1 00:00:00,160 --> 00:00:05,480 Speaker 1: Denver, Colorado. Are you lucky or what my Mama Told Me? 2 00:00:05,760 --> 00:00:09,800 Speaker 1: Is doing a live show this Friday night as part 3 00:00:09,800 --> 00:00:12,959 Speaker 1: of the High Planes Comedy Festival. We're gonna be at 4 00:00:12,960 --> 00:00:17,080 Speaker 1: the High Dive at seven South Broadway in Denver, Friday night, 5 00:00:17,120 --> 00:00:20,799 Speaker 1: September twenty second, eight to nine thirty. For tickets, go 6 00:00:20,840 --> 00:00:25,000 Speaker 1: ahead and go on to High Clanscomedyfestival dot com. That's 7 00:00:25,239 --> 00:00:34,200 Speaker 1: h I G H P l a i Nscomedyfestival dot com. 8 00:00:34,560 --> 00:00:41,440 Speaker 2: Motherfucking Mini Yeah sol Mini episode, motherfucking Mini eeai. 9 00:00:41,280 --> 00:00:48,520 Speaker 3: Se step back here, dancing kind of CLOSEI I feel 10 00:00:48,520 --> 00:00:52,120 Speaker 3: a little pop coming through on you. There it is there, 11 00:00:52,159 --> 00:00:56,280 Speaker 3: it is. Ladies and gentlemen, Welcome to another phenomenal episode 12 00:00:56,280 --> 00:00:57,600 Speaker 3: of My Mama Told. 13 00:00:57,360 --> 00:01:01,680 Speaker 1: Me, the podcast where we dive deep, deep into the 14 00:01:01,720 --> 00:01:04,040 Speaker 1: pockets of black conspiracy theories. 15 00:01:04,120 --> 00:01:07,920 Speaker 3: And we finally worked to prove the theories that you 16 00:01:08,200 --> 00:01:14,039 Speaker 3: the listener have at home. It's a motherfucker MANI wow, 17 00:01:16,800 --> 00:01:17,680 Speaker 3: I'm like Stink. 18 00:01:17,560 --> 00:01:19,240 Speaker 1: Kerman, I'm David Boy. 19 00:01:19,760 --> 00:01:25,600 Speaker 3: And we we have an exciting email from someone, this 20 00:01:25,600 --> 00:01:28,840 Speaker 3: this one you mentioned. Immediately you were like, there's a 21 00:01:28,880 --> 00:01:32,480 Speaker 3: new email in that piqued your interest, and I immediately 22 00:01:33,080 --> 00:01:36,080 Speaker 3: shouted out the subject line right back at you, and 23 00:01:36,120 --> 00:01:38,360 Speaker 3: we were both like, hell, yeah, that's the correct one. 24 00:01:38,400 --> 00:01:40,720 Speaker 1: Because when I saw it, I was like, oh, this 25 00:01:40,760 --> 00:01:43,720 Speaker 1: one's going. Like you know, sometimes you'll just see like 26 00:01:43,840 --> 00:01:46,320 Speaker 1: the headline come in, you'll kind of scan it and 27 00:01:46,360 --> 00:01:48,360 Speaker 1: you'll be like, oh, this ain't on ship. That one 28 00:01:48,520 --> 00:01:51,000 Speaker 1: was immediately like, Oh, this one's this one's going to 29 00:01:51,040 --> 00:01:51,360 Speaker 1: the show. 30 00:01:51,840 --> 00:01:58,000 Speaker 3: Yeah the distance, buddy, you just made it to the 31 00:01:58,000 --> 00:01:58,480 Speaker 3: big lead. 32 00:01:58,640 --> 00:02:05,880 Speaker 1: Yeah, welcome to the NFL. Rookie. 33 00:02:07,240 --> 00:02:12,720 Speaker 3: We got an email from a person named h Joff 34 00:02:13,919 --> 00:02:16,280 Speaker 3: Jeff Joff, I don't know their name. 35 00:02:16,480 --> 00:02:18,960 Speaker 1: Sucks. It's g e O f F. 36 00:02:19,160 --> 00:02:23,640 Speaker 3: I hate it, Jeff is probably how you say it, 37 00:02:23,680 --> 00:02:27,080 Speaker 3: But tell me, tell me how that math checks out, 38 00:02:27,880 --> 00:02:34,560 Speaker 3: Jeff g offf Either way, golf. None of it feels right, 39 00:02:34,680 --> 00:02:37,160 Speaker 3: and I hate saying it out loud. That said, I 40 00:02:37,200 --> 00:02:41,640 Speaker 3: do like what you wrote here, Goff. You wrote us 41 00:02:41,639 --> 00:02:45,680 Speaker 3: a letter that says, dear Langston, David, and you start hot. 42 00:02:45,800 --> 00:02:48,919 Speaker 3: You come in very hot with this ship. You say, 43 00:02:49,040 --> 00:02:57,840 Speaker 3: hypothesis Steve Harvey is an energy vampire. Yeah, and that 44 00:02:57,840 --> 00:02:58,760 Speaker 3: that piqued my interest. 45 00:02:58,880 --> 00:03:02,919 Speaker 1: I was already in. I was already had a hypothesis, Steve, 46 00:03:05,440 --> 00:03:07,760 Speaker 1: I was always gonna hear you out. I was always 47 00:03:07,800 --> 00:03:08,600 Speaker 1: gonna hear you out. 48 00:03:08,800 --> 00:03:12,040 Speaker 3: If your hypothesizing about Steve Harvey, You've got my ear 49 00:03:12,240 --> 00:03:12,760 Speaker 3: for sure. 50 00:03:12,919 --> 00:03:13,320 Speaker 1: Come in. 51 00:03:13,639 --> 00:03:16,080 Speaker 3: He goes on to say, I had been thinking about 52 00:03:16,120 --> 00:03:18,760 Speaker 3: this for a while. We know you had, and wanted 53 00:03:18,800 --> 00:03:22,920 Speaker 3: to know what you thought. Is it possible that Steve Harvey, 54 00:03:23,000 --> 00:03:27,200 Speaker 3: early in his career met upon meeting Richard Pryor, attempting 55 00:03:27,240 --> 00:03:31,120 Speaker 3: to absorb and replace him, but was caught in the act, 56 00:03:31,200 --> 00:03:36,480 Speaker 3: thus leaving Prior in an ailing state. Holy shit. Harvey 57 00:03:36,960 --> 00:03:39,440 Speaker 3: then would go on to feed off of Prior in 58 00:03:39,520 --> 00:03:45,320 Speaker 3: a tracula type fashion, gaining a familiar mustache and eyebrows 59 00:03:45,640 --> 00:03:50,520 Speaker 3: and even similar comedy beats, but never truly completing the process, 60 00:03:50,600 --> 00:03:54,880 Speaker 3: despite self proclaiming himself as an original king of comedy. 61 00:03:55,240 --> 00:03:59,120 Speaker 3: After Prior's passing, Harvey didn't have anyone left to absorb 62 00:03:59,240 --> 00:04:03,120 Speaker 3: powers from, lost his hair and turned to a daytime 63 00:04:03,200 --> 00:04:08,200 Speaker 3: network television working multiple turn two daytime network television, working 64 00:04:08,280 --> 00:04:12,160 Speaker 3: multiple shows at living and living off the energy his 65 00:04:12,320 --> 00:04:17,119 Speaker 3: live studio audiences and family feud contestants just to stay 66 00:04:17,160 --> 00:04:21,000 Speaker 3: alive again. Just the theory, g Off. 67 00:04:21,279 --> 00:04:23,320 Speaker 1: So I want to say, first of all, I love 68 00:04:23,360 --> 00:04:27,840 Speaker 1: this theory. Second of all, g Off gotta leave the house. 69 00:04:27,880 --> 00:04:30,880 Speaker 1: Dog gotta yeah, yeah, you gotta very alone. 70 00:04:30,920 --> 00:04:31,080 Speaker 2: Bit. 71 00:04:31,080 --> 00:04:33,839 Speaker 1: You gotta get out of the basement. This is not 72 00:04:34,200 --> 00:04:38,560 Speaker 1: a good look. Your mom pissed. You still live there, bro, 73 00:04:38,680 --> 00:04:40,520 Speaker 1: you gotta go out and live live. 74 00:04:41,040 --> 00:04:44,280 Speaker 3: Them on man. Just because you write hypothesis and the email, 75 00:04:44,320 --> 00:04:45,800 Speaker 3: don't mean you ain't in your basement. 76 00:04:45,960 --> 00:04:48,720 Speaker 1: No, I could feel I could feel the cheeto dust 77 00:04:48,720 --> 00:04:54,840 Speaker 1: from here. It's like a hoof. But it's this took work. Yeah, No, 78 00:04:54,960 --> 00:04:57,360 Speaker 1: that's what I mean. Like most emails are like something 79 00:04:57,560 --> 00:04:59,240 Speaker 1: you could tell somebody like wrote it on their lunch 80 00:04:59,360 --> 00:05:02,640 Speaker 1: hower or something like that. This was this was This 81 00:05:02,720 --> 00:05:04,039 Speaker 1: is a fully formed idea. 82 00:05:04,560 --> 00:05:08,040 Speaker 3: This was weighing heavy on Geoff's heart in a way that, uh, 83 00:05:08,080 --> 00:05:10,800 Speaker 3: that is a little unnerving. But I also think it 84 00:05:10,960 --> 00:05:13,400 Speaker 3: leaves us with a little bit of responsibility to keep 85 00:05:13,480 --> 00:05:17,039 Speaker 3: g Off happy so that he doesn't become, uh, something 86 00:05:17,160 --> 00:05:19,400 Speaker 3: far more sinister out in society. 87 00:05:19,560 --> 00:05:25,919 Speaker 1: No, there's definitely a possibility he could kill us and him. 88 00:05:26,520 --> 00:05:28,919 Speaker 3: This is one of the first people I've been genuinely 89 00:05:28,960 --> 00:05:31,760 Speaker 3: afraid of that's ever written us speaking. 90 00:05:32,080 --> 00:05:34,400 Speaker 1: Can I tell you something funny. This is yeah, yeah, 91 00:05:34,440 --> 00:05:38,920 Speaker 1: we should keep him. Dogon the guy. He came and 92 00:05:38,960 --> 00:05:42,560 Speaker 1: saw me in Raleigh and you can't tell by his 93 00:05:42,640 --> 00:05:48,080 Speaker 1: picture huge he's so guy and I was like, I 94 00:05:48,120 --> 00:05:50,400 Speaker 1: was like dogon right, and he's like no, I'm Carlo 95 00:05:50,520 --> 00:05:59,880 Speaker 1: Sex And for a minute, like for a minute, ship 96 00:06:00,120 --> 00:06:00,760 Speaker 1: went cold. 97 00:06:01,360 --> 00:06:08,039 Speaker 3: Oh fuck, You're like, oh no, guy. 98 00:06:08,480 --> 00:06:14,599 Speaker 1: Yeah. It turns out that X stands for times. It's 99 00:06:14,640 --> 00:06:19,880 Speaker 1: short for XXL. Dude, Dogan big, big person, big person. 100 00:06:20,680 --> 00:06:21,240 Speaker 3: I love that. 101 00:06:21,720 --> 00:06:23,080 Speaker 1: But anyways, yeah, keep going. 102 00:06:23,120 --> 00:06:26,159 Speaker 3: Sorry do gun is responsible for those that are underware. 103 00:06:26,240 --> 00:06:30,719 Speaker 3: Dogun is responsible for our beautiful cover art. Don Dogan 104 00:06:30,880 --> 00:06:33,920 Speaker 3: submitted it just on some fan ship and we loved 105 00:06:33,920 --> 00:06:36,479 Speaker 3: it so much that we we asked them to make 106 00:06:36,560 --> 00:06:39,599 Speaker 3: a lot of tweaks to it and make it look 107 00:06:39,640 --> 00:06:43,040 Speaker 3: cool or then they had already made it. But but 108 00:06:43,120 --> 00:06:47,760 Speaker 3: it's gorgeous, and uh, they are solely responsible for it. 109 00:06:47,839 --> 00:06:50,240 Speaker 1: Yeah. I also bought a piece of art from them later. 110 00:06:50,320 --> 00:06:52,440 Speaker 1: But anyways, oh fuck, yeah, yeah, yeah, yeah, I got 111 00:06:52,480 --> 00:06:57,800 Speaker 1: a little gay. Yeah, I got all right, I got 112 00:06:57,800 --> 00:07:03,040 Speaker 1: both many talents. You you're a wild boy. But yeah, 113 00:07:03,080 --> 00:07:06,240 Speaker 1: so back to this, how do you feel about it? 114 00:07:06,520 --> 00:07:09,160 Speaker 1: I'm curious to see what you think. Here's what I love. 115 00:07:09,760 --> 00:07:13,840 Speaker 3: I love the the the basic framing of the hypothesis 116 00:07:14,320 --> 00:07:17,679 Speaker 3: of Steve Harvey is an energy vampire, and it does 117 00:07:18,080 --> 00:07:21,760 Speaker 3: that rings sort of true, like he is a person 118 00:07:21,760 --> 00:07:25,679 Speaker 3: who has sort of built a career on a very 119 00:07:25,720 --> 00:07:29,280 Speaker 3: specific type of hosting that is exceptional. 120 00:07:29,360 --> 00:07:31,160 Speaker 1: I don't want to even begin for. 121 00:07:31,080 --> 00:07:33,320 Speaker 3: A second to suggest that he is not good at 122 00:07:33,320 --> 00:07:36,120 Speaker 3: what he's doing, but it does feel like he is 123 00:07:36,280 --> 00:07:41,040 Speaker 3: almost using the power of these unsuspecting white people to 124 00:07:41,280 --> 00:07:45,600 Speaker 3: sort of like build up more of his his own essence. 125 00:07:46,120 --> 00:07:49,880 Speaker 3: And it even the transitions we've seen of the big 126 00:07:49,880 --> 00:07:55,040 Speaker 3: ass suits into becoming almost like this weird old nigga model. 127 00:07:55,320 --> 00:07:58,200 Speaker 1: Yeah, he's like, it's sexy. Now, he's real sexy. 128 00:07:58,240 --> 00:08:02,920 Speaker 3: He takes his shirt off sometimes and it's like, yeah, 129 00:08:03,040 --> 00:08:03,400 Speaker 3: are you. 130 00:08:03,320 --> 00:08:05,120 Speaker 1: Gonna take your shirt off? You shouldn't be wearing Michael 131 00:08:05,200 --> 00:08:06,440 Speaker 1: Jordan's jeans. 132 00:08:06,560 --> 00:08:09,520 Speaker 3: No, and smoking a cigar and telling me I need 133 00:08:09,520 --> 00:08:11,800 Speaker 3: to stop, I need to wake up earlier. 134 00:08:11,840 --> 00:08:15,080 Speaker 1: It all feels wrong. Yeah, but I hate that. I 135 00:08:15,160 --> 00:08:19,160 Speaker 1: just googled Steve Harvey topless. Oh, it's it's disturbing. Shit, 136 00:08:19,480 --> 00:08:22,600 Speaker 1: I can't wait to see you discover what that looks like. 137 00:08:22,640 --> 00:08:24,920 Speaker 1: I had seen it before, I thought it was gonna 138 00:08:24,920 --> 00:08:28,400 Speaker 1: be different. No, it's what's so funny about it. Not 139 00:08:28,440 --> 00:08:31,640 Speaker 1: even that it's bad, it's just really weird, that's what's 140 00:08:31,680 --> 00:08:32,400 Speaker 1: funny about it. 141 00:08:32,400 --> 00:08:34,800 Speaker 3: It's like I think sometimes we talked about this with 142 00:08:34,880 --> 00:08:37,080 Speaker 3: Bismarcky where he took his shirt off and we were 143 00:08:37,080 --> 00:08:39,240 Speaker 3: all like, fuck, fuck, put your shirt back on. This 144 00:08:39,320 --> 00:08:42,000 Speaker 3: is a sin, we hate this. But with Steve Harvey, 145 00:08:42,040 --> 00:08:45,959 Speaker 3: it just feels more like is this real or is 146 00:08:46,000 --> 00:08:47,200 Speaker 3: this like photoshop? 147 00:08:47,440 --> 00:08:50,760 Speaker 1: Yeah? Why you body? It's so and like the light 148 00:08:50,840 --> 00:08:52,200 Speaker 1: is strange. He's all oily. 149 00:08:53,120 --> 00:08:57,240 Speaker 3: Yeah, it's it's unnerving more than it is like gross. 150 00:08:57,440 --> 00:08:59,600 Speaker 1: Yeah, it sucks though it don't get it twisted. 151 00:08:59,679 --> 00:09:03,440 Speaker 3: It's what's that thing where like, uh, where they make 152 00:09:04,000 --> 00:09:09,559 Speaker 3: something looked not human enough in it has an Uncanny 153 00:09:09,640 --> 00:09:13,000 Speaker 3: Valley quality to it. Definitely Steve Harvey with his shirt 154 00:09:13,000 --> 00:09:15,479 Speaker 3: off his real uncanny Valley vibes. 155 00:09:15,280 --> 00:09:18,319 Speaker 1: Like it doesn't like it feels like it doesn't move, 156 00:09:18,640 --> 00:09:22,680 Speaker 1: like it looks like an action figure posed in this position, 157 00:09:22,720 --> 00:09:24,960 Speaker 1: you know what I'm saying, But doesn't look like it'll 158 00:09:25,000 --> 00:09:28,560 Speaker 1: go like a body goes. No, Yeah, it feels like. 159 00:09:31,240 --> 00:09:33,840 Speaker 3: It feels like it came out of a cryogenic chamber 160 00:09:34,000 --> 00:09:35,880 Speaker 3: before it was ready fully cooked. 161 00:09:36,000 --> 00:09:41,600 Speaker 1: Yeah, it looks like stiff, you know what it looks like. 162 00:09:41,679 --> 00:09:45,080 Speaker 1: It looks like somebody who's like not terrible but not 163 00:09:45,320 --> 00:09:49,680 Speaker 1: great at clay. Maybe yeah, like you're in clay too, 164 00:09:49,720 --> 00:09:51,840 Speaker 1: but you're not in advanced clay like that's. 165 00:09:51,840 --> 00:09:54,600 Speaker 3: Yeah, and you're the best in your class. You still 166 00:09:54,640 --> 00:09:57,840 Speaker 3: are not particularly like you're not. This isn't gonna be 167 00:09:57,840 --> 00:09:59,800 Speaker 3: a career for you in six months. 168 00:09:59,840 --> 00:10:01,120 Speaker 1: You you know what I mean. You're as good as 169 00:10:01,120 --> 00:10:03,440 Speaker 1: you can be at that point, and you're just trying 170 00:10:03,440 --> 00:10:05,760 Speaker 1: to get at the house anyways, get ready, get it 171 00:10:05,760 --> 00:10:08,880 Speaker 1: away from these kids. Sometimes this always started as a hobby. 172 00:10:08,960 --> 00:10:12,400 Speaker 3: And and you're grateful that you've advanced, and your teacher 173 00:10:12,440 --> 00:10:13,880 Speaker 3: seems impressed by your work. 174 00:10:14,080 --> 00:10:15,480 Speaker 1: Exactly that, exactly that. 175 00:10:16,160 --> 00:10:19,840 Speaker 3: Yeah, No, it's it's fucked up down there, uh for. 176 00:10:21,160 --> 00:10:27,080 Speaker 1: Old Stevie hunder his shirt anywhere but below the collar, 177 00:10:27,240 --> 00:10:31,480 Speaker 1: beneath that big ass suit. Well now it's like it's 178 00:10:31,480 --> 00:10:33,720 Speaker 1: like tight page. I don't like him sexy. I really 179 00:10:33,760 --> 00:10:35,720 Speaker 1: don't like him sexy. I don't Oh, you don't like 180 00:10:35,800 --> 00:10:37,200 Speaker 1: him sexy? I don't like it at all. 181 00:10:37,840 --> 00:10:42,480 Speaker 3: I I actually do like him sexy. I think it's 182 00:10:42,679 --> 00:10:45,720 Speaker 3: funny in a way that I never expected he could 183 00:10:45,800 --> 00:10:48,360 Speaker 3: be funny. I think it was it had become sort 184 00:10:48,400 --> 00:10:50,600 Speaker 3: of a hacky trope to make fun of his big 185 00:10:50,640 --> 00:10:54,600 Speaker 3: suits and all the buttons and the shine. And now 186 00:10:55,240 --> 00:10:58,200 Speaker 3: we get to make fun of a different version of 187 00:10:58,240 --> 00:11:02,080 Speaker 3: Steve Harvey where he's like wearing like bell bottoms and 188 00:11:02,120 --> 00:11:04,800 Speaker 3: then open belly belly shirt and it's like. 189 00:11:05,360 --> 00:11:11,640 Speaker 1: Huh, what, what the fuck is this? What the fuck 190 00:11:11,760 --> 00:11:19,280 Speaker 1: is this? Grandpa? Why are you? Why are you doing that? 191 00:11:15,960 --> 00:11:22,800 Speaker 1: That's very true. I actually really like him sexy. But 192 00:11:22,800 --> 00:11:25,920 Speaker 1: but I get why other people don't. I get it. 193 00:11:26,200 --> 00:11:29,240 Speaker 1: That said, I think I stop. 194 00:11:29,720 --> 00:11:32,800 Speaker 3: I think I start to jump off of this conspiracy, 195 00:11:32,880 --> 00:11:35,680 Speaker 3: or rather I have trouble inside of this conspiracy. When 196 00:11:35,800 --> 00:11:40,679 Speaker 3: Richard Pryor is introduced as the source of his strength. 197 00:11:40,800 --> 00:11:46,079 Speaker 1: Yeah, because also why only prior, like he spent a 198 00:11:46,120 --> 00:11:49,320 Speaker 1: lot of time around a lot of people. Like if 199 00:11:49,320 --> 00:11:52,680 Speaker 1: it was me and I was concocting, I would have 200 00:11:52,760 --> 00:11:58,000 Speaker 1: said that he sucked Merlin Santana to death. WHOA, that's what? 201 00:11:58,160 --> 00:12:03,520 Speaker 1: Because remember Merlin was young when that show started, right, Also, 202 00:12:04,200 --> 00:12:07,520 Speaker 1: somebody in the barbershops said that that's Jewel Santana's little brother, 203 00:12:08,480 --> 00:12:10,440 Speaker 1: and at first I got mad, but I was like, 204 00:12:11,000 --> 00:12:14,560 Speaker 1: maybe or big brother. But I don't think Jewel Santana's 205 00:12:14,559 --> 00:12:15,960 Speaker 1: real last name is Santana. 206 00:12:16,240 --> 00:12:19,600 Speaker 3: Yeah, I was that. I don't think he's Santana legally. 207 00:12:19,679 --> 00:12:23,120 Speaker 3: And I'm not even sure Merlin Santana was Santana legally. 208 00:12:23,280 --> 00:12:29,120 Speaker 1: I mean, he wasn't Merlin legally. But then, now that 209 00:12:29,200 --> 00:12:31,800 Speaker 1: you think about it, they they they do look a 210 00:12:31,880 --> 00:12:34,000 Speaker 1: little bit of light. It's like one of those New 211 00:12:34,080 --> 00:12:36,360 Speaker 1: York Speak Spanish too kind of vibe. 212 00:12:37,280 --> 00:12:43,760 Speaker 3: No, they're they're not not Laarn. Luis James is Joelle's 213 00:12:44,000 --> 00:12:48,600 Speaker 3: government name. And what about Ewis, It's probably Lewis Laarn. 214 00:12:48,760 --> 00:12:51,600 Speaker 3: Lewis James is Joel Santana's government name. 215 00:12:51,679 --> 00:12:57,800 Speaker 1: Okay, and what about Merlin Santana. That's Olivia Orlando Santana. 216 00:12:58,440 --> 00:13:13,840 Speaker 3: Santando is, Oh that's his real name, Santana. 217 00:13:14,040 --> 00:13:16,760 Speaker 1: Fuck yeah, man, I would have never guessed that in 218 00:13:16,840 --> 00:13:20,760 Speaker 1: a million years that Nigga was too magical for this earth. Yeah. 219 00:13:21,120 --> 00:13:23,920 Speaker 1: He was also like maybe a little too handsome. 220 00:13:24,280 --> 00:13:25,280 Speaker 3: He was gorgeous. 221 00:13:26,080 --> 00:13:29,080 Speaker 1: He was really a pretty guy. He was a. 222 00:13:28,960 --> 00:13:32,640 Speaker 3: Gorgeous man, and he he could hit them punchlines in 223 00:13:32,679 --> 00:13:34,640 Speaker 3: a way that I don't think we give him enough 224 00:13:34,640 --> 00:13:35,080 Speaker 3: credit for. 225 00:13:35,240 --> 00:13:39,040 Speaker 1: Merlin Santana was hilarious. He was really funny. He's also 226 00:13:39,480 --> 00:13:42,160 Speaker 1: comedic timing. He was also a child actor. Remember he 227 00:13:42,280 --> 00:13:43,320 Speaker 1: was also like he was on. 228 00:13:43,320 --> 00:13:48,439 Speaker 3: The No, he was a sexy person for a long 229 00:13:48,559 --> 00:13:52,680 Speaker 3: time in media. You know what, Yeah, sorry, go ahead, No, 230 00:13:52,880 --> 00:13:55,800 Speaker 3: I said everything I needed to say. I wanted to 231 00:13:55,840 --> 00:13:56,960 Speaker 3: fuck him for years. 232 00:13:58,040 --> 00:14:00,839 Speaker 1: I just I feel like Merlin Santana, not a lot 233 00:14:00,880 --> 00:14:07,720 Speaker 1: of people make the jump from this, yeah, yeah, no, please, 234 00:14:07,920 --> 00:14:10,440 Speaker 1: not a lot of people. A lot of people make 235 00:14:10,520 --> 00:14:12,160 Speaker 1: the jump from a sexy boy to. 236 00:14:18,559 --> 00:14:18,640 Speaker 2: Know. 237 00:14:22,520 --> 00:14:23,480 Speaker 3: I think that's true. 238 00:14:23,720 --> 00:14:27,080 Speaker 1: But you know, I mean, I just I'm you one bit. 239 00:14:27,240 --> 00:14:31,120 Speaker 3: I agree with you. I think Jonathan Taylor Thomas is 240 00:14:31,120 --> 00:14:33,280 Speaker 3: a great example of somebody that could not make that 241 00:14:33,320 --> 00:14:37,240 Speaker 3: transitions all of what they empowered him to be. 242 00:14:37,720 --> 00:14:39,760 Speaker 1: I think Macaulay Kulchin. 243 00:14:40,080 --> 00:14:42,760 Speaker 3: You know, there's there's a there's a fair amount of 244 00:14:42,800 --> 00:14:45,440 Speaker 3: examples of kids who sort of got positioned as like 245 00:14:45,560 --> 00:14:50,040 Speaker 3: the the teen magazine heart throb that then just become 246 00:14:50,200 --> 00:14:51,840 Speaker 3: duds of like adults. 247 00:14:51,920 --> 00:14:56,720 Speaker 1: Oh yeah, that little boy from the Fresh Friends now 248 00:14:58,680 --> 00:15:03,240 Speaker 1: Little Nikki. Yeah, he looks like the Little Niki because 249 00:15:03,240 --> 00:15:04,400 Speaker 1: that nigga looks like a devil. 250 00:15:06,920 --> 00:15:09,280 Speaker 3: His head just got wider and wider. 251 00:15:09,480 --> 00:15:15,200 Speaker 1: Shape didn't change though, No, he is. He is gruesome. 252 00:15:19,000 --> 00:15:23,720 Speaker 4: And my favorite part of that, my favorite part of 253 00:15:23,760 --> 00:15:27,000 Speaker 4: that Fresh Print special is when they bring him back 254 00:15:27,040 --> 00:15:30,600 Speaker 4: out and you can see every member of the cast 255 00:15:30,760 --> 00:15:33,480 Speaker 4: have to like hold back their their. 256 00:15:33,400 --> 00:15:37,200 Speaker 3: Fucking ewes and yucks when he comes from behind the 257 00:15:37,240 --> 00:15:40,320 Speaker 3: wall because he's just so hard to look at. They're like, 258 00:15:40,400 --> 00:15:43,520 Speaker 3: oh wow, oh hey Nikki, Hey little Nikki. 259 00:15:44,280 --> 00:15:48,760 Speaker 1: Hey what you were doing? Oh that's you? Oh good 260 00:15:48,800 --> 00:15:49,200 Speaker 1: for you. 261 00:15:48,960 --> 00:15:51,760 Speaker 3: You're still here, Okay. 262 00:15:51,200 --> 00:15:56,520 Speaker 1: Man Will Smith didn't want to hug him, No, they 263 00:15:56,640 --> 00:16:11,440 Speaker 1: just tapped him up like a stranger. Fucking Google, Denver, Colorado. 264 00:16:11,800 --> 00:16:15,800 Speaker 1: Are you lucky? Or what my Mama told me? Is 265 00:16:15,920 --> 00:16:19,880 Speaker 1: doing a live show this Friday night as part of 266 00:16:19,920 --> 00:16:23,000 Speaker 1: the High Plains Comedy Festival. We're gonna be at the 267 00:16:23,080 --> 00:16:27,040 Speaker 1: High Dive at seven South Broadway in Denver Friday night, 268 00:16:27,120 --> 00:16:30,800 Speaker 1: September twenty second, eight to nine thirty. For tickets, go 269 00:16:30,800 --> 00:16:35,000 Speaker 1: ahead and go on to High Claytonscomedyfestival dot com. That's 270 00:16:35,240 --> 00:16:39,600 Speaker 1: h I g H P L A I and Ascomedyfestival 271 00:16:39,760 --> 00:16:44,320 Speaker 1: dot Com. 272 00:16:44,360 --> 00:16:47,360 Speaker 3: No, I think to your point, there there are other 273 00:16:47,520 --> 00:16:52,600 Speaker 3: people who are likely a source for Steve Harvey's energy 274 00:16:52,720 --> 00:16:56,200 Speaker 3: vampire shit, and I don't know him and Richard Pryor 275 00:16:56,800 --> 00:17:01,000 Speaker 3: to have maintained any version of like a d relationship 276 00:17:01,080 --> 00:17:06,760 Speaker 3: to justify that connection. Even Bernie Mack feels like a 277 00:17:08,960 --> 00:17:10,719 Speaker 3: go to then Richer Pryor. 278 00:17:11,320 --> 00:17:13,199 Speaker 1: Well, I mean did I and I don't. Maybe I 279 00:17:13,200 --> 00:17:15,920 Speaker 1: don't know my history. Well, no, because Steve Harvey kind 280 00:17:15,920 --> 00:17:19,160 Speaker 1: of came up way late. Steve Harvey kind of rose 281 00:17:19,160 --> 00:17:22,000 Speaker 1: the prominence in the nineties right like started in the eighties, 282 00:17:22,040 --> 00:17:25,120 Speaker 1: roaster prominence in the nineties. That's like they probably never 283 00:17:25,200 --> 00:17:27,000 Speaker 1: really interaction. 284 00:17:27,040 --> 00:17:30,560 Speaker 3: But I think I think if I am playing a 285 00:17:30,560 --> 00:17:32,840 Speaker 3: little bit of the game that our boy g offf 286 00:17:33,000 --> 00:17:37,199 Speaker 3: here is playing, I think there is a logic that 287 00:17:37,359 --> 00:17:40,439 Speaker 3: says that if I'm taking his energy, I am taking 288 00:17:40,480 --> 00:17:45,040 Speaker 3: it slowly. And so we're seeing Richard Pryor slowly be 289 00:17:45,240 --> 00:17:49,240 Speaker 3: depleted of sort of the character he started as as 290 00:17:49,320 --> 00:17:53,600 Speaker 3: we're watching Steve Harvey rise to success, you know what 291 00:17:53,640 --> 00:17:56,679 Speaker 3: I mean, Like, think about Richard Pryor and Harlem Knights, 292 00:17:57,119 --> 00:17:59,720 Speaker 3: that ain't the Richer Pryor we loved, you know what 293 00:17:59,760 --> 00:18:02,359 Speaker 3: I mean. That's a much more timid sort of like 294 00:18:03,600 --> 00:18:04,560 Speaker 3: ed Richer Pryor. 295 00:18:04,680 --> 00:18:08,000 Speaker 1: I mean I do love that movie. But yeah, it's 296 00:18:08,040 --> 00:18:09,680 Speaker 1: not the toy. 297 00:18:13,320 --> 00:18:16,680 Speaker 3: He's never he's never like fun in that movie. He's 298 00:18:16,760 --> 00:18:19,560 Speaker 3: just a serious man kind of doing bits. 299 00:18:19,800 --> 00:18:24,240 Speaker 1: Yeah, low energy, he's sort of slurring. Yeah. You know 300 00:18:24,280 --> 00:18:26,000 Speaker 1: what I liked was Brewster's Millions. 301 00:18:26,720 --> 00:18:29,760 Speaker 3: Okay, you're a big Richard Pryor film buff. 302 00:18:29,840 --> 00:18:33,639 Speaker 1: Don't make it like that. It wasn't shameful. 303 00:18:33,680 --> 00:18:36,719 Speaker 3: I'm just noticing how much you love the the the 304 00:18:36,760 --> 00:18:38,159 Speaker 3: classics of Richard Pryor. 305 00:18:38,280 --> 00:18:41,480 Speaker 1: Well, I like Brewster's Millions because when he got all 306 00:18:41,480 --> 00:18:44,199 Speaker 1: that money, John Candy, who was a catcher on their 307 00:18:44,240 --> 00:18:48,480 Speaker 1: baseball team, bought a chain with a catcher's mid on it. 308 00:18:48,960 --> 00:18:55,520 Speaker 1: Like yeah, right, Okay, I didn't know this movie was 309 00:18:55,560 --> 00:19:02,479 Speaker 1: gonna be relatable. Me and John Candy got the same plans. 310 00:19:02,520 --> 00:19:09,679 Speaker 3: All right, So, g OFFF I guess personally, Well, what 311 00:19:09,760 --> 00:19:12,760 Speaker 3: do you think we have not impacked your your position 312 00:19:12,840 --> 00:19:13,760 Speaker 3: in this No? 313 00:19:14,000 --> 00:19:19,040 Speaker 1: I don't think so. I don't. I I like, you know, 314 00:19:20,240 --> 00:19:23,200 Speaker 1: a for effort. I love the imagination on this one. 315 00:19:23,680 --> 00:19:26,560 Speaker 1: I love the distance that you had at Span. I don't, 316 00:19:26,960 --> 00:19:30,440 Speaker 1: I don't. I just don't think this one has as 317 00:19:30,560 --> 00:19:35,240 Speaker 1: much legs as maybe it could. Mm hmm, yeah, I think. 318 00:19:35,320 --> 00:19:38,280 Speaker 3: I think if Goff, we are unaware of a connection 319 00:19:38,400 --> 00:19:42,880 Speaker 3: between Steve Harvey and Richard Pryor that you know of, 320 00:19:43,320 --> 00:19:46,399 Speaker 3: and clearly you've had time to think about this in 321 00:19:46,440 --> 00:19:50,640 Speaker 3: a depth that we are unable to think about it. Virgins, 322 00:19:52,560 --> 00:19:57,040 Speaker 3: I'm too busy, smash and puss Geoff. That said, if 323 00:19:57,080 --> 00:20:00,000 Speaker 3: you are in fact aware of a connection that exists, 324 00:20:00,119 --> 00:20:02,080 Speaker 3: we'd love to hear about it, because I do think 325 00:20:02,400 --> 00:20:04,800 Speaker 3: maybe there's something to it if that connection is there. 326 00:20:04,800 --> 00:20:06,840 Speaker 3: But without the connection, it's sort of hard to make 327 00:20:06,840 --> 00:20:09,960 Speaker 3: that leap of Richard Pryor other than him just taking 328 00:20:09,960 --> 00:20:13,440 Speaker 3: the mustache. And also, to be clear, Steve Harvey has 329 00:20:13,480 --> 00:20:16,360 Speaker 3: been balled the entire time he was lying to us. 330 00:20:16,680 --> 00:20:20,080 Speaker 3: That was a wig throughout the entire Steve Harvey Show. 331 00:20:20,320 --> 00:20:22,840 Speaker 3: It was a little final We wanted it to be it. 332 00:20:23,840 --> 00:20:27,199 Speaker 3: He's come forward. We know now it was. That was 333 00:20:27,240 --> 00:20:31,840 Speaker 3: a lie. Yeah, I man, it makes me worry for Martin. 334 00:20:32,960 --> 00:20:34,800 Speaker 3: Oh you think Martin's lying to us too? 335 00:20:34,920 --> 00:20:37,480 Speaker 1: I mean, remember how on point his hair. Nobody ever 336 00:20:37,520 --> 00:20:39,240 Speaker 1: gives them credit for how good his hair was in 337 00:20:39,320 --> 00:20:39,720 Speaker 1: that show. 338 00:20:39,840 --> 00:20:43,280 Speaker 3: Yeah, you're the you're the biggest Martin haircut advocate I've 339 00:20:43,320 --> 00:20:43,840 Speaker 3: ever met. 340 00:20:43,880 --> 00:20:46,800 Speaker 1: If I'm being honest with you, it's it's so odd 341 00:20:46,800 --> 00:20:50,920 Speaker 1: because to me it's so obviously, but people they really 342 00:20:50,920 --> 00:20:53,080 Speaker 1: don't give him a shine for the like not a 343 00:20:53,160 --> 00:20:56,600 Speaker 1: hair out of play, is crazy, perfectly sculpted. 344 00:20:57,480 --> 00:21:02,600 Speaker 3: Yeah, I think Martin's natch hairline was was wider than 345 00:21:02,640 --> 00:21:05,720 Speaker 3: the average black man wants theirs to be, and so 346 00:21:05,840 --> 00:21:08,159 Speaker 3: they don't look to him as a source. 347 00:21:08,359 --> 00:21:09,720 Speaker 1: Even though because it's not. 348 00:21:11,480 --> 00:21:13,520 Speaker 3: It's not just a straight you know what I mean, 349 00:21:13,680 --> 00:21:17,960 Speaker 3: like perfect lineup, but it was perfect for him, like 350 00:21:18,119 --> 00:21:20,080 Speaker 3: he never had a hair out of place. It was 351 00:21:20,119 --> 00:21:22,879 Speaker 3: a great haircut. But I would never go, like, you 352 00:21:23,000 --> 00:21:26,000 Speaker 3: know what, I want my hairline to look like Martin Lawrence. 353 00:21:26,040 --> 00:21:28,800 Speaker 1: Well, it's not just a hairline thing. It's a fade thing. 354 00:21:29,320 --> 00:21:32,159 Speaker 1: It's a length was immaculate, like it's a there's a 355 00:21:32,240 --> 00:21:34,840 Speaker 1: lot to it, you know that. I mean, come on, 356 00:21:34,880 --> 00:21:37,800 Speaker 1: we all understand. Yeah, No, you don't have to convince me. 357 00:21:37,960 --> 00:21:40,399 Speaker 3: I think I'm just saying that, Like when I list 358 00:21:41,160 --> 00:21:44,359 Speaker 3: my kings that I'm I'm going to point to and say, 359 00:21:44,440 --> 00:21:46,879 Speaker 3: if I had to remake my hair, I wanted to 360 00:21:46,920 --> 00:21:50,040 Speaker 3: look like that. Martin Lawrence would never be that choice. 361 00:21:50,080 --> 00:21:52,480 Speaker 1: Who's your number one? I just out of curiosity? 362 00:21:52,680 --> 00:21:55,440 Speaker 3: Damn, that is a good question, and frankly, I don't 363 00:21:55,720 --> 00:21:58,240 Speaker 3: I don't know that I have a great answer. I 364 00:21:58,280 --> 00:22:00,399 Speaker 3: think there was a period where I thought Will Smith 365 00:22:00,440 --> 00:22:03,840 Speaker 3: had a great haircut, But in retrospect, I don't think 366 00:22:03,840 --> 00:22:04,880 Speaker 3: that that's true at all. 367 00:22:05,119 --> 00:22:07,360 Speaker 1: I don't either. I think I think his I think 368 00:22:07,400 --> 00:22:09,600 Speaker 1: his went further back than you would want it. 369 00:22:09,920 --> 00:22:14,280 Speaker 3: Bad Boys era Will Smith, like the first Bad Boys movie. 370 00:22:14,640 --> 00:22:16,639 Speaker 3: He had a pretty gorgeous haircut. 371 00:22:16,240 --> 00:22:18,920 Speaker 1: In that movie. Was it just a high top fade? 372 00:22:19,119 --> 00:22:21,400 Speaker 3: I don't know, man, it felt like there was more 373 00:22:21,480 --> 00:22:25,000 Speaker 3: to it. You're you're being reductive. 374 00:22:29,200 --> 00:22:33,320 Speaker 1: I celebrated your boy. Now, don't sorry, don't turn on me. 375 00:22:33,840 --> 00:22:36,600 Speaker 3: You know who has a gorgeous haircut? Is uh? 376 00:22:36,800 --> 00:22:41,080 Speaker 1: What's his name? Javonte? What's what's the nigga? F Yeah? 377 00:22:41,119 --> 00:22:47,879 Speaker 3: The motherfucker from Moon Moonlight? No, no, No, what's the 378 00:22:47,960 --> 00:22:48,640 Speaker 3: other one? 379 00:22:49,359 --> 00:22:49,639 Speaker 1: Yeah? 380 00:22:49,880 --> 00:22:50,080 Speaker 3: Oh? 381 00:22:50,160 --> 00:22:53,400 Speaker 1: What is his name? He that is a good fuck? 382 00:22:53,480 --> 00:22:56,040 Speaker 1: What's his name? That is a good haircut. 383 00:22:56,160 --> 00:23:01,600 Speaker 3: Okay, Oh, Travonte Rhodes, that's his name. Yeah, that is 384 00:23:01,760 --> 00:23:02,600 Speaker 3: a good haircut. 385 00:23:02,720 --> 00:23:03,879 Speaker 1: That shit is clean. 386 00:23:04,119 --> 00:23:06,320 Speaker 3: It comes yeah, yeah, he always coming clean. 387 00:23:06,440 --> 00:23:09,000 Speaker 1: Yeah, it's like everywhere it's supposed to be, because I've 388 00:23:09,000 --> 00:23:12,680 Speaker 1: been noticing mine is like the whole thing isn't receding. 389 00:23:12,720 --> 00:23:15,639 Speaker 1: But I got like a weird little chunk over here. 390 00:23:15,920 --> 00:23:18,040 Speaker 1: And as I yeah, and as I get older, it's 391 00:23:18,040 --> 00:23:20,119 Speaker 1: getting more and more prominent, which I don't care. I 392 00:23:20,440 --> 00:23:22,160 Speaker 1: put the Beijing in. I don't give a ship. 393 00:23:22,280 --> 00:23:25,679 Speaker 3: Oh yo, would you would you fly to Dubai and 394 00:23:25,680 --> 00:23:28,480 Speaker 3: get it fits fixed? Like Tracy McGrady, would you do 395 00:23:28,600 --> 00:23:32,640 Speaker 3: the whole like the Journey back to Freedom. 396 00:23:32,680 --> 00:23:35,200 Speaker 1: It's not that crazy. It's not that it's like it's 397 00:23:35,240 --> 00:23:37,159 Speaker 1: like because I just you can see it because I 398 00:23:37,200 --> 00:23:40,960 Speaker 1: haven't had a cut. Yeah, yeah, it's it's just one problem. 399 00:23:41,160 --> 00:23:44,360 Speaker 1: Like the other side doesn't have it, so it's like, nah, 400 00:23:44,400 --> 00:23:45,840 Speaker 1: I think it's just like I just got to be 401 00:23:45,880 --> 00:23:48,400 Speaker 1: a guy with the kind of faulty hairline. I feel 402 00:23:48,440 --> 00:23:50,560 Speaker 1: bad about it. I get cuts all the time and 403 00:23:50,640 --> 00:23:53,080 Speaker 1: I wear hats so much. It's like, no, I've never 404 00:23:53,720 --> 00:23:56,160 Speaker 1: I've never noticed it. And that's the thing ever stood 405 00:23:56,160 --> 00:23:58,000 Speaker 1: out to me. That's the thing, because like if I 406 00:23:58,119 --> 00:23:59,960 Speaker 1: keep like right, when I get a cut, it's like 407 00:24:00,040 --> 00:24:02,600 Speaker 1: a few days, you know, it takes a few days, 408 00:24:02,640 --> 00:24:04,360 Speaker 1: but then you get to notice it. But I don't 409 00:24:04,359 --> 00:24:07,760 Speaker 1: think it's receding because it's not on the other side. Yeah, 410 00:24:08,160 --> 00:24:09,760 Speaker 1: or you're just receding. 411 00:24:09,960 --> 00:24:10,280 Speaker 3: Cool. 412 00:24:10,880 --> 00:24:14,800 Speaker 1: Yeah, I'm like when they put the one bib up 413 00:24:14,840 --> 00:24:21,200 Speaker 1: on the overall yeah, yeah, I don't know. 414 00:24:21,440 --> 00:24:24,640 Speaker 3: I've always said that if I start to lose my shit, 415 00:24:24,680 --> 00:24:27,320 Speaker 3: I'm just gonna shave it all off. But now I 416 00:24:27,400 --> 00:24:31,439 Speaker 3: see the technology that they're able to to like fully 417 00:24:31,680 --> 00:24:36,200 Speaker 3: just reinstate your hair and not in a bosly you 418 00:24:36,280 --> 00:24:38,240 Speaker 3: know what I mean. There used to be the bosly treatment, 419 00:24:38,320 --> 00:24:40,919 Speaker 3: but it would like it looked like lego hair, and 420 00:24:40,960 --> 00:24:42,000 Speaker 3: you're like, I don't want. 421 00:24:41,840 --> 00:24:45,120 Speaker 1: To fucking look silly. I just want my hair back 422 00:24:45,240 --> 00:24:45,640 Speaker 1: kind of thing. 423 00:24:45,680 --> 00:24:48,200 Speaker 3: But now you look at some of these old NBA 424 00:24:48,320 --> 00:24:51,119 Speaker 3: players and they fully just fix their shit, and it's like, 425 00:24:51,400 --> 00:24:53,760 Speaker 3: I don't know, bro, if I get the money, I 426 00:24:53,840 --> 00:24:55,200 Speaker 3: might just get my shit back. 427 00:24:55,320 --> 00:24:57,680 Speaker 1: Yeah, I get it, man, go go go full Jalen 428 00:24:58,560 --> 00:25:02,320 Speaker 1: mm hmmm yeah why not? Yeah? He went all those 429 00:25:02,400 --> 00:25:07,920 Speaker 1: years bald yo, he invented the bald. Yeah. They were 430 00:25:07,960 --> 00:25:09,639 Speaker 1: like you know what I mean, like they were that 431 00:25:09,800 --> 00:25:12,719 Speaker 1: was their thing, and then now he came back and 432 00:25:12,760 --> 00:25:14,639 Speaker 1: it's it's he looks crazy. 433 00:25:15,200 --> 00:25:19,399 Speaker 3: Nah, he really, He's like he's trying to be Steve 434 00:25:19,480 --> 00:25:22,960 Speaker 3: Harvey with the hairline, and it's like something happened, big dog, 435 00:25:23,040 --> 00:25:26,280 Speaker 3: and they're they're using a lot of chemicals in Beijing 436 00:25:26,400 --> 00:25:28,960 Speaker 3: and ship to fix it. But there's something else happening there. 437 00:25:29,119 --> 00:25:32,000 Speaker 1: Oh yeah. Like the color on it is sort of too. 438 00:25:32,240 --> 00:25:34,520 Speaker 1: It's so good that you're like, oh, I don't know, 439 00:25:34,760 --> 00:25:36,679 Speaker 1: you know what I mean when like these people out 440 00:25:36,720 --> 00:25:40,679 Speaker 1: of it's like a deep, rich black where you're. 441 00:25:40,560 --> 00:25:44,560 Speaker 3: Like, I know, Jeleen Jellen Roses air is almost purple. 442 00:25:45,080 --> 00:25:48,520 Speaker 1: Yeah, yeah, yeah, moonlight colored air. 443 00:25:49,000 --> 00:25:51,520 Speaker 3: Well, Geoff, I don't know if any of this is 444 00:25:51,520 --> 00:25:55,000 Speaker 3: helpful to your conspiracy, but it does sound like if 445 00:25:55,000 --> 00:25:57,200 Speaker 3: we if we can give Goff a little bit of 446 00:25:57,240 --> 00:25:59,920 Speaker 3: the flowers he deserves. It does sound like we're not 447 00:26:00,119 --> 00:26:05,399 Speaker 3: opposed to the idea of Steve Harvey being an energy vampire. Historically, 448 00:26:06,080 --> 00:26:10,040 Speaker 3: he has hosted literally everything and almost seems to gain 449 00:26:10,160 --> 00:26:16,560 Speaker 3: strength despite the massive backsteps that he sometimes takes in 450 00:26:16,680 --> 00:26:20,920 Speaker 3: his hosting responsibilities. We watched him fuck up Miss America 451 00:26:21,000 --> 00:26:24,440 Speaker 3: and then somehow become more powerful. We watched him write 452 00:26:24,560 --> 00:26:27,400 Speaker 3: letters to his staff where he told him don't make 453 00:26:27,440 --> 00:26:30,639 Speaker 3: eye contact with me, and that should be a death sentence. 454 00:26:30,760 --> 00:26:34,600 Speaker 3: It literally was for Ellen. And yet somehow Steve Harvey 455 00:26:34,680 --> 00:26:40,920 Speaker 3: remains fucking infallible. He is unbeatable, and maybe it does 456 00:26:41,000 --> 00:26:45,399 Speaker 3: feel like a vampiric level of strength. That said, I 457 00:26:45,520 --> 00:26:48,320 Speaker 3: just don't know that Richard Pryor is the source. 458 00:26:49,080 --> 00:26:52,639 Speaker 1: Yeah, yeah, I've yeah, put the words right out of 459 00:26:52,720 --> 00:26:58,800 Speaker 1: my mouth than you want to tell the people where 460 00:26:58,840 --> 00:27:00,920 Speaker 1: they can find you on what goals you have going on? 461 00:27:01,119 --> 00:27:06,160 Speaker 1: I'm my Instagram Cool guy Jokes eighty seven. Come see 462 00:27:06,200 --> 00:27:11,919 Speaker 1: me on tour on the road September twenty six, September 463 00:27:11,920 --> 00:27:15,760 Speaker 1: twenty second, Friday, September twenty second, we are doing a 464 00:27:15,880 --> 00:27:19,840 Speaker 1: live my mama told me in Denver. It's my city. 465 00:27:19,880 --> 00:27:24,080 Speaker 1: Don't fuck this up. Come out please Friday night, eight 466 00:27:24,160 --> 00:27:29,960 Speaker 1: pm at the High Dive address to seventh South Broadway, Denver, Colorado. 467 00:27:30,119 --> 00:27:35,600 Speaker 1: You can go to High Planescomedyfestival dot com. That's h 468 00:27:35,720 --> 00:27:40,680 Speaker 1: I G H P l a i Nscomedyfestival dot com 469 00:27:40,920 --> 00:27:44,160 Speaker 1: and go to the schedule and find us and buy tickets. 470 00:27:44,480 --> 00:27:46,840 Speaker 1: Come out and see it's Denver. We will really like it. 471 00:27:47,480 --> 00:27:48,400 Speaker 1: We're gonna have. 472 00:27:51,920 --> 00:27:54,360 Speaker 3: I don't know if that's sure, if we'll have anymore. 473 00:27:54,760 --> 00:27:56,200 Speaker 1: We might have sold all our hats. 474 00:27:56,440 --> 00:27:59,000 Speaker 3: I think we sold all the hats. But that said, 475 00:27:59,080 --> 00:28:04,840 Speaker 3: we will be handing out sweet sweet hugs kisses directly 476 00:28:04,880 --> 00:28:08,520 Speaker 3: on the lips, no tongue. We're not sluts. We'll pitch 477 00:28:08,520 --> 00:28:12,399 Speaker 3: your cheek though, but come on, we're not fighting it. 478 00:28:13,480 --> 00:28:15,560 Speaker 3: But we would love to see you at the High 479 00:28:15,560 --> 00:28:18,920 Speaker 3: Planes Festival and the live show. It would be great. 480 00:28:19,000 --> 00:28:21,160 Speaker 3: It would be a while to come out. Also, I'm 481 00:28:21,160 --> 00:28:24,320 Speaker 3: gonna be selling my merch there because Papa needs to recoup, 482 00:28:24,400 --> 00:28:27,960 Speaker 3: so I'll be selling exclusive tour merch. You can't buy 483 00:28:28,000 --> 00:28:30,119 Speaker 3: it after the tour is over. So yeah, I'm selling 484 00:28:30,119 --> 00:28:32,440 Speaker 3: it in my home down to people I know. 485 00:28:32,960 --> 00:28:35,879 Speaker 1: Listen, I'll stand next to them and big up the merch. 486 00:28:36,440 --> 00:28:37,120 Speaker 3: I don't give a shit. 487 00:28:37,640 --> 00:28:39,080 Speaker 1: You guys, some I'll get you. I'll give you one 488 00:28:39,080 --> 00:28:41,600 Speaker 1: of those cups. Yeah please, Yeah, it is good. 489 00:28:41,760 --> 00:28:43,479 Speaker 3: And if you want to follow me, follow me at 490 00:28:43,520 --> 00:28:46,640 Speaker 3: Langston Herman and if you want to see me live. 491 00:28:46,960 --> 00:28:50,520 Speaker 3: Besides our live show, you can see me at the 492 00:28:50,560 --> 00:28:55,280 Speaker 3: House of Comedy and New Westminster, British Columbia October thirteenth 493 00:28:55,360 --> 00:28:59,000 Speaker 3: and the fourteenth, and then October twentieth and twenty first, 494 00:28:59,000 --> 00:29:02,760 Speaker 3: I'll be at Dead Croke Comedy in Wilmington, North Carolina, 495 00:29:02,800 --> 00:29:07,360 Speaker 3: and then Burlington, Vermont, I'll be there November tenth and 496 00:29:07,480 --> 00:29:11,120 Speaker 3: eleventh at the Vermont Comedy Club. And then finally I'll 497 00:29:11,120 --> 00:29:16,400 Speaker 3: be at Hyenas Comedy Nightclub in Dallas, Texas November seventeenth 498 00:29:16,400 --> 00:29:18,920 Speaker 3: and eighteenth. Any and all of those shows, I would 499 00:29:18,960 --> 00:29:21,400 Speaker 3: love to see you there, and more importantly, if you 500 00:29:21,440 --> 00:29:24,360 Speaker 3: want to send us your own conspiracy theories, if you 501 00:29:24,400 --> 00:29:26,760 Speaker 3: want to send us your own drops, if you want 502 00:29:26,800 --> 00:29:31,600 Speaker 3: to prove the connection between Steve Harvey's mustache and Richard 503 00:29:31,640 --> 00:29:35,120 Speaker 3: Pryor's mustache, then send it all to Mamma Pod at 504 00:29:35,120 --> 00:29:37,320 Speaker 3: gmail dot com. We would love to hear from you. 505 00:29:37,760 --> 00:29:41,200 Speaker 3: I ain't saying no more by bitch, you freaking. 506 00:29:41,000 --> 00:29:48,400 Speaker 1: Frog, you freaking you're freaking frog. Fucking freaky frog, You're 507 00:29:48,440 --> 00:29:49,200 Speaker 1: freaking frog. 508 00:29:52,840 --> 00:29:59,760 Speaker 2: Motherfucking mini your soul MANI everis motherfucking mini ever sel 509 00:30:00,080 --> 00:30:09,040 Speaker 2: mm hmmm, Fido. Well, the fucking Minnie episode, mini episode, well, 510 00:30:09,080 --> 00:30:16,920 Speaker 2: the fucking mini Emi cell bio mhm