WEBVTT - Back to the Beginning (with Edd Hedges and Jodi Tovay)

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<v Speaker 1>Wisecrack is released weekly and brought to you absolutely free,

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<v Speaker 1>but if you want exclusive bonuses and early access, subscribe

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<v Speaker 1>to tenorfoot plus enjoy over thirty shows, including Wisecrack, and

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<v Speaker 1>over one thousand episodes completely ad free. For more information,

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<v Speaker 1>check out the show notes. Enjoy the episode. Hey, Wisecrack,

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<v Speaker 1>it's your host and producer, Jody. Some of you have

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<v Speaker 1>asked how do you turn a stand up set into

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<v Speaker 1>a true crime podcast? And in my experience, it takes

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<v Speaker 1>a lot of time and trust and some seriously great collaborators.

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<v Speaker 1>What you're going to hear is a bonus episode of

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<v Speaker 1>my collaborator, Ed and me spilling the tea on how

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<v Speaker 1>this thing got made. We're also talking about our roller

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<v Speaker 1>coaster relationship across eight and a half years and how

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<v Speaker 1>we got to a point where we were able to

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<v Speaker 1>trust each other enough to make the story. So please

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<v Speaker 1>enjoy this conversation with myself and Ed. As always, thank

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<v Speaker 1>you so much for listening.

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<v Speaker 2>Ed.

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<v Speaker 1>We have known each other now for almost ten years.

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<v Speaker 3>Yeah we have, Yeah, we have.

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<v Speaker 1>This is Has this been the longest project that you've

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<v Speaker 1>ever worked on?

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<v Speaker 3>It's same Yeah, yeah, easily longest.

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<v Speaker 1>SAME's It's been fun it has.

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<v Speaker 3>It's taken a while.

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<v Speaker 1>Uh huh.

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<v Speaker 3>There's no excuse for anything start to last.

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<v Speaker 1>Ten years, especially when everything happened in basically twenty fifteen

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<v Speaker 1>in previous Yeah, but.

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<v Speaker 3>It's it's weird working with someone from my side. It's

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<v Speaker 3>weird working with someone and then having that relationship develop

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<v Speaker 3>over the course of ten years because you have like

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<v Speaker 3>real tangible changes in people's like mental and like circumstantial

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<v Speaker 3>and just is that word? Yeah?

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<v Speaker 1>I think that. Okay, let me ask you a question.

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<v Speaker 1>What now that you know who I am as a person,

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<v Speaker 1>and I do think that you're I consider you friend.

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<v Speaker 1>What surprised you about getting to know me basically living

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<v Speaker 1>in my home for weeks at a time across multiple years.

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<v Speaker 3>How much you love TikTok shop? Firstly? Secondly, I think

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<v Speaker 3>everyone's got their own way of working. I think I'm

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<v Speaker 3>kind of quite good at understanding your way of working. Now.

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<v Speaker 3>I think you're really good at what you did. So

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<v Speaker 3>when I met you and Edinburgh, you could have been anyone. Yeah,

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<v Speaker 3>I didn't realize you were really like like shit hot

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<v Speaker 3>at what you do and like like brilliant, Like the

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<v Speaker 3>questions that I was asking on the car ride to

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<v Speaker 3>things were things that you had sorted out four months

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<v Speaker 3>pre like do you know what I mean?

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<v Speaker 1>Yes, I would say my life for the last ten

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<v Speaker 1>years has been dipping into a constant meditation of ED

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<v Speaker 1>like what's ED doing, what's ED thinking? How is he feeling?

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<v Speaker 1>Where's he living? What kind of job does he have?

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<v Speaker 3>Like?

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<v Speaker 1>Is he gigging a lot? Is he traveling a lot?

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<v Speaker 2>Like?

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<v Speaker 1>I Yeah, it's like put an air tag on you.

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<v Speaker 3>Has that changed a lot for you? Like? Have I

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<v Speaker 3>changed over the course of ten years? Or am I

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<v Speaker 3>pretty much the same guy just with different shirts? Yes?

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<v Speaker 3>And no?

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<v Speaker 1>Okay, I do think. I mean, I think you're you

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<v Speaker 1>are a different person from when I met you. I

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<v Speaker 1>think you're more mature. I think you're in a really

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<v Speaker 1>I don't want to speak for you, but it seems

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<v Speaker 1>like you're in a much more stable place. I think

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<v Speaker 1>that you've you're clearly successful, Like and I feel like

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<v Speaker 1>I met you when you were a child. I know

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<v Speaker 1>that sounds so ridiculous, but you were twenty three.

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<v Speaker 3>Yeah, twenty three, Yeah, I think definitely.

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<v Speaker 1>And I was a little older. I'm were exactly ten

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<v Speaker 1>years apart. I was thirty three. I guess when I

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<v Speaker 1>met you then.

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<v Speaker 3>Yeah, yeah, that's crazy. I think I definitely think of

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<v Speaker 3>myself as a kid when we met, and at the time,

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<v Speaker 3>I thought of myself as a grown up. Yeah, you know.

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<v Speaker 3>And I don't know if everyone feels to keep on

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<v Speaker 3>the twenty two, but when we first met, I definitely

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<v Speaker 3>had nothing down, Like, I had no idea what I

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<v Speaker 3>was doing. I had no clue where I was going.

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<v Speaker 3>How I like, even this story, I had no idea.

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<v Speaker 3>I was not prepared to tell this story when I

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<v Speaker 3>was twenty two. And in a way, I'm really glad

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<v Speaker 3>that I'm it would have been lovely to have got

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<v Speaker 3>this cut and done in the year or two, like

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<v Speaker 3>get to get out to the people. I'm super glad

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<v Speaker 3>that we kind of end it ten years after I

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<v Speaker 3>started it, because the way I look at it, the

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<v Speaker 3>way I look at the story is completely different. And

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<v Speaker 3>also I feel like the kind of house guest I

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<v Speaker 3>am is completely different now as well. I'm a lot,

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<v Speaker 3>a lot less nervous.

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<v Speaker 1>You were a great house guest, but I know I

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<v Speaker 1>felt so bad. Truthfully, there was an option to put

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<v Speaker 1>you up at hotel, and I was like, I just

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<v Speaker 1>don't know about this kid. I put him in my

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<v Speaker 1>house so I can find No exactly and bring him

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<v Speaker 1>to the gig and make sure he gets there. Was

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<v Speaker 1>the producer brain in me. I'm like, gotta keep eyes

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<v Speaker 1>on him. But now you're just a friend. I'm like, yeah,

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<v Speaker 1>let me trust it can get I never thought you

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<v Speaker 1>still from but yeah, no. I now I'm like, oh, yeah,

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<v Speaker 1>Ed's coming to town or we need to go somewhere.

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<v Speaker 1>And I just feel like you're You're easy to travel

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<v Speaker 1>with too, both live with temporarily and easy to travel with,

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<v Speaker 1>though maybe your partner would feel differently.

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<v Speaker 3>I'm not very abrasive. I'm not a very abrasive person.

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<v Speaker 3>And I think the weirdest thing is how quiet I've become. Yes,

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<v Speaker 3>because people are like, if you used to be a

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<v Speaker 3>loudmouthed and then you can quiet, Everyone assumes you're sad

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<v Speaker 3>all the time.

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<v Speaker 1>I assume most comedians are sad all the time, to

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<v Speaker 1>be honest, Is that accurate?

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<v Speaker 3>Yeah, that is accurate. But then we've not really had

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<v Speaker 3>anything to be sad about, necessarily because every time we

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<v Speaker 3>do these trips, every time, like every time I'm way together,

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<v Speaker 3>it's just a food tool. This is all we do.

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<v Speaker 3>And I wanted to like run passed you. For ten years,

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<v Speaker 3>We've been working really hard. The amount of work we've

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<v Speaker 3>done is equal to the amount of bougie food we

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<v Speaker 3>eat in bo Jungles.

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<v Speaker 1>Is there something you'd like someone to donate something to

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<v Speaker 1>the podcast? What's your favorite food?

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<v Speaker 3>Like? Who could? Would you any any American biscuit? Like

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<v Speaker 3>the biscuits. I came here thinking they were nothing and

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<v Speaker 3>they are everything to me. Chicken biscuits, the sweet biscuits,

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<v Speaker 3>the blueberry ones.

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<v Speaker 1>Oh my god, they're the best now that we have

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<v Speaker 1>done the food tour of America. Yeah, what's your favorite?

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<v Speaker 1>Do you have a favorite chain?

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<v Speaker 3>Oh? It's Bojangles, It's Bojungles, Bojangles. You do. That was

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<v Speaker 3>going to be an ask for sponsorship, but it turned

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<v Speaker 3>a bit creep.

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<v Speaker 1>I don't even think they sponsored podcasts.

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<v Speaker 3>Which you think we could get bow Jungles.

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<v Speaker 1>I love bow j Angles too. I feel like part

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<v Speaker 1>of that is because I like Bowjngles, I'd be like, well,

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<v Speaker 1>we have these options, but if you really want something

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<v Speaker 1>good else?

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<v Speaker 3>Serious question about the podcast? Sure, How worried were you

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<v Speaker 3>that the story that you saw in Edinburgh and the

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<v Speaker 3>real story were completely like there was nothing in common.

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<v Speaker 3>How concerned were you when you first saw it? So

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<v Speaker 3>I understand it only lasted until you researched it. But

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<v Speaker 3>when you first saw it, were you like this story

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<v Speaker 3>is bullshit.

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<v Speaker 1>I'll be honest with you. I saw your set, was

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<v Speaker 1>so impressed and thought it was really interesting, and I

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<v Speaker 1>thought the genre blending of crime in comedy was interesting.

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<v Speaker 1>And I was just coming off of working at Warner

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<v Speaker 1>Brothers and doing a bunch of crime shows, and I

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<v Speaker 1>was always told like, don't do crime in comedy, especially

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<v Speaker 1>what is a double homicide, which is very serious, you know,

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<v Speaker 1>And so of course when they tell you don't do

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<v Speaker 1>it for like ten years or work for almost eleven years,

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<v Speaker 1>that's the only thing you.

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<v Speaker 3>Want to do.

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<v Speaker 1>So I saw your set and I was like, yes,

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<v Speaker 1>So I think I reached out before I even researched anything.

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<v Speaker 1>But then afterwards I was like, Okay, let me make

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<v Speaker 1>sure that this guy's legit. And you were, and so

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<v Speaker 1>I was like, sweet, that was very fortunate of me.

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<v Speaker 1>So I think like part of it was me being

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<v Speaker 1>told no for so long, don't do this, don't do this,

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<v Speaker 1>and then I saw your set and I was like,

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<v Speaker 1>but you can, it can exist. So let's try. I

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<v Speaker 1>think it was just that, you know, I think I

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<v Speaker 1>think it was just me trying to be a maverick

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<v Speaker 1>and like say like, Okay, let's see if we can

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<v Speaker 1>do this. And then there you were, and I was like,

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<v Speaker 1>he is this kid is doing it now. So that

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<v Speaker 1>was part of being attracted to the material naturally, and

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<v Speaker 1>then I think, yeah, I once I did research, I

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<v Speaker 1>was like, oh, how fortunate that it's true for me.

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<v Speaker 1>What was your biggest hesitation for working with me to

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<v Speaker 1>do this podcast?

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<v Speaker 3>Inviting the whole world into a very small village, kind

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<v Speaker 3>of knowing how quickly word spreads in the village we

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<v Speaker 3>saw it, Yeah, parselves when we went into the standstead.

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<v Speaker 3>Before I started working with you on this, I could

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<v Speaker 3>go into that village and it was fine. It's definitely

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<v Speaker 3>this project that has made them very cautious of me,

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<v Speaker 3>and I don't think I'll ever go back there. But

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<v Speaker 3>I'm kind of happy about that because I have not

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<v Speaker 3>a lot of great things, a great memories. They're wonderful people,

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<v Speaker 3>they're good people, but like, yeah, I was scared to

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<v Speaker 3>invite the media circus into the village, and I knew

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<v Speaker 3>how quickly people would be like guarded. I mean we

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<v Speaker 3>got kicked out of yeah, two three pubs. No one

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<v Speaker 3>would talk to us. The Career Club didn't want anything

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<v Speaker 3>to do with us.

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<v Speaker 1>So by the time I got there, you had accepted that,

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<v Speaker 1>like we let these people tell the story. I can

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<v Speaker 1>no longer really return because people will resent me for

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<v Speaker 1>having opened the world to this story.

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<v Speaker 3>It's not like I can't it's not like I can't

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<v Speaker 3>go back. It's more that just I think, for the

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<v Speaker 3>rest of my life in that village, I'll be the

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<v Speaker 3>person did show about the village and the village they

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<v Speaker 3>want to keep everything like hush hush. They want to

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<v Speaker 3>move on completely, which is understandable. But yeah, that was

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<v Speaker 3>the thing that surprised me most about this, all of this,

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<v Speaker 3>was how quickly it went from the village being fine,

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<v Speaker 3>like not noteworthy. I was just the comedian guy that left,

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<v Speaker 3>to being actively not welcome anymore.

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<v Speaker 1>I think that's something that people don't know, that you

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<v Speaker 1>have to sacrifice when you're willing to open up and

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<v Speaker 1>tell the truth because you're especially in nonfiction like you're

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<v Speaker 1>that's exactly that people look at you differently, people who

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<v Speaker 1>you've known for a super long time, people who are

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<v Speaker 1>like super invested with and it's always surprising too, Like

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<v Speaker 1>I think that's the cost that most people don't understand.

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<v Speaker 1>And it is a brave thing. I mean, it legitimately is.

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<v Speaker 1>And that's just something I might be a useless point,

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<v Speaker 1>but it is an active decision and there isn't and

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<v Speaker 1>there is a price to be paid to some degree

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<v Speaker 1>and some people maybe some people never do depending on

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<v Speaker 1>the story.

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<v Speaker 3>Yeah, it's what's the family price? Yeah, because I know,

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<v Speaker 3>I know that you guys are good intentions, Like I

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<v Speaker 3>trust you, I trust everyone we work with. My mom

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<v Speaker 3>and dad don't know that. My brothers don't know that.

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<v Speaker 3>They have to take me in my word, and like

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<v Speaker 3>it's a lot to ask of people. It is a

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<v Speaker 3>lot to ask. But I mean, she loved you when

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<v Speaker 3>she met you, Carol, Carol loved you. Carol was so

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<v Speaker 3>excited to have an American in her home room. And

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<v Speaker 3>she's told all my family about it since, Like we

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<v Speaker 3>had Americans over the Americans because.

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<v Speaker 1>It's too I do remember Americans. The Americans are here,

0:12:02.360 --> 0:12:06.040
<v Speaker 1>they are when you walked in, the Americans are here done.

0:12:07.160 --> 0:12:10.280
<v Speaker 3>And he came touring up and he was something that

0:12:10.320 --> 0:12:12.640
<v Speaker 3>probably won't make it onto the podcast that I feel

0:12:12.679 --> 0:12:16.080
<v Speaker 3>like we should maybe let the listeners know. Sure, my father,

0:12:18.080 --> 0:12:22.480
<v Speaker 3>my father was wildly inappropriate when he spoke to to Jody,

0:12:23.520 --> 0:12:26.560
<v Speaker 3>not I mean, not in appropriate way towards you. He

0:12:26.720 --> 0:12:30.760
<v Speaker 3>just told stories about my mother and his relationship from

0:12:30.760 --> 0:12:34.520
<v Speaker 3>like really early on. And occasionally I'd open I was

0:12:34.559 --> 0:12:36.800
<v Speaker 3>in the garden when you guys were talking, I'd open

0:12:36.840 --> 0:12:39.160
<v Speaker 3>the door. I'd hear it and be like, fucking nope.

0:12:40.160 --> 0:12:41.880
<v Speaker 3>And then in the car afterwards, you were like, well,

0:12:42.520 --> 0:12:44.200
<v Speaker 3>we learned a lot about things we didn't ask.

0:12:45.360 --> 0:12:46.800
<v Speaker 1>I heard all about how you were made.

0:12:47.280 --> 0:12:49.520
<v Speaker 3>Ah. Man, that's so rough.

0:12:49.880 --> 0:12:52.280
<v Speaker 1>I think it's so sweet that like they're very much

0:12:52.360 --> 0:12:55.600
<v Speaker 1>in love. That is something I can discover. Yeah, it

0:12:55.640 --> 0:12:58.439
<v Speaker 1>is gross, isn't it? And it's lovely. It's also adorable.

0:12:58.520 --> 0:13:03.880
<v Speaker 1>But yeah, You're was not who I was expecting, least

0:13:03.920 --> 0:13:06.880
<v Speaker 1>on the set. But it also sounds like he's changed

0:13:06.920 --> 0:13:10.160
<v Speaker 1>tremendously as a person too. Carol was exactly who you

0:13:10.400 --> 0:13:11.120
<v Speaker 1>I think portray.

0:13:12.559 --> 0:13:17.000
<v Speaker 3>Carol hasn't changed since nineteen eighty nine. There's been no

0:13:17.320 --> 0:13:20.040
<v Speaker 3>there's been no change. She was wonderful then, she's wonderful now.

0:13:20.440 --> 0:13:24.120
<v Speaker 3>She likes what she likes Dad's completely changed. He's way

0:13:24.160 --> 0:13:30.160
<v Speaker 3>mellower all of us are. I think, Yeah, it's weird.

0:13:30.200 --> 0:13:33.720
<v Speaker 3>It's weird seeing my family interact with you guys. That

0:13:33.840 --> 0:13:36.520
<v Speaker 3>was really difficult. That was the most difficult part of

0:13:36.559 --> 0:13:41.120
<v Speaker 3>all of this, because I just wanted to manage them

0:13:41.520 --> 0:13:44.360
<v Speaker 3>or like coach them on how to respond to you properly,

0:13:44.920 --> 0:13:46.920
<v Speaker 3>because not in terms of what they said, just in

0:13:47.000 --> 0:13:50.360
<v Speaker 3>terms of if you asked the question, answer the question right,

0:13:50.440 --> 0:13:52.080
<v Speaker 3>just answer the questions, and you're not one that you

0:13:52.120 --> 0:13:52.400
<v Speaker 3>thought of.

0:13:52.760 --> 0:13:54.319
<v Speaker 1>I had a lot of empathy for you when you

0:13:54.440 --> 0:13:56.959
<v Speaker 1>we literally went into your childhood home, met your parents

0:13:57.000 --> 0:14:00.640
<v Speaker 1>and your brothers, and because I was like, oh my god,

0:14:00.679 --> 0:14:03.839
<v Speaker 1>I can't imagine if I invited ed to my house

0:14:03.920 --> 0:14:06.319
<v Speaker 1>to meet Kennon Sutobe, like I would just be so

0:14:07.000 --> 0:14:10.040
<v Speaker 1>already kind of embarrassing for just because it's a little

0:14:10.040 --> 0:14:13.640
<v Speaker 1>I don't know why. But then to talk about like obviously,

0:14:13.800 --> 0:14:16.240
<v Speaker 1>like you know, the worst night of their lives, intimate

0:14:16.280 --> 0:14:20.240
<v Speaker 1>details about growing up and being close to everybody involved

0:14:20.240 --> 0:14:22.720
<v Speaker 1>in this story, I was I did, like I kind

0:14:22.720 --> 0:14:25.680
<v Speaker 1>of felt like second hand cringe for you. Yeah, when

0:14:25.720 --> 0:14:30.360
<v Speaker 1>we were there, but again, everybody was incredibly kind and

0:14:30.400 --> 0:14:37.280
<v Speaker 1>gracious and fair and very you were raised. Well, everyone

0:14:37.360 --> 0:14:38.840
<v Speaker 1>was really everyone was really chill.

0:14:38.960 --> 0:14:41.480
<v Speaker 3>It was good. I felt like I was fourteen again. Yeah,

0:14:41.560 --> 0:14:44.360
<v Speaker 3>I was straight back into like being an angsty teenager,

0:14:45.120 --> 0:14:50.080
<v Speaker 3>which sucks, but yeah, it was good. What was your

0:14:50.440 --> 0:14:53.160
<v Speaker 3>favorite part of all of this? Was there one moment,

0:14:53.360 --> 0:14:55.080
<v Speaker 3>like a not like a finding out bit, but was

0:14:55.120 --> 0:14:58.520
<v Speaker 3>there one bit of the last ten years that you thought.

0:14:58.480 --> 0:15:03.320
<v Speaker 1>My favorite thing about this entire process has been watching

0:15:03.360 --> 0:15:05.320
<v Speaker 1>TV with you and producer Charles.

0:15:07.240 --> 0:15:10.360
<v Speaker 3>I want to take this moment. Yeah. Producer Charles doesn't

0:15:10.400 --> 0:15:14.120
<v Speaker 3>get any time on this at all. We love Tenderfoot,

0:15:14.160 --> 0:15:18.360
<v Speaker 3>we love everybody Donald, everyone's great. Producer Charles is the

0:15:18.440 --> 0:15:22.120
<v Speaker 3>unsung hero of this podcast, and he doesn't want to

0:15:22.120 --> 0:15:25.080
<v Speaker 3>be in front of the camera, but he is the best. Yes,

0:15:25.200 --> 0:15:26.920
<v Speaker 3>And you've known producer Charles for how long?

0:15:27.760 --> 0:15:30.440
<v Speaker 1>We met on my first day working at Warner Brothers Discovery,

0:15:30.440 --> 0:15:32.760
<v Speaker 1>which would have been two thousand and January two thousand

0:15:32.800 --> 0:15:36.360
<v Speaker 1>and six. So we sat next to each other and

0:15:36.760 --> 0:15:39.880
<v Speaker 1>I just heard someone over the cube and I was like,

0:15:40.080 --> 0:15:42.720
<v Speaker 1>who's this person? Because I'm from Atlanta, Charles is from

0:15:42.720 --> 0:15:44.960
<v Speaker 1>North Carolina. Was like, oh, some I might have a

0:15:44.960 --> 0:15:48.240
<v Speaker 1>friend and he did not want to be my friend.

0:15:48.400 --> 0:15:51.000
<v Speaker 1>I do remember that at first, but eventually I wore

0:15:51.080 --> 0:15:53.720
<v Speaker 1>him down and he's been a longtime collaborator. But yes,

0:15:53.800 --> 0:15:56.200
<v Speaker 1>watching television. What have we watched together?

0:15:56.800 --> 0:15:59.040
<v Speaker 3>We started off with Naked Attraction in the UK. I

0:15:59.040 --> 0:16:01.000
<v Speaker 3>don't know if America have that yet they do?

0:16:01.080 --> 0:16:03.200
<v Speaker 1>We do we have just recently, Yes.

0:16:03.200 --> 0:16:04.640
<v Speaker 3>The British one or is it an American one?

0:16:04.680 --> 0:16:08.760
<v Speaker 4>It's the British one. Okay, cool, full frontal, full frontal.

0:16:08.800 --> 0:16:13.520
<v Speaker 4>We watched that here. A lot we watched. I mean

0:16:14.760 --> 0:16:19.640
<v Speaker 4>while we were here, we've been watching j Loo's j Loo's,

0:16:19.680 --> 0:16:20.760
<v Speaker 4>Jo's Amazon.

0:16:20.400 --> 0:16:23.960
<v Speaker 1>Prime feature self made feature film, and the doc.

0:16:24.000 --> 0:16:27.600
<v Speaker 3>And the documentary. And I actually watched Jaelo's feature film

0:16:27.640 --> 0:16:32.480
<v Speaker 3>twice because someone gets to watch it. He wanted to

0:16:32.480 --> 0:16:35.840
<v Speaker 3>watch it, so we watched it again. It's good the

0:16:35.880 --> 0:16:36.480
<v Speaker 3>second time.

0:16:37.120 --> 0:16:39.000
<v Speaker 1>It's like mystery This is how the best way to

0:16:39.000 --> 0:16:41.880
<v Speaker 1>describe it to everyone else, Like I'm just here laughing,

0:16:42.520 --> 0:16:46.600
<v Speaker 1>I'm contributing nothing, But it's like Mystery Science Theater three thousand.

0:16:46.640 --> 0:16:49.080
<v Speaker 1>Do you remember that show? And it's the guys in

0:16:49.120 --> 0:16:51.640
<v Speaker 1>the front just commenting, and it's you and Charles going

0:16:51.760 --> 0:16:55.200
<v Speaker 1>back and forth, back and forth and it is. I

0:16:55.240 --> 0:16:58.440
<v Speaker 1>firmly believe both of you could could make anything very funny.

0:16:58.720 --> 0:17:04.240
<v Speaker 1>But those have been my favorite times is watching those. Yeah,

0:17:04.520 --> 0:17:06.119
<v Speaker 1>just getting a little tipsy at the end of a

0:17:06.240 --> 0:17:08.400
<v Speaker 1>very long day and then just listening to you guys

0:17:08.520 --> 0:17:09.040
<v Speaker 1>riff a.

0:17:09.040 --> 0:17:12.439
<v Speaker 3>Little little drunk and then something unhinged. Yes, and just

0:17:12.440 --> 0:17:14.120
<v Speaker 3>listen to childs be funny. It's perfect.

0:17:15.720 --> 0:17:18.240
<v Speaker 1>What else happened that's interesting along our journey that people

0:17:18.320 --> 0:17:22.040
<v Speaker 1>might oh, our sound guy Joe, that's an interesting story.

0:17:22.119 --> 0:17:24.560
<v Speaker 3>It is we should talk about Joe.

0:17:24.840 --> 0:17:26.880
<v Speaker 1>So when we went to the UK the first time

0:17:26.920 --> 0:17:30.280
<v Speaker 1>to record with your family and everybody, we brought a

0:17:30.320 --> 0:17:34.000
<v Speaker 1>sound person along and Joe since then has been on

0:17:34.280 --> 0:17:38.040
<v Speaker 1>Mister Beast and he competed and won like a quarter

0:17:38.080 --> 0:17:40.800
<v Speaker 1>of a million dollars with another guy, and the challenge

0:17:40.840 --> 0:17:42.720
<v Speaker 1>was ten thousand dollars for every day that you can

0:17:42.760 --> 0:17:45.240
<v Speaker 1>live in the woods. So we got to watch that.

0:17:45.240 --> 0:17:47.960
<v Speaker 1>It was very weird to watch Joe do that show.

0:17:48.040 --> 0:17:52.880
<v Speaker 3>You'll know him Grizz Grizz. Yes, oh, sound guy Grizz. Yeah.

0:17:52.920 --> 0:17:54.400
<v Speaker 3>He was funny as well. He was fun to watch

0:17:54.440 --> 0:17:55.199
<v Speaker 3>Nati Attraction with.

0:17:55.400 --> 0:17:59.000
<v Speaker 1>Yes, he pitched in he did yeah, and.

0:17:58.960 --> 0:18:01.120
<v Speaker 3>That was when we were in I felt so self

0:18:01.160 --> 0:18:04.320
<v Speaker 3>conscious because whenever I'm here it's like I don't want

0:18:04.320 --> 0:18:06.040
<v Speaker 3>to bring it back to food. But Bojangles' got all

0:18:06.040 --> 0:18:08.880
<v Speaker 3>these like amazing meals and stuff. When you came to England,

0:18:09.520 --> 0:18:12.360
<v Speaker 3>you were walking over the road because we stayed outside

0:18:12.359 --> 0:18:14.680
<v Speaker 3>of stance. Did you had to walk across a busy

0:18:14.760 --> 0:18:18.040
<v Speaker 3>road on like the road in stats to get your

0:18:18.040 --> 0:18:20.479
<v Speaker 3>coffee from a vending machine in the morning because there

0:18:20.480 --> 0:18:23.040
<v Speaker 3>were no coffee shops. I felt so bad for you.

0:18:23.760 --> 0:18:24.680
<v Speaker 3>It was so sad.

0:18:25.119 --> 0:18:27.840
<v Speaker 1>It wasn't you know. But I do think like what

0:18:27.960 --> 0:18:30.080
<v Speaker 1>is what is sad is riding across the road and

0:18:30.119 --> 0:18:33.439
<v Speaker 1>getting like the coffee. But but like when this is

0:18:33.440 --> 0:18:36.840
<v Speaker 1>something else, when you're released into a convenience store or

0:18:37.119 --> 0:18:40.040
<v Speaker 1>a grocery store that's not in the country that you're from,

0:18:40.280 --> 0:18:43.840
<v Speaker 1>looking at every single chip or crisps, looking at every

0:18:43.880 --> 0:18:46.440
<v Speaker 1>single piece of candy, every drink, like that's exact. I

0:18:46.480 --> 0:18:48.240
<v Speaker 1>would just sit there for like I'm sure they thought

0:18:48.280 --> 0:18:49.800
<v Speaker 1>that I was weird or on drugs because I just

0:18:49.840 --> 0:18:51.480
<v Speaker 1>like opened the fridge and just look at it very

0:18:51.880 --> 0:18:55.000
<v Speaker 1>like look at everything, crazy person. Yeah, as if we

0:18:55.040 --> 0:18:57.000
<v Speaker 1>didn't draw enough attention with.

0:18:56.920 --> 0:18:59.600
<v Speaker 3>Our giant mic and our six foot six sound giants

0:18:59.640 --> 0:19:03.280
<v Speaker 3>on guy then was almost the beast and our produce

0:19:03.280 --> 0:19:05.280
<v Speaker 3>and one of our producers who sounded like it was

0:19:05.280 --> 0:19:06.760
<v Speaker 3>from the deep deep South.

0:19:07.400 --> 0:19:09.320
<v Speaker 1>In a little bit, you really did look like a

0:19:09.359 --> 0:19:09.880
<v Speaker 1>Miley Cruse.

0:19:09.920 --> 0:19:11.119
<v Speaker 3>I feel like you could have gotten away with it

0:19:11.160 --> 0:19:15.000
<v Speaker 3>because you have quite a soft American accent. Yeah, Charles

0:19:15.119 --> 0:19:17.400
<v Speaker 3>and Gris were just present.

0:19:17.119 --> 0:19:19.200
<v Speaker 1>The most conspicuous, the most Yeah.

0:19:19.520 --> 0:19:22.800
<v Speaker 3>And then my seat belt. So when you came to England,

0:19:22.840 --> 0:19:24.520
<v Speaker 3>I had to drive you around everywhere. I just bought

0:19:24.520 --> 0:19:27.240
<v Speaker 3>a new car and the seat belt broke on it.

0:19:27.320 --> 0:19:30.520
<v Speaker 3>So the first ten minutes of us driving anywhere to

0:19:30.560 --> 0:19:33.040
<v Speaker 3>any interview with me like tugging on the seat belt.

0:19:33.440 --> 0:19:35.560
<v Speaker 1>At one point, I do remember, I was like, why

0:19:35.600 --> 0:19:38.240
<v Speaker 1>don't you just circle the block head so you don't

0:19:38.240 --> 0:19:38.560
<v Speaker 1>have to.

0:19:40.760 --> 0:19:41.200
<v Speaker 3>Remember that.

0:19:41.680 --> 0:19:41.840
<v Speaker 4>Yeah.

0:19:41.920 --> 0:19:44.080
<v Speaker 1>I was like, just just stay in the car, you're fine. Yeah,

0:19:44.400 --> 0:19:47.040
<v Speaker 1>we had a good time. We do this is this is.

0:19:48.040 --> 0:19:51.000
<v Speaker 1>I think it's unusual that a comedian would want to

0:19:52.160 --> 0:19:55.280
<v Speaker 1>put their stand up set and again in like a

0:19:55.359 --> 0:20:01.280
<v Speaker 1>vein of brave and different. What would you say to

0:20:01.320 --> 0:20:06.160
<v Speaker 1>other comedians who are like looking into podcasting and telling

0:20:06.320 --> 0:20:09.360
<v Speaker 1>a longer story, a close ended story kind of similar

0:20:09.359 --> 0:20:14.280
<v Speaker 1>to ours. Is it something that would you never mind?

0:20:14.280 --> 0:20:15.520
<v Speaker 1>I don't want to know if you would do it again?

0:20:15.560 --> 0:20:17.200
<v Speaker 1>But what would you say to comedians I guess who

0:20:17.240 --> 0:20:20.160
<v Speaker 1>are taking their material and doing different things.

0:20:20.240 --> 0:20:22.120
<v Speaker 3>I would do it again. I would do it again.

0:20:23.560 --> 0:20:28.240
<v Speaker 3>I think comedy depending what storytelling. Comedy and storytelling, AH

0:20:28.600 --> 0:20:31.160
<v Speaker 3>go hand in hand. But when you start doing something

0:20:31.200 --> 0:20:34.720
<v Speaker 3>like this, the storytelling element takes over. You need to

0:20:34.760 --> 0:20:41.800
<v Speaker 3>be super good at having really uncomfortable conversations and uncomfortable

0:20:41.880 --> 0:20:45.560
<v Speaker 3>questions asked of you, relinquishing control of because for a

0:20:45.600 --> 0:20:47.600
<v Speaker 3>stand up we write, and we direct and we perform.

0:20:48.160 --> 0:20:53.320
<v Speaker 3>Relinquish and control of what you've made. That's pretty difficult.

0:20:53.600 --> 0:20:56.720
<v Speaker 3>It's super worth it, I really, I think it's been brilliant.

0:20:56.720 --> 0:20:59.560
<v Speaker 3>It's been a really good experience. It's exciting to take

0:20:59.600 --> 0:21:02.920
<v Speaker 3>something I made and watch it evolve into an entirely

0:21:02.960 --> 0:21:06.400
<v Speaker 3>different project and peace and get it to a new audience.

0:21:06.440 --> 0:21:11.280
<v Speaker 3>That's really great. But I wouldn't and this is I

0:21:11.280 --> 0:21:13.080
<v Speaker 3>don't mean this in a joking way. I wouldn't say

0:21:13.080 --> 0:21:18.160
<v Speaker 3>any of this has been comfortable. It's not. It's been

0:21:18.280 --> 0:21:22.439
<v Speaker 3>really tricky conversations it's been killing a lot of my

0:21:22.680 --> 0:21:28.760
<v Speaker 3>own personal darlings, and it's also been You've got to

0:21:28.840 --> 0:21:34.000
<v Speaker 3>kind of confront the questions that people might have that

0:21:34.119 --> 0:21:36.400
<v Speaker 3>you and the conversations people might have that you don't

0:21:36.400 --> 0:21:39.240
<v Speaker 3>want to have. So I think it's really worth it,

0:21:39.080 --> 0:21:41.119
<v Speaker 3>and I think it's it's such a great thing that

0:21:41.160 --> 0:21:46.200
<v Speaker 3>we've made. But it's fucking difficult, man, It's really difficult.

0:21:46.240 --> 0:22:00.320
<v Speaker 3>It's really, really, really properly hard.

0:22:06.880 --> 0:22:10.240
<v Speaker 1>You put an incredible amount of trust and tenderfoot into me.

0:22:10.960 --> 0:22:13.720
<v Speaker 1>You were co signing on me being in your hometown

0:22:13.880 --> 0:22:15.840
<v Speaker 1>and saying, like, these people are cool, just tell them

0:22:15.840 --> 0:22:19.760
<v Speaker 1>your story. I don't think that people who are professional

0:22:19.760 --> 0:22:23.760
<v Speaker 1>writers and list makers as comedians aren't. Like, that's very uncommon. Like,

0:22:23.800 --> 0:22:27.600
<v Speaker 1>it's extremely uncommon, I think because you're more focused in

0:22:27.640 --> 0:22:32.679
<v Speaker 1>like the narrative space and you know, creating something from nothing,

0:22:33.440 --> 0:22:36.119
<v Speaker 1>and instead, you know, I think my world is taking

0:22:36.160 --> 0:22:39.159
<v Speaker 1>the facts and creating an interesting story from those facts.

0:22:39.359 --> 0:22:42.080
<v Speaker 1>I have more constraints, I guess in that way. And

0:22:42.119 --> 0:22:45.920
<v Speaker 1>so when you take those two genres, it was uncomfortable.

0:22:45.320 --> 0:22:45.720
<v Speaker 3>For me too.

0:22:45.840 --> 0:22:51.560
<v Speaker 1>I guess the answer like it was, it's not the

0:22:51.640 --> 0:22:55.359
<v Speaker 1>same as making a documentary this is. This has been

0:22:55.359 --> 0:22:57.240
<v Speaker 1>a totally different process, which I think is part of

0:22:57.280 --> 0:23:02.399
<v Speaker 1>why it's taken a long time. It again, for me,

0:23:02.880 --> 0:23:03.560
<v Speaker 1>while worth it.

0:23:04.200 --> 0:23:07.359
<v Speaker 3>Yeah, it's just the building a piece of work I

0:23:07.400 --> 0:23:11.520
<v Speaker 3>have another pre existing piece of work was challenging because

0:23:11.560 --> 0:23:13.480
<v Speaker 3>I had my own rules. I've got my own rules.

0:23:13.520 --> 0:23:15.040
<v Speaker 3>Every tix seconds. There needs to be a laugh, it

0:23:15.040 --> 0:23:16.919
<v Speaker 3>needs to be a payoff at the end, and you guys,

0:23:17.080 --> 0:23:19.239
<v Speaker 3>and this project doesn't abide by those rules at all.

0:23:19.359 --> 0:23:21.680
<v Speaker 3>So instantly, the second we start making something that doesn't

0:23:21.680 --> 0:23:24.920
<v Speaker 3>follow the rules that I've set for myself, it's not

0:23:25.080 --> 0:23:26.560
<v Speaker 3>it's not right. It needs to be funny, it needs

0:23:26.560 --> 0:23:29.800
<v Speaker 3>to be this, that the other. But getting comfortable with

0:23:29.920 --> 0:23:33.399
<v Speaker 3>the idea that we've told the funny silly, you know,

0:23:33.760 --> 0:23:38.080
<v Speaker 3>stretch the truth on the childhood stories about me kind

0:23:38.160 --> 0:23:41.639
<v Speaker 3>of version of it, knowing that that's like put to bed.

0:23:41.960 --> 0:23:44.600
<v Speaker 3>And we recorded that in Atlanta, which we should talk about.

0:23:44.640 --> 0:23:48.919
<v Speaker 3>It was amazing, and now we have to explore different

0:23:48.960 --> 0:23:52.520
<v Speaker 3>areas of it. Because I wasn't hearing the laughter. Because

0:23:52.520 --> 0:23:55.440
<v Speaker 3>it wasn't I didn't have an instant feedback. And that's

0:23:55.440 --> 0:23:58.040
<v Speaker 3>another thing I'm nervous about this kind of project. I

0:23:58.080 --> 0:24:00.440
<v Speaker 3>don't get instant feedback on stage. If you do a joke,

0:24:00.840 --> 0:24:02.919
<v Speaker 3>the audience will tell you within a millisecond whether they

0:24:02.960 --> 0:24:06.000
<v Speaker 3>approve or not. With this, I'm just kind of going here,

0:24:06.040 --> 0:24:08.280
<v Speaker 3>you go yeah, and then I just have to sit

0:24:08.320 --> 0:24:10.520
<v Speaker 3>back and wait. It's like phishing to see whether people

0:24:10.680 --> 0:24:13.560
<v Speaker 3>like my story and see whether people write.

0:24:13.720 --> 0:24:20.040
<v Speaker 1>You know, people react, So the wide range of reactions

0:24:20.080 --> 0:24:24.439
<v Speaker 1>to this particular set, what's I guess give some context for,

0:24:24.480 --> 0:24:26.639
<v Speaker 1>like the various things that have happened to you when

0:24:26.680 --> 0:24:29.640
<v Speaker 1>you've told this story, because I think I've seen, I've

0:24:29.680 --> 0:24:33.840
<v Speaker 1>seen now you perform at many times. It's different every time.

0:24:34.000 --> 0:24:36.240
<v Speaker 1>The show is different every time. It's worth going to

0:24:36.359 --> 0:24:39.600
<v Speaker 1>because the show is different and people's reactions are crazy. Like,

0:24:39.720 --> 0:24:41.120
<v Speaker 1>what's some of the weirdest.

0:24:42.000 --> 0:24:45.439
<v Speaker 3>I've received a lots of handwritten lotters when I was

0:24:45.440 --> 0:24:48.679
<v Speaker 3>in Edinburgh, by a lot, I don't mean huge amounts

0:24:48.680 --> 0:24:51.359
<v Speaker 3>of My old agent got a lot of letters that

0:24:51.359 --> 0:24:54.400
<v Speaker 3>you passed on to me, which were very sweet and

0:24:54.440 --> 0:24:57.080
<v Speaker 3>it's very nice, but it was weird a lot.

0:24:57.320 --> 0:24:59.680
<v Speaker 1>What were people What were people writing about to you?

0:25:00.000 --> 0:25:03.080
<v Speaker 3>People that had seen the show and it resonated with them,

0:25:03.119 --> 0:25:05.280
<v Speaker 3>and to letting me know their favorite bits of it

0:25:05.800 --> 0:25:07.600
<v Speaker 3>and letting me know things that happened to them. There

0:25:07.640 --> 0:25:09.240
<v Speaker 3>was a lot that there are a lot obviously there's

0:25:09.280 --> 0:25:11.639
<v Speaker 3>not a lot of murdered things, but a lot of

0:25:11.680 --> 0:25:14.040
<v Speaker 3>people wrote to me about having a childhood bully. A

0:25:14.040 --> 0:25:15.720
<v Speaker 3>lot of people wrote to me about growing up in

0:25:15.760 --> 0:25:19.040
<v Speaker 3>a small town. I got a lot a lot of

0:25:19.119 --> 0:25:27.200
<v Speaker 3>people that were from different communities, like in terms of sexuality,

0:25:27.240 --> 0:25:29.440
<v Speaker 3>stuff like that, who grew up in a community where

0:25:29.440 --> 0:25:32.159
<v Speaker 3>they felt very othered, and they were like, this is

0:25:32.200 --> 0:25:34.040
<v Speaker 3>quite this kind of mirror is what I went through.

0:25:34.240 --> 0:25:38.479
<v Speaker 3>It was really cool. Yeah, a lot of dms. And

0:25:39.680 --> 0:25:42.000
<v Speaker 3>one woman ran on the stage and hugged me in Atlanta,

0:25:42.160 --> 0:25:43.720
<v Speaker 3>and I thought I was going to get stabbed in

0:25:43.720 --> 0:25:48.760
<v Speaker 3>the guts, which was the scariest thing. I'm sure she's lovely,

0:25:48.920 --> 0:25:51.760
<v Speaker 3>but just after the show finished in Atlanta, a lady

0:25:51.880 --> 0:25:56.800
<v Speaker 3>charged the stage and like I there was a second round.

0:25:56.840 --> 0:25:58.520
<v Speaker 3>Was like, I'm going to be stabbed. I'm going to

0:25:58.560 --> 0:25:59.160
<v Speaker 3>be stabbed now.

0:25:59.520 --> 0:26:01.680
<v Speaker 1>You know what's crazy when that happened. I was there

0:26:01.680 --> 0:26:04.600
<v Speaker 1>when that happened, and I was like, oh sweet. And

0:26:04.640 --> 0:26:07.320
<v Speaker 1>then my husband Nate said later he was like, you

0:26:07.359 --> 0:26:09.240
<v Speaker 1>don't know what what she was going to do. And

0:26:09.280 --> 0:26:11.520
<v Speaker 1>I was like, that's a really good point. I assumed

0:26:11.960 --> 0:26:16.080
<v Speaker 1>wrongly that she was emotionally led to she was connected

0:26:16.080 --> 0:26:18.960
<v Speaker 1>to the material in some way, but yeah, you're right,

0:26:20.920 --> 0:26:21.399
<v Speaker 1>other way.

0:26:21.440 --> 0:26:24.880
<v Speaker 3>Could have Nate has been your husband. Nate has been.

0:26:24.960 --> 0:26:25.600
<v Speaker 1>He's a champion.

0:26:25.640 --> 0:26:27.480
<v Speaker 3>He's been a champion for letting me into his house

0:26:27.520 --> 0:26:30.399
<v Speaker 3>and also for running the bar when we did the

0:26:30.440 --> 0:26:33.280
<v Speaker 3>show with and he doesn't drink. He doesn't drink.

0:26:33.480 --> 0:26:36.080
<v Speaker 1>People had the worst drinks that night because he was like,

0:26:37.280 --> 0:26:40.760
<v Speaker 1>quantities are I mean, it's probably the best thing for you.

0:26:40.920 --> 0:26:41.920
<v Speaker 1>But people were very drunk.

0:26:42.000 --> 0:26:42.880
<v Speaker 3>Well, everyone was drunk.

0:26:42.920 --> 0:26:48.600
<v Speaker 2>A different race though, because his was like you're getting

0:26:49.040 --> 0:26:51.840
<v Speaker 2>so you'd have a husband and wife and the husband

0:26:52.720 --> 0:26:53.040
<v Speaker 2>was like.

0:26:56.680 --> 0:27:01.639
<v Speaker 3>It was just fucking chaos. On the first night, everyone

0:27:01.720 --> 0:27:05.320
<v Speaker 3>was a different like parties. Oh that was good.

0:27:05.760 --> 0:27:08.360
<v Speaker 1>Do you are you waiting at other crime scenes now

0:27:08.359 --> 0:27:09.160
<v Speaker 1>to get your next show?

0:27:09.240 --> 0:27:13.400
<v Speaker 3>Or what's the like this waiting unactively participating?

0:27:16.400 --> 0:27:18.640
<v Speaker 1>What's the next what's the next one that you're doing?

0:27:18.680 --> 0:27:20.720
<v Speaker 1>Give I'll give you the toss up here.

0:27:20.560 --> 0:27:23.960
<v Speaker 3>The next show that I'm doing. Yeah, Well, when we

0:27:24.000 --> 0:27:27.359
<v Speaker 3>came to Atlanta, I finished the last recording and you

0:27:27.440 --> 0:27:30.119
<v Speaker 3>took me to the Clamon And for people that are

0:27:30.160 --> 0:27:34.400
<v Speaker 3>listening to it that maybe don't know it, Uh, how.

0:27:34.280 --> 0:27:38.960
<v Speaker 1>Would you describe for Claremont human zoo human zoo?

0:27:39.720 --> 0:27:42.240
<v Speaker 3>It is? You can google the Clamont. People could google

0:27:42.240 --> 0:27:45.679
<v Speaker 3>the Clamont. I got taken to the Clamont and I

0:27:45.720 --> 0:27:48.159
<v Speaker 3>had a crazy night and I ended up riding around

0:27:48.200 --> 0:27:53.840
<v Speaker 3>the beltline Atlanta on scooters and a lot happened. And

0:27:53.920 --> 0:27:58.520
<v Speaker 3>so now I am also telling the story of that

0:27:58.640 --> 0:28:04.199
<v Speaker 3>night of the clam Night, specifically the Clermonent incident. And

0:28:04.240 --> 0:28:06.640
<v Speaker 3>it's a feel good thing. It's believe in yourself show.

0:28:06.880 --> 0:28:09.760
<v Speaker 1>It's not like the It's not like it's that.

0:28:09.880 --> 0:28:13.240
<v Speaker 3>It's a really dumb story of me getting a lap

0:28:13.320 --> 0:28:18.240
<v Speaker 3>dance from a seven year old stripper under your supervision.

0:28:19.280 --> 0:28:21.120
<v Speaker 1>I didn't pay for it. Now I know who did,

0:28:21.200 --> 0:28:22.640
<v Speaker 1>but I will not. I'm not going to out them.

0:28:22.720 --> 0:28:24.120
<v Speaker 3>We do, we do know who did.

0:28:24.080 --> 0:28:26.280
<v Speaker 1>And support the working girls of the Claremont Lounge because

0:28:26.280 --> 0:28:27.280
<v Speaker 1>they are literally the best.

0:28:27.359 --> 0:28:29.800
<v Speaker 3>We do support them. They are wonderful and they were

0:28:29.880 --> 0:28:32.720
<v Speaker 3>very nice to having a little English kid who'd never

0:28:32.840 --> 0:28:35.360
<v Speaker 3>been anywhere like that before. I must have just had

0:28:35.359 --> 0:28:38.320
<v Speaker 3>the widest arts because that was all new to me. Yeah.

0:28:38.680 --> 0:28:43.680
<v Speaker 1>I it's so there's no photos that you're that's the

0:28:43.720 --> 0:28:46.000
<v Speaker 1>big rule of the Claremont Lounge. They've kicked out a

0:28:46.000 --> 0:28:48.280
<v Speaker 1>lot of celebrities for having their phones in there and

0:28:48.280 --> 0:28:50.200
<v Speaker 1>taking a picture. I think there's.

0:28:50.920 --> 0:28:52.440
<v Speaker 3>Black Keys with Madonna.

0:28:53.400 --> 0:28:55.600
<v Speaker 1>Yes, big bands have been kicked out because they got

0:28:55.680 --> 0:28:59.680
<v Speaker 1>their phones out. So everything really just lives. What's cool though,

0:28:59.720 --> 0:29:02.400
<v Speaker 1>is it in your memory when you what's left of

0:29:02.400 --> 0:29:06.239
<v Speaker 1>your memory when you're at the Claremont. But yeah, so

0:29:06.280 --> 0:29:08.160
<v Speaker 1>it's like there's really no trace of that night. It's

0:29:08.240 --> 0:29:11.680
<v Speaker 1>just whatever you remember and can corroborate from your friends

0:29:11.680 --> 0:29:12.320
<v Speaker 1>who were there.

0:29:12.880 --> 0:29:17.520
<v Speaker 3>Here's a question. Yes, So what's the one moment from

0:29:17.560 --> 0:29:19.920
<v Speaker 3>the last ten years that stands out to you as

0:29:19.920 --> 0:29:21.719
<v Speaker 3>And I'll do mine first. You've got time to think

0:29:21.760 --> 0:29:24.360
<v Speaker 3>about it. But the one moment that you kind of

0:29:24.400 --> 0:29:28.000
<v Speaker 3>think of and you're like, that was the highlight? That one,

0:29:28.040 --> 0:29:31.560
<v Speaker 3>but it was highlight. I've got two, okay. First one

0:29:31.960 --> 0:29:36.520
<v Speaker 3>was seeing World of Hats in Atlanta. A World of Hats,

0:29:36.760 --> 0:29:41.080
<v Speaker 3>a store that's just hats. You want scarfs. World of

0:29:41.120 --> 0:29:44.000
<v Speaker 3>Hats isn't the place for you. Second one was the

0:29:44.040 --> 0:29:47.520
<v Speaker 3>live show seeing like the community all come together and

0:29:47.560 --> 0:29:51.720
<v Speaker 3>seeing like everyone get into that little space and we

0:29:51.800 --> 0:29:54.680
<v Speaker 3>like set a gig up yeah to debut it, and

0:29:54.760 --> 0:29:59.240
<v Speaker 3>it was just perfect. It was like sold too, sold

0:29:59.280 --> 0:30:02.680
<v Speaker 3>out big rooms. The energy was lovely and there were

0:30:02.800 --> 0:30:06.640
<v Speaker 3>such different shows, So that would be one.

0:30:07.080 --> 0:30:12.480
<v Speaker 1>I definitely think recording in Atlanta is my favorite because

0:30:12.520 --> 0:30:14.560
<v Speaker 1>I think that's when I understood the material the most,

0:30:14.840 --> 0:30:16.920
<v Speaker 1>seeing how one night can be different than another night

0:30:17.280 --> 0:30:21.640
<v Speaker 1>and you're just reading the room. I think this is something.

0:30:21.680 --> 0:30:24.240
<v Speaker 1>This isn't my favorite moment. I do think it's the

0:30:24.280 --> 0:30:27.600
<v Speaker 1>TV watching. I'll be honest, like it's just my favorite

0:30:27.600 --> 0:30:31.800
<v Speaker 1>thing to do with you guys. But I think when

0:30:31.840 --> 0:30:37.960
<v Speaker 1>I realized that you were who you are. What you

0:30:38.040 --> 0:30:40.720
<v Speaker 1>portray on stage is a slightly heightened version of who

0:30:40.720 --> 0:30:42.800
<v Speaker 1>you are, but you really are who you are. I

0:30:42.840 --> 0:30:46.840
<v Speaker 1>was like, it's that chaos does follow you places like

0:30:46.880 --> 0:30:49.880
<v Speaker 1>that is absolutely true, and I'm not a person who chaos.

0:30:50.080 --> 0:30:53.080
<v Speaker 1>I probably like, as a producer, invite myself into controlled chaos,

0:30:53.360 --> 0:30:57.440
<v Speaker 1>but I'm very much not that girl. But that was

0:30:57.480 --> 0:31:01.160
<v Speaker 1>when I realized it's like, oh, like, just weird things

0:31:01.240 --> 0:31:01.880
<v Speaker 1>happened to you.

0:31:02.240 --> 0:31:05.400
<v Speaker 3>All quite a long time, really weird really weird amounts

0:31:05.440 --> 0:31:08.560
<v Speaker 3>of stuff when we got lost in Walmart.

0:31:09.360 --> 0:31:11.160
<v Speaker 1>Do you remember when I had paid you like a child?

0:31:12.600 --> 0:31:14.240
<v Speaker 3>Yeah, lady had to speak to me over the big

0:31:14.320 --> 0:31:16.000
<v Speaker 3>voice in this in the ceiling, and then I had

0:31:16.040 --> 0:31:18.080
<v Speaker 3>to come away. I was looking at the bread. But

0:31:18.160 --> 0:31:23.320
<v Speaker 3>I do like the stories that we have from work

0:31:23.360 --> 0:31:26.840
<v Speaker 3>on this show. I've got some bangers and some weird

0:31:26.840 --> 0:31:29.400
<v Speaker 3>shits happened to me the second I will leave your vision,

0:31:30.400 --> 0:31:33.200
<v Speaker 3>I end up in weird house parties in the suburbs

0:31:33.200 --> 0:31:39.840
<v Speaker 3>of Atlanta. Yeah, all fun, though I'm safe, didn't get stabbed.

0:31:42.360 --> 0:31:46.040
<v Speaker 1>Yeah, this has been really I've worked on a lot

0:31:46.080 --> 0:31:51.200
<v Speaker 1>of shows, first podcast certainly that I've ever hosted. But

0:31:53.320 --> 0:31:55.160
<v Speaker 1>the fact that it took so long, the fact that

0:31:55.200 --> 0:31:58.880
<v Speaker 1>I think we're buddies like because of it, and that

0:31:58.960 --> 0:32:01.160
<v Speaker 1>it has been hard, I mean COVID hit in between

0:32:01.240 --> 0:32:04.080
<v Speaker 1>us like in between this time, Like, I mean, it

0:32:04.240 --> 0:32:07.000
<v Speaker 1>really has been such a as much a labor of

0:32:07.040 --> 0:32:10.000
<v Speaker 1>love as it's been a really great experience. But it's

0:32:10.040 --> 0:32:12.920
<v Speaker 1>like it's probably my like iconic project like this one

0:32:13.200 --> 0:32:13.800
<v Speaker 1>for sure.

0:32:13.640 --> 0:32:15.240
<v Speaker 3>And it's your first time in front of the mic

0:32:15.280 --> 0:32:17.160
<v Speaker 3>as well. Yeah, that's the question I should have asked you.

0:32:17.280 --> 0:32:18.560
<v Speaker 3>Is this been would you go back to?

0:32:19.240 --> 0:32:19.560
<v Speaker 2>Not? Not?

0:32:19.600 --> 0:32:22.280
<v Speaker 3>Would you go back? Has this been difficult to get into?

0:32:23.000 --> 0:32:26.600
<v Speaker 1>My plan was never ever to be here, like this

0:32:26.680 --> 0:32:29.640
<v Speaker 1>is my true nightmare. Not know with you but this and.

0:32:29.560 --> 0:32:32.640
<v Speaker 3>Like that, like be so good at it. You're so

0:32:32.680 --> 0:32:34.360
<v Speaker 3>good at your voice is so.

0:32:34.200 --> 0:32:40.680
<v Speaker 1>Good at I I think, like, honestly, it's helped having Charles,

0:32:40.680 --> 0:32:43.480
<v Speaker 1>who is both my best friend, collaborator and r EP

0:32:43.680 --> 0:32:46.000
<v Speaker 1>and writer on the show, just being like just get

0:32:46.000 --> 0:32:49.200
<v Speaker 1>over yourself, like he will put me in my place.

0:32:49.920 --> 0:32:52.280
<v Speaker 1>And I think that's kind of kept it kept it real,

0:32:52.320 --> 0:32:55.240
<v Speaker 1>which has been great. But I would happily. I don't know.

0:32:55.280 --> 0:32:56.680
<v Speaker 1>I just I love story you and I think the

0:32:56.720 --> 0:32:59.840
<v Speaker 1>one thing we share is we love stories. We love

0:32:59.840 --> 0:33:03.320
<v Speaker 1>it good story. Michael was always to stay as far

0:33:03.360 --> 0:33:05.440
<v Speaker 1>behind the lens and the microphone as possible. But when

0:33:05.440 --> 0:33:07.200
<v Speaker 1>it made sense that I was the host because I

0:33:07.240 --> 0:33:10.000
<v Speaker 1>was the one that chased you down across continents for

0:33:10.040 --> 0:33:12.400
<v Speaker 1>many years to tell the story, I was like, yeah,

0:33:12.440 --> 0:33:13.280
<v Speaker 1>it just makes sense.

0:33:13.360 --> 0:33:15.680
<v Speaker 3>Yeah, And I but I feel like we partnered with

0:33:15.800 --> 0:33:20.200
<v Speaker 3>the right getting Tenderfoot and Pain and Dealer News like

0:33:20.280 --> 0:33:24.960
<v Speaker 3>behind the camera like everyone, yeah, we've we lucked out

0:33:25.040 --> 0:33:26.960
<v Speaker 3>with the people that we ended up going with.

0:33:27.040 --> 0:33:30.400
<v Speaker 1>They've been extraordinarily patient, they've been kind, they've been respectful

0:33:30.440 --> 0:33:33.480
<v Speaker 1>to the story, to all the people, Like I mean

0:33:33.720 --> 0:33:36.480
<v Speaker 1>to take out a project that like it takes a

0:33:36.520 --> 0:33:38.920
<v Speaker 1>podcast like five years to get off the ground, because

0:33:38.920 --> 0:33:41.000
<v Speaker 1>we were doing our own thing for five years previously.

0:33:41.040 --> 0:33:43.040
<v Speaker 1>So like, but the fact that they've been so patient

0:33:43.080 --> 0:33:45.960
<v Speaker 1>and then helpful obviously when it's time, like you're right,

0:33:46.000 --> 0:33:48.040
<v Speaker 1>we got particularly lucky and.

0:33:48.080 --> 0:33:50.040
<v Speaker 3>They've got I think it's because I deal with this

0:33:50.360 --> 0:33:53.640
<v Speaker 3>like other podcasts of this. Yeah, so they used to

0:33:53.760 --> 0:33:56.080
<v Speaker 3>wild shit. I just think it's been new for them

0:33:56.120 --> 0:33:58.959
<v Speaker 3>having to deal with wild shit told by like not

0:33:59.440 --> 0:34:02.719
<v Speaker 3>by a weird comedy boy Weird Comedy.

0:34:02.880 --> 0:34:05.480
<v Speaker 1>Well that's a good title. Weird Comedy Weird Comedy Boy.

0:34:05.600 --> 0:34:10.640
<v Speaker 3>Season two sees awesome.

0:34:11.360 --> 0:34:13.760
<v Speaker 1>Okay, So what's what's the next thing.

0:34:14.760 --> 0:34:17.160
<v Speaker 3>In terms of my career in terms of projects I'm

0:34:17.160 --> 0:34:18.759
<v Speaker 3>working on, I'm doing the clam on and I'll be

0:34:18.800 --> 0:34:20.640
<v Speaker 3>touring and I'll be doing all that stuff, and I'll

0:34:20.680 --> 0:34:22.799
<v Speaker 3>be I tell you what, I'm really excitedful. I am

0:34:22.840 --> 0:34:26.719
<v Speaker 3>excited to see how people take this because I have

0:34:26.920 --> 0:34:30.840
<v Speaker 3>no clue. I have no clue this could be anything,

0:34:30.880 --> 0:34:35.400
<v Speaker 3>and I'm just, yeah, I'm curious to see what people think,

0:34:35.960 --> 0:34:36.600
<v Speaker 3>what about you.

0:34:39.239 --> 0:34:41.680
<v Speaker 1>I'm gonna go get a great massage, like just like

0:34:41.719 --> 0:34:43.640
<v Speaker 1>a ninety minute or like a two hour.

0:34:45.000 --> 0:34:45.640
<v Speaker 3>That's my plan.

0:34:47.840 --> 0:34:50.160
<v Speaker 1>No, I'm kind of the same way as you. Like,

0:34:50.239 --> 0:34:52.480
<v Speaker 1>I'll keep making my shows and my movies and all

0:34:52.520 --> 0:34:58.000
<v Speaker 1>that stuff. But I'm very interested in the feedback as well.

0:34:58.160 --> 0:34:59.239
<v Speaker 3>Yeah, and I.

0:34:59.200 --> 0:35:02.680
<v Speaker 1>Guess it's important say we tried so hard to be

0:35:02.840 --> 0:35:07.520
<v Speaker 1>considerate and sensitive towards everyone involved in both the story

0:35:07.640 --> 0:35:10.040
<v Speaker 1>people who are adjacent to the topics of the story.

0:35:10.760 --> 0:35:13.520
<v Speaker 1>I'm sure we failed at some points, and I feel

0:35:13.560 --> 0:35:16.319
<v Speaker 1>like I need to instantly apologize for that. That was

0:35:16.760 --> 0:35:20.040
<v Speaker 1>certainly never our intention, But we really tried. I mean

0:35:20.040 --> 0:35:22.799
<v Speaker 1>it took a decade. So just no, we weren't. You know,

0:35:22.840 --> 0:35:28.200
<v Speaker 1>we weren't just like sitting around. But I do think,

0:35:28.239 --> 0:35:30.279
<v Speaker 1>like the feedback is what I'm most interested in. And

0:35:30.320 --> 0:35:33.480
<v Speaker 1>I think this is cool because again, this was like

0:35:33.520 --> 0:35:37.239
<v Speaker 1>a big weather balloon test for me. Can you tell

0:35:37.320 --> 0:35:43.800
<v Speaker 1>this horrifying, disgusting, deep thing that involves you know, police,

0:35:43.960 --> 0:35:48.400
<v Speaker 1>mental health, like other families, neighbors, small town versus you know,

0:35:48.440 --> 0:35:51.400
<v Speaker 1>big city and all these themes and tell it in

0:35:51.440 --> 0:35:54.840
<v Speaker 1>an entertaining and impactful way. So the impact is like, honestly,

0:35:55.239 --> 0:35:57.000
<v Speaker 1>I'm waiting to hear that so then I can kind

0:35:57.040 --> 0:35:58.839
<v Speaker 1>of like point my compass to the next thing. So

0:35:58.840 --> 0:36:05.960
<v Speaker 1>that's honestly what what I'm gonna do. I got the massage. Well,

0:36:06.000 --> 0:36:12.480
<v Speaker 1>thanks ed Thanks Jody, thank you Edward. I think this

0:36:12.640 --> 0:36:13.719
<v Speaker 1>was good. I'm glad we did this.

0:36:13.840 --> 0:36:15.640
<v Speaker 3>Do you want to go and get by? Jungles would

0:36:15.680 --> 0:36:15.920
<v Speaker 3>luck to