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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama. Girl drama girl,

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Speaker 2: all about them.

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Speaker 3: High school queens. We'll take you for a ride. And

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Speaker 3: our comic girl shared for the right.

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Speaker 2: Drama Queens, girl girl fashion, but your tough girl.

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Speaker 4: You could sit with us girl Drama Queens, Drama, Queens, Drama, Queens, Drama, Drama, Queens, Drama, Queens.

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Speaker 5: Literally every minute.

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Speaker 1: But we were not filming. I was just sitting in

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Speaker 1: a chair, like, my life, my life, my life.

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Speaker 3: Well, tell everyone what you're talking about, Hillary.

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Speaker 5: This episode is going to open my life. Uh yes, hey,

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Speaker 5: my life. Everybody.

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Speaker 1: Welcome to Drama Queens. We're talking about And this is

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Speaker 1: an infamous episode, right, Sure, some people hate it? Somebody

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Speaker 1: else read the synopsis.

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Speaker 3: Okay, Season six, episode eleven. I think I'm the only

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Speaker 3: one that had fun on this episode. We did?

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Speaker 1: You?

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Speaker 3: Sure did?

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Speaker 5: My Echo?

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Speaker 3: My Shadow and Me Air date November seventeen, two thousand

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Speaker 3: and eight, in a very special episode. Wow, it sounds

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Speaker 3: like we're starting in after school special, which this definitely

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Speaker 3: was not. Chad Michael Murray Penn's an homage to the

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Speaker 3: classic films of the nineteen forties. Karen's cafe is transformed

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Speaker 3: into a glamorous nightclub, with Lucas as its proprietor, Nathan

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Speaker 3: as the bartender, Haley is the nightclub's residence, singer Peyton

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Speaker 3: and Brooke as town floozies.

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Speaker 6: Susies wholesome nieces that are stupid.

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Speaker 3: And just had no clue what was going on, and

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Speaker 3: oh boy, mouth is a is a reporter and the

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Speaker 3: town drunk. Wow, let's get started.

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Speaker 1: Oh my god, you guys, Chad did write this, which

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Speaker 1: I really want to give him credit. Yep. At the time,

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Speaker 1: we all thought we were grown ups, right, and we

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Speaker 1: were twenty five, twenty six, Like a kid, a twenty

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Speaker 1: five or twenty six year old kid writing an episode

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Speaker 1: of a TV show is a very big deal.

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Speaker 3: Like yeah, for somebody who didn't go to school for

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Speaker 3: writing or try And he's not trying to get in

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Speaker 3: a writer's room, he's not. Yeah.

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Speaker 1: No, he just had an idea and begged to do

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Speaker 1: it for years and they finally were like, you know what, Chad,

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Speaker 1: write a bottle episode. It don't tie it to anything

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Speaker 1: in the narrative, just make it live on an island.

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Speaker 1: And he did it. And I don't think they helped

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Speaker 1: him very much, because you know, they wanted to prove

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Speaker 1: a point. You're not a writer, we are, and I

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Speaker 1: think he turned in something that was so fun, weird,

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Speaker 1: but that made it interesting. Yeah, So for any kid

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Speaker 1: out there with a dream, just keep pushing. Man. I'm

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Speaker 1: glad he won this fight.

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Speaker 3: Yeah, me too. And knowing that he did that was

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Speaker 3: the thing that inspired me to go ask if I

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Speaker 3: could direct an episode, which because I think I was

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Speaker 3: the first one out of all of us to do that.

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Speaker 3: And I went to Greg, one of our producers, with

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Speaker 3: a script because I had seen Chad do this, and

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Speaker 3: I was like, wait, this is a possibility we could

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Speaker 3: actually branch out side because we definitely were not encouraged

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Speaker 3: to do anything other than what we were let alone

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Speaker 3: other projects, Like we were notwidged to do anything on

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Speaker 3: our show besides act. So yeah, to go home and

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Speaker 3: break down an old script from seasons before with I

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Speaker 3: had all my tabs and all my little notes on it,

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Speaker 3: and I mapped out scenes and I did blocking like

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Speaker 3: I used to do in our direct plays in high school.

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Speaker 3: And I came in with a huge binder and gave

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Speaker 3: it to Greg and I was like, this is what

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Speaker 3: I would have done with that episode if you had

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Speaker 3: let me direct it, you know, three years ago, can

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Speaker 3: I have one in the future? And they liked it

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Speaker 3: and they gave me one, and it is you know,

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Speaker 3: to Chad's credit, because he was the first one to

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Speaker 3: take the step and go, hey, I want to do

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Speaker 3: something else. Yeah, I appreciated that.

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Speaker 1: Well.

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Speaker 3: I think that's a big deal.

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Speaker 6: Who is just the fact so many people I think

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Speaker 6: out in the world who don't work in our industry

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Speaker 6: don't know how they really do put those barriers up

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Speaker 6: for us. And you know, I've I've worked on things

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Speaker 6: as I know you guys have where that's policy where

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Speaker 6: producers will say, we hired you to act, we expect

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Speaker 6: you to be an actor. Don't ask to direct, don't

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Speaker 6: ask for input, don't you know, and they fill in

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Speaker 6: the rest of the blanks, and and so I will

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Speaker 6: say for us, I think that you know, whatever the

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Speaker 6: TV version of like the seven Year Itch is, like

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Speaker 6: by season six, you're just like I can only say,

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Speaker 6: but I love him like so many more times, like

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Speaker 6: please God, you know, how are we.

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Speaker 3: Going to keep doing the same thing again?

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Speaker 6: And to start finding these these avenues? You know, he

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Speaker 6: took the lid off that box, and it did. I mean,

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Speaker 6: it pushed you to go in direct Joy and then

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Speaker 6: James and then me, and it really I think inspired

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Speaker 6: each of us in.

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Speaker 3: Our own ways.

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Speaker 6: And listen. As much as some of the powers that

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Speaker 6: be didn't want to help us, didn't want us to

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Speaker 6: succeed at some of these things, I do appreciate that

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Speaker 6: they said, Okay, if this is what it's going to be,

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Speaker 6: if you love these old you know, old timey forties films,

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Speaker 6: if you love this old like lore of Sinatra and whatever,

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Speaker 6: we're going to give it context. And so the minute

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Speaker 6: the episode opened, like.

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Speaker 3: I genuinely was like, what is six to eleven?

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Speaker 6: And then it started and I was like, oh my god,

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Speaker 6: he's watching the movie.

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Speaker 3: It's the forties episode, isn't it.

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Speaker 5: Yes?

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Speaker 7: And it was a cool device I think for them

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Speaker 7: to give us to get in and out of this

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Speaker 7: world from Tree Hill, to go into this sort of dreamscape.

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Speaker 3: And you know, they.

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Speaker 6: They opened the door to this new world for us

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Speaker 6: and we got to go have a time. And I

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Speaker 6: don't know then we did.

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Speaker 1: Other shows have done it successfully too. I mean, didn't

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Speaker 1: really Dale go on a time travel adventure? Did they

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Speaker 1: feel like I saw like black and white things, be

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Speaker 1: watching fricking Nickelodeon and kids cartoons forever. But I feel

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Speaker 1: like in Passing, I've seen time travel on these other shows. Okay,

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Speaker 1: and it is cool to get out of your bubble,

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Speaker 1: but yeah, I wish they would have taken better care

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Speaker 1: of Chad in this moment because as a new writer,

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Speaker 1: you know, he's coming up with the story arcs and

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Speaker 1: the A story and the B story and the C story,

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Speaker 1: and I feel like they could have helped him massage

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Speaker 1: some of that a little. Yeah, because some of the

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Speaker 1: dialogue was hard for me as a woman to say,

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Speaker 1: and I'm that's not a dig at our friend here.

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Speaker 1: That is a dig at the grown up in the room,

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Speaker 1: not being like that's a hard thing for a woman

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Speaker 1: to say, say it out loud yourself.

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Speaker 6: Well, yeah, to to not help bring what we often

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Speaker 6: saw in that bygone era on screen, which was like, gee, mister,

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Speaker 6: I just need some help, you know, like to not

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Speaker 6: help all of us in our modern era doing a

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Speaker 6: flashback bring it up to date. I hear what you're saying.

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Speaker 6: I guess in my brain, I was like, Wow, we

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Speaker 6: did the thing, because that's what so many women were

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Speaker 6: forced to do back then.

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Speaker 1: Y'all. I had to spin in the middle of that

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Speaker 1: bridge and.

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Speaker 6: Say how many times did it take you to do

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Speaker 6: that with a straight face?

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Speaker 1: Did you see how wide that shot is?

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Speaker 6: I have it written down as questions zero times?

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Speaker 5: You guys. I was like, you want me to do what?

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Speaker 1: And the director who shot on me nameless because he's

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Speaker 1: a tool, was.

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Speaker 5: Like, you got to spin in the middle of the bridge?

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Speaker 5: A spin?

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Speaker 1: And I was like spin, Like, like, how why would

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Speaker 1: I spin when I'm telling him my feelings because we're

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Speaker 1: doing this big crane shot and it's gonna look better

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Speaker 1: if you spin, and you just keep spinning, and I'm like,

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Speaker 1: like Lisa in the Sound of Music.

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Speaker 5: Sixteen, go ahead, what you talking about? I got a spin?

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Speaker 1: And so if you look, I am just making his face.

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Speaker 5: I'm just like a need la.

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Speaker 3: It's so solvable, though, Like they could have just if

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Speaker 3: he needed a spin, he could have had you and

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Speaker 3: Chad dance together for a second, and you know, you know,

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Speaker 3: you could have had to grab you and spin you around.

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Speaker 3: I don't know, it's so solvable. It's so dumb.

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Speaker 1: Suggestions were offered.

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Speaker 3: I'm sure they were. No, that's what I'm saying, it's

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Speaker 3: so frustrating that once. You know, sometimes when people get

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Speaker 3: something stuck in their head, they can't move on from it.

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Speaker 3: I mean, whatever, I've done the same thing, I guess,

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Speaker 3: so I can't.

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Speaker 1: Buy the butt.

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Speaker 5: But the sets were gorgeous.

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Speaker 1: I loved seeing Wilmington through this different lens.

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Speaker 6: That was cool, and all that vintage cars and even

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Speaker 6: the way that the that the sets changed the color

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Speaker 6: palette of the show.

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Speaker 3: Yeah, so blue and gray.

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Speaker 6: It was. Yeah, it was so fun to see and

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Speaker 6: you guys looked so beautiful. And I just remember, like

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Speaker 6: you talking about knowing what book you were reading.

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Speaker 3: I was like, well, this feels.

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Speaker 6: Cool and especially joy I think, because I know for

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Speaker 6: me and I think for most of us, your storyline

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Speaker 6: was the most fun, like Haley getting.

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Speaker 3: To do you know, big band stuff.

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Speaker 6: I just remember being like, well, the way I'm going

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Speaker 6: to have the most fun on this episode is I'm

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Speaker 6: going to be the second set photographer. So I just

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Speaker 6: like got into background costumes and I took pictures on

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Speaker 6: set every day.

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Speaker 3: That's what I did.

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Speaker 6: Any scene I wasn't in, I took photos. So I

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Speaker 6: have like I got to figure out how to digitize

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Speaker 6: all of it. But I have this amazing sort of stash.

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Speaker 1: Don't we have that sponsor baby, Yeah, we have legacy

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Speaker 1: Legacy bo lazy Bog.

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Speaker 6: That's not even an insert. It just happened naturally. But yes, Like,

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Speaker 6: I've got all these beautiful, old vintage photos of you guys,

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Speaker 6: and they're so they just pretty I got to dig

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Speaker 6: them up.

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Speaker 3: Well, I had a ball on this episode. I'm sorry.

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Speaker 3: I'm sorry you guys had to do all the stuff

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Speaker 3: you had to do because I had fun.

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Speaker 1: But you wrote music for this episode, right I did?

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Speaker 3: Yeah, they asked, Well, No, I had a song called

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Speaker 3: the Hotel Cafe that I had written because I did

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Speaker 3: a set before I ever got one Tree Hill. I

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Speaker 3: had done a set of jazz standards at the Hotel

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Speaker 3: Cafe in La and I thought it'd be fun to

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Speaker 3: write a song for the venue in keeping with the night,

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Speaker 3: and so we just transferred the name to Karen's Cafe.

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Speaker 3: And then when I sent that in, they were like,

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Speaker 3: this is great. Do you have any other stuff? It's like, yes, please.

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Speaker 6: Hold You're like then out a whole night.

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Speaker 3: Yes, So wrote a bunch of stuff with my writing

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Speaker 3: partner at the time, and yellow and yeah, and then

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Speaker 3: we actually got to score the episode. I don't think

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Speaker 3: they ended up using most of it. It was much

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Speaker 3: more theatrical and sort of cinematic than they Our director

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Speaker 3: wanted more forties actually style again yeah which yeahs ours

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Speaker 3: was more like theatrical and emotional, but I liked.

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Speaker 1: You know what they chose is that also when you

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Speaker 1: were working on the Notebook.

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Speaker 3: No, this was aft okay, so wait this aired two

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Speaker 3: thousand and eight, so the Notebook score was done. We

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Speaker 3: have probably done the workshop, maybe maybe the year prior,

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Speaker 3: which is also probably why they knew that that nineteen

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Speaker 3: forties music was in my wheelhouse.

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Speaker 1: Because you're so Rachel McAdams.

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Speaker 3: It's beful, it's so fun, and James so debonning and

236
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Speaker 3: so just he so fit that time period so well.

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Speaker 3: I remember walking. First of all, I was so excited

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Speaker 3: when I got this script.

239
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Speaker 1: I was like, oh, it's rancs.

240
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Speaker 3: I'm so excited. And I remember running into the trailer

241
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Speaker 3: the first day and I opened it up and I

242
00:12:17,920 --> 00:12:21,760
Speaker 3: look at James and he's hovering over the sink shaving

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Speaker 3: his face. He's got half a face as shaving cream,

244
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Speaker 3: and he looks up because I really flung the door open.

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Speaker 3: I'm glad he didn't cut himself. And he looks over

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Speaker 3: his shoulder at me, and I was like, are you

247
00:12:31,520 --> 00:12:34,960
Speaker 3: so excited? The first day of this episode?

248
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Speaker 6: So much fun?

249
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Speaker 3: And he just looked at me like I had three heads,

250
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Speaker 3: and he's like, yeah, it's gonna be fun, Joey.

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Speaker 5: I just slammed the door and ran back out.

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Speaker 1: Oh.

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Speaker 3: I was super stoked. But the costumes were great, had

254
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Speaker 3: fun with them. I didn't love the wigs, but I

255
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Speaker 3: didn't either.

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Speaker 1: Should we just go ahead and talk about the wigs?

257
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Speaker 2: Yeah?

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Speaker 3: My wig was so bad? You guys, why did they

259
00:12:58,000 --> 00:12:59,199
Speaker 3: make us wear wigs?

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Speaker 1: If we come the badge right now, then we could

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00:13:02,679 --> 00:13:05,120
Speaker 1: talk about fun stuff for the last half of the episode.

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Speaker 3: Hopefully everyone at home is okay with that sandwich, right, like, yeah.

263
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Speaker 1: You know, it's like shappetizer, but the entree and dessert

264
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Speaker 1: are gonna be gorgeous. Guys. The wigs. The reason that

265
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Speaker 1: they did the wigs this way is because we were

266
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Speaker 1: doing this huge episode and they weren't giving us any

267
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Speaker 1: more money. All the money had gone into the sets

268
00:13:26,520 --> 00:13:29,439
Speaker 1: and all the extras and the cars and like all

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Speaker 1: the background. It didn't go to us and so in

270
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Speaker 1: order to do finger waves and pin curls on how many.

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Speaker 3: Yeah, for different hairstyles for each scene because we had

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00:13:43,200 --> 00:13:46,839
Speaker 3: different I had some different hairstyles. Yeah, you guys had

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Speaker 3: hats and yeah, I mean there was there was a

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00:13:49,160 --> 00:13:51,360
Speaker 3: lot to do the whole thing, too many other extras

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Speaker 3: to do their hair too.

276
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Speaker 1: What you didn't know they were also wedding down the

277
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Speaker 1: streets so that it had that glisteny ill noir vibe

278
00:14:01,960 --> 00:14:03,360
Speaker 1: and do you know what doesn't go together?

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00:14:03,960 --> 00:14:08,360
Speaker 3: Tell them wigs and water. Oh, turns out wigs and

280
00:14:08,400 --> 00:14:10,320
Speaker 3: water and a hot We shot that in the summer,

281
00:14:10,360 --> 00:14:14,160
Speaker 3: so then there was the humidity plus the cakey makeup,

282
00:14:14,520 --> 00:14:18,439
Speaker 3: plus the wigs and the watered streets. It wasn't great.

283
00:14:18,880 --> 00:14:22,520
Speaker 3: It was rough. Also, Yeah, I just feel like.

284
00:14:22,480 --> 00:14:25,400
Speaker 6: I look like I've run a marathon, but and then

285
00:14:25,480 --> 00:14:29,440
Speaker 6: like put a gown on, like I look sweaty but matted.

286
00:14:29,600 --> 00:14:31,560
Speaker 3: I don't know, because.

287
00:14:31,240 --> 00:14:33,440
Speaker 1: There weren't enough people to touch us up on set

288
00:14:33,840 --> 00:14:36,160
Speaker 1: and also get people ready back in the trailer.

289
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Speaker 3: Our sweet team. But I do remember as much as we.

290
00:14:40,000 --> 00:14:42,080
Speaker 6: Were like, oh boy, these wigs, they're just they're just

291
00:14:42,120 --> 00:14:45,400
Speaker 6: starting to do the thing in humidity that like poodles do.

292
00:14:45,600 --> 00:14:46,480
Speaker 3: Uh oh.

293
00:14:47,000 --> 00:14:50,000
Speaker 6: And then when they tried to figure out how to

294
00:14:50,000 --> 00:14:52,840
Speaker 6: make it a little better with some of the hats, like, y'all,

295
00:14:52,960 --> 00:14:55,240
Speaker 6: you two know, for any of our friends at home

296
00:14:55,240 --> 00:14:57,400
Speaker 6: who haven't figured this out, if you've seen me stand

297
00:14:57,400 --> 00:15:00,400
Speaker 6: next to any other living human ever, I have a

298
00:15:00,520 --> 00:15:08,320
Speaker 6: giant head. It's just a really large skull. I think

299
00:15:08,360 --> 00:15:10,120
Speaker 6: my parents tried to make me feel better about it

300
00:15:10,120 --> 00:15:11,720
Speaker 6: when I was little, and they were like, Oh, it's

301
00:15:11,760 --> 00:15:15,480
Speaker 6: just you have a big brain. I y'all, I don't

302
00:15:15,480 --> 00:15:22,600
Speaker 6: fit an a vintage hat like today, like I I

303
00:15:22,720 --> 00:15:26,640
Speaker 6: just don't. And and I remember being in the fitting

304
00:15:27,040 --> 00:15:29,320
Speaker 6: and they just kept bringing these hats in and I

305
00:15:29,400 --> 00:15:32,280
Speaker 6: was like, guys, what are we doing? And then they

306
00:15:32,280 --> 00:15:34,880
Speaker 6: had to find a hat that sort of was just

307
00:15:34,960 --> 00:15:38,080
Speaker 6: like a little top of the skull circle with like

308
00:15:38,120 --> 00:15:41,360
Speaker 6: a front piece, and they were like, here, this doesn't

309
00:15:41,360 --> 00:15:43,480
Speaker 6: have to fit around your head. It's just gonna sit

310
00:15:43,920 --> 00:15:44,360
Speaker 6: on it.

311
00:15:44,520 --> 00:15:46,120
Speaker 1: We're gonna pin it to you, stable to you.

312
00:15:46,200 --> 00:15:48,480
Speaker 6: We're just gonna pin it onto the top of your

313
00:15:48,560 --> 00:15:51,640
Speaker 6: noggin and send you in there to talk to Austin

314
00:15:51,680 --> 00:15:54,000
Speaker 6: and Paul while Paul's you know, ripping a bag get apart?

315
00:15:54,120 --> 00:15:55,480
Speaker 3: How cool was that? Said?

316
00:15:55,560 --> 00:16:00,240
Speaker 6: By the way, my favorite, but that was like the

317
00:16:00,280 --> 00:16:03,200
Speaker 6: one thing they could get to fit over my big

318
00:16:03,280 --> 00:16:06,520
Speaker 6: fat head and that poofy way. It was like it

319
00:16:06,600 --> 00:16:09,520
Speaker 6: was a Ramon or poor wardrobe girls.

320
00:16:09,840 --> 00:16:13,160
Speaker 3: Yeah, hair and makeup and wardrobe really had a time.

321
00:16:13,360 --> 00:16:13,600
Speaker 1: Joy.

322
00:16:13,640 --> 00:16:15,640
Speaker 6: Do you know what that's called? Like the hat that

323
00:16:15,760 --> 00:16:18,040
Speaker 6: sits on the is it? Is it a It's not

324
00:16:18,120 --> 00:16:20,240
Speaker 6: a fascinator. That's the British version.

325
00:16:20,680 --> 00:16:21,360
Speaker 1: What is it?

326
00:16:21,840 --> 00:16:25,160
Speaker 3: The pillbox hats sit off to the side, but they're

327
00:16:25,160 --> 00:16:27,440
Speaker 3: often round and it was a little and they sit

328
00:16:27,520 --> 00:16:31,400
Speaker 3: on the topdies sixties vibe. Yeah, the ones that sit

329
00:16:31,440 --> 00:16:33,680
Speaker 3: on the top from the forties. I don't I don't know.

330
00:16:33,840 --> 00:16:35,440
Speaker 3: It gives you a swoop like a bang.

331
00:16:35,640 --> 00:16:36,560
Speaker 5: Girl's a topper.

332
00:16:36,600 --> 00:16:37,520
Speaker 1: I don't know what that is?

333
00:16:37,720 --> 00:16:39,080
Speaker 3: A topper? That's probably it?

334
00:16:39,320 --> 00:16:42,160
Speaker 1: A top had nineteen eighties mal bangs for most of

335
00:16:42,200 --> 00:16:46,600
Speaker 1: this episode, like LUs shit was teased. It was so

336
00:16:46,840 --> 00:16:50,240
Speaker 1: high because it would fall out because of the humidity.

337
00:16:50,240 --> 00:16:51,520
Speaker 1: And they're like, well, if we just.

338
00:16:52,040 --> 00:16:53,040
Speaker 5: Tease it a little, just.

339
00:16:53,080 --> 00:16:56,160
Speaker 3: Teaset to make it straight, because they knew that humidity

340
00:16:56,200 --> 00:16:57,640
Speaker 3: was there. What was the why don't they just make

341
00:16:57,640 --> 00:16:59,040
Speaker 3: it straight. I don't know.

342
00:16:59,160 --> 00:17:02,320
Speaker 1: Here's here's what I remember. I remember the wig fitting

343
00:17:02,880 --> 00:17:06,200
Speaker 1: and I had started putting red in my hair because

344
00:17:06,240 --> 00:17:09,280
Speaker 1: I didn't want to be anyone's blonde fantasy anymore. I

345
00:17:09,320 --> 00:17:10,800
Speaker 1: was working over it.

346
00:17:10,880 --> 00:17:11,280
Speaker 5: Clearly.

347
00:17:11,280 --> 00:17:13,680
Speaker 1: The theme is that I was over everything at this point,

348
00:17:14,320 --> 00:17:17,120
Speaker 1: and I was like, Oh, I'm just gonna get some

349
00:17:17,280 --> 00:17:21,240
Speaker 1: red deposit shampoo and they can highlight and bleach my

350
00:17:21,320 --> 00:17:23,040
Speaker 1: hair all they want, but the second I go home,

351
00:17:23,080 --> 00:17:25,639
Speaker 1: it's red again. They can't do anything about it. And

352
00:17:25,720 --> 00:17:29,120
Speaker 1: so when we did our when we did our fittings

353
00:17:29,119 --> 00:17:31,320
Speaker 1: for these wigs, I was like, Okay, give me a

354
00:17:31,359 --> 00:17:34,160
Speaker 1: red wig to match my hair now, because you can

355
00:17:34,200 --> 00:17:37,080
Speaker 1: see at the beginning of the episode it's significantly darker.

356
00:17:37,800 --> 00:17:41,000
Speaker 1: And producers came in and they were like, you're the

357
00:17:41,000 --> 00:17:43,479
Speaker 1: blonde and I was like, yeah, but we're all kind

358
00:17:43,480 --> 00:17:45,280
Speaker 1: of switching it up. So wouldn't it be cool if

359
00:17:45,320 --> 00:17:47,199
Speaker 1: like Brook got to be blonde, or Haley got to

360
00:17:47,200 --> 00:17:49,919
Speaker 1: be blonde, or someone else got to be blonde. And

361
00:17:49,960 --> 00:17:52,719
Speaker 1: they were like, the note from the studio is that

362
00:17:52,840 --> 00:17:54,760
Speaker 1: no one likes you as a redhead, and this is

363
00:17:54,760 --> 00:17:56,359
Speaker 1: how we're going to get you to be blonde. Again.

364
00:17:56,760 --> 00:17:59,240
Speaker 1: And what you'll see is that we've got another episode coming.

365
00:17:59,040 --> 00:18:01,080
Speaker 6: Out that they made me wear the red wig.

366
00:18:01,400 --> 00:18:04,200
Speaker 1: Yeah, and they there's another episode coming up where I

367
00:18:04,280 --> 00:18:06,479
Speaker 1: have to wear a blonde wig again. They were just like,

368
00:18:06,560 --> 00:18:08,120
Speaker 1: if you're not going to do what we say, we're

369
00:18:08,119 --> 00:18:10,520
Speaker 1: going to write it into the script and make you uncomfortable.

370
00:18:11,080 --> 00:18:12,720
Speaker 5: And it was a big deal.

371
00:18:14,600 --> 00:18:16,480
Speaker 1: Big deal. And they made a point on set two

372
00:18:16,480 --> 00:18:19,520
Speaker 1: of just being like, you're really not attractive as anything,

373
00:18:20,880 --> 00:18:23,640
Speaker 1: and I'm just like, I hate it here you guys,

374
00:18:23,800 --> 00:18:24,879
Speaker 1: I like my blue dress.

375
00:18:24,960 --> 00:18:28,160
Speaker 6: Though your dress was so good and that asymmetrical back.

376
00:18:28,960 --> 00:18:34,159
Speaker 3: Come on, it was the year of the sticky bootitty. Yeah,

377
00:18:34,200 --> 00:18:36,919
Speaker 3: we all had it. Seemed like we were having the

378
00:18:36,920 --> 00:18:40,439
Speaker 3: most fun in our scenes with Paul. Yes, Oh my god,

379
00:18:40,920 --> 00:18:43,520
Speaker 3: the best. He was built for that era. He was

380
00:18:43,520 --> 00:18:46,479
Speaker 3: built for that those those time period movies. I'm surprised

381
00:18:46,520 --> 00:18:50,960
Speaker 3: it isn't done any mustache. Oh yeah, so good him

382
00:18:51,000 --> 00:18:54,200
Speaker 3: sitting there a hopper and over the spaghetti with the Yeah,

383
00:18:54,400 --> 00:18:59,440
Speaker 3: super super bad. Yeah, it was just so good.

384
00:19:00,119 --> 00:19:04,320
Speaker 1: A second joy when he came on, he was coming

385
00:19:04,359 --> 00:19:06,760
Speaker 1: back to the dressing room to see you. Can we

386
00:19:06,880 --> 00:19:13,199
Speaker 1: talk about that scene because I found myself unexpectedly into it.

387
00:19:13,840 --> 00:19:18,440
Speaker 3: Same we had a ball. It was so much fun.

388
00:19:18,680 --> 00:19:19,520
Speaker 5: Yeah, but are you the.

389
00:19:19,480 --> 00:19:23,080
Speaker 1: First person to voluntarily kiss Dan Scott or guess that

390
00:19:23,200 --> 00:19:24,280
Speaker 1: was involuntarily.

391
00:19:24,760 --> 00:19:26,399
Speaker 3: It was definitely involuntary.

392
00:19:26,600 --> 00:19:27,800
Speaker 5: We're such a handsome man.

393
00:19:27,880 --> 00:19:29,040
Speaker 1: No one wants to kiss him.

394
00:19:29,320 --> 00:19:29,679
Speaker 5: I know.

395
00:19:30,240 --> 00:19:30,439
Speaker 1: I know.

396
00:19:30,480 --> 00:19:33,520
Speaker 3: It's weird too, because it was like a struggle kiss,

397
00:19:33,560 --> 00:19:37,080
Speaker 3: which is like, oh, it's my friend, Like I don't know.

398
00:19:37,200 --> 00:19:40,120
Speaker 3: It felt strange because we were definitely super close by

399
00:19:40,119 --> 00:19:42,440
Speaker 3: then really really, you know, he was probably my best

400
00:19:42,440 --> 00:19:47,080
Speaker 3: friend on the show at the time. It sorry, my

401
00:19:47,080 --> 00:19:49,080
Speaker 3: brain went somewhere anyway, but I.

402
00:19:49,280 --> 00:19:54,439
Speaker 1: Thinking about kissing him.

403
00:19:55,760 --> 00:19:57,399
Speaker 3: Yeah, I have kiss Paul in real life, and he's

404
00:19:57,440 --> 00:20:02,840
Speaker 3: a good kisser, and se you know, we are friends,

405
00:20:02,880 --> 00:20:04,960
Speaker 3: you're not friends. You never know what's going to happen.

406
00:20:05,000 --> 00:20:08,320
Speaker 3: But anyway, we are very impressed. But he's a good kisser,

407
00:20:08,359 --> 00:20:10,720
Speaker 3: and so it was weird in that moment to be

408
00:20:11,119 --> 00:20:14,199
Speaker 3: having a struggle kiss with someone who is a friend

409
00:20:14,600 --> 00:20:16,840
Speaker 3: and then slapping him in the face, which I had to.

410
00:20:17,119 --> 00:20:18,399
Speaker 3: He was like, just hit me. I'm like, Paul, I

411
00:20:18,520 --> 00:20:22,119
Speaker 3: want to hate you. Just hit me, all right, So

412
00:20:22,320 --> 00:20:24,959
Speaker 3: I smacked him. But what you saw on camera was

413
00:20:25,359 --> 00:20:26,000
Speaker 3: the real deal.

414
00:20:26,080 --> 00:20:29,760
Speaker 1: For sure. I liked it. I mean, look, I don't

415
00:20:29,840 --> 00:20:32,159
Speaker 1: like I did too scene at all, but I liked

416
00:20:32,200 --> 00:20:33,840
Speaker 1: the way you just talked.

417
00:20:33,560 --> 00:20:34,560
Speaker 5: Right over him.

418
00:20:36,160 --> 00:20:38,200
Speaker 1: Like there was just a chemistry there.

419
00:20:38,720 --> 00:20:40,600
Speaker 3: Yeah, we worked on that scene quite a bit. I

420
00:20:40,640 --> 00:20:43,960
Speaker 3: remember I was having a ball. This is my dream

421
00:20:44,000 --> 00:20:46,600
Speaker 3: come true to sit and do a little continental accent

422
00:20:46,720 --> 00:20:49,359
Speaker 3: and wear the cute little vintage clothes, and it's like,

423
00:20:49,400 --> 00:20:50,840
Speaker 3: who knows I'll ever get a chance to do this

424
00:20:50,920 --> 00:20:52,760
Speaker 3: again in my life. I might as well just yuck

425
00:20:52,800 --> 00:20:53,120
Speaker 3: it up.

426
00:20:53,600 --> 00:20:57,840
Speaker 1: That was a conversation. I remember us talking about what

427
00:20:57,880 --> 00:21:00,920
Speaker 1: the accent was supposed to be, like the gal Friday

428
00:21:01,000 --> 00:21:03,560
Speaker 1: of it all, and how we were supposed to lean

429
00:21:03,600 --> 00:21:10,600
Speaker 1: into it. I didn't. Yeah, I'm talking about I need love, guys,

430
00:21:11,960 --> 00:21:13,160
Speaker 1: I need love, I.

431
00:21:14,640 --> 00:21:16,000
Speaker 6: Ash.

432
00:21:17,400 --> 00:21:19,320
Speaker 3: But it was tough because you guys were in an

433
00:21:19,359 --> 00:21:23,160
Speaker 3: awkward position. There was there was just behind the scenes

434
00:21:23,200 --> 00:21:25,600
Speaker 3: stuff that was awkward. And to have to be like

435
00:21:26,760 --> 00:21:29,440
Speaker 3: stuck in these costumes and saying these things and you know, Hillary,

436
00:21:29,520 --> 00:21:32,480
Speaker 3: what you're talking about, all this all the BTS stuff

437
00:21:32,600 --> 00:21:35,480
Speaker 3: that you were struggling with. They were trying to strong

438
00:21:35,600 --> 00:21:39,000
Speaker 3: arm you, and you know, it was uncomfortable. I think

439
00:21:39,080 --> 00:21:40,359
Speaker 3: for a lot of people.

440
00:21:53,080 --> 00:21:56,439
Speaker 1: My favorite part of it was because most of my

441
00:21:56,520 --> 00:22:01,040
Speaker 1: scenes were with Chad and he was so excited, you guys, like,

442
00:22:01,800 --> 00:22:04,160
Speaker 1: this was his dream come true. It was really really

443
00:22:04,160 --> 00:22:07,719
Speaker 1: fun to be with him and and just kind of

444
00:22:07,760 --> 00:22:10,280
Speaker 1: like be a part of the celebration because after every

445
00:22:10,359 --> 00:22:12,639
Speaker 1: take he would be like, how was that? Did that

446
00:22:12,680 --> 00:22:15,320
Speaker 1: feel okay for you? Like do you want to change anything?

447
00:22:15,359 --> 00:22:18,200
Speaker 1: And I was like, no, I don't want to change anything.

448
00:22:18,320 --> 00:22:21,280
Speaker 1: You're so pumped right now, buddy, I'm into it. So

449
00:22:21,400 --> 00:22:24,240
Speaker 1: like you can see that I'm kind of smiling in

450
00:22:24,320 --> 00:22:27,159
Speaker 1: some of these more awkward things that I have to

451
00:22:27,200 --> 00:22:30,119
Speaker 1: say because I can He's hanging on every word on

452
00:22:30,160 --> 00:22:32,560
Speaker 1: the other side of the camera and so pumped about it.

453
00:22:32,600 --> 00:22:34,920
Speaker 1: And I just wanted it to be great for him

454
00:22:35,080 --> 00:22:37,480
Speaker 1: because he was so excited.

455
00:22:37,520 --> 00:22:37,679
Speaker 2: You know.

456
00:22:37,840 --> 00:22:40,000
Speaker 1: It's like, that's a fun thing to share with someone

457
00:22:40,040 --> 00:22:42,760
Speaker 1: when their dream is coming true and you get to

458
00:22:42,760 --> 00:22:46,359
Speaker 1: stand next to them while it happens. Taylor Swift and

459
00:22:46,400 --> 00:22:54,560
Speaker 1: Travis Kelsey, Yeah, it's a fun thing and so and

460
00:22:54,680 --> 00:22:57,600
Speaker 1: also Paul was around a lot, and you guys know,

461
00:22:57,720 --> 00:23:01,520
Speaker 1: Paul's mantra is make it work. Yeah, I admit it

462
00:23:01,520 --> 00:23:03,280
Speaker 1: doesn't matter if it doesn't make sense to you, like,

463
00:23:03,400 --> 00:23:09,560
Speaker 1: make it work. So I need love. I'm just gonna

464
00:23:09,600 --> 00:23:13,480
Speaker 1: keep saying it. Just play the recordating, I'm so irritating. Okay,

465
00:23:13,720 --> 00:23:17,400
Speaker 1: skills on the piano, what's so funny as I've ever

466
00:23:17,440 --> 00:23:18,400
Speaker 1: seen in my life.

467
00:23:20,560 --> 00:23:23,840
Speaker 3: He was so hokey. He was just pounding his hands,

468
00:23:23,880 --> 00:23:28,600
Speaker 3: like bopping around Antoine committing to the piano. Man Like,

469
00:23:29,200 --> 00:23:33,160
Speaker 3: he was just having such a good time, And you're right,

470
00:23:33,400 --> 00:23:37,320
Speaker 3: watching your friends just have a really good time. There's

471
00:23:37,359 --> 00:23:38,080
Speaker 3: nothing better.

472
00:23:38,520 --> 00:23:43,560
Speaker 6: I He made me giggle every time it cut to.

473
00:23:43,600 --> 00:23:46,800
Speaker 3: Him Lee too, with the red hair, and that he

474
00:23:47,359 --> 00:23:49,679
Speaker 3: really committed so hard in this episode.

475
00:23:49,920 --> 00:23:53,280
Speaker 1: Yeah, oh my god. I mean I bought Lee in

476
00:23:53,320 --> 00:23:55,600
Speaker 1: a nineteen forties movie. I was like, is this absolute

477
00:23:55,760 --> 00:23:57,879
Speaker 1: venture movie? What's happening here?

478
00:23:58,280 --> 00:23:58,480
Speaker 6: Yeh?

479
00:23:58,480 --> 00:24:02,119
Speaker 1: When he's all bleary eye on the bridge and like

480
00:24:02,600 --> 00:24:06,920
Speaker 1: you can feel the fear on him, Yeah, he killed.

481
00:24:07,320 --> 00:24:09,520
Speaker 6: Lee is so good and it was really nice to

482
00:24:09,520 --> 00:24:13,000
Speaker 6: get to see his range. I think because Lee is

483
00:24:13,040 --> 00:24:16,120
Speaker 6: so good at his job, sometimes he makes it look

484
00:24:16,200 --> 00:24:19,159
Speaker 6: so easy that you forget how good he is. And

485
00:24:19,240 --> 00:24:22,359
Speaker 6: to see him in an episode like this committing to

486
00:24:22,400 --> 00:24:25,280
Speaker 6: that comedy and stumbling out of the club and falling

487
00:24:25,320 --> 00:24:28,280
Speaker 6: into the trash, you know, with the bottles rish crashing,

488
00:24:28,920 --> 00:24:33,600
Speaker 6: like really sort of stereotypical forties comedy. And then to

489
00:24:33,640 --> 00:24:38,159
Speaker 6: your point, you get to him so afraid and I

490
00:24:38,160 --> 00:24:40,840
Speaker 6: don't know, I just loved, Oh, I love to see

491
00:24:40,840 --> 00:24:43,639
Speaker 6: the range. And I loved that his character got to

492
00:24:43,640 --> 00:24:46,320
Speaker 6: go on a journey because at the beginning you think, like, ah,

493
00:24:46,359 --> 00:24:49,520
Speaker 6: here he is like the drunk reporter who thinks he's

494
00:24:49,560 --> 00:24:51,520
Speaker 6: like two big for his bridges, and then you realize

495
00:24:51,560 --> 00:24:54,240
Speaker 6: he's really onto something and you know he's in danger.

496
00:24:54,320 --> 00:24:57,760
Speaker 3: It's so exciting. That's tough to fit all that into

497
00:24:57,800 --> 00:25:00,440
Speaker 3: one episode. You know, they were like, write a bottle episode,

498
00:25:00,440 --> 00:25:03,359
Speaker 3: but it's an entire story arc. There's a whole movie

499
00:25:03,400 --> 00:25:06,240
Speaker 3: in twenty eight minutes, No No forty.

500
00:25:06,480 --> 00:25:10,679
Speaker 1: The last three seasons, it's everything from Keith's death to

501
00:25:11,080 --> 00:25:12,600
Speaker 1: Peyton getting pregnant, and.

502
00:25:12,600 --> 00:25:18,520
Speaker 3: So it's just all piled into one. Yeah, and Julian,

503
00:25:18,720 --> 00:25:22,080
Speaker 3: that was fun too. I loved in the warehouse when

504
00:25:22,119 --> 00:25:24,560
Speaker 3: you walk in he's talking, he just pauses and like

505
00:25:25,119 --> 00:25:28,760
Speaker 3: pauses his shoes, pick around a little sugar, switch the

506
00:25:28,800 --> 00:25:30,840
Speaker 3: knife up. Yeah.

507
00:25:30,920 --> 00:25:33,200
Speaker 6: I loved I was gonna say in the same way

508
00:25:33,240 --> 00:25:35,639
Speaker 6: I loved seeing Lee in this era, I loved seeing

509
00:25:35,680 --> 00:25:39,200
Speaker 6: Austin in this era. They're so fun, those two, and

510
00:25:39,600 --> 00:25:41,560
Speaker 6: it really made me want them to go do some

511
00:25:42,000 --> 00:25:46,080
Speaker 6: like old timey caper together, now a caper.

512
00:25:46,800 --> 00:25:50,119
Speaker 1: I feel like I can say this now because surely

513
00:25:50,160 --> 00:25:52,280
Speaker 1: it's not going to happen at this point. I've been

514
00:25:52,359 --> 00:25:54,920
Speaker 1: watching these episodes. There was a scene that I shot

515
00:25:54,960 --> 00:25:58,679
Speaker 1: with Austin that I have not seen in any of

516
00:25:58,680 --> 00:26:01,680
Speaker 1: the episodes yet, so I think they cut it. And

517
00:26:02,640 --> 00:26:06,080
Speaker 1: when we are introduced to Julian, it is Peyton's in

518
00:26:06,119 --> 00:26:10,600
Speaker 1: the bathroom at Trick and she's like washing her hands

519
00:26:10,600 --> 00:26:14,320
Speaker 1: at the sink and someone comes in and grabs her

520
00:26:14,440 --> 00:26:16,200
Speaker 1: and Percily kisses her.

521
00:26:16,520 --> 00:26:17,760
Speaker 3: Oh my god, I remember this.

522
00:26:18,200 --> 00:26:19,399
Speaker 5: Do you remember us filming this?

523
00:26:19,800 --> 00:26:23,120
Speaker 3: Yes, you filmed it, and oh yes.

524
00:26:23,040 --> 00:26:25,679
Speaker 1: Because it was a huge deal that the camera that

525
00:26:25,840 --> 00:26:29,280
Speaker 1: was on me as the person spins me around and

526
00:26:29,359 --> 00:26:32,480
Speaker 1: is kissing me. I made these like horror show.

527
00:26:32,440 --> 00:26:34,800
Speaker 5: Bug eyes, and I do it in this episode.

528
00:26:34,520 --> 00:26:41,040
Speaker 1: But I made the horror show bug eyes. And they

529
00:26:41,040 --> 00:26:43,600
Speaker 1: were like, hey, Hillary, we're gonna go again. But if

530
00:26:43,600 --> 00:26:45,760
Speaker 1: you could keep your eyes closed, that would be great,

531
00:26:45,800 --> 00:26:48,399
Speaker 1: and I was like, uh, I'm being sexually assaulted in

532
00:26:48,400 --> 00:26:52,720
Speaker 1: the woman's bathroom. Yeah, I probably wouldn't lean into it.

533
00:26:52,880 --> 00:26:56,800
Speaker 1: Frand yeah, they made me watch like playback to show

534
00:26:56,840 --> 00:26:59,880
Speaker 1: me how ugly I looked with my bug eyes being

535
00:27:00,080 --> 00:27:03,040
Speaker 1: forcibly kissed by Julian, And so they just cut it

536
00:27:03,040 --> 00:27:04,879
Speaker 1: out of the episode. And I didn't say anything in

537
00:27:04,920 --> 00:27:07,119
Speaker 1: the first episode that Julian was in because I was like,

538
00:27:07,520 --> 00:27:10,880
Speaker 1: maybe I'm mis remembering. Maybe it's like in a later episode.

539
00:27:10,960 --> 00:27:12,440
Speaker 5: But I feel like by the time we get.

540
00:27:12,359 --> 00:27:15,320
Speaker 1: To the nineteen forties thing, it must have just been

541
00:27:15,359 --> 00:27:15,840
Speaker 1: cut out.

542
00:27:16,560 --> 00:27:19,800
Speaker 6: You remember that, I do, because I remember I remember

543
00:27:19,880 --> 00:27:22,680
Speaker 6: being there. It was like one of those trick days

544
00:27:22,680 --> 00:27:26,080
Speaker 6: where they're just like all stand around and yeah, because

545
00:27:26,840 --> 00:27:31,080
Speaker 6: I have that like that icky feeling of just remembering

546
00:27:31,080 --> 00:27:34,200
Speaker 6: how uncomfortable the whole thing was, and that must have

547
00:27:34,280 --> 00:27:36,399
Speaker 6: been why right that they watched it and they were like,

548
00:27:36,440 --> 00:27:40,560
Speaker 6: oh no, there's no way to make this all cool, sexy, sexy.

549
00:27:40,200 --> 00:27:43,120
Speaker 3: Not sexy. It's it's literally threatening.

550
00:27:43,680 --> 00:27:45,760
Speaker 6: That's horrifying, horrifying.

551
00:27:46,119 --> 00:27:53,120
Speaker 1: We shot it so many times, so many times.

552
00:27:52,520 --> 00:27:55,760
Speaker 6: And that anyone could write it and go this will work.

553
00:27:56,000 --> 00:27:57,360
Speaker 3: Oh yeah, this is a good idea.

554
00:27:57,400 --> 00:27:57,840
Speaker 1: This is a.

555
00:27:57,800 --> 00:27:59,840
Speaker 3: Normal thing for a person to do to another person.

556
00:28:00,240 --> 00:28:00,880
Speaker 5: They like this.

557
00:28:02,600 --> 00:28:05,199
Speaker 1: No, I love seeing Austin be this bad guy and

558
00:28:05,200 --> 00:28:07,639
Speaker 1: that's what reminded me of it in this episode is

559
00:28:07,680 --> 00:28:12,240
Speaker 1: that he can be dastardly and it's cute.

560
00:28:12,600 --> 00:28:16,880
Speaker 3: It's not he really leans into it so fun. Why

561
00:28:17,040 --> 00:28:19,280
Speaker 3: was Joe in this episode?

562
00:28:19,760 --> 00:28:21,800
Speaker 5: Sir Chad could punish it?

563
00:28:23,760 --> 00:28:26,760
Speaker 3: This brought him all the way out for this episode,

564
00:28:26,800 --> 00:28:28,400
Speaker 3: but he didn't do anything. And not that I don't

565
00:28:28,440 --> 00:28:30,760
Speaker 3: love watching Joe on screen. I just was like, why what?

566
00:28:30,800 --> 00:28:32,600
Speaker 3: There's no storyline, there's what's happening?

567
00:28:32,760 --> 00:28:35,960
Speaker 1: Girl? I just there's certain things like why is Brooke

568
00:28:36,000 --> 00:28:40,840
Speaker 1: a bad guy? Like a vicious, two faced bad guy

569
00:28:40,920 --> 00:28:41,840
Speaker 1: in this episode?

570
00:28:41,920 --> 00:28:45,920
Speaker 3: So dumb? Yeah? Yeah, you didn't really have any They

571
00:28:45,920 --> 00:28:50,600
Speaker 3: didn't give you much depth or I don't mean, I'm

572
00:28:50,640 --> 00:28:52,760
Speaker 3: not saying that you don't bring depth to your character.

573
00:28:52,840 --> 00:28:55,240
Speaker 3: It's just that it was like on the page, like

574
00:28:55,280 --> 00:28:57,400
Speaker 3: what what are you there for? What are you trying

575
00:28:57,440 --> 00:28:57,760
Speaker 3: to do?

576
00:28:58,080 --> 00:29:00,240
Speaker 6: There was a lot, I think, and I don't remember

577
00:29:00,280 --> 00:29:02,840
Speaker 6: if there was something else going on when we were

578
00:29:02,840 --> 00:29:04,760
Speaker 6: shooting this. I'm not even sure I was supposed to

579
00:29:04,800 --> 00:29:07,400
Speaker 6: be in this episode, How would.

580
00:29:07,160 --> 00:29:08,160
Speaker 5: We do it without Brook?

581
00:29:08,520 --> 00:29:08,600
Speaker 1: No?

582
00:29:08,720 --> 00:29:11,240
Speaker 3: You were? No, you were? How can we do that?

583
00:29:11,240 --> 00:29:15,240
Speaker 6: I just remember, like there, I don't remember why it's

584
00:29:15,280 --> 00:29:17,920
Speaker 6: been so long. I don't remember if I was supposed

585
00:29:17,920 --> 00:29:20,640
Speaker 6: to be doing something else, or we were traveling for something,

586
00:29:20,760 --> 00:29:24,280
Speaker 6: or I don't know, but I remember the panic of

587
00:29:24,360 --> 00:29:28,120
Speaker 6: having to insert scenes for me into this episode, like

588
00:29:28,880 --> 00:29:30,280
Speaker 6: right at the eleventh hour.

589
00:29:30,560 --> 00:29:31,200
Speaker 1: Ooh weird.

590
00:29:31,560 --> 00:29:34,800
Speaker 6: I think many of you guys had like more fleshed

591
00:29:34,800 --> 00:29:37,760
Speaker 6: out stories, and then with me, it was like, oh,

592
00:29:38,160 --> 00:29:39,760
Speaker 6: uh no, make or do this?

593
00:29:39,800 --> 00:29:41,960
Speaker 3: I don't know, make or do this? Yeah, maybe we

594
00:29:42,440 --> 00:29:43,520
Speaker 3: need a reason to shoot Peyton.

595
00:29:43,560 --> 00:29:45,640
Speaker 6: Let's make it Brooke, which, like you know, in the

596
00:29:45,760 --> 00:29:47,960
Speaker 6: in the grand scheme of our show doesn't track for

597
00:29:48,040 --> 00:29:51,920
Speaker 6: our characters, especially where they are together in season six.

598
00:29:52,040 --> 00:29:54,920
Speaker 6: But I think I think sometimes when you're like when

599
00:29:54,920 --> 00:29:58,520
Speaker 6: there's a panic shift right before you know a big

600
00:29:58,560 --> 00:30:02,320
Speaker 6: show's getting shot and there's things like wigs melting, they're

601
00:30:02,440 --> 00:30:04,560
Speaker 6: less concerned with us.

602
00:30:05,000 --> 00:30:07,320
Speaker 3: Did they give did don't even have a reason in

603
00:30:07,360 --> 00:30:10,520
Speaker 3: this episode to be so? I mean, was it just

604
00:30:10,920 --> 00:30:12,840
Speaker 3: like just jealousy? She just didn't like.

605
00:30:13,200 --> 00:30:16,680
Speaker 5: She just wanted that Lucas guy. She just wanted real.

606
00:30:17,760 --> 00:30:21,480
Speaker 6: She just wanted her problems with money and men to

607
00:30:21,560 --> 00:30:22,880
Speaker 6: be fixed.

608
00:30:22,920 --> 00:30:25,800
Speaker 3: Some somebody needs to affects my problem.

609
00:30:25,920 --> 00:30:29,800
Speaker 1: I would have gladly given you the dove necklace storyline.

610
00:30:29,840 --> 00:30:33,600
Speaker 3: Babe, listen, you mean you wanted me to twirl for you? Yes,

611
00:30:34,280 --> 00:30:36,400
Speaker 3: there was so much that could have happened, and I

612
00:30:36,560 --> 00:30:41,120
Speaker 3: love to see team up on something BLF like solving

613
00:30:41,160 --> 00:30:41,640
Speaker 3: a crime.

614
00:30:42,160 --> 00:30:42,480
Speaker 1: I don't know.

615
00:30:42,520 --> 00:30:45,320
Speaker 3: I would have been very cool. I would have been fun.

616
00:30:46,080 --> 00:30:48,840
Speaker 3: But that might have been if we'd been directing the episode. Joyce.

617
00:30:49,680 --> 00:30:53,160
Speaker 1: Well, but also to that point when you have a

618
00:30:53,520 --> 00:30:57,120
Speaker 1: very young writer and you don't sit down and do

619
00:30:57,360 --> 00:31:00,400
Speaker 1: like all the read throughs, and what are the female

620
00:31:00,440 --> 00:31:02,840
Speaker 1: writers in the room have to say about it? And

621
00:31:02,880 --> 00:31:06,000
Speaker 1: what is some of the older writers the other young writers,

622
00:31:06,400 --> 00:31:10,440
Speaker 1: They didn't workshop it with him in a way that

623
00:31:10,840 --> 00:31:16,640
Speaker 1: could have helped him, and I think, I'll just say it.

624
00:31:16,720 --> 00:31:18,600
Speaker 1: I think that they were like, oh, you think you

625
00:31:18,640 --> 00:31:23,160
Speaker 1: can write an episode? Okay? Yeah? Took everything really, really

626
00:31:23,200 --> 00:31:28,120
Speaker 1: literally because he had the audacity to want to try something,

627
00:31:28,440 --> 00:31:30,320
Speaker 1: and so that was part of the reason that I

628
00:31:30,360 --> 00:31:32,080
Speaker 1: was like, I want to commit to this shit. I

629
00:31:32,080 --> 00:31:35,360
Speaker 1: gotta say just because we're gonna stick it.

630
00:31:35,320 --> 00:31:36,680
Speaker 3: To them, prove them wrong.

631
00:31:37,120 --> 00:31:38,400
Speaker 5: Yeah, let's get them.

632
00:31:38,800 --> 00:31:42,560
Speaker 3: Such a different time peer if it wasn't that long ago,

633
00:31:42,680 --> 00:31:45,840
Speaker 3: But it just feels so different. I look at there's

634
00:31:45,920 --> 00:31:48,479
Speaker 3: so much encouragement now. I feel like for young artists

635
00:31:48,520 --> 00:31:51,760
Speaker 3: and people who are established in one thing and wanted

636
00:31:51,800 --> 00:31:54,320
Speaker 3: to try and do something else, it feels like there's

637
00:31:54,360 --> 00:31:57,880
Speaker 3: this constant available community of people going, yes, I want

638
00:31:57,920 --> 00:31:59,680
Speaker 3: to see you succeed. I want to see you try this,

639
00:31:59,760 --> 00:32:02,360
Speaker 3: try that. Great. And I don't know why it was

640
00:32:02,440 --> 00:32:04,800
Speaker 3: back then they were like, no day in your lane.

641
00:32:05,160 --> 00:32:08,480
Speaker 6: I think we're much more in a we're much more

642
00:32:08,480 --> 00:32:10,920
Speaker 6: in a culture of mentorship.

643
00:32:10,960 --> 00:32:12,160
Speaker 3: Yeah than we were then.

644
00:32:12,600 --> 00:32:12,760
Speaker 1: Yeah.

645
00:32:12,840 --> 00:32:16,280
Speaker 6: For so long there was this gatekeeping attitude about like,

646
00:32:16,640 --> 00:32:18,360
Speaker 6: well I managed to get in the door, so I

647
00:32:18,400 --> 00:32:20,200
Speaker 6: can't let anybody else in after me.

648
00:32:20,520 --> 00:32:22,240
Speaker 3: Yeah, you got to earn just the way I did.

649
00:32:22,560 --> 00:32:22,760
Speaker 1: Yeah.

650
00:32:22,800 --> 00:32:25,360
Speaker 6: And I think when enough of us started figuring out

651
00:32:25,360 --> 00:32:27,000
Speaker 6: how to climb through the window, we were like, well,

652
00:32:27,000 --> 00:32:28,760
Speaker 6: this feels dumb. If we just open the door and

653
00:32:28,800 --> 00:32:31,560
Speaker 6: let everybody in, the vibes are going to be better

654
00:32:31,600 --> 00:32:32,000
Speaker 6: in here.

655
00:32:32,080 --> 00:32:34,120
Speaker 3: People are happier, better ideas, yes.

656
00:32:34,080 --> 00:32:38,200
Speaker 6: Yeah, And so I think that that shift has been

657
00:32:38,280 --> 00:32:42,040
Speaker 6: so monumental, but it is worth remembering that we were

658
00:32:42,080 --> 00:32:46,360
Speaker 6: really in an era where we weren't encouraged, let alone supported,

659
00:32:47,040 --> 00:32:52,719
Speaker 6: And you know, I do remember when scenes were written

660
00:32:52,800 --> 00:32:57,480
Speaker 6: for me. Finally in this episode saying to the powers

661
00:32:57,480 --> 00:33:00,520
Speaker 6: that be, I find what you've done, Like, I know

662
00:33:00,600 --> 00:33:02,560
Speaker 6: you're on a time crunch, and you know we're building

663
00:33:02,640 --> 00:33:04,680
Speaker 6: these sets and we're doing these things, and you're approving

664
00:33:04,720 --> 00:33:07,760
Speaker 6: all this stuff and you're renting picture vehicles and it's

665
00:33:07,880 --> 00:33:09,520
Speaker 6: it's it's a whole undertaking.

666
00:33:10,400 --> 00:33:10,960
Speaker 3: I get that.

667
00:33:11,360 --> 00:33:16,000
Speaker 6: And you've turned these things around for me in twelve hours,

668
00:33:16,040 --> 00:33:19,320
Speaker 6: and I I find them to be rather demeaning. Yeah,

669
00:33:19,320 --> 00:33:21,240
Speaker 6: and that, and then it's you know, you get met

670
00:33:21,280 --> 00:33:23,800
Speaker 6: with oh, don't take it. Oh come on, you're being

671
00:33:23,840 --> 00:33:26,440
Speaker 6: too sensitive. This is ridiculous. It's we need a foil,

672
00:33:26,600 --> 00:33:30,640
Speaker 6: we need and it's like, hmmm, do you And and

673
00:33:30,680 --> 00:33:33,320
Speaker 6: the thing that stood out to me thinking about that

674
00:33:33,400 --> 00:33:37,960
Speaker 6: watching the episode was actually hillary that we even had

675
00:33:37,960 --> 00:33:41,360
Speaker 6: a little something repeated between Peyton and Brooke Brooks like

676
00:33:41,400 --> 00:33:41,880
Speaker 6: fix my.

677
00:33:41,880 --> 00:33:44,960
Speaker 3: Problems with men and with money. And then you even.

678
00:33:44,760 --> 00:33:46,600
Speaker 6: Say like, well, what do I have to do short

679
00:33:46,600 --> 00:33:50,840
Speaker 6: of throwing myself at you? By the way, more power

680
00:33:50,880 --> 00:33:55,720
Speaker 6: to people. But it did it did feel a little reductive,

681
00:33:55,840 --> 00:33:58,040
Speaker 6: and I and I think it's an interesting point that

682
00:33:58,080 --> 00:34:01,640
Speaker 6: you make a you know, we can talk about now

683
00:34:01,760 --> 00:34:05,080
Speaker 6: what was happening behind the scenes and be that even

684
00:34:05,160 --> 00:34:10,759
Speaker 6: where whacking this mentorship vibe that we all work so

685
00:34:10,840 --> 00:34:14,520
Speaker 6: hard at now even where when someone was being supported,

686
00:34:14,520 --> 00:34:16,560
Speaker 6: they were still being undercut at the time.

687
00:34:16,640 --> 00:34:17,879
Speaker 3: Yeah, then, yeah, you know.

688
00:34:18,320 --> 00:34:18,960
Speaker 5: That's what it was.

689
00:34:19,040 --> 00:34:22,439
Speaker 1: It was like they gave him a yes, but they

690
00:34:22,600 --> 00:34:28,560
Speaker 1: withheld full support. And I think everyone Chad could still

691
00:34:28,600 --> 00:34:31,840
Speaker 1: be writing television if he'd had full support and he

692
00:34:31,920 --> 00:34:34,719
Speaker 1: had a moss that was like, I'm going to mentor you.

693
00:34:34,880 --> 00:34:35,640
Speaker 5: If this is a.

694
00:34:35,560 --> 00:34:38,839
Speaker 1: Goal of yours, let me help you do it, and

695
00:34:38,960 --> 00:34:42,960
Speaker 1: like really like learn the ropes. And that's why, like

696
00:34:42,960 --> 00:34:45,160
Speaker 1: when I go to see Megan Parks movies, she was

697
00:34:45,200 --> 00:34:47,560
Speaker 1: on a teen drama, she had to say crazy shit

698
00:34:47,640 --> 00:34:53,120
Speaker 1: on her team. She was surrounded by mentors and people

699
00:34:53,120 --> 00:34:54,880
Speaker 1: that were like women, Oh, we're going to introduce you

700
00:34:54,920 --> 00:34:56,640
Speaker 1: to this writer's group, and we're going to introduce you

701
00:34:56,719 --> 00:34:59,799
Speaker 1: to these female directors and they're going to raise you up,

702
00:35:00,440 --> 00:35:04,160
Speaker 1: you know, to be the next generation of leaders. And

703
00:35:04,239 --> 00:35:06,120
Speaker 1: we kind of we missed the boat on that. But

704
00:35:07,560 --> 00:35:10,640
Speaker 1: that said, we looked cute in our weird wigs.

705
00:35:11,400 --> 00:35:13,840
Speaker 6: But you know what I do appreciate, to be honest,

706
00:35:14,080 --> 00:35:18,120
Speaker 6: is that even though look, the environment on our show

707
00:35:18,160 --> 00:35:20,439
Speaker 6: for us, especially as women, could not have been more

708
00:35:20,440 --> 00:35:23,840
Speaker 6: different from the environment on our friend Megan show. But

709
00:35:25,200 --> 00:35:28,840
Speaker 6: we navigated around it. We worked around it, we figured

710
00:35:28,840 --> 00:35:31,160
Speaker 6: it out of it. We supported each other's art, we

711
00:35:31,200 --> 00:35:35,080
Speaker 6: supported each other's ideas, we supported each other's music writing directing.

712
00:35:35,320 --> 00:35:39,839
Speaker 6: Like we we we may have had to claw our

713
00:35:39,920 --> 00:35:44,759
Speaker 6: way into those spaces, but we were undeterred. So you know,

714
00:35:44,960 --> 00:35:47,760
Speaker 6: I say, that's I say, fascinator topper.

715
00:35:47,800 --> 00:35:48,399
Speaker 5: What do we call them?

716
00:35:48,440 --> 00:35:48,840
Speaker 6: Whoppers?

717
00:35:48,880 --> 00:35:49,360
Speaker 5: Off tops?

718
00:35:49,400 --> 00:35:53,000
Speaker 6: Toppers, off toppers? Off to you, my guests.

719
00:35:53,360 --> 00:35:55,680
Speaker 5: Did you guys ever see Bugsy Malone?

720
00:35:56,320 --> 00:35:59,360
Speaker 1: We got Bayou and Jody Fosters.

721
00:36:00,520 --> 00:36:03,840
Speaker 3: No, it's like little kids doing a gangster movie.

722
00:36:04,080 --> 00:36:07,640
Speaker 1: Yeah, it's like it's terrible, right, It's like a little

723
00:36:07,800 --> 00:36:12,160
Speaker 1: kid It was a really famous director, joy who was that.

724
00:36:13,480 --> 00:36:15,800
Speaker 1: It was a very famous director, like an Oscar winning

725
00:36:15,800 --> 00:36:18,799
Speaker 1: director that did this movie. It's all little kids doing

726
00:36:18,840 --> 00:36:21,560
Speaker 1: a gangster movie and instead of shooting each other with guns,

727
00:36:21,960 --> 00:36:24,839
Speaker 1: they're like throwing pies at each other and that's why

728
00:36:24,880 --> 00:36:26,600
Speaker 1: they kill each other. And it's ridiculous.

729
00:36:26,600 --> 00:36:29,440
Speaker 3: The musical too right, I don't think, so.

730
00:36:29,160 --> 00:36:32,200
Speaker 1: So fun to watch. And so that was the energy

731
00:36:32,800 --> 00:36:38,080
Speaker 1: that I personally took into this episode. I was like, Hey, yay,

732
00:36:38,239 --> 00:36:39,480
Speaker 1: we're gonna Bugsy Malone.

733
00:36:39,560 --> 00:36:43,960
Speaker 6: It Alan Parker starring Jody Foster, Scott Bayo, Florence Garland.

734
00:36:44,239 --> 00:36:46,600
Speaker 1: They like shot it in London. They spent a ton

735
00:36:46,600 --> 00:36:48,840
Speaker 1: of money on it. It was a deal.

736
00:36:49,680 --> 00:36:53,120
Speaker 3: I do appreciate that they, even though they knew the

737
00:36:53,160 --> 00:36:55,719
Speaker 3: writing was like, they weren't giving job the support that

738
00:36:55,760 --> 00:36:58,640
Speaker 3: he needed. I appreciate that they at least trusted us

739
00:36:58,760 --> 00:37:03,080
Speaker 3: enough to bring in depth and ideas and things to

740
00:37:03,120 --> 00:37:05,279
Speaker 3: the characters that they knew they could throw something at

741
00:37:05,400 --> 00:37:07,960
Speaker 3: us at the last minute, especially you, so with like

742
00:37:08,040 --> 00:37:11,280
Speaker 3: last minute pages and know that we were all gonna

743
00:37:11,760 --> 00:37:14,960
Speaker 3: show up. I mean, at least they at least that

744
00:37:15,480 --> 00:37:17,720
Speaker 3: burden on our shoulders. They knew we could carry.

745
00:37:18,600 --> 00:37:21,360
Speaker 1: What was your theme movie when you were like we

746
00:37:21,400 --> 00:37:24,040
Speaker 1: all had such different storylines. You're the fem fatale, so

747
00:37:24,960 --> 00:37:30,360
Speaker 1: enjoy I mean, you are just the the Humphrey Bogart,

748
00:37:30,400 --> 00:37:32,080
Speaker 1: Laura Becall, Yes.

749
00:37:31,960 --> 00:37:35,960
Speaker 3: The Barbara Stanwick, Like, Uh, I don't know what the

750
00:37:36,000 --> 00:37:38,320
Speaker 3: movie is. There's one. There is one movie with Barbara

751
00:37:38,320 --> 00:37:40,440
Speaker 3: Stanwick in a dressing room. Actually, I think is when

752
00:37:40,440 --> 00:37:40,960
Speaker 3: it opens.

753
00:37:41,320 --> 00:37:44,320
Speaker 6: Oh, so it's like it's like a real reference.

754
00:37:44,560 --> 00:37:47,000
Speaker 3: It might have been. I can't believe we got Casablanca

755
00:37:47,000 --> 00:37:50,480
Speaker 3: by the way, right, so cool for the opening scene.

756
00:37:50,600 --> 00:37:53,040
Speaker 3: Casablanca was in the opening scene of our show.

757
00:37:53,000 --> 00:37:56,839
Speaker 1: Because we didn't have any expensive bands. We had your

758
00:37:56,960 --> 00:37:59,759
Speaker 1: music and we had I think two other songs that

759
00:37:59,800 --> 00:38:02,680
Speaker 1: really stood out, but we weren't paying like you know,

760
00:38:03,200 --> 00:38:06,320
Speaker 1: Aerosmith or sometimes he would get those really expensive songs.

761
00:38:06,640 --> 00:38:10,040
Speaker 6: And who owns Is that a movie? Like is Casabanca

762
00:38:10,080 --> 00:38:11,040
Speaker 6: owned by Warner Brothers?

763
00:38:11,120 --> 00:38:12,719
Speaker 3: Yeah, that's probably isn't. Yeah.

764
00:38:12,800 --> 00:38:15,319
Speaker 6: I think that being part of such like an old

765
00:38:15,520 --> 00:38:17,560
Speaker 6: iconic studio might have really helped us out.

766
00:38:18,200 --> 00:38:21,239
Speaker 3: Yeah, in that moment. What was your inspirational movie? Hill

767
00:38:21,840 --> 00:38:24,120
Speaker 3: bugsy Malones? Oh for this, that was the energy you

768
00:38:24,160 --> 00:38:24,600
Speaker 3: went in with.

769
00:38:25,080 --> 00:38:27,799
Speaker 1: Yeah, would you would you watch the prep.

770
00:38:27,680 --> 00:38:29,279
Speaker 3: I didn't need to watch anything. I watched all of

771
00:38:29,320 --> 00:38:32,960
Speaker 3: them my whole life. I've been watching preping for that. Yeah,

772
00:38:33,000 --> 00:38:33,600
Speaker 3: you're like I.

773
00:38:33,560 --> 00:38:37,760
Speaker 6: Was, I literally was writing the music for years. Enjoy

774
00:38:37,840 --> 00:38:39,400
Speaker 6: you manifested this episode.

775
00:38:39,880 --> 00:38:40,600
Speaker 3: I probably did.

776
00:38:40,680 --> 00:38:43,080
Speaker 5: Did you plant this seed in chat Hen?

777
00:38:43,280 --> 00:38:45,040
Speaker 3: Why aren't we doing our period piece?

778
00:38:45,360 --> 00:38:47,719
Speaker 1: Did your notebook adaptation influence him?

779
00:38:48,280 --> 00:38:50,400
Speaker 3: It might have might have done. I don't know.

780
00:38:51,280 --> 00:38:52,040
Speaker 5: That's cool.

781
00:38:53,520 --> 00:38:56,360
Speaker 3: I don't know. I have to ask him. Yeah, I

782
00:38:56,640 --> 00:38:58,360
Speaker 3: sure was happy. Oh when we went out to that

783
00:38:58,400 --> 00:39:01,560
Speaker 3: airplane hangar, that was really fun too. That was going

784
00:39:01,600 --> 00:39:04,319
Speaker 3: out all the rain, and I remember filming out there.

785
00:39:04,520 --> 00:39:06,560
Speaker 3: They drove us out. I don't know where it was.

786
00:39:06,600 --> 00:39:10,359
Speaker 3: It was like forty five minutes away some airplane hangar.

787
00:39:10,440 --> 00:39:13,920
Speaker 3: They brought in an old, giant, old airplane. This is

788
00:39:13,960 --> 00:39:18,080
Speaker 3: before CGI was something that they could do easily. They

789
00:39:18,080 --> 00:39:21,640
Speaker 3: were like, no's we actually need an old aircraft from

790
00:39:21,680 --> 00:39:22,160
Speaker 3: the forties.

791
00:39:22,160 --> 00:39:25,240
Speaker 6: Didn't it come from like am I remembering this correctly?

792
00:39:25,280 --> 00:39:29,080
Speaker 6: Didn't that come somehow through the air show? Like we'd

793
00:39:29,080 --> 00:39:31,400
Speaker 6: all go to the air show every year, and I

794
00:39:31,440 --> 00:39:35,120
Speaker 6: feel like it was somebody associated with the air show

795
00:39:35,239 --> 00:39:37,200
Speaker 6: was like, oh, yeah, I know a guy who's got

796
00:39:37,200 --> 00:39:40,960
Speaker 6: a whatever plane in his old collection, like that kind

797
00:39:41,000 --> 00:39:43,200
Speaker 6: of weird where you're like, is this real life? People

798
00:39:43,239 --> 00:39:45,680
Speaker 6: have conversations like this. You know a man with a

799
00:39:45,719 --> 00:39:48,520
Speaker 6: collectible warplane? Yeah?

800
00:39:50,360 --> 00:39:55,600
Speaker 1: Right, all the wig money was in that plane. Yeah, No,

801
00:39:55,719 --> 00:39:58,920
Speaker 1: that looked beautiful. It reminded me of like Pearl Harbor.

802
00:39:59,560 --> 00:40:01,280
Speaker 3: Yeah, I mean, that's what I was thinking.

803
00:40:01,680 --> 00:40:05,080
Speaker 1: And there was a resurgence of interest in World War

804
00:40:05,120 --> 00:40:08,520
Speaker 1: Two during that time. I mean, I feel like so

805
00:40:08,600 --> 00:40:10,440
Speaker 1: many movies about World War Two came out when we

806
00:40:10,440 --> 00:40:16,160
Speaker 1: were in high school. Saving Private Ryan and Pearl Harbor

807
00:40:16,280 --> 00:40:19,960
Speaker 1: came out when we were like nineteen, and then I

808
00:40:19,960 --> 00:40:22,280
Speaker 1: feel like there were a couple other movies that all

809
00:40:22,440 --> 00:40:25,800
Speaker 1: really like fell into this theme. And I don't remember

810
00:40:25,840 --> 00:40:29,560
Speaker 1: why was there an anniversary or something like it had

811
00:40:29,640 --> 00:40:32,719
Speaker 1: infiltrated our pop culture to the point that you got

812
00:40:32,800 --> 00:40:35,200
Speaker 1: Peyton walking along the bridge like, I'm not sure how

813
00:40:35,239 --> 00:40:36,239
Speaker 1: I feel about the war.

814
00:40:36,880 --> 00:40:39,360
Speaker 3: Yeah, come on, I could be a nurse.

815
00:40:39,960 --> 00:40:42,960
Speaker 1: Peyton Sawyer would know exactly how she felt about everything.

816
00:40:42,960 --> 00:40:43,520
Speaker 3: That's right.

817
00:40:44,600 --> 00:40:46,359
Speaker 1: Yeah, I don't know why World War two was such

818
00:40:46,400 --> 00:40:47,480
Speaker 1: a bop.

819
00:40:48,200 --> 00:40:52,160
Speaker 6: I wonder what it was you saying that makes me think, Oh,

820
00:40:52,239 --> 00:40:54,640
Speaker 6: all the things we think, you know, watching the episode

821
00:40:54,640 --> 00:40:57,319
Speaker 6: and then looking back on it, you saying we could

822
00:40:57,360 --> 00:40:59,240
Speaker 6: have teamed up and done something. I'm like, Oh, wouldn't

823
00:40:59,280 --> 00:41:02,080
Speaker 6: it have been neat for Peyton to go and argue

824
00:41:02,120 --> 00:41:04,759
Speaker 6: that she wanted to write an opinion piece about the

825
00:41:04,760 --> 00:41:07,560
Speaker 6: war for the newspaper to Mountain. Yes, yes, that would

826
00:41:07,560 --> 00:41:08,160
Speaker 6: have been cool.

827
00:41:08,520 --> 00:41:10,880
Speaker 1: Of course, we could have just lived in this world

828
00:41:10,960 --> 00:41:12,319
Speaker 1: for a few more episodes.

829
00:41:12,640 --> 00:41:16,000
Speaker 6: Honestly, if there was a caper, I'd have been so in.

830
00:41:16,000 --> 00:41:18,040
Speaker 1: Yes, Okay, you guys, we're going to do a little

831
00:41:18,040 --> 00:41:22,759
Speaker 1: bit of imagination right now because I need your opinions

832
00:41:24,200 --> 00:41:29,000
Speaker 1: on that weird twist about Dan and Peyton's mother being

833
00:41:29,080 --> 00:41:32,680
Speaker 1: in love and what that means for Lucas and Peyton

834
00:41:32,960 --> 00:41:35,320
Speaker 1: and why was in there?

835
00:41:36,400 --> 00:41:38,920
Speaker 6: Oh yeah, use they were making it seem like you

836
00:41:39,000 --> 00:41:42,440
Speaker 6: might actually be his sister. Yes, that's what I'm saying,

837
00:41:43,160 --> 00:41:45,080
Speaker 6: And it made me feel kind of icky.

838
00:41:45,239 --> 00:41:48,399
Speaker 3: Wait his sister Dan and Peyton's mother.

839
00:41:48,560 --> 00:41:50,719
Speaker 6: If Dan and Peyton's mom had been together.

840
00:41:50,920 --> 00:41:52,560
Speaker 3: Wouldn't that make her his stepdaughter.

841
00:41:52,880 --> 00:41:54,680
Speaker 5: We never put a time on it.

842
00:41:54,680 --> 00:41:59,480
Speaker 3: It sort of made it seem like, is Dan Peyton's dad, right?

843
00:42:00,480 --> 00:42:04,480
Speaker 6: And yeah he were yeah, yeah yeah, and also Lucas's dad.

844
00:42:04,480 --> 00:42:06,920
Speaker 6: They would be half siblings. I don't know it, it

845
00:42:07,040 --> 00:42:10,640
Speaker 6: definitely it definitely rang like an icky bell for me.

846
00:42:10,800 --> 00:42:15,000
Speaker 3: Oh, you'd make Lucas's sister you're talking about Oh oh oh,

847
00:42:15,040 --> 00:42:16,920
Speaker 3: I see ew.

848
00:42:19,160 --> 00:42:20,480
Speaker 1: It was confusing for me.

849
00:42:20,600 --> 00:42:22,760
Speaker 3: I didn't catch because it came out of nowhere.

850
00:42:22,760 --> 00:42:24,600
Speaker 1: It was like, wow, are you hanging out with that man?

851
00:42:24,760 --> 00:42:27,920
Speaker 1: And instead of I put in my notes, is Peyton

852
00:42:27,920 --> 00:42:28,800
Speaker 1: a sugar baby?

853
00:42:29,120 --> 00:42:31,040
Speaker 3: Like not?

854
00:42:31,280 --> 00:42:34,879
Speaker 1: No? Uh? I think everyone knew at that point too

855
00:42:34,920 --> 00:42:37,680
Speaker 1: that I liked much older dudes. So I'm watching the

856
00:42:37,719 --> 00:42:40,839
Speaker 1: episode just like, yeah, all right, Like Peyton's hanging out

857
00:42:40,840 --> 00:42:42,040
Speaker 1: with Dan, this is cool.

858
00:42:42,200 --> 00:42:44,200
Speaker 5: Like that's her energy, it's my energy.

859
00:42:44,320 --> 00:42:45,200
Speaker 3: That's what I was thinking.

860
00:42:45,760 --> 00:42:47,080
Speaker 5: Yeah. I was totally fine with it.

861
00:42:47,120 --> 00:42:48,560
Speaker 1: But then it was like, I don't know why you'd

862
00:42:48,560 --> 00:42:49,760
Speaker 1: hang out with Dan and it's.

863
00:42:49,560 --> 00:42:53,560
Speaker 5: Like, actually, he was working my mom, not me. It

864
00:42:53,680 --> 00:42:54,520
Speaker 5: was so weird.

865
00:42:54,640 --> 00:42:58,120
Speaker 1: It was so like soap obra, which is cool, but

866
00:42:59,560 --> 00:43:01,399
Speaker 1: it made me confused because I'm like, but wait, now

867
00:43:01,440 --> 00:43:06,760
Speaker 1: we're gonna kiss? Yeah? Yeah, tree Hill's two small folks

868
00:43:07,080 --> 00:43:07,960
Speaker 1: even in the forties.

869
00:43:20,719 --> 00:43:25,440
Speaker 5: Lucas shoots Julian. Then Dan says, isn't this fun?

870
00:43:28,440 --> 00:43:28,720
Speaker 3: Wait?

871
00:43:28,760 --> 00:43:31,760
Speaker 5: What did he say? He goes, isn't this fun?

872
00:43:32,040 --> 00:43:35,480
Speaker 3: Isn't this fun? Right after Lucas shoots Julian.

873
00:43:35,760 --> 00:43:39,640
Speaker 1: Oh yeah, I loved it. Yeah, I really liked being

874
00:43:39,719 --> 00:43:41,480
Speaker 1: with Dan in this episode.

875
00:43:41,880 --> 00:43:42,920
Speaker 3: He was my favorite.

876
00:43:43,600 --> 00:43:47,200
Speaker 1: Yeah, bad guys always make sense, and maybe this is

877
00:43:47,239 --> 00:43:51,000
Speaker 1: why I'm attracted to like a bad guy in real life.

878
00:43:50,520 --> 00:43:53,839
Speaker 1: They know what they want, they're not apologetic about it.

879
00:43:53,880 --> 00:43:55,640
Speaker 1: They just go and they get it. And so playing

880
00:43:55,680 --> 00:43:58,640
Speaker 1: a bad guy always makes sense because you don't play

881
00:43:58,719 --> 00:44:01,359
Speaker 1: by anybody else's rule. But when you have to play

882
00:44:01,400 --> 00:44:05,200
Speaker 1: the moral center with the dove necklace and like tell everybody.

883
00:44:04,719 --> 00:44:07,440
Speaker 5: All about it, you had to play by all of these.

884
00:44:07,239 --> 00:44:11,160
Speaker 1: Like ethical rules that I don't know, get kind of muddy.

885
00:44:11,520 --> 00:44:15,320
Speaker 1: I would rather be the psychopath. Paul had so much fun.

886
00:44:15,560 --> 00:44:17,759
Speaker 3: Yeah, Paul had a lot of fun. I wish they

887
00:44:17,800 --> 00:44:22,160
Speaker 3: had not tokenized abusing women as like the here's how

888
00:44:22,200 --> 00:44:24,680
Speaker 3: you're a bad guy. You know, here's how we know

889
00:44:24,760 --> 00:44:27,799
Speaker 3: he's a bad guy. It was kind of gross. It

890
00:44:27,880 --> 00:44:30,760
Speaker 3: just felt like a little too I don't know easy.

891
00:44:31,000 --> 00:44:33,480
Speaker 1: I got slapped on my ass and on my face.

892
00:44:34,000 --> 00:44:35,959
Speaker 5: Yeah, I didn't like the face too.

893
00:44:36,239 --> 00:44:41,160
Speaker 3: It was awful. It just wasn't great. No, No, I don't.

894
00:44:41,160 --> 00:44:42,960
Speaker 3: I don't think he enjoyed it much. I mean, he

895
00:44:43,080 --> 00:44:46,440
Speaker 3: likes being a bad guy, but having to having to

896
00:44:46,480 --> 00:44:48,759
Speaker 3: go around like man handling everybody and trying to I

897
00:44:48,800 --> 00:44:51,360
Speaker 3: remember him feeling like talking about how uncomfortable this was.

898
00:44:51,400 --> 00:44:53,520
Speaker 3: He was like, this is not I don't I don't

899
00:44:53,560 --> 00:44:55,560
Speaker 3: mind being a bad guy, a gangster with the dudes,

900
00:44:55,600 --> 00:44:57,520
Speaker 3: but why does it all Why did it have to

901
00:44:57,560 --> 00:45:00,759
Speaker 3: be with all three women? He has to be so

902
00:45:01,000 --> 00:45:04,640
Speaker 3: physically aggressive? It was gross and unnecessary.

903
00:45:04,680 --> 00:45:06,640
Speaker 1: Did Dan ever hit a chick on our show?

904
00:45:06,800 --> 00:45:07,880
Speaker 5: I remember when.

905
00:45:09,440 --> 00:45:13,000
Speaker 1: The girl who knew that he shot Keith, he came

906
00:45:13,040 --> 00:45:16,040
Speaker 1: into her house and he just standing there was super scary.

907
00:45:16,200 --> 00:45:19,040
Speaker 1: But he did he ever lay hands on deb or Karen. No.

908
00:45:19,440 --> 00:45:22,839
Speaker 6: The only person he ever got physical with at all

909
00:45:23,800 --> 00:45:26,080
Speaker 6: was Carrie, and he pushed her up against the wall

910
00:45:26,080 --> 00:45:28,080
Speaker 6: of the hotel room, remember, and said if you come

911
00:45:28,120 --> 00:45:29,839
Speaker 6: after my grandson again, I'll kill you.

912
00:45:30,360 --> 00:45:33,359
Speaker 3: But which didn't really have anything to do with her

913
00:45:33,440 --> 00:45:35,880
Speaker 3: being a woman and him having a disdain for women.

914
00:45:35,920 --> 00:45:38,040
Speaker 3: It was like, you are a threat to my family.

915
00:45:38,080 --> 00:45:41,080
Speaker 3: I don't care what gender you are, and you have

916
00:45:41,120 --> 00:45:42,320
Speaker 3: a problem. You have to stop.

917
00:45:42,840 --> 00:45:45,440
Speaker 6: Yeah, And I remember us talking about it even in

918
00:45:45,440 --> 00:45:51,080
Speaker 6: that episode, how it was intimidating, but it felt accurate

919
00:45:51,320 --> 00:45:54,719
Speaker 6: and you understood the reaction from him.

920
00:45:54,840 --> 00:45:57,480
Speaker 3: I mean, she kidnapped a child and self defense with

921
00:45:57,520 --> 00:46:00,480
Speaker 3: her on the cornfield too, Sam, he had like.

922
00:46:00,440 --> 00:46:03,080
Speaker 6: Two people going at each other who are both a

923
00:46:03,080 --> 00:46:03,720
Speaker 6: bit threatening.

924
00:46:03,880 --> 00:46:05,760
Speaker 3: But yeah, you know, I don't.

925
00:46:05,520 --> 00:46:08,520
Speaker 6: Think that was ever really Paul's you know, even as

926
00:46:08,600 --> 00:46:13,200
Speaker 6: Dan as mo. So it did feel really it felt

927
00:46:13,239 --> 00:46:16,719
Speaker 6: heightened to a point of yeah, of discomfort in this.

928
00:46:17,719 --> 00:46:19,600
Speaker 3: Yeah, there's just so many other ways to let somebody

929
00:46:19,600 --> 00:46:21,319
Speaker 3: know that you're a bad guy. And you know, an

930
00:46:21,320 --> 00:46:26,680
Speaker 3: episode when we've got forty five minutes to film stuff like, yeah,

931
00:46:26,800 --> 00:46:28,000
Speaker 3: it would have been better to do.

932
00:46:27,880 --> 00:46:30,600
Speaker 5: Somebody was working for stuff out Besides.

933
00:46:30,200 --> 00:46:31,919
Speaker 3: That, I know he was having a lot of fun.

934
00:46:32,520 --> 00:46:36,759
Speaker 6: Poor Paul too, because he's just he was always our protector.

935
00:46:37,280 --> 00:46:42,480
Speaker 6: Like Paul was like, you know, he's the lion king

936
00:46:43,040 --> 00:46:43,480
Speaker 6: for us.

937
00:46:43,840 --> 00:46:45,040
Speaker 5: Oh my god.

938
00:46:46,280 --> 00:46:46,720
Speaker 2: Dead.

939
00:46:47,320 --> 00:46:51,640
Speaker 6: You know, he's moved, and poor Paul in this episode

940
00:46:51,640 --> 00:46:53,920
Speaker 6: has to like be the bully and he's only ever

941
00:46:53,960 --> 00:46:56,520
Speaker 6: been our protector. Oh god, I just know it broke

942
00:46:56,560 --> 00:46:58,960
Speaker 6: his heart. I remember to your point Joy him being

943
00:46:59,160 --> 00:47:00,520
Speaker 6: so uncomfortab.

944
00:47:00,760 --> 00:47:02,760
Speaker 1: And he was so sweet that he was finally getting

945
00:47:02,760 --> 00:47:04,640
Speaker 1: to work with us. He never got to work with

946
00:47:04,719 --> 00:47:07,560
Speaker 1: us girls. He was always working with the boys, and

947
00:47:07,600 --> 00:47:08,960
Speaker 1: so it was like, oh my God, I get to

948
00:47:08,960 --> 00:47:09,640
Speaker 1: play with the girls.

949
00:47:09,640 --> 00:47:10,240
Speaker 5: How fun.

950
00:47:12,040 --> 00:47:13,560
Speaker 1: Okay, now I'm gonna hate you.

951
00:47:14,120 --> 00:47:15,080
Speaker 5: That's probably why.

952
00:47:14,920 --> 00:47:17,520
Speaker 1: He wanted you to slap the shit out of him,

953
00:47:17,560 --> 00:47:19,520
Speaker 1: just so it felt like fair.

954
00:47:21,360 --> 00:47:23,560
Speaker 3: Yeah that actually makes sense.

955
00:47:24,120 --> 00:47:27,160
Speaker 1: Yeah, I see him. Yeah, that way he could say, like, no, really,

956
00:47:27,239 --> 00:47:30,480
Speaker 1: I got the short end of the stick, Joy, I

957
00:47:30,560 --> 00:47:32,520
Speaker 1: want to talk about I'm just going through my notes

958
00:47:32,560 --> 00:47:37,799
Speaker 1: in chronological order. The tears running down your face in

959
00:47:37,880 --> 00:47:44,920
Speaker 1: the airplane hangar so perfectly timed. How many takes did

960
00:47:44,960 --> 00:47:45,440
Speaker 1: we do this?

961
00:47:45,719 --> 00:47:46,640
Speaker 3: Professional?

962
00:47:46,840 --> 00:47:49,840
Speaker 5: Baby? They were just bang bang oh.

963
00:47:50,320 --> 00:47:51,840
Speaker 3: Yeah that was that was real. I don't know how

964
00:47:51,880 --> 00:47:54,600
Speaker 3: many takes. I have no idea, but couldn't have been

965
00:47:54,600 --> 00:47:56,359
Speaker 3: too many. They would have to reset my makeup all

966
00:47:56,400 --> 00:47:57,000
Speaker 3: the time.

967
00:47:58,280 --> 00:48:00,480
Speaker 6: When it works out like that, though, do you ever

968
00:48:00,520 --> 00:48:03,280
Speaker 6: have that moment when you know you're on your closet

969
00:48:03,600 --> 00:48:06,279
Speaker 6: and you can feel those big fat tears falling in

970
00:48:06,320 --> 00:48:07,760
Speaker 6: your face and you just go, oh.

971
00:48:07,800 --> 00:48:10,200
Speaker 3: Nailed it. Yeah, and you're like, I know exactly when

972
00:48:10,200 --> 00:48:11,560
Speaker 3: to blink what it's like.

973
00:48:11,800 --> 00:48:15,160
Speaker 6: Because sometimes you sob and you're on the wide shot

974
00:48:15,400 --> 00:48:17,799
Speaker 6: and you're like, cool, no one's ever going to see this,

975
00:48:18,600 --> 00:48:22,080
Speaker 6: And like, when I watch moments like that for friends

976
00:48:22,160 --> 00:48:24,279
Speaker 6: or even the ones that I've had, and I'm just like, God,

977
00:48:24,760 --> 00:48:26,960
Speaker 6: it's so nice when you get them in the clothes us.

978
00:48:27,120 --> 00:48:30,440
Speaker 3: It's so nice, you know it is. Actually I get

979
00:48:30,480 --> 00:48:33,040
Speaker 3: really uncomfortable if it's not. It works for the forties thing,

980
00:48:33,400 --> 00:48:35,200
Speaker 3: but it was hard for me to stand there and

981
00:48:35,280 --> 00:48:38,360
Speaker 3: let the tears stay and not wipe them away because

982
00:48:38,400 --> 00:48:41,920
Speaker 3: I'm such a I just in real life, like, I

983
00:48:42,440 --> 00:48:44,160
Speaker 3: don't like crying in front of people. I don't like

984
00:48:44,239 --> 00:48:47,000
Speaker 3: people having to console me while I'm crying. I'm you know,

985
00:48:48,160 --> 00:48:50,439
Speaker 3: It's an issue I've had for many years, and I'm

986
00:48:50,480 --> 00:48:52,279
Speaker 3: getting better at as i get older and learning how

987
00:48:52,280 --> 00:48:55,680
Speaker 3: to be more vulnerable with friends. But it is definitely

988
00:48:56,120 --> 00:48:59,320
Speaker 3: something that I have a physical reaction to if I'm crying.

989
00:49:00,000 --> 00:49:02,200
Speaker 3: I don't want people watching me cry. I want to

990
00:49:02,239 --> 00:49:03,440
Speaker 3: wipe the tears away fast.

991
00:49:03,480 --> 00:49:04,920
Speaker 5: You should play Peyton Sawyers.

992
00:49:04,960 --> 00:49:09,799
Speaker 3: Sometimes I don't like it, and it's hard to have

993
00:49:09,840 --> 00:49:14,480
Speaker 3: a camera on you and to trust that it's okay

994
00:49:14,520 --> 00:49:16,799
Speaker 3: to let the tear fall and you don't look. My

995
00:49:16,920 --> 00:49:18,799
Speaker 3: pride kicks in. I'm like, oh, I look like such

996
00:49:18,840 --> 00:49:24,040
Speaker 3: a weak I hate looking like I'm crying and it's okay.

997
00:49:24,239 --> 00:49:26,239
Speaker 3: It's okay to just let my character be sad and

998
00:49:26,320 --> 00:49:28,680
Speaker 3: let people experience that without having to just wipe the

999
00:49:28,680 --> 00:49:29,960
Speaker 3: tears away and be like, I'm fine.

1000
00:49:29,880 --> 00:49:38,040
Speaker 1: Mine, I'm strong, looked pretty like little diamonds face. I

1001
00:49:38,080 --> 00:49:40,799
Speaker 1: want to talk about what I loved, and it's gonna

1002
00:49:40,800 --> 00:49:44,319
Speaker 1: be about me, guys, Sorry your dress. No.

1003
00:49:45,520 --> 00:49:48,040
Speaker 5: I love when Peyton gets shot.

1004
00:49:48,920 --> 00:49:52,399
Speaker 1: When Peyton gets shot and I had to lay there

1005
00:49:52,600 --> 00:49:57,120
Speaker 1: in Chad's lap while the rain pelted me face and

1006
00:49:57,960 --> 00:50:03,799
Speaker 1: my face was reactively twitching to being pelted with rain,

1007
00:50:04,400 --> 00:50:08,960
Speaker 1: and they kept being like hard stap my face just

1008
00:50:09,440 --> 00:50:13,359
Speaker 1: screaming over the rain towers while we're filming it. I

1009
00:50:13,400 --> 00:50:18,640
Speaker 1: can I can see every muscle in my body tensed up.

1010
00:50:18,719 --> 00:50:23,040
Speaker 1: It hard, and I remember like, finally they got a

1011
00:50:23,120 --> 00:50:25,759
Speaker 1: take where my face wasn't just like you know, my

1012
00:50:25,840 --> 00:50:30,280
Speaker 1: eyeballs weren't doing weird stuff. And the pride I felt

1013
00:50:30,960 --> 00:50:34,800
Speaker 1: being dead for this show, uh was huge.

1014
00:50:34,920 --> 00:50:35,799
Speaker 5: Like I felt like I had.

1015
00:50:35,680 --> 00:50:37,080
Speaker 3: A calm blash.

1016
00:50:39,800 --> 00:50:41,800
Speaker 1: And I loved watching it back because I just remember

1017
00:50:41,840 --> 00:50:44,160
Speaker 1: being in Chad's lap and Chad kind of like cheering

1018
00:50:44,160 --> 00:50:47,000
Speaker 1: me on, like you're doing so good. Hell, it's so good.

1019
00:50:47,160 --> 00:50:50,040
Speaker 1: Just don't move, don't move don't move. Okay, yeah, that

1020
00:50:50,160 --> 00:50:52,800
Speaker 1: was a little twitch, little twitch, keep it still.

1021
00:50:54,640 --> 00:50:58,080
Speaker 5: It was rain death is hard death.

1022
00:50:58,360 --> 00:51:02,000
Speaker 3: It's horrible. Well, especially at that angle the water was

1023
00:51:02,680 --> 00:51:08,440
Speaker 3: going up your nose. Probably it's all those little things that.

1024
00:51:10,280 --> 00:51:12,719
Speaker 6: Nobody thinks about until you have to be in the

1025
00:51:12,760 --> 00:51:15,120
Speaker 6: scene on the ground and you're like, well, my sinus

1026
00:51:15,160 --> 00:51:20,920
Speaker 6: cavity's filling with rain water, and my like, I'm not dead,

1027
00:51:21,200 --> 00:51:24,200
Speaker 6: so I am. I am twitching because I'm being hit

1028
00:51:24,280 --> 00:51:26,239
Speaker 6: with drops that are so big by the time they

1029
00:51:26,280 --> 00:51:28,320
Speaker 6: get down to the ground out of said rain tower

1030
00:51:29,000 --> 00:51:30,879
Speaker 6: that like, I feel like I'm being punched in the face.

1031
00:51:31,120 --> 00:51:33,920
Speaker 6: You don't realize how hard it is to hold still.

1032
00:51:34,640 --> 00:51:36,439
Speaker 1: Well, for all of you guys at home who want

1033
00:51:36,440 --> 00:51:38,879
Speaker 1: to try it out, just start recording yourself on your

1034
00:51:38,880 --> 00:51:41,960
Speaker 1: phone and then take the sprayer at your kin should

1035
00:51:41,960 --> 00:51:44,879
Speaker 1: sink and spray yourself in the face and full don't

1036
00:51:44,880 --> 00:51:47,040
Speaker 1: move a muscle, just don't.

1037
00:51:47,080 --> 00:51:48,880
Speaker 3: Have your friend do it. Actually, I would love to

1038
00:51:48,880 --> 00:51:52,719
Speaker 3: see this trend happen all over TikTok. Friends bring each

1039
00:51:52,719 --> 00:51:54,879
Speaker 3: other in the face the insired death.

1040
00:51:55,280 --> 00:51:59,480
Speaker 6: By the way, it should be two girls, because watching

1041
00:51:59,600 --> 00:52:03,120
Speaker 6: you do this made me think about what happened to

1042
00:52:03,200 --> 00:52:05,200
Speaker 6: me in season eight that we talked about joy when

1043
00:52:05,200 --> 00:52:06,880
Speaker 6: we did our big car accident.

1044
00:52:06,480 --> 00:52:06,920
Speaker 3: In the rain.

1045
00:52:07,000 --> 00:52:11,319
Speaker 6: Yes, and I'm watching you in this episode in Chad's lap,

1046
00:52:11,560 --> 00:52:15,000
Speaker 6: obviously trying not to twitch, and I'm just remembering also

1047
00:52:15,040 --> 00:52:18,359
Speaker 6: getting screamed at over the bullhorn to stop twitching when

1048
00:52:18,360 --> 00:52:20,520
Speaker 6: I was supposed to be passed out in the road

1049
00:52:20,640 --> 00:52:24,560
Speaker 6: under the rain tower and Austin was doing CPR on me,

1050
00:52:24,719 --> 00:52:29,000
Speaker 6: so like myst no, and they were just like, look

1051
00:52:29,080 --> 00:52:32,279
Speaker 6: more dead. You're supposed to be dead, and I was.

1052
00:52:32,239 --> 00:52:35,960
Speaker 3: Like, Hi, this is how okay?

1053
00:52:36,800 --> 00:52:38,440
Speaker 6: And you do you're hot?

1054
00:52:38,600 --> 00:52:41,680
Speaker 3: Yeah, your eyes twitched the whole thing. I had to

1055
00:52:41,719 --> 00:52:43,759
Speaker 3: do a movie once where they I had to go

1056
00:52:43,840 --> 00:52:47,720
Speaker 3: under a bathtub and be no, no bubbles, no nothing.

1057
00:52:47,920 --> 00:52:50,680
Speaker 3: That the shot was me in placid water under the

1058
00:52:50,680 --> 00:52:54,000
Speaker 3: bathtub with my eyes open. It's so hard and in

1059
00:52:54,040 --> 00:52:57,000
Speaker 3: the scripture like okay, sure whatever, I mean, we must

1060
00:52:57,040 --> 00:52:59,480
Speaker 3: have done fifteen takes. I couldn't do it. I had

1061
00:52:59,480 --> 00:53:02,520
Speaker 3: to hold my no. The director's finally like just hold

1062
00:53:02,560 --> 00:53:04,560
Speaker 3: your nose, just it's okay. We got to get out

1063
00:53:04,600 --> 00:53:06,440
Speaker 3: of here, and I was like, just give me one more,

1064
00:53:06,480 --> 00:53:08,160
Speaker 3: give me one more. I'm gonna make it worth your while,

1065
00:53:08,400 --> 00:53:10,359
Speaker 3: and I like, I did it. I sucked it up.

1066
00:53:10,360 --> 00:53:13,719
Speaker 3: It was torture. Water filled my entire sinus cavity and

1067
00:53:13,800 --> 00:53:15,839
Speaker 3: I did not move and I let the water get

1068
00:53:15,880 --> 00:53:18,759
Speaker 3: perfectly still and laid there with my eyes open, like

1069
00:53:18,880 --> 00:53:20,960
Speaker 3: I went through labor. I can do this, but let

1070
00:53:20,960 --> 00:53:25,680
Speaker 3: me tell you, it was incredibly uncomfortable. It's painful.

1071
00:53:25,719 --> 00:53:28,120
Speaker 6: I mean, we have human reflexes to keep us alive,

1072
00:53:28,440 --> 00:53:31,160
Speaker 6: and you don't realize how strong they are until someone

1073
00:53:31,239 --> 00:53:34,440
Speaker 6: tells you not to do them, and you're like, oh,

1074
00:53:34,600 --> 00:53:37,880
Speaker 6: it turns out this is my literal fight or flight

1075
00:53:38,000 --> 00:53:38,600
Speaker 6: in stang time.

1076
00:53:39,480 --> 00:53:40,720
Speaker 3: You can't drown yourself.

1077
00:53:41,000 --> 00:53:46,680
Speaker 1: Yeah, it's awful. I loved it. Oh my god, this

1078
00:53:46,760 --> 00:53:51,040
Speaker 1: is one of those episodes my husband can't watch see

1079
00:53:51,080 --> 00:53:53,400
Speaker 1: me doing the spin and I'll never take.

1080
00:53:53,480 --> 00:53:57,680
Speaker 6: Never live it down spring real quick for me, Hilary,

1081
00:53:57,760 --> 00:53:58,319
Speaker 6: What do you need?

1082
00:53:58,560 --> 00:53:59,439
Speaker 3: I need love.

1083
00:54:02,080 --> 00:54:04,720
Speaker 5: I need for freedom, like the duve.

1084
00:54:05,080 --> 00:54:06,840
Speaker 6: You know what, though, I feel like George would like

1085
00:54:06,880 --> 00:54:11,640
Speaker 6: that scene, Yes she might.

1086
00:54:11,760 --> 00:54:14,000
Speaker 1: No, George thinks I'm a big dork, which is cool

1087
00:54:14,000 --> 00:54:17,960
Speaker 1: of her. I just, oh my god, y'all, speaking of

1088
00:54:18,320 --> 00:54:24,000
Speaker 1: I just watched Heathers with Gus and Veronica Sawyer. I

1089
00:54:24,040 --> 00:54:28,759
Speaker 1: was like, yeah, like Peyton Sawyer's Veronica Sawyer and Gus's

1090
00:54:28,800 --> 00:54:32,799
Speaker 1: brain exploded. That's my sidebar. That's my sidebar to come

1091
00:54:32,880 --> 00:54:47,680
Speaker 1: back to the present. How are we going to get

1092
00:54:47,680 --> 00:54:48,920
Speaker 1: out of this time travel?

1093
00:54:49,080 --> 00:54:49,640
Speaker 3: I don't know.

1094
00:54:49,880 --> 00:54:54,359
Speaker 6: Is there maybe a fan question which might bookend time

1095
00:54:54,440 --> 00:54:57,360
Speaker 6: travel for us? Is there an ending moment you guys want?

1096
00:54:57,840 --> 00:55:01,080
Speaker 3: I mean the fan questions from Julie's it's questions about

1097
00:55:01,080 --> 00:55:03,800
Speaker 3: the costume, which we've talked about. She's asking if we

1098
00:55:03,840 --> 00:55:07,640
Speaker 3: had old techniques with makeup, lighting and hairstyles. I don't

1099
00:55:07,719 --> 00:55:12,000
Speaker 3: know if there were any particular older tech I mean

1100
00:55:12,000 --> 00:55:14,080
Speaker 3: I do know the hair and makeup team was really

1101
00:55:14,239 --> 00:55:16,759
Speaker 3: doing a lot of research before we came in. They

1102
00:55:16,760 --> 00:55:19,240
Speaker 3: had all their books out, all their costume books and everything.

1103
00:55:19,880 --> 00:55:23,680
Speaker 1: Sophia had the coolest manicure, and I remember being so

1104
00:55:23,960 --> 00:55:26,680
Speaker 1: jealous because you had the moon I did.

1105
00:55:27,040 --> 00:55:29,640
Speaker 3: I got that a cool half moon thing memory.

1106
00:55:30,680 --> 00:55:33,080
Speaker 6: I loved that and they made me get like long

1107
00:55:33,440 --> 00:55:37,520
Speaker 6: fake nails. I felt so fancy and I couldn't do

1108
00:55:37,640 --> 00:55:40,960
Speaker 6: anything like I couldn't text. I was like, how do

1109
00:55:41,080 --> 00:55:43,799
Speaker 6: people what is happening here? And I think about that

1110
00:55:43,840 --> 00:55:46,160
Speaker 6: even today, like nail art has gone to a whole

1111
00:55:46,200 --> 00:55:47,120
Speaker 6: other place.

1112
00:55:47,480 --> 00:55:49,959
Speaker 3: And I'm like, but how do you load your dishwasher?

1113
00:55:51,400 --> 00:55:55,759
Speaker 6: I'm not capable, but it looked pretty I sure did.

1114
00:55:56,360 --> 00:55:59,479
Speaker 6: It was very cool to see, to your point, joy

1115
00:56:00,600 --> 00:56:04,040
Speaker 6: like and even with the research about the manicure Hill,

1116
00:56:04,480 --> 00:56:08,880
Speaker 6: the books of references that our hair and makeup team pulled,

1117
00:56:08,960 --> 00:56:11,799
Speaker 6: you know, for everybody at home. They were looking at

1118
00:56:11,880 --> 00:56:15,759
Speaker 6: everything from the way women wore lashes than to the

1119
00:56:15,800 --> 00:56:20,040
Speaker 6: shape of eyebrows to like, you know that really pointy

1120
00:56:20,120 --> 00:56:23,520
Speaker 6: cupid's bow that people would do with lipliner. Yeah, the

1121
00:56:23,560 --> 00:56:27,880
Speaker 6: way the curls were set. It was so I don't know,

1122
00:56:27,880 --> 00:56:30,200
Speaker 6: it was just so specific, and it was really cool

1123
00:56:30,239 --> 00:56:32,800
Speaker 6: to see our team take us so in depth.

1124
00:56:33,320 --> 00:56:33,720
Speaker 5: We didn't.

1125
00:56:34,040 --> 00:56:37,399
Speaker 6: I didn't love my wig at all, but I did

1126
00:56:37,480 --> 00:56:39,520
Speaker 6: love the research that went into making it.

1127
00:56:39,520 --> 00:56:40,319
Speaker 3: It was pretty cool.

1128
00:56:42,960 --> 00:56:45,000
Speaker 6: Like wearing it, I was just itchy the whole time

1129
00:56:45,080 --> 00:56:48,000
Speaker 6: it was they had to give me. They broke one

1130
00:56:48,000 --> 00:56:51,560
Speaker 6: of those little combs, like off off of the little

1131
00:56:51,600 --> 00:56:54,600
Speaker 6: teeth thing off of a comb for me, and I

1132
00:56:54,680 --> 00:56:56,680
Speaker 6: kept it in my bag and I'd just like stick

1133
00:56:56,719 --> 00:56:58,480
Speaker 6: it in between the edges of the way because I

1134
00:56:58,560 --> 00:56:59,960
Speaker 6: was so itchy all day.

1135
00:57:00,000 --> 00:57:01,399
Speaker 5: It's like having a broken arm.

1136
00:57:01,560 --> 00:57:04,640
Speaker 1: Oh, you just had to get that like itcher in there.

1137
00:57:05,280 --> 00:57:07,160
Speaker 3: Yeah, and all the glue that they had to put

1138
00:57:07,200 --> 00:57:08,920
Speaker 3: on that was you had to take off every night

1139
00:57:08,960 --> 00:57:11,879
Speaker 3: with alcohol or actone or whatever to peel it off

1140
00:57:11,920 --> 00:57:14,640
Speaker 3: your face. For the wig, oh, for the drama.

1141
00:57:14,920 --> 00:57:18,280
Speaker 1: I was reading a book about the South American jaguar preserve.

1142
00:57:18,920 --> 00:57:20,600
Speaker 3: I love that you're bringing it around with how we

1143
00:57:20,640 --> 00:57:22,640
Speaker 3: started this, and you saying you knew exactly what book

1144
00:57:22,640 --> 00:57:23,120
Speaker 3: you were reading.

1145
00:57:23,320 --> 00:57:26,120
Speaker 1: And I just remember thinking, you know, it was like

1146
00:57:26,280 --> 00:57:29,240
Speaker 1: three o'clock in the morning, We're all itchy, we're all wet.

1147
00:57:29,280 --> 00:57:31,800
Speaker 1: I've got sticky blood all over me. I've been laying

1148
00:57:31,840 --> 00:57:34,240
Speaker 1: on the ground getting spray in the face. I just

1149
00:57:34,280 --> 00:57:38,920
Speaker 1: remember thinking, well, at least I'm not kidding, like it

1150
00:57:38,960 --> 00:57:41,880
Speaker 1: could be what I'm just reading about them like eating people,

1151
00:57:41,880 --> 00:57:43,840
Speaker 1: like on vicerrating people. And I was like, well, at.

1152
00:57:43,760 --> 00:57:44,480
Speaker 6: Least it's nice.

1153
00:57:44,520 --> 00:57:47,880
Speaker 1: It's not that that'll be Chad's next episode.

1154
00:57:48,160 --> 00:57:50,640
Speaker 5: There's a jaguar loosent Tree.

1155
00:57:50,360 --> 00:57:59,800
Speaker 3: Hill that should have happened. Honorable mentions. Lee Norris crashed. Yeah, yeah,

1156
00:58:00,040 --> 00:58:02,840
Speaker 3: it's my yellow ribbon unanimous vote. I love it.

1157
00:58:03,040 --> 00:58:05,480
Speaker 6: Great should we celebrate by spinning a wheel?

1158
00:58:05,880 --> 00:58:06,840
Speaker 3: I love that idea.

1159
00:58:13,680 --> 00:58:16,400
Speaker 1: Man, you guys, we have the most likely to be

1160
00:58:16,560 --> 00:58:19,720
Speaker 1: the next bachelor or bachelorette.

1161
00:58:21,200 --> 00:58:24,200
Speaker 3: Oh Rachel, wasn't that? I feel like we've had this

1162
00:58:24,280 --> 00:58:28,240
Speaker 3: question before. Maybe not, but I would say, Rachel.

1163
00:58:28,120 --> 00:58:33,200
Speaker 1: Oh gig, that little hussy, oh gg would be so good.

1164
00:58:33,640 --> 00:58:37,160
Speaker 6: And by the way, now that they're doing like parents,

1165
00:58:37,840 --> 00:58:40,280
Speaker 6: I don't love this golden term, so I don't want

1166
00:58:40,280 --> 00:58:42,959
Speaker 6: to use it. But what I would give to see

1167
00:58:42,960 --> 00:58:46,520
Speaker 6: both deb and Barbara on the on the Bachelorette.

1168
00:58:46,640 --> 00:58:47,560
Speaker 5: Oh my god.

1169
00:58:47,760 --> 00:58:50,240
Speaker 6: I want to see that woman being courted like the

1170
00:58:50,320 --> 00:58:54,880
Speaker 6: sexy minx that she is. Y just like men falling

1171
00:58:54,920 --> 00:58:56,840
Speaker 6: all over themselves to get close to Barbara.

1172
00:58:56,880 --> 00:59:00,240
Speaker 3: I'm in yeah, yeah, but like quality men. And if

1173
00:59:00,280 --> 00:59:04,000
Speaker 3: we could find a whole entire room full of really

1174
00:59:04,080 --> 00:59:06,720
Speaker 3: we should vet We'll vet them network. We should be

1175
00:59:06,800 --> 00:59:08,760
Speaker 3: the committee one thousand.

1176
00:59:09,600 --> 00:59:12,360
Speaker 1: Okay, great, we could pitch this.

1177
00:59:15,200 --> 00:59:17,400
Speaker 6: Maybe we should take these details.

1178
00:59:16,920 --> 00:59:17,960
Speaker 1: Out of this episode.

1179
00:59:18,280 --> 00:59:20,720
Speaker 5: Yes, all right, friends.

1180
00:59:20,880 --> 00:59:24,160
Speaker 1: Next episode. We're gonna love the next episode. I promise

1181
00:59:24,560 --> 00:59:28,800
Speaker 1: it is Season six, episode twelve. You have to be joking.

1182
00:59:29,480 --> 00:59:31,320
Speaker 1: Autopsy of the Devil's Brain.

1183
00:59:31,720 --> 00:59:35,640
Speaker 3: Wow, don't remember this at all. Oh boy, I guess

1184
00:59:35,840 --> 00:59:36,840
Speaker 3: we'll be refreshed.

1185
00:59:36,880 --> 00:59:39,000
Speaker 1: Oh, Peyton still down on the ground, so I'm sure

1186
00:59:39,000 --> 00:59:39,920
Speaker 1: we'll be in the hospital.

1187
00:59:40,360 --> 00:59:45,000
Speaker 3: Cool, that's right. Do you know what's wrong with you? Yeah? Okay,

1188
00:59:45,360 --> 00:59:48,160
Speaker 3: I don't. I don't remember. Oh I think I do too.

1189
00:59:48,320 --> 00:59:51,840
Speaker 3: Dun't tune in next week, ladies and gentlemen, to see

1190
00:59:51,840 --> 00:59:57,720
Speaker 3: you next week out All Drama the Drama. Hey, thanks

1191
00:59:57,720 --> 00:59:58,320
Speaker 3: for listening.

1192
00:59:58,400 --> 01:00:00,640
Speaker 6: Don't forget to leave us a review. You can also

1193
01:00:00,720 --> 01:00:03,880
Speaker 6: follow us on Instagram at Drama Queens O t H.

1194
01:00:04,360 --> 01:00:08,520
Speaker 1: Or email us at Drama Queens at iHeartRadio dot com.

1195
01:00:08,760 --> 01:00:12,400
Speaker 5: See you next time. We all about that.

1196
01:00:12,440 --> 01:00:15,320
Speaker 2: High school drama. Girl Drama Girl, all about them high

1197
01:00:15,360 --> 01:00:18,520
Speaker 2: school Queens. We'll take you for a ride at our

1198
01:00:18,520 --> 01:00:21,880
Speaker 2: comic Girl Cheering for the Right Teams, Drama Queens.

1199
01:00:22,280 --> 01:00:25,280
Speaker 6: Leise my Girl, up Girl Fashion with your tough girl.

1200
01:00:25,360 --> 01:00:28,000
Speaker 4: You could sit with us Girl Drama Queens, Drama, Quise

1201
01:00:28,080 --> 01:00:32,080
Speaker 4: Drama Queens, Drama Drama Queens, Drama Queens