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Speaker 1: It's nine oh gene one engine with Jenny Garth and

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Speaker 1: Tory spelling.

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Speaker 2: Hi be new Year. It's new Year on nine oh

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Speaker 2: two one.

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Speaker 1: Oh yeah, it's nineteen ninety six. You guys.

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Speaker 2: But they really, they really like accentuated.

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Speaker 1: This is such an exciting episode we have to talk about.

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Speaker 1: But first I want to show you something. Amy. Have

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Speaker 1: we talked about. I think we've talked about the Tom's Guide.

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Speaker 1: Oh my god, we just talked about it. Okay, it

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Speaker 1: wasn't like it was like a week or two ago

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Speaker 1: in the back of my mom's car. Stop it.

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Speaker 2: No. First of all, I love that it says Carol

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Speaker 2: and g so she knows it's hers.

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Speaker 1: Yeah, she doesn't want anybody to steal this. And then it's.

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Speaker 2: Born in two thousand, two thousand, you know, it would

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Speaker 2: be weird. I wonder, like, in twenty twenty five, how

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Speaker 2: many things have changed.

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Speaker 1: I can't even find my house in this, Like my

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Speaker 1: address doesn't exist.

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Speaker 2: Yeah, I bet there's entirely new freeways.

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Speaker 1: Oh my gosh, this is the smell of it. Listen

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Speaker 1: to those pages. Oh my god.

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Speaker 2: You know what it makes me think of in speed

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Speaker 2: when the freeway is not finished? Uh huh, it's like

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Speaker 2: I've got the freeway in that is maybe not finished,

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Speaker 2: the one oh five. It's so it's like I couldn't

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Speaker 2: even begin to understand what that is saying.

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Speaker 1: Look, you have to cross coordinate, you have to find

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Speaker 1: your address, and you have to cross coordinate and go

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Speaker 1: to the map page and then go to a eight

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Speaker 1: and then you find you It's so fever forget.

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Speaker 2: So I was in college and I went on a

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Speaker 2: trip with my college boyfriend to New Mexico. So first

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Speaker 2: of all, I went on a plane, which I don't do.

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Speaker 2: So I already yeah, I was already a little out

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Speaker 2: of sorts. And then he hands me a map to

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Speaker 2: get to the hotel, like a foldyouty one yet and

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Speaker 2: I'm holding the map and I cannot figure out what

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Speaker 2: it's saying. So I start to turn it, and he's,

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Speaker 2: oh my god, never turn the map.

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Speaker 1: And I really know.

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Speaker 2: I think if you turn the map, you're just like

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Speaker 2: not going You're just totally going up down.

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Speaker 1: Then at that point, I don't know. I am a

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Speaker 1: map reader. I love reading maps. It's something weird about me,

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Speaker 1: but I have a whole thing for maps in my heart.

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Speaker 2: Do enjoy the overview, do you know what the overview

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Speaker 2: is like on your map on your phone. If you

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Speaker 2: click like the overview, you can sort of see where

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Speaker 2: you are and where your final destination is, as opposed

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Speaker 2: to the turn by turn.

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Speaker 1: Yeah, you know what I need to challenge and challenge

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Speaker 1: all of us to stop using our navigations just for

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Speaker 1: like a day, and try using your brain to get

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Speaker 1: where you need to go.

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Speaker 2: No, my problem too, is like street names mean nothing

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Speaker 2: to me, Like yeah, No, my problem is like when

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Speaker 2: people are like, take Maraga Road and I'm like, I

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Speaker 2: don't know which one that is?

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Speaker 1: Is it?

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Speaker 2: By Roundtable the movie theater CBS, Like you.

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Speaker 1: Have to get a table. Wait, there's a roundtable in

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Speaker 1: your neighborhood.

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Speaker 2: Totally roundtable pizza. We have one in my town and

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Speaker 2: the town over. It's super popular up here.

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Speaker 1: I want to come over.

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Speaker 2: Have you been to round table? It'll give you diarrhea,

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Speaker 2: but it's really good for good going back.

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Speaker 1: Yeah, that's a ringing endorsement. I think I'll be right over.

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Speaker 2: The last time I had it, I like it tasted

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Speaker 2: so good going down and then just direage.

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Speaker 1: All right, that's okay, We're stop that conversation right there

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Speaker 1: and We're going to get back into this week's episode.

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Speaker 1: Right after this, I heard podcasts listen on the iHeartRadio app. Okay,

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Speaker 1: so nobody really wants to hear what happened after you

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Speaker 1: ate round Table, but they do want to hear about.

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Speaker 2: Look, it's not it's not about Roundtable. It's about my stomach.

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Speaker 2: So please continue to go to round Table. It's not

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Speaker 2: their fault. It's about the cheese and me all.

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Speaker 1: Like I said, people don't want to hear about what

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Speaker 1: happened to you after you ate round Table. They want

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Speaker 1: to hear about Season six, episode sixteen, turn Back the Clock,

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Speaker 1: aired January third, nineteen ninety six.

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Speaker 2: Before I do the synopsis? Is that a creative choice

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Speaker 2: to like do it in flashback?

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Speaker 1: Do you know what I'm saying? You have to read thesis?

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Speaker 2: Okay, new year, same drama. I'm gonna read it like

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Speaker 2: I'm a professional.

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Speaker 1: Okay.

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Speaker 2: Holland can't kick his holiday habit, Susan's boyfriend Baggage is

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Speaker 2: not sitting well with Brandon, Steve's half brothers, Tory Smelling's

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Speaker 2: brother love to pull pranks, and Donna finally puts Burdgate

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Speaker 2: to bed as she finally rides the Rose Parade.

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Speaker 1: Float directed by Graham Lynch, written by Larry Mullen. Wow, okay,

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Speaker 1: now you can ask your question about flashbacks.

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Speaker 2: So since I am a layman and you are an actor, Like,

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Speaker 2: why would they make that choice rather than tell it

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Speaker 2: to us in real time?

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Speaker 1: Dude? I have the same question on my notes, So

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Speaker 1: I got nothing for that. It's like, why, why why

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Speaker 1: the flashbacks?

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Speaker 2: Like why wouldn't we just tell in real time? Tell

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Speaker 2: the same story.

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Speaker 1: I don't know. I really have no idea that this is

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Speaker 1: a Larry Mullen question.

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Speaker 2: Maybe he just wanted to do something different.

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Speaker 1: Maybe he just was really into those like boyes to

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Speaker 1: make you go back in time in your mind, so.

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Speaker 2: So silly as a whole. I enjoyed this episode toats

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Speaker 2: me too. A couple questions and people can yell at me.

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Speaker 2: When did we meet the boyfriend?

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Speaker 1: Before? I know we talked about him. I have never

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Speaker 1: seen him before in my life.

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Speaker 2: Brandon at one point says, like the last time I

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Speaker 2: saw you? And is that just like around school?

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Speaker 1: Okay, if you don't remember, then we've never seen him.

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Speaker 2: And I can't remember what the drama is between the

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Speaker 2: two of them. Why, like Brandon you just don't understand.

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Speaker 2: I feel like she was pregnant.

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Speaker 1: I mean that would be Yeah, that would be the

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Speaker 1: easy place to go with that. It's such a secret.

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Speaker 1: I don't know, and I don't recall if and when

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Speaker 1: we find out, and I don't recall if I care.

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Speaker 2: Well, So the people just carry around files of cocaine

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Speaker 2: like it's a stick of gum.

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Speaker 1: Yeah, apparently so weird in those It always has to

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Speaker 1: be in that little brown bottle too.

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Speaker 2: Just feels like we're watching less than zero, Like it's

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Speaker 2: just so weird.

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Speaker 1: Hey, did you know that this was the first episode

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Speaker 1: that aired in nineteen ninety six?

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Speaker 2: Maybe that answers our question. Maybe that is why they

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Speaker 2: did it as a flashback because it aired in nineteen

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Speaker 2: ninety six.

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Speaker 1: And they had to go back to do New Year's

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Speaker 1: because because it didn't air.

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Speaker 2: In this we just solve the mystery. Yeah, they really

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Speaker 2: they wanted to really be accurate. Nineteen ninety six. Let

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Speaker 2: me think about what was happening. I was still in college,

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Speaker 2: senior in college. What were you doing in your life?

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Speaker 2: Did you have any kids?

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Speaker 1: No? I think I was going through divorce number one

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Speaker 1: and getting into my relationship, and I think about to

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Speaker 1: get pregnant.

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Speaker 2: Yeah, because we would know because you're going to carry

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Speaker 2: a bunch of groceries and stuff.

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Speaker 1: Oh no, that's for another year. Sorry, I forgot Okay.

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Speaker 2: Yeah, that'll be next Jeria.

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Speaker 1: Hey the Cores, Hello, the Corps. They are in this episode.

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Speaker 2: They weren't actually really good, even though they never sang

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Speaker 2: their their hit, they had a hit. They did have

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Speaker 2: a hit, and I interviewed the Cores. I mean I didn't,

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Speaker 2: but like I was there, they had one really big hit.

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Speaker 2: But they were actually quite good singers, Like the old

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Speaker 2: Lang sign was really good.

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Speaker 1: Oh Breathless was their hit. They were gorgeous, by the way.

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Speaker 1: These these Cores, Wow, they're Irish m hm Srish band

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Speaker 1: made up of four siblings.

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Speaker 2: I actually think in nineteen ninety six, if you were

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Speaker 2: at a New Year's party at the Peapad and the

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Speaker 2: Cores were there.

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Speaker 1: You'd be pretty stoked. Yeah, for sure, I think we

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Speaker 1: were stoked to be there watching it. Okay, let's break

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Speaker 1: this down. Let's just start at the top. The show

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Speaker 1: opens up to a newscast with our favorite Sam Rubin.

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Speaker 1: I don't know if like the whole world knows Sam Rubin,

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Speaker 1: but he was in La like he was it.

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Speaker 2: Yeah, until he passed away in May. He was just

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Speaker 2: at the top of his game. And I've worked for

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Speaker 2: him for like twenty plus years, like in some capacity,

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Speaker 2: and every day for the last fifteen I don't even

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Speaker 2: have ten twelve. I've lost track.

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Speaker 1: He is a great guy.

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Speaker 2: And that was like what I couldn't figure out is

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Speaker 2: if that was the actual newscast or if he did

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Speaker 2: it special for nine o two and zero.

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Speaker 1: I'm assuming he did. Sure she did it special. Yeah,

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Speaker 1: he was always around us.

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Speaker 2: Yeah, and some of the Rose Parade footage looked actually real. Yeah,

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Speaker 2: so that was kind of I can't wait to break

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Speaker 2: that down.

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Speaker 1: But yeah. So so we open up on Sam Ruben

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Speaker 1: talking about the Rose Parade and then we see that

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Speaker 1: Brandon and Steve are tossing out the Christmas tree, which

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Speaker 1: you know means Christmas is over. Clara arrives in her Volvo.

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Speaker 1: You got a Volvo? I think her dad must have

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Speaker 1: bought her that. Such a dad car to get a daughter.

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Speaker 2: We've even seen her Volvo before. Did I think he

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Speaker 2: went on a road trip in it?

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Speaker 1: Oh? Right? And did it break down at the nun

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Speaker 1: with the convent? Huh? Huh okay. So she notices that

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Speaker 1: Steve has a black eye and asks what happened, and

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Speaker 1: Brandon begins to explain that it happened on New Year's

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Speaker 1: Eve at the after dark. That's a flashback, you guys,

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Speaker 1: in case you didn't know. Yea, bess, it was all

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Speaker 1: pretty good, Brandon narrates, while we learned that Susan's ex boyfriend,

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Speaker 1: Jonathan Casten, came back to town and Brandon and saw

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Speaker 1: them kissing, So right out of the gate, we know

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Speaker 1: something is bad that's happening.

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Speaker 2: I'm gonna have a long conversation with you when we

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Speaker 2: get to that kiss, because that was too odd. Yeah,

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Speaker 2: Like he's kissing her, but she's kissing back and pulling

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Speaker 2: away at the same time.

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Speaker 1: I'm like, yeah, no, Steve says, okay. So Steve says

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Speaker 1: it all started when his dad made him babysit his

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Speaker 1: two younger brothers, who, hello, I didn't even know he

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Speaker 1: had two younger twin brothers, Austin and Ryan, who teepeed

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Speaker 1: Brandon's front yard. So this whole flashback starts super.

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Speaker 2: Weird because I know two brothers named Austin and Ryan,

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Speaker 2: but they are not twins, but I totally do.

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Speaker 1: That's weird. Look nothing alike. I mean, I know they

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Speaker 1: don't have to be identical, but even one looks a

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Speaker 1: lot like Donna. One of them is played by Randy Spelling.

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Speaker 2: He looks different than when he was on the two

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Speaker 2: times before.

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Speaker 1: He's adorable. I can't with him. He's so cute. I

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Speaker 1: just remember, that's just Nice's sweet and so kind and

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Speaker 1: so like respectful. What a good guy. Love you is.

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Speaker 2: Such a nice, nice guy, like I can't even say

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Speaker 2: it enough. Smart whol anyway, Yeah, as a twerp in

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Speaker 2: this episode though, Yeah, these.

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Speaker 1: Two twrps don't look related at all. So Steve's gets

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Speaker 1: He's so mad at him. He's like rush on them

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Speaker 1: all the whole time. He has turned into his father

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Speaker 1: basically and is treating these poor kids like like Steve

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Speaker 1: was always treated essentially. Yep. Brandon gets a call from

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Speaker 1: Susan saying that her ex is in town. He was

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Speaker 1: headed to He was headed to Tahiti, but he had

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Speaker 1: a layover and will now be in La for New

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Speaker 1: Year's convenient, just so bizarre. Yeah. She tries to get

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Speaker 1: out of her plans with Brandon, but he will He's

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Speaker 1: not having that. I mean, that is just so bizarre.

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Speaker 2: Who is calling their current boyfriend to be like, on

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Speaker 2: New Year's my ex is in town and then is

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Speaker 2: like making a hundred punk call to.

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Speaker 1: Set him up. Yeah. No, it's weird on all fronts.

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Speaker 1: But I do have to say that Brandon is looking

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Speaker 1: sexy and mature. Yeah, I am liking this Brandon this season.

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Speaker 1: Valerie walks into the room and tells Brandon that she

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Speaker 1: is happy to be with David, someone she loves on

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Speaker 1: New Year's.

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Speaker 2: Eve, foreshadowing a hot mess to make it all fall apart.

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Speaker 1: Yeah, but it's not really a hot mess because it

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Speaker 1: ends up with a kiss and a bow. Okay, yeah,

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Speaker 1: we come out of that flashback. This is going to

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Speaker 1: be so confusing for everyone. So that was a flashback.

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Speaker 1: We come out of the flashback sequence and we're back

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Speaker 1: at the Kassa Walsh there and Claire wants to know

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Speaker 1: more about what happened. When Valerie walks into the kitchen

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Speaker 1: and she tells Steve that Donna cult huh kind of

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Speaker 1: sitting around the table. Yeah, they're all just like having

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Speaker 1: a chat.

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Speaker 2: Sort of a lot of forward backward, forward backward.

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Speaker 1: Yeah, it got Yeah, it's confusing, so he sets up

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Speaker 1: that does something happened with the stupid bird? It flew

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Speaker 1: the cop Yeah, we knew the drama with the bird.

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Speaker 1: Then he tells that Claire that she's gonna be blamed

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Speaker 1: for it. Was it her fault? I feel like it wasn't.

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Speaker 1: In the end. Do you feel like there's any chemistry

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Speaker 1: by the way between Steve and Claire in this particular episode.

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Speaker 2: Bilch, except that they're buds, Like you get like, oh,

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Speaker 2: these two are great pals probably in real life, like hell,

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Speaker 2: but you're definitely not, like that's why their couplehood is

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Speaker 2: so like unexciting in the nine two one oho like

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Speaker 2: whole scheme of things, you're just like, oh, that happened whatever.

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Speaker 1: Okay, So now we go back to a flashback and

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Speaker 1: we see step and Claire getting busy in bed when

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Speaker 1: we hear cutie Pie that's the bird talking. Claire heads

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Speaker 1: down to Donna's room to ask him to quiet down

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Speaker 1: the bird, and Joe says he's there struggling with the

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Speaker 1: latch on the cage and uh. He asks Claire to

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Speaker 1: make sure that no one accidentally lets her out, so

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Speaker 1: again shout outing that up. Yeah. Back at the walls shell.

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Speaker 1: Steve continues to tell the bird story when David walks

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Speaker 1: in and begins to tell them what happened that night

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Speaker 1: about the bird. Okay, so David, we're back in a flashback.

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Speaker 1: I don't even know. I've already have whiplash.

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Speaker 2: I've watched this whole episode.

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Speaker 1: Confused. I'm so confused. How do you even do a

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Speaker 1: flashback rewatch episode? You guys, this is impossible. Okay, so

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Speaker 1: we're back. We're going into another flashback, that's all in. Okay.

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Speaker 1: So David approaches Valerie at the party at Colin's party

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Speaker 1: and basically tells her that he doesn't like the way

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Speaker 1: she's nambling with the koke. Heeads and he grabs her arm.

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Speaker 1: Do you see the way he grabbed her arm? So rough? Like,

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Speaker 1: I don't like that, sad?

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Speaker 2: Are we at a pre party at call? I was like,

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Speaker 2: where am I now? Okay, so we're at some sort

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Speaker 2: of a pre party and yes, he's like, don't hang

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Speaker 2: with the cokettes. But then everything was fixed real quick.

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Speaker 2: Then they were kissing. Yeah, it was like she's basically like,

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Speaker 2: I'm not with the cokedes. Okay, make out.

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Speaker 1: And we see Susan tel Brandon that she's trying to

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Speaker 1: find her exedate for New Year's Eve? Why why why?

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Speaker 1: And don't say you'd never understand, right, that's her boyfriend.

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Speaker 1: You should probably explain it to him. We see Colin

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Speaker 1: give Valerie a vial of coke so Kelly doesn't catch

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Speaker 1: him with it, and then we see Kelly walk in

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Speaker 1: to the party with Donna, and she clocks val and

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Speaker 1: Colin a little too close for comfort, and she tells

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Speaker 1: Valerie thanks for keeping him warm, and starts frisking Colin

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Speaker 1: for drugs. The frisking I totally.

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Speaker 2: I was so because Donna says something like they don't

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Speaker 2: even know you're here or some kind of something, and

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Speaker 2: I'm like.

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Speaker 1: What is happening? She frisked him. I mean it was playful,

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Speaker 1: but she was like looking in his pockets for his drugs.

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Speaker 1: Good thing he had just given them to beow.

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Speaker 2: Hello God, why doesn't he keep him in a medicine cabinet?

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Speaker 1: Like what an idiot? I hate the Koch storyline.

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Speaker 2: It's like, this drug addict needs to get out of here.

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Speaker 1: Yeah, it's bad, it's bad, Okay. So then we go

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Speaker 1: to the this is so confusing.

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Speaker 2: The pad, the tree back to the Walshes.

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Speaker 1: When we go to the b Pad and we see

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Speaker 1: that the night has started out great and the cores

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Speaker 1: are performing. You're forgiven, not forgotten. Oh that that song

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Speaker 1: is stuck in my head? Now forgiven, not forgotten. You

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Speaker 1: got it, you hear it.

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Speaker 2: I'm going to get in my head as much as

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Speaker 2: Old Lang Sign, which I believe Old Laying Sign is

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Speaker 2: one of those songs that is free, like do you

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Speaker 2: know what I mean?

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Speaker 1: Like, yeah, you don't have to pay happy to use it.

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Speaker 1: His Happy Birthday and Old ag Sign is the ones

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Speaker 1: that you can you can use. I was like, let's

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Speaker 1: get that in there. Well, we already probably paid a

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Speaker 1: pretty penny for the course, so you know. We see Jonathan,

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Speaker 1: Susan's ex walk into the bar and pull up a

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Speaker 1: chair and sit next to Susan and Brandon, and Jonathan

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Speaker 1: tells Brandon that he enjoys his columns. I don't think

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Speaker 1: I believe him. It was so weird. It's just weird.

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Speaker 1: The whole thing's weird. He's kind of hot, though I

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Speaker 1: did not think so. I thought he was. I liked

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Speaker 1: his like kind of fassy attitude. Yeah. Then we go,

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Speaker 1: Then we go and we see that David. During this time,

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Speaker 1: David is helping Donna get the damn bird back after

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Speaker 1: it flew up into a tree. He's way up in there,

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Speaker 1: and it's still like squawking. Joe loves Donna. Joe loves Donna.

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Speaker 2: Lam bird, damn bird, that bird. I know why this

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Speaker 2: is a storyline.

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Speaker 1: I don't either.

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Speaker 2: Then, to get rid of the bird is why they

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Speaker 2: had to figure out how to get rid of it.

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Speaker 1: They had to get it lost. Yeah, back to the flashbacks.

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Speaker 1: Now at the peach Pit after dark, Steve is furious

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Speaker 1: when he spots his younger half brothers inside the club

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Speaker 1: making a ruckus.

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Speaker 2: SE's so mad because they're underage or because he didn't

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Speaker 2: want to hang out with them. It was like, I

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Speaker 2: didn't get all.

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Speaker 1: Of the above, but that let them in, which I

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Speaker 1: don't think Nat will do because.

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Speaker 2: He thought they were cag brothers. Oh and is it

356
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Speaker 2: an eighteen and overclub? Is it a twenty one and

357
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Speaker 2: over club? I don't know any what the age deal

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Speaker 2: is on the Peaty either.

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Speaker 1: We see a girl slapping one of them for being

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Speaker 1: Handy's getting fresh. They're so cute. And then I loved

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Speaker 1: Randy's line He's like, Okay, see you in a few years.

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Speaker 1: He's so cute. Steve tells his brothers to go home

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Speaker 1: and go to bed.

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Speaker 2: Yeah, he had a lot of lines, as you would say,

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Speaker 2: not talking. I'm like, he had a lot of talking.

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Speaker 2: He had a lot of lines in this one compared

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Speaker 2: to his previous appearances.

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Speaker 1: So that was exciting.

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Speaker 2: Probably got paid a little a little bit more randy.

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Speaker 1: Yeah. Then we cut to Jonathan telling Brandon the real

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Speaker 1: reason he's in town, that he's in love with Susan

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Speaker 1: and he wants her back, and he says there is

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Speaker 1: a bond between them and Brandon is irrelevant. Ouch, that's

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Speaker 1: like the ultimate f you to say to someone you

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Speaker 1: know what you're irrelevant is?

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Speaker 2: Wait, now, all of a sudden, I just had a

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Speaker 2: weird moment that like, she ends up with this guy.

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Speaker 2: I'm sorry, I don't want to give a spoiler thirty

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Speaker 2: years later, but like, whoa, I had a weird premonition

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Speaker 2: of that. Would you do it that way? Like if

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Speaker 2: you're trying to get the girl back, wouldn't you just

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Speaker 2: go to the girl? Like would you tell the boyfriend

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Speaker 2: I'm here.

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Speaker 1: To well maybe he's, you know, trying to cause friction

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Speaker 1: in their relationship. Oh right, kind of see smart move true.

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Speaker 1: The clock strikes twelve, and everybody starts making out except

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Speaker 1: for Sad Valerie. But Sad Valerie looks amazing. I just

388
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Speaker 1: want to say, I'm so into this whole look like

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00:20:17,160 --> 00:20:19,920
Speaker 1: she looks like an opera singer or like a madam,

390
00:20:20,560 --> 00:20:22,840
Speaker 1: or like she's gonna star in Chicago. I don't know,

391
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Speaker 1: but I love the hair and everything about it.

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Speaker 2: I just want to call her Sad Valerie.

393
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Speaker 1: Though, yeah, she's sad in this episode.

394
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Speaker 2: But then it all works out, no problem, all great,

395
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Speaker 2: everything's great.

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Speaker 1: As soon as the cry. As soon as the clock

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Speaker 1: strikes twelve, Kelly says goodbye to Colin because she has

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Speaker 1: to wake up early to help Donna get ready for

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Speaker 1: the Rose Parade. I found that a little weird, like

400
00:20:45,560 --> 00:20:52,400
Speaker 1: would Kelly just get herself home, Like shouldn't her boyfriend, Like, yes,

401
00:20:52,520 --> 00:20:54,080
Speaker 1: he's staying there at a party.

402
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Speaker 2: Donally, since he's a drug addict and she knows it,

403
00:20:57,440 --> 00:21:00,440
Speaker 2: but he says I'll take you, and then she says no,

404
00:21:01,440 --> 00:21:05,680
Speaker 2: and then he just does so much drugs that he's

405
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Speaker 2: a spats.

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Speaker 1: He goes right for the drugs as soon as she's

407
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Speaker 1: out of sight. Yeah, just so much Czar and I

408
00:21:14,200 --> 00:21:20,600
Speaker 1: also didn't understand, like why are Val and Colin such

409
00:21:20,680 --> 00:21:23,760
Speaker 1: good friends now? Like why is Val taking care of.

410
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Speaker 2: Him back still from camp and that she loves him

411
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Speaker 2: deep down somewhere, But I don't, I don't know.

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00:21:30,720 --> 00:21:32,280
Speaker 1: This so frustrating to me.

413
00:21:33,119 --> 00:21:35,600
Speaker 2: It's just like, dude, dump this guy. Just be like,

414
00:21:35,640 --> 00:21:37,840
Speaker 2: you're you do so much coke? That's not my bag

415
00:21:37,920 --> 00:21:41,600
Speaker 2: bye mm hmm. But you're like hanging on knowing he

416
00:21:41,640 --> 00:21:45,680
Speaker 2: does coke. Jenny Kelly not totally happy with you either.

417
00:21:46,640 --> 00:21:49,560
Speaker 2: You should be like, dude, fuck it off, right.

418
00:21:50,440 --> 00:21:54,879
Speaker 1: Yeah, I really do not see how this is going

419
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Speaker 1: to progress into Kelly having a drug problem. I don't

420
00:22:00,280 --> 00:22:04,000
Speaker 1: get ready. I don't see how what Like why Kelly

421
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Speaker 1: of all people.

422
00:22:06,920 --> 00:22:10,639
Speaker 2: Correct because it's kind of stupid. Yeah, in rehab in

423
00:22:10,760 --> 00:22:12,960
Speaker 2: three weeks. You're gonna be in rehabing three weeks. But

424
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Speaker 2: my thing is like, if you're so against it, why

425
00:22:14,800 --> 00:22:17,359
Speaker 2: would you tolerate it? You would be like, hey, Colin,

426
00:22:18,040 --> 00:22:21,360
Speaker 2: you're great, go live your life and do your drugs.

427
00:22:21,440 --> 00:22:24,800
Speaker 1: I'm not playing well. She does say that. Later, she says,

428
00:22:25,359 --> 00:22:27,840
Speaker 1: I picked my mom up off the floor, right did

429
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Speaker 1: the same for you.

430
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Speaker 2: But then then he went to the Rose Parade, didn't he?

431
00:22:31,240 --> 00:22:32,119
Speaker 2: And no, maybe he didn't.

432
00:22:33,400 --> 00:22:35,440
Speaker 1: We'll have to refresh my memory.

433
00:22:35,760 --> 00:22:39,359
Speaker 2: Okay, because yesterday I feels so long ago.

434
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Speaker 1: When I you, guys, wait, Jonathan starts kissing Susan. This

435
00:22:42,840 --> 00:22:44,560
Speaker 1: is the kiss you want to talk about. He's saying

436
00:22:44,600 --> 00:22:47,760
Speaker 1: goodbye right in front of Brandon, and Brandon just stands

437
00:22:47,760 --> 00:22:52,040
Speaker 1: there like a tool, and Susan is sort of the weirdest, like,

438
00:22:52,800 --> 00:22:55,600
Speaker 1: don't kiss me, but I'm kissing you back. He's literally

439
00:22:55,680 --> 00:22:58,320
Speaker 1: kissing him back but pushing him. That must have been

440
00:22:58,359 --> 00:23:01,080
Speaker 1: really hard to act, Like, yeah, I felt like she

441
00:23:01,240 --> 00:23:03,120
Speaker 1: got direction that was you're going to need to kiss

442
00:23:03,200 --> 00:23:05,240
Speaker 1: him and push him off at the same time.

443
00:23:05,600 --> 00:23:08,000
Speaker 2: And I think that we have did. Was this the

444
00:23:08,040 --> 00:23:09,520
Speaker 2: first time we saw the kiss or was there a

445
00:23:09,640 --> 00:23:11,720
Speaker 2: flash forward to the kiss in the.

446
00:23:11,680 --> 00:23:14,520
Speaker 1: Episode earlier, but now we see it really happening.

447
00:23:14,760 --> 00:23:17,320
Speaker 2: That seems like that flash forward was a different kiss.

448
00:23:17,359 --> 00:23:20,680
Speaker 2: It felt longer in the flash forward. I was like,

449
00:23:20,840 --> 00:23:24,080
Speaker 2: am I this episode is so exhausting?

450
00:23:25,320 --> 00:23:28,320
Speaker 1: It really is. But I was very upset with Brandon

451
00:23:28,400 --> 00:23:29,800
Speaker 1: for just standing there like that.

452
00:23:30,520 --> 00:23:33,679
Speaker 2: What I would tell everyone listening and don't don't stop

453
00:23:33,720 --> 00:23:37,680
Speaker 2: the podcast, but it's better to watch it than listen

454
00:23:37,720 --> 00:23:40,440
Speaker 2: to us try to talk about it, because I'm even.

455
00:23:40,320 --> 00:23:42,480
Speaker 1: Like, we're like back and forth, back and forth.

456
00:23:43,119 --> 00:23:45,480
Speaker 2: Yeah, it sounds awful when we're talking about it, but

457
00:23:45,520 --> 00:23:46,600
Speaker 2: it's actually kind of a good.

458
00:23:46,480 --> 00:23:48,639
Speaker 1: Episode, you know what. I'm going to keep going anyway.

459
00:23:48,680 --> 00:23:51,280
Speaker 1: We cut out of the flashbacks and Brandon tells his

460
00:23:51,359 --> 00:23:54,440
Speaker 1: friend he's mad that he lets Jonathan get to him

461
00:23:54,480 --> 00:23:56,840
Speaker 1: like that. So we're back in the kitchen. I don't

462
00:23:56,880 --> 00:24:02,280
Speaker 1: know where we are, I mean, I can't remember. Valerie

463
00:24:02,280 --> 00:24:05,199
Speaker 1: tells Brandon to call Susan, and Brandon says it's on

464
00:24:05,400 --> 00:24:07,000
Speaker 1: her to call him. It's right.

465
00:24:07,040 --> 00:24:10,679
Speaker 2: We're back at the wallsh house, around the table or whatever, okay,

466
00:24:11,119 --> 00:24:13,560
Speaker 2: and the brothers are like, Valerie, you're so hot.

467
00:24:13,680 --> 00:24:18,119
Speaker 1: Yet around now? Okay? Then we are going back to

468
00:24:18,160 --> 00:24:22,199
Speaker 1: our flashbacks, you guys. Steve realizes that his little brothers

469
00:24:22,240 --> 00:24:25,600
Speaker 1: put shaving cream all over his car as revenge for

470
00:24:25,640 --> 00:24:28,879
Speaker 1: getting them kicked out of the party. Which where did

471
00:24:28,880 --> 00:24:31,560
Speaker 1: they get to shaving cream?

472
00:24:31,800 --> 00:24:34,160
Speaker 2: And then he just runs around crazy.

473
00:24:35,320 --> 00:24:38,240
Speaker 1: Kind of liked it. I really like that Steve, Like

474
00:24:41,520 --> 00:24:44,479
Speaker 1: he's so funny. And then he gets hit in the eye,

475
00:24:44,520 --> 00:24:46,560
Speaker 1: and so that's how he got the black black guy.

476
00:24:46,680 --> 00:24:49,920
Speaker 2: And then he gets a hose, which I was a

477
00:24:49,960 --> 00:24:51,240
Speaker 2: little bit like, is this gonna.

478
00:24:51,040 --> 00:24:53,280
Speaker 1: Hurt the paint? But okay, where does he get the

479
00:24:53,320 --> 00:24:57,360
Speaker 1: hose and the pea pad? Okay, I don't know why

480
00:24:57,359 --> 00:25:00,240
Speaker 1: they have a hose. But that's when we see and

481
00:25:00,280 --> 00:25:04,320
Speaker 1: come out and he's high a kite god. He starts

482
00:25:04,400 --> 00:25:08,879
Speaker 1: kissing random people, including Valerie, and she of course offers

483
00:25:08,920 --> 00:25:12,240
Speaker 1: to take him home. That's when David shows up and

484
00:25:12,280 --> 00:25:14,080
Speaker 1: he's looking for Valerie and Nat tells.

485
00:25:13,920 --> 00:25:16,800
Speaker 2: Him that she just left with Colin Hunt Dull.

486
00:25:17,040 --> 00:25:19,919
Speaker 1: And David says that he had been stuck at the

487
00:25:19,960 --> 00:25:22,680
Speaker 1: police checkpoint. So now we know what's going to happen.

488
00:25:23,359 --> 00:25:27,560
Speaker 1: We cut the Valerie Colin at a police checkpoint. The

489
00:25:27,560 --> 00:25:32,160
Speaker 1: cops let them go, But that was dramatic. He's so stupid,

490
00:25:32,200 --> 00:25:35,040
Speaker 1: he laughs, because his sash was right there the whole time.

491
00:25:35,840 --> 00:25:39,600
Speaker 2: The what are those called ashtrays? In the ash tray?

492
00:25:39,960 --> 00:25:44,119
Speaker 2: I don't even think cars have ashtrays anymore. One of

493
00:25:44,119 --> 00:25:46,119
Speaker 2: my cars is old enough that it has a lighter.

494
00:25:46,440 --> 00:25:49,000
Speaker 2: Do cars still come with Do new cars come with lighters?

495
00:25:49,320 --> 00:25:52,440
Speaker 2: I think so, But First of all, can you imagine

496
00:25:52,800 --> 00:25:56,840
Speaker 2: smoking in a car and dumping the ash into the

497
00:25:56,880 --> 00:25:59,720
Speaker 2: ash tray and then just living in the car.

498
00:26:00,240 --> 00:26:01,400
Speaker 1: Yeah, yeah, well.

499
00:26:02,880 --> 00:26:06,120
Speaker 2: Wads of gum into your car.

500
00:26:06,040 --> 00:26:10,719
Speaker 1: But stinkier, way stinkier. I really did like those like

501
00:26:10,840 --> 00:26:13,159
Speaker 1: little you know those. It was like the thing you

502
00:26:13,200 --> 00:26:16,280
Speaker 1: push in the lighter the car push and then it

503
00:26:16,320 --> 00:26:18,240
Speaker 1: pops out and then you look at it and it's

504
00:26:18,280 --> 00:26:23,199
Speaker 1: like flaming hot coils. Like I have always been tempted

505
00:26:23,200 --> 00:26:30,000
Speaker 1: to just stick my finger in there, have you? I

506
00:26:30,000 --> 00:26:30,320
Speaker 1: don't know.

507
00:26:30,480 --> 00:26:33,200
Speaker 2: It looks like goes into that as my cell phone

508
00:26:33,280 --> 00:26:35,919
Speaker 2: charger now, so I have like an adapter for my

509
00:26:35,960 --> 00:26:38,960
Speaker 2: cell phone that goes into that thing, and that's why

510
00:26:38,960 --> 00:26:39,600
Speaker 2: I charged myself.

511
00:26:39,640 --> 00:26:42,040
Speaker 1: I just think that was a genius invention. Whoever came

512
00:26:42,119 --> 00:26:45,680
Speaker 1: up with the car lighter do icky tray.

513
00:26:45,800 --> 00:26:48,720
Speaker 2: It's just got me shook because I never thought about

514
00:26:48,720 --> 00:26:49,360
Speaker 2: that before.

515
00:26:49,920 --> 00:26:53,240
Speaker 1: I've never smoked. Have you ever smoked? Yeah, I've smoked

516
00:26:54,200 --> 00:26:57,160
Speaker 1: other people's, like, I've never been to like buy my own.

517
00:26:57,400 --> 00:26:59,040
Speaker 1: I had never. It was in the nineties, you guys.

518
00:26:59,119 --> 00:27:01,040
Speaker 1: I never bought my own cigarettes.

519
00:27:01,240 --> 00:27:03,719
Speaker 2: Taking a drag or a cigarette.

520
00:27:03,280 --> 00:27:06,680
Speaker 1: On the set. Everybody smoked so it was always like, hey,

521
00:27:06,720 --> 00:27:10,280
Speaker 1: can I bumb a cigarette? Or you know, like everybody,

522
00:27:10,320 --> 00:27:13,040
Speaker 1: if you didn't smoke on our set, you just weren't cool.

523
00:27:13,359 --> 00:27:16,680
Speaker 2: I've never smoked a cigarette in my life. I've never

524
00:27:16,720 --> 00:27:19,640
Speaker 2: had it to my lips. I've never had a cuff.

525
00:27:20,600 --> 00:27:22,800
Speaker 2: Oh my god, I can't even. I can't sty all

526
00:27:22,880 --> 00:27:23,480
Speaker 2: these smokers.

527
00:27:23,600 --> 00:27:29,520
Speaker 1: Keep it up, you'll die. But you can't say you can.

528
00:27:30,080 --> 00:27:31,600
Speaker 1: You just said keep.

529
00:27:31,400 --> 00:27:34,159
Speaker 2: It up, you'll die. I'm telling people they need to

530
00:27:34,240 --> 00:27:37,760
Speaker 2: understand the truth. Smoking is terrible, and it says so

531
00:27:38,080 --> 00:27:41,240
Speaker 2: everywhere the Surgeon General is true.

532
00:27:41,480 --> 00:27:44,760
Speaker 1: It's like really bad. So I've ever seen cigarette cartons

533
00:27:44,840 --> 00:27:47,960
Speaker 1: in the in Europe. You've never been to Europe because

534
00:27:47,960 --> 00:27:50,640
Speaker 1: you don't go on airplanes. Only only got as far

535
00:27:50,680 --> 00:27:53,440
Speaker 1: as New Mexico. No, I went to New York once. Okay,

536
00:27:53,480 --> 00:27:56,840
Speaker 1: what on the cigarette cartons when you buy them overseas?

537
00:27:57,200 --> 00:27:59,040
Speaker 1: Is that what they say these days over the seas

538
00:28:00,960 --> 00:28:04,720
Speaker 1: on the back of the curtain. It's like horrific imagery

539
00:28:04,760 --> 00:28:08,520
Speaker 1: that they put on there of like dead people, dead people,

540
00:28:08,720 --> 00:28:15,480
Speaker 1: dead babies, people with like deformities. Pictures they're like lungs. Yeah,

541
00:28:15,480 --> 00:28:17,920
Speaker 1: so they're really trying to do something about it.

542
00:28:18,800 --> 00:28:24,040
Speaker 2: But marijuana like smoking a cigarette, Like should you like, okay,

543
00:28:24,200 --> 00:28:26,720
Speaker 2: say you want to use marijuana, should you just use

544
00:28:26,800 --> 00:28:29,760
Speaker 2: like gummies because then you don't want to be smoking?

545
00:28:29,880 --> 00:28:35,600
Speaker 1: Are you asking for a friend? Really? I don't know.

546
00:28:36,640 --> 00:28:39,280
Speaker 1: I think it's the same. I think smoking the joint

547
00:28:40,400 --> 00:28:45,000
Speaker 1: is the same. You're inhaling like toxic fumes into your luggage.

548
00:28:45,320 --> 00:28:47,080
Speaker 2: I feel like I was just watching something where someone

549
00:28:47,160 --> 00:28:48,280
Speaker 2: was smoking a cigar.

550
00:28:49,840 --> 00:28:52,080
Speaker 1: They say that that's not as bad for you because

551
00:28:52,120 --> 00:28:54,920
Speaker 1: you don't inhale cigars like you just you do. You

552
00:28:55,000 --> 00:28:57,760
Speaker 1: just like it. You put in your mouth and then

553
00:28:57,760 --> 00:29:00,440
Speaker 1: you puff it out. You don't in the hand into

554
00:29:00,480 --> 00:29:00,800
Speaker 1: your life.

555
00:29:00,840 --> 00:29:03,560
Speaker 2: Oh gosh, what show was I watching where they had

556
00:29:03,600 --> 00:29:04,960
Speaker 2: a cigar? I mean literally?

557
00:29:06,560 --> 00:29:06,840
Speaker 1: Oh?

558
00:29:06,960 --> 00:29:08,520
Speaker 2: I think it was Will Ferrell. I watched that Will

559
00:29:08,560 --> 00:29:11,560
Speaker 2: Ferrell documentary. Excellent, by the way. I cried, cried, cried

560
00:29:11,800 --> 00:29:12,200
Speaker 2: so good.

561
00:29:12,400 --> 00:29:13,440
Speaker 1: Oh I got to watch that.

562
00:29:13,640 --> 00:29:14,800
Speaker 2: It's actually really good.

563
00:29:15,560 --> 00:29:15,760
Speaker 1: Yeah.

564
00:29:15,880 --> 00:29:19,560
Speaker 2: No, I watched Wolf's also. Sorry you know that George

565
00:29:19,600 --> 00:29:20,720
Speaker 2: cliney Brad Pitt thing.

566
00:29:21,640 --> 00:29:22,880
Speaker 1: Thing not great?

567
00:29:23,320 --> 00:29:26,800
Speaker 2: Okay, sorry, Brad, I literally love you both so much,

568
00:29:26,840 --> 00:29:31,320
Speaker 2: But anyway, continue that's sad. Yeah, but watch it. Everybody

569
00:29:31,320 --> 00:29:32,960
Speaker 2: watched it and tell me what you think, because maybe

570
00:29:33,000 --> 00:29:34,120
Speaker 2: I just have a bad opinion.

571
00:29:34,440 --> 00:29:37,120
Speaker 1: Oh my god, we're so off. That's target.

572
00:29:37,520 --> 00:29:40,880
Speaker 2: I'm happy about it because this episode is selling me.

573
00:29:41,800 --> 00:29:44,440
Speaker 1: We didn't confuse people before, we've really thrown them now

574
00:29:44,480 --> 00:29:48,440
Speaker 1: because we've been talking about cigarette smoking, and then pot smoking,

575
00:29:48,640 --> 00:29:52,080
Speaker 1: and then cigar smoking, and then the movies that you've

576
00:29:52,080 --> 00:29:53,080
Speaker 1: seen this weekend.

577
00:29:53,520 --> 00:29:55,360
Speaker 2: Wait, was someone smoking in this episode?

578
00:29:55,440 --> 00:29:57,960
Speaker 1: Thinking of add I'm sure was.

579
00:29:57,920 --> 00:30:00,440
Speaker 2: Someone smoking this week in this episode? Or straight just

580
00:30:00,480 --> 00:30:03,840
Speaker 2: because we'd start talking about ashtrays. Yeah, that just that's it.

581
00:30:04,320 --> 00:30:05,600
Speaker 2: The cooke was in the ashtray.

582
00:30:17,720 --> 00:30:20,400
Speaker 1: Claire tells Donna that she's sorry about the bird, but

583
00:30:20,480 --> 00:30:22,760
Speaker 1: that she didn't let him out, and Donna starts telling

584
00:30:22,800 --> 00:30:26,360
Speaker 1: them what happened with the bird. Okay, so we go

585
00:30:26,480 --> 00:30:28,600
Speaker 1: back in a flashback now and we see that Joe

586
00:30:29,080 --> 00:30:31,800
Speaker 1: is obsessed like it's getting kind of weird.

587
00:30:32,640 --> 00:30:35,760
Speaker 2: Yes, I have a comment on this. My precious Joe

588
00:30:36,080 --> 00:30:39,080
Speaker 2: would never behave this way. He would behave how he

589
00:30:39,120 --> 00:30:41,400
Speaker 2: did at the end of the episode with the Joe

590
00:30:41,480 --> 00:30:44,600
Speaker 2: Loves Donna. He would have never acted this way. And

591
00:30:44,680 --> 00:30:47,520
Speaker 2: the night before her big day, no way.

592
00:30:47,200 --> 00:30:50,520
Speaker 1: No, he wouldn't have kept her up late looking for birds.

593
00:30:50,360 --> 00:30:52,960
Speaker 2: Right, come on, Larry. I love you, Larry Mullen, but

594
00:30:53,240 --> 00:30:57,000
Speaker 2: that is that doesn't track for me. Joe is an angel.

595
00:30:57,360 --> 00:30:57,800
Speaker 1: He would not.

596
00:30:57,960 --> 00:31:00,320
Speaker 2: He would be like, Donna get your beauty rest. I'm

597
00:31:00,320 --> 00:31:01,160
Speaker 2: just gonna look for the bird.

598
00:31:01,240 --> 00:31:01,800
Speaker 1: I'm not even mad.

599
00:31:01,840 --> 00:31:03,200
Speaker 2: I'm just gonna look for the bird for a second.

600
00:31:03,360 --> 00:31:04,960
Speaker 2: If I can't find the bird, it's okay.

601
00:31:05,280 --> 00:31:07,360
Speaker 1: Yeah, And then they get into an argument, I think,

602
00:31:07,400 --> 00:31:09,600
Speaker 1: like their first argument in Joe leaves to keep looking

603
00:31:09,600 --> 00:31:10,160
Speaker 1: for the damn.

604
00:31:10,040 --> 00:31:12,040
Speaker 2: Bird, and it was so stupid because those two would

605
00:31:12,120 --> 00:31:13,640
Speaker 2: never get in an argument like that.

606
00:31:14,400 --> 00:31:17,080
Speaker 1: Stupid. Then we go into a flashback at Collin's house

607
00:31:17,080 --> 00:31:18,600
Speaker 1: where Kelly goes to pick him up for the Rose

608
00:31:18,600 --> 00:31:21,440
Speaker 1: Parade early. This has got to be at like four

609
00:31:21,480 --> 00:31:23,200
Speaker 1: in the morning. You guys five and.

610
00:31:23,240 --> 00:31:27,080
Speaker 2: Thember talk about your outfit for the Rose Parade.

611
00:31:27,200 --> 00:31:32,480
Speaker 1: Which that outfit it's like the worst color on her too,

612
00:31:32,960 --> 00:31:36,800
Speaker 1: totally wash her up so bizarrely. And I've been to

613
00:31:36,840 --> 00:31:40,160
Speaker 1: the Rose Parade. It's cold, you guys, it's colder. You

614
00:31:40,200 --> 00:31:41,840
Speaker 1: go in layers, you don't wear a suit.

615
00:31:41,840 --> 00:31:45,280
Speaker 2: You would have been wearing cute jeans, a cozy sweater,

616
00:31:45,840 --> 00:31:46,640
Speaker 2: a little.

617
00:31:46,400 --> 00:31:50,800
Speaker 1: Beanie doesn't get any sense that suit was so rambo

618
00:31:51,280 --> 00:31:55,560
Speaker 1: a call out for the wardrobe department. So she finds

619
00:31:55,600 --> 00:31:58,200
Speaker 1: out that he's messed up and that this is where

620
00:31:58,200 --> 00:32:00,440
Speaker 1: she says, you know what, I picked up my mother

621
00:32:00,520 --> 00:32:01,880
Speaker 1: off the floor and I'm not going to do the

622
00:32:01,920 --> 00:32:04,920
Speaker 1: same for you, and she leaves him there. He say,

623
00:32:05,040 --> 00:32:08,800
Speaker 1: I'm going miit. He's not. He's not going. He's terrible.

624
00:32:09,400 --> 00:32:12,280
Speaker 1: Then we go to a flashback at the Condor, which

625
00:32:13,160 --> 00:32:15,600
Speaker 1: I don't even want to do. Brandon tells everyone he

626
00:32:15,640 --> 00:32:18,240
Speaker 1: went to work at the Condor after trying to call Susan,

627
00:32:18,600 --> 00:32:20,240
Speaker 1: but that she was nowhere to be found.

628
00:32:20,360 --> 00:32:22,800
Speaker 2: When he gets in, who's he doozy there?

629
00:32:23,160 --> 00:32:26,800
Speaker 1: Oh? I don't know. He sees Susan and who'sy doozy? Jonathan?

630
00:32:27,440 --> 00:32:31,000
Speaker 1: They're there together, and then they say they're going to

631
00:32:31,040 --> 00:32:34,640
Speaker 1: see an old friend together and Jonathan apologizes, but Brandon's

632
00:32:34,640 --> 00:32:35,200
Speaker 1: still upset.

633
00:32:36,080 --> 00:32:41,320
Speaker 2: Brandon's typing angry typing. He's standing over a computer hunting

634
00:32:41,360 --> 00:32:42,240
Speaker 2: and packing typing.

635
00:32:42,320 --> 00:32:45,240
Speaker 1: So he's not type type typing. He's tight type tight type.

636
00:32:45,440 --> 00:32:46,600
Speaker 1: That's angry typing.

637
00:32:46,680 --> 00:32:49,320
Speaker 2: Yeah, dude, what are you doing on that computer?

638
00:32:49,960 --> 00:32:55,680
Speaker 1: I think that this is very confusing, Like just tell

639
00:32:55,760 --> 00:32:59,480
Speaker 1: us what is their big deal connection? Where are they

640
00:32:59,520 --> 00:33:03,040
Speaker 1: going to see a friend? So now there's a friend

641
00:33:03,120 --> 00:33:04,800
Speaker 1: involved in their connection.

642
00:33:05,880 --> 00:33:08,640
Speaker 2: She's like, or he says he really wants to see

643
00:33:08,640 --> 00:33:11,800
Speaker 2: you too, and she's like, okay, you go like, what

644
00:33:11,800 --> 00:33:13,280
Speaker 2: what is happening?

645
00:33:13,720 --> 00:33:16,360
Speaker 1: Yeah? No, and then we go we have a flashback

646
00:33:16,600 --> 00:33:20,920
Speaker 1: to the Rose Parade where Valerie gives Kelly Collins vial

647
00:33:21,000 --> 00:33:23,880
Speaker 1: of coke to prove that he is an addict.

648
00:33:24,240 --> 00:33:26,680
Speaker 2: Or are you all at the Rose Parade? I have

649
00:33:26,760 --> 00:33:28,080
Speaker 2: to know, right was that?

650
00:33:28,160 --> 00:33:32,640
Speaker 1: Really? I don't remember? I would remember, and she's not here,

651
00:33:32,680 --> 00:33:33,600
Speaker 1: so she'll.

652
00:33:33,240 --> 00:33:35,000
Speaker 2: Be back next week, so we do have to ask her.

653
00:33:35,280 --> 00:33:38,600
Speaker 2: Maybe somebody text her. So there was footage of the

654
00:33:38,680 --> 00:33:41,239
Speaker 2: Rose Parade that was definitely the Rose Parade. Then we

655
00:33:41,320 --> 00:33:45,400
Speaker 2: see the princesses, the queens whatever, they.

656
00:33:45,440 --> 00:33:50,280
Speaker 1: Float looking so beautiful. They're like that waving, waving, like

657
00:33:50,560 --> 00:33:52,120
Speaker 1: was that in the Rose Parade?

658
00:33:52,160 --> 00:33:54,680
Speaker 2: And maybe they're just like, hey, everybody, we're filming nine

659
00:33:54,720 --> 00:33:58,080
Speaker 2: O two and O. Now, I in my mind, I thought,

660
00:33:58,160 --> 00:34:01,440
Speaker 2: okay for the filming of you all in stands, that's

661
00:34:01,520 --> 00:34:04,280
Speaker 2: not that seemed like not real that you just went

662
00:34:04,320 --> 00:34:08,200
Speaker 2: to a stadium and one section was filled with people,

663
00:34:08,880 --> 00:34:12,800
Speaker 2: but the Rose Parade looked very real. Sorry, I'm popping

664
00:34:12,920 --> 00:34:15,240
Speaker 2: my peas there every time I say.

665
00:34:15,160 --> 00:34:20,879
Speaker 1: All right, I think that you're right. It was half real,

666
00:34:21,000 --> 00:34:23,920
Speaker 1: half not real. Why was Kelly sitting next to Valerie

667
00:34:23,920 --> 00:34:26,880
Speaker 1: at the parade though happenstance? I don't know? Is that

668
00:34:26,920 --> 00:34:32,320
Speaker 1: the you know, it doesn't make sense. That's so frustrating.

669
00:34:32,719 --> 00:34:35,360
Speaker 2: And also let's talk about the fact that she's carrying

670
00:34:35,400 --> 00:34:38,560
Speaker 2: around cocaine just to give it back to Kelly and

671
00:34:38,600 --> 00:34:39,200
Speaker 2: now you're.

672
00:34:39,040 --> 00:34:39,719
Speaker 1: Stuck with it.

673
00:34:40,080 --> 00:34:44,919
Speaker 2: I would be like, I'm not taking that, touching that right,

674
00:34:45,040 --> 00:34:47,879
Speaker 2: Like what are these people doing? And I think that's

675
00:34:47,920 --> 00:34:53,080
Speaker 2: the that's the vial that takes you down, because.

676
00:34:53,080 --> 00:34:55,040
Speaker 1: That's how you are. Like, I guess I'll try this,

677
00:34:55,680 --> 00:34:58,759
Speaker 1: like nobody's doing that. No, okay. This is where we

678
00:34:58,840 --> 00:35:02,040
Speaker 1: also see Joe back to being Joe in the stands

679
00:35:02,040 --> 00:35:05,560
Speaker 1: with a big sign that says his Dan bird. So

680
00:35:05,600 --> 00:35:07,759
Speaker 1: he's trying to like make up for being such an idiot.

681
00:35:07,560 --> 00:35:09,279
Speaker 2: But he never should have had to make up for anything,

682
00:35:09,320 --> 00:35:11,040
Speaker 2: because Joe would have never gotten in a fight. He

683
00:35:11,080 --> 00:35:12,040
Speaker 2: would have never done that.

684
00:35:12,080 --> 00:35:14,320
Speaker 1: Can I just see you wave like you're on the float?

685
00:35:14,360 --> 00:35:20,160
Speaker 1: I want to see your princess wave very good. Yours

686
00:35:20,239 --> 00:35:23,600
Speaker 1: is more of a this. Mine's more like a turn.

687
00:35:24,160 --> 00:35:25,959
Speaker 1: And you can't do it up here. It can never

688
00:35:26,000 --> 00:35:27,040
Speaker 1: be above the tier.

689
00:35:26,920 --> 00:35:28,960
Speaker 2: Because then he would have the wiggily arms.

690
00:35:29,080 --> 00:35:31,839
Speaker 1: Yeah, it has to be down here. Yeah. And if

691
00:35:31,880 --> 00:35:33,960
Speaker 1: you're sweaty on the parade, nobody needs to see like

692
00:35:34,000 --> 00:35:37,040
Speaker 1: your sweaty pits. Keep it tight.

693
00:35:37,120 --> 00:35:39,320
Speaker 2: Let me talk about something really fast. It's also a sidebar.

694
00:35:39,840 --> 00:35:42,440
Speaker 2: Are you watching Golden Bachelorette.

695
00:35:43,040 --> 00:35:45,799
Speaker 1: I tried, I kept getting interrupted, but I told you

696
00:35:45,840 --> 00:35:48,680
Speaker 1: to watch it. It's really good. It's really good. I

697
00:35:48,719 --> 00:35:51,080
Speaker 1: saw the part where they sing the song take take

698
00:35:51,400 --> 00:35:53,960
Speaker 1: Me Home. I don't remember.

699
00:35:55,080 --> 00:35:58,600
Speaker 2: But these poor old guys are so sweaty every single

700
00:35:58,760 --> 00:35:59,240
Speaker 2: I need.

701
00:35:59,080 --> 00:36:01,520
Speaker 1: To text Bennett. I need to text my friend. They're

702
00:36:01,560 --> 00:36:02,600
Speaker 1: really excited.

703
00:36:03,040 --> 00:36:04,800
Speaker 2: I need to text my friend who produces The Bachelor

704
00:36:04,840 --> 00:36:08,200
Speaker 2: and be like, dude, these get these old guys a

705
00:36:08,280 --> 00:36:12,480
Speaker 2: towel or back off the lights because they're all sweating.

706
00:36:13,640 --> 00:36:17,520
Speaker 2: I've never seen it so much sweat. Yeah, wait until

707
00:36:17,560 --> 00:36:19,319
Speaker 2: episode two. I just finished it last night.

708
00:36:19,520 --> 00:36:20,279
Speaker 1: I have to finish it.

709
00:36:20,320 --> 00:36:22,720
Speaker 2: I think we're on episode three. I think we're behind.

710
00:36:22,719 --> 00:36:23,800
Speaker 2: I'm watching it on Hulu.

711
00:36:24,000 --> 00:36:27,760
Speaker 1: Oh my gosh, Okay, this is not a Golden Bachelor rewatch,

712
00:36:27,960 --> 00:36:30,680
Speaker 1: but it's a great podcast episode for everyone listening.

713
00:36:30,840 --> 00:36:35,279
Speaker 2: They are enjoying this immensely because I am, because I

714
00:36:35,320 --> 00:36:38,480
Speaker 2: love it so much. But now I'm hungry how much more.

715
00:36:39,719 --> 00:36:42,440
Speaker 1: You are like a child today? I just need you

716
00:36:42,480 --> 00:36:47,480
Speaker 1: to go take your medication. I'm really trying you, guys. Okay,

717
00:36:47,640 --> 00:36:50,440
Speaker 1: out of the flashbacks and inside the wash kitchen, Rush

718
00:36:50,480 --> 00:36:53,520
Speaker 1: calls and the boys begs Steve not to tell their

719
00:36:53,640 --> 00:36:56,000
Speaker 1: dad all the bad things that they have done, and

720
00:36:56,080 --> 00:36:59,200
Speaker 1: Steve shows mercy on them and puts them out to

721
00:36:59,200 --> 00:37:01,520
Speaker 1: do the yard work. That was cute. That was cute.

722
00:37:01,600 --> 00:37:02,280
Speaker 1: That was cute.

723
00:37:02,400 --> 00:37:05,439
Speaker 2: Now I have a flag on the yard work. I've

724
00:37:05,480 --> 00:37:09,319
Speaker 2: never seen that angle of the yard before at all.

725
00:37:10,080 --> 00:37:12,000
Speaker 2: And I'm like, where did we shoot this?

726
00:37:12,239 --> 00:37:14,080
Speaker 1: We was in the front yard of the backyard.

727
00:37:15,040 --> 00:37:19,280
Speaker 2: Well, I don't know, because it was they in the backyard, correct,

728
00:37:19,280 --> 00:37:21,960
Speaker 2: Because there's suddenly a pergola, kind of a weird pergola,

729
00:37:22,000 --> 00:37:23,399
Speaker 2: and you're all sipping what.

730
00:37:23,400 --> 00:37:26,560
Speaker 1: Looks like that was the backyard. That was the real

731
00:37:26,600 --> 00:37:29,520
Speaker 1: backyard of that house. Yeah. Yeah, because I think we

732
00:37:29,600 --> 00:37:32,720
Speaker 1: have I think we have Donna's wedding there or somebody's

733
00:37:32,719 --> 00:37:36,320
Speaker 1: wedding is in that backyard. Okay, okay, maybe Kelly and Brandon's.

734
00:37:36,320 --> 00:37:43,960
Speaker 1: I have no idea. I have no idea. Susan shows

735
00:37:44,080 --> 00:37:47,080
Speaker 1: up and asks Brandon for forgiveness, and she says that

736
00:37:47,200 --> 00:37:50,600
Speaker 1: Jonathan left back to Chicago, so now she can pay

737
00:37:50,600 --> 00:37:51,720
Speaker 1: attention to her boyfriend.

738
00:37:51,920 --> 00:37:55,279
Speaker 2: Here is my impression of the director for Susan as

739
00:37:55,320 --> 00:37:59,640
Speaker 2: she enters the scene, looks super MOPy, looks so MOPy,

740
00:38:00,040 --> 00:38:02,080
Speaker 2: because MOPy as you've ever looked in your whole life

741
00:38:02,239 --> 00:38:03,160
Speaker 2: and look kind of real.

742
00:38:03,400 --> 00:38:08,760
Speaker 1: So sad and MOPy hunched over and MOPy. She did,

743
00:38:08,880 --> 00:38:12,880
Speaker 1: she did, she did a good job. Then but Brandon

744
00:38:13,000 --> 00:38:16,279
Speaker 1: says he forgives her, and then they make out, and

745
00:38:16,320 --> 00:38:21,080
Speaker 1: they make out so aggressively. I can't I don't understand it.

746
00:38:21,160 --> 00:38:25,440
Speaker 2: So because I was like, wow, it's almost like he

747
00:38:25,800 --> 00:38:29,120
Speaker 2: wrestles them during the makeouts, like you're just a lot

748
00:38:29,160 --> 00:38:30,160
Speaker 2: of movement.

749
00:38:30,760 --> 00:38:32,360
Speaker 1: It's it's it's it's exhausting.

750
00:38:33,239 --> 00:38:40,360
Speaker 2: Yeah, that sounds my neck.

751
00:38:41,320 --> 00:38:43,759
Speaker 1: Oh, that's why my next messed up. That's why I

752
00:38:43,760 --> 00:38:47,920
Speaker 1: have TMJ. It's all because of the way Brandon. Totally.

753
00:38:48,080 --> 00:38:50,120
Speaker 2: I have a friend who I won't name great.

754
00:38:50,200 --> 00:38:50,640
Speaker 1: I love him.

755
00:38:50,680 --> 00:38:54,040
Speaker 2: He's a great guy that was on the Bachelor that okay.

756
00:38:54,320 --> 00:38:56,560
Speaker 2: He is like a big guy and when he hugs you,

757
00:38:57,239 --> 00:39:00,480
Speaker 2: it at it's so bear huggy that it actually hurts.

758
00:39:00,640 --> 00:39:03,000
Speaker 2: And I thought I would crack a rib. So I

759
00:39:03,040 --> 00:39:06,000
Speaker 2: almost can't hug him ever again because I have like

760
00:39:06,160 --> 00:39:11,919
Speaker 2: so much I'm so afraid of it. Yeah, I don't

761
00:39:11,960 --> 00:39:15,440
Speaker 2: know people out there. Public service. Let's be careful of

762
00:39:15,440 --> 00:39:17,879
Speaker 2: our backs, our ribs, our necks.

763
00:39:18,080 --> 00:39:22,640
Speaker 1: When whilst making out. You guys, that's the end of

764
00:39:22,640 --> 00:39:24,080
Speaker 1: the episode. I need a nap.

765
00:39:25,080 --> 00:39:25,360
Speaker 2: Good.

766
00:39:26,400 --> 00:39:29,400
Speaker 1: It was really really fun to watch, really really not

767
00:39:29,719 --> 00:39:33,040
Speaker 1: fun to rewatch on this podcast.

768
00:39:33,600 --> 00:39:35,440
Speaker 2: I want you to know I've loved this podcast.

769
00:39:36,200 --> 00:39:37,520
Speaker 1: You've loved every moment of it.

770
00:39:37,560 --> 00:39:38,960
Speaker 2: I really want to just do a podcast where I

771
00:39:39,000 --> 00:39:41,120
Speaker 2: tell people, like what I'm watching on television?

772
00:39:41,480 --> 00:39:43,400
Speaker 1: Oh my god, Amy, Like, maybe when.

773
00:39:43,280 --> 00:39:45,480
Speaker 2: We finish this, would you do that podcast with.

774
00:39:45,360 --> 00:39:49,640
Speaker 1: Me where we you just talk about nonsense things that

775
00:39:49,880 --> 00:39:53,160
Speaker 1: do nothing and have no relation to the thing before. Yeah,

776
00:39:53,200 --> 00:39:54,160
Speaker 1: I like that idea.

777
00:39:54,360 --> 00:40:00,520
Speaker 2: Trist you people listening, please send messages on Instagram because

778
00:40:00,520 --> 00:40:02,239
Speaker 2: I don't know how to read dms. I only know

779
00:40:02,280 --> 00:40:06,480
Speaker 2: how to read the messages that come up on Instagram comments.

780
00:40:06,480 --> 00:40:09,960
Speaker 1: On the comments, yeah, okay, okay, leave us a comment,

781
00:40:10,000 --> 00:40:14,160
Speaker 1: thank you. I like to hear Amy rambling about nonsensical things.

782
00:40:15,120 --> 00:40:17,920
Speaker 1: After our tenth season of OMG.

783
00:40:18,160 --> 00:40:20,040
Speaker 2: Raise your hand if you're happy that Tory will be

784
00:40:20,080 --> 00:40:23,799
Speaker 2: back next week? Me me, me, yes, we're soa And

785
00:40:23,800 --> 00:40:26,239
Speaker 2: why do you give this episode a ten?

786
00:40:26,400 --> 00:40:29,240
Speaker 1: It was so good. I didn't like the squiggly things,

787
00:40:29,280 --> 00:40:31,520
Speaker 1: but in the you know, but I really enjoyed like

788
00:40:32,080 --> 00:40:34,799
Speaker 1: the storytelling and going back and forth. I thought it

789
00:40:34,840 --> 00:40:35,200
Speaker 1: was fun.

790
00:40:35,320 --> 00:40:38,560
Speaker 2: But you can't give this podcast a ten? The episode

791
00:40:38,680 --> 00:40:40,440
Speaker 2: eight eight point seven?

792
00:40:41,160 --> 00:40:46,040
Speaker 1: Wow, okay, yeah? What's next week? Next week we have

793
00:40:46,280 --> 00:40:51,480
Speaker 1: episode seventeen, fade in, fade Out. I don't know what

794
00:40:51,560 --> 00:40:55,200
Speaker 1: that's about me either. I neither Kelly does drugs?

795
00:40:55,200 --> 00:40:58,040
Speaker 2: Really soon though, everybody really soon?

796
00:40:59,080 --> 00:41:04,239
Speaker 1: Happy New Year, happ happy everybody. We could have sing old.

797
00:41:04,360 --> 00:41:06,520
Speaker 2: We could totally sing you all old length signed and

798
00:41:06,560 --> 00:41:07,759
Speaker 2: we wouldn't have to pay for it.

799
00:41:08,040 --> 00:41:09,240
Speaker 1: I don't know what the word.

800
00:41:11,840 --> 00:41:20,400
Speaker 2: Y'all acquaintance be forgot something something old length?

801
00:41:23,840 --> 00:41:27,000
Speaker 1: We should sing more. Okay, bye you guys, Sorry about

802
00:41:27,000 --> 00:41:27,640
Speaker 1: this episode.

803
00:41:27,680 --> 00:41:27,960
Speaker 2: Love you