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Speaker 1: Reality with the King is hosted by me, Carlos King.

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Speaker 1: I'm an executive producer who have produced some of your

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Speaker 1: favorite shows from the Real house Boss of Atlanta, New

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Speaker 1: Jersey and my own creation, The Love and Marriage Franchise

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Speaker 1: and Bell Collective. Every episode, we recap reality television from

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Speaker 1: the Real Housewives Franchise to The Bachelor or Selling Sunset,

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Speaker 1: in addition to celebrity guests, whether in the unscripted space

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Speaker 1: or scripted as well.

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Speaker 2: Hey, rain drops on today's episode of Reality with the King.

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Speaker 2: Alexis Jansen and I are here to recap the latest

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Speaker 2: episode of The Real House Boss of Beverley Hills. And listen,

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Speaker 2: she and I are dancing. We're doing our TikTok dances

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Speaker 2: because after.

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Speaker 3: A very slow start to the season.

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Speaker 2: I feel like things are finally hitting up an Alexis eye,

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Speaker 2: I am thrilled.

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Speaker 4: It's a license TODs after this, and I said, if

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Speaker 4: you jump on board, because now we are talking, it's good.

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Speaker 2: Okay, it's such a good it's such a good episode

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Speaker 2: and I cannot wait to get into it with you.

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Speaker 2: So look, first thing first, we got to get into

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Speaker 2: Erica Jane meeting with Rachel Zoe and Look, what would

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Speaker 2: this season be without the manifesting money Queen Amanda, because

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Speaker 2: she literally is the talk of the town. So, as

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Speaker 2: we've talked about. In last week's episode, Rachel's had a dinner,

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Speaker 2: Dart was confronting Amanda based on things she was told

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Speaker 2: she said about, you know, talking about her a strange

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Speaker 2: husband p K. Amanda tells her, you know, let's not

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Speaker 2: do this right now. I'm grieving the loss of my

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Speaker 2: son today he passed away. The anniversary excuse me of

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Speaker 2: his death is today things went awkward. Erica and Rachel's

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Speaker 2: start talking about it and look instead of which I

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Speaker 2: was like, this reminds me of when the new girl

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Speaker 2: get hazed, although rachel Zel is a new girl.

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Speaker 3: But I'll get to my theory about why rachel.

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Speaker 2: Zo is not getting hazed in the same fashion. I

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Speaker 2: phil Amanda is in a you know, Alexis will get

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Speaker 2: your thoughts. They're talking about her and they're calling her

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Speaker 2: performative based on an example of her being on the

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Speaker 2: phone sandwich in the middle in what we call the

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Speaker 2: bitch seat and she's handling business, and I thought that

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Speaker 2: was like, not fair.

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Speaker 5: I totally disagree. I the entire time she's on the phone.

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Speaker 4: I'm cringing, and do you know what I even have?

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Speaker 4: I even have an a sample from Orange County.

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Speaker 5: Okay. I was in a car with Vicky Gumbelson getting schooled,

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Speaker 5: so my ringer was on.

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Speaker 4: Vicky looks at me and is like, turn that off.

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Speaker 4: We are in a car together, like put it on silent.

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Speaker 4: And it was one of my first times I was

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Speaker 4: going or whatever, and I got the I got the

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Speaker 4: point right away. But like if I was in the

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Speaker 4: car sandwiched in between those two women, I would not

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Speaker 4: be talking in my business life.

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Speaker 5: I would not. I don't understand it.

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Speaker 4: I do think it was performative and awkward and weird.

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Speaker 4: And I don't know how she couldn't read the room

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Speaker 4: that the other two ladies were sitting there.

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Speaker 5: I rolling her the whole time, like I would feel

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Speaker 5: their energy if she's such a manifestor, I would have

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Speaker 5: manifested and felt that energy, being like, Okay, these girls

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Speaker 5: do not like this phone call. Sorry Carlos, once again

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Speaker 5: we agree to a sagree.

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Speaker 3: No, we've lived it. We can't. We can't, we can't.

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Speaker 3: I'll say this and maybe this is me.

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Speaker 2: Projecting based upon you know me and my life. Listen,

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Speaker 2: when I'm out and about with my friends who I love,

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Speaker 2: we have a great time. I oftentimes am on the

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Speaker 2: phone and handling business. Now, look, I do feel like

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Speaker 2: this is no disrespect to Erica Jane, who I love.

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Speaker 2: Amanda has a business.

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Speaker 4: So does Erica Jane. She performs on stage. You don't

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Speaker 4: think she has to handle stuff.

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Speaker 3: She has Mikey and other people to handle stuff. And

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Speaker 3: I love Erica.

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Speaker 4: Well, for the record, push you a little further so

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Speaker 4: you feel like eric or I'm sorry, Amanda's phone call

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Speaker 4: was completely and totally like proper like you didn't. You

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Speaker 4: did not get any cringe worthiness out of that higher.

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Speaker 5: Scene, is what you're saying.

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Speaker 4: Because I will hold on, let me finish this one

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Speaker 4: point though I just thought of something else. I will

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Speaker 4: make a phone call about business, about my kids, in

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Speaker 4: front of my in front of my any whoever I'm

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Speaker 4: with it.

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Speaker 5: I need to.

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Speaker 4: But at the point that it gets to where it's

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Speaker 4: like everything Erica was or Amanda was talking about, I

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Speaker 4: would excuse myself and walk away, or I would say

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Speaker 4: I'll call you back in a few minutes, and I

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Speaker 4: would end the phone call and call back. I mean,

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Speaker 4: it was and I know that they loved they did

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Speaker 4: the real the spirals with me too. I know that

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Speaker 4: they loved to cut and put like boom boom boom

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Speaker 4: and make it look like she was on the phone

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Speaker 4: for an hour, which you might have been on the

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Speaker 4: phone for five minutes.

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Speaker 5: It was still a lot.

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Speaker 4: It was still a lot of different conversations and a

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Speaker 4: lot of different topics that it's like, Okay, one phone

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Speaker 4: call I get.

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Speaker 5: But I don't know. I'm intrigued that you think it

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Speaker 5: was totally find No.

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Speaker 2: The thing is this, there are traveling in Sedonia, Sedona,

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Speaker 2: and that's a that's not like a trip where you

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Speaker 2: get around for like fifteen minutes, so it's presumably the

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Speaker 2: hour plus long drive. There are moments where she has

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Speaker 2: she has to handle business. So listen, do I think

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Speaker 2: she's performative, for sure, I'm not saying that. I think

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Speaker 2: at that moment she was warranted as a businesswoman handling

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Speaker 2: business because she is operating her own business. Now, Rachel

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Speaker 2: and Erica, they do have businesses. However, what we have

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Speaker 2: seen right on the show, they have.

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Speaker 3: A massive team so they don't have to, based on what.

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Speaker 2: I've seen, handle a lot of things that comes head on,

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Speaker 2: because rightfully so, they do have a great team around them.

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Speaker 3: But look, one of the things that you are not

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Speaker 3: going to disagree with already, know.

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Speaker 5: Hey, preface it with up, go ahead, go ahead.

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Speaker 3: Rachel zo.

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Speaker 2: Thinks that Amanda boasts a lot about her work, and

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Speaker 2: she made the reference that of all of the businesses

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Speaker 2: and all the accomplishments and all the accolades she has,

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Speaker 2: she doesn't boast about her work. And as somebody who

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Speaker 2: watched the Rachel Zoel project right the live detective test

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Speaker 2: determined that was a lie. Now and listen, not saying

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Speaker 2: she did it to the degree that Amanda's doing, but

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Speaker 2: I watched the Rachel Project and Rachel had no problem

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Speaker 2: telling motherfuckers what she was wearing, how she changed the

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Speaker 2: game with Lindsay Lohand and parents and all these girls.

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Speaker 2: So my thing is Rachel zou did it when she

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Speaker 2: had her own show, rightfully so, and I think Amanda's

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Speaker 2: new and I think Amada wants the girls to know

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Speaker 2: what she does.

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Speaker 5: Well and to take it further. I've got okay.

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Speaker 4: As a producer, you you also know that Rachel Erica,

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Speaker 4: every cast member could possibly be talking about their businesses

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Speaker 4: and there and boasting in some way that doesn't make it,

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Speaker 4: and it's on the cutting room floor because they're trying

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Speaker 4: to point this out about Erica. So coming from a

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Speaker 4: producer's aspect, that could also be something. And you're right, like,

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Speaker 4: I think all the women probably talk about their businesses

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Speaker 4: and talk about their stage performances in Erica's case, and

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Speaker 4: talk about you know, I think they all do, because

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Speaker 4: that's your life.

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Speaker 5: You do talk about what you do behind the scenes.

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Speaker 5: And it is a very possible.

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Speaker 4: Thought that they could be cutting everything to make it

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Speaker 4: stand out, that this is Amanda's persona for this season,

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Speaker 4: to bring her different, to make her a character that is,

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Speaker 4: you know, loved and hated at the same time, to

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Speaker 4: drive the ratings.

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Speaker 3: So there you go, yeah, yeah, and look she is

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Speaker 3: standing out.

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Speaker 2: Now, look, Rachel Zel thinks she's standing out because she

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Speaker 2: says she looks like an airline attended from the sixties.

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Speaker 5: Where did she come up with that?

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Speaker 3: I mean, that's good.

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Speaker 5: I laughed. Did you laugh? You had to laugh?

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Speaker 3: I hollered.

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Speaker 2: That's why I broke that in my notes. I thought, look,

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Speaker 2: I thought that was extremely funny and the accuracy was there. Now,

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Speaker 2: I thought, Rachel Zel did her big one with that comparison.

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Speaker 2: I thought that was super duper punty.

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Speaker 5: Yeah, it's good, good material.

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Speaker 2: So then we see Amanda, you know, she's talking to Kyle.

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Speaker 2: They're hanging out, and she mentions Durii. So we now

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Speaker 2: get to see Amanda's perspective after the dinner party, and

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Speaker 2: she says that Derey pretty much is not a classy

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Speaker 2: woman and that's not how classy women act, based on

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Speaker 2: the fact that she did disrespect her son the anniversary

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Speaker 2: of her death.

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Speaker 3: Kyle tried to defend her, which I thought was nice.

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Speaker 2: But Amanda, who I agree with, She said yes, but

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Speaker 2: after she found out, I still asked her to stop,

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Speaker 2: and she would not stop and she kept going. So

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Speaker 2: I am definitely on Amanda's side when it comes to

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Speaker 2: I find it quite interesting that none of these girls,

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Speaker 2: none of them are chastising Dearit for what she did,

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Speaker 2: and I felt like that was anybody else they would have.

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Speaker 4: I agree with you, and I know Juri did we

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Speaker 4: have we have to Durit did point out that Amanda

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Speaker 4: did come back after Amanda said, it's the you know,

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Speaker 4: anniversary my sons ion. I don't want to speak about

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Speaker 4: this anymore. Amanda did come back and say and then

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Speaker 4: and then tried to pull a little bit more of

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Speaker 4: Durid out of the conversation, where Amanda probably should have

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Speaker 4: just not shut at that point and been like, that's it. However,

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Speaker 4: it didn't matter. Nothing trumps the fact that that was

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Speaker 4: the anniversary of a baby's death. I'm sorry. Nothing can

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Speaker 4: trump that. It does not matter what Amanda. She could

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Speaker 4: have pulled out a machete at that point and been like,

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Speaker 4: you know, totally crazy and the women need to bow

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Speaker 4: down and go I'm so sorry, because to lose a

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Speaker 4: kid is the worst pain I think anyone can have,

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Speaker 4: so I it would have just stopped. And I don't

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Speaker 4: understand why all the women sat around and not one

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Speaker 4: person stood up and said or just even quietly said,

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Speaker 4: you know, let's give Amanda the moment and just to

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Speaker 4: design like I had last week, except for the fact

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Speaker 4: that Amanda is.

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Speaker 5: The newbie and they all don't like her a ton.

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Speaker 4: They're trying to find a reason not to which Amanda's

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Speaker 4: giving them. You know, some good stuff go on, and

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Speaker 4: I think we're just gonna have to see it play out,

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Speaker 4: and who knows, Like if Amanda comes back next season.

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Speaker 5: I think she'll be liked.

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Speaker 4: I think people are going to find reasons to like

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Speaker 4: her because she is dynamic. She does have something different

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Speaker 4: than all the other women with her personality, So I

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Speaker 4: think I think there's there, you know, give her a chance.

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Speaker 5: I keep going back and forth, though I am probably

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Speaker 5: with the rain drops on this. I keep going back

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Speaker 5: and forth. Do I like her or not? Is she not?

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Speaker 5: Is she cool or not? Is she braggadocios or not?

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Speaker 5: Like I have all of these that I go through with.

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Speaker 2: Amanda, I agree, I agree, I agree, I agree. I

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Speaker 2: think listen, I think she's keeping the lights on this season.

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Speaker 2: She's providing something very interesting and I like.

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Speaker 3: Her a great deal. So far, so far, due, so far, due.

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Speaker 2: We got to get to the moment, Oh god, where listen?

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Speaker 2: This had to be the most awkward moment I think

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Speaker 2: this whole season. And shout out to the producers. If

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Speaker 2: they orchestrated it, I'm not sure. But Drey, Kyle Bows

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Speaker 2: and Bow's friend they decided to have a girl's lunch

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Speaker 2: and Dried talks to about Mauricio, and she asked Kyle plainly,

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Speaker 2: if there's any sort of room for a reconciliation with Mauricio,

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Speaker 2: and before Kyle could even answer, Mauricio pops up out

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Speaker 2: of nowhere and no, Alexis. I literally jumped in my

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Speaker 2: chair like I was watching a scary movie where the

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Speaker 2: black girl gets killed first, so bulls watch out and

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Speaker 2: I freaked out.

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Speaker 4: Well because it's like, it's like, no sooner than by

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Speaker 4: the way, Let's go back to the fact.

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Speaker 5: That Alexis called out talking to myself in third person.

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Speaker 4: Yes, I am called out a couple of our podcasts

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Speaker 4: ago that there is room for reconciliation and Kyle is

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Speaker 4: manifesting it and wants it, and you can tell and

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Speaker 4: you can tell more of this episode, but the fact

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Speaker 4: that they're sitting there talking about him and the moment

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Speaker 4: that he walks up is when Dury is saying the

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Speaker 4: word reconcilient. Oh hi, It's like she couldn't even finish

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Speaker 4: the shun reconcilia shun. She couldn't finish it because there's

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Speaker 4: Marcio and Kyle.

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Speaker 5: I love the way Kyle handled it.

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Speaker 4: She's like, oh well, hi, Mary, you know, like it

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Speaker 4: was just you can't write that that was not acting,

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Speaker 4: that was either really greatly produced or.

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Speaker 5: Like Kyle said, I don't know if you watched the

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Speaker 5: Watch What Happens Live? Let me fill everybody in.

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Speaker 4: Kyle was on Watch What Happens Live with Kathy Hilton

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Speaker 4: and Paris right after this episode. So it's the best,

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Speaker 4: it's one of the best Watch What Happens Live? Ever,

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Speaker 4: It's just epic anyway, you got to watch it.

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Speaker 5: But but yeah, Kyle says, on that way, where was

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Speaker 5: I going with that? Something about Mauricio?

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Speaker 3: Oh?

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Speaker 5: Oh, so they they even you know, are still talking

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Speaker 5: on Watch What Happens Live about Kyle? Do you know,

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Speaker 5: have you thought about filing yet or this?

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Speaker 4: Like it's it's forever been in my mind that there's

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Speaker 4: a place that Mauricio and Kyle could end up back

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Speaker 4: together once they both get their you know, early twenties

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Speaker 4: out of their fifty year old bodies.

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Speaker 2: So is she saying that there's is she did she

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Speaker 2: intimate on Washing Hapmas Live that there's a possibility or

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Speaker 2: there isn't she.

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Speaker 4: Just she just you can still see it in her

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Speaker 4: eyes that she is missing him in my mind, and

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Speaker 4: I hope that she never you know, gets mad at

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Speaker 4: me for what I'm saying. But you can still see

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Speaker 4: in her eyes, But then she also.

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Speaker 5: Said they still haven't filed, So why are you separated

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Speaker 5: for years or a couple? It's been what do year?

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Speaker 4: I don't know, Lizzie can help us, but there's been

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Speaker 4: a couple of years now and you're not signing the ink.

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Speaker 5: There's a reason in the back of your mind.

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Speaker 3: This is reality with the King and I'm Carlos King.

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Speaker 3: Let's get back into the show. What do you think

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Speaker 3: about that? And what do you make of it?

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Speaker 2: Because even when de Rey was asking Kyle, like, look,

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Speaker 2: when you saw MAURICEO kiss another woman, did she want

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Speaker 2: to file? Because that's what made de refile when she

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Speaker 2: saw this moment kiss p que and Kyle said, of

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Speaker 2: course he thought about it, but to your point, she

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Speaker 2: hasn't done it. Mauricio late in the episode not no.

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Speaker 2: I think in that scene mentioned I'm sorry in that

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Speaker 2: scene that he has never thought about filing, and in

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Speaker 2: that moment Alexis I said, I think was well, look,

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Speaker 2: I think this Alexis Jansen maybe onto something. What I

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Speaker 2: do think is happening though, I think Okay, our Lizzie

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Speaker 2: note is they've been separated over two years, starting July

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Speaker 2: of twenty twenty three.

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Speaker 5: I knew it was around two years. I knew.

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Speaker 4: I just don't know why. In my mind, I just

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Speaker 4: thought it's got to be around twoyears. So there's something

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Speaker 4: to that. Subconsciously to not want to sign on the

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Speaker 4: ink or sign ink on the paper, but out gallivanting

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Speaker 4: with other.

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Speaker 5: Men and women and women and women and more women.

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Speaker 5: It's like, Okay, there's something to this. There's something to it.

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Speaker 5: Carlos and I.

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Speaker 4: You know, I'm the optimistic here, and I love.

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Speaker 5: I love love.

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Speaker 4: So I'm praying that they do get back together because

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Speaker 4: they are so flipping cute together.

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Speaker 2: Listen, I I will say this. They are each other's

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Speaker 2: so mate.

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Speaker 3: They are.

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Speaker 2: It is sort of when a couple have been together

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Speaker 2: for so long they and guys don't be grossed up

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Speaker 2: by this.

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Speaker 3: They sort of operate as siblings.

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Speaker 2: And when I say siblings, I mean they just have

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Speaker 2: this natural chemistry where they finish each other since the

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Speaker 2: sense they know a lot about each other, and that's

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Speaker 2: what they gave me.

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Speaker 3: I think this is what happening, is my opinion.

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Speaker 2: Hey, Tamera, I think what's happening is they've been together

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Speaker 2: for so long that they both are in a situation

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Speaker 2: where where they are not the same people when they

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Speaker 2: first met. They were not financially stable. When they first met,

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Speaker 2: they truly fell in love with each other, and together

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Speaker 2: they grew this business to be a pretty much a billion.

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Speaker 3: Dollar business, right.

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Speaker 2: And on top of that, they're both famous, right, oh

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Speaker 2: beyond like beyond, And I think after being together for

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Speaker 2: so long and experiencing wealth and fame and sexiness right.

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Speaker 5: And family, a lot of kids, yeah.

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Speaker 3: I think.

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Speaker 2: But I think was driving them towards experimenting with other

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Speaker 2: people is because they both are existing in their hotness,

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Speaker 2: their money, their fame, and they want to be able

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Speaker 2: to explore what it is like to be that. It's

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Speaker 2: sort of like, look, you know this being you know

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Speaker 2: this is your second marriage. You you've always been a

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Speaker 2: pretty girl. You know what it's like to be the

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Speaker 2: hot girl, and you had your hot girl experience and

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Speaker 2: then you finally say, Okay, I've done that.

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Speaker 3: Let me settle down and get married because I lived

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Speaker 3: my life.

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Speaker 2: I think those two never live their lives in this hotness,

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Speaker 2: and they both want to do it now.

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Speaker 3: And I do think you're right that because of that

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Speaker 3: they'll get back together.

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Speaker 4: And you could not have said it more poetically, except

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Speaker 4: to simply say, like I said, they're living their twenties

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Speaker 4: in their fifties. They had their twenties back then and

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Speaker 4: been doing all of this, which I was a college girl.

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Speaker 4: I was out, you know, having a blast. So in

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Speaker 4: my odes, girls just want to have fun. They'd start

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Speaker 4: that song as soon as my best friend and.

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Speaker 5: I walked in the bar.

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Speaker 4: They'd be like, oh, relax, and here we go, Little

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Speaker 4: in Town, Missouri, Columbia, Missouri.

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Speaker 5: We'll put this song on because the girls just walked in.

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Speaker 5: I've already had my I've already sewed my oats. I've

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Speaker 5: already had all of it.

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Speaker 4: Hey, yeah, and that's what I've been quoting this from

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Speaker 4: episode one. When you know I saw Kyle's eyes, talk

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Speaker 4: about him and the way he hugs her and the

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Speaker 4: way he looks at her. Do not mistake that he

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Speaker 4: is having fun with all these young hawk girls and

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Speaker 4: acting twenty.

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Speaker 5: But Kyle is his soulmate.

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Speaker 4: You are forever right, So sorry, other pretty little younguns, Nuricio,

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Speaker 4: you all to stand a chance because she is the one,

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Speaker 4: you know.

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Speaker 3: So yeah, yeah, no, no, no, no, I agree, Carlos.

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Speaker 5: If they get back together, I can't wait. We're gonna

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Speaker 5: be you and I are gonna throw a party for them.

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Speaker 5: That's what we're going.

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Speaker 2: Yes, yes, yes, sponsored by whatever deal Spencer gets us,

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Speaker 2: so we will we will make that happen.

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Speaker 3: Yes, yes, yes, yeah.

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Speaker 2: I want to actually this being a married woman. Okay,

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Speaker 2: let's go back to your first marriage for this sake,

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Speaker 2: keep it.

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Speaker 4: Let's let's keep it real so that we don't get

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Speaker 4: yelled at by all of the people that know my history.

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Speaker 4: I've been married three times. I don't count my first

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Speaker 4: marriage just to keep it true here.

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Speaker 5: Because I was so young, I didn't want to walk

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Speaker 5: down the aisle.

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Speaker 4: My dad looked at me during the wedding march because

386
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Speaker 4: I was at an organist was playing.

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Speaker 5: I was done at dun Dunna.

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Speaker 4: It was the old school in a church, kind of

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Speaker 4: like the old school marriage, nothing like what my third

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Speaker 4: marriage was. Anyway, he goes, honey, you don't have to

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Speaker 4: do this, and I go, but Daddy, all these people

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Speaker 4: are here for me now. So I walked down the aisle.

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Speaker 4: It was never meant to be. We divorced within a

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Speaker 4: year and a half. I wish I would have done

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Speaker 4: it sooner so I could get it an old So

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Speaker 4: I have been married three times. I didn't know this, Yes,

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Speaker 4: three times from I was like twenty three to twenty

398
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Speaker 4: four and a.

399
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Speaker 5: Half or something like that. It was something like that.

400
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Speaker 4: And then I met my second husband and married at

401
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Speaker 4: twenty seven and then yeah, and now my third marriage

402
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Speaker 4: to John is at forty eight.

403
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Speaker 5: I was forty eight when I'm married.

404
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Speaker 3: Good ahead, girl, you did live.

405
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Speaker 4: Kyle and Mauricio. I'm sorry I did it all that way.

406
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Speaker 4: Now you guys are doing it, and you're gonna end

407
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Speaker 4: up doing a second marriage to Mauricio, you know, renewing

408
00:22:12,400 --> 00:22:13,920
Speaker 4: your vowels in about five years.

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Speaker 5: So there you go, Okay, what are you gonna ask?

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Speaker 3: Well, I wanted to ask you this now.

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Speaker 2: Obviously obviously there's a difference, right, there's a difference between

412
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Speaker 2: your second.

413
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Speaker 3: Husband and how that divorce went.

414
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Speaker 2: But the example that I wanted to offer was when

415
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Speaker 2: dereed in front of Kyle, asked Mauricio for his phone

416
00:22:36,520 --> 00:22:39,720
Speaker 2: number because she doesn't have it, which I thought I

417
00:22:39,760 --> 00:22:43,879
Speaker 2: was very interesting because Kyle does have PK's number and

418
00:22:43,920 --> 00:22:49,920
Speaker 2: they text memes, but DERII does not have Mauricio's number,

419
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Speaker 2: which I do think is appropriate. I don't care if

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Speaker 2: my girlfriend and her husband we have double dates.

421
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Speaker 3: I think it we're girlfriends.

422
00:22:58,560 --> 00:23:00,159
Speaker 2: There's no need for you to text my husban has

423
00:23:00,200 --> 00:23:02,720
Speaker 2: been on the side like, there's no need for that.

424
00:23:03,400 --> 00:23:11,800
Speaker 2: I did think Derie was inappropriate, because asking for your

425
00:23:11,880 --> 00:23:17,600
Speaker 2: girls a strange husband's phone number in front of her

426
00:23:19,280 --> 00:23:22,159
Speaker 2: to talk shit about your strange husband to me is

427
00:23:22,200 --> 00:23:24,399
Speaker 2: just weird. But I also think deurit was trying to

428
00:23:24,440 --> 00:23:31,240
Speaker 2: stick one at Kyle because Kyle was texting pk oh oh.

429
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Speaker 5: I never thought of that, Carlos.

430
00:23:34,240 --> 00:23:39,280
Speaker 4: I do not want my husband texting my girlfriends. I

431
00:23:39,320 --> 00:23:42,840
Speaker 4: don't it is inappropriate. We can go through each other.

432
00:23:42,880 --> 00:23:45,960
Speaker 4: I wanted to surprise him with tickets to the SC game.

433
00:23:46,520 --> 00:23:48,600
Speaker 4: I did go on his phone and get a couple

434
00:23:48,640 --> 00:23:50,879
Speaker 4: of his friends cells because I was like, guys, I

435
00:23:50,920 --> 00:23:52,760
Speaker 4: need help. I've never been to an SC game. I

436
00:23:52,760 --> 00:23:54,919
Speaker 4: don't know what the good seats are. Help me with that.

437
00:23:54,920 --> 00:23:56,040
Speaker 5: That is totally different.

438
00:23:56,280 --> 00:23:58,720
Speaker 4: So I kind of give Dorrie a little bit of

439
00:23:58,880 --> 00:24:02,160
Speaker 4: a paul and the fact that she is I didn't

440
00:24:02,160 --> 00:24:04,119
Speaker 4: think about the fact that, oh, she's slapping Kyle in

441
00:24:04,119 --> 00:24:06,639
Speaker 4: the face on this one, which you're right actually now,

442
00:24:06,680 --> 00:24:08,280
Speaker 4: And I think about it, but I do give her

443
00:24:08,320 --> 00:24:11,560
Speaker 4: a hall pass because she's trying to make things smoothed

444
00:24:11,680 --> 00:24:14,240
Speaker 4: over with PK. She wants to find a way where

445
00:24:14,359 --> 00:24:16,920
Speaker 4: perhaps Mauricio is going to be able to hear something

446
00:24:16,960 --> 00:24:20,840
Speaker 4: from Dory and go back and levelheadedly talk to PI

447
00:24:20,960 --> 00:24:23,760
Speaker 4: K and say, look, y'all need.

448
00:24:23,600 --> 00:24:25,119
Speaker 5: To work this out. You got to just be friendly.

449
00:24:25,200 --> 00:24:26,920
Speaker 4: Just you don't have to be friends, you don't have

450
00:24:26,960 --> 00:24:29,040
Speaker 4: to love each other, but you got to be friendly

451
00:24:29,480 --> 00:24:30,600
Speaker 4: for the sake of your children.

452
00:24:31,240 --> 00:24:33,639
Speaker 5: So I kind of give a hall pass Carlos on that.

453
00:24:35,000 --> 00:24:35,600
Speaker 3: Yeah, tell me.

454
00:24:35,680 --> 00:24:39,080
Speaker 2: Look, I because because you a good, virtuous Christian woman,

455
00:24:39,359 --> 00:24:41,600
Speaker 2: so I expect that.

456
00:24:44,200 --> 00:24:46,040
Speaker 5: But you don't think that You're like, that was a

457
00:24:46,040 --> 00:24:49,520
Speaker 5: total dig. That was a kick you in the face. Kyle.

458
00:24:49,720 --> 00:24:52,760
Speaker 5: I am sorry. I am going to get your husband

459
00:24:53,480 --> 00:24:57,040
Speaker 5: cell phone right now. And you know, Kyle goes, I

460
00:24:57,080 --> 00:24:58,879
Speaker 5: love Kyle. You should go ahead.

461
00:24:59,240 --> 00:25:02,879
Speaker 2: Yeah, yeah, because knew Cole knew what Dark was trying

462
00:25:02,920 --> 00:25:03,159
Speaker 2: to do.

463
00:25:03,240 --> 00:25:04,960
Speaker 3: And she's like, what Carla go.

464
00:25:10,359 --> 00:25:14,040
Speaker 6: But all right, all I was going to say is

465
00:25:14,320 --> 00:25:19,480
Speaker 6: the one the one good thing is is JITs out

466
00:25:19,480 --> 00:25:23,320
Speaker 6: of Mauricio's age bracket at the moment, So Kyle has

467
00:25:23,359 --> 00:25:25,080
Speaker 6: nothing to worry about because Ratio.

468
00:25:24,840 --> 00:25:27,080
Speaker 5: Is going for the younger girls to read like twenty

469
00:25:27,160 --> 00:25:32,720
Speaker 5: years over his age of it. So Kyle's fine, nothing

470
00:25:32,800 --> 00:25:33,720
Speaker 5: to worry about.

471
00:25:38,119 --> 00:25:40,360
Speaker 3: Now, that's not Look that's a really good point. That's

472
00:25:40,400 --> 00:25:43,240
Speaker 3: really good point. But I definitely think Dark was trying

473
00:25:43,240 --> 00:25:46,040
Speaker 3: to throw shade, but listen and work.

474
00:25:47,000 --> 00:25:52,280
Speaker 2: One thing that that happened in this launch that made

475
00:25:52,359 --> 00:25:56,439
Speaker 2: me give Bows a side eye was I really thought

476
00:25:57,440 --> 00:26:06,520
Speaker 2: Bowles was leaning towards having Amanda's not back to our friends,

477
00:26:06,600 --> 00:26:08,159
Speaker 2: but being on Amanda's side.

478
00:26:08,600 --> 00:26:09,960
Speaker 3: When Bows revealed that she.

479
00:26:09,960 --> 00:26:12,640
Speaker 2: Knows what it feels like to lose a baby and

480
00:26:13,000 --> 00:26:17,640
Speaker 2: how that is a devastating pain that does live on

481
00:26:17,840 --> 00:26:20,920
Speaker 2: and I was like, okay, good Bows can say like, look,

482
00:26:21,040 --> 00:26:25,280
Speaker 2: I wasn't there, but you ladies don't know what it's

483
00:26:25,320 --> 00:26:28,000
Speaker 2: like to lose a child, So if she brought it

484
00:26:28,119 --> 00:26:32,919
Speaker 2: up and had that pain, I get it. Except she

485
00:26:34,119 --> 00:26:39,439
Speaker 2: used that example and book ended it with saying that

486
00:26:39,600 --> 00:26:44,119
Speaker 2: she believes that Amanda used it as a as a defense,

487
00:26:44,200 --> 00:26:48,240
Speaker 2: and I thought that was very unfortunate for Bos to say,

488
00:26:48,320 --> 00:26:52,560
Speaker 2: because how can you one breath say losing a child

489
00:26:52,760 --> 00:26:55,600
Speaker 2: is the worst pain any mother could experience.

490
00:26:56,119 --> 00:26:58,760
Speaker 3: And then say, but she used it as as.

491
00:26:58,600 --> 00:27:02,520
Speaker 2: A defense because my think is this, everybody grieves differently,

492
00:27:03,320 --> 00:27:07,679
Speaker 2: and I thought it was I thought it was an

493
00:27:07,760 --> 00:27:11,840
Speaker 2: appropriate and sensitive of Bows to say that.

494
00:27:14,280 --> 00:27:15,040
Speaker 5: You know, do you.

495
00:27:15,119 --> 00:27:18,720
Speaker 4: Think I feel like Amanda is getting a harder haze

496
00:27:18,840 --> 00:27:21,520
Speaker 4: on coming in as a movie than Rachel Zoe And

497
00:27:21,520 --> 00:27:23,160
Speaker 4: I want to ask you, do you think it just

498
00:27:23,280 --> 00:27:26,640
Speaker 4: it just went done? Gummy ding dong gummy whatever? Do

499
00:27:26,720 --> 00:27:29,480
Speaker 4: you think it's because Amanda's the only one that has

500
00:27:29,480 --> 00:27:32,040
Speaker 4: a cohesive, blued family and all the other women are

501
00:27:32,040 --> 00:27:37,440
Speaker 4: broken and going through divorce and divorces and they're going

502
00:27:37,440 --> 00:27:40,400
Speaker 4: through hard times and having all these battles, because otherwise,

503
00:27:40,840 --> 00:27:41,360
Speaker 4: what is.

504
00:27:41,359 --> 00:27:42,359
Speaker 5: It that is wrong?

505
00:27:42,840 --> 00:27:45,520
Speaker 4: Them all so wrong about Amida except that her life

506
00:27:45,560 --> 00:27:49,920
Speaker 4: is pictured now, which God forbid, whudos in three years

507
00:27:49,920 --> 00:27:51,520
Speaker 4: are she's still on the show, Her and her husband

508
00:27:51,560 --> 00:27:53,480
Speaker 4: are not going through her and Eddy aren't going to

509
00:27:53,480 --> 00:27:55,880
Speaker 4: a problem. You never know, life deals a lot of

510
00:27:56,560 --> 00:27:58,080
Speaker 4: bad apples as well as good apples.

511
00:27:58,160 --> 00:27:59,600
Speaker 3: So I don't know.

512
00:27:59,840 --> 00:28:04,120
Speaker 4: I just wonder. I'm like, are they hazing her more?

513
00:28:04,880 --> 00:28:07,800
Speaker 4: Because that doesn't make any sense that Bo's would go

514
00:28:08,040 --> 00:28:10,920
Speaker 4: and do exactly what you said, which is almost back

515
00:28:10,960 --> 00:28:13,480
Speaker 4: it was almost like a backhanded compliment. It was like, oh,

516
00:28:13,560 --> 00:28:15,040
Speaker 4: I know what it feels like to lose a kid,

517
00:28:15,119 --> 00:28:18,680
Speaker 4: but you know she using that as a defense mechanism, Like,

518
00:28:19,000 --> 00:28:21,480
Speaker 4: I don't know, it was alls are and I'm just

519
00:28:21,520 --> 00:28:25,160
Speaker 4: thinking they're all kind of a little envious of Amanda

520
00:28:25,240 --> 00:28:28,399
Speaker 4: because her life is in a decent spot.

521
00:28:28,160 --> 00:28:30,240
Speaker 5: With a husband and her family. I don't know.

522
00:28:30,600 --> 00:28:32,160
Speaker 2: No, I'm gonna tell you what it is, and that's

523
00:28:32,160 --> 00:28:34,399
Speaker 2: not it.

524
00:28:34,400 --> 00:28:35,960
Speaker 5: It's because she bought Kyle's house.

525
00:28:36,760 --> 00:28:43,560
Speaker 2: No, no, no, that's not it. I'm gonna tell you

526
00:28:43,560 --> 00:28:48,400
Speaker 2: what it is, Carla. I'm going to school you in

527
00:28:48,480 --> 00:28:50,719
Speaker 2: the rain doobs. I'm gonna tell you exactly what it is.

528
00:28:51,400 --> 00:28:56,880
Speaker 2: The reason why this cast right with the exception of

529
00:28:57,640 --> 00:29:01,720
Speaker 2: Kyle and Kathy and Jennifer Tilly, but Kyle's the main

530
00:29:01,760 --> 00:29:04,240
Speaker 2: castle will stick with, We will stick with Kyle.

531
00:29:04,360 --> 00:29:07,400
Speaker 3: Kyle is the only one not hazing Amanda.

532
00:29:09,440 --> 00:29:12,680
Speaker 2: The reason why there's a difference between the way these

533
00:29:12,760 --> 00:29:16,480
Speaker 2: ladies are treating Rachel Zeau, who is new, and Amanda,

534
00:29:16,560 --> 00:29:21,440
Speaker 2: who is new, is only because Rachel Zeau.

535
00:29:24,280 --> 00:29:25,520
Speaker 3: Is already famous.

536
00:29:26,000 --> 00:29:31,160
Speaker 2: Rachelseau is already is very respected in the fashion industry.

537
00:29:31,880 --> 00:29:36,240
Speaker 2: Rachel Zeau had a seven year show on Bravo. Rachel

538
00:29:36,320 --> 00:29:40,760
Speaker 2: Zeau is somebody who you want to network with, and

539
00:29:40,840 --> 00:29:44,640
Speaker 2: they respect that because in Beverly Hills, it's all about

540
00:29:45,280 --> 00:29:47,880
Speaker 2: the connections, It's all about the network. I was the

541
00:29:47,880 --> 00:29:50,880
Speaker 2: first one to call out that the reason why Sutton

542
00:29:51,080 --> 00:29:55,560
Speaker 2: will never go against Kyle or Kathy Hilton is because

543
00:29:55,600 --> 00:29:59,080
Speaker 2: at the end of the day, those women run Beverly Hills.

544
00:29:59,360 --> 00:30:02,160
Speaker 2: Rachel Zau is a state on the fashion industry. They

545
00:30:02,200 --> 00:30:04,720
Speaker 2: will never go against Rachelzeu and they embrace her with

546
00:30:04,800 --> 00:30:08,800
Speaker 2: open arms. The reason why they aren't embracing Amanda with

547
00:30:08,880 --> 00:30:13,320
Speaker 2: open arms is because to them, Amanda isn't respected based

548
00:30:13,360 --> 00:30:16,440
Speaker 2: on how she got her money. Amanda isn't respected and

549
00:30:16,480 --> 00:30:18,040
Speaker 2: she's an easy target.

550
00:30:18,200 --> 00:30:21,720
Speaker 7: She's an easy target because they had to google her.

551
00:30:22,040 --> 00:30:24,760
Speaker 7: As Dark said, Oh, she mentioned she was in a cult,

552
00:30:25,280 --> 00:30:28,800
Speaker 7: and look as somebody who read Amanda's book, Richard's Fuck

553
00:30:29,240 --> 00:30:32,240
Speaker 7: in stores now she gave you.

554
00:30:32,760 --> 00:30:35,360
Speaker 3: It wasn't like she was in a real one. It

555
00:30:35,400 --> 00:30:36,480
Speaker 3: was her interpretation.

556
00:30:37,200 --> 00:30:39,840
Speaker 2: But again, there's things that is going on with Rachel

557
00:30:39,920 --> 00:30:43,920
Speaker 2: Zaud that they're not talking about. If you wanted my

558
00:30:44,000 --> 00:30:46,800
Speaker 2: point is this, if you wanted to run down the

559
00:30:46,840 --> 00:30:49,920
Speaker 2: gamut of Google. There are things about Rachel Zel that

560
00:30:50,040 --> 00:30:54,560
Speaker 2: isn't pretty right, the gross assumptions that people had in

561
00:30:54,640 --> 00:30:57,440
Speaker 2: terms of the women she styled back in the two thousands,

562
00:30:57,640 --> 00:31:00,840
Speaker 2: which was my era, right, because these women were thin

563
00:31:01,120 --> 00:31:04,480
Speaker 2: and they were saying gross things about Rachelzaul. These girls

564
00:31:04,480 --> 00:31:08,200
Speaker 2: would never bring that up because they need Rachel Zaul's connections.

565
00:31:08,640 --> 00:31:12,440
Speaker 2: Amanda's an easier target, and and and and what I

566
00:31:12,480 --> 00:31:15,959
Speaker 2: saw at that dinner table, and I love Bo's bows,

567
00:31:16,720 --> 00:31:22,440
Speaker 2: is trying to solidify her position with these girls. And

568
00:31:22,880 --> 00:31:25,480
Speaker 2: one thing about Beverly Hills that we see in Potomac

569
00:31:26,520 --> 00:31:29,200
Speaker 2: is they will Hayes a new girl that they do

570
00:31:29,360 --> 00:31:31,160
Speaker 2: not respect.

571
00:31:33,080 --> 00:31:36,760
Speaker 4: Wow, So was it going to take Amanda a few

572
00:31:36,800 --> 00:31:38,800
Speaker 4: more people in a Rolodex and a little bit more

573
00:31:38,880 --> 00:31:41,680
Speaker 4: time in Beverly Hills for them to start respecting her?

574
00:31:42,120 --> 00:31:43,000
Speaker 5: Is that what you're saying?

575
00:31:43,680 --> 00:31:45,840
Speaker 2: No, Because if she tells you she has people in

576
00:31:45,880 --> 00:31:47,480
Speaker 2: the rolodeck, they'll say she's bragging.

577
00:31:49,480 --> 00:31:51,200
Speaker 3: Do you know what I mean?

578
00:31:51,400 --> 00:31:51,480
Speaker 2: Do?

579
00:31:52,680 --> 00:31:53,960
Speaker 3: Well? That's the thing. I think.

580
00:31:54,200 --> 00:31:56,920
Speaker 2: I think what Amanda and again i'm I'm I'm well

581
00:31:57,040 --> 00:32:01,200
Speaker 2: seven episodes in, I think what Amanda is doing is

582
00:32:01,720 --> 00:32:05,600
Speaker 2: she's trying to find her footing, but Amanda is clocking

583
00:32:05,640 --> 00:32:08,200
Speaker 2: that DEI, you have a heart on on me, and

584
00:32:08,240 --> 00:32:09,000
Speaker 2: I'm gonna give.

585
00:32:08,880 --> 00:32:13,239
Speaker 3: You something to be pleasured with, like I'm gonna give

586
00:32:13,280 --> 00:32:15,400
Speaker 3: it to you. I'm gonna give it to you. And

587
00:32:16,320 --> 00:32:18,280
Speaker 3: look even when Deree walked.

588
00:32:18,000 --> 00:32:22,360
Speaker 2: Into her birthday dinner and Rachel Zaud walked up the

589
00:32:22,440 --> 00:32:25,920
Speaker 2: hugger and then she stops within her tracks and oh

590
00:32:25,960 --> 00:32:29,960
Speaker 2: my god's I heard about your divorce? You ask everybody

591
00:32:30,000 --> 00:32:32,400
Speaker 2: on this show for seasons about what they were going through,

592
00:32:32,440 --> 00:32:36,200
Speaker 2: But with Rachel Zoul, they delicately just handle her because

593
00:32:36,800 --> 00:32:40,920
Speaker 2: they respect what a self made woman she is, because

594
00:32:40,920 --> 00:32:44,000
Speaker 2: it's something tangible that they can see. And let's be clear,

595
00:32:44,360 --> 00:32:47,480
Speaker 2: Dari needs to be friends with somebody that can give

596
00:32:47,520 --> 00:32:51,360
Speaker 2: her clothes versus renting them for the scenes. So it's

597
00:32:51,400 --> 00:32:55,640
Speaker 2: all about the connections and that's why Amanda. Amanda has

598
00:32:55,640 --> 00:32:59,560
Speaker 2: clocked who Dured is and Amanda is ready to go.

599
00:32:59,400 --> 00:33:02,680
Speaker 3: After her and I'm here for I love the feud personally.

600
00:33:04,520 --> 00:33:08,960
Speaker 4: Wow, I'm gonna take a nap after this podcast because

601
00:33:09,000 --> 00:33:12,520
Speaker 4: my mind is racing after everything. You just I have

602
00:33:12,720 --> 00:33:18,000
Speaker 4: never looked at it like that. Yeah, you're so right again.

603
00:33:19,040 --> 00:33:21,400
Speaker 4: Oh my gosh. Well I'm here for it too, because

604
00:33:21,440 --> 00:33:23,080
Speaker 4: guess what, we need a good season. I mean, and

605
00:33:23,120 --> 00:33:25,480
Speaker 4: it's just now getting there. So let's bring it on, girls,

606
00:33:25,520 --> 00:33:31,840
Speaker 4: let's go. But I wow, I do think there's a place.

607
00:33:32,080 --> 00:33:34,560
Speaker 4: Maybe it's the optimism in me again, but I do

608
00:33:34,600 --> 00:33:36,680
Speaker 4: think there's a place where the girls will come around

609
00:33:36,680 --> 00:33:40,120
Speaker 4: about Amanda if Amanda plays her cards right for the

610
00:33:40,160 --> 00:33:43,280
Speaker 4: next year or two. I do because rather it's tangible

611
00:33:43,320 --> 00:33:46,239
Speaker 4: how she made her money, or she's multi level, or

612
00:33:46,280 --> 00:33:50,520
Speaker 4: she's whoever, however, who cares. It's like, you got money,

613
00:33:50,760 --> 00:33:55,720
Speaker 4: you didn't get it illegally with fraud, okay, like Erica

614
00:33:55,840 --> 00:33:58,480
Speaker 4: Jane's ex husband. So it's like it's like, come on,

615
00:33:58,760 --> 00:34:02,520
Speaker 4: like he's doing what she knows to do right now.

616
00:34:03,640 --> 00:34:06,960
Speaker 4: Although I don't understand what the emotional side of money

617
00:34:07,120 --> 00:34:09,160
Speaker 4: means when she described that in a scene, I'm like,

618
00:34:09,160 --> 00:34:10,799
Speaker 4: what is the emotional side of money? How are you

619
00:34:10,800 --> 00:34:13,160
Speaker 4: making money off of telling people the emotion?

620
00:34:13,600 --> 00:34:15,480
Speaker 5: I looked at my I went to my handbag and

621
00:34:15,520 --> 00:34:17,200
Speaker 5: the only dollar I had was a ten dollar bills.

622
00:34:17,239 --> 00:34:18,920
Speaker 5: I don't carry cash, and so I looked at it.

623
00:34:19,000 --> 00:34:24,080
Speaker 5: I'm like, feel the emotion. Lex Come on, I'm like

624
00:34:24,640 --> 00:34:25,640
Speaker 5: a girlfriend. I don't get you.

625
00:34:25,719 --> 00:34:27,640
Speaker 4: I have no emotion of this ten dollar bill except

626
00:34:27,640 --> 00:34:28,920
Speaker 4: it will only buy me a Starbucks.

627
00:34:28,920 --> 00:34:29,520
Speaker 2: So there you go.

628
00:34:32,640 --> 00:34:37,720
Speaker 4: I so, but I still I'm like, Okay, if somebody's

629
00:34:37,719 --> 00:34:40,479
Speaker 4: going to pay you enough money to buy a twelve

630
00:34:40,520 --> 00:34:42,839
Speaker 4: million dollar home for the emotional side of.

631
00:34:42,760 --> 00:34:45,840
Speaker 5: Money, dang, I want some of that.

632
00:34:45,840 --> 00:34:55,040
Speaker 3: That is so well they think is they're her books.

633
00:34:55,080 --> 00:34:59,000
Speaker 2: He talks about Buddy Beak energy, but speaking up energy,

634
00:34:59,760 --> 00:35:03,560
Speaker 2: this this was to me the biggest indication of what

635
00:35:03,600 --> 00:35:06,279
Speaker 2: we sort of touched on earlier Alexis, which is Kyle

636
00:35:06,400 --> 00:35:11,520
Speaker 2: Mauricio's ultimate fate of reconciliation. When Kyle and Mauricio, and again,

637
00:35:11,719 --> 00:35:14,279
Speaker 2: if the producers did this, shout out to the producers,

638
00:35:14,640 --> 00:35:17,960
Speaker 2: that was a great idea, an amazing idea of producers.

639
00:35:18,239 --> 00:35:22,960
Speaker 2: If that was you to have Kyle and Mauricio go

640
00:35:23,160 --> 00:35:26,960
Speaker 2: to Amanda's house, which was the house she brought from

641
00:35:27,000 --> 00:35:31,520
Speaker 2: the Uman Skis and renovated, and to see Kyle walk

642
00:35:31,560 --> 00:35:35,920
Speaker 2: around the house and they flashed back to those moments

643
00:35:36,000 --> 00:35:39,040
Speaker 2: of Kyle living there when the when her kids were

644
00:35:39,080 --> 00:35:43,920
Speaker 2: younger than Mauricio, and she got so emotional I was like,

645
00:35:44,000 --> 00:35:45,080
Speaker 2: this is chef's kiss.

646
00:35:45,200 --> 00:35:45,400
Speaker 3: It was.

647
00:35:45,600 --> 00:35:50,000
Speaker 2: It was a perfect scene to display what's going on

648
00:35:50,760 --> 00:35:55,719
Speaker 2: internally with Kyle. I think, I think what's all set

649
00:35:55,760 --> 00:35:58,839
Speaker 2: and done, and I think it's done now. I think

650
00:35:58,960 --> 00:36:03,560
Speaker 2: Kyle today wants Mauricio back, but I think she knows

651
00:36:03,640 --> 00:36:06,359
Speaker 2: that he has to do what he has to do,

652
00:36:06,440 --> 00:36:09,800
Speaker 2: because even when she told the girls that she felt

653
00:36:09,800 --> 00:36:17,560
Speaker 2: invisible being around them and Aspen, and when Mauricio saw

654
00:36:17,600 --> 00:36:23,520
Speaker 2: her crying, and I hate to say this, Mauricio's checked

655
00:36:23,520 --> 00:36:25,520
Speaker 2: out emotionally.

656
00:36:26,800 --> 00:36:29,120
Speaker 5: Still at this point. Yes, I agree with you, and

657
00:36:29,200 --> 00:36:29,400
Speaker 5: I did.

658
00:36:29,880 --> 00:36:32,000
Speaker 4: I do think like I said, Like you said, I

659
00:36:32,000 --> 00:36:33,759
Speaker 4: can see the soulmates in them where he is like

660
00:36:33,880 --> 00:36:34,279
Speaker 4: kind of.

661
00:36:34,160 --> 00:36:36,200
Speaker 5: Being like the brother to her at that point. He

662
00:36:36,320 --> 00:36:37,400
Speaker 5: is checked out right now.

663
00:36:37,680 --> 00:36:42,160
Speaker 4: But I'm telling you, the shiny new thing always gets

664
00:36:42,160 --> 00:36:45,719
Speaker 4: old too, So that new diamond you.

665
00:36:45,680 --> 00:36:48,560
Speaker 5: Got ain't new forever, that new handbag you got ain't

666
00:36:48,600 --> 00:36:49,080
Speaker 5: new forever.

667
00:36:49,480 --> 00:36:52,640
Speaker 4: So all these new girls he's getting and he, you know,

668
00:36:52,920 --> 00:36:54,680
Speaker 4: look at Maricio, he can have a pick of the letter.

669
00:36:54,760 --> 00:36:57,000
Speaker 4: We all know this, and you can tell by which

670
00:36:57,239 --> 00:37:00,080
Speaker 4: you know. Paparazzi photos are out there too. It's like

671
00:37:00,480 --> 00:37:03,120
Speaker 4: he's living his best life, but it all gets old

672
00:37:03,320 --> 00:37:05,520
Speaker 4: and there's no substance to what he's doing right now.

673
00:37:05,520 --> 00:37:09,080
Speaker 4: There's no substance to the life he's living, and he'll

674
00:37:09,120 --> 00:37:11,000
Speaker 4: miss that because he is a good Cuman, and he

675
00:37:11,120 --> 00:37:13,960
Speaker 4: is he did have something very special and unique with Kyle.

676
00:37:14,440 --> 00:37:15,839
Speaker 5: You can see it, and you.

677
00:37:15,800 --> 00:37:17,919
Speaker 4: Know, like you said, walking through the house was really

678
00:37:17,920 --> 00:37:20,960
Speaker 4: cool to see all the upgrades and to relive those

679
00:37:21,080 --> 00:37:24,400
Speaker 4: memories that Mauricio, and trust me, the producers did this

680
00:37:24,440 --> 00:37:25,200
Speaker 4: for a reason too.

681
00:37:25,600 --> 00:37:27,919
Speaker 5: They flashed back to all these special moments.

682
00:37:27,560 --> 00:37:30,360
Speaker 8: That Kyle and Mauricio had together of true love, like

683
00:37:30,360 --> 00:37:33,040
Speaker 8: where they jumped into the white little boat that's in

684
00:37:33,080 --> 00:37:35,279
Speaker 8: the or floaty that's in the water together and they're

685
00:37:35,360 --> 00:37:37,400
Speaker 8: laughing about that, and where he pulls her off, and

686
00:37:37,680 --> 00:37:40,839
Speaker 8: it's like they have all of these special memories that

687
00:37:41,800 --> 00:37:44,560
Speaker 8: he's not creating with the people.

688
00:37:44,280 --> 00:37:46,719
Speaker 4: He's with now and she's not creating with the women

689
00:37:46,880 --> 00:37:51,239
Speaker 4: the people she's with now. So I feel like there's

690
00:37:51,400 --> 00:37:54,040
Speaker 4: It was just a great scene and I got tears

691
00:37:54,040 --> 00:37:57,320
Speaker 4: in my eyes for Kyle. But you're right, because Marica

692
00:37:57,320 --> 00:37:59,319
Speaker 4: always checked out. He didn't get one tier. He didn't

693
00:37:59,320 --> 00:38:03,719
Speaker 4: even think. I was like, oh, confused, he's like, I

694
00:38:03,800 --> 00:38:05,520
Speaker 4: wanted my new this is my new life. I love

695
00:38:05,560 --> 00:38:08,120
Speaker 4: my new bachelor pet. So yeah, he is checked out

696
00:38:08,160 --> 00:38:10,920
Speaker 4: and that, but he still had that love, like you

697
00:38:10,920 --> 00:38:13,000
Speaker 4: could still see some kind of when you hold held.

698
00:38:12,880 --> 00:38:14,839
Speaker 5: Her, like some kind of a love that he has

699
00:38:14,880 --> 00:38:15,200
Speaker 5: for her.

700
00:38:16,760 --> 00:38:17,000
Speaker 3: Yeah.

701
00:38:17,120 --> 00:38:19,919
Speaker 2: No, listen, I think the biggest thing for me is

702
00:38:22,600 --> 00:38:25,520
Speaker 2: I think Kyle regrets it. I think I think to

703
00:38:25,560 --> 00:38:30,440
Speaker 2: wrap wrap up their emotional journey this episode, I think

704
00:38:30,560 --> 00:38:37,759
Speaker 2: Kyle regrets it. I think, like most people, you give

705
00:38:37,800 --> 00:38:41,000
Speaker 2: it a shot as you should. You know, It's funny.

706
00:38:41,040 --> 00:38:44,040
Speaker 2: I was talking to one of my girlfriends last year

707
00:38:44,920 --> 00:38:47,560
Speaker 2: and she was telling me how.

708
00:38:49,280 --> 00:38:51,600
Speaker 3: She just feels disconnected from.

709
00:38:51,280 --> 00:38:56,120
Speaker 2: Her husband and they've been together for a while, have

710
00:38:56,120 --> 00:38:59,080
Speaker 2: have children, like you know, a couple of kids together.

711
00:38:59,640 --> 00:39:02,920
Speaker 3: But she is like, you know, he did nothing wrong,

712
00:39:03,360 --> 00:39:07,359
Speaker 3: he's a great father, but there's a disconnect.

713
00:39:08,000 --> 00:39:11,600
Speaker 4: And she was contemplating did they grow apart, instart growing

714
00:39:11,640 --> 00:39:12,760
Speaker 4: together or what do you think?

715
00:39:13,360 --> 00:39:15,480
Speaker 3: Yeah, I think they're not growing together. You know. I

716
00:39:15,480 --> 00:39:18,000
Speaker 3: think it's just like she looked at him and said.

717
00:39:18,719 --> 00:39:21,759
Speaker 2: You know, this guy, he's a great person and you

718
00:39:21,800 --> 00:39:25,959
Speaker 2: know he did nothing wrong to me on paper, He's

719
00:39:26,000 --> 00:39:29,600
Speaker 2: what every wife would want, but she said, emotionally, there's

720
00:39:29,680 --> 00:39:32,280
Speaker 2: just they're not. She doesn't feel connected, and she feels

721
00:39:32,320 --> 00:39:35,600
Speaker 2: horrible that she feels this way, and she in her

722
00:39:35,680 --> 00:39:39,320
Speaker 2: mind was contemplating leaving him, and.

723
00:39:39,840 --> 00:39:42,680
Speaker 3: She is like, but how do I leave somebody that

724
00:39:42,760 --> 00:39:43,520
Speaker 3: did nothing to me?

725
00:39:43,719 --> 00:39:46,680
Speaker 2: Like there's something tangible for me to say, she's afraid

726
00:39:46,680 --> 00:39:48,879
Speaker 2: of breaking his heart. And I say all that to say,

727
00:39:48,960 --> 00:39:52,640
Speaker 2: I think when I look at the Umanskis, I think

728
00:39:53,320 --> 00:39:58,400
Speaker 2: they both tried to experience something, and I think, unfortunately.

729
00:39:57,560 --> 00:39:59,319
Speaker 3: This is why he fucked up Alexis.

730
00:39:59,480 --> 00:40:03,920
Speaker 2: I think I'm fortunately Mauricio has a hall pass that

731
00:40:04,080 --> 00:40:08,840
Speaker 2: is longer than the Piri State Building and Kyle, and

732
00:40:08,920 --> 00:40:11,640
Speaker 2: I think Kyle is like, I tried that, I'm done.

733
00:40:11,719 --> 00:40:12,720
Speaker 3: I want to get back together.

734
00:40:16,320 --> 00:40:19,040
Speaker 5: You're absolutely right, and there's nothing wrong with.

735
00:40:19,000 --> 00:40:22,640
Speaker 4: That because they were in this together from the beginning,

736
00:40:22,680 --> 00:40:25,200
Speaker 4: since they were little kids having kids kind of you know.

737
00:40:25,200 --> 00:40:26,960
Speaker 4: I mean, I know twenty five are supposed to be

738
00:40:26,960 --> 00:40:28,759
Speaker 4: fully grown up and all that, but I just don't know.

739
00:40:28,840 --> 00:40:30,839
Speaker 4: I just think you don't really grow up until you're thirty.

740
00:40:31,120 --> 00:40:34,120
Speaker 4: There's just something about your twenties that you're eighteen or nineteen.

741
00:40:34,200 --> 00:40:35,880
Speaker 4: I'm sorry, my kids think they're adults. I'm like, you

742
00:40:35,920 --> 00:40:38,719
Speaker 4: ain't a freaking adult. I'm sorry you are still needing a.

743
00:40:38,640 --> 00:40:40,000
Speaker 5: Lot of help. And when you can pay your own

744
00:40:40,040 --> 00:40:40,680
Speaker 5: bills and you.

745
00:40:40,719 --> 00:40:43,120
Speaker 4: Understand taxes and you understand what it's like to live

746
00:40:43,120 --> 00:40:44,919
Speaker 4: on your own, you can call yourself an adult.

747
00:40:44,960 --> 00:40:46,439
Speaker 5: But right now you are still my freaking kid.

748
00:40:46,480 --> 00:40:48,279
Speaker 3: Okay, but yeah, I.

749
00:40:48,200 --> 00:40:51,239
Speaker 5: Think Maurice and Kyle were twenty five.

750
00:40:51,360 --> 00:40:53,400
Speaker 4: He had a kid already, so he really did start

751
00:40:53,440 --> 00:40:56,320
Speaker 4: his life young as becoming an adult.

752
00:40:56,160 --> 00:40:59,880
Speaker 3: Right, Kyle had the kid already, Mauricio.

753
00:41:00,040 --> 00:41:02,520
Speaker 4: Oh so oh, Mariso adopted the kid. That's right, You're right,

754
00:41:02,520 --> 00:41:06,120
Speaker 4: You're right. Okay, so Maurice. So anyways, they really started

755
00:41:06,200 --> 00:41:09,799
Speaker 4: young and didn't get to go live and that is

756
00:41:09,960 --> 00:41:13,040
Speaker 4: Mauricio is happy right now, but it's gonna be short

757
00:41:13,040 --> 00:41:16,279
Speaker 4: lived because the fact that every diamond shiny new thing

758
00:41:16,360 --> 00:41:17,000
Speaker 4: becomes old.

759
00:41:17,440 --> 00:41:21,440
Speaker 5: It's just the way life works. And hopefully I'm.

760
00:41:21,360 --> 00:41:25,440
Speaker 4: Right because I think Kyle is the kindest, most lovely

761
00:41:25,480 --> 00:41:27,600
Speaker 4: person and deserves to have her husband back and.

762
00:41:29,200 --> 00:41:30,719
Speaker 5: Wishing for that for them.

763
00:41:31,280 --> 00:41:34,480
Speaker 3: I agree, I agree, I agree, Yes, you know, I

764
00:41:35,239 --> 00:41:37,120
Speaker 3: love Kyle. I'm always team Kyle.

765
00:41:39,000 --> 00:41:46,480
Speaker 2: We got again to Dere's party again, rain jobs.

766
00:41:46,480 --> 00:41:47,760
Speaker 3: I'm sorry. I love Amanda.

767
00:41:47,880 --> 00:41:51,640
Speaker 2: When Amanda Amanda to me is funny because she doesn't

768
00:41:51,960 --> 00:41:53,440
Speaker 2: I think at this point she's like.

769
00:41:53,600 --> 00:41:54,120
Speaker 3: I don't care.

770
00:41:54,239 --> 00:41:56,759
Speaker 2: I'm gonna be me whether or not you ladies like

771
00:41:56,800 --> 00:42:02,279
Speaker 2: it or not. I thought it was as when she

772
00:42:03,280 --> 00:42:06,200
Speaker 2: is talking about the house.

773
00:42:06,320 --> 00:42:09,279
Speaker 3: That she bought and she goes, you know, we bought

774
00:42:09,280 --> 00:42:11,840
Speaker 3: the house. Well not we, It was my money, so

775
00:42:11,960 --> 00:42:16,000
Speaker 3: I bought it. Now. Look, I'm not an Amanda apologist.

776
00:42:17,239 --> 00:42:21,440
Speaker 2: That was a moment that I was like, Amanda, this

777
00:42:21,560 --> 00:42:22,840
Speaker 2: is hard for me to the fit.

778
00:42:27,880 --> 00:42:32,759
Speaker 4: That Carlos. You can't even There's no way you can

779
00:42:32,800 --> 00:42:33,279
Speaker 4: even try.

780
00:42:33,280 --> 00:42:35,480
Speaker 5: No matter what angle you look at it, you cannot

781
00:42:35,560 --> 00:42:36,120
Speaker 5: defend that.

782
00:42:36,680 --> 00:42:41,319
Speaker 4: It's like it's like, let me cut his peanuts.

783
00:42:41,080 --> 00:42:42,920
Speaker 5: Just a little shorter, okay, Like.

784
00:42:45,440 --> 00:42:48,439
Speaker 4: Let me just emasculate him just a tad bit more.

785
00:42:48,800 --> 00:42:54,680
Speaker 4: I mean, I was crunching, and I'm like, oh my gosh,

786
00:42:54,760 --> 00:42:56,960
Speaker 4: this poor guy, Eddie. I hope that you like, how

787
00:42:57,000 --> 00:43:01,200
Speaker 4: do they want that scene together and him not be

788
00:43:01,360 --> 00:43:05,319
Speaker 4: like cringe cringing the whole time? How do you watch

789
00:43:05,360 --> 00:43:08,440
Speaker 4: that scene with your wife sitting next to you and

790
00:43:08,480 --> 00:43:10,920
Speaker 4: not be like that's how that's what you think of me.

791
00:43:11,080 --> 00:43:14,600
Speaker 5: Okay, okay, girlfriend, let's see how you are single? Was,

792
00:43:14,719 --> 00:43:18,960
Speaker 5: you know, raising all these kids? I'm just oh poor.

793
00:43:19,000 --> 00:43:23,440
Speaker 4: Ready, Well, hopefully Amanda sat back and watched that and goes, Okay,

794
00:43:23,520 --> 00:43:25,560
Speaker 4: I need to learn some things about myself.

795
00:43:26,600 --> 00:43:29,239
Speaker 3: Yeah, that part I was like a bad Now, little girl,

796
00:43:29,960 --> 00:43:33,920
Speaker 3: you that was bad. That was bad. I'm always on it.

797
00:43:34,200 --> 00:43:38,040
Speaker 3: That was bad. What are your thoughts on Rachel Zeau?

798
00:43:38,120 --> 00:43:40,919
Speaker 2: Speaking of you know, we talked about Colin Mauricio being

799
00:43:41,840 --> 00:43:44,799
Speaker 2: in a marriage since they were in their twenties. We

800
00:43:44,880 --> 00:43:48,040
Speaker 2: learned in this episode that Rachel Zeau and her ex

801
00:43:48,440 --> 00:43:52,200
Speaker 2: have been together since then, and she talks about how

802
00:43:52,239 --> 00:43:56,200
Speaker 2: she misses the old Heim, like she doesn't miss who

803
00:43:56,200 --> 00:43:58,640
Speaker 2: he is, not because she doesn't recognize him, but she

804
00:43:58,800 --> 00:43:59,719
Speaker 2: misses the old him.

805
00:44:00,040 --> 00:44:02,560
Speaker 3: And she also admits that there's no prenup.

806
00:44:05,040 --> 00:44:07,640
Speaker 4: Well, I mean, Johnny and I didn't sign a prenup,

807
00:44:07,640 --> 00:44:10,000
Speaker 4: and Jim and I never signed a prenup, so I'm

808
00:44:10,120 --> 00:44:12,960
Speaker 4: kind of against prenups also only in the fact.

809
00:44:12,719 --> 00:44:17,680
Speaker 5: That kind of says I don't believe in the marriage

810
00:44:17,680 --> 00:44:18,680
Speaker 5: and it's not going to make it.

811
00:44:20,040 --> 00:44:22,960
Speaker 4: You're But at the same time, if someone has all

812
00:44:23,000 --> 00:44:25,319
Speaker 4: the money at the beginning and someone else doesn't, it's

813
00:44:25,360 --> 00:44:27,200
Speaker 4: kind of like I've got to kind of take care

814
00:44:27,239 --> 00:44:27,720
Speaker 4: of yourself.

815
00:44:27,760 --> 00:44:28,080
Speaker 5: Well.

816
00:44:28,600 --> 00:44:32,560
Speaker 4: Rachel and her husband, I don't think had a lot

817
00:44:32,600 --> 00:44:34,560
Speaker 4: when they first got married. They were thirty three years ago.

818
00:44:34,680 --> 00:44:37,120
Speaker 4: It's like they probably built it all together, you know.

819
00:44:37,280 --> 00:44:40,000
Speaker 4: So if they didn't or they did, maybe that's a

820
00:44:40,000 --> 00:44:40,600
Speaker 4: Lizzy question.

821
00:44:40,719 --> 00:44:41,120
Speaker 5: I don't know.

822
00:44:41,280 --> 00:44:44,640
Speaker 4: But there's no prenup needed when you your businesses together

823
00:44:44,680 --> 00:44:48,800
Speaker 4: and you're married to build it. So I don't know, no,

824
00:44:48,960 --> 00:44:52,280
Speaker 4: I just I feel like I have something to say

825
00:44:52,320 --> 00:44:55,759
Speaker 4: about Rachel right now. Let you know, I love her,

826
00:44:55,760 --> 00:44:57,719
Speaker 4: I love the whole cast. There's when I we're doing

827
00:44:57,760 --> 00:45:00,239
Speaker 4: a podcast that we have to give our opinions. Unfortunately, sorry,

828
00:45:01,239 --> 00:45:05,879
Speaker 4: but love you Rachel. But I think she's going through

829
00:45:05,880 --> 00:45:08,560
Speaker 4: the bitter part of her divorce. I don't choose over it.

830
00:45:08,719 --> 00:45:10,120
Speaker 4: She can put on a good face and act like

831
00:45:10,120 --> 00:45:12,960
Speaker 4: she's over it. I think she is bitter and unhappy

832
00:45:13,840 --> 00:45:15,920
Speaker 4: about the circumstances. And you know, when you go through

833
00:45:15,960 --> 00:45:18,040
Speaker 4: a divorce, there are several phases. There's the feeling of

834
00:45:18,080 --> 00:45:21,000
Speaker 4: grief of there's you've lost a lot, Okay, there's the

835
00:45:21,040 --> 00:45:24,520
Speaker 4: feeling of anger, there's the feeling of sadness, there's a

836
00:45:24,560 --> 00:45:26,120
Speaker 4: feeling of bitter, you know, you get a little bit

837
00:45:26,160 --> 00:45:28,160
Speaker 4: bitter and like, well, you know, I don't know, and

838
00:45:28,480 --> 00:45:30,359
Speaker 4: then you finally come on the other side. I'm sure

839
00:45:30,360 --> 00:45:32,080
Speaker 4: there's like six other feelings that go through it all,

840
00:45:32,120 --> 00:45:37,000
Speaker 4: but I feel like her on camera, I just think

841
00:45:37,040 --> 00:45:38,239
Speaker 4: she's a little bitter.

842
00:45:41,000 --> 00:45:42,080
Speaker 3: Yeah, I think what you say.

843
00:45:42,200 --> 00:45:47,560
Speaker 2: I think going through a divorce is a grieving process too,

844
00:45:47,560 --> 00:45:49,640
Speaker 2: And I think you, like, is everything you're saying right,

845
00:45:49,680 --> 00:45:53,239
Speaker 2: And listen, you will know way more about that than

846
00:45:53,800 --> 00:45:57,400
Speaker 2: me obviously and a lot of the listeners. So I

847
00:45:57,440 --> 00:46:01,799
Speaker 2: agree with you based on the experience that it has,

848
00:46:01,960 --> 00:46:04,160
Speaker 2: especially when it's fresh, and what we saw in an

849
00:46:04,200 --> 00:46:08,200
Speaker 2: episode was how fresh this was. And I think, look,

850
00:46:08,239 --> 00:46:16,960
Speaker 2: we're unable to hear his perspective, and based on you know,

851
00:46:17,120 --> 00:46:23,000
Speaker 2: what's happening right now, he hasn't said anything about what

852
00:46:23,160 --> 00:46:27,320
Speaker 2: she has been alleging. And the thing is it really

853
00:46:27,920 --> 00:46:32,359
Speaker 2: doesn't pay him in the best life possible, and.

854
00:46:34,440 --> 00:46:37,480
Speaker 3: There's always besides yeah, yeah, and.

855
00:46:37,760 --> 00:46:41,120
Speaker 2: That's the part that's that's like unfortunate because you want

856
00:46:41,120 --> 00:46:42,879
Speaker 2: to hear his side too, so you can understand what's

857
00:46:42,880 --> 00:46:43,400
Speaker 2: going on.

858
00:46:44,880 --> 00:46:47,520
Speaker 5: Right, and the truth is probably somewhere in the middle.

859
00:46:47,960 --> 00:46:49,680
Speaker 4: You know, it's probably some of her side, some of

860
00:46:49,719 --> 00:46:51,720
Speaker 4: his side, and then there's the truth is in the middle.

861
00:46:55,080 --> 00:46:58,240
Speaker 2: We now see the Read and a man come face

862
00:46:58,280 --> 00:47:01,520
Speaker 2: to face. Finally, a man is super cold to the Read.

863
00:47:01,600 --> 00:47:04,359
Speaker 2: She gets up and goes to the bathroom. Kyle takes

864
00:47:04,360 --> 00:47:08,719
Speaker 2: an opportunity. This is Amanda isn't there to give a

865
00:47:08,760 --> 00:47:12,879
Speaker 2: speech because they're celebrating the Reed's birthday. Oh by the way,

866
00:47:13,719 --> 00:47:17,360
Speaker 2: this episode is dedicated to Natalie, who is Simon Fuller

867
00:47:17,640 --> 00:47:20,520
Speaker 2: Thank you brain drops X soon to be ex wife

868
00:47:20,600 --> 00:47:25,400
Speaker 2: or ex wife whatever, who got a happy ending after

869
00:47:25,960 --> 00:47:26,799
Speaker 2: a massage.

870
00:47:27,239 --> 00:47:28,120
Speaker 3: That's the top of shit.

871
00:47:28,120 --> 00:47:32,600
Speaker 2: I'm gonna watch on TV those conversations that's with him.

872
00:47:33,680 --> 00:47:36,680
Speaker 5: Happy ending is when it's fillatio. He had a full

873
00:47:36,719 --> 00:47:38,279
Speaker 5: on sex with him. She admitted it.

874
00:47:39,280 --> 00:47:42,840
Speaker 4: I can't even this is like a fantasy thing that

875
00:47:43,880 --> 00:47:46,800
Speaker 4: is out fantasy world that I cannot believe it really happens.

876
00:47:46,840 --> 00:47:48,759
Speaker 4: I still don't believe in the massage parlors that give

877
00:47:48,760 --> 00:47:50,799
Speaker 4: happy endings. I know they're true because they've asked every

878
00:47:50,800 --> 00:47:53,480
Speaker 4: man I know, but I don't believe. I just in

879
00:47:53,520 --> 00:47:55,520
Speaker 4: my mind. I'm like, that's only you only read that

880
00:47:55,560 --> 00:47:59,120
Speaker 4: in books. You don't, it's not real, Okay. The fact

881
00:47:59,120 --> 00:48:02,560
Speaker 4: that she had sex with her Massuse she'd known for

882
00:48:02,640 --> 00:48:07,399
Speaker 4: fifty one minutes of her life, is like, what the fuck?

883
00:48:08,560 --> 00:48:10,279
Speaker 4: That's like taking the guy home from the bar that

884
00:48:10,360 --> 00:48:12,440
Speaker 4: just bought you one cocktail in the suit as you

885
00:48:12,480 --> 00:48:12,879
Speaker 4: get home.

886
00:48:13,040 --> 00:48:15,279
Speaker 5: I don't understand any of that. That's only stuff you

887
00:48:15,360 --> 00:48:21,240
Speaker 5: read a book. Carlos, I'm wow, it's amazing.

888
00:48:21,280 --> 00:48:23,520
Speaker 4: She She sure made a name for her, didn't she

889
00:48:23,760 --> 00:48:24,520
Speaker 4: on this episode?

890
00:48:24,600 --> 00:48:26,839
Speaker 3: She did? But but, but but.

891
00:48:28,760 --> 00:48:31,920
Speaker 5: Natalie, the one, the one I gotta come up.

892
00:48:32,040 --> 00:48:33,600
Speaker 4: I wanted to be fast to come up with something

893
00:48:33,640 --> 00:48:37,920
Speaker 4: like Natalie Massuse messuse sex you out.

894
00:48:39,560 --> 00:48:39,640
Speaker 3: That?

895
00:48:39,960 --> 00:48:42,760
Speaker 2: Or is a one nice stand on one Natalie stand

896
00:48:42,960 --> 00:48:46,520
Speaker 2: or one Natalie hand something oh oh.

897
00:48:46,360 --> 00:48:48,560
Speaker 5: Hello, that's so good?

898
00:48:49,400 --> 00:48:54,680
Speaker 3: Or the Master messusse I wasn't gonna say something about

899
00:48:54,680 --> 00:48:55,360
Speaker 3: the Master.

900
00:48:56,200 --> 00:48:59,040
Speaker 5: But I'm not okay, I don't know.

901
00:49:00,320 --> 00:49:09,400
Speaker 2: I stop myself, but Alexis My point is, this is

902
00:49:09,440 --> 00:49:11,560
Speaker 2: a type of shit I want to watch on television.

903
00:49:11,640 --> 00:49:15,239
Speaker 3: A woman of means, who's who's.

904
00:49:15,000 --> 00:49:18,240
Speaker 2: Walking in with a ninety I mean a nine hundred

905
00:49:18,280 --> 00:49:22,759
Speaker 2: and ninety dollars bag talking about having sex with her

906
00:49:22,800 --> 00:49:27,080
Speaker 2: massus impromptu, like that's the shit that I'm like, I'm sorry.

907
00:49:28,360 --> 00:49:31,239
Speaker 5: I have a whole other take to this, Carlos. She

908
00:49:31,480 --> 00:49:35,440
Speaker 5: is in full on fu my ex.

909
00:49:35,320 --> 00:49:38,120
Speaker 4: Husband mode because she walks in her first, her first

910
00:49:38,840 --> 00:49:44,080
Speaker 4: she walks in inhing plaid scantily in a lingerie that

911
00:49:44,120 --> 00:49:45,799
Speaker 4: you would wear, you know, to cook dinner when your

912
00:49:45,840 --> 00:49:47,840
Speaker 4: husband walks home and sees you as an apron on.

913
00:49:48,239 --> 00:49:53,000
Speaker 4: And then she then boasts about banging her maasuse that

914
00:49:53,040 --> 00:49:59,000
Speaker 4: she's known fifty one minutes. So I it's total fuller

915
00:49:59,120 --> 00:50:01,719
Speaker 4: from coming straight from his ex wife.

916
00:50:01,760 --> 00:50:03,080
Speaker 5: And you know, he is cringing.

917
00:50:03,239 --> 00:50:06,120
Speaker 4: I'm sorry, he's probably like he's not going, oh I

918
00:50:06,160 --> 00:50:06,960
Speaker 4: wish I had her back.

919
00:50:07,000 --> 00:50:07,879
Speaker 5: He's going, oh my.

920
00:50:07,840 --> 00:50:10,560
Speaker 4: God, run farther and farther away and faster, like like,

921
00:50:11,080 --> 00:50:11,640
Speaker 4: I don't know.

922
00:50:11,719 --> 00:50:13,759
Speaker 5: I don't think he's sitting there going, dang, look what

923
00:50:13,840 --> 00:50:17,280
Speaker 5: I lost. I think he's going. She's going through midlife

924
00:50:17,320 --> 00:50:23,200
Speaker 5: crisis right now. Her watch it all on all national television.

925
00:50:23,280 --> 00:50:24,040
Speaker 1: Bring it to me.

926
00:50:25,160 --> 00:50:27,400
Speaker 2: I love it, I love it, I love it, I

927
00:50:27,440 --> 00:50:28,319
Speaker 2: love it, I love it.

928
00:50:29,160 --> 00:50:31,200
Speaker 3: I want to see more of Natalie on my screen.

929
00:50:31,360 --> 00:50:34,640
Speaker 2: I love, love, love what she's bringing already in those

930
00:50:34,680 --> 00:50:35,480
Speaker 2: few moments.

931
00:50:35,960 --> 00:50:37,239
Speaker 4: So do you think she's going to be asked to

932
00:50:37,280 --> 00:50:39,080
Speaker 4: be a up? Do you think she's going to be

933
00:50:39,120 --> 00:50:40,400
Speaker 4: asked to be a friend of next season?

934
00:50:41,160 --> 00:50:43,319
Speaker 3: Well, that's the thing. I want to see more from her.

935
00:50:43,440 --> 00:50:45,200
Speaker 2: I think it's too early to tell, but what I

936
00:50:45,239 --> 00:50:49,160
Speaker 2: will say is I listen the beauty.

937
00:50:49,320 --> 00:50:50,120
Speaker 3: She's very pretty.

938
00:50:50,600 --> 00:50:53,279
Speaker 2: The beauty of reality television is you want to see

939
00:50:53,280 --> 00:50:56,800
Speaker 2: people on the shows, as you know, like Sis, who

940
00:50:57,800 --> 00:51:01,359
Speaker 2: are saying things that that you don't hear in your

941
00:51:01,400 --> 00:51:05,239
Speaker 2: everyday world and just you want to escape. So to

942
00:51:05,320 --> 00:51:14,080
Speaker 2: see this beautiful woman who is talking about getting you know,

943
00:51:14,800 --> 00:51:21,120
Speaker 2: a happier ending, right Like I I want to watch that.

944
00:51:21,360 --> 00:51:22,759
Speaker 2: I want to watch that. I don't want to watch

945
00:51:22,760 --> 00:51:27,680
Speaker 2: women who aren't you know, oh nothing happened to me?

946
00:51:27,840 --> 00:51:31,120
Speaker 2: Like I love Erica Jane, but I'm bored because she's

947
00:51:31,160 --> 00:51:33,879
Speaker 2: not telling us anything that's going on in her relationship.

948
00:51:34,280 --> 00:51:36,319
Speaker 5: Can I got I got to interject? Can we give

949
00:51:36,400 --> 00:51:37,080
Speaker 5: Eric the break?

950
00:51:37,360 --> 00:51:39,560
Speaker 4: She has just gone through a lot, like to be

951
00:51:39,640 --> 00:51:41,400
Speaker 4: married to someone for that many years and not know

952
00:51:41,440 --> 00:51:44,000
Speaker 4: what he was doing behind your back with the finances

953
00:51:44,040 --> 00:51:46,200
Speaker 4: and all that I'm sorry, Eric has been drug through

954
00:51:46,200 --> 00:51:49,120
Speaker 4: the mud. She deserves a season. That's kind of like, Okay,

955
00:51:49,280 --> 00:51:51,839
Speaker 4: she's a little boring right now, but they could show

956
00:51:51,840 --> 00:51:54,120
Speaker 4: one of her performances for us, like even that much

957
00:51:54,160 --> 00:51:55,839
Speaker 4: of one of her performances, and there you go, she'll

958
00:51:55,880 --> 00:51:56,680
Speaker 4: bring it for the camera.

959
00:51:56,800 --> 00:51:59,240
Speaker 5: But like, I just feel like, give.

960
00:51:59,120 --> 00:52:03,760
Speaker 4: The girl a a moment that she'll bring it next season.

961
00:52:05,040 --> 00:52:07,799
Speaker 3: Yes, no, I I love it. I love it. I

962
00:52:07,840 --> 00:52:10,440
Speaker 3: love it. Now what we have to get into.

963
00:52:11,760 --> 00:52:17,600
Speaker 2: Is the showdown between Deirite and Amanda that made me.

964
00:52:20,080 --> 00:52:22,800
Speaker 4: Can't wait for next season or next next episode. Sorry,

965
00:52:23,000 --> 00:52:25,120
Speaker 4: it's aid to be continued. I'm like, I love me

966
00:52:25,160 --> 00:52:25,840
Speaker 4: a cliffhanger.

967
00:52:26,680 --> 00:52:28,239
Speaker 3: I love a cliffhanger.

968
00:52:28,920 --> 00:52:30,920
Speaker 2: So this is what let me if you can hit

969
00:52:30,960 --> 00:52:32,440
Speaker 2: hisle likes to I'm going to play for the range job.

970
00:52:32,920 --> 00:52:38,360
Speaker 2: This is what ended the episode in terms of what dereed.

971
00:52:38,960 --> 00:52:42,160
Speaker 2: I'm sorry what Amanda said to dread to the point

972
00:52:42,360 --> 00:52:44,239
Speaker 2: she had to bring out her phone and look it

973
00:52:44,320 --> 00:52:45,160
Speaker 2: up in the dictionary.

974
00:52:45,360 --> 00:52:46,399
Speaker 3: So let me know you can hear it?

975
00:52:48,280 --> 00:52:54,120
Speaker 4: Will you got buy my Omi? I need I need

976
00:52:54,200 --> 00:52:56,080
Speaker 4: be able to go to a dinner party without being

977
00:52:56,160 --> 00:52:57,399
Speaker 4: verbally a considant.

978
00:53:01,040 --> 00:53:03,799
Speaker 2: I need to go to a dinner party without being

979
00:53:03,880 --> 00:53:10,280
Speaker 2: verbally accosted. Give Amanda Francis a diamond for the next

980
00:53:10,360 --> 00:53:16,560
Speaker 2: two seasons because she's not afraid of anybody. And I'm

981
00:53:16,560 --> 00:53:19,160
Speaker 2: gonna say this too. I for the record, I love

982
00:53:19,200 --> 00:53:22,040
Speaker 2: Derey on the show. I think Derey is a fantastic housewife.

983
00:53:22,520 --> 00:53:26,000
Speaker 2: I love the fact that Alexis Dere has somebody to

984
00:53:26,080 --> 00:53:30,840
Speaker 2: spar with, because one thing about Deree Kimsley Alexis she

985
00:53:30,960 --> 00:53:32,440
Speaker 2: backs down to nobody.

986
00:53:34,360 --> 00:53:36,799
Speaker 5: Well, I don't really think any of them and then

987
00:53:36,840 --> 00:53:39,880
Speaker 5: backed down to anyone or any house I for that matter.

988
00:53:39,960 --> 00:53:41,920
Speaker 5: I mean, I don't think. I don't think any of

989
00:53:42,000 --> 00:53:44,359
Speaker 5: us think we got something to say.

990
00:53:44,400 --> 00:53:47,319
Speaker 4: But you're right, it's time that Dury has someone to

991
00:53:47,320 --> 00:53:51,520
Speaker 4: go toe to toe with her. Amanda really doesn't give

992
00:53:51,560 --> 00:53:54,799
Speaker 4: two f's for the girl that likes to use f

993
00:53:54,880 --> 00:53:56,799
Speaker 4: in the title of her book, she really gives two

994
00:53:56,920 --> 00:53:59,120
Speaker 4: ups about nobody. She is like, I will take you on,

995
00:53:59,840 --> 00:54:05,680
Speaker 4: And I don't think she was verbally accosted. Okay, let

996
00:54:05,760 --> 00:54:07,560
Speaker 4: me just tell my two cents on that.

997
00:54:07,920 --> 00:54:11,560
Speaker 5: However, to use the word and to go there is.

998
00:54:11,840 --> 00:54:15,319
Speaker 4: Epic, and I think she did secure her diamond for

999
00:54:15,480 --> 00:54:17,799
Speaker 4: next season with several of her.

1000
00:54:19,000 --> 00:54:21,719
Speaker 5: Comments this season.

1001
00:54:23,719 --> 00:54:26,640
Speaker 3: I love it, I love it, I love it, I

1002
00:54:26,680 --> 00:54:27,120
Speaker 3: love it.

1003
00:54:27,600 --> 00:54:31,720
Speaker 2: The Real House possibility Heils is cooking up and I

1004
00:54:31,760 --> 00:54:36,000
Speaker 2: am here for it. So this episode is dedicated to

1005
00:54:36,360 --> 00:54:39,640
Speaker 2: the one, the only Nataliese.

1006
00:54:39,400 --> 00:54:43,600
Speaker 3: Masseuse woman at that table.

1007
00:54:43,800 --> 00:54:46,480
Speaker 5: At his number, Erica goes, can I have his number? Please?

1008
00:54:46,640 --> 00:54:50,560
Speaker 5: Like like, I'm gonna fly there just to have him,

1009
00:54:50,960 --> 00:54:55,120
Speaker 5: you know, yeah, it's just hysterical. Oh my gosh, Carlos.

1010
00:54:55,400 --> 00:54:58,520
Speaker 4: She secured her her half done for being a friend

1011
00:54:58,560 --> 00:55:02,520
Speaker 4: of next season, right, she.

1012
00:55:04,719 --> 00:55:07,120
Speaker 5: Secured her coming up an effort.

1013
00:55:13,000 --> 00:55:15,080
Speaker 3: I'm not gonna love that, Natalie.

1014
00:55:15,239 --> 00:55:18,920
Speaker 2: You secure your Cubans are Codiah. We are hoping that

1015
00:55:18,960 --> 00:55:21,160
Speaker 2: it will one day turn into a diamond. But no

1016
00:55:21,480 --> 00:55:24,720
Speaker 2: great episode. I'm so happy this show is probably cooking

1017
00:55:24,840 --> 00:55:28,480
Speaker 2: for us. Alexis and rain Jobs. We will see you

1018
00:55:28,480 --> 00:55:31,200
Speaker 2: guys next week to recap another episode of The Real

1019
00:55:31,239 --> 00:55:34,320
Speaker 2: House Spotster Building Hills, Alexis, have a great weekend.

1020
00:55:34,400 --> 00:55:40,640
Speaker 3: I'll see you next week. Bye bye bye.

1021
00:55:41,320 --> 00:55:45,839
Speaker 1: Reality with the King is executive produced by me Carlos King,

1022
00:55:46,239 --> 00:55:50,200
Speaker 1: produced by Lizzie Nimitz, and a partnership.

1023
00:55:49,600 --> 00:55:51,720
Speaker 3: With the Lack Effect Network.

1024
00:55:52,080 --> 00:55:54,799
Speaker 1: You can also find us on my YouTube channel at

1025
00:55:54,840 --> 00:55:56,680
Speaker 1: the Carlos King Underscore