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Speaker 1: I am all in.

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Speaker 2: All.

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Speaker 1: It's just you.

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Speaker 3: I am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson Animal and Podcast recap. I guess

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Speaker 1: what's so darn funny? One of them productions? Oh love productions.

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Speaker 1: I heeart.

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Speaker 4: Nobody knows book, nobody knows what we go through.

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Speaker 3: We don't know the things I make you do.

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Speaker 1: We uh, we're gonna, We're gonna recap Episode seventeen, Season five,

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Speaker 1: Pulp Friction.

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Speaker 3: Can I say that if anyone ever doubts your love

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Speaker 3: and devotion for this show, they shouldn't thank you very much.

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Speaker 1: Danielle Romo, the Queen.

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Speaker 5: The Queen, the Queen, Amy Sugarman, the Queen of Queens,

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Speaker 5: not the Queen, Tara SuDS soon to be Queen.

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Speaker 3: And me King of Gilmore Girls.

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Speaker 1: And I think we are ready to do some synopsisisations

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Speaker 1: of this this episode.

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Speaker 3: Did everyone bring their ribbons back? To return their ribbons?

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Speaker 6: I just want to make sure.

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Speaker 1: How to try Queen? Then I took it back, poor Lulu.

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Speaker 3: Go ahead, all right?

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Speaker 6: This is season five, Episode seventeen, Pulp Friction, Air date

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Speaker 6: March eighth, two thousand and five. An agreement to only

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Speaker 6: d casually inspires Rory to attend a party with one

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Speaker 6: of Logan's friends. After she spies on Logan with another girl,

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Speaker 6: Kirk asks a weary Luke for relationship advice. Michelle's game

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Speaker 6: show prize arrives as Lorli and Suki prepared to guide

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Speaker 6: a magazine writer around the inn.

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Speaker 3: May I offer one question thought, I don't know what

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Speaker 3: it is.

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Speaker 1: Please.

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Speaker 3: The costumes at the cult fiction Quentin Guarantino unbelievable.

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Speaker 1: And the depiction of that famous dancing scene Trevolt and

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Speaker 1: Uma Thurman, the way they did it.

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Speaker 3: Looked exactly like it amazing.

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Speaker 1: I mean, they choreographed that thing beautifully, and Tank and

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Speaker 1: the actress who played Uma Thurman. It was brilliant. The

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Speaker 1: moves were just perfect.

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Speaker 3: It wasn't even the focus like it was, but it wasn't,

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Speaker 3: do you know what I mean? Like the background things happening,

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Speaker 3: and the costumes that all those people were in just

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Speaker 3: as minor, minor characters.

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Speaker 1: They really recreated that moment. It was just super cool.

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Speaker 1: It was one of the coolest Gilmore moments I've ever seen.

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Speaker 3: I agree like this episode.

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Speaker 1: A lot of fun.

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Speaker 3: It's the one part of the movies that I love

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Speaker 3: sorry about Sorry to the movies, sowet it Scott overall,

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Speaker 3: what do you feel about this episode? Just kind of

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Speaker 3: like your overall take, you.

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Speaker 1: Know, I gotta tell you, you know, and we'll get

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Speaker 1: into it. I think that the Winnebago stuff was really

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Speaker 1: dragging it down. It was the same. It was like

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Speaker 1: beating a dead horse. The joke didn't work to begin with,

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Speaker 1: and they kept going back to it.

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Speaker 6: I agree.

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Speaker 1: I was happy to see more of Michelle, but.

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Speaker 3: Misused.

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Speaker 1: I believe, Yes, I agree with you. There it was.

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Speaker 1: It was just.

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Speaker 3: Hmmm, it's good, not great, Like it's not bad in

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Speaker 3: any way. It's it's a good episode, maybe even a

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Speaker 3: very good episode, but it's not. It's not phenomenal.

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Speaker 1: It seemed long. I thought it was a double episode.

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Speaker 1: I thought it was like, you know, I'm because I'm

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Speaker 1: going to tell the listeners here that I was late.

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Speaker 1: I hadn't. I forgot to watch this episode before a

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Speaker 1: podcasting half hour before podcasting. It is forty forty two

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Speaker 1: minutes to watch an episode, so they had to wait

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Speaker 1: for me about fifteen minutes to finish the episode. I

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Speaker 1: appreciate that, thank you, because I know your schedules are

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Speaker 1: really tight in here. I am being mister casual. Oh,

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Speaker 1: I forgot to do today.

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Speaker 3: You usually watch it the night before, and.

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Speaker 1: I have I do. I watched it the night before

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Speaker 1: and then I watch it the day of because I

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Speaker 1: want to get a double shot.

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Speaker 3: It's my fault because I sent you four hundred and

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Speaker 3: twelve texts last week.

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Speaker 1: You did did what we were texting about.

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Speaker 3: We were just going on, well it's in the weeds,

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Speaker 3: but we were going on and on because the the

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Speaker 3: strike is going to impact us a little bit with guests,

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Speaker 3: so we.

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Speaker 1: Are sitting out all of our ideas, all idea, so texting, idea, texting.

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Speaker 3: So I was flooding him with text when he normally

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Speaker 3: would be watching the show.

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Speaker 1: So apologies, you know, just so I spaced on it

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Speaker 1: today thinking I had already seen the episode for some reason.

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Speaker 1: So anyway, you all gracefully waited for me. I appreciate that,

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Speaker 1: thank you, and I hope it didn't put a crimp

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Speaker 1: in your schedule. But I just kept waiting for it.

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Speaker 3: To look at my hair. I had more time on

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Speaker 3: my hair.

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Speaker 1: Thank you, And it looks and it's just lovely, lovely.

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Speaker 6: Yes, I was for once like proud of Rory, Like, yes,

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Speaker 6: I never am. I'm always so annoyed by her, and

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Speaker 6: in this episode I was like, oh, like you go girl,

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Speaker 6: like finally, thank God?

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Speaker 3: Like geez, wait, Tara and Danielle, before we get into

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Speaker 3: the details, what was your overall take on this episode?

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Speaker 6: That was it? Finally Rory? I don't know, is doing

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Speaker 6: something a little bit right, although at the end you

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Speaker 6: can recognize that she's getting into some hot water. But

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Speaker 6: at least in the beginning part of the episode, I

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Speaker 6: was like, you know what, I'm proud of you, girl.

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Speaker 3: Yeah, I like this Rory.

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Speaker 6: Standing up for herself and not letting him.

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Speaker 3: You know, it would have been amazing if she did

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Speaker 3: what was right for all the right reasons. But she

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Speaker 3: did what was right to play the game, which is

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Speaker 3: just as you said, going to get her.

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Speaker 6: That is a very valid point. But we all know

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Speaker 6: that Rory likes him, so it's like, yeah, she's going

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Speaker 6: to play the game, you know what I mean. Like

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Speaker 6: at this point, like that gig is up, but like

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Speaker 6: at least she's.

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Speaker 3: Like, the is up?

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Speaker 6: Is it?

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Speaker 3: God? Is the jig is up? Not the gig is a.

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Speaker 1: It could be either or you can say the gig

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Speaker 1: is up for the g Yes, what what? What did

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Speaker 1: you think?

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Speaker 2: I kind of agree with Scott that I think the

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Speaker 2: the Michelle stuff kind of just like I wanted to

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Speaker 2: get through it. I didn't mind the Kurt stuff, but

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Speaker 2: I just could have done without the Winnebago and all

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Speaker 2: that storyline. But the rest of it I enjoyed.

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Speaker 1: Because you know, Michelle is delivering the goods. He can

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Speaker 1: deliver anything, and for things to be falling a little

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Speaker 1: flat with the Winnebago stuff, then you know, like maybe

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Speaker 1: the material isn't up to par.

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Speaker 3: Yeah, and that's a random it did, right?

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Speaker 7: Yeah?

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Speaker 3: Right? When was he in California and he went on prices? Right?

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Speaker 3: And then he's trying to act like he wasn't on

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Speaker 3: prey like it was just all like and it was

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Speaker 3: a lot. I think Michelle wins with those zingers, yes,

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Speaker 3: whereas I think he had pages of dialogue and it

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Speaker 3: was like we just weren't used to that.

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Speaker 1: Maybe right, right, So let's go through it.

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Speaker 3: Yeah, yes, you can ask you a question because coming

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Speaker 3: off of what Danielle is saying, m hm, as a man,

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Speaker 3: playing hard to get doesn't work. Being hard to get works, correct.

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Speaker 1: Well, you can't care the only people that play that

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Speaker 1: are hard to get are people that don't care because

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Speaker 1: you can't play at it because the other you know,

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Speaker 1: then you get hit in the face with her seeing

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Speaker 1: another guy, and you start acting like Logan acted. You know,

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Speaker 1: you have a breakdown. You have a mental breakdown.

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Speaker 3: And vice versa. I think she's going to get in

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Speaker 3: hot water because she's not She went with him for

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Speaker 3: mixed reason.

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Speaker 1: In shakespeare in terms, he was hoisted upon his own petar.

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Speaker 3: Oh, what does that mean?

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Speaker 1: That means uh uh she uh. He threw her up

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Speaker 1: on the rack and and she got off the rack

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Speaker 1: and threw him right up on the scene. You didn't like.

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Speaker 3: It, He sure did. That's gonna be the most interesting

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Speaker 3: part of this conversation. And I think, but the ribbons

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Speaker 3: are coming home? What do you think everyone's returning their ribbons?

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Speaker 2: Because I thought it was funny because they were in

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Speaker 2: on it this time.

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Speaker 6: I'm currently still wearing my blue one. So that's where

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Speaker 6: I stand.

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Speaker 3: What I love about Gilmore Girls is that they brought

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Speaker 3: this bit back. It was sort of a C or

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Speaker 3: a D storyline, but yet very amusing a few episodes back,

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Speaker 3: and that it's the what is that called you know,

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Speaker 3: in comedy that's a callback. So it's a callback, and

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Speaker 3: it's like it was subtle, but I'm like, you know what,

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Speaker 3: that's what draws me in, like I'm in this world

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Speaker 3: because they do things like that. So that was my

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Speaker 3: take on it.

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Speaker 1: I also really liked the Kirk scenes with Luke and

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Speaker 1: Luke Steiner the fatherly ad. You know, I guess you

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Speaker 1: wouldn't call him the father but an uncle like uncle Luke.

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Speaker 3: To brother Lee. I think you're like a older brother

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Speaker 3: to him.

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Speaker 2: Like we've put a lot of those this season. I

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Speaker 2: like it.

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Speaker 1: I like I like that chemistry with with Kirk, I

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Speaker 1: really do, totally. Those are so polar opposite, you know.

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Speaker 8: It's just it's funny you say that because you know,

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Speaker 8: when you think of Gilmore Girls, right, you think of

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Speaker 8: Luke and LAURAAI probably first, Rory and LAURAAI.

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Speaker 3: First, you think of Emily and Richard. You think of

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Speaker 3: the Gilmore Girls relationship with Richard and Emily, but really

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Speaker 3: Luke and Kirk are a prominent relationship.

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Speaker 1: Mm hmm.

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Speaker 6: That's it kind of feels. I mean, it's definitely different,

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Speaker 6: but like Jess and Luke, you know, like that was

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Speaker 6: definitely a relationship. But this feels a little bit more

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Speaker 6: lighthearted than that, you know, like more like little brother,

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Speaker 6: big brother, you.

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Speaker 1: Know, like like Luke is not so invested in it.

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Speaker 3: Yeah yeah, it's almost like you're so irritated by it,

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Speaker 3: but you're not going to leave that guy hanging. No,

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Speaker 3: you're putting up the chair, you're taking down the chair,

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Speaker 3: you're sitting in it. You're telling this guy buddy. It's

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Speaker 3: like it's like a weird best friend, like you're his

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Speaker 3: best friend even though he's not yours. Do you know

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Speaker 3: what I mean is it's real, real cute. I also

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Speaker 3: just thought it was even though it was so like,

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Speaker 3: my gosh, is Kirk trying to get Lulu's pink ribbon.

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Speaker 3: She wants to keep it and he's there fustling and

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Speaker 3: he comes into their sweater. I literally was like, good lord.

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Speaker 1: That was a bit of a depiction of some type

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Speaker 1: of violence against Lulu. I mean he ripped the sweater

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Speaker 1: off her. I mean, how did he get it? Was

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Speaker 1: mikes like geez, you know.

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Speaker 3: Oh my god. I also thought that seem so funny.

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Speaker 3: She comes in, they're so cute. They kiss, and then

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Speaker 3: he says says, you bring an enemy coffee cup in

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Speaker 3: here on the day of our reconciliation.

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Speaker 6: Why is she doing that though, Like leave the Weston's

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Speaker 6: coffee back at home or throw it away.

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Speaker 2: So the drink she got was so elaborate. True, it

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Speaker 2: was like a mocha something.

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Speaker 1: Caramel swirl.

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Speaker 3: I do love that they're right back in it. We

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Speaker 3: don't have to deal with like like any kind of

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Speaker 3: bumps into getting back together road.

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Speaker 6: It's like they're just that wasn't weird anybody?

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Speaker 1: Yes, it was.

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Speaker 6: It was weird to me.

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Speaker 1: You know. It's like it really did a talk right right.

230
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Speaker 1: It needed more tension. It was too quick back to normal.

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Speaker 1: But I guess that's what they both wanted. But it's

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Speaker 1: isn't it a little odd to see them together together?

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Speaker 6: There's so much turmoil, Like literally.

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Speaker 1: I always have tension. There's that's what we thrive on.

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Speaker 1: That's why we It's like careful giving the fans what

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Speaker 1: they want because now they have it, and now it's

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Speaker 1: it's it's it's well, it's definitely a different color and yay, right,

238
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Speaker 1: But they may have been able to milk this for

239
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Speaker 1: a couple of more seasons.

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Speaker 9: Yeah, there's one episode in between last episode and this

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Speaker 9: episode that's missing, and it's a Luke and Loralay episode

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Speaker 9: where they're just like, Hey, this is what's gonna happen now,

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Speaker 9: you know, like we're giving this another shot.

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Speaker 6: This is what's gonna happen. This is what we're gonna do,

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Speaker 6: and let's try it again. Like I that was missing

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00:13:42,679 --> 00:13:44,320
Speaker 6: because like all of a sudden, you saw the bear

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Speaker 6: hug kiss the episode before you jump right into the

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Speaker 6: diner and kiss, kiss, kiss, lovey, lovey lovey. It's like, what.

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Speaker 3: Although we did get two moments in this episode, the

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Speaker 3: awkward date pickup because he's like, oh's come to the door,

251
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Speaker 3: but she's trying to come out, you know, he's trying

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Speaker 3: to be really the perfect girl, and yeah a little bit.

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Speaker 3: And then we do get the scene with Emily that

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Speaker 3: I thought really solidified for right now it's Luke and

255
00:14:12,800 --> 00:14:16,120
Speaker 3: Loralai against the world, specifically Emily.

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00:14:16,360 --> 00:14:22,880
Speaker 1: They really, you know, to to comment on Danielle's point

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00:14:24,040 --> 00:14:28,360
Speaker 1: that I agree with I would have and this scene

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Speaker 1: may be coming, and maybe it's coming. I maybe we

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00:14:31,640 --> 00:14:34,760
Speaker 1: filmed it and I don't remember it, but I think

260
00:14:34,800 --> 00:14:38,440
Speaker 1: this was also an opportunity to get them talking in

261
00:14:38,480 --> 00:14:40,920
Speaker 1: a scene where they both agree to just sort of

262
00:14:41,320 --> 00:14:46,400
Speaker 1: like not be together and let the detonation of the

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Speaker 1: Emily bomb color the remainder of the season right part.

264
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Speaker 1: So there's an extra tension going into season six.

265
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Speaker 3: There's seventeen eighteen, nineteen twenty five, because imagine you've only

266
00:15:01,280 --> 00:15:02,280
Speaker 3: got six left.

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Speaker 1: Imagine those two coming together and really sitting down and

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Speaker 1: having a real heart to heart and him really spelling

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Speaker 1: it out and her listening, and you know, both accepting that, hey,

270
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Speaker 1: this isn't gonna work. Because imagine what that would do

271
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Speaker 1: to the fans, because then we could we could have

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Speaker 1: another big wave of build up right into season six,

273
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Speaker 1: and then geez man.

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Speaker 6: The reconciliation was too easy. It was too easy. And

275
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Speaker 6: and like I understand wanting them back together and Amy,

276
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Speaker 6: I know you like love that, but for me, I'm like,

277
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Speaker 6: that's not real life, Like you know, like you don't

278
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Speaker 6: just like don't.

279
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Speaker 2: I mean, I guess maybe sometimes I know it's not

280
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Speaker 2: real life, but I feel like it's very Loreli, Like

281
00:15:55,800 --> 00:15:58,440
Speaker 2: she doesn't like huh dragging, Like she kind of moves

282
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Speaker 2: on very quickly. So that's I think why I thought

283
00:16:01,200 --> 00:16:01,480
Speaker 2: it was.

284
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Speaker 6: She wanted it to be but not Luke, like Luke

285
00:16:04,880 --> 00:16:11,120
Speaker 6: literally still has like tension with his sister, you know,

286
00:16:11,360 --> 00:16:13,920
Speaker 6: like who has like literally come back in the picture

287
00:16:13,960 --> 00:16:17,200
Speaker 6: like ten times, like kissing his feet, and he's still like,

288
00:16:17,400 --> 00:16:20,160
Speaker 6: you're annoying, it's not realistic.

289
00:16:20,280 --> 00:16:23,800
Speaker 1: So we're ratcheted up for the first cup four seasons

290
00:16:23,840 --> 00:16:25,800
Speaker 1: with you know, her dating other guys, and then we

291
00:16:25,880 --> 00:16:27,800
Speaker 1: cut to Luke and he's like, you know, giving a look,

292
00:16:27,840 --> 00:16:32,440
Speaker 1: and it's like wow, wow, wow. Imagine the conflict they

293
00:16:32,480 --> 00:16:36,800
Speaker 1: could have created if they did this again after they

294
00:16:36,840 --> 00:16:38,680
Speaker 1: had the big heart to heart and they decided to

295
00:16:38,680 --> 00:16:41,040
Speaker 1: break up for real and it was the whole thing

296
00:16:41,040 --> 00:16:43,520
Speaker 1: in the in the town everybody was talking about. And

297
00:16:43,520 --> 00:16:46,560
Speaker 1: then she starts dating again and then he's he's reliving

298
00:16:46,600 --> 00:16:49,480
Speaker 1: that whole storyline again, but even on a deeper level.

299
00:16:49,920 --> 00:16:54,040
Speaker 1: And imagine the conflict they could have coming back together again.

300
00:16:54,840 --> 00:16:57,640
Speaker 3: Do you all think they could have gone okay, so

301
00:16:57,680 --> 00:17:01,440
Speaker 3: say that we have this conversation where some of the

302
00:17:01,480 --> 00:17:05,600
Speaker 3: angst was removed and they were going to not be together,

303
00:17:06,160 --> 00:17:09,480
Speaker 3: but they're going to be friends again. Do you think

304
00:17:09,560 --> 00:17:13,280
Speaker 3: they even could have gone back to that like where

305
00:17:13,520 --> 00:17:15,720
Speaker 3: she she didn't have to go to Weston, she would

306
00:17:15,720 --> 00:17:18,639
Speaker 3: come back into Luke's diner and they're they're pals, and

307
00:17:18,720 --> 00:17:21,200
Speaker 3: he comes over with his tool box and fixes her door.

308
00:17:21,520 --> 00:17:24,480
Speaker 3: But they're not together. Is that even possible?

309
00:17:24,600 --> 00:17:26,879
Speaker 2: I think it would take a very long time to

310
00:17:26,960 --> 00:17:30,400
Speaker 2: even kind of get there, but probably not the same

311
00:17:30,400 --> 00:17:31,600
Speaker 2: as what we're used to sing.

312
00:17:32,880 --> 00:17:36,760
Speaker 1: Well, you could do. Here's one solution to that, And

313
00:17:36,760 --> 00:17:39,600
Speaker 1: that's interesting that you bring that up. One solution to

314
00:17:39,640 --> 00:17:42,080
Speaker 1: that is there could be so much tension and humor

315
00:17:44,240 --> 00:17:48,840
Speaker 1: between those two inside the diner that he decides to

316
00:17:48,960 --> 00:17:54,879
Speaker 1: just sell it and leave it out. Right, look at

317
00:17:54,880 --> 00:18:01,959
Speaker 1: the reaction, right and she and then he's an escrow,

318
00:18:02,160 --> 00:18:05,160
Speaker 1: and then she shows up and then they have another.

319
00:18:06,680 --> 00:18:07,960
Speaker 3: Escar.

320
00:18:09,400 --> 00:18:14,400
Speaker 1: TJ's the real estate agent. Right, TJ becomes a real

321
00:18:14,480 --> 00:18:17,520
Speaker 1: estate agent and represents Luke, And he's saying that scarrow,

322
00:18:19,560 --> 00:18:24,520
Speaker 1: But they could have done so much. They could have toy.

323
00:18:24,680 --> 00:18:28,160
Speaker 1: They could have really layered this and layered it, layered it.

324
00:18:28,400 --> 00:18:31,560
Speaker 6: Oh man, Yeah, I'm weirdly just not satisfied that they're

325
00:18:31,600 --> 00:18:32,439
Speaker 6: just back together.

326
00:18:32,720 --> 00:18:35,320
Speaker 3: And and I guess if we're talking about it, let's

327
00:18:35,359 --> 00:18:36,879
Speaker 3: keep talking about it. So what did you think of

328
00:18:36,920 --> 00:18:39,880
Speaker 3: their cute date? He bought the he picks her up.

329
00:18:40,440 --> 00:18:42,840
Speaker 3: They go on this date and you know, they they

330
00:18:42,880 --> 00:18:44,560
Speaker 3: plan their date and they have this date and he's

331
00:18:44,600 --> 00:18:46,439
Speaker 3: all handsome and cute and picks her up in the

332
00:18:46,480 --> 00:18:48,480
Speaker 3: truck and she sees the reggae c D. And the

333
00:18:48,520 --> 00:18:53,080
Speaker 3: whole kind of bit plays out when he says, well,

334
00:18:53,160 --> 00:19:00,240
Speaker 3: that's different songs. It's like, I actually thought that date

335
00:19:00,359 --> 00:19:03,000
Speaker 3: was quite cute, and I thought the awkwardness was quite

336
00:19:03,320 --> 00:19:05,400
Speaker 3: uh realistic.

337
00:19:05,720 --> 00:19:08,440
Speaker 2: Yeah, yeah, like that she was like getting a new

338
00:19:08,520 --> 00:19:10,160
Speaker 2: dress for it, Like I thought it was cute.

339
00:19:10,520 --> 00:19:13,720
Speaker 3: And she's so nervous. It's too slutty, it's too sparkly.

340
00:19:13,840 --> 00:19:16,720
Speaker 3: It's you know, she was very first date nervous.

341
00:19:16,760 --> 00:19:17,040
Speaker 7: Again.

342
00:19:17,280 --> 00:19:19,520
Speaker 1: You know what the issue is is now that they're together,

343
00:19:19,640 --> 00:19:21,760
Speaker 1: they need their own show. You want more of it,

344
00:19:22,359 --> 00:19:23,240
Speaker 1: not less of it.

345
00:19:24,160 --> 00:19:26,000
Speaker 3: Well, I think that's why we were little irritated by

346
00:19:26,000 --> 00:19:27,760
Speaker 3: the Winnebago, because it's like, can you just get me

347
00:19:27,920 --> 00:19:30,200
Speaker 3: back to the right?

348
00:19:31,080 --> 00:19:35,080
Speaker 6: Yeah, also move the winnibago, Like, well that's my thing.

349
00:19:35,119 --> 00:19:35,560
Speaker 3: The street.

350
00:19:35,840 --> 00:19:37,880
Speaker 1: Really, there's got to be one person in that town

351
00:19:37,920 --> 00:19:39,360
Speaker 1: that has had her back up and win a bag.

352
00:19:39,440 --> 00:19:40,359
Speaker 1: I give me a break.

353
00:19:40,480 --> 00:19:42,400
Speaker 3: Well, and it's an inn. No one's ever come there

354
00:19:42,400 --> 00:19:46,200
Speaker 3: in a Winnebago. There's got to be parking, they have horses.

355
00:19:46,720 --> 00:19:49,520
Speaker 6: Put it in a stable. I don't know, just like

356
00:19:49,840 --> 00:19:52,000
Speaker 6: get it out of there, like it's not that.

357
00:19:52,000 --> 00:19:57,639
Speaker 3: Hard, all right, Let's segue to Rory and Logan. So

358
00:19:57,760 --> 00:20:00,640
Speaker 3: right after the opening scene, we jumped over to Yale,

359
00:20:00,680 --> 00:20:03,040
Speaker 3: and Rory and Logan are clearly on the cutest date

360
00:20:03,440 --> 00:20:05,760
Speaker 3: and they've gone to like a play, and then we

361
00:20:05,880 --> 00:20:10,159
Speaker 3: learned that Logan's mom plays canasta with somebody that that

362
00:20:10,320 --> 00:20:12,280
Speaker 3: Rory loves, which I couldn't figure out who that was.

363
00:20:12,640 --> 00:20:16,200
Speaker 1: Tony Kushner, who wrote Angels in America won multiple time.

364
00:20:16,760 --> 00:20:21,800
Speaker 3: Thank you, thank you, thank you. The knowledgeable one here.

365
00:20:22,280 --> 00:20:25,879
Speaker 3: And they go in and they break into the cafeteria,

366
00:20:26,320 --> 00:20:29,800
Speaker 3: which I thought was very logan and kind of dangerous,

367
00:20:29,800 --> 00:20:31,720
Speaker 3: but I liked it. And she still leaves the money

368
00:20:31,720 --> 00:20:34,760
Speaker 3: for the Coco pust. I know, you guys don't want

369
00:20:34,760 --> 00:20:36,640
Speaker 3: to hear it, but I love them. I think it's

370
00:20:36,680 --> 00:20:40,160
Speaker 3: adorable and everyone's gonna hate me with my whole take

371
00:20:40,200 --> 00:20:43,360
Speaker 3: on this episode, but like cute.

372
00:20:43,359 --> 00:20:46,639
Speaker 1: I did love them. And now there's real cracks in

373
00:20:46,680 --> 00:20:48,119
Speaker 1: the armor, in the Logan armor.

374
00:20:49,520 --> 00:20:51,440
Speaker 2: I like that scene, though I thought it was very

375
00:20:52,400 --> 00:20:54,920
Speaker 2: It showed there like who they really are. Like he's like, oh,

376
00:20:54,920 --> 00:20:56,760
Speaker 2: we can break in. My parents give this school so

377
00:20:56,840 --> 00:20:58,680
Speaker 2: much money, and she's still leaving the five dollars bill

378
00:20:58,760 --> 00:20:59,080
Speaker 2: or whatever.

379
00:20:59,080 --> 00:21:00,600
Speaker 3: And that's why I don't understand why they have this

380
00:21:00,680 --> 00:21:04,879
Speaker 3: dumb open relationship, because they clearly are like super into

381
00:21:04,920 --> 00:21:07,800
Speaker 3: each other. The whole fact that they have to date

382
00:21:07,840 --> 00:21:10,520
Speaker 3: other people is so dumb. Which we'll get to the

383
00:21:10,560 --> 00:21:14,440
Speaker 3: scene where he's with the girl and it's just so painful. Oh,

384
00:21:14,640 --> 00:21:17,280
Speaker 3: but they're so cute and he kisses her everywhere and

385
00:21:17,359 --> 00:21:20,080
Speaker 3: all the time, and they clearly like each other.

386
00:21:21,240 --> 00:21:23,119
Speaker 2: And I noticed that because he also kisses her in

387
00:21:23,119 --> 00:21:24,960
Speaker 2: public all the time, Like it's not like he's trying

388
00:21:24,960 --> 00:21:25,480
Speaker 2: to hide it.

389
00:21:26,160 --> 00:21:29,200
Speaker 1: That's mark in his territory.

390
00:21:29,480 --> 00:21:31,160
Speaker 6: Yeah, that's what we talked about last episode.

391
00:21:31,160 --> 00:21:33,280
Speaker 3: But then it's even worse when he's canoodling with that

392
00:21:33,320 --> 00:21:33,840
Speaker 3: other girl.

393
00:21:34,080 --> 00:21:37,320
Speaker 2: Oh, I because now we actually see the other.

394
00:21:38,880 --> 00:21:41,639
Speaker 1: I can't decide what he is now. I'm confused. Now

395
00:21:41,760 --> 00:21:44,960
Speaker 1: is he's just a guy who wants a harem and

396
00:21:45,520 --> 00:21:48,720
Speaker 1: if he loses control of one of his harem, he

397
00:21:48,760 --> 00:21:51,879
Speaker 1: gets really nervous about it and then starts kind of

398
00:21:52,000 --> 00:21:54,920
Speaker 1: meltdown or she really in love with her. I think

399
00:21:54,920 --> 00:21:59,040
Speaker 1: he's to play it. He's just too young and naive

400
00:21:59,119 --> 00:22:00,600
Speaker 1: and he thinks he can get with this stuff.

401
00:22:00,840 --> 00:22:01,719
Speaker 3: Do you there.

402
00:22:02,320 --> 00:22:03,720
Speaker 6: I think it's a little bit of both. I think

403
00:22:03,760 --> 00:22:06,280
Speaker 6: he's young and naive and and you know, all that

404
00:22:06,320 --> 00:22:09,159
Speaker 6: kind of stuff, and he does actually like her, But

405
00:22:09,240 --> 00:22:12,240
Speaker 6: I also think he is used to getting what he

406
00:22:12,280 --> 00:22:15,560
Speaker 6: wants and he's not getting what he wants, so he

407
00:22:15,760 --> 00:22:19,320
Speaker 6: is like uber like.

408
00:22:21,119 --> 00:22:25,000
Speaker 3: He's that guy like he doesn't like it.

409
00:22:25,040 --> 00:22:27,639
Speaker 6: He doesn't like that, he that he's not in control

410
00:22:27,640 --> 00:22:28,280
Speaker 6: of that situation.

411
00:22:28,520 --> 00:22:31,800
Speaker 1: It was unappealing. It was real, and that's how you react,

412
00:22:31,920 --> 00:22:36,159
Speaker 1: but it was unappealing. It was uncomfortable to simpler, the

413
00:22:36,200 --> 00:22:39,200
Speaker 1: deconstruction of a character that they build up to be this.

414
00:22:39,560 --> 00:22:41,840
Speaker 1: And I think that's what they do so well as

415
00:22:41,880 --> 00:22:45,320
Speaker 1: they make you feel one way, and you know, I

416
00:22:45,480 --> 00:22:47,840
Speaker 1: was tricked, and Amy's been tricked, and a lot of

417
00:22:47,880 --> 00:22:50,160
Speaker 1: the fans have not been tricked. They smelled a rat

418
00:22:50,240 --> 00:22:50,880
Speaker 1: right away.

419
00:22:52,920 --> 00:22:56,920
Speaker 3: He's just mister popular. Everyone likes him. He's got the money,

420
00:22:57,040 --> 00:23:00,119
Speaker 3: he's got the smarts, he's so funny, he's charming, and

421
00:23:00,200 --> 00:23:03,880
Speaker 3: he I think he thinks he doesn't want to settle down,

422
00:23:04,720 --> 00:23:08,440
Speaker 3: but I don't think he knows that what he actually wants.

423
00:23:08,640 --> 00:23:10,520
Speaker 1: I just, you know, from an acting point of view

424
00:23:10,520 --> 00:23:12,439
Speaker 1: and from a storytelling point of view, whether it's a

425
00:23:12,480 --> 00:23:15,359
Speaker 1: novel or a film or a TV show, I love

426
00:23:15,400 --> 00:23:19,439
Speaker 1: those guys. I personally love characters that never break. We

427
00:23:19,520 --> 00:23:22,240
Speaker 1: never see them break, even though we never full of

428
00:23:22,359 --> 00:23:26,600
Speaker 1: you know what, we don't see them break because we're

429
00:23:27,680 --> 00:23:30,320
Speaker 1: It gets me on the edge of my seat wanting

430
00:23:30,400 --> 00:23:34,600
Speaker 1: to know what's underneath. And that is a brilliant trick

431
00:23:35,760 --> 00:23:37,960
Speaker 1: on how to play a character, how to lay a character.

432
00:23:37,960 --> 00:23:40,440
Speaker 1: And now you know the mask is off and it's yeah.

433
00:23:40,440 --> 00:23:42,280
Speaker 3: So that's what I was going to ask you. So

434
00:23:42,320 --> 00:23:45,280
Speaker 3: you feel he broke a bit at the end, he broke.

435
00:23:45,040 --> 00:23:48,680
Speaker 1: A lot so much and it was just.

436
00:23:52,520 --> 00:23:57,200
Speaker 3: Ri I pyes, no, I'm not giving up on I'm

437
00:23:57,200 --> 00:24:00,399
Speaker 3: not giving up on Logan. So okay, so get to

438
00:24:00,400 --> 00:24:02,439
Speaker 3: go continue that. But we go back to he's just

439
00:24:02,440 --> 00:24:06,119
Speaker 3: a kid, He's just a He's just he is that guy.

440
00:24:06,480 --> 00:24:14,479
Speaker 3: We all know that guy. So we go to the

441
00:24:14,480 --> 00:24:17,159
Speaker 3: inn and we see flowers and all this hubbub and

442
00:24:17,200 --> 00:24:21,120
Speaker 3: cookies and cakes, and we learn the inn has been

443
00:24:21,200 --> 00:24:24,400
Speaker 3: named one of the top ten inns in Connecticut, which

444
00:24:24,440 --> 00:24:25,400
Speaker 3: they really glossed over.

445
00:24:25,480 --> 00:24:29,000
Speaker 1: But that's like major, how many there must be a

446
00:24:29,000 --> 00:24:30,320
Speaker 1: lot of inns in Connecticut?

447
00:24:30,680 --> 00:24:33,240
Speaker 2: Really, But I think that's what I think, that's what

448
00:24:33,280 --> 00:24:35,359
Speaker 2: should have been more of a storyline than the Winnebago

449
00:24:35,359 --> 00:24:37,840
Speaker 2: because even like you saying it back, I'm like, oh, yeah,

450
00:24:37,880 --> 00:24:38,920
Speaker 2: I forgot that happened.

451
00:24:38,960 --> 00:24:42,440
Speaker 3: Like I agree, I actually would have enjoyed that more.

452
00:24:43,080 --> 00:24:47,000
Speaker 3: Yeh and Suki and Lorli and even Michelle like preparing

453
00:24:47,040 --> 00:24:48,840
Speaker 3: the inn, and they like gloss over the fact that,

454
00:24:48,920 --> 00:24:51,119
Speaker 3: like because of the Winnebago, they don't get to shoot

455
00:24:51,119 --> 00:24:55,439
Speaker 3: the outside of the inn, Like that's bananas, right, It

456
00:24:55,480 --> 00:24:58,200
Speaker 3: wasn't necessarily It's like funny, you.

457
00:24:58,280 --> 00:25:01,560
Speaker 1: Have an actress of the caliber Melissa McCarthy, and this

458
00:25:01,640 --> 00:25:03,120
Speaker 1: is how you use her in this episode?

459
00:25:03,400 --> 00:25:03,560
Speaker 7: Right?

460
00:25:04,400 --> 00:25:06,919
Speaker 1: I think I think I think they missed on a

461
00:25:06,920 --> 00:25:12,840
Speaker 1: couple of different They haven't been developing storylines or utilizing

462
00:25:12,880 --> 00:25:17,480
Speaker 1: supporting characters or main supporting main characters and mean supporting

463
00:25:17,560 --> 00:25:19,480
Speaker 1: characters in an effective way.

464
00:25:20,240 --> 00:25:20,359
Speaker 9: Right.

465
00:25:20,440 --> 00:25:23,800
Speaker 3: We get this whole monologue about the coffee bean and

466
00:25:23,840 --> 00:25:26,760
Speaker 3: tea leaf on sunset, and he gives the snow Globe

467
00:25:26,800 --> 00:25:28,600
Speaker 3: and he's just not that into your book. And the

468
00:25:28,600 --> 00:25:30,679
Speaker 3: Farmer's market and the price is right, and like for

469
00:25:30,760 --> 00:25:34,359
Speaker 3: a person from La the callouts were pretty good because

470
00:25:34,600 --> 00:25:37,880
Speaker 3: there is a coffee bean on sunset and the farmer's

471
00:25:37,880 --> 00:25:41,240
Speaker 3: market is literally right where you line up for prices, right,

472
00:25:41,320 --> 00:25:44,240
Speaker 3: Like that was totally accurate. But I just was like,

473
00:25:45,000 --> 00:25:49,840
Speaker 3: I don't care. Yeah, yeah, like not to be mean,

474
00:25:49,920 --> 00:25:51,080
Speaker 3: and like there's a whole.

475
00:25:51,080 --> 00:25:53,200
Speaker 1: What's I got to do with Gilmore girls? You're taking

476
00:25:53,240 --> 00:25:55,719
Speaker 1: it and taking a two out of stars Hollow without

477
00:25:55,920 --> 00:25:58,240
Speaker 1: being out of Star's Hollow, So what's.

478
00:25:58,040 --> 00:26:01,760
Speaker 3: The point, right, there's the Bob joke. What's this Bob

479
00:26:01,800 --> 00:26:04,120
Speaker 3: Barker joke? Pick me Bob, I k neutered my dog

480
00:26:04,160 --> 00:26:05,879
Speaker 3: and Nichola Chey's teeth guy, And I just was like

481
00:26:06,359 --> 00:26:07,840
Speaker 3: I don't I don't care.

482
00:26:08,160 --> 00:26:10,280
Speaker 2: But even like you said earlier, Amy, like when did

483
00:26:10,280 --> 00:26:13,159
Speaker 2: he go to California? Like it wasn't even like it

484
00:26:13,280 --> 00:26:16,200
Speaker 2: just seemed like a random storyline that they added in.

485
00:26:16,320 --> 00:26:19,199
Speaker 3: Like did they owe a Winnebago plug? Like what was

486
00:26:19,280 --> 00:26:25,480
Speaker 3: going because like why and I'm not look, don't come

487
00:26:25,520 --> 00:26:28,080
Speaker 3: at me. I actually really there's a lot of good

488
00:26:28,119 --> 00:26:30,640
Speaker 3: things in this episode, but I did sort of have somewhere.

489
00:26:30,640 --> 00:26:35,200
Speaker 3: I'm like, they didn't care about this. I'm like trying

490
00:26:35,200 --> 00:26:39,240
Speaker 3: to sell the Winnebago. I really don't care. Move it away,

491
00:26:39,680 --> 00:26:42,920
Speaker 3: take it down to the you know wherever.

492
00:26:44,080 --> 00:26:46,280
Speaker 1: I think I think we can just sort of close

493
00:26:46,320 --> 00:26:52,239
Speaker 1: the book on the Winnebago. There's more in here that

494
00:26:52,280 --> 00:26:53,679
Speaker 1: we can then.

495
00:26:53,720 --> 00:26:56,200
Speaker 3: I love that Lorala heads over to Luke's for lunch.

496
00:26:56,240 --> 00:26:58,000
Speaker 3: I thought that was very cute and she they have

497
00:26:58,080 --> 00:27:01,639
Speaker 3: the cell phone bit and she puts the the speed dial,

498
00:27:02,119 --> 00:27:04,879
Speaker 3: which is great because that come that's a callback and

499
00:27:05,160 --> 00:27:08,800
Speaker 3: the vibrating joke and that was all very cute. That

500
00:27:08,960 --> 00:27:11,800
Speaker 3: was great, and uh the boys and berry pie and

501
00:27:12,080 --> 00:27:14,240
Speaker 3: that was all great and no complaints.

502
00:27:14,359 --> 00:27:19,840
Speaker 1: Mm hmmm mm hmmm. Uh but yeah, no, yeah, I

503
00:27:19,920 --> 00:27:23,119
Speaker 1: like the cell phone stuff with Luke because you know,

504
00:27:23,160 --> 00:27:25,639
Speaker 1: it's so he's so anti cell phone.

505
00:27:25,800 --> 00:27:28,199
Speaker 3: Totally well and it's so funny in all if you

506
00:27:28,280 --> 00:27:31,360
Speaker 3: dig in when you're doing your Gilmart Girl's research, They

507
00:27:31,800 --> 00:27:35,760
Speaker 3: note that Luke actually used his cell phone in this

508
00:27:35,960 --> 00:27:37,840
Speaker 3: episode in the diner.

509
00:27:38,080 --> 00:27:41,640
Speaker 1: To use cell phones in the diner, Yeah, And.

510
00:27:41,600 --> 00:27:43,560
Speaker 2: I felt like the sign was in like way more

511
00:27:43,600 --> 00:27:45,960
Speaker 2: scenes this time. No cell phone.

512
00:27:46,880 --> 00:27:49,239
Speaker 3: All that was cute. And then I Love Rory's in

513
00:27:49,280 --> 00:27:51,160
Speaker 3: the car and she's on the phone and she's wearing

514
00:27:51,200 --> 00:27:54,520
Speaker 3: that pink coat again. That pink coat got two. She

515
00:27:54,600 --> 00:27:57,119
Speaker 3: wore the pink coat on the date for the play.

516
00:27:57,800 --> 00:28:00,159
Speaker 3: And then she's and we're going to Friday Night her,

517
00:28:00,160 --> 00:28:03,120
Speaker 3: which I actually was sort of like, Oh, okay, what's

518
00:28:03,160 --> 00:28:04,960
Speaker 3: going to happen? How is she going to treat Emily?

519
00:28:05,320 --> 00:28:09,840
Speaker 3: And it seems she's not as brutal, but she's certainly

520
00:28:09,880 --> 00:28:13,360
Speaker 3: not warm.

521
00:28:14,119 --> 00:28:16,119
Speaker 1: Well, yeah, we didn't get to see the dinner.

522
00:28:17,080 --> 00:28:20,520
Speaker 3: No, that was interesting too, right, We got sort of

523
00:28:20,560 --> 00:28:23,560
Speaker 3: the come in the door, the drinks, but I.

524
00:28:23,480 --> 00:28:26,000
Speaker 1: Think I think we get to really see Emily how

525
00:28:26,119 --> 00:28:30,960
Speaker 1: ugly Emily can be. I thought this was a very

526
00:28:31,040 --> 00:28:34,440
Speaker 1: really harsh episode for her. I mean, she really revealed

527
00:28:34,600 --> 00:28:39,360
Speaker 1: how how ugly she she can be. I mean, she

528
00:28:39,480 --> 00:28:42,440
Speaker 1: referred to luc as what I mean, she had some

529
00:28:42,520 --> 00:28:47,200
Speaker 1: horrible adjectives. She used the imbecile, that's mean, referred to

530
00:28:48,520 --> 00:28:52,680
Speaker 1: too mean, and it's just you know, she was ranting

531
00:28:52,760 --> 00:28:57,640
Speaker 1: and raving again and I mean, even listen, I will

532
00:28:57,920 --> 00:29:03,280
Speaker 1: tolerate all of the Winnebago and the misuse of Suki

533
00:29:03,400 --> 00:29:06,600
Speaker 1: and Melissa to get to that final scene in the

534
00:29:06,640 --> 00:29:11,560
Speaker 1: diner tells her to shut up. That was a home

535
00:29:11,680 --> 00:29:14,320
Speaker 1: run scene. I mean that was a big scene. But

536
00:29:14,360 --> 00:29:17,560
Speaker 1: I also love the scene where Emily shoes the maid

537
00:29:17,640 --> 00:29:21,400
Speaker 1: away she's going to fire her because when she's so

538
00:29:21,480 --> 00:29:23,680
Speaker 1: sad a place setting.

539
00:29:23,760 --> 00:29:25,560
Speaker 3: Yeah, that was really right.

540
00:29:26,120 --> 00:29:28,520
Speaker 6: I found it interesting that she thought Lorla was coming one.

541
00:29:28,720 --> 00:29:29,280
Speaker 2: I did too.

542
00:29:29,680 --> 00:29:33,160
Speaker 1: Yeah, I was like, that to me, proves that she's delusional.

543
00:29:34,000 --> 00:29:38,560
Speaker 1: She does that there's a part of her that is

544
00:29:38,640 --> 00:29:43,520
Speaker 1: completely oblivious to how other people feel and especially about her,

545
00:29:44,400 --> 00:29:48,720
Speaker 1: So she doesn't she's not She doesn't see how her

546
00:29:48,880 --> 00:29:54,880
Speaker 1: very powerful and very definitive behavior against her own family

547
00:29:55,120 --> 00:29:58,280
Speaker 1: members is affecting anybody else. I mean, she just doesn't

548
00:29:58,280 --> 00:29:59,960
Speaker 1: seem to. It doesn't register her.

549
00:30:00,360 --> 00:30:03,400
Speaker 6: It is interesting. It is interesting because the one thing

550
00:30:03,440 --> 00:30:06,160
Speaker 6: I like thought about when I was watching this episode

551
00:30:06,320 --> 00:30:11,760
Speaker 6: is although it feels like Emily's, you know, in the

552
00:30:11,840 --> 00:30:15,280
Speaker 6: last episode, like okay, you guys won, like you guys

553
00:30:15,320 --> 00:30:20,320
Speaker 6: be together, you know, like giving Lurlai her way, it's

554
00:30:20,440 --> 00:30:24,520
Speaker 6: really not. It's it's Emily doing something else just to

555
00:30:24,640 --> 00:30:27,480
Speaker 6: get her way, which is to get Laura and Maury

556
00:30:27,520 --> 00:30:31,040
Speaker 6: in her life. She's not doing this for Laura l

557
00:30:31,040 --> 00:30:33,480
Speaker 6: I to be with Luke, you know what I mean,

558
00:30:33,720 --> 00:30:37,480
Speaker 6: Like it was just kind of like it, I don't know, very.

559
00:30:37,560 --> 00:30:41,360
Speaker 3: Benefit, yeah is the word. She's never like altruistic, she's

560
00:30:41,360 --> 00:30:44,000
Speaker 3: never just doing it for the good of doing it.

561
00:30:44,240 --> 00:30:46,840
Speaker 6: Yeah. She's not doing it because, oh, Lourla loves Luke,

562
00:30:47,160 --> 00:30:49,400
Speaker 6: you know. No, she's doing it because she wants to

563
00:30:49,480 --> 00:30:54,480
Speaker 6: have LAURAAI and Rory in her life. But she was

564
00:30:54,640 --> 00:30:57,240
Speaker 6: very bad. I wasn't expecting her to be so bent

565
00:30:57,280 --> 00:30:58,480
Speaker 6: out of shape that Laura I was.

566
00:30:58,680 --> 00:31:04,960
Speaker 1: Okay, So here's the question. This is something that when

567
00:31:05,040 --> 00:31:09,720
Speaker 1: I feel that something is being forced upon me, then

568
00:31:09,760 --> 00:31:13,000
Speaker 1: I have to question it. And I think they cut

569
00:31:13,000 --> 00:31:16,040
Speaker 1: the dinner out. They cut the dinner scene out just

570
00:31:16,080 --> 00:31:18,600
Speaker 1: to get to the Richard and Emily scene about Luke

571
00:31:18,720 --> 00:31:21,560
Speaker 1: is an imbecile and maybe he didn't understand what you

572
00:31:21,600 --> 00:31:25,200
Speaker 1: were saying. No, I spelled it out, Richard, that imbecile. Well,

573
00:31:25,240 --> 00:31:28,840
Speaker 1: there's two possibilities, Emily, either he didn't get it, or

574
00:31:29,320 --> 00:31:32,040
Speaker 1: that he tried and they just didn't get back together

575
00:31:33,240 --> 00:31:36,120
Speaker 1: and said So it was all like this spoon fed

576
00:31:36,280 --> 00:31:42,560
Speaker 1: kind of exposition where it's like, oh, now, She's all

577
00:31:42,560 --> 00:31:44,640
Speaker 1: set up to go back into Luke's diner and do

578
00:31:44,680 --> 00:31:48,320
Speaker 1: that scene, and it just seemed very, very forced. It

579
00:31:48,360 --> 00:31:52,560
Speaker 1: didn't seem like sophisticated, intelligent people having a conversation.

580
00:31:53,640 --> 00:31:56,120
Speaker 3: It's interesting you bring that up because we so rarely

581
00:31:56,240 --> 00:31:58,480
Speaker 3: get a scene with the two of them like that

582
00:31:58,560 --> 00:31:59,200
Speaker 3: after the dinner.

583
00:31:59,280 --> 00:32:01,680
Speaker 1: I don't know that we've yeah this sort of this

584
00:32:01,880 --> 00:32:05,120
Speaker 1: arch kind of scheming and sort of imbecile, and he

585
00:32:05,160 --> 00:32:06,720
Speaker 1: didn't get it, and you got to go back.

586
00:32:06,560 --> 00:32:09,160
Speaker 3: In read that's what I'm reading right right. It's like, huh,

587
00:32:09,560 --> 00:32:12,840
Speaker 3: there was something interesting about that scene in that it

588
00:32:12,920 --> 00:32:15,920
Speaker 3: was happening and we don't We saw something we normally

589
00:32:16,000 --> 00:32:18,920
Speaker 3: never see because we usually follow Rory and lore Lie

590
00:32:18,960 --> 00:32:22,720
Speaker 3: out the door, so we rarely see what happens maybe

591
00:32:22,760 --> 00:32:26,040
Speaker 3: once with Richard and Emily after a Friday night dinner.

592
00:32:26,160 --> 00:32:27,760
Speaker 3: So there was something to me that I'm like, well,

593
00:32:27,760 --> 00:32:29,560
Speaker 3: that's amusing, but I think you're right it was so

594
00:32:29,920 --> 00:32:31,320
Speaker 3: it was too mean.

595
00:32:32,560 --> 00:32:36,760
Speaker 1: It wasn't there was no emotional logic to it. There

596
00:32:36,920 --> 00:32:39,600
Speaker 1: was this sort of forced logic to it. There was

597
00:32:39,800 --> 00:32:43,880
Speaker 1: story forced story logic, like we have to get how

598
00:32:43,920 --> 00:32:45,400
Speaker 1: do we get her into the diner how do we

599
00:32:45,440 --> 00:32:46,720
Speaker 1: get her back into the diner?

600
00:32:46,840 --> 00:32:48,720
Speaker 3: Right, and just that they would think that they're not

601
00:32:48,840 --> 00:32:51,400
Speaker 3: back together. It never occurs to them, Oh no, they're

602
00:32:51,440 --> 00:32:55,640
Speaker 3: back together, but they still don't want to be around you, Emily,

603
00:32:57,240 --> 00:32:59,880
Speaker 3: although there was one funny line in that scene and I.

604
00:33:00,200 --> 00:33:00,760
Speaker 1: Goose for.

605
00:33:02,440 --> 00:33:09,360
Speaker 3: Goose for four people wasteful, But yeah, I mean, Scott,

606
00:33:09,360 --> 00:33:11,480
Speaker 3: I think you're right. There's sort of maybe one of

607
00:33:11,520 --> 00:33:15,240
Speaker 3: the reasons we're feeling this episode like good but not perfect.

608
00:33:15,360 --> 00:33:17,200
Speaker 3: It is because there's all these sort of like things

609
00:33:17,240 --> 00:33:19,600
Speaker 3: that were like, well, wait, why do they do that scene?

610
00:33:19,600 --> 00:33:21,360
Speaker 3: And they're so mean? And what's with the window bagel?

611
00:33:21,400 --> 00:33:24,440
Speaker 3: There's just a sort of some something a little off.

612
00:33:24,560 --> 00:33:29,440
Speaker 1: Maybe we're a tough crowd, aren't we. We're Monday morning

613
00:33:29,520 --> 00:33:31,320
Speaker 1: quarterback and every day of the week.

614
00:33:32,000 --> 00:33:35,840
Speaker 3: So there, okay. So then lorlyon Ry go shopping and

615
00:33:36,040 --> 00:33:38,440
Speaker 3: that is and which was important because they needed to

616
00:33:38,520 --> 00:33:41,479
Speaker 3: go shopping so that we could then see Logan with

617
00:33:41,560 --> 00:33:44,800
Speaker 3: the girl. And it was jarring for me, even though

618
00:33:44,840 --> 00:33:45,400
Speaker 3: I've seen it.

619
00:33:45,440 --> 00:33:50,800
Speaker 1: I was like, and there again another forced situation where

620
00:33:50,800 --> 00:33:53,280
Speaker 1: it's like he just happens to be across the street

621
00:33:53,560 --> 00:33:55,160
Speaker 1: having lunch the girl.

622
00:33:55,520 --> 00:33:57,680
Speaker 2: I actually didn't think that one was forced, because he

623
00:33:57,720 --> 00:34:01,360
Speaker 2: has talked about like not being just committed to Rory

624
00:34:01,400 --> 00:34:02,960
Speaker 2: and now we actually got to see it.

625
00:34:03,160 --> 00:34:04,520
Speaker 3: But what are the odds are going to be on

626
00:34:04,520 --> 00:34:06,520
Speaker 3: the one street he's also on. But I guess it's

627
00:34:06,560 --> 00:34:09,360
Speaker 3: a small world. Yeah, but it jarred me.

628
00:34:09,440 --> 00:34:14,799
Speaker 6: I wrote, oh, yeah, they were just like together. It

629
00:34:14,840 --> 00:34:17,280
Speaker 6: was like they were like together.

630
00:34:17,080 --> 00:34:20,080
Speaker 3: And I wrote yuck. It did not make me feel good.

631
00:34:20,120 --> 00:34:24,479
Speaker 3: I did not like seeing him and noodling with that girl.

632
00:34:24,560 --> 00:34:26,759
Speaker 3: And we don't know that he's seen her, but she's

633
00:34:26,800 --> 00:34:28,560
Speaker 3: definitely seen him. And then we find out in a

634
00:34:28,600 --> 00:34:30,759
Speaker 3: minute that he sure saw her, and it was just like.

635
00:34:31,080 --> 00:34:33,719
Speaker 6: All lore lives all too Oh.

636
00:34:34,280 --> 00:34:36,120
Speaker 2: She's already not a fan of him.

637
00:34:37,719 --> 00:34:41,000
Speaker 1: But if it wasn't for Logan and his privileged upbringing

638
00:34:41,080 --> 00:34:46,600
Speaker 1: and his his rules of you know, of an open relationship,

639
00:34:46,719 --> 00:34:49,080
Speaker 1: she wouldn't have forced herself to go with Robert and

640
00:34:49,160 --> 00:34:53,359
Speaker 1: expand her horizons and feel her power, right, you know,

641
00:34:53,440 --> 00:34:56,480
Speaker 1: and and grow a little. So we can thank Logan

642
00:34:56,520 --> 00:34:56,799
Speaker 1: for that.

643
00:34:57,120 --> 00:35:01,920
Speaker 3: Yeah, so we get this, Yeah, we get comes. So

644
00:35:01,920 --> 00:35:05,720
Speaker 3: we have that scene in the newsroom where Logan comes

645
00:35:05,719 --> 00:35:09,399
Speaker 3: over to Rory and she's cold, she's definitely cold at first,

646
00:35:09,480 --> 00:35:12,040
Speaker 3: and he's sort of dipping his toe in, like how's

647
00:35:12,080 --> 00:35:14,880
Speaker 3: this gonna go? And he says, did you see me

648
00:35:15,000 --> 00:35:18,600
Speaker 3: on State Street? And she's like, I did, which are we?

649
00:35:18,760 --> 00:35:20,400
Speaker 1: No? He knew, he knew that.

650
00:35:21,000 --> 00:35:23,719
Speaker 2: She's oh, I know, but just to go up and

651
00:35:23,800 --> 00:35:26,320
Speaker 2: ask her that, I thought, like another girl.

652
00:35:27,040 --> 00:35:30,880
Speaker 1: It's just this is the scene where he starts losing

653
00:35:30,920 --> 00:35:33,360
Speaker 1: his cool words, dude, what are you doing?

654
00:35:33,960 --> 00:35:37,359
Speaker 3: He wasn't Logan, because if he was Logan, he would

655
00:35:37,360 --> 00:35:41,200
Speaker 3: be confident, like, there's no problem because this is our deal.

656
00:35:41,480 --> 00:35:44,640
Speaker 3: So then all the the sow are we good?

657
00:35:44,920 --> 00:35:45,080
Speaker 1: So?

658
00:35:46,239 --> 00:35:48,680
Speaker 3: And she's like, no more sos? Would you take an? Like,

659
00:35:48,680 --> 00:35:57,160
Speaker 3: it's just I just wrote eeke ouch. I still love him,

660
00:35:57,160 --> 00:35:58,560
Speaker 3: don't get me wrong. I love him.

661
00:36:00,280 --> 00:36:03,399
Speaker 1: Better make a big comeback here for it?

662
00:36:03,880 --> 00:36:09,200
Speaker 3: I like, because it was cringe tasting, yeah, and I.

663
00:36:09,120 --> 00:36:12,440
Speaker 1: Just you know, maybe that's the word for the episode,

664
00:36:12,520 --> 00:36:18,200
Speaker 1: cringe test. It was cringed. Oh god.

665
00:36:18,680 --> 00:36:20,920
Speaker 3: And then we'd go, okay, so we I feel like

666
00:36:20,960 --> 00:36:23,200
Speaker 3: we've definitely talked about the winning Bago enough, so we

667
00:36:23,239 --> 00:36:33,520
Speaker 3: get the Winnebago. Yeah. Then we get Robert asking out

668
00:36:33,960 --> 00:36:36,799
Speaker 3: Rory for the birthday, and he actually was sort of

669
00:36:37,080 --> 00:36:41,440
Speaker 3: quite charming in the way he asked her yeah, and

670
00:36:41,480 --> 00:36:44,320
Speaker 3: it was like, well, wow, okay, she's in the library

671
00:36:44,360 --> 00:36:48,920
Speaker 3: he walks up. Oh my, okay, stop. I don't know

672
00:36:48,920 --> 00:36:50,880
Speaker 3: what she was supposed to do. Did everyone think she

673
00:36:50,920 --> 00:36:52,520
Speaker 3: did what she should have done?

674
00:36:52,960 --> 00:36:55,440
Speaker 6: Yeah, that's what you do in college, you know, like, hey,

675
00:36:55,480 --> 00:36:57,480
Speaker 6: I'm going to this party tonight. You want to roll with?

676
00:36:57,680 --> 00:37:01,799
Speaker 6: You know, like it was very just like cute college.

677
00:37:03,640 --> 00:37:06,759
Speaker 6: But also she like totally why are you laughing at me.

678
00:37:08,120 --> 00:37:11,919
Speaker 3: Daniel that I love it. That's how it goes in college. Hey,

679
00:37:11,960 --> 00:37:14,200
Speaker 3: I'm going, buddy, you want to roll with? Like I think,

680
00:37:14,239 --> 00:37:17,359
Speaker 3: I'm like, I don't remember how people ask people out.

681
00:37:18,280 --> 00:37:18,680
Speaker 3: I don't know.

682
00:37:18,760 --> 00:37:21,319
Speaker 6: I just remember in college, like you know, like the

683
00:37:21,400 --> 00:37:23,960
Speaker 6: guys being like, you know, hey, come over before we'll

684
00:37:24,000 --> 00:37:25,520
Speaker 6: have some drinks and then we'll go to this party.

685
00:37:25,680 --> 00:37:30,120
Speaker 6: You know, like it's just like fun, casual light. We're

686
00:37:30,160 --> 00:37:33,960
Speaker 6: not going to seventy five dollars Chinese dinners. You know,

687
00:37:34,280 --> 00:37:36,719
Speaker 6: Like she's like college.

688
00:37:36,800 --> 00:37:40,000
Speaker 3: And you do date around in college. That is the

689
00:37:40,040 --> 00:37:44,120
Speaker 3: one thing I will say, whether I'm defending Robert Rory

690
00:37:44,320 --> 00:37:47,880
Speaker 3: Logan Logever, right, you do date around.

691
00:37:48,600 --> 00:37:51,400
Speaker 6: You do like we had a lot of the parties.

692
00:37:52,120 --> 00:37:53,040
Speaker 2: Yeah, totally.

693
00:37:53,480 --> 00:37:56,400
Speaker 3: Oh my god. We had a party which I still

694
00:37:57,120 --> 00:38:01,399
Speaker 3: think I'm scarred by. Where so you would meet your date,

695
00:38:01,560 --> 00:38:03,960
Speaker 3: whoever your date was at the party. It was sort

696
00:38:03,960 --> 00:38:05,360
Speaker 3: of like a setup kind of. Maybe it was like

697
00:38:05,400 --> 00:38:07,759
Speaker 3: a set up your buddy, and you'd be wearing a

698
00:38:07,800 --> 00:38:12,279
Speaker 3: shirt that would say like, I don't know Luke, and

699
00:38:12,320 --> 00:38:14,680
Speaker 3: their shirt would say Laura l I. And then you'd

700
00:38:14,760 --> 00:38:17,920
Speaker 3: find each other and then you took sharpie markers and

701
00:38:17,960 --> 00:38:24,719
Speaker 3: colored on each other horrible, horrible party color.

702
00:38:24,760 --> 00:38:29,120
Speaker 1: After you did the ad, didn't no no drugs.

703
00:38:29,239 --> 00:38:33,440
Speaker 3: You'd take markers, like actual markers. And the whole point

704
00:38:33,520 --> 00:38:35,919
Speaker 3: was everyone was wearing these white T shirts, so you'd

705
00:38:35,960 --> 00:38:38,640
Speaker 3: color on the shirts, but everybody would Your whole face

706
00:38:38,680 --> 00:38:40,759
Speaker 3: would be oh my god. First of all, when I

707
00:38:40,800 --> 00:38:43,360
Speaker 3: was a pledge, I was like, please don't color my face.

708
00:38:43,400 --> 00:38:45,680
Speaker 3: I hate having marks on my face. And then once

709
00:38:45,719 --> 00:38:49,080
Speaker 3: I wasn't a pledge, it was like, do not touch

710
00:38:49,160 --> 00:38:50,239
Speaker 3: my face with the pen.

711
00:38:50,400 --> 00:38:52,920
Speaker 6: I did something similar, but it was called a paint party.

712
00:38:53,000 --> 00:38:55,319
Speaker 6: So you wear white and you go. I don't even

713
00:38:55,360 --> 00:38:56,960
Speaker 6: know where we were. We could have been in just

714
00:38:57,000 --> 00:38:59,879
Speaker 6: an open parking lot. You brought a date and there's

715
00:39:00,400 --> 00:39:04,279
Speaker 6: tables of paint everywhere and just like a DJ, and

716
00:39:04,320 --> 00:39:07,520
Speaker 6: everyone's just you know, drinking and just throwing paint at

717
00:39:07,560 --> 00:39:09,919
Speaker 6: each other. You just having your hair and.

718
00:39:09,960 --> 00:39:13,960
Speaker 1: Oh, I'm dating myself with this. But my first year

719
00:39:13,960 --> 00:39:17,200
Speaker 1: in college, it was like every single party we went

720
00:39:17,239 --> 00:39:20,960
Speaker 1: to was a Rocky Horror Picture show themed party because

721
00:39:20,960 --> 00:39:23,480
Speaker 1: it was blowing up huge and it was it was

722
00:39:23,520 --> 00:39:25,440
Speaker 1: like people were dressing up with these characters and going

723
00:39:25,520 --> 00:39:29,080
Speaker 1: to the theaters at midnight, watching another show at two,

724
00:39:29,200 --> 00:39:32,120
Speaker 1: getting up on stage. So every single party you went to,

725
00:39:32,800 --> 00:39:36,799
Speaker 1: it was like there's like twenty Frankenfritters, you know at

726
00:39:36,840 --> 00:39:40,320
Speaker 1: the park. Yeah, yeah, what is happening?

727
00:39:40,680 --> 00:39:41,960
Speaker 3: For some reason, we had a lot of There was

728
00:39:41,960 --> 00:39:44,759
Speaker 3: a lot of twenties. I remember really wearing a lot

729
00:39:44,760 --> 00:39:46,640
Speaker 3: of flapper dresses, Like I.

730
00:39:48,960 --> 00:39:50,880
Speaker 2: Think I had like one flapper dress I wore like

731
00:39:50,960 --> 00:39:54,320
Speaker 2: six times. Someone always threw or eighties yeah or eighties.

732
00:39:54,600 --> 00:39:58,680
Speaker 3: Oh, anyway, nobody threw a pulp friction, but I sure

733
00:39:58,719 --> 00:40:00,200
Speaker 3: would have enjoyed that.

734
00:40:00,880 --> 00:40:03,399
Speaker 1: I never you know why I never went to any

735
00:40:03,440 --> 00:40:05,960
Speaker 1: eighties parties in college because I went to college.

736
00:40:05,719 --> 00:40:06,720
Speaker 6: Because you were in the eighties.

737
00:40:08,120 --> 00:40:09,200
Speaker 3: That was the future.

738
00:40:09,480 --> 00:40:12,439
Speaker 1: That would have been let's do a party four years

739
00:40:12,480 --> 00:40:13,239
Speaker 1: in the future.

740
00:40:16,000 --> 00:40:20,000
Speaker 3: So does everybody agree, all four of us, that Rory

741
00:40:20,080 --> 00:40:23,680
Speaker 3: did the right thing by saying yes to Robert asking

742
00:40:23,719 --> 00:40:24,800
Speaker 3: her to go to the party.

743
00:40:25,000 --> 00:40:28,200
Speaker 6: Absolutely, Yeah, yeah, the only she knew.

744
00:40:29,920 --> 00:40:31,480
Speaker 2: I feel like she knew what she was doing too.

745
00:40:31,520 --> 00:40:33,759
Speaker 2: I feel like she knew that Logan was going to

746
00:40:33,800 --> 00:40:35,960
Speaker 2: be there and she's gonna He's gonna see her with

747
00:40:35,960 --> 00:40:38,840
Speaker 2: another guy, Like I think she kind of just I know,

748
00:40:39,400 --> 00:40:41,799
Speaker 2: I've done that before. I'm not gonna lie, like, you know,

749
00:40:42,040 --> 00:40:43,160
Speaker 2: the guy he likes going to be.

750
00:40:43,080 --> 00:40:46,600
Speaker 3: There, totally. My only thing is this is Yale, right?

751
00:40:46,880 --> 00:40:49,600
Speaker 3: Why is there just one group of kids and Marty?

752
00:40:49,920 --> 00:40:53,880
Speaker 3: Like that's it, that's the last kids and Marty. But

753
00:40:53,960 --> 00:40:57,799
Speaker 3: it's true. So I have a friend in college who

754
00:40:57,920 --> 00:41:01,000
Speaker 3: a guy asked her to a date party knowing that

755
00:41:01,040 --> 00:41:02,960
Speaker 3: the guy she really they were friends, so I think

756
00:41:03,000 --> 00:41:05,480
Speaker 3: they were even in Cahoot knowing that the guy she

757
00:41:05,640 --> 00:41:07,680
Speaker 3: really liked was going to be at the date party.

758
00:41:07,800 --> 00:41:11,920
Speaker 3: So she fully went with this guy, Jimmy, because the

759
00:41:11,960 --> 00:41:13,719
Speaker 3: guy she liked was going to be there, so she

760
00:41:13,800 --> 00:41:16,479
Speaker 3: got to see him, and then they dated and they've

761
00:41:16,480 --> 00:41:20,400
Speaker 3: been married for thirties. Oh wow, So that's what I'm saying.

762
00:41:20,520 --> 00:41:22,799
Speaker 3: Rory might be onto something.

763
00:41:22,800 --> 00:41:24,520
Speaker 6: Minus the second half. I did that all the time

764
00:41:24,560 --> 00:41:27,480
Speaker 6: in college too. I went yeah at the date parties

765
00:41:27,520 --> 00:41:31,400
Speaker 6: all the time when I liked somebody else. Yeah, you know, like,

766
00:41:32,000 --> 00:41:32,440
Speaker 6: why not.

767
00:41:34,080 --> 00:41:35,800
Speaker 2: I'm here so you yeah?

768
00:41:36,000 --> 00:41:38,759
Speaker 3: Right. Maybe we're looking at this with forty year old

769
00:41:38,800 --> 00:41:42,640
Speaker 3: eyes average between all of us, forty year old eyes

770
00:41:43,440 --> 00:41:46,040
Speaker 3: instead of twenty year old eyes. A twenty year old

771
00:41:46,040 --> 00:41:48,600
Speaker 3: would say yes to Robert knowing that they fully had

772
00:41:48,600 --> 00:41:51,320
Speaker 3: the intention of going to make the guy they actually

773
00:41:51,560 --> 00:41:57,200
Speaker 3: liked either jealous or kiss him that night, which worked. Yeah,

774
00:41:57,560 --> 00:41:59,720
Speaker 3: maybe she's crazy like a fox.

775
00:42:00,560 --> 00:42:03,040
Speaker 6: I don't think any Rory did anything wrong there.

776
00:42:05,480 --> 00:42:07,560
Speaker 3: And I was proud of her. I know we're jumping

777
00:42:07,600 --> 00:42:12,840
Speaker 3: ahead that she stayed calm, She wasn't like acting nuts,

778
00:42:13,520 --> 00:42:16,640
Speaker 3: she was being cool. She still kisses him and then

779
00:42:16,680 --> 00:42:19,239
Speaker 3: says no, no, like and he wants to get out

780
00:42:19,239 --> 00:42:22,680
Speaker 3: of there, itches date and take her away, and she's like, no,

781
00:42:22,760 --> 00:42:25,760
Speaker 3: I came with Robert, Robert Grimaldi.

782
00:42:31,040 --> 00:42:33,920
Speaker 1: I know, a real Grimaldi. That was funny.

783
00:42:37,520 --> 00:42:39,239
Speaker 3: So I don't know what so what would how would

784
00:42:39,280 --> 00:42:41,040
Speaker 3: you guys have played that? Or did she do the

785
00:42:41,120 --> 00:42:41,560
Speaker 3: right thing.

786
00:42:42,160 --> 00:42:44,440
Speaker 1: You know why she said Grimaldi, don't you.

787
00:42:44,719 --> 00:42:47,359
Speaker 3: I didn't. I didn't know where she got it.

788
00:42:47,360 --> 00:42:51,400
Speaker 1: It's an Italian house, Italian house at Grimaldi, it's royalty.

789
00:42:51,440 --> 00:42:52,279
Speaker 1: It's Italian royal.

790
00:42:52,440 --> 00:42:54,440
Speaker 3: Oh so she's just like so she's.

791
00:42:54,640 --> 00:42:57,960
Speaker 1: Like like, I'm dating a bigger fish than you logan like,

792
00:42:58,040 --> 00:43:02,239
Speaker 1: you know, but she's does it doing been? I mean,

793
00:43:02,280 --> 00:43:03,839
Speaker 1: it's been hundreds and hundreds of years.

794
00:43:04,000 --> 00:43:08,560
Speaker 3: I love back there because the mom's like, what's his name?

795
00:43:08,800 --> 00:43:09,160
Speaker 9: Robert?

796
00:43:10,520 --> 00:43:12,759
Speaker 3: And then at the party, she's what's your last name?

797
00:43:15,920 --> 00:43:17,600
Speaker 3: It's his last name? Why do I want to say

798
00:43:17,600 --> 00:43:24,560
Speaker 3: it's Zimmerman. That's not right? What is his last name? Roberts?

799
00:43:25,000 --> 00:43:25,400
Speaker 1: Robert?

800
00:43:26,320 --> 00:43:27,680
Speaker 3: What is Robert's last name?

801
00:43:27,880 --> 00:43:28,480
Speaker 1: I don't know.

802
00:43:28,719 --> 00:43:34,960
Speaker 6: He didn't deliver the line in that episode.

803
00:43:33,239 --> 00:43:37,879
Speaker 1: Say according to Hannah, it's just Robert.

804
00:43:39,200 --> 00:43:47,359
Speaker 3: Oh goodness. So okay, well here, okay, so we do

805
00:43:47,480 --> 00:43:49,799
Speaker 3: go back. We're going back and forth, right, So we

806
00:43:49,920 --> 00:43:53,399
Speaker 3: go to the date between Luke and Laura Lai and

807
00:43:54,320 --> 00:43:58,759
Speaker 3: we're in the truck and I can't even remember what

808
00:43:58,880 --> 00:43:59,480
Speaker 3: leads up to this.

809
00:43:59,760 --> 00:44:04,640
Speaker 1: I want to comment on on maybe the finest UH

810
00:44:05,000 --> 00:44:08,400
Speaker 1: run of Dialogue, and the show was delivered by Robert

811
00:44:09,040 --> 00:44:10,719
Speaker 1: about what's he wants, what he wants to do with

812
00:44:10,760 --> 00:44:14,399
Speaker 1: his life, and that whole monologue about how he wants

813
00:44:14,440 --> 00:44:18,560
Speaker 1: to leave the inheritance to a parrot named Steve.

814
00:44:18,400 --> 00:44:22,080
Speaker 3: Or can anybody read that? Can somebody read that?

815
00:44:22,360 --> 00:44:23,960
Speaker 1: I put that up?

816
00:44:24,640 --> 00:44:26,319
Speaker 3: Oh my god, somebody if you can.

817
00:44:26,560 --> 00:44:28,879
Speaker 1: A script and put that up because that was just.

818
00:44:28,920 --> 00:44:31,200
Speaker 3: And while they're looking for it, My favorite line of

819
00:44:31,239 --> 00:44:33,680
Speaker 3: this whole episode is in the truck while they're finding

820
00:44:33,719 --> 00:44:39,240
Speaker 3: that one, when Lorelai says something and Luke says, you bet,

821
00:44:39,680 --> 00:44:42,000
Speaker 3: and it's the way he delivers it. I don't even know,

822
00:44:43,640 --> 00:44:46,040
Speaker 3: I need to know what she says for his response,

823
00:44:46,080 --> 00:44:48,520
Speaker 3: and he says, you bet, and it's.

824
00:44:48,360 --> 00:44:52,720
Speaker 1: Just like I remember. I. I love doing those lines

825
00:44:52,800 --> 00:44:56,759
Speaker 1: because it says everything about how deeply it hurt him

826
00:44:56,800 --> 00:45:03,000
Speaker 1: and how deeply he feels with hol getting too into it.

827
00:45:03,520 --> 00:45:07,200
Speaker 3: Yeah, it's very Luke. Yes, Okay.

828
00:45:07,160 --> 00:45:11,120
Speaker 1: Waitin goal in life is to outlive my brother inherit

829
00:45:11,120 --> 00:45:13,319
Speaker 1: the family fortune, put all my sisters out on the

830
00:45:13,320 --> 00:45:17,280
Speaker 1: street and live as frivolously as possible, having numerous wives,

831
00:45:17,320 --> 00:45:20,279
Speaker 1: thousands of illegitimate children, and die completely alone. And you've

832
00:45:20,280 --> 00:45:23,160
Speaker 1: every cent sent to a pirate named Polly. I love

833
00:45:23,200 --> 00:45:24,520
Speaker 1: that this was.

834
00:45:24,560 --> 00:45:28,080
Speaker 3: Like great, I mean really good. Wait, Hannah, and I

835
00:45:28,120 --> 00:45:30,000
Speaker 3: don't mean to make more work for our producer, Hannah,

836
00:45:30,040 --> 00:45:31,560
Speaker 3: but can you see if you can find out the

837
00:45:31,600 --> 00:45:34,839
Speaker 3: line that comes right before they're in the truck and

838
00:45:34,880 --> 00:45:37,640
Speaker 3: she hates that they spend a chunk of time apart,

839
00:45:38,040 --> 00:45:40,640
Speaker 3: like she hates it. He's getting a reggae fever CD

840
00:45:40,760 --> 00:45:43,880
Speaker 3: and she doesn't even know it. And then she says

841
00:45:43,920 --> 00:45:46,799
Speaker 3: something and he says, you bet, And I just need

842
00:45:46,800 --> 00:45:52,400
Speaker 3: to know the line that he says, because I was like, swoon, swoon.

843
00:45:52,880 --> 00:45:55,000
Speaker 3: I love Luke swoon.

844
00:45:55,239 --> 00:45:58,120
Speaker 1: But isn't she lovely that she needs him so much?

845
00:45:58,480 --> 00:46:02,720
Speaker 1: And she just loves being in there relationship with him. Yes,

846
00:46:02,960 --> 00:46:04,680
Speaker 1: I hate that we were apart.

847
00:46:05,080 --> 00:46:06,920
Speaker 3: So she says, this is so weird. I mean to

848
00:46:06,920 --> 00:46:08,560
Speaker 3: think that there's this whole chunk of time when we

849
00:46:08,560 --> 00:46:12,239
Speaker 3: weren't together. We're living totally separate, just working like crazy,

850
00:46:12,280 --> 00:46:13,480
Speaker 3: and you were running around buying.

851
00:46:13,440 --> 00:46:16,480
Speaker 1: Reyk CD one CD one oh.

852
00:46:16,560 --> 00:46:17,960
Speaker 3: And then she says all he can say is you're

853
00:46:18,000 --> 00:46:20,080
Speaker 3: lucky and back in your life, because clearly you were

854
00:46:20,080 --> 00:46:23,600
Speaker 3: lost without me. I mean, it's a miracle. I can't

855
00:46:23,640 --> 00:46:24,200
Speaker 3: see that part.

856
00:46:24,280 --> 00:46:25,520
Speaker 6: It's an still alive.

857
00:46:25,719 --> 00:46:27,120
Speaker 3: Oh you're even still alive?

858
00:46:27,280 --> 00:46:29,040
Speaker 7: Right? You bet?

859
00:46:29,320 --> 00:46:31,160
Speaker 3: Oh got you still got it?

860
00:46:31,360 --> 00:46:35,040
Speaker 1: I still got it? You know you know where I

861
00:46:35,120 --> 00:46:38,600
Speaker 1: got that line reading? Do you know where I got

862
00:46:38,600 --> 00:46:41,760
Speaker 1: that line reading? My dad?

863
00:46:42,560 --> 00:46:45,680
Speaker 3: Oh swoon, double swoon.

864
00:46:45,560 --> 00:46:48,480
Speaker 1: No, my dad. That's how. That was My dad's attitude.

865
00:46:48,520 --> 00:46:55,240
Speaker 1: The bigger the moment. He would always go, you bet, oh, yes, that.

866
00:46:55,239 --> 00:47:00,360
Speaker 3: Was well done. So we go to the pulp fiction

867
00:47:00,560 --> 00:47:04,600
Speaker 3: Friction party. The costumes are amazing. I do think it

868
00:47:04,640 --> 00:47:06,840
Speaker 3: was weird that Finn kept not knowing who Rory was.

869
00:47:06,880 --> 00:47:08,759
Speaker 3: I was like, a little bit to me dumb. But

870
00:47:08,800 --> 00:47:14,280
Speaker 3: what Yeah, uh, Logan's on the couch calling no date.

871
00:47:15,320 --> 00:47:18,759
Speaker 3: You know, the whole, the whole, all the girls and

872
00:47:18,760 --> 00:47:22,640
Speaker 3: they're all it's very party college party. It seemed like

873
00:47:22,680 --> 00:47:24,520
Speaker 3: a fun time, right, Like.

874
00:47:24,840 --> 00:47:28,919
Speaker 2: Yeah, that and like you said, the costumes were great.

875
00:47:29,120 --> 00:47:30,359
Speaker 1: Yeah, I think parties are fun.

876
00:47:31,680 --> 00:47:33,839
Speaker 3: That would have been rat And I'm not even one

877
00:47:33,880 --> 00:47:35,799
Speaker 3: for costume party, but that would have been rat. And

878
00:47:35,880 --> 00:47:41,640
Speaker 3: like Scott said, the recreation of the dance was, oh

879
00:47:41,760 --> 00:47:45,239
Speaker 3: my god, amazing. So while the parties going on were

880
00:47:45,239 --> 00:47:49,400
Speaker 3: simultaneously with Luke and Lorelai discovering Kirk naked in the

881
00:47:49,400 --> 00:47:54,600
Speaker 3: boat well.

882
00:47:54,640 --> 00:47:56,960
Speaker 2: But we also there was one part that I can't

883
00:47:57,000 --> 00:47:58,600
Speaker 2: remember if we brought it up, but when they were

884
00:47:58,600 --> 00:48:01,799
Speaker 2: talking about just the banter between Luke and Kirk and

885
00:48:01,880 --> 00:48:04,520
Speaker 2: like he should live alone, and he was just like,

886
00:48:04,840 --> 00:48:07,200
Speaker 2: well I asked my mom to leave, is you will leave?

887
00:48:09,640 --> 00:48:11,560
Speaker 1: Do you know what I do? You know what a

888
00:48:12,360 --> 00:48:16,120
Speaker 1: Salien point? But you know what I just realized, and

889
00:48:16,160 --> 00:48:18,640
Speaker 1: this is something that happened yesterday too. It's very strange.

890
00:48:19,640 --> 00:48:25,000
Speaker 1: Luke in his uniform is a superhero. That's his superhero uniform,

891
00:48:25,239 --> 00:48:28,920
Speaker 1: that backwards baseball cap, that flannel, that is an actual

892
00:48:29,400 --> 00:48:34,560
Speaker 1: superhero uniform. Because when it's not on, it's a different person.

893
00:48:35,400 --> 00:48:37,160
Speaker 1: And that's one of the things that was jarring to

894
00:48:37,200 --> 00:48:39,919
Speaker 1: me is watching this person who is me, who's twenty

895
00:48:40,040 --> 00:48:43,080
Speaker 1: years younger, without his hat on, and he's dressed in

896
00:48:43,160 --> 00:48:45,279
Speaker 1: regular clothes and a leather jacket and he's out on

897
00:48:45,320 --> 00:48:48,520
Speaker 1: a date. It's a whole different experience. You experienced Luke

898
00:48:48,560 --> 00:48:50,680
Speaker 1: in a much different way, or at least the idea

899
00:48:51,320 --> 00:48:54,080
Speaker 1: than when he has his superhero uniform on. I mean,

900
00:48:54,080 --> 00:48:58,239
Speaker 1: it says I think that that Luke costume is his

901
00:48:58,480 --> 00:49:00,640
Speaker 1: iconic as a I mean, I'm not going to compare

902
00:49:00,640 --> 00:49:03,160
Speaker 1: it to Batman, but I just kept thinking of Batman,

903
00:49:04,200 --> 00:49:04,400
Speaker 1: you know.

904
00:49:04,480 --> 00:49:06,640
Speaker 3: Yeah, no, I see what you're saying. That it gives

905
00:49:09,120 --> 00:49:12,959
Speaker 3: right when he's in the in the diner outfit, he's

906
00:49:13,000 --> 00:49:18,040
Speaker 3: more confident. He's that hat gives some power. I kind

907
00:49:18,040 --> 00:49:21,919
Speaker 3: of equate it to musicians that were sunglasses, like it's

908
00:49:22,040 --> 00:49:26,040
Speaker 3: like they you can't quite see them for their their truth.

909
00:49:28,760 --> 00:49:29,000
Speaker 6: Yeah.

910
00:49:29,080 --> 00:49:32,680
Speaker 3: Yeah, I'm not mad at this analogy.

911
00:49:31,960 --> 00:49:33,520
Speaker 1: And Caesar is Alfred.

912
00:49:34,920 --> 00:49:36,920
Speaker 3: I'm not mad at any of it. So I'm not

913
00:49:36,960 --> 00:49:38,560
Speaker 3: mad at it.

914
00:49:38,840 --> 00:49:41,360
Speaker 4: Right, And then you know, right, so he is always

915
00:49:41,440 --> 00:49:45,879
Speaker 4: a little he's not quite as on his game when

916
00:49:45,920 --> 00:49:49,160
Speaker 4: he's like date Luke or suit Luke is like the

917
00:49:49,320 --> 00:49:50,359
Speaker 4: most off his game.

918
00:49:50,560 --> 00:49:53,880
Speaker 3: He's like, oh, you know, if you think about like

919
00:49:54,320 --> 00:49:58,399
Speaker 3: plays in the full suit, I.

920
00:49:58,320 --> 00:50:02,920
Speaker 6: Think it goes mantel Luke, right, the uniform, and then

921
00:50:02,960 --> 00:50:04,040
Speaker 6: he goes PJ.

922
00:50:04,239 --> 00:50:04,479
Speaker 9: Luke.

923
00:50:09,040 --> 00:50:09,719
Speaker 3: That's pretty good.

924
00:50:11,120 --> 00:50:12,839
Speaker 6: I'm trying to think of what the third thing is.

925
00:50:12,960 --> 00:50:15,920
Speaker 3: Green jacket, the green jacket, green.

926
00:50:15,800 --> 00:50:19,680
Speaker 1: Jacket full that's full superhero.

927
00:50:20,440 --> 00:50:22,000
Speaker 3: I totally agree it's the green.

928
00:50:21,880 --> 00:50:24,919
Speaker 1: Jacket with a flannel underneath. But no, Daniel, the next

929
00:50:25,000 --> 00:50:29,880
Speaker 1: level under p j Luke is dating Luke casual.

930
00:50:29,480 --> 00:50:32,319
Speaker 6: Dat leather jacket, leather jacket.

931
00:50:32,040 --> 00:50:38,919
Speaker 1: Luke right, and then there is the suit, the suit look,

932
00:50:39,000 --> 00:50:41,120
Speaker 1: which is the most awkward.

933
00:50:41,840 --> 00:50:47,520
Speaker 3: Yeah, it's not going well. Yeah, so we go back

934
00:50:47,560 --> 00:50:49,719
Speaker 3: to the party. So there we're dealing with Kirk and

935
00:50:49,760 --> 00:50:53,920
Speaker 3: they invite him to stay, you know, which was seemed

936
00:50:54,160 --> 00:50:56,560
Speaker 3: logical and sweet. We go back to the party and

937
00:50:56,560 --> 00:51:01,160
Speaker 3: this is where Logan, uh those over to talk to Rory,

938
00:51:01,719 --> 00:51:05,320
Speaker 3: and Logan doesn't even like it. Yeah, doesn't like his friend.

939
00:51:05,360 --> 00:51:07,960
Speaker 3: He's like, he's a jerk. I hate Robert.

940
00:51:08,680 --> 00:51:10,920
Speaker 1: She unmasked the beast.

941
00:51:11,560 --> 00:51:14,000
Speaker 6: Yeah, well said.

942
00:51:16,120 --> 00:51:18,600
Speaker 3: Then we have a so that he kisses her and

943
00:51:18,640 --> 00:51:21,200
Speaker 3: wants her to go back to your place, my place.

944
00:51:21,280 --> 00:51:23,600
Speaker 3: Let's just get out of here. I don't like this,

945
00:51:24,000 --> 00:51:26,360
Speaker 3: you know. So then we go back and I actually

946
00:51:26,480 --> 00:51:29,320
Speaker 3: really enjoyed the scene with Luke and Lorelai in the

947
00:51:29,400 --> 00:51:34,160
Speaker 3: kitchen discussing this date. You know, she's looking at her phone.

948
00:51:34,760 --> 00:51:37,200
Speaker 1: Wasn't that okay, Danielle? You think that just to go

949
00:51:37,280 --> 00:51:39,319
Speaker 1: back to the Logan kiss, Let's get out of here,

950
00:51:39,400 --> 00:51:43,280
Speaker 1: Let's go to my place. Wasn't that just full on desperation? Yes,

951
00:51:43,480 --> 00:51:46,839
Speaker 1: and just panicking he was completely panicked, and it.

952
00:51:46,800 --> 00:51:50,800
Speaker 6: Was like I was like, any any lettle coolness you

953
00:51:50,920 --> 00:51:52,840
Speaker 6: once had is gone gone?

954
00:51:53,960 --> 00:51:56,879
Speaker 1: Is this guy? Is this the real logan? Is that

955
00:51:57,000 --> 00:51:57,960
Speaker 1: the real guy?

956
00:51:59,000 --> 00:52:04,520
Speaker 6: He's a score me? Like ye laughing because I would

957
00:52:04,560 --> 00:52:05,040
Speaker 6: have been.

958
00:52:06,600 --> 00:52:08,840
Speaker 3: I'm only laughing because I would have been like, Okay,

959
00:52:09,160 --> 00:52:19,319
Speaker 3: let's let's get out of here. I love him, and

960
00:52:19,360 --> 00:52:22,239
Speaker 3: I know she loves him. I'm her she. I mean,

961
00:52:22,239 --> 00:52:25,399
Speaker 3: it took probably all her strength to be like no, no.

962
00:52:26,520 --> 00:52:28,719
Speaker 3: I would have been like, good call, let's get out

963
00:52:28,760 --> 00:52:32,760
Speaker 3: of here. Boom.

964
00:52:33,640 --> 00:52:36,040
Speaker 1: You would have been the one saying the logan lines.

965
00:52:37,560 --> 00:52:39,320
Speaker 1: I would have logan, come.

966
00:52:39,200 --> 00:52:45,719
Speaker 3: On, let's get out of I get it. I'm logan too.

967
00:52:45,800 --> 00:52:49,920
Speaker 3: I would have like, get me out of here. I

968
00:52:49,960 --> 00:52:53,200
Speaker 3: do like Luke and Lorel like discussing it, because Luke

969
00:52:53,280 --> 00:52:57,040
Speaker 3: is saying all the things that seemed right to say,

970
00:52:57,120 --> 00:53:00,520
Speaker 3: like wait, who's robber? Like what's going on?

971
00:53:01,040 --> 00:53:01,239
Speaker 10: You know?

972
00:53:01,280 --> 00:53:04,280
Speaker 3: And she's sort of talking about she really only pulls

973
00:53:04,320 --> 00:53:07,919
Speaker 3: the mom card out when she had to, and now

974
00:53:08,040 --> 00:53:10,480
Speaker 3: she barely can have a mom card because it's like

975
00:53:11,120 --> 00:53:15,080
Speaker 3: Rory's gone, like gone, she's cooked, she's she's grown up.

976
00:53:15,120 --> 00:53:17,959
Speaker 3: There's no mom card to pull.

977
00:53:18,239 --> 00:53:20,560
Speaker 2: I did like that she was having the conversation with

978
00:53:20,680 --> 00:53:23,280
Speaker 2: Luke though, because Luke is so involved in her life

979
00:53:24,120 --> 00:53:28,240
Speaker 2: that it goes back to you know, when they walked

980
00:53:28,280 --> 00:53:32,080
Speaker 2: in on her and Logan like Luke cared because he's

981
00:53:32,120 --> 00:53:34,000
Speaker 2: seen her grow up, and so it was nice to

982
00:53:34,000 --> 00:53:35,200
Speaker 2: see them have this conversation.

983
00:53:37,400 --> 00:53:38,879
Speaker 3: Kirk walking out during the middle.

984
00:53:40,080 --> 00:53:42,600
Speaker 1: She has no idea, of course, So.

985
00:53:42,640 --> 00:53:45,120
Speaker 3: Then we get to the din somehow, we're somehow we

986
00:53:45,239 --> 00:53:47,439
Speaker 3: jump to the diner. I'm not really sure, Like I just.

987
00:53:47,400 --> 00:53:50,680
Speaker 1: I just want to preface this whole discussion of the

988
00:53:50,719 --> 00:53:53,040
Speaker 1: diner with the Emily coming in and the whole thing

989
00:53:55,160 --> 00:53:57,520
Speaker 1: with the whole Luke and no cell phone thing, which

990
00:53:57,560 --> 00:54:02,520
Speaker 1: is iconic, right, Yeah, what a ninja move he pulled

991
00:54:03,400 --> 00:54:05,880
Speaker 1: with a cell phone. Oh totally. He took it out

992
00:54:05,880 --> 00:54:09,080
Speaker 1: of his pocket and called so that she could hear,

993
00:54:09,680 --> 00:54:14,920
Speaker 1: and he just stepped back, leaned back, and.

994
00:54:14,920 --> 00:54:16,319
Speaker 3: He never engage it.

995
00:54:17,080 --> 00:54:21,560
Speaker 1: Yeah, he's very he's he's good with a cell phone.

996
00:54:21,640 --> 00:54:26,200
Speaker 3: And he's also very good with Emily in the sense

997
00:54:26,239 --> 00:54:29,840
Speaker 3: that he stands up for himself. You know he does

998
00:54:30,239 --> 00:54:33,360
Speaker 3: because I think he says look or something, he says

999
00:54:33,440 --> 00:54:36,600
Speaker 3: something to her, like he's not just like her punching bag,

1000
00:54:37,320 --> 00:54:42,360
Speaker 3: but he never is inappropriate with his girlfriend's mother, despite

1001
00:54:42,400 --> 00:54:47,600
Speaker 3: the fact that Emily is so vile. Yeah, I mean

1002
00:54:47,640 --> 00:54:50,239
Speaker 3: I have to hand I have to give him ten

1003
00:54:50,280 --> 00:54:53,960
Speaker 3: out of ten on just a situation.

1004
00:54:54,239 --> 00:54:58,560
Speaker 1: That was a super cool totally as Laura hears that,

1005
00:54:58,719 --> 00:55:00,479
Speaker 1: she comes in and she closes that deal.

1006
00:55:00,800 --> 00:55:06,080
Speaker 6: Yeah, and yeah to get involved, you know, like Emily's

1007
00:55:06,120 --> 00:55:06,680
Speaker 6: none the wiser.

1008
00:55:07,520 --> 00:55:09,840
Speaker 3: Yeah, she comes in just hot, what on earth is

1009
00:55:09,840 --> 00:55:12,200
Speaker 3: wrong with you? And I come in here and humiliate

1010
00:55:12,280 --> 00:55:16,960
Speaker 3: myself and Ma and then she's just Loralai comes in,

1011
00:55:17,320 --> 00:55:20,600
Speaker 3: do us all a favor and shut up?

1012
00:55:20,800 --> 00:55:24,279
Speaker 1: Five years of rage, five years of rage coming in

1013
00:55:24,400 --> 00:55:27,400
Speaker 1: putting into that shut up. It was she She just

1014
00:55:27,680 --> 00:55:31,440
Speaker 1: nailed that. That was a man, what a what a scene?

1015
00:55:32,640 --> 00:55:36,239
Speaker 1: You know, who cares if it was forced that she

1016
00:55:36,320 --> 00:55:38,320
Speaker 1: got her in there and all this stuff that was

1017
00:55:38,360 --> 00:55:39,719
Speaker 1: scene was worth it.

1018
00:55:40,360 --> 00:55:45,839
Speaker 3: I totally agree. And just as we're all completely by

1019
00:55:45,880 --> 00:55:49,560
Speaker 3: the scene, we take a breath and we get Luke saying,

1020
00:55:49,840 --> 00:55:51,319
Speaker 3: I'm a big fan of the speed dial.

1021
00:55:51,440 --> 00:55:53,919
Speaker 2: Oh that was my favorite. That was my favorite line

1022
00:55:53,960 --> 00:55:54,839
Speaker 2: in this episode.

1023
00:55:55,880 --> 00:56:01,480
Speaker 3: It was the perfect timing too, because we'd also we

1024
00:56:01,520 --> 00:56:04,320
Speaker 3: had time to sort of exhale and then it's boom.

1025
00:56:04,520 --> 00:56:07,239
Speaker 2: But it's like, I just can't believe she came back

1026
00:56:07,239 --> 00:56:09,879
Speaker 2: to the diner. I was like, really, you're coming back.

1027
00:56:09,760 --> 00:56:14,440
Speaker 6: In There's something about this scene that I loved, but

1028
00:56:14,640 --> 00:56:19,200
Speaker 6: also it was weird to me, and I can't pinpoint

1029
00:56:19,239 --> 00:56:19,960
Speaker 6: what it is.

1030
00:56:20,160 --> 00:56:20,279
Speaker 10: Like.

1031
00:56:20,600 --> 00:56:23,360
Speaker 6: I love that Loralai is standing up to Emily and

1032
00:56:23,440 --> 00:56:25,000
Speaker 6: saying like stop, but.

1033
00:56:25,080 --> 00:56:29,080
Speaker 1: Like because because because em I'll tell you why it

1034
00:56:29,120 --> 00:56:31,120
Speaker 1: bothers me, it probably bothers me the same way it

1035
00:56:31,160 --> 00:56:33,759
Speaker 1: bothers you. It's because she's smarter than that that the

1036
00:56:33,880 --> 00:56:38,640
Speaker 1: go back in there and be so nakedly evil. There's

1037
00:56:38,640 --> 00:56:42,200
Speaker 1: there's there are other ways to do this. I mean,

1038
00:56:42,280 --> 00:56:45,759
Speaker 1: Emily is supposed to be this intelligence, sophisticated sort of

1039
00:56:45,800 --> 00:56:48,560
Speaker 1: strategic person, you know what I mean. I mean, in

1040
00:56:48,640 --> 00:56:50,720
Speaker 1: order to survive your marriage with a guy like Richard

1041
00:56:50,760 --> 00:56:53,520
Speaker 1: for all those years and vice versa. You know, we're

1042
00:56:53,560 --> 00:56:56,120
Speaker 1: talking about two very clever people who are very good

1043
00:56:56,160 --> 00:56:58,359
Speaker 1: with people, and they're used to getting what they want.

1044
00:56:58,480 --> 00:57:01,239
Speaker 1: And with all her womanly whiles and all of her

1045
00:57:01,280 --> 00:57:06,600
Speaker 1: experience with people, she couldn't figure out how to get

1046
00:57:06,719 --> 00:57:09,920
Speaker 1: Luke to go lor Lie or how to you know,

1047
00:57:10,360 --> 00:57:12,799
Speaker 1: inspire him or induce him to go to lore in

1048
00:57:12,840 --> 00:57:16,000
Speaker 1: some other way than just coming into the diner for

1049
00:57:16,040 --> 00:57:18,400
Speaker 1: the second time being forceful and evil. I mean it

1050
00:57:18,440 --> 00:57:21,680
Speaker 1: was That's what was was off about it.

1051
00:57:21,800 --> 00:57:23,560
Speaker 3: She's smart character was.

1052
00:57:23,560 --> 00:57:25,840
Speaker 1: So dumb down. It didn't even sound like her.

1053
00:57:26,240 --> 00:57:28,400
Speaker 3: And she knows how to clean up a mess, and

1054
00:57:28,440 --> 00:57:30,040
Speaker 3: she wouldn't have made it more of a mess.

1055
00:57:30,680 --> 00:57:33,840
Speaker 6: And I think part of me is also like again,

1056
00:57:34,440 --> 00:57:36,840
Speaker 6: you know, like again we're here, yeah, you know what

1057
00:57:36,920 --> 00:57:39,240
Speaker 6: I mean, Like can we be a little bit more

1058
00:57:39,240 --> 00:57:43,680
Speaker 6: creative here? Like I don't know, like all right, a,

1059
00:57:43,800 --> 00:57:47,200
Speaker 6: lore Lie and Emily again are having a blowout, you know,

1060
00:57:47,320 --> 00:57:49,240
Speaker 6: like we saw this at the end of the wedding

1061
00:57:49,360 --> 00:57:52,600
Speaker 6: or the vow renewal. We saw this in season one,

1062
00:57:52,800 --> 00:57:55,400
Speaker 6: you know, like we saw this in the flashbacks when

1063
00:57:55,800 --> 00:58:00,320
Speaker 6: Laura got pregnant. Like it's just the same and I

1064
00:58:00,400 --> 00:58:03,120
Speaker 6: and I just want them to like progress so bad,

1065
00:58:06,160 --> 00:58:07,040
Speaker 6: evolve this.

1066
00:58:07,120 --> 00:58:09,800
Speaker 1: Probable, well not possible, possible, but not probable.

1067
00:58:10,080 --> 00:58:12,400
Speaker 2: Yeah, I think that would have preferred her to go

1068
00:58:12,440 --> 00:58:14,760
Speaker 2: to Lorelei instead of Luke, Like why not just go,

1069
00:58:14,880 --> 00:58:15,960
Speaker 2: like go knock on your daughter.

1070
00:58:16,400 --> 00:58:18,640
Speaker 3: I won't even talk. I mean, right, you make it.

1071
00:58:18,680 --> 00:58:20,040
Speaker 2: Yeah, but I'm saying, like, I know she won't pick

1072
00:58:20,080 --> 00:58:21,960
Speaker 2: up the phone, but go knock on your daughter's door

1073
00:58:21,960 --> 00:58:23,120
Speaker 2: and have that conversation there.

1074
00:58:23,200 --> 00:58:26,720
Speaker 3: Don't go to the again, Well it's so inappropriate, but

1075
00:58:26,800 --> 00:58:27,280
Speaker 3: she did.

1076
00:58:27,320 --> 00:58:30,680
Speaker 1: But Emily did think that she was dealing with an imbecile.

1077
00:58:31,080 --> 00:58:34,960
Speaker 1: And yeah, right, so it's like, let's go whip the

1078
00:58:35,120 --> 00:58:38,560
Speaker 1: imbecile into action, right, which.

1079
00:58:38,360 --> 00:58:40,680
Speaker 6: Is just a puppet, her little puppet.

1080
00:58:40,800 --> 00:58:41,120
Speaker 1: Right.

1081
00:58:41,840 --> 00:58:46,720
Speaker 3: Can you imagine any mother messing with their daughter's relationship.

1082
00:58:46,760 --> 00:58:48,840
Speaker 3: It's just so excruciating.

1083
00:58:49,680 --> 00:58:54,360
Speaker 1: Oh, and it's and at thirty what seven years old?

1084
00:58:54,640 --> 00:58:57,200
Speaker 1: She's thirty seven and her mother's still pulling this crap

1085
00:58:57,240 --> 00:59:00,040
Speaker 1: on her. Yeah, like what.

1086
00:59:01,360 --> 00:59:01,960
Speaker 3: So bad?

1087
00:59:02,320 --> 00:59:05,000
Speaker 1: She's unhinged. I would have to say unhinged.

1088
00:59:05,240 --> 00:59:05,520
Speaker 11: Yeah.

1089
00:59:05,560 --> 00:59:07,360
Speaker 3: So then we go from that to the scene that

1090
00:59:07,840 --> 00:59:10,280
Speaker 3: I sort of love and love to hate, and as

1091
00:59:10,360 --> 00:59:14,160
Speaker 3: Danielle mentioned, oof, we're going down a bad old path.

1092
00:59:14,720 --> 00:59:18,880
Speaker 3: So it's lor Lai at the end on the phone

1093
00:59:19,000 --> 00:59:22,200
Speaker 3: with Rory talking about the date with Robert and she

1094
00:59:22,240 --> 00:59:24,439
Speaker 3: shoes all our cards to her mom. Oh, we got

1095
00:59:24,440 --> 00:59:27,160
Speaker 3: logan jealous and I think I've turned things around and

1096
00:59:27,640 --> 00:59:27,960
Speaker 3: we have.

1097
00:59:27,920 --> 00:59:29,000
Speaker 6: Two dates this week.

1098
00:59:29,600 --> 00:59:32,240
Speaker 3: Oh, he's called me all the time.

1099
00:59:34,240 --> 00:59:39,880
Speaker 1: You know, for me, this is a superfluous episode. Scene

1100
00:59:40,120 --> 00:59:44,360
Speaker 1: didn't need it. I thought for sure we would end

1101
00:59:44,600 --> 00:59:48,720
Speaker 1: on mom, shut up bone.

1102
00:59:47,720 --> 00:59:51,520
Speaker 3: But they never end on the crescendo. They always give

1103
00:59:51,560 --> 00:59:54,200
Speaker 3: you a little something more. And my thing on this

1104
00:59:54,240 --> 00:59:58,560
Speaker 3: scene is like it's necessary because we see that Rory

1105
00:59:58,800 --> 01:00:05,120
Speaker 3: isn't cool with dating casually, and she isn't actually she's

1106
01:00:05,120 --> 01:00:08,080
Speaker 3: she's not actually cool with any of it, and it's

1107
01:00:08,120 --> 01:00:12,440
Speaker 3: all a it's all a plan to get Logan.

1108
01:00:12,800 --> 01:00:16,120
Speaker 6: And she's you can tell Rory is setting herself up

1109
01:00:16,160 --> 01:00:17,280
Speaker 6: for heartbreak.

1110
01:00:18,000 --> 01:00:23,640
Speaker 2: Oh also, do you like that? Just a question for everyone?

1111
01:00:23,680 --> 01:00:25,200
Speaker 2: Do you like that Laura I is kind of just

1112
01:00:25,280 --> 01:00:27,400
Speaker 2: listening and not giving feedback or do you wish she

1113
01:00:27,400 --> 01:00:31,240
Speaker 2: would like kind of like tell Rory like, oh well,

1114
01:00:31,280 --> 01:00:33,360
Speaker 2: like what if you did that? Like I don't know,

1115
01:00:33,400 --> 01:00:33,800
Speaker 2: because I.

1116
01:00:33,720 --> 01:00:35,840
Speaker 6: Feel like that she's letting her daughter figure it out

1117
01:00:35,880 --> 01:00:38,240
Speaker 6: because she didn't have that growing up.

1118
01:00:38,920 --> 01:00:41,720
Speaker 3: Yeah, great question though, Tara.

1119
01:00:41,760 --> 01:00:44,400
Speaker 2: But I feel like Laurel I is also wondering if

1120
01:00:44,400 --> 01:00:47,640
Speaker 2: she should be saying something because the way, like her

1121
01:00:47,680 --> 01:00:50,160
Speaker 2: mannerism is the way she talks to Rory about Logan,

1122
01:00:50,320 --> 01:00:52,800
Speaker 2: like she wants to say so much, but she's not

1123
01:00:52,840 --> 01:00:53,480
Speaker 2: saying anything.

1124
01:00:54,120 --> 01:00:57,800
Speaker 6: Sometimes she does say stuff right, you know, and and

1125
01:00:57,840 --> 01:00:59,880
Speaker 6: she she gives a little a little bit.

1126
01:01:00,120 --> 01:01:03,040
Speaker 11: Oh so you know, you guys are having sex, you know,

1127
01:01:03,240 --> 01:01:07,800
Speaker 11: like you know, like the way she delivers it is

1128
01:01:07,880 --> 01:01:12,720
Speaker 11: hesitant and not you know, she's saying something without saying something,

1129
01:01:12,880 --> 01:01:14,400
Speaker 11: and like persuading.

1130
01:01:13,880 --> 01:01:17,720
Speaker 6: Her daughter to or manipulate her daughter to do something.

1131
01:01:18,240 --> 01:01:18,440
Speaker 4: You know.

1132
01:01:22,280 --> 01:01:25,760
Speaker 12: Hi, I'm Chris Harrison, host of the Most Dramatic Podcast Ever.

1133
01:01:26,520 --> 01:01:30,560
Speaker 12: I'm just like you, always looking for something interesting, heartfelt

1134
01:01:30,680 --> 01:01:34,400
Speaker 12: and entertaining to listen to. You know, look, maybe you

1135
01:01:34,480 --> 01:01:37,080
Speaker 12: used to watch a show every Monday night and now

1136
01:01:37,120 --> 01:01:39,360
Speaker 12: you have a lot of time on your hands and

1137
01:01:39,400 --> 01:01:42,840
Speaker 12: you're looking for something new, someone who's here for the

1138
01:01:42,920 --> 01:01:46,640
Speaker 12: right reasons. If you will, I've got you. Listen to

1139
01:01:46,680 --> 01:01:50,680
Speaker 12: the Most Dramatic Podcast Ever on the iHeartRadio app, Apple Podcasts,

1140
01:01:50,760 --> 01:01:52,840
Speaker 12: or wherever you listen to podcasts.

1141
01:01:53,240 --> 01:01:56,600
Speaker 10: Hey, guys, it's Jenna Ashwitz and Kevin McHale from and

1142
01:01:56,720 --> 01:01:59,560
Speaker 10: That's what you Really missed Podcasts. We are going through

1143
01:01:59,640 --> 01:02:02,280
Speaker 10: all six seasons of Glee and we are giving you

1144
01:02:02,320 --> 01:02:05,520
Speaker 10: the behind the scenes stories of what it was really

1145
01:02:05,600 --> 01:02:07,720
Speaker 10: like filming the musical numbers and episodes.

1146
01:02:08,000 --> 01:02:10,360
Speaker 13: It's been so special to revisit the show that changed

1147
01:02:10,360 --> 01:02:12,560
Speaker 13: our lives with some of our closest friends and to

1148
01:02:12,600 --> 01:02:15,640
Speaker 13: share some of the most authentic and real experiences we

1149
01:02:15,720 --> 01:02:19,440
Speaker 13: had together, completely raw and unfiltered. Plus we chat with

1150
01:02:19,480 --> 01:02:22,600
Speaker 13: our co stars like Jane Lynch, Chris Kolfer, Heather Morris

1151
01:02:22,600 --> 01:02:25,440
Speaker 13: and Berilelly, Harry Shump, Junior court over Street, Josh Susman,

1152
01:02:25,480 --> 01:02:28,959
Speaker 13: Max Adler, Rome Rosemont, John Stamos, Alex Snull and Dot

1153
01:02:28,960 --> 01:02:32,120
Speaker 13: Marie Jones on the pod, and so many more to come.

1154
01:02:32,120 --> 01:02:33,560
Speaker 13: We have some exciting guests coming.

1155
01:02:33,440 --> 01:02:35,640
Speaker 10: Up, and we can't forget the behind the scenes crew

1156
01:02:35,680 --> 01:02:38,800
Speaker 10: who made it all happen, our dear friends and literally

1157
01:02:38,800 --> 01:02:42,480
Speaker 10: the hardest working crew in Hollywood, from creators Ryan Murphy

1158
01:02:42,520 --> 01:02:46,200
Speaker 10: and Ian Brennan to directors, camera operators, musical directors. We

1159
01:02:46,280 --> 01:02:48,840
Speaker 10: are sharing all of our experiences on Glee.

1160
01:02:49,080 --> 01:02:51,080
Speaker 13: So meet us in the choir room at McKinley High

1161
01:02:51,120 --> 01:02:53,240
Speaker 13: and join us weekly on and that's what you really

1162
01:02:53,240 --> 01:02:55,760
Speaker 13: missed available wherever you listen to your podcasts.

1163
01:02:57,440 --> 01:03:00,760
Speaker 1: So let's do. Let's do favorite lines, Tara, what was

1164
01:03:00,800 --> 01:03:01,600
Speaker 1: your favorite line?

1165
01:03:01,880 --> 01:03:04,440
Speaker 2: Mine was when Luke says, suddenly, I'm a big fan

1166
01:03:04,520 --> 01:03:05,160
Speaker 2: of speed Dial.

1167
01:03:07,160 --> 01:03:10,480
Speaker 6: Danielle, shut up, shut up.

1168
01:03:11,720 --> 01:03:14,320
Speaker 3: I mean I'm torn between Robert. What's your last name?

1169
01:03:14,880 --> 01:03:15,760
Speaker 3: That you bet?

1170
01:03:16,800 --> 01:03:17,680
Speaker 11: Uh?

1171
01:03:18,000 --> 01:03:24,680
Speaker 3: Grimaldi? The dress is Sluttie. I mean there. Even though

1172
01:03:24,680 --> 01:03:29,920
Speaker 3: the episode wasn't the best, there's really amazing parts to it.

1173
01:03:31,400 --> 01:03:33,400
Speaker 3: So I will reflect that in my score. What's your

1174
01:03:33,400 --> 01:03:34,000
Speaker 3: favorite line?

1175
01:03:34,840 --> 01:03:36,240
Speaker 1: I don't know? Uh?

1176
01:03:37,080 --> 01:03:39,560
Speaker 3: Do you bet? I want to hear you say it again.

1177
01:03:40,760 --> 01:03:45,000
Speaker 1: Yeah. It hit me pretty deep. It really did, because

1178
01:03:45,000 --> 01:03:48,760
Speaker 1: it was just it was just my dad coming out

1179
01:03:48,800 --> 01:03:49,880
Speaker 1: in me. That was my dad.

1180
01:03:50,320 --> 01:03:54,960
Speaker 3: You bet you Scott slash Loop sure knows how to

1181
01:03:54,960 --> 01:03:56,880
Speaker 3: deliver those lines, right.

1182
01:03:57,920 --> 01:03:58,120
Speaker 2: Wow?

1183
01:03:59,000 --> 01:04:01,040
Speaker 1: Give credit of the old man?

1184
01:04:02,360 --> 01:04:03,560
Speaker 3: Is his name, mister Patterson?

1185
01:04:07,200 --> 01:04:07,680
Speaker 1: It was.

1186
01:04:10,640 --> 01:04:11,840
Speaker 3: Give for the score?

1187
01:04:12,000 --> 01:04:16,440
Speaker 1: What's the measuring stick and what's the total? Tara?

1188
01:04:16,600 --> 01:04:22,640
Speaker 2: I give it eight point five cocoa puffs?

1189
01:04:23,040 --> 01:04:25,440
Speaker 1: Mm hmmm daniel eight point five?

1190
01:04:25,560 --> 01:04:31,120
Speaker 6: Wow, Danielle eight point seventy five reggae fever albums.

1191
01:04:33,520 --> 01:04:39,040
Speaker 3: Amy eight point nine. That blanket wrapped around Kirk for

1192
01:04:39,200 --> 01:04:41,840
Speaker 3: like when he's naked for like half the episode.

1193
01:04:46,120 --> 01:04:50,960
Speaker 1: Gosh, yeah, I'm gonna give it an eight point eight

1194
01:04:51,120 --> 01:04:56,120
Speaker 1: five cell phones?

1195
01:04:56,920 --> 01:05:03,439
Speaker 3: Oh be done? What's next week? Next?

1196
01:05:03,720 --> 01:05:07,840
Speaker 1: Season five, Episode eighteen, to live and let diorama.

1197
01:05:08,760 --> 01:05:12,720
Speaker 3: I'm a little bit I don't know what the word is, sad, concern,

1198
01:05:12,920 --> 01:05:18,440
Speaker 3: disappointed that we're in season five, episode eighteen. You know,

1199
01:05:18,560 --> 01:05:22,760
Speaker 3: I've never watched the final episode. I couldn't do it

1200
01:05:22,640 --> 01:05:26,960
Speaker 3: and maybe ever Nope, I know scenes from it, but

1201
01:05:27,000 --> 01:05:29,240
Speaker 3: I've never watched That's the one episode I've never watched

1202
01:05:29,280 --> 01:05:32,400
Speaker 3: its entirety. I just skipped it over from like seven

1203
01:05:32,520 --> 01:05:34,760
Speaker 3: from season seven. I watched all the movies, but I

1204
01:05:34,760 --> 01:05:37,120
Speaker 3: felt like, if I don't watch it, it's not over.

1205
01:05:37,480 --> 01:05:40,240
Speaker 2: Oh my god, So you've never seen Yeah, I'm never

1206
01:05:40,280 --> 01:05:42,920
Speaker 2: going to be the only one who's seen the final episode.

1207
01:05:42,960 --> 01:05:45,160
Speaker 3: Yeah, I've never seen that episode in its entirety.

1208
01:05:45,320 --> 01:05:47,480
Speaker 1: I wonder when we get there, when we get to

1209
01:05:47,520 --> 01:05:51,720
Speaker 1: that point, well all forget to watch it repeatedly. Well sorry,

1210
01:05:51,760 --> 01:05:53,080
Speaker 1: we'll just have to deliver.

1211
01:05:53,960 --> 01:05:56,200
Speaker 3: Season seven is just going to be different for us,

1212
01:05:56,280 --> 01:05:58,480
Speaker 3: so again and season seven so weird.

1213
01:05:59,000 --> 01:06:02,600
Speaker 2: I said, season seven gonna be is very different for us, all.

1214
01:06:02,560 --> 01:06:04,439
Speaker 1: Right, gang, All right, So that's gonna do it. Thanks

1215
01:06:04,440 --> 01:06:08,640
Speaker 1: for downloading, everybody, best fans on the planet, you bet,

1216
01:06:09,160 --> 01:06:12,000
Speaker 1: and we've got some interesting guests coming up next week.

1217
01:06:12,440 --> 01:06:13,960
Speaker 1: I think you're gonna love them.

1218
01:06:14,360 --> 01:06:16,120
Speaker 3: Yeah we have. We have good guests this week, but

1219
01:06:16,160 --> 01:06:18,800
Speaker 3: we've got really juicy guests next week.

1220
01:06:18,960 --> 01:06:23,280
Speaker 1: Oh yeah. Anyway, all the best uh much love everybody.

1221
01:06:23,320 --> 01:06:27,520
Speaker 1: Keep those cards and letters coming and emails uh and

1222
01:06:28,080 --> 01:06:30,840
Speaker 1: remember we I A'm all in.

1223
01:06:31,520 --> 01:07:02,040
Speaker 7: Stay safe, everybody, don't forget.

1224
01:07:02,080 --> 01:07:06,160
Speaker 1: Follow us on Instagram at I Am All In podcast

1225
01:07:06,240 --> 01:07:20,480
Speaker 1: and email us at Gilmore at iHeartRadio dot com