WEBVTT - TechStuff Classic: TechStuff Bonds With Spy Tech Part Two

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<v Speaker 1>Welcome to tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio

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<v Speaker 1>and love all things tech. And it is time to

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<v Speaker 1>continue our story about spy technology. We started that in

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<v Speaker 1>the classic episode last week. This is another classic episode,

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<v Speaker 1>this one published on January eight, two thousand and fourteen,

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<v Speaker 1>and we take another look at spy tech, both fictional

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<v Speaker 1>and realistic. Let's take a listen. So supposedly John D,

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<v Speaker 1>the sixteenth century science guy Dr John D, may have

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<v Speaker 1>been the first double O seven to perform espionage in

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<v Speaker 1>the royal service. He served as an advisor to the

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<v Speaker 1>Queen and reportedly signed his messages with two zero's symbolizing

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<v Speaker 1>his job as the Queen's eyes um, followed by a

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<v Speaker 1>seven with the top drawn out over the zeros that

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<v Speaker 1>the number seven reportedly having some kind of occult meaning

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<v Speaker 1>to d Um. So his code name, if you will,

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<v Speaker 1>was double O seven Yeah, and that you can uh find.

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<v Speaker 1>And we actually have an article all about James Bond

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<v Speaker 1>at How Stuff Works. You can learn more about the

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<v Speaker 1>background and the supposed mythology behind it. By the way,

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<v Speaker 1>I've got another trivia tidbit about Dr John D. Yeah.

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<v Speaker 1>Did you know that? According to HP Lovecraft, Dr John

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<v Speaker 1>D was the man responsible for translating the Necronomicon into English,

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<v Speaker 1>although that translation was never found I did not. Okay,

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<v Speaker 1>so let's jump into the James Bond series. Now, when

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<v Speaker 1>we last we left off, we had worked our way

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<v Speaker 1>up to Moonraker, the nineteen seventy nine film, and yes

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<v Speaker 1>we are in the middle of Roger Moore's um the

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<v Speaker 1>best James Bond ever. As I mentioned in the last one,

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<v Speaker 1>George lazenby close second Roger Moore, Man, you can I

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<v Speaker 1>could just hear the frustrated squeals of of James Bond

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<v Speaker 1>fans everywhere placed Timothy Dalton, just just trying not to

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<v Speaker 1>kill you with their minds. Oh it's fine, it's fine.

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<v Speaker 1>Uh yeah. So Moonraker head, this was the era where

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<v Speaker 1>the Roger Moore era, where the gadgets really started going crazy. Yeah.

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<v Speaker 1>We keep in mind Lauren and I met before we

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<v Speaker 1>came in to record this, where we cut a bunch

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<v Speaker 1>of gadgets because we just for time. There's just too many.

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<v Speaker 1>And in this particular era alone, I think like sixty

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<v Speaker 1>of our cuts came from these, right, So starting off,

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<v Speaker 1>we have a wrist dart gun with poison tipped darts

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<v Speaker 1>are also armor piercing darts, so we had two different types.

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<v Speaker 1>And there are lots of electronic dart guns that have

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<v Speaker 1>been created over the past, including a well there's one

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<v Speaker 1>that was not even this was an electric It was

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<v Speaker 1>actually a bullet one. It was a gun gun. There

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<v Speaker 1>was a glove mounted gun, so the barrel of gun

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<v Speaker 1>was actually on the palm side, and it was designed

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<v Speaker 1>so that when you would make a fist and punch something,

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<v Speaker 1>the gun which the barrel would hopefu clear your knuckles,

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<v Speaker 1>would fire off. And the idea being that it was

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<v Speaker 1>developed in World War two by the OSS and the

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<v Speaker 1>idea is that, you know, if you were to create

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<v Speaker 1>the sort of thing and show a person punching someone

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<v Speaker 1>else and the other person dies as a result of

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<v Speaker 1>being punched, it would scare the heck out of your enemies, like, wow,

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<v Speaker 1>they are so strong. But here's the thing didn't work

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<v Speaker 1>so well, so hardly anyone ever fired one of these things.

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<v Speaker 1>There are some interesting pictures online of the various gun gloves. Uh.

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<v Speaker 1>So there have been people who have tried to make

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<v Speaker 1>this kind of technology work, but no one's really done

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<v Speaker 1>it in such a way that it was ever practical.

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<v Speaker 1>So risk dart gun not necessarily practical. There's probably other

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<v Speaker 1>ways you could, you know, someone's life starts out other

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<v Speaker 1>kind of impractical thing. A cigarette case with an X

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<v Speaker 1>ray safe cracking device. Yeah, I'm not sure how you

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<v Speaker 1>would fit X ray scanning technology into the form factor

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<v Speaker 1>of a cigarette case. That sounds impossible. It sounds pretty

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<v Speaker 1>hard to me. Yeah, also had a wristwatch. There are

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<v Speaker 1>a lot of wristwatches in James Bond. That's one of

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<v Speaker 1>the things that we ended up cutting some of them

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<v Speaker 1>because there's so many. They were like, yeah, we we've already.

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<v Speaker 1>But anyway, this particular wristwatch had a detonator refused and

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<v Speaker 1>an explosive charge built into it, which, again, that's a

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<v Speaker 1>lot of stuff to pack into a tiny form factor.

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<v Speaker 1>Now I can totally understand a detonator in a watch.

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<v Speaker 1>A transmitter, that's something that I could, you know, especially

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<v Speaker 1>once you get into the transistor era, and we're well

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<v Speaker 1>into it now in nine. Transistors are definitely a thing.

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<v Speaker 1>When you get into that mantorization where you press a

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<v Speaker 1>button and it sends out a radio signal. I totally

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<v Speaker 1>get that, but being able to build in all this

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<v Speaker 1>other stuff so that it can contain everything is a

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<v Speaker 1>little on the science fiction side. Yeah, that's that's dicey

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<v Speaker 1>in terms of physics. There was also something showing off

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<v Speaker 1>in queues laboratory that disturbed me. Are you are you

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<v Speaker 1>talking about the Mexican machine gun. Yeah, the Mexican machine gun.

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<v Speaker 1>It's so this is problematic, so that while showing what,

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<v Speaker 1>you know, a lot of the scenes show que walking

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<v Speaker 1>through the laboratory and some outlandishly ridiculous gadget is going

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<v Speaker 1>off in the background. Yeah, just completely without comment, just

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<v Speaker 1>that's just happening. Occasionally they might stop, Oh have you

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<v Speaker 1>seen this double O seven. It's a Mexican machine gun

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<v Speaker 1>and it looks like a well, it looks like a mannequin.

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<v Speaker 1>It is a mannequin of a person wearing like a

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<v Speaker 1>sombrero and taking a cs to like like a troubling

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<v Speaker 1>lye racist mannequin. Yeah, and then the chest opens up,

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<v Speaker 1>revealing a machine gun that fires off. So yeah, that

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<v Speaker 1>was a little problematic. And then there, of course, is

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<v Speaker 1>the character of Holly Goodhead, who had lots of gadgets.

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<v Speaker 1>She was a CIA agent in Moonraker, and she had

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<v Speaker 1>her own weapons, which included a pen, a notebook, and perfume.

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<v Speaker 1>It was a poison pen, it was, it was a

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<v Speaker 1>dart shooting note back. All women, it was flamethrower, perfume.

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<v Speaker 1>Every I'm sure you have some at your desk. It's

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<v Speaker 1>probably pink too, because we all know what ladies like, right, yeah,

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<v Speaker 1>I know. The the To be fair, the James Bond

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<v Speaker 1>franchise has never been accused of being forward thinking as

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<v Speaker 1>far as women are concerned. Yeah, that's that's or or

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<v Speaker 1>race when it comes to that. No, there's some terrible examples,

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<v Speaker 1>but we're what of course, we're constant on the gadgets,

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<v Speaker 1>not the not the social commentary. So moving up to one,

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<v Speaker 1>we're still with Roger Moore. Still yeah, for your eyes only.

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<v Speaker 1>Yeah no, it's not just for my eyes, Lauren. It

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<v Speaker 1>was for the world's eyes. Oh you're talking about the

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<v Speaker 1>title of the movie. Okay, yes, for your eyes on

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<v Speaker 1>the yes, um. They introduced a computer like device called

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<v Speaker 1>the identograph in this which was interesting. The idea was

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<v Speaker 1>that you could create a composite picture of a person

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<v Speaker 1>by adding or removing distinguishing features on a computer. Yeah,

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<v Speaker 1>so it's kind of like, no, the nose is bigger, No, no,

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<v Speaker 1>the eyes are wider. Set that kind of thing, which

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<v Speaker 1>is totally something we can do now. Yeah. Yeah, facial

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<v Speaker 1>composition techniques have been in use for for decades and

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<v Speaker 1>decades at this point, but um, I don't think that

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<v Speaker 1>we got a digital version until the late nineteen eighties.

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<v Speaker 1>So this is kind of again another sort of predictive technology,

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<v Speaker 1>but it's certainly something that has been used since. We

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<v Speaker 1>still have you know, uh like a sketch artists who

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<v Speaker 1>work with police departments too. But now there are also

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<v Speaker 1>these technologies that let people uh kind of mix and

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<v Speaker 1>match basic features where you get a general idea of

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<v Speaker 1>what someone might look like based upon a description. Yeah,

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<v Speaker 1>it's it's great, uh, great artistic technology. Um. Also in

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<v Speaker 1>this film, we had an update to the communications first watch,

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<v Speaker 1>I think last we had kind of a ticker tape

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<v Speaker 1>sort of thing going on, um, and this one could

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<v Speaker 1>receive digital messages and be used like a walkie talkie,

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<v Speaker 1>which is fantastic because it meant that Roger Moore could

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<v Speaker 1>clear out all that extra space in his hollow arm

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<v Speaker 1>for the battery that would be necessary to run this device. Um,

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<v Speaker 1>you know, for those who don't get that joke, you

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<v Speaker 1>need to listen to the other podcast, the other episode.

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<v Speaker 1>Of course, these days that's totally a thing we have

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<v Speaker 1>in pockets all the time. But but yes, at the time,

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<v Speaker 1>it was still a little bit forward thinking. We wouldn't

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<v Speaker 1>start to get wrist watches with that kind of capacity

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<v Speaker 1>until the late eighties at the very earliest. And of

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<v Speaker 1>course we you know, we've talked all about smart watches

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<v Speaker 1>in previous episodes, including the most famous one, the Dick

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<v Speaker 1>Tracy wrist radio, and there have been lots of people

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<v Speaker 1>who have created various kinds of of watches that were

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<v Speaker 1>also communicators. But now we're finally getting into the era

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<v Speaker 1>where they aren't super bulky or have you know, no

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<v Speaker 1>battery life whatsoever. So definitely a little ahead of its

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<v Speaker 1>time there, but supposed to be. Moving on to the next.

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<v Speaker 1>Roger Moore film, nineteen eight three's Octopusy, which I saw

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<v Speaker 1>in a drive in movie theater. I remember distinctly going

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<v Speaker 1>to see this movie and thinking, even as a kid,

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<v Speaker 1>in three same year that Return of the Jedi came out,

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<v Speaker 1>even as a kid, thinking this is silly. It's this

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<v Speaker 1>I would I would argue that Octopusy is these silliest

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<v Speaker 1>of the James Bond. But it certainly had some of

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<v Speaker 1>the silliest examples of technology and and uh camouflage, with

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<v Speaker 1>the possible exception of a car that we'll talk about

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<v Speaker 1>towards the end of this episode. But for one thing,

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<v Speaker 1>they had the wristwatch and pen combo that this part

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<v Speaker 1>wasn't so silly. The idea was that the pen had

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<v Speaker 1>surveillance technology like a microphone in it that you would

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<v Speaker 1>surreptitiously leave someplace and then you could pick up the

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<v Speaker 1>transmission on the wristwatch and listen in on what was

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<v Speaker 1>going on. Not that crazy an idea actually, so I

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<v Speaker 1>kind of get that one. Also, the pen had some

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<v Speaker 1>nitric and hydrochloric acid in it that could clearly dissolve stuff,

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<v Speaker 1>because occasionally you have to dissolve a bad guy's face,

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<v Speaker 1>you know, and you might have the ark of the

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<v Speaker 1>Covenant in your use. Uh. So, then there was a

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<v Speaker 1>weapon that one of the nameless henchman in this movie used.

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<v Speaker 1>There was a buzz saw slash yo yo type thing. Well,

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<v Speaker 1>I mean it was I don't think that was intended

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<v Speaker 1>to be a yo yo. I think it was purely

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<v Speaker 1>for for weapon purposes. I don't think that the bad

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<v Speaker 1>guy was trying to trick anyone with it. It wasn't

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<v Speaker 1>trying to walk the dog or it wasn't. I mean,

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<v Speaker 1>it was a buzz saw that had yo yo functionality. Yeah,

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<v Speaker 1>so the they thought ahead a little bit. So the

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<v Speaker 1>there was like a handpiece this guy wore where he

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<v Speaker 1>could hold the blade like a saw blade, you know,

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<v Speaker 1>and like a saw blade that's on a cable. But uh,

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<v Speaker 1>and he was the guy who was using it was

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<v Speaker 1>mostly using it from above. He was on a level

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<v Speaker 1>higher up than where James Bond was. He could kind

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<v Speaker 1>of throw it down and have it come back into

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<v Speaker 1>your hand right and it would spin on the end

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<v Speaker 1>of its ropes, sort of like a yo yo would

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<v Speaker 1>if you if you did not sleep. I just you know,

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<v Speaker 1>it's it's called sleeping. But it could cut through like

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<v Speaker 1>all this stuff, Like it cuts through a table that's

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<v Speaker 1>got like a big fruit plate on it, because you

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<v Speaker 1>know that's visually interesting. Um. And truth is, unless there

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<v Speaker 1>was a motor that was turning that saw blade, that

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<v Speaker 1>just wouldn't work because as soon as it made contact

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<v Speaker 1>with something solid, it would start to lose velocity, so

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<v Speaker 1>it might it might embed in something. Sure, you could

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<v Speaker 1>probably get it to injure a person. Pretty sure, Pretty well, sure.

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<v Speaker 1>I just wouldn't continue to cut. It wouldn't continue to

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<v Speaker 1>rotate and cut, so that's not realistic. In fact, a

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<v Speaker 1>larger version of this sort of thing was used in

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<v Speaker 1>a later James Bond film, but on an industrial level,

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<v Speaker 1>where it was supposed to be something meant to cut

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<v Speaker 1>down trees and ends up cutting James Bond's car in half. Unlikely. Yeah, Um,

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<v Speaker 1>something that was more likely was a TV watch. Um,

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<v Speaker 1>but Bond had a had a color TV display embedded

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<v Speaker 1>in a in a wrist watch. Um, have you seen

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<v Speaker 1>any pictures of this thing? I'll tell you what. All

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<v Speaker 1>the pictures online of this thing. The still image that

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<v Speaker 1>they picked, which which one woman's cleavage shocking. I'm shocked,

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<v Speaker 1>every single one. By the way, if you're going out

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<v Speaker 1>there rushing to look at Google image starch right now

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<v Speaker 1>after I said that for shame. But I was just

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<v Speaker 1>it was one of those things where I was looking

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<v Speaker 1>at pictures of these different gadgets because some of them

0:11:56.000 --> 0:11:58.800
<v Speaker 1>I was unfamiliar with. I haven't seen all the Bond films,

0:11:58.800 --> 0:11:59.880
<v Speaker 1>so I was like, I need to see a picture

0:11:59.880 --> 0:12:02.640
<v Speaker 1>of or perhaps it's been a while in many cases,

0:12:02.760 --> 0:12:04.760
<v Speaker 1>right right, And then like, I have no memory of

0:12:04.760 --> 0:12:07.719
<v Speaker 1>this TV watch even though I remember watching Octopussy and uh,

0:12:07.840 --> 0:12:10.000
<v Speaker 1>and so I looked it up and was like, oh, really,

0:12:10.840 --> 0:12:12.760
<v Speaker 1>at Saco had actually come out with a two color

0:12:12.840 --> 0:12:18.120
<v Speaker 1>TV watch the previous year, so so that was totally legit. Almost. Yeah,

0:12:18.200 --> 0:12:20.080
<v Speaker 1>it was a little bit smaller than what you would

0:12:20.080 --> 0:12:22.120
<v Speaker 1>expect in it had a little bit color, the color

0:12:22.200 --> 0:12:24.880
<v Speaker 1>was better, but but it was still online with the

0:12:24.920 --> 0:12:26.760
<v Speaker 1>sort of stuff that was coming out, you know, and

0:12:26.800 --> 0:12:30.760
<v Speaker 1>you expect that whatever James Bond has is bleeding edge technology. Yes,

0:12:31.000 --> 0:12:34.720
<v Speaker 1>other bleeding edge technology. And my two favorite from this film,

0:12:34.760 --> 0:12:37.920
<v Speaker 1>which are probably my two favorite of any James Bond

0:12:37.920 --> 0:12:41.640
<v Speaker 1>film ever in terms of pure ridiculous factor. Yeah, we've

0:12:41.679 --> 0:12:44.079
<v Speaker 1>got We've got the fake horse. Yeah, there's a horse

0:12:44.120 --> 0:12:46.760
<v Speaker 1>trailer with a fake horse, and the back end of

0:12:46.840 --> 0:12:50.160
<v Speaker 1>the fake horse lifts up and James Bond pulls out

0:12:50.280 --> 0:12:53.320
<v Speaker 1>a miniature aircraft that was hidden inside the horse and

0:12:53.360 --> 0:12:57.920
<v Speaker 1>horse trailer. So you've got this camouflaged trailer like it

0:12:57.960 --> 0:13:00.080
<v Speaker 1>could have just been a trailer. Why did it to

0:13:00.080 --> 0:13:01.880
<v Speaker 1>be a horse trailer with a fake horse and at

0:13:01.920 --> 0:13:07.959
<v Speaker 1>that's hiding a gyrocopter. That is a question for the ages, Jonathan,

0:13:08.080 --> 0:13:10.280
<v Speaker 1>I'm not answer. I would say that this is the

0:13:10.400 --> 0:13:13.120
<v Speaker 1>dumbest thing that happens in Octopus E except for one

0:13:13.200 --> 0:13:15.439
<v Speaker 1>other thing, except for the fact that there's a crocodile

0:13:15.520 --> 0:13:21.079
<v Speaker 1>shaped motor boat. Yeah, there's a crocodile shaped It's it's

0:13:21.120 --> 0:13:23.600
<v Speaker 1>incredible to me that that multiple people in a movie

0:13:23.600 --> 0:13:26.520
<v Speaker 1>studio said this is a great plan. Let us enact it.

0:13:26.640 --> 0:13:29.320
<v Speaker 1>This is a and this continues to be terrific, let

0:13:29.400 --> 0:13:31.160
<v Speaker 1>us go ahead with it. Not that's not only that,

0:13:31.200 --> 0:13:35.720
<v Speaker 1>but someone paid for that crocodile shaped motor boat. Prop

0:13:36.440 --> 0:13:39.079
<v Speaker 1>paid a lot. There might have been multiple ones that

0:13:39.120 --> 0:13:40.800
<v Speaker 1>they had to decide which one of these is the

0:13:40.840 --> 0:13:46.280
<v Speaker 1>best crocodile shaped boat prop. Oh Man, So let's move on.

0:13:46.400 --> 0:13:49.840
<v Speaker 1>Things do improve in a way. We we get never

0:13:49.880 --> 0:13:53.959
<v Speaker 1>say Never again in with a Return of Sean Connery. Now,

0:13:54.080 --> 0:13:56.960
<v Speaker 1>this was a film that was not made by the

0:13:57.040 --> 0:14:00.000
<v Speaker 1>same studio that was making all the other James Bond films.

0:14:00.000 --> 0:14:02.480
<v Speaker 1>So some people don't include it, some people do. We're

0:14:02.480 --> 0:14:06.480
<v Speaker 1>including it because why not. It's actually kind of a

0:14:07.320 --> 0:14:10.200
<v Speaker 1>based on the same story as a Thunderball was. So

0:14:10.360 --> 0:14:12.800
<v Speaker 1>if you remember in our last episode, Connery was in

0:14:12.840 --> 0:14:16.760
<v Speaker 1>Thunderball too, So essentially he's he's making two remake of

0:14:16.760 --> 0:14:18.840
<v Speaker 1>his own movie in a way. So in this one,

0:14:18.960 --> 0:14:21.240
<v Speaker 1>he had a pen that had an explosive charge in

0:14:21.320 --> 0:14:23.720
<v Speaker 1>it that was meant to fire a projectile, which you

0:14:23.800 --> 0:14:27.680
<v Speaker 1>could do, and we talked about the lipstick and cigarette

0:14:28.320 --> 0:14:31.760
<v Speaker 1>one shot pistols in the past. Obviously you couldn't make

0:14:31.800 --> 0:14:33.600
<v Speaker 1>it be a pen pen like. It couldn't be made

0:14:33.600 --> 0:14:35.280
<v Speaker 1>out of the same stuff as your regular pen, because

0:14:35.280 --> 0:14:38.880
<v Speaker 1>that wouldn't hold up under the stress of your hand. Yeah,

0:14:38.920 --> 0:14:41.360
<v Speaker 1>that would be bad. That's what we call a bad result.

0:14:41.680 --> 0:14:45.160
<v Speaker 1>But technically it is possible. H And another, I thought

0:14:45.200 --> 0:14:47.600
<v Speaker 1>I'd pull up another kind of funky spy gun. I

0:14:47.760 --> 0:14:49.840
<v Speaker 1>like to bring up real life examples whenever we talk

0:14:49.920 --> 0:14:53.920
<v Speaker 1>about these fictional ones. There actually was this cell phone,

0:14:54.400 --> 0:14:57.080
<v Speaker 1>um that what looks like it dates from the early nineties.

0:14:57.080 --> 0:15:00.000
<v Speaker 1>It is a big, clunky, candy bar style cell phone,

0:15:00.240 --> 0:15:03.880
<v Speaker 1>all right, But if you were to uh to bisect

0:15:03.920 --> 0:15:07.320
<v Speaker 1>it so the top half comes away from the bottom half,

0:15:07.360 --> 0:15:09.840
<v Speaker 1>you would see that there are four bullets that can

0:15:09.880 --> 0:15:11.960
<v Speaker 1>be in this thing, and it can actually fire bullets.

0:15:11.960 --> 0:15:13.800
<v Speaker 1>When you put in a four digit code in the

0:15:13.800 --> 0:15:16.960
<v Speaker 1>cell phone, it fires off a bullet. Yeah. So, um,

0:15:17.080 --> 0:15:18.720
<v Speaker 1>one of these was actually found in the wild. I

0:15:18.720 --> 0:15:21.320
<v Speaker 1>want to say it was in the UK. So it's

0:15:21.360 --> 0:15:23.600
<v Speaker 1>kind of a kind of crazy that these things actually

0:15:23.600 --> 0:15:26.640
<v Speaker 1>do exist to some extent, although I doubt that they are,

0:15:26.800 --> 0:15:28.920
<v Speaker 1>you know, in wide use. It's probably one of those

0:15:28.920 --> 0:15:31.800
<v Speaker 1>things that you know, when all else fails, that's something

0:15:31.840 --> 0:15:33.880
<v Speaker 1>that you might rely upon that may or may not

0:15:33.920 --> 0:15:36.120
<v Speaker 1>get you out of a tricky situation, unless you're James Bond,

0:15:36.160 --> 0:15:39.520
<v Speaker 1>in which case it always does right because it's because

0:15:39.520 --> 0:15:43.520
<v Speaker 1>it's a plot gadget. Yeah. Um uh. That film also

0:15:43.640 --> 0:15:46.400
<v Speaker 1>had I think the first example of a watch with

0:15:46.440 --> 0:15:51.040
<v Speaker 1>a laser beam cutting tool, yeah, which again not realistic

0:15:51.160 --> 0:15:53.600
<v Speaker 1>because you would need a lot of power to be

0:15:53.640 --> 0:15:56.880
<v Speaker 1>able to create a laser of significant intensity for you

0:15:56.920 --> 0:16:00.000
<v Speaker 1>to cut through anything. Now, we could have laser pointers

0:16:00.440 --> 0:16:02.760
<v Speaker 1>Shara watches, in fact, I'm sure there's some watches out

0:16:02.760 --> 0:16:06.440
<v Speaker 1>there that do. But for something that could actually cut

0:16:06.600 --> 0:16:09.440
<v Speaker 1>you would need a pretty significant power and that's not

0:16:09.520 --> 0:16:11.640
<v Speaker 1>something that you could fit in a wrist watch form

0:16:11.720 --> 0:16:14.320
<v Speaker 1>factor moving on too of you to a kill. We'll

0:16:14.360 --> 0:16:21.280
<v Speaker 1>guess who's back with us, Roger Moore. So here's an

0:16:21.280 --> 0:16:24.800
<v Speaker 1>interesting piece of technology that that you found an example of,

0:16:24.840 --> 0:16:27.440
<v Speaker 1>at least a concept that's similar to it. One of

0:16:27.480 --> 0:16:29.840
<v Speaker 1>the things James Bond has is a ring that hides

0:16:29.880 --> 0:16:32.880
<v Speaker 1>a camera in it. Now, this is also, especially in

0:16:33.600 --> 0:16:36.800
<v Speaker 1>five when you're talking about film cameras, really hard to

0:16:36.840 --> 0:16:39.520
<v Speaker 1>do because how do you how do you miniaturize all

0:16:39.520 --> 0:16:42.640
<v Speaker 1>that stuff so it fits into a ring? Um. But

0:16:42.880 --> 0:16:44.800
<v Speaker 1>on top of that, you know, now even with a

0:16:44.800 --> 0:16:47.520
<v Speaker 1>digital one, it would still be tricky because again you

0:16:47.560 --> 0:16:49.320
<v Speaker 1>have to worry about power, like where does the power

0:16:49.360 --> 0:16:52.920
<v Speaker 1>come from? Right, news broken late that a design studio

0:16:53.000 --> 0:16:55.520
<v Speaker 1>is working on a digital camera and in a ring

0:16:55.560 --> 0:16:59.720
<v Speaker 1>thing like this. They're they're calling it the camera ing. Yeah, um,

0:16:59.760 --> 0:17:02.080
<v Speaker 1>but it as of right now, I haven't heard any

0:17:02.080 --> 0:17:05.159
<v Speaker 1>further development about everything I looked into. Look like it

0:17:05.240 --> 0:17:08.639
<v Speaker 1>was a concept, not even beyond a concept at this point,

0:17:08.680 --> 0:17:11.199
<v Speaker 1>so we may never see a real one. Now, the

0:17:11.240 --> 0:17:14.120
<v Speaker 1>pictures of the concept drawings make it look super cool

0:17:14.160 --> 0:17:16.400
<v Speaker 1>and I totally want one. Yeah, And in fact, lots

0:17:16.400 --> 0:17:19.240
<v Speaker 1>of people on on like Pinterest and fancy in places

0:17:19.320 --> 0:17:21.959
<v Speaker 1>like that have been like this. This thing is terrific. Um.

0:17:22.119 --> 0:17:25.280
<v Speaker 1>But yeah, there's now the drawing is terrific. It's amazing

0:17:25.280 --> 0:17:27.959
<v Speaker 1>what people can draw, isn't it? If only that thing

0:17:27.960 --> 0:17:29.880
<v Speaker 1>can come real again, I don't know how you get

0:17:29.920 --> 0:17:31.639
<v Speaker 1>around the power thing. You geld to have a small

0:17:31.680 --> 0:17:34.680
<v Speaker 1>battery in it, but it would drain that pretty quickly,

0:17:34.680 --> 0:17:37.720
<v Speaker 1>I would imagine. Anyway. They also had an electric shaver

0:17:37.920 --> 0:17:45.080
<v Speaker 1>that was actually hiding eavesdropping technology, which again uh and um.

0:17:45.119 --> 0:17:48.639
<v Speaker 1>And then that that iceberg boat submarine. It all depends

0:17:48.640 --> 0:17:50.399
<v Speaker 1>on who you ask. Whether as a boat or a

0:17:50.400 --> 0:17:55.160
<v Speaker 1>submarine that's disguised as an iceberg, it's better than a crocodile. However,

0:17:55.440 --> 0:17:58.480
<v Speaker 1>this particular iceberg boat also, as I recall, had a

0:17:58.600 --> 0:18:02.919
<v Speaker 1>bed in it, and she pain I. I that, you know,

0:18:03.320 --> 0:18:06.240
<v Speaker 1>iceberg shaped sub mercibles is where I keep all of

0:18:06.240 --> 0:18:09.439
<v Speaker 1>my luxury items. So I'm not sure why you're questioning this.

0:18:09.440 --> 0:18:11.080
<v Speaker 1>This is one of those issues that I have with

0:18:11.160 --> 0:18:13.360
<v Speaker 1>James Bond. Is just not only that he's a spy

0:18:13.400 --> 0:18:16.919
<v Speaker 1>that draws unwanted attention to himself wherever he goes, but

0:18:17.000 --> 0:18:21.840
<v Speaker 1>he's also like living this insane lavish lifestyle that that

0:18:21.920 --> 0:18:25.680
<v Speaker 1>nobody does except for maybe Elon Musk. Maybe that's why

0:18:25.720 --> 0:18:29.359
<v Speaker 1>he bought that's submercibiles. He's trying to become James Bond. Um.

0:18:29.440 --> 0:18:32.199
<v Speaker 1>You know. Anyway, I just thought it was weird. So

0:18:32.240 --> 0:18:34.560
<v Speaker 1>now we're moving on to the Living Daylights, where we

0:18:34.600 --> 0:18:40.199
<v Speaker 1>get a brand new Bond. Timothy Dalton, Yeah, this is

0:18:40.560 --> 0:18:43.760
<v Speaker 1>Timothy Dalton was not one of the more lauded James Bonds.

0:18:44.200 --> 0:18:46.760
<v Speaker 1>Less than popular at least I think Roger Moore people

0:18:46.760 --> 0:18:51.680
<v Speaker 1>have a kind of fondness or campiness. Timothy Dawnon. Well,

0:18:51.920 --> 0:18:55.200
<v Speaker 1>for it's not entirely his fault that Timothy Dalton movies

0:18:55.240 --> 0:18:58.280
<v Speaker 1>were a little dour. You know, they weren't. There were.

0:18:58.520 --> 0:19:00.719
<v Speaker 1>It seemed like a lot of fun missing from some

0:19:00.760 --> 0:19:02.520
<v Speaker 1>of those Timothy Dalton and they they were, they were

0:19:02.520 --> 0:19:05.400
<v Speaker 1>a little bit humorless. I so the Living Daylights, let's

0:19:05.400 --> 0:19:08.359
<v Speaker 1>talk about some of the gadgets in that. Yeah, let's see.

0:19:08.440 --> 0:19:12.880
<v Speaker 1>We had a a key chain that included knockout gas

0:19:12.920 --> 0:19:15.920
<v Speaker 1>to be released if you whistled the correct notes, which

0:19:16.080 --> 0:19:20.000
<v Speaker 1>was rule Britannia for James Bond. Presumably each double O

0:19:20.119 --> 0:19:24.320
<v Speaker 1>agent would have a different whistle que so rule Britanny.

0:19:24.359 --> 0:19:26.040
<v Speaker 1>So do do do Do Do Do Do Do Do Do

0:19:26.400 --> 0:19:29.560
<v Speaker 1>would release knockout gas, but it also could explode if

0:19:29.680 --> 0:19:32.240
<v Speaker 1>used a different kind of whistle. For for for James,

0:19:32.359 --> 0:19:35.520
<v Speaker 1>they used a wolf whistle, which Q of course comments

0:19:35.600 --> 0:19:39.160
<v Speaker 1>upon as you would expect, and it was totally appropriate

0:19:39.240 --> 0:19:42.959
<v Speaker 1>for Mr misogyny James Bond. Also contained inside this key

0:19:43.000 --> 0:19:45.440
<v Speaker 1>chain was a lock pick capable of opening up like

0:19:45.600 --> 0:19:49.920
<v Speaker 1>n of the world's locks, according to Q, which is amazing. Um,

0:19:50.280 --> 0:19:52.800
<v Speaker 1>I'm not sure that any keychain could contain all of

0:19:52.920 --> 0:19:55.280
<v Speaker 1>these things and still be a key chain and not

0:19:55.840 --> 0:20:00.680
<v Speaker 1>like a kit. It seems unlikely. Yeah, that that's again

0:20:00.880 --> 0:20:03.600
<v Speaker 1>one of those physics issues. How do you pack? How

0:20:03.640 --> 0:20:06.280
<v Speaker 1>do you make enough room for enough knockout gas to

0:20:06.320 --> 0:20:11.200
<v Speaker 1>be effective for anything, or enough explosive charge to be dangerous,

0:20:11.720 --> 0:20:15.280
<v Speaker 1>and have the enough room for the lock picks as well?

0:20:15.640 --> 0:20:17.720
<v Speaker 1>All three of those things into something that tiny would

0:20:17.760 --> 0:20:19.840
<v Speaker 1>be really hard to do. Also, how can you make

0:20:19.880 --> 0:20:22.359
<v Speaker 1>sure that when one goes off, like when the gas

0:20:22.480 --> 0:20:25.920
<v Speaker 1>is released, it doesn't accidentally also make it explode. Because

0:20:26.000 --> 0:20:28.440
<v Speaker 1>knockout gas is great if you don't want to hurt people,

0:20:28.560 --> 0:20:30.320
<v Speaker 1>but if you do knock out gas and then immediately

0:20:30.320 --> 0:20:33.760
<v Speaker 1>the key chain explodes. Yeah that's not good. Yeah. I

0:20:33.800 --> 0:20:36.600
<v Speaker 1>would assume that whatever release mechanism would would be I

0:20:36.640 --> 0:20:40.000
<v Speaker 1>don't know, yeah, at any rate. Um. Then then there

0:20:40.160 --> 0:20:44.119
<v Speaker 1>was a boom box, Yes, the Ghetto Blast. As Q

0:20:44.280 --> 0:20:46.919
<v Speaker 1>would say, it was meant for agents who are operating

0:20:46.960 --> 0:20:49.560
<v Speaker 1>in the United States because, as we all know, by

0:20:50.400 --> 0:20:54.600
<v Speaker 1>seven we all were walking around with four foot long

0:20:55.440 --> 0:20:58.399
<v Speaker 1>radios perched on our shoulders. Well, it's the only thing

0:20:58.440 --> 0:21:02.359
<v Speaker 1>that matched with our pants were until we were mostly

0:21:02.520 --> 0:21:05.600
<v Speaker 1>looking for for sheets of cardboard upon which we would

0:21:05.720 --> 0:21:09.159
<v Speaker 1>bust some moves. I would encourage you to watch the

0:21:09.240 --> 0:21:14.200
<v Speaker 1>documentary Break into Electric Boogaloo to learn more. So anyway,

0:21:14.600 --> 0:21:18.240
<v Speaker 1>the Ghetto Blaster was a rocket launcher that was disguised

0:21:18.480 --> 0:21:22.200
<v Speaker 1>to be a boom box. The heaviest boombox eff you

0:21:22.240 --> 0:21:24.800
<v Speaker 1>would imagine for it to be an effective rocket launcher,

0:21:24.840 --> 0:21:28.080
<v Speaker 1>it would probably be pretty weighty. To be fair, boom

0:21:28.119 --> 0:21:30.520
<v Speaker 1>boxes were already pretty heavy back in those days, but

0:21:30.600 --> 0:21:33.960
<v Speaker 1>this would be even heavier. However, Dalton Is Bond did

0:21:34.040 --> 0:21:37.760
<v Speaker 1>get a new Aston Martin, Yes, the V eight Vantage Volante,

0:21:38.680 --> 0:21:45.440
<v Speaker 1>which had hug cap lasers, retractable ski retractable spikes, also

0:21:45.520 --> 0:21:48.159
<v Speaker 1>a missile launcher and a rocket that would make it go.

0:21:48.400 --> 0:21:51.679
<v Speaker 1>As I put in the notes, Wicked Fast also had

0:21:51.720 --> 0:21:54.480
<v Speaker 1>a self destruct system, which most of the aston Martin's

0:21:54.480 --> 0:21:56.600
<v Speaker 1>actual this point did too. That's one of those things

0:21:57.119 --> 0:22:00.879
<v Speaker 1>come standard self destruction, you know. Not the bond ever

0:22:01.000 --> 0:22:03.720
<v Speaker 1>needed the self destruct system. Yeah. No, he was usually

0:22:03.760 --> 0:22:05.560
<v Speaker 1>pretty good at wrecking those all on his own, to

0:22:05.600 --> 0:22:07.440
<v Speaker 1>be fair. To be fair, I think one of his

0:22:07.600 --> 0:22:11.200
<v Speaker 1>vehicles did did a self destruct when someone tried to

0:22:11.240 --> 0:22:13.679
<v Speaker 1>break into it, and it was part of the anti

0:22:13.800 --> 0:22:18.080
<v Speaker 1>theft device. It's a very effective one. Just a car alarm. No,

0:22:18.240 --> 0:22:21.720
<v Speaker 1>that's great. That's much less annoying than alarm because it's

0:22:21.840 --> 0:22:24.640
<v Speaker 1>over in a moment. It doesn't go on all morning long.

0:22:25.440 --> 0:22:28.520
<v Speaker 1>Moving on to our next film, License to Kill From

0:22:29.640 --> 0:22:32.400
<v Speaker 1>I remember this one too. Uh So, this one had

0:22:32.600 --> 0:22:39.680
<v Speaker 1>a plastic explosives in the form of toothpaste called Dentonite. Yeah,

0:22:40.119 --> 0:22:42.560
<v Speaker 1>and I had a pack of cigarettes that were used

0:22:42.560 --> 0:22:46.080
<v Speaker 1>as the detonator, So you would squeeze out the plastic

0:22:46.280 --> 0:22:50.200
<v Speaker 1>the plastic and then use the the cigarettes and planted

0:22:50.240 --> 0:22:52.560
<v Speaker 1>in it to be the blasting caps. So I they

0:22:52.640 --> 0:22:55.720
<v Speaker 1>don't actually say what type of plastic explosives they're using.

0:22:56.520 --> 0:22:59.240
<v Speaker 1>I assume it was something similar to PE four, which

0:22:59.359 --> 0:23:01.840
<v Speaker 1>is what the Brits use. In the US, we use

0:23:01.920 --> 0:23:05.440
<v Speaker 1>something very similar called C four. I say we, I

0:23:05.560 --> 0:23:09.520
<v Speaker 1>just mean the the entities that have access to these

0:23:09.560 --> 0:23:12.560
<v Speaker 1>things personally, I don't use either. They don't give you

0:23:12.960 --> 0:23:17.480
<v Speaker 1>four not anymore. So, um, yeah, these things require blasting caps.

0:23:17.760 --> 0:23:21.359
<v Speaker 1>They actually can withstand impact pretty well. They can they

0:23:21.400 --> 0:23:25.800
<v Speaker 1>can withstand heat pretty well, unless it's super intense explosive

0:23:25.840 --> 0:23:28.280
<v Speaker 1>heat that releases very quickly, which is why you need

0:23:28.359 --> 0:23:31.399
<v Speaker 1>the blasting caps. So um, it's another one of those

0:23:31.440 --> 0:23:33.880
<v Speaker 1>things where you'd have to have a very effective blasting

0:23:33.920 --> 0:23:38.200
<v Speaker 1>cap technology to make this plastic explosive stuff ignite and

0:23:38.480 --> 0:23:41.200
<v Speaker 1>and explode. So it's not like it's impossible, it would

0:23:41.200 --> 0:23:43.800
<v Speaker 1>just be really tricky to do in that particular form factor.

0:23:44.320 --> 0:23:46.320
<v Speaker 1>And then we had a few We had some camera

0:23:46.480 --> 0:23:49.080
<v Speaker 1>technology in this one. Um that there was some kind

0:23:49.119 --> 0:23:54.560
<v Speaker 1>of weird sniper camera gun thing, a sniper rifle disguised

0:23:54.560 --> 0:23:59.080
<v Speaker 1>as a camera. But it's like a Decepticon. Yeah, uh

0:23:59.200 --> 0:24:02.080
<v Speaker 1>snipers and guys. Yes, Um, we also had it. We

0:24:02.119 --> 0:24:07.920
<v Speaker 1>also had a Polaroid camera that had definitely lasers. Well,

0:24:08.200 --> 0:24:11.560
<v Speaker 1>the lasers were meant to somehow create an X ray

0:24:11.880 --> 0:24:13.720
<v Speaker 1>version of whatever it was you were taking a picture of.

0:24:13.840 --> 0:24:16.760
<v Speaker 1>So if I had this polaroid and you were wearing

0:24:16.880 --> 0:24:21.320
<v Speaker 1>a trench coat and you were laden down with various weaponry, which, guys,

0:24:21.359 --> 0:24:24.040
<v Speaker 1>I gotta tell you, Lauren holds her weapons all in

0:24:24.119 --> 0:24:26.240
<v Speaker 1>the open, so it's not like she would be concealing

0:24:26.320 --> 0:24:28.520
<v Speaker 1>them because she doesn't feel the need to do that.

0:24:28.640 --> 0:24:31.160
<v Speaker 1>But if she did, I prefer that the nine ft

0:24:31.240 --> 0:24:34.600
<v Speaker 1>long anime sword right personally, right, it's it's it's very

0:24:34.640 --> 0:24:37.200
<v Speaker 1>comical to watch Lauren keep on bumping into door frames.

0:24:37.520 --> 0:24:39.600
<v Speaker 1>But no, let's say that I wanted to check out

0:24:39.680 --> 0:24:41.639
<v Speaker 1>and see if Lauren was in fact carrying, you know,

0:24:41.840 --> 0:24:44.760
<v Speaker 1>an arsenal underneath that trench coat. Take a photo of

0:24:44.840 --> 0:24:47.560
<v Speaker 1>this polaroid and it had this little red laser flash

0:24:47.640 --> 0:24:49.560
<v Speaker 1>that came out of the flash instead of a regular

0:24:49.960 --> 0:24:52.920
<v Speaker 1>camera flash, and the polaroid would come out with the

0:24:53.160 --> 0:24:56.919
<v Speaker 1>X ray version of whatever that picture is. Um again,

0:24:57.119 --> 0:25:01.280
<v Speaker 1>not really a thing. Uh, you know, using X rays

0:25:01.320 --> 0:25:05.040
<v Speaker 1>would be dangerous. Using that camera would be really dangerous

0:25:05.080 --> 0:25:08.520
<v Speaker 1>on any extended So the lasers would be deadly. Yeah,

0:25:08.520 --> 0:25:10.520
<v Speaker 1>and just it would just mean that you would be

0:25:10.600 --> 0:25:12.879
<v Speaker 1>deadly in the sense that you would eventually probably contract

0:25:12.960 --> 0:25:15.600
<v Speaker 1>contract cancer as opposed to get burned by a laser.

0:25:15.920 --> 0:25:17.840
<v Speaker 1>But yeah, it wasn't meant to be a weapon. It

0:25:17.920 --> 0:25:20.720
<v Speaker 1>was meant to try and detect, you know, people smuggling

0:25:20.760 --> 0:25:23.159
<v Speaker 1>and guns into places where you don't want them to

0:25:23.240 --> 0:25:26.919
<v Speaker 1>have them. We'll be back with more about spy technology

0:25:27.000 --> 0:25:37.800
<v Speaker 1>after this quick break. Okay, In our last James Bond film,

0:25:38.280 --> 0:25:40.520
<v Speaker 1>we had Timothy Dalton, but now on our next one

0:25:40.560 --> 0:25:43.680
<v Speaker 1>we go up to the next actor to play James Bond. Yeah,

0:25:43.760 --> 0:25:46.320
<v Speaker 1>it would be a six year break in between these

0:25:46.400 --> 0:25:48.760
<v Speaker 1>movies and the next film that came out was Golden

0:25:50.119 --> 0:25:53.399
<v Speaker 1>with Pierce Brosnan. Now Pierce Brosnan a lot of people

0:25:53.800 --> 0:25:59.639
<v Speaker 1>felt was a good, um refreshing breath after Timothy Dalton. Again,

0:25:59.680 --> 0:26:01.919
<v Speaker 1>I think the Timothy Dalton movies was that was more

0:26:01.960 --> 0:26:04.600
<v Speaker 1>of a scripting issue than necessarily a casting one. But

0:26:04.720 --> 0:26:07.520
<v Speaker 1>Pierce brosn and definitely brought in some uh uh you know,

0:26:07.640 --> 0:26:11.000
<v Speaker 1>kind of an edge to the character that had sort

0:26:11.040 --> 0:26:13.760
<v Speaker 1>of not been there before. It would definitely be refined

0:26:13.880 --> 0:26:17.639
<v Speaker 1>later on. So Golden nye h. Besides being one of

0:26:17.720 --> 0:26:21.440
<v Speaker 1>the best Nintendo sixty four video games ever made. I'm

0:26:21.480 --> 0:26:23.000
<v Speaker 1>glad that you said that, because that was going to

0:26:23.080 --> 0:26:26.200
<v Speaker 1>be my really important note about this was also a

0:26:26.280 --> 0:26:30.119
<v Speaker 1>great movie. Uh, he had his Aston Martin d B

0:26:30.280 --> 0:26:33.040
<v Speaker 1>five again, so we're back to the Aston Martin. This

0:26:33.160 --> 0:26:35.600
<v Speaker 1>one in particular, had a fax machine in the dashboard,

0:26:35.720 --> 0:26:41.239
<v Speaker 1>just like any sexy, suave spy, let me fax this, um,

0:26:41.640 --> 0:26:46.160
<v Speaker 1>but but more and more interestingly, cellular voice communication capacity. Yeah,

0:26:47.240 --> 0:26:49.360
<v Speaker 1>this is when we're starting to see cell phones start

0:26:49.440 --> 0:26:51.760
<v Speaker 1>to get adopted in large numbers. But you know, to

0:26:51.840 --> 0:26:55.600
<v Speaker 1>have like a hands free cellular voice command system inside

0:26:55.680 --> 0:26:59.040
<v Speaker 1>of a car was definitely bleeding edge tech at the time.

0:26:59.600 --> 0:27:02.600
<v Speaker 1>They also had that's actually one of my favorite scenes

0:27:02.640 --> 0:27:05.520
<v Speaker 1>in Gold and I. There's a ballpoint pen that Q

0:27:06.160 --> 0:27:10.359
<v Speaker 1>gives to to Bond, and the pen is an actual

0:27:10.560 --> 0:27:14.040
<v Speaker 1>explosive device, a grenade that had that you activate by

0:27:14.080 --> 0:27:16.600
<v Speaker 1>clicking it three times, since it's a ballpoint, so if

0:27:16.640 --> 0:27:18.760
<v Speaker 1>you click it three times, it activates and has a

0:27:18.800 --> 0:27:21.119
<v Speaker 1>four second long fuse, and you can deactivate it by

0:27:21.119 --> 0:27:23.639
<v Speaker 1>clicking it three more times. So Q says, you know,

0:27:23.680 --> 0:27:25.720
<v Speaker 1>you click it three times, click, click, click, and the

0:27:25.880 --> 0:27:28.200
<v Speaker 1>four second fuse starts and goes click click click, and

0:27:28.280 --> 0:27:30.840
<v Speaker 1>then James Bond takes and says, how long did you

0:27:30.880 --> 0:27:33.600
<v Speaker 1>say the fuse was? Click click click, and then Q

0:27:33.920 --> 0:27:37.280
<v Speaker 1>just looks at him, takes the pen back, calmly, clicks

0:27:37.320 --> 0:27:40.040
<v Speaker 1>it three times and says, grow up, double O seven.

0:27:41.520 --> 0:27:43.800
<v Speaker 1>And then of course there's a little line about so

0:27:44.320 --> 0:27:46.720
<v Speaker 1>they always said the pen is mightier than the swords

0:27:46.720 --> 0:27:50.119
<v Speaker 1>as well, this time they're right because of me, says Q.

0:27:51.000 --> 0:27:54.040
<v Speaker 1>So there are a lot of other silly gadgets shown

0:27:54.600 --> 0:27:57.960
<v Speaker 1>in the background during the Q laboratory scene, like some

0:27:58.080 --> 0:28:01.960
<v Speaker 1>of the silliest ones and uh, you had like an

0:28:02.160 --> 0:28:05.600
<v Speaker 1>ejector seats shown off. There was the uh there was

0:28:05.640 --> 0:28:07.680
<v Speaker 1>one point where Q shows up. Actually, when Q first

0:28:07.680 --> 0:28:09.680
<v Speaker 1>shows up in the scene, he's we wheeling out in

0:28:09.720 --> 0:28:12.000
<v Speaker 1>the wheelchair and he's got one leg in a big

0:28:12.560 --> 0:28:16.080
<v Speaker 1>plaster cast and Bond says, home, I'm sorry about your leg,

0:28:16.560 --> 0:28:19.639
<v Speaker 1>and then Q demonstrates that it's actually a missile launcher,

0:28:19.720 --> 0:28:23.200
<v Speaker 1>and a missile launches from the cast leg and flies

0:28:23.400 --> 0:28:26.240
<v Speaker 1>about twenty feet to the right of a dummy that

0:28:26.359 --> 0:28:30.399
<v Speaker 1>he was pointing toward, and then Q just casually stands

0:28:30.440 --> 0:28:32.080
<v Speaker 1>up out of the wheelchair and you see that was

0:28:32.119 --> 0:28:34.320
<v Speaker 1>a false leg the whole time. Uh. And we had

0:28:34.359 --> 0:28:36.720
<v Speaker 1>a request by Ian on Facebook that said that we

0:28:36.800 --> 0:28:39.760
<v Speaker 1>needed to explain that, if not for the practicality, but

0:28:39.880 --> 0:28:43.720
<v Speaker 1>for the sheer comedic value of that particular device. There's

0:28:43.760 --> 0:28:46.640
<v Speaker 1>also one that they don't comment on, Like you were

0:28:46.680 --> 0:28:50.240
<v Speaker 1>saying earlier, Lauren, there occasionally in these Q segments you

0:28:50.360 --> 0:28:53.000
<v Speaker 1>just see stuff going on in the background hilarious, but

0:28:53.040 --> 0:28:55.440
<v Speaker 1>no one says anything. There's one point where you see

0:28:55.440 --> 0:28:58.640
<v Speaker 1>a guy, a guy in a lapka walk into a

0:28:58.760 --> 0:29:01.280
<v Speaker 1>phone booth and then only the phone booth just fills

0:29:01.400 --> 0:29:04.600
<v Speaker 1>up with a big inflated balloon, trapping the guy against

0:29:04.680 --> 0:29:07.360
<v Speaker 1>the door, and because the door pulls in on phone booth,

0:29:07.640 --> 0:29:09.640
<v Speaker 1>he can't get out, and you just see him squished

0:29:09.720 --> 0:29:14.400
<v Speaker 1>up against the glass, and that is hilarious. Also doesn't

0:29:14.400 --> 0:29:17.680
<v Speaker 1>play any other part in the movie whatsoever. Uh. That

0:29:17.880 --> 0:29:20.160
<v Speaker 1>starts to feel like it belongs more and get smart

0:29:20.320 --> 0:29:22.520
<v Speaker 1>than on James. Yeah, some of these, some of these

0:29:22.560 --> 0:29:25.840
<v Speaker 1>around this era started to seem like parodies of I

0:29:25.920 --> 0:29:28.000
<v Speaker 1>mean even even more. At least they were being self

0:29:28.040 --> 0:29:29.640
<v Speaker 1>aware because I feel like the stuff that was going

0:29:29.680 --> 0:29:33.080
<v Speaker 1>on in Roger Morris time was straightforwardly like it was

0:29:33.160 --> 0:29:35.520
<v Speaker 1>just It's great. It was just camp the way the

0:29:35.600 --> 0:29:39.600
<v Speaker 1>old Batman series was camp. So we move on to

0:29:39.760 --> 0:29:43.800
<v Speaker 1>tomorrow Never Dies that film again with Pierce Browsnon. Yep.

0:29:43.840 --> 0:29:45.400
<v Speaker 1>They had a mobile phone that could act as a

0:29:45.440 --> 0:29:49.240
<v Speaker 1>fingerprint scanner and as we've all mentioned, yeah, iPhone five

0:29:49.440 --> 0:29:51.720
<v Speaker 1>S does that now, so we actually have technology that

0:29:51.800 --> 0:29:55.280
<v Speaker 1>could do this that you know, we could easily adapt that.

0:29:55.400 --> 0:29:57.560
<v Speaker 1>In fact, I'm sure there are law enforcement agencies that

0:29:57.600 --> 0:30:00.600
<v Speaker 1>have adapted that technology to work in the field. Um.

0:30:00.880 --> 0:30:03.080
<v Speaker 1>It also contained a lock pick in the antenna. It

0:30:03.160 --> 0:30:06.360
<v Speaker 1>was an electronic lock pick, and you could put the

0:30:06.400 --> 0:30:07.880
<v Speaker 1>lock pick in a lock and you press a key

0:30:07.920 --> 0:30:09.560
<v Speaker 1>on the phone it would cause it to pick a

0:30:09.680 --> 0:30:15.200
<v Speaker 1>lock automatically. And it also was um uh twenty volts

0:30:15.200 --> 0:30:18.440
<v Speaker 1>stunned gun, so you could zap people if they wanted

0:30:18.480 --> 0:30:21.160
<v Speaker 1>to run up your minutes. And it could do one

0:30:21.200 --> 0:30:24.240
<v Speaker 1>other thing. It was a remote control. It was a

0:30:24.560 --> 0:30:31.160
<v Speaker 1>remote control for Bonds BMW first of all BMW car. Yeah,

0:30:31.720 --> 0:30:34.160
<v Speaker 1>I was a little bit irked by that too. Um.

0:30:34.520 --> 0:30:37.640
<v Speaker 1>But but the part where it was a remote control

0:30:38.000 --> 0:30:42.000
<v Speaker 1>that you know, could could let the car locate Bond

0:30:42.200 --> 0:30:45.560
<v Speaker 1>and drive itself to him is technology that people are

0:30:45.680 --> 0:30:48.160
<v Speaker 1>very much working on right now. Yeah, we've talked about

0:30:48.160 --> 0:30:51.160
<v Speaker 1>autonomous cars in the past. This is truly an autonomous

0:30:51.200 --> 0:30:54.080
<v Speaker 1>car that could you know, it could identify the signal

0:30:54.160 --> 0:30:56.360
<v Speaker 1>where Bond was and then plan out a route and

0:30:56.560 --> 0:30:59.360
<v Speaker 1>drive to him. Obviously going in a straight line would

0:30:59.360 --> 0:31:01.320
<v Speaker 1>not necessary only work if there were say, you know,

0:31:01.480 --> 0:31:03.560
<v Speaker 1>lakes or buildings or something in the way. So it

0:31:03.600 --> 0:31:06.000
<v Speaker 1>actually has to be able to navigate right and and

0:31:06.240 --> 0:31:08.880
<v Speaker 1>as that kind of technology gets better, I we were

0:31:08.920 --> 0:31:12.200
<v Speaker 1>not quite there yet except an extreme prototype phase. But yeah,

0:31:12.400 --> 0:31:16.920
<v Speaker 1>but yeah, Stephen on Facebook requested that one. So also

0:31:17.360 --> 0:31:19.440
<v Speaker 1>this was you know, we weren't the only ones who

0:31:19.480 --> 0:31:22.200
<v Speaker 1>got a little miffed about the Aston Martin going away

0:31:22.680 --> 0:31:25.360
<v Speaker 1>and the BMW coming in. That ended up being a

0:31:25.720 --> 0:31:27.480
<v Speaker 1>kind of a sticking point for a few people. BMW

0:31:27.600 --> 0:31:29.760
<v Speaker 1>would stick around for a little bit, but uh, don't worry.

0:31:29.760 --> 0:31:32.000
<v Speaker 1>If you guys love your British cars, you'll you'll get

0:31:32.040 --> 0:31:34.200
<v Speaker 1>pay off a little bit later. There was also a

0:31:34.280 --> 0:31:36.800
<v Speaker 1>bad guy who had a wrist band grappling hook, so

0:31:37.000 --> 0:31:39.240
<v Speaker 1>it was something that you could fire from the wrist

0:31:39.280 --> 0:31:43.080
<v Speaker 1>band had a little python or piton if you're British

0:31:43.440 --> 0:31:46.600
<v Speaker 1>that would fly out and embed into something, and it

0:31:46.680 --> 0:31:49.680
<v Speaker 1>had a high tension strength wire connected to it so

0:31:49.760 --> 0:31:52.240
<v Speaker 1>you could swing on it or climb In this case

0:31:52.320 --> 0:31:54.280
<v Speaker 1>it was a character who could uh use it to

0:31:54.720 --> 0:31:59.600
<v Speaker 1>run down a vertical surface. Uh, you know, because that's happened.

0:31:59.600 --> 0:32:02.480
<v Speaker 1>That happened and Bond movies. Um, It's one of those

0:32:02.520 --> 0:32:06.040
<v Speaker 1>things that I questioned the legitimacy of only from the

0:32:06.120 --> 0:32:09.600
<v Speaker 1>sense of we could make a wrist mounted device that

0:32:09.640 --> 0:32:12.360
<v Speaker 1>could fire something, in fact, fire something hard enough to

0:32:12.600 --> 0:32:15.760
<v Speaker 1>to hurt or kill somebody, certainly, but to fire something

0:32:15.880 --> 0:32:19.400
<v Speaker 1>so hard that it embeds in a very tough material

0:32:19.560 --> 0:32:22.160
<v Speaker 1>like stone and his high tensile enough that you could

0:32:22.200 --> 0:32:26.160
<v Speaker 1>furthermore climb up. That's a lot of down as the

0:32:26.200 --> 0:32:28.200
<v Speaker 1>case maybe exactly because I mean, not only does it

0:32:28.280 --> 0:32:30.160
<v Speaker 1>have to be strong enough to to penetrate, right, it

0:32:30.200 --> 0:32:31.840
<v Speaker 1>has to be strong enough to carry the weight of

0:32:31.960 --> 0:32:34.800
<v Speaker 1>the line. Like. That's a lot of that's a lot

0:32:34.840 --> 0:32:36.480
<v Speaker 1>of stuff you've got to figure out so that this

0:32:36.640 --> 0:32:38.040
<v Speaker 1>thing will work the way it's supposed to wear. The

0:32:38.080 --> 0:32:40.320
<v Speaker 1>same problem I have with some of Batman's stuff. I

0:32:40.360 --> 0:32:42.200
<v Speaker 1>think that's a different podcast. I think I think we

0:32:42.240 --> 0:32:45.240
<v Speaker 1>should that is a different podcast probably will do something.

0:32:45.440 --> 0:32:48.160
<v Speaker 1>I think that we should call whoever created that and

0:32:48.240 --> 0:32:50.360
<v Speaker 1>be like, so we have the space elevator idea that

0:32:50.400 --> 0:32:53.600
<v Speaker 1>we're trying to work. Yeah, so if you've got enough

0:32:53.680 --> 0:32:57.239
<v Speaker 1>of that wire that apparently is incredibly strong, let's use

0:32:57.320 --> 0:32:59.800
<v Speaker 1>it for something else. Let's talk about that that moves on.

0:33:00.000 --> 0:33:02.360
<v Speaker 1>Who The world is not enough? Which is I recall

0:33:02.560 --> 0:33:07.520
<v Speaker 1>is James Bond's family motto? Was it? Yeah, the world

0:33:07.600 --> 0:33:11.200
<v Speaker 1>is not enough. That's that's the Bond family crest. If

0:33:11.240 --> 0:33:13.760
<v Speaker 1>I'm if I'm not mistaken, I could be. I'm totally

0:33:13.800 --> 0:33:17.760
<v Speaker 1>speaking from memory here. It was made another pierced brass

0:33:17.760 --> 0:33:20.640
<v Speaker 1>and in film, all right, we had yet another wrist

0:33:20.720 --> 0:33:24.840
<v Speaker 1>watch with the grappling hook. And and if they also

0:33:24.920 --> 0:33:29.400
<v Speaker 1>had eyeglasses that incorporate X ray technology, so you could

0:33:29.520 --> 0:33:32.560
<v Speaker 1>look at people and turn on the X rayspects and

0:33:32.760 --> 0:33:34.840
<v Speaker 1>they were X rayspects where you could actually see if

0:33:34.880 --> 0:33:37.400
<v Speaker 1>someone was carrying a gun. I'm sure Bond also used

0:33:37.440 --> 0:33:40.480
<v Speaker 1>it for other purposes. I feel like that's likely. Um.

0:33:40.720 --> 0:33:44.640
<v Speaker 1>And of course, again miniaturization of the technology is an issue.

0:33:44.800 --> 0:33:48.880
<v Speaker 1>And also the whole cancer thing where radiation is radiation, Yeah,

0:33:48.960 --> 0:33:52.440
<v Speaker 1>it's it's ionizing radiation, which means that it's not good

0:33:52.520 --> 0:33:55.280
<v Speaker 1>for us to be around non ionizing that's okay for

0:33:55.360 --> 0:33:59.560
<v Speaker 1>the most part, I think not okay. Yeah, However, there

0:33:59.600 --> 0:34:02.720
<v Speaker 1>are some infrared glasses that exist and can be used

0:34:02.800 --> 0:34:06.520
<v Speaker 1>for for similar nifty stuff. Just this era of vascular

0:34:06.640 --> 0:34:10.000
<v Speaker 1>imaging goggles were released that can help medical professionals like

0:34:10.080 --> 0:34:14.160
<v Speaker 1>locate a vein for for blood samples or etcetera. Pretty awesome,

0:34:14.160 --> 0:34:16.319
<v Speaker 1>Which is pretty awesome. Um and and of course we've

0:34:16.320 --> 0:34:18.920
<v Speaker 1>got photon cameras that can help us see around corners.

0:34:18.960 --> 0:34:21.640
<v Speaker 1>We talked about that in a Forred Thinking episode about

0:34:21.680 --> 0:34:24.360
<v Speaker 1>how it measures the time it takes for light to

0:34:24.400 --> 0:34:27.479
<v Speaker 1>come back around, Like a portion of the light hits

0:34:27.520 --> 0:34:29.920
<v Speaker 1>an open doorway and goes into a room, and some

0:34:30.080 --> 0:34:32.479
<v Speaker 1>of that light gets reflected back, hits the doorway again

0:34:32.560 --> 0:34:35.800
<v Speaker 1>gets reflected back toward the camera, and by measuring the

0:34:36.040 --> 0:34:39.600
<v Speaker 1>the amount of time those individual photons took to go

0:34:39.800 --> 0:34:43.200
<v Speaker 1>out and come back, a camera can actually reconstruct what

0:34:43.480 --> 0:34:46.959
<v Speaker 1>is inside the room next door without having a clear

0:34:47.040 --> 0:34:49.919
<v Speaker 1>line of sight inside it, which is crazy, but it's real.

0:34:51.120 --> 0:34:53.640
<v Speaker 1>It's not X ray glasses. It's never going to be

0:34:53.800 --> 0:34:56.400
<v Speaker 1>X ray glasses. I don't. Yeah, but I saw on

0:34:56.440 --> 0:34:58.839
<v Speaker 1>the back of this comic book is guys holding up

0:34:58.880 --> 0:35:00.600
<v Speaker 1>his hand. He's got this crazy he looked on his

0:35:00.719 --> 0:35:04.279
<v Speaker 1>face looks like Drew Carey. However, things that I think

0:35:04.400 --> 0:35:08.760
<v Speaker 1>are definitely up and coming um bagpipes that can hold

0:35:08.920 --> 0:35:12.440
<v Speaker 1>machine guns and flamethrowers. Look, aren't bagpipes deadly enough already?

0:35:12.719 --> 0:35:15.840
<v Speaker 1>Do we really need to add more killing power to bagpipes?

0:35:16.040 --> 0:35:21.439
<v Speaker 1>It up with q okay or should I say? Ah? Yeah?

0:35:21.520 --> 0:35:23.640
<v Speaker 1>That was another one of those things seen in Queues

0:35:23.680 --> 0:35:25.800
<v Speaker 1>lab as, this guy with a set of bagpipes that

0:35:25.840 --> 0:35:27.800
<v Speaker 1>turn into a machine gun in flamethrower, because you know,

0:35:28.000 --> 0:35:30.360
<v Speaker 1>that's that's exactly what we need, are more highlanders with

0:35:30.640 --> 0:35:35.080
<v Speaker 1>high high caliber weapons, all right. They also this was

0:35:35.160 --> 0:35:36.800
<v Speaker 1>also one of those things that when I saw it,

0:35:36.880 --> 0:35:39.279
<v Speaker 1>I was like, this is this is hilarious, And yet

0:35:39.360 --> 0:35:42.440
<v Speaker 1>there's a real world technology that's similar to what was

0:35:42.480 --> 0:35:46.200
<v Speaker 1>shown on the screen. So James Bond's wearing the ski jacket.

0:35:46.880 --> 0:35:50.000
<v Speaker 1>There's this whole chase scene where he's driving what's essentially

0:35:50.080 --> 0:35:52.960
<v Speaker 1>a snowmobile with a parachute and a fan on the

0:35:53.000 --> 0:35:55.400
<v Speaker 1>back of it so that can fly in places, and

0:35:55.480 --> 0:35:57.320
<v Speaker 1>he's being chased by bad guys who are also on

0:35:57.440 --> 0:36:01.560
<v Speaker 1>these things. And then he and a lady are on

0:36:01.760 --> 0:36:06.320
<v Speaker 1>this this icy area where uh and the spot above

0:36:06.400 --> 0:36:09.560
<v Speaker 1>them is breaking apart. It's gonna cause like a little avalanche.

0:36:09.560 --> 0:36:11.920
<v Speaker 1>It's going to crush them in a second. And so

0:36:12.080 --> 0:36:16.000
<v Speaker 1>quickly James Bond grabs the lady and uh the and

0:36:16.239 --> 0:36:19.399
<v Speaker 1>hits something on his jacket which inflates this ball around them.

0:36:19.560 --> 0:36:23.000
<v Speaker 1>So they get surrounded by this big inflatable ball and

0:36:23.239 --> 0:36:25.440
<v Speaker 1>uh and sort of like a zorb, one of those

0:36:25.640 --> 0:36:27.480
<v Speaker 1>big inflat and ones that you could run around inside,

0:36:27.840 --> 0:36:30.960
<v Speaker 1>similar to that yeah, yeah, big inflat hamster ball, and

0:36:31.080 --> 0:36:34.719
<v Speaker 1>that ends up providing shelter when everything falls on top

0:36:34.760 --> 0:36:36.840
<v Speaker 1>of them so that they don't get crushed by the

0:36:36.920 --> 0:36:40.200
<v Speaker 1>snow and ice that falls. Um. And at first, when

0:36:40.280 --> 0:36:42.080
<v Speaker 1>you look at this, you're like, oh, come on, that's

0:36:42.120 --> 0:36:45.719
<v Speaker 1>just so silly. However, it's actually kind of similar. There's this,

0:36:45.880 --> 0:36:49.319
<v Speaker 1>um this cool yeah just announced this year. I think

0:36:49.360 --> 0:36:53.279
<v Speaker 1>there's this inflatable helmet. Yeah, it looks like it's uh,

0:36:53.480 --> 0:36:56.759
<v Speaker 1>this kind of bulky scarf that you would wear. Uh,

0:36:56.920 --> 0:37:00.120
<v Speaker 1>it's the hole ding and it's uh, it's an air

0:37:00.200 --> 0:37:02.719
<v Speaker 1>bag for cyclists and the idea is that it has

0:37:02.840 --> 0:37:08.280
<v Speaker 1>this inflatable helmet that can expand rapidly if it detects

0:37:08.320 --> 0:37:12.279
<v Speaker 1>a sudden change in your acceleration and cover your head

0:37:12.360 --> 0:37:15.640
<v Speaker 1>in this inflatable bag, so that way, if you have

0:37:15.800 --> 0:37:18.160
<v Speaker 1>a crash, your head is protected, even if you're not

0:37:18.280 --> 0:37:20.800
<v Speaker 1>wearing even if you don't want to wear a standard

0:37:22.440 --> 0:37:24.759
<v Speaker 1>So kind of cool, I mean in the sense that

0:37:25.160 --> 0:37:28.400
<v Speaker 1>there is technology that's being developed right now that's similar

0:37:28.480 --> 0:37:31.080
<v Speaker 1>to this, this idea that was proposed in the movie.

0:37:31.160 --> 0:37:34.160
<v Speaker 1>I would think that anything potentially sharp like ice might

0:37:34.360 --> 0:37:37.360
<v Speaker 1>be a bad idea for something like that. Also, the

0:37:37.480 --> 0:37:39.960
<v Speaker 1>material would have to be able to withstand puncture. I

0:37:40.000 --> 0:37:42.800
<v Speaker 1>also think it would it would require a lot of

0:37:42.920 --> 0:37:46.520
<v Speaker 1>pressure on the inside of that that inflatable object to

0:37:46.640 --> 0:37:51.360
<v Speaker 1>withstand the huge amount of weight of an avalanche like

0:37:51.440 --> 0:37:54.000
<v Speaker 1>it would it would need to be mostly rigid right

0:37:54.080 --> 0:37:57.120
<v Speaker 1>when it couldn't be like the bouncy bouncy castle sort

0:37:57.120 --> 0:37:59.560
<v Speaker 1>of thing or just crush you. We've got more to

0:37:59.640 --> 0:38:02.920
<v Speaker 1>say a spy tech, but first let's take another quick break.

0:38:10.280 --> 0:38:14.800
<v Speaker 1>Moving on to Die Another Day film, um, and that

0:38:14.880 --> 0:38:17.400
<v Speaker 1>would be our last one with Pierce Brosnan. Yep. And

0:38:17.520 --> 0:38:20.200
<v Speaker 1>this one, James Bond gets a ring that can emit

0:38:20.280 --> 0:38:23.440
<v Speaker 1>an ultra high frequency single that is powerful enough to

0:38:23.480 --> 0:38:30.320
<v Speaker 1>shutter bulletproof glass. Which okay, so materials have this resonant frequency,

0:38:30.480 --> 0:38:32.840
<v Speaker 1>right that if you match the resonant frequency, it causes

0:38:32.880 --> 0:38:36.000
<v Speaker 1>the material to start to vibrate. And MythBusters did a

0:38:36.080 --> 0:38:38.000
<v Speaker 1>whole thing on this where they showed, you know, the

0:38:38.040 --> 0:38:41.240
<v Speaker 1>whole idea of being able to shatter a a wine

0:38:41.320 --> 0:38:43.920
<v Speaker 1>glass with your voice if you're able to sing at

0:38:43.960 --> 0:38:46.520
<v Speaker 1>the right note, and they showed that at the right

0:38:46.920 --> 0:38:50.000
<v Speaker 1>level of uh, not not just the right frequency, but

0:38:50.040 --> 0:38:53.160
<v Speaker 1>the right volume, the right intensity, you could actually make

0:38:53.200 --> 0:38:55.560
<v Speaker 1>this happen. You could. Then they shot into slow motion

0:38:55.560 --> 0:38:58.080
<v Speaker 1>where you could actually see the glass deforming as it

0:38:58.160 --> 0:39:01.840
<v Speaker 1>was shaking. Is really cool. However, squeezing that amount of

0:39:02.120 --> 0:39:05.200
<v Speaker 1>energy into a ring is going to be difficult. Yeah,

0:39:05.400 --> 0:39:08.440
<v Speaker 1>being able to project that much of volume so that

0:39:08.560 --> 0:39:11.040
<v Speaker 1>you were able to shatter something like a pane of glass,

0:39:11.760 --> 0:39:14.160
<v Speaker 1>because I mean, if you ever watch these videos, glass

0:39:14.200 --> 0:39:18.279
<v Speaker 1>can deform a surprising amount before it breaks, a really weird,

0:39:18.400 --> 0:39:21.400
<v Speaker 1>scary amount. Yeah, when slow motion you look at you like,

0:39:21.480 --> 0:39:25.280
<v Speaker 1>that doesn't even look real, So it would I certainly

0:39:25.360 --> 0:39:27.560
<v Speaker 1>don't think you could pack that kind of wallop in

0:39:27.640 --> 0:39:29.840
<v Speaker 1>a ring. No, I mean you could punch the glass

0:39:29.840 --> 0:39:31.520
<v Speaker 1>of course, of its bulletproof, You're probably just going to

0:39:31.560 --> 0:39:36.680
<v Speaker 1>break your hand. But anyway, the basic concept is sound.

0:39:36.960 --> 0:39:40.520
<v Speaker 1>The execution is questionable, not so much. Yeah, the Aston

0:39:40.600 --> 0:39:45.279
<v Speaker 1>Martin in this one, Um okay, So so we have

0:39:45.520 --> 0:39:48.720
<v Speaker 1>basically we had an invisible car. Yeah, the Aston Martin Vanquish,

0:39:48.800 --> 0:39:52.360
<v Speaker 1>also sometimes called the Aston Martin Vanish. There's a car that,

0:39:52.560 --> 0:39:54.560
<v Speaker 1>according to the film, the idea was that had lots

0:39:54.600 --> 0:39:57.640
<v Speaker 1>of these little tiny cameras all around the car, and

0:39:58.239 --> 0:40:01.120
<v Speaker 1>what would happen is that it would reject it would

0:40:01.280 --> 0:40:05.279
<v Speaker 1>capture whatever's coming on like oncoming and projected onto the

0:40:05.360 --> 0:40:07.719
<v Speaker 1>surface of the car itself. There for doing kind of

0:40:07.800 --> 0:40:10.600
<v Speaker 1>an invisibility cloak sort of. The idea being that if

0:40:10.719 --> 0:40:13.480
<v Speaker 1>if you're looking at the car, you're actually seeing what's

0:40:13.520 --> 0:40:15.400
<v Speaker 1>on the other side of the car as opposed the

0:40:15.480 --> 0:40:18.840
<v Speaker 1>car itself. This worked for everything, not just the not

0:40:19.000 --> 0:40:22.800
<v Speaker 1>just the car's body, but the wheels, the glass, the windows,

0:40:22.840 --> 0:40:26.800
<v Speaker 1>the windshield, everything was was completely cloaked and when it moved,

0:40:26.880 --> 0:40:29.279
<v Speaker 1>it moved like you know, like the clingon Starship and

0:40:29.360 --> 0:40:32.080
<v Speaker 1>star trek right right, um, And okay, so I mean

0:40:32.160 --> 0:40:35.640
<v Speaker 1>researchers and artists have in fact come up with invisibility

0:40:35.719 --> 0:40:39.800
<v Speaker 1>cloaks that work on similar principles, but not at Aston

0:40:39.880 --> 0:40:43.440
<v Speaker 1>Martin road speeds really and and to be fair to

0:40:43.560 --> 0:40:46.440
<v Speaker 1>James Bond, at first, when you see this, the car

0:40:46.600 --> 0:40:49.319
<v Speaker 1>is not moving, it's still. But then it does start

0:40:49.360 --> 0:40:51.640
<v Speaker 1>to move and it's moving perfectly fine, like you see

0:40:51.680 --> 0:40:54.840
<v Speaker 1>the shimmer as it moves. But it's not like, you know,

0:40:54.960 --> 0:40:56.680
<v Speaker 1>it's not like not like, it's not like the stuff

0:40:56.719 --> 0:40:59.080
<v Speaker 1>on the car is lagging behind three seconds from what

0:40:59.320 --> 0:41:02.360
<v Speaker 1>is actually around it, all right, right, um, right now.

0:41:02.400 --> 0:41:04.040
<v Speaker 1>The best technology for this kind of thing is on

0:41:04.120 --> 0:41:07.400
<v Speaker 1>the micrometer scale, you know, carbon nanotube stuff like that.

0:41:07.480 --> 0:41:09.040
<v Speaker 1>And also a lot of the stuff we think of

0:41:09.080 --> 0:41:12.520
<v Speaker 1>as invisibility cloaks right now is really for bands of

0:41:12.600 --> 0:41:16.399
<v Speaker 1>light that we personally cannot see. It's just that from

0:41:16.440 --> 0:41:19.120
<v Speaker 1>a laboratory standpoint, certain types of light will pass through

0:41:19.239 --> 0:41:22.000
<v Speaker 1>as opposed to reflecting off. It's just not in the

0:41:22.080 --> 0:41:26.440
<v Speaker 1>visible spectrum. What do you yeah? And and that was

0:41:26.520 --> 0:41:29.839
<v Speaker 1>a request from a couple of people on Facebook, Richard

0:41:29.920 --> 0:41:32.800
<v Speaker 1>and Monty. Now it also of course had your standard

0:41:32.920 --> 0:41:36.879
<v Speaker 1>James Bond equipment objector seat, which in this film, James

0:41:36.920 --> 0:41:40.120
<v Speaker 1>Bond uses to flip the car from being upside down

0:41:40.160 --> 0:41:42.920
<v Speaker 1>on its hood back to being right side up. The

0:41:43.000 --> 0:41:48.320
<v Speaker 1>objector seat provides the flippy flip. Yeah. Yeah, MythBusters tested

0:41:48.400 --> 0:41:50.040
<v Speaker 1>part of that as part of that that episode that

0:41:50.080 --> 0:41:54.040
<v Speaker 1>they did about and missed that part. I totally forgot

0:41:54.080 --> 0:41:55.680
<v Speaker 1>that part of the You know, I don't think I've

0:41:55.719 --> 0:41:58.319
<v Speaker 1>ever seen Die another Day. I've seen the clips, right,

0:41:58.360 --> 0:42:01.360
<v Speaker 1>I've seen the clips of this particular scene because and

0:42:01.440 --> 0:42:05.080
<v Speaker 1>I just remember yelling, oh, come on, and then I

0:42:05.200 --> 0:42:10.600
<v Speaker 1>had the standard you know, machine gun torpedoes right right, yeah,

0:42:10.680 --> 0:42:13.120
<v Speaker 1>all that stuff that you know James Bond has he

0:42:13.160 --> 0:42:16.640
<v Speaker 1>can't leave home without. So moving on, we've got uh, well,

0:42:16.760 --> 0:42:20.040
<v Speaker 1>you got the boring Bond right Casino Royale with this

0:42:20.840 --> 0:42:25.520
<v Speaker 1>Daniel Craig person. This this was a two thousand six films.

0:42:25.600 --> 0:42:29.600
<v Speaker 1>He's dreamy, I can't lie. So yeah, there's a new

0:42:29.640 --> 0:42:32.600
<v Speaker 1>West and Martin in this one, the dbs V twelve.

0:42:33.239 --> 0:42:35.920
<v Speaker 1>She also had a whole bunch of high tech, uh

0:42:36.160 --> 0:42:38.440
<v Speaker 1>first aid gear that was all stored in the glove compartment.

0:42:38.520 --> 0:42:41.320
<v Speaker 1>So nothing like super Crazy in this one. And a

0:42:41.400 --> 0:42:43.040
<v Speaker 1>lot of this was the idea of going back to

0:42:43.200 --> 0:42:46.200
<v Speaker 1>James Bond and kind of grounding the character a little

0:42:46.239 --> 0:42:48.600
<v Speaker 1>bit more, making a little more gritty. Yeah. I I

0:42:48.719 --> 0:42:51.640
<v Speaker 1>liked this entire recent reboot with with Daniel Craig. I

0:42:51.800 --> 0:42:53.680
<v Speaker 1>thought it was a little bit it's a little bit

0:42:53.680 --> 0:42:56.160
<v Speaker 1>over odd at times, but that's okay. But and they

0:42:56.239 --> 0:42:59.360
<v Speaker 1>still have cutting edge technology and in some cases cutting

0:42:59.400 --> 0:43:01.880
<v Speaker 1>edge technology that outstrips what we can currently do. But

0:43:02.000 --> 0:43:05.799
<v Speaker 1>that's not it's not so much a as goofy, yeah,

0:43:05.840 --> 0:43:08.680
<v Speaker 1>and it's not as usually right right. Um. One of

0:43:08.719 --> 0:43:11.040
<v Speaker 1>the other bits of tech from this movie was an

0:43:11.120 --> 0:43:14.320
<v Speaker 1>implanted microchip that could act as both a homing device

0:43:14.480 --> 0:43:19.359
<v Speaker 1>and a like a like a biometric monitor um which

0:43:19.880 --> 0:43:22.000
<v Speaker 1>also could send that info back out to m I

0:43:22.080 --> 0:43:24.840
<v Speaker 1>six Yeah, which again is a little a little tricky,

0:43:24.920 --> 0:43:27.240
<v Speaker 1>like how do you create a transmitter with the size

0:43:27.280 --> 0:43:30.480
<v Speaker 1>of a pencil racer that can also transmit this stuff.

0:43:30.640 --> 0:43:33.960
<v Speaker 1>Not that there aren't, you know, implantable technologies that that

0:43:34.080 --> 0:43:36.560
<v Speaker 1>are totally dissimilar to this. We do have things that

0:43:36.600 --> 0:43:39.480
<v Speaker 1>are similar, but they work on very very short range.

0:43:40.080 --> 0:43:42.200
<v Speaker 1>The idea is that's when you can actually monitor the

0:43:42.239 --> 0:43:44.440
<v Speaker 1>patient in person, as opposed to when when you can

0:43:44.719 --> 0:43:48.560
<v Speaker 1>kind of poke a instrument correctly at there are rather

0:43:48.640 --> 0:43:53.000
<v Speaker 1>than rather than you know, miles away. Yeah, there was

0:43:53.040 --> 0:43:55.839
<v Speaker 1>also a touch screen table in m I six, which

0:43:56.719 --> 0:43:59.960
<v Speaker 1>you know, Microsoft had something like as of two thous

0:44:00.120 --> 0:44:03.080
<v Speaker 1>an eight. Yeah, the Surface table. The you know before

0:44:03.120 --> 0:44:06.120
<v Speaker 1>there was the Surface tablet. Dear friends, there was the

0:44:06.200 --> 0:44:08.920
<v Speaker 1>Microsoft Surface table, which is when when they called the

0:44:09.000 --> 0:44:12.200
<v Speaker 1>tablet Microsoft Surface again. That was also when I threw

0:44:12.239 --> 0:44:13.840
<v Speaker 1>my hands up in the air and said, oh, come on,

0:44:14.719 --> 0:44:16.479
<v Speaker 1>I don't do it just to James Bond. I also

0:44:16.520 --> 0:44:18.480
<v Speaker 1>do it to Microsoft. What I said, you already have

0:44:18.640 --> 0:44:21.680
<v Speaker 1>a product called the Surface and it's a table. It's confusing.

0:44:22.120 --> 0:44:23.839
<v Speaker 1>It's fun for me to write about this. You're making

0:44:23.880 --> 0:44:26.400
<v Speaker 1>my articles not be relevant anymore. You got to you

0:44:26.440 --> 0:44:29.080
<v Speaker 1>got to play with one of those one of those. Yes, yeah,

0:44:29.120 --> 0:44:31.040
<v Speaker 1>they had one where they was on it was on

0:44:31.120 --> 0:44:33.879
<v Speaker 1>display that back then Microsoft had a presence at c Yes,

0:44:34.040 --> 0:44:36.000
<v Speaker 1>they used to have a jungle booth and they had

0:44:36.040 --> 0:44:38.000
<v Speaker 1>the Microsoft Surface there and you could play with it.

0:44:38.040 --> 0:44:40.239
<v Speaker 1>In fact, there were a couple of different booths that

0:44:40.360 --> 0:44:44.080
<v Speaker 1>had a Microsoft Surface. I think um oh it was

0:44:44.160 --> 0:44:47.759
<v Speaker 1>like Intel or something else also had one so the

0:44:47.840 --> 0:44:50.600
<v Speaker 1>neat thing about the surface was had the multi touch capability,

0:44:50.640 --> 0:44:53.000
<v Speaker 1>and this was before you saw that in everything, right,

0:44:53.440 --> 0:44:56.200
<v Speaker 1>So it was one of those um implementations that was

0:44:56.239 --> 0:44:59.160
<v Speaker 1>really cool. So this this was kind of predicting that

0:44:59.280 --> 0:45:04.880
<v Speaker 1>as well. Moving on to Quantum of Solace, Craig's second

0:45:05.000 --> 0:45:07.759
<v Speaker 1>film that came out in two thousand eight. Uh So,

0:45:07.960 --> 0:45:11.439
<v Speaker 1>and again we have another magical telephone in a way,

0:45:11.520 --> 0:45:13.800
<v Speaker 1>so this one could create a composite photo of a

0:45:13.840 --> 0:45:16.879
<v Speaker 1>subject even if Bond only got like a profile shot.

0:45:16.920 --> 0:45:19.240
<v Speaker 1>So if you got a shot from the side of someone,

0:45:19.600 --> 0:45:22.680
<v Speaker 1>this phone could reconstruct that person's entire face, including the

0:45:22.760 --> 0:45:25.080
<v Speaker 1>side that was not facing the camera. And this this

0:45:25.280 --> 0:45:28.440
<v Speaker 1>is one of my personal pet peeves. And and it's

0:45:28.480 --> 0:45:30.880
<v Speaker 1>that whole zoom and enhanced concept where I'm like, no,

0:45:31.080 --> 0:45:34.200
<v Speaker 1>if the camera hasn't recorded that information, it cannot give you.

0:45:34.600 --> 0:45:36.320
<v Speaker 1>The best we can do is assume that you have

0:45:36.400 --> 0:45:41.719
<v Speaker 1>an incredibly symmetrical face. And therefore, if like James Bond,

0:45:41.840 --> 0:45:46.000
<v Speaker 1>encounters you know, mostly supermodels, then in that universe it's

0:45:46.000 --> 0:45:51.640
<v Speaker 1>actually very effective. To be fair, Lauren, James Bond does encountermodels.

0:45:51.920 --> 0:45:54.120
<v Speaker 1>This is what I'm saying, you know, that's that's okay.

0:45:54.719 --> 0:45:57.000
<v Speaker 1>Never never mind where if James Bond took a picture

0:45:57.040 --> 0:45:59.600
<v Speaker 1>of me and profile, however, it would you'd be like, Wow,

0:45:59.640 --> 0:46:02.400
<v Speaker 1>who's that devastatingly handsome gentleman? And then you see me

0:46:02.440 --> 0:46:04.560
<v Speaker 1>and like that cannot be the guy that's in this

0:46:04.680 --> 0:46:07.760
<v Speaker 1>picture because that guy's nose is all crooked and stuff.

0:46:08.280 --> 0:46:11.320
<v Speaker 1>I had a tough childhood. Um yeah, anyway, it was.

0:46:11.600 --> 0:46:14.200
<v Speaker 1>It's not that this technology is totally beyond us, but

0:46:14.320 --> 0:46:16.160
<v Speaker 1>it is one of those things where I don't I

0:46:16.520 --> 0:46:20.640
<v Speaker 1>would highly suspect the reliability of any picture that is

0:46:20.840 --> 0:46:26.200
<v Speaker 1>completely created from just a portion of someone's face. Um. Now,

0:46:26.440 --> 0:46:30.040
<v Speaker 1>we have seen interesting scanning technology with people using something

0:46:30.120 --> 0:46:32.919
<v Speaker 1>like the Connect where they do a very slow turn

0:46:33.040 --> 0:46:35.160
<v Speaker 1>and it gives a full three D scan of a

0:46:35.239 --> 0:46:37.719
<v Speaker 1>person's head. But in that case, you're talking about the

0:46:37.800 --> 0:46:40.960
<v Speaker 1>device that's actually getting data from all points, right, it's

0:46:41.000 --> 0:46:44.239
<v Speaker 1>not just one side all right. Then when it comes

0:46:44.320 --> 0:46:48.160
<v Speaker 1>up to Skyfall, the as of right now, most recent

0:46:49.000 --> 0:46:51.080
<v Speaker 1>film in the James Bond franchise that came out in

0:46:51.920 --> 0:46:56.560
<v Speaker 1>and also starred Mr Craig, Mr Dreamy Craig and um

0:46:56.760 --> 0:47:00.359
<v Speaker 1>and and this this film was very much as sing

0:47:00.520 --> 0:47:04.840
<v Speaker 1>that kind of stripped down esthetic versus especially some of

0:47:04.920 --> 0:47:08.440
<v Speaker 1>the earlier goofy or nineteen eighties films. Um uh and

0:47:08.600 --> 0:47:10.360
<v Speaker 1>and so they kind of make a bit out of

0:47:10.400 --> 0:47:12.800
<v Speaker 1>it when when bonding the new queue made up for

0:47:12.880 --> 0:47:16.680
<v Speaker 1>the first time, umu Q gives him this little box

0:47:16.719 --> 0:47:20.000
<v Speaker 1>and all it contains is a Walter p p K

0:47:20.800 --> 0:47:24.080
<v Speaker 1>and and and a little radio transmitter and and bonds

0:47:24.160 --> 0:47:29.480
<v Speaker 1>like that's it, like like not exactly Christmas, is it? However,

0:47:29.640 --> 0:47:34.680
<v Speaker 1>his his gun does have a a scanner on the handle,

0:47:34.800 --> 0:47:37.000
<v Speaker 1>so it only bond can fire it, all right, right,

0:47:37.080 --> 0:47:39.920
<v Speaker 1>it's a little pomp print reader thing, yeah, which which

0:47:39.960 --> 0:47:43.359
<v Speaker 1>which is technically possible, although it would be harder um

0:47:43.880 --> 0:47:45.719
<v Speaker 1>on a on a mechanical device than it would have

0:47:45.800 --> 0:47:48.120
<v Speaker 1>been on on a digital So if you have some

0:47:48.239 --> 0:47:51.560
<v Speaker 1>sort of digital safety, digitize the safety or something. If

0:47:51.600 --> 0:47:54.120
<v Speaker 1>you if you make the safety completely separate from a

0:47:54.239 --> 0:47:57.840
<v Speaker 1>mechanical approach and you make it an electronic approach, I

0:47:57.920 --> 0:48:00.239
<v Speaker 1>could see that like if it's it's a gay aged

0:48:00.400 --> 0:48:04.319
<v Speaker 1>unless the quote unquote right person is holding the gun, um,

0:48:04.600 --> 0:48:07.120
<v Speaker 1>that would That's the only way I could imagine that

0:48:07.239 --> 0:48:09.600
<v Speaker 1>making sense. I'll give that one to cue um and it.

0:48:09.760 --> 0:48:13.080
<v Speaker 1>Also we also see a return of the Aston Martin

0:48:13.200 --> 0:48:16.359
<v Speaker 1>dB five um, like the like the super classic one

0:48:16.440 --> 0:48:19.360
<v Speaker 1>with all of the super classic stuff pretty much from Goldfinger,

0:48:19.480 --> 0:48:21.480
<v Speaker 1>which you know, to be fair, Skyfall had a lot

0:48:21.640 --> 0:48:25.000
<v Speaker 1>of little nods to some of the earlier Bond films,

0:48:25.040 --> 0:48:27.719
<v Speaker 1>like you you would actually you know, see examples of

0:48:27.880 --> 0:48:30.600
<v Speaker 1>some of the stuff that appeared in earlier Bond films

0:48:30.680 --> 0:48:34.040
<v Speaker 1>just kind of uh, surreptitiously hidden in the in the scene,

0:48:34.400 --> 0:48:36.640
<v Speaker 1>not something that was you know, paraded out in front

0:48:36.680 --> 0:48:39.160
<v Speaker 1>of you, but that That's one of those cool things

0:48:39.239 --> 0:48:42.759
<v Speaker 1>is seeing them pay homage to this rich past that

0:48:43.120 --> 0:48:46.320
<v Speaker 1>James Bond has accumulated, even as they go forward and

0:48:46.440 --> 0:48:51.040
<v Speaker 1>potentially go back and and recreate some of these older stories.

0:48:51.600 --> 0:48:53.520
<v Speaker 1>So it's possible that we'll see some of these older

0:48:53.600 --> 0:48:57.440
<v Speaker 1>stories reimagined in new form um. Some of them may

0:48:57.560 --> 0:49:00.960
<v Speaker 1>just be completely written, you know, from scratch. Some of

0:49:00.960 --> 0:49:03.120
<v Speaker 1>the James Bond films are not based off of any

0:49:03.160 --> 0:49:06.120
<v Speaker 1>Fleming novel. But maybe some of the future ones will

0:49:06.160 --> 0:49:08.719
<v Speaker 1>be just reimagined versions of that. Yeah, and I'm really

0:49:08.760 --> 0:49:11.239
<v Speaker 1>curious to see how I mean, as we keep saying,

0:49:11.480 --> 0:49:14.239
<v Speaker 1>as we have been saying throughout these two episodes. Um,

0:49:14.320 --> 0:49:16.720
<v Speaker 1>you know, a lot of this stuff that was crazy

0:49:16.800 --> 0:49:20.040
<v Speaker 1>revolutionary sci fi tech in the nineteen sixties is stuff

0:49:20.080 --> 0:49:23.480
<v Speaker 1>that's on our smartphones today. That wraps up this classic

0:49:23.520 --> 0:49:26.000
<v Speaker 1>episode of tech Stuff. Hope you enjoyed it. If you

0:49:26.120 --> 0:49:29.480
<v Speaker 1>have suggestions for future topics of tech stuff, whether they

0:49:29.520 --> 0:49:32.320
<v Speaker 1>are classic or otherwise, let me know. Send me a

0:49:32.360 --> 0:49:34.120
<v Speaker 1>message on Twitter. It's the best way to get in

0:49:34.200 --> 0:49:36.520
<v Speaker 1>touch with me, and the handle you should use is

0:49:36.640 --> 0:49:39.640
<v Speaker 1>text stuff hs W and I'll talk to you again

0:49:40.239 --> 0:49:48.320
<v Speaker 1>really soon. Text Stuff is an I Heart Radio production.

0:49:48.600 --> 0:49:51.360
<v Speaker 1>For more podcasts from my Heart Radio, visit the i

0:49:51.520 --> 0:49:54.680
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

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<v Speaker 1>your favorite shows.