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Speaker 1: Play me, play me and Jay when we had ship.

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Speaker 1: You don't want me to go on stay? Yeah, I

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Speaker 1: got I got you bad. I want to open up

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Speaker 1: for y'all tools. I'm gonna come out there and do

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Speaker 1: the song for you. What I'm saying anywhere in the

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Speaker 1: region where they knew what that, they know that ship everywhere.

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Speaker 1: That's how you're feeling that, Joey, we're in the trap. Yeah,

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Speaker 1: you know, don't like the hell up? Man, I feel

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Speaker 1: like I'm on my brother's house. That's what they supposed

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Speaker 1: to feel like. You really gotta trapp out of course. Yeah,

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Speaker 1: this is your first half minutes one man. Yeah, we've

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Speaker 1: been trapping over here for a little minute, but you

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Speaker 1: know we're taking one hot over over here. Man, we

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Speaker 1: was just around. I'm just saying, you know the trap.

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Speaker 1: You know what I say. I don't know y'all doing trapped.

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Speaker 1: I'm real dog all this ship were you're selling them

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Speaker 1: the dog joke? So okay, last entertainment, man, That's what

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Speaker 1: I am. I am entertainer. I am a second generation entertainer, musician, writer,

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Speaker 1: artists come from the family, and I'm not a rapper.

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Speaker 1: I just wrapped got a rapper? You just wrap. I

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Speaker 1: can wrap everywhere. Hell yeah, I'm not a comedian. Nigged

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Speaker 1: that right. Jokes you need. I want to tell some jokes.

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Speaker 1: What you want to talk about the next stay wrapping.

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Speaker 1: You're good because if you come over here in the

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Speaker 1: cabinet game being as good as you was music, a

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Speaker 1: lot of niggas gonna start getting skin it around this

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Speaker 1: bit ship. Look at me what I'm saying. They're gonna

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Speaker 1: be from Hong Kome all right, starvation my song and

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Speaker 1: start rapping. So let him wrap. I'm just going to

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Speaker 1: You're gonna pass the game on nigg is my age.

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Speaker 1: Who still need niggas to listen to? Bro don't never

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Speaker 1: give up. I'm not getting up. I'm saying like, don't

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Speaker 1: never like So you want me to wrap this ship

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Speaker 1: when I'm sixty sixty two, we're gonna be listening to

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Speaker 1: this ship together. I'm gonna be in your arm. Fly me.

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Speaker 1: He shocks shouldn't have been crowded me. If I can't

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Speaker 1: remember this ship track, play yeah, don't never forget about us.

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Speaker 1: Who we're gonna listen to? I don't know. I thought

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Speaker 1: y'all like listen to all that stuff. I mean, that's

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Speaker 1: ship cool. But nigga, we're old too. We're gonna ship

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Speaker 1: that we grew up listening to her. I'll still listen

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Speaker 1: to what I listen to when I was seven years old,

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Speaker 1: my listening to mom and gay saying, I'll be riding

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Speaker 1: the old school shipping and ship. Nigga, I'm on the

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Speaker 1: type of nigger. I gotta play some flat some gags

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Speaker 1: the black some project pad because nigga, I don't work

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Speaker 1: too mother fucking hard to get where I man in

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Speaker 1: my life for me not to be able to go

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Speaker 1: listen to crowning me while I'm killing these niggas and

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Speaker 1: the cleanest g body in the world. Man, what the

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Speaker 1: fund that is wrong with you? Who is this? Niwin't

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Speaker 1: no security y'all? Yeah, I guess mine ain't walked there,

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Speaker 1: oh little y'all, that's all? Yeah, Like what the fund

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Speaker 1: did they put in there? Look little little brooch of

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Speaker 1: me the head earlier over there, that's just me all

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Speaker 1: the almost hit the dust man. I thought that was

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Speaker 1: your cousins that they got flash shirt and ship. Don't

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Speaker 1: stop playing black and then get on the New York head.

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Speaker 1: You don't see nothing memphos about that. Nigga, that they

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Speaker 1: ain't with you mine. Look all right, I thought the

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Speaker 1: nigga was with you. He just walked there. Don't be

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Speaker 1: having them people leave that ship because being a out

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Speaker 1: of more weird, those just gonna be showing up walking in.

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Speaker 1: That's that nigga further up, because that nigga drew him up.

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Speaker 1: There you got the last year I was riding in sugar,

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Speaker 1: snowflake sugar white on white, all white, all white, all night,

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Speaker 1: all night, all white, all white, all night. Ye snowflake

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Speaker 1: sugar in my back he was with y'allo. I said,

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Speaker 1: I didn't get that. He walked around the cup three

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Speaker 1: moon came through the wall. Now the niggas in the

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Speaker 1: back seat when y'all got out, the nigga walking around,

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Speaker 1: Like why you walking around? He was like, with up,

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Speaker 1: I'm dreaming. Hey man, welcome back to the eighty plast times.

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Speaker 1: And now look, we got a very special guest in

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Speaker 1: the trap with us tonight. This is one of my

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Speaker 1: favorite rappers. Man, if you anywhere from the mid South area,

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Speaker 1: you know exactly exactly why it's so important that he

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Speaker 1: is here with us today. Motherfucking man. The mythic legend,

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Speaker 1: one of the founding members of the original three or

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Speaker 1: six months. That's not true. I made that up. He

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Speaker 1: will keep going. This sounds great though, This ship sounded good.

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Speaker 1: Feel he wrote the three movies with the vests. You're

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Speaker 1: talking nigg has been chases and taking pictures with babies

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Speaker 1: and ship one of the coldest wrappers in the motherfucker world.

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Speaker 1: And they would be wrapping so motherfucking hard. And they

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Speaker 1: don't understand that. They don't even be saying kirk Burn

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Speaker 1: and not even saying other time he will, but he'd

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Speaker 1: be saying some other ship. Nigger wrote the coldest song

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Speaker 1: about cocaine, second only the Rick James Now that should

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Speaker 1: be in the Rock and Roll Hall of Fame. Bass damn.

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Speaker 1: I think the song was so cold about cocaine. I

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Speaker 1: wanted something well, I didn't do it, but I wanted

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Speaker 1: something that made the ship sound great. Ladies and gentlemen,

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Speaker 1: the one the only player you know. I look, I

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Speaker 1: don't know what to think. It was a foundly men

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Speaker 1: of the three six market. I just know he was

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Speaker 1: in there along against Hamelico. He just had to clear

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Speaker 1: that up. I should have just let it rap, and

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Speaker 1: she told him all the looking at creibility now I'm

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Speaker 1: seeing you got that off of Wikipedia. You know what

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Speaker 1: I'm saying. That's how reads. You know what I say,

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Speaker 1: only where it came from. You know what I'm saying.

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Speaker 1: I did some work with Paul. I did some work

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Speaker 1: with Juicy. I did some work with Crunchy. I don't

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Speaker 1: think man Crunchy got red to Yes, we do. I

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Speaker 1: take that back. Me and Crunchy got record posts that error.

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Speaker 1: We got something. Shouts out to Crunchy. I did work

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Speaker 1: with Lola boom Uh. I did work with Robert Cooper,

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Speaker 1: rest in Peace, nick Yep. I did work with Ricky Donogan,

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Speaker 1: Trick Rigors, Catcrow Cool this Nigga, Tricky, Ricky, Scared Crow

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Speaker 1: cooler than a fan though, rapping with them, triple bitches.

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Speaker 1: There's nothing but down a hole. Yeah, it's okay, we're

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Speaker 1: gonna do no. I know it. That was a hardass

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Speaker 1: song too, so like I wasn't a member of that group. Yeah.

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Speaker 1: I did work with DJ Squeaker. I did work Squeaking Dog.

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Speaker 1: I did work with Tommy Right, Tommy Ryde, Creeping at Night,

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Speaker 1: Ready to Take your booking life. I did work with

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Speaker 1: Guys to Black. You're talking about G A N T.

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Speaker 1: S C eight. Yeah, I'm from South Park Wayne is

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Speaker 1: u t a Yeah, park Way, don't play damn damn date.

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Speaker 1: Get your ship straight, test and we test you too.

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Speaker 1: She all, oh, y'all to eat all. That's so. I

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Speaker 1: did work with several different artists, but I was never

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Speaker 1: a member of any group organization. I decided to form

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Speaker 1: my own in the name of my grandmother. Many may

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Speaker 1: not minute made after Coca Cola's fruit juice lane. Uh,

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Speaker 1: it wasn't made in a minute. You know what I'm saying.

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Speaker 1: I do everything in my grandmama name. So it's Many

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Speaker 1: made music man, It made Mafia man, and made Mafia

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Speaker 1: missed Many made Yeah, yeah, yeah, that's later. Who's that later?

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Speaker 1: Your grandma name, and made the whole Gainster rapp, the

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Speaker 1: whole gangster culture. You know what I'm saying. We are masters.

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Speaker 1: We all to marb. I've been watching The Goldfathers since

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Speaker 1: I was seven years old. You know what I'm saying.

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Speaker 1: The oldest little thing about was you know what I'm saying,

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Speaker 1: what your grandma saying, She donna sue me. Your grandma

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Speaker 1: gonna ye'll see you putting my name on all this ship. Yeah, bir,

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Speaker 1: I heard your grandma used to be trapping the mix

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Speaker 1: tape out on the park with Yeah, because she sat

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Speaker 1: on the porch here day and one or ship we

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Speaker 1: wasn't on the block. You know what I'm saying, her

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Speaker 1: coming to get the takes. You know what I'm saying,

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Speaker 1: Ship big, My head's on the trumps in front of

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Speaker 1: the bed, Ship Bignaut swaging to motherfucker's well, mat you

145
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Speaker 1: take the independent route so early because um, early in

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Speaker 1: my father's career, UM, someone stole the rights to a

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Speaker 1: record he wrote, and he eventually one back the rights

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Speaker 1: his writer's rights through B M I. My father's name

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Speaker 1: Willie Young. Uh. They tried to say a guy named

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Speaker 1: will Ki w I l K instead of W L L. Yeah.

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Speaker 1: It's type you know, J K L S and my colin,

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Speaker 1: you know, it's the only keyboards. You know what I'm saying,

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Speaker 1: Like this one that off what I'm saying. So I

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Speaker 1: think that struck a fire under him, you know what

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Speaker 1: I'm saying. Because my dad was always against the system,

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Speaker 1: you know what I'm saying. The only thing he told me,

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Speaker 1: you know about the sistem, was pay your taxes so

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Speaker 1: you won't end up like you know, Red Fox or

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Speaker 1: somebody like that. You know what I'm saying. But he

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Speaker 1: was always from their point on, you have to know

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Speaker 1: the business and own your right. So um black I

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Speaker 1: always said. When I came home with my first song

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Speaker 1: back in NINEFO, he started asking me questions about it,

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Speaker 1: and um, based on the answers that I was giving him, Uh,

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Speaker 1: he started to convey information to me about ownership and

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Speaker 1: about copyrights and about publishing. And at that point, um,

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Speaker 1: little did he know or did I know even at

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Speaker 1: that time, did I was in a position to function

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Speaker 1: and own all exclusive rights to the masters like some

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Speaker 1: of these all they saying today they banned back, they holsters.

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Speaker 1: I was claiming my masters at that point, she masters.

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Speaker 1: It's not a physical set of tapes. You know what

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Speaker 1: I'm saying that you can actually touch. It's a degree

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Speaker 1: of ownership. You understand what I'm saying. Based on the

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Speaker 1: registration of your rights. You do understand what I'm saying

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Speaker 1: to me. I know, Okay, s well, we don't talk

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Speaker 1: to the ones that don't know. Let me look at

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Speaker 1: the camera for the ones that don't know. That's what

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Speaker 1: we're in the trap. This is my trap. This is

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Speaker 1: how I trapped today. I told you this tape ship

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Speaker 1: was gonna work. Welcome back to another episode. You know

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Speaker 1: the hold. It's gonna be check episode, Mike, check minute

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Speaker 1: that I gave it some dusts. It's gonna be real. Still,

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Speaker 1: damn you don't give your mix with dust No see that. No,

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Speaker 1: we don't be worried about me and my mic do

186
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Speaker 1: you all in my personal life? Like cat Weed said,

187
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Speaker 1: all my shirt brother said, she's trying to mike me up.

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Speaker 1: I paid the clip of my shipcause it's gonna fall off.

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Speaker 1: It's how fault up because she got sticky place by

190
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Speaker 1: the time should get off my shirt and she got

191
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Speaker 1: the sticky ship up. That's why the ship he followed.

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Speaker 1: You know, every time this ship fall off, I get

193
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Speaker 1: a hundred motherfuckings like, man, I'm so sicky you micro falling.

194
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Speaker 1: I don't need to come work up there for y'all.

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Speaker 1: Appreciate that pencil. Yeah, like you were saying, only your masters. Yeah.

196
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Speaker 1: So um, that's what basically sparked the independence um within myself.

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Speaker 1: Like I said, even without knowing that I was establishing

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Speaker 1: you know, that type of ownership to my rights to

199
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Speaker 1: function in that matter. Yeah, and that manner um. However,

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Speaker 1: even working with investors, I still uh reserved and retained

201
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Speaker 1: all the rights. You know what I'm saying. I never

202
00:12:55,720 --> 00:12:59,000
Speaker 1: gave away any rights to anybody ever worked with, you

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Speaker 1: know what I'm saying. But as I wasn't always financially

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Speaker 1: able to you know, function as a label. So you know,

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Speaker 1: it just an independent game like becoming what it is.

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Speaker 1: Then no, I didn't help like well like I said,

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Speaker 1: yes and no. So like right before I went to

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Speaker 1: start my strips, you know what I'm saying, in two

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Speaker 1: thousand and one, when I went in you know what

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Speaker 1: I'm saying to start doing my time, I was aspiring

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Speaker 1: to be an artist on my own label. That's what

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Speaker 1: I wanted to be. You know what I'm saying. That

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Speaker 1: they wasn't letting that happen before two thousand and one.

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Speaker 1: And then you started to see uh companies like Asylum

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Speaker 1: or started to form you know what I'm saying, Uh

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Speaker 1: where uh you had to defoil movement and stuff like

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Speaker 1: that where they was giving slash deals, where major labels

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Speaker 1: was doing slash deals with record labels, and that's what's

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Speaker 1: something that I was trying to do. But any correspondence

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Speaker 1: that I had with any label. They their only interest

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Speaker 1: was to sign me as an artist to their lay

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Speaker 1: before you know, five to seven years, and they're just

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Speaker 1: for something that I wasn't interested in doing. You know

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Speaker 1: what I'm saying. Have any of these new artists I

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Speaker 1: reached out to you a boy senting some of your

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Speaker 1: music or anything like that. Yep. I talked to Doc

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Speaker 1: LA's not not about that, but he called me talking

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Speaker 1: about using some stuff for one of his artists, Jay

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Speaker 1: Feels or something. Never hearing gold Teeth. You know what

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Speaker 1: I'm saying, a lot of artists reach out, but they

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Speaker 1: don't want to pay the clearance fee. It's a feat

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Speaker 1: you know what I'm saying, that s p B SPL

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Speaker 1: Music charges. That's the publishing company that's uh in control

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Speaker 1: of all the publishing rights to my whole catalog. So

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Speaker 1: and I know the owner person. You know what, I'm

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Speaker 1: saving four or three years, you know what I'm saying.

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Speaker 1: So it's a clearance fee that you have to pay,

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Speaker 1: but a lot of people don't want to pay. You

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Speaker 1: know what I'm saying, that clearance fee. It's uh. You know,

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Speaker 1: I have tears of songs, I have three tiers. I

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Speaker 1: have my top ten, and then I have my second tier.

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Speaker 1: And then I said, what's in the top here? Man?

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Speaker 1: You know it? Come on his name? When you tell

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Speaker 1: me what's in my top ten? What's your the top ten? Consistent?

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Speaker 1: What is them flat? Top ten songs? That may if

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Speaker 1: you want to remix this hero man, you gotta come

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Speaker 1: on down number one. You already know we can make

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Speaker 1: this real easy. All three of the b a chill

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Speaker 1: song if you want to getting it on crowning me

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Speaker 1: or nobody. That's three of them already, So give me

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Speaker 1: three more. Uh, I give your nobody needs no s

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Speaker 1: that's the top tier song. Uh ship gotar song? Come on,

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Speaker 1: come on man, what makes your trunk roundy? You just

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Speaker 1: talking about what the guys was out of here? Um

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Speaker 1: a little funk. I'm staying cronking name vaugh no bit

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Speaker 1: up in this week, so for let's go. So then

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Speaker 1: I take me a hit this to lick. I'm just

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Speaker 1: awake and shaking once again, so you know it's on.

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Speaker 1: Come on man, that one come into Shire that's him

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Speaker 1: lang yet we got two loved the start running Nigga.

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Speaker 1: I bump on hypocrits, I bump on transics. I come

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Speaker 1: to get this. I run this shop non stop to

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Speaker 1: the top and dropping all this bullshit. I twigs is

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Speaker 1: too cearchain music so versa tears my staff on wile

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Speaker 1: to mount to a funk all day in the flat

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Speaker 1: pis not counterfeit nor falsified, but often flat being criticized

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Speaker 1: by busters who know not nothing about play of flis

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Speaker 1: and your gossip. You need to stop it, fly think

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Speaker 1: you sanctifage you your transic. This ain't your poor pitt.

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Speaker 1: I can't be crucified. I'm just pumping and keep them

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Speaker 1: coming from its dungeon in something. It's better than nothing.

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Speaker 1: So don't be launching the scenor red. He's full of

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Speaker 1: greener red in flat access and then many mad he

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Speaker 1: opportunity success in process. So bless men, or don't you

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Speaker 1: test me, or you'll be risting flat ridz like you

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Speaker 1: come in ridzone. So flat correct didn't respect me, We'll

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Speaker 1: get ejected from players get saying your mea, I'm coming

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Speaker 1: gun and taking your chump chain. I said, oh, they

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Speaker 1: coming stops nor flower North. I appreciate that. I appreciate.

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Speaker 1: I appreciate it. So yeah, to get some of the

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Speaker 1: top tiership mine, you gotta pay the top tier clearance fee.

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Speaker 1: Um shouts out to Pee Valley. They played, they played

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Speaker 1: a nice clearance fee. Uh to use Nobody needs Nobody

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Speaker 1: and uh the little series. Yeah, they just actually I

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Speaker 1: thank you. But wait there's more. They actually opened up

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Speaker 1: an email from them this morning. They said they want

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Speaker 1: to use Crowning Me for season two? Did that's so? Yeah?

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Speaker 1: What was the what's the inspiration behind the Crowning meal?

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Speaker 1: A dirty South classic like that? Man? Oh, of course

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Speaker 1: it was, you know, the separation. You know what I'm saying, Um,

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Speaker 1: I'm working with um previous artists from Memphis, and uh,

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Speaker 1: you know what I'm saying. A lot of people had

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Speaker 1: a lot of derogatory things to say, you know what

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Speaker 1: I'm saying. But I knew where I belonged. My father

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Speaker 1: always told me where I belonged, you know what I'm saying.

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Speaker 1: And the immedic I knew that they couldn't funk with me,

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Speaker 1: you know what I'm saying. And so man, uh, once

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Speaker 1: I got the track, you know what I'm saying the

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Speaker 1: second time around, because I brought one home. My father

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Speaker 1: used to listen to it and he would sing along

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Speaker 1: with it. So about time I came home with the

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Speaker 1: second one. You know what I'm saying. There was something different,

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Speaker 1: you know what I'm saying. And so just like you know,

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Speaker 1: to me looking back in retrospect, it's like a sophomore

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Speaker 1: album because I had did getting it on as a mixtape,

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Speaker 1: even though we re released it in nine and nine.

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Speaker 1: We released it, you know on like the taste Big

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Speaker 1: Mama was selling, you know what I'm saying. So, but

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Speaker 1: really this was the first album on Superseded. What I

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Speaker 1: got a call text is that the dust Man super sick.

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Speaker 1: I thought the dust Man, he's looking for me. Yeah,

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Speaker 1: I go, so what about Supersed Records? Now you just

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Speaker 1: had dropped at it. Oh my superted Records. That was

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Speaker 1: you know, um my business part that he was an investor.

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Speaker 1: He didn't have a record label. He was an investor.

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Speaker 1: You know what I'm saying. He was out of tune Commire,

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Speaker 1: shipping shots out to Foster Boy. You know what I'm saying.

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Speaker 1: Uh and uh but really in a nutshell, you know,

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Speaker 1: it was all mean and made. So like I said,

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Speaker 1: by the time I got that second track and we

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Speaker 1: were getting ready to drop the first album on Supersed,

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Speaker 1: which was Flash Hit. You know what I'm saying. Crowning

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Speaker 1: Me was like maybe the first or second. It was

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Speaker 1: actually the first track I purchased when I went over

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Speaker 1: to the producer's house for him to play the Beast.

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Speaker 1: That was the first when he played and I was like, yeah,

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Speaker 1: I want that one. You know what I'm saying. I

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Speaker 1: got another flat head that a little too, But what's

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Speaker 1: the Salama lacolm? So, Salama lecom is just the instrumental

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Speaker 1: to send for me, correct, is it? I know what

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Speaker 1: it is? Play that motherfucker. Let's see Salama lecom. My

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Speaker 1: father was a Muslim. We're pulling it up. Uh, My

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Speaker 1: father was a Muslim and devoted Muslim. So I Salama

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Speaker 1: lecom was commonality in our household. You know what I'm

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Speaker 1: saying all day every day. So and at the end

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Speaker 1: of the day, we're just saying peace, you know what

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00:20:42,800 --> 00:20:47,920
Speaker 1: I'm saying. Um. And I felt like this was my

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Speaker 1: going away from those three albums that I was doing

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Speaker 1: with Sex. So this was the last track on the

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Speaker 1: last album. So this was like Salama lex so had town.

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Speaker 1: But what about it? That's one of the world famous

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Speaker 1: lands in the area. Man, Man, It's just me, man,

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Speaker 1: It's just the truth. Man. You know one thing about me,

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Speaker 1: Carlos Blane, I'm not going to run from there. You go,

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Speaker 1: you know, let's beautiful line. Yeah good yeah, shouts out

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Speaker 1: of Julia sat And that's his favorite jump. You know

347
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Speaker 1: what I'm saying, sent for me. You know what I'm saying.

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Speaker 1: We were just bumping the jump, or you were saying

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Speaker 1: that you didn't know that there wasn't my father singing

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Speaker 1: on there. I was telling you that I felt like

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Speaker 1: I wrote my father wrote their rugger through me. You

352
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Speaker 1: know what I'm saying, because, like I said, it's about Delf,

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Speaker 1: It's about that, and it's about leaving the planet. It's

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Speaker 1: about leaving this world. And those are the type of

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Speaker 1: thoughts that my father and my grandmother had. They were

356
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Speaker 1: just and me just tired. It's just you know, you

357
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Speaker 1: know have some of them. You know, uh relatives are

358
00:22:00,240 --> 00:22:02,680
Speaker 1: you know, they've seen a lot. You know what I'm saying.

359
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Speaker 1: You know another one that hit real hard and Ox

360
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Speaker 1: of Wars throned up love Hey mine. We had some

361
00:22:09,720 --> 00:22:12,840
Speaker 1: of my phone calling this ship and then just like

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Speaker 1: you always found the way to like show up, drop

363
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Speaker 1: some ship and be playing flat. But it's like you

364
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Speaker 1: never tried to line yourself with nobody. And then to

365
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Speaker 1: the point where it's like you were doing soon as

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Speaker 1: a fan with niggas we didn't even know. Just like

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Speaker 1: whoever that nigga is said he wanted to set ten

368
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Speaker 1: thousand acres. Yeah, that's my brother. You get what I'm saying. Yea, though,

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Speaker 1: I just gotta sit hey, but he in the fast group,

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Speaker 1: so prove suit they again. Yeah, and then that man

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Speaker 1: I was coaching the nigga. I was saying, Man, you

372
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Speaker 1: gotta say this ship like you mean it. Man, you

373
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Speaker 1: know what I'm saying. That RG my want of my

374
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Speaker 1: brothers and my mind. And they got drunkers here. And

375
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Speaker 1: that day we went to the motherfucker's studio and he

376
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Speaker 1: turned their motherfucker boy, I turn it off for flats

377
00:23:02,280 --> 00:23:04,920
Speaker 1: us for using his ship on the online turn it off.

378
00:23:05,440 --> 00:23:07,120
Speaker 1: He just told you he on the rights and ship

379
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Speaker 1: the YouTube pay that they'll just mute the ship clear

380
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Speaker 1: if they come, they're gonna contact me. You know what

381
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Speaker 1: I'm saying. Okay, contact with me mine, do you know

382
00:23:17,920 --> 00:23:21,480
Speaker 1: lem line? They'll contact me. You know what I'm saying.

383
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Speaker 1: And I make sure you straight y'all hell, yeah, you no,

384
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Speaker 1: don't remember whatever they're setting on that ass, don't word.

385
00:23:31,040 --> 00:23:33,520
Speaker 1: As long as y'all run the ass, I'm cool, all right,

386
00:23:33,600 --> 00:23:39,120
Speaker 1: But then it's a ghetto show. Welcome back to short.

387
00:23:42,520 --> 00:23:44,399
Speaker 1: Let me tell you what they mean, and maybe we

388
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Speaker 1: get money to get up. If he run the ass

389
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Speaker 1: and they playing my music, then I might get paid. Boy,

390
00:23:51,560 --> 00:23:53,720
Speaker 1: before you really got up in him, my young nigga

391
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Speaker 1: asked me, man, who was playing flat what would you

392
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Speaker 1: what would you say to his generation who might ask

393
00:24:00,080 --> 00:24:03,119
Speaker 1: that same question, how would you introduce yourself to the

394
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Speaker 1: new to the twenty year old crowd? I would just

395
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Speaker 1: say mine the Let me ask you this, leave you

396
00:24:12,920 --> 00:24:14,600
Speaker 1: pit of me. What would you start them in your

397
00:24:14,800 --> 00:24:16,960
Speaker 1: in your catalog of music? If they had to hear

398
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Speaker 1: three songs and let you let them from way back

399
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Speaker 1: you can pick. If I hadn't hear, I would pick

400
00:24:23,040 --> 00:24:27,119
Speaker 1: the three newer songs. Yeah, I would pick. I'm the

401
00:24:27,200 --> 00:24:29,200
Speaker 1: only one I would pick. I met a girl that

402
00:24:29,240 --> 00:24:31,440
Speaker 1: would pick. Don't know, man, That's what I would pick.

403
00:24:31,800 --> 00:24:33,399
Speaker 1: But if you said I had to go to the

404
00:24:33,480 --> 00:24:35,280
Speaker 1: old callog, I would go with just a wag and

405
00:24:35,359 --> 00:24:37,840
Speaker 1: shack him because it's one of the oldest songs that

406
00:24:37,960 --> 00:24:41,000
Speaker 1: I wrote. What do you you wrote? Man? I wrote

407
00:24:41,119 --> 00:24:43,480
Speaker 1: just a wag and shack and mine. It had to

408
00:24:43,640 --> 00:24:47,720
Speaker 1: be in ninety five because it was talking about the

409
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Speaker 1: nine Nickel and ship like that, you know what I'm saying,

410
00:24:51,080 --> 00:24:54,119
Speaker 1: and uh, you know what I'm saying. And usually it

411
00:24:54,200 --> 00:24:56,560
Speaker 1: possibly could have been ninety four because we would talk

412
00:24:56,960 --> 00:25:01,040
Speaker 1: about the upcoming year. Uh. In some I wrote them,

413
00:25:01,160 --> 00:25:03,280
Speaker 1: you know what I'm saying. I can remember Russell saying that.

414
00:25:03,359 --> 00:25:06,960
Speaker 1: Then when for the nine motherfucking five. You know what

415
00:25:06,960 --> 00:25:11,000
Speaker 1: I'm saying, it wasn't ninety five it you know? You know?

416
00:25:11,160 --> 00:25:13,480
Speaker 1: So man, I can remember that ship vividly, you know

417
00:25:13,520 --> 00:25:15,359
Speaker 1: what I'm saying. But I would let them here just

418
00:25:15,520 --> 00:25:18,040
Speaker 1: a way of shaking. I would let them here, uh

419
00:25:19,040 --> 00:25:24,720
Speaker 1: fucking book, most definitely, and uh, I probably would let

420
00:25:24,800 --> 00:25:28,040
Speaker 1: them hear Crowning Me for sure, because I would want

421
00:25:28,119 --> 00:25:31,200
Speaker 1: them to hear my father and myself with no other artists,

422
00:25:31,240 --> 00:25:33,720
Speaker 1: like I'm Getting It On. I shared there with another artist,

423
00:25:33,760 --> 00:25:36,080
Speaker 1: you know what I'm saying, versus just me and my father.

424
00:25:36,560 --> 00:25:38,919
Speaker 1: So I could introduce them to that and then they

425
00:25:38,960 --> 00:25:42,080
Speaker 1: could possibly find Getting It On and nobody and be

426
00:25:42,200 --> 00:25:46,480
Speaker 1: overwhelmed with it as well. Yeah, that's dope, ast fucking man.

427
00:25:46,880 --> 00:25:50,840
Speaker 1: You know, did you started recording music money? My start

428
00:25:50,920 --> 00:25:53,720
Speaker 1: recording music very early. My dad had studio and he

429
00:25:53,840 --> 00:25:56,320
Speaker 1: used to always make me go in and play with you.

430
00:25:56,600 --> 00:25:58,680
Speaker 1: You know what I'm saying. My dad actually wrote a

431
00:25:58,800 --> 00:26:02,040
Speaker 1: jingle for McDonald's. What's a double kind of burger on

432
00:26:02,119 --> 00:26:05,280
Speaker 1: assessment sa board. There's really two burglars, but they called

433
00:26:05,320 --> 00:26:07,360
Speaker 1: on the one. He wrote a song for the big man,

434
00:26:07,800 --> 00:26:10,199
Speaker 1: you know what I'm saying. Like they picked it up,

435
00:26:10,920 --> 00:26:13,000
Speaker 1: they picked it up, they ran it, but they didn't

436
00:26:13,400 --> 00:26:15,800
Speaker 1: run it. They ran a couple of ads enough, you

437
00:26:15,880 --> 00:26:17,800
Speaker 1: know what I'm saying, But it didn't do nothing for him,

438
00:26:17,920 --> 00:26:21,480
Speaker 1: you know what I'm saying. But she got yeah, we

439
00:26:21,560 --> 00:26:26,760
Speaker 1: got a little something off. Yeah. But back then he

440
00:26:26,880 --> 00:26:31,280
Speaker 1: had me singing that jingle to present to them, you

441
00:26:31,359 --> 00:26:34,919
Speaker 1: know what I'm saying. And he was singing background, asking

442
00:26:35,000 --> 00:26:38,359
Speaker 1: me questions like is it a belcher or something? It

443
00:26:38,480 --> 00:26:41,600
Speaker 1: was quoting prow with cheers and ship. You know, it's

444
00:26:41,600 --> 00:26:44,720
Speaker 1: a double kind of burger on assessment cy, you know

445
00:26:44,760 --> 00:26:47,160
Speaker 1: what I'm saying. So like on the ad it's hid.

446
00:26:47,200 --> 00:26:49,040
Speaker 1: They didn't have us singing and of course, it was

447
00:26:49,119 --> 00:26:51,359
Speaker 1: just you know, the idea that was pitched to them.

448
00:26:51,480 --> 00:26:53,639
Speaker 1: You know what I'm saying. One of my favorite flat

449
00:26:53,720 --> 00:26:58,560
Speaker 1: lines often A seventy two and Paula with Jack and

450
00:26:58,640 --> 00:27:01,320
Speaker 1: pool Mine. Do you understand what I was saying? Don't

451
00:27:01,320 --> 00:27:04,040
Speaker 1: you think I was talking about? You said your mama

452
00:27:04,160 --> 00:27:06,800
Speaker 1: was going to jail. She got caught some dope in

453
00:27:06,840 --> 00:27:09,480
Speaker 1: the house. I told her I want to go, and

454
00:27:09,560 --> 00:27:11,600
Speaker 1: that's what started to hurt. And she cried him going

455
00:27:11,720 --> 00:27:14,040
Speaker 1: downtown and you can't go with too dirty. And I

456
00:27:14,160 --> 00:27:16,960
Speaker 1: used to think downtown like construction when I go down

457
00:27:17,000 --> 00:27:20,760
Speaker 1: there with Big Mama mine to see, uh the construction

458
00:27:20,840 --> 00:27:23,160
Speaker 1: and ship mine. I didn't know until the first time

459
00:27:23,200 --> 00:27:25,400
Speaker 1: I hit to a one popular what the fun she meant?

460
00:27:25,480 --> 00:27:28,359
Speaker 1: But it was too dirty downtown and I couldn't go.

461
00:27:28,680 --> 00:27:31,520
Speaker 1: You know what I'm saying, Man, When nig hit level

462
00:27:32,680 --> 00:27:35,320
Speaker 1: and you're talking about man, you can't go, well, I'm

463
00:27:35,400 --> 00:27:37,760
Speaker 1: going and you couldn't go to jail. You know how

464
00:27:37,880 --> 00:27:42,280
Speaker 1: motherfucking dirty it is in jail dot exactly. And I'm like, Mama,

465
00:27:42,280 --> 00:27:44,640
Speaker 1: I'm gonna go, and she's like, no, you can't go backy,

466
00:27:44,680 --> 00:27:47,160
Speaker 1: it's too dirty. Where are you going? Mom, I going downtown,

467
00:27:47,920 --> 00:27:51,320
Speaker 1: you know what I'm saying. Yeah, but off in the

468
00:27:51,440 --> 00:27:55,360
Speaker 1: seventh to two in Paulo with Jackie Poop, that's Tony Baum.

469
00:27:55,480 --> 00:27:57,800
Speaker 1: Mama shouts out of the vall to Jackie Poop. You

470
00:27:57,880 --> 00:28:02,040
Speaker 1: know what I'm saying, that's that one sitting there too.

471
00:28:02,440 --> 00:28:05,159
Speaker 1: I have one, Poor, I had one. I told him.

472
00:28:05,560 --> 00:28:10,120
Speaker 1: I't door. I was a young nigga. Ma, I ain't

473
00:28:10,119 --> 00:28:12,040
Speaker 1: know out do I had to gold than from the

474
00:28:12,160 --> 00:28:15,359
Speaker 1: color was can't out for Peter but the top you

475
00:28:15,400 --> 00:28:17,720
Speaker 1: know what I'm saying. But that was the first call

476
00:28:17,840 --> 00:28:20,119
Speaker 1: that was about. That was second car bought. Actually I

477
00:28:20,200 --> 00:28:24,560
Speaker 1: bought a Ford Explore. And then about that, uh shipping

478
00:28:24,600 --> 00:28:28,920
Speaker 1: my train mission without the same thing about the Yeah,

479
00:28:30,840 --> 00:28:34,720
Speaker 1: but really I ain't. I wanted to go. I wanted

480
00:28:34,760 --> 00:28:36,920
Speaker 1: to go Reels. It didn't matter about he had to

481
00:28:37,040 --> 00:28:39,840
Speaker 1: go reals or their motherfucker. I was fascinated with gold

482
00:28:39,920 --> 00:28:41,840
Speaker 1: real and that was just the end of it. Ain'tbody

483
00:28:42,080 --> 00:28:44,720
Speaker 1: the train mission, of course, I wanted to train miss

484
00:28:44,720 --> 00:28:46,800
Speaker 1: shop the same thing. Mike got them and paid them

485
00:28:46,840 --> 00:28:49,760
Speaker 1: from savone and fitted all. Okay, got their phone Hunter

486
00:28:49,840 --> 00:28:52,600
Speaker 1: trammission to go with their phone and their motherfucker mind

487
00:28:52,640 --> 00:28:55,360
Speaker 1: and the road the times I did motherfucker didn't really

488
00:28:55,400 --> 00:28:58,959
Speaker 1: got stuff? Yeah, and I ran into a post, got

489
00:28:59,040 --> 00:29:01,400
Speaker 1: their foot in the rap. Ain't ask right now? It's

490
00:29:01,480 --> 00:29:05,800
Speaker 1: Memphis is killing ship. They go to ass tray burn

491
00:29:05,840 --> 00:29:09,560
Speaker 1: yourself burned by the minim? Fat heard? What you know?

492
00:29:09,600 --> 00:29:12,400
Speaker 1: If I've been gone so long, I've been going way

493
00:29:12,480 --> 00:29:15,360
Speaker 1: too Have you heard that? Yeah? Have you heard flash

494
00:29:15,400 --> 00:29:19,959
Speaker 1: so Fly Fly so flat? It's a song that I released.

495
00:29:19,960 --> 00:29:22,800
Speaker 1: Why I wrapped on it? Beat their wine head back

496
00:29:22,800 --> 00:29:25,920
Speaker 1: and then that she is on fire beat mine? So

497
00:29:26,080 --> 00:29:28,360
Speaker 1: you gotta do your harward. But I've been killing ship man?

498
00:29:28,480 --> 00:29:31,840
Speaker 1: Have you heard the truth? The last one I heard

499
00:29:32,040 --> 00:29:34,400
Speaker 1: was I'm the one. Have you heard? Is you blowing?

500
00:29:34,480 --> 00:29:37,120
Speaker 1: All this stuff is before I'm the only one. Have

501
00:29:37,280 --> 00:29:39,200
Speaker 1: you heard that? You're blown? What I did? Is they

502
00:29:39,280 --> 00:29:41,680
Speaker 1: tolding beat? And do you know that is your rolling?

503
00:29:41,920 --> 00:29:44,120
Speaker 1: What you might beat? Have you heard that? Is you're blowing?

504
00:29:45,400 --> 00:29:48,000
Speaker 1: I'm like, I don't like to rebike ship. Well, you

505
00:29:48,080 --> 00:29:50,280
Speaker 1: got to listen to you boy, though I play it

506
00:29:50,400 --> 00:29:55,200
Speaker 1: right now. I like fine blown original flih on me

507
00:29:55,680 --> 00:29:57,720
Speaker 1: or last one for you to one that's the ship.

508
00:29:57,760 --> 00:30:00,720
Speaker 1: I'm listening to ship that came out way any funk back.

509
00:30:01,000 --> 00:30:05,360
Speaker 1: That's your ship. Yeah, I guess. So what do I

510
00:30:05,400 --> 00:30:08,960
Speaker 1: have to do to convert you into the Nian Nothing?

511
00:30:09,840 --> 00:30:16,640
Speaker 1: I'm converted. But so you never heard this. We didn't

512
00:30:16,800 --> 00:30:24,480
Speaker 1: understand that kind of heard it from the town with

513
00:30:24,640 --> 00:30:40,840
Speaker 1: the Monster nine looking from the boot leggo through the

514
00:30:41,000 --> 00:30:43,520
Speaker 1: night in my eyes wide, I don't like a pearl

515
00:30:43,680 --> 00:30:47,680
Speaker 1: had promise. I have been about seven in two hours.

516
00:30:47,920 --> 00:30:50,720
Speaker 1: I ain't had a winkle sleep or two titch showers

517
00:30:50,960 --> 00:30:53,680
Speaker 1: since you say you're blowing a bitch whether funk the powder,

518
00:30:54,000 --> 00:30:56,600
Speaker 1: two and seven juices, and I've been a one sour

519
00:30:56,760 --> 00:30:59,640
Speaker 1: was the only damn thing that I ever claimed. King

520
00:31:00,000 --> 00:31:04,240
Speaker 1: of walls on fucking town, rich niggl drugs, Tony Montintown

521
00:31:04,360 --> 00:31:07,479
Speaker 1: almost every other day, and I pushed it to my limits.

522
00:31:07,560 --> 00:31:10,840
Speaker 1: Like my name was called face batter. I tried to

523
00:31:10,960 --> 00:31:15,240
Speaker 1: blow the mouth nine off and every other first you like,

524
00:31:15,360 --> 00:31:17,720
Speaker 1: blow my mind, I'll tell you what I do, like

525
00:31:19,320 --> 00:31:25,400
Speaker 1: motherfucker Michael Jackson remix, like this ship man, the reason

526
00:31:25,440 --> 00:31:31,480
Speaker 1: that motherfucker went, thank you, let me thank you. I

527
00:31:31,960 --> 00:31:38,320
Speaker 1: believe one of the I believe believe Clear Flying Remike

528
00:31:38,440 --> 00:31:41,960
Speaker 1: remix Michael Jackson like NI, all right, I don't the

529
00:31:42,080 --> 00:31:47,320
Speaker 1: only one setting man I, Oh, I say, because I

530
00:31:47,360 --> 00:31:49,760
Speaker 1: ain't that what we're going on. I just when I

531
00:31:49,840 --> 00:31:52,960
Speaker 1: posted the ship, I just woke up and seemed that

532
00:31:53,000 --> 00:31:55,840
Speaker 1: she was going crazy. I said, all ship, somebody gotta

533
00:31:55,880 --> 00:31:58,040
Speaker 1: hold you. This ship is over. What made you do it?

534
00:31:59,040 --> 00:32:02,840
Speaker 1: A little Mike, A little white? What's your favorite Michael

535
00:32:02,920 --> 00:32:08,560
Speaker 1: Jacksons on ship? Obviously that's one. My favorite Michael Jackson

536
00:32:08,640 --> 00:32:12,520
Speaker 1: song is Blue Guest Man. I like the early Michel

537
00:32:12,840 --> 00:32:15,240
Speaker 1: you know what I'm saying. I like, got to be there,

538
00:32:15,760 --> 00:32:21,720
Speaker 1: you know something early like Strangers, Um, but I really

539
00:32:21,800 --> 00:32:24,520
Speaker 1: love to see my dance man. I just man, I

540
00:32:24,640 --> 00:32:27,880
Speaker 1: prided myself on being an entertain them and Mike is

541
00:32:27,920 --> 00:32:30,920
Speaker 1: an entertain the man. And if I could be like Mike,

542
00:32:31,040 --> 00:32:35,719
Speaker 1: you know what I say, good flat hitting Michael Jackson,

543
00:32:36,120 --> 00:32:38,160
Speaker 1: like they said, I heard something on this other ship

544
00:32:38,240 --> 00:32:40,040
Speaker 1: just going around. Now. I don't know what I was

545
00:32:40,080 --> 00:32:42,840
Speaker 1: doing on the jump, but I was doing so I

546
00:32:43,040 --> 00:32:45,760
Speaker 1: was gone. But man, I just a little Mike, my

547
00:32:45,960 --> 00:32:48,560
Speaker 1: little white mine and uh, they just came to me

548
00:32:48,680 --> 00:32:51,520
Speaker 1: one night. I actually was sitting there doing my thing,

549
00:32:51,600 --> 00:32:53,480
Speaker 1: and I was in the mirror doing my thing. And

550
00:32:53,560 --> 00:32:56,760
Speaker 1: I my kind of moment the chorus out and uh

551
00:32:57,160 --> 00:33:02,640
Speaker 1: mine ut was sponsor you. Yeah, the best cocaine song.

552
00:33:02,720 --> 00:33:06,360
Speaker 1: I'm gonna we're gonna do one. Okay, I ain't never

553
00:33:06,440 --> 00:33:09,600
Speaker 1: did no cook. I ain't never did great imagination though.

554
00:33:10,280 --> 00:33:14,800
Speaker 1: You the motherfucker hold this ship around like flower this bit.

555
00:33:14,920 --> 00:33:19,800
Speaker 1: Look you got some gangster ship over there, this ship,

556
00:33:19,800 --> 00:33:25,320
Speaker 1: you know ship damn pull a three? Have you ever

557
00:33:25,440 --> 00:33:31,200
Speaker 1: heard machine do no? With you? To the trap? This

558
00:33:31,320 --> 00:33:34,360
Speaker 1: how I goes down? Bro, my little trap and y'all

559
00:33:34,480 --> 00:33:36,920
Speaker 1: got another role for me to capital that got a

560
00:33:36,960 --> 00:33:40,960
Speaker 1: whole studio back then. I just want you're dropping money

561
00:33:41,000 --> 00:33:43,040
Speaker 1: and ship on the floor. I really want to stick around. Yeah,

562
00:33:43,080 --> 00:33:45,440
Speaker 1: I got a dollar make a house. Jen Win been

563
00:33:45,560 --> 00:33:47,720
Speaker 1: keeping all the beats, man, he got a coming out,

564
00:33:47,760 --> 00:33:50,400
Speaker 1: and you know want with me, Bro that they could

565
00:33:50,440 --> 00:33:53,640
Speaker 1: be trying to keep me down to three beats a day.

566
00:33:54,960 --> 00:33:57,120
Speaker 1: You need to bring on the app. I'm trying to

567
00:33:57,480 --> 00:33:59,880
Speaker 1: my producers and quit on it. You're just gonna do

568
00:34:00,200 --> 00:34:01,800
Speaker 1: want producer for the whole about to give me a

569
00:34:01,840 --> 00:34:05,280
Speaker 1: new producer, man, jo Win, it's gonna solo. He's been

570
00:34:05,320 --> 00:34:09,320
Speaker 1: working with all the artists that that's trapped hein't invited

571
00:34:09,360 --> 00:34:16,880
Speaker 1: me to know you. Yeah, okay, flat, I'm telling you, man,

572
00:34:16,960 --> 00:34:21,279
Speaker 1: he already let me hear us. It was so white.

573
00:34:21,360 --> 00:34:26,439
Speaker 1: Don't even do it. He just what the wait? Wait

574
00:34:29,680 --> 00:34:34,000
Speaker 1: this ship hold up, wait wait wait wait no, see

575
00:34:34,440 --> 00:34:38,239
Speaker 1: my artists take this ship purposely. Van. I'm glad you're

576
00:34:38,280 --> 00:34:42,160
Speaker 1: telling them because this ship because bathing off that motherfucker.

577
00:34:42,160 --> 00:34:44,160
Speaker 1: I thought, because I'm looking for a track right now

578
00:34:44,600 --> 00:34:46,759
Speaker 1: from the ship I pulled this weekend. I'm looking for

579
00:34:46,840 --> 00:34:48,920
Speaker 1: the track to All White at Night. I was babing,

580
00:34:49,000 --> 00:34:51,960
Speaker 1: and then you just sow this ship. So see that's

581
00:34:51,960 --> 00:34:54,560
Speaker 1: the type of ship so and so do. He played

582
00:34:54,560 --> 00:34:56,239
Speaker 1: some beats for you like that, and then might be

583
00:34:56,400 --> 00:34:58,879
Speaker 1: somebody else beats. I started saying, No, I don't glad

584
00:34:58,920 --> 00:35:02,799
Speaker 1: you didn't. I along. I'm trying to be came up him,

585
00:35:02,880 --> 00:35:07,560
Speaker 1: be like you're talking my songs out. Yeah. Yeah, you

586
00:35:07,640 --> 00:35:10,720
Speaker 1: know that suck up part. It's DJ somewhat d J sowing.

587
00:35:10,800 --> 00:35:17,279
Speaker 1: So I said the DJ. I said, I said it.

588
00:35:17,480 --> 00:35:21,920
Speaker 1: I said DJ something man, ship exactly now, ain't got

589
00:35:21,960 --> 00:35:23,879
Speaker 1: all them things is gonna be in there. That's good.

590
00:35:28,800 --> 00:35:32,400
Speaker 1: I just said it. COLOR said this ship. Yeah, he

591
00:35:32,560 --> 00:35:36,919
Speaker 1: have been truly quis to my spelling thought his boys,

592
00:35:36,960 --> 00:35:38,719
Speaker 1: don't come with me. My gonna shoot ship at you

593
00:35:38,840 --> 00:35:41,719
Speaker 1: know what I said, nobody, he got bullets on the door, Haud,

594
00:35:41,760 --> 00:35:46,520
Speaker 1: I go with you. I'm pulling ship. That's your power.

595
00:35:47,360 --> 00:35:50,400
Speaker 1: It's my week. That's my power. That's don't want that

596
00:35:50,480 --> 00:35:53,520
Speaker 1: ship on me. That's your power. That's my power for

597
00:35:53,640 --> 00:35:56,879
Speaker 1: just my week. That's your week. If they asked along,

598
00:35:58,239 --> 00:36:01,560
Speaker 1: that's your power. It's my week. That's my week. These

599
00:36:01,640 --> 00:36:04,319
Speaker 1: my treats is what I need to go to sleep.

600
00:36:04,360 --> 00:36:07,000
Speaker 1: I have anxiety t from talking to people that I

601
00:36:07,080 --> 00:36:09,279
Speaker 1: don't know, and there's been running up on me trying

602
00:36:09,280 --> 00:36:11,279
Speaker 1: to take my hand. After every show, I'm king who

603
00:36:12,160 --> 00:36:14,040
Speaker 1: as long as you know? Don't you know I'm from

604
00:36:14,120 --> 00:36:16,719
Speaker 1: the projects here? Don't go there like that, bro, No bro,

605
00:36:17,000 --> 00:36:20,800
Speaker 1: five ft five fig maybe six before I have to

606
00:36:20,920 --> 00:36:24,840
Speaker 1: hear the nigga with the black, not the stick, but

607
00:36:25,000 --> 00:36:27,440
Speaker 1: the black, but the that's the one and I can

608
00:36:27,520 --> 00:36:34,719
Speaker 1: reach real quick here the nigga knocking in that the shock,

609
00:36:35,200 --> 00:36:37,719
Speaker 1: it's that's the country and ship. If you didn't know

610
00:36:37,840 --> 00:36:39,759
Speaker 1: my name is Looks. I had to tell them because

611
00:36:39,800 --> 00:36:42,600
Speaker 1: they acting like they don't know where in the traps

612
00:36:42,800 --> 00:36:46,440
Speaker 1: in the traps player flat player, what nigga, You and

613
00:36:46,680 --> 00:36:50,000
Speaker 1: nigga we're so hot. They't know why we have the

614
00:36:50,080 --> 00:36:53,120
Speaker 1: food we drunk, chopping the milk with I lunch your

615
00:36:53,120 --> 00:36:56,640
Speaker 1: school and that's so stupid. I don't understand whose I

616
00:36:56,760 --> 00:36:59,560
Speaker 1: did was that. That's probably why most of these men,

617
00:36:59,680 --> 00:37:02,480
Speaker 1: just the fact. That's the fact. That's a fact, and

618
00:37:02,520 --> 00:37:05,360
Speaker 1: I ain't gonna take it back getting your feelings. You

619
00:37:05,440 --> 00:37:08,040
Speaker 1: gotta love me because I'm black and getting mad. I

620
00:37:08,160 --> 00:37:12,080
Speaker 1: didn't kiss my sis. Let's fight if you really that man,

621
00:37:12,280 --> 00:37:16,439
Speaker 1: if you're so bad, didn't hit my hand and give

622
00:37:16,480 --> 00:37:20,200
Speaker 1: the funk about to fight you like a man understanding water.

623
00:37:21,920 --> 00:37:25,080
Speaker 1: The track really till joke's blood. I really should have

624
00:37:25,160 --> 00:37:28,000
Speaker 1: rep I was like, it's something one day that have

625
00:37:28,160 --> 00:37:30,439
Speaker 1: you wearing and then then they go had some soap,

626
00:37:30,600 --> 00:37:34,920
Speaker 1: all the holes of staring and the bad bear and

627
00:37:35,000 --> 00:37:37,800
Speaker 1: then I'm touching everywhere and they're gonna suck me everywhere,

628
00:37:37,880 --> 00:37:40,840
Speaker 1: and I'm like you I am and they can go

629
00:37:41,120 --> 00:37:43,680
Speaker 1: oh so low, and my dick ain't the ball before

630
00:37:43,719 --> 00:37:50,240
Speaker 1: you don't quote that's for me. I'm even making a bottle.

631
00:37:50,320 --> 00:37:54,480
Speaker 1: So it started out live. That's what that's my other

632
00:37:54,640 --> 00:37:58,520
Speaker 1: is mine? All right? If I think a good colors

633
00:37:58,960 --> 00:38:02,800
Speaker 1: round the block for then I don't read what you

634
00:38:02,840 --> 00:38:05,960
Speaker 1: gonna Let's do one. I got tell your tape. No,

635
00:38:06,200 --> 00:38:08,759
Speaker 1: you don't say we're gonna rap. We can pull it

636
00:38:08,840 --> 00:38:11,200
Speaker 1: off and then we'll do the song and then we're performing.

637
00:38:11,239 --> 00:38:15,759
Speaker 1: That bitch and the motherfucker were bubbing my birthday. Yeah,

638
00:38:17,440 --> 00:38:19,879
Speaker 1: we heard no ship like this. See that man fly

639
00:38:20,120 --> 00:38:23,880
Speaker 1: sheet is the bit the bite and they bumah on

640
00:38:23,960 --> 00:38:28,919
Speaker 1: the Come on, man, you buck, this is my powder song.

641
00:38:29,440 --> 00:38:32,160
Speaker 1: Come on, bring it back, bring up paddle song. I

642
00:38:32,200 --> 00:38:35,879
Speaker 1: don't Frest style. I can't wrap what you're gonna bump

643
00:38:35,920 --> 00:38:41,399
Speaker 1: again my powder song, Powder song? Do my powder song

644
00:38:41,760 --> 00:38:44,240
Speaker 1: now you can. You can bustle Frest style and padders.

645
00:38:45,520 --> 00:38:48,279
Speaker 1: You know what I'm saying, Mine, It's just like be

646
00:38:48,400 --> 00:38:50,279
Speaker 1: a trying me differently, you know what I'm saying. This

647
00:38:50,400 --> 00:38:53,840
Speaker 1: ship wanted for fune for phones mine. You know, studio

648
00:38:53,920 --> 00:38:55,880
Speaker 1: town was limited mine. You know what I'm saying. They

649
00:38:55,920 --> 00:38:57,960
Speaker 1: couldn't go in the office so many I stuck to

650
00:38:58,080 --> 00:39:00,200
Speaker 1: with the pin in the pad man. It's always it's

651
00:39:00,239 --> 00:39:02,800
Speaker 1: been you know what I'm saying, Just an aren't you

652
00:39:02,840 --> 00:39:04,480
Speaker 1: know what I'm saying, to sit there right, you know

653
00:39:04,480 --> 00:39:06,400
Speaker 1: what I'm saying, and tell the story and take the

654
00:39:06,520 --> 00:39:09,080
Speaker 1: time to captivate you the way that I have. You

655
00:39:09,160 --> 00:39:11,080
Speaker 1: know what I'm saying. It wasn't nothing that I just

656
00:39:11,320 --> 00:39:13,640
Speaker 1: threw it up there and just came up with, you

657
00:39:13,719 --> 00:39:16,040
Speaker 1: know what I'm saying. All of it was orchestrated. When

658
00:39:16,120 --> 00:39:18,719
Speaker 1: we had a lot of people, you know, saying a

659
00:39:18,800 --> 00:39:20,320
Speaker 1: lot of stuff. You know what I'm saying. There was

660
00:39:20,400 --> 00:39:22,000
Speaker 1: where I wanted it. You know what I'm saying. We

661
00:39:22,080 --> 00:39:23,959
Speaker 1: had a lot of people there. It wasn't just sound

662
00:39:24,040 --> 00:39:25,400
Speaker 1: to fix. You know what I'm saying. It was just

663
00:39:25,560 --> 00:39:29,480
Speaker 1: always orchestrated. It was a calculated plot. It was a playbook,

664
00:39:29,520 --> 00:39:31,440
Speaker 1: you know what I'm saying. Today they go with a

665
00:39:31,480 --> 00:39:33,920
Speaker 1: lot of what I'd like to refer to as no huddle.

666
00:39:34,320 --> 00:39:35,960
Speaker 1: How they go in the studio, don't know what a

667
00:39:36,000 --> 00:39:38,080
Speaker 1: beat they're gonna use, and know what the song is

668
00:39:38,120 --> 00:39:40,480
Speaker 1: gonna be about. You know what I'm saying. Every time

669
00:39:40,600 --> 00:39:42,880
Speaker 1: I went to the studio, I've always known what I

670
00:39:43,000 --> 00:39:45,239
Speaker 1: was going to do on this. I was hired for

671
00:39:45,360 --> 00:39:47,840
Speaker 1: a feature and didn't know you know, the beat or

672
00:39:48,000 --> 00:39:50,480
Speaker 1: what you know, and I just had to adapt then,

673
00:39:50,560 --> 00:39:52,960
Speaker 1: and I can apply to no huddle at their point.

674
00:39:53,040 --> 00:39:57,120
Speaker 1: But even being I still my help or an audible

675
00:39:57,440 --> 00:39:59,080
Speaker 1: you know what I'm saying something, You know what I'm

676
00:39:59,120 --> 00:40:01,239
Speaker 1: saying to get my role out. You know, my brother

677
00:40:01,320 --> 00:40:04,040
Speaker 1: always brag about the time we went to the told

678
00:40:04,080 --> 00:40:07,919
Speaker 1: you the niggas is broke. I just said, my brother,

679
00:40:10,000 --> 00:40:14,600
Speaker 1: Nigga man with that flat. Wait, man, why didn't they

680
00:40:14,719 --> 00:40:17,239
Speaker 1: ain't got on nothing for turning the flat? Because he

681
00:40:17,320 --> 00:40:19,160
Speaker 1: went to New York for the first time. It's something

682
00:40:20,000 --> 00:40:23,080
Speaker 1: Thigga looked like a New York Nia, New York niggas. See,

683
00:40:23,320 --> 00:40:27,960
Speaker 1: like you get the funk out of here. Some ship

684
00:40:28,120 --> 00:40:30,000
Speaker 1: like that, man, don't play with us, and so where

685
00:40:30,000 --> 00:40:38,160
Speaker 1: are you from? See that's close enough to me, you

686
00:40:38,239 --> 00:40:41,400
Speaker 1: know how like we do all this ship New York niggas.

687
00:40:41,400 --> 00:40:43,480
Speaker 1: I don't know the different ship. You know, told them

688
00:40:43,520 --> 00:40:45,680
Speaker 1: that they're gonna be like what that means? I don't know.

689
00:40:46,040 --> 00:40:48,960
Speaker 1: That means I'm staying in the dirty South where blown

690
00:40:49,080 --> 00:40:51,600
Speaker 1: my come up there shop and I bring my black

691
00:40:51,719 --> 00:40:54,759
Speaker 1: ass back home. That's what the fund did mean, the

692
00:40:54,920 --> 00:40:59,520
Speaker 1: dirty South. And look that's how fast I'm gone. If

693
00:40:59,520 --> 00:41:02,800
Speaker 1: you see up there's possibly a clone. You know what

694
00:41:02,840 --> 00:41:06,640
Speaker 1: I'm saying. Yeah, No, I just don't know enough about it.

695
00:41:06,760 --> 00:41:09,479
Speaker 1: You know what I'm saying enough just so they can see.

696
00:41:09,640 --> 00:41:12,640
Speaker 1: But if they take a picture, bitch, that wouldn't me. Wow,

697
00:41:15,080 --> 00:41:22,440
Speaker 1: what's gonna be a rerap? Clear Carlos, Yeah, come harder,

698
00:41:23,800 --> 00:41:32,839
Speaker 1: um meals. I don't want to say the target, bro,

699
00:41:33,080 --> 00:41:35,960
Speaker 1: I don't want to know. You say ship like that,

700
00:41:37,640 --> 00:41:42,440
Speaker 1: fucking start asking you for sure, don't never. They are

701
00:41:42,480 --> 00:41:46,719
Speaker 1: already asking you for rule little black man finances. I

702
00:41:46,760 --> 00:41:49,879
Speaker 1: don't give a funk what you like. I got money

703
00:41:50,120 --> 00:41:52,960
Speaker 1: I don't have. I should do my linds like I

704
00:41:53,040 --> 00:41:56,680
Speaker 1: got my I got. I thought you was a pimp.

705
00:41:57,280 --> 00:42:00,200
Speaker 1: I am kind of little something like it. You know

706
00:42:00,239 --> 00:42:04,920
Speaker 1: what I'm saying. The Holy working mcdallars for us. I

707
00:42:04,920 --> 00:42:09,759
Speaker 1: don't want to working. I'm just saying she working said

708
00:42:09,840 --> 00:42:16,160
Speaker 1: that's fine. Her stress go up, pussy go down, that's great.

709
00:42:16,200 --> 00:42:18,120
Speaker 1: Then that's why I guess I sent there, because I

710
00:42:18,120 --> 00:42:20,080
Speaker 1: ain't trying to do much fucking this ship. I am.

711
00:42:20,239 --> 00:42:22,000
Speaker 1: You know what I say him yourself, my father three

712
00:42:22,080 --> 00:42:26,400
Speaker 1: years old, I got grandkids. Don't get me wrong, but

713
00:42:26,440 --> 00:42:29,560
Speaker 1: I don't know I'm gonna be fucking my employees. IM

714
00:42:29,719 --> 00:42:32,759
Speaker 1: hell long, that's why she can't working that do not

715
00:42:32,920 --> 00:42:36,080
Speaker 1: for me now to be around here, right'll be staying

716
00:42:36,120 --> 00:42:38,120
Speaker 1: to put her attitude gonna be bad. Ain't gonna be

717
00:42:38,160 --> 00:42:40,719
Speaker 1: around you. She's been working on you don't be going.

718
00:42:41,440 --> 00:42:43,399
Speaker 1: You're gonna be going. Can't be on the eighty fast.

719
00:42:43,560 --> 00:42:46,480
Speaker 1: I'm showing my boy working in that done. She got quick,

720
00:42:47,200 --> 00:42:53,360
Speaker 1: she got quick, bed work four hours a week, and

721
00:42:53,440 --> 00:42:58,680
Speaker 1: then she bringing home man seventeen two weeks flat. To

722
00:42:58,960 --> 00:43:04,480
Speaker 1: motherfucking hawk, what if you got three or no, that's quit.

723
00:43:05,239 --> 00:43:09,680
Speaker 1: That's uh, you gotta quit. That's Twitter said. And want

724
00:43:11,719 --> 00:43:13,839
Speaker 1: that's really what you want. You want a woman who

725
00:43:13,920 --> 00:43:16,719
Speaker 1: that reasonally found out how hard the world really is.

726
00:43:17,600 --> 00:43:19,719
Speaker 1: That's all I'm doing. I'm standing out here looking at

727
00:43:19,760 --> 00:43:22,879
Speaker 1: the world like this, and they'd be back in a minute. Yeah,

728
00:43:24,520 --> 00:43:26,600
Speaker 1: they ain't living right. They ain't even got enough to

729
00:43:26,640 --> 00:43:28,680
Speaker 1: sit in the builds. I don't pay they got they

730
00:43:28,800 --> 00:43:32,080
Speaker 1: got to go down there every month and hand them

731
00:43:32,200 --> 00:43:34,200
Speaker 1: people there. It was a little just today, ladies say

732
00:43:34,480 --> 00:43:38,480
Speaker 1: we don't accept cash. I'm telling you, so you use

733
00:43:38,560 --> 00:43:40,520
Speaker 1: I don't pay to them telling you. I'm just to

734
00:43:40,560 --> 00:43:44,120
Speaker 1: say you use all don't pay too. Yeah, you got

735
00:43:44,239 --> 00:43:48,279
Speaker 1: the money might look lowest meals in this mother father

736
00:43:48,600 --> 00:43:51,160
Speaker 1: that any they're gonna use all don't pay gays of money.

737
00:43:51,280 --> 00:43:54,000
Speaker 1: You know what, I'm saving over two hundred and seven

738
00:43:54,080 --> 00:43:58,359
Speaker 1: dollars a quarter by having it. Said that, and then

739
00:43:58,640 --> 00:44:01,040
Speaker 1: they give you a disk. You got them. You must

740
00:44:01,120 --> 00:44:04,080
Speaker 1: know that that white paper, you know that thing A're

741
00:44:04,120 --> 00:44:07,160
Speaker 1: gonna never go empty. Dog, I know what I'm saying.

742
00:44:07,480 --> 00:44:10,759
Speaker 1: I'm trying to live out how I can capitalize off

743
00:44:10,840 --> 00:44:15,000
Speaker 1: the racist society that we um operating. I'm enjoying that

744
00:44:15,080 --> 00:44:20,200
Speaker 1: little rifle group that they got you. Yes, I see

745
00:44:20,239 --> 00:44:22,960
Speaker 1: a lot of white people doing in America. I do it.

746
00:44:23,120 --> 00:44:26,879
Speaker 1: I signed up for it. This how you make it? Man,

747
00:44:27,800 --> 00:44:30,560
Speaker 1: Look at this fucking show. We're not doing that well.

748
00:44:32,760 --> 00:44:35,680
Speaker 1: I knew I started. I took my little change and

749
00:44:35,800 --> 00:44:39,960
Speaker 1: started doing what white men do. I got a Toyota camera,

750
00:44:40,440 --> 00:44:45,680
Speaker 1: I did everything. I stopped bass ship. Everything home had

751
00:44:45,760 --> 00:44:48,360
Speaker 1: become for free. Bro. I'm about to pull them up,

752
00:44:48,640 --> 00:44:51,759
Speaker 1: Steve Jobs and just by me, twenty seven black tank top.

753
00:44:53,400 --> 00:44:57,520
Speaker 1: We getting money here, say outfit. Every day. Last time

754
00:44:57,600 --> 00:44:59,919
Speaker 1: you saw me, I was getting money. This time you see,

755
00:45:00,080 --> 00:45:05,239
Speaker 1: I'm getting money. Black tank tops. The season many done.

756
00:45:05,320 --> 00:45:07,759
Speaker 1: Let it preas down. I'm telling you when you think

757
00:45:07,800 --> 00:45:10,200
Speaker 1: I'm bullshit and can't paying attention to what the fun

758
00:45:10,280 --> 00:45:13,160
Speaker 1: is going on. White people buying crypto currency, a nigga band,

759
00:45:13,200 --> 00:45:17,280
Speaker 1: crypto man, whatever transition today, I don't give a fucking

760
00:45:18,040 --> 00:45:20,160
Speaker 1: you post the bag when he's crashed, because we're boted

761
00:45:20,239 --> 00:45:22,439
Speaker 1: next week. I'm telling you, flying, that's what the white

762
00:45:22,480 --> 00:45:24,879
Speaker 1: folks doing, and they like other nick is gone yet? Okay,

763
00:45:25,000 --> 00:45:28,640
Speaker 1: running back out. We got a call right, Hey, I

764
00:45:28,760 --> 00:45:33,680
Speaker 1: need something, Come on, let me running. Oh it's a

765
00:45:33,760 --> 00:45:37,360
Speaker 1: bull warking. We're doing so well. This is capitles matter spiders.

766
00:45:37,520 --> 00:45:39,480
Speaker 1: We're gonna do this ship for cool hours and were seven.

767
00:45:40,320 --> 00:45:43,680
Speaker 1: Wake up. This is what you gotta do. Fly. You

768
00:45:43,880 --> 00:45:47,480
Speaker 1: gotta pay attention to what the white people is doing.

769
00:45:48,600 --> 00:45:53,239
Speaker 1: We're doing some cracking things super now and there we're

770
00:45:53,320 --> 00:45:58,680
Speaker 1: doing some crackers thing. Your motherfucking sup Why do you

771
00:45:58,760 --> 00:46:01,359
Speaker 1: think this coup is read? Dixie Cup is the number

772
00:46:01,400 --> 00:46:04,840
Speaker 1: one paper cup in America? This is American shame nice,

773
00:46:06,680 --> 00:46:12,040
Speaker 1: it's African American, but it's American. Isn't gets hold groan

774
00:46:12,160 --> 00:46:18,120
Speaker 1: in the US by baby, please okay keep laughing in

775
00:46:18,239 --> 00:46:22,120
Speaker 1: three weeks when the ad start rolling in Walmart, gonna

776
00:46:22,120 --> 00:46:24,680
Speaker 1: reach out. So we're reaching out on behalf of our

777
00:46:24,800 --> 00:46:28,960
Speaker 1: urban marketing campaign. Come on, give on some of them reparations.

778
00:46:29,520 --> 00:46:35,160
Speaker 1: Ship sending it up. Okay, one black show, black people,

779
00:46:35,280 --> 00:46:41,399
Speaker 1: so you slow down. The game is so baptist red

780
00:46:41,520 --> 00:46:44,480
Speaker 1: cups first of the savor thing whatever white people doing,

781
00:46:44,600 --> 00:46:48,000
Speaker 1: go to Walmart. But I got out of this bamis

782
00:46:48,160 --> 00:46:51,640
Speaker 1: red cups as a cryptocurrency. Hit some cryptocurrency, some dixie

783
00:46:51,719 --> 00:46:54,000
Speaker 1: cup and fuck as many women as like, I don't

784
00:46:54,000 --> 00:46:55,600
Speaker 1: know what that part came to me. That's why you

785
00:46:55,680 --> 00:47:00,439
Speaker 1: started and ship, That's what you gotta tell me. Couch.

786
00:47:00,560 --> 00:47:02,520
Speaker 1: I was trying to take it home and get all

787
00:47:02,560 --> 00:47:05,879
Speaker 1: this ship in little sign and partner in this show

788
00:47:06,280 --> 00:47:11,759
Speaker 1: since they want a None of this is possible without coaching. Okay, brother,

789
00:47:11,800 --> 00:47:13,799
Speaker 1: I got to little All these black men that work

790
00:47:13,840 --> 00:47:17,600
Speaker 1: in this room without COUCHI, they wouldn't be motivated to

791
00:47:17,680 --> 00:47:24,080
Speaker 1: be here. It's not right. Do you know how much?

792
00:47:24,800 --> 00:47:28,479
Speaker 1: Looking so happy right now talking this show was coming

793
00:47:28,520 --> 00:47:31,160
Speaker 1: out and they might get some couch. What if you're

794
00:47:31,239 --> 00:47:37,000
Speaker 1: telling about money? But job was filing Dido couch smiling.

795
00:47:37,120 --> 00:47:39,680
Speaker 1: I was saying money. That brother stop smiling. Is he

796
00:47:39,880 --> 00:47:43,360
Speaker 1: likes coaching more than money? You make the one person

797
00:47:43,480 --> 00:47:46,520
Speaker 1: in the room. But actually, but coaching. I just look

798
00:47:46,600 --> 00:47:49,880
Speaker 1: at his face that he just gives me away my

799
00:47:50,200 --> 00:47:53,640
Speaker 1: promise mine, you know what saying. I'm glad on this count.

800
00:47:54,080 --> 00:47:56,480
Speaker 1: But that brother, their face is amusing. When I said

801
00:47:56,520 --> 00:47:59,440
Speaker 1: something about money, he was like, like, no, talk to

802
00:47:59,560 --> 00:48:02,000
Speaker 1: about what we're talking about that right there, you're talking

803
00:48:02,040 --> 00:48:08,680
Speaker 1: about the you talked about money. Everybody start thinking about

804
00:48:08,719 --> 00:48:10,759
Speaker 1: how much they need. You talking about coach, and they

805
00:48:10,960 --> 00:48:13,839
Speaker 1: think about how much they want. I got my son

806
00:48:16,520 --> 00:48:23,759
Speaker 1: just up there for what I can't do an they

807
00:48:23,920 --> 00:48:26,400
Speaker 1: got an outfit, that's what doing about. He gets some

808
00:48:26,480 --> 00:48:30,239
Speaker 1: couch after this they go and they got a whole

809
00:48:30,239 --> 00:48:33,040
Speaker 1: another outfit in it bad and this is a coach.

810
00:48:35,080 --> 00:48:37,600
Speaker 1: You what text? He texted the right and popped out

811
00:48:37,600 --> 00:48:39,880
Speaker 1: the raging little up in a minute happy threw the

812
00:48:42,080 --> 00:48:47,200
Speaker 1: he's been good. He's gonna go to shoot. That's what that.

813
00:48:47,680 --> 00:48:50,040
Speaker 1: And you know what, your brother, I've been wondering all day,

814
00:48:50,160 --> 00:48:53,359
Speaker 1: what the fun is this with you? All day? They

815
00:48:53,440 --> 00:48:56,920
Speaker 1: get some couch tonight, he putting it fall sometime, man,

816
00:48:57,040 --> 00:49:00,640
Speaker 1: they want you to give you other kids like brown

817
00:49:01,960 --> 00:49:04,719
Speaker 1: Ship for real, need do nothing now, I wouldn't need

818
00:49:04,840 --> 00:49:08,120
Speaker 1: in the street anybody run around driving round. He gonna

819
00:49:08,160 --> 00:49:12,120
Speaker 1: you then to get some coaches, no one she got

820
00:49:12,200 --> 00:49:15,040
Speaker 1: the mom he already got. You're gonna get a couple

821
00:49:15,040 --> 00:49:18,120
Speaker 1: of dollars for you like you hunt. Ain't don't matter.

822
00:49:18,480 --> 00:49:20,719
Speaker 1: You know, he's gonna get some COUCHI proud of get

823
00:49:20,960 --> 00:49:24,520
Speaker 1: some money even if he don't used tonight he needs to.

824
00:49:24,920 --> 00:49:26,839
Speaker 1: All right, Well, just don't be like they got they're

825
00:49:26,880 --> 00:49:30,120
Speaker 1: bad and so yeah, scooch, your chill downcause he's back.

826
00:49:31,239 --> 00:49:36,560
Speaker 1: He So if you watch yourself six minutes that you

827
00:49:36,640 --> 00:49:41,520
Speaker 1: come from a different background, tell you what was like

828
00:49:41,600 --> 00:49:47,800
Speaker 1: happened to put your foot down? Sole pimples, pimple you

829
00:49:48,000 --> 00:49:50,600
Speaker 1: give me you don't strike into the dit. It's not

830
00:49:50,719 --> 00:49:52,719
Speaker 1: saying that there's nothing wrong. Hey, look, if you go

831
00:49:52,840 --> 00:49:54,719
Speaker 1: to work every day, you make it back whatever you

832
00:49:54,800 --> 00:49:57,920
Speaker 1: want back, whatever you want to back. Okay, we are

833
00:49:58,080 --> 00:50:03,360
Speaker 1: not uh couture shaming on this show. The offers of

834
00:50:03,480 --> 00:50:06,839
Speaker 1: some of the most legendary mean in a different way.

835
00:50:07,040 --> 00:50:09,040
Speaker 1: You know, we we coach. You know what I'm saying,

836
00:50:09,080 --> 00:50:11,040
Speaker 1: But that's different what I'm just saying. You know, purchase

837
00:50:11,160 --> 00:50:13,239
Speaker 1: like you should get a receipt for it, Like that's

838
00:50:13,280 --> 00:50:15,719
Speaker 1: what I'm played for, because then you got proof that

839
00:50:15,800 --> 00:50:18,480
Speaker 1: you bought. I'm just saying, you know, I'm paying for

840
00:50:19,480 --> 00:50:22,040
Speaker 1: when you're safe. I'm just saying, that's what you're talking about.

841
00:50:22,160 --> 00:50:24,640
Speaker 1: Just you know, I mean you know that money that

842
00:50:24,760 --> 00:50:26,360
Speaker 1: you know I got out from your tax I know

843
00:50:26,480 --> 00:50:29,319
Speaker 1: I gout though. That money that you can't write off.

844
00:50:29,960 --> 00:50:32,960
Speaker 1: That's the money you're supposed to spend point one three

845
00:50:33,040 --> 00:50:35,640
Speaker 1: percent get some couching with the money that you came

846
00:50:35,760 --> 00:50:40,799
Speaker 1: up me taking it in. You remember, all this ship's

847
00:50:41,400 --> 00:50:45,360
Speaker 1: money you have to spend. Why not spending on suppuss

848
00:50:45,600 --> 00:50:48,280
Speaker 1: Because if everybody spend all the money on some couching,

849
00:50:48,320 --> 00:50:50,680
Speaker 1: it to be couching inflation, couching would be three point

850
00:50:50,760 --> 00:50:58,520
Speaker 1: six million dollars would if everybody will spend it's too much.

851
00:50:59,040 --> 00:51:01,480
Speaker 1: It's too much of it. That that's the problem. Do

852
00:51:01,600 --> 00:51:03,239
Speaker 1: you think you're just gonna keep thatying the same one?

853
00:51:03,640 --> 00:51:05,719
Speaker 1: You're gonna try to buy all of them? Once you

854
00:51:05,800 --> 00:51:09,120
Speaker 1: get addicted to coach, ain't no going back. I don't

855
00:51:09,160 --> 00:51:12,879
Speaker 1: so glad I got addicted to cocaine instead. Man again,

856
00:51:15,840 --> 00:51:19,839
Speaker 1: I'm so glad I got fim. That was the best

857
00:51:19,920 --> 00:51:24,360
Speaker 1: thing you ever happened to me. Man, Yeah, about to

858
00:51:24,480 --> 00:51:27,080
Speaker 1: be the ambassador of this ship. You know what I'm saying.

859
00:51:27,160 --> 00:51:31,799
Speaker 1: Every rather, everyone around me was just handling uh cocaine

860
00:51:32,040 --> 00:51:35,239
Speaker 1: usage differently, and I just said, I wasn't going to

861
00:51:35,320 --> 00:51:37,759
Speaker 1: be affected like that. You know what I'm saying. I

862
00:51:38,560 --> 00:51:41,440
Speaker 1: enjoyed it, and I said I wasn't going to put

863
00:51:41,520 --> 00:51:43,719
Speaker 1: it in the closet. I was gonna explore it. I

864
00:51:43,840 --> 00:51:46,720
Speaker 1: was gonna tell the world about it. And UH enjoyed

865
00:51:46,800 --> 00:51:48,399
Speaker 1: for the rest of my life. You know what I'm saying.

866
00:51:48,400 --> 00:51:51,200
Speaker 1: It was my god given right, just like anything else

867
00:51:51,280 --> 00:51:53,400
Speaker 1: that's put here on the earth. Ship. It came up

868
00:51:53,440 --> 00:51:55,120
Speaker 1: out the earth. I'm here to enjoy. Who in the

869
00:51:55,200 --> 00:51:58,719
Speaker 1: hell is Yes? It did? That should grow down there metal.

870
00:51:58,760 --> 00:52:03,719
Speaker 1: You ain't my head hurt? This should just here you

871
00:52:04,000 --> 00:52:06,320
Speaker 1: God damn it. You don't know about the Copra plant? No,

872
00:52:07,480 --> 00:52:11,960
Speaker 1: not no google it? Okay, anybody here? Nobody cop pine

873
00:52:12,200 --> 00:52:17,320
Speaker 1: shit anybody? No, sir? You know what I know because

874
00:52:17,360 --> 00:52:19,800
Speaker 1: I am then bounced that I chose to learn about

875
00:52:19,840 --> 00:52:22,160
Speaker 1: this ship when I was fifteen and master this ship

876
00:52:22,440 --> 00:52:25,279
Speaker 1: so I would have perfect knowledge of exactly what the

877
00:52:25,400 --> 00:52:28,200
Speaker 1: funk I'm doing. You know what I'm saying. So I

878
00:52:28,280 --> 00:52:31,759
Speaker 1: would never be in russ hell. No, I'm about to

879
00:52:31,840 --> 00:52:34,600
Speaker 1: get a nigga bucket. I ain't giving a fuck. You

880
00:52:34,640 --> 00:52:38,600
Speaker 1: know what I'm saying. You know what I'm saying. Yeah,

881
00:52:38,680 --> 00:52:40,920
Speaker 1: you wanted to tell me an about this is all

882
00:52:40,920 --> 00:52:45,640
Speaker 1: about ship was twenty years old. Yeah, just telling people

883
00:52:45,640 --> 00:52:49,560
Speaker 1: about the ship and now it's a secret. No, there

884
00:52:49,560 --> 00:52:54,120
Speaker 1: ain't no secret. So that I'm like, you're so glad

885
00:52:54,200 --> 00:52:58,440
Speaker 1: that you don't iterated it. No, you didn't. The people

886
00:52:58,480 --> 00:53:01,319
Speaker 1: be telling me, Bro, you just don't know. You got me, bro.

887
00:53:01,760 --> 00:53:04,200
Speaker 1: You know what I'm saying. People bet her down bad.

888
00:53:04,360 --> 00:53:07,160
Speaker 1: You know what I'm saying. Yeah, you know what, People

889
00:53:07,239 --> 00:53:09,239
Speaker 1: be fucked up after. I don't think I can listen

890
00:53:09,320 --> 00:53:11,600
Speaker 1: to your music even if I was hound cocaine, because

891
00:53:11,600 --> 00:53:13,480
Speaker 1: I would want to know who are those people that

892
00:53:13,600 --> 00:53:16,200
Speaker 1: you name it in? No soon, man, we'll be going

893
00:53:16,239 --> 00:53:18,279
Speaker 1: all right there together. We won no you can come through.

894
00:53:18,320 --> 00:53:26,400
Speaker 1: We're gonna turn who damn Po? Who is PLO? Did

895
00:53:26,440 --> 00:53:32,959
Speaker 1: he say? I'm sorry, y'all? Mind said Carlos Miller won't

896
00:53:33,000 --> 00:53:36,480
Speaker 1: be stopping nigger. That's what he said. Carlos Miller. He said,

897
00:53:36,520 --> 00:53:39,120
Speaker 1: color Pie said, Calo Milber, you said, I think that's

898
00:53:39,160 --> 00:53:41,000
Speaker 1: what I thought. I heard it one song. You said,

899
00:53:41,040 --> 00:53:43,399
Speaker 1: they crowned Carlos Boss, but he didn't do it that much.

900
00:53:43,440 --> 00:53:47,440
Speaker 1: I like Calos Uh Coca crown Carlos Moss, that's one

901
00:53:47,440 --> 00:53:50,480
Speaker 1: of my brothers. He passed the white mine r I

902
00:53:50,640 --> 00:53:53,839
Speaker 1: p Calo mas Uh. Yeah, he didn't do it that much,

903
00:53:53,920 --> 00:53:58,960
Speaker 1: just on a special occasion. To Memi to frog from Blizzo,

904
00:53:59,239 --> 00:54:02,920
Speaker 1: there's my partner low, to Peter Paul flat then forget

905
00:54:02,960 --> 00:54:05,879
Speaker 1: you big out and big guys. White crown for my dog.

906
00:54:06,040 --> 00:54:09,080
Speaker 1: You know what I'm saying, Yeah, pervious powder deserved it.

907
00:54:09,480 --> 00:54:13,640
Speaker 1: Earnest p crown is dirty, my fellow punking kids things crown,

908
00:54:13,719 --> 00:54:16,600
Speaker 1: gangster wheeze and the hearing a tution, Crown on the

909
00:54:16,800 --> 00:54:23,000
Speaker 1: red count crown keep for the and pledge my nigga Felicia.

910
00:54:23,200 --> 00:54:25,759
Speaker 1: There's pleasure too. So that's or nine twice said, and

911
00:54:25,880 --> 00:54:29,040
Speaker 1: dead and j V crowned in the fence. You know

912
00:54:29,040 --> 00:54:31,440
Speaker 1: what I'm saying, That somebody else got snowing King's on

913
00:54:31,560 --> 00:54:34,520
Speaker 1: the l with crowns. That feels so well, Big Mark,

914
00:54:34,719 --> 00:54:37,520
Speaker 1: stay travel with some skar, Carlos p luck Ty like

915
00:54:37,680 --> 00:54:41,799
Speaker 1: jail through the Crown, dirty dude, only everything that I love,

916
00:54:42,280 --> 00:54:44,880
Speaker 1: and Coke Crown, Colos Moss because he didn't do it

917
00:54:45,000 --> 00:54:47,600
Speaker 1: that much, you know what I'm saying. Yeah, there's a

918
00:54:47,680 --> 00:54:49,600
Speaker 1: lot of them. You know what I'm saying. The Princial

919
00:54:49,680 --> 00:54:52,520
Speaker 1: Tea guys to be left him out, fucking crown on

920
00:54:52,680 --> 00:54:56,920
Speaker 1: little and Tony Crown was saying Tony Crown, Tona b

921
00:54:57,480 --> 00:54:59,920
Speaker 1: fixs for the Crown for the sneeze all night there.

922
00:55:00,000 --> 00:55:05,400
Speaker 1: But I got all of them in trouble. I didn't

923
00:55:05,400 --> 00:55:08,000
Speaker 1: know ship man. Look, I was just shouting the motherfucker out.

924
00:55:08,080 --> 00:55:10,680
Speaker 1: That shouldn't have been. I'm the ship. I my listen,

925
00:55:10,800 --> 00:55:13,120
Speaker 1: let me tell the motherfucker something. Ma, I'm grown a man.

926
00:55:13,160 --> 00:55:14,480
Speaker 1: I said, what the funk I want to say? Your

927
00:55:14,480 --> 00:55:16,600
Speaker 1: mothercker shouldn't been snoll the ship with me in the

928
00:55:16,680 --> 00:55:19,319
Speaker 1: studio we've been when I recording the motherfucker ship right there,

929
00:55:19,360 --> 00:55:21,239
Speaker 1: when I was riding the ship, and then the mother

930
00:55:21,480 --> 00:55:23,560
Speaker 1: Oh my god, damn man, you just put it out there,

931
00:55:23,560 --> 00:55:27,719
Speaker 1: and then you just told me about it. You just said, listen,

932
00:55:27,760 --> 00:55:29,560
Speaker 1: I ain't got nothing to have. My my dad had

933
00:55:29,640 --> 00:55:32,879
Speaker 1: told me earny age. I could do anything with him. Mine.

934
00:55:33,160 --> 00:55:35,239
Speaker 1: He told me, if I kill the motherfucker, might just

935
00:55:35,360 --> 00:55:37,320
Speaker 1: come home and tell him the truth. Mane When I

936
00:55:37,440 --> 00:55:39,840
Speaker 1: decided to start snow cocaine, Mine, I came home and

937
00:55:39,880 --> 00:55:42,400
Speaker 1: told my dad and he said, this is how you doing.

938
00:55:42,840 --> 00:55:44,800
Speaker 1: You know what I'm saying. You know ship? I was

939
00:55:44,960 --> 00:55:49,919
Speaker 1: doing this ship? Hey man, that's too rough a ship

940
00:55:50,960 --> 00:55:56,799
Speaker 1: ever sucked me up? You sucked me all the way up. Well,

941
00:55:57,080 --> 00:56:00,759
Speaker 1: I'm going on to snow cocaine for the rest of

942
00:56:01,000 --> 00:56:07,960
Speaker 1: my life. It made me feel real good at the

943
00:56:08,040 --> 00:56:15,439
Speaker 1: moment that I get it. It changed my life. As

944
00:56:15,560 --> 00:56:19,480
Speaker 1: I start to break down, the snow powder goes up

945
00:56:19,600 --> 00:56:24,520
Speaker 1: my nose to my brain blow in my mind. Just

946
00:56:24,680 --> 00:56:28,120
Speaker 1: a kid on the street at the age of fifteen.

947
00:56:28,760 --> 00:56:32,279
Speaker 1: In this PV Tennessee, I feel so deep in love

948
00:56:32,400 --> 00:56:37,720
Speaker 1: weird clean. I promise my heart to God that flower

949
00:56:37,719 --> 00:56:44,880
Speaker 1: will never stop snowing. Blow. Don't give a damn me

950
00:56:44,920 --> 00:56:50,680
Speaker 1: if everybody know, and I'm not gonna let it go,

951
00:56:51,200 --> 00:56:55,440
Speaker 1: So let me snow me some blow snowton with the

952
00:56:55,680 --> 00:57:03,080
Speaker 1: man in the mirror. So snowton the best cocaine, and

953
00:57:03,320 --> 00:57:07,320
Speaker 1: don't give a damn if you'll snow niggas. It's a

954
00:57:07,400 --> 00:57:09,879
Speaker 1: playing flat world. I'm gonna do my thing and my thing.

955
00:57:10,000 --> 00:57:16,280
Speaker 1: It's nothing in powder cold caine. An a lion, another lion,

956
00:57:16,640 --> 00:57:20,560
Speaker 1: A lion a lion' huh? Can I do the second

957
00:57:20,560 --> 00:57:25,280
Speaker 1: bird here? Addicted to that? Does they say I blow

958
00:57:25,400 --> 00:57:30,600
Speaker 1: too much? I say that I'm living life. I never

959
00:57:30,760 --> 00:57:34,080
Speaker 1: broke and no one's home. I never needed a loan.

960
00:57:34,680 --> 00:57:38,200
Speaker 1: I keep it, geeve, it would be me pretending that. Please,

961
00:57:38,360 --> 00:57:43,520
Speaker 1: I don't blow. But when I hit that star, I'm

962
00:57:43,680 --> 00:57:50,560
Speaker 1: higher than the stars. Well you can't see. I feel

963
00:57:50,640 --> 00:57:54,880
Speaker 1: like my God made it just for me and fly.

964
00:57:55,560 --> 00:57:59,560
Speaker 1: Don't care what you think. That's why I'm snowting with me,

965
00:58:00,800 --> 00:58:06,120
Speaker 1: s notting with the man in the middle. Don't you

966
00:58:06,280 --> 00:58:11,360
Speaker 1: know the best cocaine? And don't give a damn me

967
00:58:11,360 --> 00:58:14,840
Speaker 1: if you snow niggle. It's a play up plow world.

968
00:58:14,840 --> 00:58:16,800
Speaker 1: I'm gonna do my thing and my thing. It's not

969
00:58:16,960 --> 00:58:19,240
Speaker 1: in the powder coat cane. I give a funk like

970
00:58:19,520 --> 00:58:21,760
Speaker 1: I'm gonna do it for life. You know, blow your mind,

971
00:58:21,960 --> 00:58:27,520
Speaker 1: my wife, that mighty white cocaine that mine My nose

972
00:58:27,600 --> 00:58:45,040
Speaker 1: is st and left your slow now shut. I said,

973
00:58:45,320 --> 00:58:50,320
Speaker 1: I'm going no cocaine, cocaine and make it feel real good.

974
00:58:51,000 --> 00:58:55,240
Speaker 1: Oh cod game, I love a start a boy myself

975
00:58:55,840 --> 00:59:00,000
Speaker 1: to know it, you got to snowt it. You'll see

976
00:59:00,040 --> 00:59:06,000
Speaker 1: help brother. No code cane every day, Oh day code

977
00:59:06,080 --> 00:59:09,480
Speaker 1: cane with the man in the mirror. That's what you

978
00:59:09,720 --> 00:59:14,560
Speaker 1: know it hormoning, Yeah, only humblowing. All right, I'm gonna

979
00:59:14,560 --> 00:59:20,760
Speaker 1: stop down for real, all right. Yeah, it's a lonesome

980
00:59:20,800 --> 00:59:24,040
Speaker 1: boy and corn and kingo funking town. It's me to

981
00:59:24,240 --> 00:59:28,360
Speaker 1: the capital seat. Oh n I n K I n G.

982
00:59:28,840 --> 00:59:33,680
Speaker 1: Yeah I know that. Yeah. And if I ever knocked

983
00:59:33,680 --> 00:59:35,200
Speaker 1: you for a bit, you ain't gotta worry about me

984
00:59:35,200 --> 00:59:36,959
Speaker 1: trying to put on this ship. You know what I'm saying.

985
00:59:37,040 --> 00:59:39,400
Speaker 1: I like this by myself. I'm just saying, you ain't

986
00:59:39,400 --> 00:59:41,640
Speaker 1: gotta worry about coming home with no bad having trust me,

987
00:59:43,240 --> 00:59:46,200
Speaker 1: chicken smoking dough, he's to beat. But the beach case stop.

988
00:59:46,680 --> 00:59:48,000
Speaker 1: You know what I'm saying, ship will be You know

989
00:59:48,040 --> 00:59:52,680
Speaker 1: what you tell I'll tell you, Okay, I want to

990
00:59:52,680 --> 01:00:00,840
Speaker 1: tell you, but let me in the weeks. Are we

991
01:00:00,960 --> 01:00:04,640
Speaker 1: talking to all these constituents that you him gathered? You

992
01:00:04,720 --> 01:00:07,400
Speaker 1: know these viewers mane and we're sold motherfucker. Proud of

993
01:00:07,440 --> 01:00:11,440
Speaker 1: you man. Get another round, please, Well, the motherfucker, carl

994
01:00:12,120 --> 01:00:14,400
Speaker 1: the motherfucker ain't the last South of y'all last. Let

995
01:00:14,440 --> 01:00:18,120
Speaker 1: me just play a few things up there. Hey, what's

996
01:00:18,200 --> 01:00:21,000
Speaker 1: up you man, Carlos Miller of the eighty five South Show,

997
01:00:21,040 --> 01:00:23,240
Speaker 1: And I appreciate you checking out my guests. Oh we're

998
01:00:23,280 --> 01:00:25,640
Speaker 1: not through yet. Click the link so you can check

999
01:00:25,680 --> 01:00:28,200
Speaker 1: out part two of this interview with my special guests.

1000
01:00:28,280 --> 01:00:30,600
Speaker 1: That's right, click that link. Part two