:28,920 --> 00:24:32,600
Speaker 2: so good. But when he walked in and sat down

508
00:24:32,640 --> 00:24:36,240
Speaker 2: in the studio, it felt to me like Lucas really

509
00:24:36,680 --> 00:24:39,119
Speaker 2: was actually the emotional center of the whole episode. That

510
00:24:39,200 --> 00:24:42,639
Speaker 2: didn't it hadn't grounded until he walked into that room,

511
00:24:42,720 --> 00:24:46,040
Speaker 2: into your office and started talking to you, because I

512
00:24:46,119 --> 00:24:48,720
Speaker 2: realized all the other storylines. Everybody was buzzing on this

513
00:24:48,840 --> 00:24:53,879
Speaker 2: like high energy drama, like trying to solve problems and

514
00:24:53,960 --> 00:24:55,960
Speaker 2: kind of scurrying around, and Lucas was the only one

515
00:24:56,000 --> 00:25:01,399
Speaker 2: who was calm and dropped in, which was nice to see.

516
00:25:00,880 --> 00:25:02,520
Speaker 2: I feel I feel like I hadn't seen that from

517
00:25:02,600 --> 00:25:03,160
Speaker 2: him in a while.

518
00:25:03,440 --> 00:25:06,639
Speaker 5: Do you mean when he comes in to tell Peyton

519
00:25:06,680 --> 00:25:09,760
Speaker 5: she has to apologize and then offers to help her,

520
00:25:09,920 --> 00:25:11,240
Speaker 5: like in the beginning of the episode.

521
00:25:11,359 --> 00:25:13,440
Speaker 2: Yeah, that's right, and they got and then they got

522
00:25:13,480 --> 00:25:16,159
Speaker 2: into a they got into a fight later. Was that

523
00:25:16,320 --> 00:25:17,080
Speaker 2: was later the scene?

524
00:25:17,200 --> 00:25:20,880
Speaker 4: Yeah, there's there's scenes and trick and I loved filming

525
00:25:20,920 --> 00:25:24,960
Speaker 4: these scenes with Chad. We had Tom Wright as our director,

526
00:25:25,040 --> 00:25:27,320
Speaker 4: who I'll say in a million times was just a

527
00:25:27,359 --> 00:25:30,600
Speaker 4: favorite of mine on multiple shows that I've worked on.

528
00:25:31,160 --> 00:25:35,119
Speaker 4: I've done three different televisions, maybe four different television shows

529
00:25:35,119 --> 00:25:41,320
Speaker 4: with him. He's just wonderful. And I remember really trusting

530
00:25:41,400 --> 00:25:46,080
Speaker 4: him because it's we're having to deliver all this backstory

531
00:25:46,160 --> 00:25:49,359
Speaker 4: in these two fight scenes and get out all this

532
00:25:49,440 --> 00:25:53,719
Speaker 4: exposition and stuff, and we both feel one hundred percent

533
00:25:53,880 --> 00:25:57,080
Speaker 4: right in our approach, Like he really thought it was

534
00:25:57,119 --> 00:25:59,520
Speaker 4: appropriate for him to show up and be like, I'm

535
00:25:59,520 --> 00:26:03,160
Speaker 4: going to be the peacemaker, and Peyton like one hundred

536
00:26:03,200 --> 00:26:05,639
Speaker 4: percent feels she's right to be like, I need to

537
00:26:05,720 --> 00:26:08,720
Speaker 4: avoid this with you at all costs, and I have

538
00:26:08,760 --> 00:26:14,000
Speaker 4: a million other things going on and watching the show back,

539
00:26:14,080 --> 00:26:16,960
Speaker 4: like I remember Peyton catching so much shit for like, oh,

540
00:26:16,960 --> 00:26:18,879
Speaker 4: she broke up Locus and broke and she broke up

541
00:26:18,920 --> 00:26:23,240
Speaker 4: Locus and blends it. Peyton is avoiding him at every turn.

542
00:26:23,600 --> 00:26:27,480
Speaker 4: She's just like pass pass, pass pass. He's the one

543
00:26:27,480 --> 00:26:30,919
Speaker 4: that keeps showing up, and so I need that to

544
00:26:30,920 --> 00:26:34,760
Speaker 4: be acknowledged. But him saying can I help you, and

545
00:26:34,800 --> 00:26:38,000
Speaker 4: her saying no, Like if she were trying to reel

546
00:26:38,080 --> 00:26:41,040
Speaker 4: him in, it would be like, you know, would be great,

547
00:26:41,680 --> 00:26:43,560
Speaker 4: could you know, maybe stick around?

548
00:26:43,720 --> 00:26:46,000
Speaker 2: No, She's like, leave me alone so I can get

549
00:26:46,040 --> 00:26:48,119
Speaker 2: over you and get on with my life instead of

550
00:26:49,160 --> 00:26:52,840
Speaker 2: living other things and having other dreams. That's what the

551
00:26:52,880 --> 00:26:55,399
Speaker 2: fact that it all came out, it was like pushing

552
00:26:55,440 --> 00:26:59,119
Speaker 2: pushing away. I can't remember what he said that really

553
00:26:59,200 --> 00:27:02,040
Speaker 2: launched you in to your thing about the books, but

554
00:27:02,119 --> 00:27:04,719
Speaker 2: it was. It felt so real. The progression of that

555
00:27:04,800 --> 00:27:09,160
Speaker 2: scene was so real and so visceral. I just thought

556
00:27:09,160 --> 00:27:10,560
Speaker 2: it was so well. That was my favorite scene in

557
00:27:10,560 --> 00:27:12,560
Speaker 2: the episode and was the best written scene in the

558
00:27:12,560 --> 00:27:13,200
Speaker 2: episode two.

559
00:27:14,640 --> 00:27:16,400
Speaker 4: He says, you didn't think I could do it?

560
00:27:17,200 --> 00:27:20,400
Speaker 2: Yeah, that's what it was ew, which.

561
00:27:20,200 --> 00:27:23,080
Speaker 4: Is so shocking to Peyton because it was like, wait

562
00:27:23,119 --> 00:27:27,520
Speaker 4: a second, yeah, hold on now, but also that that

563
00:27:27,560 --> 00:27:29,280
Speaker 4: would be the thing that was such a turn off

564
00:27:29,280 --> 00:27:30,840
Speaker 4: for him, that he could get over her.

565
00:27:31,480 --> 00:27:33,919
Speaker 2: Yeah, but he didn't. He clearly didn't because he was

566
00:27:33,960 --> 00:27:36,640
Speaker 2: so upset in the office, saying to her, I propose

567
00:27:36,760 --> 00:27:39,000
Speaker 2: to you. You don't go in and fight for somebody

568
00:27:39,119 --> 00:27:42,800
Speaker 2: that you're not still connected to, that you don't still

569
00:27:42,920 --> 00:27:44,119
Speaker 2: kind of want.

570
00:27:44,480 --> 00:27:46,679
Speaker 5: But what I thought was really interesting about it and

571
00:27:46,680 --> 00:27:49,480
Speaker 5: what made it feel so real to me is exactly

572
00:27:49,520 --> 00:27:53,280
Speaker 5: that moment you're talking about Joy because he's yelling saying,

573
00:27:53,440 --> 00:27:54,080
Speaker 5: I did this.

574
00:27:54,359 --> 00:27:55,200
Speaker 2: I asked you.

575
00:27:55,560 --> 00:27:57,960
Speaker 3: And you said no, and you gave up on us.

576
00:27:58,359 --> 00:28:00,800
Speaker 3: And she's like, you're a story.

577
00:28:01,440 --> 00:28:05,200
Speaker 5: That's not what happened. I said, I'm not ready. I said,

578
00:28:05,280 --> 00:28:09,520
Speaker 5: we're nineteen. I said give me time. I said I

579
00:28:09,600 --> 00:28:11,960
Speaker 5: want to marry you. I want to be with you forever.

580
00:28:12,280 --> 00:28:15,280
Speaker 5: She's reminding all of us in that scene of exactly

581
00:28:15,320 --> 00:28:19,240
Speaker 5: what she said, and you do really realize, like, oh,

582
00:28:19,960 --> 00:28:22,399
Speaker 5: he's telling a story about what happened.

583
00:28:22,520 --> 00:28:23,080
Speaker 2: Heard one thing.

584
00:28:23,560 --> 00:28:25,439
Speaker 3: Yeah, because he didn't get what he wanted and he

585
00:28:25,480 --> 00:28:27,919
Speaker 3: didn't get it the way he wanted it, and so

586
00:28:28,480 --> 00:28:30,760
Speaker 3: he threw it all back in her face, and it's

587
00:28:30,800 --> 00:28:33,920
Speaker 3: so vindicating that she gets to say, you're the one.

588
00:28:33,720 --> 00:28:36,960
Speaker 5: Who gave up on us, Yeah, because you didn't get

589
00:28:36,960 --> 00:28:37,840
Speaker 5: it your way.

590
00:28:38,360 --> 00:28:41,160
Speaker 2: And I thought that was so special that he didn't

591
00:28:41,160 --> 00:28:42,480
Speaker 2: get it his I mean, it could have been that

592
00:28:42,480 --> 00:28:44,480
Speaker 2: he didn't get it his way. I think I saw

593
00:28:44,520 --> 00:28:49,040
Speaker 2: it as he his expectation was at a certain place

594
00:28:49,080 --> 00:28:51,640
Speaker 2: because it was so vulnerable, like he was really putting

595
00:28:51,720 --> 00:28:57,000
Speaker 2: everything out there, and when it didn't turn out. It's

596
00:28:57,040 --> 00:28:58,400
Speaker 2: not I don't know if so much that it was

597
00:28:58,440 --> 00:29:00,680
Speaker 2: like his way, like he was throwing a fit. Is

598
00:29:00,760 --> 00:29:03,800
Speaker 2: just the expectation of if I'm going to put everything

599
00:29:03,840 --> 00:29:06,800
Speaker 2: out there, you got to put everything out there too,

600
00:29:07,040 --> 00:29:09,760
Speaker 2: And it just because it didn't come out the way

601
00:29:09,880 --> 00:29:14,240
Speaker 2: he was expecting, he couldn't adjust. Does that make sense

602
00:29:14,280 --> 00:29:16,040
Speaker 2: what I'm saying. It feels to me like he was

603
00:29:16,080 --> 00:29:18,880
Speaker 2: throwing a fit. It felt just like he he just

604
00:29:18,880 --> 00:29:20,360
Speaker 2: didn't know how to adjust. He didn't know how to

605
00:29:20,400 --> 00:29:20,719
Speaker 2: hear it.

606
00:29:21,120 --> 00:29:23,040
Speaker 4: We've said in the past couple of weeks, where you know,

607
00:29:23,080 --> 00:29:25,880
Speaker 4: because our characters keep reminding everybody we're twenty one years

608
00:29:25,920 --> 00:29:28,600
Speaker 4: old and this is such a twenty twenty one, twenty

609
00:29:28,600 --> 00:29:32,200
Speaker 4: two year old fight to have where you know, he's

610
00:29:32,240 --> 00:29:34,400
Speaker 4: allowed to be kind of bitchy and be like, oh,

611
00:29:34,440 --> 00:29:36,920
Speaker 4: you didn't want me, but now that I'm a successful writer,

612
00:29:37,440 --> 00:29:42,000
Speaker 4: now you want me, which is gross. It's so gross,

613
00:29:42,000 --> 00:29:45,440
Speaker 4: but it's also gross. It's like kind of what it

614
00:29:45,480 --> 00:29:49,880
Speaker 4: looked like from his angle. And yeah, Hayton, I remember

615
00:29:49,920 --> 00:29:52,760
Speaker 4: having trouble with the blocking because we'd done the first

616
00:29:52,760 --> 00:29:55,240
Speaker 4: scene and they were like, don't cry in this, Hillary,

617
00:29:55,280 --> 00:29:57,760
Speaker 4: don't cry in this. You gotta hold it, suck it up,

618
00:29:57,840 --> 00:29:59,640
Speaker 4: don't cry in this, because there was a part of

619
00:29:59,680 --> 00:30:02,520
Speaker 4: me when he was like, can I help you that

620
00:30:02,720 --> 00:30:07,000
Speaker 4: just wanted to scream, right, So hold it in for

621
00:30:07,040 --> 00:30:09,320
Speaker 4: the second one, and then I just didn't. I couldn't

622
00:30:09,360 --> 00:30:11,360
Speaker 4: figure out what to do with my energy in that

623
00:30:11,440 --> 00:30:14,480
Speaker 4: second one. During the blocking rehearsal, what I say, it

624
00:30:14,520 --> 00:30:16,280
Speaker 4: was Greg Prange that was like, do you just want

625
00:30:16,280 --> 00:30:18,680
Speaker 4: to whip those books at him? And I was like, yes,

626
00:30:18,880 --> 00:30:22,880
Speaker 4: I do, I really do. Yeah, And so I was

627
00:30:23,200 --> 00:30:26,320
Speaker 4: whipping those things across the room and there was one

628
00:30:26,800 --> 00:30:30,280
Speaker 4: that did hit Chad and you know when you do

629
00:30:30,320 --> 00:30:31,920
Speaker 4: something and you don't know what the reaction is going

630
00:30:31,960 --> 00:30:34,200
Speaker 4: to be, and he loved it. He was just like,

631
00:30:34,320 --> 00:30:37,479
Speaker 4: oh godness feels so real, like he was so game

632
00:30:37,680 --> 00:30:41,000
Speaker 4: for it. But when we watched the episode, we were

633
00:30:41,000 --> 00:30:44,920
Speaker 4: talking about how in that fight scene, Lucas goes in

634
00:30:44,960 --> 00:30:50,080
Speaker 4: there and totally baits Peyton. Yes, she's calm, she's calm.

635
00:30:50,240 --> 00:30:53,440
Speaker 4: He starts making wild accusations, and then when she finally

636
00:30:53,480 --> 00:30:56,240
Speaker 4: loses her shit, I did this thing where I like

637
00:30:56,320 --> 00:30:59,280
Speaker 4: covered my mouth and that was a total, like natural

638
00:30:59,320 --> 00:31:03,360
Speaker 4: reaction to spitting all that venomount and he threw his

639
00:31:03,440 --> 00:31:05,800
Speaker 4: hands up in the air and I think those that

640
00:31:05,880 --> 00:31:10,200
Speaker 4: was like the only takes that we did, and it

641
00:31:10,240 --> 00:31:13,200
Speaker 4: was like he couldn't handle her crazy. He'd driven her

642
00:31:13,280 --> 00:31:14,440
Speaker 4: to the brink of crazy.

643
00:31:14,680 --> 00:31:17,040
Speaker 3: He was like, oh, you're being irrational.

644
00:31:17,280 --> 00:31:20,959
Speaker 2: Oh you've gone too far. God, he makes our nuts.

645
00:31:21,240 --> 00:31:22,880
Speaker 2: He's the one that went down there, though, why do

646
00:31:22,920 --> 00:31:23,719
Speaker 2: you come looking for it?

647
00:31:23,760 --> 00:31:23,920
Speaker 4: Man?

648
00:31:23,960 --> 00:31:26,360
Speaker 3: That's it and what it reminds me of.

649
00:31:26,400 --> 00:31:28,880
Speaker 5: And I guess the reason I say, like, you know,

650
00:31:28,960 --> 00:31:33,120
Speaker 5: they wrote it. They wrote Lucas to be unable to

651
00:31:33,120 --> 00:31:38,800
Speaker 5: tolerate anybody's reality but his own in this situation, and

652
00:31:38,840 --> 00:31:41,200
Speaker 5: it really harkens back to some of that stuff that

653
00:31:41,240 --> 00:31:44,600
Speaker 5: we all identified in like the beginning of high school,

654
00:31:44,960 --> 00:31:48,360
Speaker 5: going oh shit. Now watching it back, you realize there's

655
00:31:48,360 --> 00:31:52,040
Speaker 5: a narcissism under this person who when he's with Peyton,

656
00:31:52,320 --> 00:31:54,680
Speaker 5: he goes and he provokes Brooke, and he checks in

657
00:31:54,720 --> 00:31:56,600
Speaker 5: on Brook and he wants to hear how she's doing.

658
00:31:56,880 --> 00:31:58,880
Speaker 5: When he's with Brook, he's always going to check on

659
00:31:58,920 --> 00:32:01,000
Speaker 5: Peyton and provoking And.

660
00:32:01,760 --> 00:32:05,160
Speaker 3: I like I saw that, and part of me likes

661
00:32:05,160 --> 00:32:07,520
Speaker 3: that the writers brought it back because you.

662
00:32:07,480 --> 00:32:09,360
Speaker 5: Go up, there's still a little bit of a child

663
00:32:09,360 --> 00:32:11,800
Speaker 5: in there, just like there is with Nathan. He's throwing

664
00:32:11,840 --> 00:32:14,719
Speaker 5: any carry around the pool, just like he did with Peyton. Yeah,

665
00:32:14,760 --> 00:32:18,920
Speaker 5: like you see, we're twenty one, you see them in there.

666
00:32:18,920 --> 00:32:21,000
Speaker 2: I don't even know that it's like clinical narcissism so

667
00:32:21,080 --> 00:32:23,120
Speaker 2: much as just selfishness and scurious, like little boys that

668
00:32:23,200 --> 00:32:25,720
Speaker 2: just don't grow up yet, like every little kid.

669
00:32:25,920 --> 00:32:28,400
Speaker 5: I think Dan Scott is a clinical narcissist. I'm not sure,

670
00:32:28,600 --> 00:32:28,960
Speaker 5: but you.

671
00:32:28,920 --> 00:32:29,440
Speaker 3: Know what I mean.

672
00:32:29,520 --> 00:32:32,560
Speaker 5: It's it's the tendency, it's the trait, and it is

673
00:32:32,680 --> 00:32:36,920
Speaker 5: that thing of like most women, because of the way

674
00:32:36,960 --> 00:32:39,520
Speaker 5: the world is for us, like we suck up not

675
00:32:39,560 --> 00:32:41,160
Speaker 5: getting things the way we want to get them.

676
00:32:41,520 --> 00:32:43,680
Speaker 3: We're not very used to getting our way? When do

677
00:32:43,760 --> 00:32:46,440
Speaker 3: we ever? And when the boys don't get their way,

678
00:32:46,440 --> 00:32:47,720
Speaker 3: they lose their fucking minds.

679
00:32:47,880 --> 00:32:48,840
Speaker 2: Yeah, they implode.

680
00:32:49,360 --> 00:32:53,560
Speaker 5: And his immaturity and his is need to keep her

681
00:32:53,640 --> 00:32:56,240
Speaker 5: on the hook and yet to blame her for it.

682
00:32:57,280 --> 00:33:00,480
Speaker 5: I think the scene feels so beautiful because it feels

683
00:33:00,520 --> 00:33:01,080
Speaker 5: so real.

684
00:33:01,280 --> 00:33:02,400
Speaker 3: It feels so.

685
00:33:02,600 --> 00:33:06,120
Speaker 5: Messy and human, and I love that Peyton gets to

686
00:33:06,120 --> 00:33:08,440
Speaker 5: be like off you, like, not again.

687
00:33:08,840 --> 00:33:10,680
Speaker 3: You've been doing this to me my whole life. And

688
00:33:10,720 --> 00:33:12,440
Speaker 3: it's like it's so oh.

689
00:33:12,600 --> 00:33:15,400
Speaker 5: It's like it's so indicating when she's whipping those books

690
00:33:15,400 --> 00:33:18,920
Speaker 5: at him, because you're like, yeah, man, like he's got

691
00:33:18,960 --> 00:33:20,440
Speaker 5: to realize what he's doing.

692
00:33:20,880 --> 00:33:23,200
Speaker 2: Yeah, you took this from me. I didn't take it

693
00:33:23,240 --> 00:33:25,880
Speaker 2: from you. I was ready. I wanted to be there

694
00:33:25,880 --> 00:33:27,280
Speaker 2: with you. I wanted to do it. I just needed

695
00:33:27,280 --> 00:33:28,560
Speaker 2: to go slower man. That's it.

696
00:33:28,640 --> 00:33:32,640
Speaker 4: Yeah, all dude, he left a dinner party with his

697
00:33:32,920 --> 00:33:36,200
Speaker 4: girlfriend Ella to come and have that conversation with Payde.

698
00:33:36,240 --> 00:33:39,320
Speaker 5: You're right, and even notice that and his girlfriend, who

699
00:33:39,320 --> 00:33:43,200
Speaker 5: by the way, drives by go into their house and

700
00:33:43,280 --> 00:33:45,320
Speaker 5: sees his car next to Peyton's car.

701
00:33:45,760 --> 00:33:46,040
Speaker 3: Oof.

702
00:33:53,800 --> 00:33:56,360
Speaker 4: And here's what I don't like. This pissed me off.

703
00:33:56,680 --> 00:33:58,920
Speaker 4: When Lindsay got the dinner table, is all like, oh,

704
00:33:58,960 --> 00:34:01,520
Speaker 4: Peyton showed up because she's got some weird territorial thing

705
00:34:01,520 --> 00:34:02,200
Speaker 4: about Lucas.

706
00:34:02,600 --> 00:34:05,760
Speaker 3: Bayden hasn't reached out to Lucas once once.

707
00:34:06,480 --> 00:34:11,920
Speaker 4: Wow, Yeah, so what's he going home to tell her? Oh?

708
00:34:12,000 --> 00:34:13,160
Speaker 4: Sorry I ran into Peyton.

709
00:34:13,560 --> 00:34:15,760
Speaker 3: Sorry, she just needed something at the office.

710
00:34:16,040 --> 00:34:22,920
Speaker 5: Yeah, god, barf barf is Wow, that's a really good point.

711
00:34:23,560 --> 00:34:25,759
Speaker 2: Why were you in your underwear on that bed in

712
00:34:25,920 --> 00:34:26,480
Speaker 2: her dream?

713
00:34:26,920 --> 00:34:27,800
Speaker 3: It was his dream?

714
00:34:27,920 --> 00:34:30,200
Speaker 4: It was his dream, Lucas's dream.

715
00:34:30,520 --> 00:34:32,120
Speaker 2: Did you have a fight about that? Yeah?

716
00:34:32,120 --> 00:34:34,040
Speaker 4: I did have a fight about it because they wanted

717
00:34:34,080 --> 00:34:37,560
Speaker 4: me seated like like tits first they did, yeah right,

718
00:34:37,840 --> 00:34:40,640
Speaker 4: and I was like, I'm actually gonna hide as much

719
00:34:40,680 --> 00:34:43,120
Speaker 4: of my body as possible. Someone laid down and have

720
00:34:43,239 --> 00:34:45,480
Speaker 4: real big hair, so all you see is feet popping it.

721
00:34:45,560 --> 00:34:47,680
Speaker 2: It was very cute, I mean a Zari like pin

722
00:34:47,800 --> 00:34:50,000
Speaker 2: up girl cute. But I just knowing everything, I was like,

723
00:34:50,080 --> 00:34:51,480
Speaker 2: I wonder if she had a fight about that or

724
00:34:51,480 --> 00:34:52,080
Speaker 2: if that was just.

725
00:34:52,120 --> 00:34:54,800
Speaker 4: That blocking was for sure a fight. Yeah.

726
00:34:54,840 --> 00:34:56,319
Speaker 2: It just seems so dumb, like you could have been

727
00:34:56,360 --> 00:34:58,600
Speaker 2: wearing a short, little black slip and it would and

728
00:34:58,640 --> 00:35:01,040
Speaker 2: would have had the same effect of just like looking

729
00:35:01,080 --> 00:35:01,759
Speaker 2: sexy on a bed.

730
00:35:01,840 --> 00:35:04,360
Speaker 4: I could have been fully clothed. You could have been

731
00:35:04,400 --> 00:35:05,160
Speaker 4: fully in jeans.

732
00:35:05,520 --> 00:35:07,080
Speaker 5: You could have been in the T shirt with the

733
00:35:07,120 --> 00:35:10,480
Speaker 5: long sleeve, in the jeans and been like when he

734
00:35:10,520 --> 00:35:12,960
Speaker 5: proposed to me. You could have been in the outfit

735
00:35:13,040 --> 00:35:14,560
Speaker 5: from the proposal, could have.

736
00:35:14,600 --> 00:35:20,240
Speaker 4: Been yeah instead tits up. But that was Tom right again.

737
00:35:20,280 --> 00:35:22,200
Speaker 4: I could say to Tom Wright like I don't want

738
00:35:22,239 --> 00:35:24,719
Speaker 4: to do it, and he'd be like, baby, just do

739
00:35:24,760 --> 00:35:25,520
Speaker 4: it however you want.

740
00:35:27,040 --> 00:35:28,920
Speaker 3: Well, here's what I am gonna say.

741
00:35:29,719 --> 00:35:32,479
Speaker 5: If I can plunk us out of the like ick

742
00:35:33,200 --> 00:35:35,040
Speaker 5: of always.

743
00:35:34,719 --> 00:35:37,279
Speaker 3: Being asked to be in our underwear on our show.

744
00:35:37,480 --> 00:35:40,480
Speaker 5: And just from like our adult perspectives acknowledged that you

745
00:35:40,520 --> 00:35:43,480
Speaker 5: looked smoking fucking hot, I'm gonna do it. I was like,

746
00:35:43,640 --> 00:35:46,400
Speaker 5: damn girl, because you're right, Joyce. She looked like a

747
00:35:46,400 --> 00:35:47,400
Speaker 5: little pin up character.

748
00:35:47,680 --> 00:35:48,080
Speaker 4: Yeah.

749
00:35:48,120 --> 00:35:52,359
Speaker 3: And I gotta give props for your.

750
00:35:52,120 --> 00:35:56,040
Speaker 5: Hatty McCatty moment in this episode and for us getting

751
00:35:56,320 --> 00:36:03,399
Speaker 5: spicy hotty McCatty, Joe Maganello so spicy. I got how

752
00:36:03,480 --> 00:36:06,480
Speaker 5: spicy Owen is. With Brooke joy we were watching the

753
00:36:06,480 --> 00:36:07,759
Speaker 5: episode and we both were like.

754
00:36:07,800 --> 00:36:10,440
Speaker 3: Oh my god, Oh my god, oh my god.

755
00:36:10,719 --> 00:36:12,240
Speaker 2: Like he's very forward.

756
00:36:12,680 --> 00:36:18,120
Speaker 3: Whoa he threw the vibes and y'all, y'all both did

757
00:36:18,160 --> 00:36:18,640
Speaker 3: really great.

758
00:36:19,040 --> 00:36:21,040
Speaker 4: Why didn't we have bartenders that look like that in

759
00:36:21,080 --> 00:36:22,080
Speaker 4: real life in Wilmington?

760
00:36:23,440 --> 00:36:27,399
Speaker 5: I mean we did sort of, but if we if

761
00:36:27,440 --> 00:36:29,279
Speaker 5: we flip it to Stephanie.

762
00:36:28,960 --> 00:36:32,200
Speaker 4: Yeah, there was no There was no Owen.

763
00:36:32,840 --> 00:36:34,320
Speaker 3: Yeah, no, there was no Owen.

764
00:36:34,800 --> 00:36:38,520
Speaker 4: I like Owen because you know he's doing that kind

765
00:36:38,520 --> 00:36:40,799
Speaker 4: of douchey guy move of like I don't know who

766
00:36:40,840 --> 00:36:43,440
Speaker 4: you are, but like I really got the sense he

767
00:36:43,520 --> 00:36:46,160
Speaker 4: had no I know, she was same, no idea.

768
00:36:46,680 --> 00:36:48,399
Speaker 2: It was such a good move. Can you sign this?

769
00:36:48,840 --> 00:36:49,040
Speaker 4: Yeah?

770
00:36:49,080 --> 00:36:51,120
Speaker 2: Who do we make it out to a trick for

771
00:36:51,200 --> 00:36:52,640
Speaker 2: thirty seven dollars? Yeah?

772
00:36:52,640 --> 00:36:54,600
Speaker 3: It was so good. It was so good.

773
00:36:55,120 --> 00:36:59,040
Speaker 5: I also love him being behind the bar for all

774
00:36:59,160 --> 00:37:03,480
Speaker 5: these interactions that Brooke is having with female fans of

775
00:37:03,560 --> 00:37:07,560
Speaker 5: clothes over bros, girls who wear her clothes and him.

776
00:37:07,360 --> 00:37:10,080
Speaker 3: Being like, I know how I'm gonna hit on that lady.

777
00:37:10,239 --> 00:37:11,600
Speaker 3: I'm gonna with her.

778
00:37:11,920 --> 00:37:18,080
Speaker 5: Like it's such alpha energy. It it was spicy.

779
00:37:18,239 --> 00:37:20,839
Speaker 4: He's playing a long game. Yeah, I'm into it.

780
00:37:21,120 --> 00:37:21,840
Speaker 3: Yeah, I liked it.

781
00:37:22,080 --> 00:37:26,640
Speaker 4: They cast Joe. We all were just like he is tall.

782
00:37:26,840 --> 00:37:31,480
Speaker 2: He was so large, yes, yeah, yeah, and him and

783
00:37:31,520 --> 00:37:33,360
Speaker 2: Paul would like stand next to each other and it

784
00:37:33,480 --> 00:37:39,279
Speaker 2: was amazing to see too, like Viking giants, gigantic.

785
00:37:39,400 --> 00:37:39,600
Speaker 4: Man.

786
00:37:40,160 --> 00:37:43,160
Speaker 5: I just loved knowing because that was all of our

787
00:37:43,200 --> 00:37:46,840
Speaker 5: first interaction on camera, like the look on your face, Hillary,

788
00:37:46,880 --> 00:37:49,759
Speaker 5: and the look on Lisa Goldstein's face, like y'all were

789
00:37:49,800 --> 00:37:52,480
Speaker 5: not acting, No, it was Lisa.

790
00:37:52,320 --> 00:37:54,560
Speaker 3: Did a little nose touch that she always.

791
00:37:54,320 --> 00:37:56,680
Speaker 5: Used to do, and then it became Millicent's thing, but

792
00:37:56,760 --> 00:37:58,200
Speaker 5: that was Lisa.

793
00:37:58,080 --> 00:37:58,760
Speaker 4: All the time.

794
00:37:59,480 --> 00:38:02,520
Speaker 3: And I was like, oh, everybody's blushing. This is great.

795
00:38:03,000 --> 00:38:05,480
Speaker 4: Well, because he came in and he was so nice,

796
00:38:05,800 --> 00:38:10,040
Speaker 4: like he was incredibly kind and was kind of nervous,

797
00:38:10,320 --> 00:38:14,040
Speaker 4: had like a little bit of a nervous energy. And

798
00:38:14,160 --> 00:38:19,320
Speaker 4: I remember me being nervous because he was so physically large,

799
00:38:19,760 --> 00:38:22,359
Speaker 4: like yeah, And I said something really lame to him

800
00:38:22,640 --> 00:38:25,759
Speaker 4: in the transpo van one day. I was just like,

801
00:38:26,280 --> 00:38:30,160
Speaker 4: your bigness kind of creeps me out because I was

802
00:38:30,160 --> 00:38:32,160
Speaker 4: trying to explain to him why I need Like I

803
00:38:32,200 --> 00:38:35,400
Speaker 4: was like leaning back and I didn't mean it as

804
00:38:35,600 --> 00:38:39,279
Speaker 4: like mean, I just meant like, you're really big and

805
00:38:39,320 --> 00:38:43,120
Speaker 4: it is intimidating, and as a woman, I feel vulnerable

806
00:38:43,120 --> 00:38:44,920
Speaker 4: around it, and I don't like the way this is feeling.

807
00:38:45,120 --> 00:38:47,160
Speaker 4: And so rather than I was just trying to explain

808
00:38:47,200 --> 00:38:50,680
Speaker 4: myself and I I really stepped in it, and he

809
00:38:50,840 --> 00:38:55,320
Speaker 4: was just like, I'm sorry, Oh no, do apologize for

810
00:38:55,520 --> 00:38:56,280
Speaker 4: being large.

811
00:38:56,680 --> 00:38:58,319
Speaker 5: You're like, I'm just trying to tell you why I

812
00:38:58,400 --> 00:39:00,040
Speaker 5: might be awkward around you.

813
00:39:00,719 --> 00:39:05,640
Speaker 4: Yeah, I'm the awkward one. Let me apologize.

814
00:39:05,960 --> 00:39:08,240
Speaker 2: Let me explain how awkward I am. Give me ten minutes.

815
00:39:08,280 --> 00:39:11,200
Speaker 2: Hold on, yeah, let me just give you a little dietripe.

816
00:39:11,280 --> 00:39:13,680
Speaker 3: If I remember correctly, I think Joe is like six '

817
00:39:13,719 --> 00:39:14,640
Speaker 3: five or six six.

818
00:39:14,800 --> 00:39:17,359
Speaker 2: He's a big, big, big, very tall, And.

819
00:39:17,440 --> 00:39:19,759
Speaker 3: I remember only realizing.

820
00:39:19,280 --> 00:39:21,160
Speaker 5: Like, obviously I knew he was a big dude because

821
00:39:21,200 --> 00:39:23,280
Speaker 5: Brooke and Owen had a whole vibe.

822
00:39:23,680 --> 00:39:25,640
Speaker 3: So I wound up spending a lot of.

823
00:39:25,640 --> 00:39:28,160
Speaker 5: Time with him, but I only ever realized what it

824
00:39:28,200 --> 00:39:32,120
Speaker 5: meant to be that tall. Ironically, one night I was

825
00:39:32,120 --> 00:39:35,879
Speaker 5: out playing pool with Lee Norris and Joe and Jane

826
00:39:35,960 --> 00:39:37,600
Speaker 5: Beck and a bunch of our friends from work after

827
00:39:37,640 --> 00:39:41,160
Speaker 5: we'd wrapped the scene at trick and somebody dropped a

828
00:39:41,200 --> 00:39:44,319
Speaker 5: beer bottle and I had sandals on, and Joe went

829
00:39:44,920 --> 00:39:47,800
Speaker 5: joint and just grabbed me by the shoulders and picked

830
00:39:47,800 --> 00:39:50,480
Speaker 5: me up and lifted me out of the glass.

831
00:39:50,800 --> 00:39:52,919
Speaker 3: And I remember being in the air going, oh my god,

832
00:39:52,960 --> 00:39:58,239
Speaker 3: this is how tall you are, Like, wow, you see

833
00:39:58,280 --> 00:40:00,799
Speaker 3: the bot. Wow, the floor is so f always.

834
00:40:00,520 --> 00:40:03,319
Speaker 5: From here, because he me right in front of his

835
00:40:03,400 --> 00:40:06,759
Speaker 5: face and moved me over and it was like I

836
00:40:06,880 --> 00:40:09,080
Speaker 5: was essentially like Jackson's size.

837
00:40:09,120 --> 00:40:10,960
Speaker 3: I was like a child. He just picked me up

838
00:40:11,000 --> 00:40:12,719
Speaker 3: and moved me and I was.

839
00:40:12,680 --> 00:40:16,960
Speaker 5: Like, whoa you you see like the floor is so

840
00:40:17,120 --> 00:40:18,200
Speaker 5: far from your face.

841
00:40:18,920 --> 00:40:21,839
Speaker 3: It's not that far from my face. I've never known

842
00:40:21,920 --> 00:40:25,360
Speaker 3: what that is like. And we just died laughing.

843
00:40:26,640 --> 00:40:29,480
Speaker 2: I love that instinct strong men using their powers for good.

844
00:40:30,000 --> 00:40:31,120
Speaker 3: Yeah, it was really nice.

845
00:40:31,480 --> 00:40:33,319
Speaker 4: I remember getting in the van with them one day

846
00:40:33,400 --> 00:40:35,319
Speaker 4: and being like, hey, man, what did you do last night?

847
00:40:35,400 --> 00:40:37,400
Speaker 4: And he was like, yeah, I went on a ghost

848
00:40:37,400 --> 00:40:40,680
Speaker 4: tour by myself, and it was like he had said

849
00:40:40,719 --> 00:40:44,960
Speaker 4: the magic words. I was like, who are you going?

850
00:40:45,160 --> 00:40:48,200
Speaker 3: We're going to be friends now. Yeah.

851
00:40:48,280 --> 00:40:49,920
Speaker 4: He did a movie with my husband right when I

852
00:40:49,920 --> 00:40:52,959
Speaker 4: gave birth to George, and so I was still like, yeah,

853
00:40:52,960 --> 00:40:55,399
Speaker 4: I literally had given birth to a baby, like four

854
00:40:55,400 --> 00:40:59,319
Speaker 4: weeks before, and I'm on a red carpet with like

855
00:40:59,400 --> 00:41:01,600
Speaker 4: eight pairs of spanks on, and I look up and

856
00:41:01,640 --> 00:41:04,439
Speaker 4: I see handsome Joe and I'm like, of course you're here.

857
00:41:06,960 --> 00:41:10,319
Speaker 4: It's still awkward, Joe. What do I am? How you doing?

858
00:41:11,000 --> 00:41:12,719
Speaker 3: Give me a hug, but not too hard, don't freak

859
00:41:12,760 --> 00:41:13,080
Speaker 3: me out?

860
00:41:13,480 --> 00:41:16,640
Speaker 4: Yeah, God, you're just yeah. No, he's lovely.

861
00:41:17,120 --> 00:41:17,960
Speaker 3: He's so lovely.

862
00:41:18,200 --> 00:41:20,280
Speaker 4: How long does he stick around? Is he around?

863
00:41:20,600 --> 00:41:23,640
Speaker 2: He's here for a while, he's back in a season

864
00:41:24,160 --> 00:41:26,160
Speaker 2: eight nine.

865
00:41:26,560 --> 00:41:27,200
Speaker 4: He came back.

866
00:41:27,680 --> 00:41:30,560
Speaker 5: I think we have him in five and six if

867
00:41:30,600 --> 00:41:33,200
Speaker 5: I'm not mistaken. And then we lost him for a

868
00:41:33,239 --> 00:41:34,760
Speaker 5: while because he got that big part.

869
00:41:34,600 --> 00:41:35,280
Speaker 3: On True Blood.

870
00:41:35,560 --> 00:41:36,440
Speaker 4: He got famous.

871
00:41:36,480 --> 00:41:39,040
Speaker 3: Man, Yeah he got real famous. Did he to wait?

872
00:41:39,200 --> 00:41:41,279
Speaker 2: I don't think he'd got True Blood until later.

873
00:41:41,800 --> 00:41:43,920
Speaker 4: It was while I was still on the show, because

874
00:41:43,920 --> 00:41:47,319
Speaker 4: I remember being like, you dumbasses lost him. You lost

875
00:41:47,400 --> 00:41:48,520
Speaker 4: him to the were wolves?

876
00:41:48,560 --> 00:41:51,880
Speaker 2: Come on, yeah, Okay, my timeline's all mixed up. I

877
00:41:51,960 --> 00:41:57,239
Speaker 2: just remember him working out incessantly for this part and

878
00:41:57,560 --> 00:42:00,200
Speaker 2: to play this were wolf. And I don't even remember

879
00:42:00,200 --> 00:42:01,840
Speaker 2: if it was an auditionary. I I think maybe he

880
00:42:01,880 --> 00:42:03,879
Speaker 2: did have the part, but he was training for it,

881
00:42:04,440 --> 00:42:06,160
Speaker 2: and he came in and he was sick. One day,

882
00:42:06,200 --> 00:42:08,840
Speaker 2: he had a cold and he was like, clearly very sick.

883
00:42:09,280 --> 00:42:10,520
Speaker 2: He was like, yeah, I got to go to the

884
00:42:10,520 --> 00:42:12,600
Speaker 2: gym after this. It's like, dude, why don't you just

885
00:42:13,200 --> 00:42:15,319
Speaker 2: go home and sleep? Like you're sick your body needs

886
00:42:15,360 --> 00:42:19,920
Speaker 2: to heal. He's like, what did he say. It's like,

887
00:42:21,160 --> 00:42:24,239
Speaker 2: sickness is a figment of your imagination and it's like

888
00:42:24,360 --> 00:42:28,359
Speaker 2: your body, like your subconscious knows that you're that you

889
00:42:28,520 --> 00:42:31,400
Speaker 2: want to stop because it's hurt so much to train,

890
00:42:31,680 --> 00:42:35,040
Speaker 2: So it's manifesting a sickness to make you stop and

891
00:42:35,080 --> 00:42:37,319
Speaker 2: you have to push through it. I have never forgotten that.

892
00:42:37,480 --> 00:42:39,200
Speaker 2: And there are days when I don't want to work

893
00:42:39,239 --> 00:42:41,840
Speaker 2: out and I'm like, am I pretending to be sick?

894
00:42:41,880 --> 00:42:45,760
Speaker 2: Because that's what Joe Mango said?

895
00:42:45,880 --> 00:42:48,000
Speaker 3: Honestly incredible.

896
00:42:48,040 --> 00:42:53,279
Speaker 4: Oh yeah, I'm real into it. And I like that

897
00:42:53,320 --> 00:42:56,120
Speaker 4: we get to see Brooky flirty but not prioritize it,

898
00:42:56,320 --> 00:42:58,160
Speaker 4: like she's like, yeah, that was fun. I'm gonna go

899
00:42:58,160 --> 00:42:59,799
Speaker 4: hold of you guys. Yeah right.

900
00:43:00,560 --> 00:43:03,560
Speaker 3: I also love I just love the dynamic.

901
00:43:05,040 --> 00:43:09,759
Speaker 5: The friendship dynamics feel so strong, like you teasing me

902
00:43:10,040 --> 00:43:14,040
Speaker 5: about dating and then Millicent coming in and you know,

903
00:43:14,160 --> 00:43:15,520
Speaker 5: saying there's one special.

904
00:43:16,040 --> 00:43:19,880
Speaker 3: Yeah, you can be fired, you know that. And I tackled.

905
00:43:19,440 --> 00:43:21,759
Speaker 5: When Peyton said yeah, but then she'd just come work

906
00:43:21,800 --> 00:43:23,160
Speaker 5: for me and you'd still be paying her.

907
00:43:23,280 --> 00:43:26,960
Speaker 3: I was like, that is just so funny, and like,

908
00:43:28,400 --> 00:43:29,200
Speaker 3: I love when.

909
00:43:29,000 --> 00:43:31,280
Speaker 5: We get to see us all being together as women

910
00:43:32,000 --> 00:43:34,720
Speaker 5: and the energy is up and everybody's having a good time,

911
00:43:35,080 --> 00:43:38,680
Speaker 5: and you're right, we're not prioritizing these dudes. And I

912
00:43:38,680 --> 00:43:42,760
Speaker 5: think maybe that's what makes that contrast when Peyton gets

913
00:43:42,840 --> 00:43:46,279
Speaker 5: ambushed by Lucas again by the way, ambushed, just like

914
00:43:46,320 --> 00:43:48,839
Speaker 5: you fucking ambush her with that engagement ring girl comes

915
00:43:48,840 --> 00:43:50,840
Speaker 5: and ambushes her in her office.

916
00:43:50,719 --> 00:43:53,279
Speaker 2: In Brooks party, ruining, ruining her night.

917
00:43:53,840 --> 00:43:59,280
Speaker 3: Every single time you can do better? Whoaf so annoying?

918
00:43:59,480 --> 00:44:01,799
Speaker 4: God? I just had fun with my friends. I just

919
00:44:01,840 --> 00:44:05,160
Speaker 4: got Mia to agree to finally like write this record.

920
00:44:05,520 --> 00:44:05,759
Speaker 2: Yeah.

921
00:44:05,800 --> 00:44:09,160
Speaker 4: The mogul was so cute in this episode. What a

922
00:44:09,239 --> 00:44:10,240
Speaker 4: sweet little lamb.

923
00:44:10,640 --> 00:44:14,600
Speaker 5: Oh God, that speech that she delivered about if I

924
00:44:14,640 --> 00:44:18,000
Speaker 5: can just make you know a listener's experience better for

925
00:44:18,040 --> 00:44:19,160
Speaker 5: five minutes.

926
00:44:19,320 --> 00:44:23,440
Speaker 3: That whole thing. She did that so beautifully, And as

927
00:44:23,480 --> 00:44:25,120
Speaker 3: I was watching that scene. I was like, God, I

928
00:44:25,160 --> 00:44:28,520
Speaker 3: forget that. This was like Kate's first acting.

929
00:44:28,239 --> 00:44:33,360
Speaker 5: Job was our show, and she just is so honest

930
00:44:33,840 --> 00:44:35,800
Speaker 5: and present and.

931
00:44:36,120 --> 00:44:38,600
Speaker 3: It was really beautiful that scene between the two of you.

932
00:44:39,680 --> 00:44:42,279
Speaker 4: And it like that scene makes sense where she's like,

933
00:44:42,360 --> 00:44:44,280
Speaker 4: I don't need the money, I don't need the fame.

934
00:44:44,400 --> 00:44:47,240
Speaker 4: I just want to write a song that makes someone's

935
00:44:47,280 --> 00:44:51,480
Speaker 4: day okay for five minutes when they're real low. And

936
00:44:51,520 --> 00:44:53,879
Speaker 4: the whole time she's giving that speech, all I can

937
00:44:53,920 --> 00:44:57,240
Speaker 4: think about is that heart song, bar A Kuda, Because

938
00:44:57,920 --> 00:45:00,560
Speaker 4: if I'm having a bad day and Bara, it comes

939
00:45:00,560 --> 00:45:06,319
Speaker 4: on of like those bitches nailed it, nailed it. Yeah, yeah, yeah,

940
00:45:06,400 --> 00:45:08,240
Speaker 4: that's my five minutes of magic.

941
00:45:08,520 --> 00:45:10,960
Speaker 2: And and Nancy really came through for you.

942
00:45:11,320 --> 00:45:14,600
Speaker 4: They sure did. No. I like that sentiment.

943
00:45:15,280 --> 00:45:19,520
Speaker 2: So sidebar the passenger train that exists in tree Hill.

944
00:45:19,560 --> 00:45:22,880
Speaker 2: Apparently Quentin reading his book on the train.

945
00:45:23,160 --> 00:45:24,160
Speaker 4: Is he on the subway?

946
00:45:24,200 --> 00:45:25,239
Speaker 2: He's on a subway?

947
00:45:25,560 --> 00:45:26,520
Speaker 3: He said the train.

948
00:45:27,239 --> 00:45:30,640
Speaker 2: Never ever seen a train in tree Hill, and never

949
00:45:30,680 --> 00:45:31,600
Speaker 2: since I don't believe.

950
00:45:32,440 --> 00:45:34,560
Speaker 4: No, no, there's no public transportation.

951
00:45:35,040 --> 00:45:37,040
Speaker 2: It wasn't a bus. It was a terrain.

952
00:45:37,600 --> 00:45:40,880
Speaker 4: Literally, the only public transportation that exists in Wilmington. Is

953
00:45:40,920 --> 00:45:41,640
Speaker 4: the trolley.

954
00:45:42,239 --> 00:45:45,000
Speaker 2: Yes, that would have been hilarious though, Quentin on the

955
00:45:45,040 --> 00:45:46,520
Speaker 2: trolley ding ding.

956
00:45:48,239 --> 00:45:51,040
Speaker 3: Or those carriages, I mean I would have been into it.

957
00:45:51,440 --> 00:45:54,520
Speaker 5: I also hats off to Robbie because I loved the

958
00:45:54,520 --> 00:45:57,040
Speaker 5: way he came into your dinner party, as random as

959
00:45:57,040 --> 00:45:59,759
Speaker 5: it was, yeah, and said I'm going to do this

960
00:46:00,680 --> 00:46:04,640
Speaker 5: and essentially make amends with his teacher and his coach,

961
00:46:05,400 --> 00:46:08,320
Speaker 5: and then by the door he's just a dick to Nathan,

962
00:46:08,400 --> 00:46:11,080
Speaker 5: and I'm like, God, this kid, because just when you

963
00:46:11,120 --> 00:46:14,080
Speaker 5: think you're getting him, he doesn't let you have the payoff.

964
00:46:15,040 --> 00:46:17,319
Speaker 3: And as frustrating.

965
00:46:16,760 --> 00:46:19,080
Speaker 5: As it is because I'm like, just let these people

966
00:46:19,120 --> 00:46:21,160
Speaker 5: help you, it also feels.

967
00:46:20,880 --> 00:46:23,759
Speaker 3: So great that he just doesn't.

968
00:46:24,000 --> 00:46:25,840
Speaker 5: He doesn't have a reason to trust them yet, and

969
00:46:25,840 --> 00:46:28,319
Speaker 5: he's not going to give it up too soon.

970
00:46:28,400 --> 00:46:29,680
Speaker 3: It's nice.

971
00:46:29,840 --> 00:46:33,440
Speaker 4: Well, Nathan's comeback was perfect. He's like, he's like, when

972
00:46:33,480 --> 00:46:35,080
Speaker 4: I'm back on the team, I'm going to crush your

973
00:46:35,120 --> 00:46:38,279
Speaker 4: scoring title and I'm going to erase you. And Nathan's like, yeah, yeah,

974
00:46:38,400 --> 00:46:40,919
Speaker 4: I would have said the same thing anyway later, dude,

975
00:46:40,960 --> 00:46:41,440
Speaker 4: hope you do.

976
00:46:49,560 --> 00:46:52,439
Speaker 5: It was cool to me that what seemed at least

977
00:46:52,440 --> 00:46:56,880
Speaker 5: as if Vie were to have cracked that facade for

978
00:46:57,000 --> 00:47:02,280
Speaker 5: Quentin was Nathan being honest with him. And when Quentin

979
00:47:02,320 --> 00:47:04,759
Speaker 5: gets in his face asking where his team is and

980
00:47:05,160 --> 00:47:08,400
Speaker 5: you know, essentially telling Nathan he's a washed up athlete,

981
00:47:09,600 --> 00:47:12,480
Speaker 5: James made this choice to be really quiet and still

982
00:47:12,680 --> 00:47:15,400
Speaker 5: and just say, yeah, I have a team. My uniform

983
00:47:15,440 --> 00:47:21,160
Speaker 5: is regret mistakes. And he just was like, join my shitty.

984
00:47:20,880 --> 00:47:22,520
Speaker 3: Team if you want it.

985
00:47:22,640 --> 00:47:25,040
Speaker 5: My wife and my brother they're giving you a chance.

986
00:47:25,560 --> 00:47:28,239
Speaker 5: Like that was all in the subtext of his performance,

987
00:47:28,600 --> 00:47:33,239
Speaker 5: and it was so effective and it was nice to

988
00:47:33,280 --> 00:47:36,960
Speaker 5: see that that got to him. And then that Robbie

989
00:47:36,960 --> 00:47:40,600
Speaker 5: made the choice to try to kind of come back

990
00:47:40,680 --> 00:47:44,359
Speaker 5: and act invulnerable with him, that for me made it

991
00:47:44,360 --> 00:47:47,440
Speaker 5: feel clearer that he really was feeling vulnerable.

992
00:47:48,400 --> 00:47:52,600
Speaker 4: Yeah, everybody's being so provocative in this episode. Maybe that's

993
00:47:52,600 --> 00:47:54,880
Speaker 4: like there's so many fights being picked yea.

994
00:47:54,760 --> 00:47:57,799
Speaker 6: Even Mouth's boss. Yeah, my god, we have to talk

995
00:47:57,840 --> 00:48:00,720
Speaker 6: about that. But yeah, we've got Robbie Hook and Nathan

996
00:48:00,760 --> 00:48:03,520
Speaker 6: in the chest. We've got Peyton Poke and Lindsay in

997
00:48:03,560 --> 00:48:06,319
Speaker 6: the chest, Lucas Pok and Peyton, Yeah, and.

998
00:48:06,280 --> 00:48:10,080
Speaker 2: Then Victoria Pok and Brook Carry poking Haley.

999
00:48:10,640 --> 00:48:12,880
Speaker 5: It's like the whole episode has been turned up to

1000
00:48:12,960 --> 00:48:15,160
Speaker 5: a boil. You know when like a pot is on

1001
00:48:15,200 --> 00:48:17,480
Speaker 5: the stove and the lid is rattling. Like this whole

1002
00:48:17,520 --> 00:48:19,759
Speaker 5: episode feels like a rattling lid.

1003
00:48:19,840 --> 00:48:23,360
Speaker 2: That's a great analogy for this episode. Actually, right, yeah.

1004
00:48:23,160 --> 00:48:27,160
Speaker 4: Yeah, out pops naked Nanny Carey at the end, full boil,

1005
00:48:27,800 --> 00:48:28,319
Speaker 4: full boil.

1006
00:48:28,760 --> 00:48:30,680
Speaker 2: I mean it was so uncomfortable watching her put those

1007
00:48:30,680 --> 00:48:35,080
Speaker 2: pants on. I couldn't eat. I really actually couldn't watch it. No, dude,

1008
00:48:37,640 --> 00:48:39,080
Speaker 2: on what planet is this guy?

1009
00:48:39,160 --> 00:48:39,200
Speaker 6: Not?

1010
00:48:39,440 --> 00:48:40,319
Speaker 2: Like she's got to go?

1011
00:48:41,120 --> 00:48:44,960
Speaker 4: Dude, James's face in the scene where you're having your

1012
00:48:45,080 --> 00:48:47,520
Speaker 4: nightmare and you walk in and here and carry her.

1013
00:48:47,400 --> 00:48:51,279
Speaker 2: Making out, he looked really happy to be making out

1014
00:48:51,360 --> 00:48:51,799
Speaker 2: for real.

1015
00:48:52,239 --> 00:48:54,919
Speaker 5: By the way his face in this whole episode when

1016
00:48:54,920 --> 00:48:57,719
Speaker 5: she's putting his pants on, when he turns to you

1017
00:48:57,760 --> 00:48:59,319
Speaker 5: and they're making out, I was.

1018
00:48:59,320 --> 00:49:03,319
Speaker 2: Like, oh, yeah, like is he acting? What's going on?

1019
00:49:03,360 --> 00:49:04,919
Speaker 3: What's going on with baby j over there?

1020
00:49:05,000 --> 00:49:05,839
Speaker 4: Like no chill.

1021
00:49:06,600 --> 00:49:09,600
Speaker 2: He really looks like cough. You was so happy to

1022
00:49:09,600 --> 00:49:11,880
Speaker 2: have somebody else to make out with. That's why kissing

1023
00:49:11,960 --> 00:49:13,080
Speaker 2: me for like four years.

1024
00:49:13,200 --> 00:49:16,040
Speaker 4: Joy. I think he legitimately was worried you were gonna

1025
00:49:16,040 --> 00:49:18,759
Speaker 4: be mad. Do you know what I mean? Like, you know, no,

1026
00:49:18,880 --> 00:49:21,320
Speaker 4: you know when you have an acting partner for so

1027
00:49:21,320 --> 00:49:24,880
Speaker 4: so long that when there's a shift in the dynamic,

1028
00:49:25,280 --> 00:49:30,239
Speaker 4: it's a little Yeah, it's an unconscious loyalty, but but

1029
00:49:30,400 --> 00:49:33,880
Speaker 4: also it shakes the dynamic. And I could feel James

1030
00:49:33,880 --> 00:49:36,480
Speaker 4: being like, hey, this isn't gonna change anything between us, right,

1031
00:49:36,560 --> 00:49:40,480
Speaker 4: Like we're still cool, right are we? Okay, we got

1032
00:49:40,480 --> 00:49:42,919
Speaker 4: a kid, Come on, baby, we could work through this.

1033
00:49:43,440 --> 00:49:47,239
Speaker 4: Oh oh my god, it's so uncomfortable. Okay, so the

1034
00:49:47,239 --> 00:49:53,160
Speaker 4: mouth boss stuff. Yeah, yeah, guys. I I'm struggling with

1035
00:49:53,200 --> 00:49:56,680
Speaker 4: this storyline so much because it's like literally the fight

1036
00:49:56,719 --> 00:49:58,719
Speaker 4: that I had with our boss in season four, and

1037
00:49:58,760 --> 00:50:00,759
Speaker 4: then it gets put on camera and it's like.

1038
00:50:00,800 --> 00:50:03,720
Speaker 2: As a woman, well yeah, it's like a way to get.

1039
00:50:03,560 --> 00:50:06,560
Speaker 4: Out in front of it in a way where then

1040
00:50:06,600 --> 00:50:08,880
Speaker 4: if it's like, oh, Hillary tells the story, she's just

1041
00:50:08,920 --> 00:50:12,960
Speaker 4: taking that from the narrative of the show, like, yeah,

1042
00:50:13,000 --> 00:50:16,520
Speaker 4: whoa getting out in front of something is a skill.

1043
00:50:17,160 --> 00:50:21,200
Speaker 5: Yeah, And to make the woman the villain to write

1044
00:50:21,239 --> 00:50:25,719
Speaker 5: a storyline with things you have said to your employees,

1045
00:50:26,960 --> 00:50:28,600
Speaker 5: Oh what.

1046
00:50:28,760 --> 00:50:31,560
Speaker 3: You're not into me? Well, maybe you're not long. Maybe

1047
00:50:31,560 --> 00:50:33,120
Speaker 3: you're not going to be long on this show.

1048
00:50:33,360 --> 00:50:35,240
Speaker 4: Yeah, maybe you're not good for on camera.

1049
00:50:35,440 --> 00:50:38,720
Speaker 5: Yeah, to flip it and make it a woman, Yeah,

1050
00:50:38,760 --> 00:50:42,080
Speaker 5: that's really intentional. It's not that women can't do that.

1051
00:50:42,200 --> 00:50:44,560
Speaker 5: I mean, there are they are totally true. Doesn't matter

1052
00:50:44,560 --> 00:50:47,000
Speaker 5: which sex you are, like, you can be you can

1053
00:50:47,040 --> 00:50:51,080
Speaker 5: treat people badly. But the fact that it was specifically

1054
00:50:51,120 --> 00:50:54,959
Speaker 5: taken from that personal situation and then twisted and put

1055
00:50:55,040 --> 00:50:58,320
Speaker 5: into the mouth of a woman on purpose, Yeah, because

1056
00:50:58,520 --> 00:51:01,160
Speaker 5: he was trying to dig that's so gross and.

1057
00:51:01,200 --> 00:51:03,880
Speaker 4: Well, look, I mean the narrative in the show is

1058
00:51:03,920 --> 00:51:07,520
Speaker 4: that the group of co workers have all gotten together

1059
00:51:07,600 --> 00:51:09,880
Speaker 4: and been like, there's a problem here and that person

1060
00:51:09,960 --> 00:51:12,319
Speaker 4: is toxic and someone needs to stand up to them,

1061
00:51:12,600 --> 00:51:16,640
Speaker 4: and the one that does is secretly hot for her,

1062
00:51:16,920 --> 00:51:17,839
Speaker 4: yeah you know.

1063
00:51:18,360 --> 00:51:22,200
Speaker 5: Yeah, and the one that does in public gets fired.

1064
00:51:22,800 --> 00:51:23,239
Speaker 2: Mm hmm.

1065
00:51:24,280 --> 00:51:27,719
Speaker 4: It feels so yucky. And you know what, that might

1066
00:51:27,840 --> 00:51:30,520
Speaker 4: just be me reading into it. I am grown up

1067
00:51:30,640 --> 00:51:34,120
Speaker 4: enough to be like, I'm sensitive to the meta of

1068
00:51:34,200 --> 00:51:37,760
Speaker 4: it all. It could just be a big old kowinkadink.

1069
00:51:38,280 --> 00:51:40,239
Speaker 2: That's very big of you. I doubt that it is.

1070
00:51:40,760 --> 00:51:42,880
Speaker 3: Yeah, I co signed what Joyce said.

1071
00:51:42,960 --> 00:51:44,480
Speaker 2: I appreciate that about you. Hillary.

1072
00:51:44,920 --> 00:51:49,200
Speaker 4: I oh god, every line and every well, well just

1073
00:51:49,360 --> 00:51:50,160
Speaker 4: pisses me. Right.

1074
00:51:51,040 --> 00:51:52,480
Speaker 2: I hate it now too, I hate it.

1075
00:51:52,560 --> 00:51:53,200
Speaker 3: I hate it.

1076
00:51:53,640 --> 00:51:56,160
Speaker 4: Like three different characters in this episode.

1077
00:51:55,760 --> 00:51:59,279
Speaker 2: Are all like, wo well, well, barf, it's not enough

1078
00:51:59,320 --> 00:52:00,799
Speaker 2: just for Chris call to have that line.

1079
00:52:02,280 --> 00:52:04,440
Speaker 4: No, now, Dan Scott is talking like the kids.

1080
00:52:04,760 --> 00:52:05,720
Speaker 3: I gotta be honest.

1081
00:52:05,880 --> 00:52:08,719
Speaker 5: The only person that I don't hate saying it is

1082
00:52:08,800 --> 00:52:12,360
Speaker 5: Chris Keller because Tyler's just delicious.

1083
00:52:11,920 --> 00:52:13,480
Speaker 4: And he's supposed to be a douche.

1084
00:52:13,680 --> 00:52:15,799
Speaker 5: When the rest of us had to say it, I

1085
00:52:15,920 --> 00:52:17,640
Speaker 5: was like, oh, now you're just getting greedy.

1086
00:52:17,800 --> 00:52:20,280
Speaker 3: Now you're just being gross and like pissing on trees.

1087
00:52:20,480 --> 00:52:20,920
Speaker 3: Stop it.

1088
00:52:25,160 --> 00:52:28,600
Speaker 2: Well, hopefully Mouth stops dating his boss, because I'm tired

1089
00:52:28,600 --> 00:52:31,280
Speaker 2: of that whole storyline. And I'm super excited that Millie

1090
00:52:31,280 --> 00:52:35,399
Speaker 2: thinks that mouth it's really cat and I can't wait

1091
00:52:35,400 --> 00:52:36,439
Speaker 2: to see that develop more.

1092
00:52:36,640 --> 00:52:38,640
Speaker 5: Oh my god, the Hawkeye from the opening and then

1093
00:52:38,680 --> 00:52:41,839
Speaker 5: the Duck, I's funny, so cutie.

1094
00:52:42,120 --> 00:52:46,000
Speaker 4: She's so immediately likable, like right away, it just feels

1095
00:52:46,000 --> 00:52:49,080
Speaker 4: like she's part of the pack. And yeah, that's a

1096
00:52:49,160 --> 00:52:52,040
Speaker 4: cool vibe. She sure did a good job.

1097
00:52:52,280 --> 00:52:54,440
Speaker 3: She just adds such.

1098
00:52:55,880 --> 00:53:01,480
Speaker 5: Lovely energy to our show. And Lisa has such amazing

1099
00:53:01,560 --> 00:53:04,719
Speaker 5: comedic timing every little thing she does, the way she

1100
00:53:04,800 --> 00:53:07,480
Speaker 5: drops behind the counter, or the way when Daphne walks

1101
00:53:07,520 --> 00:53:08,719
Speaker 5: in she goes, I'll be in the back.

1102
00:53:09,040 --> 00:53:10,680
Speaker 3: Like. She just has all these.

1103
00:53:10,640 --> 00:53:14,520
Speaker 5: Little things that really jump off the page, and it's

1104
00:53:14,560 --> 00:53:16,840
Speaker 5: like such a testament to who she is as an actor,

1105
00:53:17,560 --> 00:53:20,719
Speaker 5: and it feels so exciting to think about where her

1106
00:53:20,800 --> 00:53:21,720
Speaker 5: character goes.

1107
00:53:22,400 --> 00:53:24,600
Speaker 2: Yeah, she kind of functions on pure instinct, it seems like,

1108
00:53:24,760 --> 00:53:27,520
Speaker 2: which is really refreshing. There's no I'm sure she rehearses

1109
00:53:27,560 --> 00:53:30,279
Speaker 2: and does her own process, but I love that on

1110
00:53:30,320 --> 00:53:32,960
Speaker 2: set it feels like whenever she's delivering a line, she's

1111
00:53:33,000 --> 00:53:36,200
Speaker 2: just in the moment and fully reacting with exactly whatever

1112
00:53:36,280 --> 00:53:39,520
Speaker 2: she's actually feeling. It's fun to work with.

1113
00:53:39,960 --> 00:53:42,839
Speaker 5: It's so cool, and it's just exciting when I think

1114
00:53:42,880 --> 00:53:45,360
Speaker 5: about all the years of material we got to do

1115
00:53:45,440 --> 00:53:48,879
Speaker 5: together and where even for Millicent and Brooke, where zero

1116
00:53:49,080 --> 00:53:52,319
Speaker 5: is not a size winds up you know, it's a

1117
00:53:52,360 --> 00:53:55,920
Speaker 5: big It's like a big arc that we're endeavoring on,

1118
00:53:56,000 --> 00:53:58,640
Speaker 5: and it was cool to see. I really didn't know

1119
00:53:59,120 --> 00:54:01,279
Speaker 5: that that was happening in this episode.

1120
00:54:01,680 --> 00:54:06,280
Speaker 2: Yeah, can I when you and Victoria were at lunch

1121
00:54:06,600 --> 00:54:08,799
Speaker 2: having that conversation. These are the kinds of things that

1122
00:54:08,880 --> 00:54:11,000
Speaker 2: I think about that drive me crazy that sometimes I

1123
00:54:11,040 --> 00:54:13,600
Speaker 2: just have to let go. Does it bother either of

1124
00:54:13,640 --> 00:54:17,319
Speaker 2: you that they're clearly done with their lunch or like,

1125
00:54:17,360 --> 00:54:21,160
Speaker 2: well into their lunch and now they're having the relevant conversation,

1126
00:54:21,400 --> 00:54:23,440
Speaker 2: like how did they get through? How did they get

1127
00:54:23,480 --> 00:54:28,320
Speaker 2: through arriving at the restaurant, sitting down, ordering and eating

1128
00:54:28,360 --> 00:54:31,759
Speaker 2: half their meal before the major conversation came up.

1129
00:54:32,719 --> 00:54:35,279
Speaker 4: Yeah, prop food has always confounded me.

1130
00:54:36,000 --> 00:54:36,960
Speaker 3: Prop food is hard.

1131
00:54:37,840 --> 00:54:40,080
Speaker 4: I remember hearing that, like Brad Pitt always ate an

1132
00:54:40,080 --> 00:54:43,400
Speaker 4: apple in everything because he like loves prop food, Like

1133
00:54:43,440 --> 00:54:46,160
Speaker 4: he's always eating something and scenes and ever being so

1134
00:54:46,320 --> 00:54:50,520
Speaker 4: irritated with that. I hate prop eating prop eating.

1135
00:54:50,560 --> 00:54:51,200
Speaker 3: It's terrible.

1136
00:54:51,320 --> 00:54:53,520
Speaker 2: I just don't get why they, Like why couldn't they

1137
00:54:53,560 --> 00:54:55,279
Speaker 2: have been arriving at the restaurant and have the meal?

1138
00:54:55,400 --> 00:54:56,799
Speaker 2: Like why this is the kinds of things to drive

1139
00:54:56,880 --> 00:54:58,520
Speaker 2: me crazy, come and sit down and I'm like, why

1140
00:54:58,560 --> 00:55:00,000
Speaker 2: is there a half eat and plate of food in front?

1141
00:55:00,080 --> 00:55:01,640
Speaker 2: I mean, this would have been the first thing that

1142
00:55:01,680 --> 00:55:03,319
Speaker 2: I had to say to her, So how did we

1143
00:55:03,640 --> 00:55:06,440
Speaker 2: but audiences maybe nobody notices that kind of stuff.

1144
00:55:06,480 --> 00:55:11,120
Speaker 5: Well, but I would also say that Victoria is like

1145
00:55:11,200 --> 00:55:14,839
Speaker 5: such a business person. I wouldn't be surprised if it

1146
00:55:14,920 --> 00:55:18,439
Speaker 5: was a lot of like ticking of things and then

1147
00:55:18,520 --> 00:55:20,720
Speaker 5: it's like, Okay, we've done all the work.

1148
00:55:20,800 --> 00:55:23,760
Speaker 2: Now I have to talk to you by the way. Yeah, okay,

1149
00:55:23,760 --> 00:55:25,920
Speaker 2: fair enough, good, thank you. That's how that would have

1150
00:55:25,920 --> 00:55:27,600
Speaker 2: gone on set. I would have been like, this doesn't

1151
00:55:27,600 --> 00:55:30,160
Speaker 2: make any sense, and Sophia would go, oh, actually we

1152
00:55:30,200 --> 00:55:32,799
Speaker 2: could have done it this way, and I would say, oh, okay.

1153
00:55:33,440 --> 00:55:35,759
Speaker 5: I feel like that would be it, because yeah, it

1154
00:55:35,800 --> 00:55:38,359
Speaker 5: would have been interesting if you know, you'd seen them

1155
00:55:38,360 --> 00:55:40,880
Speaker 5: get out of the car and be like, okay, we

1156
00:55:40,960 --> 00:55:43,719
Speaker 5: really need to whatever and then get seated and get interrupted.

1157
00:55:43,760 --> 00:55:47,080
Speaker 3: But we just don't have the luxury in forty two minutes.

1158
00:55:47,360 --> 00:55:48,440
Speaker 2: Nope, I am.

1159
00:55:48,520 --> 00:55:49,400
Speaker 3: It's funny now.

1160
00:55:49,280 --> 00:55:53,680
Speaker 5: Thinking about that storyline and thinking about you know, Brooke

1161
00:55:53,800 --> 00:55:57,520
Speaker 5: kind of taking agency with resetting the Macy's meeting and

1162
00:55:57,560 --> 00:55:59,520
Speaker 5: saying like, I do have a mind for business.

1163
00:55:59,520 --> 00:56:00,200
Speaker 3: I can do this.

1164
00:56:00,280 --> 00:56:06,000
Speaker 5: I have good ideas. God, it's really wild to remember

1165
00:56:07,880 --> 00:56:11,840
Speaker 5: how many people loved zero is not a size.

1166
00:56:12,280 --> 00:56:14,960
Speaker 3: Yeah, And also the people who got really mad about it.

1167
00:56:16,239 --> 00:56:17,520
Speaker 4: Really, people got mad about it.

1168
00:56:17,920 --> 00:56:19,319
Speaker 3: People got mad about it.

1169
00:56:19,560 --> 00:56:22,719
Speaker 5: People were like, it's just the reverse of fat shaming,

1170
00:56:22,840 --> 00:56:25,640
Speaker 5: like to make fun of skinny girls and to and

1171
00:56:25,719 --> 00:56:30,040
Speaker 5: I was like, that's not it. Also, please go on

1172
00:56:30,040 --> 00:56:33,160
Speaker 5: the internet and do a little bit of research that

1173
00:56:33,840 --> 00:56:36,440
Speaker 5: a size zero didn't exist until like the mid to

1174
00:56:36,560 --> 00:56:38,080
Speaker 5: late sixties.

1175
00:56:38,560 --> 00:56:42,040
Speaker 2: Like really, I thought it was going to be like eighties.

1176
00:56:42,880 --> 00:56:43,680
Speaker 3: No, I don't think so.

1177
00:56:43,800 --> 00:56:48,000
Speaker 5: I think truly apparently if I'm remembering correctly, because I

1178
00:56:48,040 --> 00:56:49,759
Speaker 5: looked this up then to make sure I knew what

1179
00:56:49,800 --> 00:56:51,440
Speaker 5: I was talking about when I got asked about it.

1180
00:56:52,400 --> 00:56:54,640
Speaker 5: So if my math is a little off or my

1181
00:56:54,719 --> 00:56:57,040
Speaker 5: memory is a little off, feel free to let us know,

1182
00:56:57,080 --> 00:57:01,440
Speaker 5: but please do it kindly. I believe that it all

1183
00:57:01,920 --> 00:57:04,880
Speaker 5: kind of came to be because of that model Twiggy,

1184
00:57:05,239 --> 00:57:09,799
Speaker 5: that like super super skinny girl who essentially didn't fit

1185
00:57:09,920 --> 00:57:14,879
Speaker 5: into things. But you know, the notion, and the thing

1186
00:57:14,880 --> 00:57:17,160
Speaker 5: that really stuck with me was reading a report from

1187
00:57:17,200 --> 00:57:21,080
Speaker 5: a psychologist who specializes in disordered eating, who said the

1188
00:57:21,160 --> 00:57:24,720
Speaker 5: idea that we could tell people that to be nothing

1189
00:57:26,280 --> 00:57:33,960
Speaker 5: is the ultimate attainment, Like if you had sizes like one, three, five, seven, nine,

1190
00:57:34,040 --> 00:57:37,280
Speaker 5: which happened, you know in some countries, and or you

1191
00:57:37,320 --> 00:57:39,640
Speaker 5: start at two four six and you go up to

1192
00:57:39,840 --> 00:57:43,200
Speaker 5: you know, twenty two or whatever. Wherever we go, people

1193
00:57:43,360 --> 00:57:47,840
Speaker 5: have something to them. But like what it does subconsciously

1194
00:57:48,400 --> 00:57:52,440
Speaker 5: to say to someone, well, the smallest you can be,

1195
00:57:52,560 --> 00:57:54,840
Speaker 5: which society tells women is the best they can be,

1196
00:57:55,000 --> 00:57:58,320
Speaker 5: is nothing. And then in the nineties you had I

1197
00:57:58,320 --> 00:58:00,560
Speaker 5: don't know if Abercrombie did. At first, I think they did,

1198
00:58:00,560 --> 00:58:01,080
Speaker 5: but again.

1199
00:58:00,920 --> 00:58:03,520
Speaker 4: I could be wrong. With double zero man, Yeah.

1200
00:58:03,280 --> 00:58:06,200
Speaker 5: Yeah, when they introduced a double zero and like and

1201
00:58:06,240 --> 00:58:09,600
Speaker 5: that they correlated that with eating disorders on all of

1202
00:58:09,600 --> 00:58:10,080
Speaker 5: these things.

1203
00:58:10,160 --> 00:58:12,440
Speaker 3: Yeah, I was like, we got to talk about this.

1204
00:58:12,560 --> 00:58:15,240
Speaker 3: It's weird, Like we don't do this to men. I

1205
00:58:15,240 --> 00:58:18,120
Speaker 3: don't know men have a size zero. It's just women,

1206
00:58:19,120 --> 00:58:21,840
Speaker 3: you know. And I was really proud.

1207
00:58:21,560 --> 00:58:26,520
Speaker 5: Of us for having that conversation and really excited about it,

1208
00:58:27,160 --> 00:58:30,960
Speaker 5: you know. I thought that it was really important. And

1209
00:58:31,720 --> 00:58:34,000
Speaker 5: I don't know, I guess I'm curious as we get

1210
00:58:34,040 --> 00:58:36,520
Speaker 5: back into it on the pod, I'm curious to hear

1211
00:58:37,200 --> 00:58:41,440
Speaker 5: what our listeners think as they rewatch these episodes with us.

1212
00:58:41,680 --> 00:58:43,400
Speaker 4: I mean, hopefully it feels like a no brainer.

1213
00:58:43,440 --> 00:58:43,720
Speaker 2: Now.

1214
00:58:43,800 --> 00:58:46,280
Speaker 4: The fact that it was like kind of shocking back

1215
00:58:46,320 --> 00:58:50,200
Speaker 4: then to make this declaration, and hopefully now it's just

1216
00:58:50,240 --> 00:58:51,280
Speaker 4: like well yeah, nah.

1217
00:58:52,000 --> 00:58:55,720
Speaker 2: Yeah, obviously, yeah we like a dull.

1218
00:58:56,240 --> 00:58:58,680
Speaker 4: Is that Okay? So I already gave my honorable mention

1219
00:58:59,240 --> 00:59:02,760
Speaker 4: of the penis were shak But what are your honorable

1220
00:59:02,840 --> 00:59:03,560
Speaker 4: mentions for.

1221
00:59:03,480 --> 00:59:07,080
Speaker 2: The Peyton's Lightning T shirt at the beginning? If we're

1222
00:59:07,120 --> 00:59:09,680
Speaker 2: giving honorable mentions to clothing items.

1223
00:59:10,640 --> 00:59:11,240
Speaker 3: I have two.

1224
00:59:12,240 --> 00:59:16,920
Speaker 5: I would say the actors. I would say the actress

1225
00:59:16,920 --> 00:59:21,720
Speaker 5: who played Mollie for your beginning swinging that like seeing

1226
00:59:21,800 --> 00:59:25,480
Speaker 5: you go back to your childhood home and seeing your

1227
00:59:25,480 --> 00:59:27,960
Speaker 5: bedroom in the shelves with this new paint and this

1228
00:59:28,000 --> 00:59:30,840
Speaker 5: new person. It made me really nostalgic. I cried through

1229
00:59:30,840 --> 00:59:36,439
Speaker 5: that whole scene. It really hit me. And the other

1230
00:59:36,480 --> 00:59:43,440
Speaker 5: honorable mention is that vintage coral colored telephone chair that

1231
00:59:43,560 --> 00:59:46,920
Speaker 5: Mia is sitting on in that scene and trick, because

1232
00:59:47,120 --> 00:59:51,080
Speaker 5: that is the chair that I girl literally shoved in the.

1233
00:59:51,000 --> 00:59:53,600
Speaker 3: Back of my station wagon for you when our show wrapped.

1234
00:59:53,920 --> 00:59:56,680
Speaker 5: Oh my got get out When like when all the

1235
00:59:56,720 --> 00:59:59,480
Speaker 5: stages were getting cleaned out, the front legs are broken,

1236
01:00:00,080 --> 01:00:02,400
Speaker 5: there's like split fabric, and I was like, I'll have

1237
01:00:02,480 --> 01:00:03,040
Speaker 5: it repaired.

1238
01:00:03,080 --> 01:00:05,920
Speaker 3: I don't care. I'm taking this for Hillary. So I

1239
01:00:06,000 --> 01:00:06,919
Speaker 3: have I have that.

1240
01:00:07,440 --> 01:00:08,880
Speaker 5: And by the way, all of this is still in

1241
01:00:08,920 --> 01:00:11,160
Speaker 5: storage because right after we wrapped and moved to Chicago,

1242
01:00:11,280 --> 01:00:13,240
Speaker 5: so like, I really got to go through my storage unit.

1243
01:00:14,520 --> 01:00:18,920
Speaker 5: I have the red fringe lamp from Trick from the OGVS.

1244
01:00:19,200 --> 01:00:22,320
Speaker 5: Trick was so fun, I know, and I have that

1245
01:00:22,440 --> 01:00:25,000
Speaker 5: telephone chair, and I was like, I'm taking these for her,

1246
01:00:25,240 --> 01:00:26,960
Speaker 5: and if I get in trouble, I don't give.

1247
01:00:26,840 --> 01:00:30,440
Speaker 3: A shit, and so so good to see that. I'm like, oh,

1248
01:00:30,440 --> 01:00:33,000
Speaker 3: I got that. I haven't wrapped in plastic in a

1249
01:00:33,040 --> 01:00:34,320
Speaker 3: storage unit in the valley.

1250
01:00:35,200 --> 01:00:38,960
Speaker 4: I'm going to get an RV in the valley, load up,

1251
01:00:39,480 --> 01:00:42,480
Speaker 4: make my way back cross country. When you said that

1252
01:00:42,640 --> 01:00:45,000
Speaker 4: was the chair, I was like, that's the chair. That one.

1253
01:00:45,320 --> 01:00:48,040
Speaker 3: No, she like joy, she like fell out of her chair.

1254
01:00:48,840 --> 01:00:52,520
Speaker 4: I loved that set so so great.

1255
01:00:52,920 --> 01:00:54,400
Speaker 3: It was the best set.

1256
01:00:54,520 --> 01:00:57,960
Speaker 4: When we would wrap work, I would stay after work

1257
01:00:58,200 --> 01:01:01,440
Speaker 4: with Mike Rail and that Fan and Polar Bear and

1258
01:01:01,480 --> 01:01:03,400
Speaker 4: a bunch of the other dudes and we would have

1259
01:01:03,480 --> 01:01:06,120
Speaker 4: band practice for like two hours after work and just

1260
01:01:06,200 --> 01:01:08,000
Speaker 4: drink beers and hang out.

1261
01:01:08,280 --> 01:01:10,400
Speaker 3: I love drinking beers. On the drink set.

1262
01:01:11,320 --> 01:01:11,520
Speaker 4: Yeah.

1263
01:01:11,520 --> 01:01:13,680
Speaker 2: I loved it. Like a cool bar, a very own, private,

1264
01:01:13,720 --> 01:01:14,400
Speaker 2: little cool bar.

1265
01:01:21,880 --> 01:01:23,080
Speaker 4: You guys, we have a fan question.

1266
01:01:23,360 --> 01:01:26,080
Speaker 2: Okay, oh what is it from Wendy? As far as

1267
01:01:26,120 --> 01:01:28,720
Speaker 2: careers go, if your lives had turned out exactly as

1268
01:01:28,760 --> 01:01:32,200
Speaker 2: you had pictured they would as teenagers, what would it

1269
01:01:32,240 --> 01:01:32,800
Speaker 2: look like now?

1270
01:01:33,400 --> 01:01:38,600
Speaker 4: M I mean as a teenager?

1271
01:01:39,320 --> 01:01:41,680
Speaker 2: Yeah, I always just wanted to be on Broadway. I

1272
01:01:41,680 --> 01:01:43,520
Speaker 2: would just be living in New York with a family

1273
01:01:43,720 --> 01:01:46,640
Speaker 2: and being on Broadway, and that's all I would be doing.

1274
01:01:47,120 --> 01:01:51,160
Speaker 4: I really thought I was going to work for the government. Uh. Real,

1275
01:01:51,240 --> 01:01:55,800
Speaker 4: Glad that didn't pan out. Guys, Like I went to

1276
01:01:55,920 --> 01:02:01,400
Speaker 4: college for forensic psychology and like criminology and stuff, and

1277
01:02:01,480 --> 01:02:04,440
Speaker 4: I just remember them handing me this big binder for

1278
01:02:04,560 --> 01:02:07,200
Speaker 4: the autopsy photos and I was like, Okay, this is

1279
01:02:07,200 --> 01:02:08,960
Speaker 4: my homework, like this is what I have to study

1280
01:02:08,960 --> 01:02:14,200
Speaker 4: this year, and realizing how unsuited I am because I

1281
01:02:14,280 --> 01:02:18,160
Speaker 4: get so emotionally attached to things that it was not

1282
01:02:18,280 --> 01:02:19,800
Speaker 4: a line of work that I was going to be

1283
01:02:19,800 --> 01:02:22,480
Speaker 4: able to do long term, but that I wanted to

1284
01:02:22,520 --> 01:02:26,040
Speaker 4: be able to support maybe later, which is like what

1285
01:02:26,120 --> 01:02:28,680
Speaker 4: I'm doing right now. But I for real thought I

1286
01:02:28,760 --> 01:02:30,920
Speaker 4: was going to be Clarice from Silence of.

1287
01:02:30,960 --> 01:02:33,560
Speaker 2: The Lambs, yeah, minus the kidnapping.

1288
01:02:33,960 --> 01:02:37,880
Speaker 4: Yeah yeah, yeah, just an old country bumpkin solving crimbs.

1289
01:02:38,360 --> 01:02:40,640
Speaker 3: I mean you kind of do that now with your show.

1290
01:02:40,800 --> 01:02:43,640
Speaker 4: By the way, it's a yeah, it's a different entry point.

1291
01:02:44,320 --> 01:02:46,520
Speaker 3: Yeah, but you figure it out right, Like.

1292
01:02:48,280 --> 01:02:48,840
Speaker 2: I don't know.

1293
01:02:49,480 --> 01:02:53,400
Speaker 5: I I guess it would depend on what teenage year,

1294
01:02:53,480 --> 01:02:54,080
Speaker 5: because there was.

1295
01:02:54,040 --> 01:02:54,800
Speaker 3: Still a point.

1296
01:02:54,880 --> 01:02:58,240
Speaker 5: Yeah, Like in my early teens, I still thought I

1297
01:02:58,280 --> 01:03:00,360
Speaker 5: was going to be a heart surgeon, like I was

1298
01:03:00,400 --> 01:03:04,520
Speaker 5: going to medical school, dude. And then suddenly and I

1299
01:03:04,560 --> 01:03:06,440
Speaker 5: had this arts requirement that I thought was such a

1300
01:03:06,480 --> 01:03:08,720
Speaker 5: pain the ass. I was like, what do you mean

1301
01:03:08,760 --> 01:03:13,560
Speaker 5: I have to do play stupid so maddom.

1302
01:03:13,080 --> 01:03:14,840
Speaker 3: And then I did it and was like, oh it's weird.

1303
01:03:14,880 --> 01:03:17,880
Speaker 5: It's like literally my favorite subject in school comes off

1304
01:03:17,920 --> 01:03:21,520
Speaker 5: the page into life. My parents were so thrilled when.

1305
01:03:21,360 --> 01:03:23,439
Speaker 4: I talked about I was gonna say, what did your

1306
01:03:23,480 --> 01:03:27,640
Speaker 4: parents say? Oh that's great, babe.

1307
01:03:27,920 --> 01:03:32,040
Speaker 3: Theater school here we are now I'm just doing eight

1308
01:03:32,040 --> 01:03:33,360
Speaker 3: shows a week on the West End.

1309
01:03:33,480 --> 01:03:36,920
Speaker 2: So yeah, it's so awesome.

1310
01:03:37,240 --> 01:03:38,520
Speaker 3: So crazy, all.

1311
01:03:38,480 --> 01:03:41,200
Speaker 4: Right, do we want to spin a wheel? I like,

1312
01:03:41,200 --> 01:03:45,000
Speaker 4: where this season's going to really wild places. I'm into

1313
01:03:45,000 --> 01:03:47,360
Speaker 4: all of it. I'm happy with. I'm happy with this

1314
01:03:47,440 --> 01:03:48,320
Speaker 4: season so far.

1315
01:03:52,280 --> 01:03:57,520
Speaker 2: What oh, most likely too.

1316
01:03:58,480 --> 01:03:59,880
Speaker 4: Be a secret super here?

1317
01:04:02,480 --> 01:04:03,439
Speaker 2: We have a question mark?

1318
01:04:05,120 --> 01:04:11,280
Speaker 4: Okay, characters most likely to be a secret superhero who's

1319
01:04:11,320 --> 01:04:13,080
Speaker 4: got like an underground layer.

1320
01:04:14,680 --> 01:04:16,080
Speaker 2: Who's making those choices?

1321
01:04:16,560 --> 01:04:18,720
Speaker 5: I mean, I think it would be Nathan Scott, Like

1322
01:04:18,800 --> 01:04:23,960
Speaker 5: he's the Bruce Wayne of Tree Hills, Like he doesn't

1323
01:04:23,960 --> 01:04:28,160
Speaker 5: have any powers, but he's got money, and we've seen

1324
01:04:28,240 --> 01:04:29,920
Speaker 5: him in a Batman suit, like you.

1325
01:04:29,920 --> 01:04:34,400
Speaker 4: Know, yeah, his dad's a bad guy. So it's like, yeah,

1326
01:04:34,680 --> 01:04:36,520
Speaker 4: origin story is all there.

1327
01:04:37,400 --> 01:04:38,760
Speaker 3: What do you I mean, what do you think it's

1328
01:04:38,800 --> 01:04:39,280
Speaker 3: gonna say?

1329
01:04:39,280 --> 01:04:42,200
Speaker 2: Maybe like a one of the River Court boys, maybe

1330
01:04:42,720 --> 01:04:46,240
Speaker 2: Colin I mean Junk or somebody somebody who we don't

1331
01:04:46,280 --> 01:04:47,040
Speaker 2: know enough about.

1332
01:04:47,480 --> 01:04:51,760
Speaker 4: We give boys too much credit. I needed to girl great, like,

1333
01:04:51,880 --> 01:04:56,520
Speaker 4: who's unsuspected? Bevin pulled that out of her hat. She's like,

1334
01:04:56,600 --> 01:04:59,640
Speaker 4: this is a conifer that's with the trees.

1335
01:05:00,720 --> 01:05:00,919
Speaker 3: Yeah.

1336
01:05:00,960 --> 01:05:04,520
Speaker 2: I could totally see that mm hmm saving people's lives

1337
01:05:04,600 --> 01:05:06,360
Speaker 2: and then just being like, please don't tell anyone.

1338
01:05:06,760 --> 01:05:09,439
Speaker 4: Yeah, oh my god, you guys it was nothing.

1339
01:05:10,280 --> 01:05:16,200
Speaker 2: Okay, bab Yeah, yeah, it's totally bevn.

1340
01:05:16,000 --> 01:05:19,640
Speaker 4: Yeah, okay, and then who in real life is a

1341
01:05:19,680 --> 01:05:20,840
Speaker 4: secret superhero?

1342
01:05:22,920 --> 01:05:23,400
Speaker 2: Barbara?

1343
01:05:23,840 --> 01:05:27,360
Speaker 4: Yeah, I could see Barb thwarting some shit like seeing

1344
01:05:27,400 --> 01:05:29,880
Speaker 4: somebody steal an old lady's purse on the sidewalk and

1345
01:05:30,040 --> 01:05:31,360
Speaker 4: just get right in there.

1346
01:05:31,880 --> 01:05:32,960
Speaker 3: Yeah.

1347
01:05:33,120 --> 01:05:35,520
Speaker 4: She's the right amount of graceful and aggressive.

1348
01:05:35,960 --> 01:05:36,240
Speaker 3: Yeah.

1349
01:05:36,280 --> 01:05:38,560
Speaker 4: I would say like any of our moms, like Daphnee,

1350
01:05:38,600 --> 01:05:43,000
Speaker 4: Barbara Moira, Yeah, I like that, you know, Cheryl, they

1351
01:05:43,040 --> 01:05:44,440
Speaker 4: all take no prisoners.

1352
01:05:44,760 --> 01:05:47,600
Speaker 3: Okay, they're like the miss is incredible come to life.

1353
01:05:47,880 --> 01:05:51,880
Speaker 4: Yeah, where's that show? I got a bunch of moms

1354
01:05:51,920 --> 01:05:53,400
Speaker 4: that are just like, we'll fix this.

1355
01:05:54,240 --> 01:05:58,360
Speaker 2: Actual superheroes. That's actually kind of great. Yeah, like soccer

1356
01:05:58,400 --> 01:06:02,120
Speaker 2: moms by day superheroes, Paine happen in to it.

1357
01:06:03,160 --> 01:06:04,160
Speaker 4: What do we got next week?

1358
01:06:04,480 --> 01:06:04,800
Speaker 3: Guys?

1359
01:06:04,840 --> 01:06:10,040
Speaker 5: Next week we've got season five, episode seven in the club, bro.

1360
01:06:10,520 --> 01:06:12,880
Speaker 2: That's not what it says, Sophia, What does it say?

1361
01:06:13,080 --> 01:06:15,800
Speaker 3: I cannot, I shan't do it?

1362
01:06:16,000 --> 01:06:16,720
Speaker 4: Do it?

1363
01:06:17,320 --> 01:06:18,000
Speaker 2: Do it?

1364
01:06:18,640 --> 01:06:22,000
Speaker 3: Nobody wants to hear any of us go me into

1365
01:06:22,080 --> 01:06:22,960
Speaker 3: club like.

1366
01:06:25,440 --> 01:06:28,960
Speaker 2: No dog club Dog Club.

1367
01:06:29,200 --> 01:06:29,560
Speaker 4: Yeah.

1368
01:06:29,600 --> 01:06:32,640
Speaker 5: Oh man, I hope it's happy. I'm really scared of

1369
01:06:32,680 --> 01:06:34,080
Speaker 5: what is going.

1370
01:06:34,040 --> 01:06:36,640
Speaker 3: To be happening. With Nanny Carey in the next episode. You, guys,

1371
01:06:36,840 --> 01:06:40,120
Speaker 3: we're only seven episodes into the season and she's naked

1372
01:06:40,160 --> 01:06:40,640
Speaker 3: in the pool.

1373
01:06:41,160 --> 01:06:45,320
Speaker 5: Blessed Tory for committing so hard and doing it so beautifully.

1374
01:06:46,240 --> 01:06:48,200
Speaker 2: We'll have to have her on to talk about it soon,

1375
01:06:48,520 --> 01:06:51,440
Speaker 2: I can't. Thanks for joining us, guys. That's fun all right,

1376
01:06:51,880 --> 01:06:56,480
Speaker 2: even though the episode is weir Hey, thanks for listening.

1377
01:06:56,600 --> 01:06:57,960
Speaker 3: Don't forget to leave us a review.

1378
01:06:58,240 --> 01:07:00,880
Speaker 5: You can also follow us on Instagram, them at Drama

1379
01:07:00,960 --> 01:07:02,360
Speaker 5: Queens O t H.

1380
01:07:02,520 --> 01:07:06,720
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.

1381
01:07:06,960 --> 01:07:07,960
Speaker 4: See you next time.

1382
01:07:09,200 --> 01:07:12,560
Speaker 1: We all about that high school drama Girl Drama Girl,

1383
01:07:12,640 --> 01:07:13,360
Speaker 1: all about them.

1384
01:07:13,320 --> 01:07:15,080
Speaker 2: High school queens.

1385
01:07:15,120 --> 01:07:17,240
Speaker 3: We'll take you for a ride and our comic.

1386
01:07:17,080 --> 01:07:21,400
Speaker 2: Girl cheering for the right teams Drama Queenslease my girl,

1387
01:07:21,520 --> 01:07:22,280
Speaker 2: rough girl.

1388
01:07:22,120 --> 01:07:23,439
Speaker 3: Fashion, but your tough girl.

1389
01:07:23,520 --> 01:07:24,440
Speaker 4: You could sit with us.

1390
01:07:24,520 --> 01:07:28,600
Speaker 1: Girl Drama Queens, Drama Queens, Drama Queens, Drama Drama Queens,

1391
01:07:28,640 --> 01:07:30,320
Speaker 1: Drama Queens