WEBVTT - Could Life Be A Sitcom?

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<v Speaker 1>This is he said, a ya viho with Eric Winter

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<v Speaker 1>and Rosalind santav.

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<v Speaker 2>All Right, everybody, welcome back to another episode of he said.

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<v Speaker 2>He said, this is getting really lonely with my wife

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<v Speaker 2>gone in Puerto Rico for so long. In fact, it's

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<v Speaker 2>delaying a little bit more because the island's being hit

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<v Speaker 2>by a hurricane as we speak. I think it's approaching

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<v Speaker 2>now in the next few hours, which is crazy. So

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<v Speaker 2>her production has been shut down for two days. She

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<v Speaker 2>had to move locations because the generator issues, and now

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<v Speaker 2>she's in a hotel in San Juan. They are now

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<v Speaker 2>behind a couple of days, which is a huge bummer.

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<v Speaker 2>But you know what, everybody's safe. Everybody's doing okay. They

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<v Speaker 2>knew there was a chance because they were filming during

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<v Speaker 2>hurricane season that you know, something like this could happen.

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<v Speaker 2>Of course they It just happened to hit the last

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<v Speaker 2>week of filming, which is a super bummer. But other

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<v Speaker 2>than that, she's doing good, you know, crushing it. Things

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<v Speaker 2>are going well and I'm I'm holding down things here,

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<v Speaker 2>working like crazy. Kids are still out of school. We

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<v Speaker 2>have two more weeks before they're back. LA Unified went back,

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<v Speaker 2>but some of the private schools have not yet, so

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<v Speaker 2>we are waiting. But Dylan's excited to start first. Sebby's

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<v Speaker 2>going nuts going into junior high. It's so much work

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<v Speaker 2>in a fun way. But kids are not easy.

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<v Speaker 3>I'm telling you.

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<v Speaker 2>I mean they are easy, but there's so much to balance, right,

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<v Speaker 2>There's so much, especially going into the teenage yeers. Yeah,

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<v Speaker 2>it's it's interesting. It's a ride. It's a ride, something

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<v Speaker 2>to look back on and go, Okay, I remember when

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<v Speaker 2>I was like that.

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<v Speaker 3>I had such a blast.

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<v Speaker 2>By the way, with Jonathan Mark, the medium that was

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<v Speaker 2>on the last episode, it was really look. We didn't

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<v Speaker 2>get to talk about about it much, but everything he

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<v Speaker 2>was saying regarding my dad was pretty spot on. I

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<v Speaker 2>will say there was there were definitely things he wouldn't know.

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<v Speaker 2>He absolutely there's no way. It's not a Wikipedia, it's

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<v Speaker 2>not you can't google any of these things. Stuff he

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<v Speaker 2>was saying was fully accurate it and not something he

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<v Speaker 2>could possibly have figured out.

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<v Speaker 3>So that's always mind blowing.

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<v Speaker 2>I can't wait to do a private reading with him,

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<v Speaker 2>and maybe I will share that as well on the podcast.

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<v Speaker 2>Some of the findings and what we uncover, but everything

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<v Speaker 2>else has been smooth, you know, working hard on Palm Republic. Everybody,

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<v Speaker 2>please continue to check us out on our social channels,

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<v Speaker 2>Palm Republic rum our website, palm republic rum dot com.

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<v Speaker 2>It has been a lot of fun, uh makeing a

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<v Speaker 2>lot of headway, great things coming. It's it's it's really interesting,

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<v Speaker 2>you know, building a business from the ground up, being

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<v Speaker 2>a part of that that journey and taking so much

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<v Speaker 2>ownership in it because I am I'm extremely passionate about

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<v Speaker 2>the company and and everything I've I've poured so much

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<v Speaker 2>into it. So it's like watching a little another little

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<v Speaker 2>baby grow up. So it's been fun. It's been fun.

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<v Speaker 2>I have great support, you know, Group to investors are

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<v Speaker 2>phenomenal and my partner, Brat is amazing. So we've been

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<v Speaker 2>very uh at a very good place. And after a

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<v Speaker 2>good start. A lot of my cast has been getting

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<v Speaker 2>gift boxes there over the moon, sharing it and it's

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<v Speaker 2>it's so appreciative, so appreciated by you know, by me.

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<v Speaker 2>I just love the fact that they are so supportive

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<v Speaker 2>of what I'm doing and out there, you know, putting

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<v Speaker 2>on their social channels and and they actually are fans,

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<v Speaker 2>you know, they love it. They're they're sipping on it.

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<v Speaker 2>So anyway, that's what's going on with me. It's like

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<v Speaker 2>I said, it's been busy. We're gonna jump into some

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<v Speaker 2>more audience questions because it seems like you guys have

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<v Speaker 2>really been enjoying these.

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<v Speaker 1>Uh.

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<v Speaker 2>I know it's not as fun when my wife isn't here,

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<v Speaker 2>but I'm gonna tackle it the best I can and

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<v Speaker 2>we will pop through some more of these and hopefully

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<v Speaker 2>I have a guest on another upcoming episode very soon.

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<v Speaker 2>Let's start with Lynn Presley. Uh, you've had a bad

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<v Speaker 2>case of Olympic fever. Okay, Hypothetically, if I was to

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<v Speaker 2>be an Olympic athlete, what would my sport be?

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<v Speaker 3>Uh?

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<v Speaker 2>While it's a good question, if I would have been

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<v Speaker 2>an athlete in the Olympics, probably volleyball. To be honest,

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<v Speaker 2>I played football and volleyball, you know, a big chunk

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<v Speaker 2>of my life. I'm a huge fan of both sports.

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<v Speaker 2>But I loved I love volleyball, which is obviously an

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<v Speaker 2>Olympic sport, and I think that would have probably been

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<v Speaker 2>the one I would have pursued. A good old team sport.

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<v Speaker 2>And I was watching a lot of the Olympics. I

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<v Speaker 2>can't say I was watching all of them. It wasn't

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<v Speaker 2>I just didn't have as much time because I was

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<v Speaker 2>in Puerto Rico for a lot of it, and that

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<v Speaker 2>made it tough and I didn't get to see as

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<v Speaker 2>much as I would have liked to. But I got

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<v Speaker 2>to see some of the big ones. The women winning

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<v Speaker 2>gold and soccer was incredible. That was so fun to watch.

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<v Speaker 2>I mean against Brazil too, of all of all countries,

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<v Speaker 2>it was quite the win for the US. And I think, listen,

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<v Speaker 2>breakdancing should never have been in the Olympics. I'm sorry,

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<v Speaker 2>I'm gonna go out there and say it.

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<v Speaker 3>I think breakdancing is awesome, big fan.

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<v Speaker 2>I don't get why, of all the dance disciplines, that

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<v Speaker 2>was the one they decided to put in the Olympics.

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<v Speaker 3>I don't know.

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<v Speaker 2>I mean, it's hard, it's very acrobatic, for sure, but

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<v Speaker 2>there are plenty of plenty of other dance since that

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<v Speaker 2>have been around for you know, years and hundreds of

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<v Speaker 2>years that I think would have made great sports, even

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<v Speaker 2>partner dancing. It could have had some ballroom, could have

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<v Speaker 2>had some Latin ballrooms, some salsa stuff like that, you know,

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<v Speaker 2>could have had ballet. You kind of get that with

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<v Speaker 2>the water sports. There's obviously a lot of that ballet

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<v Speaker 2>going on in the water side of things, but I

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<v Speaker 2>don't know, break dancing felt a little weird to me. Obviously,

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<v Speaker 2>Australia had had a very the women's group had a

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<v Speaker 2>very interesting run with our our girl who is the

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<v Speaker 2>teacher and doing the kangaroo hop.

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<v Speaker 3>That was a trip.

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<v Speaker 2>You know, Let's see what Let's see what we bring

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<v Speaker 2>the Olympics when they get here in Los Angeles in

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<v Speaker 2>four years. I'm excited to hear baseball might be coming back,

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<v Speaker 2>which would be fun. Okay, Auia Cruz Wasabella have a

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<v Speaker 2>Kincignana or sweet sixteen, that's a great question. I think

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<v Speaker 2>Roz would like her to have a Kinciinneta. I'm totally

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<v Speaker 2>open to that for sure. By the way, either way,

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<v Speaker 2>it'll be a big celebrat for sixteenth and I'm sure

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<v Speaker 2>we will probably you know, phrase it as at Kinsynata.

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<v Speaker 2>That would be a lot of fun to watch my

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<v Speaker 2>daughter go through that, like my wife would have, you know,

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<v Speaker 2>back when she was sixteen.

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<v Speaker 3>So I think that would be very cool and we will.

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<v Speaker 2>We're talking about doing a baptism from Dylan obviously. Actually

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<v Speaker 2>the next time we go back to Puerto Rico because

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<v Speaker 2>Sebbi had hers when she was very little. Dylan has

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<v Speaker 2>yet to be baptized in Puerto Rico, so that's on

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<v Speaker 2>our agenda for one of our next trips back. He's

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<v Speaker 2>excited about it. Yeah, so that's that's something else going on.

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<v Speaker 2>I know you're asking about Roslin's film. It's kind of

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<v Speaker 2>like what I alluded to. It's been going great. There's

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<v Speaker 2>hurricanes making things more difficult, and then they start editing

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<v Speaker 2>next week. They are already when you start filming, you're

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<v Speaker 2>making a movie, there's already editing going on.

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<v Speaker 3>Along the way.

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<v Speaker 2>But now there'll be you know, the full blow in

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<v Speaker 2>her sitting in editing for at least the first first

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<v Speaker 2>five to seven days to get everything off to the

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<v Speaker 2>right start before she can finally hit home.

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<v Speaker 3>That's the plan.

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<v Speaker 2>And once that and then she'll continue the editing process

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<v Speaker 2>via zoom from over here. But we got to get

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<v Speaker 2>her back, got to get her back. It's been a

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<v Speaker 2>long time, Lynn, just wondering if you had any part

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<v Speaker 2>time jobs as a kid.

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<v Speaker 3>I did my first job.

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<v Speaker 2>My first job was working at Pizza Hut, believe it

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<v Speaker 2>or not, when I was in high school. I think

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<v Speaker 2>it was over the summer. I did Pizza Hut for

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<v Speaker 2>at least six months, made enough money to buy myself

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<v Speaker 2>a new pop off face radio for my car, which

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<v Speaker 2>was such a big deal. Then you could, you know,

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<v Speaker 2>push the button, the whole face would pop off and

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<v Speaker 2>you'd carry that face around like you were super cool

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<v Speaker 2>or the.

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<v Speaker 3>Old or you just put a handle on.

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<v Speaker 2>You'd pull the whole radio out of your car pretty

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<v Speaker 2>much and think that was cool to walk around with,

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<v Speaker 2>so that whenever you got broken into, they couldn't steal

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<v Speaker 2>your radio. Funny enough, that was my first big splurge

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<v Speaker 2>from my part time job. Let's see, I definitely want

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<v Speaker 2>the kids to be you know, finding a part time

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<v Speaker 2>job when the time is right and getting them out

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<v Speaker 2>there to learn what the workforce is going to be.

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<v Speaker 2>I think it's so important for kids to do that

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<v Speaker 2>at the right age, start working and understanding.

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<v Speaker 3>What it is like, you know, what it's like in

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<v Speaker 3>the real world.

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<v Speaker 2>Would you encourage Sebbian Dillan to go down the road, Yeah,

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<v Speaker 2>I guess I just answered that. I do think it's

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<v Speaker 2>a very important way of respond you know, in teaching

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<v Speaker 2>them about great financial responsibility and instilling that in uh,

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<v Speaker 2>in their in their mind and their actions. You know,

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<v Speaker 2>we try to do it even now at home. You know,

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<v Speaker 2>when they want things, it can't just always be I want,

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<v Speaker 2>I want. It's like you have to do some stuff

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<v Speaker 2>around the house, find a way to help, and you

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<v Speaker 2>can earn some money and then you can spend it accordingly.

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<v Speaker 2>And even when we buy them things, I'll often say, Okay, Sebie,

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<v Speaker 2>I'll get you a couple of pairs of shoes for

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<v Speaker 2>school to start. But if you want another pair, these

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<v Speaker 2>aren't cheap, so you can use some of your money.

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<v Speaker 2>And if you don't have enough money, then you can

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<v Speaker 2>find a way to make some money. Give me some ideas.

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<v Speaker 2>We do sometimes obviously the typical chores around the house,

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<v Speaker 2>but I also like them to try to be creative

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<v Speaker 2>and find ways that they can be useful and helpful

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<v Speaker 2>to see if they really want to make the money,

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<v Speaker 2>how are they going to do it. So that's something

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<v Speaker 2>my dad was always very passionate about instilling to me

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<v Speaker 2>and getting me started with my own checking account early,

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<v Speaker 2>and I remember when I got my first credit cards

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<v Speaker 2>very early. He was all about building up my credit.

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<v Speaker 2>Let's see how many days of filming do you need

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<v Speaker 2>for an episode of the Rookie that is? It varies,

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<v Speaker 2>but usually it's about eight. Some episodes we get to nine.

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<v Speaker 2>We've had ten day episodes before, but generally it's around eight,

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<v Speaker 2>I believe, and about I would say most of that

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<v Speaker 2>is on location. We have a good three days probably

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<v Speaker 2>on sets. Maybe it splits fifty to fifty on some episodes,

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<v Speaker 2>spends on our budget for that episode at Sweet Italy.

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<v Speaker 2>I believe that's what it is. How many days of

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<v Speaker 2>filming do you need to I just answered that. I

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<v Speaker 2>just answered that same question. I had a repeat question,

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<v Speaker 2>and do you have to repeat everything again in the

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<v Speaker 2>studio to get the sound? No, so that's an interesting question. No,

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<v Speaker 2>so sound travels with us where we go. Anytime we're filming,

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<v Speaker 2>sound will cover us obviously on stage, and they cover

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<v Speaker 2>us out outside. But it's a little bit different when

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<v Speaker 2>they're getting sound done outside because you have a lot

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<v Speaker 2>of other other noises going on. Right, So, airplane comes by,

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<v Speaker 2>we often have to cut or we just keep it

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<v Speaker 2>rolling and we pause for a second and wait for

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<v Speaker 2>the plane to pass, and then we say that we

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<v Speaker 2>continue the dialogue. If there's any other outside noises, people, things,

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<v Speaker 2>going on.

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<v Speaker 3>As long as it's far enough away, it.

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<v Speaker 2>Won't pick up on sound and we can keep shooting.

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<v Speaker 2>But if things get too loud, we have to pause

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<v Speaker 2>and stop. You know, siren somebody drives by that sort

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<v Speaker 2>of thing. Definitely, you can't know, you can't avoid it.

0:10:36.600 --> 0:10:39.480
<v Speaker 2>But that's generally how it works. For the most part.

0:10:39.559 --> 0:10:40.640
<v Speaker 3>Sound is again always there.

0:10:40.760 --> 0:10:43.560
<v Speaker 2>Sometimes we have to do something called a dr where

0:10:43.559 --> 0:10:46.960
<v Speaker 2>we have to go in the studio because no matter

0:10:47.000 --> 0:10:49.440
<v Speaker 2>what they could do on location, they could not get

0:10:49.480 --> 0:10:51.920
<v Speaker 2>the sound right. It just it happens. It's part of

0:10:51.920 --> 0:10:56.000
<v Speaker 2>the process. Not easy to avoid. And you know, we're

0:10:56.000 --> 0:10:59.440
<v Speaker 2>pretty we have an incredible sound group, so we we

0:10:59.520 --> 0:11:02.640
<v Speaker 2>get most our stuff. I've done very very few days

0:11:02.720 --> 0:11:06.080
<v Speaker 2>on ADR in seven seasons of The Rookie, which is

0:11:06.200 --> 0:11:09.240
<v Speaker 2>incredible because it's a whole separate deal out of your debt.

0:11:09.320 --> 0:11:10.840
<v Speaker 2>You rarely get to do it when you're at work.

0:11:11.120 --> 0:11:13.040
<v Speaker 2>So that's that's how that plays out.

0:11:14.920 --> 0:11:15.240
<v Speaker 3>Doug.

0:11:15.600 --> 0:11:17.920
<v Speaker 2>Let's see, Doug, I think it is okay. Are the

0:11:17.920 --> 0:11:20.679
<v Speaker 2>police codes you use on the Rookie actual police codes

0:11:20.720 --> 0:11:23.120
<v Speaker 2>and the call numbers or they change the show?

0:11:23.160 --> 0:11:24.120
<v Speaker 3>No, those are actual codes.

0:11:24.400 --> 0:11:27.679
<v Speaker 2>We try to take things straight from the police handbooks

0:11:27.720 --> 0:11:31.040
<v Speaker 2>that are tech advisors. And you know, one of our

0:11:31.520 --> 0:11:33.560
<v Speaker 2>key writers and producers on the show was a San

0:11:33.679 --> 0:11:36.600
<v Speaker 2>Jose police officer, so he's a writer in the room

0:11:36.640 --> 0:11:39.160
<v Speaker 2>and also advises on a lot of that stuff as

0:11:39.200 --> 0:11:41.560
<v Speaker 2>the writers are writing to try to keep everything as

0:11:41.600 --> 0:11:46.920
<v Speaker 2>authentic as we can, super important to us. Katherine Guzman,

0:11:47.320 --> 0:11:48.320
<v Speaker 2>which a list.

0:11:48.120 --> 0:11:51.080
<v Speaker 3>Director would you want to do a movie with? Oh?

0:11:51.120 --> 0:11:55.760
<v Speaker 2>Man, I'll be honest, there are so so many that

0:11:55.800 --> 0:11:58.640
<v Speaker 2>I would love to work with. I'll just throw Scorsese

0:11:58.760 --> 0:12:01.720
<v Speaker 2>out there. I think he'd be I've just loved all

0:12:01.720 --> 0:12:03.680
<v Speaker 2>of his movies and that would be a dream to

0:12:03.679 --> 0:12:06.080
<v Speaker 2>work with someone like him. But truly, there's there are

0:12:06.200 --> 0:12:10.079
<v Speaker 2>so many, uh that would Yeah, that would be just

0:12:10.120 --> 0:12:13.040
<v Speaker 2>a milestone, you know, uh situation for me as an actor.

0:12:13.160 --> 0:12:16.000
<v Speaker 2>I did get to work with this guy, Gabrielle Muchino,

0:12:16.040 --> 0:12:17.840
<v Speaker 2>who had a very big moment in the States after

0:12:17.880 --> 0:12:21.360
<v Speaker 2>he did Pursuit of Happiness with Will Smith, which is

0:12:21.360 --> 0:12:24.360
<v Speaker 2>nominated for an Oscar And he did my very first

0:12:24.400 --> 0:12:26.480
<v Speaker 2>pilot ever and it's it was very cool working with

0:12:26.520 --> 0:12:28.840
<v Speaker 2>a director coming in with so much you know, heat

0:12:28.960 --> 0:12:31.280
<v Speaker 2>after a big movie like that, and we you know,

0:12:31.320 --> 0:12:33.600
<v Speaker 2>I've had I've had quite a few good directors. I mean,

0:12:33.679 --> 0:12:35.199
<v Speaker 2>like that came from the feature side, but I've had

0:12:35.200 --> 0:12:37.800
<v Speaker 2>so many great TV directors too that like our the

0:12:37.800 --> 0:12:39.600
<v Speaker 2>one that did our pilot in The Rookie, Liz Freelander.

0:12:39.679 --> 0:12:41.920
<v Speaker 2>Love her and she is incredible, one of the best

0:12:41.960 --> 0:12:46.160
<v Speaker 2>pilot directors we have right now. So it's definitely there

0:12:46.160 --> 0:12:48.480
<v Speaker 2>are plenty more film directors I would love to work

0:12:48.520 --> 0:12:52.800
<v Speaker 2>with for sure. Let's see Grace Kaiser. How did everyone

0:12:52.840 --> 0:12:55.040
<v Speaker 2>in the Rookie cast start their acting career?

0:12:55.200 --> 0:12:57.040
<v Speaker 3>Like? Okay, well, that's tough.

0:12:57.280 --> 0:12:59.640
<v Speaker 2>That's tough thing, but it's it pretty much starts the

0:12:59.679 --> 0:13:04.199
<v Speaker 2>same with everybody. Everybody auditions, you know that for their

0:13:04.200 --> 0:13:07.440
<v Speaker 2>first thing. You know, in the world of acting, that's

0:13:07.520 --> 0:13:09.560
<v Speaker 2>just how it starts, you don't. You don't get into

0:13:09.559 --> 0:13:13.079
<v Speaker 2>something without auditioning and get in a room and having

0:13:13.160 --> 0:13:15.200
<v Speaker 2>the creator or the director or somebody get their eyes

0:13:15.200 --> 0:13:16.960
<v Speaker 2>on you and see what you're doing with the material.

0:13:17.720 --> 0:13:19.920
<v Speaker 2>As you grow in your profession and you start to

0:13:19.920 --> 0:13:22.520
<v Speaker 2>build a name, then you can start getting offers because

0:13:22.520 --> 0:13:26.280
<v Speaker 2>they trust your work. Now even nowadays, though, it's it's

0:13:26.280 --> 0:13:28.640
<v Speaker 2>that much harder just to continue to work in this business,

0:13:28.679 --> 0:13:32.120
<v Speaker 2>so they're making Actors that are very established still have

0:13:32.160 --> 0:13:35.360
<v Speaker 2>to audition for roles. So you not everybody. Obviously you're

0:13:35.360 --> 0:13:37.760
<v Speaker 2>a big movie star, you know, DiCaprio is not auditioning

0:13:37.760 --> 0:13:40.640
<v Speaker 2>for things. But even some of your you know, big

0:13:40.679 --> 0:13:43.600
<v Speaker 2>TV stars that you're familiar with, that are very big,

0:13:43.800 --> 0:13:46.000
<v Speaker 2>if they don't have a personal relationship with the people

0:13:46.040 --> 0:13:48.440
<v Speaker 2>making that project, they will there's a very good chance

0:13:48.440 --> 0:13:50.800
<v Speaker 2>to have them read, especially if it's for a big movie,

0:13:50.840 --> 0:13:52.960
<v Speaker 2>for a big role. It might just be reading as

0:13:52.960 --> 0:13:55.199
<v Speaker 2>a chemistry read. It might be just something on camera

0:13:55.240 --> 0:13:57.600
<v Speaker 2>as a test. It might not be you know, the

0:13:57.640 --> 0:14:01.000
<v Speaker 2>basic audition like any other actor going in, but they

0:14:01.040 --> 0:14:02.720
<v Speaker 2>like to see it on its feet, and sometimes it's

0:14:02.760 --> 0:14:05.960
<v Speaker 2>about chemistry. And I think most of the actors on

0:14:05.960 --> 0:14:07.520
<v Speaker 2>the Rookie all had to read for their roles. I

0:14:07.520 --> 0:14:11.000
<v Speaker 2>know a couple obviously, Nathan did not, and I think

0:14:11.160 --> 0:14:13.760
<v Speaker 2>Alissa Alexi was a fan when she did Ray Donovan,

0:14:13.840 --> 0:14:15.120
<v Speaker 2>so he knew her work.

0:14:15.760 --> 0:14:16.680
<v Speaker 3>So she was approved.

0:14:16.679 --> 0:14:17.960
<v Speaker 2>But the rest of us had to be out you know,

0:14:17.960 --> 0:14:19.760
<v Speaker 2>get out there and test and read. And even someone

0:14:19.800 --> 0:14:22.600
<v Speaker 2>like Richard who's done tons of work before the Rookie,

0:14:22.640 --> 0:14:24.120
<v Speaker 2>you know, still had to go out there and show

0:14:24.160 --> 0:14:25.800
<v Speaker 2>that he could be Sergeant Gray. So it's part of

0:14:25.840 --> 0:14:29.880
<v Speaker 2>the business. I often say the auditioning is really the job.

0:14:30.240 --> 0:14:33.160
<v Speaker 2>Like all the work leading up to the TV show

0:14:33.240 --> 0:14:36.640
<v Speaker 2>or the movie, that's that's the job. When you actually

0:14:36.640 --> 0:14:39.640
<v Speaker 2>get on a show, that's fun. I mean, it's still

0:14:39.720 --> 0:14:41.520
<v Speaker 2>it still takes a lot of work and you have to.

0:14:42.600 --> 0:14:43.480
<v Speaker 3>Use your craft.

0:14:43.600 --> 0:14:47.280
<v Speaker 2>But navigating the auditioning process while still using your craft

0:14:47.280 --> 0:14:48.920
<v Speaker 2>and building out a character and you know you don't

0:14:48.960 --> 0:14:52.400
<v Speaker 2>know as much about the character really is the hardest

0:14:52.400 --> 0:14:57.080
<v Speaker 2>part in this business. Let's see at or this is

0:14:57.080 --> 0:15:01.000
<v Speaker 2>bosh Mitz two and three. I guess what it is.

0:15:01.040 --> 0:15:04.320
<v Speaker 2>My partner's love language is physical touch. But I always

0:15:04.360 --> 0:15:07.400
<v Speaker 2>get really nervous whenever he touches me, even if it's

0:15:07.480 --> 0:15:10.280
<v Speaker 2>just a small touch. And I don't know why. Wow,

0:15:10.480 --> 0:15:12.920
<v Speaker 2>do you have any tips for me? Also, Eric, what

0:15:13.040 --> 0:15:16.520
<v Speaker 2>is the best advice Rosin has ever given you? Oh?

0:15:17.600 --> 0:15:20.080
<v Speaker 2>Hit me hard with these questions. The best advice Rosalind's

0:15:20.080 --> 0:15:22.120
<v Speaker 2>ever given me? I mean, I don't know if you're

0:15:22.120 --> 0:15:24.440
<v Speaker 2>talking about when it comes to love and life in

0:15:24.440 --> 0:15:26.560
<v Speaker 2>that way or if it comes you know, just in general.

0:15:26.640 --> 0:15:29.920
<v Speaker 2>But she's always advised me just to can you believe

0:15:29.920 --> 0:15:33.320
<v Speaker 2>in myself and dream big and never quit on what

0:15:33.360 --> 0:15:35.400
<v Speaker 2>my goals are. You know, that's something that Roslind is

0:15:35.400 --> 0:15:39.040
<v Speaker 2>incredibly good at. She has an intense drive and she

0:15:39.720 --> 0:15:42.560
<v Speaker 2>works as as hard or harder than anybody I know

0:15:42.600 --> 0:15:45.880
<v Speaker 2>in this business, and she dreams big and she makes

0:15:45.880 --> 0:15:48.880
<v Speaker 2>those things come to life for her. So it's something

0:15:48.920 --> 0:15:50.480
<v Speaker 2>that I've learned and she's preached to me for a

0:15:50.480 --> 0:15:53.600
<v Speaker 2>long time now. As far as your love language or

0:15:53.640 --> 0:15:56.360
<v Speaker 2>your partner's love language being physical touch, I get it.

0:15:56.520 --> 0:15:59.800
<v Speaker 2>I'm the same way so as a man, I get

0:15:59.800 --> 0:16:01.920
<v Speaker 2>what he's what he's you know where he's coming from.

0:16:03.160 --> 0:16:08.000
<v Speaker 2>But why you get nervous is really an interesting question.

0:16:08.400 --> 0:16:10.920
<v Speaker 2>Obviously I don't know you well enough, I can't really

0:16:10.960 --> 0:16:13.920
<v Speaker 2>answer this properly, but I would say it's a bit

0:16:13.960 --> 0:16:18.200
<v Speaker 2>of a concern if you're nervous, unless it's something that

0:16:18.440 --> 0:16:22.160
<v Speaker 2>stems from past experiences you've had, and maybe you need

0:16:22.200 --> 0:16:24.560
<v Speaker 2>to go, you know, meet with a therapist and talk

0:16:24.640 --> 0:16:27.600
<v Speaker 2>through that and understand why there's a trigger in you.

0:16:28.240 --> 0:16:29.920
<v Speaker 2>Maybe it has nothing to do with him, Maybe it

0:16:29.960 --> 0:16:32.760
<v Speaker 2>just has to do with physical touch in general, and

0:16:32.840 --> 0:16:35.680
<v Speaker 2>that has to do with some past trauma or something

0:16:35.720 --> 0:16:35.960
<v Speaker 2>like that.

0:16:36.040 --> 0:16:38.119
<v Speaker 3>So I'm a big.

0:16:37.880 --> 0:16:43.760
<v Speaker 2>Believer advocate of psychologist and working with a therapist and

0:16:44.240 --> 0:16:47.040
<v Speaker 2>getting to the root, you know, cause of things. I

0:16:47.440 --> 0:16:49.920
<v Speaker 2>truly think you should explore one because I think that's

0:16:50.400 --> 0:16:54.400
<v Speaker 2>a very important part to your relationship, is physical touch.

0:16:54.440 --> 0:16:56.600
<v Speaker 2>No matter if it's your true love language or not,

0:16:56.720 --> 0:17:01.520
<v Speaker 2>it's mandatory in a relationship. So yeah, to try to

0:17:01.520 --> 0:17:04.240
<v Speaker 2>dive into that more because I think he's not getting

0:17:04.840 --> 0:17:08.600
<v Speaker 2>the best of you if you're already feeling, you know,

0:17:08.760 --> 0:17:12.120
<v Speaker 2>a little bit nervous or uncomfortable with physical touch now

0:17:12.200 --> 0:17:14.520
<v Speaker 2>unless it's good nerves. Now, when I first would start

0:17:14.600 --> 0:17:17.680
<v Speaker 2>dating somebody, those that initial touch, it can be nerve wracking.

0:17:17.720 --> 0:17:20.320
<v Speaker 2>It's but it's a fun nervousness, you know what I mean.

0:17:20.359 --> 0:17:23.199
<v Speaker 2>It's it's butterflies in the stomach and that's exciting. But

0:17:23.240 --> 0:17:27.600
<v Speaker 2>if you're getting like fight or flight nerves, that kind

0:17:27.640 --> 0:17:30.920
<v Speaker 2>of feeling, that's something you should definitely talk to someone

0:17:30.960 --> 0:17:31.560
<v Speaker 2>about more.

0:17:31.960 --> 0:17:32.440
<v Speaker 3>I feel.

0:17:41.320 --> 0:17:45.359
<v Speaker 2>Do you ship Palm Republic merch to other countries? We

0:17:45.400 --> 0:17:48.520
<v Speaker 2>get asked so often about Palm Republic going international and

0:17:48.560 --> 0:17:51.879
<v Speaker 2>we can't wait until that day happens. I'm so sorry

0:17:52.560 --> 0:17:56.000
<v Speaker 2>we do not ship international yet. With merch or the

0:17:56.080 --> 0:17:59.879
<v Speaker 2>actual spirit the rum. But look, I know a lot

0:17:59.880 --> 0:18:01.719
<v Speaker 2>of people that have been finding ways around this. They

0:18:01.760 --> 0:18:04.040
<v Speaker 2>have friends in the States that are buying the merch

0:18:04.119 --> 0:18:06.639
<v Speaker 2>for them and then they're shipping it over seas to

0:18:07.560 --> 0:18:09.239
<v Speaker 2>you know, we have a fan in the Philippines that's

0:18:09.240 --> 0:18:11.399
<v Speaker 2>gotten a bunch of merch, has gotten bottles, everything. So

0:18:12.480 --> 0:18:14.879
<v Speaker 2>people have found ways to get it into Canada. They

0:18:14.960 --> 0:18:16.960
<v Speaker 2>found ways to get at places. I'm not telling you

0:18:17.000 --> 0:18:18.480
<v Speaker 2>that's what you should do, but believe me, I don't

0:18:18.480 --> 0:18:20.560
<v Speaker 2>want to make it in trouble. But I know that

0:18:20.760 --> 0:18:22.480
<v Speaker 2>if you you know, someone could buy it in the States,

0:18:22.560 --> 0:18:24.919
<v Speaker 2>especially a hat or shirts or whatever, they can you know,

0:18:25.040 --> 0:18:27.960
<v Speaker 2>ship that right over to Europe very easily. It just

0:18:27.960 --> 0:18:29.360
<v Speaker 2>take a little longer to get there, and it might

0:18:29.440 --> 0:18:31.960
<v Speaker 2>be a little expensive. But I think look into that

0:18:32.040 --> 0:18:33.760
<v Speaker 2>option if you have a contact in the States that

0:18:33.760 --> 0:18:42.359
<v Speaker 2>can do it. At t lights, Hello from England. Okay cool.

0:18:42.640 --> 0:18:44.720
<v Speaker 2>After listening to the show, I think your attitude towards

0:18:44.800 --> 0:18:47.359
<v Speaker 2>life is very motivational. I love to hear that. Have

0:18:47.440 --> 0:18:49.520
<v Speaker 2>I ever considered writing a book or doing public speaking?

0:18:50.600 --> 0:18:54.560
<v Speaker 2>You know, I have never considered writing a book. I

0:18:54.680 --> 0:18:56.560
<v Speaker 2>definitely have a long way to go in my learning

0:18:56.760 --> 0:19:01.000
<v Speaker 2>process to be preaching to people about ways that they

0:19:01.000 --> 0:19:02.600
<v Speaker 2>can be better or change any of that in that

0:19:02.680 --> 0:19:05.720
<v Speaker 2>kind of sense. But I do my best.

0:19:05.760 --> 0:19:06.520
<v Speaker 3>I listen.

0:19:06.600 --> 0:19:11.439
<v Speaker 2>I was a psych major. I love conversations, engaging with

0:19:11.480 --> 0:19:14.720
<v Speaker 2>people about their life, their happiness. We do this, you

0:19:14.760 --> 0:19:17.119
<v Speaker 2>know what happens at work all the time. Richard and

0:19:17.160 --> 0:19:18.639
<v Speaker 2>I probably tend to be two of the ones that

0:19:18.720 --> 0:19:21.160
<v Speaker 2>love to engage in conversation and find ways to help

0:19:21.280 --> 0:19:23.199
<v Speaker 2>or give our advice. But I don't ever try to

0:19:23.880 --> 0:19:25.760
<v Speaker 2>push my advice on to anybody. If somebody asked me

0:19:25.800 --> 0:19:28.879
<v Speaker 2>for it, I'm happy to talk through things, but I

0:19:28.920 --> 0:19:32.520
<v Speaker 2>haven't gone that route. Or public speaking, although I'm here's

0:19:32.520 --> 0:19:36.520
<v Speaker 2>what's funny about me. I have no problem hosting, I

0:19:36.560 --> 0:19:39.080
<v Speaker 2>have no problem acting. I don't find myself to be

0:19:39.119 --> 0:19:41.879
<v Speaker 2>the best public speaker. It's a different set of nerves

0:19:41.880 --> 0:19:43.720
<v Speaker 2>speaking in front of a giant group of people and

0:19:43.880 --> 0:19:46.680
<v Speaker 2>just presenting. But I can do it. I'm much better

0:19:46.720 --> 0:19:50.639
<v Speaker 2>now than when I was younger. I was terrifle terrified

0:19:50.720 --> 0:19:52.760
<v Speaker 2>and terrible is what I meant to say. I said terrifle.

0:19:53.000 --> 0:19:56.000
<v Speaker 2>That's a new word I just created. I was terrified

0:19:56.880 --> 0:20:00.000
<v Speaker 2>speaking in public it was not required at my school,

0:20:00.680 --> 0:20:03.239
<v Speaker 2>in college or in high school, and I see it

0:20:03.240 --> 0:20:03.760
<v Speaker 2>with my daughter.

0:20:03.840 --> 0:20:04.040
<v Speaker 3>Now.

0:20:04.040 --> 0:20:06.520
<v Speaker 2>She's so good at public speaking, but they started them

0:20:06.640 --> 0:20:09.359
<v Speaker 2>so young in kindergarten. They were already saying little things

0:20:09.600 --> 0:20:12.919
<v Speaker 2>in front of the all grades in elementary school, and

0:20:13.200 --> 0:20:15.959
<v Speaker 2>by sixth grade she's sitting here giving presentations in chapel,

0:20:15.960 --> 0:20:18.760
<v Speaker 2>which is incredible. So I love that she's not going

0:20:18.800 --> 0:20:21.520
<v Speaker 2>through that. My son will hopefully get to that place too.

0:20:21.680 --> 0:20:24.800
<v Speaker 2>He's obviously a little bit more reserved. But I used

0:20:24.840 --> 0:20:28.000
<v Speaker 2>to freak out speaking in front of people, and I've

0:20:28.040 --> 0:20:31.919
<v Speaker 2>gotten better. Let's see, maybe that'll be part of my future.

0:20:31.920 --> 0:20:33.840
<v Speaker 2>But however, I could go host no problem. You put

0:20:33.840 --> 0:20:35.479
<v Speaker 2>a prompter in front of me and you give me lines,

0:20:35.760 --> 0:20:37.960
<v Speaker 2>I have no problem reading those lines and saying it.

0:20:39.040 --> 0:20:42.960
<v Speaker 2>EBW films, I like that. Have you ever had a

0:20:43.000 --> 0:20:46.439
<v Speaker 2>real life event or ever written into a show or

0:20:46.520 --> 0:20:51.800
<v Speaker 2>film you are doing. I have had real events that

0:20:51.800 --> 0:20:54.200
<v Speaker 2>happened to me on a ride along for the Rookie,

0:20:54.440 --> 0:20:56.439
<v Speaker 2>Like real ride alongs. We've had those written into the

0:20:56.440 --> 0:21:00.280
<v Speaker 2>show on any of the shows we've produced. Have not

0:21:00.320 --> 0:21:02.320
<v Speaker 2>put in real life events. But my wife and I

0:21:02.359 --> 0:21:05.120
<v Speaker 2>have been for years, right before I got the Rookie,

0:21:05.119 --> 0:21:08.159
<v Speaker 2>we were trying to develop a sitcom around our life

0:21:08.600 --> 0:21:11.000
<v Speaker 2>and how different we are, very similar to this podcast,

0:21:11.040 --> 0:21:14.000
<v Speaker 2>funny enough, it was almost what inspired this podcast, and

0:21:14.040 --> 0:21:16.159
<v Speaker 2>we were far down the road in development, and then

0:21:16.200 --> 0:21:17.960
<v Speaker 2>I got the Rookie and she got Grand Hotel and

0:21:17.960 --> 0:21:20.760
<v Speaker 2>that got put aside for a while. But we're hoping

0:21:20.800 --> 0:21:23.640
<v Speaker 2>at some point we can take our life and turn

0:21:23.680 --> 0:21:26.240
<v Speaker 2>it into a sitcom, you know, sort of allah. Everybody

0:21:26.280 --> 0:21:30.320
<v Speaker 2>loves Raymond kind of a vibe. We just we find

0:21:30.800 --> 0:21:32.680
<v Speaker 2>the things that happens and it happened in our lives

0:21:32.760 --> 0:21:34.879
<v Speaker 2>very interesting and funny. Maybe it's just us, but a

0:21:34.880 --> 0:21:37.080
<v Speaker 2>lot of people around us find it that way. And

0:21:37.600 --> 0:21:39.800
<v Speaker 2>we're so different, like we, you know, this show so

0:21:39.840 --> 0:21:43.680
<v Speaker 2>opposite and are difference in cultures and everything. It just

0:21:43.760 --> 0:21:46.360
<v Speaker 2>lends itself to great stories. So let's see that might

0:21:46.400 --> 0:21:49.399
<v Speaker 2>be in the future at some point. Club Aven. Have

0:21:49.600 --> 0:21:52.320
<v Speaker 2>you ever done a ride along with police officer? Now

0:21:52.320 --> 0:21:54.879
<v Speaker 2>that just leads right into what I was saying previously.

0:21:55.320 --> 0:21:55.960
<v Speaker 3>I have done.

0:21:56.000 --> 0:22:00.320
<v Speaker 2>I've done three ride alongs. One of them was in

0:22:00.359 --> 0:22:02.520
<v Speaker 2>a pretty mild division of the LAPD two of them

0:22:02.520 --> 0:22:06.119
<v Speaker 2>were in much more intense areas. However, one of those areas,

0:22:06.119 --> 0:22:08.200
<v Speaker 2>it was a super quiet right along, there wasn't a

0:22:08.240 --> 0:22:11.040
<v Speaker 2>ton of activity, but the other one got pretty heavy

0:22:11.080 --> 0:22:13.439
<v Speaker 2>at a couple of moments. We used one of the

0:22:13.480 --> 0:22:17.080
<v Speaker 2>incidents on the show where we got pushed into it.

0:22:17.119 --> 0:22:18.119
<v Speaker 3>We were pushed.

0:22:18.119 --> 0:22:20.359
<v Speaker 2>We drove through a major gang area and that area

0:22:20.440 --> 0:22:24.000
<v Speaker 2>was having a massive party, and the sergeant told everybody

0:22:24.000 --> 0:22:25.560
<v Speaker 2>they had to leave and clear out. When it was

0:22:25.640 --> 0:22:28.280
<v Speaker 2>just me and my director, Funny enough of the pilot

0:22:28.400 --> 0:22:31.000
<v Speaker 2>in the ride along and we're you know, we're we

0:22:31.000 --> 0:22:33.880
<v Speaker 2>have no gun, we have no w revest, and he

0:22:33.920 --> 0:22:37.560
<v Speaker 2>confronted hundreds of gang members basically at a party and

0:22:37.560 --> 0:22:39.160
<v Speaker 2>told them they needed to move on, and it got

0:22:39.280 --> 0:22:42.919
<v Speaker 2>very intense and very scary, but they ultimately.

0:22:43.920 --> 0:22:45.919
<v Speaker 3>Listened. We took off and left.

0:22:45.640 --> 0:22:48.600
<v Speaker 2>And we had within five minutes, there was probably thirty

0:22:48.600 --> 0:22:50.560
<v Speaker 2>cops all meeting to game plan how we're going to

0:22:50.600 --> 0:22:52.199
<v Speaker 2>go in and raid this house? And I was like,

0:22:52.240 --> 0:22:53.560
<v Speaker 2>how are we going to do this and be a

0:22:53.560 --> 0:22:56.600
<v Speaker 2>part of it? And we were game. Liz and I

0:22:56.640 --> 0:22:58.000
<v Speaker 2>were game. And as soon as we were about to

0:22:58.040 --> 0:23:01.480
<v Speaker 2>go in all those the gang, the gang party ended.

0:23:01.600 --> 0:23:04.320
<v Speaker 2>Everybody went home or went somewhere else. So it was

0:23:04.440 --> 0:23:07.959
<v Speaker 2>very There's a very interesting relationship between gangs and police

0:23:08.040 --> 0:23:09.919
<v Speaker 2>out there in the streets. You know, it's everybody kind

0:23:09.960 --> 0:23:12.200
<v Speaker 2>of tries to function with as much peace as possible,

0:23:12.880 --> 0:23:16.360
<v Speaker 2>knowing that they have to coexist. And I think gangs

0:23:16.560 --> 0:23:18.840
<v Speaker 2>still do obviously what they need to do, and cops

0:23:18.840 --> 0:23:20.080
<v Speaker 2>do what they have to do to try to keep

0:23:20.080 --> 0:23:23.879
<v Speaker 2>it safe. But it's it's a very unique balance that

0:23:23.920 --> 0:23:28.800
<v Speaker 2>I saw play out firsthand. Francesca, do you have a

0:23:28.880 --> 0:23:32.040
<v Speaker 2>favorite line that Tim has said? Tim has a lot

0:23:32.080 --> 0:23:33.960
<v Speaker 2>of great one liners, I'll give I will say that

0:23:33.960 --> 0:23:36.200
<v Speaker 2>I don't know if I have a favorite. I really don't.

0:23:36.560 --> 0:23:38.119
<v Speaker 2>I just got a new script that came out and

0:23:38.160 --> 0:23:40.160
<v Speaker 2>I'm cracking up at some of Tim's lines because they're

0:23:40.160 --> 0:23:44.720
<v Speaker 2>so dry and they're so snarky and quick, and with

0:23:44.840 --> 0:23:47.040
<v Speaker 2>his tone, it just to me they read so funny.

0:23:47.480 --> 0:23:48.719
<v Speaker 2>So I don't know if I have a favorite.

0:23:48.720 --> 0:23:49.280
<v Speaker 3>I really don't.

0:23:49.320 --> 0:23:51.639
<v Speaker 2>I know fans have sent me tons of their favorite lines,

0:23:51.680 --> 0:23:56.119
<v Speaker 2>and I I think Tim is a great one line character.

0:23:56.280 --> 0:23:59.320
<v Speaker 2>He just has some drops that are funny and some

0:23:59.359 --> 0:24:00.520
<v Speaker 2>of them make it, And.

0:24:02.240 --> 0:24:04.960
<v Speaker 3>Yeah, such a great character. I love playing Tim.

0:24:06.400 --> 0:24:09.160
<v Speaker 2>Do you have a favorite cocktail you make with Palm Republic.

0:24:09.240 --> 0:24:11.119
<v Speaker 2>This is a great one to end on with the question.

0:24:11.280 --> 0:24:14.719
<v Speaker 2>So I have I love an old fashion. That's probably

0:24:14.760 --> 0:24:17.080
<v Speaker 2>like my go to drink all the time when I

0:24:17.119 --> 0:24:20.119
<v Speaker 2>go out now, and it has been for years as

0:24:20.160 --> 0:24:21.879
<v Speaker 2>I was going through bourbons and whiskies, and then when

0:24:21.880 --> 0:24:24.280
<v Speaker 2>I fell in love with rum, I would you know,

0:24:24.560 --> 0:24:28.240
<v Speaker 2>find ways to try rum, you know, indifferent in different cocktails.

0:24:28.280 --> 0:24:30.600
<v Speaker 2>And I tried it one time as an old fashion.

0:24:30.760 --> 0:24:33.760
<v Speaker 2>Was obsessed then with Palm Republic because I believe that

0:24:33.800 --> 0:24:35.879
<v Speaker 2>our rum SIPs so much differently than a lot of

0:24:35.880 --> 0:24:38.040
<v Speaker 2>the age RUMs out there. I think our leans a

0:24:38.040 --> 0:24:40.800
<v Speaker 2>little bit more to the bourbon and whiskey flavor profile.

0:24:42.000 --> 0:24:45.560
<v Speaker 2>So for me, that's my favorite aged cocktail that I

0:24:45.600 --> 0:24:48.160
<v Speaker 2>make with Palm Republic is an old fashion And sometimes

0:24:48.160 --> 0:24:50.639
<v Speaker 2>I bought a smoker. I do a smokey old fashion

0:24:50.680 --> 0:24:55.560
<v Speaker 2>and I smoke the glass. Love that drink, the classic

0:24:55.600 --> 0:24:58.880
<v Speaker 2>Cuban Dacri. Big fan of that with our silver three

0:24:59.040 --> 0:25:02.480
<v Speaker 2>ingredients lime, simple syrup and our rum and Palm Republic

0:25:02.520 --> 0:25:04.679
<v Speaker 2>and you put it in a shaker with ice, boom,

0:25:04.720 --> 0:25:07.719
<v Speaker 2>shake it up, get it nice and cold. That's a great, simple,

0:25:07.800 --> 0:25:10.200
<v Speaker 2>clean drink. I mean not too much sugar, still has sugar,

0:25:10.200 --> 0:25:14.240
<v Speaker 2>but it's fairly clean. Mohitos I've always loved mohitos with

0:25:14.440 --> 0:25:19.119
<v Speaker 2>you know this are our silver what else I you

0:25:19.119 --> 0:25:21.760
<v Speaker 2>know again, I'm also very simple like our silver on

0:25:21.800 --> 0:25:24.560
<v Speaker 2>the rocks with a lime go to our aged on

0:25:24.600 --> 0:25:27.119
<v Speaker 2>the rocks. I absolutely love it that way. But a

0:25:27.160 --> 0:25:29.520
<v Speaker 2>mint julip, that's another popular one that people are doing.

0:25:29.800 --> 0:25:31.919
<v Speaker 2>We have an event we're doing not very soon here

0:25:31.960 --> 0:25:33.880
<v Speaker 2>and that's going to be a feature. Is a mint julip,

0:25:34.320 --> 0:25:36.760
<v Speaker 2>which is usually a bourbon because it's Kentucky and it's

0:25:36.840 --> 0:25:40.560
<v Speaker 2>very famous at the Kentucky Derby, but use it with

0:25:40.560 --> 0:25:42.879
<v Speaker 2>palm Republic rum. Try that as well. We have a

0:25:42.880 --> 0:25:47.879
<v Speaker 2>bunch of cocktails on the website, so definitely check those out. Again,

0:25:48.440 --> 0:25:50.639
<v Speaker 2>this was fun as always. I love diving in with

0:25:50.680 --> 0:25:53.840
<v Speaker 2>listener questions. Thank you everybody for writing in. I know

0:25:53.880 --> 0:25:55.680
<v Speaker 2>we have tons and it's hard to get to everyone,

0:25:55.760 --> 0:25:59.320
<v Speaker 2>but we're always open to more, so please make sure

0:25:59.359 --> 0:26:00.879
<v Speaker 2>you send them in and you know how to find

0:26:00.920 --> 0:26:05.000
<v Speaker 2>us at he said aad Ho. You can DM us

0:26:05.119 --> 0:26:08.680
<v Speaker 2>or email at ericinrozieheartradio dot com and until next time,

0:26:09.480 --> 0:26:09.920
<v Speaker 2>peace out.

0:26:10.359 --> 0:26:11.200
<v Speaker 3>Thanks for listening.

0:26:11.359 --> 0:26:13.159
<v Speaker 2>Don't forget to write us a review and tell us

0:26:13.160 --> 0:26:13.640
<v Speaker 2>what you think.

0:26:13.680 --> 0:26:15.760
<v Speaker 1>If you want to follow us on Instagram, check us

0:26:15.760 --> 0:26:18.240
<v Speaker 1>out at he said. Ajab or sin Is at email,

0:26:18.520 --> 0:26:22.000
<v Speaker 1>Eric and Ross at iHeartRadio dot com, he said. Ajab

0:26:22.359 --> 0:26:25.560
<v Speaker 1>is part of iHeartRadio's Miculduda podcast network.

0:26:25.640 --> 0:26:26.840
<v Speaker 3>See you next time. Bye,