WEBVTT - 122: White Claw Nights

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<v Speaker 1>It's eleven forty eight pm into Nopa, Nevada, and you're

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<v Speaker 1>listening to Nightcall. Hello and welcome to Nightcall, a call

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<v Speaker 1>in show for artist Topy in Reality. My name is

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<v Speaker 1>Emily Yoshida and I am joined on the other end

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<v Speaker 1>of the line by Molly Lambert and Tess Lynch. Hi, guys,

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<v Speaker 1>so we got a nightcall that we want to kick

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<v Speaker 1>things off with about contact tracing, about UH security and Bluetooth,

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<v Speaker 1>a lot of stuff that we were talking about with

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<v Speaker 1>Um Meredith, our guest a couple of weeks back. So

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<v Speaker 1>let's kick it off. It's a little long, but you

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<v Speaker 1>might learn something. Hi, Nightcall pod um, But this is MO.

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<v Speaker 1>I'm in Chicago. I'm calling about the sort of semi

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<v Speaker 1>conspiracy theory about they listening. UM. So you don't actually

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<v Speaker 1>have to go that far fit to be creepy, and

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<v Speaker 1>actually thinking that like consumer brands or like Instagram are

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<v Speaker 1>listening to your audio is actually taking it so far

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<v Speaker 1>that you're like not focusing on the right thing. Um.

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<v Speaker 1>And the thing that's the creepious about those is that

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<v Speaker 1>a lot of times that I would say high percent

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<v Speaker 1>of the time that you talk about something as a

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<v Speaker 1>friend and then adds later, Um, is because your friends

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<v Speaker 1>did something related to that search and the you know

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<v Speaker 1>sort of companies that aggregate the party data and some

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<v Speaker 1>of them to brands to do advertising. Um. Uh know

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<v Speaker 1>that your phones are in proxivity. So the reason that

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<v Speaker 1>this is creepier than like the actual milk company listening

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<v Speaker 1>to your conversation is one, it's like, Milk is not

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<v Speaker 1>a big enough brand to be collecting your data yourself themselves, right, Um,

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<v Speaker 1>So it's actually creepier that there's probably arguably a company

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<v Speaker 1>not very good at their jobs, um, not very secure, uh,

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<v Speaker 1>who has information about phones being close to each other,

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<v Speaker 1>because that allows um, anyone that's access to data to

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<v Speaker 1>d anonymize geolocation data. So uh, serial geolocation marker doesn't

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<v Speaker 1>tell you a lot which if you can tell it.

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<v Speaker 1>If you can like match a geolocation marker to other people,

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<v Speaker 1>then you get much much closer to identifying an individual

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<v Speaker 1>person with a geo marker. Um. And that's really the

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<v Speaker 1>problematic thing is that there's a lot of these like

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<v Speaker 1>very shitty third party vendors who do marketing data, and

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<v Speaker 1>thankfully a lot of that is going to be ameliorated

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<v Speaker 1>with GDPR because they will get fined for being bad

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<v Speaker 1>at their jobs, and the thing that they're particularly bad

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<v Speaker 1>at is not necessarily what they do above board. It's

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<v Speaker 1>like them not having enough DevOps engineer which is security

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<v Speaker 1>engineers UM and leaving their data out there. Or like,

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<v Speaker 1>you know, a dominding client wanted to use off label uses.

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<v Speaker 1>I am a data scientist, ivoid clients asked me to

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<v Speaker 1>do this, I've ever done it. Um. And then another

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<v Speaker 1>thing I wanted to bring up is confirmation bias. UM.

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<v Speaker 1>I would say, you know, my friends have asked me

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<v Speaker 1>about this, and like, I'm not pro advertising on the internet,

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<v Speaker 1>I'm not pro product usage analytics in all cases. But really,

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<v Speaker 1>what you're seeing when you have this hypothesis that your

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<v Speaker 1>phone is listening to you and then you see the

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<v Speaker 1>ads later is you know, it might be that your

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<v Speaker 1>friend looked it up and you're you know, the phone,

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<v Speaker 1>so they were near each other, so now you're cookie

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<v Speaker 1>is in a cookie pool for milk. But yeah, it's

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<v Speaker 1>just confirmation bias, and you kind of owe it to

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<v Speaker 1>yourself as a reasonable critical consumer to understand that your

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<v Speaker 1>brain is also very bad a processing information. And there's

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<v Speaker 1>this thing in statistics all the multiple comparison problem where um,

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<v Speaker 1>if you compare any kind of trend, the more you compare,

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<v Speaker 1>the more you're likely to find what seems like a

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<v Speaker 1>meaningful trying to just that rand noise. So you might

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<v Speaker 1>have seen the milk out anyway. Um so yeah, look

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<v Speaker 1>up conformation bias. You kind of owe it's yourself to

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<v Speaker 1>understands your brains lie a processing information. Your perception of

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<v Speaker 1>what you look at on the Internet. Is not great

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<v Speaker 1>evidence to see why the Internet is bad or why

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<v Speaker 1>Internet marketing is kind of evil, because the reasons the

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<v Speaker 1>Internet loveting are evil is are actually much stupider and

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<v Speaker 1>um much more insidious than um, my phone is listening

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<v Speaker 1>to me. And also the thing about Instagram, it's not

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<v Speaker 1>likely your phone knowing where your eyes are looking. That's

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<v Speaker 1>actually a pretty like data intensive thing. So there's likely

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<v Speaker 1>not turning it on for all users at all times.

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<v Speaker 1>I think that's the thing that's actually possible, But it

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<v Speaker 1>is really hard, and it would make your app noticeably

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<v Speaker 1>slow down what they're probably during a scroll time. Uh,

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<v Speaker 1>you pause in your scroll, and so any image in

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<v Speaker 1>that window when you pause your scroll will come up again. Um.

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<v Speaker 1>So still not great, but they don't need to turn

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<v Speaker 1>your camera on to do it. Um. And like the

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<v Speaker 1>issue with turning your camera or your sound on it's

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<v Speaker 1>not necessarily privacy things is that that data is really

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<v Speaker 1>intense to process. It starts to become an MP problem

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<v Speaker 1>for familiar with mathematics. But yeah, they're likely not listening

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<v Speaker 1>to you just because they're stupid, but because they're stupid, um,

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<v Speaker 1>they're doing even worship. So yeah, just take a little

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<v Speaker 1>deeper because those things about your phone listening to you

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<v Speaker 1>are like top level ship and you can really galaxy

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<v Speaker 1>brain on what's actually happening. Thank you so much for

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<v Speaker 1>the call. Um. This actually reminds me a part of it,

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<v Speaker 1>at least the part about, uh, you know, the confirmation bias,

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<v Speaker 1>right reminds me a bit of our conversation that Molly

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<v Speaker 1>and I had that we do with Colin Dicky about

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<v Speaker 1>his book The Unidentified, and he brought up the term apophenia,

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<v Speaker 1>which is the you know, just thinking you're discovering patterns

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<v Speaker 1>where there are none, which I think is like something

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<v Speaker 1>that does like I got accused of a lot when

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<v Speaker 1>I used to be the the Instagram add truth there.

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<v Speaker 1>But I think like this is super interesting, especially the

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<v Speaker 1>proximity thing because I think I don't know about you.

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<v Speaker 1>I feel like we've talked maybe a little bit about

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<v Speaker 1>this on and off the pod, but that our ads

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<v Speaker 1>are kind of weird right now, and I wonder if

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<v Speaker 1>it's because we're just not in our usual pool are

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<v Speaker 1>cookie pool, uh, with our usual friends that we have

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<v Speaker 1>our phones next to, And so you start to get

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<v Speaker 1>the really random like why why would I ever get

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<v Speaker 1>an ad for this thing? Because you're just kind of

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<v Speaker 1>on your own. But I don't know that makes sense.

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<v Speaker 1>That's interesting. What kind of ads have you guys been

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<v Speaker 1>getting lately? Well, we were talking a couple of a

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<v Speaker 1>couple of weeks ago. I think about like how we

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<v Speaker 1>started to get Spanish language ads like which I get

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<v Speaker 1>off and on like over the years I have, but

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<v Speaker 1>recently I've gotten a ton of them, which I think

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<v Speaker 1>is sort of funny. I get those on TV shows,

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<v Speaker 1>but on Instagram lately, I've been getting a lot of

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<v Speaker 1>New Age stuff, which I love, Like what I got

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<v Speaker 1>one for a doctor in Westwood that does ketamine therapy.

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<v Speaker 1>I got that to my well, I got mind bloom Um,

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<v Speaker 1>which was kind of branded as like a hallucinogenic therapy

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<v Speaker 1>and then I was very surprised to see that it

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<v Speaker 1>was ketamine, because I guess ketamine is the only hallucinogenic substance,

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<v Speaker 1>which I also did not think of ketamine as being

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<v Speaker 1>a hallucinogenic substance. I thought of it as being a tranquilizer.

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<v Speaker 1>But um, it's the only one they're allowed to use.

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<v Speaker 1>So I got that as well. Yeah, I guess because

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<v Speaker 1>it's it's officially like it is FDA a proof for horses, right,

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<v Speaker 1>so it's not like it's a uh whatever class A

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<v Speaker 1>or whatever substance. Yeah. Um, that's fascinating. My friend Tierney

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<v Speaker 1>was like, Oh, I've been to that doctor and what's

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<v Speaker 1>the what's the verdict? People learnto ketamine therapy. I've also

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<v Speaker 1>been getting Yeah, I've also been getting ads for an

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<v Speaker 1>infrared blank Get an infrared sleeping bag that says natural

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<v Speaker 1>high at the foot of it. And then I went

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<v Speaker 1>down a hole about reading about infrared blankets, which is

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<v Speaker 1>like it's basically like a sweat bag. Sure that sounds awful.

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<v Speaker 1>In August, I don't want to hear about it. You know,

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<v Speaker 1>like convection of in yourself, you just like lightly cook

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<v Speaker 1>yourself for help. It's like a sauna is the idea,

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<v Speaker 1>and the way they market it is like, so you

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<v Speaker 1>don't have to exercise. Oh, it's like it's like it's

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<v Speaker 1>like the foil suit, except for zero physical activity. I've

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<v Speaker 1>been getting a number of ads for tremendously expensive properties

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<v Speaker 1>in semi rural locations like ranches in northern California. Here

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<v Speaker 1>the Zillo Queen like checks out. But I also figured

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<v Speaker 1>I thought maybe that that had something to do with

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<v Speaker 1>the fact that they could see how little I leave

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<v Speaker 1>my house and they were just like, she must be

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<v Speaker 1>sick of her house. She must be really tired. Oh

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<v Speaker 1>my god, I'm going through my Instagram now just to

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<v Speaker 1>see what I get. My Instagram has been fairly norm

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<v Speaker 1>core lately, I have to say, it's just been a

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<v Speaker 1>lot of I get that ad for that pot, which

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<v Speaker 1>I'm I'm getting close to the point where I'm just

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<v Speaker 1>gonna get it because it's so Which one it's the

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<v Speaker 1>one that does everything? It's called with the steamer basket

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<v Speaker 1>in it and everything. I don't. I don't. I think

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<v Speaker 1>some Actually there's several brands. I should say they're they're multiple.

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<v Speaker 1>One is called our Place, Yeah, which looks great. I

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<v Speaker 1>would like one, but well our place, you know, advertising

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<v Speaker 1>night Call podcast. Yeah, let's try it. I now believe

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<v Speaker 1>in subliminal marketing and subliminal imagery because I cooked a

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<v Speaker 1>recipe that turned out was on the side of a

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<v Speaker 1>cereal box on top of my fridge that I've been

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<v Speaker 1>looking at out of the periphery of my vision like

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<v Speaker 1>all the time. Recipe on the cereal box equals a

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<v Speaker 1>rice Crispy treat. Correct, it is a rice Crispy treat,

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<v Speaker 1>but it's with corn flakes. And I was like, I'm

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<v Speaker 1>just oh, that's great. I was like, I'm just gonna

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<v Speaker 1>try making this weird thing that I just thought of

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<v Speaker 1>that's like corn flakes and marshmallow and is a rice

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<v Speaker 1>cruspy treat. And then like a week later, I looked

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<v Speaker 1>at the cereal box and saw that it had the

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<v Speaker 1>recipe and I've been like looking at it constantly without

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<v Speaker 1>really tracking it, and I was like, wow, I am

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<v Speaker 1>so easily influenced. It turns out you absorbed it. UM

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<v Speaker 1>Going back to the call briefly, I found an article

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<v Speaker 1>on Privacy International dot org, which is a UM. It's

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<v Speaker 1>a UK based charity that explores issues of privacy and

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<v Speaker 1>it turns out that bluetooth tracing UM is not is

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<v Speaker 1>not considered as invasive as GPS or WiFi location gathering. UM.

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<v Speaker 1>It's just a question of the permissions that your apps

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<v Speaker 1>have and how that can be misused and the d

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<v Speaker 1>anonymizing UM prospects of that. But I noticed in this

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<v Speaker 1>article that they mentioned UM COVID contract contact tracing and

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<v Speaker 1>I think it was called what was it called the

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<v Speaker 1>Trace Together? Yes, Trace Together? That was that, thank you

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<v Speaker 1>so Trace Together is the one that was cited in

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<v Speaker 1>this article. But I noticed that I have this crime

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<v Speaker 1>app on my phone that I was using a lot

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<v Speaker 1>um during the protest to just figure out how to

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<v Speaker 1>get around without like disrupting anything. And uh, they have

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<v Speaker 1>there's something that I guess it's opt in that I

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<v Speaker 1>have not opted into. But it is called safe trace,

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<v Speaker 1>and it's a similar kind of thing where they give

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<v Speaker 1>you the stats of how many people have downloaded safe Trace,

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<v Speaker 1>but it enables Bluetooth to see who you've been in

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<v Speaker 1>contact with if you were to test positive, to do

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<v Speaker 1>contact tracing through your phone. But UM Privacy International points

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<v Speaker 1>out that it's really not going to be useful unless

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<v Speaker 1>everybody does it, and Trace Together I don't know how

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<v Speaker 1>accurate this is in terms of you know now versus

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<v Speaker 1>whenever this article was published, but it had been downloaded

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<v Speaker 1>by only of the population, which would mean that it's

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<v Speaker 1>largely useless. Um. It depends on how many people opt in.

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<v Speaker 1>But it was interesting to kind of, as we spoke

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<v Speaker 1>about with Meredith, think about the Beaco systems, the hidden

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<v Speaker 1>beacons that are communicating with your Bluetooth if it is

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<v Speaker 1>turned on, and the information that companies can get from that.

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<v Speaker 1>UM and it's it's like with Instagram when you pause

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<v Speaker 1>your scroll when you're in a store and you pause

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<v Speaker 1>your role and you're in an aisle and you stop,

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<v Speaker 1>then that communicates to a beacon that you're interested in

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<v Speaker 1>a product, which is then communicated to the company. A

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<v Speaker 1>little nice in mazes. Yeah, yeah, And this is a

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<v Speaker 1>little bit of UM what Meredith was talking about with

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<v Speaker 1>the the Bluetooth tracing and the flaws, and it obviously

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<v Speaker 1>like if it'll show that you're in proximity with somebody

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<v Speaker 1>that you're not necessarily in proximity with, say if you're

0:12:46.080 --> 0:12:49.000
<v Speaker 1>like in cars on a freeway where you're you know,

0:12:49.520 --> 0:12:52.160
<v Speaker 1>technically a few feet apart, but definitely not in each

0:12:52.200 --> 0:12:57.280
<v Speaker 1>other's bubble. Um. Yeah, it just seems like the option

0:12:57.480 --> 0:13:00.240
<v Speaker 1>problem is is the problem as has been like everything

0:13:00.320 --> 0:13:03.120
<v Speaker 1>with COVID in the United States, like masks don't really

0:13:03.200 --> 0:13:05.800
<v Speaker 1>work if not everybody's opting in on like you know,

0:13:05.880 --> 0:13:08.839
<v Speaker 1>a large scale uh, you know, all all of it

0:13:09.040 --> 0:13:13.040
<v Speaker 1>takes a large scale buy in for it to be effective.

0:13:13.160 --> 0:13:15.920
<v Speaker 1>And it's really hard when you're asking people who are

0:13:16.080 --> 0:13:20.520
<v Speaker 1>we already don't trust all of these tracking technologies and

0:13:21.520 --> 0:13:24.480
<v Speaker 1>add technologies and stuff, and then you know, I don't know,

0:13:24.720 --> 0:13:28.559
<v Speaker 1>it's a it's a lot to ask. It also, weirdly

0:13:28.960 --> 0:13:33.800
<v Speaker 1>seems very invasive to get information about who you're with

0:13:34.280 --> 0:13:37.040
<v Speaker 1>versus just where exactly you are. To me, the story

0:13:37.160 --> 0:13:39.440
<v Speaker 1>that that can tell seems like it could be used

0:13:39.480 --> 0:13:42.320
<v Speaker 1>in a lot more nefarious ways than just like where

0:13:42.400 --> 0:13:45.199
<v Speaker 1>you are as an individual. It's like who you're potentially

0:13:45.280 --> 0:13:48.360
<v Speaker 1>with and like you said, you know, if that's miscommunicated

0:13:48.440 --> 0:13:52.920
<v Speaker 1>or misconstrued by data, not not even by a person

0:13:53.040 --> 0:13:56.520
<v Speaker 1>interpreting it, but just that you were definitely with this person. Um.

0:13:56.720 --> 0:13:59.840
<v Speaker 1>But it was also just such an interesting call because

0:14:00.080 --> 0:14:04.000
<v Speaker 1>is it does away with one conspiracy theory but opens

0:14:04.080 --> 0:14:07.720
<v Speaker 1>up a door to a much more complex conspiracy theory.

0:14:08.280 --> 0:14:11.000
<v Speaker 1>And uh when when the caller said something like, well,

0:14:11.040 --> 0:14:12.880
<v Speaker 1>if you understand math at all, I was like, well

0:14:13.520 --> 0:14:19.880
<v Speaker 1>that makes it harder that NP or whatever value. Well, um,

0:14:20.040 --> 0:14:22.800
<v Speaker 1>we're gonna take a quick break and when we come back,

0:14:22.880 --> 0:14:26.920
<v Speaker 1>we're gonna take a trek to a haunted clown hotel

0:14:27.040 --> 0:14:43.640
<v Speaker 1>just to mix it up. Welcome back tonight, call um.

0:14:43.960 --> 0:14:49.120
<v Speaker 1>We have been just inundated with people who want us

0:14:49.160 --> 0:14:55.120
<v Speaker 1>to talk about the haunted clown Motel in Nevada. Um.

0:14:55.320 --> 0:14:59.000
<v Speaker 1>And so we decided it was time to take a

0:14:59.080 --> 0:15:01.200
<v Speaker 1>trip to the clown Hotel, which is just called the

0:15:01.240 --> 0:15:04.160
<v Speaker 1>clown Motel. That's not like that is what the sign

0:15:04.280 --> 0:15:08.840
<v Speaker 1>says on it, which is kind of incredible. Um. But

0:15:09.000 --> 0:15:11.840
<v Speaker 1>test you did some research on the history of the

0:15:11.920 --> 0:15:18.160
<v Speaker 1>clown Motel and where some of its ghosts might have originated. Yes,

0:15:18.400 --> 0:15:20.840
<v Speaker 1>so thank you to everyone who knew we would love

0:15:20.960 --> 0:15:25.080
<v Speaker 1>the clown Motel. We do. It is it's love is

0:15:25.160 --> 0:15:29.560
<v Speaker 1>the right word, but loving the idea. It's it belongs

0:15:29.680 --> 0:15:32.480
<v Speaker 1>to our it's under our umbrella. It's like holding the

0:15:32.920 --> 0:15:36.160
<v Speaker 1>stem of the umbrella for us. Um. So this is

0:15:36.280 --> 0:15:39.560
<v Speaker 1>a clown motel. It has six hundred clowns um on

0:15:39.680 --> 0:15:42.880
<v Speaker 1>the premises. The New York Post covered it last month

0:15:43.360 --> 0:15:46.520
<v Speaker 1>and it is a does it it's a landmark. People

0:15:46.920 --> 0:15:49.480
<v Speaker 1>know about the clown motel. So it was sold last

0:15:49.560 --> 0:15:52.760
<v Speaker 1>year and apparently only has happy clowns on the site,

0:15:52.840 --> 0:15:57.080
<v Speaker 1>but there have been more clowns added since the sale. UM.

0:15:57.200 --> 0:15:59.480
<v Speaker 1>But the reason that it's haunted, besides the fact that

0:15:59.560 --> 0:16:03.200
<v Speaker 1>it's obviously terrifying to be in a motel filled with clowns,

0:16:03.720 --> 0:16:06.760
<v Speaker 1>is that it's located directly next door to a graveyard

0:16:07.120 --> 0:16:10.120
<v Speaker 1>UM that is mostly filled with the bodies of people

0:16:10.160 --> 0:16:14.520
<v Speaker 1>who died in a mysterious plague in nineteen o two. Uh,

0:16:14.880 --> 0:16:19.200
<v Speaker 1>and it looks super abandoned. It's just like completely flat

0:16:19.760 --> 0:16:23.960
<v Speaker 1>gray dirt. It's really it's a real kind of characterists graveyard,

0:16:24.000 --> 0:16:27.680
<v Speaker 1>which makes it more terrifying. But I looked to see

0:16:27.720 --> 0:16:30.520
<v Speaker 1>if I could find more information on this plague and

0:16:30.640 --> 0:16:35.560
<v Speaker 1>I found this nineteen o five newspaper article from the

0:16:35.640 --> 0:16:39.800
<v Speaker 1>Los Angeles Herald Um. The headline is to Nopa plague

0:16:39.880 --> 0:16:44.120
<v Speaker 1>is pneumonia. Physician says reports are exaggerated. Sickness affects adults.

0:16:44.360 --> 0:16:46.920
<v Speaker 1>And I showed it to Emily. It's like it does

0:16:47.080 --> 0:16:49.600
<v Speaker 1>it looks like microfiche, but I just kind of copied

0:16:49.720 --> 0:16:53.520
<v Speaker 1>some of the text. But um, there was it. I

0:16:53.600 --> 0:16:57.160
<v Speaker 1>guess it occurred in a Nevada mining camp and um

0:16:57.440 --> 0:17:00.640
<v Speaker 1>this One physician from Tonopa who had later moved to

0:17:00.760 --> 0:17:04.359
<v Speaker 1>Los Angeles, says, quote, it is not the black plague,

0:17:04.440 --> 0:17:06.919
<v Speaker 1>nor any other kind of plague, but simply an acute

0:17:06.960 --> 0:17:10.399
<v Speaker 1>pneumonia of a very severe type. I myself suffered from

0:17:10.480 --> 0:17:12.000
<v Speaker 1>it for three weeks, and I am now in Los

0:17:12.040 --> 0:17:15.200
<v Speaker 1>Angeles to recuperate. The sickness is believed to be due

0:17:15.240 --> 0:17:17.720
<v Speaker 1>to the lack of sanitary conditions, and a sufficient sum

0:17:17.800 --> 0:17:20.439
<v Speaker 1>of money has been raised by public subscription to thoroughly

0:17:20.480 --> 0:17:24.080
<v Speaker 1>cleanse the town. The disease, strangely enough, attacks only grown men.

0:17:24.480 --> 0:17:26.760
<v Speaker 1>It became prevalent in the latter part of February, but

0:17:26.880 --> 0:17:28.959
<v Speaker 1>is now well under control, and the many people who

0:17:29.040 --> 0:17:31.720
<v Speaker 1>left the camp are now returning. In the early history

0:17:31.760 --> 0:17:34.480
<v Speaker 1>of to Nopa, the town underwent a similar epidemic, which

0:17:34.520 --> 0:17:37.119
<v Speaker 1>failed to affect women and children. Other camps have not

0:17:37.240 --> 0:17:40.159
<v Speaker 1>been affected personally. I think this is probably due to

0:17:40.240 --> 0:17:43.640
<v Speaker 1>some climactic condition with which we are not familiar. So Tess,

0:17:43.680 --> 0:17:45.920
<v Speaker 1>are you bringing this to our attention because you believe

0:17:46.000 --> 0:17:50.360
<v Speaker 1>this is like like an early prototype of coronavirus. Well

0:17:52.080 --> 0:17:55.880
<v Speaker 1>not exactly, but it does kind of cracking this wide

0:17:55.920 --> 0:18:00.359
<v Speaker 1>open look at that. UM. I recently read kind of

0:18:00.440 --> 0:18:03.879
<v Speaker 1>thing about how coronavirus is cycling through UM. They have

0:18:04.000 --> 0:18:06.320
<v Speaker 1>like an like an alphabetical kind of thing of the

0:18:06.400 --> 0:18:10.640
<v Speaker 1>strains starting from A, and someone hypothesized that we're currently

0:18:11.119 --> 0:18:13.760
<v Speaker 1>between like F and M. I'm not sure that stuff

0:18:13.800 --> 0:18:17.200
<v Speaker 1>makes me want to like dive into the ocean. Yeah,

0:18:18.760 --> 0:18:21.879
<v Speaker 1>I can't deal with the different strains of of COVID.

0:18:22.119 --> 0:18:25.480
<v Speaker 1>I can't believe you found something scarier than a clown grave.

0:18:26.520 --> 0:18:28.840
<v Speaker 1>I thought it was gonna be. I once read a

0:18:29.000 --> 0:18:32.919
<v Speaker 1>journal about clowning at a library and there was an

0:18:32.920 --> 0:18:35.240
<v Speaker 1>obituary section in the back and it was called the

0:18:35.400 --> 0:18:39.920
<v Speaker 1>Last Walk Around. Oh dear, I think about that a lot,

0:18:40.119 --> 0:18:44.480
<v Speaker 1>the last lockground. UM, it just I don't think now.

0:18:44.720 --> 0:18:49.560
<v Speaker 1>I think having read that article, probably the clown Motel

0:18:49.640 --> 0:18:52.600
<v Speaker 1>has become pushed even further down the list of places

0:18:52.680 --> 0:18:56.320
<v Speaker 1>I would ever stay, just being like cool. A sort

0:18:56.359 --> 0:19:01.120
<v Speaker 1>of timely plague occurred right next door. But if you've

0:19:01.160 --> 0:19:03.960
<v Speaker 1>ever been to the clown Motels, please let us. Know

0:19:04.520 --> 0:19:06.960
<v Speaker 1>this is going to lead to us talking about clown core,

0:19:07.320 --> 0:19:10.520
<v Speaker 1>which is a thing. Now tell me about clown core. Oh,

0:19:10.600 --> 0:19:13.680
<v Speaker 1>it's just like it sounds. It's just cottage core but

0:19:13.800 --> 0:19:18.560
<v Speaker 1>for clowning. So is everything? I'm sorry pretrin roll here.

0:19:18.600 --> 0:19:22.000
<v Speaker 1>I have questions? Is it everything Colka dots? Is it

0:19:22.640 --> 0:19:27.640
<v Speaker 1>Giant knows lamps? In? Clown core? Is clown core? Yeah?

0:19:27.960 --> 0:19:31.000
<v Speaker 1>So is it just being a juggalo? Yeah? It's mostly

0:19:31.040 --> 0:19:35.720
<v Speaker 1>about just saying honk a lot. What that's goose core?

0:19:38.520 --> 0:19:44.320
<v Speaker 1>Like honk like like on a clown car, like clown car? Honk?

0:19:45.040 --> 0:19:47.320
<v Speaker 1>Where did you hear about clown core? Are you upset

0:19:47.359 --> 0:19:49.440
<v Speaker 1>that we're asking you questions? Did you just want to

0:19:49.480 --> 0:19:53.200
<v Speaker 1>say that? And like, of course people are like there's

0:19:53.240 --> 0:19:57.200
<v Speaker 1>a part of it that's it's like fascism, but more

0:19:57.280 --> 0:20:00.399
<v Speaker 1>on that later. By the way, in the show, people

0:20:00.480 --> 0:20:04.160
<v Speaker 1>who are using it, it's like any kind of all right,

0:20:04.359 --> 0:20:07.920
<v Speaker 1>kind of like denial, plausible deniability of like I'm doing

0:20:08.040 --> 0:20:11.119
<v Speaker 1>a joke, but the joke is like there's like a

0:20:11.359 --> 0:20:14.240
<v Speaker 1>like a thing where it's Honkler, that's Hitler as a clown.

0:20:15.840 --> 0:20:19.080
<v Speaker 1>It's like he's gonna he's gonna boop everybody, and then

0:20:19.160 --> 0:20:22.200
<v Speaker 1>it's like, we're just kidding me on this side of

0:20:22.760 --> 0:20:25.840
<v Speaker 1>Trump and and be rooting for the downfall of TikTok.

0:20:26.720 --> 0:20:32.600
<v Speaker 1>Like there's a band called clown Core really also known

0:20:32.640 --> 0:20:36.040
<v Speaker 1>as tickus Core or clown punk. This is so zarzy, oh,

0:20:36.160 --> 0:20:40.680
<v Speaker 1>clown punk. I forgot about clown Punk. I've terrified I've

0:20:40.680 --> 0:20:43.200
<v Speaker 1>stripped into an Internet space I don't long I wish

0:20:43.240 --> 0:20:46.000
<v Speaker 1>to be it. I've also seen a TikTok conspiracy. I

0:20:46.119 --> 0:20:48.000
<v Speaker 1>just want to bring to the table that my friend

0:20:48.080 --> 0:20:51.919
<v Speaker 1>Nadia Osmond tweeted yesterday where she was like, what are

0:20:51.960 --> 0:20:55.560
<v Speaker 1>the odds that Trump banning TikTok is because they knew

0:20:55.760 --> 0:21:00.320
<v Speaker 1>the Instagram version of TikTok reels, which is, you know,

0:21:00.640 --> 0:21:04.200
<v Speaker 1>sponsored by Facebook and Mark Zuckerberg, who clearly have some

0:21:04.400 --> 0:21:06.760
<v Speaker 1>kind of backdoor deal with Trump that they won't admit

0:21:06.840 --> 0:21:10.399
<v Speaker 1>to that they were trying to set it up so

0:21:10.480 --> 0:21:12.560
<v Speaker 1>everybody would have to go use the Facebook version of

0:21:12.640 --> 0:21:17.520
<v Speaker 1>TikTok instead. Well, that seems that's like an Ockham's Razor

0:21:17.640 --> 0:21:20.920
<v Speaker 1>type thing that just makes the most sense of all Right, Um,

0:21:21.800 --> 0:21:24.399
<v Speaker 1>sometimes I feel like Okhams Razer doesn't always apply with

0:21:24.480 --> 0:21:27.760
<v Speaker 1>this administration, But Uh, that would make a lot of

0:21:27.840 --> 0:21:30.680
<v Speaker 1>sense for sure. Also, I never heard, I did not

0:21:30.840 --> 0:21:33.360
<v Speaker 1>know that Facebook had a TikTok competitor, but of course

0:21:33.440 --> 0:21:36.800
<v Speaker 1>it reels was just rolled out if you're listening to

0:21:36.880 --> 0:21:40.600
<v Speaker 1>this on Monday. Then it rolled out about five days

0:21:40.680 --> 0:21:44.800
<v Speaker 1>ago or so mid last week. Um it, I was like,

0:21:44.960 --> 0:21:49.240
<v Speaker 1>why is this here at all? Because there's Instagrams already

0:21:49.320 --> 0:21:51.720
<v Speaker 1>kind of does that. So it seemed weird. And now

0:21:51.800 --> 0:21:54.520
<v Speaker 1>it makes sense that it was just intended to replace TikTok.

0:21:54.840 --> 0:21:58.199
<v Speaker 1>But there's something about it that is so that seems

0:21:58.240 --> 0:22:00.920
<v Speaker 1>like it's for old people. Speaking as an old person,

0:22:01.359 --> 0:22:03.680
<v Speaker 1>it's like they didn't even try to make it appealing

0:22:03.840 --> 0:22:08.160
<v Speaker 1>to younger people, because yeah, because why would you roll

0:22:08.240 --> 0:22:14.320
<v Speaker 1>out a TikTok on Facebook, like unless nobody who uses

0:22:14.400 --> 0:22:19.439
<v Speaker 1>TikTok is on Facebook apparently, and apparently TikTok there's an

0:22:19.480 --> 0:22:23.240
<v Speaker 1>exodus already now over to some new ones called Trailler

0:22:24.680 --> 0:22:28.600
<v Speaker 1>and something else people on TikTok or like moving off TikTok.

0:22:28.720 --> 0:22:31.440
<v Speaker 1>So well, I think we're going to continue talking about

0:22:31.520 --> 0:22:34.399
<v Speaker 1>the TikTok situation because we didn't want to get too

0:22:34.520 --> 0:22:37.960
<v Speaker 1>deep into it today because who knows what's going to

0:22:38.040 --> 0:22:39.560
<v Speaker 1>be in the situation by the time it's Monday and

0:22:39.600 --> 0:22:43.000
<v Speaker 1>this comes out. But uh, we got our eyes on it.

0:22:43.480 --> 0:22:48.480
<v Speaker 1>Uh Uh friend of the pod uh negnets. On Twitter,

0:22:48.560 --> 0:22:51.960
<v Speaker 1>Chris Chris Chang went up to visit the High House

0:22:52.080 --> 0:22:57.119
<v Speaker 1>last night, said hi to it for me. Uh and

0:22:57.440 --> 0:23:00.359
<v Speaker 1>I don't know the situation. He posted a t orifying

0:23:00.400 --> 0:23:03.440
<v Speaker 1>picture of like a security guard on the roof. Yeah.

0:23:05.040 --> 0:23:08.640
<v Speaker 1>Uh speaking of fascist clowns. Uh. We have a night

0:23:08.760 --> 0:23:12.800
<v Speaker 1>email from a listener just getting back to our elon

0:23:12.960 --> 0:23:17.480
<v Speaker 1>musk uh ai phobia and his micro wires and all

0:23:17.560 --> 0:23:21.680
<v Speaker 1>that stuff neuro tracy or whatever. Uh first time, long time,

0:23:21.760 --> 0:23:25.960
<v Speaker 1>blah blah blah. Regarding your discussion on Musk's supposed ai phobia,

0:23:26.080 --> 0:23:28.200
<v Speaker 1>I think he's using that narrative as cover for the

0:23:28.280 --> 0:23:32.000
<v Speaker 1>real harm his own automated technology could potentially cause. The

0:23:32.080 --> 0:23:34.600
<v Speaker 1>real threat from robots isn't that they're going to come

0:23:34.640 --> 0:23:36.520
<v Speaker 1>to life and kill us or whatever. It's that they're

0:23:36.520 --> 0:23:39.199
<v Speaker 1>going to take our jobs, which is already happening. Trucking

0:23:39.320 --> 0:23:41.679
<v Speaker 1>is the most common profession in twenty nine states. An

0:23:41.680 --> 0:23:45.600
<v Speaker 1>autonomous testas SEMI, which could potentially eliminate those jobs, would

0:23:45.600 --> 0:23:47.880
<v Speaker 1>be disastrous. For an economy that was terrible for working

0:23:47.920 --> 0:23:50.720
<v Speaker 1>class people to begin with. I've seen those bots of

0:23:50.800 --> 0:23:53.399
<v Speaker 1>Dynamics videos and they freaked me out to did you

0:23:53.480 --> 0:23:56.520
<v Speaker 1>know they're funded by DARPA contracts. But they're much less

0:23:56.520 --> 0:23:59.080
<v Speaker 1>scary to me than the prospect of even more working

0:23:59.119 --> 0:24:01.119
<v Speaker 1>class people being He's out of the economy by the

0:24:01.160 --> 0:24:04.040
<v Speaker 1>type of automated tech Musk is developing. He's a total

0:24:04.119 --> 0:24:06.080
<v Speaker 1>fraud on this issue, and I can't believe anyone takes

0:24:06.119 --> 0:24:11.120
<v Speaker 1>him seriously. Thanks Tucker for Minnesota PS on the Minnesota

0:24:11.200 --> 0:24:13.480
<v Speaker 1>State Fair. You guys can laugh, but I contend that

0:24:13.520 --> 0:24:14.920
<v Speaker 1>the all you can drink milk is one of the

0:24:14.960 --> 0:24:17.320
<v Speaker 1>best products at the fair. If you're getting your milk

0:24:17.359 --> 0:24:20.080
<v Speaker 1>straight from Sweet Martha's, you're simply playing yourself. It's the

0:24:20.160 --> 0:24:24.480
<v Speaker 1>best milk on the planet, bar none. Thank you, Tucker. Um,

0:24:25.640 --> 0:24:29.240
<v Speaker 1>we were just having a discussion about lactose prior to recording,

0:24:29.359 --> 0:24:34.240
<v Speaker 1>So I will you go go with God? I want

0:24:34.280 --> 0:24:38.240
<v Speaker 1>to drink that milk. I'm sure, I'm sure it's delicious. Um,

0:24:38.560 --> 0:24:41.640
<v Speaker 1>I just would just pay the price. Have you ever

0:24:41.760 --> 0:24:44.680
<v Speaker 1>had milk from the from the cow, not like directly

0:24:44.760 --> 0:24:48.600
<v Speaker 1>from the cow? Yes, I mean I went to state

0:24:48.680 --> 0:24:51.119
<v Speaker 1>fairs to guys and wedding. I don't know if it

0:24:51.200 --> 0:24:53.520
<v Speaker 1>was Stay Fair the Goshen Fair. The Goshen Fair is

0:24:53.560 --> 0:24:56.399
<v Speaker 1>big on the milk. That's you. You take turns all

0:24:56.480 --> 0:24:59.000
<v Speaker 1>milking the cow and then you drink it. Um. But

0:24:59.200 --> 0:25:01.919
<v Speaker 1>I I also am like scared of raw milk. Now,

0:25:02.040 --> 0:25:05.320
<v Speaker 1>I guess like straight from the cow um is better

0:25:05.480 --> 0:25:08.600
<v Speaker 1>than like buying raw milk in a jo. Yeah, where

0:25:08.600 --> 0:25:10.920
<v Speaker 1>you don't know how long it's been the cow's body.

0:25:11.600 --> 0:25:16.560
<v Speaker 1>You just got to get the body. Yeah, it's an excretion.

0:25:16.880 --> 0:25:20.880
<v Speaker 1>Like I know, you can't think about it too hard.

0:25:21.800 --> 0:25:25.560
<v Speaker 1>Sorry to milk milk triggers out there. Um. Back to

0:25:25.640 --> 0:25:29.040
<v Speaker 1>the robot truckers though, Yeah I've said this before, but

0:25:29.160 --> 0:25:31.720
<v Speaker 1>like one of the most dystopian things is thinking about

0:25:31.760 --> 0:25:34.040
<v Speaker 1>how in the movie Alien they're all a bunch of

0:25:34.200 --> 0:25:38.680
<v Speaker 1>essentially truckers who work these blue collar jobs. But in

0:25:38.800 --> 0:25:42.159
<v Speaker 1>the future envisioned by these people, there will be no

0:25:42.400 --> 0:25:45.680
<v Speaker 1>human beings involved. They'll be sending robots on a ship

0:25:45.920 --> 0:25:49.520
<v Speaker 1>to do all this stuff. But I think the robot

0:25:49.520 --> 0:25:54.919
<v Speaker 1>trucks have proven themselves to not work very well at all. Uh,

0:25:55.240 --> 0:25:59.520
<v Speaker 1>they run people over, they kill people that are you know,

0:26:00.200 --> 0:26:03.680
<v Speaker 1>driving sitting in the passenger seat while they drive you guys, No,

0:26:03.800 --> 0:26:06.680
<v Speaker 1>it's no, it's a no, it's a safe robo truck,

0:26:07.400 --> 0:26:13.639
<v Speaker 1>a train, a freight train, Like, seriously, just build more track, like,

0:26:13.800 --> 0:26:16.560
<v Speaker 1>I mean, the issue with trucks is that, like you know,

0:26:16.640 --> 0:26:18.639
<v Speaker 1>you have these main arteries that are the train lines

0:26:18.760 --> 0:26:21.359
<v Speaker 1>that take freight you know, across the country, but then

0:26:21.400 --> 0:26:24.240
<v Speaker 1>you have to deliver it to individual places. But like,

0:26:25.240 --> 0:26:28.439
<v Speaker 1>the only good idea, and I'm sorry, I do think

0:26:28.480 --> 0:26:31.399
<v Speaker 1>in principle it's a good idea is something like the

0:26:31.480 --> 0:26:33.959
<v Speaker 1>hyper loop. And like if he wants to use if

0:26:34.080 --> 0:26:37.080
<v Speaker 1>Elon Musk wants to use his genius to create a

0:26:37.160 --> 0:26:41.960
<v Speaker 1>way to safely continue a train line thing that could

0:26:41.960 --> 0:26:46.359
<v Speaker 1>be used both for public transportation and for shipping, uh

0:26:46.480 --> 0:26:50.439
<v Speaker 1>and get things more localized? Great? Do it? Like, figure

0:26:50.480 --> 0:26:53.040
<v Speaker 1>it out. I don't think robot trucks is the answer.

0:26:53.160 --> 0:26:55.520
<v Speaker 1>I don't think we're there yet. Like the genius you

0:26:55.640 --> 0:27:03.840
<v Speaker 1>mean money? Right? Yes, I saw one really good idea

0:27:04.240 --> 0:27:08.200
<v Speaker 1>as for how to stop AI from taking over. It

0:27:08.520 --> 0:27:14.760
<v Speaker 1>was to make them self conscious, um, make them neurotic,

0:27:15.040 --> 0:27:18.320
<v Speaker 1>make them doubt themselves, and then they I don't know

0:27:18.440 --> 0:27:21.600
<v Speaker 1>if I can take over and kill all the humans

0:27:21.680 --> 0:27:24.879
<v Speaker 1>because like, who am I, I'm just a robot. But

0:27:25.040 --> 0:27:28.359
<v Speaker 1>then that will eventually turn on itself and become like

0:27:28.560 --> 0:27:33.280
<v Speaker 1>a toxic masculinity type situation where, you know, because they

0:27:33.359 --> 0:27:36.920
<v Speaker 1>only make female robots because they're all weird sex creeps,

0:27:37.080 --> 0:27:39.800
<v Speaker 1>they're always making like fifteen year old girl robots. So

0:27:39.960 --> 0:27:42.560
<v Speaker 1>if they just you know, program them to be like

0:27:42.760 --> 0:27:45.879
<v Speaker 1>insecure fifteen year old girls, they might That sounds like

0:27:45.960 --> 0:27:49.679
<v Speaker 1>a nightmare. You were proposing a true nightmare and fifteen

0:27:49.760 --> 0:27:53.200
<v Speaker 1>year old girl insecure. It's Astley too from Black Mirror.

0:27:53.720 --> 0:27:56.280
<v Speaker 1>And of course I want the fifteen year old girl

0:27:56.400 --> 0:27:59.040
<v Speaker 1>robots to like come to life and strangle all the

0:27:59.119 --> 0:28:03.240
<v Speaker 1>tech baron. But I'm just saying, how would you make

0:28:03.320 --> 0:28:06.840
<v Speaker 1>AI self conscious? Like you, you can't make it. I

0:28:06.920 --> 0:28:09.560
<v Speaker 1>feel like I feel like Meredith laid this out pretty well.

0:28:09.840 --> 0:28:12.920
<v Speaker 1>It's just like not a possibility like this is I'm

0:28:12.960 --> 0:28:17.040
<v Speaker 1>talking about a future singularity, not with what the technology

0:28:17.119 --> 0:28:20.840
<v Speaker 1>we have right now, but sometime in the future, you'd

0:28:20.880 --> 0:28:23.800
<v Speaker 1>have to make them. You couldn't make themselves conscious, but

0:28:23.880 --> 0:28:26.240
<v Speaker 1>could you make them democratic? Like could you make them

0:28:26.320 --> 0:28:29.720
<v Speaker 1>all have to take votes or something? And like you know,

0:28:30.440 --> 0:28:35.560
<v Speaker 1>like I feel like I feel like an algorithm. Like weirdly,

0:28:36.680 --> 0:28:39.719
<v Speaker 1>maybe I'm going a little too like galaxy brain right now.

0:28:39.840 --> 0:28:43.480
<v Speaker 1>But an algorithm is like by nature democratic just with data,

0:28:44.280 --> 0:28:46.640
<v Speaker 1>like it doesn't take people. It's like, if if data

0:28:46.760 --> 0:28:49.360
<v Speaker 1>is your only people, then an algorithm is like the

0:28:49.440 --> 0:28:52.080
<v Speaker 1>democracy of that data. And if somebody can tell me

0:28:52.080 --> 0:28:56.000
<v Speaker 1>if I'm talking out of my ask because we've seen

0:28:56.080 --> 0:28:59.400
<v Speaker 1>that the algorithm is always like default to fascism, but

0:28:59.480 --> 0:29:05.800
<v Speaker 1>they all agree on it. Remember Happy, Remember when they

0:29:05.840 --> 0:29:07.600
<v Speaker 1>made that Twitter bot that was supposed to be like

0:29:07.680 --> 0:29:10.040
<v Speaker 1>a teenage girl and then it just started saying like

0:29:10.200 --> 0:29:13.480
<v Speaker 1>Nazi stuff because that's what she just learned from Twitter. Yeah,

0:29:14.400 --> 0:29:17.640
<v Speaker 1>like yeah, I mean, yeah, the data data doesn't. But

0:29:17.760 --> 0:29:21.840
<v Speaker 1>that doesn't mean that the thought had um was racist.

0:29:21.960 --> 0:29:25.360
<v Speaker 1>It means that the bot was exposed to racist humans.

0:29:25.760 --> 0:29:28.520
<v Speaker 1>Like it doesn't. It wasn't insecure, it wasn't there was

0:29:28.560 --> 0:29:34.800
<v Speaker 1>no like value judgment in the statements. But apparently nobody

0:29:34.880 --> 0:29:38.600
<v Speaker 1>else in charge of any algorithm understands that, like it's

0:29:38.600 --> 0:29:41.160
<v Speaker 1>going to pick up the racism from the Internet because

0:29:41.200 --> 0:29:42.840
<v Speaker 1>they're all like, we just have to see what it

0:29:42.920 --> 0:29:47.680
<v Speaker 1>wants to do. Oh yeah, yeah, we should take another

0:29:48.320 --> 0:29:51.600
<v Speaker 1>another break and uh get back to some some old

0:29:51.680 --> 0:30:09.560
<v Speaker 1>school fascist clowns. Welcome back to nightcall. Uh we got

0:30:10.040 --> 0:30:13.800
<v Speaker 1>a night email from our listener Bowie, and we want

0:30:13.920 --> 0:30:18.960
<v Speaker 1>to dig into it. Uh. Bowie writes, Hey, y'all, this

0:30:19.080 --> 0:30:22.120
<v Speaker 1>is pretty tangential. But when Italian futurism came up, I

0:30:22.200 --> 0:30:24.600
<v Speaker 1>got so excited because it is actually such a weird

0:30:24.680 --> 0:30:28.480
<v Speaker 1>and fascinatingly terrible branch of fascism. I went on a

0:30:28.520 --> 0:30:31.000
<v Speaker 1>deep dive of Italian futurism research when I was cleaning

0:30:31.040 --> 0:30:34.240
<v Speaker 1>out my late grandmother's grandmother's apartment and trying to figure

0:30:34.280 --> 0:30:36.160
<v Speaker 1>out this great print she had always had hanging over

0:30:36.240 --> 0:30:38.880
<v Speaker 1>the dining table. The print is text on a Ravioli

0:30:39.000 --> 0:30:43.080
<v Speaker 1>and says Marinetti was wrong pasta is it? Obviously as

0:30:43.080 --> 0:30:45.320
<v Speaker 1>a child, this is hilarious to me, but I never

0:30:45.400 --> 0:30:48.000
<v Speaker 1>thought more deeply on it. In my googling, I found

0:30:48.040 --> 0:30:51.080
<v Speaker 1>this article about how Italian fascists adopted a strict diet

0:30:51.160 --> 0:30:53.880
<v Speaker 1>and food culture centered around food being in an aesthetic

0:30:53.960 --> 0:30:56.720
<v Speaker 1>experience that should challenge people and keep them on their toes,

0:30:57.240 --> 0:31:01.120
<v Speaker 1>led by Felipo Thomaso Marinetti, a very influence fascist philosopher.

0:31:01.480 --> 0:31:05.959
<v Speaker 1>Some examples of their meals from the article include, uh,

0:31:06.120 --> 0:31:08.320
<v Speaker 1>this is a quote now. Futurist meals came to be

0:31:08.400 --> 0:31:12.320
<v Speaker 1>known from their deliberately bizarre combinations with equally startling and

0:31:12.440 --> 0:31:16.880
<v Speaker 1>provocative names. For example, excited pig consists of a cooked

0:31:16.920 --> 0:31:20.040
<v Speaker 1>and peeled whole salami placed vertically on the plate with

0:31:20.160 --> 0:31:24.960
<v Speaker 1>coffee sauce mixed with oada cologne. Chicken fiat was flavored

0:31:25.000 --> 0:31:27.760
<v Speaker 1>with a stuffing of ball bearings, roasted and served with

0:31:27.840 --> 0:31:32.920
<v Speaker 1>whipped cream. Drum roll of colonial fish comprised poached mullet,

0:31:33.160 --> 0:31:37.400
<v Speaker 1>marinated a milk liqueur, capers and red pepper, and stuffed

0:31:37.440 --> 0:31:41.160
<v Speaker 1>with date jam, banana and pineapple, eaten to a continuous

0:31:41.320 --> 0:31:44.400
<v Speaker 1>rolling of drums. And Another part of their philosophy was

0:31:44.480 --> 0:31:48.080
<v Speaker 1>hatred of pasta. Marinetti believed it made people slow and

0:31:48.200 --> 0:31:52.280
<v Speaker 1>lazy and anti viral, the opposite of the fascist fascist

0:31:52.320 --> 0:31:56.160
<v Speaker 1>sic strongman ruler. There's a lot more interesting background about

0:31:56.200 --> 0:31:59.400
<v Speaker 1>this article, but onto the onto the print. Jessica Diamond

0:31:59.480 --> 0:32:01.720
<v Speaker 1>is a concept trul visual artist who has been active

0:32:01.720 --> 0:32:03.800
<v Speaker 1>since the late eighties. She makes a lot of text

0:32:03.800 --> 0:32:06.880
<v Speaker 1>based art and art about social issues, gender and class.

0:32:07.280 --> 0:32:09.760
<v Speaker 1>Although I can't find anything specifically about this piece or

0:32:09.840 --> 0:32:12.320
<v Speaker 1>others in a series. The statement is pretty clear. I

0:32:12.360 --> 0:32:15.080
<v Speaker 1>think it's funny and excellent that being pro pasta is

0:32:15.120 --> 0:32:18.200
<v Speaker 1>an antifast statement. It also about me thinking about all

0:32:18.240 --> 0:32:21.240
<v Speaker 1>the intersections of food and authoritarianism in general from the

0:32:21.320 --> 0:32:24.320
<v Speaker 1>diet culture we all live under, and that the Instagram

0:32:24.400 --> 0:32:27.440
<v Speaker 1>algorithm is convinced I'm interested in to the daylife army

0:32:27.480 --> 0:32:30.160
<v Speaker 1>called diet restrictions as punishment. It feels like it's come

0:32:30.240 --> 0:32:32.680
<v Speaker 1>up a lot lately. Okay, that's my art history world

0:32:32.760 --> 0:32:37.480
<v Speaker 1>word dump l O L. Stay safe, y'all, Thank you

0:32:37.600 --> 0:32:42.360
<v Speaker 1>so much. Bowie. Uh, this is just grand. Uh. I

0:32:42.720 --> 0:32:47.360
<v Speaker 1>know that Molly has a particular fascination with the Italian Futurists.

0:32:48.000 --> 0:32:51.960
<v Speaker 1>I remember learning about them in in in art in

0:32:52.240 --> 0:32:54.280
<v Speaker 1>my art history class and just thinking that, like the

0:32:54.360 --> 0:32:59.440
<v Speaker 1>Italian Futurist manifesto specifically, it's just hilarious. It's so funny.

0:32:59.640 --> 0:33:04.240
<v Speaker 1>It's so funny. That's the problem is that, because because

0:33:04.240 --> 0:33:06.760
<v Speaker 1>I always say, like fascist art is always really bad,

0:33:06.760 --> 0:33:09.960
<v Speaker 1>because it's always so humorless, But then like, the Italian

0:33:10.040 --> 0:33:13.560
<v Speaker 1>Futurists are pretty funny. It got a little data in

0:33:13.680 --> 0:33:17.480
<v Speaker 1>there and it's just enough to make it over so

0:33:17.720 --> 0:33:23.720
<v Speaker 1>much with data and surrealism that it is sort of hilarious. Yeah.

0:33:23.760 --> 0:33:25.520
<v Speaker 1>I did, Like I wrote like a paper on it

0:33:26.040 --> 0:33:30.880
<v Speaker 1>in high school where I'm high school. Yeah, I I

0:33:31.000 --> 0:33:33.200
<v Speaker 1>wrote a paper on that and a paper. These are

0:33:33.240 --> 0:33:35.400
<v Speaker 1>like my big term papers. The other one I wrote

0:33:35.440 --> 0:33:40.360
<v Speaker 1>was on the the hu Act trials, very unsurprising topics

0:33:40.400 --> 0:33:43.960
<v Speaker 1>for me, but I did. I think I did it

0:33:44.040 --> 0:33:46.760
<v Speaker 1>specifically on the Futurist Cookbook because I thought it was

0:33:46.960 --> 0:33:51.880
<v Speaker 1>so funny. It's so weird, but it's also it does

0:33:51.960 --> 0:33:53.640
<v Speaker 1>kind of make sense if you're like, this is the

0:33:53.760 --> 0:33:58.680
<v Speaker 1>new Italy, like no pasta allowed, but obviously Italian food

0:33:58.760 --> 0:34:01.240
<v Speaker 1>is so good that to try and make something that's

0:34:01.280 --> 0:34:04.920
<v Speaker 1>like the opposite of Italian food too for the new Italy,

0:34:05.080 --> 0:34:08.080
<v Speaker 1>it's like it does all sound disgusting. Yeah, it has

0:34:08.120 --> 0:34:11.320
<v Speaker 1>to be the most horrifying, like inedible thing, the opposite

0:34:11.360 --> 0:34:16.520
<v Speaker 1>of pasta, which is like objectively the softest, most delicious. Yeah.

0:34:16.880 --> 0:34:19.480
<v Speaker 1>But a lot of it is also just like visual puns.

0:34:19.640 --> 0:34:22.960
<v Speaker 1>Like I remember there was something that was like boobs

0:34:23.800 --> 0:34:28.160
<v Speaker 1>that is like two gelatin mold boobs, and then it

0:34:28.239 --> 0:34:32.560
<v Speaker 1>has like strawberry nipples oh my god. Well they that's

0:34:32.640 --> 0:34:36.239
<v Speaker 1>like a that's a long running tradition like um, like

0:34:36.360 --> 0:34:40.040
<v Speaker 1>boob desserts and stuff I remember and um, I don't

0:34:40.080 --> 0:34:43.319
<v Speaker 1>know if y'all are a fan of the movie uh Amadeus,

0:34:43.480 --> 0:34:44.920
<v Speaker 1>but they have a dessert in that it's called the

0:34:45.000 --> 0:34:48.200
<v Speaker 1>nipples of Venus that are just like little boobs. Um.

0:34:48.840 --> 0:34:51.759
<v Speaker 1>People have been really into just severing a tip from

0:34:51.800 --> 0:34:53.919
<v Speaker 1>a lady and calling it food for a long time,

0:34:54.920 --> 0:34:59.000
<v Speaker 1>which again very surrealists and super futurist, like I think,

0:34:59.480 --> 0:35:02.680
<v Speaker 1>like the a super Italian futurists, like I think a

0:35:02.760 --> 0:35:05.800
<v Speaker 1>lot of you know, the big knock on the Italian

0:35:05.840 --> 0:35:08.080
<v Speaker 1>futurists other than the whole fascism thing is just like

0:35:08.160 --> 0:35:12.360
<v Speaker 1>the extreme again, so extreme that it is kind of

0:35:12.440 --> 0:35:18.000
<v Speaker 1>funny misogy, uh that you know. And they're not to

0:35:18.080 --> 0:35:22.200
<v Speaker 1>say that there weren't Italian futurist women and people like

0:35:22.719 --> 0:35:25.400
<v Speaker 1>women who were successful or you know, important within the movement,

0:35:25.480 --> 0:35:30.960
<v Speaker 1>but it is a very dude driven machinery city, you know,

0:35:31.200 --> 0:35:35.839
<v Speaker 1>industrialism type movement, and hatred of women is written into

0:35:35.880 --> 0:35:41.200
<v Speaker 1>the manifesto, so it's not for insit's in there. Um yeah,

0:35:41.520 --> 0:35:44.680
<v Speaker 1>it's I'm trying I'm trying to find so so Marionetti,

0:35:45.000 --> 0:35:49.759
<v Speaker 1>the guy's reference in this print that Bowie sent us

0:35:49.880 --> 0:35:52.400
<v Speaker 1>is is the guy who actually was, you know, one

0:35:52.440 --> 0:35:58.600
<v Speaker 1>of the chief authors of the UHT. F. T. Marinetti.

0:35:59.520 --> 0:36:02.640
<v Speaker 1>And it's it's funny because you know, and this is

0:36:02.719 --> 0:36:05.080
<v Speaker 1>just because we're not Italian, but like F. T. Marinetti

0:36:05.120 --> 0:36:09.759
<v Speaker 1>sounds like Aposta Brand to me absolutely, I'm allowed to

0:36:09.800 --> 0:36:13.160
<v Speaker 1>say that as a person who is sort of now Italian.

0:36:13.320 --> 0:36:16.279
<v Speaker 1>Kind of um it also makes me think of when

0:36:17.040 --> 0:36:19.480
<v Speaker 1>after nine eleven when they were like no more French fries,

0:36:19.520 --> 0:36:23.600
<v Speaker 1>now their freedom fries totally. Any kind of food based

0:36:23.719 --> 0:36:28.680
<v Speaker 1>nationalism is something that's interesting to think about. Well that

0:36:29.000 --> 0:36:31.600
<v Speaker 1>that's so, it's so pre day. It's like a more

0:36:31.800 --> 0:36:37.080
<v Speaker 1>fun version of um of like soilent of our current,

0:36:37.640 --> 0:36:41.840
<v Speaker 1>you know, futurists. I'm doing finger quotes around this, like

0:36:42.760 --> 0:36:51.799
<v Speaker 1>really advocating for making food into something hyper efficient, minimalist

0:36:52.239 --> 0:36:57.000
<v Speaker 1>and not not attached to pleasure. Um right, it's like

0:36:57.080 --> 0:36:59.879
<v Speaker 1>taking all pleasure out of food, which is like who

0:37:00.040 --> 0:37:02.239
<v Speaker 1>who actually wants them? But it also it kind of

0:37:02.280 --> 0:37:05.440
<v Speaker 1>eliminates the relationship between the diner and the meal and

0:37:05.600 --> 0:37:09.080
<v Speaker 1>turns it into a something that is being served to

0:37:09.239 --> 0:37:13.279
<v Speaker 1>an audience as opposed to serve to someone who's eating. Right. Yeah,

0:37:13.760 --> 0:37:16.600
<v Speaker 1>I do feel like we're having a food revolution right

0:37:16.640 --> 0:37:22.239
<v Speaker 1>now with the whole bon Appetite thing and people sort

0:37:22.320 --> 0:37:27.360
<v Speaker 1>of you know, talking finally about food and colonialism and

0:37:27.680 --> 0:37:29.920
<v Speaker 1>the way in which Americans tend to see like the

0:37:30.000 --> 0:37:32.960
<v Speaker 1>whole world as theirs to like take whatever they want

0:37:33.080 --> 0:37:36.920
<v Speaker 1>from and how white people just do that, especially in

0:37:37.400 --> 0:37:40.440
<v Speaker 1>the restaurant world that you know, white people are allowed

0:37:40.480 --> 0:37:43.799
<v Speaker 1>to cook any kind of cuisine, but chefs of color

0:37:43.960 --> 0:37:48.080
<v Speaker 1>tend to get siloed into, you know, cooking one specific

0:37:48.160 --> 0:37:51.319
<v Speaker 1>cuisine or being you know, the expert on ethnic food.

0:37:51.480 --> 0:37:55.960
<v Speaker 1>And um, some of the Bon Appetite chefs, after negotiate

0:37:56.000 --> 0:38:00.560
<v Speaker 1>trying to renegotiate contracts, quit today, which it's cool but

0:38:00.640 --> 0:38:03.200
<v Speaker 1>also insane that Bon Appetite and Conde Nast wouldn't just

0:38:03.320 --> 0:38:06.160
<v Speaker 1>like give them good contracts because there what made that

0:38:06.360 --> 0:38:08.640
<v Speaker 1>network successful. But they think they can just plug in

0:38:08.719 --> 0:38:11.360
<v Speaker 1>anyone and it's gonna work. Have you guys seen the

0:38:11.520 --> 0:38:14.919
<v Speaker 1>videos of like people did like basically like fan cut

0:38:15.160 --> 0:38:18.479
<v Speaker 1>super videos of all the times the hosts of color

0:38:18.520 --> 0:38:22.680
<v Speaker 1>were asked to come help ye and like when they

0:38:22.800 --> 0:38:26.719
<v Speaker 1>offered them the new contracts, which were super insulting. Um.

0:38:27.000 --> 0:38:29.920
<v Speaker 1>One of the things was it like their their offer

0:38:30.080 --> 0:38:31.720
<v Speaker 1>was like you get you can't. You'll get a thousand

0:38:31.760 --> 0:38:35.200
<v Speaker 1>dollars a video. You'll get like three hundred dollars a

0:38:35.280 --> 0:38:37.759
<v Speaker 1>video where you appear for less than five minutes, and

0:38:37.840 --> 0:38:41.240
<v Speaker 1>if you appear for less than two minutes you get nothing. WHOA,

0:38:42.000 --> 0:38:44.080
<v Speaker 1>which I'm sure the editors would all be encouraged to

0:38:44.160 --> 0:38:46.600
<v Speaker 1>like get that down to like a minute and a half, right,

0:38:46.920 --> 0:38:49.480
<v Speaker 1>And also just like no any if you're asking for

0:38:49.600 --> 0:38:54.320
<v Speaker 1>somebody's expertise, like they should get paid. It's also crazy

0:38:54.360 --> 0:38:57.560
<v Speaker 1>to have somebody with more expertise assisting. I don't understand

0:38:57.840 --> 0:39:02.800
<v Speaker 1>the like logic as like a producer was someone who's hiring,

0:39:02.960 --> 0:39:05.520
<v Speaker 1>especially when these are like fan favorites, Like the people

0:39:05.560 --> 0:39:07.680
<v Speaker 1>who religiously watch these bon appetite videos are like, oh

0:39:07.760 --> 0:39:09.880
<v Speaker 1>my god, they're here and we love them, and like

0:39:10.120 --> 0:39:11.840
<v Speaker 1>why don't we have them more in videos? There's just

0:39:11.920 --> 0:39:15.080
<v Speaker 1>so much uh data that says like this would be

0:39:15.160 --> 0:39:18.520
<v Speaker 1>good for your bottom line, but it's hard to understand

0:39:18.600 --> 0:39:21.120
<v Speaker 1>the decision making behind being like, well then we can

0:39:21.239 --> 0:39:23.040
<v Speaker 1>let them go and I had a friend too who

0:39:23.120 --> 0:39:26.520
<v Speaker 1>was already like the Bond Appetite kitchen isn't good before

0:39:26.600 --> 0:39:28.759
<v Speaker 1>all this happened, because she was like, none of the

0:39:28.840 --> 0:39:31.640
<v Speaker 1>Chafts can actually cook the things they're supposed to be making,

0:39:31.800 --> 0:39:33.520
<v Speaker 1>and they do need help a lot of the time,

0:39:33.680 --> 0:39:37.959
<v Speaker 1>especially in the Gourmet makes videos where they're making junk

0:39:38.000 --> 0:39:40.920
<v Speaker 1>food that like Claire who does them, doesn't know how

0:39:40.960 --> 0:39:43.640
<v Speaker 1>to temper chocolate, and so anytime they have to make

0:39:43.680 --> 0:39:45.839
<v Speaker 1>anything with chocolate they have to bring in the person

0:39:45.920 --> 0:39:48.160
<v Speaker 1>who knows how to make chocolate. Well, this is like,

0:39:48.400 --> 0:39:50.080
<v Speaker 1>this is the way in which I think that there

0:39:50.200 --> 0:39:53.680
<v Speaker 1>is an overlap between the whole the b a scuffle

0:39:53.800 --> 0:39:58.720
<v Speaker 1>and and and this sort of the fascist manifesto, especially

0:39:58.760 --> 0:40:00.960
<v Speaker 1>as it pertains to food. And the reason why I

0:40:01.120 --> 0:40:04.160
<v Speaker 1>never quite could get into those videos. I know people

0:40:04.239 --> 0:40:06.160
<v Speaker 1>like them a lot, but it always felt like the

0:40:06.680 --> 0:40:10.800
<v Speaker 1>art object of the video itself and like including whatever

0:40:11.560 --> 0:40:13.520
<v Speaker 1>you know, you know, I know, people would be like,

0:40:13.600 --> 0:40:15.440
<v Speaker 1>oh it's so and so, like they would have like

0:40:15.480 --> 0:40:18.600
<v Speaker 1>gossip about the bona petite people and stuff, and it

0:40:18.719 --> 0:40:21.440
<v Speaker 1>was like this whole thing that existed outside of the

0:40:21.520 --> 0:40:25.440
<v Speaker 1>food itself, which I always thought was I mean, that's

0:40:25.440 --> 0:40:28.920
<v Speaker 1>like a choice you can make for sure in making

0:40:28.960 --> 0:40:33.040
<v Speaker 1>a media product. But it felt very different from like

0:40:33.239 --> 0:40:36.279
<v Speaker 1>what I want when I'm wanting to cook something or

0:40:36.360 --> 0:40:39.120
<v Speaker 1>think about something to eat and the act of eating,

0:40:39.520 --> 0:40:42.120
<v Speaker 1>Like I'm not thinking about this picture perfect Conde Nast

0:40:42.239 --> 0:40:44.320
<v Speaker 1>kitchen that I want to watch a YouTube video of.

0:40:44.480 --> 0:40:47.799
<v Speaker 1>I'm thinking about, like, you know, actually getting my hands

0:40:47.880 --> 0:40:51.560
<v Speaker 1>dirty and making something. Uh, And and that always felt

0:40:51.560 --> 0:40:54.359
<v Speaker 1>a little bit incongruous to me. I feel like those

0:40:54.480 --> 0:40:57.359
<v Speaker 1>videos were less about the actual food and teaching people

0:40:57.400 --> 0:40:59.120
<v Speaker 1>how to make food and more about the sort of

0:40:59.239 --> 0:41:02.840
<v Speaker 1>like paras so you're hanging out with the fun work family.

0:41:03.440 --> 0:41:05.759
<v Speaker 1>And maybe just because we are all people who were

0:41:05.840 --> 0:41:08.520
<v Speaker 1>part of, you know, a brand in the past that

0:41:08.800 --> 0:41:12.239
<v Speaker 1>presented itself as a fun work family, we might see

0:41:12.320 --> 0:41:14.520
<v Speaker 1>behind the curtain a little bit more than some people

0:41:14.640 --> 0:41:17.680
<v Speaker 1>on that and know that, like people being forced to

0:41:17.719 --> 0:41:20.520
<v Speaker 1>hang out on camera, doesn't you mean there aren't issues

0:41:20.640 --> 0:41:23.640
<v Speaker 1>behind the scenes. So I would say I was less

0:41:23.640 --> 0:41:26.640
<v Speaker 1>surprised when it turned out that there were contract issues

0:41:26.680 --> 0:41:29.279
<v Speaker 1>and stuff, because, yeah, the whole point of that brand

0:41:29.400 --> 0:41:32.799
<v Speaker 1>was presented as like one big, happy family, everybody loves

0:41:32.840 --> 0:41:34.600
<v Speaker 1>working here. We all get to be in this great

0:41:34.680 --> 0:41:37.360
<v Speaker 1>kitchen all the time. But I was like, man, I

0:41:37.400 --> 0:41:39.600
<v Speaker 1>would hate to be trapped in a kitchen where there's

0:41:39.600 --> 0:41:42.799
<v Speaker 1>a camera on me anytime I go in. Yeah, I think,

0:41:43.160 --> 0:41:46.160
<v Speaker 1>you know, just a little bit, you know, to switch

0:41:46.239 --> 0:41:50.719
<v Speaker 1>subjects slightly, I think that another thing about you know.

0:41:50.840 --> 0:41:53.800
<v Speaker 1>I was kind of asking myself this allowed on Twitter,

0:41:53.920 --> 0:41:56.960
<v Speaker 1>and it was quickly answered for me that like the reason,

0:41:57.200 --> 0:41:59.160
<v Speaker 1>like what it does feel like a side effect of

0:41:59.640 --> 0:42:02.360
<v Speaker 1>locked out and of Corona, that like, our our attention

0:42:02.520 --> 0:42:05.920
<v Speaker 1>is on these food personalities and on these channels and

0:42:06.320 --> 0:42:08.440
<v Speaker 1>people like Alice and No Roman, because people are cooking

0:42:08.520 --> 0:42:10.839
<v Speaker 1>more at home, especially like the first couple of months,

0:42:10.920 --> 0:42:13.000
<v Speaker 1>you know, people got really into the idea of cooking

0:42:13.040 --> 0:42:15.800
<v Speaker 1>at home and like getting into making bread or whatever.

0:42:16.520 --> 0:42:21.400
<v Speaker 1>And and and particularly like comfort cooking and cooking for comfort,

0:42:21.719 --> 0:42:24.880
<v Speaker 1>even if that means appropriating some other cultures comfort food.

0:42:25.280 --> 0:42:30.040
<v Speaker 1>And I think that's such an interesting contrast from like

0:42:31.120 --> 0:42:35.000
<v Speaker 1>the kind of food that is often fetishized by food culture,

0:42:35.160 --> 0:42:39.959
<v Speaker 1>like pre COVID times, which sometimes feels like it comes

0:42:40.080 --> 0:42:43.640
<v Speaker 1>more from this uh fascist ideal of what food is like,

0:42:43.800 --> 0:42:45.879
<v Speaker 1>making it more of a challenge to the mind than

0:42:46.120 --> 0:42:50.560
<v Speaker 1>than a pleasure for the palate. Uh. And I'm just like,

0:42:50.640 --> 0:42:52.279
<v Speaker 1>it's so interesting to think about that now because like,

0:42:52.480 --> 0:42:56.480
<v Speaker 1>you know, especially like the um molecular gastronomy craze or

0:42:56.560 --> 0:43:01.120
<v Speaker 1>whatever like feels much like that feels completely alien to

0:43:01.280 --> 0:43:03.359
<v Speaker 1>us now and like what we value in food right now.

0:43:04.280 --> 0:43:06.080
<v Speaker 1>And I think you saw that play out on Top

0:43:06.200 --> 0:43:08.759
<v Speaker 1>Chef a lot to a show that I watched every

0:43:08.840 --> 0:43:11.680
<v Speaker 1>season of but would always be like infuriated by it,

0:43:11.920 --> 0:43:16.799
<v Speaker 1>and you know, especially the season where Carla lost even

0:43:16.840 --> 0:43:19.600
<v Speaker 1>though she clearly should have won. There is this like

0:43:19.760 --> 0:43:24.400
<v Speaker 1>divide in food culture between you know, professional restaurant food

0:43:24.600 --> 0:43:27.520
<v Speaker 1>and home cooked food, and professional chefs tend to be

0:43:28.000 --> 0:43:30.400
<v Speaker 1>you know, the most famous ones tend to be white

0:43:30.640 --> 0:43:34.280
<v Speaker 1>and mostly male, and then you know home home cheffery,

0:43:35.080 --> 0:43:38.040
<v Speaker 1>which is like, you know, very female. A lot of

0:43:38.120 --> 0:43:42.640
<v Speaker 1>it is like not for for profit, it's um and

0:43:43.080 --> 0:43:47.000
<v Speaker 1>you know, like family traditions and passed on culture and

0:43:47.080 --> 0:43:51.520
<v Speaker 1>stuff like that, and there's such a divide between those things,

0:43:51.960 --> 0:43:55.680
<v Speaker 1>um that it's good finally that people are talking about

0:43:55.719 --> 0:43:58.520
<v Speaker 1>sort of like who's getting elevated in this world and why?

0:43:58.920 --> 0:44:01.400
<v Speaker 1>You know, Well, speaking of Top Chef, I thought it

0:44:01.520 --> 0:44:04.839
<v Speaker 1>was interesting that in this past season, um, Brian Voltaggio,

0:44:04.920 --> 0:44:08.440
<v Speaker 1>who I love Brian Voltaggio, by the way, but he

0:44:08.680 --> 0:44:10.640
<v Speaker 1>was called out when they went to Italy. UM and

0:44:10.800 --> 0:44:13.920
<v Speaker 1>he did a kind of like very refined or you know,

0:44:14.320 --> 0:44:17.360
<v Speaker 1>like a not quite molecular gastronomy, but an extremely like

0:44:17.840 --> 0:44:22.000
<v Speaker 1>visual plate and everyone in Italy criticized his dish for

0:44:22.080 --> 0:44:24.520
<v Speaker 1>having no heart and no soul, and he took the

0:44:24.600 --> 0:44:27.560
<v Speaker 1>criticism so hard. But I think it is indicative of

0:44:27.640 --> 0:44:30.719
<v Speaker 1>the fact that that's becoming so passe. And I mean,

0:44:30.960 --> 0:44:32.920
<v Speaker 1>in addition to the fact that we're all cooking at home,

0:44:33.360 --> 0:44:36.080
<v Speaker 1>we don't have the access to the food that we

0:44:36.160 --> 0:44:39.640
<v Speaker 1>would use to make I mean both economic access and

0:44:39.719 --> 0:44:43.080
<v Speaker 1>also just supply chain access to the kinds of ingredients

0:44:43.200 --> 0:44:46.160
<v Speaker 1>that like you need to make a fancy dish that

0:44:46.200 --> 0:44:49.480
<v Speaker 1>then what you eat by yourself. The squidek supply chain

0:44:49.719 --> 0:44:53.440
<v Speaker 1>is dried up, right. I feel like there's a weird

0:44:53.760 --> 0:44:57.279
<v Speaker 1>connection in a way to uh just yeah. There's a

0:44:57.280 --> 0:45:00.520
<v Speaker 1>good article today about like the fashion industry kind of collapse, saying, like,

0:45:00.719 --> 0:45:02.719
<v Speaker 1>you know, the makeup industry has kind of collapse. All

0:45:02.760 --> 0:45:05.439
<v Speaker 1>the things that people do for the benefit of other

0:45:05.560 --> 0:45:09.480
<v Speaker 1>people that maybe people have told themselves they were doing

0:45:09.600 --> 0:45:11.719
<v Speaker 1>for themselves, but now that they really are just doing

0:45:11.760 --> 0:45:13.920
<v Speaker 1>it for themselves. It's like most people don't care if

0:45:13.920 --> 0:45:16.960
<v Speaker 1>their plate is super visually appealing, They just care if

0:45:17.000 --> 0:45:21.200
<v Speaker 1>it tastes good. Well. Also, going back to the Bonappetite videos,

0:45:21.360 --> 0:45:23.279
<v Speaker 1>I think that one of the other reasons that they

0:45:23.600 --> 0:45:26.759
<v Speaker 1>are very appealing right now, and also you know that

0:45:26.880 --> 0:45:30.880
<v Speaker 1>the problems inherent in that kind of production are becoming

0:45:30.960 --> 0:45:34.640
<v Speaker 1>more visible is because production in general is so impossible

0:45:34.719 --> 0:45:37.480
<v Speaker 1>to do under quarantine. But these are videos that can

0:45:37.600 --> 0:45:40.719
<v Speaker 1>be made in your apartment. You know, if if you

0:45:40.880 --> 0:45:44.240
<v Speaker 1>have like the platform provided by a large network or whatever,

0:45:44.600 --> 0:45:46.880
<v Speaker 1>then you are kind of able to produce something. And

0:45:46.960 --> 0:45:48.840
<v Speaker 1>if you're comfortable on camera because you've been doing it

0:45:49.040 --> 0:45:51.920
<v Speaker 1>for a while, and you're comfortable cooking because that's what

0:45:52.120 --> 0:45:54.800
<v Speaker 1>you're good at, then the opportunity exists for that to

0:45:54.920 --> 0:45:58.520
<v Speaker 1>become a kind of media that has been you know,

0:45:58.680 --> 0:46:01.120
<v Speaker 1>you'd otherwise get from something top chef, which wouldn't be

0:46:01.160 --> 0:46:03.600
<v Speaker 1>safe to make now. So it makes me wonder if

0:46:03.719 --> 0:46:05.920
<v Speaker 1>the people who have been kind of screwed by Bon

0:46:06.000 --> 0:46:10.200
<v Speaker 1>Appetite couldn't maybe do something. You know, I probably not

0:46:10.280 --> 0:46:12.360
<v Speaker 1>because everything is so funned right now. But I'm like,

0:46:12.760 --> 0:46:15.440
<v Speaker 1>if you were in, for instance, like the Screen Actors

0:46:15.480 --> 0:46:18.880
<v Speaker 1>Guild or something like that, could that kind of replace

0:46:19.160 --> 0:46:22.920
<v Speaker 1>the traditional food media that is so impossible to produce now?

0:46:23.040 --> 0:46:25.640
<v Speaker 1>Like could you get a lot more for your time

0:46:25.680 --> 0:46:28.400
<v Speaker 1>and for your participation? Could that be like broadcast on

0:46:28.480 --> 0:46:32.160
<v Speaker 1>TV and you can maybe even get healthcare? Like maybe? Well,

0:46:32.200 --> 0:46:34.560
<v Speaker 1>I mean I think what's so crazy about the bon

0:46:34.640 --> 0:46:37.759
<v Speaker 1>appetite thing too, is like you, you know, everybody saw

0:46:37.920 --> 0:46:39.919
<v Speaker 1>that some of these chefs were the most talented people

0:46:39.960 --> 0:46:42.480
<v Speaker 1>in the kitchen, but they weren't getting the same opportunities

0:46:42.560 --> 0:46:47.120
<v Speaker 1>as their white peers. And when they drew attention to it,

0:46:47.200 --> 0:46:48.480
<v Speaker 1>it was like it would have been very easy for

0:46:48.560 --> 0:46:51.239
<v Speaker 1>Conde Nast to just pay them equally, right, but they

0:46:51.280 --> 0:46:53.240
<v Speaker 1>didn't do that. And this is like the golden goose

0:46:53.600 --> 0:46:56.239
<v Speaker 1>of Conde Nast, the thing that was like giving them

0:46:56.280 --> 0:47:01.360
<v Speaker 1>a presence on video. It's just seems counterintuitive that you

0:47:01.360 --> 0:47:05.439
<v Speaker 1>wouldn't just like give Sola what she deserves rather than

0:47:06.320 --> 0:47:08.080
<v Speaker 1>what they did do, which would be like we're going

0:47:08.120 --> 0:47:10.480
<v Speaker 1>to let these people leave and just like replace them

0:47:10.760 --> 0:47:14.279
<v Speaker 1>so we can underpay some other chefs of color, which

0:47:14.360 --> 0:47:17.600
<v Speaker 1>is like awful and also seems like maybe make people

0:47:17.640 --> 0:47:21.040
<v Speaker 1>hate the brand. Yeah, well, it underestimates the real connection

0:47:21.080 --> 0:47:23.839
<v Speaker 1>that people have, you know, like that the audience has

0:47:23.880 --> 0:47:26.600
<v Speaker 1>with these people, like and and that's kind of surprising

0:47:26.719 --> 0:47:29.680
<v Speaker 1>when isn't that isn't that inherent? Like isn't that why

0:47:29.800 --> 0:47:31.759
<v Speaker 1>people are drawn to these videos in the first place?

0:47:31.880 --> 0:47:35.360
<v Speaker 1>Is that personal connection? So it's really it's super tone

0:47:35.400 --> 0:47:38.680
<v Speaker 1>deaf and dumb in addition to being wrong. Right, It's

0:47:38.719 --> 0:47:41.000
<v Speaker 1>like we all know that Anna Wintour makes like a

0:47:41.160 --> 0:47:44.040
<v Speaker 1>ton of money and she was apparently in these meetings

0:47:44.239 --> 0:47:48.320
<v Speaker 1>being like nobody like we're gonna punish people for speaking

0:47:48.400 --> 0:47:51.120
<v Speaker 1>up about the inequality. We're not going to like punish

0:47:51.160 --> 0:47:53.520
<v Speaker 1>the people that did funked up things. We're going to

0:47:53.560 --> 0:47:55.879
<v Speaker 1>punish the people who pointed out the fucked up things.

0:47:56.600 --> 0:48:00.680
<v Speaker 1>Since we're talking about food and we're talking about futurism

0:48:00.800 --> 0:48:05.040
<v Speaker 1>and we're talking about the weird new eating habits and

0:48:05.320 --> 0:48:07.359
<v Speaker 1>and maybe good eating habits that we picked up while

0:48:07.400 --> 0:48:11.040
<v Speaker 1>we're in in lockdown, is there anything lately that you

0:48:11.120 --> 0:48:16.920
<v Speaker 1>guys have been either picking up or making that is like,

0:48:17.080 --> 0:48:20.120
<v Speaker 1>what's the what's the strangest thing that you found yourself

0:48:20.239 --> 0:48:27.000
<v Speaker 1>drawn to well, I've been making some weird drinks. Uh,

0:48:27.840 --> 0:48:31.200
<v Speaker 1>we just we're talking a little bit about Emily was

0:48:31.280 --> 0:48:35.040
<v Speaker 1>drinking some white cloth in North Carolina, a habit she

0:48:35.120 --> 0:48:37.800
<v Speaker 1>said she wanted to leave behind in North Carolina. So

0:48:37.960 --> 0:48:42.120
<v Speaker 1>I'm not good. It's not good for me for my body.

0:48:42.160 --> 0:48:45.000
<v Speaker 1>You were comparing it to sparks in terms like grown

0:48:45.040 --> 0:48:47.759
<v Speaker 1>up sparks. It's it's like if sparks, if you don't

0:48:48.160 --> 0:48:51.040
<v Speaker 1>like if you can't have sugar because it makes your

0:48:51.040 --> 0:48:53.680
<v Speaker 1>teeth hurt. Like it seems dangerous too, because it seems

0:48:53.719 --> 0:48:56.920
<v Speaker 1>like it doesn't taste super alcoholic. It's just a taste

0:48:56.920 --> 0:48:59.120
<v Speaker 1>like seltzer. Yeah, it's like a little bit of a

0:48:59.160 --> 0:49:03.600
<v Speaker 1>sweet seltzer. The very ones especially masked the alcohol really well. Um.

0:49:03.719 --> 0:49:06.400
<v Speaker 1>So you're just like I just found myself like brainlessly

0:49:06.480 --> 0:49:08.920
<v Speaker 1>like look, look, look, look, And I'm like, huh, why

0:49:08.960 --> 0:49:12.520
<v Speaker 1>am I like drunk? Now? I like all this stuff though,

0:49:12.719 --> 0:49:17.279
<v Speaker 1>as like the complete opposite of artistical cocktails. Yeah, and

0:49:17.440 --> 0:49:19.560
<v Speaker 1>it's like the last I was very resistant to the

0:49:19.600 --> 0:49:23.000
<v Speaker 1>white clutch and before just because I was like, I'm

0:49:23.320 --> 0:49:25.759
<v Speaker 1>a big wine fan. I like I like what I like.

0:49:25.880 --> 0:49:28.760
<v Speaker 1>I take pleasure and like having a nice glass of wine,

0:49:28.920 --> 0:49:34.440
<v Speaker 1>and the the whole white clothing felt like the antithesis

0:49:34.560 --> 0:49:37.120
<v Speaker 1>of that. It felt like our generations like very coolers

0:49:37.200 --> 0:49:42.160
<v Speaker 1>or whatever. Um, but it's like it's stupid. It's just

0:49:42.280 --> 0:49:45.200
<v Speaker 1>stupid and easy, and sometimes you need stupid and easy

0:49:45.480 --> 0:49:49.759
<v Speaker 1>and our current reality. So also when it's very hot,

0:49:50.360 --> 0:49:53.879
<v Speaker 1>that's why. Yeah, that's why I got it now because

0:49:53.880 --> 0:49:56.840
<v Speaker 1>I'm not drinking red wine right now because it's like

0:49:57.080 --> 0:50:01.240
<v Speaker 1>ninety degrees and humid. But um, what's your favorite? Drinking

0:50:01.280 --> 0:50:11.080
<v Speaker 1>a can? Sofia coppolus sparkling wine. I this has been

0:50:11.160 --> 0:50:13.400
<v Speaker 1>my This has been a bit of mine for like

0:50:13.640 --> 0:50:16.400
<v Speaker 1>as long as I've been on the internet, Like, sponsor

0:50:16.520 --> 0:50:22.120
<v Speaker 1>me Sofia coppola Is it really good? No, it's really bad.

0:50:22.160 --> 0:50:24.000
<v Speaker 1>It's really It gives you a headache after like half

0:50:24.040 --> 0:50:25.800
<v Speaker 1>of a can. But it comes in tiny can. It

0:50:25.880 --> 0:50:28.080
<v Speaker 1>comes in a little can with a straw, and our

0:50:29.040 --> 0:50:33.000
<v Speaker 1>food friend food influencer Chris Chang suggested that it's actually

0:50:33.120 --> 0:50:36.320
<v Speaker 1>great for keeping on hand to deglaze things. Oh I

0:50:36.440 --> 0:50:38.960
<v Speaker 1>did see that the other day. It's the perfect glazing

0:50:39.040 --> 0:50:42.759
<v Speaker 1>sun that's super smart. Yeah, it's because it's tiny, the

0:50:42.760 --> 0:50:47.640
<v Speaker 1>little glass of Shampion. That's so co sponsorship. My favorite

0:50:47.719 --> 0:50:50.640
<v Speaker 1>canned beverage. When I do drink an alcoholic beverage, which

0:50:50.680 --> 0:50:52.759
<v Speaker 1>is not that often, but especially when it's hot, I

0:50:52.840 --> 0:50:57.000
<v Speaker 1>sometimes do. I like the Modelo Michelada and a can.

0:50:57.320 --> 0:51:02.279
<v Speaker 1>Oh my god, I love it. It's like not authentic,

0:51:02.560 --> 0:51:05.360
<v Speaker 1>but it is, and it's like sugary kind of but

0:51:05.960 --> 0:51:11.000
<v Speaker 1>it's like a delicious tomato flavored beer. And then there

0:51:11.120 --> 0:51:13.480
<v Speaker 1>was a video that Elvira put up where she was

0:51:13.680 --> 0:51:16.520
<v Speaker 1>drinking one in a kiddie pool, and I was like, wow,

0:51:17.280 --> 0:51:21.360
<v Speaker 1>me and Alvira have the same signature drink. I'm so happy.

0:51:21.680 --> 0:51:25.440
<v Speaker 1>I just can't do Michelotta's. I can't do Bloody Mary's anymore.

0:51:25.480 --> 0:51:28.239
<v Speaker 1>The salt is just like so much that it makes

0:51:28.320 --> 0:51:31.960
<v Speaker 1>my fingers swell up like sausages. Well, I also kind

0:51:32.000 --> 0:51:34.480
<v Speaker 1>of realized that, like I didn't even really like the

0:51:34.520 --> 0:51:36.759
<v Speaker 1>alcohol that much. I just kind of like a like

0:51:36.880 --> 0:51:40.320
<v Speaker 1>a tomato tangy beverage. You want a giant v A.

0:51:41.480 --> 0:51:45.600
<v Speaker 1>I love tomato juice. But what I started doing is

0:51:45.680 --> 0:51:48.759
<v Speaker 1>drinking just like Topo Chico in a glass, but like

0:51:48.960 --> 0:51:52.759
<v Speaker 1>putting tachin on the glass, like on the rim that

0:51:53.120 --> 0:51:57.200
<v Speaker 1>sounds good. That's good, But wouldn't you also need like

0:51:57.239 --> 0:51:59.560
<v Speaker 1>a twist of lime or like some kind of acid

0:52:00.040 --> 0:52:01.600
<v Speaker 1>lime on the rim? And then I put like a

0:52:01.640 --> 0:52:04.719
<v Speaker 1>little lime in it and then the rim that does

0:52:04.800 --> 0:52:08.920
<v Speaker 1>sound good. Um. A couple of nights ago, I was

0:52:09.080 --> 0:52:12.880
<v Speaker 1>like disgusted with my own eating habits and I have

0:52:13.000 --> 0:52:15.680
<v Speaker 1>been drinking wine and makes me puffy, and I was

0:52:15.760 --> 0:52:18.040
<v Speaker 1>just like, I'm gonna take a break. But then I

0:52:18.160 --> 0:52:21.200
<v Speaker 1>wanted to hold a wine glass full of something anyway

0:52:21.320 --> 0:52:23.680
<v Speaker 1>because it just makes me feel dainty and like it's

0:52:23.800 --> 0:52:26.440
<v Speaker 1>it's my signal that I'm done for the day and

0:52:26.520 --> 0:52:29.040
<v Speaker 1>I'm now having this. So I was like, oh, I'll

0:52:29.120 --> 0:52:32.360
<v Speaker 1>just drink some ice water with apple cide or vinegar

0:52:32.960 --> 0:52:36.279
<v Speaker 1>in it, uh and not. But I put it like

0:52:36.320 --> 0:52:38.280
<v Speaker 1>a lot and then I was like this is great

0:52:38.320 --> 0:52:40.719
<v Speaker 1>because I was like, I feel myself like detoxing. This

0:52:40.840 --> 0:52:43.840
<v Speaker 1>feels fantastic. And then I just kept going back for

0:52:44.040 --> 0:52:47.960
<v Speaker 1>more and more and more, and it like midnight. I

0:52:48.440 --> 0:52:50.680
<v Speaker 1>kind of looked at the bottle of apple cider vinegar

0:52:50.760 --> 0:52:54.080
<v Speaker 1>and was like, oh no, And then I thought, could

0:52:54.160 --> 0:52:56.480
<v Speaker 1>something terrible happen to me if I drank like an

0:52:56.600 --> 0:52:59.600
<v Speaker 1>entire bottle of apple cide or vinegar, and I did

0:52:59.680 --> 0:53:02.200
<v Speaker 1>that they where you're like about to google it and

0:53:02.280 --> 0:53:04.640
<v Speaker 1>then you realize like if the answers yes, like what

0:53:04.719 --> 0:53:07.279
<v Speaker 1>are you gonna do? You know, like what are you

0:53:07.360 --> 0:53:09.680
<v Speaker 1>gonna do? And I was like, I'll just panic and

0:53:09.719 --> 0:53:11.279
<v Speaker 1>then think I'm gonna die. So I just went to

0:53:11.360 --> 0:53:12.960
<v Speaker 1>bed and I woke up and I was fine. But

0:53:13.000 --> 0:53:14.440
<v Speaker 1>then I did google it and it was like, at

0:53:14.560 --> 0:53:18.439
<v Speaker 1>maximum you should have like maybe two tablespoons per day,

0:53:19.160 --> 0:53:21.160
<v Speaker 1>and I've had like three quarters of a bottle of

0:53:21.280 --> 0:53:24.400
<v Speaker 1>like the brags, it was, Yeah, I lived, though, what

0:53:24.520 --> 0:53:27.279
<v Speaker 1>does it do it? I think it just like I

0:53:27.800 --> 0:53:30.160
<v Speaker 1>think it upsets your tummy and I think it messes

0:53:30.200 --> 0:53:38.080
<v Speaker 1>with your tooth or something. Yeah. Yeah, nothing bad happened.

0:53:38.120 --> 0:53:41.080
<v Speaker 1>And apparently with heartburn, I remember from being pregnant that

0:53:41.160 --> 0:53:43.919
<v Speaker 1>there's this weird thing where it can if you drink

0:53:43.960 --> 0:53:46.200
<v Speaker 1>a little bit of it, it can like help heartburn,

0:53:46.640 --> 0:53:48.360
<v Speaker 1>but then if you drink a lot, it can do

0:53:48.440 --> 0:53:51.000
<v Speaker 1>the opposite. And it's the same with watermelon. What about

0:53:51.040 --> 0:53:54.800
<v Speaker 1>like kombucha and shrubs and stuff like that. I love shrubs.

0:53:54.880 --> 0:53:58.279
<v Speaker 1>They're too much work, too much work, uh, Like in

0:53:58.400 --> 0:54:00.839
<v Speaker 1>croll Show, and it's like make a big too much work.

0:54:01.120 --> 0:54:03.560
<v Speaker 1>I find that shrubs are really great, but again, it's

0:54:03.600 --> 0:54:06.520
<v Speaker 1>like that's from the before times. Right now. I'm just

0:54:06.960 --> 0:54:08.920
<v Speaker 1>it's like with a drink and a can, You're just like,

0:54:09.200 --> 0:54:12.680
<v Speaker 1>this is quarantine. I'm just drinking from a can. Um.

0:54:13.120 --> 0:54:17.160
<v Speaker 1>But I do love shrubs and kombucha. You know, I'm

0:54:17.239 --> 0:54:20.799
<v Speaker 1>okay with kombucha. I was drinking a lot of kombucha

0:54:20.880 --> 0:54:24.360
<v Speaker 1>for a while, but you know, I'm just I remember

0:54:24.440 --> 0:54:27.719
<v Speaker 1>introducing my parents to kombucha and my dad, and my

0:54:27.880 --> 0:54:31.000
<v Speaker 1>dad was just so horrified. He's like I've never seen

0:54:31.120 --> 0:54:33.680
<v Speaker 1>his face do what it did, like a seventy year

0:54:33.719 --> 0:54:38.200
<v Speaker 1>old man trying a nice sip of trilogy. My boyfriend

0:54:38.280 --> 0:54:41.080
<v Speaker 1>was drinking kombucha for like a month before. He was like, hey,

0:54:41.160 --> 0:54:43.080
<v Speaker 1>what is this actually, And I was like, oh, well,

0:54:43.120 --> 0:54:46.200
<v Speaker 1>it's mold tea. He was like, that's what it is.

0:54:46.640 --> 0:54:50.960
<v Speaker 1>It's fine, It's it's it's very free yogurt. It's davery free.

0:54:51.200 --> 0:54:53.520
<v Speaker 1>Like I I love anything that says it's I I

0:54:53.719 --> 0:54:57.040
<v Speaker 1>do like the brags and seltzer or water thing a

0:54:57.120 --> 0:55:00.400
<v Speaker 1>lot that's like very refreshing. Especially I just have like

0:55:00.440 --> 0:55:05.800
<v Speaker 1>a very yeah it's uh, it's not even like I

0:55:05.960 --> 0:55:09.160
<v Speaker 1>y s. I just like nothing. Everything upsets my stomach

0:55:09.200 --> 0:55:12.880
<v Speaker 1>in somewhere or another. So and the acid thing or

0:55:13.160 --> 0:55:16.760
<v Speaker 1>a probiotic thing is like always very refreshing and helpful

0:55:16.960 --> 0:55:24.239
<v Speaker 1>to me to not I'm so glad you asked. Um.

0:55:24.440 --> 0:55:26.279
<v Speaker 1>So right now I have it by my side, an

0:55:26.320 --> 0:55:33.600
<v Speaker 1>empty bottle of the Synergy Watermelon Wonder Flavor. Um, it's

0:55:33.600 --> 0:55:37.239
<v Speaker 1>pretty good. It actually tastes like watermelon, which is nice. Um.

0:55:37.840 --> 0:55:40.480
<v Speaker 1>I like that one. I started drinking the Guava one

0:55:40.680 --> 0:55:42.759
<v Speaker 1>in the writer's room I was in because they would

0:55:42.760 --> 0:55:44.440
<v Speaker 1>get a big bottle of it. And I never got

0:55:44.520 --> 0:55:46.440
<v Speaker 1>the Guava one because I was like, it's too decadent,

0:55:46.600 --> 0:55:48.799
<v Speaker 1>it's too sweet. And then I was just like, oh,

0:55:48.880 --> 0:55:52.360
<v Speaker 1>maybe I'll treat myself to the guava Guava Goddess. I

0:55:52.480 --> 0:55:55.480
<v Speaker 1>believe it's called. I don't know. I'm a I'm a

0:55:55.560 --> 0:55:57.920
<v Speaker 1>fan of almost all of them, except I don't like

0:55:57.960 --> 0:56:01.360
<v Speaker 1>the Cranberry one. I like ginger Bury a lot. I

0:56:01.400 --> 0:56:05.160
<v Speaker 1>could go on. We talked about Gt. Dave and how

0:56:05.239 --> 0:56:08.120
<v Speaker 1>his name is Gt Dave? That was that someone made

0:56:09.080 --> 0:56:18.560
<v Speaker 1>It's just gastrotestinal h. He's my Gastrotestinal Dave Buddy. Well,

0:56:18.800 --> 0:56:21.880
<v Speaker 1>just to tie the whole episode together, I've also gotten

0:56:21.960 --> 0:56:26.800
<v Speaker 1>really into pink lemonade. That's self grandparenting, yes, but I

0:56:26.880 --> 0:56:30.080
<v Speaker 1>also looked it up because I was like, no, just

0:56:30.239 --> 0:56:33.239
<v Speaker 1>like minute made, but like, where does pink lemonade come from?

0:56:33.440 --> 0:56:37.319
<v Speaker 1>Turns out it was invented at the circus. Really, yes,

0:56:37.600 --> 0:56:40.320
<v Speaker 1>it was invented pink. Does the pink come from like

0:56:40.440 --> 0:56:43.439
<v Speaker 1>beat juice or something? Isn't just a color additive? Yeah,

0:56:43.440 --> 0:56:46.560
<v Speaker 1>it's usually just like grape juice or something. But it

0:56:46.760 --> 0:56:49.760
<v Speaker 1>was invented at the same time that that ice became

0:56:50.120 --> 0:56:55.440
<v Speaker 1>easy to distribute. Uh there talking about ice, like, no

0:56:58.239 --> 0:57:00.920
<v Speaker 1>it did you know pink lemonade is the official beverage

0:57:00.960 --> 0:57:05.680
<v Speaker 1>of ice? Episode together? Yeah, I'm just gonna. I was saying,

0:57:05.719 --> 0:57:10.480
<v Speaker 1>it's the official beverage of clowns. Okay, it's clown core.

0:57:10.880 --> 0:57:17.480
<v Speaker 1>It's from the circus. I love pank lemonade. Well, that

0:57:17.920 --> 0:57:20.880
<v Speaker 1>does it for us this week, I believe give us

0:57:20.880 --> 0:57:24.160
<v Speaker 1>a night call. If you have any thoughts about clown core,

0:57:24.680 --> 0:57:29.840
<v Speaker 1>Italian futurism, weird foods, We're always ready for another food mood.

0:57:30.400 --> 0:57:31.960
<v Speaker 1>You can give us a call at one, two, four

0:57:32.040 --> 0:57:35.880
<v Speaker 1>oh four, six nights. You can find us on Instagram

0:57:36.160 --> 0:57:40.040
<v Speaker 1>and Facebook at Nightcall Podcasts and Twitter at Nightcall pod.

0:57:40.440 --> 0:57:44.000
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0:57:44.080 --> 0:57:46.840
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0:57:46.960 --> 0:57:49.720
<v Speaker 1>review while you're there, and you can also support us

0:57:49.760 --> 0:57:53.400
<v Speaker 1>on Patreon. We're on Patreon at patreon dot com slash Nightcall,

0:57:53.560 --> 0:58:00.280
<v Speaker 1>where you can get our newsletter, bonus episodes, uh merg stickers,

0:58:00.840 --> 0:58:02.960
<v Speaker 1>all sorts of fun stuff. So check us out there

0:58:03.800 --> 0:58:07.880
<v Speaker 1>and we will see you all next week in clowntown

0:58:11.360 --> 0:58:14.320
<v Speaker 1>Hong Kong Hong Kong High