1 00:00:05,240 --> 00:00:07,280 Speaker 1: The setup episode one. 2 00:00:08,000 --> 00:00:15,880 Speaker 2: Swipe right, this is only your second week in therapy one. 3 00:00:16,280 --> 00:00:17,120 Speaker 2: It takes time. 4 00:00:17,480 --> 00:00:17,720 Speaker 3: Yeah. 5 00:00:18,320 --> 00:00:22,520 Speaker 2: Yeah, So how did creating the dating profile make you feel? 6 00:00:23,000 --> 00:00:23,200 Speaker 4: Oh? 7 00:00:23,520 --> 00:00:26,800 Speaker 3: Good? Yeah? Fine, I mean good good. It felt it 8 00:00:26,800 --> 00:00:27,639 Speaker 3: felt good so good. 9 00:00:27,840 --> 00:00:29,720 Speaker 2: That's encouraging any matches? 10 00:00:30,360 --> 00:00:34,760 Speaker 4: No, not not not technically, I'm not sure I understand. 11 00:00:35,000 --> 00:00:38,520 Speaker 3: Well, the thing is that I didn't actually use the app. 12 00:00:39,000 --> 00:00:40,560 Speaker 2: Hmmm, I see. 13 00:00:40,680 --> 00:00:42,880 Speaker 3: Well, I mean it's not like I didn't try to 14 00:00:42,960 --> 00:00:43,519 Speaker 3: use it. I did. 15 00:00:43,600 --> 00:00:46,199 Speaker 4: I did try, but well, every time I opened it, 16 00:00:46,240 --> 00:00:49,040 Speaker 4: I got hit with this wave of nausea and and 17 00:00:49,040 --> 00:00:51,440 Speaker 4: then my heart started beating like so fast, and it 18 00:00:51,479 --> 00:00:53,360 Speaker 4: felt like I was kind of stuck in and it's 19 00:00:53,440 --> 00:00:56,040 Speaker 4: never ending, like time loop, you know. So I opened 20 00:00:56,040 --> 00:00:57,680 Speaker 4: the app, closey app, opened the app, close the app, 21 00:00:57,680 --> 00:00:59,560 Speaker 4: open the app, close the app, open the app. 22 00:01:00,120 --> 00:01:00,520 Speaker 2: I've got it. 23 00:01:00,600 --> 00:01:02,760 Speaker 3: Yeah, right, of course you got it. But it's just 24 00:01:02,800 --> 00:01:05,720 Speaker 3: it's proper for the best. Anyway. I'm too busy to 25 00:01:05,720 --> 00:01:08,360 Speaker 3: be dating right now, you know, with a museum exhibit 26 00:01:08,480 --> 00:01:10,160 Speaker 3: and the ATOMAL exhibit. 27 00:01:10,680 --> 00:01:13,559 Speaker 4: Yeah, in my mind has been all over the place, 28 00:01:13,600 --> 00:01:17,320 Speaker 4: you know, finalizing the layout, curating the paintings, making sure 29 00:01:17,360 --> 00:01:20,679 Speaker 4: that all the guests have RCP. We've finally got that 30 00:01:20,840 --> 00:01:23,560 Speaker 4: amazing new painting by Margaret de Lano. 31 00:01:24,640 --> 00:01:26,400 Speaker 2: Yes, Vietry soon, Mari. 32 00:01:26,440 --> 00:01:29,920 Speaker 3: Oh did I did I mention that last session? 33 00:01:30,400 --> 00:01:32,160 Speaker 2: You are a little scatter brained right now? 34 00:01:32,600 --> 00:01:33,240 Speaker 3: See what I mean. 35 00:01:33,880 --> 00:01:36,040 Speaker 4: There's just no way, no no way I could handle 36 00:01:36,040 --> 00:01:38,399 Speaker 4: a date right now. I'd self implode. 37 00:01:38,920 --> 00:01:41,400 Speaker 2: But there has to be some effort on your part 38 00:01:41,480 --> 00:01:43,679 Speaker 2: to reach out and connect with other people. 39 00:01:45,800 --> 00:01:48,280 Speaker 3: I connect with other people. 40 00:01:48,960 --> 00:01:54,680 Speaker 2: Do you outside of the museum? Well, Juan, I say 41 00:01:54,720 --> 00:01:57,480 Speaker 2: this with the utmost of care. You cannot keep living 42 00:01:57,480 --> 00:01:59,840 Speaker 2: your life in one dimension. At some point you've got 43 00:01:59,880 --> 00:02:02,760 Speaker 2: to step out of the canvass and into the real world. 44 00:02:03,440 --> 00:02:05,600 Speaker 2: I say you give the dating app another shot before 45 00:02:05,600 --> 00:02:07,520 Speaker 2: the big exhibit. When is it again? 46 00:02:07,800 --> 00:02:08,600 Speaker 3: Five days? 47 00:02:08,639 --> 00:02:09,079 Speaker 5: Perfect? 48 00:02:09,520 --> 00:02:12,640 Speaker 2: Your next assignment is to wipe right at least once, 49 00:02:13,200 --> 00:02:16,680 Speaker 2: just once. Sometimes once is all it takes. 50 00:02:20,280 --> 00:02:22,600 Speaker 6: Please see you guys, neus you a local for today 51 00:02:22,840 --> 00:02:28,799 Speaker 6: until your visit steady right, You gotta be careful with that, yeah, 52 00:02:28,800 --> 00:02:31,720 Speaker 6: I get no, stop stop stop please no no sorry, sorry, 53 00:02:31,720 --> 00:02:32,359 Speaker 6: I'm sorry. 54 00:02:32,160 --> 00:02:35,040 Speaker 4: But this piece needs to be just a little more 55 00:02:35,040 --> 00:02:36,880 Speaker 4: to the left so it catches the light. 56 00:02:37,360 --> 00:02:39,359 Speaker 3: No, no, no, no, no, no, no, a little more. 57 00:02:39,560 --> 00:02:41,720 Speaker 4: No no no, no no no no no too far 58 00:02:41,880 --> 00:02:42,720 Speaker 4: so far no. 59 00:02:42,840 --> 00:02:44,120 Speaker 3: Back to the right, back to the right, back to 60 00:02:44,160 --> 00:02:44,480 Speaker 3: the right. 61 00:02:44,520 --> 00:02:46,239 Speaker 4: Wait wait wait wait no no, no, no, no no no, 62 00:02:46,360 --> 00:02:47,680 Speaker 4: the other right, the other right, the other. 63 00:02:47,639 --> 00:02:59,360 Speaker 7: Right, guys, I said, to the right. Wait there. Oh, perfect, Actually. 64 00:02:59,000 --> 00:03:02,359 Speaker 3: That's that's totally right. No, bring it back to the light. Yeah, 65 00:03:02,440 --> 00:03:03,560 Speaker 3: that's great, thank you. 66 00:03:03,560 --> 00:03:03,880 Speaker 5: Guys. 67 00:03:04,520 --> 00:03:06,560 Speaker 4: Oh you know, what do you mind grabbing those paintings, 68 00:03:06,760 --> 00:03:13,240 Speaker 4: the ones in the back, the ones that got delivered today. 69 00:03:11,560 --> 00:03:15,320 Speaker 3: Astonishing brushwork. 70 00:03:18,480 --> 00:03:22,320 Speaker 4: I can almost feel the breeze here, the waves. 71 00:03:23,680 --> 00:03:32,280 Speaker 3: This painting. It's transcendent, it's it's what is that? 72 00:03:39,000 --> 00:03:41,240 Speaker 8: Okay, let's do another one, but make sure you get 73 00:03:41,280 --> 00:03:45,600 Speaker 8: my good any last time square download. I love it. 74 00:03:45,640 --> 00:03:49,320 Speaker 8: Actually get low work. 75 00:03:49,680 --> 00:03:50,440 Speaker 3: Work for it. 76 00:03:50,800 --> 00:03:53,760 Speaker 8: This looks so then pan out to a fish eye 77 00:03:53,800 --> 00:03:56,040 Speaker 8: so we could get the paintings in. Okay, I need 78 00:03:56,040 --> 00:04:00,240 Speaker 8: this supposed to be giving dark Academia Parisian and food service. 79 00:04:00,680 --> 00:04:03,760 Speaker 3: Stephanie are joining the clock right now. And who is that? 80 00:04:04,320 --> 00:04:07,320 Speaker 3: Oh my god, does he even have a visit respect one. 81 00:04:07,920 --> 00:04:12,320 Speaker 8: This is my cameraman, Ducks, Ducks, this is my boss. 82 00:04:11,960 --> 00:04:18,400 Speaker 3: On souping us up bro, I'll be over here. Stephanie up. 83 00:04:18,400 --> 00:04:20,919 Speaker 4: You're supposed to be helping me set up the exhibit, 84 00:04:20,960 --> 00:04:22,200 Speaker 4: not not Fielming tiktoks. 85 00:04:22,440 --> 00:04:24,479 Speaker 3: I'm curating our social presence. 86 00:04:25,560 --> 00:04:27,839 Speaker 4: Yeah, but well I need you to help me curate 87 00:04:28,040 --> 00:04:30,920 Speaker 4: and exhibit where all the paintings are level. 88 00:04:31,680 --> 00:04:34,840 Speaker 8: Stop trying to ass curator just because Williams out of town. 89 00:04:34,920 --> 00:04:39,080 Speaker 3: No, I'm not trying to. This exhibit is incredibly special 90 00:04:39,120 --> 00:04:43,120 Speaker 3: to me. Okay, did you even realize how lucky you 91 00:04:43,160 --> 00:04:46,400 Speaker 3: are to be experiencing these paintings up close? The transcendent 92 00:04:46,480 --> 00:04:49,240 Speaker 3: power of standing in this room? Do you know what 93 00:04:49,279 --> 00:04:50,159 Speaker 3: I'm talking about? 94 00:04:51,880 --> 00:04:54,159 Speaker 8: I touched strooms out of Harry Styles concert Ones and 95 00:04:54,360 --> 00:04:56,040 Speaker 8: fully come in with God, that. 96 00:04:56,160 --> 00:04:58,240 Speaker 3: Is not, that's not, that's not, that's not the same thing, 97 00:04:58,360 --> 00:04:59,160 Speaker 3: That's not the same thing. 98 00:04:59,520 --> 00:05:00,599 Speaker 8: Art is subjective. 99 00:05:00,680 --> 00:05:00,880 Speaker 5: One. 100 00:05:01,160 --> 00:05:03,159 Speaker 8: If I say Harry Styles is a piece of art, 101 00:05:03,600 --> 00:05:05,559 Speaker 8: he is a piece of art. 102 00:05:05,760 --> 00:05:09,279 Speaker 3: What is art? Is this painting by Margaret Delano? 103 00:05:09,800 --> 00:05:15,200 Speaker 8: And No, the seventeenth century European cannon is so boring. 104 00:05:16,120 --> 00:05:21,080 Speaker 8: I mean, so it's like another pretty landscape some random 105 00:05:21,120 --> 00:05:24,520 Speaker 8: beach in Italy, so basic, there's like no point of 106 00:05:24,560 --> 00:05:25,080 Speaker 8: view at all. 107 00:05:25,279 --> 00:05:27,400 Speaker 3: It's it's anything but basic. Okay. 108 00:05:27,440 --> 00:05:30,280 Speaker 4: Margaret Dono was one of the most revered impressionists of 109 00:05:30,279 --> 00:05:31,320 Speaker 4: the seventeenth century. 110 00:05:32,240 --> 00:05:33,919 Speaker 3: I must have tuned out that lecture. 111 00:05:34,320 --> 00:05:36,320 Speaker 8: But I am here for a strong female artist in 112 00:05:36,360 --> 00:05:37,960 Speaker 8: a male dominated time period. 113 00:05:38,160 --> 00:05:40,560 Speaker 3: Okay, you know what I can work with that. Okay. 114 00:05:40,360 --> 00:05:43,080 Speaker 3: So this is one of Margaret Delano's very first. 115 00:05:42,800 --> 00:05:49,720 Speaker 9: Paintings, a stunning depiction of the beaches of Vetri Sulmare 116 00:05:50,200 --> 00:05:53,640 Speaker 9: in southern Italy. She painted it entirely from the window 117 00:05:53,720 --> 00:05:56,320 Speaker 9: of the tiny room she was subjugated to by her 118 00:05:56,480 --> 00:05:57,839 Speaker 9: overbearing husband. 119 00:05:58,000 --> 00:06:00,760 Speaker 3: She never actually experienced the beaches in but. 120 00:06:01,320 --> 00:06:05,360 Speaker 10: If I look at her painting, really look at it, 121 00:06:05,360 --> 00:06:10,239 Speaker 10: it's almost like I can actually hear the waves roaring 122 00:06:10,400 --> 00:06:14,919 Speaker 10: against the shoreline, like I can feel the ocean spray 123 00:06:15,600 --> 00:06:21,400 Speaker 10: against my face. And now and now I'm walking walking 124 00:06:21,440 --> 00:06:22,320 Speaker 10: along the beach. 125 00:06:23,120 --> 00:06:29,120 Speaker 11: The world is full of an almost intoxicating promise, unfamiliar 126 00:06:29,160 --> 00:06:33,839 Speaker 11: faces and possibilities waiting for me at every corner. 127 00:06:35,880 --> 00:06:40,440 Speaker 3: Oh my god, this is TikTok gold. Are you feeling no, No, 128 00:06:40,560 --> 00:06:40,920 Speaker 3: try that on. 129 00:06:41,080 --> 00:06:43,640 Speaker 8: Oh my god, chill, I'll delete it. 130 00:06:43,680 --> 00:06:46,919 Speaker 10: Steffanie Stiffee, I was I was actually trying to connect 131 00:06:46,960 --> 00:06:47,320 Speaker 10: with you. 132 00:06:47,680 --> 00:06:50,719 Speaker 4: This exhibit is really important to me, and I thought 133 00:06:50,760 --> 00:06:52,160 Speaker 4: that I could just Oh my. 134 00:06:52,120 --> 00:06:54,800 Speaker 8: Gosh, crop William just text me, and I need to 135 00:06:54,800 --> 00:06:56,760 Speaker 8: make sure that all the paintings are even and leveled. 136 00:06:56,880 --> 00:07:00,560 Speaker 3: Yeah, that's what I've just such no timeline. I gotta 137 00:07:00,560 --> 00:07:11,880 Speaker 3: find it, take measure. Oh come on, what I what? 138 00:07:12,000 --> 00:07:15,080 Speaker 4: No, absolutely not, Indy, There's no way I'm swiping right 139 00:07:15,120 --> 00:07:16,240 Speaker 4: for a guy in turtleneck. 140 00:07:17,800 --> 00:07:20,880 Speaker 12: Oh ok yeah, six. 141 00:07:20,760 --> 00:07:25,240 Speaker 3: One, But nothing I was. I was just a teaching 142 00:07:25,280 --> 00:07:26,560 Speaker 3: Indy to fetch. 143 00:07:26,520 --> 00:07:27,720 Speaker 13: With your cell phone. 144 00:07:27,920 --> 00:07:31,240 Speaker 4: Okay, okay, fine, fine, I downloaded a dating now yeah, 145 00:07:31,400 --> 00:07:32,280 Speaker 4: I mean more. 146 00:07:32,600 --> 00:07:36,120 Speaker 3: Finally, did I see us? Wait a second? Okay, well 147 00:07:36,240 --> 00:07:37,160 Speaker 3: hold on, no no, no. 148 00:07:37,000 --> 00:07:40,119 Speaker 13: No, no, no, no no wait hold on. We are doing 149 00:07:40,160 --> 00:07:44,600 Speaker 13: this tonight. We don't make an old woman repeat herself. 150 00:07:45,040 --> 00:07:48,520 Speaker 4: Okay, fine, but I am definitely not swiping right on 151 00:07:48,600 --> 00:07:49,320 Speaker 4: anybody tonight. 152 00:07:49,400 --> 00:07:50,480 Speaker 3: Okay. 153 00:07:52,040 --> 00:07:57,360 Speaker 13: Oh look at him, Jared thirty seven, a firefighter. 154 00:07:57,760 --> 00:07:59,800 Speaker 12: Swipe right, swipe right, one no way. 155 00:08:00,080 --> 00:08:02,440 Speaker 4: Look at his photos. He's shirtless and literally every one 156 00:08:02,480 --> 00:08:05,120 Speaker 4: of them. I can I can just imagine the date 157 00:08:05,200 --> 00:08:05,600 Speaker 4: right now. 158 00:08:05,840 --> 00:08:06,240 Speaker 5: What's up? 159 00:08:06,240 --> 00:08:07,080 Speaker 3: Man, I'm Jared. 160 00:08:07,240 --> 00:08:10,240 Speaker 4: I love staring at myself in the mirror and lathering 161 00:08:10,280 --> 00:08:11,600 Speaker 4: my body in baby oil. 162 00:08:12,320 --> 00:08:14,400 Speaker 3: I will definitely break up with you using the three 163 00:08:14,440 --> 00:08:16,160 Speaker 3: word tex and a thumbs up emoji. 164 00:08:17,360 --> 00:08:18,320 Speaker 12: Fine, fine Left. 165 00:08:19,760 --> 00:08:24,200 Speaker 13: I meet up Emilio twenty seven, a poet. He looks 166 00:08:24,320 --> 00:08:27,360 Speaker 13: very respectable and he's wearing a shirt. 167 00:08:27,960 --> 00:08:30,520 Speaker 3: No, he's way too young. Plus he's dressed like a 168 00:08:30,560 --> 00:08:35,520 Speaker 3: pretentious hipster. Okay, hipster, yeah, a hipster. Trust me. If 169 00:08:35,520 --> 00:08:37,760 Speaker 3: we went on a date, it would be a total disaster. 170 00:08:38,480 --> 00:08:39,800 Speaker 5: Hi, I'm a Milio. 171 00:08:40,280 --> 00:08:42,280 Speaker 4: I'm only really interested in hearing the sound on my 172 00:08:42,320 --> 00:08:44,000 Speaker 4: own voice and talking about. 173 00:08:43,720 --> 00:08:47,480 Speaker 14: My extremely niche underground music taste, which you definitely I 174 00:08:47,480 --> 00:08:48,080 Speaker 14: haven't heard of. 175 00:08:48,640 --> 00:08:49,200 Speaker 3: Oh ghosha. 176 00:08:49,240 --> 00:08:53,360 Speaker 12: After a second date, why not boys? No hipsters left? 177 00:08:54,320 --> 00:08:55,679 Speaker 3: Oh wow. 178 00:08:56,440 --> 00:09:00,840 Speaker 13: Fernando thirty nine, owns his own bookstore. 179 00:09:02,600 --> 00:09:05,839 Speaker 15: I enjoy quiet mornings and in the early nights. I'm 180 00:09:05,840 --> 00:09:08,800 Speaker 15: an art enthusiast, a dog lover, and I'm looking for 181 00:09:08,840 --> 00:09:13,079 Speaker 15: a real, meaningful connection with someone who's satisfied spending a 182 00:09:13,160 --> 00:09:16,400 Speaker 15: quiet Saturday evening inside just being together. 183 00:09:17,400 --> 00:09:19,640 Speaker 12: He's perfect Colla. 184 00:09:20,040 --> 00:09:22,120 Speaker 3: There's no way a guy like that would go out 185 00:09:22,120 --> 00:09:22,760 Speaker 3: for a guy like me. 186 00:09:22,920 --> 00:09:23,920 Speaker 12: I want this. 187 00:09:24,160 --> 00:09:28,600 Speaker 13: Fernando would be lucky to have a sensitive, intelligent, maybe 188 00:09:28,679 --> 00:09:31,560 Speaker 13: too skinny, and she would eat more young man. 189 00:09:31,480 --> 00:09:32,720 Speaker 3: Like you in his life. 190 00:09:33,360 --> 00:09:36,240 Speaker 12: And you never know, he could be sitting alone on 191 00:09:36,280 --> 00:09:40,439 Speaker 12: his couch. You just waiting for you too, all right, 192 00:09:40,480 --> 00:09:40,960 Speaker 12: all right. 193 00:09:40,800 --> 00:09:45,240 Speaker 3: Okay, okay, fine, fine, fine, I'm swiping right. Okay, Holy crap, 194 00:09:45,400 --> 00:09:46,000 Speaker 3: it's a match. 195 00:09:46,880 --> 00:09:49,840 Speaker 4: Okay, Okay, he's asking if I want to go grab 196 00:09:49,880 --> 00:09:50,880 Speaker 4: dinner with him tonight. 197 00:09:51,080 --> 00:09:53,439 Speaker 3: I want to say yes. No, no, I can't say yes. 198 00:09:53,480 --> 00:09:54,560 Speaker 3: I can't ditch you for dinner. 199 00:09:54,640 --> 00:09:57,480 Speaker 13: Well, I don't know what this ditch, but I will 200 00:09:57,520 --> 00:10:00,839 Speaker 13: save you some leftovers. You are going on that date? 201 00:10:01,640 --> 00:10:02,400 Speaker 13: End of this question? 202 00:10:22,640 --> 00:10:27,760 Speaker 3: Okay, what It's just a date. Breathe I'm not gonna 203 00:10:27,760 --> 00:10:30,840 Speaker 3: be nervous about things we nervous about. 204 00:10:32,880 --> 00:10:37,199 Speaker 4: Stephanie, Why are you texting me at eight pm? 205 00:10:37,200 --> 00:10:38,280 Speaker 3: Okay? What do you want? 206 00:10:40,080 --> 00:10:43,400 Speaker 4: May have accidentally posted your weird art video going viral, 207 00:10:43,520 --> 00:10:44,800 Speaker 4: so sorry, not sorry. 208 00:10:45,679 --> 00:10:48,319 Speaker 10: Now I'm walking walking along than me. 209 00:10:50,480 --> 00:10:51,080 Speaker 3: This is not good. 210 00:10:51,080 --> 00:10:56,120 Speaker 4: Okay, okay, okay, breathe on, you're walk down. 211 00:10:56,440 --> 00:11:00,160 Speaker 3: I told you it was, you told me you deleted. 212 00:11:00,520 --> 00:11:02,000 Speaker 3: How many people have seen it? 213 00:11:02,000 --> 00:11:02,040 Speaker 11: It? 214 00:11:02,040 --> 00:11:04,840 Speaker 16: Wn'll be such a drama. Queen one, if only like 215 00:11:05,000 --> 00:11:09,480 Speaker 16: one hundred thousand. What Honestly, my mom's cat gets more engagement. 216 00:11:10,040 --> 00:11:12,600 Speaker 16: Just think of it as free brand marketing for the 217 00:11:13,400 --> 00:11:14,160 Speaker 16: It's a huge wind. 218 00:11:14,800 --> 00:11:17,880 Speaker 8: Weirdly, there are a ton of us in the comments 219 00:11:17,920 --> 00:11:19,119 Speaker 8: asking for your Instagram. 220 00:11:19,360 --> 00:11:21,240 Speaker 3: Oh my god, no, no, no, no, what if Fernando 221 00:11:21,280 --> 00:11:31,000 Speaker 3: saw this? Oh I'm so sorry. No, I have to 222 00:11:31,040 --> 00:11:40,080 Speaker 3: go CHESSI chessy. Oh thank god, Oh, thank god. 223 00:11:41,160 --> 00:11:47,599 Speaker 15: One Fernando, it's great to meet you. 224 00:11:49,559 --> 00:11:50,840 Speaker 3: I have to leave. I have to leave. 225 00:11:51,000 --> 00:11:53,680 Speaker 4: I got claustrophobic, and I spilled somebody's drinkle over my 226 00:11:53,720 --> 00:11:56,199 Speaker 4: shirt and the stain it's it's not gonna come out 227 00:11:56,240 --> 00:11:57,640 Speaker 4: unless I put the turgeon on it. 228 00:11:57,679 --> 00:11:59,680 Speaker 3: And my always says that the first four hours are 229 00:11:59,720 --> 00:12:00,880 Speaker 3: critical for removing stains. 230 00:12:00,880 --> 00:12:02,760 Speaker 4: And if I don't go home right now, then then 231 00:12:02,880 --> 00:12:04,640 Speaker 4: then there's a chance that the shirt will be ruined. 232 00:12:04,640 --> 00:12:06,040 Speaker 4: And I can't ruin the shirt because I don't have 233 00:12:06,120 --> 00:12:06,760 Speaker 4: that mean next year. 234 00:12:08,840 --> 00:12:14,400 Speaker 15: Hey what, just breathe, just breathe. Good forget the bar. 235 00:12:15,760 --> 00:12:18,400 Speaker 15: How about a walk. The cold air will help, I promise. 236 00:12:18,840 --> 00:12:25,520 Speaker 4: Okay, I'm honestly shocked that you didn't go sprinting in 237 00:12:25,559 --> 00:12:27,520 Speaker 4: the other direction as soon as you saw me. I'm 238 00:12:27,559 --> 00:12:29,600 Speaker 4: pretty sure I looked insane. I think I might still 239 00:12:29,640 --> 00:12:31,760 Speaker 4: look insane. Oh actually, oh my god, I look in 240 00:12:31,800 --> 00:12:32,800 Speaker 4: sane right now, don't I don't. 241 00:12:32,800 --> 00:12:35,760 Speaker 15: I you look great. I used to get panic attacks too. 242 00:12:36,040 --> 00:12:36,720 Speaker 15: How are you feeling? 243 00:12:37,280 --> 00:12:39,959 Speaker 3: Honestly a little better? Things? 244 00:12:40,360 --> 00:12:43,160 Speaker 15: Brisk walk and fresh air works wonders on the net. 245 00:12:43,200 --> 00:12:46,679 Speaker 4: Yeah, right, nerves, I think actually being to be honest, 246 00:12:46,679 --> 00:12:47,719 Speaker 4: I was nervous to meet you. 247 00:12:48,400 --> 00:12:49,280 Speaker 3: It was a big part of it. 248 00:12:49,360 --> 00:12:51,640 Speaker 4: Yeah, it's it's been it's been a while, you know, 249 00:12:51,800 --> 00:12:56,040 Speaker 4: since I've been out on a date to what really, Oh, 250 00:12:56,040 --> 00:12:57,840 Speaker 4: come on, I don't I don't believe that for a second. 251 00:12:57,920 --> 00:12:59,600 Speaker 15: I mean it's partially by choice. 252 00:12:59,720 --> 00:13:00,880 Speaker 3: Wait, what do you mean? 253 00:13:01,320 --> 00:13:07,240 Speaker 15: Well, it's hard to find someone who's just satisfied with 254 00:13:07,280 --> 00:13:09,960 Speaker 15: a quiet Saturday evening and you know, one of those 255 00:13:10,040 --> 00:13:11,560 Speaker 15: nights where you can just sit and read a book 256 00:13:11,600 --> 00:13:15,000 Speaker 15: together and my piece of art just just let it 257 00:13:15,160 --> 00:13:15,680 Speaker 15: wash over you. 258 00:13:16,160 --> 00:13:19,160 Speaker 3: Wow, I exactly what you mean. 259 00:13:19,559 --> 00:13:21,600 Speaker 15: I guess. I guess some people would call that picky. 260 00:13:21,920 --> 00:13:22,120 Speaker 5: Yeah. 261 00:13:22,120 --> 00:13:24,360 Speaker 4: I'm kind of picky about certain things too, you know, 262 00:13:24,640 --> 00:13:28,000 Speaker 4: I'm always I always felt like my exes they never 263 00:13:28,040 --> 00:13:30,679 Speaker 4: really got it, you know, or were like annoyed by it. 264 00:13:30,760 --> 00:13:34,800 Speaker 4: You know, maybe the way I organize my room or 265 00:13:35,400 --> 00:13:36,040 Speaker 4: make my bag. 266 00:13:36,240 --> 00:13:38,400 Speaker 15: You know, your space is your sanctuary. 267 00:13:38,480 --> 00:13:40,360 Speaker 3: Thank you exactly. Yes. 268 00:13:41,520 --> 00:13:45,400 Speaker 4: Wow, oh, hey, we're at the museum. I oh, that's funny. 269 00:13:45,400 --> 00:13:47,839 Speaker 4: I didn't even realize that we had walked this far. 270 00:13:48,520 --> 00:13:50,199 Speaker 4: I'm the curator here. 271 00:13:50,320 --> 00:13:53,360 Speaker 15: Oh, I know. You know I might have seen a 272 00:13:53,400 --> 00:13:56,640 Speaker 15: TikTok of you earlier today, the one with the Delano painting. 273 00:13:56,679 --> 00:14:01,679 Speaker 15: It was, Oh, it was refreshing. I haven't seen anything 274 00:14:01,760 --> 00:14:03,680 Speaker 15: so genuine online a long time. 275 00:14:04,240 --> 00:14:08,200 Speaker 4: It's just sometimes I lose myself in a painting. It's 276 00:14:08,280 --> 00:14:12,280 Speaker 4: like I don't even realize it until it's already happening. 277 00:14:13,120 --> 00:14:15,240 Speaker 15: I feel the same way when I lose myself in 278 00:14:15,240 --> 00:14:17,760 Speaker 15: a great book. You know, I'm not surprised that you're 279 00:14:17,800 --> 00:14:21,080 Speaker 15: the head museum curator. I mean you must be in 280 00:14:21,240 --> 00:14:23,360 Speaker 15: heaven surrounded by all those pieces of art. 281 00:14:23,560 --> 00:14:26,760 Speaker 4: Yeah, well it's yeah, it's also a lot of work. 282 00:14:26,760 --> 00:14:29,000 Speaker 15: Oh it must be. I mean you must stay after 283 00:14:29,080 --> 00:14:31,640 Speaker 15: hours all the time just to experience the paintings without 284 00:14:31,640 --> 00:14:37,479 Speaker 15: the hustle and bustle of the crowds, no responsibilities, no distractions, 285 00:14:37,560 --> 00:14:39,440 Speaker 15: just you and the art. 286 00:14:39,600 --> 00:14:44,000 Speaker 4: Yeah, yeah, I absolutely, I am. I am the head carriator, 287 00:14:44,040 --> 00:14:45,960 Speaker 4: and can I can do that. I can do that 288 00:14:46,160 --> 00:14:49,480 Speaker 4: whenever I do you want to do you want to 289 00:14:49,480 --> 00:14:51,560 Speaker 4: sneak in and take a quick peek right now? I 290 00:14:51,640 --> 00:14:54,040 Speaker 4: mean we're just finalizing the I don't know exhibit, So 291 00:14:54,320 --> 00:14:54,840 Speaker 4: what if you want? 292 00:14:54,920 --> 00:14:57,240 Speaker 3: I can really yeah. 293 00:14:56,680 --> 00:14:59,480 Speaker 15: No way, I've never been in a museum after hours, 294 00:14:59,520 --> 00:15:00,480 Speaker 15: that's yeah. 295 00:15:00,280 --> 00:15:03,480 Speaker 3: I could totally wait. So sorry, I'm so sorry for 296 00:15:03,680 --> 00:15:09,280 Speaker 3: a second. Hello, what wait? Right now? 297 00:15:09,960 --> 00:15:10,120 Speaker 5: Is she? 298 00:15:10,160 --> 00:15:10,360 Speaker 3: Okay? 299 00:15:10,360 --> 00:15:10,520 Speaker 5: Wall? 300 00:15:10,520 --> 00:15:13,520 Speaker 3: Where where is she? Okay, I'll be right there. I'll 301 00:15:13,560 --> 00:15:14,440 Speaker 3: be right there. I'll be right there. 302 00:15:14,840 --> 00:15:15,400 Speaker 15: Everything all right? 303 00:15:15,520 --> 00:15:17,000 Speaker 3: No, no, it's not I have I have to go. 304 00:15:17,080 --> 00:15:19,160 Speaker 3: I have to leave right now. I'm so sorry, I 305 00:15:19,200 --> 00:15:19,480 Speaker 3: have to go. 306 00:15:20,480 --> 00:15:21,120 Speaker 15: What's going on? 307 00:15:21,760 --> 00:15:24,040 Speaker 4: It's my grandmother. She she said that. They said that 308 00:15:24,080 --> 00:15:26,080 Speaker 4: she had a heart attack and she's she's at the 309 00:15:26,120 --> 00:15:28,280 Speaker 4: hospital right now. Oh my god, Oh my god. I 310 00:15:28,320 --> 00:15:29,600 Speaker 4: should never have left her alone. 311 00:15:29,800 --> 00:15:30,840 Speaker 15: Okay, let's tail a cap. 312 00:15:31,000 --> 00:15:32,720 Speaker 3: No no, no, no, no, no, no, you don't have to 313 00:15:32,720 --> 00:15:33,680 Speaker 3: do that. You don't have to do that. 314 00:15:35,040 --> 00:16:13,600 Speaker 14: Okay, this probably isn't what you're expecting on our first date, right, 315 00:16:14,080 --> 00:16:15,080 Speaker 14: So I totally get it. 316 00:16:15,120 --> 00:16:16,880 Speaker 15: If you just want to go it won't. 317 00:16:17,360 --> 00:16:20,840 Speaker 3: Yeah, yes, I'm not going anywhere. Think you. 318 00:16:20,920 --> 00:16:22,000 Speaker 4: I'm just I'm sorry. 319 00:16:22,240 --> 00:16:25,600 Speaker 3: It's just I just i's a little overwhelmed, you know, 320 00:16:26,080 --> 00:16:26,800 Speaker 3: and I'm scared. 321 00:16:27,280 --> 00:16:29,640 Speaker 15: It's okay, it's okay to be scared. Is there anyone 322 00:16:29,680 --> 00:16:30,320 Speaker 15: else you can call? 323 00:16:31,200 --> 00:16:32,160 Speaker 3: No? 324 00:16:32,160 --> 00:16:36,280 Speaker 4: No, boy, that's what I happened. I never I never 325 00:16:36,320 --> 00:16:40,400 Speaker 4: really met my folks, So I'm sorry to hear that. Yeah, 326 00:16:40,400 --> 00:16:42,440 Speaker 4: my dad he kind of jumped ship when. 327 00:16:42,360 --> 00:16:42,800 Speaker 3: I was born. 328 00:16:43,880 --> 00:16:46,920 Speaker 14: And your mom, well she left me with when I 329 00:16:46,960 --> 00:16:48,400 Speaker 14: was a little over a year old. 330 00:16:48,400 --> 00:16:54,280 Speaker 3: And what doesn't what doesn't been the one who's raised 331 00:16:54,280 --> 00:16:56,280 Speaker 3: me home by yourself. 332 00:16:58,360 --> 00:17:01,440 Speaker 15: Well, you're incredibly lucky to have her. I mean, families 333 00:17:01,440 --> 00:17:02,280 Speaker 15: can be complicated. 334 00:17:03,040 --> 00:17:05,560 Speaker 12: Yeah, hi there, I'm so sorry to interrupt. 335 00:17:06,400 --> 00:17:07,880 Speaker 3: Are you here from Malagro, Costio? 336 00:17:08,240 --> 00:17:08,440 Speaker 16: Yes? 337 00:17:08,760 --> 00:17:11,240 Speaker 3: Yes, she okay, she is. She's ready for visitors. 338 00:17:11,240 --> 00:17:13,840 Speaker 15: Now can you go one, I'm gonna grab some coffee. 339 00:17:13,880 --> 00:17:15,080 Speaker 3: I'm sure you know, I'm sure you have better things 340 00:17:15,119 --> 00:17:18,080 Speaker 3: to do if you want to go. I told you I'm. 341 00:17:17,880 --> 00:17:18,720 Speaker 15: Not going anywhere. 342 00:17:19,600 --> 00:17:21,000 Speaker 3: Okay, thank you. 343 00:17:26,840 --> 00:17:29,080 Speaker 12: I told the hospital not to bother you. 344 00:17:29,200 --> 00:17:31,520 Speaker 3: One you had a heart attack, oh. 345 00:17:31,920 --> 00:17:35,040 Speaker 12: Yes, the little one. I've had worse heartburn. 346 00:17:35,560 --> 00:17:38,840 Speaker 3: You almost gave me one. Luckily Fernando was there and 347 00:17:38,960 --> 00:17:39,760 Speaker 3: he and. 348 00:17:41,160 --> 00:17:45,320 Speaker 12: The beautiful bookstore man is he here? Don't this that 349 00:17:46,119 --> 00:17:46,920 Speaker 12: I want to meet? 350 00:17:47,680 --> 00:17:50,400 Speaker 4: Okay, well that's settled down before you have another heart 351 00:17:50,400 --> 00:17:53,720 Speaker 4: attack please, And yes, Fernando's here. 352 00:17:54,760 --> 00:17:56,040 Speaker 3: He even paid for the taxi. 353 00:17:56,400 --> 00:17:57,640 Speaker 12: Why the gentleman. 354 00:17:58,560 --> 00:18:00,760 Speaker 3: Yeah, he's a pretty great. 355 00:18:01,000 --> 00:18:03,520 Speaker 12: You like him, I can see it in your eyes. 356 00:18:04,560 --> 00:18:04,840 Speaker 4: I do. 357 00:18:05,320 --> 00:18:06,200 Speaker 12: Then go to him. 358 00:18:06,760 --> 00:18:10,879 Speaker 13: Don't stick around here moping. Take Fernando back to the apartment. 359 00:18:11,320 --> 00:18:14,160 Speaker 13: You'll have the place all yourselves the whole night. Oh 360 00:18:14,240 --> 00:18:18,480 Speaker 13: my god, what I promise I'll be Okay. The doctor 361 00:18:18,560 --> 00:18:20,600 Speaker 13: told me I'd be out of here in no time 362 00:18:20,640 --> 00:18:21,080 Speaker 13: at all. 363 00:18:21,280 --> 00:18:22,959 Speaker 3: I am not leaving you here alone. 364 00:18:24,040 --> 00:18:28,440 Speaker 12: Are You're really going to deny an old woman's dying wish? 365 00:18:28,520 --> 00:18:30,879 Speaker 4: Okay, okay, you are not dying, and I am staying 366 00:18:31,080 --> 00:18:32,679 Speaker 4: and of discussion. 367 00:18:32,920 --> 00:18:35,920 Speaker 12: Fine, but I want to hear every detail. 368 00:18:40,640 --> 00:18:41,720 Speaker 15: Hey, how was your willa? 369 00:18:41,800 --> 00:18:44,160 Speaker 3: Hey? Somehow more energeneric? 370 00:18:45,359 --> 00:18:47,960 Speaker 15: Well that's great. Here is your coffee. I don't know 371 00:18:47,960 --> 00:18:49,399 Speaker 15: how you like it, so I just made it how 372 00:18:49,440 --> 00:18:50,040 Speaker 15: I make mine? 373 00:18:50,119 --> 00:18:59,600 Speaker 4: Oh okay, cream one sugar, Yeah, wow, that's actually perfect. Well, Hey, 374 00:18:59,640 --> 00:19:02,520 Speaker 4: look I think I'm going to spend the night here, 375 00:19:02,520 --> 00:19:04,040 Speaker 4: and I know that you came all the way and 376 00:19:04,760 --> 00:19:07,240 Speaker 4: our date was definitely not how you probably plan it, 377 00:19:07,240 --> 00:19:08,120 Speaker 4: and I actually don't. 378 00:19:07,920 --> 00:19:09,720 Speaker 3: Expect you to ever talk to me ever again, So 379 00:19:09,760 --> 00:19:12,560 Speaker 3: I totally get it. You just want to completely Yeah. 380 00:19:12,400 --> 00:19:14,960 Speaker 15: Tonight did kind of take an unexpected turn. 381 00:19:15,119 --> 00:19:15,880 Speaker 3: Yeah, but. 382 00:19:17,440 --> 00:19:20,080 Speaker 15: I would really love to see you again, if that's okay? 383 00:19:20,160 --> 00:19:24,120 Speaker 3: Why? Sorry? Why? 384 00:19:24,160 --> 00:19:29,080 Speaker 15: Well, I guess I'm saying I like you. Yeah, yes, 385 00:19:29,160 --> 00:19:31,119 Speaker 15: I am saying that I like you and I would 386 00:19:31,160 --> 00:19:32,240 Speaker 15: like to get to know you better. 387 00:19:32,480 --> 00:19:36,200 Speaker 3: You like me, it's that surprised. Well, I know, I don't. 388 00:19:36,240 --> 00:19:39,440 Speaker 3: I don't know, I think so next. 389 00:19:39,240 --> 00:19:41,720 Speaker 15: Time, I'm taking you up on the offer to sneak 390 00:19:41,760 --> 00:19:42,880 Speaker 15: me into the museum. 391 00:19:42,520 --> 00:19:45,800 Speaker 4: After our Yes, totally absolutely sounds like fun next time 392 00:19:45,840 --> 00:19:46,120 Speaker 4: for sure? 393 00:19:46,200 --> 00:19:49,280 Speaker 15: Yes, Well I I should, I should go, right, I should? 394 00:19:49,440 --> 00:19:58,159 Speaker 3: Okay? But on the wait, well did you will meet? Sorry? 395 00:19:58,359 --> 00:19:58,879 Speaker 15: You're sorry? 396 00:19:58,920 --> 00:20:01,879 Speaker 3: No, I was just I just I really wanted to 397 00:20:01,920 --> 00:20:02,199 Speaker 3: do that. 398 00:20:03,119 --> 00:20:04,320 Speaker 15: You have no reason to be sorry. 399 00:20:04,359 --> 00:20:10,480 Speaker 3: I'm really glad that you did. Great, I see you 400 00:20:10,480 --> 00:20:17,679 Speaker 3: sound it's a date. The day, it's a day, sir. 401 00:20:18,680 --> 00:20:21,120 Speaker 3: You are in a hospital, right right, right right? Oh 402 00:20:21,119 --> 00:20:23,159 Speaker 3: my gosh, sorry, sorry, sorry, sorry, I'm so sorry, but 403 00:20:23,280 --> 00:20:28,359 Speaker 3: you did you see? Literally perfect, literally handsomed like what they? 404 00:20:28,480 --> 00:20:29,520 Speaker 3: So kind and gentle? 405 00:20:31,160 --> 00:20:32,960 Speaker 15: Dg what the hell are you doing here? 406 00:20:33,960 --> 00:20:39,800 Speaker 2: Open the door, so craggy say out too late on 407 00:20:39,800 --> 00:20:47,600 Speaker 2: your face, date, Fernando, Open the door right now, Hey, 408 00:20:47,720 --> 00:20:50,840 Speaker 2: little cuz, long time, no see did you miss me? 409 00:20:51,280 --> 00:20:51,679 Speaker 15: Let me in? 410 00:20:54,520 --> 00:20:57,760 Speaker 2: Oh, come on, I haven't seen you since Operation Eric. 411 00:20:58,000 --> 00:20:59,399 Speaker 2: Shouldn't I get a hug or something. 412 00:20:59,480 --> 00:21:03,240 Speaker 15: I'm giving you three seconds, taging one to you know. 413 00:21:03,680 --> 00:21:06,719 Speaker 2: Prison wasn't too bad, and I had a bunch of 414 00:21:06,760 --> 00:21:09,240 Speaker 2: time to think, found God or whatever. 415 00:21:09,520 --> 00:21:11,399 Speaker 15: I always figured you'd burst into flames if you step 416 00:21:11,440 --> 00:21:13,720 Speaker 15: foot in the church. Where's my father? 417 00:21:14,640 --> 00:21:19,440 Speaker 5: I'm right here, Fernando. Did you acquire the painting? 418 00:21:19,600 --> 00:21:23,960 Speaker 2: A tough night because. 419 00:21:23,800 --> 00:21:27,440 Speaker 15: I made contact with the mark, but things got complicated. 420 00:21:27,920 --> 00:21:32,480 Speaker 2: I need more time or a bigger brain, better skills tech. 421 00:21:32,600 --> 00:21:33,160 Speaker 15: I swear to. 422 00:21:33,040 --> 00:21:40,040 Speaker 5: God enough both of you, Fernando. I'm preparing to step 423 00:21:40,080 --> 00:21:44,359 Speaker 5: down as head of the family business. I'm ready to 424 00:21:44,400 --> 00:21:47,080 Speaker 5: hand the reins over to somebody who can handle the 425 00:21:47,119 --> 00:21:51,359 Speaker 5: responsibility of running an international gun empire. 426 00:21:51,640 --> 00:21:54,679 Speaker 15: I'm ready, Toad. I've been preparing my entire life watching 427 00:21:54,680 --> 00:21:57,080 Speaker 15: the way you handle the business, the way you keep 428 00:21:57,119 --> 00:22:01,959 Speaker 15: the authorities in line. I mean, what is so funny? 429 00:22:02,960 --> 00:22:05,480 Speaker 2: I'm just picturing you dealing with the authorities. 430 00:22:06,080 --> 00:22:09,960 Speaker 5: I swear to God, Gigi every time, Fernando, my boy, 431 00:22:10,760 --> 00:22:15,840 Speaker 5: I respect your enthusiasm, but I am wary of your tactics. 432 00:22:16,200 --> 00:22:22,120 Speaker 5: They're fallible at best, emotional erratic. And I've been awakened 433 00:22:22,119 --> 00:22:29,280 Speaker 5: to another possibility, another possibility for what exactly Your cousin 434 00:22:29,640 --> 00:22:32,639 Speaker 5: has come to me with the proposal. She believes she 435 00:22:32,680 --> 00:22:35,680 Speaker 5: can run the business better than you can, that she's 436 00:22:35,720 --> 00:22:36,920 Speaker 5: the stronger. 437 00:22:36,480 --> 00:22:39,800 Speaker 2: Gone, stronger, better, and more stylish. 438 00:22:39,840 --> 00:22:42,960 Speaker 15: Are you kidding me? She is a literal red flag 439 00:22:43,000 --> 00:22:46,520 Speaker 15: in that bright red coat, leaving a disaster in her wake. 440 00:22:46,600 --> 00:22:48,359 Speaker 15: After every goddamn. 441 00:22:47,880 --> 00:22:53,119 Speaker 2: Job you say potato, I say you're reckless, and I 442 00:22:53,240 --> 00:22:55,159 Speaker 2: say your spinals. 443 00:22:54,600 --> 00:23:02,800 Speaker 5: Enough bakery for Christ's sake. Yes, Gigi may have eccentricities, Fernando, 444 00:23:03,440 --> 00:23:06,080 Speaker 5: but she also gets resolved eccentricity. 445 00:23:06,200 --> 00:23:07,200 Speaker 15: She's a maniac. 446 00:23:07,840 --> 00:23:11,840 Speaker 5: To move an empire into the future, we need to 447 00:23:11,880 --> 00:23:15,199 Speaker 5: think out of the box, which is why I am 448 00:23:15,240 --> 00:23:18,960 Speaker 5: giving you one more opportunity, my son, one more chance 449 00:23:19,040 --> 00:23:23,520 Speaker 5: to prove yourself worthy of shepherding our family's legacy into 450 00:23:23,560 --> 00:23:24,280 Speaker 5: the next era. 451 00:23:25,600 --> 00:23:30,080 Speaker 15: Get me that painting and if I fail, if I 452 00:23:30,080 --> 00:23:32,000 Speaker 15: don't secure the painting, if I can't. 453 00:23:33,160 --> 00:23:36,840 Speaker 2: Well, then the business is mine, bitch. 454 00:23:45,240 --> 00:23:49,080 Speaker 1: The setup was produced by Sonro in partnership with Iheart'smichael 455 00:23:49,119 --> 00:23:53,399 Speaker 1: Dura podcast Network. Created and written by Ivy Marie and 456 00:23:53,440 --> 00:24:01,600 Speaker 1: Philippe Baujan, directed by Bettina Lopez, Produced by Luis Elado Castillo, 457 00:24:01,640 --> 00:24:07,879 Speaker 1: developed by Bettina Lopez, story editing by Nick Milanz. Executive 458 00:24:07,920 --> 00:24:11,879 Speaker 1: produced by Harvey Gillen and Christian Navarro. Connel Byrne and 459 00:24:11,920 --> 00:24:16,200 Speaker 1: Giselle Bances for iHeart and Camilla Victoriano and Joshua Weinstein 460 00:24:16,320 --> 00:24:21,720 Speaker 1: for Sonorro. Performances in this episode by Harvey gi Yen, 461 00:24:22,760 --> 00:24:30,280 Speaker 1: Christian Navarro, Daniela Alonso, j D. Garfield, Sofina Vejesus, Sheila, 462 00:24:30,359 --> 00:24:38,840 Speaker 1: Sheila Corci, Isabela Olivas, Kareem Galeb, Nathan Nnhaff, Jessica Ruth bell, 463 00:24:39,760 --> 00:24:45,960 Speaker 1: Aaron Ledeck, Christina Mueller and Jose Villa read. Our production 464 00:24:46,080 --> 00:24:49,800 Speaker 1: and supervising managers are Gustav Woa, Rila and kerensa Chaidis. 465 00:24:50,880 --> 00:24:55,240 Speaker 1: Recording engineering and sound designed by Edwin Irigoying Fuan Diaz 466 00:24:55,320 --> 00:25:00,280 Speaker 1: and Andres Bayina. Casting and coordination by Ansley Martinez and 467 00:25:00,359 --> 00:25:01,359 Speaker 1: Alex Gonsiles. 468 00:25:02,680 --> 00:25:03,880 Speaker 3: Voices recorded at the. 469 00:25:03,880 --> 00:25:07,359 Speaker 1: Invisible Studios in Los Angeles, The Relic Room in New York, 470 00:25:07,600 --> 00:25:12,320 Speaker 1: and Cabby Sound Studios in Albuquerque, New Mexico, with engineering 471 00:25:12,359 --> 00:25:18,400 Speaker 1: by Lester Danglar, Brett Tubin, and Colin Ungerlier. If you're 472 00:25:18,480 --> 00:25:21,520 Speaker 1: enjoying the setup, please subscribe, rate, and review our show 473 00:25:21,680 --> 00:25:22,760 Speaker 1: wherever you're listening