WEBVTT - Get the Money and Run | Fatal Peril

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<v Speaker 1>Hello, It's Steve Fishman from Orbit Media and this is

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<v Speaker 1>Get the Money and Run. Today is our final episode,

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<v Speaker 1>and well, a lot of finales disappoint I assure you

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<v Speaker 1>this one does not over to Ben.

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<v Speaker 2>You are listening to The Burden season four Get the

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<v Speaker 2>Money and Run. I'm Benadere and this is episode seven

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<v Speaker 2>Batel Peril.

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<v Speaker 3>Yeah, we talked about how when you're robbing banks and

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<v Speaker 3>at the height of your prison Joe Persona basically cut

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<v Speaker 3>your conscience off, like totally shut down your sense of morality.

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<v Speaker 3>Did your conscience then come back when you're in solitary.

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<v Speaker 4>Yeah, my conscience just came back with a fury. He

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<v Speaker 4>woke up like, oh, okay, we'll show you on It

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<v Speaker 4>doesn't come back and say, oh we'll protect you. We're

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<v Speaker 4>gonna only give you a little bit of your shit

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<v Speaker 4>at one time. It dumps it all on you. And

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<v Speaker 4>I had stopped kind of growing and being aware, like

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<v Speaker 4>trying to have any self awareness, probably around age eleven,

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<v Speaker 4>and now I'd done all these terrible adult things and

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<v Speaker 4>I had to deal with it with a very fragile conscience,

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<v Speaker 4>very fragile awareness, and so instantly almost incant. He was like,

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<v Speaker 4>I can never get back this. I'm disqualified, and now

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<v Speaker 4>I don't want to go be back be a bad

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<v Speaker 4>guy anymore because that sucks. But now I don't want

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<v Speaker 4>to go and be a good guy because that's impossible.

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<v Speaker 4>So you know what I probably should do. It is

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<v Speaker 4>probably just like save everyone time, just kill myself. Like

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<v Speaker 4>that's exactly the logic. I think.

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<v Speaker 3>Disqualified is a really interesting word.

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<v Speaker 4>Yeah, I felt like I just didn't have I didn't

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<v Speaker 4>have any right to want to go play in that

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<v Speaker 4>arena a good peace. I knew good people, I'd heard

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<v Speaker 4>a lot of good people. So the conscience was not

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<v Speaker 4>kind to me because it did not It didn't say, oh,

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<v Speaker 4>we love You're gonna take care of you. No, man,

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<v Speaker 4>I was I was suffocating under the the ultifying weight

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<v Speaker 4>of remorse and grief and shame. What comes up is

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<v Speaker 4>sometimes down deep in me as that where I remember

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<v Speaker 4>something and just a shame and the grief remorse of

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<v Speaker 4>who I was just comes up, and yeah, man, that's

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<v Speaker 4>that's what it was.

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<v Speaker 5>Then Part one, go for Broken.

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<v Speaker 4>Joe.

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<v Speaker 5>What was scary about that? What was scary about changing?

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<v Speaker 4>Well, what I realized was as I started thinking about changing,

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<v Speaker 4>I realized that, oh, Fuck, that's hard. I'm fearless about

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<v Speaker 4>taking people in a revolt. I'll go down to heartbeat.

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<v Speaker 4>I'm fearless about walking in a cell with a knife.

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<v Speaker 4>I'm fearless all day long about that. I don't want

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<v Speaker 4>to go inside myself and demand that I change. So

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<v Speaker 4>I decided to change my idea strong and weak and say, Okay,

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<v Speaker 4>i've been thinking I'm strong, I'm actually weak. I want

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<v Speaker 4>to get strong. How do I get real strong? I'm

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<v Speaker 4>gonna go know myself. I'm gonna go I'm gonna go

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<v Speaker 4>figure this out. Well, I started writing, and then I

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<v Speaker 4>just got a sheet of paper and I said, Mom,

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<v Speaker 4>what are the stories I've been telling people all my

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<v Speaker 4>life that means something to me? They communicate something about me.

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<v Speaker 4>Oh I'm brave because of this. Oh you know what,

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<v Speaker 4>I'm fearless because of this. We all have stories that

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<v Speaker 4>we're carrying this little box with us, and they are

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<v Speaker 4>identity stories. They are the stories we used to tell people.

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<v Speaker 4>This is who we are, because these are stories we

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<v Speaker 4>tell ourselves of who we are. And so I thought,

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<v Speaker 4>what are the stories that I tell and have been

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<v Speaker 4>telling since I was a child about who I am

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<v Speaker 4>that represent me? Stabbing my dad at my mother's funeral,

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<v Speaker 4>like all the stories, like what are the stories who

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<v Speaker 4>make up my sense of identity? And then I would

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<v Speaker 4>wake up and say, Okay, which one do I want

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<v Speaker 4>to write? That's when I started came out with the

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<v Speaker 4>concert of owning your story. Because you can't know who

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<v Speaker 4>you are if you don't know the origins of things.

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<v Speaker 4>You have to like realize what parts of your story

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<v Speaker 4>are wrong, false, don't fit. And that was super helpful.

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<v Speaker 4>Now I'm thinking, I gotta be on the line and

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<v Speaker 4>I don't want guys fucking with me. I gotta like

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<v Speaker 4>investigate on the page how to become a nice guy,

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<v Speaker 4>a good person soft. And the irony is that in

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<v Speaker 4>order to give myself the space and nobody would fuck

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<v Speaker 4>with me so I could be in my cell to

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<v Speaker 4>like do all the soft investigation of myself, because I

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<v Speaker 4>had to dial up my persona on the tier like

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<v Speaker 4>don't fuck with me, man, don't you know who I am?

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<v Speaker 4>I had to continue to perform hyper maleness to get

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<v Speaker 4>to learn all this time to read and write letters

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<v Speaker 4>to people and try to change my life.

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<v Speaker 3>How difficult was that to have sort of the the

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<v Speaker 3>two different personas one one where you're acting tough and

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<v Speaker 3>then the one where you're trying to, I guess, go

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<v Speaker 3>soft in a way.

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<v Speaker 4>It was very tough because remember guys, guys who walk

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<v Speaker 4>around like they're ready to stab you. It only works

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<v Speaker 4>if everyone thinks they're gonna that you will stab them.

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<v Speaker 4>And I had to do that several times. I'm like

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<v Speaker 4>trying to trying to tell myself that that's our ego,

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<v Speaker 4>that's our ego, Like you can't, you can't take that

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<v Speaker 4>stuff personally. So I actually have these like real things

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<v Speaker 4>that are happening, and then I get to try and

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<v Speaker 4>like say, okay, so I agree with this new teaching

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<v Speaker 4>that I'm that I'm learning and stuff. It makes sense

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<v Speaker 4>to me. I like it. I like I like it.

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<v Speaker 4>Theoretically it makes sense. I'd already been changing my life

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<v Speaker 4>a little bit with it, so I want to keep

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<v Speaker 4>leaning into it. But I would plenty times have an

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<v Speaker 4>opportunity or something would get kicked up in me, and

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<v Speaker 4>then I would get to like constructed, like I was

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<v Speaker 4>able to start realizing under all these acts of rage

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<v Speaker 4>or all these acts of indignancy in me, basically what

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<v Speaker 4>they were is it was when the rager come up

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<v Speaker 4>it was disguising the fact that I felt wounded. That

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<v Speaker 4>was the big, big, fucking lesson. And this kept coming

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<v Speaker 4>up over and over and over again, and being able

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<v Speaker 4>to develop that distance from the moment is like, Okay,

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<v Speaker 4>I'm gonna be able to get out of here, I'm

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<v Speaker 4>going to be able to stop putting holds them in.

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<v Speaker 3>Did you start thinking about other people in your life

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<v Speaker 3>who had traumatized you. I mean, I'm thinking mostly of

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<v Speaker 3>your dad.

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<v Speaker 4>Yeah. So, you know, when I started investigating my wounds,

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<v Speaker 4>it was like they all these old child wounds would

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<v Speaker 4>come out right, like I feel I see it's I'm

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<v Speaker 4>I'm remembering this episode from my childhood. That's where it

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<v Speaker 4>all went back to. And then I was like, oh shit,

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<v Speaker 4>my dad he had a really shitty childhood, just like me.

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<v Speaker 4>Then I started looking at that and I knew my

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<v Speaker 4>dad's past and when he was young, my grandfather used

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<v Speaker 4>to put him in a chicken coop. My grandfather really

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<v Speaker 4>was mad at mins treated my dad like he was

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<v Speaker 4>the worst kid. He had some deep animosity in my dad.

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<v Speaker 4>I think my grandfather may have thought that my dad

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<v Speaker 4>wasn't his even so, my dad got treated very badly, humiliated, humiliated, humiliated,

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<v Speaker 4>over and over, which is why he wanted to get

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<v Speaker 4>out of the house at sixteen to marry my mother.

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<v Speaker 4>That's when I was born. He just wanted to get

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<v Speaker 4>the hell out. So I knew he had been treated

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<v Speaker 4>terribly brutally, and then he grew up and he did

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<v Speaker 4>the same thing. In all my life, I had thought

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<v Speaker 4>my dad was a monster. People would even tell me, man,

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<v Speaker 4>let's do a monster. And I liked thinking of him

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<v Speaker 4>as a monster because then I could think about the

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<v Speaker 4>bad things I wanted to do to him. Because I

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<v Speaker 4>made him into this object. He's a monster. He's not

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<v Speaker 4>a person. He's like the other He's not us, he's

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<v Speaker 4>not like me. But when I examined my life and

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<v Speaker 4>I started seeing all the bad things that I had done,

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<v Speaker 4>and I understood where it came from, and I was

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<v Speaker 4>able to look at my father and say, oh, he's

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<v Speaker 4>doing these because of his wounds, his early humiliations, his

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<v Speaker 4>early trauma. He's no different than me than this monster.

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<v Speaker 4>Who I now understood was this little boy who had

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<v Speaker 4>been brutalized and humiliated and traumatized and behave badly. He

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<v Speaker 4>wasn't a monster. Yes, he did monsters things but he

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<v Speaker 4>was no longer a monster me. He was a kid

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<v Speaker 4>who didn't ask for any of the shit that happened

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<v Speaker 4>to him. And then it was like, oh fuck, I

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<v Speaker 4>was a kid. I didn't ask for any of it.

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<v Speaker 4>I didn't ask for the beatings. I didn't ask to

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<v Speaker 4>witness the trauma that he inflicted on my brother. I

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<v Speaker 4>didn't ask for the trauma of that. I didn't ask

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<v Speaker 4>for the death of my mother. I didn't ask for

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<v Speaker 4>any of the none of it. None of it. And

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<v Speaker 4>it happened, and he shaped me, and I grew up

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<v Speaker 4>and I did monsters things, but I wasn't a monster.

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<v Speaker 4>Being able to have an understanding of my father to

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<v Speaker 4>give him compassion. That gave me that phrase, Oh well,

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<v Speaker 4>then he's not a monster. He did monstrous thing, He's

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<v Speaker 4>not a monster came back to me and I could

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<v Speaker 4>appropriate for myself and say, oh, yeah, I'm not I

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<v Speaker 4>did monster, but I'm not a monster either. It gave

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<v Speaker 4>me like this tag, this tagline that I could remind

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<v Speaker 4>myself when I would start feeling super shameful, that which

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<v Speaker 4>was you know, really really heavy on those early days

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<v Speaker 4>because I just felt like, fuck it, I'm gonna always

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<v Speaker 4>fuck up I'm just I'm a terrible, evil person. I

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<v Speaker 4>might as well just kill myself because I'm gonna fail

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<v Speaker 4>at this thing to try and get better too. So

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<v Speaker 4>I needed help and that line I did monsters things

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<v Speaker 4>when I'm not a monster. Just like I gave it

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<v Speaker 4>to my dad, I was able to use it for

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<v Speaker 4>myself and that thing that gave me some rich propulsion

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<v Speaker 4>in the in a direction away from from shame, just

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<v Speaker 4>compassion for myself, you know. But I first extended it

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<v Speaker 4>to my dad, and then it came back to me.

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<v Speaker 6>We'll be right back.

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<v Speaker 5>Part two.

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<v Speaker 3>First day out, Jo, Do you remember your last day

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<v Speaker 3>in prison?

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<v Speaker 4>I woke up and showered, changed, shaved shit. I did

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<v Speaker 4>not shine my shoes because I only was going to

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<v Speaker 4>walk out with shower shoes because I gave my shoes

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<v Speaker 4>to somebody else. And then I just waited when I

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<v Speaker 4>went to breakfast and then went to my cell, and

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<v Speaker 4>I waited to be called. And sure enough, at a

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<v Speaker 4>certain point, pretty early, it's like loyal, roll it up,

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<v Speaker 4>roll it up. And so I go and they escort

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<v Speaker 4>me to the administration building, and now they start processing

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<v Speaker 4>me out. Sign this sign, that sign, this fingerprint, that

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<v Speaker 4>photo of this here's your clothes. Change into these because

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<v Speaker 4>your My family had sent me closed ahead of time.

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<v Speaker 4>And then they brought me to the gate. When they

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<v Speaker 4>brought me to the gate, and they asshole guards like

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<v Speaker 4>all right, see you soon, like I'm coming back, and

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<v Speaker 4>I was given a one hundred and fifty dollars check.

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<v Speaker 4>So first thing I do when I walk out of

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<v Speaker 4>the prison that I'd spent seventy years for for robbing banks,

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<v Speaker 4>the first thing I do is I go to a bank.

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<v Speaker 4>And when I go to a bank, this time, I'm

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<v Speaker 4>going to make an entirely different experience. And I'm like,

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<v Speaker 4>I'm this is momentous, man, this is I'm different man

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<v Speaker 4>than I went in. And I have a different relationship

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<v Speaker 4>to banking. So I walk up and I put both

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<v Speaker 4>my hands on the doors, and I open the doors

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<v Speaker 4>and walk in and I kind of walk. I need

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<v Speaker 4>to sign the so I go to the counter. I

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<v Speaker 4>put both my hands out on the counter and then

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<v Speaker 4>I look up and I go wait in line, and

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<v Speaker 4>I look at every camera in there, dumbly just like

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<v Speaker 4>what what what? Just looking at all of them, just

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<v Speaker 4>getting my face. I wanted to be known, I wanted

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<v Speaker 4>to be seen. And then I got my cash and

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<v Speaker 4>I walked out, and then I had this experience as

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<v Speaker 4>my first brush with grief, because you know, I'm out there,

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<v Speaker 4>I'm doing good. I'm happy, I mean as happy as

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<v Speaker 4>you can be. I'm carrying grief with me. Obviously, I'm

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<v Speaker 4>so sorrow and and all sorts of fear and all

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<v Speaker 4>sorts of things, but I'm really generally like, oh man,

0:14:47.200 --> 0:14:50.360
<v Speaker 4>it feels good to be out. So at one point

0:14:50.400 --> 0:14:52.560
<v Speaker 4>I go to buy something and there's this guy in there,

0:14:53.040 --> 0:14:56.360
<v Speaker 4>this young guy, pimply big Ol'adam's apple. I think you're

0:14:56.400 --> 0:15:00.160
<v Speaker 4>probably be a college kid, but sweetheart, and then I

0:15:00.160 --> 0:15:03.840
<v Speaker 4>come up with my little you know, bullshit postcards and

0:15:03.960 --> 0:15:08.480
<v Speaker 4>gum and whatever, and then he takes my money. My

0:15:08.520 --> 0:15:10.800
<v Speaker 4>money falls out of his hand, and then like he

0:15:10.880 --> 0:15:12.840
<v Speaker 4>triesking me the receipt and it falls on the floor.

0:15:12.880 --> 0:15:15.600
<v Speaker 4>It's just it was like so clumsy, but as he

0:15:15.760 --> 0:15:19.360
<v Speaker 4>was as he bent down to pick up the receipt,

0:15:19.480 --> 0:15:24.400
<v Speaker 4>and he was just so apologetic to me, apologetic to me.

0:15:26.600 --> 0:15:32.320
<v Speaker 4>It was like in that moment, flashbacks of all the

0:15:32.440 --> 0:15:36.840
<v Speaker 4>shit that I had done in prison, Like it just

0:15:36.880 --> 0:15:41.920
<v Speaker 4>came flooding that moment, and I felt terrible that I,

0:15:42.320 --> 0:15:48.240
<v Speaker 4>this innocent young man was in front of me and

0:15:48.520 --> 0:15:51.040
<v Speaker 4>all the terrible things I had done, and I mean

0:15:54.240 --> 0:15:57.200
<v Speaker 4>it was just, yeah, you know, just the level of

0:15:57.400 --> 0:16:02.840
<v Speaker 4>abuse I'd done to other people, the dorsis, the stabbings,

0:16:04.280 --> 0:16:13.280
<v Speaker 4>the ship on guards, the fires and the tears, the

0:16:13.360 --> 0:16:18.040
<v Speaker 4>making of the knives, the the robbing, the terrorizing all

0:16:18.080 --> 0:16:20.080
<v Speaker 4>the people I did, the treating the people who love

0:16:20.160 --> 0:16:25.320
<v Speaker 4>me shitty. I just felt so it felt like I

0:16:25.520 --> 0:16:28.760
<v Speaker 4>was gonna just rob this kid of innocence in a way,

0:16:28.800 --> 0:16:30.280
<v Speaker 4>and I wanted to get out of there as fast,

0:16:30.280 --> 0:16:31.800
<v Speaker 4>but I just grabbed myself and I ran out. And

0:16:31.800 --> 0:16:36.040
<v Speaker 4>I'm so not ready for fucking good people, man, Like

0:16:36.880 --> 0:16:40.160
<v Speaker 4>I'm gonna always feel like fucking terrible ship in front

0:16:40.160 --> 0:16:44.280
<v Speaker 4>of him. I can't let this keep happening and running out,

0:16:44.320 --> 0:16:55.560
<v Speaker 4>you know. Yeah, man, it was exhausting to be free, Joe.

0:16:55.640 --> 0:16:58.440
<v Speaker 3>You spent you spent a lot of time in prison

0:16:58.520 --> 0:17:01.920
<v Speaker 3>thinking about your dad and your relationship with your dad.

0:17:02.400 --> 0:17:04.400
<v Speaker 3>What was it like when you first saw him after

0:17:04.440 --> 0:17:05.160
<v Speaker 3>getting released.

0:17:05.760 --> 0:17:09.560
<v Speaker 4>I saw him when I exited the plane, and there's

0:17:09.560 --> 0:17:13.120
<v Speaker 4>my dad. He's my dad. I'd done all my heart

0:17:13.119 --> 0:17:16.879
<v Speaker 4>work on him already, so I just hug him, I

0:17:16.920 --> 0:17:21.240
<v Speaker 4>love him. We cry, you know, we weep like men.

0:17:22.800 --> 0:17:26.880
<v Speaker 4>But there was one conversation that solidified what we would

0:17:26.960 --> 0:17:28.760
<v Speaker 4>try to be the rest of this time and kind

0:17:28.800 --> 0:17:33.200
<v Speaker 4>of got to, which was this, Dad, So I fucked

0:17:33.240 --> 0:17:35.920
<v Speaker 4>up really bad. You fucked up really bad. Why don't

0:17:35.920 --> 0:17:38.679
<v Speaker 4>we do this. Let my fucked up shit cancel all

0:17:38.720 --> 0:17:40.480
<v Speaker 4>your fucked up shit, and then your fucked up shit

0:17:40.480 --> 0:17:43.280
<v Speaker 4>cancel out my fucked up shit, and let's just start over.

0:17:44.280 --> 0:17:50.760
<v Speaker 4>Let's just do that. Boom, clean slate, turn the fucking page. Yeah,

0:17:50.880 --> 0:17:53.199
<v Speaker 4>let's just have a fresh start. And that's what we

0:17:53.320 --> 0:17:58.119
<v Speaker 4>chose to do, just like that. Let's just fresh started. Okay,

0:17:58.200 --> 0:18:06.120
<v Speaker 4>fresh start. We'll be right back.

0:18:12.720 --> 0:18:31.879
<v Speaker 6>M Part three.

0:18:32.400 --> 0:18:43.000
<v Speaker 4>Gone in a moment, well, you know, for those of

0:18:43.080 --> 0:18:45.439
<v Speaker 4>us who are under a three strike serra law is

0:18:45.480 --> 0:18:48.280
<v Speaker 4>when I like when I got out, there's a mistake

0:18:48.320 --> 0:18:50.280
<v Speaker 4>you could make that meant that you're never getting out

0:18:50.280 --> 0:18:55.520
<v Speaker 4>of prison again. It'll wash you up. One mistake, and

0:18:55.560 --> 0:18:59.080
<v Speaker 4>that one mistake. Many men who came out of prison,

0:18:59.119 --> 0:19:01.600
<v Speaker 4>when they would be in reinc two programs they would

0:19:01.640 --> 0:19:04.160
<v Speaker 4>deal with, they would talk about that moment in which

0:19:04.160 --> 0:19:08.000
<v Speaker 4>they had to choose, am I gonna walk away, or

0:19:08.040 --> 0:19:10.879
<v Speaker 4>am I gonna wash myself up, never get out of prison.

0:19:11.000 --> 0:19:15.320
<v Speaker 4>It's right here, It's decision is right now. It's like

0:19:16.080 --> 0:19:20.600
<v Speaker 4>I am my life is imperiled in this moment, and

0:19:20.640 --> 0:19:22.080
<v Speaker 4>not just in peril, like oh, I might go to

0:19:22.080 --> 0:19:24.200
<v Speaker 4>prison for a couple years, like I'll never get out again.

0:19:24.960 --> 0:19:35.439
<v Speaker 4>And they call that the moment of fatal peril. Crocodile Cafe,

0:19:35.680 --> 0:19:37.280
<v Speaker 4>you know, I'd worked at one before, and here we

0:19:37.280 --> 0:19:41.000
<v Speaker 4>are at this one, and we're on the patio and

0:19:42.240 --> 0:19:46.200
<v Speaker 4>there's this homeless guy across the street starts walking in traffic,

0:19:46.240 --> 0:19:48.560
<v Speaker 4>and there's all this horn. That's why we're paying attention

0:19:48.600 --> 0:19:51.040
<v Speaker 4>because everyone's trying to stop their honking in him, and

0:19:51.080 --> 0:19:53.200
<v Speaker 4>he gets so agitated. He stands right in the middle

0:19:53.200 --> 0:19:55.080
<v Speaker 4>of the road and he puts his arms out like

0:19:55.280 --> 0:19:57.880
<v Speaker 4>Jesus on the cross, and he throws his head back

0:19:57.920 --> 0:20:00.960
<v Speaker 4>and he's just standing in the middle the center line.

0:20:01.400 --> 0:20:04.040
<v Speaker 4>And so the traffic picks up again. It starts going slowly,

0:20:04.200 --> 0:20:07.119
<v Speaker 4>slowly by I mean, he's just drawn, you know, dramatic there,

0:20:07.160 --> 0:20:09.119
<v Speaker 4>and people are saying stuff about him in the patio,

0:20:09.160 --> 0:20:11.159
<v Speaker 4>and I feel bad for him. I have solidarity. I

0:20:11.160 --> 0:20:13.960
<v Speaker 4>get it, dude, in those days, like I'm feeling a

0:20:13.960 --> 0:20:16.800
<v Speaker 4>lot of compassion. And then he comes and he cross

0:20:16.840 --> 0:20:19.200
<v Speaker 4>the street and he comes to the gate that separates

0:20:19.240 --> 0:20:21.879
<v Speaker 4>the patio from the sidewalk, and then he opens the

0:20:21.920 --> 0:20:24.000
<v Speaker 4>kiss the little gate there and walks in and sits

0:20:24.040 --> 0:20:25.720
<v Speaker 4>at the table far at the far edge of the

0:20:25.760 --> 0:20:28.120
<v Speaker 4>patio by him, so he doesn't he doesn't get seated,

0:20:28.760 --> 0:20:31.520
<v Speaker 4>and so now it looks like he wants to be served.

0:20:31.520 --> 0:20:33.480
<v Speaker 4>And now I can hear the waiters and waitresses like, oh, man,

0:20:33.560 --> 0:20:35.359
<v Speaker 4>do we have to serve him? Oh, he's got a

0:20:35.359 --> 0:20:37.240
<v Speaker 4>stink and this and that, and I'm like, man, this

0:20:37.320 --> 0:20:39.280
<v Speaker 4>is terrible the way they're talking about this guy. I

0:20:39.320 --> 0:20:41.960
<v Speaker 4>have total solidarity stir with him. And then I look

0:20:42.000 --> 0:20:43.439
<v Speaker 4>over at him like kind of want to give him

0:20:43.440 --> 0:20:45.320
<v Speaker 4>an eye like him, man, I see you, homeboy, like

0:20:45.320 --> 0:20:47.760
<v Speaker 4>like that kind of thing. Solidarity Sometimes it works, you can.

0:20:47.920 --> 0:20:50.320
<v Speaker 4>There's I've been out and I've been in places and

0:20:50.480 --> 0:20:52.440
<v Speaker 4>somebody sees me, I see them. We're like, yeah, we

0:20:52.480 --> 0:20:54.040
<v Speaker 4>know who we are. Yeah yeah, no, noah, all right,

0:20:54.040 --> 0:20:56.280
<v Speaker 4>what's up? All right? And that's it. You let let

0:20:56.359 --> 0:20:58.840
<v Speaker 4>people know who you are. And I'm trying to give

0:20:58.880 --> 0:21:00.640
<v Speaker 4>that guy. Then he looks at me, and right from

0:21:00.680 --> 0:21:04.600
<v Speaker 4>across the patio, he says, what are you looking at

0:21:04.640 --> 0:21:09.080
<v Speaker 4>you being eating burrito, motherfucker or something like yeah, being

0:21:09.080 --> 0:21:12.840
<v Speaker 4>burrito eating motherfucker. Like Jess straight up says it to me,

0:21:13.080 --> 0:21:17.760
<v Speaker 4>calls me on in front of everybody, straight up racist shit,

0:21:19.480 --> 0:21:22.800
<v Speaker 4>and everyone looks at me. They turn around and look

0:21:22.840 --> 0:21:24.760
<v Speaker 4>at me. They have that look that we call him prison, like,

0:21:24.760 --> 0:21:26.400
<v Speaker 4>hey man, I don't play much chess, but it looks

0:21:26.400 --> 0:21:30.719
<v Speaker 4>like you're moved. And my anger flashed from zero to

0:21:30.800 --> 0:21:34.160
<v Speaker 4>one hundred because in that moment, I felt he's threatening

0:21:34.240 --> 0:21:37.960
<v Speaker 4>me and I don't know that. My hand goes to

0:21:38.040 --> 0:21:41.199
<v Speaker 4>my fork, but I look at my fork and I'm like,

0:21:41.280 --> 0:21:44.199
<v Speaker 4>can this thing work? I think I can make this

0:21:44.400 --> 0:21:47.600
<v Speaker 4>fork work if I need to. I could stab him

0:21:47.600 --> 0:21:51.040
<v Speaker 4>in the eye. I could stab him. I could stab

0:21:51.119 --> 0:21:53.920
<v Speaker 4>him in front of his throat. I'll shove this shit

0:21:54.000 --> 0:21:56.120
<v Speaker 4>up his nose if I have to. Like, I'm thinking

0:21:56.560 --> 0:22:00.439
<v Speaker 4>what can I do to hurt him? And I'm like, okay, down, dere,

0:22:00.440 --> 0:22:02.440
<v Speaker 4>what the fuck? What the fuck? What the fuck?

0:22:02.560 --> 0:22:02.760
<v Speaker 6>Man?

0:22:02.920 --> 0:22:05.800
<v Speaker 4>No, that guy is just throwing words at you. Man,

0:22:05.840 --> 0:22:08.399
<v Speaker 4>that's words. That's nothing. It's not about you at all.

0:22:08.640 --> 0:22:11.800
<v Speaker 4>Dilly that shit down. Down. He's not threatening you, he's

0:22:11.840 --> 0:22:18.399
<v Speaker 4>not threatening you. It's not a threat. So I started

0:22:18.440 --> 0:22:20.920
<v Speaker 4>dialing it down. I'm at eighty y. It's not a threat,

0:22:20.920 --> 0:22:23.080
<v Speaker 4>it's not a threat. And then my mind thought, but

0:22:23.160 --> 0:22:25.879
<v Speaker 4>what if he walks over here, Like I'm starting to

0:22:25.960 --> 0:22:29.600
<v Speaker 4>imagine how I'm gonna have to, you know, lunge at

0:22:29.640 --> 0:22:32.040
<v Speaker 4>this guy. And now I'm back at one hundred again,

0:22:32.520 --> 0:22:35.760
<v Speaker 4>and so now I am in such distress, like I

0:22:35.800 --> 0:22:39.359
<v Speaker 4>can't let go. This was my moment of fatal peril.

0:22:43.520 --> 0:22:46.439
<v Speaker 4>I've been living out here for several months now, and

0:22:46.520 --> 0:22:51.320
<v Speaker 4>I've been dealing with humiliation after humiliation after small humiliation

0:22:51.440 --> 0:22:54.479
<v Speaker 4>out and being helpless and fucking swallowing shit and just

0:22:54.520 --> 0:22:57.000
<v Speaker 4>like not doing it. This man has crossed such a

0:22:57.720 --> 0:23:01.920
<v Speaker 4>line that the idea of going over there and really

0:23:01.960 --> 0:23:06.000
<v Speaker 4>putting damage on this guy's body feels so good. It's

0:23:06.080 --> 0:23:09.960
<v Speaker 4>so seductive. That was the danger, Like I understood that

0:23:10.000 --> 0:23:22.480
<v Speaker 4>this felt too good. I'm trying to figure out how

0:23:22.480 --> 0:23:24.480
<v Speaker 4>do I let go of this? And I didn't realize well,

0:23:24.560 --> 0:23:27.639
<v Speaker 4>sometimes it unlike prison, where I could not leave prison.

0:23:27.640 --> 0:23:28.879
<v Speaker 4>I had to stay there and I had to deal

0:23:28.920 --> 0:23:30.960
<v Speaker 4>with that. I was like I have an out. I

0:23:30.960 --> 0:23:44.720
<v Speaker 4>got a car, I got a van. But here's the thing.

0:23:44.720 --> 0:23:49.240
<v Speaker 4>On the way home, I realized I needed to get

0:23:49.240 --> 0:23:50.800
<v Speaker 4>a hold of my father, and I need to get

0:23:50.800 --> 0:23:53.240
<v Speaker 4>ahold of my brother. And I don't know why, Like

0:23:53.400 --> 0:23:59.119
<v Speaker 4>to this day, I don't know why. But I was

0:23:59.160 --> 0:24:03.960
<v Speaker 4>smart enough to say, Paul, you know, I get sleeping

0:24:04.000 --> 0:24:05.480
<v Speaker 4>back or something, and I need you to come and

0:24:05.520 --> 0:24:08.120
<v Speaker 4>spend the night with me. Dad, I'm gonna pick you up.

0:24:08.359 --> 0:24:09.680
<v Speaker 4>I need you to just come and spend the night

0:24:09.760 --> 0:24:15.919
<v Speaker 4>with me, like I need you guys to stay with

0:24:15.960 --> 0:24:28.440
<v Speaker 4>me tonight. My dad and brother came. I told Paul,

0:24:28.480 --> 0:24:30.359
<v Speaker 4>stand by the sleep by the window, Dad, sleep by

0:24:30.400 --> 0:24:32.400
<v Speaker 4>the door. Do not let me get up and out

0:24:32.400 --> 0:24:35.200
<v Speaker 4>of here, like I don't want this to happen. I

0:24:35.200 --> 0:24:37.440
<v Speaker 4>don't want to become that. And then I lay in bed,

0:24:37.480 --> 0:24:39.880
<v Speaker 4>thinking I have a whole night to make sure that

0:24:40.240 --> 0:24:42.320
<v Speaker 4>I do some work on myself so that in the

0:24:42.359 --> 0:24:44.040
<v Speaker 4>morning I don't get up and go find a gun

0:24:44.080 --> 0:24:47.800
<v Speaker 4>so I can go rob a bank. But I just

0:24:47.920 --> 0:24:50.920
<v Speaker 4>lay in bed, and my brother and dad heard heard

0:24:50.960 --> 0:24:55.720
<v Speaker 4>me just cry. The voices were so strong, and I

0:24:55.880 --> 0:24:59.320
<v Speaker 4>was not convinced that the beast was not gonna win.

0:25:00.080 --> 0:25:03.840
<v Speaker 4>I was not convinced. I cried myself to sleep, like

0:25:03.880 --> 0:25:09.040
<v Speaker 4>I was just so exhausted from the rage that was

0:25:09.600 --> 0:25:12.440
<v Speaker 4>coursing through me. Because that's what it was. I was

0:25:12.520 --> 0:25:16.280
<v Speaker 4>now dancing with that old rage again, that wanted that

0:25:16.359 --> 0:25:20.440
<v Speaker 4>had done so much damage on the on the planet.

0:25:21.840 --> 0:25:27.000
<v Speaker 4>I was dancing with that rage, man. And then the

0:25:27.040 --> 0:25:39.639
<v Speaker 4>morning came. Morning always comes, and the morning comes like

0:25:41.119 --> 0:25:43.679
<v Speaker 4>there's my dad seated on and reading a book, seated

0:25:43.680 --> 0:25:45.600
<v Speaker 4>on his you know, by the door, and Paul was

0:25:45.640 --> 0:25:52.440
<v Speaker 4>brushing his teeth inside the in the bathroom there, and

0:25:53.280 --> 0:25:55.879
<v Speaker 4>I don't remember like much talking about anything. It was

0:25:55.960 --> 0:25:58.280
<v Speaker 4>just very quiet. The sun was coming through the shades,

0:26:02.280 --> 0:26:04.439
<v Speaker 4>and I do remember that we got up and we

0:26:04.520 --> 0:26:07.639
<v Speaker 4>just hugged it out, the three of us. We hugged

0:26:07.640 --> 0:26:16.160
<v Speaker 4>it out, crying. I had leaned on my people's man.

0:26:16.200 --> 0:26:18.359
<v Speaker 4>They loved me. They wanted me to succeed. They wanted

0:26:18.400 --> 0:26:24.840
<v Speaker 4>me to stay out. I wanted to stay out. And

0:26:24.960 --> 0:26:33.240
<v Speaker 4>the fever, you know, it faded, It was gone. I

0:26:33.280 --> 0:26:38.800
<v Speaker 4>didn't feel that rage anymore. In fact, I felt we

0:26:38.920 --> 0:26:43.240
<v Speaker 4>got a strategy. And the strategy is very simple. You

0:26:43.359 --> 0:26:46.639
<v Speaker 4>got to lean on the love man, my dad loved me.

0:26:46.800 --> 0:26:52.600
<v Speaker 4>My brother loved me. I love them. We're family and

0:26:52.680 --> 0:26:56.080
<v Speaker 4>we had had such a blasted out home at one point,

0:26:58.160 --> 0:27:01.479
<v Speaker 4>but in that moment hugging them, h man, we had

0:27:01.520 --> 0:27:09.760
<v Speaker 4>the best home we'd ever had. It was reliable, and

0:27:09.800 --> 0:27:12.320
<v Speaker 4>it was just showing up and helping the other other

0:27:12.400 --> 0:27:16.959
<v Speaker 4>person out in a moment of crisis. And then I

0:27:17.040 --> 0:27:21.280
<v Speaker 4>was like, how might make this?

0:27:22.359 --> 0:27:49.720
<v Speaker 7>Yeah, you are listening to the burden.

0:27:50.280 --> 0:27:52.960
<v Speaker 2>This has been season four, Get the Money and Run.

0:27:53.520 --> 0:27:55.960
<v Speaker 2>Get the Money and Run was originally released as The

0:27:56.000 --> 0:27:58.840
<v Speaker 2>Score the Bank Rubber Diaries and was produced by Western

0:27:58.920 --> 0:28:02.040
<v Speaker 2>Sound and a Cast Studios. Search up The Bank Robber

0:28:02.119 --> 0:28:04.480
<v Speaker 2>Diaries and click on the yellow cover art to hear

0:28:04.520 --> 0:28:08.439
<v Speaker 2>a fifteen episode version of this story, including questions and

0:28:08.480 --> 0:28:11.960
<v Speaker 2>answers from Joeloya. Yet the Money and Run was produced

0:28:12.000 --> 0:28:15.080
<v Speaker 2>by Me Benader along with Cameron Kel, Haley Fox, and

0:28:15.119 --> 0:28:19.440
<v Speaker 2>Stephanie Aguilar. Production assistance from Annett to Run Hell. All

0:28:19.440 --> 0:28:21.200
<v Speaker 2>the music you heard on Get the Money and Run

0:28:21.359 --> 0:28:24.479
<v Speaker 2>was original and it was composed, produced and designed by

0:28:24.560 --> 0:28:27.840
<v Speaker 2>Dan Leone, mixing and mastering by John Evance Evans and

0:28:27.920 --> 0:28:33.240
<v Speaker 2>Austin Smith. Executive producers are Me Benadair, Joe Loya, Veronica Taylor,

0:28:33.280 --> 0:28:37.280
<v Speaker 2>and Susie Warhurst. The executive producer and producer of The

0:28:37.320 --> 0:28:42.040
<v Speaker 2>Burden is Orbit Media, Steve Fishman and Austin Smith. I'm

0:28:42.040 --> 0:28:45.760
<v Speaker 2>your host, Benadair. Stay tuned to this feed for more

0:28:45.880 --> 0:28:47.320
<v Speaker 2>exciting stories from The Burden.

0:28:47.720 --> 0:28:56.720
<v Speaker 8>Thanks for listening, and special thanks to assistant producers for

0:28:56.880 --> 0:29:02.040
<v Speaker 8>Social Media Eva Bruckner and Sarah Feu and Lead assistant

0:29:02.040 --> 0:29:03.959
<v Speaker 8>producer Eric Axelrod.

0:29:06.000 --> 0:29:09.960
<v Speaker 1>Thanks for listening. Remember to hear all episodes all at

0:29:10.000 --> 0:29:13.680
<v Speaker 1>once and ad free. Subscribe to True Crime Clubhouse on

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<v Speaker 1>Apple Podcasts. It's worth it. You'll find other gripping true

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<v Speaker 1>crime series there also ad free. If you want to

0:29:22.160 --> 0:29:26.160
<v Speaker 1>hear Ben talk about this episode, check out the teaser.

0:29:27.160 --> 0:29:28.440
<v Speaker 1>It's in the Burden feed