WEBVTT - Leave Me Breathless

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<v Speaker 1>It's nine oh gene one engine with Jenny Garth and

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<v Speaker 1>Tory spelling.

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<v Speaker 2>Hi be new Year. It's new Year on nine oh

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<v Speaker 2>two one.

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<v Speaker 1>Oh yeah, it's nineteen ninety six. You guys.

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<v Speaker 2>But they really, they really like accentuated.

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<v Speaker 1>This is such an exciting episode we have to talk about.

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<v Speaker 1>But first I want to show you something. Amy. Have

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<v Speaker 1>we talked about. I think we've talked about the Tom's Guide.

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<v Speaker 1>Oh my god, we just talked about it. Okay, it

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<v Speaker 1>wasn't like it was like a week or two ago

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<v Speaker 1>in the back of my mom's car. Stop it.

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<v Speaker 2>No. First of all, I love that it says Carol

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<v Speaker 2>and g so she knows it's hers.

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<v Speaker 1>Yeah, she doesn't want anybody to steal this. And then it's.

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<v Speaker 2>Born in two thousand, two thousand, you know, it would

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<v Speaker 2>be weird. I wonder, like, in twenty twenty five, how

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<v Speaker 2>many things have changed.

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<v Speaker 1>I can't even find my house in this, Like my

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<v Speaker 1>address doesn't exist.

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<v Speaker 2>Yeah, I bet there's entirely new freeways.

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<v Speaker 1>Oh my gosh, this is the smell of it. Listen

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<v Speaker 1>to those pages. Oh my god.

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<v Speaker 2>You know what it makes me think of in speed

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<v Speaker 2>when the freeway is not finished? Uh huh, it's like

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<v Speaker 2>I've got the freeway in that is maybe not finished,

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<v Speaker 2>the one oh five. It's so it's like I couldn't

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<v Speaker 2>even begin to understand what that is saying.

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<v Speaker 1>Look, you have to cross coordinate, you have to find

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<v Speaker 1>your address, and you have to cross coordinate and go

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<v Speaker 1>to the map page and then go to a eight

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<v Speaker 1>and then you find you It's so fever forget.

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<v Speaker 2>So I was in college and I went on a

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<v Speaker 2>trip with my college boyfriend to New Mexico. So first

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<v Speaker 2>of all, I went on a plane, which I don't do.

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<v Speaker 2>So I already yeah, I was already a little out

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<v Speaker 2>of sorts. And then he hands me a map to

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<v Speaker 2>get to the hotel, like a foldyouty one yet and

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<v Speaker 2>I'm holding the map and I cannot figure out what

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<v Speaker 2>it's saying. So I start to turn it, and he's,

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<v Speaker 2>oh my god, never turn the map.

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<v Speaker 1>And I really know.

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<v Speaker 2>I think if you turn the map, you're just like

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<v Speaker 2>not going You're just totally going up down.

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<v Speaker 1>Then at that point, I don't know. I am a

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<v Speaker 1>map reader. I love reading maps. It's something weird about me,

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<v Speaker 1>but I have a whole thing for maps in my heart.

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<v Speaker 2>Do enjoy the overview, do you know what the overview

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<v Speaker 2>is like on your map on your phone. If you

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<v Speaker 2>click like the overview, you can sort of see where

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<v Speaker 2>you are and where your final destination is, as opposed

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<v Speaker 2>to the turn by turn.

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<v Speaker 1>Yeah, you know what I need to challenge and challenge

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<v Speaker 1>all of us to stop using our navigations just for

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<v Speaker 1>like a day, and try using your brain to get

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<v Speaker 1>where you need to go.

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<v Speaker 2>No, my problem too, is like street names mean nothing

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<v Speaker 2>to me, Like yeah, No, my problem is like when

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<v Speaker 2>people are like, take Maraga Road and I'm like, I

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<v Speaker 2>don't know which one that is?

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<v Speaker 1>Is it?

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<v Speaker 2>By Roundtable the movie theater CBS, Like you.

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<v Speaker 1>Have to get a table. Wait, there's a roundtable in

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<v Speaker 1>your neighborhood.

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<v Speaker 2>Totally roundtable pizza. We have one in my town and

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<v Speaker 2>the town over. It's super popular up here.

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<v Speaker 1>I want to come over.

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<v Speaker 2>Have you been to round table? It'll give you diarrhea,

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<v Speaker 2>but it's really good for good going back.

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<v Speaker 1>Yeah, that's a ringing endorsement. I think I'll be right over.

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<v Speaker 2>The last time I had it, I like it tasted

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<v Speaker 2>so good going down and then just direage.

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<v Speaker 1>All right, that's okay, We're stop that conversation right there

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<v Speaker 1>and We're going to get back into this week's episode.

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<v Speaker 1>Right after this, I heard podcasts listen on the iHeartRadio app. Okay,

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<v Speaker 1>so nobody really wants to hear what happened after you

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<v Speaker 1>ate round Table, but they do want to hear about.

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<v Speaker 2>Look, it's not it's not about Roundtable. It's about my stomach.

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<v Speaker 2>So please continue to go to round Table. It's not

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<v Speaker 2>their fault. It's about the cheese and me all.

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<v Speaker 1>Like I said, people don't want to hear about what

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<v Speaker 1>happened to you after you ate round Table. They want

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<v Speaker 1>to hear about Season six, episode sixteen, turn Back the Clock,

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<v Speaker 1>aired January third, nineteen ninety six.

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<v Speaker 2>Before I do the synopsis? Is that a creative choice

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<v Speaker 2>to like do it in flashback?

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<v Speaker 1>Do you know what I'm saying? You have to read thesis?

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<v Speaker 2>Okay, new year, same drama. I'm gonna read it like

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<v Speaker 2>I'm a professional.

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<v Speaker 1>Okay.

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<v Speaker 2>Holland can't kick his holiday habit, Susan's boyfriend Baggage is

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<v Speaker 2>not sitting well with Brandon, Steve's half brothers, Tory Smelling's

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<v Speaker 2>brother love to pull pranks, and Donna finally puts Burdgate

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<v Speaker 2>to bed as she finally rides the Rose Parade.

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<v Speaker 1>Float directed by Graham Lynch, written by Larry Mullen. Wow, okay,

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<v Speaker 1>now you can ask your question about flashbacks.

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<v Speaker 2>So since I am a layman and you are an actor, Like,

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<v Speaker 2>why would they make that choice rather than tell it

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<v Speaker 2>to us in real time?

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<v Speaker 1>Dude? I have the same question on my notes, So

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<v Speaker 1>I got nothing for that. It's like, why, why why

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<v Speaker 1>the flashbacks?

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<v Speaker 2>Like why wouldn't we just tell in real time? Tell

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<v Speaker 2>the same story.

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<v Speaker 1>I don't know. I really have no idea that this is

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<v Speaker 1>a Larry Mullen question.

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<v Speaker 2>Maybe he just wanted to do something different.

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<v Speaker 1>Maybe he just was really into those like boyes to

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<v Speaker 1>make you go back in time in your mind, so.

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<v Speaker 2>So silly as a whole. I enjoyed this episode toats

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<v Speaker 2>me too. A couple questions and people can yell at me.

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<v Speaker 2>When did we meet the boyfriend?

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<v Speaker 1>Before? I know we talked about him. I have never

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<v Speaker 1>seen him before in my life.

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<v Speaker 2>Brandon at one point says, like the last time I

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<v Speaker 2>saw you? And is that just like around school?

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<v Speaker 1>Okay, if you don't remember, then we've never seen him.

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<v Speaker 2>And I can't remember what the drama is between the

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<v Speaker 2>two of them. Why, like Brandon you just don't understand.

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<v Speaker 2>I feel like she was pregnant.

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<v Speaker 1>I mean that would be Yeah, that would be the

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<v Speaker 1>easy place to go with that. It's such a secret.

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<v Speaker 1>I don't know, and I don't recall if and when

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<v Speaker 1>we find out, and I don't recall if I care.

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<v Speaker 2>Well, So the people just carry around files of cocaine

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<v Speaker 2>like it's a stick of gum.

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<v Speaker 1>Yeah, apparently so weird in those It always has to

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<v Speaker 1>be in that little brown bottle too.

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<v Speaker 2>Just feels like we're watching less than zero, Like it's

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<v Speaker 2>just so weird.

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<v Speaker 1>Hey, did you know that this was the first episode

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<v Speaker 1>that aired in nineteen ninety six?

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<v Speaker 2>Maybe that answers our question. Maybe that is why they

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<v Speaker 2>did it as a flashback because it aired in nineteen

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<v Speaker 2>ninety six.

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<v Speaker 1>And they had to go back to do New Year's

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<v Speaker 1>because because it didn't air.

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<v Speaker 2>In this we just solve the mystery. Yeah, they really

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<v Speaker 2>they wanted to really be accurate. Nineteen ninety six. Let

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<v Speaker 2>me think about what was happening. I was still in college,

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<v Speaker 2>senior in college. What were you doing in your life?

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<v Speaker 2>Did you have any kids?

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<v Speaker 1>No? I think I was going through divorce number one

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<v Speaker 1>and getting into my relationship, and I think about to

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<v Speaker 1>get pregnant.

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<v Speaker 2>Yeah, because we would know because you're going to carry

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<v Speaker 2>a bunch of groceries and stuff.

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<v Speaker 1>Oh no, that's for another year. Sorry, I forgot Okay.

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<v Speaker 2>Yeah, that'll be next Jeria.

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<v Speaker 1>Hey the Cores, Hello, the Corps. They are in this episode.

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<v Speaker 2>They weren't actually really good, even though they never sang

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<v Speaker 2>their their hit, they had a hit. They did have

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<v Speaker 2>a hit, and I interviewed the Cores. I mean I didn't,

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<v Speaker 2>but like I was there, they had one really big hit.

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<v Speaker 2>But they were actually quite good singers, Like the old

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<v Speaker 2>Lang sign was really good.

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<v Speaker 1>Oh Breathless was their hit. They were gorgeous, by the way.

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<v Speaker 1>These these Cores, Wow, they're Irish m hm Srish band

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<v Speaker 1>made up of four siblings.

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<v Speaker 2>I actually think in nineteen ninety six, if you were

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<v Speaker 2>at a New Year's party at the Peapad and the

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<v Speaker 2>Cores were there.

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<v Speaker 1>You'd be pretty stoked. Yeah, for sure, I think we

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<v Speaker 1>were stoked to be there watching it. Okay, let's break

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<v Speaker 1>this down. Let's just start at the top. The show

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<v Speaker 1>opens up to a newscast with our favorite Sam Rubin.

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<v Speaker 1>I don't know if like the whole world knows Sam Rubin,

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<v Speaker 1>but he was in La like he was it.

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<v Speaker 2>Yeah, until he passed away in May. He was just

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<v Speaker 2>at the top of his game. And I've worked for

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<v Speaker 2>him for like twenty plus years, like in some capacity,

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<v Speaker 2>and every day for the last fifteen I don't even

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<v Speaker 2>have ten twelve. I've lost track.

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<v Speaker 1>He is a great guy.

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<v Speaker 2>And that was like what I couldn't figure out is

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<v Speaker 2>if that was the actual newscast or if he did

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<v Speaker 2>it special for nine o two and zero.

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<v Speaker 1>I'm assuming he did. Sure she did it special. Yeah,

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<v Speaker 1>he was always around us.

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<v Speaker 2>Yeah, and some of the Rose Parade footage looked actually real. Yeah,

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<v Speaker 2>so that was kind of I can't wait to break

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<v Speaker 2>that down.

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<v Speaker 1>But yeah. So so we open up on Sam Ruben

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<v Speaker 1>talking about the Rose Parade and then we see that

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<v Speaker 1>Brandon and Steve are tossing out the Christmas tree, which

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<v Speaker 1>you know means Christmas is over. Clara arrives in her Volvo.

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<v Speaker 1>You got a Volvo? I think her dad must have

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<v Speaker 1>bought her that. Such a dad car to get a daughter.

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<v Speaker 2>We've even seen her Volvo before. Did I think he

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<v Speaker 2>went on a road trip in it?

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<v Speaker 1>Oh? Right? And did it break down at the nun

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<v Speaker 1>with the convent? Huh? Huh okay. So she notices that

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<v Speaker 1>Steve has a black eye and asks what happened, and

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<v Speaker 1>Brandon begins to explain that it happened on New Year's

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<v Speaker 1>Eve at the after dark. That's a flashback, you guys,

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<v Speaker 1>in case you didn't know. Yea, bess, it was all

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<v Speaker 1>pretty good, Brandon narrates, while we learned that Susan's ex boyfriend,

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<v Speaker 1>Jonathan Casten, came back to town and Brandon and saw

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<v Speaker 1>them kissing, So right out of the gate, we know

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<v Speaker 1>something is bad that's happening.

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<v Speaker 2>I'm gonna have a long conversation with you when we

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<v Speaker 2>get to that kiss, because that was too odd. Yeah,

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<v Speaker 2>Like he's kissing her, but she's kissing back and pulling

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<v Speaker 2>away at the same time.

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<v Speaker 1>I'm like, yeah, no, Steve says, okay. So Steve says

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<v Speaker 1>it all started when his dad made him babysit his

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<v Speaker 1>two younger brothers, who, hello, I didn't even know he

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<v Speaker 1>had two younger twin brothers, Austin and Ryan, who teepeed

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<v Speaker 1>Brandon's front yard. So this whole flashback starts super.

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<v Speaker 2>Weird because I know two brothers named Austin and Ryan,

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<v Speaker 2>but they are not twins, but I totally do.

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<v Speaker 1>That's weird. Look nothing alike. I mean, I know they

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<v Speaker 1>don't have to be identical, but even one looks a

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<v Speaker 1>lot like Donna. One of them is played by Randy Spelling.

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<v Speaker 2>He looks different than when he was on the two

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<v Speaker 2>times before.

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<v Speaker 1>He's adorable. I can't with him. He's so cute. I

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<v Speaker 1>just remember, that's just Nice's sweet and so kind and

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<v Speaker 1>so like respectful. What a good guy. Love you is.

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<v Speaker 2>Such a nice, nice guy, like I can't even say

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<v Speaker 2>it enough. Smart whol anyway, Yeah, as a twerp in

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<v Speaker 2>this episode though, Yeah, these.

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<v Speaker 1>Two twrps don't look related at all. So Steve's gets

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<v Speaker 1>He's so mad at him. He's like rush on them

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<v Speaker 1>all the whole time. He has turned into his father

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<v Speaker 1>basically and is treating these poor kids like like Steve

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<v Speaker 1>was always treated essentially. Yep. Brandon gets a call from

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<v Speaker 1>Susan saying that her ex is in town. He was

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<v Speaker 1>headed to He was headed to Tahiti, but he had

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<v Speaker 1>a layover and will now be in La for New

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<v Speaker 1>Year's convenient, just so bizarre. Yeah. She tries to get

0:11:47.640 --> 0:11:50.840
<v Speaker 1>out of her plans with Brandon, but he will He's

0:11:50.880 --> 0:11:53.640
<v Speaker 1>not having that. I mean, that is just so bizarre.

0:11:53.720 --> 0:11:56.240
<v Speaker 2>Who is calling their current boyfriend to be like, on

0:11:56.360 --> 0:11:58.760
<v Speaker 2>New Year's my ex is in town and then is

0:11:58.800 --> 0:12:00.520
<v Speaker 2>like making a hundred punk call to.

0:12:00.520 --> 0:12:03.920
<v Speaker 1>Set him up. Yeah. No, it's weird on all fronts.

0:12:04.160 --> 0:12:07.680
<v Speaker 1>But I do have to say that Brandon is looking

0:12:08.360 --> 0:12:12.560
<v Speaker 1>sexy and mature. Yeah, I am liking this Brandon this season.

0:12:13.559 --> 0:12:15.640
<v Speaker 1>Valerie walks into the room and tells Brandon that she

0:12:15.840 --> 0:12:18.480
<v Speaker 1>is happy to be with David, someone she loves on

0:12:18.640 --> 0:12:19.719
<v Speaker 1>New Year's.

0:12:19.400 --> 0:12:23.360
<v Speaker 2>Eve, foreshadowing a hot mess to make it all fall apart.

0:12:24.080 --> 0:12:25.679
<v Speaker 1>Yeah, but it's not really a hot mess because it

0:12:25.760 --> 0:12:27.960
<v Speaker 1>ends up with a kiss and a bow. Okay, yeah,

0:12:29.160 --> 0:12:31.319
<v Speaker 1>we come out of that flashback. This is going to

0:12:31.360 --> 0:12:33.680
<v Speaker 1>be so confusing for everyone. So that was a flashback.

0:12:33.880 --> 0:12:36.319
<v Speaker 1>We come out of the flashback sequence and we're back

0:12:36.360 --> 0:12:39.280
<v Speaker 1>at the Kassa Walsh there and Claire wants to know

0:12:39.360 --> 0:12:41.760
<v Speaker 1>more about what happened. When Valerie walks into the kitchen

0:12:41.800 --> 0:12:46.000
<v Speaker 1>and she tells Steve that Donna cult huh kind of

0:12:46.000 --> 0:12:48.800
<v Speaker 1>sitting around the table. Yeah, they're all just like having

0:12:48.840 --> 0:12:49.440
<v Speaker 1>a chat.

0:12:50.360 --> 0:12:52.800
<v Speaker 2>Sort of a lot of forward backward, forward backward.

0:12:52.960 --> 0:12:57.679
<v Speaker 1>Yeah, it got Yeah, it's confusing, so he sets up

0:12:57.800 --> 0:13:01.600
<v Speaker 1>that does something happened with the stupid bird? It flew

0:13:01.640 --> 0:13:04.040
<v Speaker 1>the cop Yeah, we knew the drama with the bird.

0:13:04.480 --> 0:13:07.559
<v Speaker 1>Then he tells that Claire that she's gonna be blamed

0:13:07.559 --> 0:13:10.120
<v Speaker 1>for it. Was it her fault? I feel like it wasn't.

0:13:10.400 --> 0:13:12.920
<v Speaker 1>In the end. Do you feel like there's any chemistry

0:13:12.920 --> 0:13:17.720
<v Speaker 1>by the way between Steve and Claire in this particular episode.

0:13:17.320 --> 0:13:20.319
<v Speaker 2>Bilch, except that they're buds, Like you get like, oh,

0:13:20.360 --> 0:13:23.600
<v Speaker 2>these two are great pals probably in real life, like hell,

0:13:24.240 --> 0:13:27.280
<v Speaker 2>but you're definitely not, like that's why their couplehood is

0:13:27.320 --> 0:13:32.720
<v Speaker 2>so like unexciting in the nine two one oho like

0:13:32.960 --> 0:13:37.720
<v Speaker 2>whole scheme of things, you're just like, oh, that happened whatever.

0:13:39.200 --> 0:13:41.320
<v Speaker 1>Okay, So now we go back to a flashback and

0:13:41.360 --> 0:13:43.720
<v Speaker 1>we see step and Claire getting busy in bed when

0:13:43.840 --> 0:13:47.880
<v Speaker 1>we hear cutie Pie that's the bird talking. Claire heads

0:13:47.920 --> 0:13:50.520
<v Speaker 1>down to Donna's room to ask him to quiet down

0:13:50.559 --> 0:13:54.640
<v Speaker 1>the bird, and Joe says he's there struggling with the

0:13:54.720 --> 0:13:58.080
<v Speaker 1>latch on the cage and uh. He asks Claire to

0:13:58.120 --> 0:14:00.320
<v Speaker 1>make sure that no one accidentally lets her out, so

0:14:00.360 --> 0:14:04.360
<v Speaker 1>again shout outing that up. Yeah. Back at the walls shell.

0:14:04.559 --> 0:14:07.360
<v Speaker 1>Steve continues to tell the bird story when David walks

0:14:07.360 --> 0:14:09.800
<v Speaker 1>in and begins to tell them what happened that night

0:14:10.960 --> 0:14:14.160
<v Speaker 1>about the bird. Okay, so David, we're back in a flashback.

0:14:14.240 --> 0:14:16.360
<v Speaker 1>I don't even know. I've already have whiplash.

0:14:16.640 --> 0:14:18.319
<v Speaker 2>I've watched this whole episode.

0:14:19.400 --> 0:14:22.920
<v Speaker 1>Confused. I'm so confused. How do you even do a

0:14:22.960 --> 0:14:39.360
<v Speaker 1>flashback rewatch episode? You guys, this is impossible. Okay, so

0:14:39.520 --> 0:14:42.000
<v Speaker 1>we're back. We're going into another flashback, that's all in. Okay.

0:14:42.000 --> 0:14:46.440
<v Speaker 1>So David approaches Valerie at the party at Colin's party

0:14:46.520 --> 0:14:48.640
<v Speaker 1>and basically tells her that he doesn't like the way

0:14:48.720 --> 0:14:53.200
<v Speaker 1>she's nambling with the koke. Heeads and he grabs her arm.

0:14:53.280 --> 0:14:56.360
<v Speaker 1>Do you see the way he grabbed her arm? So rough? Like,

0:14:57.240 --> 0:14:58.040
<v Speaker 1>I don't like that, sad?

0:14:58.600 --> 0:15:00.880
<v Speaker 2>Are we at a pre party at call? I was like,

0:15:01.360 --> 0:15:03.400
<v Speaker 2>where am I now? Okay, so we're at some sort

0:15:03.400 --> 0:15:06.400
<v Speaker 2>of a pre party and yes, he's like, don't hang

0:15:06.440 --> 0:15:09.400
<v Speaker 2>with the cokettes. But then everything was fixed real quick.

0:15:09.440 --> 0:15:13.280
<v Speaker 2>Then they were kissing. Yeah, it was like she's basically like,

0:15:13.360 --> 0:15:15.600
<v Speaker 2>I'm not with the cokedes. Okay, make out.

0:15:17.240 --> 0:15:19.560
<v Speaker 1>And we see Susan tel Brandon that she's trying to

0:15:19.560 --> 0:15:23.840
<v Speaker 1>find her exedate for New Year's Eve? Why why why?

0:15:24.840 --> 0:15:29.680
<v Speaker 1>And don't say you'd never understand, right, that's her boyfriend.

0:15:29.720 --> 0:15:33.840
<v Speaker 1>You should probably explain it to him. We see Colin

0:15:33.960 --> 0:15:37.600
<v Speaker 1>give Valerie a vial of coke so Kelly doesn't catch

0:15:37.680 --> 0:15:40.240
<v Speaker 1>him with it, and then we see Kelly walk in

0:15:40.520 --> 0:15:44.200
<v Speaker 1>to the party with Donna, and she clocks val and

0:15:44.240 --> 0:15:48.480
<v Speaker 1>Colin a little too close for comfort, and she tells

0:15:48.560 --> 0:15:52.120
<v Speaker 1>Valerie thanks for keeping him warm, and starts frisking Colin

0:15:52.200 --> 0:15:56.680
<v Speaker 1>for drugs. The frisking I totally.

0:15:56.960 --> 0:16:00.400
<v Speaker 2>I was so because Donna says something like they don't

0:16:00.440 --> 0:16:03.520
<v Speaker 2>even know you're here or some kind of something, and

0:16:03.560 --> 0:16:04.080
<v Speaker 2>I'm like.

0:16:04.120 --> 0:16:08.080
<v Speaker 1>What is happening? She frisked him. I mean it was playful,

0:16:08.200 --> 0:16:11.520
<v Speaker 1>but she was like looking in his pockets for his drugs.

0:16:11.800 --> 0:16:13.320
<v Speaker 1>Good thing he had just given them to beow.

0:16:13.480 --> 0:16:16.640
<v Speaker 2>Hello God, why doesn't he keep him in a medicine cabinet?

0:16:16.720 --> 0:16:19.960
<v Speaker 1>Like what an idiot? I hate the Koch storyline.

0:16:19.960 --> 0:16:21.920
<v Speaker 2>It's like, this drug addict needs to get out of here.

0:16:23.200 --> 0:16:27.160
<v Speaker 1>Yeah, it's bad, it's bad, Okay. So then we go

0:16:27.320 --> 0:16:29.920
<v Speaker 1>to the this is so confusing.

0:16:29.960 --> 0:16:32.040
<v Speaker 2>The pad, the tree back to the Walshes.

0:16:33.840 --> 0:16:38.960
<v Speaker 1>When we go to the b Pad and we see

0:16:38.960 --> 0:16:41.040
<v Speaker 1>that the night has started out great and the cores

0:16:41.080 --> 0:16:45.400
<v Speaker 1>are performing. You're forgiven, not forgotten. Oh that that song

0:16:45.480 --> 0:16:50.240
<v Speaker 1>is stuck in my head? Now forgiven, not forgotten. You

0:16:50.320 --> 0:16:51.120
<v Speaker 1>got it, you hear it.

0:16:51.240 --> 0:16:52.560
<v Speaker 2>I'm going to get in my head as much as

0:16:52.560 --> 0:16:56.920
<v Speaker 2>Old Lang Sign, which I believe Old Laying Sign is

0:16:56.960 --> 0:17:00.280
<v Speaker 2>one of those songs that is free, like do you

0:17:00.320 --> 0:17:00.840
<v Speaker 2>know what I mean?

0:17:00.880 --> 0:17:03.800
<v Speaker 1>Like, yeah, you don't have to pay happy to use it.

0:17:03.840 --> 0:17:05.880
<v Speaker 1>His Happy Birthday and Old ag Sign is the ones

0:17:05.880 --> 0:17:09.080
<v Speaker 1>that you can you can use. I was like, let's

0:17:09.080 --> 0:17:11.800
<v Speaker 1>get that in there. Well, we already probably paid a

0:17:11.840 --> 0:17:16.200
<v Speaker 1>pretty penny for the course, so you know. We see Jonathan,

0:17:16.920 --> 0:17:19.199
<v Speaker 1>Susan's ex walk into the bar and pull up a

0:17:19.240 --> 0:17:21.920
<v Speaker 1>chair and sit next to Susan and Brandon, and Jonathan

0:17:22.000 --> 0:17:25.760
<v Speaker 1>tells Brandon that he enjoys his columns. I don't think

0:17:25.800 --> 0:17:28.879
<v Speaker 1>I believe him. It was so weird. It's just weird.

0:17:29.040 --> 0:17:32.399
<v Speaker 1>The whole thing's weird. He's kind of hot, though I

0:17:32.440 --> 0:17:34.800
<v Speaker 1>did not think so. I thought he was. I liked

0:17:34.800 --> 0:17:40.280
<v Speaker 1>his like kind of fassy attitude. Yeah. Then we go,

0:17:41.840 --> 0:17:44.600
<v Speaker 1>Then we go and we see that David. During this time,

0:17:44.720 --> 0:17:47.680
<v Speaker 1>David is helping Donna get the damn bird back after

0:17:47.840 --> 0:17:51.040
<v Speaker 1>it flew up into a tree. He's way up in there,

0:17:52.320 --> 0:17:55.760
<v Speaker 1>and it's still like squawking. Joe loves Donna. Joe loves Donna.

0:17:56.160 --> 0:18:00.560
<v Speaker 2>Lam bird, damn bird, that bird. I know why this

0:18:00.640 --> 0:18:01.399
<v Speaker 2>is a storyline.

0:18:01.600 --> 0:18:02.240
<v Speaker 1>I don't either.

0:18:02.600 --> 0:18:04.359
<v Speaker 2>Then, to get rid of the bird is why they

0:18:04.359 --> 0:18:05.840
<v Speaker 2>had to figure out how to get rid of it.

0:18:06.040 --> 0:18:09.000
<v Speaker 1>They had to get it lost. Yeah, back to the flashbacks.

0:18:09.040 --> 0:18:12.240
<v Speaker 1>Now at the peach Pit after dark, Steve is furious

0:18:12.280 --> 0:18:15.800
<v Speaker 1>when he spots his younger half brothers inside the club

0:18:16.359 --> 0:18:17.359
<v Speaker 1>making a ruckus.

0:18:17.880 --> 0:18:20.600
<v Speaker 2>SE's so mad because they're underage or because he didn't

0:18:20.600 --> 0:18:22.000
<v Speaker 2>want to hang out with them. It was like, I

0:18:22.000 --> 0:18:23.560
<v Speaker 2>didn't get all.

0:18:23.440 --> 0:18:26.240
<v Speaker 1>Of the above, but that let them in, which I

0:18:26.280 --> 0:18:28.280
<v Speaker 1>don't think Nat will do because.

0:18:28.520 --> 0:18:32.399
<v Speaker 2>He thought they were cag brothers. Oh and is it

0:18:32.440 --> 0:18:34.720
<v Speaker 2>an eighteen and overclub? Is it a twenty one and

0:18:34.800 --> 0:18:37.320
<v Speaker 2>over club? I don't know any what the age deal

0:18:37.400 --> 0:18:38.640
<v Speaker 2>is on the Peaty either.

0:18:38.800 --> 0:18:41.200
<v Speaker 1>We see a girl slapping one of them for being

0:18:41.240 --> 0:18:45.919
<v Speaker 1>Handy's getting fresh. They're so cute. And then I loved

0:18:46.560 --> 0:18:49.679
<v Speaker 1>Randy's line He's like, Okay, see you in a few years.

0:18:52.040 --> 0:18:55.640
<v Speaker 1>He's so cute. Steve tells his brothers to go home

0:18:55.640 --> 0:18:56.200
<v Speaker 1>and go to bed.

0:18:56.520 --> 0:18:59.440
<v Speaker 2>Yeah, he had a lot of lines, as you would say,

0:18:59.520 --> 0:19:01.240
<v Speaker 2>not talking. I'm like, he had a lot of talking.

0:19:01.440 --> 0:19:03.080
<v Speaker 2>He had a lot of lines in this one compared

0:19:03.119 --> 0:19:05.560
<v Speaker 2>to his previous appearances.

0:19:05.880 --> 0:19:06.760
<v Speaker 1>So that was exciting.

0:19:07.200 --> 0:19:09.959
<v Speaker 2>Probably got paid a little a little bit more randy.

0:19:10.320 --> 0:19:13.440
<v Speaker 1>Yeah. Then we cut to Jonathan telling Brandon the real

0:19:13.560 --> 0:19:16.640
<v Speaker 1>reason he's in town, that he's in love with Susan

0:19:16.680 --> 0:19:20.439
<v Speaker 1>and he wants her back, and he says there is

0:19:20.480 --> 0:19:27.040
<v Speaker 1>a bond between them and Brandon is irrelevant. Ouch, that's

0:19:27.080 --> 0:19:30.080
<v Speaker 1>like the ultimate f you to say to someone you

0:19:30.119 --> 0:19:33.280
<v Speaker 1>know what you're irrelevant is?

0:19:34.119 --> 0:19:36.000
<v Speaker 2>Wait, now, all of a sudden, I just had a

0:19:36.000 --> 0:19:39.440
<v Speaker 2>weird moment that like, she ends up with this guy.

0:19:40.119 --> 0:19:42.800
<v Speaker 2>I'm sorry, I don't want to give a spoiler thirty

0:19:42.880 --> 0:19:46.320
<v Speaker 2>years later, but like, whoa, I had a weird premonition

0:19:46.359 --> 0:19:48.679
<v Speaker 2>of that. Would you do it that way? Like if

0:19:48.680 --> 0:19:50.280
<v Speaker 2>you're trying to get the girl back, wouldn't you just

0:19:50.280 --> 0:19:52.639
<v Speaker 2>go to the girl? Like would you tell the boyfriend

0:19:53.160 --> 0:19:53.920
<v Speaker 2>I'm here.

0:19:53.880 --> 0:19:57.520
<v Speaker 1>To well maybe he's, you know, trying to cause friction

0:19:57.640 --> 0:20:01.879
<v Speaker 1>in their relationship. Oh right, kind of see smart move true.

0:20:03.440 --> 0:20:07.440
<v Speaker 1>The clock strikes twelve, and everybody starts making out except

0:20:07.440 --> 0:20:13.479
<v Speaker 1>for Sad Valerie. But Sad Valerie looks amazing. I just

0:20:13.480 --> 0:20:17.119
<v Speaker 1>want to say, I'm so into this whole look like

0:20:17.160 --> 0:20:19.920
<v Speaker 1>she looks like an opera singer or like a madam,

0:20:20.560 --> 0:20:22.840
<v Speaker 1>or like she's gonna star in Chicago. I don't know,

0:20:23.359 --> 0:20:25.840
<v Speaker 1>but I love the hair and everything about it.

0:20:26.359 --> 0:20:28.960
<v Speaker 2>I just want to call her Sad Valerie.

0:20:28.560 --> 0:20:31.240
<v Speaker 1>Though, yeah, she's sad in this episode.

0:20:32.440 --> 0:20:34.480
<v Speaker 2>But then it all works out, no problem, all great,

0:20:34.600 --> 0:20:36.159
<v Speaker 2>everything's great.

0:20:36.960 --> 0:20:39.000
<v Speaker 1>As soon as the cry. As soon as the clock

0:20:39.040 --> 0:20:41.719
<v Speaker 1>strikes twelve, Kelly says goodbye to Colin because she has

0:20:41.720 --> 0:20:43.439
<v Speaker 1>to wake up early to help Donna get ready for

0:20:43.440 --> 0:20:45.520
<v Speaker 1>the Rose Parade. I found that a little weird, like

0:20:45.560 --> 0:20:52.400
<v Speaker 1>would Kelly just get herself home, Like shouldn't her boyfriend, Like, yes,

0:20:52.520 --> 0:20:54.080
<v Speaker 1>he's staying there at a party.

0:20:54.920 --> 0:20:57.160
<v Speaker 2>Donally, since he's a drug addict and she knows it,

0:20:57.440 --> 0:21:00.440
<v Speaker 2>but he says I'll take you, and then she says no,

0:21:01.440 --> 0:21:05.680
<v Speaker 2>and then he just does so much drugs that he's

0:21:05.720 --> 0:21:06.359
<v Speaker 2>a spats.

0:21:06.560 --> 0:21:08.720
<v Speaker 1>He goes right for the drugs as soon as she's

0:21:08.760 --> 0:21:14.159
<v Speaker 1>out of sight. Yeah, just so much Czar and I

0:21:14.200 --> 0:21:20.600
<v Speaker 1>also didn't understand, like why are Val and Colin such

0:21:20.680 --> 0:21:23.760
<v Speaker 1>good friends now? Like why is Val taking care of.

0:21:23.760 --> 0:21:26.960
<v Speaker 2>Him back still from camp and that she loves him

0:21:27.000 --> 0:21:30.480
<v Speaker 2>deep down somewhere, But I don't, I don't know.

0:21:30.720 --> 0:21:32.280
<v Speaker 1>This so frustrating to me.

0:21:33.119 --> 0:21:35.600
<v Speaker 2>It's just like, dude, dump this guy. Just be like,

0:21:35.640 --> 0:21:37.840
<v Speaker 2>you're you do so much coke? That's not my bag

0:21:37.920 --> 0:21:41.600
<v Speaker 2>bye mm hmm. But you're like hanging on knowing he

0:21:41.640 --> 0:21:45.680
<v Speaker 2>does coke. Jenny Kelly not totally happy with you either.

0:21:46.640 --> 0:21:49.560
<v Speaker 2>You should be like, dude, fuck it off, right.

0:21:50.440 --> 0:21:54.879
<v Speaker 1>Yeah, I really do not see how this is going

0:21:54.960 --> 0:21:59.960
<v Speaker 1>to progress into Kelly having a drug problem. I don't

0:22:00.280 --> 0:22:04.000
<v Speaker 1>get ready. I don't see how what Like why Kelly

0:22:04.200 --> 0:22:05.480
<v Speaker 1>of all people.

0:22:06.920 --> 0:22:10.639
<v Speaker 2>Correct because it's kind of stupid. Yeah, in rehab in

0:22:10.760 --> 0:22:12.960
<v Speaker 2>three weeks. You're gonna be in rehabing three weeks. But

0:22:13.000 --> 0:22:14.800
<v Speaker 2>my thing is like, if you're so against it, why

0:22:14.800 --> 0:22:17.359
<v Speaker 2>would you tolerate it? You would be like, hey, Colin,

0:22:18.040 --> 0:22:21.360
<v Speaker 2>you're great, go live your life and do your drugs.

0:22:21.440 --> 0:22:24.800
<v Speaker 1>I'm not playing well. She does say that. Later, she says,

0:22:25.359 --> 0:22:27.840
<v Speaker 1>I picked my mom up off the floor, right did

0:22:27.880 --> 0:22:28.560
<v Speaker 1>the same for you.

0:22:28.880 --> 0:22:31.199
<v Speaker 2>But then then he went to the Rose Parade, didn't he?

0:22:31.240 --> 0:22:32.119
<v Speaker 2>And no, maybe he didn't.

0:22:33.400 --> 0:22:35.440
<v Speaker 1>We'll have to refresh my memory.

0:22:35.760 --> 0:22:39.359
<v Speaker 2>Okay, because yesterday I feels so long ago.

0:22:39.480 --> 0:22:42.800
<v Speaker 1>When I you, guys, wait, Jonathan starts kissing Susan. This

0:22:42.840 --> 0:22:44.560
<v Speaker 1>is the kiss you want to talk about. He's saying

0:22:44.600 --> 0:22:47.760
<v Speaker 1>goodbye right in front of Brandon, and Brandon just stands

0:22:47.760 --> 0:22:52.040
<v Speaker 1>there like a tool, and Susan is sort of the weirdest, like,

0:22:52.800 --> 0:22:55.600
<v Speaker 1>don't kiss me, but I'm kissing you back. He's literally

0:22:55.680 --> 0:22:58.320
<v Speaker 1>kissing him back but pushing him. That must have been

0:22:58.359 --> 0:23:01.080
<v Speaker 1>really hard to act, Like, yeah, I felt like she

0:23:01.240 --> 0:23:03.120
<v Speaker 1>got direction that was you're going to need to kiss

0:23:03.200 --> 0:23:05.240
<v Speaker 1>him and push him off at the same time.

0:23:05.600 --> 0:23:08.000
<v Speaker 2>And I think that we have did. Was this the

0:23:08.040 --> 0:23:09.520
<v Speaker 2>first time we saw the kiss or was there a

0:23:09.640 --> 0:23:11.720
<v Speaker 2>flash forward to the kiss in the.

0:23:11.680 --> 0:23:14.520
<v Speaker 1>Episode earlier, but now we see it really happening.

0:23:14.760 --> 0:23:17.320
<v Speaker 2>That seems like that flash forward was a different kiss.

0:23:17.359 --> 0:23:20.680
<v Speaker 2>It felt longer in the flash forward. I was like,

0:23:20.840 --> 0:23:24.080
<v Speaker 2>am I this episode is so exhausting?

0:23:25.320 --> 0:23:28.320
<v Speaker 1>It really is. But I was very upset with Brandon

0:23:28.400 --> 0:23:29.800
<v Speaker 1>for just standing there like that.

0:23:30.520 --> 0:23:33.679
<v Speaker 2>What I would tell everyone listening and don't don't stop

0:23:33.720 --> 0:23:37.680
<v Speaker 2>the podcast, but it's better to watch it than listen

0:23:37.720 --> 0:23:40.440
<v Speaker 2>to us try to talk about it, because I'm even.

0:23:40.320 --> 0:23:42.480
<v Speaker 1>Like, we're like back and forth, back and forth.

0:23:43.119 --> 0:23:45.480
<v Speaker 2>Yeah, it sounds awful when we're talking about it, but

0:23:45.520 --> 0:23:46.600
<v Speaker 2>it's actually kind of a good.

0:23:46.480 --> 0:23:48.639
<v Speaker 1>Episode, you know what. I'm going to keep going anyway.

0:23:48.680 --> 0:23:51.280
<v Speaker 1>We cut out of the flashbacks and Brandon tells his

0:23:51.359 --> 0:23:54.440
<v Speaker 1>friend he's mad that he lets Jonathan get to him

0:23:54.480 --> 0:23:56.840
<v Speaker 1>like that. So we're back in the kitchen. I don't

0:23:56.880 --> 0:24:02.280
<v Speaker 1>know where we are, I mean, I can't remember. Valerie

0:24:02.280 --> 0:24:05.199
<v Speaker 1>tells Brandon to call Susan, and Brandon says it's on

0:24:05.400 --> 0:24:07.000
<v Speaker 1>her to call him. It's right.

0:24:07.040 --> 0:24:10.679
<v Speaker 2>We're back at the wallsh house, around the table or whatever, okay,

0:24:11.119 --> 0:24:13.560
<v Speaker 2>and the brothers are like, Valerie, you're so hot.

0:24:13.680 --> 0:24:18.119
<v Speaker 1>Yet around now? Okay? Then we are going back to

0:24:18.160 --> 0:24:22.199
<v Speaker 1>our flashbacks, you guys. Steve realizes that his little brothers

0:24:22.240 --> 0:24:25.600
<v Speaker 1>put shaving cream all over his car as revenge for

0:24:25.640 --> 0:24:28.879
<v Speaker 1>getting them kicked out of the party. Which where did

0:24:28.880 --> 0:24:31.560
<v Speaker 1>they get to shaving cream?

0:24:31.800 --> 0:24:34.160
<v Speaker 2>And then he just runs around crazy.

0:24:35.320 --> 0:24:38.240
<v Speaker 1>Kind of liked it. I really like that Steve, Like

0:24:41.520 --> 0:24:44.479
<v Speaker 1>he's so funny. And then he gets hit in the eye,

0:24:44.520 --> 0:24:46.560
<v Speaker 1>and so that's how he got the black black guy.

0:24:46.680 --> 0:24:49.920
<v Speaker 2>And then he gets a hose, which I was a

0:24:49.960 --> 0:24:51.240
<v Speaker 2>little bit like, is this gonna.

0:24:51.040 --> 0:24:53.280
<v Speaker 1>Hurt the paint? But okay, where does he get the

0:24:53.320 --> 0:24:57.360
<v Speaker 1>hose and the pea pad? Okay, I don't know why

0:24:57.359 --> 0:25:00.240
<v Speaker 1>they have a hose. But that's when we see and

0:25:00.280 --> 0:25:04.320
<v Speaker 1>come out and he's high a kite god. He starts

0:25:04.400 --> 0:25:08.879
<v Speaker 1>kissing random people, including Valerie, and she of course offers

0:25:08.920 --> 0:25:12.240
<v Speaker 1>to take him home. That's when David shows up and

0:25:12.280 --> 0:25:14.080
<v Speaker 1>he's looking for Valerie and Nat tells.

0:25:13.920 --> 0:25:16.800
<v Speaker 2>Him that she just left with Colin Hunt Dull.

0:25:17.040 --> 0:25:19.919
<v Speaker 1>And David says that he had been stuck at the

0:25:19.960 --> 0:25:22.680
<v Speaker 1>police checkpoint. So now we know what's going to happen.

0:25:23.359 --> 0:25:27.560
<v Speaker 1>We cut the Valerie Colin at a police checkpoint. The

0:25:27.560 --> 0:25:32.160
<v Speaker 1>cops let them go, But that was dramatic. He's so stupid,

0:25:32.200 --> 0:25:35.040
<v Speaker 1>he laughs, because his sash was right there the whole time.

0:25:35.840 --> 0:25:39.600
<v Speaker 2>The what are those called ashtrays? In the ash tray?

0:25:39.960 --> 0:25:44.119
<v Speaker 2>I don't even think cars have ashtrays anymore. One of

0:25:44.119 --> 0:25:46.119
<v Speaker 2>my cars is old enough that it has a lighter.

0:25:46.440 --> 0:25:49.000
<v Speaker 2>Do cars still come with Do new cars come with lighters?

0:25:49.320 --> 0:25:52.440
<v Speaker 2>I think so, But First of all, can you imagine

0:25:52.800 --> 0:25:56.840
<v Speaker 2>smoking in a car and dumping the ash into the

0:25:56.880 --> 0:25:59.720
<v Speaker 2>ash tray and then just living in the car.

0:26:00.240 --> 0:26:01.400
<v Speaker 1>Yeah, yeah, well.

0:26:02.880 --> 0:26:06.120
<v Speaker 2>Wads of gum into your car.

0:26:06.040 --> 0:26:10.719
<v Speaker 1>But stinkier, way stinkier. I really did like those like

0:26:10.840 --> 0:26:13.159
<v Speaker 1>little you know those. It was like the thing you

0:26:13.200 --> 0:26:16.280
<v Speaker 1>push in the lighter the car push and then it

0:26:16.320 --> 0:26:18.240
<v Speaker 1>pops out and then you look at it and it's

0:26:18.280 --> 0:26:23.199
<v Speaker 1>like flaming hot coils. Like I have always been tempted

0:26:23.200 --> 0:26:30.000
<v Speaker 1>to just stick my finger in there, have you? I

0:26:30.000 --> 0:26:30.320
<v Speaker 1>don't know.

0:26:30.480 --> 0:26:33.200
<v Speaker 2>It looks like goes into that as my cell phone

0:26:33.280 --> 0:26:35.919
<v Speaker 2>charger now, so I have like an adapter for my

0:26:35.960 --> 0:26:38.960
<v Speaker 2>cell phone that goes into that thing, and that's why

0:26:38.960 --> 0:26:39.600
<v Speaker 2>I charged myself.

0:26:39.640 --> 0:26:42.040
<v Speaker 1>I just think that was a genius invention. Whoever came

0:26:42.119 --> 0:26:45.680
<v Speaker 1>up with the car lighter do icky tray.

0:26:45.800 --> 0:26:48.720
<v Speaker 2>It's just got me shook because I never thought about

0:26:48.720 --> 0:26:49.360
<v Speaker 2>that before.

0:26:49.920 --> 0:26:53.240
<v Speaker 1>I've never smoked. Have you ever smoked? Yeah, I've smoked

0:26:54.200 --> 0:26:57.160
<v Speaker 1>other people's, like, I've never been to like buy my own.

0:26:57.400 --> 0:26:59.040
<v Speaker 1>I had never. It was in the nineties, you guys.

0:26:59.119 --> 0:27:01.040
<v Speaker 1>I never bought my own cigarettes.

0:27:01.240 --> 0:27:03.719
<v Speaker 2>Taking a drag or a cigarette.

0:27:03.280 --> 0:27:06.680
<v Speaker 1>On the set. Everybody smoked so it was always like, hey,

0:27:06.720 --> 0:27:10.280
<v Speaker 1>can I bumb a cigarette? Or you know, like everybody,

0:27:10.320 --> 0:27:13.040
<v Speaker 1>if you didn't smoke on our set, you just weren't cool.

0:27:13.359 --> 0:27:16.680
<v Speaker 2>I've never smoked a cigarette in my life. I've never

0:27:16.720 --> 0:27:19.640
<v Speaker 2>had it to my lips. I've never had a cuff.

0:27:20.600 --> 0:27:22.800
<v Speaker 2>Oh my god, I can't even. I can't sty all

0:27:22.880 --> 0:27:23.480
<v Speaker 2>these smokers.

0:27:23.600 --> 0:27:29.520
<v Speaker 1>Keep it up, you'll die. But you can't say you can.

0:27:30.080 --> 0:27:31.600
<v Speaker 1>You just said keep.

0:27:31.400 --> 0:27:34.159
<v Speaker 2>It up, you'll die. I'm telling people they need to

0:27:34.240 --> 0:27:37.760
<v Speaker 2>understand the truth. Smoking is terrible, and it says so

0:27:38.080 --> 0:27:41.240
<v Speaker 2>everywhere the Surgeon General is true.

0:27:41.480 --> 0:27:44.760
<v Speaker 1>It's like really bad. So I've ever seen cigarette cartons

0:27:44.840 --> 0:27:47.960
<v Speaker 1>in the in Europe. You've never been to Europe because

0:27:47.960 --> 0:27:50.640
<v Speaker 1>you don't go on airplanes. Only only got as far

0:27:50.680 --> 0:27:53.440
<v Speaker 1>as New Mexico. No, I went to New York once. Okay,

0:27:53.480 --> 0:27:56.840
<v Speaker 1>what on the cigarette cartons when you buy them overseas?

0:27:57.200 --> 0:27:59.040
<v Speaker 1>Is that what they say these days over the seas

0:28:00.960 --> 0:28:04.720
<v Speaker 1>on the back of the curtain. It's like horrific imagery

0:28:04.760 --> 0:28:08.520
<v Speaker 1>that they put on there of like dead people, dead people,

0:28:08.720 --> 0:28:15.480
<v Speaker 1>dead babies, people with like deformities. Pictures they're like lungs. Yeah,

0:28:15.480 --> 0:28:17.920
<v Speaker 1>so they're really trying to do something about it.

0:28:18.800 --> 0:28:24.040
<v Speaker 2>But marijuana like smoking a cigarette, Like should you like, okay,

0:28:24.200 --> 0:28:26.720
<v Speaker 2>say you want to use marijuana, should you just use

0:28:26.800 --> 0:28:29.760
<v Speaker 2>like gummies because then you don't want to be smoking?

0:28:29.880 --> 0:28:35.600
<v Speaker 1>Are you asking for a friend? Really? I don't know.

0:28:36.640 --> 0:28:39.280
<v Speaker 1>I think it's the same. I think smoking the joint

0:28:40.400 --> 0:28:45.000
<v Speaker 1>is the same. You're inhaling like toxic fumes into your luggage.

0:28:45.320 --> 0:28:47.080
<v Speaker 2>I feel like I was just watching something where someone

0:28:47.160 --> 0:28:48.280
<v Speaker 2>was smoking a cigar.

0:28:49.840 --> 0:28:52.080
<v Speaker 1>They say that that's not as bad for you because

0:28:52.120 --> 0:28:54.920
<v Speaker 1>you don't inhale cigars like you just you do. You

0:28:55.000 --> 0:28:57.760
<v Speaker 1>just like it. You put in your mouth and then

0:28:57.760 --> 0:29:00.440
<v Speaker 1>you puff it out. You don't in the hand into

0:29:00.480 --> 0:29:00.800
<v Speaker 1>your life.

0:29:00.840 --> 0:29:03.560
<v Speaker 2>Oh gosh, what show was I watching where they had

0:29:03.600 --> 0:29:04.960
<v Speaker 2>a cigar? I mean literally?

0:29:06.560 --> 0:29:06.840
<v Speaker 1>Oh?

0:29:06.960 --> 0:29:08.520
<v Speaker 2>I think it was Will Ferrell. I watched that Will

0:29:08.560 --> 0:29:11.560
<v Speaker 2>Ferrell documentary. Excellent, by the way. I cried, cried, cried

0:29:11.800 --> 0:29:12.200
<v Speaker 2>so good.

0:29:12.400 --> 0:29:13.440
<v Speaker 1>Oh I got to watch that.

0:29:13.640 --> 0:29:14.800
<v Speaker 2>It's actually really good.

0:29:15.560 --> 0:29:15.760
<v Speaker 1>Yeah.

0:29:15.880 --> 0:29:19.560
<v Speaker 2>No, I watched Wolf's also. Sorry you know that George

0:29:19.600 --> 0:29:20.720
<v Speaker 2>cliney Brad Pitt thing.

0:29:21.640 --> 0:29:22.880
<v Speaker 1>Thing not great?

0:29:23.320 --> 0:29:26.800
<v Speaker 2>Okay, sorry, Brad, I literally love you both so much,

0:29:26.840 --> 0:29:31.320
<v Speaker 2>But anyway, continue that's sad. Yeah, but watch it. Everybody

0:29:31.320 --> 0:29:32.960
<v Speaker 2>watched it and tell me what you think, because maybe

0:29:33.000 --> 0:29:34.120
<v Speaker 2>I just have a bad opinion.

0:29:34.440 --> 0:29:37.120
<v Speaker 1>Oh my god, we're so off. That's target.

0:29:37.520 --> 0:29:40.880
<v Speaker 2>I'm happy about it because this episode is selling me.

0:29:41.800 --> 0:29:44.440
<v Speaker 1>We didn't confuse people before, we've really thrown them now

0:29:44.480 --> 0:29:48.440
<v Speaker 1>because we've been talking about cigarette smoking, and then pot smoking,

0:29:48.640 --> 0:29:52.080
<v Speaker 1>and then cigar smoking, and then the movies that you've

0:29:52.080 --> 0:29:53.080
<v Speaker 1>seen this weekend.

0:29:53.520 --> 0:29:55.360
<v Speaker 2>Wait, was someone smoking in this episode?

0:29:55.440 --> 0:29:57.960
<v Speaker 1>Thinking of add I'm sure was.

0:29:57.920 --> 0:30:00.440
<v Speaker 2>Someone smoking this week in this episode? Or straight just

0:30:00.480 --> 0:30:03.840
<v Speaker 2>because we'd start talking about ashtrays. Yeah, that just that's it.

0:30:04.320 --> 0:30:05.600
<v Speaker 2>The cooke was in the ashtray.

0:30:17.720 --> 0:30:20.400
<v Speaker 1>Claire tells Donna that she's sorry about the bird, but

0:30:20.480 --> 0:30:22.760
<v Speaker 1>that she didn't let him out, and Donna starts telling

0:30:22.800 --> 0:30:26.360
<v Speaker 1>them what happened with the bird. Okay, so we go

0:30:26.480 --> 0:30:28.600
<v Speaker 1>back in a flashback now and we see that Joe

0:30:29.080 --> 0:30:31.800
<v Speaker 1>is obsessed like it's getting kind of weird.

0:30:32.640 --> 0:30:35.760
<v Speaker 2>Yes, I have a comment on this. My precious Joe

0:30:36.080 --> 0:30:39.080
<v Speaker 2>would never behave this way. He would behave how he

0:30:39.120 --> 0:30:41.400
<v Speaker 2>did at the end of the episode with the Joe

0:30:41.480 --> 0:30:44.600
<v Speaker 2>Loves Donna. He would have never acted this way. And

0:30:44.680 --> 0:30:47.520
<v Speaker 2>the night before her big day, no way.

0:30:47.200 --> 0:30:50.520
<v Speaker 1>No, he wouldn't have kept her up late looking for birds.

0:30:50.360 --> 0:30:52.960
<v Speaker 2>Right, come on, Larry. I love you, Larry Mullen, but

0:30:53.240 --> 0:30:57.000
<v Speaker 2>that is that doesn't track for me. Joe is an angel.

0:30:57.360 --> 0:30:57.800
<v Speaker 1>He would not.

0:30:57.960 --> 0:31:00.320
<v Speaker 2>He would be like, Donna get your beauty rest. I'm

0:31:00.320 --> 0:31:01.160
<v Speaker 2>just gonna look for the bird.

0:31:01.240 --> 0:31:01.800
<v Speaker 1>I'm not even mad.

0:31:01.840 --> 0:31:03.200
<v Speaker 2>I'm just gonna look for the bird for a second.

0:31:03.360 --> 0:31:04.960
<v Speaker 2>If I can't find the bird, it's okay.

0:31:05.280 --> 0:31:07.360
<v Speaker 1>Yeah, And then they get into an argument, I think,

0:31:07.400 --> 0:31:09.600
<v Speaker 1>like their first argument in Joe leaves to keep looking

0:31:09.600 --> 0:31:10.160
<v Speaker 1>for the damn.

0:31:10.040 --> 0:31:12.040
<v Speaker 2>Bird, and it was so stupid because those two would

0:31:12.120 --> 0:31:13.640
<v Speaker 2>never get in an argument like that.

0:31:14.400 --> 0:31:17.080
<v Speaker 1>Stupid. Then we go into a flashback at Collin's house

0:31:17.080 --> 0:31:18.600
<v Speaker 1>where Kelly goes to pick him up for the Rose

0:31:18.600 --> 0:31:21.440
<v Speaker 1>Parade early. This has got to be at like four

0:31:21.480 --> 0:31:23.200
<v Speaker 1>in the morning. You guys five and.

0:31:23.240 --> 0:31:27.080
<v Speaker 2>Thember talk about your outfit for the Rose Parade.

0:31:27.200 --> 0:31:32.480
<v Speaker 1>Which that outfit it's like the worst color on her too,

0:31:32.960 --> 0:31:36.800
<v Speaker 1>totally wash her up so bizarrely. And I've been to

0:31:36.840 --> 0:31:40.160
<v Speaker 1>the Rose Parade. It's cold, you guys, it's colder. You

0:31:40.200 --> 0:31:41.840
<v Speaker 1>go in layers, you don't wear a suit.

0:31:41.840 --> 0:31:45.280
<v Speaker 2>You would have been wearing cute jeans, a cozy sweater,

0:31:45.840 --> 0:31:46.640
<v Speaker 2>a little.

0:31:46.400 --> 0:31:50.800
<v Speaker 1>Beanie doesn't get any sense that suit was so rambo

0:31:51.280 --> 0:31:55.560
<v Speaker 1>a call out for the wardrobe department. So she finds

0:31:55.600 --> 0:31:58.200
<v Speaker 1>out that he's messed up and that this is where

0:31:58.200 --> 0:32:00.440
<v Speaker 1>she says, you know what, I picked up my mother

0:32:00.520 --> 0:32:01.880
<v Speaker 1>off the floor and I'm not going to do the

0:32:01.920 --> 0:32:04.920
<v Speaker 1>same for you, and she leaves him there. He say,

0:32:05.040 --> 0:32:08.800
<v Speaker 1>I'm going miit. He's not. He's not going. He's terrible.

0:32:09.400 --> 0:32:12.280
<v Speaker 1>Then we go to a flashback at the Condor, which

0:32:13.160 --> 0:32:15.600
<v Speaker 1>I don't even want to do. Brandon tells everyone he

0:32:15.640 --> 0:32:18.240
<v Speaker 1>went to work at the Condor after trying to call Susan,

0:32:18.600 --> 0:32:20.240
<v Speaker 1>but that she was nowhere to be found.

0:32:20.360 --> 0:32:22.800
<v Speaker 2>When he gets in, who's he doozy there?

0:32:23.160 --> 0:32:26.800
<v Speaker 1>Oh? I don't know. He sees Susan and who'sy doozy? Jonathan?

0:32:27.440 --> 0:32:31.000
<v Speaker 1>They're there together, and then they say they're going to

0:32:31.040 --> 0:32:34.640
<v Speaker 1>see an old friend together and Jonathan apologizes, but Brandon's

0:32:34.640 --> 0:32:35.200
<v Speaker 1>still upset.

0:32:36.080 --> 0:32:41.320
<v Speaker 2>Brandon's typing angry typing. He's standing over a computer hunting

0:32:41.360 --> 0:32:42.240
<v Speaker 2>and packing typing.

0:32:42.320 --> 0:32:45.240
<v Speaker 1>So he's not type type typing. He's tight type tight type.

0:32:45.440 --> 0:32:46.600
<v Speaker 1>That's angry typing.

0:32:46.680 --> 0:32:49.320
<v Speaker 2>Yeah, dude, what are you doing on that computer?

0:32:49.960 --> 0:32:55.680
<v Speaker 1>I think that this is very confusing, Like just tell

0:32:55.760 --> 0:32:59.480
<v Speaker 1>us what is their big deal connection? Where are they

0:32:59.520 --> 0:33:03.040
<v Speaker 1>going to see a friend? So now there's a friend

0:33:03.120 --> 0:33:04.800
<v Speaker 1>involved in their connection.

0:33:05.880 --> 0:33:08.640
<v Speaker 2>She's like, or he says he really wants to see

0:33:08.640 --> 0:33:11.800
<v Speaker 2>you too, and she's like, okay, you go like, what

0:33:11.800 --> 0:33:13.280
<v Speaker 2>what is happening?

0:33:13.720 --> 0:33:16.360
<v Speaker 1>Yeah? No, and then we go we have a flashback

0:33:16.600 --> 0:33:20.920
<v Speaker 1>to the Rose Parade where Valerie gives Kelly Collins vial

0:33:21.000 --> 0:33:23.880
<v Speaker 1>of coke to prove that he is an addict.

0:33:24.240 --> 0:33:26.680
<v Speaker 2>Or are you all at the Rose Parade? I have

0:33:26.760 --> 0:33:28.080
<v Speaker 2>to know, right was that?

0:33:28.160 --> 0:33:32.640
<v Speaker 1>Really? I don't remember? I would remember, and she's not here,

0:33:32.680 --> 0:33:33.600
<v Speaker 1>so she'll.

0:33:33.240 --> 0:33:35.000
<v Speaker 2>Be back next week, so we do have to ask her.

0:33:35.280 --> 0:33:38.600
<v Speaker 2>Maybe somebody text her. So there was footage of the

0:33:38.680 --> 0:33:41.239
<v Speaker 2>Rose Parade that was definitely the Rose Parade. Then we

0:33:41.320 --> 0:33:45.400
<v Speaker 2>see the princesses, the queens whatever, they.

0:33:45.440 --> 0:33:50.280
<v Speaker 1>Float looking so beautiful. They're like that waving, waving, like

0:33:50.560 --> 0:33:52.120
<v Speaker 1>was that in the Rose Parade?

0:33:52.160 --> 0:33:54.680
<v Speaker 2>And maybe they're just like, hey, everybody, we're filming nine

0:33:54.720 --> 0:33:58.080
<v Speaker 2>O two and O. Now, I in my mind, I thought,

0:33:58.160 --> 0:34:01.440
<v Speaker 2>okay for the filming of you all in stands, that's

0:34:01.520 --> 0:34:04.280
<v Speaker 2>not that seemed like not real that you just went

0:34:04.320 --> 0:34:08.200
<v Speaker 2>to a stadium and one section was filled with people,

0:34:08.880 --> 0:34:12.800
<v Speaker 2>but the Rose Parade looked very real. Sorry, I'm popping

0:34:12.920 --> 0:34:15.240
<v Speaker 2>my peas there every time I say.

0:34:15.160 --> 0:34:20.879
<v Speaker 1>All right, I think that you're right. It was half real,

0:34:21.000 --> 0:34:23.920
<v Speaker 1>half not real. Why was Kelly sitting next to Valerie

0:34:23.920 --> 0:34:26.880
<v Speaker 1>at the parade though happenstance? I don't know? Is that

0:34:26.920 --> 0:34:32.320
<v Speaker 1>the you know, it doesn't make sense. That's so frustrating.

0:34:32.719 --> 0:34:35.360
<v Speaker 2>And also let's talk about the fact that she's carrying

0:34:35.400 --> 0:34:38.560
<v Speaker 2>around cocaine just to give it back to Kelly and

0:34:38.600 --> 0:34:39.200
<v Speaker 2>now you're.

0:34:39.040 --> 0:34:39.719
<v Speaker 1>Stuck with it.

0:34:40.080 --> 0:34:44.919
<v Speaker 2>I would be like, I'm not taking that, touching that right,

0:34:45.040 --> 0:34:47.879
<v Speaker 2>Like what are these people doing? And I think that's

0:34:47.920 --> 0:34:53.080
<v Speaker 2>the that's the vial that takes you down, because.

0:34:53.080 --> 0:34:55.040
<v Speaker 1>That's how you are. Like, I guess I'll try this,

0:34:55.680 --> 0:34:58.759
<v Speaker 1>like nobody's doing that. No, okay. This is where we

0:34:58.840 --> 0:35:02.040
<v Speaker 1>also see Joe back to being Joe in the stands

0:35:02.040 --> 0:35:05.560
<v Speaker 1>with a big sign that says his Dan bird. So

0:35:05.600 --> 0:35:07.759
<v Speaker 1>he's trying to like make up for being such an idiot.

0:35:07.560 --> 0:35:09.279
<v Speaker 2>But he never should have had to make up for anything,

0:35:09.320 --> 0:35:11.040
<v Speaker 2>because Joe would have never gotten in a fight. He

0:35:11.080 --> 0:35:12.040
<v Speaker 2>would have never done that.

0:35:12.080 --> 0:35:14.320
<v Speaker 1>Can I just see you wave like you're on the float?

0:35:14.360 --> 0:35:20.160
<v Speaker 1>I want to see your princess wave very good. Yours

0:35:20.239 --> 0:35:23.600
<v Speaker 1>is more of a this. Mine's more like a turn.

0:35:24.160 --> 0:35:25.959
<v Speaker 1>And you can't do it up here. It can never

0:35:26.000 --> 0:35:27.040
<v Speaker 1>be above the tier.

0:35:26.920 --> 0:35:28.960
<v Speaker 2>Because then he would have the wiggily arms.

0:35:29.080 --> 0:35:31.839
<v Speaker 1>Yeah, it has to be down here. Yeah. And if

0:35:31.880 --> 0:35:33.960
<v Speaker 1>you're sweaty on the parade, nobody needs to see like

0:35:34.000 --> 0:35:37.040
<v Speaker 1>your sweaty pits. Keep it tight.

0:35:37.120 --> 0:35:39.320
<v Speaker 2>Let me talk about something really fast. It's also a sidebar.

0:35:39.840 --> 0:35:42.440
<v Speaker 2>Are you watching Golden Bachelorette.

0:35:43.040 --> 0:35:45.799
<v Speaker 1>I tried, I kept getting interrupted, but I told you

0:35:45.840 --> 0:35:48.680
<v Speaker 1>to watch it. It's really good. It's really good. I

0:35:48.719 --> 0:35:51.080
<v Speaker 1>saw the part where they sing the song take take

0:35:51.400 --> 0:35:53.960
<v Speaker 1>Me Home. I don't remember.

0:35:55.080 --> 0:35:58.600
<v Speaker 2>But these poor old guys are so sweaty every single

0:35:58.760 --> 0:35:59.240
<v Speaker 2>I need.

0:35:59.080 --> 0:36:01.520
<v Speaker 1>To text Bennett. I need to text my friend. They're

0:36:01.560 --> 0:36:02.600
<v Speaker 1>really excited.

0:36:03.040 --> 0:36:04.800
<v Speaker 2>I need to text my friend who produces The Bachelor

0:36:04.840 --> 0:36:08.200
<v Speaker 2>and be like, dude, these get these old guys a

0:36:08.280 --> 0:36:12.480
<v Speaker 2>towel or back off the lights because they're all sweating.

0:36:13.640 --> 0:36:17.520
<v Speaker 2>I've never seen it so much sweat. Yeah, wait until

0:36:17.560 --> 0:36:19.319
<v Speaker 2>episode two. I just finished it last night.

0:36:19.520 --> 0:36:20.279
<v Speaker 1>I have to finish it.

0:36:20.320 --> 0:36:22.720
<v Speaker 2>I think we're on episode three. I think we're behind.

0:36:22.719 --> 0:36:23.800
<v Speaker 2>I'm watching it on Hulu.

0:36:24.000 --> 0:36:27.760
<v Speaker 1>Oh my gosh, Okay, this is not a Golden Bachelor rewatch,

0:36:27.960 --> 0:36:30.680
<v Speaker 1>but it's a great podcast episode for everyone listening.

0:36:30.840 --> 0:36:35.279
<v Speaker 2>They are enjoying this immensely because I am, because I

0:36:35.320 --> 0:36:38.480
<v Speaker 2>love it so much. But now I'm hungry how much more.

0:36:39.719 --> 0:36:42.440
<v Speaker 1>You are like a child today? I just need you

0:36:42.480 --> 0:36:47.480
<v Speaker 1>to go take your medication. I'm really trying you, guys. Okay,

0:36:47.640 --> 0:36:50.440
<v Speaker 1>out of the flashbacks and inside the wash kitchen, Rush

0:36:50.480 --> 0:36:53.520
<v Speaker 1>calls and the boys begs Steve not to tell their

0:36:53.640 --> 0:36:56.000
<v Speaker 1>dad all the bad things that they have done, and

0:36:56.080 --> 0:36:59.200
<v Speaker 1>Steve shows mercy on them and puts them out to

0:36:59.200 --> 0:37:01.520
<v Speaker 1>do the yard work. That was cute. That was cute.

0:37:01.600 --> 0:37:02.280
<v Speaker 1>That was cute.

0:37:02.400 --> 0:37:05.439
<v Speaker 2>Now I have a flag on the yard work. I've

0:37:05.480 --> 0:37:09.319
<v Speaker 2>never seen that angle of the yard before at all.

0:37:10.080 --> 0:37:12.000
<v Speaker 2>And I'm like, where did we shoot this?

0:37:12.239 --> 0:37:14.080
<v Speaker 1>We was in the front yard of the backyard.

0:37:15.040 --> 0:37:19.280
<v Speaker 2>Well, I don't know, because it was they in the backyard, correct,

0:37:19.280 --> 0:37:21.960
<v Speaker 2>Because there's suddenly a pergola, kind of a weird pergola,

0:37:22.000 --> 0:37:23.399
<v Speaker 2>and you're all sipping what.

0:37:23.400 --> 0:37:26.560
<v Speaker 1>Looks like that was the backyard. That was the real

0:37:26.600 --> 0:37:29.520
<v Speaker 1>backyard of that house. Yeah. Yeah, because I think we

0:37:29.600 --> 0:37:32.720
<v Speaker 1>have I think we have Donna's wedding there or somebody's

0:37:32.719 --> 0:37:36.320
<v Speaker 1>wedding is in that backyard. Okay, okay, maybe Kelly and Brandon's.

0:37:36.320 --> 0:37:43.960
<v Speaker 1>I have no idea. I have no idea. Susan shows

0:37:44.080 --> 0:37:47.080
<v Speaker 1>up and asks Brandon for forgiveness, and she says that

0:37:47.200 --> 0:37:50.600
<v Speaker 1>Jonathan left back to Chicago, so now she can pay

0:37:50.600 --> 0:37:51.720
<v Speaker 1>attention to her boyfriend.

0:37:51.920 --> 0:37:55.279
<v Speaker 2>Here is my impression of the director for Susan as

0:37:55.320 --> 0:37:59.640
<v Speaker 2>she enters the scene, looks super MOPy, looks so MOPy,

0:38:00.040 --> 0:38:02.080
<v Speaker 2>because MOPy as you've ever looked in your whole life

0:38:02.239 --> 0:38:03.160
<v Speaker 2>and look kind of real.

0:38:03.400 --> 0:38:08.760
<v Speaker 1>So sad and MOPy hunched over and MOPy. She did,

0:38:08.880 --> 0:38:12.880
<v Speaker 1>she did, she did a good job. Then but Brandon

0:38:13.000 --> 0:38:16.279
<v Speaker 1>says he forgives her, and then they make out, and

0:38:16.320 --> 0:38:21.080
<v Speaker 1>they make out so aggressively. I can't I don't understand it.

0:38:21.160 --> 0:38:25.440
<v Speaker 2>So because I was like, wow, it's almost like he

0:38:25.800 --> 0:38:29.120
<v Speaker 2>wrestles them during the makeouts, like you're just a lot

0:38:29.160 --> 0:38:30.160
<v Speaker 2>of movement.

0:38:30.760 --> 0:38:32.360
<v Speaker 1>It's it's it's it's exhausting.

0:38:33.239 --> 0:38:40.360
<v Speaker 2>Yeah, that sounds my neck.

0:38:41.320 --> 0:38:43.759
<v Speaker 1>Oh, that's why my next messed up. That's why I

0:38:43.760 --> 0:38:47.920
<v Speaker 1>have TMJ. It's all because of the way Brandon. Totally.

0:38:48.080 --> 0:38:50.120
<v Speaker 2>I have a friend who I won't name great.

0:38:50.200 --> 0:38:50.640
<v Speaker 1>I love him.

0:38:50.680 --> 0:38:54.040
<v Speaker 2>He's a great guy that was on the Bachelor that okay.

0:38:54.320 --> 0:38:56.560
<v Speaker 2>He is like a big guy and when he hugs you,

0:38:57.239 --> 0:39:00.480
<v Speaker 2>it at it's so bear huggy that it actually hurts.

0:39:00.640 --> 0:39:03.000
<v Speaker 2>And I thought I would crack a rib. So I

0:39:03.040 --> 0:39:06.000
<v Speaker 2>almost can't hug him ever again because I have like

0:39:06.160 --> 0:39:11.919
<v Speaker 2>so much I'm so afraid of it. Yeah, I don't

0:39:11.960 --> 0:39:15.440
<v Speaker 2>know people out there. Public service. Let's be careful of

0:39:15.440 --> 0:39:17.879
<v Speaker 2>our backs, our ribs, our necks.

0:39:18.080 --> 0:39:22.640
<v Speaker 1>When whilst making out. You guys, that's the end of

0:39:22.640 --> 0:39:24.080
<v Speaker 1>the episode. I need a nap.

0:39:25.080 --> 0:39:25.360
<v Speaker 2>Good.

0:39:26.400 --> 0:39:29.400
<v Speaker 1>It was really really fun to watch, really really not

0:39:29.719 --> 0:39:33.040
<v Speaker 1>fun to rewatch on this podcast.

0:39:33.600 --> 0:39:35.440
<v Speaker 2>I want you to know I've loved this podcast.

0:39:36.200 --> 0:39:37.520
<v Speaker 1>You've loved every moment of it.

0:39:37.560 --> 0:39:38.960
<v Speaker 2>I really want to just do a podcast where I

0:39:39.000 --> 0:39:41.120
<v Speaker 2>tell people, like what I'm watching on television?

0:39:41.480 --> 0:39:43.400
<v Speaker 1>Oh my god, Amy, Like, maybe when.

0:39:43.280 --> 0:39:45.480
<v Speaker 2>We finish this, would you do that podcast with.

0:39:45.360 --> 0:39:49.640
<v Speaker 1>Me where we you just talk about nonsense things that

0:39:49.880 --> 0:39:53.160
<v Speaker 1>do nothing and have no relation to the thing before. Yeah,

0:39:53.200 --> 0:39:54.160
<v Speaker 1>I like that idea.

0:39:54.360 --> 0:40:00.520
<v Speaker 2>Trist you people listening, please send messages on Instagram because

0:40:00.520 --> 0:40:02.239
<v Speaker 2>I don't know how to read dms. I only know

0:40:02.280 --> 0:40:06.480
<v Speaker 2>how to read the messages that come up on Instagram comments.

0:40:06.480 --> 0:40:09.960
<v Speaker 1>On the comments, yeah, okay, okay, leave us a comment,

0:40:10.000 --> 0:40:14.160
<v Speaker 1>thank you. I like to hear Amy rambling about nonsensical things.

0:40:15.120 --> 0:40:17.920
<v Speaker 1>After our tenth season of OMG.

0:40:18.160 --> 0:40:20.040
<v Speaker 2>Raise your hand if you're happy that Tory will be

0:40:20.080 --> 0:40:23.799
<v Speaker 2>back next week? Me me, me, yes, we're soa And

0:40:23.800 --> 0:40:26.239
<v Speaker 2>why do you give this episode a ten?

0:40:26.400 --> 0:40:29.240
<v Speaker 1>It was so good. I didn't like the squiggly things,

0:40:29.280 --> 0:40:31.520
<v Speaker 1>but in the you know, but I really enjoyed like

0:40:32.080 --> 0:40:34.799
<v Speaker 1>the storytelling and going back and forth. I thought it

0:40:34.840 --> 0:40:35.200
<v Speaker 1>was fun.

0:40:35.320 --> 0:40:38.560
<v Speaker 2>But you can't give this podcast a ten? The episode

0:40:38.680 --> 0:40:40.440
<v Speaker 2>eight eight point seven?

0:40:41.160 --> 0:40:46.040
<v Speaker 1>Wow, okay, yeah? What's next week? Next week we have

0:40:46.280 --> 0:40:51.480
<v Speaker 1>episode seventeen, fade in, fade Out. I don't know what

0:40:51.560 --> 0:40:55.200
<v Speaker 1>that's about me either. I neither Kelly does drugs?

0:40:55.200 --> 0:40:58.040
<v Speaker 2>Really soon though, everybody really soon?

0:40:59.080 --> 0:41:04.239
<v Speaker 1>Happy New Year, happ happy everybody. We could have sing old.

0:41:04.360 --> 0:41:06.520
<v Speaker 2>We could totally sing you all old length signed and

0:41:06.560 --> 0:41:07.759
<v Speaker 2>we wouldn't have to pay for it.

0:41:08.040 --> 0:41:09.240
<v Speaker 1>I don't know what the word.

0:41:11.840 --> 0:41:20.400
<v Speaker 2>Y'all acquaintance be forgot something something old length?

0:41:23.840 --> 0:41:27.000
<v Speaker 1>We should sing more. Okay, bye you guys, Sorry about

0:41:27.000 --> 0:41:27.640
<v Speaker 1>this episode.

0:41:27.680 --> 0:41:27.960
<v Speaker 2>Love you