WEBVTT - You Bet (S5 E17 "Pulp Friction”)

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<v Speaker 1>I am all in.

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<v Speaker 2>All.

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<v Speaker 1>It's just you.

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<v Speaker 3>I am all in with Scott Patterson an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson Animal and Podcast recap. I guess

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<v Speaker 1>what's so darn funny? One of them productions? Oh love productions.

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<v Speaker 1>I heeart.

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<v Speaker 4>Nobody knows book, nobody knows what we go through.

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<v Speaker 3>We don't know the things I make you do.

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<v Speaker 1>We uh, we're gonna, We're gonna recap Episode seventeen, Season five,

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<v Speaker 1>Pulp Friction.

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<v Speaker 3>Can I say that if anyone ever doubts your love

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<v Speaker 3>and devotion for this show, they shouldn't thank you very much.

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<v Speaker 1>Danielle Romo, the Queen.

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<v Speaker 5>The Queen, the Queen, Amy Sugarman, the Queen of Queens,

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<v Speaker 5>not the Queen, Tara SuDS soon to be Queen.

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<v Speaker 3>And me King of Gilmore Girls.

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<v Speaker 1>And I think we are ready to do some synopsisisations

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<v Speaker 1>of this this episode.

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<v Speaker 3>Did everyone bring their ribbons back? To return their ribbons?

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<v Speaker 6>I just want to make sure.

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<v Speaker 1>How to try Queen? Then I took it back, poor Lulu.

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<v Speaker 3>Go ahead, all right?

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<v Speaker 6>This is season five, Episode seventeen, Pulp Friction, Air date

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<v Speaker 6>March eighth, two thousand and five. An agreement to only

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<v Speaker 6>d casually inspires Rory to attend a party with one

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<v Speaker 6>of Logan's friends. After she spies on Logan with another girl,

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<v Speaker 6>Kirk asks a weary Luke for relationship advice. Michelle's game

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<v Speaker 6>show prize arrives as Lorli and Suki prepared to guide

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<v Speaker 6>a magazine writer around the inn.

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<v Speaker 3>May I offer one question thought, I don't know what

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<v Speaker 3>it is.

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<v Speaker 1>Please.

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<v Speaker 3>The costumes at the cult fiction Quentin Guarantino unbelievable.

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<v Speaker 1>And the depiction of that famous dancing scene Trevolt and

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<v Speaker 1>Uma Thurman, the way they did it.

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<v Speaker 3>Looked exactly like it amazing.

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<v Speaker 1>I mean, they choreographed that thing beautifully, and Tank and

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<v Speaker 1>the actress who played Uma Thurman. It was brilliant. The

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<v Speaker 1>moves were just perfect.

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<v Speaker 3>It wasn't even the focus like it was, but it wasn't,

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<v Speaker 3>do you know what I mean? Like the background things happening,

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<v Speaker 3>and the costumes that all those people were in just

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<v Speaker 3>as minor, minor characters.

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<v Speaker 1>They really recreated that moment. It was just super cool.

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<v Speaker 1>It was one of the coolest Gilmore moments I've ever seen.

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<v Speaker 3>I agree like this episode.

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<v Speaker 1>A lot of fun.

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<v Speaker 3>It's the one part of the movies that I love

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<v Speaker 3>sorry about Sorry to the movies, sowet it Scott overall,

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<v Speaker 3>what do you feel about this episode? Just kind of

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<v Speaker 3>like your overall take, you.

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<v Speaker 1>Know, I gotta tell you, you know, and we'll get

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<v Speaker 1>into it. I think that the Winnebago stuff was really

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<v Speaker 1>dragging it down. It was the same. It was like

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<v Speaker 1>beating a dead horse. The joke didn't work to begin with,

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<v Speaker 1>and they kept going back to it.

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<v Speaker 6>I agree.

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<v Speaker 1>I was happy to see more of Michelle, but.

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<v Speaker 3>Misused.

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<v Speaker 1>I believe, Yes, I agree with you. There it was.

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<v Speaker 1>It was just.

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<v Speaker 3>Hmmm, it's good, not great, Like it's not bad in

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<v Speaker 3>any way. It's it's a good episode, maybe even a

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<v Speaker 3>very good episode, but it's not. It's not phenomenal.

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<v Speaker 1>It seemed long. I thought it was a double episode.

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<v Speaker 1>I thought it was like, you know, I'm because I'm

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<v Speaker 1>going to tell the listeners here that I was late.

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<v Speaker 1>I hadn't. I forgot to watch this episode before a

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<v Speaker 1>podcasting half hour before podcasting. It is forty forty two

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<v Speaker 1>minutes to watch an episode, so they had to wait

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<v Speaker 1>for me about fifteen minutes to finish the episode. I

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<v Speaker 1>appreciate that, thank you, because I know your schedules are

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<v Speaker 1>really tight in here. I am being mister casual. Oh,

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<v Speaker 1>I forgot to do today.

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<v Speaker 3>You usually watch it the night before, and.

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<v Speaker 1>I have I do. I watched it the night before

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<v Speaker 1>and then I watch it the day of because I

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<v Speaker 1>want to get a double shot.

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<v Speaker 3>It's my fault because I sent you four hundred and

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<v Speaker 3>twelve texts last week.

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<v Speaker 1>You did did what we were texting about.

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<v Speaker 3>We were just going on, well it's in the weeds,

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<v Speaker 3>but we were going on and on because the the

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<v Speaker 3>strike is going to impact us a little bit with guests,

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<v Speaker 3>so we.

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<v Speaker 1>Are sitting out all of our ideas, all idea, so texting, idea, texting.

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<v Speaker 3>So I was flooding him with text when he normally

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<v Speaker 3>would be watching the show.

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<v Speaker 1>So apologies, you know, just so I spaced on it

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<v Speaker 1>today thinking I had already seen the episode for some reason.

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<v Speaker 1>So anyway, you all gracefully waited for me. I appreciate that,

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<v Speaker 1>thank you, and I hope it didn't put a crimp

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<v Speaker 1>in your schedule. But I just kept waiting for it.

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<v Speaker 3>To look at my hair. I had more time on

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<v Speaker 3>my hair.

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<v Speaker 1>Thank you, And it looks and it's just lovely, lovely.

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<v Speaker 6>Yes, I was for once like proud of Rory, Like, yes,

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<v Speaker 6>I never am. I'm always so annoyed by her, and

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<v Speaker 6>in this episode I was like, oh, like you go girl,

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<v Speaker 6>like finally, thank God?

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<v Speaker 3>Like geez, wait, Tara and Danielle, before we get into

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<v Speaker 3>the details, what was your overall take on this episode?

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<v Speaker 6>That was it? Finally Rory? I don't know, is doing

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<v Speaker 6>something a little bit right, although at the end you

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<v Speaker 6>can recognize that she's getting into some hot water. But

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<v Speaker 6>at least in the beginning part of the episode, I

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<v Speaker 6>was like, you know what, I'm proud of you, girl.

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<v Speaker 3>Yeah, I like this Rory.

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<v Speaker 6>Standing up for herself and not letting him.

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<v Speaker 3>You know, it would have been amazing if she did

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<v Speaker 3>what was right for all the right reasons. But she

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<v Speaker 3>did what was right to play the game, which is

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<v Speaker 3>just as you said, going to get her.

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<v Speaker 6>That is a very valid point. But we all know

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<v Speaker 6>that Rory likes him, so it's like, yeah, she's going

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<v Speaker 6>to play the game, you know what I mean. Like

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<v Speaker 6>at this point, like that gig is up, but like

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<v Speaker 6>at least she's.

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<v Speaker 3>Like, the is up?

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<v Speaker 6>Is it?

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<v Speaker 3>God? Is the jig is up? Not the gig is a.

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<v Speaker 1>It could be either or you can say the gig

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<v Speaker 1>is up for the g Yes, what what? What did

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<v Speaker 1>you think?

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<v Speaker 2>I kind of agree with Scott that I think the

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<v Speaker 2>the Michelle stuff kind of just like I wanted to

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<v Speaker 2>get through it. I didn't mind the Kurt stuff, but

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<v Speaker 2>I just could have done without the Winnebago and all

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<v Speaker 2>that storyline. But the rest of it I enjoyed.

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<v Speaker 1>Because you know, Michelle is delivering the goods. He can

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<v Speaker 1>deliver anything, and for things to be falling a little

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<v Speaker 1>flat with the Winnebago stuff, then you know, like maybe

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<v Speaker 1>the material isn't up to par.

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<v Speaker 3>Yeah, and that's a random it did, right?

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<v Speaker 7>Yeah?

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<v Speaker 3>Right? When was he in California and he went on prices? Right?

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<v Speaker 3>And then he's trying to act like he wasn't on

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<v Speaker 3>prey like it was just all like and it was

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<v Speaker 3>a lot. I think Michelle wins with those zingers, yes,

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<v Speaker 3>whereas I think he had pages of dialogue and it

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<v Speaker 3>was like we just weren't used to that.

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<v Speaker 1>Maybe right, right, So let's go through it.

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<v Speaker 3>Yeah, yes, you can ask you a question because coming

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<v Speaker 3>off of what Danielle is saying, m hm, as a man,

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<v Speaker 3>playing hard to get doesn't work. Being hard to get works, correct.

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<v Speaker 1>Well, you can't care the only people that play that

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<v Speaker 1>are hard to get are people that don't care because

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<v Speaker 1>you can't play at it because the other you know,

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<v Speaker 1>then you get hit in the face with her seeing

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<v Speaker 1>another guy, and you start acting like Logan acted. You know,

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<v Speaker 1>you have a breakdown. You have a mental breakdown.

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<v Speaker 3>And vice versa. I think she's going to get in

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<v Speaker 3>hot water because she's not She went with him for

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<v Speaker 3>mixed reason.

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<v Speaker 1>In shakespeare in terms, he was hoisted upon his own petar.

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<v Speaker 3>Oh, what does that mean?

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<v Speaker 1>That means uh uh she uh. He threw her up

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<v Speaker 1>on the rack and and she got off the rack

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<v Speaker 1>and threw him right up on the scene. You didn't like.

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<v Speaker 3>It, He sure did. That's gonna be the most interesting

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<v Speaker 3>part of this conversation. And I think, but the ribbons

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<v Speaker 3>are coming home? What do you think everyone's returning their ribbons?

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<v Speaker 2>Because I thought it was funny because they were in

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<v Speaker 2>on it this time.

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<v Speaker 6>I'm currently still wearing my blue one. So that's where

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<v Speaker 6>I stand.

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<v Speaker 3>What I love about Gilmore Girls is that they brought

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<v Speaker 3>this bit back. It was sort of a C or

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<v Speaker 3>a D storyline, but yet very amusing a few episodes back,

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<v Speaker 3>and that it's the what is that called you know,

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<v Speaker 3>in comedy that's a callback. So it's a callback, and

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<v Speaker 3>it's like it was subtle, but I'm like, you know what,

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<v Speaker 3>that's what draws me in, like I'm in this world

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<v Speaker 3>because they do things like that. So that was my

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<v Speaker 3>take on it.

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<v Speaker 1>I also really liked the Kirk scenes with Luke and

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<v Speaker 1>Luke Steiner the fatherly ad. You know, I guess you

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<v Speaker 1>wouldn't call him the father but an uncle like uncle Luke.

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<v Speaker 3>To brother Lee. I think you're like a older brother

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<v Speaker 3>to him.

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<v Speaker 2>Like we've put a lot of those this season. I

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<v Speaker 2>like it.

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<v Speaker 1>I like I like that chemistry with with Kirk, I

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<v Speaker 1>really do, totally. Those are so polar opposite, you know.

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<v Speaker 8>It's just it's funny you say that because you know,

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<v Speaker 8>when you think of Gilmore Girls, right, you think of

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<v Speaker 8>Luke and LAURAAI probably first, Rory and LAURAAI.

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<v Speaker 3>First, you think of Emily and Richard. You think of

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<v Speaker 3>the Gilmore Girls relationship with Richard and Emily, but really

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<v Speaker 3>Luke and Kirk are a prominent relationship.

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<v Speaker 1>Mm hmm.

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<v Speaker 6>That's it kind of feels. I mean, it's definitely different,

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<v Speaker 6>but like Jess and Luke, you know, like that was

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<v Speaker 6>definitely a relationship. But this feels a little bit more

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<v Speaker 6>lighthearted than that, you know, like more like little brother,

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<v Speaker 6>big brother, you.

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<v Speaker 1>Know, like like Luke is not so invested in it.

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<v Speaker 3>Yeah yeah, it's almost like you're so irritated by it,

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<v Speaker 3>but you're not going to leave that guy hanging. No,

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<v Speaker 3>you're putting up the chair, you're taking down the chair,

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<v Speaker 3>you're sitting in it. You're telling this guy buddy. It's

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<v Speaker 3>like it's like a weird best friend, like you're his

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<v Speaker 3>best friend even though he's not yours. Do you know

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<v Speaker 3>what I mean is it's real, real cute. I also

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<v Speaker 3>just thought it was even though it was so like,

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<v Speaker 3>my gosh, is Kirk trying to get Lulu's pink ribbon.

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<v Speaker 3>She wants to keep it and he's there fustling and

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<v Speaker 3>he comes into their sweater. I literally was like, good lord.

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<v Speaker 1>That was a bit of a depiction of some type

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<v Speaker 1>of violence against Lulu. I mean he ripped the sweater

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<v Speaker 1>off her. I mean, how did he get it? Was

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<v Speaker 1>mikes like geez, you know.

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<v Speaker 3>Oh my god. I also thought that seem so funny.

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<v Speaker 3>She comes in, they're so cute. They kiss, and then

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<v Speaker 3>he says says, you bring an enemy coffee cup in

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<v Speaker 3>here on the day of our reconciliation.

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<v Speaker 6>Why is she doing that though, Like leave the Weston's

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<v Speaker 6>coffee back at home or throw it away.

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<v Speaker 2>So the drink she got was so elaborate. True, it

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<v Speaker 2>was like a mocha something.

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<v Speaker 1>Caramel swirl.

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<v Speaker 3>I do love that they're right back in it. We

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<v Speaker 3>don't have to deal with like like any kind of

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<v Speaker 3>bumps into getting back together road.

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<v Speaker 6>It's like they're just that wasn't weird anybody?

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<v Speaker 1>Yes, it was.

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<v Speaker 6>It was weird to me.

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<v Speaker 1>You know. It's like it really did a talk right right.

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<v Speaker 1>It needed more tension. It was too quick back to normal.

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<v Speaker 1>But I guess that's what they both wanted. But it's

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<v Speaker 1>isn't it a little odd to see them together together?

0:13:00.200 --> 0:13:02.959
<v Speaker 6>There's so much turmoil, Like literally.

0:13:02.800 --> 0:13:05.920
<v Speaker 1>I always have tension. There's that's what we thrive on.

0:13:06.080 --> 0:13:09.360
<v Speaker 1>That's why we It's like careful giving the fans what

0:13:09.400 --> 0:13:12.400
<v Speaker 1>they want because now they have it, and now it's

0:13:12.480 --> 0:13:17.280
<v Speaker 1>it's it's it's well, it's definitely a different color and yay, right,

0:13:17.679 --> 0:13:20.000
<v Speaker 1>But they may have been able to milk this for

0:13:20.080 --> 0:13:21.200
<v Speaker 1>a couple of more seasons.

0:13:21.320 --> 0:13:25.160
<v Speaker 9>Yeah, there's one episode in between last episode and this

0:13:25.240 --> 0:13:28.040
<v Speaker 9>episode that's missing, and it's a Luke and Loralay episode

0:13:28.080 --> 0:13:32.600
<v Speaker 9>where they're just like, Hey, this is what's gonna happen now,

0:13:32.880 --> 0:13:35.679
<v Speaker 9>you know, like we're giving this another shot.

0:13:36.040 --> 0:13:38.120
<v Speaker 6>This is what's gonna happen. This is what we're gonna do,

0:13:38.800 --> 0:13:42.600
<v Speaker 6>and let's try it again. Like I that was missing

0:13:42.679 --> 0:13:44.320
<v Speaker 6>because like all of a sudden, you saw the bear

0:13:44.400 --> 0:13:48.800
<v Speaker 6>hug kiss the episode before you jump right into the

0:13:48.880 --> 0:13:52.720
<v Speaker 6>diner and kiss, kiss, kiss, lovey, lovey lovey. It's like, what.

0:13:52.679 --> 0:13:55.480
<v Speaker 3>Although we did get two moments in this episode, the

0:13:55.600 --> 0:13:58.679
<v Speaker 3>awkward date pickup because he's like, oh's come to the door,

0:13:58.720 --> 0:14:00.400
<v Speaker 3>but she's trying to come out, you know, he's trying

0:14:00.440 --> 0:14:05.640
<v Speaker 3>to be really the perfect girl, and yeah a little bit.

0:14:05.679 --> 0:14:08.320
<v Speaker 3>And then we do get the scene with Emily that

0:14:08.360 --> 0:14:12.760
<v Speaker 3>I thought really solidified for right now it's Luke and

0:14:12.800 --> 0:14:16.120
<v Speaker 3>Loralai against the world, specifically Emily.

0:14:16.360 --> 0:14:22.880
<v Speaker 1>They really, you know, to to comment on Danielle's point

0:14:24.040 --> 0:14:28.360
<v Speaker 1>that I agree with I would have and this scene

0:14:28.400 --> 0:14:31.600
<v Speaker 1>may be coming, and maybe it's coming. I maybe we

0:14:31.640 --> 0:14:34.760
<v Speaker 1>filmed it and I don't remember it, but I think

0:14:34.800 --> 0:14:38.440
<v Speaker 1>this was also an opportunity to get them talking in

0:14:38.480 --> 0:14:40.920
<v Speaker 1>a scene where they both agree to just sort of

0:14:41.320 --> 0:14:46.400
<v Speaker 1>like not be together and let the detonation of the

0:14:46.480 --> 0:14:54.160
<v Speaker 1>Emily bomb color the remainder of the season right part.

0:14:54.320 --> 0:14:57.000
<v Speaker 1>So there's an extra tension going into season six.

0:14:57.520 --> 0:15:01.280
<v Speaker 3>There's seventeen eighteen, nineteen twenty five, because imagine you've only

0:15:01.280 --> 0:15:02.280
<v Speaker 3>got six left.

0:15:02.600 --> 0:15:06.000
<v Speaker 1>Imagine those two coming together and really sitting down and

0:15:06.040 --> 0:15:09.800
<v Speaker 1>having a real heart to heart and him really spelling

0:15:09.840 --> 0:15:14.600
<v Speaker 1>it out and her listening, and you know, both accepting that, hey,

0:15:14.640 --> 0:15:17.000
<v Speaker 1>this isn't gonna work. Because imagine what that would do

0:15:17.040 --> 0:15:22.840
<v Speaker 1>to the fans, because then we could we could have

0:15:22.880 --> 0:15:29.000
<v Speaker 1>another big wave of build up right into season six,

0:15:29.080 --> 0:15:31.400
<v Speaker 1>and then geez man.

0:15:31.680 --> 0:15:36.760
<v Speaker 6>The reconciliation was too easy. It was too easy. And

0:15:36.760 --> 0:15:40.720
<v Speaker 6>and like I understand wanting them back together and Amy,

0:15:40.760 --> 0:15:43.680
<v Speaker 6>I know you like love that, but for me, I'm like,

0:15:44.840 --> 0:15:48.440
<v Speaker 6>that's not real life, Like you know, like you don't

0:15:48.520 --> 0:15:50.360
<v Speaker 6>just like don't.

0:15:50.760 --> 0:15:53.600
<v Speaker 2>I mean, I guess maybe sometimes I know it's not

0:15:53.640 --> 0:15:55.720
<v Speaker 2>real life, but I feel like it's very Loreli, Like

0:15:55.800 --> 0:15:58.440
<v Speaker 2>she doesn't like huh dragging, Like she kind of moves

0:15:58.480 --> 0:16:01.200
<v Speaker 2>on very quickly. So that's I think why I thought

0:16:01.200 --> 0:16:01.480
<v Speaker 2>it was.

0:16:01.560 --> 0:16:04.760
<v Speaker 6>She wanted it to be but not Luke, like Luke

0:16:04.880 --> 0:16:11.120
<v Speaker 6>literally still has like tension with his sister, you know,

0:16:11.360 --> 0:16:13.920
<v Speaker 6>like who has like literally come back in the picture

0:16:13.960 --> 0:16:17.200
<v Speaker 6>like ten times, like kissing his feet, and he's still like,

0:16:17.400 --> 0:16:20.160
<v Speaker 6>you're annoying, it's not realistic.

0:16:20.280 --> 0:16:23.800
<v Speaker 1>So we're ratcheted up for the first cup four seasons

0:16:23.840 --> 0:16:25.800
<v Speaker 1>with you know, her dating other guys, and then we

0:16:25.880 --> 0:16:27.800
<v Speaker 1>cut to Luke and he's like, you know, giving a look,

0:16:27.840 --> 0:16:32.440
<v Speaker 1>and it's like wow, wow, wow. Imagine the conflict they

0:16:32.480 --> 0:16:36.800
<v Speaker 1>could have created if they did this again after they

0:16:36.840 --> 0:16:38.680
<v Speaker 1>had the big heart to heart and they decided to

0:16:38.680 --> 0:16:41.040
<v Speaker 1>break up for real and it was the whole thing

0:16:41.040 --> 0:16:43.520
<v Speaker 1>in the in the town everybody was talking about. And

0:16:43.520 --> 0:16:46.560
<v Speaker 1>then she starts dating again and then he's he's reliving

0:16:46.600 --> 0:16:49.480
<v Speaker 1>that whole storyline again, but even on a deeper level.

0:16:49.920 --> 0:16:54.040
<v Speaker 1>And imagine the conflict they could have coming back together again.

0:16:54.840 --> 0:16:57.640
<v Speaker 3>Do you all think they could have gone okay, so

0:16:57.680 --> 0:17:01.440
<v Speaker 3>say that we have this conversation where some of the

0:17:01.480 --> 0:17:05.600
<v Speaker 3>angst was removed and they were going to not be together,

0:17:06.160 --> 0:17:09.480
<v Speaker 3>but they're going to be friends again. Do you think

0:17:09.560 --> 0:17:13.280
<v Speaker 3>they even could have gone back to that like where

0:17:13.520 --> 0:17:15.720
<v Speaker 3>she she didn't have to go to Weston, she would

0:17:15.720 --> 0:17:18.639
<v Speaker 3>come back into Luke's diner and they're they're pals, and

0:17:18.720 --> 0:17:21.200
<v Speaker 3>he comes over with his tool box and fixes her door.

0:17:21.520 --> 0:17:24.480
<v Speaker 3>But they're not together. Is that even possible?

0:17:24.600 --> 0:17:26.879
<v Speaker 2>I think it would take a very long time to

0:17:26.960 --> 0:17:30.400
<v Speaker 2>even kind of get there, but probably not the same

0:17:30.400 --> 0:17:31.600
<v Speaker 2>as what we're used to sing.

0:17:32.880 --> 0:17:36.760
<v Speaker 1>Well, you could do. Here's one solution to that, And

0:17:36.760 --> 0:17:39.600
<v Speaker 1>that's interesting that you bring that up. One solution to

0:17:39.640 --> 0:17:42.080
<v Speaker 1>that is there could be so much tension and humor

0:17:44.240 --> 0:17:48.840
<v Speaker 1>between those two inside the diner that he decides to

0:17:48.960 --> 0:17:54.879
<v Speaker 1>just sell it and leave it out. Right, look at

0:17:54.880 --> 0:18:01.959
<v Speaker 1>the reaction, right and she and then he's an escrow,

0:18:02.160 --> 0:18:05.160
<v Speaker 1>and then she shows up and then they have another.

0:18:06.680 --> 0:18:07.960
<v Speaker 3>Escar.

0:18:09.400 --> 0:18:14.400
<v Speaker 1>TJ's the real estate agent. Right, TJ becomes a real

0:18:14.480 --> 0:18:17.520
<v Speaker 1>estate agent and represents Luke, And he's saying that scarrow,

0:18:19.560 --> 0:18:24.520
<v Speaker 1>But they could have done so much. They could have toy.

0:18:24.680 --> 0:18:28.160
<v Speaker 1>They could have really layered this and layered it, layered it.

0:18:28.400 --> 0:18:31.560
<v Speaker 6>Oh man, Yeah, I'm weirdly just not satisfied that they're

0:18:31.600 --> 0:18:32.439
<v Speaker 6>just back together.

0:18:32.720 --> 0:18:35.320
<v Speaker 3>And and I guess if we're talking about it, let's

0:18:35.359 --> 0:18:36.879
<v Speaker 3>keep talking about it. So what did you think of

0:18:36.920 --> 0:18:39.880
<v Speaker 3>their cute date? He bought the he picks her up.

0:18:40.440 --> 0:18:42.840
<v Speaker 3>They go on this date and you know, they they

0:18:42.880 --> 0:18:44.560
<v Speaker 3>plan their date and they have this date and he's

0:18:44.600 --> 0:18:46.439
<v Speaker 3>all handsome and cute and picks her up in the

0:18:46.480 --> 0:18:48.480
<v Speaker 3>truck and she sees the reggae c D. And the

0:18:48.520 --> 0:18:53.080
<v Speaker 3>whole kind of bit plays out when he says, well,

0:18:53.160 --> 0:19:00.240
<v Speaker 3>that's different songs. It's like, I actually thought that date

0:19:00.359 --> 0:19:03.000
<v Speaker 3>was quite cute, and I thought the awkwardness was quite

0:19:03.320 --> 0:19:05.400
<v Speaker 3>uh realistic.

0:19:05.720 --> 0:19:08.440
<v Speaker 2>Yeah, yeah, like that she was like getting a new

0:19:08.520 --> 0:19:10.160
<v Speaker 2>dress for it, Like I thought it was cute.

0:19:10.520 --> 0:19:13.720
<v Speaker 3>And she's so nervous. It's too slutty, it's too sparkly.

0:19:13.840 --> 0:19:16.720
<v Speaker 3>It's you know, she was very first date nervous.

0:19:16.760 --> 0:19:17.040
<v Speaker 7>Again.

0:19:17.280 --> 0:19:19.520
<v Speaker 1>You know what the issue is is now that they're together,

0:19:19.640 --> 0:19:21.760
<v Speaker 1>they need their own show. You want more of it,

0:19:22.359 --> 0:19:23.240
<v Speaker 1>not less of it.

0:19:24.160 --> 0:19:26.000
<v Speaker 3>Well, I think that's why we were little irritated by

0:19:26.000 --> 0:19:27.760
<v Speaker 3>the Winnebago, because it's like, can you just get me

0:19:27.920 --> 0:19:30.200
<v Speaker 3>back to the right?

0:19:31.080 --> 0:19:35.080
<v Speaker 6>Yeah, also move the winnibago, Like, well that's my thing.

0:19:35.119 --> 0:19:35.560
<v Speaker 3>The street.

0:19:35.840 --> 0:19:37.880
<v Speaker 1>Really, there's got to be one person in that town

0:19:37.920 --> 0:19:39.360
<v Speaker 1>that has had her back up and win a bag.

0:19:39.440 --> 0:19:40.359
<v Speaker 1>I give me a break.

0:19:40.480 --> 0:19:42.400
<v Speaker 3>Well, and it's an inn. No one's ever come there

0:19:42.400 --> 0:19:46.200
<v Speaker 3>in a Winnebago. There's got to be parking, they have horses.

0:19:46.720 --> 0:19:49.520
<v Speaker 6>Put it in a stable. I don't know, just like

0:19:49.840 --> 0:19:52.000
<v Speaker 6>get it out of there, like it's not that.

0:19:52.000 --> 0:19:57.639
<v Speaker 3>Hard, all right, Let's segue to Rory and Logan. So

0:19:57.760 --> 0:20:00.640
<v Speaker 3>right after the opening scene, we jumped over to Yale,

0:20:00.680 --> 0:20:03.040
<v Speaker 3>and Rory and Logan are clearly on the cutest date

0:20:03.440 --> 0:20:05.760
<v Speaker 3>and they've gone to like a play, and then we

0:20:05.880 --> 0:20:10.159
<v Speaker 3>learned that Logan's mom plays canasta with somebody that that

0:20:10.320 --> 0:20:12.280
<v Speaker 3>Rory loves, which I couldn't figure out who that was.

0:20:12.640 --> 0:20:16.200
<v Speaker 1>Tony Kushner, who wrote Angels in America won multiple time.

0:20:16.760 --> 0:20:21.800
<v Speaker 3>Thank you, thank you, thank you. The knowledgeable one here.

0:20:22.280 --> 0:20:25.879
<v Speaker 3>And they go in and they break into the cafeteria,

0:20:26.320 --> 0:20:29.800
<v Speaker 3>which I thought was very logan and kind of dangerous,

0:20:29.800 --> 0:20:31.720
<v Speaker 3>but I liked it. And she still leaves the money

0:20:31.720 --> 0:20:34.760
<v Speaker 3>for the Coco pust. I know, you guys don't want

0:20:34.760 --> 0:20:36.640
<v Speaker 3>to hear it, but I love them. I think it's

0:20:36.680 --> 0:20:40.160
<v Speaker 3>adorable and everyone's gonna hate me with my whole take

0:20:40.200 --> 0:20:43.360
<v Speaker 3>on this episode, but like cute.

0:20:43.359 --> 0:20:46.639
<v Speaker 1>I did love them. And now there's real cracks in

0:20:46.680 --> 0:20:48.119
<v Speaker 1>the armor, in the Logan armor.

0:20:49.520 --> 0:20:51.440
<v Speaker 2>I like that scene, though I thought it was very

0:20:52.400 --> 0:20:54.920
<v Speaker 2>It showed there like who they really are. Like he's like, oh,

0:20:54.920 --> 0:20:56.760
<v Speaker 2>we can break in. My parents give this school so

0:20:56.840 --> 0:20:58.680
<v Speaker 2>much money, and she's still leaving the five dollars bill

0:20:58.760 --> 0:20:59.080
<v Speaker 2>or whatever.

0:20:59.080 --> 0:21:00.600
<v Speaker 3>And that's why I don't understand why they have this

0:21:00.680 --> 0:21:04.879
<v Speaker 3>dumb open relationship, because they clearly are like super into

0:21:04.920 --> 0:21:07.800
<v Speaker 3>each other. The whole fact that they have to date

0:21:07.840 --> 0:21:10.520
<v Speaker 3>other people is so dumb. Which we'll get to the

0:21:10.560 --> 0:21:14.440
<v Speaker 3>scene where he's with the girl and it's just so painful. Oh,

0:21:14.640 --> 0:21:17.280
<v Speaker 3>but they're so cute and he kisses her everywhere and

0:21:17.359 --> 0:21:20.080
<v Speaker 3>all the time, and they clearly like each other.

0:21:21.240 --> 0:21:23.119
<v Speaker 2>And I noticed that because he also kisses her in

0:21:23.119 --> 0:21:24.960
<v Speaker 2>public all the time, Like it's not like he's trying

0:21:24.960 --> 0:21:25.480
<v Speaker 2>to hide it.

0:21:26.160 --> 0:21:29.200
<v Speaker 1>That's mark in his territory.

0:21:29.480 --> 0:21:31.160
<v Speaker 6>Yeah, that's what we talked about last episode.

0:21:31.160 --> 0:21:33.280
<v Speaker 3>But then it's even worse when he's canoodling with that

0:21:33.320 --> 0:21:33.840
<v Speaker 3>other girl.

0:21:34.080 --> 0:21:37.320
<v Speaker 2>Oh, I because now we actually see the other.

0:21:38.880 --> 0:21:41.639
<v Speaker 1>I can't decide what he is now. I'm confused. Now

0:21:41.760 --> 0:21:44.960
<v Speaker 1>is he's just a guy who wants a harem and

0:21:45.520 --> 0:21:48.720
<v Speaker 1>if he loses control of one of his harem, he

0:21:48.760 --> 0:21:51.879
<v Speaker 1>gets really nervous about it and then starts kind of

0:21:52.000 --> 0:21:54.920
<v Speaker 1>meltdown or she really in love with her. I think

0:21:54.920 --> 0:21:59.040
<v Speaker 1>he's to play it. He's just too young and naive

0:21:59.119 --> 0:22:00.600
<v Speaker 1>and he thinks he can get with this stuff.

0:22:00.840 --> 0:22:01.719
<v Speaker 3>Do you there.

0:22:02.320 --> 0:22:03.720
<v Speaker 6>I think it's a little bit of both. I think

0:22:03.760 --> 0:22:06.280
<v Speaker 6>he's young and naive and and you know, all that

0:22:06.320 --> 0:22:09.159
<v Speaker 6>kind of stuff, and he does actually like her, But

0:22:09.240 --> 0:22:12.240
<v Speaker 6>I also think he is used to getting what he

0:22:12.280 --> 0:22:15.560
<v Speaker 6>wants and he's not getting what he wants, so he

0:22:15.760 --> 0:22:19.320
<v Speaker 6>is like uber like.

0:22:21.119 --> 0:22:25.000
<v Speaker 3>He's that guy like he doesn't like it.

0:22:25.040 --> 0:22:27.639
<v Speaker 6>He doesn't like that, he that he's not in control

0:22:27.640 --> 0:22:28.280
<v Speaker 6>of that situation.

0:22:28.520 --> 0:22:31.800
<v Speaker 1>It was unappealing. It was real, and that's how you react,

0:22:31.920 --> 0:22:36.159
<v Speaker 1>but it was unappealing. It was uncomfortable to simpler, the

0:22:36.200 --> 0:22:39.200
<v Speaker 1>deconstruction of a character that they build up to be this.

0:22:39.560 --> 0:22:41.840
<v Speaker 1>And I think that's what they do so well as

0:22:41.880 --> 0:22:45.320
<v Speaker 1>they make you feel one way, and you know, I

0:22:45.480 --> 0:22:47.840
<v Speaker 1>was tricked, and Amy's been tricked, and a lot of

0:22:47.880 --> 0:22:50.160
<v Speaker 1>the fans have not been tricked. They smelled a rat

0:22:50.240 --> 0:22:50.880
<v Speaker 1>right away.

0:22:52.920 --> 0:22:56.920
<v Speaker 3>He's just mister popular. Everyone likes him. He's got the money,

0:22:57.040 --> 0:23:00.119
<v Speaker 3>he's got the smarts, he's so funny, he's charming, and

0:23:00.200 --> 0:23:03.880
<v Speaker 3>he I think he thinks he doesn't want to settle down,

0:23:04.720 --> 0:23:08.440
<v Speaker 3>but I don't think he knows that what he actually wants.

0:23:08.640 --> 0:23:10.520
<v Speaker 1>I just, you know, from an acting point of view

0:23:10.520 --> 0:23:12.439
<v Speaker 1>and from a storytelling point of view, whether it's a

0:23:12.480 --> 0:23:15.359
<v Speaker 1>novel or a film or a TV show, I love

0:23:15.400 --> 0:23:19.439
<v Speaker 1>those guys. I personally love characters that never break. We

0:23:19.520 --> 0:23:22.240
<v Speaker 1>never see them break, even though we never full of

0:23:22.359 --> 0:23:26.600
<v Speaker 1>you know what, we don't see them break because we're

0:23:27.680 --> 0:23:30.320
<v Speaker 1>It gets me on the edge of my seat wanting

0:23:30.400 --> 0:23:34.600
<v Speaker 1>to know what's underneath. And that is a brilliant trick

0:23:35.760 --> 0:23:37.960
<v Speaker 1>on how to play a character, how to lay a character.

0:23:37.960 --> 0:23:40.440
<v Speaker 1>And now you know the mask is off and it's yeah.

0:23:40.440 --> 0:23:42.280
<v Speaker 3>So that's what I was going to ask you. So

0:23:42.320 --> 0:23:45.280
<v Speaker 3>you feel he broke a bit at the end, he broke.

0:23:45.040 --> 0:23:48.680
<v Speaker 1>A lot so much and it was just.

0:23:52.520 --> 0:23:57.200
<v Speaker 3>Ri I pyes, no, I'm not giving up on I'm

0:23:57.200 --> 0:24:00.399
<v Speaker 3>not giving up on Logan. So okay, so get to

0:24:00.400 --> 0:24:02.439
<v Speaker 3>go continue that. But we go back to he's just

0:24:02.440 --> 0:24:06.119
<v Speaker 3>a kid, He's just a He's just he is that guy.

0:24:06.480 --> 0:24:14.479
<v Speaker 3>We all know that guy. So we go to the

0:24:14.480 --> 0:24:17.159
<v Speaker 3>inn and we see flowers and all this hubbub and

0:24:17.200 --> 0:24:21.120
<v Speaker 3>cookies and cakes, and we learn the inn has been

0:24:21.200 --> 0:24:24.400
<v Speaker 3>named one of the top ten inns in Connecticut, which

0:24:24.440 --> 0:24:25.400
<v Speaker 3>they really glossed over.

0:24:25.480 --> 0:24:29.000
<v Speaker 1>But that's like major, how many there must be a

0:24:29.000 --> 0:24:30.320
<v Speaker 1>lot of inns in Connecticut?

0:24:30.680 --> 0:24:33.240
<v Speaker 2>Really, But I think that's what I think, that's what

0:24:33.280 --> 0:24:35.359
<v Speaker 2>should have been more of a storyline than the Winnebago

0:24:35.359 --> 0:24:37.840
<v Speaker 2>because even like you saying it back, I'm like, oh, yeah,

0:24:37.880 --> 0:24:38.920
<v Speaker 2>I forgot that happened.

0:24:38.960 --> 0:24:42.440
<v Speaker 3>Like I agree, I actually would have enjoyed that more.

0:24:43.080 --> 0:24:47.000
<v Speaker 3>Yeh and Suki and Lorli and even Michelle like preparing

0:24:47.040 --> 0:24:48.840
<v Speaker 3>the inn, and they like gloss over the fact that,

0:24:48.920 --> 0:24:51.119
<v Speaker 3>like because of the Winnebago, they don't get to shoot

0:24:51.119 --> 0:24:55.439
<v Speaker 3>the outside of the inn, Like that's bananas, right, It

0:24:55.480 --> 0:24:58.200
<v Speaker 3>wasn't necessarily It's like funny, you.

0:24:58.280 --> 0:25:01.560
<v Speaker 1>Have an actress of the caliber Melissa McCarthy, and this

0:25:01.640 --> 0:25:03.120
<v Speaker 1>is how you use her in this episode?

0:25:03.400 --> 0:25:03.560
<v Speaker 7>Right?

0:25:04.400 --> 0:25:06.919
<v Speaker 1>I think I think I think they missed on a

0:25:06.920 --> 0:25:12.840
<v Speaker 1>couple of different They haven't been developing storylines or utilizing

0:25:12.880 --> 0:25:17.480
<v Speaker 1>supporting characters or main supporting main characters and mean supporting

0:25:17.560 --> 0:25:19.480
<v Speaker 1>characters in an effective way.

0:25:20.240 --> 0:25:20.359
<v Speaker 9>Right.

0:25:20.440 --> 0:25:23.800
<v Speaker 3>We get this whole monologue about the coffee bean and

0:25:23.840 --> 0:25:26.760
<v Speaker 3>tea leaf on sunset, and he gives the snow Globe

0:25:26.800 --> 0:25:28.600
<v Speaker 3>and he's just not that into your book. And the

0:25:28.600 --> 0:25:30.679
<v Speaker 3>Farmer's market and the price is right, and like for

0:25:30.760 --> 0:25:34.359
<v Speaker 3>a person from La the callouts were pretty good because

0:25:34.600 --> 0:25:37.880
<v Speaker 3>there is a coffee bean on sunset and the farmer's

0:25:37.880 --> 0:25:41.240
<v Speaker 3>market is literally right where you line up for prices, right,

0:25:41.320 --> 0:25:44.240
<v Speaker 3>Like that was totally accurate. But I just was like,

0:25:45.000 --> 0:25:49.840
<v Speaker 3>I don't care. Yeah, yeah, like not to be mean,

0:25:49.920 --> 0:25:51.080
<v Speaker 3>and like there's a whole.

0:25:51.080 --> 0:25:53.200
<v Speaker 1>What's I got to do with Gilmore girls? You're taking

0:25:53.240 --> 0:25:55.719
<v Speaker 1>it and taking a two out of stars Hollow without

0:25:55.920 --> 0:25:58.240
<v Speaker 1>being out of Star's Hollow, So what's.

0:25:58.040 --> 0:26:01.760
<v Speaker 3>The point, right, there's the Bob joke. What's this Bob

0:26:01.800 --> 0:26:04.120
<v Speaker 3>Barker joke? Pick me Bob, I k neutered my dog

0:26:04.160 --> 0:26:05.879
<v Speaker 3>and Nichola Chey's teeth guy, And I just was like

0:26:06.359 --> 0:26:07.840
<v Speaker 3>I don't I don't care.

0:26:08.160 --> 0:26:10.280
<v Speaker 2>But even like you said earlier, Amy, like when did

0:26:10.280 --> 0:26:13.159
<v Speaker 2>he go to California? Like it wasn't even like it

0:26:13.280 --> 0:26:16.200
<v Speaker 2>just seemed like a random storyline that they added in.

0:26:16.320 --> 0:26:19.199
<v Speaker 3>Like did they owe a Winnebago plug? Like what was

0:26:19.280 --> 0:26:25.480
<v Speaker 3>going because like why and I'm not look, don't come

0:26:25.520 --> 0:26:28.080
<v Speaker 3>at me. I actually really there's a lot of good

0:26:28.119 --> 0:26:30.640
<v Speaker 3>things in this episode, but I did sort of have somewhere.

0:26:30.640 --> 0:26:35.200
<v Speaker 3>I'm like, they didn't care about this. I'm like trying

0:26:35.200 --> 0:26:39.240
<v Speaker 3>to sell the Winnebago. I really don't care. Move it away,

0:26:39.680 --> 0:26:42.920
<v Speaker 3>take it down to the you know wherever.

0:26:44.080 --> 0:26:46.280
<v Speaker 1>I think I think we can just sort of close

0:26:46.320 --> 0:26:52.239
<v Speaker 1>the book on the Winnebago. There's more in here that

0:26:52.280 --> 0:26:53.679
<v Speaker 1>we can then.

0:26:53.720 --> 0:26:56.200
<v Speaker 3>I love that Lorala heads over to Luke's for lunch.

0:26:56.240 --> 0:26:58.000
<v Speaker 3>I thought that was very cute and she they have

0:26:58.080 --> 0:27:01.639
<v Speaker 3>the cell phone bit and she puts the the speed dial,

0:27:02.119 --> 0:27:04.879
<v Speaker 3>which is great because that come that's a callback and

0:27:05.160 --> 0:27:08.800
<v Speaker 3>the vibrating joke and that was all very cute. That

0:27:08.960 --> 0:27:11.800
<v Speaker 3>was great, and uh the boys and berry pie and

0:27:12.080 --> 0:27:14.240
<v Speaker 3>that was all great and no complaints.

0:27:14.359 --> 0:27:19.840
<v Speaker 1>Mm hmmm mm hmmm. Uh but yeah, no, yeah, I

0:27:19.920 --> 0:27:23.119
<v Speaker 1>like the cell phone stuff with Luke because you know,

0:27:23.160 --> 0:27:25.639
<v Speaker 1>it's so he's so anti cell phone.

0:27:25.800 --> 0:27:28.199
<v Speaker 3>Totally well and it's so funny in all if you

0:27:28.280 --> 0:27:31.360
<v Speaker 3>dig in when you're doing your Gilmart Girl's research, They

0:27:31.800 --> 0:27:35.760
<v Speaker 3>note that Luke actually used his cell phone in this

0:27:35.960 --> 0:27:37.840
<v Speaker 3>episode in the diner.

0:27:38.080 --> 0:27:41.640
<v Speaker 1>To use cell phones in the diner, Yeah, And.

0:27:41.600 --> 0:27:43.560
<v Speaker 2>I felt like the sign was in like way more

0:27:43.600 --> 0:27:45.960
<v Speaker 2>scenes this time. No cell phone.

0:27:46.880 --> 0:27:49.239
<v Speaker 3>All that was cute. And then I Love Rory's in

0:27:49.280 --> 0:27:51.160
<v Speaker 3>the car and she's on the phone and she's wearing

0:27:51.200 --> 0:27:54.520
<v Speaker 3>that pink coat again. That pink coat got two. She

0:27:54.600 --> 0:27:57.119
<v Speaker 3>wore the pink coat on the date for the play.

0:27:57.800 --> 0:28:00.159
<v Speaker 3>And then she's and we're going to Friday Night her,

0:28:00.160 --> 0:28:03.120
<v Speaker 3>which I actually was sort of like, Oh, okay, what's

0:28:03.160 --> 0:28:04.960
<v Speaker 3>going to happen? How is she going to treat Emily?

0:28:05.320 --> 0:28:09.840
<v Speaker 3>And it seems she's not as brutal, but she's certainly

0:28:09.880 --> 0:28:13.360
<v Speaker 3>not warm.

0:28:14.119 --> 0:28:16.119
<v Speaker 1>Well, yeah, we didn't get to see the dinner.

0:28:17.080 --> 0:28:20.520
<v Speaker 3>No, that was interesting too, right, We got sort of

0:28:20.560 --> 0:28:23.560
<v Speaker 3>the come in the door, the drinks, but I.

0:28:23.480 --> 0:28:26.000
<v Speaker 1>Think I think we get to really see Emily how

0:28:26.119 --> 0:28:30.960
<v Speaker 1>ugly Emily can be. I thought this was a very

0:28:31.040 --> 0:28:34.440
<v Speaker 1>really harsh episode for her. I mean, she really revealed

0:28:34.600 --> 0:28:39.360
<v Speaker 1>how how ugly she she can be. I mean, she

0:28:39.480 --> 0:28:42.440
<v Speaker 1>referred to luc as what I mean, she had some

0:28:42.520 --> 0:28:47.200
<v Speaker 1>horrible adjectives. She used the imbecile, that's mean, referred to

0:28:48.520 --> 0:28:52.680
<v Speaker 1>too mean, and it's just you know, she was ranting

0:28:52.760 --> 0:28:57.640
<v Speaker 1>and raving again and I mean, even listen, I will

0:28:57.920 --> 0:29:03.280
<v Speaker 1>tolerate all of the Winnebago and the misuse of Suki

0:29:03.400 --> 0:29:06.600
<v Speaker 1>and Melissa to get to that final scene in the

0:29:06.640 --> 0:29:11.560
<v Speaker 1>diner tells her to shut up. That was a home

0:29:11.680 --> 0:29:14.320
<v Speaker 1>run scene. I mean that was a big scene. But

0:29:14.360 --> 0:29:17.560
<v Speaker 1>I also love the scene where Emily shoes the maid

0:29:17.640 --> 0:29:21.400
<v Speaker 1>away she's going to fire her because when she's so

0:29:21.480 --> 0:29:23.680
<v Speaker 1>sad a place setting.

0:29:23.760 --> 0:29:25.560
<v Speaker 3>Yeah, that was really right.

0:29:26.120 --> 0:29:28.520
<v Speaker 6>I found it interesting that she thought Lorla was coming one.

0:29:28.720 --> 0:29:29.280
<v Speaker 2>I did too.

0:29:29.680 --> 0:29:33.160
<v Speaker 1>Yeah, I was like, that to me, proves that she's delusional.

0:29:34.000 --> 0:29:38.560
<v Speaker 1>She does that there's a part of her that is

0:29:38.640 --> 0:29:43.520
<v Speaker 1>completely oblivious to how other people feel and especially about her,

0:29:44.400 --> 0:29:48.720
<v Speaker 1>So she doesn't she's not She doesn't see how her

0:29:48.880 --> 0:29:54.880
<v Speaker 1>very powerful and very definitive behavior against her own family

0:29:55.120 --> 0:29:58.280
<v Speaker 1>members is affecting anybody else. I mean, she just doesn't

0:29:58.280 --> 0:29:59.960
<v Speaker 1>seem to. It doesn't register her.

0:30:00.360 --> 0:30:03.400
<v Speaker 6>It is interesting. It is interesting because the one thing

0:30:03.440 --> 0:30:06.160
<v Speaker 6>I like thought about when I was watching this episode

0:30:06.320 --> 0:30:11.760
<v Speaker 6>is although it feels like Emily's, you know, in the

0:30:11.840 --> 0:30:15.280
<v Speaker 6>last episode, like okay, you guys won, like you guys

0:30:15.320 --> 0:30:20.320
<v Speaker 6>be together, you know, like giving Lurlai her way, it's

0:30:20.440 --> 0:30:24.520
<v Speaker 6>really not. It's it's Emily doing something else just to

0:30:24.640 --> 0:30:27.480
<v Speaker 6>get her way, which is to get Laura and Maury

0:30:27.520 --> 0:30:31.040
<v Speaker 6>in her life. She's not doing this for Laura l

0:30:31.040 --> 0:30:33.480
<v Speaker 6>I to be with Luke, you know what I mean,

0:30:33.720 --> 0:30:37.480
<v Speaker 6>Like it was just kind of like it, I don't know, very.

0:30:37.560 --> 0:30:41.360
<v Speaker 3>Benefit, yeah is the word. She's never like altruistic, she's

0:30:41.360 --> 0:30:44.000
<v Speaker 3>never just doing it for the good of doing it.

0:30:44.240 --> 0:30:46.840
<v Speaker 6>Yeah. She's not doing it because, oh, Lourla loves Luke,

0:30:47.160 --> 0:30:49.400
<v Speaker 6>you know. No, she's doing it because she wants to

0:30:49.480 --> 0:30:54.480
<v Speaker 6>have LAURAAI and Rory in her life. But she was

0:30:54.640 --> 0:30:57.240
<v Speaker 6>very bad. I wasn't expecting her to be so bent

0:30:57.280 --> 0:30:58.480
<v Speaker 6>out of shape that Laura I was.

0:30:58.680 --> 0:31:04.960
<v Speaker 1>Okay, So here's the question. This is something that when

0:31:05.040 --> 0:31:09.720
<v Speaker 1>I feel that something is being forced upon me, then

0:31:09.760 --> 0:31:13.000
<v Speaker 1>I have to question it. And I think they cut

0:31:13.000 --> 0:31:16.040
<v Speaker 1>the dinner out. They cut the dinner scene out just

0:31:16.080 --> 0:31:18.600
<v Speaker 1>to get to the Richard and Emily scene about Luke

0:31:18.720 --> 0:31:21.560
<v Speaker 1>is an imbecile and maybe he didn't understand what you

0:31:21.600 --> 0:31:25.200
<v Speaker 1>were saying. No, I spelled it out, Richard, that imbecile. Well,

0:31:25.240 --> 0:31:28.840
<v Speaker 1>there's two possibilities, Emily, either he didn't get it, or

0:31:29.320 --> 0:31:32.040
<v Speaker 1>that he tried and they just didn't get back together

0:31:33.240 --> 0:31:36.120
<v Speaker 1>and said So it was all like this spoon fed

0:31:36.280 --> 0:31:42.560
<v Speaker 1>kind of exposition where it's like, oh, now, She's all

0:31:42.560 --> 0:31:44.640
<v Speaker 1>set up to go back into Luke's diner and do

0:31:44.680 --> 0:31:48.320
<v Speaker 1>that scene, and it just seemed very, very forced. It

0:31:48.360 --> 0:31:52.560
<v Speaker 1>didn't seem like sophisticated, intelligent people having a conversation.

0:31:53.640 --> 0:31:56.120
<v Speaker 3>It's interesting you bring that up because we so rarely

0:31:56.240 --> 0:31:58.480
<v Speaker 3>get a scene with the two of them like that

0:31:58.560 --> 0:31:59.200
<v Speaker 3>after the dinner.

0:31:59.280 --> 0:32:01.680
<v Speaker 1>I don't know that we've yeah this sort of this

0:32:01.880 --> 0:32:05.120
<v Speaker 1>arch kind of scheming and sort of imbecile, and he

0:32:05.160 --> 0:32:06.720
<v Speaker 1>didn't get it, and you got to go back.

0:32:06.560 --> 0:32:09.160
<v Speaker 3>In read that's what I'm reading right right. It's like, huh,

0:32:09.560 --> 0:32:12.840
<v Speaker 3>there was something interesting about that scene in that it

0:32:12.920 --> 0:32:15.920
<v Speaker 3>was happening and we don't We saw something we normally

0:32:16.000 --> 0:32:18.920
<v Speaker 3>never see because we usually follow Rory and lore Lie

0:32:18.960 --> 0:32:22.720
<v Speaker 3>out the door, so we rarely see what happens maybe

0:32:22.760 --> 0:32:26.040
<v Speaker 3>once with Richard and Emily after a Friday night dinner.

0:32:26.160 --> 0:32:27.760
<v Speaker 3>So there was something to me that I'm like, well,

0:32:27.760 --> 0:32:29.560
<v Speaker 3>that's amusing, but I think you're right it was so

0:32:29.920 --> 0:32:31.320
<v Speaker 3>it was too mean.

0:32:32.560 --> 0:32:36.760
<v Speaker 1>It wasn't there was no emotional logic to it. There

0:32:36.920 --> 0:32:39.600
<v Speaker 1>was this sort of forced logic to it. There was

0:32:39.800 --> 0:32:43.880
<v Speaker 1>story forced story logic, like we have to get how

0:32:43.920 --> 0:32:45.400
<v Speaker 1>do we get her into the diner how do we

0:32:45.440 --> 0:32:46.720
<v Speaker 1>get her back into the diner?

0:32:46.840 --> 0:32:48.720
<v Speaker 3>Right, and just that they would think that they're not

0:32:48.840 --> 0:32:51.400
<v Speaker 3>back together. It never occurs to them, Oh no, they're

0:32:51.440 --> 0:32:55.640
<v Speaker 3>back together, but they still don't want to be around you, Emily,

0:32:57.240 --> 0:32:59.880
<v Speaker 3>although there was one funny line in that scene and I.

0:33:00.200 --> 0:33:00.760
<v Speaker 1>Goose for.

0:33:02.440 --> 0:33:09.360
<v Speaker 3>Goose for four people wasteful, But yeah, I mean, Scott,

0:33:09.360 --> 0:33:11.480
<v Speaker 3>I think you're right. There's sort of maybe one of

0:33:11.520 --> 0:33:15.240
<v Speaker 3>the reasons we're feeling this episode like good but not perfect.

0:33:15.360 --> 0:33:17.200
<v Speaker 3>It is because there's all these sort of like things

0:33:17.240 --> 0:33:19.600
<v Speaker 3>that were like, well, wait, why do they do that scene?

0:33:19.600 --> 0:33:21.360
<v Speaker 3>And they're so mean? And what's with the window bagel?

0:33:21.400 --> 0:33:24.440
<v Speaker 3>There's just a sort of some something a little off.

0:33:24.560 --> 0:33:29.440
<v Speaker 1>Maybe we're a tough crowd, aren't we. We're Monday morning

0:33:29.520 --> 0:33:31.320
<v Speaker 1>quarterback and every day of the week.

0:33:32.000 --> 0:33:35.840
<v Speaker 3>So there, okay. So then lorlyon Ry go shopping and

0:33:36.040 --> 0:33:38.440
<v Speaker 3>that is and which was important because they needed to

0:33:38.520 --> 0:33:41.479
<v Speaker 3>go shopping so that we could then see Logan with

0:33:41.560 --> 0:33:44.800
<v Speaker 3>the girl. And it was jarring for me, even though

0:33:44.840 --> 0:33:45.400
<v Speaker 3>I've seen it.

0:33:45.440 --> 0:33:50.800
<v Speaker 1>I was like, and there again another forced situation where

0:33:50.800 --> 0:33:53.280
<v Speaker 1>it's like he just happens to be across the street

0:33:53.560 --> 0:33:55.160
<v Speaker 1>having lunch the girl.

0:33:55.520 --> 0:33:57.680
<v Speaker 2>I actually didn't think that one was forced, because he

0:33:57.720 --> 0:34:01.360
<v Speaker 2>has talked about like not being just committed to Rory

0:34:01.400 --> 0:34:02.960
<v Speaker 2>and now we actually got to see it.

0:34:03.160 --> 0:34:04.520
<v Speaker 3>But what are the odds are going to be on

0:34:04.520 --> 0:34:06.520
<v Speaker 3>the one street he's also on. But I guess it's

0:34:06.560 --> 0:34:09.360
<v Speaker 3>a small world. Yeah, but it jarred me.

0:34:09.440 --> 0:34:14.799
<v Speaker 6>I wrote, oh, yeah, they were just like together. It

0:34:14.840 --> 0:34:17.280
<v Speaker 6>was like they were like together.

0:34:17.080 --> 0:34:20.080
<v Speaker 3>And I wrote yuck. It did not make me feel good.

0:34:20.120 --> 0:34:24.479
<v Speaker 3>I did not like seeing him and noodling with that girl.

0:34:24.560 --> 0:34:26.759
<v Speaker 3>And we don't know that he's seen her, but she's

0:34:26.800 --> 0:34:28.560
<v Speaker 3>definitely seen him. And then we find out in a

0:34:28.600 --> 0:34:30.759
<v Speaker 3>minute that he sure saw her, and it was just like.

0:34:31.080 --> 0:34:33.719
<v Speaker 6>All lore lives all too Oh.

0:34:34.280 --> 0:34:36.120
<v Speaker 2>She's already not a fan of him.

0:34:37.719 --> 0:34:41.000
<v Speaker 1>But if it wasn't for Logan and his privileged upbringing

0:34:41.080 --> 0:34:46.600
<v Speaker 1>and his his rules of you know, of an open relationship,

0:34:46.719 --> 0:34:49.080
<v Speaker 1>she wouldn't have forced herself to go with Robert and

0:34:49.160 --> 0:34:53.359
<v Speaker 1>expand her horizons and feel her power, right, you know,

0:34:53.440 --> 0:34:56.480
<v Speaker 1>and and grow a little. So we can thank Logan

0:34:56.520 --> 0:34:56.799
<v Speaker 1>for that.

0:34:57.120 --> 0:35:01.920
<v Speaker 3>Yeah, so we get this, Yeah, we get comes. So

0:35:01.920 --> 0:35:05.720
<v Speaker 3>we have that scene in the newsroom where Logan comes

0:35:05.719 --> 0:35:09.399
<v Speaker 3>over to Rory and she's cold, she's definitely cold at first,

0:35:09.480 --> 0:35:12.040
<v Speaker 3>and he's sort of dipping his toe in, like how's

0:35:12.080 --> 0:35:14.880
<v Speaker 3>this gonna go? And he says, did you see me

0:35:15.000 --> 0:35:18.600
<v Speaker 3>on State Street? And she's like, I did, which are we?

0:35:18.760 --> 0:35:20.400
<v Speaker 1>No? He knew, he knew that.

0:35:21.000 --> 0:35:23.719
<v Speaker 2>She's oh, I know, but just to go up and

0:35:23.800 --> 0:35:26.320
<v Speaker 2>ask her that, I thought, like another girl.

0:35:27.040 --> 0:35:30.880
<v Speaker 1>It's just this is the scene where he starts losing

0:35:30.920 --> 0:35:33.360
<v Speaker 1>his cool words, dude, what are you doing?

0:35:33.960 --> 0:35:37.359
<v Speaker 3>He wasn't Logan, because if he was Logan, he would

0:35:37.360 --> 0:35:41.200
<v Speaker 3>be confident, like, there's no problem because this is our deal.

0:35:41.480 --> 0:35:44.640
<v Speaker 3>So then all the the sow are we good?

0:35:44.920 --> 0:35:45.080
<v Speaker 1>So?

0:35:46.239 --> 0:35:48.680
<v Speaker 3>And she's like, no more sos? Would you take an? Like,

0:35:48.680 --> 0:35:57.160
<v Speaker 3>it's just I just wrote eeke ouch. I still love him,

0:35:57.160 --> 0:35:58.560
<v Speaker 3>don't get me wrong. I love him.

0:36:00.280 --> 0:36:03.399
<v Speaker 1>Better make a big comeback here for it?

0:36:03.880 --> 0:36:09.200
<v Speaker 3>I like, because it was cringe tasting, yeah, and I.

0:36:09.120 --> 0:36:12.440
<v Speaker 1>Just you know, maybe that's the word for the episode,

0:36:12.520 --> 0:36:18.200
<v Speaker 1>cringe test. It was cringed. Oh god.

0:36:18.680 --> 0:36:20.920
<v Speaker 3>And then we'd go, okay, so we I feel like

0:36:20.960 --> 0:36:23.200
<v Speaker 3>we've definitely talked about the winning Bago enough, so we

0:36:23.239 --> 0:36:33.520
<v Speaker 3>get the Winnebago. Yeah. Then we get Robert asking out

0:36:33.960 --> 0:36:36.799
<v Speaker 3>Rory for the birthday, and he actually was sort of

0:36:37.080 --> 0:36:41.440
<v Speaker 3>quite charming in the way he asked her yeah, and

0:36:41.480 --> 0:36:44.320
<v Speaker 3>it was like, well, wow, okay, she's in the library

0:36:44.360 --> 0:36:48.920
<v Speaker 3>he walks up. Oh my, okay, stop. I don't know

0:36:48.920 --> 0:36:50.880
<v Speaker 3>what she was supposed to do. Did everyone think she

0:36:50.920 --> 0:36:52.520
<v Speaker 3>did what she should have done?

0:36:52.960 --> 0:36:55.440
<v Speaker 6>Yeah, that's what you do in college, you know, like, hey,

0:36:55.480 --> 0:36:57.480
<v Speaker 6>I'm going to this party tonight. You want to roll with?

0:36:57.680 --> 0:37:01.799
<v Speaker 6>You know, like it was very just like cute college.

0:37:03.640 --> 0:37:06.759
<v Speaker 6>But also she like totally why are you laughing at me.

0:37:08.120 --> 0:37:11.919
<v Speaker 3>Daniel that I love it. That's how it goes in college. Hey,

0:37:11.960 --> 0:37:14.200
<v Speaker 3>I'm going, buddy, you want to roll with? Like I think,

0:37:14.239 --> 0:37:17.359
<v Speaker 3>I'm like, I don't remember how people ask people out.

0:37:18.280 --> 0:37:18.680
<v Speaker 3>I don't know.

0:37:18.760 --> 0:37:21.319
<v Speaker 6>I just remember in college, like you know, like the

0:37:21.400 --> 0:37:23.960
<v Speaker 6>guys being like, you know, hey, come over before we'll

0:37:24.000 --> 0:37:25.520
<v Speaker 6>have some drinks and then we'll go to this party.

0:37:25.680 --> 0:37:30.120
<v Speaker 6>You know, like it's just like fun, casual light. We're

0:37:30.160 --> 0:37:33.960
<v Speaker 6>not going to seventy five dollars Chinese dinners. You know,

0:37:34.280 --> 0:37:36.719
<v Speaker 6>Like she's like college.

0:37:36.800 --> 0:37:40.000
<v Speaker 3>And you do date around in college. That is the

0:37:40.040 --> 0:37:44.120
<v Speaker 3>one thing I will say, whether I'm defending Robert Rory

0:37:44.320 --> 0:37:47.880
<v Speaker 3>Logan Logever, right, you do date around.

0:37:48.600 --> 0:37:51.400
<v Speaker 6>You do like we had a lot of the parties.

0:37:52.120 --> 0:37:53.040
<v Speaker 2>Yeah, totally.

0:37:53.480 --> 0:37:56.400
<v Speaker 3>Oh my god. We had a party which I still

0:37:57.120 --> 0:38:01.399
<v Speaker 3>think I'm scarred by. Where so you would meet your date,

0:38:01.560 --> 0:38:03.960
<v Speaker 3>whoever your date was at the party. It was sort

0:38:03.960 --> 0:38:05.360
<v Speaker 3>of like a setup kind of. Maybe it was like

0:38:05.400 --> 0:38:07.759
<v Speaker 3>a set up your buddy, and you'd be wearing a

0:38:07.800 --> 0:38:12.279
<v Speaker 3>shirt that would say like, I don't know Luke, and

0:38:12.320 --> 0:38:14.680
<v Speaker 3>their shirt would say Laura l I. And then you'd

0:38:14.760 --> 0:38:17.920
<v Speaker 3>find each other and then you took sharpie markers and

0:38:17.960 --> 0:38:24.719
<v Speaker 3>colored on each other horrible, horrible party color.

0:38:24.760 --> 0:38:29.120
<v Speaker 1>After you did the ad, didn't no no drugs.

0:38:29.239 --> 0:38:33.440
<v Speaker 3>You'd take markers, like actual markers. And the whole point

0:38:33.520 --> 0:38:35.919
<v Speaker 3>was everyone was wearing these white T shirts, so you'd

0:38:35.960 --> 0:38:38.640
<v Speaker 3>color on the shirts, but everybody would Your whole face

0:38:38.680 --> 0:38:40.759
<v Speaker 3>would be oh my god. First of all, when I

0:38:40.800 --> 0:38:43.360
<v Speaker 3>was a pledge, I was like, please don't color my face.

0:38:43.400 --> 0:38:45.680
<v Speaker 3>I hate having marks on my face. And then once

0:38:45.719 --> 0:38:49.080
<v Speaker 3>I wasn't a pledge, it was like, do not touch

0:38:49.160 --> 0:38:50.239
<v Speaker 3>my face with the pen.

0:38:50.400 --> 0:38:52.920
<v Speaker 6>I did something similar, but it was called a paint party.

0:38:53.000 --> 0:38:55.319
<v Speaker 6>So you wear white and you go. I don't even

0:38:55.360 --> 0:38:56.960
<v Speaker 6>know where we were. We could have been in just

0:38:57.000 --> 0:38:59.879
<v Speaker 6>an open parking lot. You brought a date and there's

0:39:00.400 --> 0:39:04.279
<v Speaker 6>tables of paint everywhere and just like a DJ, and

0:39:04.320 --> 0:39:07.520
<v Speaker 6>everyone's just you know, drinking and just throwing paint at

0:39:07.560 --> 0:39:09.919
<v Speaker 6>each other. You just having your hair and.

0:39:09.960 --> 0:39:13.960
<v Speaker 1>Oh, I'm dating myself with this. But my first year

0:39:13.960 --> 0:39:17.200
<v Speaker 1>in college, it was like every single party we went

0:39:17.239 --> 0:39:20.960
<v Speaker 1>to was a Rocky Horror Picture show themed party because

0:39:20.960 --> 0:39:23.480
<v Speaker 1>it was blowing up huge and it was it was

0:39:23.520 --> 0:39:25.440
<v Speaker 1>like people were dressing up with these characters and going

0:39:25.520 --> 0:39:29.080
<v Speaker 1>to the theaters at midnight, watching another show at two,

0:39:29.200 --> 0:39:32.120
<v Speaker 1>getting up on stage. So every single party you went to,

0:39:32.800 --> 0:39:36.799
<v Speaker 1>it was like there's like twenty Frankenfritters, you know at

0:39:36.840 --> 0:39:40.320
<v Speaker 1>the park. Yeah, yeah, what is happening?

0:39:40.680 --> 0:39:41.960
<v Speaker 3>For some reason, we had a lot of There was

0:39:41.960 --> 0:39:44.759
<v Speaker 3>a lot of twenties. I remember really wearing a lot

0:39:44.760 --> 0:39:46.640
<v Speaker 3>of flapper dresses, Like I.

0:39:48.960 --> 0:39:50.880
<v Speaker 2>Think I had like one flapper dress I wore like

0:39:50.960 --> 0:39:54.320
<v Speaker 2>six times. Someone always threw or eighties yeah or eighties.

0:39:54.600 --> 0:39:58.680
<v Speaker 3>Oh, anyway, nobody threw a pulp friction, but I sure

0:39:58.719 --> 0:40:00.200
<v Speaker 3>would have enjoyed that.

0:40:00.880 --> 0:40:03.399
<v Speaker 1>I never you know why I never went to any

0:40:03.440 --> 0:40:05.960
<v Speaker 1>eighties parties in college because I went to college.

0:40:05.719 --> 0:40:06.720
<v Speaker 6>Because you were in the eighties.

0:40:08.120 --> 0:40:09.200
<v Speaker 3>That was the future.

0:40:09.480 --> 0:40:12.439
<v Speaker 1>That would have been let's do a party four years

0:40:12.480 --> 0:40:13.239
<v Speaker 1>in the future.

0:40:16.000 --> 0:40:20.000
<v Speaker 3>So does everybody agree, all four of us, that Rory

0:40:20.080 --> 0:40:23.680
<v Speaker 3>did the right thing by saying yes to Robert asking

0:40:23.719 --> 0:40:24.800
<v Speaker 3>her to go to the party.

0:40:25.000 --> 0:40:28.200
<v Speaker 6>Absolutely, Yeah, yeah, the only she knew.

0:40:29.920 --> 0:40:31.480
<v Speaker 2>I feel like she knew what she was doing too.

0:40:31.520 --> 0:40:33.759
<v Speaker 2>I feel like she knew that Logan was going to

0:40:33.800 --> 0:40:35.960
<v Speaker 2>be there and she's gonna He's gonna see her with

0:40:35.960 --> 0:40:38.840
<v Speaker 2>another guy, Like I think she kind of just I know,

0:40:39.400 --> 0:40:41.799
<v Speaker 2>I've done that before. I'm not gonna lie, like, you know,

0:40:42.040 --> 0:40:43.160
<v Speaker 2>the guy he likes going to be.

0:40:43.080 --> 0:40:46.600
<v Speaker 3>There, totally. My only thing is this is Yale, right?

0:40:46.880 --> 0:40:49.600
<v Speaker 3>Why is there just one group of kids and Marty?

0:40:49.920 --> 0:40:53.880
<v Speaker 3>Like that's it, that's the last kids and Marty. But

0:40:53.960 --> 0:40:57.799
<v Speaker 3>it's true. So I have a friend in college who

0:40:57.920 --> 0:41:01.000
<v Speaker 3>a guy asked her to a date party knowing that

0:41:01.040 --> 0:41:02.960
<v Speaker 3>the guy she really they were friends, so I think

0:41:03.000 --> 0:41:05.480
<v Speaker 3>they were even in Cahoot knowing that the guy she

0:41:05.640 --> 0:41:07.680
<v Speaker 3>really liked was going to be at the date party.

0:41:07.800 --> 0:41:11.920
<v Speaker 3>So she fully went with this guy, Jimmy, because the

0:41:11.960 --> 0:41:13.719
<v Speaker 3>guy she liked was going to be there, so she

0:41:13.800 --> 0:41:16.479
<v Speaker 3>got to see him, and then they dated and they've

0:41:16.480 --> 0:41:20.400
<v Speaker 3>been married for thirties. Oh wow, So that's what I'm saying.

0:41:20.520 --> 0:41:22.799
<v Speaker 3>Rory might be onto something.

0:41:22.800 --> 0:41:24.520
<v Speaker 6>Minus the second half. I did that all the time

0:41:24.560 --> 0:41:27.480
<v Speaker 6>in college too. I went yeah at the date parties

0:41:27.520 --> 0:41:31.400
<v Speaker 6>all the time when I liked somebody else. Yeah, you know, like,

0:41:32.000 --> 0:41:32.440
<v Speaker 6>why not.

0:41:34.080 --> 0:41:35.800
<v Speaker 2>I'm here so you yeah?

0:41:36.000 --> 0:41:38.759
<v Speaker 3>Right. Maybe we're looking at this with forty year old

0:41:38.800 --> 0:41:42.640
<v Speaker 3>eyes average between all of us, forty year old eyes

0:41:43.440 --> 0:41:46.040
<v Speaker 3>instead of twenty year old eyes. A twenty year old

0:41:46.040 --> 0:41:48.600
<v Speaker 3>would say yes to Robert knowing that they fully had

0:41:48.600 --> 0:41:51.320
<v Speaker 3>the intention of going to make the guy they actually

0:41:51.560 --> 0:41:57.200
<v Speaker 3>liked either jealous or kiss him that night, which worked. Yeah,

0:41:57.560 --> 0:41:59.720
<v Speaker 3>maybe she's crazy like a fox.

0:42:00.560 --> 0:42:03.040
<v Speaker 6>I don't think any Rory did anything wrong there.

0:42:05.480 --> 0:42:07.560
<v Speaker 3>And I was proud of her. I know we're jumping

0:42:07.600 --> 0:42:12.840
<v Speaker 3>ahead that she stayed calm, She wasn't like acting nuts,

0:42:13.520 --> 0:42:16.640
<v Speaker 3>she was being cool. She still kisses him and then

0:42:16.680 --> 0:42:19.239
<v Speaker 3>says no, no, like and he wants to get out

0:42:19.239 --> 0:42:22.680
<v Speaker 3>of there, itches date and take her away, and she's like, no,

0:42:22.760 --> 0:42:25.760
<v Speaker 3>I came with Robert, Robert Grimaldi.

0:42:31.040 --> 0:42:33.920
<v Speaker 1>I know, a real Grimaldi. That was funny.

0:42:37.520 --> 0:42:39.239
<v Speaker 3>So I don't know what so what would how would

0:42:39.280 --> 0:42:41.040
<v Speaker 3>you guys have played that? Or did she do the

0:42:41.120 --> 0:42:41.560
<v Speaker 3>right thing.

0:42:42.160 --> 0:42:44.440
<v Speaker 1>You know why she said Grimaldi, don't you.

0:42:44.719 --> 0:42:47.359
<v Speaker 3>I didn't. I didn't know where she got it.

0:42:47.360 --> 0:42:51.400
<v Speaker 1>It's an Italian house, Italian house at Grimaldi, it's royalty.

0:42:51.440 --> 0:42:52.279
<v Speaker 1>It's Italian royal.

0:42:52.440 --> 0:42:54.440
<v Speaker 3>Oh so she's just like so she's.

0:42:54.640 --> 0:42:57.960
<v Speaker 1>Like like, I'm dating a bigger fish than you logan like,

0:42:58.040 --> 0:43:02.239
<v Speaker 1>you know, but she's does it doing been? I mean,

0:43:02.280 --> 0:43:03.839
<v Speaker 1>it's been hundreds and hundreds of years.

0:43:04.000 --> 0:43:08.560
<v Speaker 3>I love back there because the mom's like, what's his name?

0:43:08.800 --> 0:43:09.160
<v Speaker 9>Robert?

0:43:10.520 --> 0:43:12.759
<v Speaker 3>And then at the party, she's what's your last name?

0:43:15.920 --> 0:43:17.600
<v Speaker 3>It's his last name? Why do I want to say

0:43:17.600 --> 0:43:24.560
<v Speaker 3>it's Zimmerman. That's not right? What is his last name? Roberts?

0:43:25.000 --> 0:43:25.400
<v Speaker 1>Robert?

0:43:26.320 --> 0:43:27.680
<v Speaker 3>What is Robert's last name?

0:43:27.880 --> 0:43:28.480
<v Speaker 1>I don't know.

0:43:28.719 --> 0:43:34.960
<v Speaker 6>He didn't deliver the line in that episode.

0:43:33.239 --> 0:43:37.879
<v Speaker 1>Say according to Hannah, it's just Robert.

0:43:39.200 --> 0:43:47.359
<v Speaker 3>Oh goodness. So okay, well here, okay, so we do

0:43:47.480 --> 0:43:49.799
<v Speaker 3>go back. We're going back and forth, right, So we

0:43:49.920 --> 0:43:53.399
<v Speaker 3>go to the date between Luke and Laura Lai and

0:43:54.320 --> 0:43:58.759
<v Speaker 3>we're in the truck and I can't even remember what

0:43:58.880 --> 0:43:59.480
<v Speaker 3>leads up to this.

0:43:59.760 --> 0:44:04.640
<v Speaker 1>I want to comment on on maybe the finest UH

0:44:05.000 --> 0:44:08.400
<v Speaker 1>run of Dialogue, and the show was delivered by Robert

0:44:09.040 --> 0:44:10.719
<v Speaker 1>about what's he wants, what he wants to do with

0:44:10.760 --> 0:44:14.399
<v Speaker 1>his life, and that whole monologue about how he wants

0:44:14.440 --> 0:44:18.560
<v Speaker 1>to leave the inheritance to a parrot named Steve.

0:44:18.400 --> 0:44:22.080
<v Speaker 3>Or can anybody read that? Can somebody read that?

0:44:22.360 --> 0:44:23.960
<v Speaker 1>I put that up?

0:44:24.640 --> 0:44:26.319
<v Speaker 3>Oh my god, somebody if you can.

0:44:26.560 --> 0:44:28.879
<v Speaker 1>A script and put that up because that was just.

0:44:28.920 --> 0:44:31.200
<v Speaker 3>And while they're looking for it, My favorite line of

0:44:31.239 --> 0:44:33.680
<v Speaker 3>this whole episode is in the truck while they're finding

0:44:33.719 --> 0:44:39.240
<v Speaker 3>that one, when Lorelai says something and Luke says, you bet,

0:44:39.680 --> 0:44:42.000
<v Speaker 3>and it's the way he delivers it. I don't even know,

0:44:43.640 --> 0:44:46.040
<v Speaker 3>I need to know what she says for his response,

0:44:46.080 --> 0:44:48.520
<v Speaker 3>and he says, you bet, and it's.

0:44:48.360 --> 0:44:52.720
<v Speaker 1>Just like I remember. I. I love doing those lines

0:44:52.800 --> 0:44:56.759
<v Speaker 1>because it says everything about how deeply it hurt him

0:44:56.800 --> 0:45:03.000
<v Speaker 1>and how deeply he feels with hol getting too into it.

0:45:03.520 --> 0:45:07.200
<v Speaker 3>Yeah, it's very Luke. Yes, Okay.

0:45:07.160 --> 0:45:11.120
<v Speaker 1>Waitin goal in life is to outlive my brother inherit

0:45:11.120 --> 0:45:13.319
<v Speaker 1>the family fortune, put all my sisters out on the

0:45:13.320 --> 0:45:17.280
<v Speaker 1>street and live as frivolously as possible, having numerous wives,

0:45:17.320 --> 0:45:20.279
<v Speaker 1>thousands of illegitimate children, and die completely alone. And you've

0:45:20.280 --> 0:45:23.160
<v Speaker 1>every cent sent to a pirate named Polly. I love

0:45:23.200 --> 0:45:24.520
<v Speaker 1>that this was.

0:45:24.560 --> 0:45:28.080
<v Speaker 3>Like great, I mean really good. Wait, Hannah, and I

0:45:28.120 --> 0:45:30.000
<v Speaker 3>don't mean to make more work for our producer, Hannah,

0:45:30.040 --> 0:45:31.560
<v Speaker 3>but can you see if you can find out the

0:45:31.600 --> 0:45:34.839
<v Speaker 3>line that comes right before they're in the truck and

0:45:34.880 --> 0:45:37.640
<v Speaker 3>she hates that they spend a chunk of time apart,

0:45:38.040 --> 0:45:40.640
<v Speaker 3>like she hates it. He's getting a reggae fever CD

0:45:40.760 --> 0:45:43.880
<v Speaker 3>and she doesn't even know it. And then she says

0:45:43.920 --> 0:45:46.799
<v Speaker 3>something and he says, you bet, And I just need

0:45:46.800 --> 0:45:52.400
<v Speaker 3>to know the line that he says, because I was like, swoon, swoon.

0:45:52.880 --> 0:45:55.000
<v Speaker 3>I love Luke swoon.

0:45:55.239 --> 0:45:58.120
<v Speaker 1>But isn't she lovely that she needs him so much?

0:45:58.480 --> 0:46:02.720
<v Speaker 1>And she just loves being in there relationship with him. Yes,

0:46:02.960 --> 0:46:04.680
<v Speaker 1>I hate that we were apart.

0:46:05.080 --> 0:46:06.920
<v Speaker 3>So she says, this is so weird. I mean to

0:46:06.920 --> 0:46:08.560
<v Speaker 3>think that there's this whole chunk of time when we

0:46:08.560 --> 0:46:12.239
<v Speaker 3>weren't together. We're living totally separate, just working like crazy,

0:46:12.280 --> 0:46:13.480
<v Speaker 3>and you were running around buying.

0:46:13.440 --> 0:46:16.480
<v Speaker 1>Reyk CD one CD one oh.

0:46:16.560 --> 0:46:17.960
<v Speaker 3>And then she says all he can say is you're

0:46:18.000 --> 0:46:20.080
<v Speaker 3>lucky and back in your life, because clearly you were

0:46:20.080 --> 0:46:23.600
<v Speaker 3>lost without me. I mean, it's a miracle. I can't

0:46:23.640 --> 0:46:24.200
<v Speaker 3>see that part.

0:46:24.280 --> 0:46:25.520
<v Speaker 6>It's an still alive.

0:46:25.719 --> 0:46:27.120
<v Speaker 3>Oh you're even still alive?

0:46:27.280 --> 0:46:29.040
<v Speaker 7>Right? You bet?

0:46:29.320 --> 0:46:31.160
<v Speaker 3>Oh got you still got it?

0:46:31.360 --> 0:46:35.040
<v Speaker 1>I still got it? You know you know where I

0:46:35.120 --> 0:46:38.600
<v Speaker 1>got that line reading? Do you know where I got

0:46:38.600 --> 0:46:41.760
<v Speaker 1>that line reading? My dad?

0:46:42.560 --> 0:46:45.680
<v Speaker 3>Oh swoon, double swoon.

0:46:45.560 --> 0:46:48.480
<v Speaker 1>No, my dad. That's how. That was My dad's attitude.

0:46:48.520 --> 0:46:55.240
<v Speaker 1>The bigger the moment. He would always go, you bet, oh, yes, that.

0:46:55.239 --> 0:47:00.360
<v Speaker 3>Was well done. So we go to the pulp fiction

0:47:00.560 --> 0:47:04.600
<v Speaker 3>Friction party. The costumes are amazing. I do think it

0:47:04.640 --> 0:47:06.840
<v Speaker 3>was weird that Finn kept not knowing who Rory was.

0:47:06.880 --> 0:47:08.759
<v Speaker 3>I was like, a little bit to me dumb. But

0:47:08.800 --> 0:47:14.280
<v Speaker 3>what Yeah, uh, Logan's on the couch calling no date.

0:47:15.320 --> 0:47:18.759
<v Speaker 3>You know, the whole, the whole, all the girls and

0:47:18.760 --> 0:47:22.640
<v Speaker 3>they're all it's very party college party. It seemed like

0:47:22.680 --> 0:47:24.520
<v Speaker 3>a fun time, right, Like.

0:47:24.840 --> 0:47:28.919
<v Speaker 2>Yeah, that and like you said, the costumes were great.

0:47:29.120 --> 0:47:30.359
<v Speaker 1>Yeah, I think parties are fun.

0:47:31.680 --> 0:47:33.839
<v Speaker 3>That would have been rat And I'm not even one

0:47:33.880 --> 0:47:35.799
<v Speaker 3>for costume party, but that would have been rat. And

0:47:35.880 --> 0:47:41.640
<v Speaker 3>like Scott said, the recreation of the dance was, oh

0:47:41.760 --> 0:47:45.239
<v Speaker 3>my god, amazing. So while the parties going on were

0:47:45.239 --> 0:47:49.400
<v Speaker 3>simultaneously with Luke and Lorelai discovering Kirk naked in the

0:47:49.400 --> 0:47:54.600
<v Speaker 3>boat well.

0:47:54.640 --> 0:47:56.960
<v Speaker 2>But we also there was one part that I can't

0:47:57.000 --> 0:47:58.600
<v Speaker 2>remember if we brought it up, but when they were

0:47:58.600 --> 0:48:01.799
<v Speaker 2>talking about just the banter between Luke and Kirk and

0:48:01.880 --> 0:48:04.520
<v Speaker 2>like he should live alone, and he was just like,

0:48:04.840 --> 0:48:07.200
<v Speaker 2>well I asked my mom to leave, is you will leave?

0:48:09.640 --> 0:48:11.560
<v Speaker 1>Do you know what I do? You know what a

0:48:12.360 --> 0:48:16.120
<v Speaker 1>Salien point? But you know what I just realized, and

0:48:16.160 --> 0:48:18.640
<v Speaker 1>this is something that happened yesterday too. It's very strange.

0:48:19.640 --> 0:48:25.000
<v Speaker 1>Luke in his uniform is a superhero. That's his superhero uniform,

0:48:25.239 --> 0:48:28.920
<v Speaker 1>that backwards baseball cap, that flannel, that is an actual

0:48:29.400 --> 0:48:34.560
<v Speaker 1>superhero uniform. Because when it's not on, it's a different person.

0:48:35.400 --> 0:48:37.160
<v Speaker 1>And that's one of the things that was jarring to

0:48:37.200 --> 0:48:39.919
<v Speaker 1>me is watching this person who is me, who's twenty

0:48:40.040 --> 0:48:43.080
<v Speaker 1>years younger, without his hat on, and he's dressed in

0:48:43.160 --> 0:48:45.279
<v Speaker 1>regular clothes and a leather jacket and he's out on

0:48:45.320 --> 0:48:48.520
<v Speaker 1>a date. It's a whole different experience. You experienced Luke

0:48:48.560 --> 0:48:50.680
<v Speaker 1>in a much different way, or at least the idea

0:48:51.320 --> 0:48:54.080
<v Speaker 1>than when he has his superhero uniform on. I mean,

0:48:54.080 --> 0:48:58.239
<v Speaker 1>it says I think that that Luke costume is his

0:48:58.480 --> 0:49:00.640
<v Speaker 1>iconic as a I mean, I'm not going to compare

0:49:00.640 --> 0:49:03.160
<v Speaker 1>it to Batman, but I just kept thinking of Batman,

0:49:04.200 --> 0:49:04.400
<v Speaker 1>you know.

0:49:04.480 --> 0:49:06.640
<v Speaker 3>Yeah, no, I see what you're saying. That it gives

0:49:09.120 --> 0:49:12.959
<v Speaker 3>right when he's in the in the diner outfit, he's

0:49:13.000 --> 0:49:18.040
<v Speaker 3>more confident. He's that hat gives some power. I kind

0:49:18.040 --> 0:49:21.919
<v Speaker 3>of equate it to musicians that were sunglasses, like it's

0:49:22.040 --> 0:49:26.040
<v Speaker 3>like they you can't quite see them for their their truth.

0:49:28.760 --> 0:49:29.000
<v Speaker 6>Yeah.

0:49:29.080 --> 0:49:32.680
<v Speaker 3>Yeah, I'm not mad at this analogy.

0:49:31.960 --> 0:49:33.520
<v Speaker 1>And Caesar is Alfred.

0:49:34.920 --> 0:49:36.920
<v Speaker 3>I'm not mad at any of it. So I'm not

0:49:36.960 --> 0:49:38.560
<v Speaker 3>mad at it.

0:49:38.840 --> 0:49:41.360
<v Speaker 4>Right, And then you know, right, so he is always

0:49:41.440 --> 0:49:45.879
<v Speaker 4>a little he's not quite as on his game when

0:49:45.920 --> 0:49:49.160
<v Speaker 4>he's like date Luke or suit Luke is like the

0:49:49.320 --> 0:49:50.359
<v Speaker 4>most off his game.

0:49:50.560 --> 0:49:53.880
<v Speaker 3>He's like, oh, you know, if you think about like

0:49:54.320 --> 0:49:58.399
<v Speaker 3>plays in the full suit, I.

0:49:58.320 --> 0:50:02.920
<v Speaker 6>Think it goes mantel Luke, right, the uniform, and then

0:50:02.960 --> 0:50:04.040
<v Speaker 6>he goes PJ.

0:50:04.239 --> 0:50:04.479
<v Speaker 9>Luke.

0:50:09.040 --> 0:50:09.719
<v Speaker 3>That's pretty good.

0:50:11.120 --> 0:50:12.839
<v Speaker 6>I'm trying to think of what the third thing is.

0:50:12.960 --> 0:50:15.920
<v Speaker 3>Green jacket, the green jacket, green.

0:50:15.800 --> 0:50:19.680
<v Speaker 1>Jacket full that's full superhero.

0:50:20.440 --> 0:50:22.000
<v Speaker 3>I totally agree it's the green.

0:50:21.880 --> 0:50:24.919
<v Speaker 1>Jacket with a flannel underneath. But no, Daniel, the next

0:50:25.000 --> 0:50:29.880
<v Speaker 1>level under p j Luke is dating Luke casual.

0:50:29.480 --> 0:50:32.319
<v Speaker 6>Dat leather jacket, leather jacket.

0:50:32.040 --> 0:50:38.919
<v Speaker 1>Luke right, and then there is the suit, the suit look,

0:50:39.000 --> 0:50:41.120
<v Speaker 1>which is the most awkward.

0:50:41.840 --> 0:50:47.520
<v Speaker 3>Yeah, it's not going well. Yeah, so we go back

0:50:47.560 --> 0:50:49.719
<v Speaker 3>to the party. So there we're dealing with Kirk and

0:50:49.760 --> 0:50:53.920
<v Speaker 3>they invite him to stay, you know, which was seemed

0:50:54.160 --> 0:50:56.560
<v Speaker 3>logical and sweet. We go back to the party and

0:50:56.560 --> 0:51:01.160
<v Speaker 3>this is where Logan, uh those over to talk to Rory,

0:51:01.719 --> 0:51:05.320
<v Speaker 3>and Logan doesn't even like it. Yeah, doesn't like his friend.

0:51:05.360 --> 0:51:07.960
<v Speaker 3>He's like, he's a jerk. I hate Robert.

0:51:08.680 --> 0:51:10.920
<v Speaker 1>She unmasked the beast.

0:51:11.560 --> 0:51:14.000
<v Speaker 6>Yeah, well said.

0:51:16.120 --> 0:51:18.600
<v Speaker 3>Then we have a so that he kisses her and

0:51:18.640 --> 0:51:21.200
<v Speaker 3>wants her to go back to your place, my place.

0:51:21.280 --> 0:51:23.600
<v Speaker 3>Let's just get out of here. I don't like this,

0:51:24.000 --> 0:51:26.360
<v Speaker 3>you know. So then we go back and I actually

0:51:26.480 --> 0:51:29.320
<v Speaker 3>really enjoyed the scene with Luke and Lorelai in the

0:51:29.400 --> 0:51:34.160
<v Speaker 3>kitchen discussing this date. You know, she's looking at her phone.

0:51:34.760 --> 0:51:37.200
<v Speaker 1>Wasn't that okay, Danielle? You think that just to go

0:51:37.280 --> 0:51:39.319
<v Speaker 1>back to the Logan kiss, Let's get out of here,

0:51:39.400 --> 0:51:43.280
<v Speaker 1>Let's go to my place. Wasn't that just full on desperation? Yes,

0:51:43.480 --> 0:51:46.839
<v Speaker 1>and just panicking he was completely panicked, and it.

0:51:46.800 --> 0:51:50.800
<v Speaker 6>Was like I was like, any any lettle coolness you

0:51:50.920 --> 0:51:52.840
<v Speaker 6>once had is gone gone?

0:51:53.960 --> 0:51:56.879
<v Speaker 1>Is this guy? Is this the real logan? Is that

0:51:57.000 --> 0:51:57.960
<v Speaker 1>the real guy?

0:51:59.000 --> 0:52:04.520
<v Speaker 6>He's a score me? Like ye laughing because I would

0:52:04.560 --> 0:52:05.040
<v Speaker 6>have been.

0:52:06.600 --> 0:52:08.840
<v Speaker 3>I'm only laughing because I would have been like, Okay,

0:52:09.160 --> 0:52:19.319
<v Speaker 3>let's let's get out of here. I love him, and

0:52:19.360 --> 0:52:22.239
<v Speaker 3>I know she loves him. I'm her she. I mean,

0:52:22.239 --> 0:52:25.399
<v Speaker 3>it took probably all her strength to be like no, no.

0:52:26.520 --> 0:52:28.719
<v Speaker 3>I would have been like, good call, let's get out

0:52:28.760 --> 0:52:32.760
<v Speaker 3>of here. Boom.

0:52:33.640 --> 0:52:36.040
<v Speaker 1>You would have been the one saying the logan lines.

0:52:37.560 --> 0:52:39.320
<v Speaker 1>I would have logan, come.

0:52:39.200 --> 0:52:45.719
<v Speaker 3>On, let's get out of I get it. I'm logan too.

0:52:45.800 --> 0:52:49.920
<v Speaker 3>I would have like, get me out of here. I

0:52:49.960 --> 0:52:53.200
<v Speaker 3>do like Luke and Lorel like discussing it, because Luke

0:52:53.280 --> 0:52:57.040
<v Speaker 3>is saying all the things that seemed right to say,

0:52:57.120 --> 0:53:00.520
<v Speaker 3>like wait, who's robber? Like what's going on?

0:53:01.040 --> 0:53:01.239
<v Speaker 10>You know?

0:53:01.280 --> 0:53:04.280
<v Speaker 3>And she's sort of talking about she really only pulls

0:53:04.320 --> 0:53:07.919
<v Speaker 3>the mom card out when she had to, and now

0:53:08.040 --> 0:53:10.480
<v Speaker 3>she barely can have a mom card because it's like

0:53:11.120 --> 0:53:15.080
<v Speaker 3>Rory's gone, like gone, she's cooked, she's she's grown up.

0:53:15.120 --> 0:53:17.959
<v Speaker 3>There's no mom card to pull.

0:53:18.239 --> 0:53:20.560
<v Speaker 2>I did like that she was having the conversation with

0:53:20.680 --> 0:53:23.280
<v Speaker 2>Luke though, because Luke is so involved in her life

0:53:24.120 --> 0:53:28.240
<v Speaker 2>that it goes back to you know, when they walked

0:53:28.280 --> 0:53:32.080
<v Speaker 2>in on her and Logan like Luke cared because he's

0:53:32.120 --> 0:53:34.000
<v Speaker 2>seen her grow up, and so it was nice to

0:53:34.000 --> 0:53:35.200
<v Speaker 2>see them have this conversation.

0:53:37.400 --> 0:53:38.879
<v Speaker 3>Kirk walking out during the middle.

0:53:40.080 --> 0:53:42.600
<v Speaker 1>She has no idea, of course, So.

0:53:42.640 --> 0:53:45.120
<v Speaker 3>Then we get to the din somehow, we're somehow we

0:53:45.239 --> 0:53:47.439
<v Speaker 3>jump to the diner. I'm not really sure, Like I just.

0:53:47.400 --> 0:53:50.680
<v Speaker 1>I just want to preface this whole discussion of the

0:53:50.719 --> 0:53:53.040
<v Speaker 1>diner with the Emily coming in and the whole thing

0:53:55.160 --> 0:53:57.520
<v Speaker 1>with the whole Luke and no cell phone thing, which

0:53:57.560 --> 0:54:02.520
<v Speaker 1>is iconic, right, Yeah, what a ninja move he pulled

0:54:03.400 --> 0:54:05.880
<v Speaker 1>with a cell phone. Oh totally. He took it out

0:54:05.880 --> 0:54:09.080
<v Speaker 1>of his pocket and called so that she could hear,

0:54:09.680 --> 0:54:14.920
<v Speaker 1>and he just stepped back, leaned back, and.

0:54:14.920 --> 0:54:16.319
<v Speaker 3>He never engage it.

0:54:17.080 --> 0:54:21.560
<v Speaker 1>Yeah, he's very he's he's good with a cell phone.

0:54:21.640 --> 0:54:26.200
<v Speaker 3>And he's also very good with Emily in the sense

0:54:26.239 --> 0:54:29.840
<v Speaker 3>that he stands up for himself. You know he does

0:54:30.239 --> 0:54:33.360
<v Speaker 3>because I think he says look or something, he says

0:54:33.440 --> 0:54:36.600
<v Speaker 3>something to her, like he's not just like her punching bag,

0:54:37.320 --> 0:54:42.360
<v Speaker 3>but he never is inappropriate with his girlfriend's mother, despite

0:54:42.400 --> 0:54:47.600
<v Speaker 3>the fact that Emily is so vile. Yeah, I mean

0:54:47.640 --> 0:54:50.239
<v Speaker 3>I have to hand I have to give him ten

0:54:50.280 --> 0:54:53.960
<v Speaker 3>out of ten on just a situation.

0:54:54.239 --> 0:54:58.560
<v Speaker 1>That was a super cool totally as Laura hears that,

0:54:58.719 --> 0:55:00.479
<v Speaker 1>she comes in and she closes that deal.

0:55:00.800 --> 0:55:06.080
<v Speaker 6>Yeah, and yeah to get involved, you know, like Emily's

0:55:06.120 --> 0:55:06.680
<v Speaker 6>none the wiser.

0:55:07.520 --> 0:55:09.840
<v Speaker 3>Yeah, she comes in just hot, what on earth is

0:55:09.840 --> 0:55:12.200
<v Speaker 3>wrong with you? And I come in here and humiliate

0:55:12.280 --> 0:55:16.960
<v Speaker 3>myself and Ma and then she's just Loralai comes in,

0:55:17.320 --> 0:55:20.600
<v Speaker 3>do us all a favor and shut up?

0:55:20.800 --> 0:55:24.279
<v Speaker 1>Five years of rage, five years of rage coming in

0:55:24.400 --> 0:55:27.400
<v Speaker 1>putting into that shut up. It was she She just

0:55:27.680 --> 0:55:31.440
<v Speaker 1>nailed that. That was a man, what a what a scene?

0:55:32.640 --> 0:55:36.239
<v Speaker 1>You know, who cares if it was forced that she

0:55:36.320 --> 0:55:38.320
<v Speaker 1>got her in there and all this stuff that was

0:55:38.360 --> 0:55:39.719
<v Speaker 1>scene was worth it.

0:55:40.360 --> 0:55:45.839
<v Speaker 3>I totally agree. And just as we're all completely by

0:55:45.880 --> 0:55:49.560
<v Speaker 3>the scene, we take a breath and we get Luke saying,

0:55:49.840 --> 0:55:51.319
<v Speaker 3>I'm a big fan of the speed dial.

0:55:51.440 --> 0:55:53.919
<v Speaker 2>Oh that was my favorite. That was my favorite line

0:55:53.960 --> 0:55:54.839
<v Speaker 2>in this episode.

0:55:55.880 --> 0:56:01.480
<v Speaker 3>It was the perfect timing too, because we'd also we

0:56:01.520 --> 0:56:04.320
<v Speaker 3>had time to sort of exhale and then it's boom.

0:56:04.520 --> 0:56:07.239
<v Speaker 2>But it's like, I just can't believe she came back

0:56:07.239 --> 0:56:09.879
<v Speaker 2>to the diner. I was like, really, you're coming back.

0:56:09.760 --> 0:56:14.440
<v Speaker 6>In There's something about this scene that I loved, but

0:56:14.640 --> 0:56:19.200
<v Speaker 6>also it was weird to me, and I can't pinpoint

0:56:19.239 --> 0:56:19.960
<v Speaker 6>what it is.

0:56:20.160 --> 0:56:20.279
<v Speaker 10>Like.

0:56:20.600 --> 0:56:23.360
<v Speaker 6>I love that Loralai is standing up to Emily and

0:56:23.440 --> 0:56:25.000
<v Speaker 6>saying like stop, but.

0:56:25.080 --> 0:56:29.080
<v Speaker 1>Like because because because em I'll tell you why it

0:56:29.120 --> 0:56:31.120
<v Speaker 1>bothers me, it probably bothers me the same way it

0:56:31.160 --> 0:56:33.759
<v Speaker 1>bothers you. It's because she's smarter than that that the

0:56:33.880 --> 0:56:38.640
<v Speaker 1>go back in there and be so nakedly evil. There's

0:56:38.640 --> 0:56:42.200
<v Speaker 1>there's there are other ways to do this. I mean,

0:56:42.280 --> 0:56:45.759
<v Speaker 1>Emily is supposed to be this intelligence, sophisticated sort of

0:56:45.800 --> 0:56:48.560
<v Speaker 1>strategic person, you know what I mean. I mean, in

0:56:48.640 --> 0:56:50.720
<v Speaker 1>order to survive your marriage with a guy like Richard

0:56:50.760 --> 0:56:53.520
<v Speaker 1>for all those years and vice versa. You know, we're

0:56:53.560 --> 0:56:56.120
<v Speaker 1>talking about two very clever people who are very good

0:56:56.160 --> 0:56:58.359
<v Speaker 1>with people, and they're used to getting what they want.

0:56:58.480 --> 0:57:01.239
<v Speaker 1>And with all her womanly whiles and all of her

0:57:01.280 --> 0:57:06.600
<v Speaker 1>experience with people, she couldn't figure out how to get

0:57:06.719 --> 0:57:09.920
<v Speaker 1>Luke to go lor Lie or how to you know,

0:57:10.360 --> 0:57:12.799
<v Speaker 1>inspire him or induce him to go to lore in

0:57:12.840 --> 0:57:16.000
<v Speaker 1>some other way than just coming into the diner for

0:57:16.040 --> 0:57:18.400
<v Speaker 1>the second time being forceful and evil. I mean it

0:57:18.440 --> 0:57:21.680
<v Speaker 1>was That's what was was off about it.

0:57:21.800 --> 0:57:23.560
<v Speaker 3>She's smart character was.

0:57:23.560 --> 0:57:25.840
<v Speaker 1>So dumb down. It didn't even sound like her.

0:57:26.240 --> 0:57:28.400
<v Speaker 3>And she knows how to clean up a mess, and

0:57:28.440 --> 0:57:30.040
<v Speaker 3>she wouldn't have made it more of a mess.

0:57:30.680 --> 0:57:33.840
<v Speaker 6>And I think part of me is also like again,

0:57:34.440 --> 0:57:36.840
<v Speaker 6>you know, like again we're here, yeah, you know what

0:57:36.920 --> 0:57:39.240
<v Speaker 6>I mean, Like can we be a little bit more

0:57:39.240 --> 0:57:43.680
<v Speaker 6>creative here? Like I don't know, like all right, a,

0:57:43.800 --> 0:57:47.200
<v Speaker 6>lore Lie and Emily again are having a blowout, you know,

0:57:47.320 --> 0:57:49.240
<v Speaker 6>like we saw this at the end of the wedding

0:57:49.360 --> 0:57:52.600
<v Speaker 6>or the vow renewal. We saw this in season one,

0:57:52.800 --> 0:57:55.400
<v Speaker 6>you know, like we saw this in the flashbacks when

0:57:55.800 --> 0:58:00.320
<v Speaker 6>Laura got pregnant. Like it's just the same and I

0:58:00.400 --> 0:58:03.120
<v Speaker 6>and I just want them to like progress so bad,

0:58:06.160 --> 0:58:07.040
<v Speaker 6>evolve this.

0:58:07.120 --> 0:58:09.800
<v Speaker 1>Probable, well not possible, possible, but not probable.

0:58:10.080 --> 0:58:12.400
<v Speaker 2>Yeah, I think that would have preferred her to go

0:58:12.440 --> 0:58:14.760
<v Speaker 2>to Lorelei instead of Luke, Like why not just go,

0:58:14.880 --> 0:58:15.960
<v Speaker 2>like go knock on your daughter.

0:58:16.400 --> 0:58:18.640
<v Speaker 3>I won't even talk. I mean, right, you make it.

0:58:18.680 --> 0:58:20.040
<v Speaker 2>Yeah, but I'm saying, like, I know she won't pick

0:58:20.080 --> 0:58:21.960
<v Speaker 2>up the phone, but go knock on your daughter's door

0:58:21.960 --> 0:58:23.120
<v Speaker 2>and have that conversation there.

0:58:23.200 --> 0:58:26.720
<v Speaker 3>Don't go to the again, Well it's so inappropriate, but

0:58:26.800 --> 0:58:27.280
<v Speaker 3>she did.

0:58:27.320 --> 0:58:30.680
<v Speaker 1>But Emily did think that she was dealing with an imbecile.

0:58:31.080 --> 0:58:34.960
<v Speaker 1>And yeah, right, so it's like, let's go whip the

0:58:35.120 --> 0:58:38.560
<v Speaker 1>imbecile into action, right, which.

0:58:38.360 --> 0:58:40.680
<v Speaker 6>Is just a puppet, her little puppet.

0:58:40.800 --> 0:58:41.120
<v Speaker 1>Right.

0:58:41.840 --> 0:58:46.720
<v Speaker 3>Can you imagine any mother messing with their daughter's relationship.

0:58:46.760 --> 0:58:48.840
<v Speaker 3>It's just so excruciating.

0:58:49.680 --> 0:58:54.360
<v Speaker 1>Oh, and it's and at thirty what seven years old?

0:58:54.640 --> 0:58:57.200
<v Speaker 1>She's thirty seven and her mother's still pulling this crap

0:58:57.240 --> 0:59:00.040
<v Speaker 1>on her. Yeah, like what.

0:59:01.360 --> 0:59:01.960
<v Speaker 3>So bad?

0:59:02.320 --> 0:59:05.000
<v Speaker 1>She's unhinged. I would have to say unhinged.

0:59:05.240 --> 0:59:05.520
<v Speaker 11>Yeah.

0:59:05.560 --> 0:59:07.360
<v Speaker 3>So then we go from that to the scene that

0:59:07.840 --> 0:59:10.280
<v Speaker 3>I sort of love and love to hate, and as

0:59:10.360 --> 0:59:14.160
<v Speaker 3>Danielle mentioned, oof, we're going down a bad old path.

0:59:14.720 --> 0:59:18.880
<v Speaker 3>So it's lor Lai at the end on the phone

0:59:19.000 --> 0:59:22.200
<v Speaker 3>with Rory talking about the date with Robert and she

0:59:22.240 --> 0:59:24.439
<v Speaker 3>shoes all our cards to her mom. Oh, we got

0:59:24.440 --> 0:59:27.160
<v Speaker 3>logan jealous and I think I've turned things around and

0:59:27.640 --> 0:59:27.960
<v Speaker 3>we have.

0:59:27.920 --> 0:59:29.000
<v Speaker 6>Two dates this week.

0:59:29.600 --> 0:59:32.240
<v Speaker 3>Oh, he's called me all the time.

0:59:34.240 --> 0:59:39.880
<v Speaker 1>You know, for me, this is a superfluous episode. Scene

0:59:40.120 --> 0:59:44.360
<v Speaker 1>didn't need it. I thought for sure we would end

0:59:44.600 --> 0:59:48.720
<v Speaker 1>on mom, shut up bone.

0:59:47.720 --> 0:59:51.520
<v Speaker 3>But they never end on the crescendo. They always give

0:59:51.560 --> 0:59:54.200
<v Speaker 3>you a little something more. And my thing on this

0:59:54.240 --> 0:59:58.560
<v Speaker 3>scene is like it's necessary because we see that Rory

0:59:58.800 --> 1:00:05.120
<v Speaker 3>isn't cool with dating casually, and she isn't actually she's

1:00:05.120 --> 1:00:08.080
<v Speaker 3>she's not actually cool with any of it, and it's

1:00:08.120 --> 1:00:12.440
<v Speaker 3>all a it's all a plan to get Logan.

1:00:12.800 --> 1:00:16.120
<v Speaker 6>And she's you can tell Rory is setting herself up

1:00:16.160 --> 1:00:17.280
<v Speaker 6>for heartbreak.

1:00:18.000 --> 1:00:23.640
<v Speaker 2>Oh also, do you like that? Just a question for everyone?

1:00:23.680 --> 1:00:25.200
<v Speaker 2>Do you like that Laura I is kind of just

1:00:25.280 --> 1:00:27.400
<v Speaker 2>listening and not giving feedback or do you wish she

1:00:27.400 --> 1:00:31.240
<v Speaker 2>would like kind of like tell Rory like, oh well,

1:00:31.280 --> 1:00:33.360
<v Speaker 2>like what if you did that? Like I don't know,

1:00:33.400 --> 1:00:33.800
<v Speaker 2>because I.

1:00:33.720 --> 1:00:35.840
<v Speaker 6>Feel like that she's letting her daughter figure it out

1:00:35.880 --> 1:00:38.240
<v Speaker 6>because she didn't have that growing up.

1:00:38.920 --> 1:00:41.720
<v Speaker 3>Yeah, great question though, Tara.

1:00:41.760 --> 1:00:44.400
<v Speaker 2>But I feel like Laurel I is also wondering if

1:00:44.400 --> 1:00:47.640
<v Speaker 2>she should be saying something because the way, like her

1:00:47.680 --> 1:00:50.160
<v Speaker 2>mannerism is the way she talks to Rory about Logan,

1:00:50.320 --> 1:00:52.800
<v Speaker 2>like she wants to say so much, but she's not

1:00:52.840 --> 1:00:53.480
<v Speaker 2>saying anything.

1:00:54.120 --> 1:00:57.800
<v Speaker 6>Sometimes she does say stuff right, you know, and and

1:00:57.840 --> 1:00:59.880
<v Speaker 6>she she gives a little a little bit.

1:01:00.120 --> 1:01:03.040
<v Speaker 11>Oh so you know, you guys are having sex, you know,

1:01:03.240 --> 1:01:07.800
<v Speaker 11>like you know, like the way she delivers it is

1:01:07.880 --> 1:01:12.720
<v Speaker 11>hesitant and not you know, she's saying something without saying something,

1:01:12.880 --> 1:01:14.400
<v Speaker 11>and like persuading.

1:01:13.880 --> 1:01:17.720
<v Speaker 6>Her daughter to or manipulate her daughter to do something.

1:01:18.240 --> 1:01:18.440
<v Speaker 4>You know.

1:01:22.280 --> 1:01:25.760
<v Speaker 12>Hi, I'm Chris Harrison, host of the Most Dramatic Podcast Ever.

1:01:26.520 --> 1:01:30.560
<v Speaker 12>I'm just like you, always looking for something interesting, heartfelt

1:01:30.680 --> 1:01:34.400
<v Speaker 12>and entertaining to listen to. You know, look, maybe you

1:01:34.480 --> 1:01:37.080
<v Speaker 12>used to watch a show every Monday night and now

1:01:37.120 --> 1:01:39.360
<v Speaker 12>you have a lot of time on your hands and

1:01:39.400 --> 1:01:42.840
<v Speaker 12>you're looking for something new, someone who's here for the

1:01:42.920 --> 1:01:46.640
<v Speaker 12>right reasons. If you will, I've got you. Listen to

1:01:46.680 --> 1:01:50.680
<v Speaker 12>the Most Dramatic Podcast Ever on the iHeartRadio app, Apple Podcasts,

1:01:50.760 --> 1:01:52.840
<v Speaker 12>or wherever you listen to podcasts.

1:01:53.240 --> 1:01:56.600
<v Speaker 10>Hey, guys, it's Jenna Ashwitz and Kevin McHale from and

1:01:56.720 --> 1:01:59.560
<v Speaker 10>That's what you Really missed Podcasts. We are going through

1:01:59.640 --> 1:02:02.280
<v Speaker 10>all six seasons of Glee and we are giving you

1:02:02.320 --> 1:02:05.520
<v Speaker 10>the behind the scenes stories of what it was really

1:02:05.600 --> 1:02:07.720
<v Speaker 10>like filming the musical numbers and episodes.

1:02:08.000 --> 1:02:10.360
<v Speaker 13>It's been so special to revisit the show that changed

1:02:10.360 --> 1:02:12.560
<v Speaker 13>our lives with some of our closest friends and to

1:02:12.600 --> 1:02:15.640
<v Speaker 13>share some of the most authentic and real experiences we

1:02:15.720 --> 1:02:19.440
<v Speaker 13>had together, completely raw and unfiltered. Plus we chat with

1:02:19.480 --> 1:02:22.600
<v Speaker 13>our co stars like Jane Lynch, Chris Kolfer, Heather Morris

1:02:22.600 --> 1:02:25.440
<v Speaker 13>and Berilelly, Harry Shump, Junior court over Street, Josh Susman,

1:02:25.480 --> 1:02:28.959
<v Speaker 13>Max Adler, Rome Rosemont, John Stamos, Alex Snull and Dot

1:02:28.960 --> 1:02:32.120
<v Speaker 13>Marie Jones on the pod, and so many more to come.

1:02:32.120 --> 1:02:33.560
<v Speaker 13>We have some exciting guests coming.

1:02:33.440 --> 1:02:35.640
<v Speaker 10>Up, and we can't forget the behind the scenes crew

1:02:35.680 --> 1:02:38.800
<v Speaker 10>who made it all happen, our dear friends and literally

1:02:38.800 --> 1:02:42.480
<v Speaker 10>the hardest working crew in Hollywood, from creators Ryan Murphy

1:02:42.520 --> 1:02:46.200
<v Speaker 10>and Ian Brennan to directors, camera operators, musical directors. We

1:02:46.280 --> 1:02:48.840
<v Speaker 10>are sharing all of our experiences on Glee.

1:02:49.080 --> 1:02:51.080
<v Speaker 13>So meet us in the choir room at McKinley High

1:02:51.120 --> 1:02:53.240
<v Speaker 13>and join us weekly on and that's what you really

1:02:53.240 --> 1:02:55.760
<v Speaker 13>missed available wherever you listen to your podcasts.

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<v Speaker 1>So let's do. Let's do favorite lines, Tara, what was

1:03:00.800 --> 1:03:01.600
<v Speaker 1>your favorite line?

1:03:01.880 --> 1:03:04.440
<v Speaker 2>Mine was when Luke says, suddenly, I'm a big fan

1:03:04.520 --> 1:03:05.160
<v Speaker 2>of speed Dial.

1:03:07.160 --> 1:03:10.480
<v Speaker 6>Danielle, shut up, shut up.

1:03:11.720 --> 1:03:14.320
<v Speaker 3>I mean I'm torn between Robert. What's your last name?

1:03:14.880 --> 1:03:15.760
<v Speaker 3>That you bet?

1:03:16.800 --> 1:03:17.680
<v Speaker 11>Uh?

1:03:18.000 --> 1:03:24.680
<v Speaker 3>Grimaldi? The dress is Sluttie. I mean there. Even though

1:03:24.680 --> 1:03:29.920
<v Speaker 3>the episode wasn't the best, there's really amazing parts to it.

1:03:31.400 --> 1:03:33.400
<v Speaker 3>So I will reflect that in my score. What's your

1:03:33.400 --> 1:03:34.000
<v Speaker 3>favorite line?

1:03:34.840 --> 1:03:36.240
<v Speaker 1>I don't know? Uh?

1:03:37.080 --> 1:03:39.560
<v Speaker 3>Do you bet? I want to hear you say it again.

1:03:40.760 --> 1:03:45.000
<v Speaker 1>Yeah. It hit me pretty deep. It really did, because

1:03:45.000 --> 1:03:48.760
<v Speaker 1>it was just it was just my dad coming out

1:03:48.800 --> 1:03:49.880
<v Speaker 1>in me. That was my dad.

1:03:50.320 --> 1:03:54.960
<v Speaker 3>You bet you Scott slash Loop sure knows how to

1:03:54.960 --> 1:03:56.880
<v Speaker 3>deliver those lines, right.

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<v Speaker 2>Wow?

1:03:59.000 --> 1:04:01.040
<v Speaker 1>Give credit of the old man?

1:04:02.360 --> 1:04:03.560
<v Speaker 3>Is his name, mister Patterson?

1:04:07.200 --> 1:04:07.680
<v Speaker 1>It was.

1:04:10.640 --> 1:04:11.840
<v Speaker 3>Give for the score?

1:04:12.000 --> 1:04:16.440
<v Speaker 1>What's the measuring stick and what's the total? Tara?

1:04:16.600 --> 1:04:22.640
<v Speaker 2>I give it eight point five cocoa puffs?

1:04:23.040 --> 1:04:25.440
<v Speaker 1>Mm hmmm daniel eight point five?

1:04:25.560 --> 1:04:31.120
<v Speaker 6>Wow, Danielle eight point seventy five reggae fever albums.

1:04:33.520 --> 1:04:39.040
<v Speaker 3>Amy eight point nine. That blanket wrapped around Kirk for

1:04:39.200 --> 1:04:41.840
<v Speaker 3>like when he's naked for like half the episode.

1:04:46.120 --> 1:04:50.960
<v Speaker 1>Gosh, yeah, I'm gonna give it an eight point eight

1:04:51.120 --> 1:04:56.120
<v Speaker 1>five cell phones?

1:04:56.920 --> 1:05:03.439
<v Speaker 3>Oh be done? What's next week? Next?

1:05:03.720 --> 1:05:07.840
<v Speaker 1>Season five, Episode eighteen, to live and let diorama.

1:05:08.760 --> 1:05:12.720
<v Speaker 3>I'm a little bit I don't know what the word is, sad, concern,

1:05:12.920 --> 1:05:18.440
<v Speaker 3>disappointed that we're in season five, episode eighteen. You know,

1:05:18.560 --> 1:05:22.760
<v Speaker 3>I've never watched the final episode. I couldn't do it

1:05:22.640 --> 1:05:26.960
<v Speaker 3>and maybe ever Nope, I know scenes from it, but

1:05:27.000 --> 1:05:29.240
<v Speaker 3>I've never watched That's the one episode I've never watched

1:05:29.280 --> 1:05:32.400
<v Speaker 3>its entirety. I just skipped it over from like seven

1:05:32.520 --> 1:05:34.760
<v Speaker 3>from season seven. I watched all the movies, but I

1:05:34.760 --> 1:05:37.120
<v Speaker 3>felt like, if I don't watch it, it's not over.

1:05:37.480 --> 1:05:40.240
<v Speaker 2>Oh my god, So you've never seen Yeah, I'm never

1:05:40.280 --> 1:05:42.920
<v Speaker 2>going to be the only one who's seen the final episode.

1:05:42.960 --> 1:05:45.160
<v Speaker 3>Yeah, I've never seen that episode in its entirety.

1:05:45.320 --> 1:05:47.480
<v Speaker 1>I wonder when we get there, when we get to

1:05:47.520 --> 1:05:51.720
<v Speaker 1>that point, well all forget to watch it repeatedly. Well sorry,

1:05:51.760 --> 1:05:53.080
<v Speaker 1>we'll just have to deliver.

1:05:53.960 --> 1:05:56.200
<v Speaker 3>Season seven is just going to be different for us,

1:05:56.280 --> 1:05:58.480
<v Speaker 3>so again and season seven so weird.

1:05:59.000 --> 1:06:02.600
<v Speaker 2>I said, season seven gonna be is very different for us, all.

1:06:02.560 --> 1:06:04.439
<v Speaker 1>Right, gang, All right, So that's gonna do it. Thanks

1:06:04.440 --> 1:06:08.640
<v Speaker 1>for downloading, everybody, best fans on the planet, you bet,

1:06:09.160 --> 1:06:12.000
<v Speaker 1>and we've got some interesting guests coming up next week.

1:06:12.440 --> 1:06:13.960
<v Speaker 1>I think you're gonna love them.

1:06:14.360 --> 1:06:16.120
<v Speaker 3>Yeah we have. We have good guests this week, but

1:06:16.160 --> 1:06:18.800
<v Speaker 3>we've got really juicy guests next week.

1:06:18.960 --> 1:06:23.280
<v Speaker 1>Oh yeah. Anyway, all the best uh much love everybody.

1:06:23.320 --> 1:06:27.520
<v Speaker 1>Keep those cards and letters coming and emails uh and

1:06:28.080 --> 1:06:30.840
<v Speaker 1>remember we I A'm all in.

1:06:31.520 --> 1:07:02.040
<v Speaker 7>Stay safe, everybody, don't forget.

1:07:02.080 --> 1:07:06.160
<v Speaker 1>Follow us on Instagram at I Am All In podcast

1:07:06.240 --> 1:07:20.480
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com