WEBVTT - FREEDOM OF SPEECH: Osita Nwanevu

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<v Speaker 1>Pushkin from Pushkin Industries. This is Deep Background, the show

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<v Speaker 1>where we explore the stories behind the stories in the news.

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<v Speaker 1>I'm Noah Felton. For the next two weeks, We're going

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<v Speaker 1>to try something a little different. Over the past year,

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<v Speaker 1>I've been having conversations with experts across the ideological spectrum

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<v Speaker 1>about a topic that I care a lot about, the

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<v Speaker 1>freedom of speech. I am extremely excited to share them

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<v Speaker 1>with you now, and one positive side effect of being

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<v Speaker 1>able to do so is that it will give a

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<v Speaker 1>chance for our hard working producer, shore Runner here a

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<v Speaker 1>Deep Background, to have a little summer break. This episode

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<v Speaker 1>in our Free Speech series is about cancel culture. The

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<v Speaker 1>idea of quote canceling someone is itself relatively new. One

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<v Speaker 1>of the first times the word was used in this

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<v Speaker 1>way was in the nineteen ninety one action movie New

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<v Speaker 1>Jack City. I Know I'm Dating Myself Now, in which

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<v Speaker 1>Wesley Snipes plays a drug lord and actually says it

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<v Speaker 1>about his girlfriend can pitch. The idea of canceling someone

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<v Speaker 1>then pretty slowly made its way into pop culture, first

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<v Speaker 1>used in a humorous way and then eventually more seriously.

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<v Speaker 1>Osita Jenevu, a writer at the New Republic, wrote a

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<v Speaker 1>really insightful article about this phenomenon called the cancel culture Khan.

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<v Speaker 1>He's been following the evolution of the term. I spoke

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<v Speaker 1>to Osita back in February, when the public debate around

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<v Speaker 1>cancil culture was really gaining steam. Here's Osita's take. A

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<v Speaker 1>couple of years ago, before cancel culture was a phrase

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<v Speaker 1>in circulation, you would see people on Twitter, especially sort

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<v Speaker 1>of ironically say that things had been canceled. Pop star

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<v Speaker 1>disappointed you in some way, or that person's canceled. There's

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<v Speaker 1>a popular shift of celebrity on Twitter pointing to a

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<v Speaker 1>coffee machine and had been broken and saying, oh, that's

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<v Speaker 1>canceled out. You know. It was that kind of usage.

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<v Speaker 1>And one I think it's interesting about that to me

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<v Speaker 1>is the phrase political correctness originally emerged in a very

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<v Speaker 1>similar way. People in the New Left in the late

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<v Speaker 1>nineteen seventies began using it as a way of describing

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<v Speaker 1>a kind of orthodoxy or political orthodoxy within their circles.

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<v Speaker 1>It's a politically correct thing to believe X, Y and z.

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<v Speaker 1>But then it got picked up by conservatives. He used

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<v Speaker 1>it earnestly to describe ideological tendencies on the left that

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<v Speaker 1>they didn't like. So I think in a very similar

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<v Speaker 1>way we see now with cancelation cancel culture. I think

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<v Speaker 1>that kind of mirrors the way that that terminology has emerged.

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<v Speaker 1>That's totally fascinating. Can I just say, as a purely

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<v Speaker 1>linguistic matter, the reason this is so fascinating is when

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<v Speaker 1>we think about appropriation of phrases, we're kind of acclimated

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<v Speaker 1>to be thinking about cases where you have a term

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<v Speaker 1>that is a racist term, or is enophobic term, or

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<v Speaker 1>some other form of bias a homophobic term, and then

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<v Speaker 1>the group that is subject to bias appropriates the term,

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<v Speaker 1>repurposes it and makes it a term of pride. You know.

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<v Speaker 1>The term queer is the sort of archetypal example of

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<v Speaker 1>this where this happened in my lifetime when I was

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<v Speaker 1>a kid, Queer was solely at least an ordinary discourse,

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<v Speaker 1>a homophobic insult, and then it came to be taken

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<v Speaker 1>over in the process of act up in the movement

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<v Speaker 1>against AIDS as a statement of pride, so it went

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<v Speaker 1>from badness to self appropriation. In this case, this is

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<v Speaker 1>actually really fascinating. You're saying that the movement is the

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<v Speaker 1>other way it starts with an ironic self description by

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<v Speaker 1>the in group that sort of light heart did, and

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<v Speaker 1>then comes to be as it were appropriated by the outgroup,

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<v Speaker 1>and then it gets reaffied as an actual thing. That's

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<v Speaker 1>a great point that you're making right there. That's certainly

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<v Speaker 1>my understanding the history of the phrase political correctness. And

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<v Speaker 1>I think that's particularly interesting to me is that in

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<v Speaker 1>that translation, or in that appropriation by the right, you

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<v Speaker 1>lose all of the iron it. You lose the sense

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<v Speaker 1>that when people originally use the phrase political correctness, they

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<v Speaker 1>were saying something self aware about themselves and their tendency

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<v Speaker 1>to get carried away about certain things. Right, it was

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<v Speaker 1>an acknowledgments within those circles. That's some of the things

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<v Speaker 1>that they believed or said, you know, we're a little wacky.

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<v Speaker 1>But they could be humorous about it, and they're aware

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<v Speaker 1>of it, and they could criticize it. But when it

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<v Speaker 1>moves over to the right, you don't just have the

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<v Speaker 1>phrase shift over it, but you lose the sense that

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<v Speaker 1>you were talking about a group of people that is

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<v Speaker 1>capable of self criticism, and it's capable of the knowledging

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<v Speaker 1>its own limitations, and you start believing in earnest, and

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<v Speaker 1>these are people who are wildly doctrinaire about crazy out

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<v Speaker 1>there identity political beliefs, with no sense of self awareness.

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<v Speaker 1>I think that's the thing that's so striking to me

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<v Speaker 1>about that shift, and I think that with cancel culture

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<v Speaker 1>there is also that self awareness now where people will,

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<v Speaker 1>partially as a reaction to the way that this has

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<v Speaker 1>become a discourse, will sort of jokingly say they're about

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<v Speaker 1>counseling somebody for making a particular joke that is like

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<v Speaker 1>just over the edge, but not really that's the offensive.

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<v Speaker 1>There is no a serious use of it as well, right,

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<v Speaker 1>I mean, so I completely buy what you're saying. And

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<v Speaker 1>a huge number of the uses of cancel are clearly

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<v Speaker 1>intended lightheartedly or ironically, and certainly when critics of cancel

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<v Speaker 1>culture say that everyone has been canceled, part of the

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<v Speaker 1>reason for that is that people are using the term

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<v Speaker 1>sometimes in this lighter way. But there is some phenomenon

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<v Speaker 1>of people on Twitter using the term non ironically. Yes,

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<v Speaker 1>what when do you see that getting used and what

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<v Speaker 1>trends do you see in that usage. I think that

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<v Speaker 1>when Chappelle came out this special, you know, it was

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<v Speaker 1>a good example of this. People were offended by some

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<v Speaker 1>of the things you said about transgender people and the

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<v Speaker 1>jokes made by Michael Jackson. And I'm sure if you

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<v Speaker 1>saw videos that were being posted on Twitter on the

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<v Speaker 1>social media's time, you'd see in the comments people saying, well,

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<v Speaker 1>now Chappelle is canceled, and they'd mean it. You know,

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<v Speaker 1>they didn't mean that the special would literally be canceled,

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<v Speaker 1>because it wasn't. But they may have meant that they

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<v Speaker 1>would like that to be the case, or they may

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<v Speaker 1>just have meant that they personally were canceling him in

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<v Speaker 1>the sense that he was now out of their pantheon

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<v Speaker 1>of comedians that they would listen to. So it's really unclear, right, Like,

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<v Speaker 1>I don't know that most of the people who use

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<v Speaker 1>the term would say, well, now Chappelle should literally be

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<v Speaker 1>like the special should be pulled from Netflix and Chappelle

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<v Speaker 1>should be removed from all of his contracts. But I

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<v Speaker 1>think it's most of the time it's people saying personally

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<v Speaker 1>to them, as far as they're concerned, Chappelle is no

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<v Speaker 1>longer good in their eyes. So you know, that's that's

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<v Speaker 1>that's a real thing, and it's a real way that

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<v Speaker 1>people use the phrase, I think one of the things,

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<v Speaker 1>I guess the main thing really I'm trying to get

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<v Speaker 1>out in the pieces to what extents are we watching

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<v Speaker 1>a sort of new phenomenon in these critiques? Is it

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<v Speaker 1>really the case that there is a new culture of

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<v Speaker 1>criticism that's emerged that is uniquely and troublingly unsparing and

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<v Speaker 1>un empathetic, or is it take case that we are

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<v Speaker 1>seeing forms of criticism that have always sort of been

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<v Speaker 1>around translated into a new medium on social media and

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<v Speaker 1>that is sort of upsetting people's understanding of the line

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<v Speaker 1>between creators and artists and their audience and journalists and

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<v Speaker 1>their readers. And are we basically just watching technology transform

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<v Speaker 1>something that already existed into a new and unfamiliar and

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<v Speaker 1>kind of scary seeming novelty. And your argument is that

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<v Speaker 1>very much it's the latter that we've always had, you know,

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<v Speaker 1>people saying, cancel my subscription, or we've had people engaging

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<v Speaker 1>in systematic criticism or saying, you know, such and such

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<v Speaker 1>a person is outside the pale because of this or

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<v Speaker 1>that view that they hold, and that there's a kind

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<v Speaker 1>of cancel culture panic going on out there. Is that

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<v Speaker 1>a fair read of where you come down. I mean,

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<v Speaker 1>I certainly think so. I start the piece talking about

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<v Speaker 1>Lenny Bruce, a very controversial comedian in his day, who

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<v Speaker 1>made a lot of jobs at powerful people and rubbed

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<v Speaker 1>people a ang way. His use of language was also

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<v Speaker 1>self consciously designed to shock and to break taboos. He

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<v Speaker 1>was breaking taboos, especially about swearing, and he gained an

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<v Speaker 1>audience for doing that, and he gained a lot of

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<v Speaker 1>respects for doing that as somebody who you know, is

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<v Speaker 1>bringing first values to their fullest expression. But he was

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<v Speaker 1>also basically persecuted by obscenity laws. And there was a

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<v Speaker 1>time in which cancelation, or what we sort of think

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<v Speaker 1>of now is cancelation, wasn't sort of just a purely

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<v Speaker 1>social phenomenon or purely a matter of public opinion. It

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<v Speaker 1>was the law that if you said certain things, you

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<v Speaker 1>could lose your gigs or end up at a workhouse,

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<v Speaker 1>you know, as he was sentenced to. So, I mean,

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<v Speaker 1>I think that in examining episodes like that, in examples

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<v Speaker 1>like his life, it comes very clear that there's nothing

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<v Speaker 1>particularly new about the act of saying that something is

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<v Speaker 1>beyond the pale or offensive. Obviously, there's not even something

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<v Speaker 1>new necessarily about the public on mass congregating to say

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<v Speaker 1>that a particular television program, particular comedian, particular article was

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<v Speaker 1>wrong or bad or off the mark or offensive in

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<v Speaker 1>some way. People used to send in letters. You'd have

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<v Speaker 1>the Parents Television Council dial up the FCC when they

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<v Speaker 1>thought things on television that they didn't want their kids

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<v Speaker 1>to see in etc. I think what particularly concerns people

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<v Speaker 1>is sort of it called a mob like. It's the

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<v Speaker 1>fact that you have the worst cases, maybe hundreds of

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<v Speaker 1>people with thousands of people coming together and saying this joke,

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<v Speaker 1>this TV program, this movie, whatever, is wrong in some way.

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<v Speaker 1>Even that the fact of people on mass coming together

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<v Speaker 1>to criticize people. It's not like an invention of the

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<v Speaker 1>social media age. It used to happen. It's just the

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<v Speaker 1>social media has made it particularly easy and particularly visible.

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<v Speaker 1>It doesn't always see all they hate mail that you

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<v Speaker 1>would have used to flow into magazine mail rooms. You know,

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<v Speaker 1>that wasn't something that the public could look at and

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<v Speaker 1>feel a ghast about, but you do see tweets and comments.

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<v Speaker 1>We'll be right back as I am very very convinced

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<v Speaker 1>by your argument that that kind of opposition is not

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<v Speaker 1>new but is just much more observable. But I've been

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<v Speaker 1>really trying to come up with the most sympathetic account

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<v Speaker 1>that I can of the form of the criticism. So

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<v Speaker 1>let me try out the following hypothesis on you of

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<v Speaker 1>the other side's view. And I'm not attributing this to

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<v Speaker 1>any actual person who's criticizing Cancel culture. This is just

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<v Speaker 1>my attempt to reconstruct the best argument you could make

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<v Speaker 1>on their side. The argument would be this, the distinctive

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<v Speaker 1>form of criticism that one hears again and again and

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<v Speaker 1>again today is that we should break down the distinction

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<v Speaker 1>between the artist or the author or the maker on

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<v Speaker 1>the one hand, and the human being on the other side.

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<v Speaker 1>That we should admit that we can't distinguish the dancer

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<v Speaker 1>from the dance, and for that reason, when we see

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<v Speaker 1>a moral failing in the person, we should respond by

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<v Speaker 1>sanctioning the artwork that that person creates. So to take

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<v Speaker 1>a concrete example, you know, if one is convinced that

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<v Speaker 1>the allegations from many years ago against Woody Allen that

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<v Speaker 1>he abused his daughter, an allegation that's important to note

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<v Speaker 1>he was cleared of at the time. But if one

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<v Speaker 1>came to believe that that allegation were true, one should

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<v Speaker 1>therefore not watch any Woody Allen movies. And in the

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<v Speaker 1>sense that fits into the word cancel because it's not

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<v Speaker 1>canceled the thing or argue against the utterance. Usually a

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<v Speaker 1>human being is the direct object of the verb to cancel. Yeah,

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<v Speaker 1>and so if that's what they're really upset about, I

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<v Speaker 1>think one can have a very serious debate or argument

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<v Speaker 1>about this, because I'm not sure there's a clear correct answer.

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<v Speaker 1>I can see both sides of the argument. But that

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<v Speaker 1>does seem to be some trend that is a little

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<v Speaker 1>greater today than it was, say, ten years ago. What

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<v Speaker 1>do you think about that hypothesis? See, I just don't know.

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<v Speaker 1>Like I think, one of the things that's so hard

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<v Speaker 1>about these conversations is that they're very hard to quantify.

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<v Speaker 1>It's very hard to bring any kind of empirical evidence

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<v Speaker 1>to bear sure, and a lot of this stuff, but

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<v Speaker 1>you know, you can go back to Ezra Pounds and

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<v Speaker 1>people talking about his anti semitism and the extent to

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<v Speaker 1>which it may have you know, it should influence the

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<v Speaker 1>way you see his poetry. You can talk about Roman Polanski.

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<v Speaker 1>These are conversations that people have had about arts and

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<v Speaker 1>artists for a very long time. I think those are

0:13:36.636 --> 0:13:39.036
<v Speaker 1>great examples. But the way I was taught those things,

0:13:39.556 --> 0:13:41.956
<v Speaker 1>those were both taught as canonical people. So you know,

0:13:42.276 --> 0:13:45.636
<v Speaker 1>the Norton Anthology of English Poetry, from which I was

0:13:45.676 --> 0:13:48.036
<v Speaker 1>taught poetry and at a at a tender age, which

0:13:48.076 --> 0:13:51.956
<v Speaker 1>influenced me, included all of the Ezra Pound poems one

0:13:51.996 --> 0:13:54.916
<v Speaker 1>could want, including some of the ones that were anti Semitic.

0:13:54.956 --> 0:13:57.756
<v Speaker 1>And sure a teacher might say, you know, ge, just

0:13:57.796 --> 0:13:59.556
<v Speaker 1>so you know, he's got these terrible views. And there

0:13:59.556 --> 0:14:01.316
<v Speaker 1>are some people who think we shouldn't, but the sort

0:14:01.356 --> 0:14:04.716
<v Speaker 1>of canonical answer in the culture was, but you should

0:14:04.716 --> 0:14:07.476
<v Speaker 1>certainly read the poems. The same with Polanski. I mean

0:14:07.516 --> 0:14:09.516
<v Speaker 1>he left, he had to leave the United States because

0:14:09.556 --> 0:14:14.356
<v Speaker 1>of indictment for statutory rape. And yet I don't know

0:14:14.476 --> 0:14:17.476
<v Speaker 1>too many people who studied film in a serious way

0:14:17.556 --> 0:14:21.396
<v Speaker 1>who were told, don't watch Chinatown because of Roman Polanski's immorality.

0:14:21.396 --> 0:14:23.956
<v Speaker 1>That's a canonical film. I agree that people have been

0:14:23.996 --> 0:14:26.156
<v Speaker 1>debating this. They're probably be debating this since there was art,

0:14:26.476 --> 0:14:29.356
<v Speaker 1>But I think that more serious people today are saying

0:14:29.916 --> 0:14:33.196
<v Speaker 1>that the person is out based on their immorality or

0:14:33.276 --> 0:14:35.556
<v Speaker 1>the immoral features of some of their artwork than was

0:14:35.596 --> 0:14:39.436
<v Speaker 1>the case in at least the classical reception. Maybe I

0:14:39.556 --> 0:14:42.156
<v Speaker 1>just don't know. Like the thing that I've been thinking

0:14:42.156 --> 0:14:44.796
<v Speaker 1>about in this realm of the past couple of weeks,

0:14:44.836 --> 0:14:46.756
<v Speaker 1>although it's a little bit of a different example, is

0:14:47.156 --> 0:14:51.956
<v Speaker 1>Kobe Bryant. He's been the subject of many, many moving

0:14:52.836 --> 0:14:58.196
<v Speaker 1>and loving tributes, politicians issued statements talking about how wonderful

0:14:58.276 --> 0:15:00.276
<v Speaker 1>he was and all he did for the support of basketball.

0:15:01.116 --> 0:15:04.396
<v Speaker 1>But he's also somebody with who had a very serious

0:15:04.436 --> 0:15:09.676
<v Speaker 1>allegation of sexual abuse level against him, and that hasn't

0:15:09.716 --> 0:15:13.116
<v Speaker 1>really broken into a lot of the conversation we've been

0:15:13.156 --> 0:15:17.116
<v Speaker 1>having since his death. In fact, the Washington Post reprimanded

0:15:17.116 --> 0:15:20.756
<v Speaker 1>a reporter I believe on the afternoon came down that

0:15:20.796 --> 0:15:25.516
<v Speaker 1>he had died for linking to an article mentioning this case.

0:15:26.076 --> 0:15:27.996
<v Speaker 1>So you're saying this is the opposite of cancel culture,

0:15:28.276 --> 0:15:32.516
<v Speaker 1>is this is the whitewashing culture. I have read things

0:15:32.556 --> 0:15:36.036
<v Speaker 1>by feminists and others making the point that it's problematic

0:15:36.076 --> 0:15:38.516
<v Speaker 1>that there's been this celebration of Kobe Bryant. But if

0:15:38.516 --> 0:15:41.596
<v Speaker 1>your point is that, no, that the celebration, at least

0:15:41.596 --> 0:15:45.156
<v Speaker 1>culturally has substantially outweighed the criticism. I think you're unquestionably

0:15:45.236 --> 0:15:47.316
<v Speaker 1>right about that. I guess the point I'm making is

0:15:47.356 --> 0:15:52.276
<v Speaker 1>that we still have a very broad capacity to overlook

0:15:52.836 --> 0:15:55.716
<v Speaker 1>the bad things that famous people have done, you know,

0:15:56.236 --> 0:15:57.796
<v Speaker 1>And I think that you would have to have a

0:15:57.836 --> 0:16:00.396
<v Speaker 1>lot of evidence to suggest that. You know, we're now

0:16:00.436 --> 0:16:04.716
<v Speaker 1>in this culture where any mark against you, if you're

0:16:04.756 --> 0:16:07.556
<v Speaker 1>an artist or an athlete, or an entertainer or some kind,

0:16:07.996 --> 0:16:12.476
<v Speaker 1>is now much more damaging to your public perception than

0:16:12.476 --> 0:16:14.836
<v Speaker 1>it would have been previously. I think there's certain kinds

0:16:14.916 --> 0:16:20.516
<v Speaker 1>of things you can do. I think that Brian example. Nonwithstanding,

0:16:20.556 --> 0:16:24.356
<v Speaker 1>I think people are much less lenient about sexual abuse

0:16:24.676 --> 0:16:28.636
<v Speaker 1>now and allegations of sexism. I think people are obviously

0:16:28.716 --> 0:16:32.636
<v Speaker 1>more sensitive about racism. But I don't know that people

0:16:32.836 --> 0:16:37.236
<v Speaker 1>now in general are willing to sort of metaphorically burned

0:16:37.276 --> 0:16:41.036
<v Speaker 1>books or paintings, or sort of strike people from historical

0:16:41.116 --> 0:16:45.356
<v Speaker 1>record as far as popular entertainment is concerned for having

0:16:45.396 --> 0:16:48.916
<v Speaker 1>done something wrong in the past. You know, I think

0:16:48.956 --> 0:16:52.996
<v Speaker 1>that there's a different conversation now happening about historical figures.

0:16:53.796 --> 0:16:57.356
<v Speaker 1>That's certainly a related conversation. Conversation. Yeah, you know, one

0:16:57.396 --> 0:17:00.876
<v Speaker 1>thinks of Calhoun's name being taken off of one of

0:17:00.876 --> 0:17:03.076
<v Speaker 1>the Yale colleges, and there it's not fair to say

0:17:03.196 --> 0:17:05.036
<v Speaker 1>was based on one thing that he did. It is

0:17:05.076 --> 0:17:07.716
<v Speaker 1>based on the fact that the very thing that had

0:17:07.716 --> 0:17:11.756
<v Speaker 1>gotten him recognition in the first place, namely his statesmanship

0:17:11.796 --> 0:17:15.476
<v Speaker 1>in US history, could not be disentangled from the position

0:17:15.516 --> 0:17:18.596
<v Speaker 1>that he advocated at all of those moments, which was

0:17:19.236 --> 0:17:24.196
<v Speaker 1>South Carolinian quasi sovereignty in order to protect slavery right.

0:17:24.676 --> 0:17:27.316
<v Speaker 1>And this sort of raises that it does seem kind

0:17:27.316 --> 0:17:30.756
<v Speaker 1>of striking that maybe the is stereotypical, but the mostly

0:17:30.836 --> 0:17:35.076
<v Speaker 1>white conservative critics of quote unquote cancel culture seemed to

0:17:35.116 --> 0:17:39.716
<v Speaker 1>be really worried that people of color or women are

0:17:39.756 --> 0:17:43.396
<v Speaker 1>the ones who suddenly have the capacity to, as they imagine,

0:17:43.756 --> 0:17:46.156
<v Speaker 1>shut down a certain kind of discourse. And that seemed

0:17:46.196 --> 0:17:49.276
<v Speaker 1>to be making folks very, very nervous in a way

0:17:49.316 --> 0:17:51.196
<v Speaker 1>that it might not have been the case when the

0:17:51.276 --> 0:17:54.036
<v Speaker 1>question of access or who you would listen to was

0:17:54.116 --> 0:17:57.836
<v Speaker 1>more broadly controlled by white elites. Yeah, I mean, I

0:17:57.916 --> 0:18:00.516
<v Speaker 1>think this is one of the big shifts in cultural

0:18:00.556 --> 0:18:03.676
<v Speaker 1>politics I've been fascinated by over the past simple years.

0:18:03.676 --> 0:18:06.236
<v Speaker 1>You have the people who in the eighties, I guess

0:18:06.236 --> 0:18:09.036
<v Speaker 1>would have been railing against offensive lyrics in hip hop.

0:18:09.316 --> 0:18:14.356
<v Speaker 1>Now rebranding themselves as a movement as the defenders of

0:18:14.436 --> 0:18:18.276
<v Speaker 1>free speech and the defenders of free expression against the

0:18:18.316 --> 0:18:22.876
<v Speaker 1>overlease and sorious twenty something woke people on Twitter, and

0:18:22.996 --> 0:18:26.396
<v Speaker 1>you know, like I don't know that if you go

0:18:26.556 --> 0:18:30.516
<v Speaker 1>through the history of the conservative movements and examine the

0:18:30.556 --> 0:18:33.956
<v Speaker 1>way that the movement responded to certain controversies and the

0:18:33.996 --> 0:18:36.436
<v Speaker 1>way that they respond to speech controversies, now you're going

0:18:36.476 --> 0:18:40.556
<v Speaker 1>to find like a natural sort of intellectual evolution to

0:18:40.636 --> 0:18:43.156
<v Speaker 1>their current position. I think it's kind of a one

0:18:43.356 --> 0:18:48.836
<v Speaker 1>eighty that's happening for pretty obvious reasons. One of the

0:18:48.876 --> 0:18:51.316
<v Speaker 1>things that was mattening to me about the campus political

0:18:51.316 --> 0:18:53.756
<v Speaker 1>controversies that took up so much attention a couple of

0:18:53.836 --> 0:18:58.756
<v Speaker 1>years ago was that there was so much writing about

0:18:59.556 --> 0:19:04.396
<v Speaker 1>people at events, you know, shouting at a professor or

0:19:04.436 --> 0:19:08.396
<v Speaker 1>a speaker, or saying that a speaker shouldn't come to campus,

0:19:08.436 --> 0:19:11.116
<v Speaker 1>and so on. You can have your view on whether

0:19:11.236 --> 0:19:15.836
<v Speaker 1>or not that seat useful or meaningful form of protest.

0:19:16.196 --> 0:19:20.116
<v Speaker 1>There's always no writing at all about Republican state legislatures.

0:19:20.476 --> 0:19:24.156
<v Speaker 1>By law trying to prevent certain people from coming to

0:19:24.156 --> 0:19:27.636
<v Speaker 1>certain campuses, or trying to crack down on certain student movements.

0:19:27.636 --> 0:19:31.596
<v Speaker 1>There was no conversation about that as a threat to

0:19:31.676 --> 0:19:36.076
<v Speaker 1>free speech. You would imagine that actions state government would

0:19:36.076 --> 0:19:39.876
<v Speaker 1>be slightly more concerning actions by five and a half

0:19:40.076 --> 0:19:43.756
<v Speaker 1>liberal arts students in the Northeast. You know, sure, you're

0:19:43.756 --> 0:19:45.596
<v Speaker 1>making a point that I think. First of all, I

0:19:45.596 --> 0:19:49.596
<v Speaker 1>think it's absolutely correct that free speech has only become

0:19:49.636 --> 0:19:53.436
<v Speaker 1>a rallying cry of conservatives in the last decade. And

0:19:53.516 --> 0:19:57.316
<v Speaker 1>historically conservatives were more status, they were more in supportive

0:19:57.836 --> 0:19:59.956
<v Speaker 1>the state when it restricted speech, and they were also

0:20:00.076 --> 0:20:04.156
<v Speaker 1>more committed to what they saw as moral judgment and

0:20:04.276 --> 0:20:06.956
<v Speaker 1>made the argument typically that when a work of art

0:20:07.036 --> 0:20:10.316
<v Speaker 1>or something else violated community more out, it ought to

0:20:10.356 --> 0:20:13.476
<v Speaker 1>be appropriate to suppress it or not to fund it.

0:20:14.156 --> 0:20:17.236
<v Speaker 1>But I would just note the flip, what I call

0:20:17.316 --> 0:20:20.236
<v Speaker 1>the flip, and the political economy of free speech has

0:20:20.236 --> 0:20:22.636
<v Speaker 1>actually taken place on both sides. I mean, it's also

0:20:22.716 --> 0:20:26.956
<v Speaker 1>true that in left of center circles, the knee jerk

0:20:27.276 --> 0:20:32.316
<v Speaker 1>view for most of the twentieth century was more speech

0:20:32.596 --> 0:20:35.636
<v Speaker 1>is good. You know. The American Civil Liberties Union got

0:20:35.676 --> 0:20:39.676
<v Speaker 1>its start as a really very far left organization, deeply

0:20:39.716 --> 0:20:44.316
<v Speaker 1>embedded with socialism and even communism, and it gradually morphed

0:20:44.316 --> 0:20:47.236
<v Speaker 1>into being a more general civil libertarian set of positions.

0:20:47.236 --> 0:20:49.356
<v Speaker 1>But this was an alliance that was driven in part

0:20:49.396 --> 0:20:52.636
<v Speaker 1>by the left sense that the right controlled the institutions

0:20:52.676 --> 0:20:55.316
<v Speaker 1>of the state and was interested in shutting them down.

0:20:55.796 --> 0:20:58.356
<v Speaker 1>And so today, you know, when I teach my students

0:20:58.356 --> 0:21:00.236
<v Speaker 1>and I teach free speech, I teach First Amendment to

0:21:00.276 --> 0:21:05.356
<v Speaker 1>my students. It's noteworthy that many students who see themselves

0:21:05.356 --> 0:21:08.956
<v Speaker 1>as left of center are very skeptical about the power

0:21:08.956 --> 0:21:11.556
<v Speaker 1>of free speech, and many students who are right of

0:21:11.636 --> 0:21:14.436
<v Speaker 1>centers see themselves as deeply committed to free speech. And

0:21:14.476 --> 0:21:17.836
<v Speaker 1>it's nearly one hundred and eighty degree flip, yea, even

0:21:17.996 --> 0:21:20.396
<v Speaker 1>from what it is when I started teaching this, you know,

0:21:20.436 --> 0:21:22.876
<v Speaker 1>fifteen years ago. So I've sort of watched this change

0:21:23.316 --> 0:21:26.396
<v Speaker 1>happening in real time among my students, and I think

0:21:26.396 --> 0:21:29.876
<v Speaker 1>they're reflecting a change it's happening more broadly in the society.

0:21:29.876 --> 0:21:32.556
<v Speaker 1>So there's a lot of flipping to go around. You know,

0:21:32.596 --> 0:21:34.836
<v Speaker 1>I don't know whether it's hypocritical or not, it's definitely

0:21:34.876 --> 0:21:36.716
<v Speaker 1>a transformation. And how we think about these. So I

0:21:36.756 --> 0:21:38.876
<v Speaker 1>mean there are ways in which I think the left.

0:21:39.356 --> 0:21:42.556
<v Speaker 1>I guess the campus left now is a little bit

0:21:42.716 --> 0:21:47.796
<v Speaker 1>frankly better on speech than the previous iteration of the

0:21:47.876 --> 0:21:50.316
<v Speaker 1>campus left back in the eighties and nineties, when you

0:21:50.356 --> 0:21:52.836
<v Speaker 1>had the first sort of way of political practice controversies. No,

0:21:52.956 --> 0:21:55.756
<v Speaker 1>I say this because I'm interesting hearing your perspective on it.

0:21:56.716 --> 0:21:59.356
<v Speaker 1>During that first wave, a lot of campuses were actively

0:21:59.396 --> 0:22:06.676
<v Speaker 1>going about imposing speech codes. There were actual statutory efforts

0:22:06.916 --> 0:22:10.076
<v Speaker 1>to prohibit people from saying certain things that were deemed

0:22:10.556 --> 0:22:15.436
<v Speaker 1>offensive that ultimately ended up in a lot of court battles. Now,

0:22:15.556 --> 0:22:20.516
<v Speaker 1>I think the way that this discourse happens is almost

0:22:20.836 --> 0:22:27.276
<v Speaker 1>exclusively within social circle. Students will say among themselves, these

0:22:27.276 --> 0:22:29.476
<v Speaker 1>are the kinds of values that we want to uphold.

0:22:30.116 --> 0:22:31.916
<v Speaker 1>This is the kind of speech that we don't think

0:22:31.996 --> 0:22:37.756
<v Speaker 1>is okay. And it's much more informal debate. Whatever norms

0:22:37.756 --> 0:22:41.556
<v Speaker 1>are being enforced now or not being enforced by dictadd's

0:22:41.636 --> 0:22:45.916
<v Speaker 1>being enforced by social dynamics, in some cases group pressure.

0:22:45.996 --> 0:22:51.236
<v Speaker 1>But it's not about somebody laying down the law administratively. Now,

0:22:51.516 --> 0:22:54.956
<v Speaker 1>is it possible that that's because of the First Amendment?

0:22:55.036 --> 0:22:57.796
<v Speaker 1>Jurisprudence that emerge out of that first wave. Maybe I

0:22:57.836 --> 0:23:00.116
<v Speaker 1>have a competing theory about why. I mean, first of all,

0:23:00.156 --> 0:23:03.276
<v Speaker 1>I think it's a super astute observation and really really

0:23:03.316 --> 0:23:05.556
<v Speaker 1>resonates with my own experiences, for sure. And I was

0:23:05.836 --> 0:23:08.116
<v Speaker 1>a student in the very late eighties and early nineties

0:23:08.116 --> 0:23:09.876
<v Speaker 1>on a campus, and I remember all of the intense

0:23:09.876 --> 0:23:12.196
<v Speaker 1>debates about that, and you're totally right that those were

0:23:12.196 --> 0:23:15.756
<v Speaker 1>about formal codification and now it's about the informal. But

0:23:15.876 --> 0:23:19.716
<v Speaker 1>my instinctive reaction to that change, and to be blunt,

0:23:19.716 --> 0:23:20.956
<v Speaker 1>I hadn't thought of it before. I think it's a

0:23:20.956 --> 0:23:23.236
<v Speaker 1>great point that you're making, is that it's because of

0:23:23.236 --> 0:23:26.436
<v Speaker 1>the rise of social media, much in the way that

0:23:26.876 --> 0:23:29.356
<v Speaker 1>the question of where free expression lives used to be

0:23:29.516 --> 0:23:33.036
<v Speaker 1>very much about the state and the private individual, and

0:23:33.276 --> 0:23:35.596
<v Speaker 1>or maybe by extension, the university, which might be private

0:23:35.636 --> 0:23:37.796
<v Speaker 1>but still functions as the state when you go to one.

0:23:38.356 --> 0:23:41.596
<v Speaker 1>Now the big topic in free expression is really social

0:23:41.596 --> 0:23:43.676
<v Speaker 1>media and what it means to have pre expression in

0:23:43.676 --> 0:23:46.236
<v Speaker 1>an era where all of the platforms have terms of

0:23:46.276 --> 0:23:49.996
<v Speaker 1>service that include community standards that regulate what you can say.

0:23:50.436 --> 0:23:55.036
<v Speaker 1>And so since today's students are genuine digital natives whose

0:23:55.236 --> 0:23:59.796
<v Speaker 1>entire adolescent and post adolescent lives have been completely structured

0:23:59.836 --> 0:24:03.036
<v Speaker 1>around the idea that where the important expression happens is

0:24:03.116 --> 0:24:06.436
<v Speaker 1>on social media. So I think it follows from that

0:24:06.436 --> 0:24:10.756
<v Speaker 1>that they accept non state oriented modes of sanction and

0:24:10.796 --> 0:24:13.476
<v Speaker 1>they accept, you know, let's all do it together on

0:24:13.516 --> 0:24:15.876
<v Speaker 1>social media forms of sanction. And that may also be

0:24:15.916 --> 0:24:18.796
<v Speaker 1>one of the things that scares the daylights out of

0:24:18.796 --> 0:24:23.076
<v Speaker 1>an older generation of conservatives, who say, oh, my goodness,

0:24:23.436 --> 0:24:28.156
<v Speaker 1>this phenomenon of collective judgment is itself the thing that's

0:24:28.196 --> 0:24:30.676
<v Speaker 1>scary because it's not in the hands of the state.

0:24:30.756 --> 0:24:32.196
<v Speaker 1>It's not in the hands of the people who run

0:24:32.276 --> 0:24:33.836
<v Speaker 1>the inslution, it's not in the hands of the quote

0:24:33.876 --> 0:24:37.796
<v Speaker 1>unquote grown ups or the traditional actors who exercise power.

0:24:38.236 --> 0:24:42.516
<v Speaker 1>It's democratized, it's spread out, it's decentralized, and it has

0:24:42.596 --> 0:24:47.596
<v Speaker 1>this social feature to it that grows out of social media.

0:24:47.636 --> 0:24:48.956
<v Speaker 1>I think, I mean, I think I'm just saying your

0:24:48.996 --> 0:24:51.316
<v Speaker 1>theory back to you to try to explain the phenomenon

0:24:51.356 --> 0:24:54.196
<v Speaker 1>that you described, So I describe the theory to you,

0:24:54.316 --> 0:24:57.396
<v Speaker 1>not to me. Sure, I mean, I think it's anybody

0:24:57.516 --> 0:25:00.796
<v Speaker 1>can be a gatekeeper of sorts now the power to

0:25:01.716 --> 0:25:05.596
<v Speaker 1>sort of align yourself with a particular constituency and define

0:25:06.596 --> 0:25:10.276
<v Speaker 1>values amongst yourselves and enforce those values. It's no longer

0:25:10.476 --> 0:25:16.796
<v Speaker 1>just in the hands of people who belong to mainstream

0:25:16.836 --> 0:25:22.716
<v Speaker 1>political constituencies or people who are within the existing racial

0:25:22.876 --> 0:25:28.596
<v Speaker 1>or cultural religious majority. Anybody can sort of develop a

0:25:28.796 --> 0:25:34.916
<v Speaker 1>set of beliefs and values that they sort of, you

0:25:34.956 --> 0:25:36.996
<v Speaker 1>can't really say, impose on the rest of the world,

0:25:37.116 --> 0:25:43.236
<v Speaker 1>but they can take jobs at people of prominence on

0:25:43.276 --> 0:25:44.876
<v Speaker 1>the basis of those values in the way that they

0:25:44.916 --> 0:25:47.716
<v Speaker 1>wouldn't have been able to ten twenty thirty years ago,

0:25:48.236 --> 0:25:51.076
<v Speaker 1>as you said, as a consequence of social media. And

0:25:51.276 --> 0:25:55.436
<v Speaker 1>you know, if you are a conservative or not just

0:25:55.476 --> 0:26:00.076
<v Speaker 1>a conservative, but if you're frankly a centrist liberal with

0:26:00.116 --> 0:26:03.356
<v Speaker 1>a lot of respect for lead institutions, it is very

0:26:03.476 --> 0:26:05.956
<v Speaker 1>understandable why you'd find that frightening. But I think that

0:26:06.836 --> 0:26:11.916
<v Speaker 1>we should be clear and understanding what the actual risks

0:26:12.036 --> 0:26:15.396
<v Speaker 1>of this kind of new discourse actually are. If we

0:26:15.476 --> 0:26:20.276
<v Speaker 1>go around saying to ourselves what's happening now can be

0:26:21.676 --> 0:26:27.436
<v Speaker 1>half metaphorically half not connected to Stalinism and the Gulag

0:26:28.396 --> 0:26:32.276
<v Speaker 1>and witch hunts. I think that we lose our sense

0:26:32.476 --> 0:26:37.356
<v Speaker 1>of perspective when we draw those comparisons. If there's something

0:26:37.396 --> 0:26:40.476
<v Speaker 1>to be critiqued about this new discourse, I think that

0:26:40.556 --> 0:26:44.356
<v Speaker 1>we don't do ourselves any favors in understanding those things

0:26:44.476 --> 0:26:47.756
<v Speaker 1>if we're constantly reaching for something else that is obviously

0:26:47.796 --> 0:26:51.436
<v Speaker 1>so dramatically different but has this i don't know, like

0:26:51.716 --> 0:26:54.796
<v Speaker 1>rhetorical or emotional resonance when you reach for it. You know,

0:26:54.876 --> 0:26:58.516
<v Speaker 1>you might not like being criticized on Twitter, but if

0:26:58.556 --> 0:27:03.676
<v Speaker 1>you're comparing the situation to Nazi Germany, like you're not,

0:27:04.996 --> 0:27:08.716
<v Speaker 1>you're not bringing any clarity to what's actually happening. See.

0:27:08.836 --> 0:27:11.036
<v Speaker 1>I just want to really thank you because to me,

0:27:11.236 --> 0:27:17.116
<v Speaker 1>your cultural critical analysis here is terribly powerful because you're

0:27:17.156 --> 0:27:19.956
<v Speaker 1>not responding to the critique by just saying, well, that's

0:27:19.956 --> 0:27:22.396
<v Speaker 1>a right wing critique and the left is better. Nor

0:27:22.436 --> 0:27:26.596
<v Speaker 1>are you saying that the right is entirely tilting at

0:27:26.596 --> 0:27:30.276
<v Speaker 1>a windmill. Instead, you're stepping outside of it and evaluating

0:27:30.316 --> 0:27:33.996
<v Speaker 1>the phenomenon that's actually in play and asking us to

0:27:34.036 --> 0:27:38.436
<v Speaker 1>think about how that phenomenon is actually cashed out in

0:27:38.516 --> 0:27:41.116
<v Speaker 1>terms of who has the capacity to do what, and

0:27:41.756 --> 0:27:46.996
<v Speaker 1>how power is handed out, and how communication actually happens,

0:27:46.996 --> 0:27:50.476
<v Speaker 1>and that to me is tremendously clarifying. And I just

0:27:50.476 --> 0:27:52.316
<v Speaker 1>want to say thank you, and I hope we can

0:27:52.396 --> 0:27:55.996
<v Speaker 1>talk again in the future as you continue to unpack

0:27:56.036 --> 0:27:59.196
<v Speaker 1>and explain other kinds of cultural phenomenon. And I'm going

0:27:59.236 --> 0:28:00.796
<v Speaker 1>to look out for your stuff and I'm really grateful

0:28:00.836 --> 0:28:03.036
<v Speaker 1>to you. Well, thank you so much. This is truly wonderful.

0:28:03.156 --> 0:28:13.556
<v Speaker 1>Thank you. Vocita raised some really important questions around the

0:28:13.596 --> 0:28:17.796
<v Speaker 1>social mechanism that's driving what is known as cancel culture.

0:28:18.476 --> 0:28:22.076
<v Speaker 1>He points out that in almost every situation, those calling

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<v Speaker 1>for the cancelation of a person or a figure or

0:28:24.716 --> 0:28:28.716
<v Speaker 1>an idea are doing so themselves, not through the exercise

0:28:28.796 --> 0:28:33.516
<v Speaker 1>of official governmental power, or indeed through attempts to create

0:28:33.556 --> 0:28:37.716
<v Speaker 1>an institutionalized mechanism of censorship, but rather in their own

0:28:37.756 --> 0:28:41.636
<v Speaker 1>expression of their own beliefs and ideas. True, it may

0:28:41.676 --> 0:28:45.676
<v Speaker 1>happen that institutions respond in individual cases, so it's not

0:28:45.716 --> 0:28:49.236
<v Speaker 1>as though the movement is disconnected from institutional reality. But

0:28:49.316 --> 0:28:53.236
<v Speaker 1>the calls themselves are not calls for a fundamental set

0:28:53.276 --> 0:28:58.356
<v Speaker 1>of institutional changes. In most instances, that has major implications

0:28:58.396 --> 0:29:01.956
<v Speaker 1>when we try to puzzle out exactly what free speech

0:29:01.996 --> 0:29:05.836
<v Speaker 1>principles should tell us about calls for cancelation or the

0:29:05.836 --> 0:29:11.316
<v Speaker 1>phenomenon of cancelation itself, assuming that phenomenon even exists. As

0:29:11.356 --> 0:29:15.796
<v Speaker 1>Zosita reminds us, our Freedom of Speech series will continue

0:29:15.956 --> 0:29:20.356
<v Speaker 1>next week. Until then, be careful, be safe, and be well.

0:29:21.876 --> 0:29:24.916
<v Speaker 1>Deep Background is brought to you by Pushkin Industries. Our

0:29:24.956 --> 0:29:28.276
<v Speaker 1>producer is Lydia gene Coott, with mastering by Jason Gambrell

0:29:28.436 --> 0:29:32.596
<v Speaker 1>and Martin Gonzalez. Our showrunner is Sophie mckibbon. Our theme

0:29:32.676 --> 0:29:35.636
<v Speaker 1>music is composed by Luis GERA special thanks to the

0:29:35.636 --> 0:29:39.876
<v Speaker 1>Pushkin Brass, Malcolm Gladwell, Jacob Weisberg, and Mia Lobel. I'm

0:29:39.996 --> 0:29:43.596
<v Speaker 1>Noah Feldman. I also write a regular column for Bloomberg Opinion,

0:29:43.796 --> 0:29:46.996
<v Speaker 1>which you can find at Bloomberg dot com slash Feldman.

0:29:47.716 --> 0:29:51.276
<v Speaker 1>To discover Bloomberg's original slate of podcasts, go to Bloomberg

0:29:51.356 --> 0:29:55.596
<v Speaker 1>dot com slash Podcasts. And one last thing. I just

0:29:55.636 --> 0:29:58.636
<v Speaker 1>wrote a book called The Arab Winter, a Tragedy. I

0:29:58.676 --> 0:30:01.076
<v Speaker 1>would be delighted if you checked it out. If you

0:30:01.116 --> 0:30:03.956
<v Speaker 1>liked what you've heard today, please write a review or

0:30:04.076 --> 0:30:06.236
<v Speaker 1>tell a friend. You can always let me know what

0:30:06.236 --> 0:30:09.036
<v Speaker 1>you think on Twitter my handle is Noah Our felt.

0:30:09.876 --> 0:30:11.476
<v Speaker 1>This is deep background