1 00:00:00,160 --> 00:00:05,920 Speaker 1: M m. Yeah, so one thirty recording this on July second, which, 2 00:00:05,920 --> 00:00:08,880 Speaker 1: by the way, let me say that, um June was 3 00:00:08,880 --> 00:00:12,000 Speaker 1: our biggest month ever in the history of the Bobby Casts. 4 00:00:12,080 --> 00:00:16,439 Speaker 1: So everybody listens to this, thank you. Because this thing 5 00:00:16,520 --> 00:00:19,840 Speaker 1: was just Mike D and myself in a tiny room 6 00:00:19,840 --> 00:00:22,200 Speaker 1: and a condo, and now it's just Mike D and 7 00:00:22,280 --> 00:00:25,680 Speaker 1: myself in a slightly larger room in the house. Yeah, 8 00:00:26,560 --> 00:00:29,360 Speaker 1: but we got a bigger table. So that's the thing 9 00:00:29,720 --> 00:00:32,959 Speaker 1: with this thing is has turned into something and everybody 10 00:00:32,960 --> 00:00:36,279 Speaker 1: that downloads and listens to it and then shares it like, 11 00:00:36,680 --> 00:00:38,560 Speaker 1: we appreciate that, and we see it. Whenever you posted 12 00:00:38,600 --> 00:00:40,040 Speaker 1: your tag, guess we see it. We see it. So 13 00:00:40,080 --> 00:00:43,680 Speaker 1: thank you so much. And uh yeah, I met that 14 00:00:43,920 --> 00:00:46,879 Speaker 1: these things that it's a thing now. It is I 15 00:00:46,880 --> 00:00:49,440 Speaker 1: like getting tag dns into stories of people lit good. Yeah, 16 00:00:49,479 --> 00:00:51,840 Speaker 1: me too. And people probably think we don't ever see 17 00:00:51,840 --> 00:00:56,120 Speaker 1: that stuff too, Yeah me too. I think I see 18 00:00:56,120 --> 00:01:00,040 Speaker 1: it all, but yeah, I think so. Well, I'm to 19 00:01:00,120 --> 00:01:02,760 Speaker 1: say we would not be able to be here without 20 00:01:02,800 --> 00:01:06,800 Speaker 1: you listening, sharing it, and of course without our awesome 21 00:01:06,800 --> 00:01:09,360 Speaker 1: sponsors because and by the way, we've I don't know 22 00:01:09,400 --> 00:01:12,840 Speaker 1: that we've ever been paid. Just being completely honest. By 23 00:01:12,840 --> 00:01:16,160 Speaker 1: the way, I don't I've never I haven't seen a penny. 24 00:01:17,720 --> 00:01:19,680 Speaker 1: I don't know where it goes. So if I when 25 00:01:19,720 --> 00:01:22,080 Speaker 1: I say it's getting bigger, I don't know where it goes. Eventually, 26 00:01:22,120 --> 00:01:26,240 Speaker 1: something's gonna get something from it. Right now, we I'm 27 00:01:26,280 --> 00:01:28,280 Speaker 1: gonna be completely honest with you. We're not doing this 28 00:01:28,360 --> 00:01:31,520 Speaker 1: for money, because my gain't seen a diamond. I ain't 29 00:01:31,520 --> 00:01:33,840 Speaker 1: seen a dime. We are just doing this because we 30 00:01:33,920 --> 00:01:37,000 Speaker 1: love it. We don't know why, but we have great sponsors. 31 00:01:38,080 --> 00:01:43,679 Speaker 1: They're paying somebody. All right, Listen, I have a Sleep 32 00:01:43,760 --> 00:01:46,399 Speaker 1: Number bed. You've heard me talking about my sleeping bed 33 00:01:46,440 --> 00:01:49,600 Speaker 1: many times. I love it. I do. Maybe you've considered 34 00:01:49,600 --> 00:01:51,400 Speaker 1: a Sleep Number bed. I thought you couldn't afford one. 35 00:01:51,440 --> 00:01:54,440 Speaker 1: But let me just tell you before you do anything, 36 00:01:54,720 --> 00:01:56,320 Speaker 1: you've got to go to a Sleep Number store and 37 00:01:56,360 --> 00:01:58,640 Speaker 1: experience adjustable comfort for a limber of time. Only Queen 38 00:01:58,640 --> 00:02:01,400 Speaker 1: mattress to start only five ninety nine. The Sleep Number 39 00:02:01,440 --> 00:02:03,840 Speaker 1: bed let you adjust your mattress firmness or softness on 40 00:02:03,880 --> 00:02:05,360 Speaker 1: each side of whatever you like. It's the perfect bed 41 00:02:05,400 --> 00:02:07,800 Speaker 1: for couples. You can actually feel how it contracts to 42 00:02:07,800 --> 00:02:09,679 Speaker 1: your neck. Your shoulders, your back, your hips, and more 43 00:02:10,160 --> 00:02:12,920 Speaker 1: proper spinal alignment. At a sleep number store, you can 44 00:02:12,919 --> 00:02:15,760 Speaker 1: see the science behind your sleep number. They have individual 45 00:02:15,800 --> 00:02:19,160 Speaker 1: fit pressure mapping technology. My sleep number setting is the 46 00:02:19,200 --> 00:02:21,760 Speaker 1: thirty going out during the lowest prices of the season. 47 00:02:21,760 --> 00:02:24,120 Speaker 1: To find the final clothes out on a sleep Number 48 00:02:24,160 --> 00:02:26,600 Speaker 1: Queen C two mattress with adjustable comfort on both sides. 49 00:02:26,880 --> 00:02:31,960 Speaker 1: Now only five. That's right. You'll only find sleep number 50 00:02:32,240 --> 00:02:36,120 Speaker 1: at into the fifty sleep number stores nationwide. Visit sleep 51 00:02:36,160 --> 00:02:39,400 Speaker 1: number dot com slash bones to find the store nearshoot 52 00:02:39,400 --> 00:02:41,639 Speaker 1: that's right, sleep number dot com slash bones to find 53 00:02:41,639 --> 00:02:44,320 Speaker 1: the one nearest to you. And here we are. It's 54 00:02:44,320 --> 00:02:46,800 Speaker 1: a Monday, and um, when you hear this, we're probably 55 00:02:46,800 --> 00:02:48,200 Speaker 1: not gonna be on the radio for a bit because 56 00:02:49,000 --> 00:02:52,160 Speaker 1: July three, July four, that's the whole thing. Um, I'm 57 00:02:52,160 --> 00:02:55,240 Speaker 1: gonna go actually tonight, it's Monday. After you hear this, 58 00:02:55,240 --> 00:02:57,560 Speaker 1: it will be over. But I'm playing with Charlie Worsham. 59 00:02:58,520 --> 00:03:01,000 Speaker 1: Are you gonna tell him? I am? You have to 60 00:03:01,000 --> 00:03:02,920 Speaker 1: do the weapon around the morning show? Hunh on the holiday? 61 00:03:03,639 --> 00:03:06,080 Speaker 1: How do you feel about that? It's pretty easy and 62 00:03:06,120 --> 00:03:10,040 Speaker 1: just hang out there by myself, so I'm used it. Well, 63 00:03:11,480 --> 00:03:13,040 Speaker 1: if you want to come out, I'm doing this show 64 00:03:13,040 --> 00:03:16,440 Speaker 1: with Charlie Worsham. Play some Charlie Worsham, if you don't mind, 65 00:03:16,880 --> 00:03:18,560 Speaker 1: who has been on the Bobby Cast before, is a 66 00:03:18,639 --> 00:03:21,600 Speaker 1: fantastic artist, the super guitar player none around town is 67 00:03:21,720 --> 00:03:27,800 Speaker 1: maybe the best. And so he does something every Friday 68 00:03:27,840 --> 00:03:31,440 Speaker 1: when he's doing a residency. I believe at the the 69 00:03:33,040 --> 00:03:37,120 Speaker 1: h the basements, thank you very much. I've never been there. 70 00:03:37,160 --> 00:03:40,760 Speaker 1: But because I'm not cool? Oh is that why it's 71 00:03:40,840 --> 00:03:43,800 Speaker 1: that punk shows there? Turn up? Attle bit here's Charlie Worshap. 72 00:03:50,400 --> 00:03:53,120 Speaker 1: So Charlie Worsham says, hey, come out. I said I'd 73 00:03:53,200 --> 00:03:55,320 Speaker 1: love to. He said, do you know anyone else wants 74 00:03:55,360 --> 00:03:57,720 Speaker 1: to come out? And I respect Charlie so much actually 75 00:03:57,760 --> 00:04:00,760 Speaker 1: made that call where I would never do that, but 76 00:04:00,800 --> 00:04:04,200 Speaker 1: I'm Charlie and I are decent friends. You know how 77 00:04:04,240 --> 00:04:05,640 Speaker 1: good friends are gonna be with somebody don't see that 78 00:04:05,680 --> 00:04:08,440 Speaker 1: often because he's on the door a lot. And but um, 79 00:04:08,480 --> 00:04:10,760 Speaker 1: I said, yeah. So I called that Brandon from Lanco 80 00:04:10,960 --> 00:04:13,880 Speaker 1: the Lasting or Lanko um and said, hey, dude, let's 81 00:04:13,880 --> 00:04:15,480 Speaker 1: go do this because I like Brandon a lot too. 82 00:04:15,560 --> 00:04:17,400 Speaker 1: We don't. We could spend a lot of time together. 83 00:04:17,839 --> 00:04:20,360 Speaker 1: So we're gonna go out to Basement East and play tonight. 84 00:04:20,760 --> 00:04:22,600 Speaker 1: And Charlie said, hey, he's got a great band. He said, 85 00:04:22,600 --> 00:04:24,680 Speaker 1: we'll play whatever you want. It's a nineties country night. 86 00:04:24,760 --> 00:04:27,279 Speaker 1: What are you gonna sing? And so I have to 87 00:04:27,279 --> 00:04:30,760 Speaker 1: do covers? And I thought, because what I do mostly 88 00:04:30,960 --> 00:04:34,719 Speaker 1: is if someone like a Darius Rutger says hey, and 89 00:04:34,800 --> 00:04:37,560 Speaker 1: most time does they know if it's just a thing. 90 00:04:38,040 --> 00:04:40,159 Speaker 1: But I'm close with Darius was for st Jus as 91 00:04:40,160 --> 00:04:42,280 Speaker 1: they come out. He said, do some covers and do 92 00:04:42,279 --> 00:04:44,880 Speaker 1: an original. I said, I'll do a cover and one 93 00:04:44,880 --> 00:04:47,360 Speaker 1: two minute original because really people don't want to hear 94 00:04:47,400 --> 00:04:49,280 Speaker 1: me seeing if if the Raging Indians are playing, it's 95 00:04:49,320 --> 00:04:52,680 Speaker 1: a whole experience. Come to that, because that's fine, that's 96 00:04:52,720 --> 00:04:55,120 Speaker 1: a that's a theme park more than it is, you know, 97 00:04:55,160 --> 00:04:58,560 Speaker 1: taking a vocal event. Uh So, Darius, I went out 98 00:04:58,560 --> 00:05:00,960 Speaker 1: and did Chick fil a two minute song. Some people 99 00:05:01,000 --> 00:05:02,920 Speaker 1: know that one by now a little bit too. And 100 00:05:02,960 --> 00:05:06,080 Speaker 1: then we did the Beastie Boys song and so uh, 101 00:05:06,279 --> 00:05:08,440 Speaker 1: Charlie said, come on, dude, he's like picked the three 102 00:05:08,480 --> 00:05:10,000 Speaker 1: to four covers you want to do, and I was like, nobody, 103 00:05:10,000 --> 00:05:12,120 Speaker 1: wan's hear me sing for four songs again, unless it's 104 00:05:12,120 --> 00:05:15,039 Speaker 1: the Raging Idiots, which is like Disney World. You should 105 00:05:15,040 --> 00:05:16,520 Speaker 1: go to those shows. I'm not gonna lie to you. 106 00:05:16,520 --> 00:05:18,200 Speaker 1: Those are those are awesome. But me but myself, I 107 00:05:18,200 --> 00:05:20,640 Speaker 1: don't have my crazy band. We're not doing anything. But 108 00:05:20,680 --> 00:05:24,120 Speaker 1: here are the three songs I've chosen. Now. He also 109 00:05:24,160 --> 00:05:25,760 Speaker 1: asked me what key I sang them man, and I 110 00:05:25,760 --> 00:05:29,800 Speaker 1: said L O L. I don't know. Usually Eddie tells 111 00:05:29,839 --> 00:05:31,400 Speaker 1: me that stuff. He'll be like, change a key, can 112 00:05:31,400 --> 00:05:35,240 Speaker 1: you go up high? Um? But um the songs I 113 00:05:35,279 --> 00:05:37,880 Speaker 1: have propped me up beside the jew Box from Joe Defeat. Now, 114 00:05:40,080 --> 00:05:41,680 Speaker 1: you think you know all the words to a song 115 00:05:41,720 --> 00:05:43,640 Speaker 1: because you can sing it perfectly on the radio, until 116 00:05:43,680 --> 00:05:46,080 Speaker 1: you have to actually know the words. And so as 117 00:05:46,080 --> 00:05:48,359 Speaker 1: I was listening to it, I know about eighty percent 118 00:05:48,400 --> 00:05:51,760 Speaker 1: the words perfectly. I know all the chorus, you know, 119 00:05:52,440 --> 00:05:57,360 Speaker 1: fill my boots up with sin, put a stiff drink, 120 00:05:57,680 --> 00:06:00,920 Speaker 1: give my head. But I mean see, I know all 121 00:06:00,920 --> 00:06:02,880 Speaker 1: the big words. But it's like play it from the 122 00:06:02,880 --> 00:06:07,200 Speaker 1: beginning because it's like a piano part. It's like, this 123 00:06:07,360 --> 00:06:11,320 Speaker 1: is the part that didn't play on the radio a lot. Well, 124 00:06:11,360 --> 00:06:17,320 Speaker 1: I ain't free to dying. It's a thought of being dead. See, 125 00:06:18,120 --> 00:06:20,960 Speaker 1: I want to go where you see. I gotta remember 126 00:06:20,960 --> 00:06:27,919 Speaker 1: this parts been rid. Don't send my ashes out to see, 127 00:06:28,000 --> 00:06:33,200 Speaker 1: don't lay me down to rest. You give me my 128 00:06:33,400 --> 00:06:37,280 Speaker 1: last if you meet my last request. Now, I think 129 00:06:37,279 --> 00:06:39,960 Speaker 1: I know all the words from there. I think, so problem, 130 00:06:40,040 --> 00:06:41,960 Speaker 1: I know all this. So I'm doing this song, so 131 00:06:42,000 --> 00:06:45,719 Speaker 1: I gotta learn other twenty tonight. And then I'm doing 132 00:06:46,480 --> 00:06:51,279 Speaker 1: Mercury Blues from Alan Jackson. I tell you what to 133 00:06:51,360 --> 00:06:55,360 Speaker 1: du I go downtown by Mercury or two Crazy about 134 00:06:55,360 --> 00:06:57,160 Speaker 1: a Mercury. I think I know all this one. Oh 135 00:06:57,400 --> 00:07:01,560 Speaker 1: crazy about a Mercury. I'm gone by me and Mercury 136 00:07:01,600 --> 00:07:03,400 Speaker 1: and cruise it up and down. And there are three 137 00:07:03,440 --> 00:07:06,440 Speaker 1: guitar solos in this, like a guitar piano. Yeah, and 138 00:07:06,480 --> 00:07:08,520 Speaker 1: I love that too. I can be like, oh, now 139 00:07:08,880 --> 00:07:12,360 Speaker 1: play it all. And so there's that one. And then 140 00:07:12,400 --> 00:07:19,400 Speaker 1: I'm doing Garth that summer, you know, and nothing Garth 141 00:07:19,480 --> 00:07:23,000 Speaker 1: is easy to sing ever because Garth is an elite singer. 142 00:07:23,800 --> 00:07:25,440 Speaker 1: But you only think of a stage presence in him. 143 00:07:25,440 --> 00:07:28,200 Speaker 1: Go what you just you see that the attracks and 144 00:07:28,240 --> 00:07:30,480 Speaker 1: the hits more than just a pure vocalist. I saw 145 00:07:30,520 --> 00:07:32,160 Speaker 1: Garth do a one man show in Vegas and he 146 00:07:32,280 --> 00:07:34,800 Speaker 1: sang the whole time, with him and his guitar changeing 147 00:07:34,840 --> 00:07:36,960 Speaker 1: how I looked at Garth. He was already my favorite 148 00:07:36,960 --> 00:07:40,640 Speaker 1: because of his songs. But when he's sang, I thought 149 00:07:40,680 --> 00:07:42,400 Speaker 1: to myself, Oh, he could have been any format and 150 00:07:42,400 --> 00:07:45,600 Speaker 1: been a superstar because he's sang that pure. Because he 151 00:07:45,640 --> 00:07:47,960 Speaker 1: was singing in that show that I saw in Las Vegas, 152 00:07:48,440 --> 00:07:51,400 Speaker 1: hits from the sixties and seventies and motown hits and 153 00:07:51,400 --> 00:07:53,880 Speaker 1: and crushing them. And I was like, Oh, it didn't 154 00:07:53,880 --> 00:07:57,520 Speaker 1: matter what you he just chose the country. That's that's 155 00:07:57,520 --> 00:07:59,080 Speaker 1: where his heart was. He did it. He would have 156 00:07:59,120 --> 00:08:02,720 Speaker 1: been any here, and so I'm gonna doing that song. 157 00:08:03,240 --> 00:08:06,360 Speaker 1: But it played that that version. You can't get it 158 00:08:06,360 --> 00:08:09,480 Speaker 1: on the internetwhere you have to download one of those, 159 00:08:09,520 --> 00:08:11,840 Speaker 1: because that's not Garth you play. That's a that's like 160 00:08:11,880 --> 00:08:15,920 Speaker 1: some band that's covering Garth Country Studio or something. I 161 00:08:15,960 --> 00:08:18,800 Speaker 1: think Amazon, Yeah, I think it's the only place. And 162 00:08:18,840 --> 00:08:22,280 Speaker 1: I have Amazon Prime, Amazon Prime Music. I probably get 163 00:08:22,280 --> 00:08:24,880 Speaker 1: that there. Huh do you have that from the beginning 164 00:08:24,920 --> 00:08:31,720 Speaker 1: at all? Yeah? I wonder if I know all, and 165 00:08:31,720 --> 00:08:37,319 Speaker 1: I fly on the radio at all, singing along. I 166 00:08:37,360 --> 00:08:42,520 Speaker 1: went to work for her summer. That's right, teenage kids, 167 00:08:42,559 --> 00:08:48,040 Speaker 1: so far from home. She was lonely with a woman 168 00:08:50,000 --> 00:08:52,600 Speaker 1: help it to make it on her own. I could 169 00:08:52,600 --> 00:08:54,360 Speaker 1: probably do this one. I feel pretty good. And what 170 00:08:54,480 --> 00:08:56,600 Speaker 1: you can't see wherever you are now, I was playing 171 00:08:56,600 --> 00:08:59,600 Speaker 1: air guitar along with her. Yeah, we'd fields as far 172 00:08:59,679 --> 00:09:02,560 Speaker 1: as you can see. Oh, we both needed something from 173 00:09:02,600 --> 00:09:07,320 Speaker 1: each other. We both needed something from each other, not 174 00:09:07,520 --> 00:09:09,800 Speaker 1: knowing you here what that might be. I wish I 175 00:09:09,840 --> 00:09:12,360 Speaker 1: went to the chorus, but it doesn't. Since she came 176 00:09:12,400 --> 00:09:17,000 Speaker 1: to me one evening that yeah, high cup of coffee 177 00:09:17,080 --> 00:09:22,079 Speaker 1: and a smile and address and address it. I was 178 00:09:22,240 --> 00:09:26,719 Speaker 1: certain she hadn't one in quite a while. I can 179 00:09:26,720 --> 00:09:28,280 Speaker 1: put do that on pretty good. I gotta that tonight. 180 00:09:28,320 --> 00:09:31,280 Speaker 1: I gotta study up, you know. I mean, I don't 181 00:09:31,360 --> 00:09:33,080 Speaker 1: just think it over. I do not have a good 182 00:09:33,120 --> 00:09:36,760 Speaker 1: memory of remembering lyrics, so it has to turn into 183 00:09:36,840 --> 00:09:40,960 Speaker 1: muscle memory for me. I can't think about it. I 184 00:09:41,000 --> 00:09:43,400 Speaker 1: have to do it so many times. Sometimes it still 185 00:09:43,400 --> 00:09:45,920 Speaker 1: mess up songs I wrote like when I grow up. 186 00:09:46,600 --> 00:09:48,480 Speaker 1: I mean, I've read like five songs right, and it 187 00:09:48,559 --> 00:09:51,440 Speaker 1: still mess them up. So that's what I'm doing with 188 00:09:51,679 --> 00:09:53,880 Speaker 1: Charlie Warsham on Monday night. I don't know when you 189 00:09:54,000 --> 00:09:57,040 Speaker 1: hear this, but uh, come out. He does it every Friday. 190 00:09:57,080 --> 00:10:00,760 Speaker 1: You can see that I was written this story about 191 00:10:00,760 --> 00:10:03,880 Speaker 1: this eight foot alligator they found a Walmart. Did you 192 00:10:03,960 --> 00:10:10,640 Speaker 1: see this? Corpus Christie and the video posted online the 193 00:10:10,800 --> 00:10:14,319 Speaker 1: men are holding onto the gator while a third wraps 194 00:10:14,360 --> 00:10:17,920 Speaker 1: tape around the animals jar jaw, excuse me? No injuries 195 00:10:17,920 --> 00:10:23,760 Speaker 1: were reported eight foot alligator at Walmart. So, by the way, 196 00:10:23,800 --> 00:10:26,480 Speaker 1: that's a it's a big gator. Somebody had to put 197 00:10:26,520 --> 00:10:30,800 Speaker 1: that there because I had a buddy, professional athlete, not 198 00:10:30,920 --> 00:10:35,040 Speaker 1: Andy Rotic, that had brought a gator back up to 199 00:10:35,160 --> 00:10:39,640 Speaker 1: Texas or into that Sexas too, but into Austin and 200 00:10:39,720 --> 00:10:42,440 Speaker 1: it escaped his truck and they end up finding it 201 00:10:42,480 --> 00:10:44,360 Speaker 1: like three days later. He was in the newspaper like 202 00:10:44,480 --> 00:10:47,360 Speaker 1: alligator found and he was like, oh my god, they 203 00:10:47,400 --> 00:10:49,960 Speaker 1: found his alligator and he was like, that's for me 204 00:10:50,000 --> 00:10:51,760 Speaker 1: because why how else would there be an alligator? And 205 00:10:51,800 --> 00:10:55,360 Speaker 1: it looks like the gator I brought back. It's eight foot. 206 00:10:56,200 --> 00:10:59,079 Speaker 1: I mean I'm six ft six ft, little six ft 207 00:10:59,080 --> 00:11:02,080 Speaker 1: one depending on what shoes i'm I probably can't say 208 00:11:02,080 --> 00:11:05,360 Speaker 1: six one if it depends on shoes, can I? But 209 00:11:05,480 --> 00:11:09,120 Speaker 1: don't most people measure in shoes, Like we're not at 210 00:11:09,120 --> 00:11:11,520 Speaker 1: the NFL Combine where they have me in my underwear measuring. 211 00:11:11,880 --> 00:11:14,560 Speaker 1: I feel like I could legitimately say six one if 212 00:11:14,559 --> 00:11:17,199 Speaker 1: you measure me in tennis shoes? So why can't I 213 00:11:17,240 --> 00:11:18,800 Speaker 1: just say six one? And I feel guilty about it 214 00:11:18,800 --> 00:11:20,320 Speaker 1: because I do. Even then I was gonna go six one. 215 00:11:20,360 --> 00:11:25,240 Speaker 1: I was like, yeah, you know, six foot. For some reason, 216 00:11:25,320 --> 00:11:29,040 Speaker 1: my integrity meter turns on whenever I'm lying about an inch, 217 00:11:29,360 --> 00:11:32,600 Speaker 1: and that's in all places. I went to see Hall 218 00:11:32,640 --> 00:11:38,520 Speaker 1: of Notes and Train last night, and uh, train was 219 00:11:38,559 --> 00:11:40,599 Speaker 1: really good. They can't well. First of all, there was 220 00:11:40,600 --> 00:11:43,240 Speaker 1: a band I had never heard of played first, and 221 00:11:43,280 --> 00:11:45,800 Speaker 1: I don't want to risk missing Train because it's they 222 00:11:45,840 --> 00:11:47,560 Speaker 1: don't do a lot of those kind of co headline 223 00:11:47,600 --> 00:11:50,640 Speaker 1: e shows and um, but I went and there was 224 00:11:50,640 --> 00:11:52,240 Speaker 1: some band up pretty good. I don't I don't know 225 00:11:52,280 --> 00:11:57,200 Speaker 1: it was, but Train was really good and that they 226 00:11:57,240 --> 00:11:59,880 Speaker 1: played the hits and some new stuff. But that guy 227 00:12:00,960 --> 00:12:07,680 Speaker 1: Pat Monaghan elite level singer and just always seems to 228 00:12:07,760 --> 00:12:09,600 Speaker 1: have been about thirty eight years old, even when he 229 00:12:09,640 --> 00:12:12,960 Speaker 1: was younger than that, and even now when he was five, 230 00:12:13,000 --> 00:12:15,080 Speaker 1: he like thirty eight. When he's like fifty, he looks 231 00:12:15,080 --> 00:12:17,800 Speaker 1: thirty eight. Like the guy just hasn't moved on the 232 00:12:17,840 --> 00:12:21,000 Speaker 1: age meter. And he was out there killing it. They 233 00:12:21,000 --> 00:12:26,000 Speaker 1: were actually fantastic. They did Drops the Jupiter to close 234 00:12:26,040 --> 00:12:27,800 Speaker 1: it out. They have a bunch of songs with crazy 235 00:12:27,800 --> 00:12:30,160 Speaker 1: words until you're trying to sing along with it. Like 236 00:12:30,200 --> 00:12:32,800 Speaker 1: I was at the show, like if you were to 237 00:12:32,840 --> 00:12:38,240 Speaker 1: play hey, soul sister, it's all just rambling because you're like, 238 00:12:38,240 --> 00:12:40,840 Speaker 1: I don't know what they're saying. There. Great songs, by 239 00:12:40,840 --> 00:12:45,360 Speaker 1: the way, but rambling maybe isn't the fair term. A 240 00:12:45,400 --> 00:12:50,480 Speaker 1: lot of random lyrics put together. So there's hit I'll 241 00:12:50,520 --> 00:12:53,520 Speaker 1: save you more singing here, I got my fixed there, 242 00:12:54,120 --> 00:12:56,240 Speaker 1: but here's some of the lyrics here. That's what they say, 243 00:12:56,880 --> 00:13:13,319 Speaker 1: you live, sticks forget you and then you know, you know, 244 00:13:13,360 --> 00:13:23,280 Speaker 1: I don't know what that means, you'll sleep. So there's 245 00:13:23,320 --> 00:13:25,600 Speaker 1: that and then me Virginia. It was a good show. 246 00:13:25,880 --> 00:13:28,080 Speaker 1: And then um Hall and Oates came on. We've had 247 00:13:28,120 --> 00:13:32,240 Speaker 1: John Oates on this before. They talked too much. Yeah, 248 00:13:32,520 --> 00:13:36,080 Speaker 1: and I left a little bit early. But yeah, they 249 00:13:36,120 --> 00:13:37,959 Speaker 1: talked a lot, and they're rock and roll Hall of 250 00:13:38,000 --> 00:13:39,640 Speaker 1: famers and they have a million hits. But they played 251 00:13:39,640 --> 00:13:41,640 Speaker 1: a bit too much new stuff for me at the beginning. 252 00:13:41,920 --> 00:13:44,520 Speaker 1: They probably finished the show with hit after hit, and 253 00:13:44,559 --> 00:13:47,360 Speaker 1: I didn't get to see You Will Make My Dreams Good. 254 00:13:47,480 --> 00:13:51,000 Speaker 1: I think that's what they close on. And it's funny 255 00:13:51,000 --> 00:13:52,640 Speaker 1: to say this as one of probably one of the 256 00:13:52,640 --> 00:13:57,240 Speaker 1: younger people at the show. But I was tired. It's late. Um. 257 00:13:57,360 --> 00:13:59,960 Speaker 1: We end up going to Dirk's Bar anyway afterward, which 258 00:14:00,040 --> 00:14:01,360 Speaker 1: it wasn't the plan, but then we had a good 259 00:14:01,360 --> 00:14:05,080 Speaker 1: time over there. Ah. They were good, and they're old. 260 00:14:05,120 --> 00:14:09,480 Speaker 1: Look up, how old Darryl Hall is is he seventy 261 00:14:10,640 --> 00:14:14,319 Speaker 1: Darryl Hall, He's got to be over sixty five. He's 262 00:14:14,360 --> 00:14:17,640 Speaker 1: like the coolest he is. Okay, he's the coolest grandpa 263 00:14:17,640 --> 00:14:21,640 Speaker 1: when he's playing. And so they're good. They just for me. 264 00:14:22,600 --> 00:14:24,600 Speaker 1: I didn't know some of the new stuff or new 265 00:14:24,640 --> 00:14:28,600 Speaker 1: word stuff. And they talked a lot. John Oatesten talked 266 00:14:28,600 --> 00:14:31,640 Speaker 1: a lot. He talked about very often Darryl Hall does, 267 00:14:31,920 --> 00:14:34,240 Speaker 1: but he's still good. So I did that last night, 268 00:14:34,240 --> 00:14:36,600 Speaker 1: and then we went over to Dirk Spentley's Bar, which 269 00:14:36,640 --> 00:14:38,480 Speaker 1: is which I've only been over there once. Was that 270 00:14:38,560 --> 00:14:41,280 Speaker 1: night that we went. It was open and it was 271 00:14:41,280 --> 00:14:43,440 Speaker 1: a I mean went of my home on a Friday 272 00:14:43,520 --> 00:14:46,880 Speaker 1: night or Saturday night and I go out and so 273 00:14:46,880 --> 00:14:50,880 Speaker 1: we just watched across the street and um when danced 274 00:14:50,880 --> 00:14:55,240 Speaker 1: a bit own Nikita. There are a ton of listeners 275 00:14:55,240 --> 00:14:58,120 Speaker 1: there ton, and so I just hung out with them 276 00:14:58,160 --> 00:15:01,000 Speaker 1: and so we uh yeah, I mean I bet it 277 00:15:01,080 --> 00:15:03,320 Speaker 1: danced like ten minutes. It was good, it was fun. 278 00:15:03,920 --> 00:15:09,480 Speaker 1: Um did that. I'm not a vegetarian anymore. No, I 279 00:15:09,560 --> 00:15:12,000 Speaker 1: just got tired. The real goal of it was I 280 00:15:12,000 --> 00:15:13,360 Speaker 1: didn't want to go on the road for over two 281 00:15:13,400 --> 00:15:17,400 Speaker 1: weeks and come back fatter and feel gross. And maybe 282 00:15:17,400 --> 00:15:18,880 Speaker 1: I would have been the same, but it just felt gross. 283 00:15:19,240 --> 00:15:21,320 Speaker 1: So I said, okay, well if I chopped meat out, 284 00:15:22,120 --> 00:15:23,920 Speaker 1: I think that will help me kind of make better 285 00:15:23,960 --> 00:15:26,160 Speaker 1: decisions overall. And then I thought, now, im'st say if 286 00:15:26,160 --> 00:15:27,240 Speaker 1: I can do it a month, And I just last 287 00:15:27,280 --> 00:15:28,120 Speaker 1: night I was like, I don't want to do it 288 00:15:28,120 --> 00:15:29,880 Speaker 1: in a month. I've done what I set out to do, 289 00:15:30,160 --> 00:15:34,640 Speaker 1: went on the road, didn't come back feeling gross about myself, 290 00:15:34,680 --> 00:15:36,840 Speaker 1: because that's tough on the road, you know, really hard 291 00:15:37,560 --> 00:15:39,800 Speaker 1: whatever you eating a silty We're in airports all the time, 292 00:15:39,960 --> 00:15:42,680 Speaker 1: and then romata is on the side of interstates sometimes 293 00:15:43,480 --> 00:15:48,120 Speaker 1: and so but um, they just decided I'm done. So 294 00:15:48,200 --> 00:15:51,320 Speaker 1: I had a little at a little beef last night. Yeah, 295 00:15:51,320 --> 00:15:54,120 Speaker 1: and then I also ate some months not uh so, 296 00:15:54,400 --> 00:15:58,120 Speaker 1: Yeah that was good. There's a good run. It really 297 00:15:58,160 --> 00:16:01,760 Speaker 1: didn't make me feel any different though. Better be honest 298 00:16:01,800 --> 00:16:04,680 Speaker 1: with you again. I don't think I made the wisest 299 00:16:04,680 --> 00:16:07,200 Speaker 1: decisions all the time, and I was moving around a lot. 300 00:16:08,400 --> 00:16:13,360 Speaker 1: But yeah, I'm not. I'm not that anymore. What else 301 00:16:13,400 --> 00:16:17,600 Speaker 1: do I have? How about this at Sharon's being sued 302 00:16:17,640 --> 00:16:21,280 Speaker 1: for a third time. Do you see this being through 303 00:16:21,360 --> 00:16:24,400 Speaker 1: a hundred million dollars in damages for ripping off Let's 304 00:16:24,440 --> 00:16:27,000 Speaker 1: get it on by Marvin Gate which, by the way, 305 00:16:27,000 --> 00:16:30,640 Speaker 1: that Marvin Gay family very litigious. Are there every song, 306 00:16:30,800 --> 00:16:34,440 Speaker 1: every song that is somewhat soul based? They'll have some 307 00:16:34,480 --> 00:16:38,720 Speaker 1: of that money, please. The suit accuses Sharon and co 308 00:16:38,840 --> 00:16:42,280 Speaker 1: writer Amy Watch of copied and exploited Marvin Gay song 309 00:16:42,360 --> 00:16:49,160 Speaker 1: for Thinking Out Loud, including melody rhythms, harmonies, drums basedline backing, course, tempo, Jesus. Okay, 310 00:16:49,240 --> 00:16:56,479 Speaker 1: here is thinking out loud from it, Sharon, So honey, nah, 311 00:16:57,280 --> 00:17:04,520 Speaker 1: take me to having here is, let's get it on. 312 00:17:07,200 --> 00:17:09,080 Speaker 1: I feel like I have a pretty good ear for this. 313 00:17:11,800 --> 00:17:18,639 Speaker 1: Whenever Marvin Gay's estate sued blurred lines, absolutely, I just 314 00:17:18,680 --> 00:17:21,760 Speaker 1: don't think so on this one. I mean, I can 315 00:17:21,800 --> 00:17:24,199 Speaker 1: hear similarities. There are always similarities. There are only so 316 00:17:24,240 --> 00:17:29,679 Speaker 1: many chords. They're only sure is it's similar. Yeah, but 317 00:17:30,040 --> 00:17:31,760 Speaker 1: I don't think I'm a wording. I'm a hundred million 318 00:17:31,800 --> 00:17:34,760 Speaker 1: dollars and I don't know what where they get that number. 319 00:17:35,280 --> 00:17:36,679 Speaker 1: A lot of times, what people will do is they 320 00:17:36,680 --> 00:17:39,480 Speaker 1: will then Let's say Marvin Gay, they assigned him as 321 00:17:39,480 --> 00:17:41,800 Speaker 1: a songwriter. Now it's a one third split and based 322 00:17:41,840 --> 00:17:43,760 Speaker 1: on the money they've made, it could be a hundred 323 00:17:43,760 --> 00:17:46,320 Speaker 1: million dollars or they just go after cash. One of 324 00:17:46,359 --> 00:17:48,000 Speaker 1: the two things happen. I'm not sure what they're doing 325 00:17:48,000 --> 00:17:51,480 Speaker 1: with that. Does that make sense. Let's say that Ed 326 00:17:51,600 --> 00:17:56,720 Speaker 1: Sheeran and Amy Wadge made one dollar from writing that 327 00:17:56,760 --> 00:17:59,439 Speaker 1: song because they got fifty share of it, right, So 328 00:17:59,480 --> 00:18:01,960 Speaker 1: each of them got fifty cents. So let's say you 329 00:18:01,960 --> 00:18:03,439 Speaker 1: had Marvin Gay into the mix. Well, now you have 330 00:18:03,480 --> 00:18:05,399 Speaker 1: three people splitting a dollar, so they should get thirty 331 00:18:05,400 --> 00:18:08,560 Speaker 1: three cents. So maybe that hundred million is thirty three cents. 332 00:18:09,160 --> 00:18:10,639 Speaker 1: So they made three hundred million from the song. I 333 00:18:10,680 --> 00:18:11,960 Speaker 1: don't know. I'm not sure how they how they get 334 00:18:11,960 --> 00:18:15,639 Speaker 1: the number. I can't go there on that one, and 335 00:18:15,680 --> 00:18:17,160 Speaker 1: I like to be the one to go. Oh, for sure, 336 00:18:17,160 --> 00:18:19,359 Speaker 1: they stole the song. I like that. That's one. That's 337 00:18:19,400 --> 00:18:20,960 Speaker 1: one of my hobbies. There to go for sure, they 338 00:18:21,000 --> 00:18:24,800 Speaker 1: stole the song. Earlier this week, Childish Gambino This is 339 00:18:24,840 --> 00:18:30,000 Speaker 1: America was accused of plagiarism. Here's that song, this is American. 340 00:18:30,920 --> 00:18:33,879 Speaker 1: I don't get your slip in, don't get to slip in. 341 00:18:33,920 --> 00:18:35,919 Speaker 1: Fans on social media have pointed out that it shares 342 00:18:36,720 --> 00:18:42,719 Speaker 1: similarities with Jace Harley's track American Pharaoh. So this this 343 00:18:42,760 --> 00:18:46,639 Speaker 1: is American. Here is American Pharaoh. I'm young and lacking America. 344 00:18:47,000 --> 00:18:49,600 Speaker 1: They tried to wit check and embarrass us. Don't want 345 00:18:49,640 --> 00:18:52,480 Speaker 1: your notice to marry us, but they let usick and whatsoever. 346 00:18:53,320 --> 00:18:56,080 Speaker 1: You gotta wed it and marry nurse and the society 347 00:18:56,160 --> 00:18:59,199 Speaker 1: can scared of us then with no bary yars. So 348 00:18:59,240 --> 00:19:02,800 Speaker 1: if you owe me need to bestrid they show them. 349 00:19:04,920 --> 00:19:08,960 Speaker 1: That's a tougher one because I think one or the 350 00:19:09,880 --> 00:19:13,760 Speaker 1: you know you have a melody with the lyrics da 351 00:19:13,880 --> 00:19:19,040 Speaker 1: da dada, So the melody would be dad, don't get 352 00:19:19,760 --> 00:19:21,720 Speaker 1: but anything go on the melody. So if it's like, 353 00:19:21,880 --> 00:19:27,720 Speaker 1: you know, this is America, that would be the melody 354 00:19:27,760 --> 00:19:29,879 Speaker 1: of the vocals. And then the music is also different. 355 00:19:30,280 --> 00:19:32,200 Speaker 1: Let's act like that's a there's the bread and then 356 00:19:32,200 --> 00:19:34,800 Speaker 1: the meat on top of it. It sounds like the 357 00:19:34,840 --> 00:19:36,760 Speaker 1: bread and the meat are both being they're both similar. 358 00:19:36,760 --> 00:19:38,040 Speaker 1: If it was one or the other, I would say, 359 00:19:38,160 --> 00:19:40,760 Speaker 1: I don't know. They both are pretty similar. Even the 360 00:19:40,760 --> 00:19:44,119 Speaker 1: beat play it. This is America again, this is America. 361 00:19:45,080 --> 00:19:47,560 Speaker 1: I don't get you slip in that. I don't get 362 00:19:47,560 --> 00:19:52,920 Speaker 1: your slip in American. I'm young and I'm backing America. 363 00:19:53,160 --> 00:19:55,040 Speaker 1: And he also is America too. I didn't think about it. 364 00:19:55,080 --> 00:19:56,760 Speaker 1: I didn't even hear it the first time. First thing 365 00:19:56,760 --> 00:20:01,680 Speaker 1: that stood out, But they love this, so I tarried up. 366 00:20:01,880 --> 00:20:05,639 Speaker 1: Also a nice line there, huh. I'd have to get 367 00:20:05,680 --> 00:20:09,359 Speaker 1: down into that. I can't go right into I can't 368 00:20:09,359 --> 00:20:11,160 Speaker 1: go right and give him all the money. I don't 369 00:20:11,200 --> 00:20:13,719 Speaker 1: know if he's suing American favor I just saw people talk. 370 00:20:13,760 --> 00:20:17,280 Speaker 1: It's a new story. That's pretty close though, that sheering one, 371 00:20:17,320 --> 00:20:19,480 Speaker 1: that's not a thing to me, like I can hear okay, 372 00:20:19,520 --> 00:20:22,640 Speaker 1: a bit play it sheering again. It's thinking out loud, honey, naw, 373 00:20:24,119 --> 00:20:28,760 Speaker 1: because they said they stole everything baseline back in corn everything. 374 00:20:30,280 --> 00:20:47,200 Speaker 1: Boom boom boom boom boom. Let's get it on that 375 00:20:47,359 --> 00:20:50,600 Speaker 1: base does sound the same? The baseline does, That's the 376 00:20:50,640 --> 00:20:52,639 Speaker 1: only I can Did you hear that too? When I 377 00:20:52,680 --> 00:20:54,760 Speaker 1: just isolated my ears on, just looked at the baseline? 378 00:20:54,760 --> 00:20:57,160 Speaker 1: DOESK that's similar? A lot of things sound similar. I'm 379 00:20:57,160 --> 00:20:59,080 Speaker 1: having trouble with that one. This is this is America. 380 00:20:59,480 --> 00:21:03,560 Speaker 1: I'm a bit more sold on. But again, guys, any 381 00:21:03,640 --> 00:21:06,960 Speaker 1: song sounds like another song. Any song sounds like another song, 382 00:21:07,520 --> 00:21:10,240 Speaker 1: you're not gonna find. You just have to find purposeful 383 00:21:10,560 --> 00:21:14,879 Speaker 1: intent on stealing. And some people do it subconsciously. You 384 00:21:14,880 --> 00:21:17,280 Speaker 1: ever watch that comment special about how people still jokes. Subconsciously, 385 00:21:18,280 --> 00:21:20,280 Speaker 1: you hear something, you go, oh, that's funny, and it 386 00:21:20,359 --> 00:21:22,520 Speaker 1: stores up something funny to talk about and think about, 387 00:21:22,760 --> 00:21:24,800 Speaker 1: and then you go oh, and then the situation comes 388 00:21:24,840 --> 00:21:26,000 Speaker 1: up with you're writing, Oh, you know what's funny to 389 00:21:26,000 --> 00:21:27,399 Speaker 1: me is this and you can't and you don't even 390 00:21:27,440 --> 00:21:31,320 Speaker 1: know you did it. I've done that before, and who 391 00:21:31,359 --> 00:21:33,159 Speaker 1: knows if I've done it since, because I don't know what. 392 00:21:33,240 --> 00:21:35,959 Speaker 1: I don't know where I've gone. Oh, that's a funny thing, 393 00:21:36,000 --> 00:21:38,320 Speaker 1: and maybe even like a meme. You read a meme 394 00:21:38,359 --> 00:21:40,960 Speaker 1: and you go, that's a funny concept, and you store 395 00:21:40,960 --> 00:21:43,000 Speaker 1: it and then you go, oh, you know, it'd be funny. 396 00:21:43,000 --> 00:21:44,359 Speaker 1: I want to write about somebody. We'll go to Chick 397 00:21:44,359 --> 00:21:47,600 Speaker 1: fil A, right fil A. You don't how many people, 398 00:21:47,680 --> 00:21:50,480 Speaker 1: by the way, have written songs about Chick fil A 399 00:21:50,560 --> 00:21:52,680 Speaker 1: on Sunday, just since I wrote that song, because we 400 00:21:52,720 --> 00:21:55,600 Speaker 1: wrote that song, because me, you and Brandon wrote that song, 401 00:21:56,200 --> 00:22:00,720 Speaker 1: right yeah, so I should say we since there have 402 00:22:00,800 --> 00:22:04,280 Speaker 1: been other songs come out Chick fil A on Sunday 403 00:22:04,400 --> 00:22:07,960 Speaker 1: like a rapper. They didn't steal it. I really don't 404 00:22:08,000 --> 00:22:09,960 Speaker 1: think they stole it. I also think there's something to 405 00:22:10,040 --> 00:22:13,120 Speaker 1: the fact that like minded people have like minded ideas. 406 00:22:14,119 --> 00:22:16,680 Speaker 1: I don't think that every joke that comedians do that's 407 00:22:16,680 --> 00:22:19,240 Speaker 1: the same someone's downstairs, who you gonna let them in? 408 00:22:19,240 --> 00:22:23,000 Speaker 1: I gonna talk for a second, thank you, Okay. My 409 00:22:23,080 --> 00:22:26,000 Speaker 1: point was that I don't think every comedian's joke that's 410 00:22:26,040 --> 00:22:29,560 Speaker 1: the same has to be stolen. I think sometimes people 411 00:22:29,600 --> 00:22:34,080 Speaker 1: that think alike also create alike. The NFL denies that 412 00:22:34,240 --> 00:22:37,040 Speaker 1: chiefs line in request to add empty to his jersey. 413 00:22:37,400 --> 00:22:40,399 Speaker 1: Laurent Deverney Tardiff opus that right. We talked about this. 414 00:22:41,160 --> 00:22:43,080 Speaker 1: He got a medical degree, he's m D and he 415 00:22:43,080 --> 00:22:44,399 Speaker 1: wants to add it to his jersey. I don't know 416 00:22:44,400 --> 00:22:47,600 Speaker 1: why they wants his name. It's his legal name. They 417 00:22:47,600 --> 00:22:49,560 Speaker 1: were excited about an NFL player with m D on 418 00:22:49,600 --> 00:22:52,639 Speaker 1: his jersey because it look cool for kids like I 419 00:22:52,720 --> 00:22:56,359 Speaker 1: look at this. NFL players also a doctor, how about that? 420 00:22:56,880 --> 00:23:00,240 Speaker 1: Also new on Netflix, Glow season two started out of 421 00:23:00,320 --> 00:23:04,639 Speaker 1: I'm three episodes in their only thirty minute characters. UM, yeah, 422 00:23:04,680 --> 00:23:07,639 Speaker 1: it's good. I like glue and I like that's thirty minutes. 423 00:23:08,119 --> 00:23:10,119 Speaker 1: So if you're netflixing it, that would be cool. And 424 00:23:10,160 --> 00:23:11,840 Speaker 1: by the way, let me say this, this is uh 425 00:23:11,880 --> 00:23:15,640 Speaker 1: in my news here. My book Fail Until You Don't 426 00:23:15,720 --> 00:23:17,560 Speaker 1: land at number one in the New York Times best 427 00:23:17,600 --> 00:23:20,520 Speaker 1: seller list and I've ended the book tour, and thank 428 00:23:20,560 --> 00:23:23,399 Speaker 1: you very much. If you're listening to this, you probably 429 00:23:23,400 --> 00:23:27,920 Speaker 1: had a big piece of that, So thank you. Yeah. 430 00:23:27,960 --> 00:23:30,239 Speaker 1: I mean, Mike d was with me whenever Mikey's back 431 00:23:30,320 --> 00:23:32,399 Speaker 1: up here now. Whenever I got the email saying the 432 00:23:32,400 --> 00:23:35,200 Speaker 1: book went number one, and my response was, but really, 433 00:23:35,240 --> 00:23:38,439 Speaker 1: what is it? At first? I was like number one, 434 00:23:38,520 --> 00:23:41,480 Speaker 1: numb one and what like authors whose names start with 435 00:23:41,600 --> 00:23:43,560 Speaker 1: be like, what do you mean number one? Because I 436 00:23:43,560 --> 00:23:46,959 Speaker 1: got this email on all exclamation points, they were like yeah. 437 00:23:47,200 --> 00:23:48,879 Speaker 1: I was like, we're really, but but what could have 438 00:23:49,240 --> 00:23:50,520 Speaker 1: what's the other list it could have been on to 439 00:23:50,520 --> 00:23:51,760 Speaker 1: be bigger? And they're like, no, no no, no, it's the 440 00:23:51,800 --> 00:23:53,280 Speaker 1: biggest that it could have been. And you know in 441 00:23:53,280 --> 00:23:57,800 Speaker 1: this so um yeah. And people are buying it for 442 00:23:57,840 --> 00:24:00,040 Speaker 1: other people as gifts and they're like gifting them. I 443 00:24:00,080 --> 00:24:02,320 Speaker 1: mean that's a pretty funny thing and cool, and I 444 00:24:02,320 --> 00:24:05,320 Speaker 1: mean I just that some of the listeners are buying 445 00:24:05,359 --> 00:24:07,199 Speaker 1: them and going, hey, I bought this, who wants it? 446 00:24:07,640 --> 00:24:10,640 Speaker 1: On Twitter? And then I just retweeted or and then 447 00:24:10,680 --> 00:24:12,640 Speaker 1: someone else's I'll take it, and they're just passing it along. 448 00:24:12,680 --> 00:24:14,440 Speaker 1: It's crazy that a thing is crazy. I can't believe it. 449 00:24:14,440 --> 00:24:17,240 Speaker 1: I have two New York Times bestsellers, Dude, that's crazy 450 00:24:17,320 --> 00:24:24,879 Speaker 1: to me, like having you know, Lou Begahead a hit, wonderful, 451 00:24:25,000 --> 00:24:28,600 Speaker 1: wonderful mambo number five one hit, wonder I was happy 452 00:24:29,280 --> 00:24:32,840 Speaker 1: spending my life as right, said fred um to six, 453 00:24:33,040 --> 00:24:35,480 Speaker 1: and he had one hit. I had a hit out 454 00:24:35,520 --> 00:24:37,159 Speaker 1: of bare Bones. I never expected that to be hit. 455 00:24:37,200 --> 00:24:39,800 Speaker 1: I had a hit. It was amazing, and about a 456 00:24:39,840 --> 00:24:42,879 Speaker 1: second one. I cannot believe it's a number one book. 457 00:24:43,840 --> 00:24:46,320 Speaker 1: So thank you to everybody who read it and bought it. 458 00:24:46,359 --> 00:24:50,800 Speaker 1: And I don't, I don't know. It's crazy, Mike. He's 459 00:24:50,800 --> 00:24:54,760 Speaker 1: got a cop pages in there too. People had me 460 00:24:54,840 --> 00:24:58,480 Speaker 1: signing their copy. If everybody that came out, and like, 461 00:24:58,520 --> 00:25:01,080 Speaker 1: you're gonna watch the Instagram TV now one. There's a 462 00:25:01,119 --> 00:25:03,760 Speaker 1: two and a half minute video. It's a mini docue 463 00:25:04,359 --> 00:25:08,000 Speaker 1: that Mike shot. It's uh, it's crazy that people waiting. 464 00:25:08,480 --> 00:25:10,639 Speaker 1: I the fact that people wait in line for me 465 00:25:10,680 --> 00:25:12,760 Speaker 1: to sign their book is crazy to me. And there's 466 00:25:12,800 --> 00:25:16,560 Speaker 1: this stage of guilt because I don't I hate that people. 467 00:25:17,200 --> 00:25:18,600 Speaker 1: I want to spend part of their day. I feel 468 00:25:18,600 --> 00:25:20,200 Speaker 1: like they're wasting part of their day to come meet me, 469 00:25:20,359 --> 00:25:22,160 Speaker 1: like I do. I feel like, oh, why are they 470 00:25:22,160 --> 00:25:26,840 Speaker 1: doing this? But then we get there and I go, okay, 471 00:25:27,040 --> 00:25:28,480 Speaker 1: I want to spend a long time with each person, 472 00:25:28,520 --> 00:25:29,720 Speaker 1: but then I feel guilty for the people in the 473 00:25:29,760 --> 00:25:31,120 Speaker 1: back of the line have to wait the whole time. 474 00:25:31,280 --> 00:25:33,560 Speaker 1: So I'm like, I gotta find a The whole thing 475 00:25:33,600 --> 00:25:35,600 Speaker 1: is just uncomfortable for me because I just I guess 476 00:25:35,640 --> 00:25:37,040 Speaker 1: I just don't feel like I'm worth it. Mike, I 477 00:25:37,080 --> 00:25:39,840 Speaker 1: guess the all comes down to. But everybody that came 478 00:25:39,880 --> 00:25:43,760 Speaker 1: out it was this crazy. I wish I could actually 479 00:25:43,760 --> 00:25:46,679 Speaker 1: convey it how grateful I am, But I guess these 480 00:25:46,720 --> 00:25:49,320 Speaker 1: words will have to do downstairs. That would be the 481 00:25:49,720 --> 00:25:55,119 Speaker 1: woman that's gonna cut me right. Well, how long is 482 00:25:55,119 --> 00:25:59,440 Speaker 1: this minutes? Pretty good? Who knew we went on for 483 00:25:59,480 --> 00:26:02,359 Speaker 1: a long time? Nothing, I guess at the beginning. Okay, 484 00:26:02,359 --> 00:26:04,480 Speaker 1: well it's Monday, and now when this is record, I'm 485 00:26:04,480 --> 00:26:06,480 Speaker 1: going to a Monday night think with Charlie Washam. I 486 00:26:06,480 --> 00:26:08,000 Speaker 1: don't know if we'll be back. We may, we may not. 487 00:26:08,119 --> 00:26:10,040 Speaker 1: It's supposed to be a vacation, but I don't know 488 00:26:10,119 --> 00:26:12,560 Speaker 1: do vacation very well? Thank you very much, and yeah, 489 00:26:12,560 --> 00:26:19,760 Speaker 1: we'll see you next time on the Bobbycast. By everybody,