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Speaker 1: Okay, hey man, he's in my face.

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Speaker 2: I'll get it.

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Speaker 3: Don't matter if you win by an inchra mark winning.

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Speaker 3: I don't have friends.

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Speaker 2: O room, room man.

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Speaker 3: Welcome to Fast Friends, presented by the NBA.

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Speaker 2: That's game.

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Speaker 3: We're back to continue our summer podcast series of breaking

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Speaker 3: down every film from the Fast and Furious franchise seen

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Speaker 3: by seeing car by car. Today's jem. It's the sixth

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Speaker 3: movie in the franchise, Fast and Furious six, though I've

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Speaker 3: also seen it called Fast six in some places, also

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Speaker 3: seen it called Furious six in other places, but anyway,

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Speaker 3: it's Fast and Furious six. I'm still Jay Eastkeats here

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Speaker 3: with our f F expert Trey Kirby. What's up TK?

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Speaker 3: Hey hey? And of course we got our super producer,

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Speaker 3: who's uh I think enjoying this weird series we decided

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Speaker 3: to do throughout the summer. It's JD.

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Speaker 2: Hello, I am enjoying it.

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Speaker 1: Yeah.

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Speaker 3: I didn't want to put words into your mouth, but

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Speaker 3: you know, peel back the curtain. Right before recording, JD

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Speaker 3: was like, you know, we're just over halfway through this thing.

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Speaker 3: Well baby, oh yeah, man, there's a lot still to go, amazingly,

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Speaker 3: but we are at Fast and Furious six, So let's

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Speaker 3: focus on that. It was released in May twenty thirteen,

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Speaker 3: budget anywhere between one hundred and sixty million and two

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Speaker 3: hundred and sixty million. What we don't have a more

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Speaker 3: detailed breakdown how much this movie cost one hundred million

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Speaker 3: difference I won sixty two to sixty million on somewhere

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Speaker 3: in there. Anyway, box office did pretty good seven hundred

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Speaker 3: and eighty eight million worldwide. Yeah, that's pretty sure. That's

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Speaker 3: the highest to date. Here. As we make our way

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Speaker 3: through these the skinny Hobbes that's the Rock, remember him?

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Speaker 3: Has Dom, that's been Diesel and Brian Paul Walker reassemble

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Speaker 3: their crew to take down a team of mercenaries. Dom

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Speaker 3: unexpectedly gets sidetracked with facing his presumed deceased girl, Letty

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Speaker 3: Sweaty Letty recall her hero. Ah, yeah, we'll get to

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Speaker 3: the whole of this stars of course, Vin, Diesel, Paul Walker,

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Speaker 3: the Rock. I mean, I don't even need to say

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Speaker 3: this anymore. Everybody's in this again, directed once again by

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Speaker 3: Justin Lynn. This is the last time here on his

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Speaker 3: little run that he's going to direct these movies. With

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Speaker 3: f F six, we always start the pod here on

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Speaker 3: Fast Friends by asking our expert TK, what do you remembers?

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Speaker 3: Take us back to twenty thirteen. You were hyped about

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Speaker 3: Fast five, you were back in theaters watching that. What

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Speaker 3: about this one? Twenty thirteen? Skeets. This was the first.

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Speaker 1: Time since Fast one that I felt my life echoed

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Speaker 1: in a Fast and Furious movie back in two thousand

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Speaker 1: and one. For the first one, it was just all

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Speaker 1: doing burnouts afterwards, you know, I just wanted to drive

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Speaker 1: my car fast. But for Fast six, I felt like

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Speaker 1: I pulled in FNF in a new country with a

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Speaker 1: new cast.

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Speaker 3: It was me, Nate and Steische seeing this in Toronto.

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Speaker 3: And I'm pretty.

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Speaker 1: Sure it was at the Cineplex at Young and Dundask,

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Speaker 1: but it could have been at Scotia Bank on King Stream.

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Speaker 1: I know we saw Jack Reacher there, but did we

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Speaker 1: see Fast six there? I think it was up at

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Speaker 1: Young and Dundask. Okay, it was a daytime viewing, you know,

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Speaker 1: we hit the NOSP beforehand. It made some of the

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Speaker 1: extreme parts extra funny, but a great bonding moment. I

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Speaker 1: watched Fast and Furious originally with my high school friends.

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Speaker 1: It was a big part of my friend my college

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Speaker 1: friend's life and our relationships. Now, watching it with some

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Speaker 1: new friends in a new city, I'm like Don Toretto

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Speaker 1: out here. My family just keeps getting bigger.

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Speaker 3: It's incredible. Oh what a yeah you had recently?

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Speaker 2: You know?

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Speaker 3: I guess he's been there a little bit. Yeah, up

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Speaker 3: in Toronto. We weren't staying long after that. We were

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Speaker 3: leaving soon after that to come down here to Atlanta. Okay, JD,

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Speaker 3: did you see this one in theaters if you can remember?

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Speaker 3: Or is this a first I'll watch for you.

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Speaker 2: Definitely not in the theaters. I haven't seen any of

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Speaker 2: these in the theater. Okay, I've definitely seen I'm pretty yeah,

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Speaker 2: I did see this one, Okay, but just on probably

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Speaker 2: HBO or something like that.

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Speaker 3: We usually go seen by scene and we're going to

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Speaker 3: but I'm actually calling an audible here and just asking

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Speaker 3: a question to you, JD. Right away. What is the

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Speaker 3: most unbelievably stupid, fucking stunt in this movie? Just tell

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Speaker 3: me right now. We'll eventually get to it throughout the movie.

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Speaker 3: But which of the many stunts in this movie did

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Speaker 3: you go, calm the fuck? Are you kidding me? Which

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Speaker 3: one did it to you?

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Speaker 2: I mean, you know, there are so many. It's an

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Speaker 2: embarrassment of riches, of hilariously implausible stunts. I mean it's

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Speaker 2: bit the rock jumping on the race car, the ramp

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Speaker 2: car right and then getting flipped off of it, you know,

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Speaker 2: going through the arm thing that comes down in a

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Speaker 2: parking lot and then rolling perfectly and landing just like

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Speaker 2: you know, and getting pop pop pop shots off with

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Speaker 2: his forty four or whatever. I mean, that one made

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Speaker 2: me lol, Like I was just like, what come on?

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Speaker 2: So it's between that and Vin Diesel catching Letty midair

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Speaker 2: and she's launched from the tank and then you know

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Speaker 2: lands you know, is the luckily that car was there

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Speaker 2: to break his fall break his fall. I mean, I

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Speaker 2: gotta go with the rock because I it did make

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Speaker 2: me laugh out loud and go. But it was amazing, love,

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Speaker 2: I loved it. I was just like, yes, this is awesome.

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Speaker 2: The other one was, you know, the it was like

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Speaker 2: the climax when I thought the movie was old, well

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Speaker 2: the first climb.

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Speaker 3: Or sure we got we got a second one later on.

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Speaker 3: Don't you worry? You know you thought it was cool

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Speaker 3: a tank coming out of a truck. Where do you

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Speaker 3: see a car comount of a plane. Later in the

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Speaker 3: same movie.

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Speaker 1: Uh. Yeah. The contender I would have for hilarious moment

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Speaker 1: is late in the movie there's a fight and Dom

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Speaker 1: does like a flying head butt. Yes, oh yeah, it

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Speaker 1: looks like Crouching Tiger, Hidden Dragon. The man has a

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Speaker 1: forty eight inch vertical and its just like all Vin

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Speaker 1: Diesel's face coming at the street. Oh man, those three

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Speaker 1: scenes like that makes the movie to me, because, like

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Speaker 1: you're saying, JD, at this point, realism is out the window.

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Speaker 1: We're just going for the biggest stunts we can possibly pull,

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Speaker 1: and they all come off hilarious.

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Speaker 3: Yeah. I have to go with the Dom timing it

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Speaker 3: perfectly to catch Letty who's been you know, uh catapulted

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Speaker 3: off a tank uh and then landing on a on

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Speaker 3: a car windshield like it was like a bouncy castle

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Speaker 3: to the point where they actually like circle back to

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Speaker 3: it and let He says, how did you know that

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Speaker 3: car was going to be there? And like, your back

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Speaker 3: isn't broken, you didn't go through the windshield, let alone

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Speaker 3: flying and then catching her, Uh that was insane.

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Speaker 2: And his T shirt is pristine okay, like no rips, no, no,

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Speaker 2: not a scuff on it, like you know, I mean,

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Speaker 2: I mean even Superman when he's bouncing bullets off, you know,

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Speaker 2: there's some marks, you know, at least something, you know,

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Speaker 2: like but nothing, don Torotto. He's he is, he is

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Speaker 2: Superman at this point he literally flies. Also, how did

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Speaker 2: he know that she was going to be launched from

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Speaker 2: the tank, like just speculations.

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Speaker 3: Since her momentum shifting on the tank and the Jedi

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Speaker 3: crash about to happen. Yeah, no, it's well. And then

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Speaker 3: back to the one you said with the rock. That

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Speaker 3: one is funny, where you know, he incredibly lands on

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Speaker 3: the vehicle or jeep or whatever the heck it is,

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Speaker 3: or jumping from an insane height. That's okay, but then

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Speaker 3: gets taken out by the what did you call it,

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Speaker 3: like the parking arm? Yeah, the parking arm. Going back to Toronto.

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Speaker 3: That was like Matt Austin when he got taken out

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Speaker 3: by a parking arm had a concussion from it. Is

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Speaker 3: that my building? Trying to beat it? I don't know

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Speaker 3: why he was trying to beat it. He was on

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Speaker 3: a bike, like a bicycle on a motorbike, and yeah,

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Speaker 3: that thing clocked him in the head. He wasn't doing

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Speaker 3: that well that day.

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Speaker 2: But my read on the rock was that he didn't

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Speaker 2: want a concussion, so he leapt over it. Yeah what

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Speaker 2: I mean like it was on purpose. But still, so.

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Speaker 3: What do you mean are you saying Matt Austin, who

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Speaker 3: had on for Fast five, is actually somehow part of

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Speaker 3: the Fast verse, like he's cannon the rock. Hobbs is like, oh,

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Speaker 3: I'd better watch out for this parking arm because.

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Speaker 2: I don't want to be asleep for the rest of

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Speaker 2: this movie. So better that's all right.

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Speaker 3: All right, Yeah, let's get into it then scene by

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Speaker 3: scene here. It's a long movie. I know. The last

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Speaker 3: podcast we did with Mattio when extremely long. We were

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Speaker 3: setting records with that one. So I'll try my best

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Speaker 3: to keep us going. You guys, of course, are jumping

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Speaker 3: in whenever you want. I know, I'll bring up questions

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Speaker 3: as we move through this. So this movie starts following

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Speaker 3: the team's successful heist in Brazil. This is my favorite

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Speaker 3: part of these movies, how they just like keep bleeding

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Speaker 3: from one movie into the other. I sort of actually

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Speaker 3: enjoy that. And we then get this again at the

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Speaker 3: end of this movie with Han and going you know,

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Speaker 3: sort of back in time, but you know, with the

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Speaker 3: whole Tokyo drift. Anyway, Dom and his professional criminal crew

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Speaker 3: they fled after the heist. We knew that. Around the world.

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Speaker 3: They're living fine. Everybody's doing pretty good. Dom lives with

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Speaker 3: former Brazilian cop Alena. Yeah, don't see a whole lot

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Speaker 3: from her in this movie, but she's there. So he's

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Speaker 3: with her, his sister, Dom sister Mia live with Brian

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Speaker 3: and their new son. That comes very early in this movie. Jack,

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Speaker 3: So they had a baby. Awesome, we knew they were pregnant.

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Speaker 3: That makes all sense. Giselle and Han, you know, they're

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Speaker 3: romances budding. They're together. And then Roman Pierce and Tesh

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Speaker 3: Parker who are Tyresee and Ludacris if you keep the

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Speaker 3: track here. They're living in luxury too. They're doing their

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Speaker 3: own thing. Roman I think, is spending his money a

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Speaker 3: lot more than Tej's. Ted is doing the old you know,

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Speaker 3: taking money to make more money it looks like. But

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Speaker 3: he's also he's like Robinhood too with what he's doing

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Speaker 3: with it, giving back to the people. So yeah, we

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Speaker 3: get into this. We get these, We get these, like

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Speaker 3: I thought, we're pretty cool. Credits montage of the first

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Speaker 3: five movies there was even a quick vincent there if

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Speaker 3: you saw him though he's gone. What did you think

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Speaker 3: of the start, Trey you get us going with this one?

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Speaker 3: All of that where they are in the world, the credits,

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Speaker 3: the whole start of this movie.

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Speaker 1: Well, I love it when they go right into a

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Speaker 1: race and skeets. I mentioned it recently. Did you see

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Speaker 1: Brian's black vans? One of the first things you see

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Speaker 1: on screen in this you see his feet before you

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Speaker 1: see any other part of his body, And every one

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Speaker 1: of these movies, I think I thought that was pretty funny.

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Speaker 1: I also do like the Fast montage. Like you mentioned,

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Speaker 1: They've got basically everything in there. They've got a shot

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Speaker 1: of Dom coming out from underneath a car from Los Bandaleros.

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Speaker 1: They had Stosniak in there. I was like, why in

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Speaker 1: the world would they put this guy in there? That's

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Speaker 1: a foreshadowing for later, which I thought was hilarious. And

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Speaker 1: I also liked the idea that, I mean, Brian knows

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Speaker 1: Mia is pregnant. They've been living, you know, on the

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Speaker 1: run together for a while now, though, as we find

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Speaker 1: out very soon after, this is only a week after

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Speaker 1: the events of Fast five. To me, not the right

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Speaker 1: time to be going on a street race, you know.

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Speaker 1: I mean, it seems like Mia maybe in labor while

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Speaker 1: he's out there trying to blow off some steam. I

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Speaker 1: remember when, you know, we were going through the birth

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Speaker 1: of our children and Laura was in the hospital. She

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Speaker 1: sent me out to get some Jimmy Johnson. Maybe it's

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Speaker 1: a similar sort of thing. Hey, Brian, why aren't you

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Speaker 1: and Dom just still race through the mountains real quick?

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Speaker 2: There?

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Speaker 1: But he makes it back just in time and takes

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Speaker 1: the win over Dom as well, And they don't really

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Speaker 1: talk about that at all. You know, there's been a

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Speaker 1: lot of chatter in this movie about Brian, or in

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Speaker 1: this franchise about Brian never being able to beat Dom

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Speaker 1: in a street race. He clearly beats him here, Who cares?

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Speaker 3: Who cares? I have a baby?

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Speaker 1: Which fair enough, but still he probably should have rubbed

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Speaker 1: it in his face a.

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Speaker 3: Little bit there. Yeah, And like with this whole baby

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Speaker 3: scene to get us going here, why does Dom know

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Speaker 3: what it's like to be a dad?

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Speaker 2: What does he know?

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Speaker 3: I know, he's always like family, family, family. You don't know,

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Speaker 3: I don't pretend to know. You guys have kids. I'm

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Speaker 3: not telling you had a parent, And like he like

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Speaker 3: says something that makes him sound like, well he's had kids.

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Speaker 3: This guy knows you haven't, so you don't really know.

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Speaker 2: Oh that just adds a whole new level of insufferable

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Speaker 2: to Dom's character. Really, because I I wrote down in

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Speaker 2: my notes, Dom is insufferable, Like just let the guy

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Speaker 2: go have his baby. It started off okay, it's like, hey, man,

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Speaker 2: good luck, buddy, good luck in there. And then oh wait,

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Speaker 2: once you walk through that door, everything's gonna change. It's

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Speaker 2: all about family whatever he says. Yeah, it's just like, yeah, man,

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Speaker 2: I know. And it's as if as if like I

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Speaker 2: could change my mind at this point as well. Right,

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Speaker 2: it's just like, well, I guess I couldn't. I could

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Speaker 2: decide not to walk through the door, and then I

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Speaker 2: can just leave, I suppose. But you're already there. Just

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Speaker 2: you don't have to say that. It's stressful enough. Trust me,

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Speaker 2: it's stressful enough having a baby. You don't need to

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Speaker 2: be told the seconds before your child arrives. Everything's gonna

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Speaker 2: change now, buddy. Yeah, especially from a guy that doesn't

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Speaker 2: have a kid.

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Speaker 3: Unless we're gonna learn in the next couple of movies

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Speaker 3: that Dom has a kid. I wouldn't. I wouldn't put

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Speaker 3: it past this franchise. But we don't know that right now,

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Speaker 3: and so that really bugged me. It's like that would

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Speaker 3: have been like me telling you guys right before you

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Speaker 3: walked into delivery room, Oh hey guys, everything's gonna change.

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Speaker 3: Well yeah, no shit, Sherlock, I'm having a baby. And

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Speaker 3: what the fuck do you know about it? You don't

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Speaker 3: know anything, so like these words are meaningless anyway. That

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Speaker 3: bugged me. I know what bug Nora too. She's like,

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Speaker 3: he's not a dad. I'm like, no, he's not. He's not.

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Speaker 3: He just talks about family incessantly, but he is not

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Speaker 3: a father.

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Speaker 1: Again, do you think there are like so many scenes

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Speaker 1: on the cutting room floor of Dom giving parental advice,

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Speaker 1: and eventually Brian's like, Dom, man, like, we're not your

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Speaker 1: actual children. You know, we're all the same age here probably,

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Speaker 1: So yeah, what's he supposed to be? You think Brian

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Speaker 1: had thought about responding, Yeah, and you abandoned your son

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Speaker 1: dance for me? How am I supposed to trust you? Yeah?

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Speaker 3: Not taking your advice? I mean, well, if you got

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Speaker 3: a cool toy car for our boy Jack, Okay, well

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Speaker 3: that's fine, thank you. For the gift, but uh, don't

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Speaker 3: need your parental advice. Okay. So yeah, that's the opening

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Speaker 3: and anything with uh, you know, JD with how we

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Speaker 3: see these people living. All the crew are our friends.

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Speaker 2: Yeah, delighted to see they're all enjoying themselves. A little

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Speaker 2: concerned about Roman living beyond his needs because very I mean,

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Speaker 2: I don't think that ten million dollars is gonna that's

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Speaker 2: a weekend. What he's describing is all of his money gone.

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Speaker 2: He's on a private jet. He's going to Monaco or wherever,

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Speaker 2: staying in the luxury suite over with you know, with

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Speaker 2: all those girls and stuff. Not to mention the car

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Speaker 2: that he bought the week before, you know, like that

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Speaker 2: money is gone, right, like it has to be.

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Speaker 3: Yeah, well yeah the plane is personalized too, He's not

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Speaker 3: he's not even renting it. In theory, he bought this

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Speaker 3: because it says it's Roman bitches on the side of it.

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Speaker 3: A fascinating thing to put on it, especially when you

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Speaker 3: are on the run.

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Speaker 2: Yeah, great point.

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Speaker 1: If you're the FBI, you're like, yeah, we're looking for

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Speaker 1: a plane. It's gonna be the only one on earth

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Speaker 1: that says it's Roman bitches. So just look at every airport,

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Speaker 1: just wait till they land. Yeah, yeah, yeah, I mean

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Speaker 1: not intognito. If anything, him getting like called back, so

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Speaker 1: to speak, saved him a lot of money, right jad,

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Speaker 1: because that was gonna be all blown in Monte Carlo,

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Speaker 1: whatever was left, because it all it looked like he

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Speaker 1: spent a lot of it. Yeah, and try the same

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Speaker 1: question for you. You know, just these the quick shots of

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Speaker 1: where they are in the world and what they're up to.

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Speaker 3: Yeah, it was fine.

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Speaker 1: I guess I was reading some commentary stuff where they

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Speaker 1: didn't think they were gonna have enough time or money

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Speaker 1: to be able to film the montage. But justin Lynn

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Speaker 1: is basically like, we got to have some sort of montage.

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Speaker 1: And you know, you mentioned the budget skeets. If it

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Speaker 1: was one sixty, I guess they didn't have time for

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Speaker 1: the montage. If it was to sixty, maybe they would have.

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Speaker 1: I love when they just try and give you a

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Speaker 1: little nod to continuity and they're like, what about Leo

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Speaker 1: and Santos. Apparently there last time anybody saw him, they

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Speaker 1: were in a casino. Yeah, I remember that, but it

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Speaker 1: was the last scene of the movie. That was the

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Speaker 1: last time we saw him. But Yeah, anytime you're getting

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Speaker 1: the team back together, I'm all for it.

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Speaker 2: Yeah.

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Speaker 3: One thing you can't say about Justin Lynn JD Is

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Speaker 3: that he's like cheap or cuts corners when it comes

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Speaker 3: to the production budget, and this guy goes all in,

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Speaker 3: like we're gonna blow up five hundred cars, We're gonna

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Speaker 3: be all over the world. Yeah. Maybe that's why they

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Speaker 3: eventually moved on from him.

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Speaker 2: I don't know.

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Speaker 3: Maybe they were like, all right, man, like it's getting

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Speaker 3: too rich for our blood. Though he's making him a

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Speaker 3: ton of money.

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Speaker 2: I think if he had decided to continue, I'm sure

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Speaker 2: he would have been able to. I read that it

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Speaker 2: was it was a plan trilogy. It was Fast, Fast,

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Speaker 2: and Furious and then Fast five and Furious six, and

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Speaker 2: that was gonna be the trigy that happens in between

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Speaker 2: the Too Fast, Too Furious and Tokyo dress.

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Speaker 1: Right.

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Speaker 2: So, but yeah, when you make over a half a

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Speaker 2: billion dollars on your previous film, they give you a

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Speaker 2: blank check. Agains right and fair enough. I mean, I'm

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Speaker 2: definitely seeing it all on the screen, you know.

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Speaker 3: Yeah, Yeah, it's not going to the craft table, or

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Speaker 3: maybe it is, but it's on screen too. Yeah, Meanwhile,

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Speaker 3: we got DSS agents Luke Hobbs, and oh we got

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Speaker 3: a new character to the fast diverse, Riley Hicks. I

355
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Speaker 3: think her name is that's gonna be hobbs right hand

356
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Speaker 3: woman in this they're investigating the destruction of a Russian

357
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Speaker 3: military convoy by a crew led by a former Special

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Speaker 3: Ops soldier named Owen Shaw. What do you think of

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Speaker 3: Riley being added to the mix here? TK? And then

360
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Speaker 3: we'll get of course to Owen Shaw, who is the

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Speaker 3: villain of this of this one.

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Speaker 1: I'm not the biggest Riley Hicks fan. I think Gina

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Speaker 1: Carrano is the actor who plays her, and a little

364
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Speaker 1: bit of a wooden performance, but I think she really

365
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Speaker 1: kills it when she gets into the fist fights with

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Speaker 1: Letty a little bit later on. And you know, that's

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Speaker 1: probably the entire point of the having her in the movie,

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Speaker 1: is to be able to have that sort of you know,

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Speaker 1: physical action between those two actors.

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Speaker 3: So that part works for me.

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Speaker 1: But her as a character, I mean, she's thrown in

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Speaker 1: there basically somebody's got to be the mole, and she

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Speaker 1: ends up being the mole the you know, spoiler alert,

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Speaker 1: but that's exactly what it is. You cannot trust the

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Speaker 1: cop in this world unless it's Bilkins. Bilkins is fine.

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Speaker 1: Any other cop guaranteed they're going to be corrupted held

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Speaker 1: up again here. But you know, she was a little

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Speaker 1: bit inessential, I think except for that Hobbes needs a

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Speaker 1: number two kind.

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Speaker 3: Of yes, yes, that's right, which she also basically played

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Speaker 3: in The Mandalorian JD if I have that right though,

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Speaker 3: I think she uh, I forget what I don't. We

383
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Speaker 3: don't even need to get into it. Something happened with

384
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Speaker 3: her definitely in Hollywood where she feels like she's being blacklisted. Now,

385
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Speaker 3: I think that's the story. But Owen Shaw, I thought

386
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Speaker 3: it was Jude Law when we first saw him on camera.

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Speaker 3: Who oh the way. I don't know why we were

388
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Speaker 3: had the lighting in the house while watching this one,

389
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Speaker 3: maybe too many lights on, but I thought it was

390
00:20:07,160 --> 00:20:08,919
Speaker 3: Jude Law. It's not. I don't I don't even know

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Speaker 3: the actor's name. But I really like him actually as

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Speaker 3: the villain in this What do you think of Owen

393
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Speaker 3: Shaw as the villain GD?

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Speaker 2: I thought he was great, He's awesome. I love I

395
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Speaker 2: love the the codes right like you got a code,

396
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Speaker 2: I got a code, and my code is more Maccabellian

397
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Speaker 2: than yours, or my code is brutal and ruthless, and

398
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Speaker 2: I stick to my code, and you stick to your code,

399
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Speaker 2: which is your your weakness, which is your family. I

400
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Speaker 2: love that matchup between the two the protagonists and the antagonist.

401
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Speaker 2: And I thought he was a menacing and the fact

402
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Speaker 2: that he just doesn't give a shit makes him scary.

403
00:20:48,119 --> 00:20:50,719
Speaker 2: It's like the Joker thing where it's just like, I

404
00:20:50,840 --> 00:20:53,399
Speaker 2: like chaos and that's it. That's my only motivation is

405
00:20:53,440 --> 00:20:55,520
Speaker 2: that I just want to see the world burn. And

406
00:20:55,560 --> 00:20:57,239
Speaker 2: he's kind of like that in a way. You know,

407
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Speaker 2: he's motivated by money and power obviously, but doesn't care

408
00:21:01,480 --> 00:21:07,120
Speaker 2: who he steps on, whether it's his new sidekick who

409
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Speaker 2: has amnesia or a guy that's been working with him

410
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Speaker 2: for years. He'll just he'll cut you loose if he

411
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Speaker 2: needs to. And I love that in a villain.

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Speaker 3: Yeah. I think what was smart with him going with

413
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Speaker 3: Owenshaw here, like again the special Ops soldier who's like

414
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Speaker 3: brilliant sort of like is always like ten steps ahead

415
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Speaker 3: of everyone. Is that In Fast five we Go, Dom's

416
00:21:26,200 --> 00:21:29,240
Speaker 3: counter is Hobbes the Rock. So they just went like

417
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Speaker 3: they took Dom and they just like pumped him up

418
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Speaker 3: and he's like a super charge, like way bigger. You know,

419
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Speaker 3: we talked about whether that worked or not, sort of

420
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Speaker 3: like counter again to dom in Fast five. But you

421
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Speaker 3: couldn't do that again, you know, you couldn't just make

422
00:21:43,160 --> 00:21:49,920
Speaker 3: a bigger, badder, faster, I guess, more furious villain for six.

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Speaker 3: So they sort of like they flipped it on his

424
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Speaker 3: head and went with like the really like the brainiac,

425
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Speaker 3: though he's ruthless too, and I agree with that, Jade.

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Speaker 3: Then they went with that that he's just like he's

427
00:21:58,440 --> 00:22:01,200
Speaker 3: just smarter than everybody, and I thought that worked. Trey,

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00:22:01,200 --> 00:22:01,960
Speaker 3: I don't if you agree.

429
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Speaker 1: I think he's a great villain, and like you're saying, JD,

430
00:22:04,359 --> 00:22:06,840
Speaker 1: I think he is the most menacing villain we've seen

431
00:22:06,880 --> 00:22:10,200
Speaker 1: so far. Like he's got awesome tech, he's got really

432
00:22:10,280 --> 00:22:13,959
Speaker 1: cool cars, he's got actual plans. He's using trickery, like

433
00:22:14,040 --> 00:22:17,600
Speaker 1: he actually hands the Fast crew a loss very early

434
00:22:17,640 --> 00:22:19,760
Speaker 1: in this movie. You don't see that happening very often.

435
00:22:20,400 --> 00:22:23,080
Speaker 1: He's a great villain to me. And I also like

436
00:22:23,200 --> 00:22:25,600
Speaker 1: the fact that you know, there's a line I think

437
00:22:25,640 --> 00:22:28,160
Speaker 1: Bryan says it at some point where he's like we're

438
00:22:28,160 --> 00:22:31,600
Speaker 1: not chasing drivers, We're not chasing drug dealers. You know,

439
00:22:31,640 --> 00:22:33,359
Speaker 1: they're really setting the scene like this is going to

440
00:22:33,400 --> 00:22:34,920
Speaker 1: be a little bit different here. This is going to

441
00:22:34,960 --> 00:22:37,280
Speaker 1: go to the next level. And honestly, like, you can't

442
00:22:37,320 --> 00:22:39,600
Speaker 1: just have a guy be an international drug dealer and

443
00:22:39,680 --> 00:22:42,920
Speaker 1: then suddenly he's commandeering a tank and a plane. He's

444
00:22:42,920 --> 00:22:45,199
Speaker 1: got to be a guy who's like really connected to

445
00:22:45,240 --> 00:22:49,280
Speaker 1: the government and to you know, military institutions and really

446
00:22:49,359 --> 00:22:52,960
Speaker 1: just wants to destroy stuff rather than try and make

447
00:22:53,000 --> 00:22:55,120
Speaker 1: his money. So I thought it was a great change,

448
00:22:55,119 --> 00:22:56,600
Speaker 1: and I thought it's a great way to take the

449
00:22:56,800 --> 00:22:59,280
Speaker 1: series to the next level, you know, to elevate it

450
00:22:59,280 --> 00:23:02,760
Speaker 1: from just sort of heists to the world basically.

451
00:23:02,840 --> 00:23:05,440
Speaker 3: Yeah, yeah, it would have been a great if if

452
00:23:05,440 --> 00:23:08,320
Speaker 3: Brian O'Connor had a line in here, like, hey, guys,

453
00:23:08,359 --> 00:23:10,880
Speaker 3: we are not just dealing with a drug lord that's

454
00:23:10,920 --> 00:23:14,639
Speaker 3: got a lot of pockets and where skeptics are this

455
00:23:14,760 --> 00:23:18,320
Speaker 3: shot guy, he's next level. The ante has been upped.

456
00:23:18,920 --> 00:23:21,680
Speaker 3: So yeah, I guess I think Hobbes says at one point,

457
00:23:21,760 --> 00:23:25,000
Speaker 3: or maybe it's it's Hicks, like they're chasing these guys

458
00:23:25,040 --> 00:23:26,840
Speaker 3: all around the world. I think they say like twelve

459
00:23:26,920 --> 00:23:30,480
Speaker 3: countries that they've been trying to like track down Shaw

460
00:23:30,680 --> 00:23:32,520
Speaker 3: and his team here with what they're up to, and

461
00:23:32,520 --> 00:23:35,760
Speaker 3: they're trying to figure it out. So so Hobbes persuades

462
00:23:35,840 --> 00:23:40,359
Speaker 3: Dom goes and visits him to help capture Shop. And

463
00:23:40,640 --> 00:23:44,320
Speaker 3: he does this by showing Dom a photo of his

464
00:23:44,520 --> 00:23:50,040
Speaker 3: supposedly murdered girl I saw in Wikipedia, said wife, and

465
00:23:50,080 --> 00:23:52,800
Speaker 3: I was like, hold on, domin Letty got married. I

466
00:23:52,840 --> 00:23:55,240
Speaker 3: was like, that can't be right, said wife. I might

467
00:23:55,280 --> 00:23:57,280
Speaker 3: have to put a correction in because I don't think

468
00:23:57,280 --> 00:24:00,760
Speaker 3: that's ever actually been been clarified. T K. Maybe you

469
00:24:00,760 --> 00:24:01,879
Speaker 3: can prove me wrong.

470
00:24:02,520 --> 00:24:05,440
Speaker 1: I'm gonna have to go back and watch every scene

471
00:24:05,560 --> 00:24:09,040
Speaker 1: of Dom driving with his left hand, see if he's

472
00:24:09,040 --> 00:24:09,679
Speaker 1: got a ring on.

473
00:24:10,160 --> 00:24:12,560
Speaker 3: Yeah, I don't think he is. I just think that's

474
00:24:12,600 --> 00:24:17,280
Speaker 3: his girl, you know that. Yeah, it's his life partner unless.

475
00:24:16,840 --> 00:24:20,120
Speaker 2: They get married and los bandoleros or I.

476
00:24:20,040 --> 00:24:22,840
Speaker 3: Mean, it would have been a good time. Yeah, yeah,

477
00:24:23,000 --> 00:24:26,240
Speaker 3: they Yeah, they basically had sort of a photo shoot

478
00:24:26,280 --> 00:24:28,399
Speaker 3: on the beach in the in that in that little short,

479
00:24:29,400 --> 00:24:31,520
Speaker 3: that's what it was. There's a camera guy there like

480
00:24:32,480 --> 00:24:33,399
Speaker 3: going around their.

481
00:24:33,240 --> 00:24:36,119
Speaker 1: Engagement pictures and they're back state side for the wedding.

482
00:24:36,480 --> 00:24:39,359
Speaker 3: Very cool anyway, we thought she was dead, whether she

483
00:24:39,480 --> 00:24:40,720
Speaker 3: was a wife or a girlfriend.

484
00:24:40,960 --> 00:24:41,040
Speaker 2: Uh.

485
00:24:41,280 --> 00:24:45,360
Speaker 3: And it is Letty and well Dom mind blown.

486
00:24:45,960 --> 00:24:46,400
Speaker 2: Uh.

487
00:24:46,800 --> 00:24:49,800
Speaker 3: Dominic's crew accept the mission, of course, in exchange for

488
00:24:49,800 --> 00:24:52,760
Speaker 3: their amnesty and allowing them to return to the United States.

489
00:24:52,840 --> 00:24:55,080
Speaker 3: J D. What do you think of the move here? Uh?

490
00:24:55,680 --> 00:24:58,800
Speaker 3: The whole really story hinging on Letty is alive. That's

491
00:24:58,840 --> 00:25:01,160
Speaker 3: what's gonna really bring back into the mix to try

492
00:25:01,160 --> 00:25:02,080
Speaker 3: and take down the show. Guy.

493
00:25:02,400 --> 00:25:05,119
Speaker 2: Yeah, I mean, I am not a huge fan of

494
00:25:05,280 --> 00:25:10,199
Speaker 2: the amnesia plot line in general, in anything, even my

495
00:25:10,280 --> 00:25:13,320
Speaker 2: favorite soaps. I just find it. It's it's kind of

496
00:25:13,400 --> 00:25:19,160
Speaker 2: lazy writing in a way, and but whatever, it's fine.

497
00:25:19,600 --> 00:25:20,359
Speaker 3: The one thing that.

498
00:25:20,680 --> 00:25:26,320
Speaker 2: Struck that struck me was this Elena, this incorruptible Brazilian

499
00:25:26,480 --> 00:25:31,280
Speaker 2: copeh is now she's shocked up with Dom, who's an

500
00:25:31,280 --> 00:25:35,159
Speaker 2: international convict. Was like, okay, I guess ten million dollars

501
00:25:35,240 --> 00:25:37,560
Speaker 2: or however his share of it, I guess that was

502
00:25:37,680 --> 00:25:41,160
Speaker 2: enough to to, you know, to throw it all away.

503
00:25:41,240 --> 00:25:41,879
Speaker 2: I guess, you know.

504
00:25:42,440 --> 00:25:44,760
Speaker 3: I think it's just a classic, Like, you know, we

505
00:25:44,800 --> 00:25:47,479
Speaker 3: don't know. I don't think what her husband, who of

506
00:25:47,520 --> 00:25:50,199
Speaker 3: course died in the line of fire looked like but

507
00:25:50,240 --> 00:25:52,840
Speaker 3: she just she went from one extreme to the other. Right,

508
00:25:52,880 --> 00:25:55,919
Speaker 3: So she went from cop to you know, one of

509
00:25:55,920 --> 00:25:58,320
Speaker 3: the most wanted criminals in the world. Maybe he was

510
00:25:58,320 --> 00:26:04,160
Speaker 3: like a really petite, skinny guy that only wore long sleeves,

511
00:26:04,200 --> 00:26:07,440
Speaker 3: only took the bus, never drove, never drove. Yeah, so

512
00:26:07,560 --> 00:26:08,920
Speaker 3: I think that happens. You know, you get out of

513
00:26:08,960 --> 00:26:11,520
Speaker 3: a relationship, you just you go too far on the spectrum.

514
00:26:11,520 --> 00:26:14,520
Speaker 3: I think that's what happened. But far and again she's there. Yeah,

515
00:26:14,640 --> 00:26:18,119
Speaker 3: and it's not really talked about a whole lot. It

516
00:26:18,200 --> 00:26:21,600
Speaker 3: becomes a tiny storyline because of you know, with what happens.

517
00:26:21,320 --> 00:26:23,960
Speaker 1: With Letty, but not even really that much, right Tray,

518
00:26:24,680 --> 00:26:27,640
Speaker 1: not too much. I mean at the end, news comes back.

519
00:26:27,640 --> 00:26:31,159
Speaker 1: I guess she's keeping me a company. Yeah, while the

520
00:26:31,200 --> 00:26:33,520
Speaker 1: guys are out doing their missions, and you get a

521
00:26:33,520 --> 00:26:35,280
Speaker 1: couple of scenes with her there. But basically like she

522
00:26:35,320 --> 00:26:37,200
Speaker 1: shows up at the end, she sees Dom and Letty together,

523
00:26:37,240 --> 00:26:38,280
Speaker 1: She's like, all right.

524
00:26:39,240 --> 00:26:40,720
Speaker 3: Endrawing have fun there.

525
00:26:41,080 --> 00:26:43,639
Speaker 1: But the other weird thing about this whole scene to

526
00:26:43,680 --> 00:26:47,080
Speaker 1: me with Hobbs showing up is that it only took

527
00:26:47,119 --> 00:26:50,040
Speaker 1: a week, Like this guy has moved on to chasing

528
00:26:50,200 --> 00:26:53,399
Speaker 1: Owen Shaw in a week after they just violated the

529
00:26:53,480 --> 00:26:55,720
Speaker 1: deal with you took all of the money at the

530
00:26:55,800 --> 00:26:58,040
Speaker 1: end of Fast five and now you're on to the

531
00:26:58,080 --> 00:27:00,840
Speaker 1: next guys already, and they've they've got a Dom look

532
00:27:00,880 --> 00:27:02,000
Speaker 1: alike only from the back.

533
00:27:02,040 --> 00:27:02,280
Speaker 3: Though.

534
00:27:02,400 --> 00:27:04,520
Speaker 1: I thought that was a funny scene, the fake out

535
00:27:04,520 --> 00:27:07,439
Speaker 1: where he's going to interrogate him. But I'm like, okay,

536
00:27:08,080 --> 00:27:10,520
Speaker 1: you knew where Dom was. They do make a point

537
00:27:10,520 --> 00:27:12,840
Speaker 1: of him saying there's no extradition here. And also I

538
00:27:12,880 --> 00:27:14,919
Speaker 1: wasn't involved in that job because I do not like

539
00:27:15,040 --> 00:27:18,560
Speaker 1: cold weather, which seems to add up and Dom. So far,

540
00:27:19,560 --> 00:27:21,240
Speaker 1: no sleeves, You're not going to be hanging out in

541
00:27:21,280 --> 00:27:21,600
Speaker 1: the cold.

542
00:27:23,040 --> 00:27:25,280
Speaker 3: But yeah, I'm like, you should.

543
00:27:25,000 --> 00:27:28,760
Speaker 1: Have your priorities in line here, like deal with Dom

544
00:27:28,800 --> 00:27:31,200
Speaker 1: and Brian and then move on to Shaw.

545
00:27:31,359 --> 00:27:34,119
Speaker 3: Yeah, is what I would think, but I don't know.

546
00:27:34,200 --> 00:27:35,640
Speaker 3: The timeframe was very strange.

547
00:27:35,680 --> 00:27:38,120
Speaker 1: Once they mentioned that the picture of Letty was taken

548
00:27:38,160 --> 00:27:40,560
Speaker 1: a week ago, I was like, wait a week a week?

549
00:27:41,160 --> 00:27:43,280
Speaker 1: This should have been like three months ago for you

550
00:27:43,320 --> 00:27:47,080
Speaker 1: to start up on this completely new case, chasing them

551
00:27:47,160 --> 00:27:50,040
Speaker 1: through like you said, twelve countries. Yeah, he's chasing shaw

552
00:27:50,080 --> 00:27:52,879
Speaker 1: for like, you didn't really care about that safe, you

553
00:27:52,920 --> 00:27:54,720
Speaker 1: didn't really care about catching Dom and Brian.

554
00:27:54,760 --> 00:27:57,880
Speaker 3: It was all about getting to shaw Yeah, Like Hobbs

555
00:27:57,960 --> 00:28:00,400
Speaker 3: is just juggling too many balls if this time timeline

556
00:28:00,440 --> 00:28:03,439
Speaker 3: is correct, like he's trying to take down one incredible

557
00:28:03,520 --> 00:28:07,359
Speaker 3: crew Dom's team while he's like following Shawl around the

558
00:28:07,359 --> 00:28:10,720
Speaker 3: world in theory, like they're overlapping. I mean, he's not

559
00:28:10,720 --> 00:28:13,000
Speaker 3: getting enough sleep. JD in no wonder. He can't catch

560
00:28:13,000 --> 00:28:15,520
Speaker 3: anyone because he's he can't focus.

561
00:28:16,000 --> 00:28:18,480
Speaker 2: He can't catch anyone because he's got baby all over

562
00:28:18,520 --> 00:28:22,040
Speaker 2: his my grasp.

563
00:28:22,280 --> 00:28:25,560
Speaker 3: Yeah that's true. That's true. Okay. Anyway, he does, of

564
00:28:25,600 --> 00:28:30,080
Speaker 3: course convince them, and I do. Like I will say,

565
00:28:30,080 --> 00:28:33,280
Speaker 3: I like Brian's reaction to seeing the letty picks when

566
00:28:33,280 --> 00:28:37,359
Speaker 3: Dom shows them. It made perfect sense. He's like, I

567
00:28:37,400 --> 00:28:40,040
Speaker 3: was a cop. This is bullshit. I don't believe this,

568
00:28:40,600 --> 00:28:42,920
Speaker 3: you know whatever, they got a photo or they mocked

569
00:28:42,960 --> 00:28:44,720
Speaker 3: this up. One of these guys I know is a

570
00:28:44,760 --> 00:28:47,320
Speaker 3: photoshop boy. Uh, this isn't real.

571
00:28:47,480 --> 00:28:48,000
Speaker 2: I like that.

572
00:28:48,080 --> 00:28:50,280
Speaker 3: I was like, Okay, that's sort of cool. That makes sense,

573
00:28:50,320 --> 00:28:53,440
Speaker 3: especially being you know, a former cop. But he turns

574
00:28:53,840 --> 00:28:57,680
Speaker 3: so quickly. I don't, like, I couldn't even like I

575
00:28:57,720 --> 00:28:59,720
Speaker 3: went back and watched it. I was like, what why

576
00:28:59,720 --> 00:29:01,640
Speaker 3: did he get convinced that, like they just had to

577
00:29:01,680 --> 00:29:03,880
Speaker 3: do I mean, I guess just it's family and I

578
00:29:03,920 --> 00:29:06,640
Speaker 3: know his wife or is well, yeah, his wife or

579
00:29:06,640 --> 00:29:08,400
Speaker 3: at least a mother to his child. No one knows

580
00:29:08,400 --> 00:29:10,600
Speaker 3: if anybody's married in this damn series. Like, come on,

581
00:29:10,680 --> 00:29:14,360
Speaker 3: take a second, have a proper wedding, you know, invite people.

582
00:29:14,440 --> 00:29:16,400
Speaker 3: You guys got a lot of money. Have a nice plate,

583
00:29:16,440 --> 00:29:19,480
Speaker 3: one hundred dollars per plate, even maybe more, but yeah,

584
00:29:19,560 --> 00:29:21,760
Speaker 3: just boom. He's like, okay, yeah, let's go. Wow. When

585
00:29:21,800 --> 00:29:23,520
Speaker 3: he was like at first, he was like I don't know.

586
00:29:23,720 --> 00:29:26,520
Speaker 2: Yeah, but Dom is like I gotta know for sure.

587
00:29:26,800 --> 00:29:29,560
Speaker 2: You know, it may be bullshit, but I just got

588
00:29:29,720 --> 00:29:32,480
Speaker 2: to know for sure. I guess that's you know, that's enough.

589
00:29:32,760 --> 00:29:34,640
Speaker 3: Yeah. There is a There is a part here where

590
00:29:34,840 --> 00:29:37,400
Speaker 3: Brian Paul Walker is throwing a better paper airplane than

591
00:29:37,480 --> 00:29:42,120
Speaker 3: Klay Thompson and Lee Eli sever like that part, which

592
00:29:42,120 --> 00:29:45,040
Speaker 3: he actually starts. He makes another one later in the movie,

593
00:29:45,760 --> 00:29:48,120
Speaker 3: and then I was like, wow, is this next level?

594
00:29:48,160 --> 00:29:50,840
Speaker 3: He's making a paper airplane? He does it again in

595
00:29:50,920 --> 00:29:53,640
Speaker 3: jail when he goes to see the drug lord, and

596
00:29:53,680 --> 00:29:55,760
Speaker 3: then the ending, the climax of this movie is a

597
00:29:55,800 --> 00:30:00,320
Speaker 3: giant plane. I was like, whoa purpose it has to be, Yeah,

598
00:30:00,320 --> 00:30:00,959
Speaker 3: it has to be.

599
00:30:01,800 --> 00:30:04,280
Speaker 1: I'm convinced that anything you notice in the first half

600
00:30:04,360 --> 00:30:07,040
Speaker 1: of these movies is bread crumbs for later on in

601
00:30:07,080 --> 00:30:07,840
Speaker 1: the second half.

602
00:30:07,720 --> 00:30:08,360
Speaker 3: Of these movies.

603
00:30:08,400 --> 00:30:12,240
Speaker 1: Once, uh, once JD broke my brain by mentioning I

604
00:30:12,240 --> 00:30:14,920
Speaker 1: guess it was in Fast Too, that the reason that

605
00:30:15,600 --> 00:30:18,600
Speaker 1: tej had lifted the drawbridge in the very first race

606
00:30:18,680 --> 00:30:20,959
Speaker 1: was because there was gonna be another drawbridge jump later on.

607
00:30:21,000 --> 00:30:24,600
Speaker 1: I was like, yeah, it's all related, man.

608
00:30:25,000 --> 00:30:28,360
Speaker 3: Yeah, it really is. Well, the team is, uh, they're

609
00:30:28,360 --> 00:30:31,560
Speaker 3: doing it. They are going to be sort of back together.

610
00:30:31,640 --> 00:30:34,360
Speaker 3: I'm going to go try and help out, help out Dom,

611
00:30:34,560 --> 00:30:37,280
Speaker 3: you know, find Letty take down this Shaw guy, and

612
00:30:37,320 --> 00:30:40,520
Speaker 3: then get uh you know, get get amnesty so they

613
00:30:40,560 --> 00:30:42,840
Speaker 3: can be free and go back and live in the

614
00:30:42,920 --> 00:30:45,000
Speaker 3: United States. That's the real plan here. That's the that's

615
00:30:45,040 --> 00:30:48,320
Speaker 3: the that's the deal that has been made between between

616
00:30:48,320 --> 00:30:50,800
Speaker 3: Hobbes and I want to keep saying Hobbs and Shaw

617
00:30:50,840 --> 00:30:53,200
Speaker 3: because I know that's a movie coming up. But between

618
00:30:53,240 --> 00:30:58,680
Speaker 3: Hobbes and Dom. So in London. Shaw's hideout is found,

619
00:30:59,480 --> 00:31:02,840
Speaker 3: but he's always thinking this guy. It's revealed to be

620
00:31:02,880 --> 00:31:06,920
Speaker 3: a trap distracting them and the police while Shaw's crew

621
00:31:07,240 --> 00:31:10,880
Speaker 3: performs a heist at an Interpol building. Shaw flee's by

622
00:31:10,920 --> 00:31:13,560
Speaker 3: a custom car that they got. We'll get into that.

623
00:31:14,200 --> 00:31:17,440
Speaker 3: They detonate his own hideout and disabled basically most of

624
00:31:17,480 --> 00:31:19,960
Speaker 3: the police. Letty rise at the end of this incredible

625
00:31:19,960 --> 00:31:22,880
Speaker 3: scene to help Shaw, and you're like, WHOA. Letty is

626
00:31:22,920 --> 00:31:26,160
Speaker 3: alive and she's on Shaw's team, and she shoots Dom

627
00:31:26,240 --> 00:31:30,640
Speaker 3: without hesitation before escaping, takes takes a bullet to the

628
00:31:30,720 --> 00:31:35,880
Speaker 3: shoulder there exposed shoulder too, unless he's wearing a jacket,

629
00:31:35,880 --> 00:31:38,120
Speaker 3: I can't remember anyway, very rare. He does wear a

630
00:31:38,200 --> 00:31:39,760
Speaker 3: jacket at one point in this movie, but I can't

631
00:31:39,760 --> 00:31:42,280
Speaker 3: remember if it's in that scene or whether he's got

632
00:31:42,280 --> 00:31:45,120
Speaker 3: to take top on. Okay, So anyway, Trey, you go

633
00:31:45,200 --> 00:31:49,040
Speaker 3: first here the real you know, this big, big move

634
00:31:49,080 --> 00:31:52,640
Speaker 3: here from Shaw, the psych out, and then the you know,

635
00:31:52,680 --> 00:31:55,080
Speaker 3: the race that follows with these custom cars that are

636
00:31:55,120 --> 00:31:58,400
Speaker 3: basically like they they stole them from battle bots. Yeah,

637
00:31:58,680 --> 00:32:02,400
Speaker 3: that's a flipper on right there. Formula one flipper. Basically

638
00:32:02,440 --> 00:32:03,520
Speaker 3: that thing is zooming'.

639
00:32:04,960 --> 00:32:07,000
Speaker 1: I'm not proud of this, but when I was watching this,

640
00:32:07,160 --> 00:32:10,840
Speaker 1: rewatching this again, I had forgotten about the you know,

641
00:32:10,960 --> 00:32:13,320
Speaker 1: lureum one place so we can go hit up Interpol

642
00:32:13,800 --> 00:32:15,800
Speaker 1: and I said verbally out loud.

643
00:32:16,000 --> 00:32:19,960
Speaker 3: This guy's good. This guy is good.

644
00:32:20,040 --> 00:32:20,200
Speaker 2: Man.

645
00:32:21,120 --> 00:32:23,440
Speaker 1: He really tricked if he had the whole set up there,

646
00:32:23,680 --> 00:32:26,280
Speaker 1: he had, he'd thought of everything right, like he got

647
00:32:26,280 --> 00:32:28,960
Speaker 1: them in the wrong place. He got what he needed,

648
00:32:29,120 --> 00:32:31,800
Speaker 1: he had him escape route, and he cleared up all

649
00:32:31,840 --> 00:32:34,360
Speaker 1: of his evidence at the at his original heightout by

650
00:32:34,360 --> 00:32:36,520
Speaker 1: blowing it up. And that to me is like even

651
00:32:36,560 --> 00:32:40,520
Speaker 1: more evidence to say we're going to another level with

652
00:32:40,600 --> 00:32:43,120
Speaker 1: the villain here. This guy's got serious tech. He's got

653
00:32:43,120 --> 00:32:47,479
Speaker 1: a chip gun, he's got these crazy flipper cars. And

654
00:32:47,680 --> 00:32:50,160
Speaker 1: to me, it's just you're setting the scene like this

655
00:32:50,360 --> 00:32:52,720
Speaker 1: is the biggest, baddest villain. These guys are gonna have

656
00:32:52,800 --> 00:32:54,719
Speaker 1: to deal with and it's gonna be tough for him.

657
00:32:54,760 --> 00:32:57,719
Speaker 1: You don't see Fast and Furious crew lose very often.

658
00:32:58,080 --> 00:32:58,880
Speaker 3: They all lose.

659
00:32:59,000 --> 00:33:02,440
Speaker 1: In that first bat with Shaw there, you know, like

660
00:33:02,480 --> 00:33:06,040
Speaker 1: you're saying Dom gets shot, Hobbs has his jump which

661
00:33:06,040 --> 00:33:07,760
Speaker 1: he lands and then doesn't land.

662
00:33:08,520 --> 00:33:08,960
Speaker 3: Uh.

663
00:33:09,000 --> 00:33:11,920
Speaker 1: And I think Brian pulls a sweet move. He gets

664
00:33:11,960 --> 00:33:15,080
Speaker 1: a chip gun shot on his car. You could just stop,

665
00:33:15,280 --> 00:33:18,320
Speaker 1: as in any Fast and Furious movie, just stop.

666
00:33:18,160 --> 00:33:19,080
Speaker 3: Pulling, just stop.

667
00:33:19,240 --> 00:33:21,360
Speaker 1: But no, I like the way he did it, Just

668
00:33:21,360 --> 00:33:24,080
Speaker 1: like think dinked it off there by driving it really

669
00:33:24,080 --> 00:33:26,840
Speaker 1: close to something. A smart move. But I thought the

670
00:33:26,880 --> 00:33:28,400
Speaker 1: action in this scene was great.

671
00:33:28,640 --> 00:33:31,400
Speaker 3: Yeah, this scene had it all. It had those armored

672
00:33:31,400 --> 00:33:34,200
Speaker 3: flipper cars. It had like you said, Hobbs turning into

673
00:33:34,240 --> 00:33:37,480
Speaker 3: Spider Man. We had Leddy shooting Dom and uh, well,

674
00:33:37,520 --> 00:33:40,800
Speaker 3: I guess micro chip guns are the new harpoon tasers.

675
00:33:40,800 --> 00:33:43,480
Speaker 3: Thank you very much. That's what I thought, Jadi. I'm

676
00:33:43,480 --> 00:33:44,280
Speaker 3: sure you did as well.

677
00:33:44,480 --> 00:33:47,160
Speaker 2: I did too. I was like, oh, cool projectiles being

678
00:33:47,880 --> 00:33:50,200
Speaker 2: shot at a car again. And then in I think

679
00:33:50,280 --> 00:33:52,479
Speaker 2: the next scene or a few scenes late later, we

680
00:33:52,520 --> 00:33:57,440
Speaker 2: see Tej with a souped up harpoon foreshadowing yep, why

681
00:33:57,520 --> 00:33:59,360
Speaker 2: is he developing them? I don't know, because he had

682
00:33:59,360 --> 00:34:04,160
Speaker 2: an extra non cans lying around or something maybe, but yeah,

683
00:34:04,200 --> 00:34:08,120
Speaker 2: hey he yeah, Look, this is an awesome set piece.

684
00:34:08,239 --> 00:34:11,640
Speaker 2: I loved the weaponized Formula one car, as you said,

685
00:34:11,719 --> 00:34:14,759
Speaker 2: tree and uh, and the whole thing. Yeah, I want

686
00:34:14,800 --> 00:34:19,200
Speaker 2: to see our heroes, uh, you know, catch a loss

687
00:34:19,239 --> 00:34:21,560
Speaker 2: every once in a while, you know, like it's the

688
00:34:21,640 --> 00:34:24,680
Speaker 2: hero's journey. It's you need to go through hell to

689
00:34:24,760 --> 00:34:28,440
Speaker 2: get to where you're going to be. And uh And

690
00:34:28,520 --> 00:34:30,719
Speaker 2: I enjoyed it. And I was blown away by this

691
00:34:30,880 --> 00:34:34,279
Speaker 2: car and I just loved it. And I I didn't

692
00:34:34,360 --> 00:34:36,880
Speaker 2: realize this, but I watched a little making of video

693
00:34:37,960 --> 00:34:41,399
Speaker 2: the cars, the Formula one flip cars whatever. You could

694
00:34:41,400 --> 00:34:43,479
Speaker 2: steer them from the back wheel as well. So there's

695
00:34:43,480 --> 00:34:46,239
Speaker 2: that really cool scene where it's sort of because I

696
00:34:46,280 --> 00:34:49,000
Speaker 2: was like, why would anyone all you if you see

697
00:34:49,040 --> 00:34:51,080
Speaker 2: a car coming at you, you either hit the brakes

698
00:34:51,239 --> 00:34:53,920
Speaker 2: or you pull over right like you know, even if

699
00:34:54,400 --> 00:34:57,920
Speaker 2: breaks Yeah, exactly. But I'm like, why would they not?

700
00:34:58,400 --> 00:35:00,520
Speaker 2: Why would they just allow this to have and like

701
00:35:00,680 --> 00:35:03,640
Speaker 2: just their car to ramp over it. But because there's

702
00:35:03,680 --> 00:35:07,520
Speaker 2: a there's a the wheel actually turns from the rear.

703
00:35:08,920 --> 00:35:11,120
Speaker 2: There's this really cool shot for from the POV of

704
00:35:11,160 --> 00:35:14,400
Speaker 2: the cop car and it just goes like really just

705
00:35:14,440 --> 00:35:18,360
Speaker 2: sort of shucks itself underneath the car. It's amazing, like

706
00:35:18,400 --> 00:35:21,239
Speaker 2: it's just and he designed and built his car and

707
00:35:22,320 --> 00:35:27,160
Speaker 2: it's just incredible. The action sequence, this particular action sequence

708
00:35:27,200 --> 00:35:32,279
Speaker 2: is just awesome, and it ends with the brilliant rock

709
00:35:32,719 --> 00:35:36,200
Speaker 2: stunt that we already talked about, Like it's just superhero mode.

710
00:35:36,239 --> 00:35:39,400
Speaker 2: But you know, I loved it. I loved it, and

711
00:35:39,440 --> 00:35:44,240
Speaker 2: then I also loved Dom afterwards performing surgery on himself,

712
00:35:44,320 --> 00:35:50,879
Speaker 2: standing up, removing the bullet, like, bullet, listen, man, you're

713
00:35:50,920 --> 00:35:53,359
Speaker 2: working with the government. I think it's okay to go

714
00:35:53,480 --> 00:35:57,759
Speaker 2: to the hospital. You know, like, all right, we get it.

715
00:35:57,800 --> 00:36:03,239
Speaker 2: You're a tough guy, but like no, like just just

716
00:36:03,280 --> 00:36:07,520
Speaker 2: pulls it out. Yeah, it was very easy, no reaction either.

717
00:36:07,600 --> 00:36:10,040
Speaker 3: They were assessing that bullet and then they were off.

718
00:36:10,360 --> 00:36:13,640
Speaker 3: We get them in the pawn shop later. Yeah, I

719
00:36:13,640 --> 00:36:15,680
Speaker 3: know he took it, took it like a champ. He's look,

720
00:36:15,719 --> 00:36:19,960
Speaker 3: he's getting stronger. Tom is no doubt getting stronger. As

721
00:36:20,040 --> 00:36:23,800
Speaker 3: this franchise goes on, this guy is bulking up. You

722
00:36:23,840 --> 00:36:26,279
Speaker 3: can do anything now, he's like we've talked about it.

723
00:36:26,320 --> 00:36:28,439
Speaker 3: He can jump in the air forty feet and give

724
00:36:28,480 --> 00:36:31,080
Speaker 3: a flying head button. You can take a shot to

725
00:36:31,120 --> 00:36:33,120
Speaker 3: the arm and just pull it out later. It's amazing.

726
00:36:33,560 --> 00:36:35,359
Speaker 2: So it's all great. I just wish that he had

727
00:36:35,400 --> 00:36:38,880
Speaker 2: been bitten by a radioactive spider.

728
00:36:38,560 --> 00:36:41,759
Speaker 3: Or like to make him a superhero.

729
00:36:41,840 --> 00:36:44,960
Speaker 2: Yeah, like a magic spark plug or something or something,

730
00:36:45,040 --> 00:36:48,799
Speaker 2: you know, like just explain it to the audience and

731
00:36:48,800 --> 00:36:49,359
Speaker 2: then we're like.

732
00:36:50,320 --> 00:36:52,960
Speaker 3: He touched it when he was a kid. His dad

733
00:36:53,000 --> 00:36:55,960
Speaker 3: fired up that charger in the garage and got him

734
00:36:55,960 --> 00:37:00,239
Speaker 3: somehow sapped him and gave him power. That's why he's

735
00:37:00,320 --> 00:37:02,960
Speaker 3: he's always his mouth is always parched. He needs corota

736
00:37:03,120 --> 00:37:06,440
Speaker 3: because this energy is coursing through his body. Yeah, there's

737
00:37:06,480 --> 00:37:09,040
Speaker 3: something there could have been drinking oil or something like that.

738
00:37:11,680 --> 00:37:16,440
Speaker 3: Back at headquarters, Hobbes tells Dom's crew that Shaw is

739
00:37:16,440 --> 00:37:18,719
Speaker 3: stealing these components. We find out what he's doing to

740
00:37:18,800 --> 00:37:22,040
Speaker 3: create this deadly device that can shut down all power,

741
00:37:22,840 --> 00:37:27,880
Speaker 3: intending to sell it to the highest bidder. Yeah, I

742
00:37:27,920 --> 00:37:30,799
Speaker 3: guess believable enough when it comes to these type of movies, Tray,

743
00:37:30,880 --> 00:37:35,400
Speaker 3: you know that the villain wanting the ability to I

744
00:37:35,440 --> 00:37:37,439
Speaker 3: was a little confused what it was. But it will

745
00:37:37,480 --> 00:37:40,040
Speaker 3: just be able to shut down basically a city or

746
00:37:40,080 --> 00:37:44,600
Speaker 3: country's entire electricity grid and then allow you to do

747
00:37:44,680 --> 00:37:47,239
Speaker 3: whatever you want and chaos ensues. I guess, is that right?

748
00:37:47,880 --> 00:37:50,319
Speaker 1: I guess so to me, it seems like it would

749
00:37:50,360 --> 00:37:53,480
Speaker 1: be the chip gun they have on a large scale, right,

750
00:37:53,520 --> 00:37:58,200
Speaker 1: you shoot that and all the electronics cars start going haywire.

751
00:37:58,719 --> 00:38:01,160
Speaker 1: I guess you shoot a gigantic chip gun at a city,

752
00:38:02,040 --> 00:38:04,000
Speaker 1: the whole grid goes down and you can do whatever

753
00:38:04,040 --> 00:38:07,160
Speaker 1: you want. I was reading about the commentary and I

754
00:38:07,200 --> 00:38:09,879
Speaker 1: think Justin Lynne said that this is called the night

755
00:38:09,920 --> 00:38:13,160
Speaker 1: shade device or something like that, and he said it

756
00:38:13,239 --> 00:38:15,920
Speaker 1: was such an obvious mcguffin that I tried to only

757
00:38:15,960 --> 00:38:18,040
Speaker 1: mention it once and well done.

758
00:38:18,080 --> 00:38:19,400
Speaker 3: They're like, yeah, they're.

759
00:38:19,239 --> 00:38:22,560
Speaker 1: Gonna be chasing down this thing. Who cares what it does? Like,

760
00:38:23,080 --> 00:38:25,040
Speaker 1: just honestly, just stop them from getting it.

761
00:38:25,360 --> 00:38:30,360
Speaker 2: Yeah, whatever it is, that's what they call it nightshade

762
00:38:30,400 --> 00:38:33,120
Speaker 2: once and then the rest of the time they just

763
00:38:33,160 --> 00:38:36,440
Speaker 2: refer to it as the component. He got the component.

764
00:38:36,520 --> 00:38:39,000
Speaker 2: It's like, and I wrote in my notes, I'm like,

765
00:38:39,000 --> 00:38:43,280
Speaker 2: they're so lazy they can't even bother to name the mcguffin.

766
00:38:43,400 --> 00:38:46,120
Speaker 2: But it turns out that Trey, You're absolutely right. They

767
00:38:46,120 --> 00:38:49,719
Speaker 2: did say it once, the nightshade device. But to be

768
00:38:49,800 --> 00:38:53,239
Speaker 2: fair to Justin lynn and all of the fast and

769
00:38:53,239 --> 00:38:57,480
Speaker 2: furious people, when I watch a Bond movie, I have

770
00:38:57,600 --> 00:39:01,359
Speaker 2: no idea what's going on, right, whatever the scheme is,

771
00:39:01,440 --> 00:39:05,719
Speaker 2: it's all just there for the set pieces, right, the

772
00:39:05,800 --> 00:39:09,040
Speaker 2: stunts and even the Mission Impossible franchise, which I love

773
00:39:09,080 --> 00:39:12,720
Speaker 2: as well. Same thing. It's just like, okay, there's a device,

774
00:39:12,840 --> 00:39:15,120
Speaker 2: all right, they want they have a device, and they're

775
00:39:14,880 --> 00:39:17,200
Speaker 2: they're stealing a device, and that's what we want.

776
00:39:17,239 --> 00:39:21,160
Speaker 3: It's a fine, and it's just usually it's taking over

777
00:39:21,680 --> 00:39:24,880
Speaker 3: a government, it's taking over a country, it's tapping into

778
00:39:24,920 --> 00:39:28,719
Speaker 3: some unlimited funds like bank account or something, and it's

779
00:39:28,719 --> 00:39:31,080
Speaker 3: all the same thing. There's like there's like three or

780
00:39:31,120 --> 00:39:33,200
Speaker 3: four things are always going after these villains.

781
00:39:33,200 --> 00:39:33,400
Speaker 1: You know.

782
00:39:33,520 --> 00:39:36,000
Speaker 3: It's like you pick something else and you have a

783
00:39:36,040 --> 00:39:37,040
Speaker 3: better chance. Baby.

784
00:39:37,480 --> 00:39:41,200
Speaker 1: Anyway, I like the idea of Owen Shaw just hating electricity,

785
00:39:41,280 --> 00:39:44,000
Speaker 1: so like anytime he's at his house, he's like, you

786
00:39:44,040 --> 00:39:46,160
Speaker 1: better turn off the lights if you lose that room,

787
00:39:46,280 --> 00:39:48,160
Speaker 1: or I'll shoot a chip gun at it and he'll

788
00:39:48,320 --> 00:39:50,640
Speaker 1: never work again. I just hates electricity.

789
00:39:51,680 --> 00:39:57,960
Speaker 3: My dad was basically started. Every time I left a room,

790
00:39:58,560 --> 00:40:00,680
Speaker 3: my dad hated me leaving the lights on. And now

791
00:40:00,719 --> 00:40:01,920
Speaker 3: I'm turning all the lights on.

792
00:40:02,160 --> 00:40:02,640
Speaker 2: That's right.

793
00:40:03,040 --> 00:40:06,680
Speaker 3: It's actually sort of if anything, he's saving the environment

794
00:40:06,719 --> 00:40:07,200
Speaker 3: if you look.

795
00:40:07,120 --> 00:40:07,600
Speaker 2: At it that way.

796
00:40:07,640 --> 00:40:12,160
Speaker 3: He's very conscious something to it. So meanwhile, while we

797
00:40:12,239 --> 00:40:15,120
Speaker 3: got Dom's crew sort of like getting together at headquarters,

798
00:40:15,239 --> 00:40:18,960
Speaker 3: we also see Shaw and he's got a little investigation

799
00:40:19,120 --> 00:40:22,239
Speaker 3: going into Dom's crew, because again, this guy is like,

800
00:40:22,920 --> 00:40:25,400
Speaker 3: he's not content just to be like, yeah, we're the

801
00:40:25,440 --> 00:40:27,360
Speaker 3: bad guys and they're chasing us. He's like, no, I

802
00:40:27,360 --> 00:40:30,040
Speaker 3: got to know about my enemy. So let's you know,

803
00:40:30,120 --> 00:40:33,040
Speaker 3: do a little, a little digging into what's going on there.

804
00:40:33,120 --> 00:40:36,719
Speaker 3: And we find out the Letty's relationship with Dom or

805
00:40:36,760 --> 00:40:39,000
Speaker 3: he does, and we get the whole thing as a

806
00:40:39,080 --> 00:40:41,680
Speaker 3: viewer that she is suffering from amnesia. If you couldn't

807
00:40:41,680 --> 00:40:44,400
Speaker 3: have figured it out by now, like what is Letty doing?

808
00:40:44,560 --> 00:40:46,880
Speaker 3: What is possibly going on? Did she somehow have a

809
00:40:46,920 --> 00:40:53,160
Speaker 3: twin sister? Yeah, she's got amnesia from her big crash

810
00:40:53,280 --> 00:40:56,879
Speaker 3: back in help me out that four? Yeah, f F four.

811
00:40:57,480 --> 00:40:59,479
Speaker 3: So that's what's going on with her. She doesn't even

812
00:40:59,520 --> 00:41:02,040
Speaker 3: know Dom anymore, she doesn't remember any of that life.

813
00:41:02,280 --> 00:41:05,719
Speaker 3: And yeah, we get Shaw's you know, looking into Dom's team.

814
00:41:05,760 --> 00:41:08,000
Speaker 3: I just thought it was very it is very Avengers

815
00:41:08,080 --> 00:41:11,160
Speaker 3: JD that the two squads and like them doing their

816
00:41:11,280 --> 00:41:13,960
Speaker 3: uh you know, recon on each other and even to

817
00:41:14,000 --> 00:41:16,200
Speaker 3: the point where they're like, was it Roman, is it

818
00:41:16,200 --> 00:41:19,000
Speaker 3: in one of those scenes where he's like, they're basically us,

819
00:41:19,920 --> 00:41:22,279
Speaker 3: which I thought was pretty funny, and he's going through

820
00:41:22,320 --> 00:41:23,880
Speaker 3: all basically the entire team.

821
00:41:24,000 --> 00:41:26,480
Speaker 2: Yeah, it's great, and then he points to the blonde

822
00:41:26,480 --> 00:41:29,880
Speaker 2: girl on the other team and Paul Walker and it's

823
00:41:30,080 --> 00:41:32,839
Speaker 2: it's fun. That was legit funny. I did that. That's

824
00:41:32,880 --> 00:41:35,480
Speaker 2: what I was saying about the last movie. I wanted

825
00:41:35,520 --> 00:41:38,520
Speaker 2: more of that, Like, you know, I don't think we

826
00:41:38,680 --> 00:41:41,640
Speaker 2: still got it, but it would at least they acknowledged it.

827
00:41:41,680 --> 00:41:45,239
Speaker 2: You know. It's it's like every movie they they make,

828
00:41:45,320 --> 00:41:46,920
Speaker 2: they look back and go, you know, what we should

829
00:41:46,920 --> 00:41:49,680
Speaker 2: have done. We should have done more of a you know,

830
00:41:51,280 --> 00:41:53,719
Speaker 2: foils for each of them on the other team. Let's

831
00:41:53,760 --> 00:41:55,879
Speaker 2: do it this time, and you know so, and they

832
00:41:55,880 --> 00:41:57,560
Speaker 2: did it, and I enjoyed it.

833
00:41:57,800 --> 00:42:00,279
Speaker 3: Yeah, and Roman usually has and he does even in

834
00:42:00,320 --> 00:42:04,040
Speaker 3: this movie still, don't get me wrong, like cringe comedy

835
00:42:04,120 --> 00:42:06,879
Speaker 3: lines and you're like, what, oh my god, that's who

836
00:42:06,880 --> 00:42:08,879
Speaker 3: wrote that, and like the poor guy having to say

837
00:42:08,880 --> 00:42:11,880
Speaker 3: this and trying to deliver it. But this scene. You know,

838
00:42:12,080 --> 00:42:13,759
Speaker 3: I agree with JD. I think you do too, Trey.

839
00:42:14,000 --> 00:42:16,960
Speaker 3: This was funny. This was funny Roman pointing out the

840
00:42:17,320 --> 00:42:21,120
Speaker 3: similarities between the squads and making fun of everybody that

841
00:42:21,200 --> 00:42:23,440
Speaker 3: worked for me. This was like probably Roman's sort of

842
00:42:23,480 --> 00:42:25,440
Speaker 3: like at least funniest moment.

843
00:42:26,000 --> 00:42:28,759
Speaker 1: Yeah, that was his funniest moment where he's the one

844
00:42:28,800 --> 00:42:31,080
Speaker 1: making the jokes. There are some great moments for Roman

845
00:42:31,160 --> 00:42:33,879
Speaker 1: where he's basically getting dunked on this entire movie, which

846
00:42:33,920 --> 00:42:36,560
Speaker 1: I think are great, But yeah, I couldn't help but

847
00:42:36,640 --> 00:42:39,239
Speaker 1: thinking of JD during that scene, especially after we had

848
00:42:39,239 --> 00:42:42,040
Speaker 1: recorded the Fast five podcast that he's said they should

849
00:42:42,080 --> 00:42:44,000
Speaker 1: have a whole team that's exactly the same as the

850
00:42:44,000 --> 00:42:48,160
Speaker 1: Fast scene. You basically it feels like if you would

851
00:42:48,160 --> 00:42:50,839
Speaker 1: have tweeted any idea for a Fast and Furious movie

852
00:42:50,840 --> 00:42:52,399
Speaker 1: when these were coming out, they were at least gonna

853
00:42:52,440 --> 00:42:55,279
Speaker 1: like put it on the whiteboard and consider it. There

854
00:42:55,480 --> 00:42:56,840
Speaker 1: was a lot of fan service in this, and I

855
00:42:56,880 --> 00:42:58,680
Speaker 1: thought that was a great scene. And I also think

856
00:42:58,760 --> 00:43:01,520
Speaker 1: Roman is pretty I think it's a little bit earlier

857
00:43:01,560 --> 00:43:03,600
Speaker 1: when they're first getting together with Hobbs at the same

858
00:43:03,640 --> 00:43:06,840
Speaker 1: age Q and he's just trying to scam chips off people,

859
00:43:07,560 --> 00:43:10,320
Speaker 1: like he's trying to get Hans chips. They're golling. Obviously

860
00:43:10,400 --> 00:43:12,960
Speaker 1: he's been eating. He finally gets about of the vending

861
00:43:13,000 --> 00:43:15,200
Speaker 1: machine after Hobbs shoots it down. That's how he stay

862
00:43:15,239 --> 00:43:18,000
Speaker 1: a millionaire by asking people for change. Yeah, but maybe

863
00:43:18,040 --> 00:43:19,880
Speaker 1: he's asking people for change so he spent all of

864
00:43:19,880 --> 00:43:22,960
Speaker 1: his money on the private plane that everybody can easily identify.

865
00:43:23,160 --> 00:43:25,880
Speaker 1: But yeah, this scene is great breaking down the cruise

866
00:43:26,320 --> 00:43:30,040
Speaker 1: White Hobbs. Though, that guy is huge, Oh my god. Yeah,

867
00:43:30,040 --> 00:43:32,240
Speaker 1: guys like shape like a refrigerator.

868
00:43:32,600 --> 00:43:35,520
Speaker 3: Yeah, brock Lesnar I was calling watching this that guy

869
00:43:35,800 --> 00:43:38,920
Speaker 3: was a tank. I wanted more of them. Actually in

870
00:43:39,000 --> 00:43:41,799
Speaker 3: this movie, I did like to to go back to

871
00:43:41,840 --> 00:43:45,080
Speaker 3: Shaw when they're doing the investigating on Dom's team. I

872
00:43:45,280 --> 00:43:48,520
Speaker 3: loved Shaw getting mad at one of his henchmen for

873
00:43:48,640 --> 00:43:53,080
Speaker 3: calling the Fast and Furious team just common criminals, and

874
00:43:53,160 --> 00:43:56,520
Speaker 3: he was so offended. Yeah, like it is like it

875
00:43:56,600 --> 00:43:59,279
Speaker 3: was like the classic you gotta respect your enemy, and

876
00:43:59,600 --> 00:44:01,960
Speaker 3: that's not respect, that's they're far from common criminals. But

877
00:44:02,000 --> 00:44:03,560
Speaker 3: he was legit pissed, And I don't know why that

878
00:44:03,600 --> 00:44:04,480
Speaker 3: bade me laugh out loud.

879
00:44:04,560 --> 00:44:07,440
Speaker 2: Jad No, it's great it's that's what he says, such

880
00:44:07,480 --> 00:44:11,000
Speaker 2: a good villain. He's like, don't underestimate them. You cannot

881
00:44:11,080 --> 00:44:15,520
Speaker 2: underestimate anybody. So, yes, they're common criminals, but I mean

882
00:44:15,560 --> 00:44:16,920
Speaker 2: they could they could beat us.

883
00:44:17,440 --> 00:44:20,560
Speaker 3: Yeah, yeah, there is respect between these two squads, at

884
00:44:20,640 --> 00:44:24,800
Speaker 3: least from their leaders. So Dom's crew learns that Shaw

885
00:44:25,480 --> 00:44:28,440
Speaker 3: is connected to a drug lord who was imprisoned by Brian.

886
00:44:28,719 --> 00:44:33,640
Speaker 3: It is our Turu Braga. Remember him, They're going back

887
00:44:33,680 --> 00:44:39,040
Speaker 3: to him. So while Teg and Hobbes are purchasing several

888
00:44:39,080 --> 00:44:41,879
Speaker 3: cars from an auction for this mission, they got common

889
00:44:42,000 --> 00:44:45,600
Speaker 3: up here. Brian returns to la as a prisoner. But

890
00:44:45,960 --> 00:44:47,920
Speaker 3: does he go to l A or is where is Braga?

891
00:44:47,960 --> 00:44:49,200
Speaker 3: He must be in California.

892
00:44:49,320 --> 00:44:50,280
Speaker 2: I think he's in California.

893
00:44:50,400 --> 00:44:52,480
Speaker 3: Yeah, I thought, so he returns there. Yeah that makes

894
00:44:52,520 --> 00:44:55,800
Speaker 3: sense because the FBI's there as a prisoner to question Braga,

895
00:44:56,840 --> 00:45:00,120
Speaker 3: who you know, ultimately says, let me survive. I have

896
00:45:00,200 --> 00:45:02,840
Speaker 3: the explosion that seemingly killed her. I mean, this is

897
00:45:02,880 --> 00:45:04,759
Speaker 3: the big thing that he's getting from here. I am

898
00:45:04,760 --> 00:45:06,680
Speaker 3: glossing over a lot because there's a lot of scenes

899
00:45:06,719 --> 00:45:08,960
Speaker 3: here as they sort of like build this mission and

900
00:45:09,000 --> 00:45:12,440
Speaker 3: we can go through them. What what do you think

901
00:45:12,560 --> 00:45:15,440
Speaker 3: about Well, let's go with Brian here first. This whole

902
00:45:15,480 --> 00:45:19,520
Speaker 3: play to go back to prison Trey, you know, believable

903
00:45:19,640 --> 00:45:23,239
Speaker 3: enough for you with the FBI helping him out, and

904
00:45:23,280 --> 00:45:25,000
Speaker 3: he's only in there like what he's got, he's on

905
00:45:25,040 --> 00:45:27,439
Speaker 3: the clock, and he does the old four hours. Yeah,

906
00:45:27,680 --> 00:45:30,560
Speaker 3: he does the old smooth move to like put himself

907
00:45:30,600 --> 00:45:32,680
Speaker 3: in isolation. I guess it was to get him closer

908
00:45:32,719 --> 00:45:35,320
Speaker 3: to Braga there by. What what did you say That

909
00:45:35,320 --> 00:45:38,759
Speaker 3: guy's name is that he Thinksnasniak? Yeah, anyway, what did

910
00:45:38,760 --> 00:45:40,440
Speaker 3: you think of that part? We'll go with that part first.

911
00:45:40,680 --> 00:45:44,000
Speaker 1: Well, Skeetz, you know, I loved the Stosniak callback after

912
00:45:44,040 --> 00:45:47,439
Speaker 1: the montage in the opening where they only put him

913
00:45:47,440 --> 00:45:50,000
Speaker 1: getting head butted in the nose in there so that

914
00:45:50,040 --> 00:45:52,440
Speaker 1: he could get head butt in the nose later. I

915
00:45:52,440 --> 00:45:58,399
Speaker 1: thought that was funny. Tough break for Stasniak. This guy

916
00:45:58,480 --> 00:46:01,319
Speaker 1: is taking L's left it right, I thought that was

917
00:46:01,440 --> 00:46:05,319
Speaker 1: very funny. I would say a bit of a change

918
00:46:05,360 --> 00:46:08,439
Speaker 1: of heart for Brian. You know, about twenty minutes ago

919
00:46:08,520 --> 00:46:10,600
Speaker 1: he was saying as soon as I walk through that door,

920
00:46:11,160 --> 00:46:14,680
Speaker 1: life changes, and now he is voluntarily going to jail

921
00:46:15,280 --> 00:46:17,880
Speaker 1: on the other side of the world, just for twenty

922
00:46:17,880 --> 00:46:20,160
Speaker 1: four hours to see a guy who he put in jail.

923
00:46:20,239 --> 00:46:24,960
Speaker 3: So a little risky for Brian, but you know, he.

924
00:46:24,920 --> 00:46:28,640
Speaker 1: Gets in and he gets out pretty smoothly all things considered.

925
00:46:28,960 --> 00:46:32,280
Speaker 3: I don't think he learns very much from Braga though, Okay,

926
00:46:32,640 --> 00:46:35,520
Speaker 3: I was. I'm confused about this whole part of the story.

927
00:46:35,719 --> 00:46:40,480
Speaker 3: The Brian like feeling so guilty for Letty one, which

928
00:46:40,520 --> 00:46:43,000
Speaker 3: I guess makes some sense. I understand that because there's

929
00:46:43,040 --> 00:46:44,640
Speaker 3: a lot of that. And then I'm with you, Trey,

930
00:46:44,680 --> 00:46:47,600
Speaker 3: I'm like, what did he really go and find out?

931
00:46:48,200 --> 00:46:51,000
Speaker 3: Or like, JD, what are we missing here? He didn't

932
00:46:51,040 --> 00:46:52,680
Speaker 3: get that much information at all.

933
00:46:52,960 --> 00:46:56,280
Speaker 2: Yeah, I think it was just confirmation that she didn't

934
00:46:56,360 --> 00:47:00,200
Speaker 2: remember or she was she was suffering from MG because

935
00:47:00,200 --> 00:47:01,480
Speaker 2: they took.

936
00:47:01,280 --> 00:47:02,520
Speaker 3: Her in after the amnesia.

937
00:47:02,600 --> 00:47:06,160
Speaker 2: Yeah, okay, yeah, exactly, so and that was about it.

938
00:47:07,080 --> 00:47:08,640
Speaker 3: Yeah, what was And.

939
00:47:08,960 --> 00:47:12,360
Speaker 1: I think Braga says, the only way you get close

940
00:47:12,400 --> 00:47:15,120
Speaker 1: to Shaws if he wants you there, and that kind

941
00:47:15,120 --> 00:47:18,480
Speaker 1: of comes up a little bit later, But like, you really.

942
00:47:18,239 --> 00:47:19,560
Speaker 3: Didn't learn much from him.

943
00:47:19,680 --> 00:47:22,000
Speaker 1: No, And I'll say one thing that keeps coming up

944
00:47:22,080 --> 00:47:24,440
Speaker 1: with a Braga and Shaw. That I did not like

945
00:47:24,719 --> 00:47:28,839
Speaker 1: was anytime they would start talking about Letty's amnesia the

946
00:47:28,840 --> 00:47:29,720
Speaker 1: perfect good.

947
00:47:30,160 --> 00:47:32,640
Speaker 3: Yeah, yeah, the perfect good.

948
00:47:33,600 --> 00:47:37,799
Speaker 1: Why why does an amnesia act like the perfect criminal accomplice?

949
00:47:37,880 --> 00:47:40,040
Speaker 1: That doesn't make any sense to me at all.

950
00:47:40,280 --> 00:47:45,560
Speaker 3: I guess, well, well for this, oh that's true, Like

951
00:47:45,800 --> 00:47:48,000
Speaker 3: he why does it matter? A hundred steps ahead that

952
00:47:48,040 --> 00:47:51,840
Speaker 3: He's like, I need family, I need someone from Dom's family.

953
00:47:52,880 --> 00:47:54,640
Speaker 3: But man, it would help if she can't remember it

954
00:47:56,600 --> 00:48:00,880
Speaker 3: to then bring Dom even But like years has this

955
00:48:00,920 --> 00:48:02,960
Speaker 3: been in the plan? And why even get them involved?

956
00:48:03,000 --> 00:48:05,360
Speaker 3: Like you're that maniacal That doesn't make a lot of sense.

957
00:48:05,360 --> 00:48:08,439
Speaker 3: But yeah, Brian gets out, he's released from prison after

958
00:48:08,480 --> 00:48:12,680
Speaker 3: getting this information, uh and regrouping with the team back

959
00:48:12,719 --> 00:48:15,239
Speaker 3: in London. He goes back there and we got other

960
00:48:15,280 --> 00:48:16,960
Speaker 3: stuff in here because we get to the I said

961
00:48:16,960 --> 00:48:20,359
Speaker 3: it there, we got the TEJ Hobbes buying of cars scene,

962
00:48:20,400 --> 00:48:24,719
Speaker 3: you know, a comedic scene, JD was it was it

963
00:48:24,880 --> 00:48:28,959
Speaker 3: funny that you know, they're their stereotype for being there,

964
00:48:29,800 --> 00:48:31,359
Speaker 3: just how they look, how they dress and all that

965
00:48:32,080 --> 00:48:35,240
Speaker 3: to buy all these expensive cars. And then the payoff,

966
00:48:35,280 --> 00:48:37,640
Speaker 3: of course is getting this guy to like strip down

967
00:48:37,680 --> 00:48:41,520
Speaker 3: to his to his knickers, you know, getting his watch

968
00:48:41,560 --> 00:48:44,960
Speaker 3: and all that super weird scene. Really, but we're being

969
00:48:45,000 --> 00:48:46,480
Speaker 3: honest here. But I guess it was just to have

970
00:48:46,600 --> 00:48:48,760
Speaker 3: Ludacris and and the Rock be funny.

971
00:48:49,480 --> 00:48:53,120
Speaker 2: Yeah, I think it was obviously for comedy. And uh yeah,

972
00:48:53,160 --> 00:48:56,839
Speaker 2: and I like that, uh Ludacris's character te He's just well,

973
00:48:56,880 --> 00:48:58,919
Speaker 2: I'm just gonna buy the car. There's no scheme here.

974
00:48:59,040 --> 00:49:01,839
Speaker 2: I'm yeah, I'm straight up buying these cars. And then

975
00:49:01,840 --> 00:49:05,680
Speaker 2: I'm gonna I'm gonna humiliate this dude who was uh,

976
00:49:05,719 --> 00:49:09,120
Speaker 2: you know, trying to humiliate us, so basically profiled us

977
00:49:09,200 --> 00:49:13,640
Speaker 2: and so fuck him and we're gonna humiliate him. Uh.

978
00:49:13,680 --> 00:49:18,680
Speaker 2: The guy is is a such a caricature, like like

979
00:49:19,239 --> 00:49:22,920
Speaker 2: right out of Central Casting for this snooty Downton Abbey

980
00:49:23,080 --> 00:49:25,439
Speaker 2: like Butler, you know what I mean, Like just it's

981
00:49:25,480 --> 00:49:27,879
Speaker 2: just a it's a bit much down. Nabby would say

982
00:49:27,880 --> 00:49:29,920
Speaker 2: that to the guy, so, you know.

983
00:49:31,680 --> 00:49:32,399
Speaker 3: Tote it down.

984
00:49:32,680 --> 00:49:36,680
Speaker 1: But I should have hired the dowager countess.

985
00:49:38,520 --> 00:49:42,439
Speaker 2: Yeah, I mean, I I wanted them to go further

986
00:49:42,480 --> 00:49:45,600
Speaker 2: with it. Not not the main problem I had with

987
00:49:45,680 --> 00:49:48,239
Speaker 2: that scene when they're telling him to strip. Aside from

988
00:49:48,280 --> 00:49:52,320
Speaker 2: the you could call it sexual assault, really, but aside

989
00:49:52,320 --> 00:49:55,880
Speaker 2: from that, uh, this score never stops being like this

990
00:49:56,080 --> 00:50:00,520
Speaker 2: spy sort of like it's a little bit lighter, but

991
00:50:00,560 --> 00:50:03,080
Speaker 2: it's just like, come on, guys, is the play it

992
00:50:03,120 --> 00:50:06,160
Speaker 2: for comedies? Just just get out the tuba and just

993
00:50:06,320 --> 00:50:10,160
Speaker 2: do that. We all know the you know that that

994
00:50:10,280 --> 00:50:14,000
Speaker 2: kind of thing. And then what this guy has, he's

995
00:50:14,080 --> 00:50:16,480
Speaker 2: stripped of every bit of his dignity and he just

996
00:50:16,760 --> 00:50:18,840
Speaker 2: he but he still walks out in his socks and

997
00:50:18,920 --> 00:50:21,480
Speaker 2: his boxers, And I think it could have been funnier,

998
00:50:21,680 --> 00:50:22,480
Speaker 2: is what I'm saying.

999
00:50:22,920 --> 00:50:26,000
Speaker 3: Yeah, I sort of agree with that. And also, Okay,

1000
00:50:26,000 --> 00:50:29,480
Speaker 3: so Hobbes and Tej are in charge, I guess of

1001
00:50:29,520 --> 00:50:33,120
Speaker 3: getting these awesome cars. They haven't talked about their plan

1002
00:50:33,200 --> 00:50:36,040
Speaker 3: in advance, which is I'm just gonna buy the cars,

1003
00:50:37,160 --> 00:50:39,160
Speaker 3: which also Tej, I mean, I know you're great with

1004
00:50:39,200 --> 00:50:42,160
Speaker 3: your money. It appears you're very kind, but you don't

1005
00:50:42,160 --> 00:50:45,759
Speaker 3: need to buy them unless he meant by like we

1006
00:50:45,800 --> 00:50:47,960
Speaker 3: are buying them, you know, the government, the FBI is

1007
00:50:47,960 --> 00:50:49,920
Speaker 3: buying them by way of Hobbs. I guess that that

1008
00:50:50,239 --> 00:50:52,360
Speaker 3: makes a lot more sense, like why should he have

1009
00:50:52,400 --> 00:50:55,680
Speaker 3: to buy these cars that were ultimately just gonna crash.

1010
00:50:55,880 --> 00:50:57,920
Speaker 1: Maybe Hobbs is there to finance it.

1011
00:50:58,600 --> 00:51:02,279
Speaker 3: Yeah, boy, interesting, No, I just assumed.

1012
00:51:01,960 --> 00:51:05,040
Speaker 1: It was t I know, you know, being uh well,

1013
00:51:05,080 --> 00:51:07,680
Speaker 1: I mean the guy's like, clearly you're not a.

1014
00:51:07,160 --> 00:51:10,680
Speaker 3: Ball Oh yeah, well yeah, no idea I'm gonna do ballers.

1015
00:51:10,680 --> 00:51:14,640
Speaker 1: It turns out, yeah, you got ballered and honestly The

1016
00:51:14,719 --> 00:51:16,200
Speaker 1: Rock was in a show called Baller.

1017
00:51:16,080 --> 00:51:18,160
Speaker 3: So you completely blew it guy.

1018
00:51:19,120 --> 00:51:21,720
Speaker 1: But yeah, to me, it's just how can we get

1019
00:51:22,000 --> 00:51:24,960
Speaker 1: Ludicrous and the Rock in a scene together? That's gonna

1020
00:51:24,960 --> 00:51:28,080
Speaker 1: be them joking, and that's what it was. There were

1021
00:51:28,120 --> 00:51:30,280
Speaker 1: some funny moments to it that not a killer.

1022
00:51:30,560 --> 00:51:32,880
Speaker 3: No, it was uh maybe a little too long. I

1023
00:51:32,880 --> 00:51:35,719
Speaker 3: think it's what we're getting. The payoff was not ultimately

1024
00:51:35,760 --> 00:51:38,200
Speaker 3: worth it. With this guy sort of getting down to

1025
00:51:38,280 --> 00:51:41,040
Speaker 3: his underwear. I think we have in here too currently.

1026
00:51:41,080 --> 00:51:43,080
Speaker 3: If I'm wrong, I might have my timeline with this

1027
00:51:43,120 --> 00:51:46,720
Speaker 3: movie incorrect. But do we also have Han and Roman

1028
00:51:46,840 --> 00:51:51,840
Speaker 3: along with Giselle and Riley with Hicks going to that

1029
00:51:51,840 --> 00:51:54,160
Speaker 3: that I don't know what that dude even was. I

1030
00:51:54,200 --> 00:51:56,640
Speaker 3: was so confused by this point what that guy, harpoon guy?

1031
00:51:57,160 --> 00:51:59,440
Speaker 3: Is that the harpoon guy? So this is yeah, was

1032
00:51:59,480 --> 00:52:00,719
Speaker 3: he a harpoo guy. I don't know.

1033
00:52:00,719 --> 00:52:02,399
Speaker 1: He was some sort of weapon, the bullet guy.

1034
00:52:02,920 --> 00:52:06,520
Speaker 2: He was shooting something. It may have been a hard.

1035
00:52:07,239 --> 00:52:08,520
Speaker 3: I think it was. I think it was.

1036
00:52:08,600 --> 00:52:12,239
Speaker 2: But the whole who cares? Who cares? He was a lead.

1037
00:52:13,800 --> 00:52:17,200
Speaker 3: We get we get Han and Roman talking about love though,

1038
00:52:17,960 --> 00:52:20,560
Speaker 3: because that's where Roman is picking up that haunt is

1039
00:52:20,600 --> 00:52:23,720
Speaker 3: into Gizelle, which you know, they gave them a moment.

1040
00:52:23,840 --> 00:52:25,840
Speaker 3: This was like the part of the movie where they're like, Okay,

1041
00:52:25,840 --> 00:52:27,799
Speaker 3: we got a lot of people in this movie. We

1042
00:52:27,880 --> 00:52:30,200
Speaker 3: got to give them some scenes either by themselves or

1043
00:52:30,200 --> 00:52:33,440
Speaker 3: at least with just one other person to continue to

1044
00:52:33,440 --> 00:52:37,120
Speaker 3: build their character, or just because uh well the actors

1045
00:52:37,160 --> 00:52:39,799
Speaker 3: and they want to act, so you know, let them

1046
00:52:39,800 --> 00:52:41,120
Speaker 3: have that it. So that's why we get these all

1047
00:52:41,120 --> 00:52:43,680
Speaker 3: these little pairing off here. But uh yeah, anything to

1048
00:52:43,719 --> 00:52:46,799
Speaker 3: add to the to that whole scene there, mainly the

1049
00:52:46,840 --> 00:52:48,960
Speaker 3: Han and Roman talking about Gazelle.

1050
00:52:49,960 --> 00:52:53,600
Speaker 2: I mean not really like there's a couple of this

1051
00:52:53,719 --> 00:52:56,479
Speaker 2: and the scene at the very end where they're where

1052
00:52:57,840 --> 00:53:00,319
Speaker 2: another creepy sort of weird scene where it's just like,

1053
00:53:00,520 --> 00:53:02,320
Speaker 2: I don't I can't remember what they said in Nazyne.

1054
00:53:02,320 --> 00:53:04,840
Speaker 2: But in the end of the movie when Elena is

1055
00:53:04,920 --> 00:53:08,040
Speaker 2: con coming up to Letty to talk to her and

1056
00:53:08,040 --> 00:53:10,640
Speaker 2: they're like, ooh, this is going to be awkward, but

1057
00:53:10,920 --> 00:53:14,000
Speaker 2: damn sexy. I'm like, what are you talking about? Like

1058
00:53:14,239 --> 00:53:17,640
Speaker 2: what do you mean like? And it's there was some

1059
00:53:17,680 --> 00:53:21,920
Speaker 2: sort of insinuation like uh oh when uh when Riley

1060
00:53:22,000 --> 00:53:25,200
Speaker 2: takes the guy to the ground and uh and Tyresee

1061
00:53:25,239 --> 00:53:30,520
Speaker 2: is like, Ooh, I like that. Okay, I likes it

1062
00:53:30,640 --> 00:53:33,759
Speaker 2: rough It's like she's taken down a guys, how is

1063
00:53:33,800 --> 00:53:36,800
Speaker 2: it is? I mean, I know people have their things,

1064
00:53:36,840 --> 00:53:39,919
Speaker 2: but I don't know. It's not sexy. It's cool. It's cool.

1065
00:53:40,000 --> 00:53:43,360
Speaker 2: I like that, but it's just the insinuation that it's, oh,

1066
00:53:43,400 --> 00:53:46,799
Speaker 2: it's sexy, two women being strong. I like it. I

1067
00:53:46,800 --> 00:53:48,960
Speaker 2: mean I like it, but I don't like it that way,

1068
00:53:49,360 --> 00:53:49,960
Speaker 2: you know what I mean?

1069
00:53:50,920 --> 00:53:55,719
Speaker 3: Yes, funny to me. I guess what I want to

1070
00:53:55,719 --> 00:53:59,760
Speaker 3: ask her to you? Trey is is the Han Giselle

1071
00:54:00,040 --> 00:54:02,919
Speaker 3: old man? It's believable to you zero the last couple?

1072
00:54:03,160 --> 00:54:04,000
Speaker 3: Is it? Is it?

1073
00:54:04,680 --> 00:54:07,640
Speaker 1: I think Han is the only fast crew that could

1074
00:54:07,920 --> 00:54:11,080
Speaker 1: date Giselle because he's the only one who's cool enough

1075
00:54:11,080 --> 00:54:13,880
Speaker 1: to pull it off and not care that she is like,

1076
00:54:13,960 --> 00:54:17,480
Speaker 1: you know, she put her body on the line in

1077
00:54:17,560 --> 00:54:20,080
Speaker 1: Fast five, and you know, maybe somebody else would be

1078
00:54:20,120 --> 00:54:23,440
Speaker 1: jealous about that, but Han is like, hey man, that's cool.

1079
00:54:23,480 --> 00:54:25,759
Speaker 1: Do you see how cool I am? Do you see

1080
00:54:25,760 --> 00:54:29,120
Speaker 1: how cool I am? That's why Gizelle loves me, and

1081
00:54:29,160 --> 00:54:31,600
Speaker 1: I think he pulls it off. It's believable to me.

1082
00:54:31,960 --> 00:54:34,839
Speaker 1: It's not totally believable to me that their entire goal

1083
00:54:34,960 --> 00:54:38,440
Speaker 1: is going somewhere to settle down. That's not believable in

1084
00:54:38,520 --> 00:54:41,319
Speaker 1: the least to me. Like you've been jetting around the

1085
00:54:41,320 --> 00:54:44,920
Speaker 1: world performing crimes and driving cars as fast as you

1086
00:54:45,000 --> 00:54:47,399
Speaker 1: possibly can, and now you're like twenty nine years old

1087
00:54:47,440 --> 00:54:49,640
Speaker 1: and you want to settle down. I don't believe that,

1088
00:54:49,760 --> 00:54:53,520
Speaker 1: But I do believe. I believe in them as a couple.

1089
00:54:53,560 --> 00:54:55,360
Speaker 1: I love him as a couple, if I'm being honest.

1090
00:54:55,960 --> 00:54:57,600
Speaker 1: What's strange to me, though, with.

1091
00:54:57,560 --> 00:55:00,800
Speaker 3: The timeline of Fast and Furious, because we know Tokyo

1092
00:55:00,880 --> 00:55:04,360
Speaker 3: Drift coming later on after these movies, Uh with with

1093
00:55:04,360 --> 00:55:07,359
Speaker 3: with the Canyon, is that Han loses a girl he

1094
00:55:07,840 --> 00:55:10,759
Speaker 3: in theory loves uh. You know, we'll get to that

1095
00:55:10,800 --> 00:55:14,360
Speaker 3: scene which she dies, and that he somehow becomes cooler

1096
00:55:15,080 --> 00:55:18,160
Speaker 3: Genie that that. I was like, hold on, because he's

1097
00:55:18,200 --> 00:55:20,080
Speaker 3: not as cool. I'm gonna say it. He's not as

1098
00:55:20,160 --> 00:55:23,600
Speaker 3: cool in these last couple as he was in Tokyo Drift.

1099
00:55:23,600 --> 00:55:26,399
Speaker 3: So that means he actually becomes cooler. And he goes

1100
00:55:26,440 --> 00:55:28,839
Speaker 3: through a lot of ship and loses a girl and

1101
00:55:28,880 --> 00:55:31,200
Speaker 3: some I mean that's maybe you know, speaks to Han.

1102
00:55:31,280 --> 00:55:32,759
Speaker 3: Maybe that's just how cool he is.

1103
00:55:32,800 --> 00:55:35,680
Speaker 2: God damn, it's a it's a great point, but I'm

1104
00:55:35,760 --> 00:55:38,400
Speaker 2: kind of I the old this. The only thing that

1105
00:55:38,440 --> 00:55:40,719
Speaker 2: I thought they had real chemistry was at the very

1106
00:55:40,719 --> 00:55:42,719
Speaker 2: beginning of the movie, before they get picked.

1107
00:55:42,480 --> 00:55:47,120
Speaker 3: Up, where yes, I.

1108
00:55:47,040 --> 00:55:49,719
Speaker 2: Assume it's not Japan, because no, it's not there. They

1109
00:55:49,960 --> 00:55:53,959
Speaker 2: they they're still dancing around Tokyo at that point. But yeah,

1110
00:55:54,160 --> 00:55:56,399
Speaker 2: I thought they were a believable couple. They were acting

1111
00:55:56,440 --> 00:55:58,759
Speaker 2: like a couple. I just getting some food and hey,

1112
00:55:58,920 --> 00:56:01,400
Speaker 2: maybe we should settle down, and she's like, aren't we

1113
00:56:01,480 --> 00:56:04,720
Speaker 2: settling down? Isn't this settling down? I like that scene

1114
00:56:04,719 --> 00:56:07,880
Speaker 2: between them, but not much else in terms of chemistry

1115
00:56:07,920 --> 00:56:09,000
Speaker 2: between the two of them.

1116
00:56:09,200 --> 00:56:12,600
Speaker 3: Okay, I think somewhere in here too, we do get

1117
00:56:12,600 --> 00:56:16,080
Speaker 3: the pawnshop part, you know, just chuck it in there

1118
00:56:16,120 --> 00:56:19,160
Speaker 3: if you anybody wanted to add anything to it. You know,

1119
00:56:19,280 --> 00:56:21,080
Speaker 3: I thought I thought it was fine. You get to

1120
00:56:21,200 --> 00:56:25,120
Speaker 3: just see Dom and Brian doing their thing together. TK.

1121
00:56:25,719 --> 00:56:27,799
Speaker 1: Yeah, I think my only note on this scene was

1122
00:56:27,880 --> 00:56:31,759
Speaker 1: headbuts galore Like Dom is just dropping head butts. Left

1123
00:56:31,760 --> 00:56:36,520
Speaker 1: it right here. No marks on his forehead, doesn't even

1124
00:56:36,560 --> 00:56:39,000
Speaker 1: get red, knocks them straight out.

1125
00:56:39,680 --> 00:56:40,759
Speaker 3: It's not even red.

1126
00:56:40,800 --> 00:56:43,239
Speaker 1: It shouldn't be a little red little like a daughter

1127
00:56:43,320 --> 00:56:43,800
Speaker 1: or something.

1128
00:56:43,920 --> 00:56:47,400
Speaker 2: Yeah, his contract man, he's no marks on my face.

1129
00:56:47,800 --> 00:56:52,080
Speaker 3: I will say though, for his character, like because of

1130
00:56:52,120 --> 00:56:54,319
Speaker 3: the way he looks, because the way Vin Diesel is like,

1131
00:56:54,400 --> 00:56:58,279
Speaker 3: I'm like, that's if he were to fight, it's believable

1132
00:56:58,320 --> 00:57:00,759
Speaker 3: to me he could use that giant nogging to do

1133
00:57:00,840 --> 00:57:03,520
Speaker 3: some damage. Right. It's like I don't like we've talked

1134
00:57:03,520 --> 00:57:05,720
Speaker 3: about it before. I don't you know, he's doing parkour

1135
00:57:05,760 --> 00:57:07,600
Speaker 3: and I'm like, come on, he's not that fast or

1136
00:57:07,600 --> 00:57:09,719
Speaker 3: he's not that agile. And yeah, he's trying to get

1137
00:57:09,760 --> 00:57:11,880
Speaker 3: his get the arms up because he's always wearing the

1138
00:57:11,880 --> 00:57:14,160
Speaker 3: tank and they're getting better. They've gotten better as it's

1139
00:57:14,200 --> 00:57:16,440
Speaker 3: gone on. Sure, but like if I saw him in

1140
00:57:16,440 --> 00:57:18,120
Speaker 3: a fight, I'll be like, use your head man, you're

1141
00:57:18,560 --> 00:57:23,920
Speaker 3: giant your head into him. So you know, that's somewhat believable.

1142
00:57:23,920 --> 00:57:25,640
Speaker 3: I guess maybe not the one where he flies forty

1143
00:57:25,680 --> 00:57:28,120
Speaker 3: feet in the air like he's Chris ben Wad jumping

1144
00:57:28,120 --> 00:57:31,280
Speaker 3: off the top rope to drop ahead butt. But uh yeah, yeah,

1145
00:57:31,280 --> 00:57:33,200
Speaker 3: he's in the fight. He's throwing that head around.

1146
00:57:32,960 --> 00:57:35,960
Speaker 2: So yeah, but he couldn't use it against the guy

1147
00:57:36,000 --> 00:57:39,600
Speaker 2: behind the glass. He beat up a guy behind glass.

1148
00:57:39,640 --> 00:57:40,800
Speaker 2: I mean that was pretty cool.

1149
00:57:40,840 --> 00:57:43,880
Speaker 3: And yeah, I like that part, you know, I like

1150
00:57:44,120 --> 00:57:46,760
Speaker 3: there's a couple of times in this movie, like tight Quarters.

1151
00:57:46,960 --> 00:57:49,280
Speaker 3: Let's put those fight scenes in tight Quarters. Happens with

1152
00:57:49,320 --> 00:57:53,480
Speaker 3: Brian in jail, in the prison cell and uh, you

1153
00:57:53,480 --> 00:57:55,120
Speaker 3: know all the stuff they're pulling off in there.

1154
00:57:55,520 --> 00:57:55,600
Speaker 2: Uh.

1155
00:57:55,760 --> 00:57:57,720
Speaker 3: And then yeah, in this pawn shop which isn't very

1156
00:57:57,720 --> 00:57:59,439
Speaker 3: big too, and the guy behind the glass, Like you said,

1157
00:57:59,520 --> 00:58:02,640
Speaker 3: that's not bad, you know, it's like actually, like really

1158
00:58:02,640 --> 00:58:04,920
Speaker 3: put them in a box, like just put them in

1159
00:58:04,920 --> 00:58:06,320
Speaker 3: a box and see how they would fight their way

1160
00:58:06,320 --> 00:58:08,760
Speaker 3: out of this. So to keep it going here, Dom

1161
00:58:08,880 --> 00:58:12,800
Speaker 3: challenges Letty in a street racing competition, of course, of course.

1162
00:58:12,680 --> 00:58:13,080
Speaker 2: And.

1163
00:58:15,280 --> 00:58:20,640
Speaker 3: Afterward he returns her cross necklace. This stupid necklace. Man,

1164
00:58:20,680 --> 00:58:23,960
Speaker 3: I'm so tired of it, like it's a character at

1165
00:58:24,000 --> 00:58:26,840
Speaker 3: this point in this franchise. We've seen so much of

1166
00:58:26,880 --> 00:58:30,480
Speaker 3: this necklace in the shorts and all these movies. But yeah,

1167
00:58:30,640 --> 00:58:33,520
Speaker 3: he returns it to her, and then after Letty leaves,

1168
00:58:33,960 --> 00:58:37,360
Speaker 3: Shaw offers Dom a chance to walk away, threatening to

1169
00:58:37,400 --> 00:58:39,840
Speaker 3: otherwise hurt his family, but Dom refuses. So we get

1170
00:58:39,880 --> 00:58:42,880
Speaker 3: the Letty Dom scene after a race, and then we

1171
00:58:42,920 --> 00:58:47,360
Speaker 3: get Shaw and Dom Trey. We'll start with you on

1172
00:58:47,640 --> 00:58:49,240
Speaker 3: either of these ones. Which one did you? I guess

1173
00:58:49,240 --> 00:58:49,640
Speaker 3: you like more?

1174
00:58:49,720 --> 00:58:53,120
Speaker 1: Would you think about I've been pretty critical of every

1175
00:58:53,320 --> 00:58:57,480
Speaker 1: love scene that Vin Diesel has. That just completely unbelievable

1176
00:58:57,520 --> 00:59:01,480
Speaker 1: to me. This is the sexiest Vin Diesel has ever

1177
00:59:01,600 --> 00:59:05,480
Speaker 1: been In this scene with Letty, there's actual chemistry between them.

1178
00:59:05,760 --> 00:59:10,320
Speaker 3: I think when he looks over right or die, I remember, oh.

1179
00:59:09,960 --> 00:59:12,680
Speaker 1: Little chills down the spine. He hits the wheelie. Of

1180
00:59:12,800 --> 00:59:16,640
Speaker 1: course there's drifting, there's some stare and drive action, and

1181
00:59:16,720 --> 00:59:20,080
Speaker 1: of course Dom hits the nos late to win. That's

1182
00:59:20,120 --> 00:59:23,200
Speaker 1: how he always does it. I really buy their chemistry.

1183
00:59:23,240 --> 00:59:25,720
Speaker 1: I love the line that Leeddy has at the end

1184
00:59:25,760 --> 00:59:28,680
Speaker 1: of that race. This guy's crazy. Then they go and

1185
00:59:28,880 --> 00:59:31,240
Speaker 1: go to the bridge. They're having their little chat. We

1186
00:59:31,320 --> 00:59:35,000
Speaker 1: get an okay line comparing, you know, love to cars,

1187
00:59:35,080 --> 00:59:37,240
Speaker 1: show me how you drive, I'll show you who you are.

1188
00:59:38,040 --> 00:59:41,120
Speaker 1: That one's fine to me, right, But when Dom says

1189
00:59:41,120 --> 00:59:45,360
Speaker 1: to her you never could resist American muscle, I threw up.

1190
00:59:45,480 --> 00:59:45,840
Speaker 3: I had to.

1191
00:59:45,960 --> 00:59:47,360
Speaker 1: I had to throw up a little bit there. That

1192
00:59:47,400 --> 00:59:50,200
Speaker 1: was a minor barb for me. But then Dom brings

1193
00:59:50,200 --> 00:59:53,160
Speaker 1: it back with the matching scars from when they were

1194
00:59:53,200 --> 00:59:54,120
Speaker 1: body surfing.

1195
00:59:54,160 --> 00:59:54,960
Speaker 3: Are you kidding me?

1196
00:59:55,720 --> 00:59:58,680
Speaker 1: I ship them. I totally ship Dom and Letty. I'm

1197
00:59:58,720 --> 01:00:01,440
Speaker 1: glad she's back. I don't know how she's back. I

1198
01:00:01,480 --> 01:00:04,600
Speaker 1: don't know what body they buried. There was a funeral,

1199
01:00:04,680 --> 01:00:07,640
Speaker 1: but I'm glad it wasn't Letty because I completely believe it,

1200
01:00:07,720 --> 01:00:10,000
Speaker 1: even if she has no clue who this guy is

1201
01:00:10,040 --> 01:00:11,840
Speaker 1: who's macking on her heart in a car.

1202
01:00:12,120 --> 01:00:15,600
Speaker 3: Yeah, we can't put a bruise on his old noggin

1203
01:00:15,920 --> 01:00:18,520
Speaker 3: or heaven forbid a little blood or something with all

1204
01:00:18,520 --> 01:00:20,800
Speaker 3: these head butts, but he's got a scar on his

1205
01:00:20,920 --> 01:00:23,800
Speaker 3: hip JD. Yeah, Yeah, what do you think?

1206
01:00:24,160 --> 01:00:26,880
Speaker 2: As you know, I agree with everything that Trade has said.

1207
01:00:26,960 --> 01:00:29,840
Speaker 2: I mean, it was a great scene. It was it

1208
01:00:29,920 --> 01:00:34,280
Speaker 2: was a race through the streets of London through a landmark,

1209
01:00:34,320 --> 01:00:37,520
Speaker 2: was that Piccadilly Circus or the Queen's Bridge or whatever.

1210
01:00:39,080 --> 01:00:41,160
Speaker 2: It reminded me of Tokyo Drift when they go through

1211
01:00:41,200 --> 01:00:46,080
Speaker 2: that's that awesome square. And it was shot beautifully, and yes,

1212
01:00:46,280 --> 01:00:51,440
Speaker 2: the scar comparison stuff was shot very sensually. It was

1213
01:00:51,520 --> 01:00:54,600
Speaker 2: kind of cool. I mean I was buying it. I too,

1214
01:00:54,640 --> 01:01:00,280
Speaker 2: am shipping those two, you know, I bought him. And yes,

1215
01:01:00,440 --> 01:01:02,840
Speaker 2: I barfed a little too on that line, but that's okay.

1216
01:01:02,960 --> 01:01:05,480
Speaker 2: It's like, this is definitely not the worst line in

1217
01:01:05,520 --> 01:01:08,400
Speaker 2: the movie. I mean, right, not by a long shot,

1218
01:01:08,520 --> 01:01:11,720
Speaker 2: so you know, and then and then and it goes

1219
01:01:11,760 --> 01:01:15,400
Speaker 2: on with shot Shaw shows up right, and yeah, you've

1220
01:01:15,400 --> 01:01:20,840
Speaker 2: got matching laser dots on your chest. Boys, how well

1221
01:01:20,920 --> 01:01:24,320
Speaker 2: there's a tracking device. Okay, fine, you know whatever, Like

1222
01:01:24,360 --> 01:01:29,000
Speaker 2: the rock's there, he's got his back, I mean sure, right,

1223
01:01:30,360 --> 01:01:32,600
Speaker 2: but I did. I did like the standoff between the

1224
01:01:32,600 --> 01:01:35,360
Speaker 2: two of them, and I already talked about how that's

1225
01:01:35,440 --> 01:01:37,400
Speaker 2: this is the scene where they're talking about the codes. Right,

1226
01:01:37,440 --> 01:01:39,240
Speaker 2: You've got a code and I've got to get Your

1227
01:01:39,240 --> 01:01:43,960
Speaker 2: code is family and my code is what is it? Precision? Precision, right, Yeah,

1228
01:01:44,080 --> 01:01:44,720
Speaker 2: I got something.

1229
01:01:45,000 --> 01:01:47,920
Speaker 3: I got a problem with that. Like, I love the

1230
01:01:48,000 --> 01:01:50,720
Speaker 3: idea of that being his code, but what he ends

1231
01:01:50,800 --> 01:01:55,640
Speaker 3: up doing is far from precise, right with with veering

1232
01:01:55,680 --> 01:01:58,960
Speaker 3: around in a tank just joy riding. You know we're

1233
01:01:58,960 --> 01:02:00,960
Speaker 3: gonna get that very soon. I was like, what this

1234
01:02:01,040 --> 01:02:03,760
Speaker 3: is not you man, this isn't your code? What's going

1235
01:02:03,800 --> 01:02:06,440
Speaker 3: on here? Maybe Dom had them rattled or something, But

1236
01:02:06,760 --> 01:02:10,680
Speaker 3: I actually did like the uh this scene too with

1237
01:02:10,720 --> 01:02:12,920
Speaker 3: Shaw and Dom. I thought it was fine, and you're right,

1238
01:02:12,960 --> 01:02:15,120
Speaker 3: maybe a little silly how it ends with like, well,

1239
01:02:15,400 --> 01:02:16,920
Speaker 3: I was about to kill you, but now I can't

1240
01:02:16,920 --> 01:02:19,080
Speaker 3: because also we would just kill each other here now,

1241
01:02:19,160 --> 01:02:22,200
Speaker 3: so we will just part our ways. But Trey, what'd

1242
01:02:22,200 --> 01:02:24,160
Speaker 3: you think of Dom and Shaw too? Yeah?

1243
01:02:24,160 --> 01:02:26,000
Speaker 1: I think that's a solid scene as well. I love

1244
01:02:26,040 --> 01:02:28,720
Speaker 1: the little bit of meta commentary we get from Shaw

1245
01:02:29,600 --> 01:02:33,520
Speaker 1: describing Dom Street Kids starts off stealing DVD players in

1246
01:02:33,560 --> 01:02:35,240
Speaker 1: East LA, ends up histing.

1247
01:02:34,960 --> 01:02:36,160
Speaker 3: One hundred million in Rio.

1248
01:02:36,400 --> 01:02:40,000
Speaker 1: It's a good story, isn't it Almost inspiring? I was like, yeah, man,

1249
01:02:40,680 --> 01:02:42,520
Speaker 1: you get it. That's why we're tuned in here. They

1250
01:02:42,560 --> 01:02:45,840
Speaker 1: were stealing DVD players and everybody thinks it's hilarious. That

1251
01:02:46,040 --> 01:02:48,400
Speaker 1: was probably its sweet can you believe it? This guy

1252
01:02:48,440 --> 01:02:51,320
Speaker 1: started off stealing DVD players. Now he's heisting one hundred million.

1253
01:02:51,600 --> 01:02:52,640
Speaker 3: Throw it in the movie.

1254
01:02:53,120 --> 01:02:57,840
Speaker 1: Then and then they yeah, like the laser pointers show up,

1255
01:02:58,240 --> 01:03:00,800
Speaker 1: great stuff. Two Big Government had a nice line. I

1256
01:03:00,840 --> 01:03:03,280
Speaker 1: thought that was a little meeting of the minds between

1257
01:03:03,320 --> 01:03:03,680
Speaker 1: those two.

1258
01:03:03,800 --> 01:03:04,280
Speaker 2: That was good.

1259
01:03:04,760 --> 01:03:07,880
Speaker 3: This felt like up until this point, the most Dawn

1260
01:03:08,080 --> 01:03:11,440
Speaker 3: Vin Diesel, I guess has gotten to like act. Yeah,

1261
01:03:11,480 --> 01:03:14,160
Speaker 3: like these these two scenes back to back, it's like

1262
01:03:14,240 --> 01:03:16,560
Speaker 3: actually a lot of lines and obviously like trying to

1263
01:03:16,600 --> 01:03:19,960
Speaker 3: like remind Letty that they were in love, possibly married,

1264
01:03:20,120 --> 01:03:21,920
Speaker 3: no one knows, like they should have thrown in a

1265
01:03:21,960 --> 01:03:24,480
Speaker 3: quick line like hey, we're gonna have a second marriage

1266
01:03:24,560 --> 01:03:26,440
Speaker 3: or wedding or something like that, just so we know

1267
01:03:26,640 --> 01:03:30,040
Speaker 3: for sure. But anyway, and then with Shaw, I thought

1268
01:03:30,080 --> 01:03:33,240
Speaker 3: it was you know, maybe his uh, I don't want

1269
01:03:33,240 --> 01:03:36,280
Speaker 3: to say, his best moment, but definitely like they let him,

1270
01:03:36,400 --> 01:03:38,440
Speaker 3: they let him run here JD. And there's a big

1271
01:03:38,520 --> 01:03:41,000
Speaker 3: reason why this movie is so damn long, just like

1272
01:03:41,000 --> 01:03:43,480
Speaker 3: this podcast is gonna be, because there are there are

1273
01:03:43,520 --> 01:03:45,560
Speaker 3: a lot of like there's a lot of great action

1274
01:03:45,640 --> 01:03:47,480
Speaker 3: scenes and they're very long, just like the other movies,

1275
01:03:47,480 --> 01:03:50,320
Speaker 3: but there's like this stuff too, where like two characters

1276
01:03:50,360 --> 01:03:51,520
Speaker 3: are just just talking.

1277
01:03:52,000 --> 01:03:53,960
Speaker 2: Yeah, yeah, absolutely.

1278
01:03:54,560 --> 01:03:59,800
Speaker 3: Tej then tracks Shaw's next attack to a Spanish natal base.

1279
01:04:00,400 --> 01:04:05,360
Speaker 3: So Shaw's crew assaults a highway military convoy carrying a

1280
01:04:05,400 --> 01:04:08,480
Speaker 3: computer chip. That's what they're going for to complete his device.

1281
01:04:09,240 --> 01:04:14,360
Speaker 3: Dom's crew interferes while Shaw, along with Letty, they commandeer

1282
01:04:14,440 --> 01:04:17,960
Speaker 3: a tank. Yes, here's the tank comes in. They're destroying

1283
01:04:17,960 --> 01:04:22,160
Speaker 3: cars left and right. Again, nothing precise or anything that

1284
01:04:22,240 --> 01:04:25,640
Speaker 3: says precision here from from Shaw, So I don't know

1285
01:04:25,640 --> 01:04:29,000
Speaker 3: where that code went. Man, But Brian and Roman end

1286
01:04:29,080 --> 01:04:33,080
Speaker 3: up flipping the tank before it causes further damage, resulting

1287
01:04:33,080 --> 01:04:35,360
Speaker 3: in Letty being thrown from the vehicle as we talked about,

1288
01:04:35,360 --> 01:04:39,920
Speaker 3: and Dom turning into Superman or Spider Man and flying

1289
01:04:39,960 --> 01:04:42,480
Speaker 3: through the sky catching her and landing so oh so

1290
01:04:42,600 --> 01:04:46,520
Speaker 3: conveniently on the windshield of a car, and everybody is okay,

1291
01:04:46,720 --> 01:04:51,440
Speaker 3: but but but the tank scene, JD I thought was

1292
01:04:51,440 --> 01:04:54,000
Speaker 3: was pretty cool. When the tank came out of the carrier.

1293
01:04:54,080 --> 01:04:58,600
Speaker 3: I was like, yeah, like that's cool. I was like, look, guys,

1294
01:04:58,960 --> 01:05:03,800
Speaker 3: they got a tank trailer line. Yeah, but what do

1295
01:05:03,880 --> 01:05:04,400
Speaker 3: you think, Jady?

1296
01:05:04,800 --> 01:05:07,920
Speaker 2: I love I love this scene again. I thought this

1297
01:05:08,080 --> 01:05:13,280
Speaker 2: was the climax of the movie. Appropriately so apparently this

1298
01:05:13,360 --> 01:05:15,840
Speaker 2: was shot in the Canary Islands on a brand new

1299
01:05:15,920 --> 01:05:20,000
Speaker 2: highway that had never been used. I can't believe that

1300
01:05:20,040 --> 01:05:24,479
Speaker 2: the Canary Islands government allow this to happen, but they did,

1301
01:05:24,640 --> 01:05:32,000
Speaker 2: and it was spectacular. The destruction that the tank rains

1302
01:05:32,080 --> 01:05:36,680
Speaker 2: down on the poor cars of the of Spain, I

1303
01:05:36,680 --> 01:05:40,560
Speaker 2: guess was supposed to be was just devastating really, But

1304
01:05:41,760 --> 01:05:43,560
Speaker 2: you know, there were a couple of parts that are

1305
01:05:43,680 --> 01:05:47,760
Speaker 2: like like this tank is just going over every car,

1306
01:05:47,840 --> 01:05:55,160
Speaker 2: like crushing beyond recognition. And then Roman his his job

1307
01:05:55,240 --> 01:05:57,920
Speaker 2: is to get in front of the tank. Why what

1308
01:05:58,240 --> 01:06:01,480
Speaker 2: like what was the thinking there? I I that part

1309
01:06:01,560 --> 01:06:04,360
Speaker 2: I just did not get. I mean it was great

1310
01:06:04,400 --> 01:06:06,080
Speaker 2: because you see.

1311
01:06:05,640 --> 01:06:08,920
Speaker 3: Wasn't it too like wrap that unbelievable wire that they

1312
01:06:08,920 --> 01:06:10,840
Speaker 3: have around the tank?

1313
01:06:11,640 --> 01:06:11,680
Speaker 1: It?

1314
01:06:12,040 --> 01:06:14,040
Speaker 2: Yeah, no, I guess you're right. I guess you're right.

1315
01:06:15,400 --> 01:06:18,400
Speaker 2: But they weren't anticipating a tank, so you know, they

1316
01:06:18,400 --> 01:06:22,160
Speaker 2: were improvising. That's what they're good at. But you know,

1317
01:06:23,160 --> 01:06:26,000
Speaker 2: and also he said there was a throwaway line it

1318
01:06:26,080 --> 01:06:29,479
Speaker 2: was like just get get up. There is distract from

1319
01:06:29,520 --> 01:06:33,200
Speaker 2: the distract him from the other cars. Hello, what is it?

1320
01:06:33,480 --> 01:06:36,960
Speaker 2: How is that going to? Anyway? It was fine, but

1321
01:06:37,080 --> 01:06:40,680
Speaker 2: you know, it's it was spectacular to watch. I was

1322
01:06:40,720 --> 01:06:43,080
Speaker 2: on the edge of my seat, going, this is awesome.

1323
01:06:43,080 --> 01:06:45,600
Speaker 2: This is this is awesome. You know it's great. It's

1324
01:06:45,680 --> 01:06:50,560
Speaker 2: just just a great feat of cinematic action happening.

1325
01:06:51,400 --> 01:06:54,880
Speaker 3: And originally this was conceived as two movies, and this

1326
01:06:55,000 --> 01:06:57,320
Speaker 3: was supposed to be the first ending, the conclusion with

1327
01:06:57,400 --> 01:07:00,800
Speaker 3: the tank. Yeah, this scene, which really does feel like, Wow,

1328
01:07:00,840 --> 01:07:04,200
Speaker 3: this is a huge, crazy ending to a movie. It

1329
01:07:04,320 --> 01:07:06,280
Speaker 3: must be over. And then no, we get to the

1330
01:07:06,320 --> 01:07:10,160
Speaker 3: whole plane thing. That was like a second ending, Yeah,

1331
01:07:10,200 --> 01:07:13,040
Speaker 3: which which is wild. They're jam them together, but I'm

1332
01:07:13,200 --> 01:07:15,280
Speaker 3: both in the same movie. Who cares how long it is.

1333
01:07:15,280 --> 01:07:17,560
Speaker 3: People are gonna watch this and years later they're gonna

1334
01:07:17,600 --> 01:07:20,480
Speaker 3: podcast about it for over two hours. What do you

1335
01:07:20,480 --> 01:07:23,240
Speaker 3: think of the tank? TK and then how they ultimately

1336
01:07:23,240 --> 01:07:25,120
Speaker 3: take it down? We already talked enough about dom flying

1337
01:07:25,120 --> 01:07:27,160
Speaker 3: through the air and all that, but taking down the tank.

1338
01:07:28,040 --> 01:07:30,120
Speaker 3: I thought it was sort of cool, but was it believable?

1339
01:07:30,120 --> 01:07:30,440
Speaker 2: Little?

1340
01:07:32,160 --> 01:07:35,320
Speaker 1: Yeah, of course, man, you gotta you get a Mustang

1341
01:07:35,360 --> 01:07:38,640
Speaker 1: hooked up to a leader line. One guy smacks it

1342
01:07:38,680 --> 01:07:42,480
Speaker 1: over the edge and pulls the whole thing down. Uh

1343
01:07:42,600 --> 01:07:46,080
Speaker 1: Is it believable? Uh No, but who cares? Neither is

1344
01:07:46,120 --> 01:07:46,720
Speaker 1: anything else.

1345
01:07:47,440 --> 01:07:47,880
Speaker 3: I love it.

1346
01:07:47,920 --> 01:07:50,240
Speaker 1: I think it's one of the best action scenes in

1347
01:07:50,240 --> 01:07:53,040
Speaker 1: the whole franchise for sure. The Dom flying through the

1348
01:07:53,040 --> 01:07:56,360
Speaker 1: air is an iconic scene, even if it's completely silly,

1349
01:07:56,760 --> 01:07:58,960
Speaker 1: and I don't know, there's some small moments in here

1350
01:07:58,960 --> 01:08:02,480
Speaker 1: that I think are actually really great as well, Like

1351
01:08:02,600 --> 01:08:05,760
Speaker 1: Dom at one point has to drive underneath the collapsing

1352
01:08:05,840 --> 01:08:08,400
Speaker 1: bridge and he barely makes it. Yeah, and for the

1353
01:08:08,440 --> 01:08:11,400
Speaker 1: first time ever, You're like, Dom is surprised that he

1354
01:08:11,480 --> 01:08:14,560
Speaker 1: pulled off a driving move. He's like, oh, Like, you

1355
01:08:14,640 --> 01:08:17,200
Speaker 1: never see that from Dom. He's never rattled in those

1356
01:08:17,240 --> 01:08:20,840
Speaker 1: sort of things. Brian leaps a car over a rubble ramp,

1357
01:08:20,880 --> 01:08:24,120
Speaker 1: a great shot. Roman pulls off his first car leap

1358
01:08:24,160 --> 01:08:26,599
Speaker 1: of the series. I think he jumps from his car

1359
01:08:26,680 --> 01:08:29,400
Speaker 1: right before it gets crashed. Maybe han As who's picking

1360
01:08:29,439 --> 01:08:31,880
Speaker 1: him up. I'm not totally sure on that one. So yeah,

1361
01:08:31,880 --> 01:08:34,240
Speaker 1: there's some great moments in here, and then it ends

1362
01:08:34,240 --> 01:08:37,400
Speaker 1: with the flying Dom scene. So this is a ten

1363
01:08:37,439 --> 01:08:39,360
Speaker 1: of ten scene for me, And I mean, it's just

1364
01:08:39,400 --> 01:08:42,519
Speaker 1: completely wild to think that this is like two thirds

1365
01:08:42,520 --> 01:08:44,920
Speaker 1: of the way through the movie. It feels like the

1366
01:08:45,080 --> 01:08:47,879
Speaker 1: ending one hundred percent. And then I'm like, oh, yeah,

1367
01:08:48,080 --> 01:08:51,040
Speaker 1: the whole plan sequence is still to come. That's a

1368
01:08:51,320 --> 01:08:53,160
Speaker 1: I mean, that's a climax to a movie right there

1369
01:08:53,200 --> 01:08:55,519
Speaker 1: as well. And like you're saying, JD, if this had

1370
01:08:55,560 --> 01:08:58,320
Speaker 1: been two movies, you can see how that would have worked.

1371
01:08:58,600 --> 01:09:01,360
Speaker 3: Oh I did. I did the mistake of like, when

1372
01:09:01,360 --> 01:09:03,840
Speaker 3: this scene's going on and it's ultimately coming to the end,

1373
01:09:03,880 --> 01:09:06,760
Speaker 3: I'm like, how this movie must be over soon, and

1374
01:09:06,800 --> 01:09:09,880
Speaker 3: I did the old pause let's check the bar that

1375
01:09:09,920 --> 01:09:13,840
Speaker 3: I couldn't believe. I honestly couldn't believe it. I was like, what, like,

1376
01:09:14,040 --> 01:09:15,679
Speaker 3: first off, this has been pretty long.

1377
01:09:15,920 --> 01:09:19,560
Speaker 2: Yeah, he's ninety minutes. Yeah, over ninety minutes when that happened.

1378
01:09:19,240 --> 01:09:24,240
Speaker 3: Okay, totally normal for an action movie. And we have, yeah,

1379
01:09:24,280 --> 01:09:26,280
Speaker 3: what felt like a third still to go. I mean

1380
01:09:26,320 --> 01:09:31,000
Speaker 3: basically what I could not believe it. But much much

1381
01:09:31,040 --> 01:09:33,920
Speaker 3: more to come here because they are captured Shaw and

1382
01:09:33,920 --> 01:09:36,840
Speaker 3: his crew, and again you also think that the movie's over. Cool,

1383
01:09:37,479 --> 01:09:42,680
Speaker 3: but the reveal is me remember her, Remember she's got

1384
01:09:42,680 --> 01:09:48,320
Speaker 3: a baby named Jack? Yeah exactly, Yeah right, Yeah, she's

1385
01:09:48,360 --> 01:09:52,800
Speaker 3: been kidnapped by Shaw's well two Hedgemen, I guess the

1386
01:09:52,840 --> 01:09:58,639
Speaker 3: woman and brock Lesner right white Rock. Hobbs is forced

1387
01:09:59,320 --> 01:10:04,040
Speaker 3: to then release Shaw and Riley. It turns out the

1388
01:10:04,080 --> 01:10:07,639
Speaker 3: big reveal here is that she is an accomplice to Shaw,

1389
01:10:07,720 --> 01:10:10,640
Speaker 3: so she leaves with him, and then Letty chooses to

1390
01:10:10,640 --> 01:10:12,679
Speaker 3: remain with Dom. So we got a nice little switcheroo

1391
01:10:12,800 --> 01:10:16,160
Speaker 3: here where Letty is with the Fast and Furious team

1392
01:10:16,280 --> 01:10:19,960
Speaker 3: and Riley was in on it all along and is

1393
01:10:20,000 --> 01:10:24,280
Speaker 3: with Shaw's team. There was a weird line in here

1394
01:10:24,920 --> 01:10:27,639
Speaker 3: about like, well, what are we gonna do? Because family

1395
01:10:27,720 --> 01:10:29,680
Speaker 3: is everything, So we have to let him go, like

1396
01:10:29,720 --> 01:10:33,759
Speaker 3: smooth move by him. He knows your code. You didn't

1397
01:10:34,000 --> 01:10:36,519
Speaker 3: You didn't think to have anybody else in the FBI,

1398
01:10:36,920 --> 01:10:40,360
Speaker 3: maybe just protect your newborn son or anything like that,

1399
01:10:40,400 --> 01:10:41,720
Speaker 3: Like you thought it was cool. I guess you had

1400
01:10:41,760 --> 01:10:44,000
Speaker 3: a you do have a cop. Yeah, you gotta learn

1401
01:10:44,080 --> 01:10:46,760
Speaker 3: know you gotta cop with her anyway. We didn't think

1402
01:10:46,800 --> 01:10:50,160
Speaker 3: that far through. Shaw of course did, so we have

1403
01:10:50,240 --> 01:10:54,240
Speaker 3: to let you go now. And then hobb says something

1404
01:10:54,360 --> 01:10:57,680
Speaker 3: like too, Dom about like now they're gonna go chase him, right,

1405
01:10:57,680 --> 01:11:00,040
Speaker 3: and he says something about like amnesty is out the

1406
01:11:00,080 --> 01:11:04,280
Speaker 3: window and stuff like that, and pardon go out the window,

1407
01:11:04,800 --> 01:11:08,320
Speaker 3: and Dawn replies, I might be paraphrasing a little bit.

1408
01:11:08,520 --> 01:11:15,760
Speaker 3: Those words went out the day we were booing. I

1409
01:11:15,760 --> 01:11:18,960
Speaker 3: don't even understand it, Nora, and I pause it, like,

1410
01:11:19,040 --> 01:11:22,479
Speaker 3: what what was he talking about? Dom?

1411
01:11:22,520 --> 01:11:25,160
Speaker 1: You've been trying to get a pardon for four streat movies? Man,

1412
01:11:27,560 --> 01:11:29,680
Speaker 1: every movie starts with him setting up a deal for

1413
01:11:29,720 --> 01:11:30,719
Speaker 1: any pardon.

1414
01:11:31,400 --> 01:11:36,240
Speaker 3: Such a weird, weird line, JD. But uh, what were you, JD?

1415
01:11:36,360 --> 01:11:37,760
Speaker 3: Be honest with me at least the first time you

1416
01:11:37,800 --> 01:11:41,360
Speaker 3: watch this surprised by the the Riley Hicks turn.

1417
01:11:41,680 --> 01:11:44,320
Speaker 2: I was. I was pretty surprised.

1418
01:11:44,320 --> 01:11:46,360
Speaker 3: I didn't think they gave us a lot of breadcrumbs

1419
01:11:46,360 --> 01:11:50,240
Speaker 3: on that one at all, Like, uh, what why were

1420
01:11:50,280 --> 01:11:52,679
Speaker 3: we to believe she was corrupt? I didn't see anything

1421
01:11:52,760 --> 01:11:53,639
Speaker 3: Unless I'm missing it.

1422
01:11:54,120 --> 01:11:56,519
Speaker 1: I think the only close at all or is that

1423
01:11:57,320 --> 01:12:00,000
Speaker 1: when Brian visits Braga in prison, he does say something

1424
01:12:00,080 --> 01:12:02,200
Speaker 1: thing along the lines of, think about it, he's got

1425
01:12:02,200 --> 01:12:05,160
Speaker 1: somebody feeding him. Oh yeah, true, he says that true,

1426
01:12:05,240 --> 01:12:07,160
Speaker 1: no idea who it could be. And the only other

1427
01:12:07,240 --> 01:12:09,519
Speaker 1: thing that could even possibly be a tip off is

1428
01:12:09,560 --> 01:12:15,040
Speaker 1: at one point, Riley like suggests where they should go, right,

1429
01:12:15,400 --> 01:12:18,240
Speaker 1: who cares? Like, that's what it's like. Okay, so somebody

1430
01:12:18,280 --> 01:12:20,719
Speaker 1: in the crew of ten people is making a suggestion.

1431
01:12:21,120 --> 01:12:23,479
Speaker 1: It's called brainstorming. You should probably try that when you're

1432
01:12:23,479 --> 01:12:26,160
Speaker 1: trying to save the entire world. To me, that was

1433
01:12:26,240 --> 01:12:28,120
Speaker 1: not enough to know that she was going to be

1434
01:12:28,120 --> 01:12:28,559
Speaker 1: the one who.

1435
01:12:28,479 --> 01:12:31,320
Speaker 2: Flips interesting, So you don't think it was earned that

1436
01:12:31,400 --> 01:12:35,080
Speaker 2: she flipped. It was not totally Yeah, I was. I

1437
01:12:35,160 --> 01:12:38,040
Speaker 2: was fine with it. I was surprised. I was like, ooh,

1438
01:12:39,560 --> 01:12:42,479
Speaker 2: didn't see that coming, you know. But it's it's a

1439
01:12:42,720 --> 01:12:46,000
Speaker 2: it's soap. I'm now fully into the soap opera mode

1440
01:12:46,000 --> 01:12:49,160
Speaker 2: and just like, yeah, what's gonna happen next? What what

1441
01:12:49,240 --> 01:12:52,040
Speaker 2: twist and turn do you have for me? I loved.

1442
01:12:52,240 --> 01:12:56,320
Speaker 2: I loved when they reveal to Brian that Mia has

1443
01:12:56,400 --> 01:12:59,400
Speaker 2: been captured and they're like, maybe you should call, maybe

1444
01:12:59,400 --> 01:13:02,240
Speaker 2: you should call? Oh yeah, and then he calls and

1445
01:13:02,320 --> 01:13:07,360
Speaker 2: literally all she says is and I said that was enough, right.

1446
01:13:07,479 --> 01:13:11,920
Speaker 2: I mean, I'm like my wife whenever I call her

1447
01:13:12,320 --> 01:13:16,080
Speaker 2: or I will randomly hear how do I get my

1448
01:13:16,400 --> 01:13:20,679
Speaker 2: bluetooth working? You know, like it's just like that's not enough.

1449
01:13:20,800 --> 01:13:25,160
Speaker 2: It's not enough to assume that your wife has been kidnapped.

1450
01:13:26,240 --> 01:13:27,120
Speaker 2: Maybe that's just me.

1451
01:13:27,800 --> 01:13:31,519
Speaker 3: Right, right? And do I have it right that there's

1452
01:13:31,600 --> 01:13:37,639
Speaker 3: that part where Mia hands Jack over to Elina to escape,

1453
01:13:37,880 --> 01:13:41,760
Speaker 3: right right, So it's just it's just Mia who's captured, right.

1454
01:13:41,800 --> 01:13:46,559
Speaker 2: But inexplicably, why didn't Mia go along? I didn't. I

1455
01:13:46,600 --> 01:13:49,360
Speaker 2: didn't get that. Like, I guess she was like, you

1456
01:13:49,400 --> 01:13:53,280
Speaker 2: take Jack, protect Jack, and I'll just offer myself up

1457
01:13:53,560 --> 01:13:54,320
Speaker 2: so that Jack.

1458
01:13:54,200 --> 01:13:57,240
Speaker 3: Can buy you some time. I get maybe maybe, but

1459
01:13:57,400 --> 01:13:59,840
Speaker 3: next time, yeah, go over that wall first.

1460
01:14:00,200 --> 01:14:04,800
Speaker 2: But Alina hand you Jack. Yes, Oh, she's a cop

1461
01:14:05,280 --> 01:14:07,920
Speaker 2: who knows she's got a gun. She could, you know,

1462
01:14:08,360 --> 01:14:11,759
Speaker 2: hold them up, hold them on escape.

1463
01:14:11,760 --> 01:14:16,439
Speaker 3: I guess that's true. So to keep us going here,

1464
01:14:16,760 --> 01:14:19,880
Speaker 3: we gotta go get Shaw again. Man want to move

1465
01:14:19,920 --> 01:14:22,880
Speaker 3: by this guy? He is playing chess. So Shaw's group

1466
01:14:24,320 --> 01:14:29,160
Speaker 3: that they bored a moving gigantic aircraft. This thing is

1467
01:14:29,600 --> 01:14:33,760
Speaker 3: huge on And it said this in the Wikipedia right

1468
01:14:33,840 --> 01:14:37,280
Speaker 3: up for this movie, and I laughed. They bored this

1469
01:14:37,360 --> 01:14:42,760
Speaker 3: gigantic aircraft on an exceptionally long runway. It said that.

1470
01:14:43,400 --> 01:14:45,800
Speaker 3: It said that, and I couldn't believe it was on

1471
01:14:45,840 --> 01:14:49,760
Speaker 3: the Wikipedia page. As Dom's crew gives chase to him,

1472
01:14:50,320 --> 01:14:52,559
Speaker 3: and we say this because there's gonna be like a

1473
01:14:52,600 --> 01:14:56,280
Speaker 3: thirteen minute runway chase at the now end of this movie.

1474
01:14:56,920 --> 01:14:59,760
Speaker 3: And if it was actually true, the runway would be

1475
01:14:59,800 --> 01:15:04,680
Speaker 3: an estimated eighteen miles long. And JD, I know your

1476
01:15:04,720 --> 01:15:07,360
Speaker 3: brother is a pilot. Yeah, maybe he can fact check

1477
01:15:07,400 --> 01:15:09,720
Speaker 3: me on this. I think the longest runway in the

1478
01:15:09,720 --> 01:15:14,519
Speaker 3: world is maybe maybe three to five miles. Like, it's

1479
01:15:14,520 --> 01:15:17,360
Speaker 3: still long, yeah, but it's not eighteen miles long because

1480
01:15:17,360 --> 01:15:21,080
Speaker 3: they are on this runway, this entire seat. They're there,

1481
01:15:21,120 --> 01:15:23,400
Speaker 3: they're driving, then they're upped, and they're down, then they're upped,

1482
01:15:23,400 --> 01:15:26,479
Speaker 3: then they're down. It's like it's it's pretty hilarious. But yeah,

1483
01:15:26,600 --> 01:15:31,000
Speaker 3: that is in the Wikipedia right up. Exceptionally long runway accurate.

1484
01:15:31,400 --> 01:15:36,439
Speaker 2: That is very accurate. Yes, it's yeah. They could have

1485
01:15:36,560 --> 01:15:39,880
Speaker 2: easily been finished the runway and then just jumped onto

1486
01:15:39,920 --> 01:15:44,120
Speaker 2: a highway and then yeah, fine, right, and it's believable again, yeah.

1487
01:15:43,960 --> 01:15:46,160
Speaker 3: Because that plane is so big it could go through

1488
01:15:46,200 --> 01:15:49,920
Speaker 3: any like chain like fence, right. I mean, I guess

1489
01:15:49,960 --> 01:15:53,160
Speaker 3: the budget goes up like a like even tenfold if

1490
01:15:53,160 --> 01:15:55,280
Speaker 3: you're gonna take this scene into a city.

1491
01:15:56,160 --> 01:15:58,280
Speaker 2: Oh yeah, I'm not saying that. I'm saying just that

1492
01:15:58,439 --> 01:16:03,040
Speaker 2: country like as straight, you know, like a desert highway

1493
01:16:03,160 --> 01:16:06,439
Speaker 2: or something that goes on for eighteen miles, you know,

1494
01:16:06,600 --> 01:16:10,080
Speaker 2: but uh yeah, it's uh. I had a lot of

1495
01:16:10,120 --> 01:16:12,480
Speaker 2: problems with this, this whole sequence.

1496
01:16:12,600 --> 01:16:14,800
Speaker 3: I mean, yeah, the final set piece. There's a lot

1497
01:16:14,880 --> 01:16:15,880
Speaker 3: going on here.

1498
01:16:16,320 --> 01:16:20,360
Speaker 2: And all of it is totally unnecessary, like totally unnecessary

1499
01:16:20,360 --> 01:16:23,680
Speaker 2: in my book, but uh, you know, there's still some

1500
01:16:23,720 --> 01:16:26,759
Speaker 2: spectacular stuff. I mean, this is this is how I felt.

1501
01:16:26,800 --> 01:16:29,320
Speaker 2: I mean, we've all been there when we go out

1502
01:16:29,360 --> 01:16:32,880
Speaker 2: to dinner and we uh fill up on appetizers and

1503
01:16:32,920 --> 01:16:35,160
Speaker 2: the appetizers are great, and then all of a sudden,

1504
01:16:35,160 --> 01:16:37,559
Speaker 2: the fucking main course comes and you're just like uh

1505
01:16:37,960 --> 01:16:38,639
Speaker 2: oh and.

1506
01:16:38,640 --> 01:16:41,200
Speaker 3: It's huge too, and looking at it.

1507
01:16:41,000 --> 01:16:42,920
Speaker 2: And it's and it's not and its end, it's not

1508
01:16:43,040 --> 01:16:45,800
Speaker 2: as good as the rest of the the appetizers, right,

1509
01:16:45,880 --> 01:16:48,040
Speaker 2: And that's that's how this movie felt. I was just

1510
01:16:48,080 --> 01:16:51,200
Speaker 2: like I'd had enough. I was just like I was

1511
01:16:51,240 --> 01:16:54,200
Speaker 2: in Lori our Tinian mode with the lights were down

1512
01:16:54,240 --> 01:16:56,760
Speaker 2: and the music though the audio was cranked. I was

1513
01:16:56,800 --> 01:17:00,240
Speaker 2: just bombastic and I was like ninety minutes was but

1514
01:17:00,320 --> 01:17:01,160
Speaker 2: another half hour.

1515
01:17:02,280 --> 01:17:05,320
Speaker 3: I could not agree more. And we are now forever

1516
01:17:05,439 --> 01:17:12,320
Speaker 3: calling appetizers, tanks and giant planes, tanks and planes, tanks

1517
01:17:12,360 --> 01:17:14,920
Speaker 3: and planes. What are we doing here? We're just getting tanks.

1518
01:17:15,040 --> 01:17:19,200
Speaker 3: We share tanks, all right? Good. I don't feel like

1519
01:17:19,200 --> 01:17:22,200
Speaker 3: a giant plane either, especially down here in the States.

1520
01:17:22,240 --> 01:17:25,920
Speaker 3: The planes are bigger here in the States. Okay, well yeah, okay,

1521
01:17:25,920 --> 01:17:28,760
Speaker 3: so the specifics, and I'm gonna fly through these and trade.

1522
01:17:29,000 --> 01:17:31,120
Speaker 3: You can touch on anyone you want. But we get Dom,

1523
01:17:31,240 --> 01:17:35,600
Speaker 3: Letty and Brian. They bored the plane. Brian rescues me,

1524
01:17:35,960 --> 01:17:39,080
Speaker 3: they escape. I think the plane attempts to take off,

1525
01:17:39,080 --> 01:17:42,040
Speaker 3: but it's held down I think by the excess weight.

1526
01:17:42,479 --> 01:17:44,960
Speaker 3: As the rest of the team have tethered the plane

1527
01:17:44,960 --> 01:17:47,360
Speaker 3: to their vehicle, they're like, this worked for a tank

1528
01:17:47,960 --> 01:17:50,160
Speaker 3: sort of, you know, it's gonna work for a giant plane.

1529
01:17:50,760 --> 01:17:55,639
Speaker 3: Giselle sacrifices herself to save Han from Sean's Sew's excuse me, henchman.

1530
01:17:56,600 --> 01:17:58,719
Speaker 3: You know, she shoots them because he's about to kill

1531
01:17:58,760 --> 01:18:02,360
Speaker 3: Han from behind. Letty kills Riley because they have that fight,

1532
01:18:02,880 --> 01:18:07,960
Speaker 3: and she escapes with Hobbs to safety. I think I

1533
01:18:08,000 --> 01:18:10,920
Speaker 3: have that right that's right. But Dom then pursues Shaw

1534
01:18:11,040 --> 01:18:14,880
Speaker 3: in that computer chip, and as the plane crashes finally

1535
01:18:14,920 --> 01:18:20,400
Speaker 3: into the ground after eighteen miles of driving, Shaw is

1536
01:18:20,560 --> 01:18:24,360
Speaker 3: thrown from it and Dom drives a charger out of

1537
01:18:24,400 --> 01:18:29,080
Speaker 3: the nose of the exploding plane. Right, I think I

1538
01:18:29,160 --> 01:18:30,840
Speaker 3: have that right, or I really should say I think

1539
01:18:30,840 --> 01:18:34,120
Speaker 3: Wikipedia has that right, and whatever I sort of sprinkled

1540
01:18:34,160 --> 01:18:38,800
Speaker 3: in there. Trey your thoughts on the final set piece

1541
01:18:38,800 --> 01:18:41,640
Speaker 3: here with the giant plane or any of the specific

1542
01:18:41,760 --> 01:18:43,400
Speaker 3: like sort of battles going on here.

1543
01:18:44,360 --> 01:18:46,400
Speaker 1: Well, not only is that too big of a meal

1544
01:18:46,479 --> 01:18:50,400
Speaker 1: to eat after you've had some delicious appetizers, too many ingredients,

1545
01:18:50,640 --> 01:18:54,320
Speaker 1: I would say as well to me, the whole does

1546
01:18:54,360 --> 01:18:56,599
Speaker 1: not equal the sum of the parts here, because there

1547
01:18:56,640 --> 01:19:00,479
Speaker 1: are some incredible moments. We talked about Dom's flying headbutt,

1548
01:19:00,479 --> 01:19:02,559
Speaker 1: which is a hilarious moment.

1549
01:19:02,560 --> 01:19:05,080
Speaker 3: There's a great there's some great fighting scenes in here.

1550
01:19:05,120 --> 01:19:08,519
Speaker 1: You've got Dom fighting Shaw, Hobbs is fighting the huge guy.

1551
01:19:08,680 --> 01:19:11,600
Speaker 1: Eventually they team up together, the two of them like

1552
01:19:12,000 --> 01:19:14,759
Speaker 1: side by side. This is when Vin and the Rocks

1553
01:19:14,800 --> 01:19:17,080
Speaker 1: still liked each other. So I'm there for that. I'm

1554
01:19:17,120 --> 01:19:19,920
Speaker 1: loving it. Eventually Dom lifts the huge Guy up for

1555
01:19:20,000 --> 01:19:22,280
Speaker 1: Hobbs the clothes line. Oh yeah, and then they give

1556
01:19:22,320 --> 01:19:24,400
Speaker 1: each other a couple of sup guys. You know that's

1557
01:19:24,439 --> 01:19:25,719
Speaker 1: what doom move.

1558
01:19:25,800 --> 01:19:26,160
Speaker 2: That was.

1559
01:19:26,360 --> 01:19:27,360
Speaker 3: Yeah, that was cool.

1560
01:19:27,840 --> 01:19:31,800
Speaker 1: We also do see one of the most gruesome deaths

1561
01:19:31,840 --> 01:19:36,240
Speaker 1: in Fast and Furious so far, when Letty blasts Righty

1562
01:19:36,360 --> 01:19:39,599
Speaker 1: out the window with a harpoon. I was like, Oh,

1563
01:19:40,760 --> 01:19:43,719
Speaker 1: that's maybe the worst death so far that we've seen.

1564
01:19:44,120 --> 01:19:45,280
Speaker 3: Wrong team bitch.

1565
01:19:45,800 --> 01:19:49,679
Speaker 1: Ugh. I didn't like that Giselle had to die. I mean,

1566
01:19:49,880 --> 01:19:52,200
Speaker 1: at least she did it, sacrificing her life for Han.

1567
01:19:52,479 --> 01:19:54,760
Speaker 3: But wait, wait, wait, wait, wait wait wait why she

1568
01:19:54,880 --> 01:19:56,280
Speaker 3: did Why is she dead?

1569
01:19:56,439 --> 01:19:59,679
Speaker 2: Totally? Yeah? Again?

1570
01:20:02,479 --> 01:20:06,840
Speaker 3: Could we didn't see her actually die. She fell, of

1571
01:20:06,880 --> 01:20:10,120
Speaker 3: course from that from that vehicle. But I don't know, JD.

1572
01:20:10,400 --> 01:20:12,280
Speaker 3: You could go back in a couple of movies, right.

1573
01:20:12,600 --> 01:20:15,160
Speaker 2: The only reason I don't think she does is because

1574
01:20:15,200 --> 01:20:18,680
Speaker 2: she went on to star as Wonder Woman. But I mean,

1575
01:20:18,760 --> 01:20:20,280
Speaker 2: that's the only evidence that I have.

1576
01:20:23,000 --> 01:20:25,559
Speaker 3: Touches a spark plug and that turns her into wonder Oh.

1577
01:20:26,240 --> 01:20:29,880
Speaker 2: I like it. Yeah, And it was another one of

1578
01:20:29,920 --> 01:20:35,479
Speaker 2: those moments. It happened last movie where Vince dies He's shot.

1579
01:20:35,920 --> 01:20:40,240
Speaker 2: Dom does nothing nothing to try to save him, no

1580
01:20:40,360 --> 01:20:44,640
Speaker 2: direct pressure, nothing. We get to the end of the runway.

1581
01:20:44,880 --> 01:20:49,639
Speaker 2: Granted it's eighteen miles, but still, Han's like, well she's gone,

1582
01:20:49,880 --> 01:20:55,160
Speaker 2: It's just gone. I can drive back. Baby. There's a chance,

1583
01:20:55,280 --> 01:20:59,920
Speaker 2: I mean it's it's possible, I mean, not likely, but it's.

1584
01:21:00,360 --> 01:21:04,360
Speaker 3: At least follow up. Yeah. I agree that everybody in

1585
01:21:04,400 --> 01:21:06,719
Speaker 3: this series is too quick to be like that person's

1586
01:21:06,760 --> 01:21:10,760
Speaker 3: dead and if anything, Yeah, it takes a lot to

1587
01:21:10,880 --> 01:21:14,000
Speaker 3: kill somebody, so they're more likely they're alive. Yeah, they

1588
01:21:14,400 --> 01:21:18,120
Speaker 3: just got shot in the chest or run over or

1589
01:21:18,160 --> 01:21:20,759
Speaker 3: flipped a hundred times or fell from an extreme height,

1590
01:21:20,800 --> 01:21:23,400
Speaker 3: but it's more likely in this world that they're alive,

1591
01:21:23,479 --> 01:21:24,320
Speaker 3: so go check on them.

1592
01:21:24,360 --> 01:21:24,880
Speaker 2: Totally.

1593
01:21:25,000 --> 01:21:26,920
Speaker 3: Yeah, I guess. I guess she is dead because she

1594
01:21:27,000 --> 01:21:31,160
Speaker 3: has now turned into wonder Woman. It's a I'm with you, Trey.

1595
01:21:31,320 --> 01:21:35,000
Speaker 3: It was a lot going on the whole Mia, Brian

1596
01:21:35,080 --> 01:21:37,120
Speaker 3: park I think Brian throws. Is it this scene where

1597
01:21:37,160 --> 01:21:42,080
Speaker 3: he does throw a flying Superman punch again? Though? Yeah, ah, yes,

1598
01:21:42,640 --> 01:21:43,679
Speaker 3: that was your cool move.

1599
01:21:44,320 --> 01:21:47,880
Speaker 2: There's one thing about Brian and MIA's part where they

1600
01:21:47,960 --> 01:21:53,080
Speaker 2: take out the ramp car right by going backwards over it.

1601
01:21:53,280 --> 01:21:55,920
Speaker 2: Did I get that right? Like he reverses, the car

1602
01:21:56,120 --> 01:21:59,080
Speaker 2: goes over and and then it just crashes into a wall.

1603
01:21:59,120 --> 01:22:03,400
Speaker 2: But somehow that would him finally beating this ultimate weapon, right,

1604
01:22:03,520 --> 01:22:06,519
Speaker 2: like the weapon was now he found the weak spot,

1605
01:22:06,560 --> 01:22:10,040
Speaker 2: which is just go drive over it backwards. Yeah I

1606
01:22:10,120 --> 01:22:10,439
Speaker 2: don't know.

1607
01:22:10,640 --> 01:22:11,919
Speaker 3: He can't going backwards.

1608
01:22:12,040 --> 01:22:16,679
Speaker 2: I guess I don't know, but yeah, really really weird part. Again,

1609
01:22:16,760 --> 01:22:20,880
Speaker 2: that part of it was totally unnecessary, and that's unnecessary

1610
01:22:21,000 --> 01:22:23,759
Speaker 2: part to an unnecessary scene in my mind.

1611
01:22:23,840 --> 01:22:27,440
Speaker 3: But yeah, yeah, and I will say, like the tethering

1612
01:22:27,560 --> 01:22:31,360
Speaker 3: to the plane with these cars, I was I was

1613
01:22:31,439 --> 01:22:33,680
Speaker 3: so confused and like and like how you know, I

1614
01:22:33,720 --> 01:22:35,519
Speaker 3: know none of this is believable, we said in a

1615
01:22:35,560 --> 01:22:37,559
Speaker 3: million times, but like I was like, come on this.

1616
01:22:38,160 --> 01:22:40,920
Speaker 3: The cars they're being lifted. At some points in the air,

1617
01:22:40,960 --> 01:22:44,080
Speaker 3: they would be like they'd be spinning around. They somehow

1618
01:22:44,160 --> 01:22:46,439
Speaker 3: always stay like sort of like well, if we go

1619
01:22:46,479 --> 01:22:48,479
Speaker 3: back down, we can still drive, right, We're good. Yeah.

1620
01:22:48,560 --> 01:22:52,760
Speaker 2: So yeah, my understanding was to defend them a little here.

1621
01:22:53,320 --> 01:22:56,240
Speaker 2: I think that they were going for the flaps, right,

1622
01:22:56,320 --> 01:23:00,400
Speaker 2: they were trying to harpoo me time down. Yeah, and

1623
01:23:00,439 --> 01:23:03,120
Speaker 2: if the flaps aren't if they can't get the flaps going,

1624
01:23:03,320 --> 01:23:05,840
Speaker 2: then the plane's not gonna take off.

1625
01:23:05,920 --> 01:23:07,240
Speaker 3: Okay, yeah, I guess.

1626
01:23:07,360 --> 01:23:08,640
Speaker 2: I mean, no, you're right, right, you're right.

1627
01:23:09,000 --> 01:23:11,679
Speaker 3: But at times that plane was in the air right

1628
01:23:11,960 --> 01:23:12,880
Speaker 3: like it was getting out.

1629
01:23:13,080 --> 01:23:16,120
Speaker 2: For the whole second half of the chase, I think

1630
01:23:16,160 --> 01:23:19,240
Speaker 2: it was in the air at least partially. Yeah. When

1631
01:23:19,320 --> 01:23:22,120
Speaker 2: Hobbs jumps back out, he's like, okay, I'm done fighting.

1632
01:23:22,120 --> 01:23:24,759
Speaker 2: I'm gonna go back in the jeep. Now he jumps

1633
01:23:24,840 --> 01:23:29,000
Speaker 2: back the plane is in the air, and then he's like, okay,

1634
01:23:29,080 --> 01:23:33,640
Speaker 2: let your turn now, and she's like what are you?

1635
01:23:33,760 --> 01:23:36,439
Speaker 2: Are you serious? And then she just goes I guess.

1636
01:23:36,479 --> 01:23:40,439
Speaker 2: But can you imagine like like if I'm on the

1637
01:23:40,479 --> 01:23:43,560
Speaker 2: roof of my house here and I'm like there, one floor,

1638
01:23:43,760 --> 01:23:47,200
Speaker 2: two grass and I can bend my knees, tuck and roll.

1639
01:23:47,840 --> 01:23:50,080
Speaker 2: I'm like, I'll be up there for an hour and

1640
01:23:50,120 --> 01:23:52,960
Speaker 2: a half, like hesitating, like I don't know about this,

1641
01:23:53,320 --> 01:23:56,400
Speaker 2: like the sunny day where you know, put a trampoline

1642
01:23:56,439 --> 01:24:00,000
Speaker 2: down there. I'm still hesitating. I'm like, a I don't know. Man.

1643
01:24:00,040 --> 01:24:03,000
Speaker 2: Then like, but you're jumping into a jeep with two

1644
01:24:03,120 --> 01:24:07,720
Speaker 2: guys already in it and seats like what and you're

1645
01:24:07,760 --> 01:24:11,280
Speaker 2: on a plane like you're you're going like, so.

1646
01:24:11,560 --> 01:24:16,040
Speaker 3: He's as big as the jeep, right, he's a giant human. Again,

1647
01:24:16,080 --> 01:24:19,120
Speaker 3: this is not this is not the the I forget

1648
01:24:19,160 --> 01:24:21,519
Speaker 3: the guy's name, the character's name in Ocean's eleven that

1649
01:24:21,560 --> 01:24:23,240
Speaker 3: they put in the bank vault because he can like

1650
01:24:23,439 --> 01:24:27,240
Speaker 3: trapeze around like it's almost like, yeah, like the guy

1651
01:24:27,280 --> 01:24:30,000
Speaker 3: that can go on American Ninja Warrior and win. Okay,

1652
01:24:30,080 --> 01:24:32,519
Speaker 3: I could sort of maybe see them talking themselves out

1653
01:24:32,560 --> 01:24:35,400
Speaker 3: of jumping from thirty feet. Not the rock. The rock

1654
01:24:35,479 --> 01:24:37,679
Speaker 3: is gonna squash the two guys in the vehicle.

1655
01:24:38,520 --> 01:24:40,800
Speaker 1: We saw him botch a jump earlier in this movie.

1656
01:24:40,840 --> 01:24:43,519
Speaker 1: He looked onto a car and fell right off. Well yeah,

1657
01:24:43,520 --> 01:24:46,920
Speaker 1: maybe he looked out the planes like is there any parking.

1658
01:24:46,720 --> 01:24:48,639
Speaker 3: Uh rodgers around here?

1659
01:24:49,520 --> 01:24:49,720
Speaker 1: Clear?

1660
01:24:49,840 --> 01:24:53,479
Speaker 3: No, we're good. Okay, god, yeah, there's a lot going on.

1661
01:24:53,520 --> 01:24:57,040
Speaker 3: And then the ending, like I said, is is Dom

1662
01:24:57,160 --> 01:25:02,120
Speaker 3: driving out of the nose of the plane exploding like

1663
01:25:02,200 --> 01:25:05,000
Speaker 3: you like you're like for a second, you're like, oh god,

1664
01:25:05,040 --> 01:25:07,759
Speaker 3: Dom's dead. No one for a second thinks that because

1665
01:25:08,120 --> 01:25:10,080
Speaker 3: he can't even get a scar on him unless it

1666
01:25:10,120 --> 01:25:16,000
Speaker 3: was from body surfing, but otherwise he yeh here he comes,

1667
01:25:16,000 --> 01:25:18,800
Speaker 3: he bursts out, so you know, well, hold lost as

1668
01:25:18,800 --> 01:25:20,479
Speaker 3: cool as the tank. To me, I gotta say, well,

1669
01:25:20,479 --> 01:25:21,640
Speaker 3: go ahead, No, definitely not.

1670
01:25:21,760 --> 01:25:24,479
Speaker 2: But also he he jumps out of the nose of

1671
01:25:24,520 --> 01:25:28,760
Speaker 2: the plane, but then flips the charger and then, as

1672
01:25:28,800 --> 01:25:32,960
Speaker 2: I understood, it gets consumed in the the wreckage of

1673
01:25:33,000 --> 01:25:36,200
Speaker 2: the plane goes over him right right, because then he

1674
01:25:36,280 --> 01:25:39,799
Speaker 2: walks out of the flames terminator style.

1675
01:25:39,960 --> 01:25:40,639
Speaker 3: Yeah, that's right.

1676
01:25:41,920 --> 01:25:43,760
Speaker 2: He went back to get the chip out of the

1677
01:25:43,800 --> 01:25:47,720
Speaker 2: burning wreckage. I mean yeah, and that that that scene did.

1678
01:25:47,800 --> 01:25:50,040
Speaker 2: Look it was right out a terminator when the when

1679
01:25:50,040 --> 01:25:52,800
Speaker 2: the terminator comes out of the flames, he just had

1680
01:25:52,960 --> 01:25:56,840
Speaker 2: his skin still on, unlike the terminator. So he's stronger

1681
01:25:56,840 --> 01:26:00,559
Speaker 2: than the terminator. Look.

1682
01:26:01,760 --> 01:26:07,000
Speaker 3: Facts, he's faster and stronger than Superman and can fly better.

1683
01:26:07,200 --> 01:26:10,960
Speaker 3: And yeah, now he's he's stronger than the terminator, like

1684
01:26:10,960 --> 01:26:12,880
Speaker 3: you said, goes on and on with Dom. We're learning

1685
01:26:12,960 --> 01:26:15,080
Speaker 3: every day here that he really is a superhero. That

1686
01:26:15,120 --> 01:26:18,920
Speaker 3: he's touched a spark plug at some point in his life. Yeah,

1687
01:26:19,439 --> 01:26:21,720
Speaker 3: anything else to add to the Uh, well, we'll get

1688
01:26:21,760 --> 01:26:24,599
Speaker 3: to the reunited you know, everybody reuniting. But from this

1689
01:26:24,720 --> 01:26:28,360
Speaker 3: final final scene here, the big set piece. Uh, what

1690
01:26:28,479 --> 01:26:29,880
Speaker 3: if we had not covered? Man?

1691
01:26:29,920 --> 01:26:32,160
Speaker 1: I think we've covered basically everything I would have to

1692
01:26:32,200 --> 01:26:34,519
Speaker 1: say about this except for that. I think the story

1693
01:26:34,560 --> 01:26:37,080
Speaker 1: goes that. Justin Lynn said he came up with the

1694
01:26:37,160 --> 01:26:40,680
Speaker 1: idea for this plane chase for Fast five, and the

1695
01:26:40,720 --> 01:26:43,160
Speaker 1: first image he had in his mind was of Dom

1696
01:26:43,320 --> 01:26:47,720
Speaker 1: driving his car through a flaming plane. And you can

1697
01:26:47,800 --> 01:26:50,280
Speaker 1: kind of tell that that's how the scene came about there, like,

1698
01:26:50,600 --> 01:26:53,000
Speaker 1: we just had to have some kick ass visuals here.

1699
01:26:53,439 --> 01:26:56,400
Speaker 1: A car driving out of an exploding plane, that's pretty cool.

1700
01:26:57,120 --> 01:27:00,519
Speaker 1: How do we make it happen? Well, how about an

1701
01:27:00,560 --> 01:27:01,519
Speaker 1: eighteen mile runway?

1702
01:27:01,680 --> 01:27:03,160
Speaker 3: Yeah, fire it up?

1703
01:27:03,800 --> 01:27:06,080
Speaker 1: And that to me was just like what kind of

1704
01:27:06,120 --> 01:27:09,120
Speaker 1: crazy ideas can we put in here? Rather than trying

1705
01:27:09,120 --> 01:27:10,960
Speaker 1: to figure out how to make the scene makes sense?

1706
01:27:10,960 --> 01:27:14,000
Speaker 1: Because I also feel like it loses a lot being

1707
01:27:14,040 --> 01:27:17,000
Speaker 1: shot in the dark, Like it's hard to follow.

1708
01:27:17,280 --> 01:27:19,519
Speaker 3: The plane is gigantic, the runway is.

1709
01:27:19,600 --> 01:27:22,480
Speaker 1: Forever, so the cars are.

1710
01:27:22,240 --> 01:27:23,280
Speaker 3: Probably going fast.

1711
01:27:23,320 --> 01:27:25,040
Speaker 1: You know, the cars are probably going one hundred miles

1712
01:27:25,080 --> 01:27:27,599
Speaker 1: an hour, but it doesn't feel like it at all.

1713
01:27:27,640 --> 01:27:27,880
Speaker 3: To me.

1714
01:27:27,920 --> 01:27:29,720
Speaker 1: It feels like they could be going thirty miles an

1715
01:27:29,760 --> 01:27:33,040
Speaker 1: hour just as easily. The scale of it and being

1716
01:27:33,080 --> 01:27:36,559
Speaker 1: shot in the dark. I don't know to if it's

1717
01:27:36,800 --> 01:27:39,439
Speaker 1: just to get Dom driving his car out of the

1718
01:27:39,520 --> 01:27:42,120
Speaker 1: exploding plane and having it look awesome. To me, it's

1719
01:27:42,160 --> 01:27:45,040
Speaker 1: not totally worth it. It would have been cooler to actually

1720
01:27:45,080 --> 01:27:46,240
Speaker 1: see things that are going on.

1721
01:27:46,840 --> 01:27:49,559
Speaker 3: And you know, we keep making fun of Dom being

1722
01:27:49,600 --> 01:27:53,559
Speaker 3: a superhero, which is definitely true. Everybody else is Spider

1723
01:27:53,640 --> 01:27:56,000
Speaker 3: Man too. The way they can hold onto a vehicle

1724
01:27:56,120 --> 01:27:59,840
Speaker 3: is incredible, Like all of them. They just have like

1725
01:28:00,040 --> 01:28:03,880
Speaker 3: suction cup hands and feet and they're strong enough to

1726
01:28:04,040 --> 01:28:07,000
Speaker 3: just like always be holding onto the vehicle unless you

1727
01:28:07,080 --> 01:28:08,640
Speaker 3: got to grab your gun to shoot a guy like

1728
01:28:09,240 --> 01:28:12,200
Speaker 3: Giselle does to save to save.

1729
01:28:12,000 --> 01:28:14,600
Speaker 2: Han there, and I was a spectacular shot. I just

1730
01:28:14,600 --> 01:28:17,720
Speaker 2: want to say that, Like when her death scene, that

1731
01:28:17,920 --> 01:28:21,519
Speaker 2: shot of her just letting go, firing the gun like

1732
01:28:22,040 --> 01:28:25,120
Speaker 2: and just disappearing into the blackness was very very cool

1733
01:28:25,200 --> 01:28:28,360
Speaker 2: looking for sure, and I think they and then you

1734
01:28:28,400 --> 01:28:32,360
Speaker 2: get the shot of Han going like reacting to her

1735
01:28:32,600 --> 01:28:34,840
Speaker 2: making the sacrifice. I enjoyed that.

1736
01:28:35,360 --> 01:28:38,719
Speaker 3: Okay, we still really don't know if Gzelle is dead,

1737
01:28:38,840 --> 01:28:40,840
Speaker 3: just to throw that in because this is the Fast

1738
01:28:40,880 --> 01:28:45,799
Speaker 3: and Furious franchise, but is Owen Shaw dead. Mmmm, because

1739
01:28:45,800 --> 01:28:49,160
Speaker 3: we don't see him die. I know what's going to

1740
01:28:49,200 --> 01:28:51,800
Speaker 3: happen here in the old mid credits scene that we're

1741
01:28:51,800 --> 01:28:55,040
Speaker 3: gonna get to is a family member, because family is everything.

1742
01:28:55,120 --> 01:28:58,880
Speaker 3: You actually lied, it turns out is going to come

1743
01:28:58,920 --> 01:29:02,559
Speaker 3: into play. But is he dead? I'm trying to read

1744
01:29:02,600 --> 01:29:03,400
Speaker 3: tk's face.

1745
01:29:03,600 --> 01:29:03,960
Speaker 2: He's not.

1746
01:29:04,200 --> 01:29:09,240
Speaker 1: Literally, he's not he I mean, this is not a

1747
01:29:09,240 --> 01:29:12,679
Speaker 1: big spoiler. He shows up pretty early in Fast seven.

1748
01:29:12,960 --> 01:29:15,400
Speaker 1: He's not doing well. Also, okay, he's not that, but

1749
01:29:15,439 --> 01:29:17,759
Speaker 1: he's not doing well. He's not a big factor anymore.

1750
01:29:17,840 --> 01:29:20,880
Speaker 2: Okay, okay, Wow, then Giselle must be.

1751
01:29:21,000 --> 01:29:25,640
Speaker 3: Yeah, that's why exactly. He went through way more than

1752
01:29:25,720 --> 01:29:27,080
Speaker 3: Jill big point.

1753
01:29:27,400 --> 01:29:30,080
Speaker 1: Yeah, I'm not ruling her out coming back for like

1754
01:29:30,160 --> 01:29:32,160
Speaker 1: Fast ten at this point, now that you've ventured it,

1755
01:29:32,720 --> 01:29:33,200
Speaker 1: Oh my god.

1756
01:29:33,800 --> 01:29:37,000
Speaker 3: Okay, so yeah, we got the chip way to go. Dom,

1757
01:29:37,240 --> 01:29:41,760
Speaker 3: you are the hero, You are the terminator. Dom reunites

1758
01:29:41,960 --> 01:29:43,800
Speaker 3: with his crew. Oh, I guess this is where he

1759
01:29:43,840 --> 01:29:45,639
Speaker 3: says the line? Is this where he says the thirteen

1760
01:29:45,680 --> 01:29:49,240
Speaker 3: twenty seven LINEE Rice? Yeah? And I was so proud

1761
01:29:49,240 --> 01:29:56,200
Speaker 3: of myself. I was like, that's the house address. I

1762
01:29:56,280 --> 01:30:00,919
Speaker 3: said it. I was like boom. Yeah. So Dom reunites

1763
01:30:00,960 --> 01:30:04,320
Speaker 3: with his crew and gives the chip. Sorry, that's the

1764
01:30:04,360 --> 01:30:06,960
Speaker 3: part there on the tarmac. So they get their pardons.

1765
01:30:07,680 --> 01:30:10,920
Speaker 3: Dom and the others return to his old family home

1766
01:30:11,080 --> 01:30:13,320
Speaker 3: in La thirteen twenty seven. You get a little shot

1767
01:30:13,320 --> 01:30:15,760
Speaker 3: of the address just to drive it home, where Dom

1768
01:30:15,800 --> 01:30:18,599
Speaker 3: and his crew have a gathering to share a meal.

1769
01:30:19,000 --> 01:30:21,439
Speaker 3: I was a little disappointed there was no quick scene

1770
01:30:21,439 --> 01:30:23,600
Speaker 3: of somebody shooting a basketball. I think they took the

1771
01:30:24,680 --> 01:30:27,280
Speaker 3: net down off the side of the house there. But

1772
01:30:28,120 --> 01:30:32,280
Speaker 3: Hobbes and Alina arrive to confirm the crew's freedom. Yep,

1773
01:30:32,439 --> 01:30:35,000
Speaker 3: we did the paperwork, checks out. You guys are good.

1774
01:30:36,280 --> 01:30:37,080
Speaker 3: That's how it works.

1775
01:30:37,160 --> 01:30:41,599
Speaker 1: Huh Yeah, just an agent shows up, so you're all free.

1776
01:30:42,240 --> 01:30:42,919
Speaker 3: No hearings.

1777
01:30:43,000 --> 01:30:44,680
Speaker 1: We're not going to bring you into a courtroom. We're

1778
01:30:44,680 --> 01:30:46,960
Speaker 1: not going to do any paperwork. Just we're stopping by

1779
01:30:47,040 --> 01:30:48,400
Speaker 1: to let you know it's all good.

1780
01:30:49,040 --> 01:30:51,720
Speaker 3: Yeah. It's like they came back into the States on

1781
01:30:51,800 --> 01:30:55,560
Speaker 3: a I mean on a like a visitor visa basically,

1782
01:30:55,640 --> 01:30:59,439
Speaker 3: and then they got their paperwork through integration to that

1783
01:30:59,479 --> 01:31:00,960
Speaker 3: they could stay and they were fine. They were part

1784
01:31:01,000 --> 01:31:02,679
Speaker 3: in anyway. They're back of their house, they're sharing a meal,

1785
01:31:02,920 --> 01:31:06,120
Speaker 3: which there are some funny parts. Hobbes, like I said,

1786
01:31:06,160 --> 01:31:08,679
Speaker 3: and Elena there they confirm it, and then Elena accepts

1787
01:31:08,680 --> 01:31:11,599
Speaker 3: that Dom loves Letty. This is the big well not big,

1788
01:31:11,640 --> 01:31:14,559
Speaker 3: we said it. It was super quick. She's like, oh man,

1789
01:31:15,439 --> 01:31:17,920
Speaker 3: you're in love with Letty. You've sort of, you know,

1790
01:31:18,520 --> 01:31:21,439
Speaker 3: I guess, retriggered her, not even retriggered her memories. I

1791
01:31:21,479 --> 01:31:23,559
Speaker 3: guess her memory never does come back.

1792
01:31:25,000 --> 01:31:25,200
Speaker 2: Now.

1793
01:31:25,680 --> 01:31:26,920
Speaker 3: She just falls in love with them.

1794
01:31:26,960 --> 01:31:27,760
Speaker 1: Feels like home.

1795
01:31:28,800 --> 01:31:31,400
Speaker 3: Yeah that's true. Yeah, but that you could look at

1796
01:31:31,400 --> 01:31:35,639
Speaker 3: that as like this is right. So wow, she really

1797
01:31:35,640 --> 01:31:37,720
Speaker 3: falls in love with them twice in her life. That's

1798
01:31:37,760 --> 01:31:43,439
Speaker 3: pretty crazy, pretty crazy three times if you count real life.

1799
01:31:44,640 --> 01:31:50,040
Speaker 3: Good point a weird, weird thing. Anyway, some great stuff here,

1800
01:31:50,280 --> 01:31:53,160
Speaker 3: because we get the Roman part where he does he

1801
01:31:53,240 --> 01:31:56,160
Speaker 3: starts to eat, which is amazing that Han doesn't start

1802
01:31:56,160 --> 01:31:57,960
Speaker 3: to eat first, like he's always eating.

1803
01:31:58,000 --> 01:32:01,720
Speaker 2: But I think he's brought grieving, to be fair, he

1804
01:32:01,920 --> 01:32:02,519
Speaker 2: is grieving.

1805
01:32:02,560 --> 01:32:07,040
Speaker 3: Yeah, that's true. He's sucking back at Corona. Yeah, Brian,

1806
01:32:07,120 --> 01:32:09,439
Speaker 3: I think calls out Roman, oh you ate, you gotta

1807
01:32:09,479 --> 01:32:13,679
Speaker 3: now say grace. This is a great callback. He starts

1808
01:32:13,680 --> 01:32:16,320
Speaker 3: it by saying thank you for the gathering of friends.

1809
01:32:16,400 --> 01:32:18,880
Speaker 3: I don't know why that part killed me, and then

1810
01:32:19,000 --> 01:32:20,800
Speaker 3: goes on to have a nice little Uh. I guess

1811
01:32:20,800 --> 01:32:23,320
Speaker 3: you could say grace. It reminds me. I think i've

1812
01:32:23,320 --> 01:32:24,919
Speaker 3: shared this story before in the podcast.

1813
01:32:25,200 --> 01:32:25,320
Speaker 1: Uh.

1814
01:32:26,160 --> 01:32:28,519
Speaker 3: I don't know why. I guess it was almost joke. No,

1815
01:32:28,560 --> 01:32:30,960
Speaker 3: you know, what must have been like a thanksgiving or something.

1816
01:32:31,200 --> 01:32:33,799
Speaker 3: It was with it was with friends, and somebody started

1817
01:32:33,800 --> 01:32:38,360
Speaker 3: the uh started grace with thanks for the blessings or

1818
01:32:38,400 --> 01:32:41,160
Speaker 3: thank you for the blessings, and it's great, and it

1819
01:32:41,240 --> 01:32:43,280
Speaker 3: was like basically yet that was sort of it. All right,

1820
01:32:43,640 --> 01:32:45,639
Speaker 3: let's see my.

1821
01:32:45,680 --> 01:32:50,240
Speaker 1: Favorite fast cars is my favorite? Oh yeah, Roman's prayer

1822
01:32:51,720 --> 01:32:53,679
Speaker 1: forgot thank you for fast cars.

1823
01:32:54,040 --> 01:32:58,479
Speaker 3: We also have my I think I laughed the hardest

1824
01:32:58,479 --> 01:33:02,439
Speaker 3: at this scene of this entire movie. Dom and Hobbes

1825
01:33:03,400 --> 01:33:08,000
Speaker 3: standing what I can only describe as side by side

1826
01:33:08,479 --> 01:33:13,320
Speaker 3: facing operate opposite directions. Okay, so everybody took him out

1827
01:33:13,320 --> 01:33:18,360
Speaker 3: of this, so weird. Why what was the thinking with

1828
01:33:18,439 --> 01:33:21,839
Speaker 3: that blocking gd I, what's the reason? Man? You're a director,

1829
01:33:22,080 --> 01:33:24,000
Speaker 3: I mean, what's the story trying to tell us they're

1830
01:33:24,040 --> 01:33:27,240
Speaker 3: on even even ground? But you would be on even ground?

1831
01:33:27,280 --> 01:33:28,280
Speaker 3: Well maybe I don't.

1832
01:33:28,160 --> 01:33:31,240
Speaker 2: Know Yeah, honestly, I have no idea what that was

1833
01:33:31,280 --> 01:33:35,000
Speaker 2: about it. I would almost say like, oh, it because

1834
01:33:35,040 --> 01:33:37,400
Speaker 2: it looks cool, but it didn't look cool. It looked

1835
01:33:37,400 --> 01:33:40,559
Speaker 2: weird and awkward, and I was wondering, what what is

1836
01:33:40,600 --> 01:33:43,040
Speaker 2: going on here? Is he whispering in his ear? Is

1837
01:33:43,080 --> 01:33:46,439
Speaker 2: it sort of like? Uh, I don't know. I have

1838
01:33:46,560 --> 01:33:50,160
Speaker 2: no idea. If it was supposed to, uh, you know,

1839
01:33:50,320 --> 01:33:54,559
Speaker 2: symbolize something, if it was a metaphor for like you say,

1840
01:33:54,600 --> 01:33:57,479
Speaker 2: like we're on even ground now, or I'm going this way,

1841
01:33:57,520 --> 01:34:00,760
Speaker 2: you're going that way? Who knows that? Who? Who knows that?

1842
01:34:01,439 --> 01:34:05,120
Speaker 2: It was weird. It was very distracting, very distracting.

1843
01:34:05,560 --> 01:34:08,640
Speaker 3: Yeah, try anything that you can come up with to

1844
01:34:09,280 --> 01:34:11,360
Speaker 3: make them stand like that while they talk to each

1845
01:34:11,360 --> 01:34:12,960
Speaker 3: other for the final this movie.

1846
01:34:13,080 --> 01:34:16,080
Speaker 1: No, it was all caps. Why aren't they looking at

1847
01:34:16,080 --> 01:34:19,320
Speaker 1: each other? For me in the notes, it's like, either

1848
01:34:19,479 --> 01:34:21,600
Speaker 1: have them facing each other talking to each other, or

1849
01:34:21,640 --> 01:34:23,960
Speaker 1: if they don't want to look each other at each other, fine,

1850
01:34:24,040 --> 01:34:26,719
Speaker 1: like have them standing side by side, like can't stand

1851
01:34:26,720 --> 01:34:28,920
Speaker 1: to look each other in the face. But it just

1852
01:34:28,960 --> 01:34:31,120
Speaker 1: looked like they were standing in the wrong spots to me.

1853
01:34:31,360 --> 01:34:32,599
Speaker 3: Yeah, such a weird scene.

1854
01:34:32,880 --> 01:34:35,559
Speaker 2: Yeah, I mean if anything, you have the rock turn

1855
01:34:35,640 --> 01:34:38,320
Speaker 2: around because he's leaving anyway, and then you have the

1856
01:34:38,439 --> 01:34:40,599
Speaker 2: rock both of them facing the camera one and then

1857
01:34:40,640 --> 01:34:43,280
Speaker 2: you rack and focus. That would have made more sense,

1858
01:34:43,320 --> 01:34:45,960
Speaker 2: even though nobody talks like that, but it would be

1859
01:34:46,120 --> 01:34:48,759
Speaker 2: less distracting as a theater grower.

1860
01:34:48,880 --> 01:34:52,240
Speaker 3: You know, like, I just don't understand why they weren't

1861
01:34:52,280 --> 01:34:56,000
Speaker 3: standing side by side or face to face, like everybody

1862
01:34:56,040 --> 01:34:59,080
Speaker 3: also talks to you like face to face ninety nine

1863
01:34:59,120 --> 01:35:02,160
Speaker 3: percent of the time, okay, one percent standing just shoulder

1864
01:35:02,240 --> 01:35:04,719
Speaker 3: to shoulder because they're at a party and they're looking

1865
01:35:04,760 --> 01:35:07,280
Speaker 3: at everything and taking it all in. It's like two

1866
01:35:07,439 --> 01:35:10,680
Speaker 3: dads at a birthday party that you know, like we

1867
01:35:10,720 --> 01:35:12,479
Speaker 3: can still talk to each other. We can turn our

1868
01:35:12,520 --> 01:35:15,240
Speaker 3: heads and talk to each other about how great is

1869
01:35:15,280 --> 01:35:17,840
Speaker 3: it that this guy Lee brought this big slide over here.

1870
01:35:18,080 --> 01:35:21,800
Speaker 3: It's amazing. Kids love it, don't they? Yeah? But yeah,

1871
01:35:21,800 --> 01:35:23,920
Speaker 3: that way. No one ever stands that way, and they're

1872
01:35:23,960 --> 01:35:28,960
Speaker 3: like they're lined up perfectly. It's weird, but that's basically

1873
01:35:28,960 --> 01:35:32,400
Speaker 3: the movie. After you know, everybody's sitting down and eating

1874
01:35:32,479 --> 01:35:34,559
Speaker 3: and family, we get one more great part.

1875
01:35:34,680 --> 01:35:38,200
Speaker 1: Tom offers Elena to stay, like to stick her ound

1876
01:35:38,560 --> 01:35:41,200
Speaker 1: I thought was very weird. But even weirder was her

1877
01:35:41,280 --> 01:35:44,639
Speaker 1: response that the fam, her family is the police.

1878
01:35:45,760 --> 01:35:48,320
Speaker 3: She worked for the police for two months.

1879
01:35:48,520 --> 01:35:51,880
Speaker 1: Yeah, left to go live with an international jet setting

1880
01:35:51,920 --> 01:35:54,439
Speaker 1: criminal for a week, and now she's going back. We

1881
01:35:54,520 --> 01:35:56,720
Speaker 1: know she's the only incorruptible crop in.

1882
01:35:56,760 --> 01:35:59,000
Speaker 3: All of Rio. That's your family.

1883
01:35:59,280 --> 01:36:00,720
Speaker 1: Like, I know that you're not gonna be with Dom

1884
01:36:00,800 --> 01:36:03,600
Speaker 1: but and it would be awkward to stick around, I

1885
01:36:03,640 --> 01:36:05,880
Speaker 1: do think. But going back to work for the police,

1886
01:36:05,920 --> 01:36:07,639
Speaker 1: I do not think is an option for her.

1887
01:36:07,880 --> 01:36:14,120
Speaker 2: Yeaeah. That totally felt wrong and weird. But I don't know.

1888
01:36:14,200 --> 01:36:16,320
Speaker 2: I guess. I guess the next movie we're gonna see

1889
01:36:16,320 --> 01:36:16,920
Speaker 2: her as a cop.

1890
01:36:17,040 --> 01:36:20,479
Speaker 3: Maybe maybe, yeah, possible.

1891
01:36:20,560 --> 01:36:20,760
Speaker 2: Yeah.

1892
01:36:20,760 --> 01:36:23,200
Speaker 3: They should have almost just taken her out of the ending,

1893
01:36:23,360 --> 01:36:25,640
Speaker 3: like we should have. I know we would have been

1894
01:36:25,680 --> 01:36:28,839
Speaker 3: left going like where is she? Is? She okay and everything,

1895
01:36:28,840 --> 01:36:31,559
Speaker 3: but like, worry about that in the next either short

1896
01:36:31,560 --> 01:36:33,599
Speaker 3: that you guys do, or she gets a twenty minute

1897
01:36:33,640 --> 01:36:36,599
Speaker 3: short about what she's doing in Brazil or some line

1898
01:36:36,600 --> 01:36:39,080
Speaker 3: in the next movie, like that was that part? We

1899
01:36:39,160 --> 01:36:42,519
Speaker 3: get it. Letty's back, She's with Tom. It's fine. I

1900
01:36:42,520 --> 01:36:44,639
Speaker 3: don't think anyone would have been all that upset like, oh,

1901
01:36:44,680 --> 01:36:48,559
Speaker 3: how dare you dumb leave your Brazilian cop behind after

1902
01:36:48,760 --> 01:36:52,320
Speaker 3: one week? Okay, well we would have understood, but she's there.

1903
01:36:52,720 --> 01:36:57,479
Speaker 3: They wrap it up peace. So in a mid credit scene,

1904
01:36:57,560 --> 01:37:02,439
Speaker 3: once again, Baby, he's involved in a car crash. Oh

1905
01:37:02,520 --> 01:37:06,479
Speaker 3: did it look familiar? We are in Tokyo. Drift suddenly

1906
01:37:06,520 --> 01:37:10,679
Speaker 3: broadsided by an oncoming car, and the driver walks away

1907
01:37:10,800 --> 01:37:17,240
Speaker 3: after leaving Letty's cross necklace by the crash. Calls Dom

1908
01:37:17,280 --> 01:37:21,680
Speaker 3: saying Dominic Toretto, you don't know me, but you're about to,

1909
01:37:22,600 --> 01:37:28,960
Speaker 3: as Han's car explodes, apparently, killing.

1910
01:37:28,760 --> 01:37:32,200
Speaker 2: Han apparently apparently.

1911
01:37:32,600 --> 01:37:39,760
Speaker 3: Yeah, so this is our reveal of another Shaw. I

1912
01:37:39,800 --> 01:37:42,280
Speaker 3: was so confused. I gotta admit. When we saw Owen Shaw,

1913
01:37:42,360 --> 01:37:44,639
Speaker 3: I'm like, that's not the guy I thought that was shot.

1914
01:37:44,960 --> 01:37:48,000
Speaker 3: But then again, I thought the guy Jason Thatham. I

1915
01:37:48,040 --> 01:37:50,840
Speaker 3: thought him being Shaw was Dom's brother, and I think

1916
01:37:50,880 --> 01:37:53,280
Speaker 3: I'm wrong about that because He's brother was Shaw? Anyway,

1917
01:37:53,520 --> 01:37:56,280
Speaker 3: it's a it's Jason. Here he is, and he will

1918
01:37:56,320 --> 01:37:59,360
Speaker 3: be playing a part as these movies go on, Jad,

1919
01:37:59,479 --> 01:38:01,200
Speaker 3: you will ask you how excited were you to see

1920
01:38:01,200 --> 01:38:03,040
Speaker 3: the reveal here this mid credit scene?

1921
01:38:03,160 --> 01:38:07,360
Speaker 2: Yeah, I love Jason Statham. I love. I love a

1922
01:38:07,360 --> 01:38:11,000
Speaker 2: British gangster too, you know, like it's just they're just cool.

1923
01:38:11,000 --> 01:38:14,280
Speaker 2: They're the coolest gangsters in the world. I mean I think,

1924
01:38:14,520 --> 01:38:17,800
Speaker 2: I mean for me, I just I just love the uh,

1925
01:38:18,640 --> 01:38:21,599
Speaker 2: I just love the swagger, the accents. He's got that

1926
01:38:21,760 --> 01:38:24,519
Speaker 2: great Cockney accent and he's he's going to be a

1927
01:38:24,520 --> 01:38:27,360
Speaker 2: great villain. So I was pumped. And he's such a

1928
01:38:27,400 --> 01:38:29,960
Speaker 2: big name and it was a great you know, like

1929
01:38:30,439 --> 01:38:33,160
Speaker 2: they brought what was it, Eva Mendez last time, and

1930
01:38:33,200 --> 01:38:36,280
Speaker 2: then we revealed like it's just stars, so are we

1931
01:38:36,320 --> 01:38:39,280
Speaker 2: going to see a huge star now every cutscene like

1932
01:38:39,760 --> 01:38:45,719
Speaker 2: introducing the next villain or person, you know, like hopefully,

1933
01:38:46,200 --> 01:38:47,360
Speaker 2: I mean, why not, right?

1934
01:38:47,960 --> 01:38:50,200
Speaker 3: Yeah, I guess what I was surprised with, Like I

1935
01:38:50,280 --> 01:38:52,920
Speaker 3: knew the whole Han thing of course was coming, that

1936
01:38:52,960 --> 01:38:56,280
Speaker 3: he was going to die air quotes but be blown up.

1937
01:38:56,280 --> 01:38:59,200
Speaker 3: But I guess I didn't see the necklace playing hard

1938
01:38:59,360 --> 01:39:03,360
Speaker 3: once again. Here it is my necklace, guy. This necklace

1939
01:39:03,439 --> 01:39:09,040
Speaker 3: is truly invincible, cannot be crushed or defeated or ruined anyway.

1940
01:39:10,000 --> 01:39:12,280
Speaker 3: But yes, Trey, in fact, you know what, Trey, We're

1941
01:39:12,280 --> 01:39:15,200
Speaker 3: gonna do something differently here take this mid credits scene

1942
01:39:15,200 --> 01:39:17,839
Speaker 3: and sort of spin us in to what to expect

1943
01:39:17,880 --> 01:39:20,320
Speaker 3: for the next movie, and then we'll do our quickly,

1944
01:39:20,360 --> 01:39:23,280
Speaker 3: our Fast and our furious parts of the podcast. But yeah,

1945
01:39:23,360 --> 01:39:25,519
Speaker 3: take it from this mid credits scene and get us

1946
01:39:25,560 --> 01:39:26,559
Speaker 3: hype for number seven.

1947
01:39:27,160 --> 01:39:30,280
Speaker 1: Will y'all are very correct to be excited that Jason

1948
01:39:30,360 --> 01:39:33,519
Speaker 1: Statham shows up. Jason Statham is awesome, and he becomes

1949
01:39:33,600 --> 01:39:37,080
Speaker 1: a factor in the FASTI verse, no doubt, starting in

1950
01:39:37,160 --> 01:39:39,920
Speaker 1: Fast seven. As you know, it spins off into Hobbs

1951
01:39:39,960 --> 01:39:42,519
Speaker 1: and Shaw, two characters who are added in the back

1952
01:39:42,560 --> 01:39:45,200
Speaker 1: half of the franchise, are now getting their own spinoff movies,

1953
01:39:45,280 --> 01:39:47,880
Speaker 1: so you know he's gonna bring it. That being said,

1954
01:39:48,640 --> 01:39:50,120
Speaker 1: get your cleanes.

1955
01:39:49,640 --> 01:39:52,120
Speaker 3: Ready for Furious seven. Oh boy.

1956
01:39:52,680 --> 01:39:55,200
Speaker 1: Not only as Fast and Furious seven the most highly

1957
01:39:55,280 --> 01:39:57,920
Speaker 1: rated of all of the Fast movies, it's also the

1958
01:39:58,000 --> 01:40:02,840
Speaker 1: saddest because it's Paul Walker's last film appearance after his

1959
01:40:02,960 --> 01:40:03,719
Speaker 1: tragic death.

1960
01:40:04,720 --> 01:40:06,400
Speaker 3: You're gonna get a whole bunch of new characters.

1961
01:40:06,439 --> 01:40:08,680
Speaker 1: There's a bunch of great action in this one, some

1962
01:40:08,760 --> 01:40:13,559
Speaker 1: really interesting locations, but it's really all about Brian slash

1963
01:40:13,640 --> 01:40:18,559
Speaker 1: Paul and it's legitimately touching. It's legitimately pauling on your

1964
01:40:18,600 --> 01:40:21,400
Speaker 1: heartstrings in the final act of this movie.

1965
01:40:21,560 --> 01:40:25,840
Speaker 3: Okay, And I think even at least the release date

1966
01:40:25,880 --> 01:40:29,519
Speaker 3: got pushed back, you know, of course because of Paul

1967
01:40:29,560 --> 01:40:31,800
Speaker 3: Walker's real life death. It was supposed to come out

1968
01:40:31,840 --> 01:40:33,960
Speaker 3: a little bit earlier. I read that actually that's why,

1969
01:40:34,160 --> 01:40:36,200
Speaker 3: well maybe not why, but they did go with another director.

1970
01:40:36,240 --> 01:40:40,519
Speaker 3: They wanted a quicker turnaround. I think jd between this one,

1971
01:40:40,520 --> 01:40:44,120
Speaker 3: which obviously did really well and then seven, and that

1972
01:40:44,280 --> 01:40:46,360
Speaker 3: was maybe a part of why they went with another director.

1973
01:40:46,400 --> 01:40:49,000
Speaker 3: But then, of course, ultimately what happens is Paul Walker's death,

1974
01:40:49,000 --> 01:40:50,960
Speaker 3: and it gets pushed back sort of to that. What

1975
01:40:51,000 --> 01:40:53,120
Speaker 3: I think is like another they've been right now. They've

1976
01:40:53,160 --> 01:40:54,840
Speaker 3: been up to like usually like a two year window

1977
01:40:54,880 --> 01:40:56,559
Speaker 3: between the movies, and I think they wanted it to

1978
01:40:56,600 --> 01:40:58,840
Speaker 3: go like a year after. They wanted to like really

1979
01:40:58,880 --> 01:41:01,679
Speaker 3: really capitalize on sex us. But anyway, gets pushed back

1980
01:41:02,360 --> 01:41:02,720
Speaker 3: a little bit.

1981
01:41:02,800 --> 01:41:06,960
Speaker 2: He died during production, like Pray Fast seven.

1982
01:41:07,439 --> 01:41:09,559
Speaker 3: I mean, I don't remember them saying there was gonna

1983
01:41:09,560 --> 01:41:11,720
Speaker 3: be like issues with like how are they gonna like

1984
01:41:12,439 --> 01:41:13,160
Speaker 3: film things?

1985
01:41:13,160 --> 01:41:13,439
Speaker 2: Do I have?

1986
01:41:13,680 --> 01:41:17,479
Speaker 3: Yeah, I think it was like mostly finished.

1987
01:41:17,560 --> 01:41:19,400
Speaker 1: I think the movie was and they had to go

1988
01:41:19,439 --> 01:41:22,320
Speaker 1: back and do some rewrites and some reshoots, and there

1989
01:41:22,360 --> 01:41:26,120
Speaker 1: are a bunch of scenes where they're like digitally putting

1990
01:41:26,240 --> 01:41:30,120
Speaker 1: Paul Walker's face and him acting through stuff on his

1991
01:41:30,400 --> 01:41:33,639
Speaker 1: younger real life brothers are like playing the Brian character,

1992
01:41:33,720 --> 01:41:37,840
Speaker 1: but now it's Paul Walker's face on their face or yeah,

1993
01:41:37,840 --> 01:41:40,559
Speaker 1: on their face. So yeah, I mean they definitely had

1994
01:41:40,560 --> 01:41:44,160
Speaker 1: to change stuff, and the ending, you can tell, has

1995
01:41:44,240 --> 01:41:46,200
Speaker 1: changed to address what happened.

1996
01:41:46,160 --> 01:41:49,400
Speaker 3: Right, Okay, okay, okay, all right, well that is what's

1997
01:41:49,439 --> 01:41:51,360
Speaker 3: that one going by again? What are they just calling

1998
01:41:51,400 --> 01:41:54,040
Speaker 3: it Fast and Furious seven or Furious seven? I can't

1999
01:41:54,080 --> 01:41:57,280
Speaker 3: remember anymore, but it's the seventh movie, the seventh one, Yeah,

2000
01:41:57,280 --> 01:42:02,160
Speaker 3: the seventh one. Okay, so the Fast This is the

2001
01:42:02,160 --> 01:42:04,400
Speaker 3: part of the podcast where you gotts share your favorite scene,

2002
01:42:04,439 --> 01:42:06,400
Speaker 3: your favorite car, your favorite quote, whatever you want. Trey

2003
01:42:06,439 --> 01:42:07,080
Speaker 3: will start with you.

2004
01:42:08,120 --> 01:42:09,880
Speaker 1: All right. We've talked about a lot of my favorite

2005
01:42:09,880 --> 01:42:13,840
Speaker 1: scenes already. My favorite action scene in this is the

2006
01:42:13,960 --> 01:42:18,360
Speaker 1: first action scene showdown with Shaw in London with the

2007
01:42:18,360 --> 01:42:23,360
Speaker 1: flipping car. You see all of the extra cool technological

2008
01:42:23,400 --> 01:42:26,760
Speaker 1: things he has. I love the slow mo ooh sho

2009
01:42:27,840 --> 01:42:30,880
Speaker 1: when Brian gets flipped over I love that scene. It

2010
01:42:30,920 --> 01:42:33,320
Speaker 1: feels like a major level up for the villain. We

2011
01:42:33,439 --> 01:42:37,680
Speaker 1: touched on domin Letty having an actually great smolding, smoldering

2012
01:42:37,760 --> 01:42:41,160
Speaker 1: chemistry during their street race scene. We talked about the

2013
01:42:41,200 --> 01:42:44,200
Speaker 1: superhero levels. The only thing we haven't hit on. There's

2014
01:42:44,240 --> 01:42:45,639
Speaker 1: two great fist fights.

2015
01:42:45,800 --> 01:42:48,799
Speaker 3: I think, yes in this in this movie.

2016
01:42:49,120 --> 01:42:52,880
Speaker 1: Michelle Rodriguez az Letti Gina Carano as Riley. That's a

2017
01:42:52,920 --> 01:42:57,040
Speaker 1: great fight. Good because that's like an legitimately well choreographed

2018
01:42:57,200 --> 01:43:00,479
Speaker 1: fun fight, like they can both fight, they're flying over stuff.

2019
01:43:00,720 --> 01:43:03,640
Speaker 1: That one feels like a savage brawl to me. And

2020
01:43:03,680 --> 01:43:06,120
Speaker 1: then at the same time you've got the funny fight

2021
01:43:06,240 --> 01:43:10,040
Speaker 1: happening Han and Roman against I think his name is Jaw,

2022
01:43:10,160 --> 01:43:13,080
Speaker 1: a martial artist guy who is in the raid and

2023
01:43:13,240 --> 01:43:15,960
Speaker 1: like he's just kicking their ass to the point that

2024
01:43:16,000 --> 01:43:18,400
Speaker 1: they're giving up. I thought that was great. I thought

2025
01:43:18,400 --> 01:43:20,200
Speaker 1: the fighting in the first scene was great, and I

2026
01:43:20,200 --> 01:43:22,840
Speaker 1: thought the comedy of having these two guys who clearly

2027
01:43:22,960 --> 01:43:25,160
Speaker 1: don't know how to fight fighting against the guy who

2028
01:43:25,200 --> 01:43:26,160
Speaker 1: was a professional at it.

2029
01:43:26,280 --> 01:43:28,600
Speaker 3: At the same time, Yeah, I'm glad you slipped that in.

2030
01:43:28,640 --> 01:43:29,680
Speaker 3: I had that in my notes too.

2031
01:43:29,720 --> 01:43:32,680
Speaker 2: Here d you love that one, yeah, saying that's what

2032
01:43:32,760 --> 01:43:35,360
Speaker 2: I had as well. It's it's a great scene, and

2033
01:43:35,400 --> 01:43:39,479
Speaker 2: I love that they're happening simultaneously and that's stunt. I mean,

2034
01:43:39,479 --> 01:43:41,600
Speaker 2: there's just so many great stunts, but this one was

2035
01:43:41,680 --> 01:43:44,960
Speaker 2: definitely real. When the when the two women fall down

2036
01:43:45,240 --> 01:43:50,080
Speaker 2: the steps of the tube like they like, uh, Gina Carrado,

2037
01:43:50,800 --> 01:43:55,240
Speaker 2: she pushed basically dives onto Letty and they fly down

2038
01:43:55,360 --> 01:43:58,040
Speaker 2: this set of stairs. I mean there's stunt people obviously,

2039
01:43:58,080 --> 01:44:02,599
Speaker 2: but just spectaculars. Just a spectacular fight scene. I loved it.

2040
01:44:03,520 --> 01:44:06,839
Speaker 3: Do you have a favorite other scene? JD or car quote.

2041
01:44:07,040 --> 01:44:10,960
Speaker 2: I mean, you know, we've touched on most of the things.

2042
01:44:11,040 --> 01:44:14,720
Speaker 2: I did love it when uh Tej's phone rings and

2043
01:44:14,800 --> 01:44:18,240
Speaker 2: it's the Rock calling and he has it as his

2044
01:44:18,400 --> 01:44:20,519
Speaker 2: contact Samoan four.

2045
01:44:20,880 --> 01:44:21,559
Speaker 3: Yeah, that was funny.

2046
01:44:21,720 --> 01:44:22,280
Speaker 2: That's great.

2047
01:44:22,680 --> 01:44:25,600
Speaker 3: He in this movie. I read in the Classic Like

2048
01:44:25,880 --> 01:44:29,320
Speaker 3: Trivia part of IMDb, Hobbes is mocked the Rock three

2049
01:44:29,400 --> 01:44:32,080
Speaker 3: times as a different member of the Avengers in this movie.

2050
01:44:32,200 --> 01:44:36,479
Speaker 3: Oh really, he's verbally referred to as the Hulk Captain America.

2051
01:44:36,720 --> 01:44:38,479
Speaker 3: And then the third one, the one you said on

2052
01:44:38,520 --> 01:44:41,200
Speaker 3: the cell phone there as Samoan thor. It's pretty funny.

2053
01:44:41,439 --> 01:44:42,719
Speaker 2: That's great, that's great.

2054
01:44:43,400 --> 01:44:47,080
Speaker 3: I also loved just a quick line quote after that

2055
01:44:47,320 --> 01:44:52,920
Speaker 3: crazy intense first chase scene, Like the next like line

2056
01:44:53,040 --> 01:44:56,760
Speaker 3: said by an actor is Roman. It's Tyresse going, this

2057
01:44:56,880 --> 01:45:02,800
Speaker 3: is crazy. Yeah, that sums it up perfectly. He's like, yeah,

2058
01:45:02,920 --> 01:45:05,519
Speaker 3: you're right, You're right, Roman, this is crazy. Do you

2059
01:45:05,520 --> 01:45:06,960
Speaker 3: have a favorite quote trade before we moved to the

2060
01:45:07,000 --> 01:45:08,200
Speaker 3: furious Yeah.

2061
01:45:08,280 --> 01:45:11,720
Speaker 1: I love all of the various dunks on Roman. I

2062
01:45:11,800 --> 01:45:15,560
Speaker 1: love when Giselle and Riley are trying to get information.

2063
01:45:15,840 --> 01:45:18,720
Speaker 1: Roman's kind of giving Han the business about trying to

2064
01:45:18,760 --> 01:45:21,760
Speaker 1: make Gizelle happy. Says, better make sure you get her

2065
01:45:21,760 --> 01:45:23,639
Speaker 1: a big rock, man, because she doesn't look like she'll

2066
01:45:23,680 --> 01:45:25,840
Speaker 1: be that easily impressed. And if it's not a.

2067
01:45:25,760 --> 01:45:27,920
Speaker 3: Big rock, you better be big somewhere else. You know

2068
01:45:27,960 --> 01:45:28,960
Speaker 3: what I'm talking about.

2069
01:45:29,800 --> 01:45:32,920
Speaker 1: Han says, that's why all your girlfriends wear so much bling.

2070
01:45:33,000 --> 01:45:38,240
Speaker 1: Huh oh. Great burn, but maybe not even the best

2071
01:45:38,240 --> 01:45:41,479
Speaker 1: burn on Roman. In this there's a lot of his

2072
01:45:41,720 --> 01:45:44,400
Speaker 1: big forehead jokes. Tej gets a bunch of them in,

2073
01:45:44,720 --> 01:45:47,479
Speaker 1: but the best is right at the end when Hobbs

2074
01:45:47,560 --> 01:45:50,400
Speaker 1: is walking to tell uh to tell the crew that

2075
01:45:50,400 --> 01:45:55,639
Speaker 1: they're going to be free Hobbs walks in and Roman says, hey,

2076
01:45:56,200 --> 01:45:59,639
Speaker 1: better hide the baby oil, and Hobbs just says right

2077
01:45:59,680 --> 01:46:04,679
Speaker 1: back instantly, better hide that big ass forehead. Apparently ad

2078
01:46:04,800 --> 01:46:06,760
Speaker 1: limbed by the rock just came up with it on

2079
01:46:06,800 --> 01:46:08,640
Speaker 1: the fly. I'm like, wow, that's why you hire the

2080
01:46:08,720 --> 01:46:10,320
Speaker 1: rock man. He's a great shit talker.

2081
01:46:10,800 --> 01:46:11,240
Speaker 3: Just like that.

2082
01:46:11,400 --> 01:46:16,480
Speaker 1: And apparently, you know, they say Ludicris's reaction is completely

2083
01:46:16,560 --> 01:46:18,960
Speaker 1: legit in that moment. Same with Roman as well. I

2084
01:46:18,960 --> 01:46:21,160
Speaker 1: thought that was a great line. So the jokes at

2085
01:46:21,920 --> 01:46:24,479
Speaker 1: Roman's expense I thought were great, especially because we you know,

2086
01:46:24,720 --> 01:46:26,800
Speaker 1: he's always trying to be the cool ladies man and

2087
01:46:27,000 --> 01:46:28,200
Speaker 1: he just gets dunked.

2088
01:46:27,880 --> 01:46:31,519
Speaker 3: On the entire time this movie. It's true, that's true. Okay,

2089
01:46:31,560 --> 01:46:34,840
Speaker 3: the furious part of the podcast, the dumbest scene or

2090
01:46:34,880 --> 01:46:38,040
Speaker 3: other things you just hated. We'll start with you, JD.

2091
01:46:38,160 --> 01:46:39,000
Speaker 3: What made you furious?

2092
01:46:39,720 --> 01:46:45,080
Speaker 2: Uh? Shout out to Stasiac. You know, I mean, listen,

2093
01:46:45,960 --> 01:46:50,840
Speaker 2: Brian is a colossal asshole in this scene, right, Stasiac

2094
01:46:50,960 --> 01:46:56,360
Speaker 2: is putting his career on the line, sneaking him into prison.

2095
01:46:56,640 --> 01:46:59,639
Speaker 2: After all, the he should have bad blood because he's

2096
01:46:59,640 --> 01:47:03,840
Speaker 2: got up by Brian before. Uh, you know, uh, his

2097
01:47:03,880 --> 01:47:07,560
Speaker 2: nose broken and whatever, and then Brian is a complete

2098
01:47:07,600 --> 01:47:11,040
Speaker 2: asshole to him and then beats him up again as

2099
01:47:11,040 --> 01:47:12,960
Speaker 2: he's going into Like he didn't have to do that

2100
01:47:13,000 --> 01:47:14,920
Speaker 2: to go into solitary. He could have just picked a

2101
01:47:14,920 --> 01:47:18,080
Speaker 2: fight as soon as he rout into the cafeteria or whatever.

2102
01:47:18,160 --> 01:47:21,960
Speaker 2: But this poor guy and then after all that still

2103
01:47:22,000 --> 01:47:23,640
Speaker 2: gets him out, Like I would have left him there.

2104
01:47:23,640 --> 01:47:26,760
Speaker 2: I would have left Brian there just to rot.

2105
01:47:26,360 --> 01:47:26,519
Speaker 1: Like.

2106
01:47:28,000 --> 01:47:32,200
Speaker 2: Honest, sorry, this Brian is in a desperate situation. He's

2107
01:47:32,200 --> 01:47:36,720
Speaker 2: in a precarious situation. You should be nice to Stasiac.

2108
01:47:37,080 --> 01:47:40,360
Speaker 2: Staziak has no reason to help you. So there was that.

2109
01:47:40,400 --> 01:47:42,040
Speaker 2: I didn't like that part, okay.

2110
01:47:42,800 --> 01:47:45,320
Speaker 3: I also, as we talked about sort of like it

2111
01:47:45,439 --> 01:47:47,920
Speaker 3: felt really pointless that whole thing totally, like what did

2112
01:47:47,960 --> 01:47:50,680
Speaker 3: you what did you really get out of Brago there

2113
01:47:50,720 --> 01:47:52,920
Speaker 3: or whatever in jail, Like yeah, we flew you all

2114
01:47:52,960 --> 01:47:55,559
Speaker 3: the way across country, across the world, I should say,

2115
01:47:55,560 --> 01:47:58,479
Speaker 3: and then got you back in twenty four hours like

2116
01:47:58,840 --> 01:48:00,880
Speaker 3: you had like you were relaxed on the plane. You

2117
01:48:00,920 --> 01:48:03,120
Speaker 3: watch missus Dell fire a couple of times, like and

2118
01:48:03,120 --> 01:48:04,000
Speaker 3: what did you come back with?

2119
01:48:04,120 --> 01:48:04,599
Speaker 2: Not a lot?

2120
01:48:04,840 --> 01:48:06,920
Speaker 3: Not much? Yeah, sorry, Jamy, what else you got there?

2121
01:48:07,120 --> 01:48:09,000
Speaker 2: And the other thing I just wanted to point out

2122
01:48:09,120 --> 01:48:14,400
Speaker 2: is that Hobbs is a terrible cop, like awful. I mean,

2123
01:48:14,439 --> 01:48:16,320
Speaker 2: the first scene that we see him in he come,

2124
01:48:16,640 --> 01:48:20,519
Speaker 2: he beats a suspect for information. I mean, that's not

2125
01:48:21,080 --> 01:48:24,040
Speaker 2: that's not something you should do. He vandalizes a vending

2126
01:48:24,080 --> 01:48:28,840
Speaker 2: machine right by shooting it. Yeah right, he's he. I

2127
01:48:29,320 --> 01:48:32,720
Speaker 2: still maintained that he sexually assaults that snooty salesman from

2128
01:48:32,720 --> 01:48:34,800
Speaker 2: the from the car right sure, and from the car

2129
01:48:34,840 --> 01:48:38,960
Speaker 2: sale he fails to recognize that he's working alongside a

2130
01:48:39,080 --> 01:48:42,679
Speaker 2: mole that he's been with for weeks and he doesn't

2131
01:48:42,800 --> 01:48:43,439
Speaker 2: make her you.

2132
01:48:43,400 --> 01:48:46,880
Speaker 3: Know what about like he says, he's like, oh I

2133
01:48:46,960 --> 01:48:48,679
Speaker 3: like you yeah, oh you're good.

2134
01:48:48,840 --> 01:48:52,360
Speaker 2: Yeah yeah, So where's your research on that one?

2135
01:48:53,080 --> 01:48:53,559
Speaker 3: Hobbs?

2136
01:48:54,200 --> 01:48:56,760
Speaker 2: Uh he holds a gun to the head of his

2137
01:48:57,080 --> 01:48:59,600
Speaker 2: ally like the British he was, he's you know, a

2138
01:48:59,600 --> 01:49:03,960
Speaker 2: bit of a uh uh you know, uh. I wouldn't

2139
01:49:03,960 --> 01:49:06,000
Speaker 2: know how to describe him. He's a bit of an asshole.

2140
01:49:06,040 --> 01:49:08,559
Speaker 2: I guess the the British the head of the British

2141
01:49:08,560 --> 01:49:12,639
Speaker 2: Force is in Spain, you know. But when he takes

2142
01:49:12,680 --> 01:49:16,160
Speaker 2: the sides of you know, the Fast and Furious crew

2143
01:49:16,160 --> 01:49:20,439
Speaker 2: who are criminals? Right, Like, why would you you just

2144
01:49:20,960 --> 01:49:24,719
Speaker 2: amp it up to a million? You know, like, let's

2145
01:49:24,760 --> 01:49:28,280
Speaker 2: discuss it. We should let them go, man, not hold ahead,

2146
01:49:28,320 --> 01:49:30,880
Speaker 2: like hold a gun to his head. I mean, come on,

2147
01:49:31,600 --> 01:49:33,599
Speaker 2: And there's a bunch of other stuff he does. I mean,

2148
01:49:34,000 --> 01:49:39,880
Speaker 2: and just hiring a band of outlaws civilians whose latest

2149
01:49:40,160 --> 01:49:44,880
Speaker 2: exploits basically destroys Rio, right, I mean not a good cop.

2150
01:49:45,000 --> 01:49:47,360
Speaker 2: He's not a good cop. I'm hoping that in the

2151
01:49:47,439 --> 01:49:52,120
Speaker 2: coming movies he he just just just switched sides already,

2152
01:49:52,200 --> 01:49:56,080
Speaker 2: just be a part of the criminals.

2153
01:49:54,120 --> 01:49:58,120
Speaker 3: Sure, does he still getting a governmental paycheck?

2154
01:49:59,120 --> 01:50:01,400
Speaker 2: Yeah? I know, yeah, but he could make so much

2155
01:50:01,479 --> 01:50:02,280
Speaker 2: more as a criminal.

2156
01:50:02,320 --> 01:50:07,080
Speaker 3: It's true, you know. Okay, so upset with just Hobbes's

2157
01:50:07,160 --> 01:50:10,439
Speaker 3: decision making area what he gets away with as a cop, Trey,

2158
01:50:10,479 --> 01:50:11,360
Speaker 3: what made you furious?

2159
01:50:12,000 --> 01:50:14,839
Speaker 1: Well, I just think it's a bummer that the final

2160
01:50:14,960 --> 01:50:18,599
Speaker 1: climactic action scene is the worst of the three action scenes. Yeah,

2161
01:50:18,760 --> 01:50:21,439
Speaker 1: and this, and that's to me is like flip it.

2162
01:50:22,120 --> 01:50:25,880
Speaker 1: I mean, I don't what's more impressive a plane getting

2163
01:50:25,920 --> 01:50:29,240
Speaker 1: pulled down or the tank scene. I don't know, I

2164
01:50:29,280 --> 01:50:31,120
Speaker 1: don't know if you're just thinking through it in your head.

2165
01:50:31,160 --> 01:50:33,280
Speaker 1: But obviously when it plays out, the tank scene is

2166
01:50:33,880 --> 01:50:37,879
Speaker 1: more of a spectacle, I think, than the plane scene.

2167
01:50:38,320 --> 01:50:39,759
Speaker 3: And that all comes down.

2168
01:50:39,600 --> 01:50:42,040
Speaker 1: To it's you can just see what's happening, and you

2169
01:50:42,040 --> 01:50:44,800
Speaker 1: can actually tell what's happening. There's this one train and

2170
01:50:44,840 --> 01:50:48,559
Speaker 1: it's destroying everything. They got to stop it. Maybe it's

2171
01:50:48,600 --> 01:50:51,240
Speaker 1: easier to follow because it's a little bit smaller compared

2172
01:50:51,240 --> 01:50:54,280
Speaker 1: to this gigantic plane, but I don't know. It was

2173
01:50:54,360 --> 01:50:56,479
Speaker 1: more like, just like we're saying, it was just a

2174
01:50:56,520 --> 01:50:58,680
Speaker 1: little bit overload. And then and that to me is

2175
01:50:59,439 --> 01:51:02,840
Speaker 1: the main problem with this movie is that everything else

2176
01:51:02,880 --> 01:51:05,879
Speaker 1: that we've seen action wise was better than the biggest

2177
01:51:05,920 --> 01:51:07,800
Speaker 1: part of it. And then that to me is the

2178
01:51:07,800 --> 01:51:08,680
Speaker 1: biggest failing here.

2179
01:51:09,000 --> 01:51:12,439
Speaker 3: Yep, it's honestly, it's just too long. And that last

2180
01:51:12,720 --> 01:51:14,679
Speaker 3: final set piece is a big part of it, I think,

2181
01:51:16,160 --> 01:51:18,200
Speaker 3: and you said it too, Trey, the part where the

2182
01:51:18,200 --> 01:51:21,080
Speaker 3: tank is happening in the daylight. It just helps you follow.

2183
01:51:21,200 --> 01:51:24,000
Speaker 3: And yes, again it's much smaller than this giant airplane,

2184
01:51:24,000 --> 01:51:27,559
Speaker 3: but that happening at night. I was confused at times

2185
01:51:27,760 --> 01:51:30,000
Speaker 3: with who I was just getting confused with who is

2186
01:51:30,040 --> 01:51:32,599
Speaker 3: on the plane, who is now off the plane? Who's

2187
01:51:32,640 --> 01:51:34,719
Speaker 3: hanging onto a vehicle off the side of the plane.

2188
01:51:34,760 --> 01:51:38,200
Speaker 3: What side are they on? Like it was tough to

2189
01:51:38,360 --> 01:51:42,519
Speaker 3: keep track of all the pieces there. Okay, let's let's

2190
01:51:42,600 --> 01:51:45,200
Speaker 3: rank this bad Boy, and if you've got a final observation,

2191
01:51:45,360 --> 01:51:48,879
Speaker 3: throw it in here. On a scale of one to ten, TK,

2192
01:51:49,120 --> 01:51:51,200
Speaker 3: how would you rate Fast and Furious six? Where does

2193
01:51:51,240 --> 01:51:54,439
Speaker 3: it fall on the leaderboard? I like this movie. I

2194
01:51:54,920 --> 01:51:56,400
Speaker 3: do like the action scenes.

2195
01:51:56,760 --> 01:51:59,800
Speaker 1: Like we said, Then does some of his best acting here,

2196
01:51:59,840 --> 01:52:03,080
Speaker 1: but it's not a series highlight for me, on par

2197
01:52:03,280 --> 01:52:06,960
Speaker 1: with Fast one or Fast five. Shaw a great villain.

2198
01:52:07,080 --> 01:52:10,040
Speaker 1: I love seeing the Fast crew lose. I like Dom

2199
01:52:10,080 --> 01:52:13,000
Speaker 1: and Hobbs teaming up while Vin and Dwayne are still buddies.

2200
01:52:13,439 --> 01:52:16,559
Speaker 1: The action, it's nice, the fist fighting is nice. Justin

2201
01:52:16,640 --> 01:52:19,040
Speaker 1: Lynn is really given the people what they want, but

2202
01:52:19,680 --> 01:52:22,559
Speaker 1: just not transcendent to me. I was coming in thinking

2203
01:52:22,600 --> 01:52:24,719
Speaker 1: this was going to be a seven of ten, same

2204
01:52:24,760 --> 01:52:29,360
Speaker 1: score I've given Fast one or Fast four Sorry, and

2205
01:52:29,400 --> 01:52:30,320
Speaker 1: Tokyo Drift.

2206
01:52:30,760 --> 01:52:32,080
Speaker 3: But now I haven't talked through it.

2207
01:52:32,560 --> 01:52:34,360
Speaker 1: I'm a little more down on it than I was thinking.

2208
01:52:34,360 --> 01:52:36,040
Speaker 1: So I'm gonna go a six to ten. Here, I

2209
01:52:36,040 --> 01:52:38,559
Speaker 1: gotta update my notes so that I can remember in

2210
01:52:38,600 --> 01:52:46,120
Speaker 1: the future. That now leaves my current rankings as five, one, four, three, six, two.

2211
01:52:46,439 --> 01:52:50,439
Speaker 3: Okay surprising. Okay, Judy, you know same two questions. How

2212
01:52:50,439 --> 01:52:52,760
Speaker 3: you're ranking this one? What are you grating it? And

2213
01:52:52,800 --> 01:52:54,200
Speaker 3: then where does that ultimately fall?

2214
01:52:54,600 --> 01:52:57,479
Speaker 2: Yeah, I don't know if a because I've challenged myself

2215
01:52:57,520 --> 01:53:00,439
Speaker 2: to come up with a ten for one of these movies,

2216
01:53:00,560 --> 01:53:03,040
Speaker 2: and I thought I thought we were gonna get a

2217
01:53:03,040 --> 01:53:05,320
Speaker 2: ten out of me. But because I was just having

2218
01:53:05,360 --> 01:53:08,720
Speaker 2: the time of my life, like wow, you know, I

2219
01:53:09,439 --> 01:53:12,559
Speaker 2: just loved it. I was just suspend my disbelief. I'm

2220
01:53:12,600 --> 01:53:16,400
Speaker 2: now in I'm fully submerged in this in this world,

2221
01:53:16,880 --> 01:53:19,920
Speaker 2: and we're in the superhero game now, and that's my gem. Baby,

2222
01:53:20,000 --> 01:53:23,839
Speaker 2: I love a superhero movie. And fine, I'm I'm willing

2223
01:53:23,920 --> 01:53:31,200
Speaker 2: to accept Dominic Toretto as a superhero. And uh but again,

2224
01:53:31,920 --> 01:53:35,599
Speaker 2: the appetizers were delicious, but the main or the final

2225
01:53:35,680 --> 01:53:38,920
Speaker 2: thing was just too much. So I'm gonna give it

2226
01:53:38,960 --> 01:53:43,840
Speaker 2: a nine. Wow, I really had fun. I was. I

2227
01:53:44,320 --> 01:53:46,000
Speaker 2: think I had the right frame of mine. I was

2228
01:53:46,040 --> 01:53:49,479
Speaker 2: just sit down, I want to have fun. I think

2229
01:53:49,520 --> 01:53:51,519
Speaker 2: the rock was way better in this movie than he

2230
01:53:51,680 --> 01:53:55,840
Speaker 2: was in the previous movie. He's just fell into a groove.

2231
01:53:55,880 --> 01:54:01,080
Speaker 2: He's charming, he's he's the rock. Uh and uh yeah,

2232
01:54:01,160 --> 01:54:03,439
Speaker 2: so yeah, I'm giving it a nine. So I've got

2233
01:54:03,800 --> 01:54:06,400
Speaker 2: this is the number one movie right now. Oh my god,

2234
01:54:07,400 --> 01:54:11,320
Speaker 2: Fast six Tokyo, then five, then one, then four, then

2235
01:54:11,320 --> 01:54:12,680
Speaker 2: two fast at the end.

2236
01:54:13,320 --> 01:54:16,160
Speaker 3: Okay, I can't even remember what I gave all the

2237
01:54:16,160 --> 01:54:19,000
Speaker 3: other movies, so I won't worry you guys with my leaderboard.

2238
01:54:19,040 --> 01:54:21,360
Speaker 3: But this one I was the opposite of you JD.

2239
01:54:21,600 --> 01:54:24,200
Speaker 3: I think I was too tired going into this movie. Yeah,

2240
01:54:24,200 --> 01:54:26,439
Speaker 3: and that became an issue because this movie is long,

2241
01:54:26,520 --> 01:54:28,559
Speaker 3: and you think it ends like two other times, and

2242
01:54:28,600 --> 01:54:32,080
Speaker 3: you're like, oh, I found my mind drifting for the

2243
01:54:32,120 --> 01:54:34,120
Speaker 3: first time I was back in Tokyo. My mind was

2244
01:54:34,200 --> 01:54:37,560
Speaker 3: drifting through the square, through the through the streets of Tokyo,

2245
01:54:37,680 --> 01:54:40,560
Speaker 3: because that was a first I had been locked in

2246
01:54:40,560 --> 01:54:45,040
Speaker 3: in this series. Guys. Honestly, scene by scene, note taking

2247
01:54:45,440 --> 01:54:48,080
Speaker 3: really try my best to, you know, just stay engaged

2248
01:54:48,080 --> 01:54:51,240
Speaker 3: off the phone. But this one, I don't know. I

2249
01:54:51,240 --> 01:54:52,720
Speaker 3: think there was some scenes that are a little too

2250
01:54:52,800 --> 01:54:55,680
Speaker 3: much dialogue going on between a couple of characters. Here

2251
01:54:55,680 --> 01:54:57,760
Speaker 3: and there, and I was just thinking of other things,

2252
01:54:57,840 --> 01:54:59,920
Speaker 3: things I gotta do around the house and stuff like

2253
01:55:00,000 --> 01:55:02,600
Speaker 3: I had to like snap back in, like, oh, oh

2254
01:55:02,760 --> 01:55:04,480
Speaker 3: what did I miss there? Was it anything important?

2255
01:55:04,520 --> 01:55:05,120
Speaker 2: Now? Who cares?

2256
01:55:05,160 --> 01:55:08,960
Speaker 3: The guys will tell me about it. So yeah, that

2257
01:55:08,960 --> 01:55:10,800
Speaker 3: that and like for all the other reasons that I

2258
01:55:10,800 --> 01:55:13,440
Speaker 3: don't like it that you guys said, mainly like that

2259
01:55:13,440 --> 01:55:16,360
Speaker 3: that final plane scene, I really could have done without

2260
01:55:17,320 --> 01:55:19,720
Speaker 3: some of the lines that were comedy or some of

2261
01:55:19,720 --> 01:55:26,280
Speaker 3: the scene at rough, I'm gonna go ultimately A five. Wow,

2262
01:55:26,760 --> 01:55:28,920
Speaker 3: much much lower than you JD. I don't think this

2263
01:55:28,960 --> 01:55:31,280
Speaker 3: is even close to Fast five. If I'm being honest,

2264
01:55:31,320 --> 01:55:34,640
Speaker 3: I think that's such a better movie. Yeah, Like, even

2265
01:55:34,720 --> 01:55:36,000
Speaker 3: in this one, I said it, I slipped it in

2266
01:55:36,040 --> 01:55:39,600
Speaker 3: there a guy like Han, a guy I love. I

2267
01:55:39,720 --> 01:55:42,200
Speaker 3: was like, Ah, I don't know. I mean, it's like

2268
01:55:42,240 --> 01:55:44,960
Speaker 3: there's something that it's the shine has worn off a

2269
01:55:45,040 --> 01:55:47,040
Speaker 3: little bit. It's maybe it's just because I've seen them

2270
01:55:47,040 --> 01:55:48,800
Speaker 3: in too many movies now here in this back to

2271
01:55:48,840 --> 01:55:51,880
Speaker 3: back sort of binge watching setting. But even Han wasn't

2272
01:55:51,920 --> 01:55:53,840
Speaker 3: that cool to me in this one. It was like, Oh,

2273
01:55:53,920 --> 01:55:56,240
Speaker 3: what's going on here? So I liked I liked a

2274
01:55:56,280 --> 01:55:58,480
Speaker 3: lot of parts as we went through it, but ultimately

2275
01:55:58,520 --> 01:56:01,040
Speaker 3: I'm like, hmm, this one where it feels right in

2276
01:56:01,040 --> 01:56:02,840
Speaker 3: the middle to me. I think when it's all said

2277
01:56:02,840 --> 01:56:04,400
Speaker 3: and done, I'm going to be happy with where I

2278
01:56:04,440 --> 01:56:07,920
Speaker 3: place it. Giving it a five and you see, I'll

2279
01:56:07,960 --> 01:56:09,680
Speaker 3: go back. Yeah, I'm not as high as it't on

2280
01:56:09,720 --> 01:56:12,600
Speaker 3: it as you are JD. But always a blast talking

2281
01:56:12,600 --> 01:56:15,960
Speaker 3: about it, I'll tell you that. So we'll call it there.

2282
01:56:16,320 --> 01:56:19,880
Speaker 3: Good two hours for you. Sure, talking about very long

2283
01:56:19,920 --> 01:56:22,080
Speaker 3: movie with a very long podcast. I'm such a hypocrite,

2284
01:56:22,120 --> 01:56:24,480
Speaker 3: aren't I. If you're a friend of Fast Friends, keep

2285
01:56:24,520 --> 01:56:26,960
Speaker 3: tweeting in your thoughts at No dunk sinc. I n see.

2286
01:56:27,160 --> 01:56:28,960
Speaker 3: If you have questions, email them in No Dunks at

2287
01:56:28,960 --> 01:56:31,800
Speaker 3: the Athletic dot Com. Put Fast Friends in the subject header,

2288
01:56:31,840 --> 01:56:33,760
Speaker 3: and if you haven't already, guys, guys, leave us a

2289
01:56:33,760 --> 01:56:36,400
Speaker 3: five star rating and review on Apple Podcasts, and or

2290
01:56:36,920 --> 01:56:39,920
Speaker 3: make sure you subscribed to No Dunks on YouTube if

2291
01:56:39,920 --> 01:56:43,120
Speaker 3: you're watching us there. That stuff really helps out the show,

2292
01:56:43,200 --> 01:56:45,280
Speaker 3: not not just Fast Friends of course, but the No

2293
01:56:45,400 --> 01:56:48,400
Speaker 3: Dunks brand. You know, it's a it's a real uh

2294
01:56:48,840 --> 01:56:53,480
Speaker 3: real nas in our you know. Yeah, helps us boost

2295
01:56:53,560 --> 01:56:55,720
Speaker 3: up some of the rankings and gets the show in

2296
01:56:55,760 --> 01:56:57,640
Speaker 3: front of more people. So we appreciate that. If you've

2297
01:56:57,640 --> 01:57:00,400
Speaker 3: done it already, thank you so much. Okay, guys, uh,

2298
01:57:00,480 --> 01:57:03,400
Speaker 3: you know Trey already set the table there for seven.

2299
01:57:03,560 --> 01:57:05,920
Speaker 3: Sounds like it's gonna we might have a different vibe

2300
01:57:05,920 --> 01:57:07,840
Speaker 3: talking about this. One, of course, is what happens in

2301
01:57:07,840 --> 01:57:10,560
Speaker 3: real life with Paul Walker. But we got a new

2302
01:57:10,640 --> 01:57:13,120
Speaker 3: character and we'll see what happens with Fast and Furious

2303
01:57:13,120 --> 01:57:15,560
Speaker 3: seven until next week. Everybody, stay sickous,