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Speaker 1: Live from the Mercedes Benz Interview Lounge. Hello, oh my, wow.

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Speaker 2: Wow, sorry about that strike one.

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Speaker 3: I'm hear. Charlie Pooth is here. Everybody?

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Speaker 2: Hi Charlie, Hi, take your headphones off.

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Speaker 3: I know we were just talking about how your every

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Speaker 3: every guest your voice sounds different.

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Speaker 2: Yeah, if you have headphones on while you're speaking through

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Speaker 2: the microphone, it makes you sound differently to us.

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Speaker 3: Yeah, can change your voice. Does it look weird if

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Speaker 3: I just wear it? You know, weird at all?

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Speaker 2: Just you didn't take them off if you want, just

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Speaker 2: be mic aware, okay, because sometimes if they take them off,

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Speaker 2: they they sit like fifteen feet away and no one

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Speaker 2: can hear what they have to say.

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Speaker 3: Right, welcome to my hell? Why is this your hell?

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Speaker 2: But look, we all have occupational hazards. Mind is guests

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Speaker 2: that cannot be heard through the microphone? What is yours?

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Speaker 3: What? Really?

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Speaker 2: What occupational hazard do you have in your occupation?

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Speaker 3: Maybe working with an artist that doesn't want to be there,

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Speaker 3: working with an artist that can't sing, working with it

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Speaker 3: that wasn't shade.

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Speaker 2: I mean, I don't have anyone in mind. I love

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Speaker 2: how you're casting blame on others and not yourself.

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Speaker 3: Well, or no, I'm I'm pretty much happy to be

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Speaker 3: anywhere where there's music involved in this is technically iHeart here,

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Speaker 3: not technically it is.

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Speaker 2: There's a question for you, though, I mean, and I

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Speaker 2: don't want to bring up the perfect pitch thing and

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Speaker 2: you're so tired of talking about that. But in sickness,

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Speaker 2: in pandemic time, do you lose it for a minute

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Speaker 2: because your nasal passages.

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Speaker 3: I don't know, no, but I can. I can. I've

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Speaker 3: learned ways with meditation and other things to turn it off.

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Speaker 3: But sometimes it's hard to sleep at night because like

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Speaker 3: the music, we'll just like play over and over and

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Speaker 3: over again. What does it look like? Isn't we pretty

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Speaker 3: much not seen that? Yeah?

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Speaker 2: No, but I mean, thank god it's warm out in

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Speaker 2: New York in your head? What does music look like?

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Speaker 2: Does that make sense?

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Speaker 3: Oh? Does it? Does it have a form of shape?

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Speaker 3: That's a good question. It's kind of like this desk

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Speaker 3: is what color is this desk?

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Speaker 2: Well, it's a to me, it's a shade of white.

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Speaker 3: It's it's white. That was yeah, it's it's white. And

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Speaker 3: and that's gray. And I guess the best way for

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Speaker 3: me to describe is that a c sharp is a

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Speaker 3: sea sharp. It's it's like you, I hear the note

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Speaker 3: and it's very literal, like these headphones are black. I

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Speaker 3: just equate everything to color because if you were color blind,

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Speaker 3: then you can't see the color. But I'm you know,

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Speaker 3: most people are not color blind, but I actually don't

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Speaker 3: know if that's true.

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Speaker 1: I have My family's colorblind, So.

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Speaker 3: Now I feel bad poking colored people. Yeah, so I

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Speaker 3: love how to you if you have a matte gold microphone?

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Speaker 3: Why does elves have a shiny gold It's an ego thing?

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Speaker 3: Is that like a promise of like this it's matt

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Speaker 3: right now, but one day you'll have a golden microphone.

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Speaker 1: I think that's what it is.

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Speaker 3: Okay, keep working hard yet there to you, it's a

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Speaker 3: sea sharp. I think of it as a D flat.

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Speaker 3: Isn't an Is my glass half full? In your half?

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Speaker 3: Did you look that up for something? Because the D

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Speaker 3: flat is a C sharp? No, I know that, I know,

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Speaker 3: I know, I know.

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Speaker 2: The trouble Cleff Cleff, Well so you know. So, by

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Speaker 2: the way, when Charlie Pooth walked in, he says, he

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Speaker 2: asked if you had any sparkling water.

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Speaker 3: I said, we usually do. I didn't. That makes me

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Speaker 3: sound so bougie. I was, you need something fizzy in

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Speaker 3: the morning, You're you know what? You you had nine

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Speaker 3: cans of Coca Cola in the dressing room. It's like, who,

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Speaker 3: yes that in the.

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Speaker 1: Morning, who's our last guest?

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Speaker 2: And I thought it was a little so surprising that you,

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Speaker 2: Charlie Pooth wanted effrofessment water because you were you carry

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Speaker 2: effrofessens with you already. But we went down to Ernest

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Speaker 2: Klein and bought three San Pellegrinos at a total of

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Speaker 2: fourteen forty nine. If you would turn that into your people,

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Speaker 2: have them reimburse it.

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Speaker 1: That's pricey water, is Charlie poos?

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Speaker 3: That seems a little over priced.

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Speaker 2: Earnest, you're in New York City?

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Speaker 1: What are you talking about?

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Speaker 3: You're going to Dwayne Read or something? I like Ernest Clein.

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Speaker 3: But that's a lot of money the times we live in,

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Speaker 3: I know, can you imagine? Do you actually want me

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Speaker 3: to pay this? You have your people pay it. Maybe

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Speaker 3: the label can pay that. They all just raise their

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Speaker 3: hands at once.

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Speaker 2: Let's talk about everything. Let's talk about all the above. Okay,

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Speaker 2: how's it being a big TV star?

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Speaker 4: Now?

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Speaker 3: I I don't know if I'm the big TV star,

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Speaker 3: but I'm happy to be. I'm happy to have a

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Speaker 3: TV show that is uh number one on Roku second

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Speaker 3: week in a row. I'm told, wow, I I really

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Speaker 3: had no expectations going into it because I am a musician.

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Speaker 3: But I've always wanted to make a TV show, and

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Speaker 3: I got some of my friends and we just made

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Speaker 3: a TV show. It looks like a lot of fun.

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Speaker 3: It's really stupid, but.

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Speaker 1: That's promoting it.

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Speaker 3: There you go. It's not stupid, No, it's it's it's

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Speaker 3: good stupid. It's like smart stupid.

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Speaker 2: It has a good name, The Charlie Pooth Show.

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Speaker 3: Yeah, that's because we couldn't think of a but okay,

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Speaker 3: I love this which scene that's just my voice sped up.

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Speaker 2: That's your your theme song. Yeah, but I originally sang

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Speaker 2: it like.

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Speaker 3: She was saying it a little bit slower, and then

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Speaker 3: we put it through the tape machine and then speed

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Speaker 3: it up like it sounds like album the check Yeah,

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Speaker 3: let me go.

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Speaker 2: And like another thing I love about the show, the

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Speaker 2: transitional song that the transitional little music. For instance, we're

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Speaker 2: talking to Charlie about his new show. But now we're

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Speaker 2: going to talk about something else. Let's talk about to

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Speaker 2: be saying those transitional things.

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Speaker 3: So it's interesting is I didn't make those transitional things.

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Speaker 3: I heard a rumor that those were the same transitional

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Speaker 3: music things used in Glee.

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Speaker 1: I don't know if that was just it sounded like that,

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Speaker 1: but it sounds like they sound like.

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Speaker 3: Here's another one. That's me and junk cook. That's that's

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Speaker 3: not Glee.

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Speaker 1: It does not like Glee.

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Speaker 3: I never watched Glee, but I saw that somewhere. Someone

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Speaker 3: said that, Wow, you.

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Speaker 2: Blatantly ripped them off, but never watched the show, you

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Speaker 2: should support.

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Speaker 3: No, I've never I really have never watched the show,

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Speaker 3: but I'm familiar with the concept. And someone said that

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Speaker 3: like it might. I mean, it's stock music, and I

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Speaker 3: guess the show is made by the people who made Glee.

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Speaker 3: So there you go.

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Speaker 1: Can I say something and I want you to take

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Speaker 1: this as an insult because I don't mean it that way,

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Speaker 1: but marriage looks really good on you. And here why

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Speaker 1: your skin's glowing? You close the beautiful, You smell awesome,

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Speaker 1: your hair's gray.

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Speaker 5: I don't know.

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Speaker 1: I mean, I'm not saying you didn't look great before,

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Speaker 1: but I'm saying you got this something about you.

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Speaker 3: Oh, I think it's a little confidence confidence boost. I

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Speaker 3: have a very cool wife, and she's cool and she's sleeping.

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Speaker 2: Is sleeping because I want to bring something up here,

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Speaker 2: and I think it's bestially not hear this. Okay, yeah,

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Speaker 2: won't That was supposed to be me marching down that

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Speaker 2: aisle was here. That was supposed to be me.

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Speaker 3: I mean, that was never going to be you. But

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Speaker 3: I'm supposed to be me. We've had We've had some

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Speaker 3: really interesting times. I know.

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Speaker 1: Sorry to tell you.

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Speaker 2: The aisle we ever walked down with Charlie Pooth was

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Speaker 2: in the middle of an airplane.

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Speaker 3: Elvis and I took a flight one time and it

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Speaker 3: was so bumpy. We just happened to be on the

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Speaker 3: same flight, wink, and it was so bumpy. It was

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Speaker 3: so bumpy that I really thought it was going to

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Speaker 3: be the end. Like it was really like what if

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Speaker 3: it was? And you were so unseerious when it comes

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Speaker 3: to flying, you're I'm like shaking and you're just like,

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Speaker 3: isn't this But I knew it'd be fine. Everywhere.

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Speaker 2: Look at the percentage of flights that make it, it's

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Speaker 2: a high number.

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Speaker 4: We did.

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Speaker 3: Okay, we We were fine. We always are fine. But

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Speaker 3: in the in the moments it was it was put

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Speaker 3: me at ease. Oddly was the fact that he was

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Speaker 3: so calm.

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Speaker 5: Oh wow, what a headline that would have been.

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Speaker 2: No, he would have been the headline. I don't I

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Speaker 2: don't want to die on a plane with Charlie Pooth.

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Speaker 3: I know we weren't dying. We weren't dying.

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Speaker 1: And god, he wasn't there when the bird thing happened,

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Speaker 1: when the birds went in the.

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Speaker 2: End, almost died. Yeah, I think I told you that

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Speaker 2: story during this flight. It made you more nervous.

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Speaker 3: Oh nine, you were on that flight.

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Speaker 2: No, no, no, diff different, different flight. We were on

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Speaker 2: a flight from here to way.

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Speaker 3: For everybody who's doing their morning commuting.

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Speaker 2: Love, so listen to this. We were flying on.

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Speaker 3: Their way to JFK. Right now, you're gonna be great.

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Speaker 2: He we heard this bumpy, bumpy sound and then the

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Speaker 2: air and the plane smelled like roasted chicken.

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Speaker 3: Oh, that would make sense.

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Speaker 2: It was geese that flew into our engines and we

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Speaker 2: had to come back to Newark Airport and land safely, slowly,

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Speaker 2: But it smelled like Thanksgiving morning on the plane. It

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Speaker 2: was kind of great, Oh my god. But what if

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Speaker 2: we had Paris that day? If we had what the parish?

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Speaker 2: If we had passed away? We didn't, so it doesn't matter.

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Speaker 2: Would we go to heaven together? Where would we be?

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Speaker 4: Oh?

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Speaker 3: Where do you? But where would we go after that?

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Speaker 3: We wouldn't have made it to jingle Miami's Heart Radio

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Speaker 3: jingle in twenty twenty two. But would we still be

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Speaker 3: friends in the afterlife? I think so? After life's a

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Speaker 3: real thing. I do believe that. Now do you believe

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Speaker 3: in reincarnation? Absolutely? Welcome back. Thanks, I'm still here, you know,

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Speaker 3: But no, absolutely, I think we go into different things.

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Speaker 3: That's why. That's why like sometimes when I play a

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Speaker 3: certain chord on the piano, like the sun will kind

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Speaker 3: of like peek out, and maybe that's like someone trying

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Speaker 3: to like say hi, not to get all sad, and

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Speaker 3: that's actually happening. It's really like it's reminiscent, like they're

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Speaker 3: like that. That's why music affects people so viscerally, because

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Speaker 3: it's just tones and in shapes that like when they

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Speaker 3: penetrate us, that's not supposed to sound gross, but when

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Speaker 3: that when they go through us, that's not also supposed

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Speaker 3: to sound gross. They they they can it drastically changes

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Speaker 3: like a mood, like music, like like one chorus of

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Speaker 3: something can just alter like any group of people's mood.

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Speaker 3: It's pretty amazing, you know.

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Speaker 2: Charlie and I get a little choked up when I

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Speaker 2: talk about this, and maybe we've talked about this in

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Speaker 2: the past. My mother had Alzheimer's. She was near the

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Speaker 2: end of her life and she just didn't really know

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Speaker 2: where she was. She was rarely loocid at all. But

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Speaker 2: when we turned on music from her past, she remembered it,

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Speaker 2: all of it right, you know. And it's and it's

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Speaker 2: just the easiest example.

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Speaker 3: Isn't that amazing?

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Speaker 4: Though?

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Speaker 3: Yeah, one part of your brain is always always like,

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Speaker 3: no matter your situation, one part of your brain is

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Speaker 3: always working right. It's like, that's why I think it's

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Speaker 3: so important for any musician and any entertainer to put

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Speaker 3: their best foot forward because you never know, Like even

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Speaker 3: if there have been days where I've walked into the

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Speaker 3: studio and I've thought, I really just don't want to

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Speaker 3: be here right now, but I just still go forward

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Speaker 3: with it because you never know what you can you

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Speaker 3: never know how you're going to complete somebody's sentence that day,

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Speaker 3: and that's happened to me a couple of times where

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Speaker 3: you just like push through and then I, I don't

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Speaker 3: know if your mom was a fan of my music,

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Speaker 3: but you'd play It's amazing that you would play her

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Speaker 3: favorite music. And absolutely that's that's really cool.

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Speaker 2: So you know, try to You're a genius at explaining

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Speaker 2: the science of music and it explaining not at six

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Speaker 2: what feels like six. You're doing You're doing, You're doing

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Speaker 2: just fine, You're doing great. But you're you're you're so

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Speaker 2: so well spoken when it comes to music and theory

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Speaker 2: and this and that, and now you're talking about how

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Speaker 2: it affects other people?

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Speaker 3: What about you? Like?

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Speaker 2: How deep and slicing can you go into your heart

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Speaker 2: right now to talk about what music does for you

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Speaker 2: in your most personal sense?

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Speaker 3: I mean, I'm sure I could get there. I before

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Speaker 3: I got married to Brooke, before we got married, I

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Speaker 3: remember driving to this restaurant, the Great Lodging Connecticut Great.

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Speaker 3: I don't know if I'm messing the name up, but

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Speaker 3: it took an hour and a half to get there,

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Speaker 3: and I was dating Brooke and I played Jersey Girl

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Speaker 3: the Bruce Springsteen version live in the Medolins, and Brooke

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Speaker 3: doesn't really listen to lyrics. She actually like she likes

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Speaker 3: two songs Latched by Sam Smith and like something by

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Speaker 3: Rufus Desoul. She doesn't know a whole lot of music.

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Speaker 3: That's great music right there. But it's a good dichotomy

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Speaker 3: because I almost like Will know too much sometimes, so

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Speaker 3: it's it's we're a good couple for that reason. But

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Speaker 3: I played her Jersey Girl and I was like, like,

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Speaker 3: you like those lyrics, Like he's saying I'm in love

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Speaker 3: with the Jersey Girl, and I'm thinking to myself, pick

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Speaker 3: up on the fact that that is you. And she

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Speaker 3: was like, what's this guy screaming about? But if I

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Speaker 3: I'll cry if I hear that song. I mean we

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Speaker 3: got We had Kanye's Sunday service choir UH singing I

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Speaker 3: don't want to miss a Thing by Er Smith. We

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Speaker 3: wrote the UH arrangement for when she walked down the

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Speaker 3: aisle UH for just picture a choir singing that was

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Speaker 3: Diane Warren at your wedding. No, Diane Warren was not

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Speaker 3: her song? Was her song? Was? I told her that uh,

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Speaker 3: that that her song wasn't. Then she immediately followed it with, well,

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Speaker 3: let's let's write a new song. I'm like, Diane, I'm

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Speaker 3: not working on my wedding day a good songwriter. I

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Speaker 3: I bet you thought about I was. I had a moment,

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Speaker 3: momentary thought, and then I was like, I should probably

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Speaker 3: focus on getting married. But no, music is such an

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Speaker 3: important part of a wedding, such an important part of

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Speaker 3: like anyone's life.

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Speaker 2: I agree, Charlie Pooth is here, and no one speaks

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Speaker 2: about music like Charlie, and we probably don't give you

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Speaker 2: enough credit for that. But no, you know, my favorite

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Speaker 2: interview you ever did was Howard Stern. Oh yeah, yeah,

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Speaker 2: because I could see you interview it was somebody else

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Speaker 2: I have. I've told you this before. I have a

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Speaker 2: difficult time interviewing you because we're such good friends.

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Speaker 3: But we have things to talk. Yeah, we do.

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Speaker 2: But when you were sitting on Stern's show and you

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Speaker 2: had your keyboard in front of you, I could see that.

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Speaker 2: I could see in your I could see in your eyes.

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Speaker 2: You're like, holy crap, this is a guy I grew

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Speaker 2: listening to absolutely and idolizing, and now I'm on his

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Speaker 2: show and he's curious about how I feel about music.

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Speaker 3: He's want he wants me to talk about well, I

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Speaker 3: feel I feel that about most people. Like I got

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Speaker 3: a call from uh from Stevie Wonder one time, asking

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Speaker 3: to finish the lyrics to an idea that he had.

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Speaker 3: One thing. I'm I grew up listening to talking book

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Speaker 3: and songs in the Key of Life. And now he's

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Speaker 3: calling me on the phone asking me to finish an

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Speaker 3: idea that he might think is good. Of course it's good.

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Speaker 3: It's Stevie Wonder. The fact that I've worked with James Taylor,

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Speaker 3: the fact that like Elton John facetimed me the other

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Speaker 3: day asking how I was doing. I mean he said

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Speaker 3: you were crap one day. Yeah, but that I mean

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Speaker 3: that was like six years ago, Okay, and that might

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Speaker 3: have been exaggerated, but he he. I don't do this

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Speaker 3: to like to be like a Flexosaurus rex. I I

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Speaker 3: it's it's it's it's more just like I can't believe

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Speaker 3: that I get to be in contact with all these

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Speaker 3: these creatives who have kind of shaped me as a creator.

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Speaker 2: But they are in contact with you as well. Give

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Speaker 2: them a little credit for their excitement.

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Speaker 3: I still get I geek out that I get to

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Speaker 3: be here with all of you. I grew up listening

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Speaker 3: to you too, shoving a dunkin donut sestame big well

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Speaker 3: and hot medium hot chocolate coffee down my throat before

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Speaker 3: high school. And here I am here in this famous

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Speaker 3: laugh by and now you're now, you're now, you're all

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Speaker 3: about bougie. Ef proves drinks a relax It's a Pellegrino

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Speaker 3: from like the what is it the Italian?

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Speaker 1: But they do ask you when you go to dinner

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Speaker 1: flat or bubbly all the time, so you know, anybody

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Speaker 1: can happen.

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Speaker 3: I get both.

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Speaker 5: I have so many questions. Okay, first of all, Stevie

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Speaker 5: Wonder called you.

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Speaker 3: Have you ever met him in person? Yeah, we've we've

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Speaker 3: performed together at the American Music Awards.

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Speaker 5: Do you believe he's really blind?

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Speaker 3: He's definitely blind.

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Speaker 5: Okay, there's a conspiracy theory that he's not blind, and

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Speaker 5: it's just nacked.

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Speaker 3: And I'll tell you a story. He is definitely blind,

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Speaker 3: but it's because he is blind. His hearing is better

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Speaker 3: than mine. It's better than all of our hearing in

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Speaker 3: this room combined. But you have an incredible hearing. Oh,

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Speaker 3: he is way better. Maybe you're partially blind. His perfect

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Speaker 3: pitch is insane. Maybe I am partially blind. But I

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Speaker 3: was sitting down in a room like this, and they're like,

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Speaker 3: just sit here and Stevie will be He'll meet you

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Speaker 3: on stage. His handler said, he's gonna meet you on stage.

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Speaker 3: Stevie walked in with his chromatic harmonica. I think it's CHROMATICA.

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Speaker 3: That's a Lady Gaga album. It's a walked in with

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Speaker 3: his chromatic chromatic harmonica and just started playing Isn't She Lovely?

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Speaker 3: I bleep you not. It's he just started playing Isn't

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Speaker 3: She Lovely? It's more of a trumpet, sounds like a trombone.

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Speaker 3: But I was just I just was bawling, crying, And

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Speaker 3: he knew I was there the entire time, but he

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Speaker 3: made it seem like he thought he was alone this Charlie,

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Speaker 3: do you read all these celebrities?

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Speaker 2: He had more questions on the way, but wait your turn,

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Speaker 2: but follow up with Stevie Wonder. Do the Stevie Wonders

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Speaker 2: of the world understand how impactful they have been and

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Speaker 2: continue to be or do they not take it as

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Speaker 2: seriously as we would hope they would, or.

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Speaker 3: Think they do. No, they know he might he must

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Speaker 3: know do you know? Do you know.

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Speaker 2: What what what deep footprint you're leaving on the music world?

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Speaker 3: Do you understand it? Yeah? Or is it too right?

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Speaker 3: I mean, I mean no, but you're blushing. You're blushing. Yes, yes,

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Speaker 3: in a way on a much much smaller, uh scale.

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Speaker 3: I'd hope to reach that status one day where I

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Speaker 3: can know that I had a big impact. But I

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Speaker 3: feel like I'm just starting to in a way and

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Speaker 3: the most humbly way that I can say that. But

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Speaker 3: I also feel like it's a it's a being in

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Speaker 3: the music industry as a never end in case to

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Speaker 3: just learn things. So I feel like I've learned a

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Speaker 3: lot more things since the I can only equate to

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Speaker 3: our first interview when I was like, just sign my

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Speaker 3: deal and they're like, you're going on the Elvis Duran

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Speaker 3: Morning Show. And I think in ten years, I've learned

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Speaker 3: a lot since that time, and so much more to learn,

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00:19:16,920 --> 00:19:18,960
Speaker 3: so much more to give yourself a lot of credit though.

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Speaker 2: Anyway, Okay, another question, now you can continue conspiracy theories.

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Speaker 5: Can you know this is not a conspiracy theory, but

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Speaker 5: can you play the transition music? Because it's totally off

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Speaker 5: key or off topic, do you have it.

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Speaker 2: Still and now.

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Speaker 1: New topic, new topic.

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Speaker 5: So you we talked about how you have perfect pitch,

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Speaker 5: which is like a gift and a curse because everybody

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Speaker 5: wants to talk to you about it all the time.

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Speaker 5: I was in a yoga class yesterday and I thought

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Speaker 5: of you, because everybody.

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Speaker 3: That's where we get. You were in a yoga class

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Speaker 3: and you me, okay, because I'm hanging in there. Go ahead.

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Speaker 5: Everybody did the home at the same time, and everyone

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Speaker 5: came in on a different note. And I thought, oh

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Speaker 5: my god, that would probably make Charlie poos butthole poker.

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Speaker 2: That would be terrible.

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Speaker 3: And then I think it was like the dream.

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Speaker 1: Wow, you just said full circle.

403
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Speaker 3: I think, oh, that is the shape of a butthole.

404
00:20:11,800 --> 00:20:14,920
Speaker 3: Then I think the birthday that's going to be that's

405
00:20:14,960 --> 00:20:17,399
Speaker 3: the sound bite that they use. We're talking about all

406
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Speaker 3: this great stuff here right there. What I just sound say,

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Speaker 3: And there's no problem, I know, but.

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Speaker 5: Back to you, No but stuff with that or the

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Speaker 5: birthday song. When you are present with a bunch of

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Speaker 5: amateurs just singing, does that make you so uncomfortable or

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Speaker 5: you just.

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Speaker 3: Like know because people sing in the key of which

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Speaker 3: they're comfortable and that's why. That's why in your yoga,

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Speaker 3: hot yoga, No, it was the yoga. Oh it was great.

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Speaker 3: Excuse me, zen yoga. Everybody will sing usually the U

416
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Speaker 3: is an A because the A is one of the

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Speaker 3: most centering, like four forty one hurts. It's one of

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Speaker 3: the If you go on TikTok and scroll for a

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Speaker 3: little bit, someone will be like, why is this? Why

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Speaker 3: is this sound?

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Speaker 4: So?

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Speaker 3: Why why do I feel relaxed when I hear? The

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00:21:02,560 --> 00:21:07,400
Speaker 3: reason is because it's an A and when you it's

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Speaker 3: very grounding. That's why when you get a massage sometimes

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00:21:10,320 --> 00:21:14,960
Speaker 3: or something something therapeutic like that, they'll lose to they'll

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Speaker 3: ring the bell and it'll vibrate of an A. I'm

427
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Speaker 3: not really speaking of it like in the correct way,

428
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Speaker 3: but I am, and I'm just not like being like

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Speaker 3: super scientific with it. It's early and I don't have

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Speaker 3: all the words of my brain yet, but it's it's grounding.

431
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Speaker 3: But for people will sing the first note that comes

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Speaker 3: to mind that feels grounding to them, which is why

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Speaker 3: you get a bunch of different notes. But on a

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Speaker 3: Devil's Advocate, when you have fifty people singing the wrong

435
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Speaker 3: note at once, it starts to sound good. What yeah,

436
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Speaker 3: Like when you bet you hear chords in that, yeah,

437
00:21:51,119 --> 00:21:54,520
Speaker 3: you could hear. I kind of approach it from like

438
00:21:54,560 --> 00:21:57,040
Speaker 3: what makes the human feel the best? What makes the

439
00:21:57,560 --> 00:22:00,680
Speaker 3: person feel the best. Like if a hunch people sing

440
00:22:00,720 --> 00:22:03,480
Speaker 3: off key, it suddenly starts to sound good, which is

441
00:22:03,520 --> 00:22:07,160
Speaker 3: why they used to before auto tune. And we can

442
00:22:07,200 --> 00:22:11,359
Speaker 3: really rewind it in the early nineties, if there was

443
00:22:11,400 --> 00:22:15,320
Speaker 3: a singer with like a really great look but didn't

444
00:22:15,320 --> 00:22:17,600
Speaker 3: have like the best voice, they would just double his

445
00:22:17,720 --> 00:22:20,960
Speaker 3: or her voice and stack it and then it would

446
00:22:21,000 --> 00:22:24,080
Speaker 3: sound like a group of people rather than one singer,

447
00:22:24,160 --> 00:22:27,280
Speaker 3: and it would just So some of your favorite singers

448
00:22:27,320 --> 00:22:30,480
Speaker 3: have done that, including myself, because I sing off key

449
00:22:30,520 --> 00:22:34,040
Speaker 3: all the time. Little did you know. But it's it's

450
00:22:34,080 --> 00:22:38,160
Speaker 3: a tactic that if like multiple out of tune frequencies

451
00:22:38,200 --> 00:22:40,800
Speaker 3: are together, they'll start to sound in tune.

452
00:22:40,800 --> 00:22:42,480
Speaker 1: Wait, have you ever worked with someone who is so

453
00:22:42,640 --> 00:22:44,639
Speaker 1: off key that you were like, how the hell did

454
00:22:44,680 --> 00:22:45,520
Speaker 1: this person make it?

455
00:22:46,280 --> 00:22:49,639
Speaker 3: I won't say who, but yes, now tell us you

456
00:22:49,720 --> 00:22:53,440
Speaker 3: knew the answer. But it's it's sometimes it's not about

457
00:22:53,440 --> 00:22:55,119
Speaker 3: being an artist. It's not just I mean it is

458
00:22:55,160 --> 00:22:58,639
Speaker 3: about singing, but like it's they have something different to

459
00:22:59,240 --> 00:23:01,440
Speaker 3: come to the table, with something different to offer.

460
00:23:01,920 --> 00:23:04,439
Speaker 2: Some of times these artists are on stage performing and

461
00:23:04,520 --> 00:23:08,680
Speaker 2: if they can't hear, if they can't hear the notes

462
00:23:08,680 --> 00:23:12,280
Speaker 2: coming out of the instruments, that's gonna be a frightening thing.

463
00:23:12,280 --> 00:23:14,439
Speaker 2: When you know, you know you're out on stage, you're

464
00:23:14,440 --> 00:23:16,119
Speaker 2: about to sing, and you have what they call your

465
00:23:16,119 --> 00:23:20,040
Speaker 2: ears right, you have the thing if they go out,

466
00:23:20,560 --> 00:23:24,920
Speaker 2: you're f't Sometimes you can't hear the music right, and well,

467
00:23:25,080 --> 00:23:26,120
Speaker 2: have you ever been in that situation?

468
00:23:26,200 --> 00:23:28,639
Speaker 3: You're like, oh, dear God, well, I'm lucky where that

469
00:23:28,760 --> 00:23:31,960
Speaker 3: I'm I'm not in a bad situation if that happens

470
00:23:31,960 --> 00:23:35,160
Speaker 3: to me because I can still kind of hear it

471
00:23:35,240 --> 00:23:38,480
Speaker 3: in my head. You can find it okay, but it's annoying.

472
00:23:39,119 --> 00:23:42,000
Speaker 3: That's why you have to make sure you have a good,

473
00:23:42,760 --> 00:23:48,800
Speaker 3: good team with you. I have a good team with you.

474
00:23:48,880 --> 00:23:52,320
Speaker 3: You have a good team. Charlie Pooth is here. What

475
00:23:52,400 --> 00:23:58,479
Speaker 3: are you dressing up as for Halloween? Oh? I'm dressing

476
00:23:58,520 --> 00:24:02,720
Speaker 3: up as somebody recording their their album by their self.

477
00:24:04,160 --> 00:24:05,960
Speaker 3: I was talking about that. I won't I won't be

478
00:24:06,040 --> 00:24:07,520
Speaker 3: going out for all of Wait, this.

479
00:24:07,520 --> 00:24:09,879
Speaker 1: Next album is going to be happy, Charlie, not Charlie.

480
00:24:09,960 --> 00:24:12,119
Speaker 1: The last one when I had to beat somebody up, Charlie.

481
00:24:12,200 --> 00:24:16,360
Speaker 3: It's kind of it's good. Damn it's Yeah. Looking back

482
00:24:16,400 --> 00:24:19,280
Speaker 3: on the last album, it was a very like Daniel

483
00:24:19,359 --> 00:24:21,800
Speaker 3: might have to beat someone up kind of thing. But

484
00:24:22,720 --> 00:24:25,040
Speaker 3: it is kind of a mixture of It's like half

485
00:24:25,040 --> 00:24:27,800
Speaker 3: and half now, which is nice, sounds a lot better.

486
00:24:27,840 --> 00:24:29,840
Speaker 3: I think I think I've gotten better. Everything you do

487
00:24:29,920 --> 00:24:32,160
Speaker 3: is great, it's from the heart and it sounds great.

488
00:24:32,280 --> 00:24:35,560
Speaker 3: But I think this one I've gotten I really I'm biased,

489
00:24:35,600 --> 00:24:37,800
Speaker 3: but I really think it's better. I don't I don't

490
00:24:37,840 --> 00:24:39,800
Speaker 3: know why, but I was listening to it on the

491
00:24:40,000 --> 00:24:42,320
Speaker 3: little demos on the plane right over here. I'm like, Wow,

492
00:24:42,359 --> 00:24:44,760
Speaker 3: this is like so much better. Or maybe I'm just

493
00:24:44,760 --> 00:24:45,920
Speaker 3: like critical myself.

494
00:24:46,400 --> 00:24:49,520
Speaker 2: I remember one time we were I think flying somewhere.

495
00:24:49,640 --> 00:24:50,040
Speaker 3: I don't know.

496
00:24:52,160 --> 00:24:55,200
Speaker 2: Together, I don't think so. I think we're flying right now.

497
00:24:55,280 --> 00:24:59,520
Speaker 2: Baby you play you played a demo that you had

498
00:24:59,520 --> 00:25:03,560
Speaker 2: done with Dan and Shay, Dan and Shay yeah, and

499
00:25:03,800 --> 00:25:07,800
Speaker 2: Sabrina had the carpenter had done a version of the

500
00:25:07,840 --> 00:25:11,240
Speaker 2: song too. That's so crazy. The years just fly by. Yeah,

501
00:25:11,480 --> 00:25:13,240
Speaker 2: that was like a couple of years ago, right, and

502
00:25:13,640 --> 00:25:15,720
Speaker 2: the older you believe me, the oldest guy in the room,

503
00:25:15,760 --> 00:25:17,879
Speaker 2: the older you get, the faster he goes, Charlie, So

504
00:25:18,080 --> 00:25:18,960
Speaker 2: savor every month.

505
00:25:19,040 --> 00:25:24,600
Speaker 3: Oh, I'm starting to feel like weeks move a lot quicker. Well,

506
00:25:24,760 --> 00:25:26,800
Speaker 3: just you wait, lightning speed. Yeah, certain.

507
00:25:26,800 --> 00:25:29,800
Speaker 2: In fact, you walked in and I hugged you hello

508
00:25:30,760 --> 00:25:32,880
Speaker 2: less than one second ago. That's how fast is going

509
00:25:32,880 --> 00:25:35,600
Speaker 2: for me. No, I'm serious though, Like life is very precious.

510
00:25:35,680 --> 00:25:40,960
Speaker 3: It's like it's incredible, like how fast things can like change.

511
00:25:41,359 --> 00:25:43,600
Speaker 3: Do you slow down ever? Because you seem like you're

512
00:25:43,600 --> 00:25:47,040
Speaker 3: always thinking. I'm always thinking, but I always watch interviews

513
00:25:47,040 --> 00:25:49,159
Speaker 3: back in my eyes are always going like everyone's like,

514
00:25:49,560 --> 00:25:51,320
Speaker 3: and it's okay, there's nothing wrong with the robot.

515
00:25:51,480 --> 00:25:53,439
Speaker 2: There's nothing wrong with that energy, nothing at all. And

516
00:25:53,600 --> 00:25:57,280
Speaker 2: that energy is why you're here right now. But when's

517
00:25:57,280 --> 00:26:01,000
Speaker 2: the last time you actually said, Wow, I'm not thinking

518
00:26:01,040 --> 00:26:02,240
Speaker 2: of one thing right now.

519
00:26:03,440 --> 00:26:07,439
Speaker 3: I can't recall honestly. Yeah, it's not a cool answer.

520
00:26:07,480 --> 00:26:11,760
Speaker 3: I just I honestly curious. Even on my honeymoon, I

521
00:26:11,840 --> 00:26:14,840
Speaker 3: was thinking of music, okay, that like I was still

522
00:26:14,880 --> 00:26:17,840
Speaker 3: like like basking in like my love of Brook and

523
00:26:17,880 --> 00:26:20,280
Speaker 3: being there, but I was still writing songs. Good.

524
00:26:20,440 --> 00:26:24,760
Speaker 2: You know what, the universe of God, some entity gave

525
00:26:24,840 --> 00:26:28,680
Speaker 2: us the gift of you and so unfortunately, unfortunately, with

526
00:26:28,800 --> 00:26:29,560
Speaker 2: that gift, come.

527
00:26:31,160 --> 00:26:34,160
Speaker 3: Come sacrifice, and we appreciate you doing that for us. Yeah.

528
00:26:34,240 --> 00:26:37,239
Speaker 2: Sure, we have a big party to host later on.

529
00:26:37,359 --> 00:26:38,879
Speaker 2: As a matter of fact, I'm gonna invite someone to

530
00:26:38,880 --> 00:26:39,200
Speaker 2: come to.

531
00:26:39,160 --> 00:26:39,560
Speaker 3: This party of me.

532
00:26:39,600 --> 00:26:42,440
Speaker 2: I just bring Elena. You've been on hold for so long.

533
00:26:42,760 --> 00:26:43,440
Speaker 2: Are you still there?

534
00:26:44,320 --> 00:26:45,200
Speaker 4: Yes, I'm here.

535
00:26:45,880 --> 00:26:47,320
Speaker 3: Have you heard of Charlie Pooth?

536
00:26:48,680 --> 00:26:53,160
Speaker 4: Of course I've heard of Charlie. Hello, Elena, Hi Charlie,

537
00:26:53,280 --> 00:26:53,920
Speaker 4: good morning.

538
00:26:54,359 --> 00:26:55,840
Speaker 3: Where are you calling from, Elena?

539
00:26:56,560 --> 00:26:59,879
Speaker 4: I'm calling from now Cisco. I'm parked outside the gym

540
00:27:00,200 --> 00:27:04,640
Speaker 4: and just happened to call in. I call every day.

541
00:27:05,160 --> 00:27:09,080
Speaker 4: My son makes fun of me. And I heard Elvis

542
00:27:09,119 --> 00:27:13,040
Speaker 4: say that you were having a concert tonight, and I

543
00:27:13,080 --> 00:27:14,919
Speaker 4: called probably about twenty five times.

544
00:27:15,240 --> 00:27:18,800
Speaker 3: Oh my goodness. Well it's not like a big concert,

545
00:27:18,920 --> 00:27:21,200
Speaker 3: I hope you know. It's just gathering around the piano

546
00:27:21,240 --> 00:27:23,800
Speaker 3: and he sings a couple of songs. Yeah, it's not

547
00:27:23,880 --> 00:27:26,000
Speaker 3: like for ten thousand people. It was like this low

548
00:27:26,080 --> 00:27:28,880
Speaker 3: key kind of thing that we're brought to budget out

549
00:27:28,920 --> 00:27:33,520
Speaker 3: to millions of people low budget. Well, thanks to our.

550
00:27:33,400 --> 00:27:35,119
Speaker 4: Friends, we've already been to a concert.

551
00:27:35,240 --> 00:27:37,119
Speaker 3: So which one did you go to?

552
00:27:37,960 --> 00:27:41,399
Speaker 4: I went to the Radio City. I think it was June.

553
00:27:41,920 --> 00:27:44,520
Speaker 1: Yeah, last year, me too. That was a great one.

554
00:27:44,520 --> 00:27:46,760
Speaker 3: That was a good one. I'm very very talented.

555
00:27:47,480 --> 00:27:50,680
Speaker 1: Yes, you are nailed it. Wow.

556
00:27:51,080 --> 00:27:53,760
Speaker 2: Well listen closely here, Lena. Thanks to our friends at

557
00:27:53,800 --> 00:27:57,439
Speaker 2: BICK and I'll explain. Let Charlie explain what they're up

558
00:27:57,440 --> 00:28:00,960
Speaker 2: to as far as music goes and education. We're having

559
00:28:00,960 --> 00:28:06,160
Speaker 2: this party here at iHeartRadio's world headquarters this afternoon and tonight.

560
00:28:06,280 --> 00:28:08,280
Speaker 2: Are you able to bring a friend and join us?

561
00:28:09,240 --> 00:28:10,840
Speaker 4: Absolutely? I can't wait.

562
00:28:11,280 --> 00:28:15,080
Speaker 3: Yay, it's gonna be good. It won't suck because again

563
00:28:15,160 --> 00:28:15,560
Speaker 3: it's me.

564
00:28:17,960 --> 00:28:19,920
Speaker 4: Awesome. I'm so excited.

565
00:28:20,160 --> 00:28:21,560
Speaker 3: Well, it's gonna be an honor to have you here.

566
00:28:21,600 --> 00:28:24,960
Speaker 3: Maybe to be the best workout ever. Now. Yeah, waiting

567
00:28:24,960 --> 00:28:26,960
Speaker 3: outside the gym for an hour, she's like, I'm going,

568
00:28:27,000 --> 00:28:29,400
Speaker 3: I'm leaving. Where'd you say we were coming from Mount

569
00:28:29,480 --> 00:28:33,600
Speaker 3: vernon Kisco, Mount Kisco.

570
00:28:32,560 --> 00:28:34,520
Speaker 2: Westchester County, west Chester.

571
00:28:34,880 --> 00:28:40,200
Speaker 3: Oh my god, it's iHeart Better send the iHeart van

572
00:28:40,440 --> 00:28:42,080
Speaker 3: or something very damn.

573
00:28:42,360 --> 00:28:45,880
Speaker 2: We had to sell that, right. We'll see you tonight. Alina,

574
00:28:45,920 --> 00:28:46,880
Speaker 2: thank you so much for being here.

575
00:28:47,000 --> 00:28:50,160
Speaker 3: I'll see you tonight. Elena, thank you tonight. It's gonna

576
00:28:50,160 --> 00:28:50,400
Speaker 3: be great.

577
00:28:50,440 --> 00:28:53,160
Speaker 2: We're talking about life, music and of course your partnership

578
00:28:53,200 --> 00:28:55,600
Speaker 2: with Big and celebration of the Where's my favorite?

579
00:28:55,600 --> 00:28:57,480
Speaker 3: I grew up with this, the Big four color pan.

580
00:28:57,720 --> 00:29:01,000
Speaker 3: They haven't changed the design the four colors. Go damn

581
00:29:01,120 --> 00:29:03,480
Speaker 3: putting me a red, orange, yellow, green.

582
00:29:05,520 --> 00:29:07,600
Speaker 1: They actually do have different versions of them now, they

583
00:29:07,680 --> 00:29:08,760
Speaker 1: do different colors.

584
00:29:08,800 --> 00:29:09,600
Speaker 4: Oh yeah, yeah, yeah.

585
00:29:09,600 --> 00:29:11,480
Speaker 3: They feel like I use that exact same pen and

586
00:29:11,560 --> 00:29:12,240
Speaker 3: like fourth grade.

587
00:29:12,440 --> 00:29:13,520
Speaker 1: Yeah, but they do have other ones.

588
00:29:13,880 --> 00:29:16,320
Speaker 5: I think the green gets under used. Does peopleon't use

589
00:29:16,400 --> 00:29:17,160
Speaker 5: green nearly enough?

590
00:29:17,200 --> 00:29:19,640
Speaker 3: It's my favorite color. There you go, he's the one,

591
00:29:19,960 --> 00:29:23,360
Speaker 3: But it's it's it's nice partnering with like a company

592
00:29:23,440 --> 00:29:26,479
Speaker 3: that supports music education. Talk about that, well, I mean

593
00:29:26,560 --> 00:29:29,240
Speaker 3: it's music education in the United States, for some reason,

594
00:29:29,360 --> 00:29:32,200
Speaker 3: is always the last thing to be funded. Well, I

595
00:29:32,240 --> 00:29:35,200
Speaker 3: guess not for some reason. Maybe people just don't see

596
00:29:35,280 --> 00:29:38,640
Speaker 3: the see I'm taking the headphones off of this because

597
00:29:38,640 --> 00:29:42,440
Speaker 3: I'm hearing my voice. They don't see the point of

598
00:29:42,480 --> 00:29:45,200
Speaker 3: it sometimes, but it really can like make every other

599
00:29:45,320 --> 00:29:47,560
Speaker 3: aspect of your life so much better if you start

600
00:29:47,600 --> 00:29:49,800
Speaker 3: your day with music. And the arts are just like

601
00:29:50,040 --> 00:29:56,480
Speaker 3: criminally underfunded. So it's just nice being with Bick who

602
00:29:56,880 --> 00:29:58,880
Speaker 3: is shining a light on that. And we did this

603
00:29:59,360 --> 00:30:04,959
Speaker 3: music work shop class with kids from New Jersey. They

604
00:30:05,040 --> 00:30:07,960
Speaker 3: all made their they all made their own song in

605
00:30:08,040 --> 00:30:10,760
Speaker 3: front of me, they made the artwork for it. It

606
00:30:10,880 --> 00:30:13,000
Speaker 3: was really really incredible to be and it was and

607
00:30:13,160 --> 00:30:15,560
Speaker 3: talk about time moving fast. They did it in an hour.

608
00:30:15,800 --> 00:30:18,400
Speaker 3: You must have loved being there for that. Yeah. Yeah,

609
00:30:18,440 --> 00:30:21,200
Speaker 3: I love that because I got to hear four songs

610
00:30:21,280 --> 00:30:24,800
Speaker 3: made in front of me. I wish more people saw that.

611
00:30:24,960 --> 00:30:27,240
Speaker 3: That was really it was like a private thing, but

612
00:30:27,320 --> 00:30:28,480
Speaker 3: it was really really wonderful.

613
00:30:28,960 --> 00:30:30,600
Speaker 2: Well, look, you know, we all grew up with Bick

614
00:30:30,680 --> 00:30:33,040
Speaker 2: in our lives, going to school, and I think of school,

615
00:30:33,040 --> 00:30:35,160
Speaker 2: I think of big But you know, I'm from the

616
00:30:35,240 --> 00:30:37,520
Speaker 2: day we used hieroglyphics on cave walls, I.

617
00:30:37,520 --> 00:30:41,400
Speaker 3: Mean, and then came in with etching stone. Oh yeah,

618
00:30:41,640 --> 00:30:45,920
Speaker 3: it looked as buffalo papyrus. Look.

619
00:30:46,400 --> 00:30:50,160
Speaker 2: So thanks to Bick, we're celebrating all things music and

620
00:30:50,960 --> 00:30:51,920
Speaker 2: the arts and schools.

621
00:30:52,000 --> 00:30:53,640
Speaker 3: Yeah, and thanks for being a part of that. Yeah.

622
00:30:53,720 --> 00:30:55,840
Speaker 3: And so they will be here tonight too. So let's

623
00:30:55,920 --> 00:31:00,640
Speaker 3: let's wear something nice. Yeah, one of the four colors. Well,

624
00:31:00,720 --> 00:31:02,040
Speaker 3: but now she says, eighteen colors.

625
00:31:02,400 --> 00:31:03,200
Speaker 1: They have other colors.

626
00:31:03,400 --> 00:31:05,560
Speaker 3: I do know that they have other colors. But yeah,

627
00:31:05,720 --> 00:31:10,160
Speaker 3: if if only, uh, most most companies could be like this.

628
00:31:10,880 --> 00:31:13,400
Speaker 3: They care so much about music education. So it's my

629
00:31:13,600 --> 00:31:17,760
Speaker 3: pleasure and I will sing in tune tonight for big

630
00:31:18,160 --> 00:31:22,920
Speaker 3: don't start that now. So green is your favorite color? Yes,

631
00:31:23,440 --> 00:31:27,160
Speaker 3: it's uh. In my apartment, that's still not done. That's

632
00:31:27,240 --> 00:31:29,560
Speaker 3: what Most of the walls are right going to be

633
00:31:29,840 --> 00:31:32,520
Speaker 3: still not done because it's New York. Apartments are never

634
00:31:32,600 --> 00:31:33,240
Speaker 3: done in New York.

635
00:31:33,440 --> 00:31:35,400
Speaker 2: My dad used to when he would visit, he would go,

636
00:31:35,560 --> 00:31:37,400
Speaker 2: I love New York. I can't wait till they finish it.

637
00:31:38,840 --> 00:31:39,680
Speaker 2: Never will that happen?

638
00:31:39,880 --> 00:31:42,640
Speaker 3: Where did she say she was coming from Mount Kisky?

639
00:31:43,160 --> 00:31:46,240
Speaker 3: Is that near like Katona? Yes? Yes? How did I

640
00:31:46,440 --> 00:31:48,560
Speaker 3: just pull that out of my ass? You just did?

641
00:31:49,200 --> 00:31:49,440
Speaker 5: Wow?

642
00:31:49,640 --> 00:31:53,360
Speaker 3: What else came out? Clean up? On all four? You

643
00:31:53,440 --> 00:31:53,800
Speaker 3: want to know?

644
00:31:54,160 --> 00:31:54,200
Speaker 4: So?

645
00:31:54,720 --> 00:31:58,960
Speaker 3: Can you? Does green? Does does green have a sound?

646
00:31:59,160 --> 00:32:04,080
Speaker 3: Does green? Can you seeing green? Told me that he's synesthetic.

647
00:32:04,200 --> 00:32:07,120
Speaker 3: I'm not synesthetic, So I was trying to have him

648
00:32:07,160 --> 00:32:09,400
Speaker 3: explain that to me. One time, but I didn't really

649
00:32:09,880 --> 00:32:12,520
Speaker 3: it kind of went over my head. But apparently when

650
00:32:12,600 --> 00:32:15,320
Speaker 3: Pharrell makes a beat, he sees like the color green

651
00:32:15,400 --> 00:32:19,120
Speaker 3: in color purple. I don't see any colors when I

652
00:32:19,480 --> 00:32:23,240
Speaker 3: make music. I'm more like, can like feel how people

653
00:32:23,320 --> 00:32:25,960
Speaker 3: are gonna feel. It's it's it's really it's you know,

654
00:32:26,120 --> 00:32:28,320
Speaker 3: I have ever seen those you know, the Long Island Medium.

655
00:32:28,880 --> 00:32:31,680
Speaker 3: Oh yeah, absolutely. I can't communicate with people who are

656
00:32:31,760 --> 00:32:34,400
Speaker 3: no longer living, but like I feel like if I,

657
00:32:35,040 --> 00:32:37,040
Speaker 3: like when I made See You Again, I just could

658
00:32:38,320 --> 00:32:40,800
Speaker 3: feel something like it's gonna affect a lot of people.

659
00:32:40,920 --> 00:32:42,640
Speaker 2: You know, you may be tapping into something and you're

660
00:32:42,640 --> 00:32:44,560
Speaker 2: not aware of it. You may be talking to the dead,

661
00:32:44,760 --> 00:32:46,360
Speaker 2: you may be talking to spirits you don't know.

662
00:32:46,720 --> 00:32:50,680
Speaker 3: Maybe I I I like to think that I'm what

663
00:32:50,800 --> 00:32:53,880
Speaker 3: I'm doing is not like anything super serious, but like

664
00:32:53,960 --> 00:32:56,640
Speaker 3: I just love doing it and I love it. People

665
00:32:56,760 --> 00:32:57,000
Speaker 3: love it.

666
00:32:57,240 --> 00:33:00,320
Speaker 2: Did you have another conspiracy question before might have to

667
00:33:00,360 --> 00:33:00,840
Speaker 2: be off the air?

668
00:33:00,960 --> 00:33:01,240
Speaker 3: Okay?

669
00:33:01,360 --> 00:33:04,760
Speaker 2: Yeah, god, oh god, So we'll see you here.

670
00:33:05,200 --> 00:33:07,080
Speaker 3: I know a lot. I've been in the industry for

671
00:33:07,240 --> 00:33:12,360
Speaker 3: ten whole years. Wow, I've seen a lot. Yeah you have,

672
00:33:12,840 --> 00:33:14,720
Speaker 3: I have, especially on this show.

673
00:33:15,320 --> 00:33:16,560
Speaker 1: Yet you definitely have.

674
00:33:16,720 --> 00:33:18,640
Speaker 2: We don't have to talk about any of that. Okay,

675
00:33:18,680 --> 00:33:20,840
Speaker 2: So you're working on this album, when is there a

676
00:33:21,440 --> 00:33:22,480
Speaker 2: how tons have changed?

677
00:33:22,640 --> 00:33:24,960
Speaker 3: Just a thought, there's a thought about when some music's

678
00:33:24,960 --> 00:33:30,040
Speaker 3: coming out. I would love next year. I would love

679
00:33:30,160 --> 00:33:32,880
Speaker 3: to go on a nice little well we're going to

680
00:33:33,600 --> 00:33:37,920
Speaker 3: we're touring Asia at the end of this year. But

681
00:33:38,160 --> 00:33:41,600
Speaker 3: that's not obviously of like the new music. That's just

682
00:33:41,680 --> 00:33:45,760
Speaker 3: because we love our Asian fans so much and we're

683
00:33:45,800 --> 00:33:47,920
Speaker 3: going to go back there and we get off on

684
00:33:48,120 --> 00:33:51,920
Speaker 3: December twenty second, so that's that's good. It's a nice

685
00:33:52,000 --> 00:33:57,960
Speaker 3: long time in Asia. And I think I'm like halfway

686
00:33:58,040 --> 00:33:59,840
Speaker 3: done with this record right now. When I make a

687
00:34:00,240 --> 00:34:01,840
Speaker 3: I don't have a team of people with me, so

688
00:34:01,920 --> 00:34:05,600
Speaker 3: it's just me mixing and and well Manny too, and

689
00:34:06,680 --> 00:34:08,920
Speaker 3: I got a little team, but it's not like fifteen

690
00:34:08,960 --> 00:34:11,279
Speaker 3: people in the room at once on these songs being made.

691
00:34:11,320 --> 00:34:15,239
Speaker 3: You have fifteen people in your head. I actually do,

692
00:34:15,840 --> 00:34:17,600
Speaker 3: so it takes me a little bit longer, but I

693
00:34:17,920 --> 00:34:20,239
Speaker 3: promise it will be done early next year.

694
00:34:20,520 --> 00:34:22,680
Speaker 2: Charnie, thank you for coming in today. My pleasure, and

695
00:34:22,760 --> 00:34:25,680
Speaker 2: you know what, see the bill this and Voice for

696
00:34:25,840 --> 00:34:28,239
Speaker 2: the fifteen dollars water I bought you.

697
00:34:28,320 --> 00:34:32,759
Speaker 3: Watch this. Oh you're not even going to write that off?

698
00:34:32,840 --> 00:34:35,880
Speaker 3: Who's your daddy? Not no, not at all? That is

699
00:34:36,000 --> 00:34:41,759
Speaker 3: on me. Okay, then daddy, daddy. Thank you. It's that

700
00:34:41,920 --> 00:34:45,440
Speaker 3: department store. Thank you, Juanne Reid, We thank you everywhere

701
00:34:45,600 --> 00:34:48,000
Speaker 3: you go. It's all about Charlie Poof And you know

702
00:34:48,120 --> 00:34:51,960
Speaker 3: it's not a sponsor you. Thank you expensive.

703
00:34:52,360 --> 00:34:54,680
Speaker 2: Thank you for talking about your partnership with BCK because

704
00:34:54,680 --> 00:34:57,040
Speaker 2: I think that's very important. Absolutely, And we'll see you

705
00:34:57,120 --> 00:34:58,840
Speaker 2: later at iHeartRadio headquarters.

706
00:34:58,880 --> 00:35:00,400
Speaker 3: I'll see you later. I'm going to s weep. Now,

707
00:35:00,760 --> 00:35:03,400
Speaker 3: go to sleep. He's sleeping down the hallway. All right,

708
00:35:03,440 --> 00:35:03,960
Speaker 3: we're gonna take a