WEBVTT - Episode 1: Swipe Right

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<v Speaker 1>The setup episode one.

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<v Speaker 2>Swipe right, this is only your second week in therapy one.

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<v Speaker 2>It takes time.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, So how did creating the dating profile make you feel?

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<v Speaker 4>Oh?

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<v Speaker 3>Good? Yeah? Fine, I mean good good. It felt it

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<v Speaker 3>felt good so good.

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<v Speaker 2>That's encouraging any matches?

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<v Speaker 4>No, not not not technically, I'm not sure I understand.

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<v Speaker 3>Well, the thing is that I didn't actually use the app.

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<v Speaker 2>Hmmm, I see.

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<v Speaker 3>Well, I mean it's not like I didn't try to

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<v Speaker 3>use it. I did.

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<v Speaker 4>I did try, but well, every time I opened it,

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<v Speaker 4>I got hit with this wave of nausea and and

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<v Speaker 4>then my heart started beating like so fast, and it

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<v Speaker 4>felt like I was kind of stuck in and it's

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<v Speaker 4>never ending, like time loop, you know. So I opened

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<v Speaker 4>the app, closey app, opened the app, close the app,

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<v Speaker 4>open the app, close the app, open the app.

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<v Speaker 2>I've got it.

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<v Speaker 3>Yeah, right, of course you got it. But it's just

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<v Speaker 3>it's proper for the best. Anyway. I'm too busy to

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<v Speaker 3>be dating right now, you know, with a museum exhibit

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<v Speaker 3>and the ATOMAL exhibit.

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<v Speaker 4>Yeah, in my mind has been all over the place,

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<v Speaker 4>you know, finalizing the layout, curating the paintings, making sure

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<v Speaker 4>that all the guests have RCP. We've finally got that

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<v Speaker 4>amazing new painting by Margaret de Lano.

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<v Speaker 2>Yes, Vietry soon, Mari.

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<v Speaker 3>Oh did I did I mention that last session?

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<v Speaker 2>You are a little scatter brained right now?

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<v Speaker 3>See what I mean.

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<v Speaker 4>There's just no way, no no way I could handle

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<v Speaker 4>a date right now. I'd self implode.

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<v Speaker 2>But there has to be some effort on your part

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<v Speaker 2>to reach out and connect with other people.

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<v Speaker 3>I connect with other people.

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<v Speaker 2>Do you outside of the museum? Well, Juan, I say

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<v Speaker 2>this with the utmost of care. You cannot keep living

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<v Speaker 2>your life in one dimension. At some point you've got

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<v Speaker 2>to step out of the canvass and into the real world.

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<v Speaker 2>I say you give the dating app another shot before

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<v Speaker 2>the big exhibit. When is it again?

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<v Speaker 3>Five days?

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<v Speaker 5>Perfect?

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<v Speaker 2>Your next assignment is to wipe right at least once,

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<v Speaker 2>just once. Sometimes once is all it takes.

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<v Speaker 6>Please see you guys, neus you a local for today

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<v Speaker 6>until your visit steady right, You gotta be careful with that, yeah,

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<v Speaker 6>I get no, stop stop stop please no no sorry, sorry,

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<v Speaker 6>I'm sorry.

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<v Speaker 4>But this piece needs to be just a little more

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<v Speaker 4>to the left so it catches the light.

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<v Speaker 3>No, no, no, no, no, no, no, a little more.

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<v Speaker 4>No no no, no no no no no too far

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<v Speaker 4>so far no.

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<v Speaker 3>Back to the right, back to the right, back to

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<v Speaker 3>the right.

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<v Speaker 4>Wait wait wait wait no no, no, no, no no no,

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<v Speaker 4>the other right, the other right, the other.

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<v Speaker 7>Right, guys, I said, to the right. Wait there. Oh, perfect, Actually.

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<v Speaker 3>That's that's totally right. No, bring it back to the light. Yeah,

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<v Speaker 3>that's great, thank you.

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<v Speaker 5>Guys.

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<v Speaker 4>Oh you know, what do you mind grabbing those paintings,

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<v Speaker 4>the ones in the back, the ones that got delivered today.

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<v Speaker 3>Astonishing brushwork.

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<v Speaker 4>I can almost feel the breeze here, the waves.

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<v Speaker 3>This painting. It's transcendent, it's it's what is that?

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<v Speaker 8>Okay, let's do another one, but make sure you get

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<v Speaker 8>my good any last time square download. I love it.

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<v Speaker 8>Actually get low work.

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<v Speaker 3>Work for it.

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<v Speaker 8>This looks so then pan out to a fish eye

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<v Speaker 8>so we could get the paintings in. Okay, I need

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<v Speaker 8>this supposed to be giving dark Academia Parisian and food service.

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<v Speaker 3>Stephanie are joining the clock right now. And who is that?

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<v Speaker 3>Oh my god, does he even have a visit respect one.

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<v Speaker 8>This is my cameraman, Ducks, Ducks, this is my boss.

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<v Speaker 3>On souping us up bro, I'll be over here. Stephanie up.

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<v Speaker 4>You're supposed to be helping me set up the exhibit,

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<v Speaker 4>not not Fielming tiktoks.

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<v Speaker 3>I'm curating our social presence.

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<v Speaker 4>Yeah, but well I need you to help me curate

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<v Speaker 4>and exhibit where all the paintings are level.

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<v Speaker 8>Stop trying to ass curator just because Williams out of town.

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<v Speaker 3>No, I'm not trying to. This exhibit is incredibly special

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<v Speaker 3>to me. Okay, did you even realize how lucky you

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<v Speaker 3>are to be experiencing these paintings up close? The transcendent

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<v Speaker 3>power of standing in this room? Do you know what

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<v Speaker 3>I'm talking about?

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<v Speaker 8>I touched strooms out of Harry Styles concert Ones and

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<v Speaker 8>fully come in with God, that.

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<v Speaker 3>Is not, that's not, that's not, that's not the same thing,

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<v Speaker 3>That's not the same thing.

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<v Speaker 8>Art is subjective.

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<v Speaker 5>One.

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<v Speaker 8>If I say Harry Styles is a piece of art,

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<v Speaker 8>he is a piece of art.

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<v Speaker 3>What is art? Is this painting by Margaret Delano?

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<v Speaker 8>And No, the seventeenth century European cannon is so boring.

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<v Speaker 8>I mean, so it's like another pretty landscape some random

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<v Speaker 8>beach in Italy, so basic, there's like no point of

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<v Speaker 8>view at all.

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<v Speaker 3>It's it's anything but basic. Okay.

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<v Speaker 4>Margaret Dono was one of the most revered impressionists of

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<v Speaker 4>the seventeenth century.

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<v Speaker 3>I must have tuned out that lecture.

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<v Speaker 8>But I am here for a strong female artist in

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<v Speaker 8>a male dominated time period.

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<v Speaker 3>Okay, you know what I can work with that. Okay.

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<v Speaker 3>So this is one of Margaret Delano's very first.

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<v Speaker 9>Paintings, a stunning depiction of the beaches of Vetri Sulmare

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<v Speaker 9>in southern Italy. She painted it entirely from the window

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<v Speaker 9>of the tiny room she was subjugated to by her

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<v Speaker 9>overbearing husband.

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<v Speaker 3>She never actually experienced the beaches in but.

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<v Speaker 10>If I look at her painting, really look at it,

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<v Speaker 10>it's almost like I can actually hear the waves roaring

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<v Speaker 10>against the shoreline, like I can feel the ocean spray

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<v Speaker 10>against my face. And now and now I'm walking walking

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<v Speaker 10>along the beach.

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<v Speaker 11>The world is full of an almost intoxicating promise, unfamiliar

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<v Speaker 11>faces and possibilities waiting for me at every corner.

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<v Speaker 3>Oh my god, this is TikTok gold. Are you feeling no, No,

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<v Speaker 3>try that on.

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<v Speaker 8>Oh my god, chill, I'll delete it.

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<v Speaker 10>Steffanie Stiffee, I was I was actually trying to connect

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<v Speaker 10>with you.

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<v Speaker 4>This exhibit is really important to me, and I thought

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<v Speaker 4>that I could just Oh my.

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<v Speaker 8>Gosh, crop William just text me, and I need to

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<v Speaker 8>make sure that all the paintings are even and leveled.

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<v Speaker 3>Yeah, that's what I've just such no timeline. I gotta

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<v Speaker 3>find it, take measure. Oh come on, what I what?

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<v Speaker 4>No, absolutely not, Indy, There's no way I'm swiping right

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<v Speaker 4>for a guy in turtleneck.

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<v Speaker 12>Oh ok yeah, six.

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<v Speaker 3>One, But nothing I was. I was just a teaching

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<v Speaker 3>Indy to fetch.

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<v Speaker 13>With your cell phone.

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<v Speaker 4>Okay, okay, fine, fine, I downloaded a dating now yeah,

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<v Speaker 4>I mean more.

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<v Speaker 3>Finally, did I see us? Wait a second? Okay, well

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<v Speaker 3>hold on, no no, no.

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<v Speaker 13>No, no, no, no no wait hold on. We are doing

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<v Speaker 13>this tonight. We don't make an old woman repeat herself.

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<v Speaker 4>Okay, fine, but I am definitely not swiping right on

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<v Speaker 4>anybody tonight.

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<v Speaker 3>Okay.

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<v Speaker 13>Oh look at him, Jared thirty seven, a firefighter.

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<v Speaker 12>Swipe right, swipe right, one no way.

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<v Speaker 4>Look at his photos. He's shirtless and literally every one

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<v Speaker 4>of them. I can I can just imagine the date

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<v Speaker 4>right now.

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<v Speaker 5>What's up?

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<v Speaker 3>Man, I'm Jared.

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<v Speaker 4>I love staring at myself in the mirror and lathering

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<v Speaker 4>my body in baby oil.

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<v Speaker 3>I will definitely break up with you using the three

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<v Speaker 3>word tex and a thumbs up emoji.

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<v Speaker 12>Fine, fine Left.

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<v Speaker 13>I meet up Emilio twenty seven, a poet. He looks

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<v Speaker 13>very respectable and he's wearing a shirt.

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<v Speaker 3>No, he's way too young. Plus he's dressed like a

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<v Speaker 3>pretentious hipster. Okay, hipster, yeah, a hipster. Trust me. If

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<v Speaker 3>we went on a date, it would be a total disaster.

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<v Speaker 5>Hi, I'm a Milio.

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<v Speaker 4>I'm only really interested in hearing the sound on my

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<v Speaker 4>own voice and talking about.

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<v Speaker 14>My extremely niche underground music taste, which you definitely I

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<v Speaker 14>haven't heard of.

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<v Speaker 3>Oh ghosha.

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<v Speaker 12>After a second date, why not boys? No hipsters left?

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<v Speaker 3>Oh wow.

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<v Speaker 13>Fernando thirty nine, owns his own bookstore.

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<v Speaker 15>I enjoy quiet mornings and in the early nights. I'm

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<v Speaker 15>an art enthusiast, a dog lover, and I'm looking for

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<v Speaker 15>a real, meaningful connection with someone who's satisfied spending a

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<v Speaker 15>quiet Saturday evening inside just being together.

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<v Speaker 12>He's perfect Colla.

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<v Speaker 3>There's no way a guy like that would go out

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<v Speaker 3>for a guy like me.

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<v Speaker 12>I want this.

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<v Speaker 13>Fernando would be lucky to have a sensitive, intelligent, maybe

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<v Speaker 13>too skinny, and she would eat more young man.

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<v Speaker 3>Like you in his life.

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<v Speaker 12>And you never know, he could be sitting alone on

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<v Speaker 12>his couch. You just waiting for you too, all right,

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<v Speaker 12>all right.

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<v Speaker 3>Okay, okay, fine, fine, fine, I'm swiping right. Okay, Holy crap,

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<v Speaker 3>it's a match.

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<v Speaker 4>Okay, Okay, he's asking if I want to go grab

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<v Speaker 4>dinner with him tonight.

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<v Speaker 3>I want to say yes. No, no, I can't say yes.

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<v Speaker 3>I can't ditch you for dinner.

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<v Speaker 13>Well, I don't know what this ditch, but I will

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<v Speaker 13>save you some leftovers. You are going on that date?

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<v Speaker 13>End of this question?

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<v Speaker 3>Okay, what It's just a date. Breathe I'm not gonna

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<v Speaker 3>be nervous about things we nervous about.

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<v Speaker 4>Stephanie, Why are you texting me at eight pm?

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<v Speaker 3>Okay? What do you want?

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<v Speaker 4>May have accidentally posted your weird art video going viral,

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<v Speaker 4>so sorry, not sorry.

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<v Speaker 10>Now I'm walking walking along than me.

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<v Speaker 3>This is not good.

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<v Speaker 4>Okay, okay, okay, breathe on, you're walk down.

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<v Speaker 3>I told you it was, you told me you deleted.

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<v Speaker 3>How many people have seen it?

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<v Speaker 11>It?

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<v Speaker 16>Wn'll be such a drama. Queen one, if only like

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<v Speaker 16>one hundred thousand. What Honestly, my mom's cat gets more engagement.

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<v Speaker 16>Just think of it as free brand marketing for the

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<v Speaker 16>It's a huge wind.

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<v Speaker 8>Weirdly, there are a ton of us in the comments

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<v Speaker 8>asking for your Instagram.

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<v Speaker 3>Oh my god, no, no, no, no, what if Fernando

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<v Speaker 3>saw this? Oh I'm so sorry. No, I have to

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<v Speaker 3>go CHESSI chessy. Oh thank god, Oh, thank god.

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<v Speaker 15>One Fernando, it's great to meet you.

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<v Speaker 3>I have to leave. I have to leave.

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<v Speaker 4>I got claustrophobic, and I spilled somebody's drinkle over my

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<v Speaker 4>shirt and the stain it's it's not gonna come out

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<v Speaker 4>unless I put the turgeon on it.

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<v Speaker 3>And my always says that the first four hours are

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<v Speaker 3>critical for removing stains.

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<v Speaker 4>And if I don't go home right now, then then

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<v Speaker 4>then there's a chance that the shirt will be ruined.

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<v Speaker 4>And I can't ruin the shirt because I don't have

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<v Speaker 4>that mean next year.

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<v Speaker 15>Hey what, just breathe, just breathe. Good forget the bar.

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<v Speaker 15>How about a walk. The cold air will help, I promise.

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<v Speaker 4>Okay, I'm honestly shocked that you didn't go sprinting in

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<v Speaker 4>the other direction as soon as you saw me. I'm

0:12:27.559 --> 0:12:29.600
<v Speaker 4>pretty sure I looked insane. I think I might still

0:12:29.640 --> 0:12:31.760
<v Speaker 4>look insane. Oh actually, oh my god, I look in

0:12:31.800 --> 0:12:32.800
<v Speaker 4>sane right now, don't I don't.

0:12:32.800 --> 0:12:35.760
<v Speaker 15>I you look great. I used to get panic attacks too.

0:12:36.040 --> 0:12:36.720
<v Speaker 15>How are you feeling?

0:12:37.280 --> 0:12:39.959
<v Speaker 3>Honestly a little better? Things?

0:12:40.360 --> 0:12:43.160
<v Speaker 15>Brisk walk and fresh air works wonders on the net.

0:12:43.200 --> 0:12:46.679
<v Speaker 4>Yeah, right, nerves, I think actually being to be honest,

0:12:46.679 --> 0:12:47.719
<v Speaker 4>I was nervous to meet you.

0:12:48.400 --> 0:12:49.280
<v Speaker 3>It was a big part of it.

0:12:49.360 --> 0:12:51.640
<v Speaker 4>Yeah, it's it's been it's been a while, you know,

0:12:51.800 --> 0:12:56.040
<v Speaker 4>since I've been out on a date to what really, Oh,

0:12:56.040 --> 0:12:57.840
<v Speaker 4>come on, I don't I don't believe that for a second.

0:12:57.920 --> 0:12:59.600
<v Speaker 15>I mean it's partially by choice.

0:12:59.720 --> 0:13:00.880
<v Speaker 3>Wait, what do you mean?

0:13:01.320 --> 0:13:07.240
<v Speaker 15>Well, it's hard to find someone who's just satisfied with

0:13:07.280 --> 0:13:09.960
<v Speaker 15>a quiet Saturday evening and you know, one of those

0:13:10.040 --> 0:13:11.560
<v Speaker 15>nights where you can just sit and read a book

0:13:11.600 --> 0:13:15.000
<v Speaker 15>together and my piece of art just just let it

0:13:15.160 --> 0:13:15.680
<v Speaker 15>wash over you.

0:13:16.160 --> 0:13:19.160
<v Speaker 3>Wow, I exactly what you mean.

0:13:19.559 --> 0:13:21.600
<v Speaker 15>I guess. I guess some people would call that picky.

0:13:21.920 --> 0:13:22.120
<v Speaker 5>Yeah.

0:13:22.120 --> 0:13:24.360
<v Speaker 4>I'm kind of picky about certain things too, you know,

0:13:24.640 --> 0:13:28.000
<v Speaker 4>I'm always I always felt like my exes they never

0:13:28.040 --> 0:13:30.679
<v Speaker 4>really got it, you know, or were like annoyed by it.

0:13:30.760 --> 0:13:34.800
<v Speaker 4>You know, maybe the way I organize my room or

0:13:35.400 --> 0:13:36.040
<v Speaker 4>make my bag.

0:13:36.240 --> 0:13:38.400
<v Speaker 15>You know, your space is your sanctuary.

0:13:38.480 --> 0:13:40.360
<v Speaker 3>Thank you exactly. Yes.

0:13:41.520 --> 0:13:45.400
<v Speaker 4>Wow, oh, hey, we're at the museum. I oh, that's funny.

0:13:45.400 --> 0:13:47.839
<v Speaker 4>I didn't even realize that we had walked this far.

0:13:48.520 --> 0:13:50.199
<v Speaker 4>I'm the curator here.

0:13:50.320 --> 0:13:53.360
<v Speaker 15>Oh, I know. You know I might have seen a

0:13:53.400 --> 0:13:56.640
<v Speaker 15>TikTok of you earlier today, the one with the Delano painting.

0:13:56.679 --> 0:14:01.679
<v Speaker 15>It was, Oh, it was refreshing. I haven't seen anything

0:14:01.760 --> 0:14:03.680
<v Speaker 15>so genuine online a long time.

0:14:04.240 --> 0:14:08.200
<v Speaker 4>It's just sometimes I lose myself in a painting. It's

0:14:08.280 --> 0:14:12.280
<v Speaker 4>like I don't even realize it until it's already happening.

0:14:13.120 --> 0:14:15.240
<v Speaker 15>I feel the same way when I lose myself in

0:14:15.240 --> 0:14:17.760
<v Speaker 15>a great book. You know, I'm not surprised that you're

0:14:17.800 --> 0:14:21.080
<v Speaker 15>the head museum curator. I mean you must be in

0:14:21.240 --> 0:14:23.360
<v Speaker 15>heaven surrounded by all those pieces of art.

0:14:23.560 --> 0:14:26.760
<v Speaker 4>Yeah, well it's yeah, it's also a lot of work.

0:14:26.760 --> 0:14:29.000
<v Speaker 15>Oh it must be. I mean you must stay after

0:14:29.080 --> 0:14:31.640
<v Speaker 15>hours all the time just to experience the paintings without

0:14:31.640 --> 0:14:37.479
<v Speaker 15>the hustle and bustle of the crowds, no responsibilities, no distractions,

0:14:37.560 --> 0:14:39.440
<v Speaker 15>just you and the art.

0:14:39.600 --> 0:14:44.000
<v Speaker 4>Yeah, yeah, I absolutely, I am. I am the head carriator,

0:14:44.040 --> 0:14:45.960
<v Speaker 4>and can I can do that. I can do that

0:14:46.160 --> 0:14:49.480
<v Speaker 4>whenever I do you want to do you want to

0:14:49.480 --> 0:14:51.560
<v Speaker 4>sneak in and take a quick peek right now? I

0:14:51.640 --> 0:14:54.040
<v Speaker 4>mean we're just finalizing the I don't know exhibit, So

0:14:54.320 --> 0:14:54.840
<v Speaker 4>what if you want?

0:14:54.920 --> 0:14:57.240
<v Speaker 3>I can really yeah.

0:14:56.680 --> 0:14:59.480
<v Speaker 15>No way, I've never been in a museum after hours,

0:14:59.520 --> 0:15:00.480
<v Speaker 15>that's yeah.

0:15:00.280 --> 0:15:03.480
<v Speaker 3>I could totally wait. So sorry, I'm so sorry for

0:15:03.680 --> 0:15:09.280
<v Speaker 3>a second. Hello, what wait? Right now?

0:15:09.960 --> 0:15:10.120
<v Speaker 5>Is she?

0:15:10.160 --> 0:15:10.360
<v Speaker 3>Okay?

0:15:10.360 --> 0:15:10.520
<v Speaker 5>Wall?

0:15:10.520 --> 0:15:13.520
<v Speaker 3>Where where is she? Okay, I'll be right there. I'll

0:15:13.560 --> 0:15:14.440
<v Speaker 3>be right there. I'll be right there.

0:15:14.840 --> 0:15:15.400
<v Speaker 15>Everything all right?

0:15:15.520 --> 0:15:17.000
<v Speaker 3>No, no, it's not I have I have to go.

0:15:17.080 --> 0:15:19.160
<v Speaker 3>I have to leave right now. I'm so sorry, I

0:15:19.200 --> 0:15:19.480
<v Speaker 3>have to go.

0:15:20.480 --> 0:15:21.120
<v Speaker 15>What's going on?

0:15:21.760 --> 0:15:24.040
<v Speaker 4>It's my grandmother. She she said that. They said that

0:15:24.080 --> 0:15:26.080
<v Speaker 4>she had a heart attack and she's she's at the

0:15:26.120 --> 0:15:28.280
<v Speaker 4>hospital right now. Oh my god, Oh my god. I

0:15:28.320 --> 0:15:29.600
<v Speaker 4>should never have left her alone.

0:15:29.800 --> 0:15:30.840
<v Speaker 15>Okay, let's tail a cap.

0:15:31.000 --> 0:15:32.720
<v Speaker 3>No no, no, no, no, no, no, you don't have to

0:15:32.720 --> 0:15:33.680
<v Speaker 3>do that. You don't have to do that.

0:15:35.040 --> 0:16:13.600
<v Speaker 14>Okay, this probably isn't what you're expecting on our first date, right,

0:16:14.080 --> 0:16:15.080
<v Speaker 14>So I totally get it.

0:16:15.120 --> 0:16:16.880
<v Speaker 15>If you just want to go it won't.

0:16:17.360 --> 0:16:20.840
<v Speaker 3>Yeah, yes, I'm not going anywhere. Think you.

0:16:20.920 --> 0:16:22.000
<v Speaker 4>I'm just I'm sorry.

0:16:22.240 --> 0:16:25.600
<v Speaker 3>It's just I just i's a little overwhelmed, you know,

0:16:26.080 --> 0:16:26.800
<v Speaker 3>and I'm scared.

0:16:27.280 --> 0:16:29.640
<v Speaker 15>It's okay, it's okay to be scared. Is there anyone

0:16:29.680 --> 0:16:30.320
<v Speaker 15>else you can call?

0:16:31.200 --> 0:16:32.160
<v Speaker 3>No?

0:16:32.160 --> 0:16:36.280
<v Speaker 4>No, boy, that's what I happened. I never I never

0:16:36.320 --> 0:16:40.400
<v Speaker 4>really met my folks, So I'm sorry to hear that. Yeah,

0:16:40.400 --> 0:16:42.440
<v Speaker 4>my dad he kind of jumped ship when.

0:16:42.360 --> 0:16:42.800
<v Speaker 3>I was born.

0:16:43.880 --> 0:16:46.920
<v Speaker 14>And your mom, well she left me with when I

0:16:46.960 --> 0:16:48.400
<v Speaker 14>was a little over a year old.

0:16:48.400 --> 0:16:54.280
<v Speaker 3>And what doesn't what doesn't been the one who's raised

0:16:54.280 --> 0:16:56.280
<v Speaker 3>me home by yourself.

0:16:58.360 --> 0:17:01.440
<v Speaker 15>Well, you're incredibly lucky to have her. I mean, families

0:17:01.440 --> 0:17:02.280
<v Speaker 15>can be complicated.

0:17:03.040 --> 0:17:05.560
<v Speaker 12>Yeah, hi there, I'm so sorry to interrupt.

0:17:06.400 --> 0:17:07.880
<v Speaker 3>Are you here from Malagro, Costio?

0:17:08.240 --> 0:17:08.440
<v Speaker 16>Yes?

0:17:08.760 --> 0:17:11.240
<v Speaker 3>Yes, she okay, she is. She's ready for visitors.

0:17:11.240 --> 0:17:13.840
<v Speaker 15>Now can you go one, I'm gonna grab some coffee.

0:17:13.880 --> 0:17:15.080
<v Speaker 3>I'm sure you know, I'm sure you have better things

0:17:15.119 --> 0:17:18.080
<v Speaker 3>to do if you want to go. I told you I'm.

0:17:17.880 --> 0:17:18.720
<v Speaker 15>Not going anywhere.

0:17:19.600 --> 0:17:21.000
<v Speaker 3>Okay, thank you.

0:17:26.840 --> 0:17:29.080
<v Speaker 12>I told the hospital not to bother you.

0:17:29.200 --> 0:17:31.520
<v Speaker 3>One you had a heart attack, oh.

0:17:31.920 --> 0:17:35.040
<v Speaker 12>Yes, the little one. I've had worse heartburn.

0:17:35.560 --> 0:17:38.840
<v Speaker 3>You almost gave me one. Luckily Fernando was there and

0:17:38.960 --> 0:17:39.760
<v Speaker 3>he and.

0:17:41.160 --> 0:17:45.320
<v Speaker 12>The beautiful bookstore man is he here? Don't this that

0:17:46.119 --> 0:17:46.920
<v Speaker 12>I want to meet?

0:17:47.680 --> 0:17:50.400
<v Speaker 4>Okay, well that's settled down before you have another heart

0:17:50.400 --> 0:17:53.720
<v Speaker 4>attack please, And yes, Fernando's here.

0:17:54.760 --> 0:17:56.040
<v Speaker 3>He even paid for the taxi.

0:17:56.400 --> 0:17:57.640
<v Speaker 12>Why the gentleman.

0:17:58.560 --> 0:18:00.760
<v Speaker 3>Yeah, he's a pretty great.

0:18:01.000 --> 0:18:03.520
<v Speaker 12>You like him, I can see it in your eyes.

0:18:04.560 --> 0:18:04.840
<v Speaker 4>I do.

0:18:05.320 --> 0:18:06.200
<v Speaker 12>Then go to him.

0:18:06.760 --> 0:18:10.879
<v Speaker 13>Don't stick around here moping. Take Fernando back to the apartment.

0:18:11.320 --> 0:18:14.160
<v Speaker 13>You'll have the place all yourselves the whole night. Oh

0:18:14.240 --> 0:18:18.480
<v Speaker 13>my god, what I promise I'll be Okay. The doctor

0:18:18.560 --> 0:18:20.600
<v Speaker 13>told me I'd be out of here in no time

0:18:20.640 --> 0:18:21.080
<v Speaker 13>at all.

0:18:21.280 --> 0:18:22.959
<v Speaker 3>I am not leaving you here alone.

0:18:24.040 --> 0:18:28.440
<v Speaker 12>Are You're really going to deny an old woman's dying wish?

0:18:28.520 --> 0:18:30.879
<v Speaker 4>Okay, okay, you are not dying, and I am staying

0:18:31.080 --> 0:18:32.679
<v Speaker 4>and of discussion.

0:18:32.920 --> 0:18:35.920
<v Speaker 12>Fine, but I want to hear every detail.

0:18:40.640 --> 0:18:41.720
<v Speaker 15>Hey, how was your willa?

0:18:41.800 --> 0:18:44.160
<v Speaker 3>Hey? Somehow more energeneric?

0:18:45.359 --> 0:18:47.960
<v Speaker 15>Well that's great. Here is your coffee. I don't know

0:18:47.960 --> 0:18:49.399
<v Speaker 15>how you like it, so I just made it how

0:18:49.440 --> 0:18:50.040
<v Speaker 15>I make mine?

0:18:50.119 --> 0:18:59.600
<v Speaker 4>Oh okay, cream one sugar, Yeah, wow, that's actually perfect. Well, Hey,

0:18:59.640 --> 0:19:02.520
<v Speaker 4>look I think I'm going to spend the night here,

0:19:02.520 --> 0:19:04.040
<v Speaker 4>and I know that you came all the way and

0:19:04.760 --> 0:19:07.240
<v Speaker 4>our date was definitely not how you probably plan it,

0:19:07.240 --> 0:19:08.120
<v Speaker 4>and I actually don't.

0:19:07.920 --> 0:19:09.720
<v Speaker 3>Expect you to ever talk to me ever again, So

0:19:09.760 --> 0:19:12.560
<v Speaker 3>I totally get it. You just want to completely Yeah.

0:19:12.400 --> 0:19:14.960
<v Speaker 15>Tonight did kind of take an unexpected turn.

0:19:15.119 --> 0:19:15.880
<v Speaker 3>Yeah, but.

0:19:17.440 --> 0:19:20.080
<v Speaker 15>I would really love to see you again, if that's okay?

0:19:20.160 --> 0:19:24.120
<v Speaker 3>Why? Sorry? Why?

0:19:24.160 --> 0:19:29.080
<v Speaker 15>Well, I guess I'm saying I like you. Yeah, yes,

0:19:29.160 --> 0:19:31.119
<v Speaker 15>I am saying that I like you and I would

0:19:31.160 --> 0:19:32.240
<v Speaker 15>like to get to know you better.

0:19:32.480 --> 0:19:36.200
<v Speaker 3>You like me, it's that surprised. Well, I know, I don't.

0:19:36.240 --> 0:19:39.440
<v Speaker 3>I don't know, I think so next.

0:19:39.240 --> 0:19:41.720
<v Speaker 15>Time, I'm taking you up on the offer to sneak

0:19:41.760 --> 0:19:42.880
<v Speaker 15>me into the museum.

0:19:42.520 --> 0:19:45.800
<v Speaker 4>After our Yes, totally absolutely sounds like fun next time

0:19:45.840 --> 0:19:46.120
<v Speaker 4>for sure?

0:19:46.200 --> 0:19:49.280
<v Speaker 15>Yes, Well I I should, I should go, right, I should?

0:19:49.440 --> 0:19:58.159
<v Speaker 3>Okay? But on the wait, well did you will meet? Sorry?

0:19:58.359 --> 0:19:58.879
<v Speaker 15>You're sorry?

0:19:58.920 --> 0:20:01.879
<v Speaker 3>No, I was just I just I really wanted to

0:20:01.920 --> 0:20:02.199
<v Speaker 3>do that.

0:20:03.119 --> 0:20:04.320
<v Speaker 15>You have no reason to be sorry.

0:20:04.359 --> 0:20:10.480
<v Speaker 3>I'm really glad that you did. Great, I see you

0:20:10.480 --> 0:20:17.679
<v Speaker 3>sound it's a date. The day, it's a day, sir.

0:20:18.680 --> 0:20:21.120
<v Speaker 3>You are in a hospital, right right, right right? Oh

0:20:21.119 --> 0:20:23.159
<v Speaker 3>my gosh, sorry, sorry, sorry, sorry, I'm so sorry, but

0:20:23.280 --> 0:20:28.359
<v Speaker 3>you did you see? Literally perfect, literally handsomed like what they?

0:20:28.480 --> 0:20:29.520
<v Speaker 3>So kind and gentle?

0:20:31.160 --> 0:20:32.960
<v Speaker 15>Dg what the hell are you doing here?

0:20:33.960 --> 0:20:39.800
<v Speaker 2>Open the door, so craggy say out too late on

0:20:39.800 --> 0:20:47.600
<v Speaker 2>your face, date, Fernando, Open the door right now, Hey,

0:20:47.720 --> 0:20:50.840
<v Speaker 2>little cuz, long time, no see did you miss me?

0:20:51.280 --> 0:20:51.679
<v Speaker 15>Let me in?

0:20:54.520 --> 0:20:57.760
<v Speaker 2>Oh, come on, I haven't seen you since Operation Eric.

0:20:58.000 --> 0:20:59.399
<v Speaker 2>Shouldn't I get a hug or something.

0:20:59.480 --> 0:21:03.240
<v Speaker 15>I'm giving you three seconds, taging one to you know.

0:21:03.680 --> 0:21:06.719
<v Speaker 2>Prison wasn't too bad, and I had a bunch of

0:21:06.760 --> 0:21:09.240
<v Speaker 2>time to think, found God or whatever.

0:21:09.520 --> 0:21:11.399
<v Speaker 15>I always figured you'd burst into flames if you step

0:21:11.440 --> 0:21:13.720
<v Speaker 15>foot in the church. Where's my father?

0:21:14.640 --> 0:21:19.440
<v Speaker 5>I'm right here, Fernando. Did you acquire the painting?

0:21:19.600 --> 0:21:23.960
<v Speaker 2>A tough night because.

0:21:23.800 --> 0:21:27.440
<v Speaker 15>I made contact with the mark, but things got complicated.

0:21:27.920 --> 0:21:32.480
<v Speaker 2>I need more time or a bigger brain, better skills tech.

0:21:32.600 --> 0:21:33.160
<v Speaker 15>I swear to.

0:21:33.040 --> 0:21:40.040
<v Speaker 5>God enough both of you, Fernando. I'm preparing to step

0:21:40.080 --> 0:21:44.359
<v Speaker 5>down as head of the family business. I'm ready to

0:21:44.400 --> 0:21:47.080
<v Speaker 5>hand the reins over to somebody who can handle the

0:21:47.119 --> 0:21:51.359
<v Speaker 5>responsibility of running an international gun empire.

0:21:51.640 --> 0:21:54.679
<v Speaker 15>I'm ready, Toad. I've been preparing my entire life watching

0:21:54.680 --> 0:21:57.080
<v Speaker 15>the way you handle the business, the way you keep

0:21:57.119 --> 0:22:01.959
<v Speaker 15>the authorities in line. I mean, what is so funny?

0:22:02.960 --> 0:22:05.480
<v Speaker 2>I'm just picturing you dealing with the authorities.

0:22:06.080 --> 0:22:09.960
<v Speaker 5>I swear to God, Gigi every time, Fernando, my boy,

0:22:10.760 --> 0:22:15.840
<v Speaker 5>I respect your enthusiasm, but I am wary of your tactics.

0:22:16.200 --> 0:22:22.120
<v Speaker 5>They're fallible at best, emotional erratic. And I've been awakened

0:22:22.119 --> 0:22:29.280
<v Speaker 5>to another possibility, another possibility for what exactly Your cousin

0:22:29.640 --> 0:22:32.639
<v Speaker 5>has come to me with the proposal. She believes she

0:22:32.680 --> 0:22:35.680
<v Speaker 5>can run the business better than you can, that she's

0:22:35.720 --> 0:22:36.920
<v Speaker 5>the stronger.

0:22:36.480 --> 0:22:39.800
<v Speaker 2>Gone, stronger, better, and more stylish.

0:22:39.840 --> 0:22:42.960
<v Speaker 15>Are you kidding me? She is a literal red flag

0:22:43.000 --> 0:22:46.520
<v Speaker 15>in that bright red coat, leaving a disaster in her wake.

0:22:46.600 --> 0:22:48.359
<v Speaker 15>After every goddamn.

0:22:47.880 --> 0:22:53.119
<v Speaker 2>Job you say potato, I say you're reckless, and I

0:22:53.240 --> 0:22:55.159
<v Speaker 2>say your spinals.

0:22:54.600 --> 0:23:02.800
<v Speaker 5>Enough bakery for Christ's sake. Yes, Gigi may have eccentricities, Fernando,

0:23:03.440 --> 0:23:06.080
<v Speaker 5>but she also gets resolved eccentricity.

0:23:06.200 --> 0:23:07.200
<v Speaker 15>She's a maniac.

0:23:07.840 --> 0:23:11.840
<v Speaker 5>To move an empire into the future, we need to

0:23:11.880 --> 0:23:15.199
<v Speaker 5>think out of the box, which is why I am

0:23:15.240 --> 0:23:18.960
<v Speaker 5>giving you one more opportunity, my son, one more chance

0:23:19.040 --> 0:23:23.520
<v Speaker 5>to prove yourself worthy of shepherding our family's legacy into

0:23:23.560 --> 0:23:24.280
<v Speaker 5>the next era.

0:23:25.600 --> 0:23:30.080
<v Speaker 15>Get me that painting and if I fail, if I

0:23:30.080 --> 0:23:32.000
<v Speaker 15>don't secure the painting, if I can't.

0:23:33.160 --> 0:23:36.840
<v Speaker 2>Well, then the business is mine, bitch.

0:23:45.240 --> 0:23:49.080
<v Speaker 1>The setup was produced by Sonro in partnership with Iheart'smichael

0:23:49.119 --> 0:23:53.399
<v Speaker 1>Dura podcast Network. Created and written by Ivy Marie and

0:23:53.440 --> 0:24:01.600
<v Speaker 1>Philippe Baujan, directed by Bettina Lopez, Produced by Luis Elado Castillo,

0:24:01.640 --> 0:24:07.879
<v Speaker 1>developed by Bettina Lopez, story editing by Nick Milanz. Executive

0:24:07.920 --> 0:24:11.879
<v Speaker 1>produced by Harvey Gillen and Christian Navarro. Connel Byrne and

0:24:11.920 --> 0:24:16.200
<v Speaker 1>Giselle Bances for iHeart and Camilla Victoriano and Joshua Weinstein

0:24:16.320 --> 0:24:21.720
<v Speaker 1>for Sonorro. Performances in this episode by Harvey gi Yen,

0:24:22.760 --> 0:24:30.280
<v Speaker 1>Christian Navarro, Daniela Alonso, j D. Garfield, Sofina Vejesus, Sheila,

0:24:30.359 --> 0:24:38.840
<v Speaker 1>Sheila Corci, Isabela Olivas, Kareem Galeb, Nathan Nnhaff, Jessica Ruth bell,

0:24:39.760 --> 0:24:45.960
<v Speaker 1>Aaron Ledeck, Christina Mueller and Jose Villa read. Our production

0:24:46.080 --> 0:24:49.800
<v Speaker 1>and supervising managers are Gustav Woa, Rila and kerensa Chaidis.

0:24:50.880 --> 0:24:55.240
<v Speaker 1>Recording engineering and sound designed by Edwin Irigoying Fuan Diaz

0:24:55.320 --> 0:25:00.280
<v Speaker 1>and Andres Bayina. Casting and coordination by Ansley Martinez and

0:25:00.359 --> 0:25:01.359
<v Speaker 1>Alex Gonsiles.

0:25:02.680 --> 0:25:03.880
<v Speaker 3>Voices recorded at the.

0:25:03.880 --> 0:25:07.359
<v Speaker 1>Invisible Studios in Los Angeles, The Relic Room in New York,

0:25:07.600 --> 0:25:12.320
<v Speaker 1>and Cabby Sound Studios in Albuquerque, New Mexico, with engineering

0:25:12.359 --> 0:25:18.400
<v Speaker 1>by Lester Danglar, Brett Tubin, and Colin Ungerlier. If you're

0:25:18.480 --> 0:25:21.520
<v Speaker 1>enjoying the setup, please subscribe, rate, and review our show

0:25:21.680 --> 0:25:22.760
<v Speaker 1>wherever you're listening