1
00:00:00,240 --> 00:00:03,160
Speaker 1: Hello, and welcome back to movie Mike's Movie podcast, your

2
00:00:03,200 --> 00:00:05,400
Speaker 1: go to source for all things movies, and I am

3
00:00:05,440 --> 00:00:08,360
Speaker 1: your host Movie Mike. Today I am breaking down the

4
00:00:08,400 --> 00:00:12,360
Speaker 1: best directors who always use the same actors. Will get

5
00:00:12,360 --> 00:00:14,960
Speaker 1: into who I think are their trademark actors because they

6
00:00:14,960 --> 00:00:17,400
Speaker 1: are in so many of their movies. I'll give a

7
00:00:17,400 --> 00:00:20,120
Speaker 1: movie review of the new Netflix movie starring Andrew Garfield

8
00:00:20,120 --> 00:00:22,640
Speaker 1: called Tick Tick Boom. But the thing I'm most excited

9
00:00:22,680 --> 00:00:24,800
Speaker 1: about today is to break down the Spider Man No

10
00:00:24,880 --> 00:00:27,840
Speaker 1: Way Home trailer that came out last week. I am

11
00:00:27,880 --> 00:00:29,600
Speaker 1: so fired up about that. I have a lot of

12
00:00:29,640 --> 00:00:31,600
Speaker 1: thoughts on that in the theories that have been going

13
00:00:31,640 --> 00:00:33,920
Speaker 1: on online. I can't wait to talk about that. So

14
00:00:34,440 --> 00:00:36,839
Speaker 1: thank you for being subscribed to the podcast for listening

15
00:00:36,880 --> 00:00:40,400
Speaker 1: every single week. Without any further ado, let's get started.

16
00:00:40,760 --> 00:00:43,880
Speaker 1: In a world where everyone and their mother has a podcast,

17
00:00:44,440 --> 00:00:48,320
Speaker 1: one man stands to infiltrate the ears of listeners like

18
00:00:48,440 --> 00:00:52,400
Speaker 1: never before in a movie podcast. A man with so

19
00:00:52,520 --> 00:00:56,920
Speaker 1: much movie knowledge, he's basically like walking on MTV with

20
00:00:57,240 --> 00:01:05,080
Speaker 1: glasses from the Nashville podcast Not Work Movie. So scrolling

21
00:01:05,080 --> 00:01:07,080
Speaker 1: through TikTok the other day and I found this clip

22
00:01:07,120 --> 00:01:09,560
Speaker 1: about Quentin Tarantino talking about how he's only gonna make

23
00:01:09,560 --> 00:01:11,880
Speaker 1: ten movies. It got me to thinking about some of

24
00:01:11,920 --> 00:01:14,600
Speaker 1: my favorite directors, and then it got me to thinking

25
00:01:14,600 --> 00:01:18,320
Speaker 1: about how directors kind of have their trademark actors, which

26
00:01:18,360 --> 00:01:21,120
Speaker 1: I really love because when a director is able to

27
00:01:21,160 --> 00:01:24,959
Speaker 1: collaborate with an actor over and over again, I think

28
00:01:25,000 --> 00:01:26,920
Speaker 1: you're able to get some of the best movies out

29
00:01:26,959 --> 00:01:30,120
Speaker 1: of it. Why because once you know a person, you

30
00:01:30,160 --> 00:01:32,040
Speaker 1: know how they act, you know how to give them direction,

31
00:01:32,120 --> 00:01:35,800
Speaker 1: you know how to really fulfill your creative vision. I

32
00:01:35,840 --> 00:01:38,800
Speaker 1: think that really shows on screen. So you don't have

33
00:01:38,840 --> 00:01:42,280
Speaker 1: to get through that awkward stage of getting to know them.

34
00:01:42,319 --> 00:01:44,360
Speaker 1: You know you have all this history already built in

35
00:01:44,560 --> 00:01:47,120
Speaker 1: with them. It's kind of like working with a coworker

36
00:01:47,160 --> 00:01:49,600
Speaker 1: who you've known for a long time, which if you

37
00:01:49,840 --> 00:01:53,600
Speaker 1: are not familiar with exactly what a director does. It's

38
00:01:53,640 --> 00:01:57,200
Speaker 1: mainly the director's job to oversee all the creative things

39
00:01:57,200 --> 00:01:59,639
Speaker 1: that go into a movie from when the script gets written.

40
00:01:59,680 --> 00:02:02,960
Speaker 1: Sometimes they work with the writers. They're working with everything

41
00:02:03,120 --> 00:02:05,760
Speaker 1: way in pre production, and then once the movie is

42
00:02:05,800 --> 00:02:08,919
Speaker 1: being filmed, it's their job to make sure they're getting

43
00:02:08,919 --> 00:02:10,960
Speaker 1: the shots they need to make sure they're staying on script.

44
00:02:11,200 --> 00:02:13,560
Speaker 1: Of course, you have all these other people working and

45
00:02:13,639 --> 00:02:17,200
Speaker 1: like these little fine tuned roles within the production, but

46
00:02:17,240 --> 00:02:19,760
Speaker 1: it ultimately lands on their director, and one of the

47
00:02:19,800 --> 00:02:22,079
Speaker 1: biggest things for them is to be able to get

48
00:02:22,080 --> 00:02:24,680
Speaker 1: the performances out of their actors that they need to

49
00:02:24,680 --> 00:02:28,239
Speaker 1: tell their story. And over my lifetime, I've really grown

50
00:02:28,280 --> 00:02:30,560
Speaker 1: to love to see these directors work with the same

51
00:02:30,600 --> 00:02:33,160
Speaker 1: actors over and over again, because I know, no matter what,

52
00:02:33,240 --> 00:02:35,640
Speaker 1: if they're teaming up together, it's probably going to be

53
00:02:35,639 --> 00:02:37,320
Speaker 1: a great movie. So I put together a list of

54
00:02:37,360 --> 00:02:40,440
Speaker 1: directors and what I think are their go to actors.

55
00:02:40,880 --> 00:02:43,480
Speaker 1: And these aren't my favorite directors of all time, They're

56
00:02:43,520 --> 00:02:46,000
Speaker 1: just the people who have collaborated the most and who

57
00:02:46,040 --> 00:02:49,519
Speaker 1: I would identify with having these trademark actors. So, since

58
00:02:49,560 --> 00:02:52,320
Speaker 1: I was talking about Quentin Tarantino, will start with him

59
00:02:52,360 --> 00:02:55,440
Speaker 1: and who I think his trademark actor is. Samuel L.

60
00:02:55,520 --> 00:02:57,520
Speaker 1: Jackson has been in six of his movies, from pulp

61
00:02:57,560 --> 00:03:01,320
Speaker 1: fiction Jackie Brown, Kill Bill Volume two and Glorious Bastards,

62
00:03:01,320 --> 00:03:04,120
Speaker 1: where he was an uncredited voice, Django would Chained and

63
00:03:04,160 --> 00:03:06,920
Speaker 1: The Hateful Late. And to think about Quentin Tarantino, he

64
00:03:07,080 --> 00:03:09,160
Speaker 1: is trying to make you know, ten movies and call

65
00:03:09,200 --> 00:03:12,200
Speaker 1: it quits, And throughout all of his movies, he's been

66
00:03:12,200 --> 00:03:15,400
Speaker 1: really good about bringing back people that he cares about,

67
00:03:15,520 --> 00:03:18,200
Speaker 1: that he wants to work with. You watch any Quentin

68
00:03:18,200 --> 00:03:20,680
Speaker 1: Tarantino movie and there's at least one or two actors

69
00:03:20,680 --> 00:03:22,640
Speaker 1: who have been at least another few of his movies.

70
00:03:22,880 --> 00:03:25,040
Speaker 1: But without a doubt, for me, I think the relationship

71
00:03:25,240 --> 00:03:27,640
Speaker 1: and the friendship he's built with Samuel L. Jackson is

72
00:03:27,639 --> 00:03:29,720
Speaker 1: one of my favorite things to watch. He always gives

73
00:03:29,720 --> 00:03:31,919
Speaker 1: Samuel L. Jackson a great role in every single movie.

74
00:03:32,320 --> 00:03:34,840
Speaker 1: And for Samuel L. Jackson, who has been in hundreds

75
00:03:34,840 --> 00:03:38,200
Speaker 1: of movies, literally hundreds of movies, I think he really

76
00:03:38,240 --> 00:03:40,720
Speaker 1: shines in the Quentin Tarantino movie. So he's my favorite

77
00:03:40,720 --> 00:03:43,720
Speaker 1: to watch for sure, and I think that's his trademark actor.

78
00:03:43,800 --> 00:03:46,440
Speaker 1: You could also argue against Uma Thurman, who is in

79
00:03:46,480 --> 00:03:49,000
Speaker 1: both of the Kill Bill movies and also Win Pulp Fiction,

80
00:03:49,560 --> 00:03:51,640
Speaker 1: or Tim Roth, who has also been in a lot

81
00:03:51,680 --> 00:03:54,680
Speaker 1: of Quentin Tarantino movies from Reservoir Dogs all the way

82
00:03:54,760 --> 00:03:56,840
Speaker 1: up to Once upon a Time in Hollywood. And Quentin

83
00:03:56,840 --> 00:04:00,440
Speaker 1: Tarantino is not my favorite director, I'll watch these single

84
00:04:00,520 --> 00:04:02,440
Speaker 1: movie that he puts out. I think if I had

85
00:04:02,480 --> 00:04:05,080
Speaker 1: a dream interview for this podcast, it would definitely be

86
00:04:05,160 --> 00:04:07,800
Speaker 1: Quentin Tarantino, though, but I think I'll save my favorite

87
00:04:07,800 --> 00:04:10,480
Speaker 1: directors for another episode. Next up on my list is

88
00:04:10,520 --> 00:04:12,680
Speaker 1: another one of my favorite directors, I think a lot

89
00:04:12,680 --> 00:04:15,800
Speaker 1: of people's favorite directors, and it's Martin Scorsese. And he

90
00:04:15,960 --> 00:04:19,360
Speaker 1: also has a lot of frequent collaborators when it comes

91
00:04:19,360 --> 00:04:22,240
Speaker 1: to actors. He's done so many movies, but I think

92
00:04:22,279 --> 00:04:25,760
Speaker 1: his trademark actor is Robert de Niro. Movies that include

93
00:04:25,839 --> 00:04:28,279
Speaker 1: Cape Fear, Casino, Good Fellows, which is one of my

94
00:04:28,320 --> 00:04:31,920
Speaker 1: favorite movies of all time, Mean Streets, New York, New York,

95
00:04:32,040 --> 00:04:35,760
Speaker 1: Raging Bull, Taxi Driver, The King of Comedy, just I

96
00:04:35,800 --> 00:04:38,120
Speaker 1: mean The Irishman. There's just so many movies that Martin

97
00:04:38,160 --> 00:04:41,480
Speaker 1: Scorsese and Robert DeNiro have done together and the relationship

98
00:04:41,560 --> 00:04:45,120
Speaker 1: they have built in these big epic dramas that Martin

99
00:04:45,120 --> 00:04:49,000
Speaker 1: Scorsese has known for, and I think without Robert de Niro,

100
00:04:49,680 --> 00:04:51,880
Speaker 1: a lot of those movies wouldn't have been the same

101
00:04:51,960 --> 00:04:55,599
Speaker 1: because Robert DeNiro is like the quintessential movie star, and

102
00:04:55,640 --> 00:04:58,200
Speaker 1: I feel now he gets a little bit underrated of

103
00:04:58,240 --> 00:05:01,599
Speaker 1: how good of an actor he really truly is and

104
00:05:01,640 --> 00:05:03,760
Speaker 1: how much of a range that he has, being able

105
00:05:03,800 --> 00:05:06,040
Speaker 1: to go from these, you know, big epic crime drama

106
00:05:06,080 --> 00:05:08,800
Speaker 1: movies to even doing the more comedic stuff like Meet

107
00:05:08,839 --> 00:05:10,880
Speaker 1: the Parents. But I think it's when he is with

108
00:05:11,040 --> 00:05:14,080
Speaker 1: Martin Scorsese in a movie where he truly shines. And

109
00:05:14,120 --> 00:05:16,800
Speaker 1: I think you could also make an argument for Martin

110
00:05:16,839 --> 00:05:20,560
Speaker 1: Scorsese and Leonardo DiCaprio. I mean, they have gangs in

111
00:05:20,560 --> 00:05:24,560
Speaker 1: New York, The Aviator, The Departed, Shutter Island, Wolf of

112
00:05:24,600 --> 00:05:27,320
Speaker 1: Wall Street, and also Killers of the Flower Moon coming

113
00:05:27,320 --> 00:05:29,960
Speaker 1: out soon on Apple TV Plus. But I felt like

114
00:05:30,000 --> 00:05:33,240
Speaker 1: their relationship came together later in like the two thousands

115
00:05:33,279 --> 00:05:35,320
Speaker 1: and has since been really strong. But if you're going

116
00:05:35,360 --> 00:05:39,320
Speaker 1: with Martin Scorsese's trademark actor, I'm going with Robert de Niro.

117
00:05:39,800 --> 00:05:41,680
Speaker 1: Next up all my list is almost a director I

118
00:05:41,720 --> 00:05:45,120
Speaker 1: thought of first when making this whole podcast, because I

119
00:05:45,160 --> 00:05:48,400
Speaker 1: feel like Wes Anderson pretty much deals with a little

120
00:05:48,480 --> 00:05:50,920
Speaker 1: pool of actors that he puts in every single movie.

121
00:05:51,520 --> 00:05:54,599
Speaker 1: And I'm not the biggest Wes Anderson fan, but I

122
00:05:54,680 --> 00:05:57,400
Speaker 1: love his aesthetic in movies. I love his creative vision.

123
00:05:57,800 --> 00:06:01,000
Speaker 1: I love that any movie trailer you see you know

124
00:06:01,200 --> 00:06:04,200
Speaker 1: immediately that it's a Wes Anderson movie, and then upon

125
00:06:04,279 --> 00:06:06,640
Speaker 1: watching his movies, you get the exact same feel in

126
00:06:06,680 --> 00:06:09,920
Speaker 1: every single movie. His voice in film is I think

127
00:06:10,000 --> 00:06:13,720
Speaker 1: is one of the strongest of any director in our lifetime.

128
00:06:14,440 --> 00:06:17,440
Speaker 1: I don't always think they're the most entertaining movies. I

129
00:06:17,440 --> 00:06:20,000
Speaker 1: think sometimes they're a little kind of indie, kind of

130
00:06:20,040 --> 00:06:23,320
Speaker 1: pretent to sent away, like very artsy. But I totally

131
00:06:23,400 --> 00:06:26,440
Speaker 1: give him credit for having that aesthetic, and I think

132
00:06:26,480 --> 00:06:28,440
Speaker 1: a lot of that is due to the actors that

133
00:06:28,440 --> 00:06:31,359
Speaker 1: he works with over and over again, everyone from Jason

134
00:06:31,360 --> 00:06:35,839
Speaker 1: Schwartzman to Owen Wilson. But I think his quintessential go

135
00:06:36,000 --> 00:06:38,839
Speaker 1: to trademark actor I would give to Bill Murray. I

136
00:06:38,839 --> 00:06:42,360
Speaker 1: think they're the best pairing of director actor duo's probably

137
00:06:42,600 --> 00:06:47,520
Speaker 1: in this entire list. From Rushmore Royal Tannembombs, The Life Aquatic,

138
00:06:47,839 --> 00:06:50,600
Speaker 1: which I think is his best movie, I mean, fantastic

139
00:06:50,680 --> 00:06:54,160
Speaker 1: Mr Fox, Grand Budapest Hotel, and then even this year

140
00:06:54,200 --> 00:06:57,240
Speaker 1: with the French This Patch. No matter the role, the

141
00:06:57,279 --> 00:06:59,520
Speaker 1: size of the role that Bill Murray has in Wes

142
00:06:59,640 --> 00:07:01,919
Speaker 1: anders and movie, I think that's just a go to

143
00:07:02,279 --> 00:07:05,080
Speaker 1: director actor pairing, so I had to put them on

144
00:07:05,120 --> 00:07:07,560
Speaker 1: this list. Next up on my list, I'm going with

145
00:07:07,640 --> 00:07:11,440
Speaker 1: Christopher Nolan, And immediately you kind of think of Christian

146
00:07:11,440 --> 00:07:14,200
Speaker 1: Bale from The bat Night Begins, Dark Knight Rises, The

147
00:07:14,280 --> 00:07:17,040
Speaker 1: Dark Knight, and The Prestige. But I think even more

148
00:07:17,120 --> 00:07:21,400
Speaker 1: so than Christian Bale, the actor that Christopher Nolan loves

149
00:07:21,440 --> 00:07:24,040
Speaker 1: to put in his movies is Michael Caine from all

150
00:07:24,080 --> 00:07:27,080
Speaker 1: the Batman movies and then also in the Prestige inception

151
00:07:27,480 --> 00:07:32,200
Speaker 1: Interstellar dun Kirk Tennant. You always have Michael Kine there,

152
00:07:32,560 --> 00:07:34,440
Speaker 1: and I think they've done some great work together. And

153
00:07:34,520 --> 00:07:36,600
Speaker 1: Michael Caine at eighty eight years old, and it's been

154
00:07:36,680 --> 00:07:38,720
Speaker 1: kind of rumored that he's retired from acting, but he

155
00:07:38,760 --> 00:07:41,600
Speaker 1: hasn't yet. He said he's still doing movies. I hope

156
00:07:41,600 --> 00:07:44,080
Speaker 1: he at least does a few more Christopher Nolan movies.

157
00:07:44,800 --> 00:07:47,320
Speaker 1: Like I know they're doing the whole New Batman thing

158
00:07:47,480 --> 00:07:50,480
Speaker 1: with Robert Pattinson, and that was only meant to be

159
00:07:50,560 --> 00:07:53,120
Speaker 1: that trilogy with Christopher Nolan. But if they got back

160
00:07:53,120 --> 00:07:57,640
Speaker 1: together Christopher Nolan, Michael Caine, Christian Bale and did one

161
00:07:57,680 --> 00:08:00,080
Speaker 1: more movie, it would be the most epic thing of

162
00:08:00,080 --> 00:08:02,520
Speaker 1: all time. I'll get into you later how they're working

163
00:08:02,560 --> 00:08:06,240
Speaker 1: with the whole multi versus Spider Man now. But if

164
00:08:06,400 --> 00:08:08,720
Speaker 1: like d C, saw all the hype created now with

165
00:08:08,760 --> 00:08:13,040
Speaker 1: Spider Man, imagine doing that with Batman. It would be insane.

166
00:08:13,360 --> 00:08:15,640
Speaker 1: But I digress. So I wanted to do five of these,

167
00:08:15,640 --> 00:08:17,840
Speaker 1: and my last one I would go with Kevin Smith

168
00:08:18,320 --> 00:08:20,720
Speaker 1: and Ben Affleck. I think, for a while, Kevin Smith

169
00:08:20,800 --> 00:08:24,440
Speaker 1: was probably my favorite director, and I think it's because

170
00:08:24,440 --> 00:08:27,480
Speaker 1: of his kind of approach to filmmaking and the way

171
00:08:27,520 --> 00:08:29,360
Speaker 1: he talks about it and made it seem like somebody

172
00:08:29,400 --> 00:08:32,439
Speaker 1: like me or anybody who just picks up a video camera,

173
00:08:32,920 --> 00:08:35,319
Speaker 1: has a story, has some friends, could make a movie.

174
00:08:35,360 --> 00:08:37,120
Speaker 1: And I think that's why I was so inspired by

175
00:08:37,160 --> 00:08:40,719
Speaker 1: his work early on. And I always found this relationship

176
00:08:40,760 --> 00:08:44,040
Speaker 1: between him and Ben Affleck so interesting. It's because I

177
00:08:44,080 --> 00:08:46,680
Speaker 1: always found Ben Affleck to be an a list actor,

178
00:08:46,760 --> 00:08:48,760
Speaker 1: and you know, when I grew up, he was in

179
00:08:48,800 --> 00:08:52,280
Speaker 1: all these big movies. He was dating Jennifer Lopez, but

180
00:08:52,400 --> 00:08:55,360
Speaker 1: I felt like he always did these movies as kind

181
00:08:55,360 --> 00:08:57,680
Speaker 1: of a favorite to Kevin Smith or I don't know,

182
00:08:57,760 --> 00:09:00,080
Speaker 1: that's just what I associated with in my head it,

183
00:09:00,640 --> 00:09:02,360
Speaker 1: but he was really such a big part of all

184
00:09:02,400 --> 00:09:05,200
Speaker 1: with Kevin Smith's Buiskew movies, and it was kind of

185
00:09:05,200 --> 00:09:07,240
Speaker 1: cool just to see an actor at his level still

186
00:09:07,240 --> 00:09:10,040
Speaker 1: doing these kind of comedies, everything from my favorite Kevin

187
00:09:10,080 --> 00:09:15,240
Speaker 1: Smith movie, Mallrat, Chasing Amy, Dogma Jane, Silent Bob, strike Back,

188
00:09:15,240 --> 00:09:18,640
Speaker 1: and two dozen one Jersey Girl Clerks Too, And then

189
00:09:18,760 --> 00:09:22,040
Speaker 1: I recently watched the Jay and Silent Bob reboot that

190
00:09:22,120 --> 00:09:25,880
Speaker 1: came out last I Think, in which is a little

191
00:09:25,880 --> 00:09:27,600
Speaker 1: bit underwhelming for me because I felt like I just

192
00:09:27,640 --> 00:09:29,960
Speaker 1: did the same movie again in kind of a newer setting.

193
00:09:30,240 --> 00:09:34,199
Speaker 1: But I still always love the Kevin Smith Ben Affleck combo.

194
00:09:34,720 --> 00:09:36,679
Speaker 1: So if I was making those top five, that's who

195
00:09:36,720 --> 00:09:39,079
Speaker 1: would go on my list. Some other ones I had

196
00:09:39,120 --> 00:09:42,040
Speaker 1: some honorable mentions were Steven Spielberg and Tom Hanks. They

197
00:09:42,040 --> 00:09:44,600
Speaker 1: did Saving Private Ryan, Catch Me if you Can, The Terminal,

198
00:09:45,120 --> 00:09:49,200
Speaker 1: Timeless Call, Bridge of Spies, and The Post, And the

199
00:09:49,280 --> 00:09:51,560
Speaker 1: thing about that relationship is, for some reason, I don't

200
00:09:51,559 --> 00:09:55,280
Speaker 1: always associate Steven Spielberg with Tom Hanks. I just associate

201
00:09:55,320 --> 00:09:58,600
Speaker 1: Steven Spielberg with really directing all of the greatest actors

202
00:09:58,640 --> 00:10:01,360
Speaker 1: who has ever been on any kind of screen. But

203
00:10:01,440 --> 00:10:03,480
Speaker 1: they have worked together again and again, so that's a

204
00:10:03,480 --> 00:10:05,520
Speaker 1: really great team as well. I was also thinking about

205
00:10:05,600 --> 00:10:08,280
Speaker 1: m Night Shamalan and Bruce Willis because I think of

206
00:10:08,920 --> 00:10:12,080
Speaker 1: m night Shamalan's best movies, the common denominator is that

207
00:10:12,120 --> 00:10:14,120
Speaker 1: Bruce Willis was always in them. From The Sixth Sense,

208
00:10:14,200 --> 00:10:17,200
Speaker 1: Unbreakable Split, and Glass. I think the only one of

209
00:10:17,280 --> 00:10:20,320
Speaker 1: his that I really liked that Bruce Willis wasn't in

210
00:10:20,400 --> 00:10:23,240
Speaker 1: was The Village and then probably Devil. Another one that

211
00:10:23,280 --> 00:10:25,960
Speaker 1: almost made the list was Adam McKay and Will Ferrell.

212
00:10:26,480 --> 00:10:29,600
Speaker 1: Adam McKay directed all the Anchorman movies. He also did

213
00:10:29,600 --> 00:10:32,840
Speaker 1: Talladega Nights and Step Brothers. I think he was with

214
00:10:32,960 --> 00:10:35,720
Speaker 1: Will Ferrell at the height of his career really kind

215
00:10:35,720 --> 00:10:38,720
Speaker 1: of made him the biggest comedic movie star of the

216
00:10:38,840 --> 00:10:41,800
Speaker 1: early two thousands. I think a relationship that Will Ferrell

217
00:10:41,840 --> 00:10:43,880
Speaker 1: really kind of strived on. And then I had a

218
00:10:43,920 --> 00:10:47,880
Speaker 1: couple more that are newer director combos that they've done

219
00:10:48,080 --> 00:10:50,760
Speaker 1: a few movies together so far, but I think if

220
00:10:50,760 --> 00:10:53,520
Speaker 1: they kept working with each other, we would see one

221
00:10:53,520 --> 00:10:56,040
Speaker 1: of these relationships kind of form. The first one is

222
00:10:56,040 --> 00:11:00,400
Speaker 1: Greta Gerwig and Searcher Ronan and also slashed Timothy shall Mate.

223
00:11:00,880 --> 00:11:03,079
Speaker 1: She's only done a couple of movies that she's directed,

224
00:11:03,360 --> 00:11:05,720
Speaker 1: which one was Lady Bird and the other was Little Women.

225
00:11:06,040 --> 00:11:09,440
Speaker 1: Both had Timothy Shallowmy and sar Sharonan. Both were Best

226
00:11:09,440 --> 00:11:13,840
Speaker 1: Picture nominees, and I already associate those two actors with

227
00:11:13,960 --> 00:11:16,480
Speaker 1: Greta Gerwig, So I hope she continues to work with

228
00:11:16,520 --> 00:11:18,760
Speaker 1: them because I could see a big relationship there. And

229
00:11:18,760 --> 00:11:21,360
Speaker 1: then the other one I had were the Russo Brothers

230
00:11:21,360 --> 00:11:25,360
Speaker 1: and Tom Holland. Now, the Russo Brothers directed Avengers Infinity War,

231
00:11:25,480 --> 00:11:28,600
Speaker 1: Avengers Endgame, and they also did a movie last year

232
00:11:28,640 --> 00:11:31,559
Speaker 1: called Cherry with Tom Holland and one I just feel

233
00:11:31,600 --> 00:11:35,040
Speaker 1: like the Russo brothers really understand Marvel, and I really

234
00:11:35,080 --> 00:11:37,920
Speaker 1: like the direction and what they've done with Tom Holland

235
00:11:37,960 --> 00:11:41,040
Speaker 1: crossing over a spider Man in those movies, and how

236
00:11:41,080 --> 00:11:42,680
Speaker 1: they were also able to work with him in that

237
00:11:42,720 --> 00:11:45,040
Speaker 1: movie Cherry. I think as a team they have what

238
00:11:45,120 --> 00:11:46,880
Speaker 1: it takes to kind of get Tom Holland to that

239
00:11:46,960 --> 00:11:49,439
Speaker 1: next level of actor, to get him to the bigger

240
00:11:49,480 --> 00:11:51,440
Speaker 1: movies that I know he is capable of. I think

241
00:11:51,480 --> 00:11:54,200
Speaker 1: they can pull those performances out of him because they

242
00:11:54,240 --> 00:11:56,360
Speaker 1: already have that comfort of knowing him and like his

243
00:11:56,440 --> 00:11:59,960
Speaker 1: quintessential role as Spider Man, but also working with more

244
00:12:00,000 --> 00:12:02,840
Speaker 1: of the dramatic, less superhero stuff. I would like to

245
00:12:02,840 --> 00:12:05,440
Speaker 1: see them do more movies together. And then there's one

246
00:12:05,480 --> 00:12:08,439
Speaker 1: more that I didn't feel comfortable putting on this list,

247
00:12:08,640 --> 00:12:11,240
Speaker 1: mainly because I I'm not the biggest fan of this

248
00:12:11,360 --> 00:12:14,000
Speaker 1: director or any of his movies, and I think a

249
00:12:14,040 --> 00:12:16,000
Speaker 1: lot of it is hindered at the fact that he

250
00:12:16,120 --> 00:12:20,000
Speaker 1: uses the same actors over and over. Almost that it's

251
00:12:20,080 --> 00:12:22,640
Speaker 1: hurting his movies because I feel like it's the same

252
00:12:22,679 --> 00:12:25,199
Speaker 1: thing again and again, has the same kind of style

253
00:12:25,679 --> 00:12:28,200
Speaker 1: in every single movie, and with the same actors. I

254
00:12:28,240 --> 00:12:29,840
Speaker 1: think it kind of makes me want to see his

255
00:12:29,880 --> 00:12:33,760
Speaker 1: movies less. And that director is Tim Burton, and he

256
00:12:33,840 --> 00:12:36,720
Speaker 1: seems to put Johnny Depp in all of his movies

257
00:12:37,120 --> 00:12:40,560
Speaker 1: and also Helena Bonham Carter like they're in every single

258
00:12:40,600 --> 00:12:43,120
Speaker 1: Tim Burton movie. I mean, I think in the nineties

259
00:12:43,120 --> 00:12:46,280
Speaker 1: it was fine when Johnny Depp was in Edward Scissor Hands,

260
00:12:46,440 --> 00:12:49,200
Speaker 1: ed Wood, Sleepy Hollow, But then when I think it

261
00:12:49,240 --> 00:12:51,720
Speaker 1: got to like two thousands and he was in Corpse

262
00:12:51,760 --> 00:12:54,360
Speaker 1: Bride as a voice Charlie and The Chocolate Factory is

263
00:12:54,400 --> 00:12:56,560
Speaker 1: I think the one that kind of made me. I

264
00:12:56,640 --> 00:12:59,160
Speaker 1: really didn't like that movie whatsoever. I felt like it

265
00:12:59,240 --> 00:13:02,000
Speaker 1: took all the heart out of the first one and

266
00:13:02,040 --> 00:13:04,280
Speaker 1: made it unenjoyable for me. And then he went on

267
00:13:04,360 --> 00:13:07,160
Speaker 1: to do Sweeney Todd Alice in Wonderland Dark Shadows, Like

268
00:13:07,200 --> 00:13:09,240
Speaker 1: all those movies just felt like the same thing over

269
00:13:09,280 --> 00:13:12,480
Speaker 1: and over again. So they are frequent collaborators, but I

270
00:13:12,520 --> 00:13:14,920
Speaker 1: think in that case it actually hurts them a little bit,

271
00:13:15,200 --> 00:13:17,800
Speaker 1: at least for me. If you have an actor and

272
00:13:17,880 --> 00:13:20,600
Speaker 1: director combo that is one of your favorites, hit me up,

273
00:13:20,920 --> 00:13:23,720
Speaker 1: send me a tweet at Mike Distro, comment on my

274
00:13:23,760 --> 00:13:26,800
Speaker 1: Facebook page, Facebook dot com, slash Mike Destro, or shoot

275
00:13:26,840 --> 00:13:30,120
Speaker 1: me an email movie Mike d at gmail dot com.

276
00:13:30,240 --> 00:13:32,760
Speaker 1: Come back with a spoiler free movie review, and then

277
00:13:32,800 --> 00:13:35,320
Speaker 1: we'll get into the segment I've been waiting for breaking

278
00:13:35,320 --> 00:13:43,280
Speaker 1: down Spider Man No Way Home the trailer. I'm gonna

279
00:13:43,280 --> 00:13:46,640
Speaker 1: get into a spoiler free movie review now talking about

280
00:13:46,640 --> 00:13:49,520
Speaker 1: the new movie streaming on Netflix called Tick Tick Boom,

281
00:13:49,600 --> 00:13:53,400
Speaker 1: starring Andrew Garfield. It is the directorial debut of Lynn

282
00:13:53,480 --> 00:13:57,040
Speaker 1: Manuel Miranda, who was the Hamilton's Guy, a movie. I

283
00:13:57,120 --> 00:13:58,960
Speaker 1: didn't know what I was going to think about because

284
00:13:58,960 --> 00:14:02,040
Speaker 1: I'm not in a musical. But over time I've been

285
00:14:02,080 --> 00:14:04,840
Speaker 1: trying to expose myself more and more to musicals because

286
00:14:04,840 --> 00:14:06,360
Speaker 1: I feel like this is gonna be a big movie.

287
00:14:06,600 --> 00:14:09,360
Speaker 1: It'll probably be nominated for some Oscars. I'll get into

288
00:14:09,480 --> 00:14:12,079
Speaker 1: what I thought about the movie. But before I get

289
00:14:12,120 --> 00:14:14,040
Speaker 1: into that, instead of playing you a trailer like I

290
00:14:14,120 --> 00:14:18,520
Speaker 1: normally do, I'm gonna play you a song that happens

291
00:14:18,520 --> 00:14:21,920
Speaker 1: in the movie. Because the whole movie is about Jonathan Larson,

292
00:14:22,040 --> 00:14:25,160
Speaker 1: who is a famous playwright. He did Rent and it's

293
00:14:25,200 --> 00:14:28,520
Speaker 1: his story of deciding and figuring out if he picked

294
00:14:28,560 --> 00:14:30,840
Speaker 1: the right career. And this is apart from the movie

295
00:14:30,840 --> 00:14:33,160
Speaker 1: that I found that I kind of turned from not

296
00:14:33,280 --> 00:14:36,200
Speaker 1: liking this movie to enjoying it. And it's a scene

297
00:14:36,240 --> 00:14:38,640
Speaker 1: that kind of showcases what the movie is about. I

298
00:14:38,640 --> 00:14:40,880
Speaker 1: thought it was a real highlight early on in the movie,

299
00:14:41,480 --> 00:14:43,120
Speaker 1: and without this scene, I don't think I would have

300
00:14:43,200 --> 00:14:45,440
Speaker 1: ended up even finishing the movie. But here's just a

301
00:14:45,480 --> 00:14:50,800
Speaker 1: little bit of tick tick boom lying dying. I thought,

302
00:14:50,800 --> 00:14:56,560
Speaker 1: by now I have a talk that start drinking before

303
00:14:56,720 --> 00:15:11,600
Speaker 1: we start thinking life. This This is so why I

304
00:15:11,640 --> 00:15:15,320
Speaker 1: decided to play that clip for you. Here's the reason why. Now.

305
00:15:15,360 --> 00:15:18,520
Speaker 1: About ten minutes into this movie, I was like, this

306
00:15:18,560 --> 00:15:20,800
Speaker 1: movie is not for me. I'm not liking you whatsoever.

307
00:15:21,600 --> 00:15:25,400
Speaker 1: And it's because of it's theatrical nature. And sometimes I

308
00:15:25,480 --> 00:15:28,280
Speaker 1: have problems with musicals, especially ones that have to do

309
00:15:28,280 --> 00:15:31,040
Speaker 1: with like theater, Broadway, all those kinds of things, because

310
00:15:31,080 --> 00:15:34,280
Speaker 1: I feel like they're a little bit pretentious. They're very artsy,

311
00:15:34,640 --> 00:15:36,840
Speaker 1: and I think that whole kind of art form has

312
00:15:36,920 --> 00:15:39,800
Speaker 1: this connotation to it that to be into it you

313
00:15:39,840 --> 00:15:43,120
Speaker 1: have to have like this higher level of thinking. You

314
00:15:43,200 --> 00:15:45,480
Speaker 1: have to find things like people just bursting out into

315
00:15:45,560 --> 00:15:48,280
Speaker 1: song enjoyable, and you really have to buy into the

316
00:15:48,320 --> 00:15:51,320
Speaker 1: fact that whoever is making and directing these and writing

317
00:15:51,360 --> 00:15:54,520
Speaker 1: these is trying to make a statement on the world

318
00:15:54,600 --> 00:15:58,040
Speaker 1: and portray it through these characters and this story. And

319
00:15:58,120 --> 00:16:00,240
Speaker 1: sometimes it's just hard for me to connect it, and

320
00:16:00,280 --> 00:16:03,640
Speaker 1: I don't really find it that entertaining. But at this

321
00:16:03,720 --> 00:16:07,000
Speaker 1: moment in the movie, I realized that it was a

322
00:16:07,040 --> 00:16:09,680
Speaker 1: different kind of way to tell this story because while

323
00:16:09,720 --> 00:16:12,560
Speaker 1: they do burst out into song in the same way

324
00:16:12,600 --> 00:16:15,440
Speaker 1: they would in a Broadway musical, there is a deeper,

325
00:16:15,640 --> 00:16:18,440
Speaker 1: more emotional level to this movie, and I think that's

326
00:16:18,440 --> 00:16:20,200
Speaker 1: what they did a great job with. I think it's

327
00:16:20,240 --> 00:16:23,560
Speaker 1: probably due to lin Manuel Miranda kind of taking what

328
00:16:23,600 --> 00:16:27,560
Speaker 1: he would do in a show like Broadway and making

329
00:16:27,600 --> 00:16:30,640
Speaker 1: it an actual movie where I think it's really where

330
00:16:30,640 --> 00:16:33,480
Speaker 1: they shine through. Why they are having these scenes that

331
00:16:33,520 --> 00:16:36,680
Speaker 1: seem like they're just straight up ripped off from a

332
00:16:36,680 --> 00:16:41,640
Speaker 1: Broadway play. There's scenes like this that kind of showcase that,

333
00:16:42,040 --> 00:16:44,680
Speaker 1: but there's also the emotional scenes that are telling a story,

334
00:16:44,720 --> 00:16:47,320
Speaker 1: and I think that's where this movie really kind of

335
00:16:47,320 --> 00:16:50,280
Speaker 1: shine through. So the movie follows the life of Jonathan

336
00:16:50,320 --> 00:16:53,400
Speaker 1: Larson before he ever created Rant, before he even got

337
00:16:53,440 --> 00:16:56,720
Speaker 1: his first play done, and it's the story of him

338
00:16:57,000 --> 00:17:00,240
Speaker 1: kind of battling if he's picked the right career year

339
00:17:00,680 --> 00:17:04,280
Speaker 1: he has somebody who completely throws himself into is are

340
00:17:04,440 --> 00:17:08,920
Speaker 1: almost to a fault to where maybe he's not as

341
00:17:08,960 --> 00:17:11,199
Speaker 1: supportive of his friends, he doesn't keep up with all

342
00:17:11,280 --> 00:17:14,480
Speaker 1: his friendships because he is determined to make it. He's

343
00:17:14,520 --> 00:17:17,880
Speaker 1: putting all his effort into creating this play and hopefully

344
00:17:17,880 --> 00:17:21,240
Speaker 1: getting on Broadway. So you get the story from his eyes,

345
00:17:21,640 --> 00:17:23,840
Speaker 1: and I think what also really kind of made me

346
00:17:23,960 --> 00:17:27,120
Speaker 1: enjoy this movie was Andrew Garfield, like he is such

347
00:17:27,160 --> 00:17:29,800
Speaker 1: a great actor. It was really cool to see him

348
00:17:29,880 --> 00:17:31,840
Speaker 1: take this character and really kind of bring it to

349
00:17:31,920 --> 00:17:34,600
Speaker 1: life and tie it in from the musical performances to

350
00:17:34,760 --> 00:17:37,159
Speaker 1: the drama that went along with everything. I thought he

351
00:17:37,200 --> 00:17:39,840
Speaker 1: really did a great job at that. I also thought

352
00:17:39,920 --> 00:17:42,640
Speaker 1: this movie did a really great job of portraying New

353
00:17:42,720 --> 00:17:45,000
Speaker 1: York City in a way I really haven't seen it before,

354
00:17:46,119 --> 00:17:48,119
Speaker 1: and you think, well, New York City has been the

355
00:17:48,160 --> 00:17:51,600
Speaker 1: backdrop of so many movies, how could you do that? Well?

356
00:17:51,640 --> 00:17:54,639
Speaker 1: I think it's because it kind of looked at people

357
00:17:54,760 --> 00:17:57,879
Speaker 1: in the most humane possible that I've really seen in

358
00:17:57,920 --> 00:18:00,320
Speaker 1: a movie at this level, to where you're seeing the

359
00:18:00,400 --> 00:18:04,399
Speaker 1: kind of day to day sometimes ordinary life kind of amplified,

360
00:18:04,440 --> 00:18:06,760
Speaker 1: and I really like that they focused on that, everything

361
00:18:06,760 --> 00:18:09,240
Speaker 1: from the apartment living to kind of them depicting on

362
00:18:09,280 --> 00:18:11,840
Speaker 1: what it's like to be in theater. I thought it

363
00:18:11,880 --> 00:18:14,600
Speaker 1: was a pretty cool scope of New York City. So

364
00:18:14,680 --> 00:18:18,800
Speaker 1: coming from somebody who doesn't like musicals, I decided to

365
00:18:18,800 --> 00:18:21,199
Speaker 1: give this movie a chance, and I'm really happy that

366
00:18:21,280 --> 00:18:23,399
Speaker 1: I did. And I think I owe a lot of

367
00:18:23,440 --> 00:18:27,000
Speaker 1: that to enjoying it too greatly Andrew Garfield, but I

368
00:18:27,040 --> 00:18:29,760
Speaker 1: think it's also lin Manuel Miranda really kind of taking

369
00:18:29,800 --> 00:18:32,560
Speaker 1: the reins on this role as director in making this

370
00:18:32,720 --> 00:18:35,320
Speaker 1: unlike any of the other movies he's done before, and

371
00:18:35,359 --> 00:18:37,679
Speaker 1: really focused on kind of making a great film that

372
00:18:37,720 --> 00:18:39,720
Speaker 1: if you took all the musical elements out of it,

373
00:18:39,920 --> 00:18:42,200
Speaker 1: I mean, like just the performances from it would still

374
00:18:42,240 --> 00:18:44,640
Speaker 1: be a good movie without that. And I think that's

375
00:18:44,640 --> 00:18:47,080
Speaker 1: what I feel like I miss out sometimes on musicals,

376
00:18:47,200 --> 00:18:49,120
Speaker 1: is like the story is hard to follow when it's

377
00:18:49,160 --> 00:18:51,440
Speaker 1: just being told through song. I think when you tell

378
00:18:51,480 --> 00:18:54,880
Speaker 1: the story and acting and scenes, you're able to get

379
00:18:54,920 --> 00:18:57,919
Speaker 1: that across a lot better. The acting was great. The

380
00:18:58,040 --> 00:19:01,800
Speaker 1: songs I found myself, even though I like Broadway style songs,

381
00:19:02,000 --> 00:19:04,960
Speaker 1: I found myself enjoying them. It was also just cool

382
00:19:05,000 --> 00:19:08,080
Speaker 1: to learn about Jonathan Larkson's story, who I had no

383
00:19:08,160 --> 00:19:11,040
Speaker 1: idea about. I really didn't know much about Rent. I

384
00:19:11,119 --> 00:19:14,000
Speaker 1: knew probably the one song that everybody else knows. And

385
00:19:14,119 --> 00:19:16,359
Speaker 1: I think also the fact that it had to do

386
00:19:16,440 --> 00:19:19,320
Speaker 1: with him kind of struggling with the idea of turning

387
00:19:19,400 --> 00:19:22,879
Speaker 1: thirty and knowing that he only had a limited amount

388
00:19:22,880 --> 00:19:26,200
Speaker 1: of time to you know, live out his creative dream,

389
00:19:26,200 --> 00:19:29,440
Speaker 1: which is something I think anybody else who has ever

390
00:19:29,480 --> 00:19:32,159
Speaker 1: done anything creative always kind of wonders of, like, you know,

391
00:19:32,800 --> 00:19:35,199
Speaker 1: is it really worth it for me to chase this

392
00:19:35,320 --> 00:19:37,280
Speaker 1: dream that I've been doing my entire life. Is it

393
00:19:37,320 --> 00:19:39,320
Speaker 1: really worth it? If I'm not at that point yet.

394
00:19:40,000 --> 00:19:42,560
Speaker 1: And it's seeing him hit some pretty emotional lows that

395
00:19:42,560 --> 00:19:44,760
Speaker 1: I felt kind of resonated with me. So I don't

396
00:19:44,800 --> 00:19:47,919
Speaker 1: think this movie is for everyone if you're not into musicals.

397
00:19:48,160 --> 00:19:50,440
Speaker 1: It's a bit of a stretch in the very beginning

398
00:19:50,480 --> 00:19:52,720
Speaker 1: of like, Okay, I I could turn this out right

399
00:19:52,720 --> 00:19:55,239
Speaker 1: now and be fine. But if you get through it,

400
00:19:55,280 --> 00:20:00,200
Speaker 1: you kind of learn what they're going for and you're

401
00:20:00,200 --> 00:20:02,000
Speaker 1: looking for the story in this movie, I think you

402
00:20:02,040 --> 00:20:04,920
Speaker 1: will enjoy it. If you're already into musicals. I think

403
00:20:05,040 --> 00:20:07,160
Speaker 1: this might be one of your favorite movies of the year,

404
00:20:07,359 --> 00:20:09,680
Speaker 1: and it's already probably gonna be nominated for a bunch

405
00:20:09,680 --> 00:20:11,440
Speaker 1: of Oscars. So if you want to get in early

406
00:20:11,480 --> 00:20:14,000
Speaker 1: on one of those movies, another one to check out

407
00:20:14,160 --> 00:20:17,520
Speaker 1: on Netflix. So tick tick boom. If I had to

408
00:20:17,600 --> 00:20:20,960
Speaker 1: give it a rating, I would rate it right at

409
00:20:21,040 --> 00:20:30,480
Speaker 1: three point five out of five New York Diners. It's

410
00:20:30,520 --> 00:20:32,520
Speaker 1: that time again. The part of the podcast where we

411
00:20:32,600 --> 00:20:35,320
Speaker 1: check out the new movies coming out in theaters very

412
00:20:35,400 --> 00:20:38,680
Speaker 1: soon and breaking down the trailers. Here we go, It's

413
00:20:38,720 --> 00:20:44,639
Speaker 1: time to head down to movie Paul, and obviously the

414
00:20:44,640 --> 00:20:47,080
Speaker 1: first one we have to talk about a Spider Man

415
00:20:47,720 --> 00:20:50,080
Speaker 1: No Way Home. The trailer came out last week. I

416
00:20:50,160 --> 00:20:53,080
Speaker 1: was refreshing my feed on my phone every like ten

417
00:20:53,119 --> 00:20:55,919
Speaker 1: minutes throughout the entire day waiting for this movie trailer

418
00:20:55,920 --> 00:20:59,520
Speaker 1: to drop, and I gotta say, I think the trailer delivered.

419
00:20:59,560 --> 00:21:02,360
Speaker 1: I was pretty excited after watching it, but it did

420
00:21:02,480 --> 00:21:05,640
Speaker 1: raise a lot of questions, a lot of fan theories

421
00:21:05,640 --> 00:21:09,119
Speaker 1: going out on the internet about what's happening with the

422
00:21:09,160 --> 00:21:13,160
Speaker 1: No Way Home movie. And I'll get into my theories

423
00:21:13,200 --> 00:21:15,800
Speaker 1: on it, but first I just want to look at

424
00:21:15,800 --> 00:21:18,200
Speaker 1: the facts, because I think if you are online, you're

425
00:21:18,240 --> 00:21:21,800
Speaker 1: on TikTok on Twitter, everybody's kind of talking about who's

426
00:21:21,840 --> 00:21:24,400
Speaker 1: gonna be in Spider Man No Way Home. And I'm

427
00:21:24,440 --> 00:21:26,399
Speaker 1: just looking at the facts of the trailer. What we

428
00:21:26,440 --> 00:21:28,320
Speaker 1: got to see for the very first time where all

429
00:21:28,400 --> 00:21:30,800
Speaker 1: of the villains. So I'll break down all the villains

430
00:21:30,840 --> 00:21:33,359
Speaker 1: that were introduced in this trailer, but first let's just

431
00:21:33,400 --> 00:21:36,080
Speaker 1: take a look at the trailer. Hello, Peter, you're not

432
00:21:36,119 --> 00:21:41,119
Speaker 1: met a Boger third Dangerous already universe. I can not

433
00:21:41,240 --> 00:21:49,240
Speaker 1: to take this work from me. Pater, you're struggling. Damn

434
00:21:48,800 --> 00:21:53,720
Speaker 1: it s thank you want while the world tries to

435
00:21:53,840 --> 00:22:00,440
Speaker 1: make you choose. This is all my fault. I can't

436
00:22:00,480 --> 00:22:04,440
Speaker 1: say there at all. What's happening. It's starting to come through.

437
00:22:05,359 --> 00:22:10,240
Speaker 1: I can't stop him, all right, So let's break that down.

438
00:22:10,400 --> 00:22:13,040
Speaker 1: So before this, we already knew docc and Green Goblin

439
00:22:13,040 --> 00:22:14,480
Speaker 1: we're gonna be in this movie. But now, for the

440
00:22:14,520 --> 00:22:17,800
Speaker 1: first time, we see that Sandman from the Tobey Maguire

441
00:22:18,160 --> 00:22:20,719
Speaker 1: Spider Man universe. Is this You have Jamie Foxx as

442
00:22:20,760 --> 00:22:24,040
Speaker 1: Electro the Lizard from the Andrew Garfield Amazing Spider Man,

443
00:22:24,480 --> 00:22:26,880
Speaker 1: all the villains in this movie. So what they're kind

444
00:22:26,880 --> 00:22:30,040
Speaker 1: of depicting in this is it's a multiverse of all

445
00:22:30,119 --> 00:22:33,880
Speaker 1: the villains and Tom holland Spider Man having to defeat them.

446
00:22:34,119 --> 00:22:36,399
Speaker 1: But you hear a lot in that trailer. Some of

447
00:22:36,400 --> 00:22:38,240
Speaker 1: the things that kind of still stick out to me is,

448
00:22:38,400 --> 00:22:40,800
Speaker 1: you know Dr Strange saying that he can't hold some

449
00:22:40,840 --> 00:22:43,080
Speaker 1: of these people back, and you get to wondering who

450
00:22:43,119 --> 00:22:45,639
Speaker 1: that is, and I think it's the final scene in

451
00:22:45,680 --> 00:22:47,920
Speaker 1: this trailer that a lot of people are breaking down,

452
00:22:48,480 --> 00:22:51,880
Speaker 1: and there's a moment where Spider Man is lunging at

453
00:22:52,000 --> 00:22:56,120
Speaker 1: three different villains. It's Electro, Sandman, and Lizard, and people

454
00:22:56,160 --> 00:22:57,679
Speaker 1: are saying that has to me. And there are two

455
00:22:57,760 --> 00:23:00,520
Speaker 1: people missing from this frame that Marvel has edited out,

456
00:23:00,560 --> 00:23:03,680
Speaker 1: Toby McGuire and Andrew Garfield. Now, a long time ago,

457
00:23:03,720 --> 00:23:06,000
Speaker 1: I said that I don't think they're in this movie,

458
00:23:06,760 --> 00:23:09,240
Speaker 1: and I still kind of hold true to that. It's

459
00:23:09,280 --> 00:23:11,399
Speaker 1: becoming more and more apparent that they could be in

460
00:23:11,400 --> 00:23:13,320
Speaker 1: this movie, mainly from that trailer. So I'm kind of

461
00:23:13,320 --> 00:23:15,400
Speaker 1: been going back and forth on this the entire week,

462
00:23:15,440 --> 00:23:18,040
Speaker 1: but looking at the facts here, and I'm thinking of

463
00:23:18,119 --> 00:23:20,720
Speaker 1: Marvel as a business and I'm thinking of Marvel of

464
00:23:20,760 --> 00:23:24,640
Speaker 1: what they want to do that's best for them, and

465
00:23:24,880 --> 00:23:27,040
Speaker 1: they don't really almost anything. They've never said there was

466
00:23:27,040 --> 00:23:29,840
Speaker 1: going to be a MultiVersus Spider Man, and they have

467
00:23:29,960 --> 00:23:33,240
Speaker 1: really invested in Tom Holland and getting his character right

468
00:23:33,280 --> 00:23:35,800
Speaker 1: and getting people kind of re interested in Spider Man again,

469
00:23:36,480 --> 00:23:39,200
Speaker 1: as you know, essentially the third reboot of this character,

470
00:23:39,359 --> 00:23:41,760
Speaker 1: and they've done a really great job at it, and

471
00:23:41,840 --> 00:23:43,760
Speaker 1: Tom Holland is the star of this movie, and I

472
00:23:43,840 --> 00:23:47,680
Speaker 1: kind of feel that introducing Toby maguire and Andrew Garfield

473
00:23:47,680 --> 00:23:49,920
Speaker 1: would take away from that. And I think a lot

474
00:23:49,960 --> 00:23:52,359
Speaker 1: of this is kind of the same thing that happened

475
00:23:52,359 --> 00:23:55,639
Speaker 1: whenever Justin timber Lake was set to perform at the

476
00:23:55,680 --> 00:23:58,480
Speaker 1: halftime show at the super Bowl, and everybody was like, Oh,

477
00:23:58,520 --> 00:24:00,159
Speaker 1: it has to be in sync. He has to be

478
00:24:00,200 --> 00:24:02,360
Speaker 1: bringing back all the Instinct members to do a song

479
00:24:02,440 --> 00:24:04,920
Speaker 1: with him, and you know, Justin timber Lake was like,

480
00:24:04,960 --> 00:24:08,520
Speaker 1: I never said that this is my halftime show. I

481
00:24:08,520 --> 00:24:10,960
Speaker 1: don't really need to bring them in to take anything

482
00:24:10,960 --> 00:24:13,479
Speaker 1: away from my performance. So it was a lot of

483
00:24:13,520 --> 00:24:16,360
Speaker 1: just fans speculation, which is kind of what I think

484
00:24:16,440 --> 00:24:19,000
Speaker 1: is happening now. But what you do see and hear

485
00:24:19,000 --> 00:24:21,879
Speaker 1: in this trailer is doc doc realizing that that is

486
00:24:21,960 --> 00:24:24,679
Speaker 1: not the Spider Man that he knows. It's not the

487
00:24:24,680 --> 00:24:27,680
Speaker 1: Peter Parker from his world. So it does kind of

488
00:24:27,760 --> 00:24:30,840
Speaker 1: leave it open there that maybe Toby McGuire does appear

489
00:24:30,840 --> 00:24:33,360
Speaker 1: in this. People are saying there's some scenes that are

490
00:24:33,520 --> 00:24:37,399
Speaker 1: reminiscent of when Andrew Garfield Spider Man saved em A

491
00:24:37,480 --> 00:24:40,320
Speaker 1: Stone's character in that movie. The falling scene. There's a

492
00:24:40,400 --> 00:24:43,119
Speaker 1: lot of just kind of references to other Spider Man movies,

493
00:24:43,680 --> 00:24:46,080
Speaker 1: and I also think it's a little bit of people

494
00:24:46,920 --> 00:24:49,160
Speaker 1: just wanting to buy into that. And I've said before

495
00:24:49,240 --> 00:24:51,480
Speaker 1: I don't really care about movie spoilers, but I'm not

496
00:24:51,520 --> 00:24:53,840
Speaker 1: going to seek them out. I'm not gonna go online

497
00:24:53,840 --> 00:24:56,560
Speaker 1: and do all this research of looking at different cuts

498
00:24:56,560 --> 00:24:59,000
Speaker 1: of the trailer from different countries to notice things off

499
00:24:59,000 --> 00:25:02,320
Speaker 1: from it. If they are in this movie, I want

500
00:25:02,359 --> 00:25:04,560
Speaker 1: to experience that in theaters. I think it'd be such

501
00:25:04,600 --> 00:25:07,760
Speaker 1: a big moment that if they actually appeared, the theater

502
00:25:07,800 --> 00:25:10,080
Speaker 1: would go insane. I'm already not going to look at

503
00:25:10,080 --> 00:25:11,600
Speaker 1: my phone. I'm not going to look at Twitter or

504
00:25:11,640 --> 00:25:13,679
Speaker 1: TikTok the night or the day of before I go

505
00:25:13,760 --> 00:25:16,359
Speaker 1: see this movie, because if it does happen, I don't

506
00:25:16,359 --> 00:25:18,240
Speaker 1: want to ruin it. And when I do come on

507
00:25:18,320 --> 00:25:20,240
Speaker 1: and review it, I won't even talk about that part

508
00:25:20,240 --> 00:25:23,680
Speaker 1: if it does happen. It kind of feels like all

509
00:25:23,720 --> 00:25:26,200
Speaker 1: the people who love to open their Christmas present early

510
00:25:26,200 --> 00:25:28,359
Speaker 1: are the same people looking out for these spoilers and

511
00:25:28,400 --> 00:25:31,480
Speaker 1: trying to leak this. And also again going back to

512
00:25:31,600 --> 00:25:35,080
Speaker 1: Marvel as an entity as a business. They want to

513
00:25:35,160 --> 00:25:38,960
Speaker 1: keep promoting the characters in their upcoming movies, So why

514
00:25:39,000 --> 00:25:42,280
Speaker 1: couldn't it be Venom? Why couldn't Dot join up with

515
00:25:42,320 --> 00:25:44,800
Speaker 1: Spider Man to fight the other characters in this the

516
00:25:44,840 --> 00:25:48,920
Speaker 1: other villains. They're trying to move this franchise forward, especially

517
00:25:49,000 --> 00:25:51,160
Speaker 1: going into this new phase of Marvel where they don't

518
00:25:51,160 --> 00:25:53,920
Speaker 1: have all their normal Avengers, so I could see them

519
00:25:53,960 --> 00:25:57,160
Speaker 1: kind of crossing together and bringing in Venom or maybe

520
00:25:57,200 --> 00:25:59,560
Speaker 1: even more Beous before his movie comes out. I just

521
00:25:59,600 --> 00:26:02,239
Speaker 1: think they're more like kind of synergy to work in

522
00:26:03,520 --> 00:26:06,720
Speaker 1: to keep their brand going and keep all these characters going,

523
00:26:07,600 --> 00:26:10,320
Speaker 1: and also at just not denying the fact that they're

524
00:26:10,320 --> 00:26:13,720
Speaker 1: not in it. The movie is basically marketing itself for

525
00:26:13,760 --> 00:26:16,920
Speaker 1: people like me coming on and talking about that with

526
00:26:17,040 --> 00:26:19,640
Speaker 1: all the fan theories, they're building the hype without them

527
00:26:19,680 --> 00:26:22,040
Speaker 1: even having to promote it. So don't get me wrong,

528
00:26:22,160 --> 00:26:24,159
Speaker 1: I would love to see it. Spider Man is my

529
00:26:24,240 --> 00:26:28,719
Speaker 1: favorite comic book character, my favorite superhero, So just like you,

530
00:26:28,960 --> 00:26:30,760
Speaker 1: I think that would be the most amazing thing. Ever,

531
00:26:30,840 --> 00:26:33,000
Speaker 1: it just seems like something really hard to pull off,

532
00:26:33,200 --> 00:26:36,240
Speaker 1: and for two people like Toby Maguire Andrew Garfield, I

533
00:26:36,280 --> 00:26:37,879
Speaker 1: don't know that they would even want to do it.

534
00:26:38,000 --> 00:26:40,240
Speaker 1: I felt like they were have kind of said before

535
00:26:40,240 --> 00:26:42,720
Speaker 1: they were a little bit done with the character. You know,

536
00:26:42,800 --> 00:26:45,000
Speaker 1: some of them were promised other movies. They were promised

537
00:26:45,040 --> 00:26:47,359
Speaker 1: to kind of keep those characters going for another movie,

538
00:26:47,880 --> 00:26:49,800
Speaker 1: But at this point in their career, I don't know

539
00:26:49,840 --> 00:26:52,440
Speaker 1: that they would want to do it, especially for somebody

540
00:26:52,480 --> 00:26:54,640
Speaker 1: like Andrew Garfield. I was just talking about his last movie,

541
00:26:54,680 --> 00:26:58,119
Speaker 1: and every single interview he did for that, everybody was asking, Hey,

542
00:26:58,119 --> 00:26:59,600
Speaker 1: are you in the New Spider Man. I think that

543
00:26:59,600 --> 00:27:02,000
Speaker 1: would get a little bit tiring to be associated with

544
00:27:02,000 --> 00:27:05,640
Speaker 1: that character all the time. So either way, this movie

545
00:27:05,760 --> 00:27:09,000
Speaker 1: is going to have major, major box ofpic success when

546
00:27:09,000 --> 00:27:12,600
Speaker 1: it comes out on December. If that is true. It

547
00:27:12,680 --> 00:27:16,280
Speaker 1: will be incredibly hard to keep that spoiler out, And

548
00:27:16,320 --> 00:27:18,280
Speaker 1: I feel like Marvel has always done a really great

549
00:27:18,320 --> 00:27:20,760
Speaker 1: job about telling people, Hey, don't spoil the movie. Don't

550
00:27:20,760 --> 00:27:24,320
Speaker 1: spoil the movie. But that's a major spoiler. And I

551
00:27:24,400 --> 00:27:26,919
Speaker 1: just think that Marvel is really smart about what they

552
00:27:26,960 --> 00:27:29,000
Speaker 1: do put out in their trailers, and they do things

553
00:27:29,040 --> 00:27:31,600
Speaker 1: to get people talking. So nothing in that trailer got

554
00:27:31,680 --> 00:27:35,040
Speaker 1: leaked out by accident. I don't think by dissecting get

555
00:27:35,040 --> 00:27:37,160
Speaker 1: you're gonna find something that you weren't supposed to see.

556
00:27:38,320 --> 00:27:40,720
Speaker 1: They've edited out things from their trailers before to throw

557
00:27:40,880 --> 00:27:44,080
Speaker 1: us off, so that could be the case here. But

558
00:27:44,119 --> 00:27:47,000
Speaker 1: either way, I'm super excited for this movie. I'm already

559
00:27:47,000 --> 00:27:49,400
Speaker 1: about it, buy my tickets, and it will probably be

560
00:27:49,440 --> 00:27:52,760
Speaker 1: my favorite movie of the year. But anyway, let's continue

561
00:27:52,880 --> 00:27:55,720
Speaker 1: on here in the trailer park and talk about Don't

562
00:27:55,760 --> 00:27:58,040
Speaker 1: Look Up, which is a movie coming out in theaters

563
00:27:58,040 --> 00:28:01,680
Speaker 1: on December tenth and then on Netflix on December. Really

564
00:28:01,720 --> 00:28:05,000
Speaker 1: big cast here from We Are Not a DiCaprio, Jonah Hill,

565
00:28:05,160 --> 00:28:09,640
Speaker 1: Jennifer Lawrence, Meryl Streep, Ariana Grande. The list goes on

566
00:28:09,720 --> 00:28:12,640
Speaker 1: and on and on. But before I get into this trailer,

567
00:28:12,680 --> 00:28:15,600
Speaker 1: here's just a little bit of that I hear. There's

568
00:28:16,040 --> 00:28:18,480
Speaker 1: something you don't like the looks of We discovered a

569
00:28:18,640 --> 00:28:23,840
Speaker 1: very large comment tone. It's headed directly towards Earth. This

570
00:28:24,160 --> 00:28:27,600
Speaker 1: comment is what we call a planet killer. At this

571
00:28:27,680 --> 00:28:32,359
Speaker 1: exact moment, I say, we sit tight, and assess, sit tight,

572
00:28:32,760 --> 00:28:36,520
Speaker 1: and assess sit tight, and then assess. The sit tight

573
00:28:36,600 --> 00:28:39,320
Speaker 1: part comes first, and you've got to digest it. That's

574
00:28:39,320 --> 00:28:42,880
Speaker 1: the assessment period. This is the worse snooze in the

575
00:28:43,000 --> 00:28:45,440
Speaker 1: history of humanity. He just blew us off. What are

576
00:28:45,440 --> 00:28:47,600
Speaker 1: we gonna do? We have to release the information, so

577
00:28:47,640 --> 00:28:52,040
Speaker 1: we just leak it. So this movie is about to

578
00:28:52,440 --> 00:28:57,080
Speaker 1: low level astronomers played by Jennifer Lawrence and Leonardo DiCaprio,

579
00:28:57,680 --> 00:29:00,240
Speaker 1: and they're basically trying to warm everybody that is six

580
00:29:00,320 --> 00:29:03,800
Speaker 1: months this giant comment is going to collide with Earth

581
00:29:03,840 --> 00:29:06,920
Speaker 1: and take us all out, and basically nobody cares. So

582
00:29:07,000 --> 00:29:09,560
Speaker 1: it's kind of a dark comedy from Adam McKay, who

583
00:29:09,600 --> 00:29:11,960
Speaker 1: I was talking about earlier, who was known for comedies,

584
00:29:12,240 --> 00:29:14,360
Speaker 1: and also just kind of a satire on the state

585
00:29:14,440 --> 00:29:16,400
Speaker 1: of the world right now. They call it a movie

586
00:29:16,720 --> 00:29:19,520
Speaker 1: based on a true story that hasn't happened yet, implying

587
00:29:19,560 --> 00:29:22,000
Speaker 1: that this could probably happen some day in the future.

588
00:29:22,160 --> 00:29:23,880
Speaker 1: So I think the thing that stands out the most

589
00:29:23,880 --> 00:29:26,520
Speaker 1: from this trailer is seeing all these big actors kind

590
00:29:26,520 --> 00:29:28,840
Speaker 1: of come out together. And I remember when this movie

591
00:29:28,880 --> 00:29:31,560
Speaker 1: was first announced, they just listed this entire cast of characters,

592
00:29:31,560 --> 00:29:33,960
Speaker 1: and I wondered, how would they all kind of work

593
00:29:34,040 --> 00:29:37,080
Speaker 1: together in a movie. Everybody from Leonardo DiCaprio, Timothy shallow May,

594
00:29:37,160 --> 00:29:39,680
Speaker 1: Jennifer Lawrence, are on a ground ned Jonah Hill, Chris Evans,

595
00:29:39,680 --> 00:29:42,320
Speaker 1: Meryl Street. The list goes on and on and on.

596
00:29:42,400 --> 00:29:45,320
Speaker 1: But after watching this, I kind of see how it works.

597
00:29:45,360 --> 00:29:48,040
Speaker 1: They all have kind of smaller minor roles here and

598
00:29:48,080 --> 00:29:51,200
Speaker 1: there spread out through the movie. And sometimes when you

599
00:29:51,360 --> 00:29:55,920
Speaker 1: have this amount of actors in the movie, it means

600
00:29:55,920 --> 00:29:57,880
Speaker 1: that the movie is going to be bad because you're

601
00:29:57,920 --> 00:30:00,280
Speaker 1: kind of pitching it is, Oh, here, all these A

602
00:30:00,400 --> 00:30:03,520
Speaker 1: List actors in a movie. It can't fail because they

603
00:30:03,560 --> 00:30:05,840
Speaker 1: all promoted and everybody will want to see all these

604
00:30:05,840 --> 00:30:08,800
Speaker 1: people in one single movie. And sometimes I feel like

605
00:30:08,800 --> 00:30:11,560
Speaker 1: those movies flop. But in this case, kind of getting

606
00:30:11,560 --> 00:30:13,640
Speaker 1: to see it, knowing that Adam McKay is behind it

607
00:30:13,680 --> 00:30:17,160
Speaker 1: directing it, I think there's truly something here. And looking

608
00:30:17,200 --> 00:30:20,400
Speaker 1: at the two starring actors with Jennifer Lawrence and Leonardo DiCaprio,

609
00:30:20,720 --> 00:30:23,200
Speaker 1: I think that means it's gonna be a good movie.

610
00:30:23,240 --> 00:30:27,240
Speaker 1: Because Leonardo DiCaprio worked with the director and writer Adam

611
00:30:27,320 --> 00:30:30,000
Speaker 1: McKay for months kind of fine tuning his part. The

612
00:30:30,040 --> 00:30:33,720
Speaker 1: part of Jennifer Lawrence was written specifically for her, and

613
00:30:33,760 --> 00:30:35,960
Speaker 1: it wasn't until they had the script just right that

614
00:30:36,080 --> 00:30:38,560
Speaker 1: Leonardo decided to be a part of the movie. And

615
00:30:38,600 --> 00:30:41,080
Speaker 1: the other thing about Adam McKay, if you're not familiar

616
00:30:41,120 --> 00:30:44,080
Speaker 1: with his acting style, he's very open to letting these

617
00:30:44,120 --> 00:30:47,720
Speaker 1: actors improv. He kind of gives them total freedom when

618
00:30:47,720 --> 00:30:51,280
Speaker 1: they're working together, when they're doing a scene, to make

619
00:30:51,320 --> 00:30:53,360
Speaker 1: it their own, and I think that's sometimes where you

620
00:30:53,360 --> 00:30:55,400
Speaker 1: get some of the best stuff. There's one scene in

621
00:30:55,440 --> 00:30:58,360
Speaker 1: particular that takes place in the White House of Office

622
00:30:58,400 --> 00:31:00,160
Speaker 1: where they said it took two days to film him,

623
00:31:00,520 --> 00:31:03,080
Speaker 1: and he allowed them to do nothing but improvised during

624
00:31:03,120 --> 00:31:05,760
Speaker 1: those two days, and the scene they were filming ended

625
00:31:05,840 --> 00:31:08,760
Speaker 1: up being sixteen minutes long that they cut down. So

626
00:31:08,840 --> 00:31:11,320
Speaker 1: I think if you have big actors lots of improv

627
00:31:11,640 --> 00:31:14,160
Speaker 1: you should end up getting a pretty funny movie. So

628
00:31:14,200 --> 00:31:16,400
Speaker 1: I went from being just interested in this movie because

629
00:31:16,440 --> 00:31:18,680
Speaker 1: of the cast, but learning more about the process it

630
00:31:18,680 --> 00:31:20,880
Speaker 1: took to getting this movie made, to really being excited

631
00:31:20,920 --> 00:31:24,320
Speaker 1: about this also feels a little bit oscar batty coming

632
00:31:24,320 --> 00:31:27,200
Speaker 1: out later in the year with all these actors, but

633
00:31:27,280 --> 00:31:30,160
Speaker 1: I'm hoping for the best on this one. Don't Look

634
00:31:30,280 --> 00:31:33,360
Speaker 1: Up comes out again in theaters on December tent and

635
00:31:33,400 --> 00:31:40,880
Speaker 1: on Netflix on December. This makes a movie bar. All right,

636
00:31:40,960 --> 00:31:43,040
Speaker 1: Well that's gonna do it for this week's episode. But

637
00:31:43,080 --> 00:31:44,920
Speaker 1: before I hop out of here, every single week I

638
00:31:44,960 --> 00:31:46,920
Speaker 1: give a listener shout out to anybody who sends me

639
00:31:46,960 --> 00:31:50,640
Speaker 1: an Instagram message, a comment, tweets me at Mike Destro

640
00:31:50,800 --> 00:31:53,400
Speaker 1: or sends me an email movie Mike D at gmail

641
00:31:53,480 --> 00:31:56,000
Speaker 1: dot com. And for this week, I'm going over to

642
00:31:56,120 --> 00:31:58,760
Speaker 1: the Instagram comments on my last video and this is

643
00:31:58,800 --> 00:32:01,760
Speaker 1: a comment from Jessica Smith, who wrote, Mike D. This

644
00:32:01,800 --> 00:32:04,000
Speaker 1: is an incredible interview. You should be so proud of

645
00:32:04,040 --> 00:32:07,320
Speaker 1: yourself for this accomplishment at Chris Columbus is a big deal.

646
00:32:07,400 --> 00:32:11,040
Speaker 1: Way to go, so appreciate that, Jessica. Glad you enjoyed

647
00:32:11,080 --> 00:32:13,960
Speaker 1: that interview on last week's podcast. If you missed that,

648
00:32:14,040 --> 00:32:16,160
Speaker 1: I did talk to Chris Columbus, who was the director

649
00:32:16,280 --> 00:32:19,040
Speaker 1: of the first Harry Potter movie. We got into everything

650
00:32:19,040 --> 00:32:22,040
Speaker 1: about the twentieth anniversary when the coolest interviews I think

651
00:32:22,080 --> 00:32:24,440
Speaker 1: I've had a chance to do on this podcast. So

652
00:32:24,480 --> 00:32:26,120
Speaker 1: if you miss that, you can go back in the

653
00:32:26,120 --> 00:32:28,800
Speaker 1: episode and check out that interview, or you can see

654
00:32:28,840 --> 00:32:31,960
Speaker 1: the clip on my Instagram at Mike Destro. Really, thank

655
00:32:31,960 --> 00:32:35,560
Speaker 1: you to everybody who enjoyed that interview and send a message,

656
00:32:35,640 --> 00:32:38,040
Speaker 1: send a comment, send an email. I think the only

657
00:32:38,080 --> 00:32:41,040
Speaker 1: complaint I saw about that interview is that I wish

658
00:32:41,040 --> 00:32:43,720
Speaker 1: it would have been longer, which I fully agree with.

659
00:32:44,080 --> 00:32:46,120
Speaker 1: Sometimes it's tougher to get the bigger names for a

660
00:32:46,160 --> 00:32:49,680
Speaker 1: longer amount of time, so definitely, as this podcast grows,

661
00:32:49,720 --> 00:32:52,719
Speaker 1: that's something I am striving to do. Thank you for listening.

662
00:32:52,760 --> 00:32:54,520
Speaker 1: Hope you have a great rest of your week, and

663
00:32:54,600 --> 00:32:56,280
Speaker 1: until next time. Later,