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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Your Enthusiasm

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Speaker 1: podcast on Max and YouTube, as well. Links available in

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Speaker 1: the episode description. All Right, so Jeff, here we are.

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Speaker 1: I'm Susis men, who are you.

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Speaker 2: I'm Jeff Garland, one of America's top teens.

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Speaker 1: And we are on the History of Curbry Enthusiasm on iHeartRadio.

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Speaker 1: This is season four, episode ten, opening night. Yeah, and

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Speaker 1: this is a big episode, so yes, and a delightful episode.

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Speaker 1: I have to say things that I didn't remember rewatching

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Speaker 1: it that I thoroughly enjoyed.

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Speaker 2: There's one term in this that fucking knocked me off

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Speaker 2: my feet and I never heard it, and it's real,

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Speaker 2: So we'll get to it.

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Speaker 1: Umi, Okay, is this something that Richard Pine said? Of course, you.

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Speaker 2: Know, I didn't know, and I reacted so strung I

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Speaker 2: had to hold back my laughter. But after the seat,

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Speaker 2: you know, after a take was shot, I said, that

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Speaker 2: is such gold. I've never heard anything.

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Speaker 3: For me.

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Speaker 2: It's a real term.

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Speaker 1: I never heard.

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Speaker 2: It made me but also coming out of his mouth, Yes,

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Speaker 2: made it so funny. We'll get there, we'll get there.

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Speaker 1: So we start the scene Larry's at home and Cheryl

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Speaker 1: is running lines with Larry. Larry's having trouble, and Larry's

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Speaker 1: off to the airport to go to New York for

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Speaker 1: the opening night. And Cheryl said, you know, if you

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Speaker 1: want me to go with you, I could run lines

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Speaker 1: with you in the plane and blah. And he's like, no, no, no,

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Speaker 1: you go to your NRDC benefit. You don't need to come.

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Speaker 1: And she's getting a little suspicious, and she's like, well,

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Speaker 1: who's on the plane with you? And he says, you know,

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Speaker 1: Jeff David Schwimmer, Katie Huffman. And Cheryl's like, oh Katie.

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Speaker 2: Well, by the way, he did separate her, yes, well,

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Speaker 2: he was searching for her name.

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Speaker 1: He said it very suspensiously. I would have picked up

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Speaker 1: on that in a heartbeat.

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Speaker 2: Well, he realizes that this might be his last chance.

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Speaker 1: Correct, and it's he only has three more days, you know.

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Speaker 1: Cheryl tells him, you've only got three more days for

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Speaker 1: your anniversary gift, and if you don't do it in

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Speaker 1: the next three days, it deals off and Cheryl tells

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Speaker 1: him that she's going to be there opening night, she'll

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Speaker 1: see him after on opening night, and then we see

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Speaker 1: Larry's at.

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Speaker 2: The the idea that he tells her it's more important

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Speaker 2: that she goes to events.

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Speaker 1: She's on to him. You know, men are so transparent,

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Speaker 1: and we see right through all this bullshit, at least

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Speaker 1: I do, and so.

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Speaker 2: Does she know I'm going to be That's a very

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Speaker 2: astute thing. Men are very transparent because they.

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Speaker 1: Don't know how to Oh, they done the idiots.

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Speaker 2: But women the complete opposite. I think that anything a

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Speaker 2: woman does in secret, if it's ever found out, it'll

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Speaker 2: surprise anyone who's around that part cag you are KG

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Speaker 2: you ladies.

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Speaker 1: Next we see Larry at the airport and he runs

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Speaker 1: into Jeff and Jeff's like, no, Ryl, and he's got

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Speaker 1: three days. You are on him with this. You got

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Speaker 1: three days? You're going to do this? Baby? You are

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Speaker 1: so into it vicariously, but not really vicariously because you

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Speaker 1: cheat on me left and right, so it doesn't really matter.

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Speaker 1: And this is an interesting thing. I totally forgot this you.

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Speaker 1: Jeff Green tells Katie Huffman that Larry has OCD because

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Speaker 1: Katie told Jeff that she has OCD, and Jeff's trying

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Speaker 1: to grease the wheels to get her interested in Larry.

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Speaker 1: So you tell Katie Larry also has OCD, and you

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Speaker 1: tell Larry that, and Larry's like, what did you do

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Speaker 1: that for? And You're like, she was excited, she was

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Speaker 1: excited about it.

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Speaker 2: Well, by the way, he's actually for once outraged.

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Speaker 1: A little bit, a little bit out.

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Speaker 2: He was not happy. And by the way, that is

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Speaker 2: such a funny thing to tell someone that you know nowadays,

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Speaker 2: I would never do something like that. But young Jeff Garland,

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Speaker 2: I'd say.

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Speaker 1: Well it was Jeff Green Jeff.

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Speaker 2: No, no, no, I know, but young My point was,

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Speaker 2: young Jeff Garland would have done that, and worse, like,

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Speaker 2: I loved insane, practical jokes that no one would think.

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Speaker 2: I know, you know, the what if jokes? Well, yeah,

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Speaker 2: you know, you knew me back then, and there I

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Speaker 2: don't even know even getting married, if I changed, even

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Speaker 2: having children, if I changed. But at some point I

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Speaker 2: was like, no, that's totally inappropriate. I also didn't know

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Speaker 2: I was bipolar, but that's not an excuse.

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Speaker 1: Well you learned your lesson at this point. Yeah, So

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Speaker 1: so Katie comes over and she gives Larry a big,

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Speaker 1: big hug, which is uncharacteristic because he thinks she hates

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Speaker 1: him after the whole scene at Ben's birthday party where

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Speaker 1: he made a fool of himself and you very astutely

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Speaker 1: leave and leave them alone. And she asks him about

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Speaker 1: his OCD and they seem to have a bond about it,

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Speaker 1: and it's a lovely little moment for them, and he's,

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Speaker 1: you know, she's into him. You could tell she's into him.

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Speaker 1: She's beaming at him. And then and they're not yes

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Speaker 1: yet terrible and then David Schwimmer shows up and he's

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Speaker 1: you know, he's very illusive.

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Speaker 2: Really, that was a terrible joke. I just want to

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Speaker 2: make that. I will cut it out when I know

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Speaker 2: keep it. I just know, you know, I like admitting

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Speaker 2: to the audience who are groaning or rolling their eyes

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Speaker 2: that I'm very aware. I'm very aware, when.

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Speaker 1: Well, why don't you tell our audience not our entire

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Speaker 1: audience knows what abima is. Abima is the last day

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Speaker 1: I did, they might not know a bema is like this.

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Speaker 2: Is like I'll even say it like this, it's the

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Speaker 2: stage where a service in a Jewish temple takes place.

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Speaker 2: I call it the stage and the is up there,

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Speaker 2: the tour is up there, which is always from It

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Speaker 2: seems every temple that I go to it's from the Holocaust,

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Speaker 2: like it was saved from the Holocaust.

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Speaker 1: Yeah, I don't. I don't know that, but you know,

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Speaker 1: once I had to. Over the years, I've done many

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Speaker 1: gigs for Jewish war organizations and temples, and once I

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Speaker 1: was hired to do one, and usually it's in a

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Speaker 1: party room or something. They all have a party room, right,

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Speaker 1: And this was outside of Philadelphia, and they had me

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Speaker 1: doing stand up on the bema. And it was like, really,

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Speaker 1: this is where you're having me do stand up? So

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Speaker 1: I knew I immediately had to address it, you know,

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Speaker 1: and I said something like you have me on the

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Speaker 1: fucking bema and I called it. I was like, Rabbi,

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Speaker 1: where's the rabbi and the rabbits? And then I looked

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Speaker 1: at him, I said, did I fuck you? I had

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Speaker 1: to like break the ice immediately that I was on

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Speaker 1: the bema. But you know, and in front of the Torah,

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Speaker 1: even though they covered it with a curtain, everybody knew

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Speaker 1: the Tora was behind me and I'm doing my stand

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Speaker 1: up totally inappropriate, which, by the way.

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Speaker 2: I've been put in those situations too, and I may

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Speaker 2: have done a BEMA job or two. But I also

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Speaker 2: want to say the Adam Sandler bar Mitzvah Bought Mitzvah

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Speaker 2: movie that's on Netflix. It's on right now.

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Speaker 1: Two week I don't know it.

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Speaker 2: It premiered now. Oh it's fantastic. You know. I watched

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Speaker 2: it because I loved Adam and I had very low

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Speaker 2: expectations and I was I couldn't believe how great it was.

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Speaker 2: It was wonderful. And his daughter is spectacular.

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Speaker 1: The actress who places going well, both.

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Speaker 2: His daughters are in it, one as a smaller part

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Speaker 2: as the older sister, but the young lady who's the

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Speaker 2: actual star of it is fantastic.

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Speaker 1: She's an actress, not his actress.

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Speaker 2: It's very special. Oh no, she's his actual daughter.

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Speaker 1: She is his actual daughter.

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Speaker 2: Yeah, yeah, okay, so it was really nice to see.

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Speaker 1: Okay, So then we're on the plane and this is

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Speaker 1: one of my favorite scenes. On the plane and Larry

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Speaker 1: has a magazine and Jeff's just sitting there. Jeff's just

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Speaker 1: sitting there.

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Speaker 2: Do you have anything? Do you have anything to me?

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Speaker 2: Just sit there. You don't have a magazine or a

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Speaker 2: book nothing. No, I just said, how came you ever

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Speaker 2: bring a book? R magazine? I don't need one. I

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Speaker 2: like just sitting.

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Speaker 3: We could sit on a plane for five hours like that.

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Speaker 2: It's crazy, I can you.

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Speaker 1: Don't need to read sit there for five hours, just sitting,

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Speaker 1: which is so indicative of your character's emptiness.

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Speaker 2: Let me also add that was a first take, and

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Speaker 2: Larry asked me not to do that again, so we

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Speaker 2: did other versions of it's just more talkative. I may

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Speaker 2: have had a magazine something and I was so look,

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Speaker 2: I knew we had it. And you know, I always

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Speaker 2: I'm not say argue, but I feel free to disagree

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Speaker 2: with Larry all the time. Or when I'm a producer

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Speaker 2: watching and I go up to talk to him on

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Speaker 2: a scene, I'll tell him the straight dope. I don't

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Speaker 2: hold anything back. But I was disappointed because not that

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Speaker 2: I could have done more with straight sitting straight ahead.

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Speaker 2: But I was like, don't you see how funny that is?

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Speaker 1: It's very funny.

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Speaker 2: No, no, but he goes into editing and he calls

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Speaker 2: me I was wrong. It's hilarious. I was wrong. And yeah,

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Speaker 2: by the way, Larry is a guy doesn't hesitate to say.

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Speaker 1: No, no, I've done I've had the same experience. While yeah,

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Speaker 1: he'll tell me to do something, I say, can I

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Speaker 1: do another one my way? And then I'll do it

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Speaker 1: your way, and he's always like yeah, yeah, yeah, and

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Speaker 1: then you know.

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Speaker 2: But but by the time us he has no ego.

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Speaker 2: What's the funniest And so he went in editing and

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Speaker 2: saw that that is hilarious, and I just was, you know,

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Speaker 2: it's so funny. Before we shot the first take, I

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Speaker 2: was just sitting there and we started, and I had

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Speaker 2: nothing planned. I never well, I generally don't, but I

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Speaker 2: wasn't thinking anything, and so I just sat there and

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Speaker 2: then the second he asked me what I was doing,

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Speaker 2: I was off to the races.

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Speaker 1: Well, because it's so it's such a character thing, you know,

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Speaker 1: it's such a I mean that you just you could

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Speaker 1: sit there for five hours with nothing. And this was before.

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Speaker 1: By the way, now there's always a DVD you know,

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Speaker 1: a television screen in front of your seat. Okay, okay,

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Speaker 1: I just stated myself, Yes, there's a TV screen always

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Speaker 1: in the seat in front of you, in the back

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Speaker 1: of the seat in front of you. So you know,

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Speaker 1: that's what you do on a plane, you watch movies

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Speaker 1: and TV or news whatever. But in those days, no,

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Speaker 1: this was two thousand and four, that wasn't the case.

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Speaker 1: And then we see a shwimmer whisper something to the

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Speaker 1: flight attempt.

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Speaker 2: By the way, I want to just jump back for

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Speaker 2: a second. That scene was very reflective, and I don't

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Speaker 2: think I did it since of the in the Hour

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Speaker 2: special where I don't like gum, very first scene of

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Speaker 2: the show where we're sitting in the waiting area and

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Speaker 2: he offers me a piece of gum and they say,

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Speaker 2: I don't eat gum, you know, And I forgot what

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Speaker 2: my reason was, but it was very non existent. It

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Speaker 2: was just insane. Go ahead.

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Speaker 1: So then Swimmer goes up to and I'm blocking. Her

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Speaker 1: name Yvette. She starred in Community who played the flight

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Speaker 1: attend That was the thing. I love her. She's a

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Speaker 1: great girl. I've worked with her on other things.

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Speaker 2: Oh, she's fantastic.

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Speaker 1: Yeah, ya Vette. What's her name?

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Speaker 2: You Vet?

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Speaker 1: No, it's not you Vet. This isn't the Time Machine.

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Speaker 1: What a great movie that was, by the way.

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Speaker 2: Oh my god, with Rod Taylor and what were the

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Speaker 2: name what were the name of the characters that were

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Speaker 2: below ground.

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Speaker 1: I don't remember, oh.

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Speaker 2: That movie like the.

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Speaker 1: It wasn't that, it was the.

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Speaker 2: It was you're right, but that movie is a kid

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Speaker 2: time Machine.

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Speaker 1: And I'm talking about I rewatched it from the.

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Speaker 2: Fifties, did you really? And I assume it holds up.

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Speaker 1: It's fantastic because it's so and I remember it's Yvette

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Speaker 1: Nicole Brown.

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Speaker 2: Nicole Brown, right, yeah, she's wonderful. But I remember watching

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Speaker 2: the Time Machine and as a kid, it was so

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Speaker 2: beyond my comprehension. The spinning wheel going back in time

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Speaker 2: and the way that people were blonde, and how beautifully

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Speaker 2: Yvette mim was and all that. But the characters underground

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Speaker 2: scared the ship out me. I found that whole and

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Speaker 2: they were The makeup on those characters was great, and

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Speaker 2: it really it was profound that movie. You know where

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Speaker 2: I first saw Family Classics on W G. N okay,

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Speaker 2: But it was an HG.

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Speaker 1: Well story.

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Speaker 2: I mean, it's like, well, it's a great book, but

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Speaker 2: still so.

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Speaker 1: Back to so David Sack the.

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Speaker 2: Current day, where no one is underground except for people

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Speaker 2: who work the sewers go ahead.

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Speaker 1: David Swimmer whispers something to the flight attendant, which Larry

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Speaker 1: used to call the stewardess through the whole show.

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Speaker 2: Did you, as a kid believe the thing that if

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Speaker 2: you dug deep enough you get to China?

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Speaker 1: No, it wasn't an idiot.

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Speaker 2: I believed it as a kid. I believed that I

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Speaker 2: even started digging to China. Way, okay, keep going.

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Speaker 1: Yeah, he whispers to the flight attendant, and then the

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Speaker 1: flight attendant comes over to Larry, which is uvet Nicole Brown,

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Speaker 1: and tells him he's got to put a seat upright.

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Speaker 4: Sorry, could you please put your seat in the fully

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Speaker 4: upright position?

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Speaker 3: Please?

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Speaker 5: Let me ask a question. Yes, did he tell you

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Speaker 5: to say that?

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Speaker 4: Did who tell me?

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Speaker 5: What? Good guy?

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Speaker 2: Right there? Did he tell you the seat wasn't.

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Speaker 1: Up I don't know what you're talking about, but we're

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Speaker 1: trying to take off, so I'm gonna.

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Speaker 2: Need I saw him talking to you up there? Did

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Speaker 2: he tell you myself?

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Speaker 4: Let me tell you what I need.

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Speaker 6: I need you to be quiet and in this seat

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Speaker 6: with the seat fully of Okay, that's what I require.

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Speaker 2: Okay, okay, But I saw him talking.

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Speaker 1: Did you hear what I require? Which, by the way,

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Speaker 1: is a thing that never makes sense to me. Why

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Speaker 1: our seats have to be upright, I understand the trade table,

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Speaker 1: but the seat upright, I don't fully understand.

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Speaker 2: No, I don't understand. And to be honest with you,

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Speaker 2: I've always followed it.

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Speaker 1: Well you have to because they won't take off if

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Speaker 1: you don't follow it.

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Speaker 2: And Larry, I see others who I don't tell on.

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Speaker 1: Yeah, but Larry believes that Schwimmer told on him.

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Speaker 2: By the way, whenever Larry gets yelled at, he loses it.

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Speaker 2: And so that was that moment for him to get through, wasn't.

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Speaker 2: She's screaming at him to you know, follow the rules

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Speaker 2: and all that. You know, it gets interrupted a million

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Speaker 2: times because he can't go on. He's laughing so hard.

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Speaker 1: Been there. Yeah, Then Larry goes to the bathroom and

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Speaker 1: what do I have with foot? What is this? I

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Speaker 1: can't understand my notes. Sometimes he lives up. He lifts

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Speaker 1: up the seat with the foot foot, which is another

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Speaker 1: thing that I find completely gross. That I understand why

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Speaker 1: he doesn't want to use his hand, But your hand

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Speaker 1: you could clean the foot. You can't the shoe, and

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Speaker 1: then that shoe comes into you.

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Speaker 2: I've got in an argument with him and Bob Whitey

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Speaker 2: about that, especially Whitey Bob White is the director of

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Speaker 2: the episode, and I said, I always use my hand,

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Speaker 2: then wash my hands.

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Speaker 1: Yeah, you know whatever, and then this turbulence, crazy turbulence,

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Speaker 1: and it's a whole scene with him trying to pee

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Speaker 1: in the turbulence at a typical Larry's scene.

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Speaker 2: Which, by the way, I never found that scene funny.

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Speaker 1: It's the physical comedy. It's one of.

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Speaker 2: Those No, Larry's great in this, in the in the scene,

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Speaker 2: but I never because that's one of those where you

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Speaker 2: uncontrollably laugh at Yeah, and it didn't hit me.

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Speaker 1: No, all right, didn't work for you?

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Speaker 2: Yeah, okay, you're too afraid to say it didn't work

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Speaker 2: for you.

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Speaker 1: Now, I didn't feel that way.

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Speaker 2: I'm not afraid afraid. So my question is what was

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Speaker 2: your feeling about that scene?

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Speaker 1: You know, I liked it, It was okay. I mean,

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Speaker 1: when I'm watching these, by.

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Speaker 2: The way, let me ask you a question, curb your enthusiasm?

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Speaker 2: Is okay? Acceptable? I think not. I that wasn't necessary

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Speaker 2: for the whole show. That could have easily been cut.

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Speaker 1: But when I'm watching these episodes and taking notes, I'm

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Speaker 1: not watching it like I'm just sitting back enjoying it

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Speaker 1: and you know I do both.

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Speaker 2: Yeah, I do both.

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Speaker 1: I don't to me.

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Speaker 2: The last episode that we did, The Survivor, The Survivor,

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Speaker 2: I found myself laughing so hard I was grabbing my

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Speaker 2: stomach really, because, yeah, I really enjoy the show. I

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Speaker 2: generally don't laugh at myself, but oh boy, there were

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Speaker 2: moments in that show where I'm laughing so hard I

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Speaker 2: can't get well.

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Speaker 1: I feel like what I should do is watch the

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Speaker 1: whole episode and then rewatch it and take notes. But

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Speaker 1: that's a lot of one.

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Speaker 2: No. Yeah, but I have the skill to do both.

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Speaker 2: Look at you, look at me. We'll be right back.

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Speaker 4: Stay tuned, and we're back.

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Speaker 1: So they get to the Regency Hotel and Swimmer Gooat

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Speaker 1: walks right in, doesn't tip anybody, and Larry complains to

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Speaker 1: the doorman that he has no small bills, and the

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Speaker 1: doorman he doesn't really buy it, and same to the billboy.

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Speaker 1: He says, I'm going to come back and I'm going

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Speaker 1: to take care of you, but neither of them really

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Speaker 1: buy it. And then he gives one of the other

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Speaker 1: doormen a twenty and says, why don't you split this

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Speaker 1: with Tim who was the original doorman? And what he

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Speaker 1: said he had no small bills. I thought he only

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Speaker 1: had hundreds. I didn't realize he had twenties. And then

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Speaker 1: what happens is one of my peeps. When you're checking

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Speaker 1: into a hotel, when they start to give you the

356
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Speaker 1: rundown and the instructions, it drives me fucking crazy. I

357
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Speaker 1: know they're doing their job, but when they bring you

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Speaker 1: up to the room and they start to tell you, oh,

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Speaker 1: the showers over here, and the phone is over here,

360
00:17:15,840 --> 00:17:18,320
Speaker 1: and the blah blah's over here, and the blah blah blah,

361
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Speaker 1: and Larry starts to make fun of it. That's a window,

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Speaker 1: I know. That's for looking out. And that's this you know,

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Speaker 1: because they goes a.

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Speaker 2: Floor, it's for standing. I want to talk about that actor.

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Speaker 1: Okay, I don't know who he is.

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Speaker 2: I do know who he is, and our listeners know

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Speaker 2: who he is. He a lovely gentleman who, by the way,

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Speaker 2: you can see in the episode him breaking when Larry

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Speaker 2: does the floor in the windows. I bet you we

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Speaker 2: didn't have a take without him breaking. That's Zachary Levi.

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Speaker 2: Zachary Levi. I don't know if it's that point. He

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Speaker 2: had a TV series as like a Secret Agent comedy

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Speaker 2: an NBC or it was after this point, bing is

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Speaker 2: he's a big movie star. He's Shazam in the Shazam movie.

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Speaker 1: Really okay?

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Speaker 2: Oh yeah, And by the way, when you met that

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Speaker 2: dude back then, you went, oh, this guy's a star.

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Speaker 2: This guy's definitely going to be a star.

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Speaker 1: And he was, and.

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Speaker 2: He became a big movie star.

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Speaker 1: I enjoyed that. When you see some well like we

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Speaker 1: just talked about you vet Nicole Brown, yes, you know,

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Speaker 1: and it's very excited. And then she became a big star. Yes,

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Speaker 1: it's fun. And he says to this guy, Zachary Levi,

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Speaker 1: I don't have any small bills. I'll get you tomorrow.

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Speaker 1: You seem dubious. He goes through the whole song and gifts,

387
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Speaker 1: and he's like, it's NOTTSY to give you a twenty,

388
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Speaker 1: isn't it. It's not sy to give you a twenty.

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Speaker 1: So you call you say, let's go for a drink.

390
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Speaker 1: Larry wants to study lines, and you're like, adam it,

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Speaker 1: you've only got three days. You got to come down

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Speaker 1: to the bar and meet some chicks.

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Speaker 2: You know.

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Speaker 1: So he finally says, I'll meet you in a half hour. No,

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Speaker 1: here's what you say, Jeff, which maybe laugh meet some gals.

396
00:18:50,320 --> 00:18:52,440
Speaker 1: He said, you need to meet some gals.

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Speaker 2: Do you know where that came from, Carol Garland?

398
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Speaker 1: Your mother sat some gals.

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Speaker 2: Yeah. And by the way, you know what you know.

400
00:19:02,000 --> 00:19:06,880
Speaker 2: I love saying fellas fellas, Hey fellas two men or more, Hey,

401
00:19:06,920 --> 00:19:11,320
Speaker 2: fellas fellas, and it always gets a very unique response.

402
00:19:10,800 --> 00:19:13,720
Speaker 1: Of fellas, laughter and fellas and gals.

403
00:19:13,880 --> 00:19:16,400
Speaker 2: And by when I write it in my emails, hey fellas,

404
00:19:16,720 --> 00:19:19,800
Speaker 2: and then I always put a comma, yes fellas.

405
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Speaker 1: I say, fellas yells great.

406
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Speaker 2: Wasn't there a show called Fellas Good Fellas? That's a movie. Yeah,

407
00:19:26,000 --> 00:19:27,760
Speaker 2: but I think there was a show called was something

408
00:19:27,760 --> 00:19:28,479
Speaker 2: Fellas in it?

409
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Speaker 1: And he goes, you would no, I don't remember. He

410
00:19:32,280 --> 00:19:34,639
Speaker 1: goes down to the bar and you are sitting there

411
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Speaker 1: with a giggling blonde Christina.

412
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Speaker 2: Who plays her because she was so good.

413
00:19:40,280 --> 00:19:42,960
Speaker 1: She was very good. I didn't look that up. And

414
00:19:43,200 --> 00:19:45,840
Speaker 1: Larry and Christina start talking. He says that he is

415
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Speaker 1: a pet groomer, that he has a truck and goes

416
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Speaker 1: around peck grooming.

417
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Speaker 2: He said, we groom dogs and pets, and I said,

418
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Speaker 2: we don't do it. We have a team, and Larry

419
00:19:56,359 --> 00:19:58,720
Speaker 2: and I sit in front. Think of it, Larry and

420
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Speaker 2: I sitting in the front of a truck. Well behind us,

421
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Speaker 2: there's they're grooming. What are we doing there?

422
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Speaker 1: I have that for my dog. A truck comes.

423
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Speaker 2: Oh, by the way, we do we have that here

424
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Speaker 2: with our dogs. And they do the best job. I

425
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Speaker 2: can't watch. They give you that little window to watch.

426
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Speaker 2: I just I'm not a fan of.

427
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Speaker 1: What it's like here. Take them, bring them back.

428
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Speaker 5: I don't.

429
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Speaker 1: And then we find out that Christina is a fillatio teacher.

430
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Speaker 1: Now I assume that was in the outline.

431
00:20:27,560 --> 00:20:29,040
Speaker 2: Oh no, no, that wasn't the outline.

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Speaker 1: For sure, that wasn't the outline. She didn't make that up.

433
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Speaker 2: Yeah, no, no, no, no, Well, I say to her,

434
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Speaker 2: here's how much of a setup it is. Tell him

435
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Speaker 2: what you do, knowing full well.

436
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Speaker 1: What she does.

437
00:20:40,680 --> 00:20:41,680
Speaker 2: And Larry knows that.

438
00:20:41,720 --> 00:20:44,040
Speaker 1: And Larry is disgusted by that. He's like, how can

439
00:20:44,080 --> 00:20:46,840
Speaker 1: anybody do that without a blindfold? And the penises group.

440
00:20:46,960 --> 00:20:50,280
Speaker 2: No, he's not. He's not disgusted that she teaches that.

441
00:20:50,680 --> 00:20:53,520
Speaker 2: He's always surprised that how would you do it without

442
00:20:53,520 --> 00:20:54,639
Speaker 2: a blind without.

443
00:20:55,920 --> 00:20:59,280
Speaker 1: Then he uses the word grotesque for the penis and

444
00:20:59,680 --> 00:21:02,760
Speaker 1: she's it's it's beautiful and it's sad if anyone doesn't

445
00:21:02,800 --> 00:21:06,320
Speaker 1: get to experience it and whatever. Next thing we know,

446
00:21:06,440 --> 00:21:09,480
Speaker 1: Larry and Christina are at a Mexican restaurant. I will

447
00:21:09,480 --> 00:21:12,080
Speaker 1: tell you this. This scene didn't work for me, so

448
00:21:12,160 --> 00:21:13,520
Speaker 1: I'm not afraid to say that.

449
00:21:13,600 --> 00:21:17,520
Speaker 2: Jeff Garland, Okay, it worked for me because the only

450
00:21:17,680 --> 00:21:21,720
Speaker 2: premise was that she'd leaved once she said.

451
00:21:23,560 --> 00:21:27,119
Speaker 1: Let's go through the scene. Okay, it's spicy food, and

452
00:21:27,160 --> 00:21:29,440
Speaker 1: she tells him that spicy food makes a man's calm

453
00:21:29,480 --> 00:21:30,240
Speaker 1: taste spicy.

454
00:21:31,119 --> 00:21:33,119
Speaker 2: No no, no, no, no, no no, it gives it

455
00:21:33,200 --> 00:21:34,120
Speaker 2: a delicious taste.

456
00:21:34,160 --> 00:21:35,560
Speaker 1: She thinks it a delicious taste.

457
00:21:35,720 --> 00:21:40,040
Speaker 5: Okay, I love spicy, shod I love it.

458
00:21:40,240 --> 00:21:46,480
Speaker 1: I love spicy. Did you know that spicy food makes

459
00:21:46,480 --> 00:21:48,840
Speaker 1: a man's taste delicious?

460
00:21:50,920 --> 00:21:54,000
Speaker 2: I did not know that. I did not know that.

461
00:21:54,200 --> 00:21:57,480
Speaker 5: True Jenny did not know that.

462
00:21:58,920 --> 00:21:59,560
Speaker 2: Delicious.

463
00:22:00,680 --> 00:22:02,960
Speaker 1: And she wrote a book. And Larry starts choking, and

464
00:22:03,000 --> 00:22:05,280
Speaker 1: he starts sweating, and he starts blowing his nose, and

465
00:22:05,320 --> 00:22:07,480
Speaker 1: he's got a napkin on his head and he's drooling.

466
00:22:07,880 --> 00:22:12,280
Speaker 2: Before this, she asks him, what's your favorite blow job?

467
00:22:12,440 --> 00:22:15,400
Speaker 2: What do you like best to buy a blowjob? And

468
00:22:15,480 --> 00:22:18,560
Speaker 2: I thought, if that isn't the best question that a

469
00:22:18,680 --> 00:22:22,199
Speaker 2: man could hear what he answered, He didn't.

470
00:22:22,280 --> 00:22:22,680
Speaker 1: He didn't.

471
00:22:22,880 --> 00:22:26,080
Speaker 2: He started losing his shit. Yeah, And the purpose of

472
00:22:26,119 --> 00:22:31,879
Speaker 2: the scene was he loses his shit and she walks away.

473
00:22:31,960 --> 00:22:35,720
Speaker 1: She's grossed out by him and she is turned off

474
00:22:35,760 --> 00:22:39,760
Speaker 1: and she leaves. So there's another possibility of an anniversary

475
00:22:39,800 --> 00:22:43,359
Speaker 1: gift down the drain again. But I just didn't buy

476
00:22:43,480 --> 00:22:45,800
Speaker 1: the It was too much for me, the sweating, and

477
00:22:45,880 --> 00:22:46,400
Speaker 1: I just did.

478
00:22:46,480 --> 00:22:50,040
Speaker 2: By the way, that was filmed at Ernie's Mexican Restaurant

479
00:22:50,040 --> 00:22:51,400
Speaker 2: on Lancashim in.

480
00:22:51,440 --> 00:22:53,920
Speaker 1: North Hollywood, not in New York, you see.

481
00:22:53,880 --> 00:22:56,880
Speaker 2: No, No, Bob Hope, that was his favorite Mexican too,

482
00:22:56,880 --> 00:22:59,280
Speaker 2: he lived down the street. Yeah, because I believe it's

483
00:22:59,280 --> 00:23:02,760
Speaker 2: on More Park in Lancasham. Maybe it's not. But anyhow,

484
00:23:02,920 --> 00:23:07,240
Speaker 2: the interiors of the hotel, except for the lower level

485
00:23:07,320 --> 00:23:10,480
Speaker 2: stuff you know by the front desk, that's all filmed

486
00:23:10,480 --> 00:23:13,119
Speaker 2: in New York. But the scenes with the hotel rooms,

487
00:23:13,280 --> 00:23:15,560
Speaker 2: that's the Roosevelt Hotel in Los Angeles.

488
00:23:15,640 --> 00:23:17,479
Speaker 1: Yeah, famous, very famous hotel.

489
00:23:17,760 --> 00:23:18,760
Speaker 2: Yeah, old time.

490
00:23:19,320 --> 00:23:23,199
Speaker 1: So Christina, the flatio teacher leaves and then Larry's in

491
00:23:23,240 --> 00:23:26,359
Speaker 1: bed doing lines and his loud music, really loud music

492
00:23:26,400 --> 00:23:29,280
Speaker 1: coming next door with thumping, a lot of thumping, And

493
00:23:29,400 --> 00:23:31,120
Speaker 1: he goes and knocks on the door and it's Swimmer's

494
00:23:31,160 --> 00:23:33,600
Speaker 1: room and Swimmer is having a party and he doesn't

495
00:23:33,600 --> 00:23:36,320
Speaker 1: invite Larry in, and he tells Larry that he lost

496
00:23:36,320 --> 00:23:39,920
Speaker 1: his watch. It's a black tag and it's got some whatever. Sapphires,

497
00:23:39,920 --> 00:23:42,040
Speaker 1: I forgot what it is. And Larry's like, it's Jeff

498
00:23:42,080 --> 00:23:44,520
Speaker 1: Jennifer Edison. He's looking in the room. It's Jennifer Anderson

499
00:23:44,560 --> 00:23:44,880
Speaker 1: in there.

500
00:23:44,920 --> 00:23:47,840
Speaker 2: Well, by the way, he doesn't do it that excitingly.

501
00:23:48,280 --> 00:23:51,760
Speaker 2: He does it where he's excited and curious, Hey, is

502
00:23:51,800 --> 00:23:54,080
Speaker 2: that Jennifer Aniston in there? By the way. He is

503
00:23:54,119 --> 00:23:57,639
Speaker 2: so funny in this scene looking around him, and Shwimmer

504
00:23:58,000 --> 00:24:01,879
Speaker 2: is such a perfect foil. Both Bench Stiller and David

505
00:24:01,880 --> 00:24:05,679
Speaker 2: Schwimmer ran with these parts. All right. I cannot believe

506
00:24:05,720 --> 00:24:08,920
Speaker 2: how great Ben was, and I cannot believe how great

507
00:24:09,000 --> 00:24:12,520
Speaker 2: Swimmer was. I mean really great, extraordinarily great.

508
00:24:12,600 --> 00:24:14,920
Speaker 1: And I do believe that another couple comes in to

509
00:24:14,960 --> 00:24:17,280
Speaker 1: go to the party. I believe that's John Corn, who

510
00:24:17,400 --> 00:24:20,040
Speaker 1: was one of our editors, with I didn't see.

511
00:24:19,880 --> 00:24:21,919
Speaker 2: Who he was with Megan Megan Murphy.

512
00:24:22,000 --> 00:24:24,280
Speaker 1: Oh was that Megan? I didn't realize was with.

513
00:24:24,640 --> 00:24:30,400
Speaker 2: John Corn who she's the post productions supervisor was Yeah,

514
00:24:30,440 --> 00:24:31,280
Speaker 2: she didn't get fired.

515
00:24:31,560 --> 00:24:31,760
Speaker 1: Yeah.

516
00:24:33,000 --> 00:24:35,760
Speaker 2: Yeah. And John Corn, who was one of our editors

517
00:24:35,880 --> 00:24:38,760
Speaker 2: and a guy who's edited a couple of my movies

518
00:24:38,960 --> 00:24:40,320
Speaker 2: and also other things.

519
00:24:40,440 --> 00:24:41,240
Speaker 1: Also a director.

520
00:24:41,400 --> 00:24:44,480
Speaker 2: Yeah, he directed actually The Goldbergs a few times. Oh really,

521
00:24:44,960 --> 00:24:48,440
Speaker 2: you know editors. Here's a little fun fact for our listeners.

522
00:24:49,119 --> 00:24:52,760
Speaker 2: The best job that's not a director to become a

523
00:24:52,840 --> 00:24:56,080
Speaker 2: director is not a director of photography. Although he could

524
00:24:56,080 --> 00:24:58,960
Speaker 2: make it look good. I should say they could make

525
00:24:59,000 --> 00:25:01,359
Speaker 2: it look good because that's the process.

526
00:25:01,400 --> 00:25:04,440
Speaker 1: It's not an assistant director, which is a completely different job.

527
00:25:04,560 --> 00:25:08,960
Speaker 2: No, but the ads become directors sometimes. But the reason

528
00:25:09,040 --> 00:25:14,720
Speaker 2: that editors, yeah, become the best directors is because they

529
00:25:14,800 --> 00:25:19,760
Speaker 2: know when they're editing, they know the tone, they know everything.

530
00:25:20,119 --> 00:25:22,399
Speaker 2: The one thing they don't know how to do is

531
00:25:22,520 --> 00:25:25,359
Speaker 2: talk to actors. They have no because they're in that

532
00:25:25,480 --> 00:25:28,760
Speaker 2: dark room. They know everything about what.

533
00:25:28,720 --> 00:25:30,120
Speaker 1: Needs to putting it together.

534
00:25:30,520 --> 00:25:32,400
Speaker 2: Yeah, but they have no idea how to tell an actor.

535
00:25:32,680 --> 00:25:33,840
Speaker 2: But that can be learned.

536
00:25:34,119 --> 00:25:37,000
Speaker 1: But also I think it's important for people to understand,

537
00:25:37,119 --> 00:25:40,359
Speaker 1: especially on this show, how important the editing is when

538
00:25:40,400 --> 00:25:44,000
Speaker 1: you're improvising and we don't know. Usually you know, when

539
00:25:44,000 --> 00:25:46,639
Speaker 1: you get a script, it's generally a page a minute.

540
00:25:46,680 --> 00:25:48,600
Speaker 1: So if you're doing a thirty minute show, it's a

541
00:25:48,640 --> 00:25:51,439
Speaker 1: thirty minute script. We don't have a script, and we

542
00:25:51,480 --> 00:25:52,880
Speaker 1: could go on outline.

543
00:25:52,920 --> 00:25:54,480
Speaker 2: That's seven pages.

544
00:25:54,200 --> 00:25:57,119
Speaker 1: Right, and we'll go on and on. So so so

545
00:25:57,320 --> 00:26:00,119
Speaker 1: much is done in the editing to create the timing

546
00:26:00,160 --> 00:26:02,880
Speaker 1: of the show that's not done in the shooting. It's

547
00:26:02,880 --> 00:26:03,359
Speaker 1: not it's not.

548
00:26:03,600 --> 00:26:06,720
Speaker 2: By the way, speaking of editors, my favorite editor to

549
00:26:06,880 --> 00:26:12,240
Speaker 2: become a director was Hal Ashby, and hal Ashby directed

550
00:26:12,280 --> 00:26:15,520
Speaker 2: some amazing movies. My favorite movie he directed was Being

551
00:26:15,560 --> 00:26:18,359
Speaker 2: There with Peter Seller. Great movie, A Complete Mask.

552
00:26:18,560 --> 00:26:21,119
Speaker 1: We watched that recently, like a year ago, so.

553
00:26:21,240 --> 00:26:25,400
Speaker 2: That one I know holds up. It was the name

554
00:26:25,480 --> 00:26:29,080
Speaker 2: of the guy Rafael. Do you know Rafael? That he

555
00:26:29,160 --> 00:26:32,440
Speaker 2: keeps asking people because Rafael was some sort of criminal

556
00:26:32,680 --> 00:26:33,600
Speaker 2: and no matter.

557
00:26:33,359 --> 00:26:35,000
Speaker 1: What, oh yeah I know Rafael.

558
00:26:35,200 --> 00:26:38,960
Speaker 2: Yeah, yeah, I'm pretty sure. But his performance. But also

559
00:26:39,119 --> 00:26:42,800
Speaker 2: hal Ashby, what a ragical director. Yeah.

560
00:26:42,840 --> 00:26:46,040
Speaker 1: And then we are in Larry's room and the handyman

561
00:26:46,480 --> 00:26:50,679
Speaker 1: is fixing the ac, and the handyman is seek obviously

562
00:26:50,760 --> 00:26:54,520
Speaker 1: has a turban, and Larry's just marveling at it. He's like,

563
00:26:54,520 --> 00:26:56,320
Speaker 1: I could never do that. What you do is fix

564
00:26:56,359 --> 00:26:59,480
Speaker 1: an ac. You know, many years ago the first house

565
00:26:59,480 --> 00:27:02,080
Speaker 1: that we got, my husband, Jimmy was finishing the basement

566
00:27:02,160 --> 00:27:04,200
Speaker 1: by himself because he used to build houses. I told

567
00:27:04,280 --> 00:27:06,560
Speaker 1: Larry that Jimmy was finishing the basement. He was just like,

568
00:27:07,000 --> 00:27:08,800
Speaker 1: what do you mean. He's got guys coming right. He's like, no,

569
00:27:08,840 --> 00:27:10,919
Speaker 1: he's doing himself. He's got a crew. He could not

570
00:27:11,160 --> 00:27:14,600
Speaker 1: fathom that somebody I was married to was actually hands

571
00:27:14,640 --> 00:27:16,440
Speaker 1: on with hammer and nail finishing.

572
00:27:16,840 --> 00:27:19,440
Speaker 2: Why and this is one of the stereotypes because he's

573
00:27:19,480 --> 00:27:19,880
Speaker 2: a Jew.

574
00:27:20,080 --> 00:27:21,600
Speaker 1: Yes, well he says that.

575
00:27:21,720 --> 00:27:24,679
Speaker 2: Right. My wife know early on I will not be

576
00:27:24,800 --> 00:27:27,640
Speaker 2: repairing anything I can do. By the way, what I've

577
00:27:27,640 --> 00:27:30,679
Speaker 2: always been skilled at is electronics and computers.

578
00:27:30,800 --> 00:27:32,080
Speaker 1: Yes, you're very good at that.

579
00:27:32,320 --> 00:27:34,720
Speaker 2: I used to go bring my computer into the Genius

580
00:27:34,760 --> 00:27:37,320
Speaker 2: bar to have something fixed or turn it in to

581
00:27:37,359 --> 00:27:39,760
Speaker 2: go off from your pair and I the people that

582
00:27:39,800 --> 00:27:42,560
Speaker 2: were there, including I bumped into friends. I would fix

583
00:27:42,640 --> 00:27:46,000
Speaker 2: their computer before the Genius got to them. No, I

584
00:27:46,080 --> 00:27:47,159
Speaker 2: know that.

585
00:27:47,480 --> 00:27:50,879
Speaker 1: Yeah, I personally feel that to have a husband who

586
00:27:51,000 --> 00:27:53,719
Speaker 1: is not handy, what's the point you need to have

587
00:27:53,760 --> 00:27:54,639
Speaker 1: a handy husband.

588
00:27:54,680 --> 00:27:56,600
Speaker 2: Yeah, you can say that because.

589
00:27:56,440 --> 00:27:57,920
Speaker 1: Because I have a handsome husband.

590
00:27:58,080 --> 00:28:00,239
Speaker 2: No, no, no, you have the ultimate. By the way,

591
00:28:00,280 --> 00:28:05,040
Speaker 2: can I also say I have a Sari my girlfriend,

592
00:28:05,400 --> 00:28:09,439
Speaker 2: my partner. I love saying that my partner, she is

593
00:28:09,640 --> 00:28:10,399
Speaker 2: our handymaner.

594
00:28:10,520 --> 00:28:11,480
Speaker 1: She's good at that stuff.

595
00:28:11,600 --> 00:28:15,320
Speaker 2: Oh my god, she because she doesn't finish until she's

596
00:28:15,320 --> 00:28:15,600
Speaker 2: done it.

597
00:28:15,680 --> 00:28:18,120
Speaker 1: Yeah, I'm not betting. You know what I'm very good at,

598
00:28:18,160 --> 00:28:22,639
Speaker 1: surprisingly not computer stuff, but any TV stuff. The cable

599
00:28:22,680 --> 00:28:24,520
Speaker 1: goes out, I could figure it out. I don't know

600
00:28:24,560 --> 00:28:26,520
Speaker 1: how I do it, but somehow I figure it out.

601
00:28:26,680 --> 00:28:27,919
Speaker 1: And Jimmy's bad at it.

602
00:28:28,040 --> 00:28:30,560
Speaker 2: Do you know what you're really great at? Making a

603
00:28:30,640 --> 00:28:32,280
Speaker 2: delicious apple brown betty?

604
00:28:32,480 --> 00:28:34,119
Speaker 1: Who doesn't love an apple brown betty?

605
00:28:34,520 --> 00:28:36,440
Speaker 2: Do you know what an apple brown betty is?

606
00:28:36,800 --> 00:28:40,200
Speaker 1: Yeah, it's crumbles, and it's the apples and it's a crumble.

607
00:28:40,480 --> 00:28:45,400
Speaker 2: I think you just said it's apples and a crumble.

608
00:28:45,520 --> 00:28:46,400
Speaker 1: I think that's what it is.

609
00:28:46,800 --> 00:28:49,880
Speaker 2: No, but that line, No, you said it's crumbles before,

610
00:28:50,240 --> 00:28:52,520
Speaker 2: and then you went right to an apple and a

611
00:28:52,640 --> 00:28:55,600
Speaker 2: crumble was just very funny. But yeah, it's kind of

612
00:28:55,600 --> 00:28:55,960
Speaker 2: like that.

613
00:28:56,120 --> 00:28:59,200
Speaker 1: So Larry is carrying on that he could never do that,

614
00:28:59,240 --> 00:29:01,560
Speaker 1: he could never fix air condition. He's very impressed with

615
00:29:01,640 --> 00:29:04,280
Speaker 1: this guy. And this is when the room service comes,

616
00:29:04,680 --> 00:29:07,640
Speaker 1: and anybody who has ever stayed in a halfway decent

617
00:29:07,680 --> 00:29:11,000
Speaker 1: hotel and ordered room service has had the sticker shock

618
00:29:11,120 --> 00:29:15,280
Speaker 1: of breakfast. Fifty three dollars, it's breakfast. Then he's like,

619
00:29:15,400 --> 00:29:18,760
Speaker 1: is the tip included eighteen percent? Do people give you more?

620
00:29:19,200 --> 00:29:22,400
Speaker 1: And then cousin Andy shows up in the middle of

621
00:29:22,480 --> 00:29:22,800
Speaker 1: all this.

622
00:29:23,000 --> 00:29:26,160
Speaker 2: Richard, by the way, I'm looking it up on my computer.

623
00:29:26,360 --> 00:29:26,760
Speaker 1: Brown bad.

624
00:29:26,880 --> 00:29:29,840
Speaker 2: Oh, it's quicker No who played the Sikh. Because he's

625
00:29:29,840 --> 00:29:32,480
Speaker 2: a friend of mine and he's a very successful stand

626
00:29:32,520 --> 00:29:32,960
Speaker 2: up comedian.

627
00:29:33,120 --> 00:29:33,760
Speaker 1: That's terrific.

628
00:29:34,040 --> 00:29:39,680
Speaker 2: Yeah, Maz Gibbroni, Maz Gibroni, who is immensely successful and

629
00:29:40,160 --> 00:29:43,840
Speaker 2: I can say, easily top five of the nicest people

630
00:29:43,880 --> 00:29:45,920
Speaker 2: I've ever met in comedy. I just want to throw

631
00:29:45,960 --> 00:29:46,560
Speaker 2: that out there.

632
00:29:46,680 --> 00:29:48,600
Speaker 1: Great, I've never met him, so I'm going to trust him.

633
00:29:48,600 --> 00:29:51,920
Speaker 2: So he's an excellent dude, excellent comedian. Yeah, but that

634
00:29:52,000 --> 00:29:53,040
Speaker 2: might have been his first job.

635
00:29:53,200 --> 00:29:56,120
Speaker 1: But then cousin Andy shows up and I have met him,

636
00:29:56,280 --> 00:29:58,320
Speaker 1: which is Richard Kunt And first thing he says to

637
00:29:58,400 --> 00:30:00,320
Speaker 1: Larry is mister f.

638
00:30:02,120 --> 00:30:05,920
Speaker 2: And then of course he says.

639
00:30:05,680 --> 00:30:07,360
Speaker 1: How is play practice?

640
00:30:07,480 --> 00:30:10,000
Speaker 2: Well, that's later on he goes, well, first off, he's

641
00:30:10,080 --> 00:30:11,840
Speaker 2: Larry goes, I called you yes.

642
00:30:11,840 --> 00:30:15,840
Speaker 1: I called yes, which is because earlier episode.

643
00:30:15,960 --> 00:30:18,160
Speaker 2: But then when he said how's play practic the way

644
00:30:18,200 --> 00:30:21,320
Speaker 2: he says it, how's play practice going? Well, I didn't

645
00:30:21,360 --> 00:30:23,920
Speaker 2: know that was a real term, and I had to

646
00:30:23,960 --> 00:30:26,480
Speaker 2: control myself when he said the term play.

647
00:30:26,240 --> 00:30:27,800
Speaker 1: Practice meaning rehearsal.

648
00:30:28,240 --> 00:30:31,520
Speaker 2: Yes, But I found out that's actually something that people

649
00:30:31,840 --> 00:30:34,320
Speaker 2: have said. I don't know. I think adults in the

650
00:30:34,320 --> 00:30:37,200
Speaker 2: theater who say it are hearkening back to when they

651
00:30:37,240 --> 00:30:38,080
Speaker 2: were very young.

652
00:30:38,680 --> 00:30:40,920
Speaker 1: Cousin Andy makes the reference that's what we did in

653
00:30:41,000 --> 00:30:43,720
Speaker 1: high school when we were doing Pippin. We had play

654
00:30:43,800 --> 00:30:46,520
Speaker 1: practice after school when we were doing Pippin, and you

655
00:30:46,680 --> 00:30:49,120
Speaker 1: just I just sensed that that was true for Richard.

656
00:30:49,200 --> 00:30:50,880
Speaker 1: But he really did have play practice.

657
00:30:51,000 --> 00:30:54,600
Speaker 2: By the way, my style of improvisation, which works well

658
00:30:54,640 --> 00:30:57,600
Speaker 2: for me with Larry, is in that moment and I'm

659
00:30:57,600 --> 00:30:59,960
Speaker 2: not Larry did great stuff, but I'm saying if he

660
00:31:00,160 --> 00:31:02,880
Speaker 2: tells me that I would say to him, who did

661
00:31:02,920 --> 00:31:06,960
Speaker 2: you play in Pippin? Yes, I love I'm a big investigator,

662
00:31:07,320 --> 00:31:11,959
Speaker 2: which which is basically throwing softballs. The other improvise exactly.

663
00:31:11,960 --> 00:31:14,240
Speaker 1: You don't know what somebody said, can come up with golds,

664
00:31:14,320 --> 00:31:15,360
Speaker 1: but that's.

665
00:31:15,240 --> 00:31:18,360
Speaker 2: My way of being a supportive actor is to give

666
00:31:18,440 --> 00:31:21,480
Speaker 2: them throw them a softball, and it's up to you

667
00:31:21,520 --> 00:31:24,560
Speaker 2: to either hit a grounder or out of the park.

668
00:31:24,600 --> 00:31:25,880
Speaker 2: But it's an easy way to hit.

669
00:31:25,960 --> 00:31:28,480
Speaker 1: Yeah, yeah, it's great. It's a good technique.

670
00:31:28,600 --> 00:31:43,200
Speaker 6: Yeah, we'll be right back. Stay tuned, and we're back.

671
00:31:44,840 --> 00:31:46,840
Speaker 1: And then Andy says, I don't see you doing it

672
00:31:46,880 --> 00:31:49,600
Speaker 1: at all, but you'll be great. He's singing and dancing,

673
00:31:49,840 --> 00:31:51,920
Speaker 1: and then he says to him, which also cracked me up,

674
00:31:52,400 --> 00:31:54,440
Speaker 1: tomorrow you want to go to Westchester and go to

675
00:31:54,480 --> 00:31:55,800
Speaker 1: open houses.

676
00:31:58,440 --> 00:32:00,680
Speaker 2: And you know he improvised that, which is.

677
00:32:00,760 --> 00:32:05,920
Speaker 1: Brilliant, and play practice he improvised, yeah, totally. And then

678
00:32:06,000 --> 00:32:11,360
Speaker 1: the ac guy Sanjay is his name is Finish and

679
00:32:11,400 --> 00:32:14,920
Speaker 1: he's and he's waiting for his tip and Larry never

680
00:32:14,960 --> 00:32:16,959
Speaker 1: tips him, and then he finally leaves and Larry's am

681
00:32:16,960 --> 00:32:20,120
Speaker 1: I supposed to tip that guy? And then uh, the

682
00:32:20,160 --> 00:32:20,880
Speaker 1: maid comes.

683
00:32:20,760 --> 00:32:22,880
Speaker 2: No, no, hold on, did we go over what he

684
00:32:22,960 --> 00:32:26,240
Speaker 2: says about the check for the breakfast? Yeah, he did.

685
00:32:26,280 --> 00:32:31,160
Speaker 2: We went over there three percent?

686
00:32:31,320 --> 00:32:33,320
Speaker 1: Yeah, I mentioned that. Yeah.

687
00:32:33,400 --> 00:32:34,800
Speaker 2: And then Larry says, I'll give you to.

688
00:32:35,040 --> 00:32:36,640
Speaker 1: I'll give you two percent more. Yeah.

689
00:32:36,680 --> 00:32:39,760
Speaker 2: By the way, does my brain float to another plan?

690
00:32:40,040 --> 00:32:40,720
Speaker 1: Adhd?

691
00:32:40,960 --> 00:32:44,280
Speaker 2: Jeff, we all severy adhd. I've been told by doctors.

692
00:32:44,640 --> 00:32:45,600
Speaker 2: But nonetheless, I.

693
00:32:45,520 --> 00:32:47,600
Speaker 1: Didn't mention the two percent. I will say this. I

694
00:32:47,640 --> 00:32:53,160
Speaker 1: mentioned the eighteen percent, like it's so cheap, you know.

695
00:32:53,480 --> 00:32:54,160
Speaker 2: Yeah.

696
00:32:54,200 --> 00:32:57,400
Speaker 1: So okay. So the maid then comes in and Larry

697
00:32:57,440 --> 00:33:01,160
Speaker 1: sees on her cart David Swimmer's watch is sitting on

698
00:33:01,200 --> 00:33:04,560
Speaker 1: her cart, the tag watch, and he calls and leaves

699
00:33:04,640 --> 00:33:07,120
Speaker 1: a message for Swimmer, and he tells him he found

700
00:33:07,160 --> 00:33:09,640
Speaker 1: the watch, and he's got the watch, and then he leaves.

701
00:33:09,640 --> 00:33:12,560
Speaker 1: He sees Tim the doorman. He's like, is everything straightened out?

702
00:33:12,600 --> 00:33:15,240
Speaker 1: Tim the dormant has no idea what he's talking about.

703
00:33:15,360 --> 00:33:15,719
Speaker 2: Everything.

704
00:33:15,720 --> 00:33:17,400
Speaker 3: Okay, it's all straightened out.

705
00:33:18,440 --> 00:33:18,960
Speaker 2: Straightened out.

706
00:33:19,000 --> 00:33:21,920
Speaker 3: What I gave the other doorman? They hevyes that guy

707
00:33:21,960 --> 00:33:24,360
Speaker 3: with the glasses, Yeah, I get him twenty dollars. I

708
00:33:24,360 --> 00:33:25,800
Speaker 3: told him to give you ten. You didn't get the

709
00:33:25,800 --> 00:33:29,840
Speaker 3: ten dollars. No, what he didn't give you any money?

710
00:33:29,880 --> 00:33:30,800
Speaker 2: No, not a dime.

711
00:33:31,720 --> 00:33:33,520
Speaker 5: You sure he didn't give you anything?

712
00:33:34,360 --> 00:33:35,040
Speaker 2: Yeah, I'm sure.

713
00:33:36,000 --> 00:33:40,600
Speaker 3: In other words, he's got the ten dollars now and

714
00:33:40,640 --> 00:33:41,880
Speaker 3: he chose not to give it to you.

715
00:33:41,960 --> 00:33:44,959
Speaker 2: Is that what you're saying. No, that's what you're saying.

716
00:33:45,120 --> 00:33:48,080
Speaker 3: I'm saying I didn't get ten dollars from him.

717
00:33:48,520 --> 00:33:50,880
Speaker 1: The other dormant did not split the tip with Larry,

718
00:33:50,880 --> 00:33:53,000
Speaker 1: but Larry doesn't know if that's true. Did he really

719
00:33:53,000 --> 00:33:55,360
Speaker 1: not split the tip? And he does a stare down

720
00:33:55,360 --> 00:33:59,280
Speaker 1: with him and then it's okay, okay, And then Tim

721
00:33:59,400 --> 00:34:02,320
Speaker 1: points to and he says, he was upset that you

722
00:34:02,360 --> 00:34:04,560
Speaker 1: didn't take care of him, and do I have to

723
00:34:04,600 --> 00:34:08,760
Speaker 1: tip everybody? He confronts Sanjay and he's like, that's your job.

724
00:34:09,040 --> 00:34:11,000
Speaker 1: But he decides he's going to give him a ticket

725
00:34:11,120 --> 00:34:13,360
Speaker 1: to go see the producers. Is it that night or

726
00:34:13,360 --> 00:34:17,040
Speaker 1: the night after? It's the night after, it's the next night.

727
00:34:17,120 --> 00:34:17,839
Speaker 1: It's not that night.

728
00:34:18,400 --> 00:34:21,840
Speaker 2: But I also want to say little side story. Okay,

729
00:34:22,200 --> 00:34:26,120
Speaker 2: so we're filming in the lobby and this is when

730
00:34:26,320 --> 00:34:30,480
Speaker 2: we are actually checking into the hotel. Okay, at the beginning,

731
00:34:30,520 --> 00:34:33,520
Speaker 2: this is not in the episode, we're checking into the

732
00:34:33,520 --> 00:34:37,200
Speaker 2: hotel and I'm standing next to David and the owner

733
00:34:37,280 --> 00:34:41,799
Speaker 2: of the hotel is enamored with David Shwimmer. I'm invisible,

734
00:34:42,080 --> 00:34:44,560
Speaker 2: and he says right in front of me, the swimmer,

735
00:34:45,040 --> 00:34:48,480
Speaker 2: anything you need, you want to stay here, come stay here,

736
00:34:48,800 --> 00:34:51,920
Speaker 2: will give you a great rate or nothing, please come,

737
00:34:52,360 --> 00:34:55,040
Speaker 2: And then he looks at me and I'm not making

738
00:34:55,080 --> 00:34:57,799
Speaker 2: this up. There was awkward silence like I'm writing a

739
00:34:57,840 --> 00:35:01,280
Speaker 2: comedy scene where he says nothing, and I, of course,

740
00:35:01,360 --> 00:35:04,160
Speaker 2: because of who I am, I said, you realize what

741
00:35:04,400 --> 00:35:07,680
Speaker 2: you just did. I want to point out the exact

742
00:35:07,800 --> 00:35:10,920
Speaker 2: thing you were enamored with, and this is for a swimmer,

743
00:35:11,360 --> 00:35:14,560
Speaker 2: you were enamored like. I didn't not address it, and

744
00:35:14,600 --> 00:35:16,920
Speaker 2: he said, oh, take care of you too, yeah, which

745
00:35:16,920 --> 00:35:18,920
Speaker 2: would mean I'll upgrade your room or.

746
00:35:18,920 --> 00:35:22,320
Speaker 1: Something you'll get like, you know, a mint.

747
00:35:22,640 --> 00:35:25,440
Speaker 2: Yeah. By the way, you gotta get used to this

748
00:35:25,520 --> 00:35:30,879
Speaker 2: because when you're with someone who's i'm gonna say, more

749
00:35:31,080 --> 00:35:34,759
Speaker 2: a bigger star than you are, or more successful, like

750
00:35:34,800 --> 00:35:37,759
Speaker 2: when I'm with Larry. Sometimes people have asked me to

751
00:35:37,840 --> 00:35:40,920
Speaker 2: hold the camera to take pictures of them with Larry,

752
00:35:41,400 --> 00:35:44,880
Speaker 2: like you are as invisible a person as can be.

753
00:35:45,360 --> 00:35:48,400
Speaker 2: And that's why I always I wanted I was thinking

754
00:35:48,400 --> 00:35:51,640
Speaker 2: about whenever I write my autobiography, calling it the guy,

755
00:35:52,280 --> 00:35:55,120
Speaker 2: the guy with the camera, because it refers to that.

756
00:35:55,280 --> 00:35:58,720
Speaker 2: And also I'm a photographer, so the guy with the camera,

757
00:35:59,120 --> 00:36:01,520
Speaker 2: because I can't tell you how many times I've been

758
00:36:01,520 --> 00:36:02,280
Speaker 2: handed a camera.

759
00:36:02,480 --> 00:36:04,400
Speaker 1: I don't mind. I don't mind being in visible.

760
00:36:04,440 --> 00:36:08,880
Speaker 2: No, I don't either. I'm not upset, but I notice,

761
00:36:09,320 --> 00:36:12,799
Speaker 2: and I think it's interesting. But you know, there you go.

762
00:36:12,960 --> 00:36:14,600
Speaker 2: So little side story.

763
00:36:14,440 --> 00:36:16,640
Speaker 1: And so Larry is at the theater and there are

764
00:36:16,680 --> 00:36:20,120
Speaker 1: a couple of tourists waiting online and they asked Larry

765
00:36:20,160 --> 00:36:23,960
Speaker 1: to take a picture, and it's Stephen Colbert and Maddy Gormanno,

766
00:36:24,120 --> 00:36:27,239
Speaker 1: another New York actress, and Colbert starts to go ask

767
00:36:27,400 --> 00:36:29,520
Speaker 1: ask Larry to take a picture of them. It becomes

768
00:36:29,560 --> 00:36:33,440
Speaker 1: a whole big thing of is it horizontal? Is it vertical?

769
00:36:34,320 --> 00:36:36,600
Speaker 1: He starts screaming at his wife, and it was just

770
00:36:36,640 --> 00:36:40,799
Speaker 1: a very brilliant little moment, little little gem. And then

771
00:36:40,840 --> 00:36:43,080
Speaker 1: he gets really angry at at Larry because Larry does

772
00:36:43,160 --> 00:36:45,040
Speaker 1: want to put him and he does like a curse.

773
00:36:45,080 --> 00:36:48,360
Speaker 1: He does. You will fail with his.

774
00:36:48,600 --> 00:36:52,719
Speaker 2: The way he does weird awesome, it's fantasy, but I

775
00:36:52,760 --> 00:36:55,200
Speaker 2: also want to hear's a little story and a lesson

776
00:36:55,239 --> 00:36:59,160
Speaker 2: for anyone out there who is an actor. Robert Smigel,

777
00:36:59,440 --> 00:37:02,080
Speaker 2: we filmed section with him. I forgot what happened and

778
00:37:02,120 --> 00:37:03,960
Speaker 2: it was great, and it.

779
00:37:03,960 --> 00:37:07,040
Speaker 1: Got cut in this episode and.

780
00:37:07,000 --> 00:37:10,320
Speaker 2: The producers yes, at the same time as Stephen Colbert,

781
00:37:10,520 --> 00:37:13,120
Speaker 2: there was another part to it, and it was Smigel

782
00:37:13,400 --> 00:37:14,360
Speaker 2: who got cast.

783
00:37:14,640 --> 00:37:16,880
Speaker 1: Well, you know what, I'm glad that it got cut

784
00:37:16,960 --> 00:37:18,840
Speaker 1: because then he got to be in seasonal.

785
00:37:19,200 --> 00:37:22,160
Speaker 2: It's the point. But here's the thing. Not only when

786
00:37:22,160 --> 00:37:24,680
Speaker 2: you got cut, especially if you did a good job,

787
00:37:25,120 --> 00:37:28,640
Speaker 2: you've made an impression. I know not, but but not

788
00:37:28,680 --> 00:37:33,560
Speaker 2: only that. The biggest lesson here is Smigel was smart.

789
00:37:33,680 --> 00:37:35,520
Speaker 2: He didn't tell anybody he was going to be on

790
00:37:35,560 --> 00:37:39,000
Speaker 2: the show. There are so many people who've gotten cut

791
00:37:39,120 --> 00:37:41,839
Speaker 2: where everybody in the world expected that they were going

792
00:37:41,880 --> 00:37:44,560
Speaker 2: to be on the show and it was terribly embarrassing

793
00:37:44,600 --> 00:37:48,719
Speaker 2: for them. And by the way, with very few exceptions,

794
00:37:48,719 --> 00:37:51,719
Speaker 2: most of the people got cut just because the story and

795
00:37:51,760 --> 00:37:57,479
Speaker 2: they were fantastic. But Smigel knew that you don't tell

796
00:37:57,560 --> 00:38:00,360
Speaker 2: people when you're in something. And the other thing is

797
00:38:00,760 --> 00:38:03,400
Speaker 2: Larry David called him. I also called him too, because

798
00:38:03,400 --> 00:38:06,759
Speaker 2: he's one of my best pals. That he wasn't going

799
00:38:06,840 --> 00:38:08,880
Speaker 2: to be in the show, but he did.

800
00:38:08,760 --> 00:38:13,040
Speaker 1: End up coming in season eight in a hilarious recurring part. Hilarious.

801
00:38:13,239 --> 00:38:13,440
Speaker 7: You know.

802
00:38:13,520 --> 00:38:15,560
Speaker 1: One time I was in a big movie. I had

803
00:38:15,560 --> 00:38:18,080
Speaker 1: a small part, but it was a funny, very funny

804
00:38:18,239 --> 00:38:20,759
Speaker 1: scene that I did in a big movie. And the

805
00:38:20,880 --> 00:38:24,239
Speaker 1: director called me the night of the premiere to tell

806
00:38:24,280 --> 00:38:26,719
Speaker 1: me that I was cut, but he also told me

807
00:38:26,800 --> 00:38:30,080
Speaker 1: he was leaving my name in the credits so I

808
00:38:30,080 --> 00:38:31,759
Speaker 1: would still get all the residuals.

809
00:38:31,800 --> 00:38:34,040
Speaker 2: And I do who was this director?

810
00:38:34,480 --> 00:38:35,239
Speaker 1: I don't want to say.

811
00:38:36,200 --> 00:38:37,080
Speaker 2: That's a kind thing.

812
00:38:37,440 --> 00:38:39,359
Speaker 1: I just don't feel like going now. I just don't

813
00:38:39,360 --> 00:38:40,279
Speaker 1: feel like going.

814
00:38:40,880 --> 00:38:45,319
Speaker 2: Well. I actually it actually ruined a relationship. Somebody I

815
00:38:45,480 --> 00:38:48,360
Speaker 2: was not close friends but I was friends with produced

816
00:38:48,360 --> 00:38:52,160
Speaker 2: a very famous TV show Okay, and I guest starred

817
00:38:52,560 --> 00:38:55,960
Speaker 2: on the TV show. And I didn't even know when

818
00:38:55,960 --> 00:38:57,680
Speaker 2: the episode was airing, and someone told me, this is

819
00:38:57,719 --> 00:39:01,839
Speaker 2: the episode that's on tonight. Oh shit, I'm in that episode.

820
00:39:02,000 --> 00:39:04,640
Speaker 2: I watch it. I'm not in it. I got cut,

821
00:39:04,760 --> 00:39:07,400
Speaker 2: but he never called and he was a friend of

822
00:39:07,400 --> 00:39:10,960
Speaker 2: mine and I was pretty angry. Now I would have

823
00:39:11,000 --> 00:39:13,719
Speaker 2: ignored it and knew what he was about, you know what,

824
00:39:13,760 --> 00:39:17,440
Speaker 2: but I actually share with him. I told him, I go,

825
00:39:17,560 --> 00:39:20,799
Speaker 2: that was not kind. I go, I'm a producer. I

826
00:39:20,840 --> 00:39:23,759
Speaker 2: know I call people when they're cut and have to

827
00:39:23,800 --> 00:39:26,600
Speaker 2: tell them. I've had to do that numerous times. And

828
00:39:26,640 --> 00:39:29,040
Speaker 2: I go, it's not a fun phone call. I said,

829
00:39:29,239 --> 00:39:32,200
Speaker 2: I have your job. I know what it's like. You

830
00:39:32,239 --> 00:39:35,080
Speaker 2: could have easily called me and said, oh, you're cut.

831
00:39:35,120 --> 00:39:38,640
Speaker 2: And he said he forgot whatever. It was inexcusable.

832
00:39:38,800 --> 00:39:42,239
Speaker 1: I agree. So so we go from from Colbert's you

833
00:39:42,400 --> 00:39:43,480
Speaker 1: will fail.

834
00:39:43,440 --> 00:39:46,160
Speaker 2: But I want to say that it's inexcusable, but I'm

835
00:39:46,200 --> 00:39:48,480
Speaker 2: grateful for the life I have. I'm gonna say that

836
00:39:48,560 --> 00:39:51,239
Speaker 2: from that one. Whenever I complained about your business stuff,

837
00:39:51,560 --> 00:39:52,520
Speaker 2: I'm just greatful.

838
00:39:52,960 --> 00:39:56,480
Speaker 1: Moving on, I know, sweet, And we are now we're

839
00:39:56,480 --> 00:39:58,720
Speaker 1: now in the rehearsal studio and we're at a table

840
00:39:58,760 --> 00:40:01,720
Speaker 1: reading Susan Strowman, the wonderful director is there, and Larry

841
00:40:01,760 --> 00:40:05,120
Speaker 1: has his She was great too, She was terrific. And

842
00:40:05,239 --> 00:40:07,719
Speaker 1: Larry has his glasses, which are very similar to his

843
00:40:07,840 --> 00:40:12,600
Speaker 1: father's glasses. I noticed in NAT's glasses and Schwimmer asks

844
00:40:12,640 --> 00:40:15,640
Speaker 1: him for his watch, and Larry goes through his pockets

845
00:40:15,800 --> 00:40:18,359
Speaker 1: and doesn't have the watch, can't find the watch, and

846
00:40:18,440 --> 00:40:20,520
Speaker 1: Shwimmer tells them, well, you owe me a watch and

847
00:40:20,560 --> 00:40:23,360
Speaker 1: a whole uh you know. Larry's like, I don't know

848
00:40:23,400 --> 00:40:25,680
Speaker 1: what to say, and you could say, I'm sorry, I'll

849
00:40:25,680 --> 00:40:27,880
Speaker 1: buy you a new watch, and everybody weighs in. It

850
00:40:27,920 --> 00:40:32,760
Speaker 1: becomes a cause celeb and you know, Mels, the big mcgilla.

851
00:40:32,960 --> 00:40:34,400
Speaker 2: But I've thought it's somebody to do with being a

852
00:40:34,520 --> 00:40:35,320
Speaker 2: famous person.

853
00:40:35,440 --> 00:40:38,000
Speaker 1: Well it does, but it's also just used in that fashion.

854
00:40:38,040 --> 00:40:41,120
Speaker 1: And then bit Mel chaos, chaos, and and Mel points

855
00:40:41,120 --> 00:40:43,000
Speaker 1: out the whole point at the show is that Max

856
00:40:43,040 --> 00:40:45,400
Speaker 1: and Leo love each other, and you know, and then

857
00:40:45,480 --> 00:40:48,920
Speaker 1: Larry starts acting like he has OCD and arranging the

858
00:40:48,960 --> 00:40:51,279
Speaker 1: bottles of water and arranging everything on the.

859
00:40:51,200 --> 00:40:53,160
Speaker 2: Table, putting on a show for Katie.

860
00:40:53,280 --> 00:40:56,040
Speaker 1: Katie is right next to him, and then he rearranges again,

861
00:40:56,400 --> 00:40:59,960
Speaker 1: and then you see Katie's totally turned on, totally turned

862
00:41:00,239 --> 00:41:02,560
Speaker 1: and then Mel moves some things and Larry rearranges and

863
00:41:02,640 --> 00:41:05,200
Speaker 1: Katie's just turned on. And then he's out on the

864
00:41:05,239 --> 00:41:08,040
Speaker 1: street with Katie talking about the watch. And Katie agrees

865
00:41:08,080 --> 00:41:11,880
Speaker 1: with him, and some guy comes, you know, a mugger,

866
00:41:12,160 --> 00:41:15,600
Speaker 1: and grabs her bag and starts running. She looks at Larry,

867
00:41:15,960 --> 00:41:19,160
Speaker 1: you know, like expectantly, like, and he runs after the guy.

868
00:41:19,200 --> 00:41:21,600
Speaker 1: And he's running after the guy and that Larry run,

869
00:41:21,680 --> 00:41:24,439
Speaker 1: you know, the long legged, lanky Larry run he has.

870
00:41:25,080 --> 00:41:27,520
Speaker 1: And then the guy, the mugger, turns around and looks

871
00:41:27,520 --> 00:41:29,279
Speaker 1: at him, and Larry runs the other way.

872
00:41:29,520 --> 00:41:29,719
Speaker 5: You know.

873
00:41:32,000 --> 00:41:35,480
Speaker 2: So funny. That's silent movie stuff. Yeah, very funny, so funny.

874
00:41:35,560 --> 00:41:37,839
Speaker 1: And then we're back at the hotel and it's an

875
00:41:37,920 --> 00:41:42,520
Speaker 1: opening night montage of him giving out tickets to Tim,

876
00:41:42,600 --> 00:41:45,160
Speaker 1: to Sanjay, to all the people that work there. He

877
00:41:45,239 --> 00:41:47,399
Speaker 1: gets a paper, he sees the ad for it. It's

878
00:41:47,400 --> 00:41:50,520
Speaker 1: a big excitement, has a meltdown in the dressing room

879
00:41:50,560 --> 00:41:53,000
Speaker 1: with Nathan Lane, which I found very funny.

880
00:41:53,200 --> 00:41:53,400
Speaker 5: You know.

881
00:41:53,480 --> 00:41:55,239
Speaker 1: He's like, I can't do it. I can't do it,

882
00:41:55,280 --> 00:41:57,719
Speaker 1: and Nathan's like, fuck up, buddy, go out there and

883
00:41:57,800 --> 00:42:01,279
Speaker 1: kill him. And then he knocks on Shwimmer's door. They're

884
00:42:01,320 --> 00:42:03,560
Speaker 1: at the hotel and he says, you want to go over,

885
00:42:03,600 --> 00:42:05,319
Speaker 1: and Swimmer's like, I got an hour and a half.

886
00:42:05,400 --> 00:42:07,600
Speaker 1: I'm going to sit here and stretch and he says

887
00:42:07,640 --> 00:42:09,640
Speaker 1: to what's your warm up? You have a warm up

888
00:42:10,000 --> 00:42:12,840
Speaker 1: and nothing, and Larry's like, he says, again, you're going

889
00:42:12,880 --> 00:42:15,520
Speaker 1: to reimburse me for the watch, And Larry says, did

890
00:42:15,600 --> 00:42:18,080
Speaker 1: you tell the stewardess that my seat was not upright?

891
00:42:18,120 --> 00:42:20,560
Speaker 1: He brings that back. Then he goes to the theater.

892
00:42:20,640 --> 00:42:23,759
Speaker 1: He sees the marquee. It's very exciting actually for me

893
00:42:23,880 --> 00:42:24,880
Speaker 1: watching it. I found that.

894
00:42:25,320 --> 00:42:28,200
Speaker 2: And by the way, it was so exciting hanging out

895
00:42:28,239 --> 00:42:31,239
Speaker 2: the theater, hanging out back stage of the theater, being

896
00:42:31,280 --> 00:42:34,560
Speaker 2: on stage of that theater, it was so exciting. And

897
00:42:34,600 --> 00:42:39,400
Speaker 2: your sister was around a couple times. Oh yeah, okay, yeah, no,

898
00:42:39,520 --> 00:42:43,160
Speaker 2: you had her come visit, and it was it was

899
00:42:43,320 --> 00:42:46,200
Speaker 2: so much fun being on Broadway in New York.

900
00:42:46,520 --> 00:42:48,640
Speaker 1: Oh, of course it's Broadway. And by the way, if.

901
00:42:48,520 --> 00:42:52,600
Speaker 2: I'm not mistaken, we all went to see the show

902
00:42:53,040 --> 00:42:55,920
Speaker 2: when we first got there. And if I'm not mistaken,

903
00:42:56,000 --> 00:43:00,799
Speaker 2: Richard kind was Max Biallistock. Oh in that verseion of

904
00:43:00,920 --> 00:43:01,680
Speaker 2: the producers.

905
00:43:01,800 --> 00:43:04,360
Speaker 1: Oh, we have to find out about that. Okay. So

906
00:43:04,480 --> 00:43:08,279
Speaker 1: then he's backstage and Katie opens her dressing room door

907
00:43:08,320 --> 00:43:10,880
Speaker 1: and she calls him in and he's a wreck, and

908
00:43:10,920 --> 00:43:13,200
Speaker 1: she has rituals, the whole thing, you know. He wants

909
00:43:13,239 --> 00:43:15,680
Speaker 1: to bang his head against the wall, and she thanks

910
00:43:15,760 --> 00:43:18,360
Speaker 1: him for running after the mugger, and he tells her

911
00:43:18,400 --> 00:43:20,160
Speaker 1: if he didn't go into show busy, he was going

912
00:43:20,200 --> 00:43:25,160
Speaker 1: to become a fireman. And Katie says to him, I've

913
00:43:25,200 --> 00:43:28,319
Speaker 1: been thinking about that tenth anniversary present of yours. You

914
00:43:28,400 --> 00:43:30,960
Speaker 1: want to come in, Come in, close the door, and

915
00:43:31,000 --> 00:43:33,600
Speaker 1: then we see them making out, and then all of

916
00:43:33,640 --> 00:43:37,080
Speaker 1: a sudden, he sees an eight x ten framed photo

917
00:43:37,239 --> 00:43:40,520
Speaker 1: of George W. Bush. Was that.

918
00:43:42,239 --> 00:43:43,200
Speaker 5: Is that Bush?

919
00:43:43,400 --> 00:43:45,080
Speaker 1: Yeah?

920
00:43:45,160 --> 00:43:52,400
Speaker 3: Yeah, you got a fiction of Bush in your dressing room.

921
00:43:52,480 --> 00:44:04,280
Speaker 5: Yeah, you're a Republican.

922
00:44:05,520 --> 00:44:09,160
Speaker 1: Yes, Larry, I'm a Republican. He's he can't fuck her.

923
00:44:09,520 --> 00:44:13,759
Speaker 1: He can't fuck a Republican. And then you're backstage and

924
00:44:13,840 --> 00:44:15,840
Speaker 1: you say to him, i'd fuck her with a Bush

925
00:44:15,920 --> 00:44:16,360
Speaker 1: mask on.

926
00:44:17,800 --> 00:44:19,800
Speaker 2: I did say that, that's right.

927
00:44:21,440 --> 00:44:24,960
Speaker 1: And then Larry's in his Max Biali Stot costume and

928
00:44:25,000 --> 00:44:27,120
Speaker 1: he's like, he says, I look eighty five years old,

929
00:44:27,120 --> 00:44:29,839
Speaker 1: and Andy calls him backstage, cousin Andy, and he's at

930
00:44:29,840 --> 00:44:33,319
Speaker 1: the will call window. They don't have his ticket, and

931
00:44:33,360 --> 00:44:36,080
Speaker 1: he's just being a nudge and annoying, and so Larry

932
00:44:36,080 --> 00:44:37,600
Speaker 1: tells him he'll meet him, He'll meet him at the

933
00:44:37,600 --> 00:44:39,200
Speaker 1: window and he goes on the hands. He's like, they

934
00:44:39,239 --> 00:44:42,000
Speaker 1: don't have them, and then Larry cuts in the line,

935
00:44:42,040 --> 00:44:44,960
Speaker 1: and then Lee Wilcox, who's a terrific actor. R. Lovely,

936
00:44:45,600 --> 00:44:48,120
Speaker 1: is on the line telling him you can't cut. And

937
00:44:48,160 --> 00:44:52,080
Speaker 1: then he sees Sanja and Sanjay has the tag watch on.

938
00:44:52,560 --> 00:44:55,560
Speaker 1: He found it at the hotel, so clearly let drop

939
00:44:55,600 --> 00:44:58,400
Speaker 1: down of Larry's pocket and he tells him that's David

940
00:44:58,400 --> 00:45:02,080
Speaker 1: Swimmer's watch and Sanja as finders Keepers and that whole

941
00:45:02,120 --> 00:45:05,640
Speaker 1: thing ensues and he fights with Sanjay, and then Cheryl's

942
00:45:05,680 --> 00:45:08,799
Speaker 1: there watching it. Push Cheryl has seen all this way

943
00:45:08,840 --> 00:45:12,080
Speaker 1: too many times and she says happy anniversary to him.

944
00:45:12,080 --> 00:45:15,160
Speaker 1: How did the gift go? The gift was not happening.

945
00:45:15,600 --> 00:45:18,200
Speaker 1: And then we see Colbert in the audience and Colbert

946
00:45:18,280 --> 00:45:21,759
Speaker 1: makes the evil sign at him. Then they're backstage ready

947
00:45:21,840 --> 00:45:24,280
Speaker 1: to go on, and he gives Swim of the watch

948
00:45:24,320 --> 00:45:27,000
Speaker 1: and his apologies and they hug and let's all water

949
00:45:27,120 --> 00:45:29,720
Speaker 1: under the bridge, let's start over, let's have a great time.

950
00:45:29,920 --> 00:45:32,719
Speaker 1: And of course Larry can't help himself and says, did

951
00:45:32,760 --> 00:45:35,240
Speaker 1: you tell the stewardess that my seat was not upright?

952
00:45:35,640 --> 00:45:39,919
Speaker 2: There was a big producer's trailer that we would meet him,

953
00:45:40,200 --> 00:45:43,759
Speaker 2: you know, And one day in that trailer, Larry, Charles

954
00:45:43,800 --> 00:45:47,600
Speaker 2: and I are just watching this. We're watching Jerry Seinfeld,

955
00:45:47,960 --> 00:45:51,799
Speaker 2: mel Brooks, and Larry David talk. And as I sat there,

956
00:45:51,840 --> 00:45:55,680
Speaker 2: I went, wow, I'm watching legends. I'm in here, and

957
00:45:55,719 --> 00:45:59,759
Speaker 2: I'm privy to watching Legends. Yes, Larry and Charles and

958
00:45:59,800 --> 00:46:03,920
Speaker 2: I participated some, but we mostly watched because we both

959
00:46:04,000 --> 00:46:08,560
Speaker 2: knew what we were watching and it was so remarkable.

960
00:46:08,960 --> 00:46:11,000
Speaker 2: It was so much fun to watch, and they were

961
00:46:11,040 --> 00:46:13,760
Speaker 2: funny and they were interesting. But that's like a moment

962
00:46:13,800 --> 00:46:17,040
Speaker 2: I have from the show that I'll never forget, never forget.

963
00:46:17,320 --> 00:46:20,879
Speaker 2: And also I remember walking around with Jerry and I go,

964
00:46:21,400 --> 00:46:24,400
Speaker 2: I get recognized. How the hell do you walk around

965
00:46:24,400 --> 00:46:26,840
Speaker 2: New York? And he told me what he does is

966
00:46:27,520 --> 00:46:32,040
Speaker 2: he wears a baseball cap low with sunglasses, and I thought,

967
00:46:32,120 --> 00:46:34,359
Speaker 2: who the fuck's not going to recognize you with it?

968
00:46:34,520 --> 00:46:37,120
Speaker 2: He was completely cond This might be the only time

969
00:46:37,560 --> 00:46:40,040
Speaker 2: Jerry has ever been wrong, because he's taught me so

970
00:46:40,120 --> 00:46:43,440
Speaker 2: many things. And he said that I tried it, and

971
00:46:43,480 --> 00:46:46,840
Speaker 2: I'm one one zillient, this famous as Jerry Seinfeld. And

972
00:46:46,960 --> 00:46:49,600
Speaker 2: ain't nobody not recognizing me?

973
00:46:49,840 --> 00:46:52,279
Speaker 1: I know who I am, but you are a large Yeah,

974
00:46:52,320 --> 00:46:55,120
Speaker 1: you're more noticeable. You're larger, you got a big head,

975
00:46:55,200 --> 00:46:58,400
Speaker 1: you have a booming voice. I could very easily not

976
00:46:58,480 --> 00:47:01,400
Speaker 1: get recognized. I put on a baseball cap and sunglasses

977
00:47:01,640 --> 00:47:05,600
Speaker 1: walking around Manhattan. Nobody especially, So it's based on the

978
00:47:05,640 --> 00:47:09,320
Speaker 1: timber of your voice, whatever body size. I'm surprised. Sometimes

979
00:47:09,760 --> 00:47:12,640
Speaker 1: there has been instances during COVID when I had a

980
00:47:12,719 --> 00:47:16,200
Speaker 1: mask on and sunglasses and somebody recognized me just when

981
00:47:16,200 --> 00:47:18,160
Speaker 1: I start to speak. That's when they can. Yeah.

982
00:47:18,160 --> 00:47:20,440
Speaker 2: Well, by the way, that's the thing for me. I

983
00:47:20,560 --> 00:47:22,880
Speaker 2: go to the grocery store, up and down the aisles,

984
00:47:22,960 --> 00:47:25,719
Speaker 2: up and down the ouss. Ain't nobody bothering me. Ain't

985
00:47:25,760 --> 00:47:28,759
Speaker 2: nobody saying anything to me. When I get to the

986
00:47:28,960 --> 00:47:34,160
Speaker 2: thing and I'm exchange, I'm talking to the person behind

987
00:47:34,200 --> 00:47:34,720
Speaker 2: the register.

988
00:47:34,800 --> 00:47:36,320
Speaker 1: What is that, cashier?

989
00:47:36,880 --> 00:47:41,440
Speaker 2: Cashier? People hear my voice. Yes, and I'm not very famous,

990
00:47:41,480 --> 00:47:44,080
Speaker 2: and they two or three people because also I did

991
00:47:44,120 --> 00:47:47,840
Speaker 2: a lot of Pixar movies, so all the voice is

992
00:47:47,920 --> 00:47:51,040
Speaker 2: my giveaway. Yes, my large head. But the real giveaway

993
00:47:51,080 --> 00:47:54,000
Speaker 2: for me always is when I open my mouth.

994
00:47:54,239 --> 00:47:56,360
Speaker 1: Okay, we'll be right back, stay tuned.

995
00:48:07,320 --> 00:48:08,280
Speaker 4: Okay, we're back.

996
00:48:08,560 --> 00:48:11,239
Speaker 1: Then we see that Sanjay is sitting in front of

997
00:48:11,320 --> 00:48:18,440
Speaker 1: Richard Kine with his turban and Richard kink cousin Andy

998
00:48:18,520 --> 00:48:21,240
Speaker 1: can't see. You see that he's nonplused. He can't see.

999
00:48:21,360 --> 00:48:24,319
Speaker 1: Then we're backstage. Mail comes backstage for some reason. He's

1000
00:48:24,320 --> 00:48:28,839
Speaker 1: spelling everything, and then the curtain comes up. It's opening night.

1001
00:48:28,920 --> 00:48:31,239
Speaker 1: I found this so thrilling to watch this. You know,

1002
00:48:31,280 --> 00:48:35,600
Speaker 1: there's something about the live theater experience. They're doing opening night.

1003
00:48:35,640 --> 00:48:38,160
Speaker 1: They're doing the worst show in town. The audience is laughing,

1004
00:48:38,600 --> 00:48:43,360
Speaker 1: everything is going well, fantastic, and that we see Jeff

1005
00:48:43,360 --> 00:48:46,120
Speaker 1: in the audience and Cheryl and the audience just beaming

1006
00:48:46,200 --> 00:48:49,960
Speaker 1: and felling. And then Schwimmer enters the office and that

1007
00:48:50,320 --> 00:48:52,680
Speaker 1: you know, he starts telling him the more money, it's

1008
00:48:52,800 --> 00:48:55,239
Speaker 1: very interesting, the more money you could You could make

1009
00:48:55,280 --> 00:48:58,200
Speaker 1: more money with a flop than a hit. And Larry

1010
00:48:58,239 --> 00:49:00,760
Speaker 1: goes up on his lines. He doesn't know what to say,

1011
00:49:00,840 --> 00:49:03,160
Speaker 1: and it gets really awkward and uncomfortable.

1012
00:49:03,360 --> 00:49:04,560
Speaker 2: You were saying.

1013
00:49:07,880 --> 00:49:17,840
Speaker 3: That under the right circumstances, what was I saying that

1014
00:49:18,080 --> 00:49:20,480
Speaker 3: under the right circumstances.

1015
00:49:20,840 --> 00:49:23,480
Speaker 1: And then this wasn't totally realistic. People just get up

1016
00:49:23,480 --> 00:49:25,520
Speaker 1: and leave in drugs. People don't leave that quick from

1017
00:49:25,520 --> 00:49:26,520
Speaker 1: an expensive Broadway.

1018
00:49:26,560 --> 00:49:30,400
Speaker 2: Well, by the way, it is what it is. I agreed,

1019
00:49:30,600 --> 00:49:33,759
Speaker 2: and I believe I said something, but sometimes.

1020
00:49:33,280 --> 00:49:37,719
Speaker 1: Whatever, Yeah, And then we see Jerry in the audience cringing,

1021
00:49:38,560 --> 00:49:42,040
Speaker 1: and we see Colbert in the audience smug and then

1022
00:49:42,280 --> 00:49:44,799
Speaker 1: Jerry gets up and leaves, which again that was not

1023
00:49:44,840 --> 00:49:46,680
Speaker 1: really that's his friend, He's going to get up and

1024
00:49:46,719 --> 00:49:49,680
Speaker 1: leave whatever. One of the things I do know is

1025
00:49:49,719 --> 00:49:53,560
Speaker 1: that when anybody knows who you are, it's very difficult

1026
00:49:53,600 --> 00:49:57,080
Speaker 1: to leave a show, even at intermission, especially if friends

1027
00:49:57,080 --> 00:49:59,719
Speaker 1: of yours are in the show. That's a very difficult thing.

1028
00:50:00,160 --> 00:50:04,520
Speaker 1: And Larry starts. The audience is leaving, and Larry starts improvising,

1029
00:50:04,840 --> 00:50:07,719
Speaker 1: and mel leaves, also very important, mel leaves. We see

1030
00:50:07,719 --> 00:50:10,240
Speaker 1: Melo is behind, you know, walking back and forth behind

1031
00:50:10,640 --> 00:50:15,440
Speaker 1: the seats, and mel leaves, and Andy starts fighting with Sanjo.

1032
00:50:16,360 --> 00:50:20,000
Speaker 1: Not yet, not yet. The next next scene, again Andy

1033
00:50:20,040 --> 00:50:23,000
Speaker 1: starts fighting with Sanjay, saying, you don't wear a hat

1034
00:50:23,080 --> 00:50:27,120
Speaker 1: to the theater. Wear a hat and Larry comes out.

1035
00:50:27,160 --> 00:50:30,560
Speaker 1: He introduces my cousin Andy. He's a product of incest.

1036
00:50:31,320 --> 00:50:34,520
Speaker 1: Primary reason for anti semitis he starts doing bits and

1037
00:50:34,560 --> 00:50:36,920
Speaker 1: then he starts going into the stand up and talks

1038
00:50:36,960 --> 00:50:39,839
Speaker 1: about the turbine everything, and the audience starts laughing, and

1039
00:50:39,880 --> 00:50:43,160
Speaker 1: he's killing. He's killing, and he saves the scene, which

1040
00:50:43,200 --> 00:50:46,640
Speaker 1: is so funny because if you've ever seen the original

1041
00:50:46,719 --> 00:50:50,160
Speaker 1: movie of the Producers, it's exactly what Dick Sean does

1042
00:50:50,680 --> 00:50:54,600
Speaker 1: where he starts improvising when he's playing you know, the character,

1043
00:50:54,800 --> 00:50:57,399
Speaker 1: the German character. Whatever. No, he's not playing the German character.

1044
00:50:57,440 --> 00:50:58,719
Speaker 1: What is he playing? Is he playing.

1045
00:51:00,320 --> 00:51:04,319
Speaker 2: Shall? Not? Dick Shall one of my favorite actors, played that.

1046
00:51:04,680 --> 00:51:06,840
Speaker 2: But nonetheless he's playing Hitler.

1047
00:51:06,880 --> 00:51:09,360
Speaker 1: He's playing Hitler. That's right, He's playing Yeah.

1048
00:51:09,400 --> 00:51:12,040
Speaker 2: And by the way, one of my favorite all time

1049
00:51:12,160 --> 00:51:17,120
Speaker 2: performances is Dick Sean and it's a mad, mad memory's brilliant.

1050
00:51:17,320 --> 00:51:18,800
Speaker 1: I rewatched that recently.

1051
00:51:19,760 --> 00:51:23,399
Speaker 2: Yeah, you know, that's wonderful. Anyone who hasn't seen it,

1052
00:51:23,400 --> 00:51:26,839
Speaker 2: it's really it's the grand Opus of comedy, you.

1053
00:51:26,800 --> 00:51:28,520
Speaker 1: Know, you know, and you know what I want to

1054
00:51:28,520 --> 00:51:31,520
Speaker 1: play in the remake. I want to play the ethel

1055
00:51:31,520 --> 00:51:35,960
Speaker 1: Mermon character. Oh who else could That's exactly exactly it.

1056
00:51:36,360 --> 00:51:39,120
Speaker 2: And I look at that and I just say, they'll

1057
00:51:39,200 --> 00:51:40,480
Speaker 2: never cast me. Why not?

1058
00:51:41,280 --> 00:51:44,000
Speaker 1: There's a million parts in that you could play, I know.

1059
00:51:44,200 --> 00:51:45,080
Speaker 2: But they'll pick up.

1060
00:51:45,280 --> 00:51:47,440
Speaker 1: And Larry should play the Milton Borough character.

1061
00:51:47,719 --> 00:51:49,239
Speaker 2: There's somebody who will be casting.

1062
00:51:49,280 --> 00:51:52,040
Speaker 1: But anyway, but nobody's picked up the phone and called

1063
00:51:52,040 --> 00:51:52,319
Speaker 1: me for that.

1064
00:51:52,440 --> 00:51:55,439
Speaker 2: But well, okay, you know who I'd like to play

1065
00:51:55,440 --> 00:52:00,799
Speaker 2: the Jonathan Winters lay great role. Never be as good

1066
00:52:00,800 --> 00:52:06,719
Speaker 2: as Jonathan Winters, you know. Oh, yeah, Dick.

1067
00:52:07,080 --> 00:52:08,120
Speaker 1: We're talking about Dick.

1068
00:52:07,920 --> 00:52:11,960
Speaker 2: Shawn's performance in It's a Mad, Mad, Mad Mad World.

1069
00:52:12,040 --> 00:52:13,600
Speaker 2: I've never seen anything like that.

1070
00:52:13,880 --> 00:52:17,040
Speaker 1: Well, he was truly original, and you certainly can't imagine

1071
00:52:17,080 --> 00:52:20,080
Speaker 1: anybody else in the movie of the producers playing that part.

1072
00:52:21,040 --> 00:52:24,600
Speaker 2: By the way, he passed away on stage. There was

1073
00:52:24,640 --> 00:52:29,920
Speaker 2: a thaves and he died. He literally died on stage.

1074
00:52:30,200 --> 00:52:36,200
Speaker 2: Albert Brooks and Bob Einstein's father, Parker carcass Or the gentleman.

1075
00:52:36,200 --> 00:52:41,600
Speaker 2: I forgot that there was actually he also he killed. Yeah,

1076
00:52:41,600 --> 00:52:44,680
Speaker 2: but right after he killed, yeah, I walked off, sat down,

1077
00:52:44,760 --> 00:52:45,239
Speaker 2: fell over.

1078
00:52:45,320 --> 00:52:45,560
Speaker 1: I know.

1079
00:52:45,760 --> 00:52:47,240
Speaker 2: But this is the only other.

1080
00:52:47,040 --> 00:52:49,960
Speaker 1: Thing and what happened with Dick shawn Is he was

1081
00:52:50,040 --> 00:52:52,400
Speaker 1: laying quite a while. They didn't know because he was

1082
00:52:52,440 --> 00:52:54,040
Speaker 1: such a wacky kind of performer.

1083
00:52:54,160 --> 00:52:57,160
Speaker 2: Well, the audience was laughing. They thought it was a bit.

1084
00:52:57,880 --> 00:52:59,800
Speaker 2: I can't imagine being in that audience.

1085
00:53:00,080 --> 00:53:03,200
Speaker 1: Horrible, And we lost a great one on that one.

1086
00:53:03,239 --> 00:53:06,200
Speaker 1: That he was an original anyway. So so Larry is

1087
00:53:06,239 --> 00:53:10,799
Speaker 1: doing what Dick Sewan did in the movie, basically improvising

1088
00:53:10,800 --> 00:53:13,600
Speaker 1: and doing stand up, and we cut to Melan Anne

1089
00:53:13,719 --> 00:53:16,759
Speaker 1: at the bar, laughing and bankrupt, who was in real

1090
00:53:16,760 --> 00:53:18,760
Speaker 1: life Mel's wife terrific actress.

1091
00:53:18,400 --> 00:53:22,080
Speaker 2: Beyond the terriffic actress, an iconic, legendary actress.

1092
00:53:22,160 --> 00:53:23,800
Speaker 1: Yeah, I mean Anne was amazing.

1093
00:53:23,920 --> 00:53:26,000
Speaker 2: Well, by the way, was only a few years older

1094
00:53:26,239 --> 00:53:27,240
Speaker 2: than Dustin Hoffman.

1095
00:53:27,280 --> 00:53:29,879
Speaker 1: When when they did the graduate, I know, and they're

1096
00:53:30,000 --> 00:53:32,440
Speaker 1: laughing and enjoying us. Did you see the look on

1097
00:53:32,520 --> 00:53:33,400
Speaker 1: their faces?

1098
00:53:33,440 --> 00:53:35,799
Speaker 7: And he has freed us from the anchor, from the

1099
00:53:35,840 --> 00:53:39,399
Speaker 7: albatross and the producers which has invaded our lives every

1100
00:53:39,440 --> 00:53:40,360
Speaker 7: single minute.

1101
00:53:40,160 --> 00:53:40,759
Speaker 2: Every hour.

1102
00:53:42,400 --> 00:53:45,440
Speaker 7: No more openings in Cleveland, no more sleeping in dirty

1103
00:53:45,440 --> 00:53:46,600
Speaker 7: beds in Pittsburgh.

1104
00:53:46,840 --> 00:53:50,400
Speaker 2: With free free it last. Isn't it wonderful?

1105
00:53:50,760 --> 00:53:53,200
Speaker 1: How did you know that he could ruin the show.

1106
00:53:53,360 --> 00:53:54,320
Speaker 1: The minute I laid.

1107
00:53:54,200 --> 00:53:54,839
Speaker 2: Him, I sent him.

1108
00:53:55,360 --> 00:53:58,040
Speaker 7: I said, this guy's a disaster. He's a living he's

1109
00:53:58,080 --> 00:54:01,279
Speaker 7: a storm. He's like a storm will destroy everything in

1110
00:54:01,320 --> 00:54:05,400
Speaker 7: its path. I mean, he's got this gift. Everything he touches,

1111
00:54:05,440 --> 00:54:09,440
Speaker 7: he dooms. He's a little cycling, a little tornado destroying

1112
00:54:09,480 --> 00:54:10,479
Speaker 7: the Saint James Theater.

1113
00:54:11,360 --> 00:54:14,759
Speaker 2: Any minute now, the show will be dead. Here a

1114
00:54:14,800 --> 00:54:18,880
Speaker 2: toast to the death of the producers. They had rest

1115
00:54:19,320 --> 00:54:19,880
Speaker 2: in peace.

1116
00:54:20,920 --> 00:54:23,640
Speaker 1: Everything he touches, he dooms. And they're toasting to the

1117
00:54:23,640 --> 00:54:24,759
Speaker 1: death of the producers.

1118
00:54:25,040 --> 00:54:28,960
Speaker 2: By the way, this explains the whole season, that's right,

1119
00:54:29,320 --> 00:54:31,919
Speaker 2: because his partners were furious at him.

1120
00:54:32,000 --> 00:54:35,440
Speaker 1: Norm, Yeah, Paul Mazerski and Rudy de Luca.

1121
00:54:35,600 --> 00:54:39,440
Speaker 2: Yeah, actually Paul Mazirski played Norm, but they were furious

1122
00:54:40,200 --> 00:54:44,040
Speaker 2: furious at him because they saw the real thing. But

1123
00:54:44,080 --> 00:54:46,359
Speaker 2: Mel's like something about this guy, yeah, and he even

1124
00:54:46,440 --> 00:54:48,400
Speaker 2: want to tell him he wanted the show to close.

1125
00:54:48,520 --> 00:54:52,920
Speaker 1: Mels like something about this ballheaded jew, you know. And

1126
00:54:52,960 --> 00:54:55,239
Speaker 1: they're toasting and they're singing by the light of the

1127
00:54:55,280 --> 00:54:58,520
Speaker 1: silvery moon, and then it's intermission. In intermission in New York,

1128
00:54:58,560 --> 00:55:01,160
Speaker 1: it doesn't really happen much anymore. But people used to

1129
00:55:01,280 --> 00:55:03,360
Speaker 1: just go into the bar across the street and have

1130
00:55:03,400 --> 00:55:04,919
Speaker 1: a drink during intermission.

1131
00:55:05,320 --> 00:55:08,080
Speaker 2: And what would it be called when you snuck.

1132
00:55:07,800 --> 00:55:08,840
Speaker 1: In second acting?

1133
00:55:09,040 --> 00:55:11,680
Speaker 2: Yeah, you know, it's not second you second acted.

1134
00:55:11,360 --> 00:55:13,560
Speaker 1: The show, which is when you would sneak in at

1135
00:55:14,239 --> 00:55:16,400
Speaker 1: and stand in the back or find an empty seat

1136
00:55:16,560 --> 00:55:21,040
Speaker 1: or whatever, And so the audience is raving, raving about

1137
00:55:21,080 --> 00:55:21,399
Speaker 1: the show.

1138
00:55:21,760 --> 00:55:24,719
Speaker 2: I actually said one time I second acted. I was

1139
00:55:24,760 --> 00:55:28,600
Speaker 2: with Marla in Coconut Grove and Pia Zadora was doing

1140
00:55:28,640 --> 00:55:31,360
Speaker 2: her one woman show and Marlon and I are standing

1141
00:55:31,360 --> 00:55:33,279
Speaker 2: there and we see it's intermission. I said, do you

1142
00:55:33,360 --> 00:55:35,839
Speaker 2: want to? And she had second acted a million shows.

1143
00:55:36,000 --> 00:55:37,959
Speaker 1: Well, that's what you do when you're poor in New York,

1144
00:55:38,000 --> 00:55:38,680
Speaker 1: you second act.

1145
00:55:38,920 --> 00:55:41,719
Speaker 2: And it wasn't sold out, so we found a couple

1146
00:55:41,800 --> 00:55:45,160
Speaker 2: of seats and it was an awesome show. She would

1147
00:55:45,200 --> 00:55:49,280
Speaker 2: talk to on a screen, Frank Sinatra, Sammy Davis Junior.

1148
00:55:49,520 --> 00:55:52,040
Speaker 2: She would have like to have fake conversations with them.

1149
00:55:52,400 --> 00:55:54,640
Speaker 2: It was something to behold. But I had done it

1150
00:55:54,719 --> 00:55:56,279
Speaker 2: once and no one in the ice slow.

1151
00:55:56,280 --> 00:55:57,600
Speaker 1: Well. I used to do it all the time when

1152
00:55:57,600 --> 00:55:59,040
Speaker 1: I was poor in New York, and I wanted to

1153
00:55:59,040 --> 00:56:01,200
Speaker 1: see a show I couldn't have it. So you see

1154
00:56:01,239 --> 00:56:02,040
Speaker 1: the second act.

1155
00:56:02,080 --> 00:56:04,480
Speaker 2: Yeah, legendary thing that people love theater do.

1156
00:56:04,680 --> 00:56:07,359
Speaker 1: So the audience is raving about it, and he's like, well,

1157
00:56:07,360 --> 00:56:09,680
Speaker 1: maybe they're talking about a different show. And then somebody says,

1158
00:56:09,719 --> 00:56:12,200
Speaker 1: who would have thought that Larry David would be so great?

1159
00:56:12,600 --> 00:56:16,120
Speaker 1: And then there's like there's no Ann and Mel like

1160
00:56:16,160 --> 00:56:19,400
Speaker 1: there's no way out. You see, they're dejected, there's no

1161
00:56:19,520 --> 00:56:21,919
Speaker 1: way out. Let's go it. And they decide let's go back.

1162
00:56:21,960 --> 00:56:24,839
Speaker 1: Maybe this wasn't the majority of the audience. And they

1163
00:56:24,880 --> 00:56:27,480
Speaker 1: go into the theater and the whole show is killing

1164
00:56:27,520 --> 00:56:30,760
Speaker 1: and I have to say, I so enjoyed watching Larry

1165
00:56:30,800 --> 00:56:33,680
Speaker 1: play this part on a stage, even though it was shot.

1166
00:56:33,760 --> 00:56:36,239
Speaker 1: You know, we're not live, but he's he he was,

1167
00:56:37,239 --> 00:56:39,640
Speaker 1: and he was completely committed to it and he worked

1168
00:56:39,680 --> 00:56:41,799
Speaker 1: so hard at it. I know how hard he worked

1169
00:56:41,840 --> 00:56:43,520
Speaker 1: at it because he had to learn all those lines.

1170
00:56:43,680 --> 00:56:45,480
Speaker 1: He couldn't improvise it. He had to learn all those

1171
00:56:45,520 --> 00:56:47,920
Speaker 1: lines and do the dance movements and sing the songs.

1172
00:56:48,160 --> 00:56:49,719
Speaker 1: And he was great. And they go back to the

1173
00:56:49,719 --> 00:56:52,719
Speaker 1: theater and they're singing the Leo and Max song and

1174
00:56:52,760 --> 00:56:56,200
Speaker 1: then they get a standing ovation and we see Cheryl,

1175
00:56:56,440 --> 00:56:59,719
Speaker 1: you know, felling, and Larry points to his watch. He's

1176
00:56:59,760 --> 00:57:03,640
Speaker 1: got one more hour to get his anniversary gift. But

1177
00:57:03,719 --> 00:57:05,560
Speaker 1: it's never gonna happen. And that's it.

1178
00:57:06,440 --> 00:57:08,520
Speaker 2: But no, hold on, though, you left out the part

1179
00:57:09,040 --> 00:57:14,000
Speaker 2: of Mel crying crying and crying, yeah, man, crying because

1180
00:57:14,000 --> 00:57:19,080
Speaker 2: they realized. And also, here's a piece of interesting trivia.

1181
00:57:19,320 --> 00:57:22,200
Speaker 2: Larry was offered to really do it on Broadway.

1182
00:57:22,640 --> 00:57:24,880
Speaker 1: Yes, I know, as Max Bielis.

1183
00:57:25,000 --> 00:57:28,280
Speaker 2: That's how good he was. And Mel saw that, and

1184
00:57:28,720 --> 00:57:32,080
Speaker 2: he got offered to do that role, and he considered

1185
00:57:32,120 --> 00:57:37,040
Speaker 2: it and then wisely said that, you know, because I

1186
00:57:37,160 --> 00:57:39,760
Speaker 2: was actually there was interest in me to do hairspray

1187
00:57:40,080 --> 00:57:45,000
Speaker 2: as the mother I didn't want. I thought about it.

1188
00:57:45,040 --> 00:57:47,280
Speaker 2: First off, every night to have to put on that

1189
00:57:47,440 --> 00:57:50,360
Speaker 2: body suit, which they would have put a lighter one

1190
00:57:50,400 --> 00:57:52,480
Speaker 2: on me because they don't have to make me that.

1191
00:57:53,400 --> 00:57:57,800
Speaker 2: But the thought of shaving my eyebrows, no fucking way.

1192
00:57:58,000 --> 00:58:01,320
Speaker 2: I don't care what's going on, Nless, I'm playing the

1193
00:58:01,440 --> 00:58:04,440
Speaker 2: evil character in a James Bond movie who was bald.

1194
00:58:04,560 --> 00:58:06,720
Speaker 1: But that's the least of it, Jeff. It is eight

1195
00:58:06,760 --> 00:58:07,520
Speaker 1: shows a week.

1196
00:58:07,640 --> 00:58:11,560
Speaker 2: Well, no, the exhaustion and knowing me I would get bored.

1197
00:58:11,840 --> 00:58:15,920
Speaker 2: But also Larry David in his own play on a.

1198
00:58:16,000 --> 00:58:18,959
Speaker 1: Limited Shadow Shadow was at.

1199
00:58:18,880 --> 00:58:21,080
Speaker 2: A certain point was like, I can't do this.

1200
00:58:21,240 --> 00:58:25,680
Speaker 1: I know, I know, yeah, but it's I mean, I

1201
00:58:25,760 --> 00:58:28,960
Speaker 1: have such admiration for these Broadway actors who are also

1202
00:58:29,360 --> 00:58:32,880
Speaker 1: musical actors, especially who were singing and dancing eight shows week. Now.

1203
00:58:32,920 --> 00:58:35,560
Speaker 1: I know Nathan when Nathan Lane was playing Max Biolli

1204
00:58:35,640 --> 00:58:39,560
Speaker 1: stuff which he played for a long time, he was exhausted. Exhausted.

1205
00:58:39,640 --> 00:58:42,800
Speaker 2: By the way, do you know who's also exhausted? Anyone

1206
00:58:42,840 --> 00:58:46,000
Speaker 2: who does a straight drama.

1207
00:58:46,200 --> 00:58:49,040
Speaker 1: It's exhausting too. On Wednesday you're doing two shows. On

1208
00:58:49,120 --> 00:58:52,120
Speaker 1: Saturday you're doing two shows. Usually Sunday you do one,

1209
00:58:52,320 --> 00:58:53,640
Speaker 1: and then you have one day off.

1210
00:58:53,720 --> 00:58:55,840
Speaker 2: Yeah, one day one day off. Oh, it's a grinds.

1211
00:58:56,000 --> 00:58:59,440
Speaker 2: It's brutal, No, it really is. It's so Look, I

1212
00:58:59,480 --> 00:59:02,600
Speaker 2: can tell you when I was about to say, you know,

1213
00:59:02,640 --> 00:59:06,560
Speaker 2: it's not exhausting, Certainly, it's tiring. Is a straight comedy.

1214
00:59:06,480 --> 00:59:09,280
Speaker 1: Different, very different when you have to sing and dance.

1215
00:59:09,200 --> 00:59:11,560
Speaker 2: Like a Neil Simon play. Yeah, is not going to

1216
00:59:11,680 --> 00:59:13,880
Speaker 2: knock me off my feet. Although that schedule was.

1217
00:59:13,960 --> 00:59:16,560
Speaker 1: Well, you know what. Yeah, it does. I did one,

1218
00:59:17,040 --> 00:59:18,720
Speaker 1: but only for a couple of weeks.

1219
00:59:18,720 --> 00:59:22,040
Speaker 2: You know, I was telling somebody this last night, an actor.

1220
00:59:22,080 --> 00:59:25,600
Speaker 2: We were having this very conversation and I explain that

1221
00:59:25,920 --> 00:59:30,760
Speaker 2: when I do a show, i'm really I'm beholden to

1222
00:59:30,840 --> 00:59:34,320
Speaker 2: the audience. Not that any comedian isn't, but because I'm

1223
00:59:34,360 --> 00:59:38,000
Speaker 2: mostly an improviser, I'm only as good as the audience

1224
00:59:38,080 --> 00:59:40,720
Speaker 2: lets me be. Like, if an audience is loving me,

1225
00:59:40,880 --> 00:59:44,960
Speaker 2: I'll reach heights that I every time surprised myself and

1226
00:59:45,080 --> 00:59:48,120
Speaker 2: I come off and I'm pumped up. Now if they

1227
00:59:48,240 --> 00:59:51,560
Speaker 2: don't give me much, I'm not that great, but they

1228
00:59:51,600 --> 00:59:55,200
Speaker 2: don't know. Because I'm professional, I can fake it. But

1229
00:59:55,280 --> 00:59:57,760
Speaker 2: when I come off stage for one of those shows,

1230
00:59:58,080 --> 01:00:00,960
Speaker 2: I don't even I can't stand covered in sweat. No,

1231
01:00:01,040 --> 01:00:05,080
Speaker 2: it's exhausting, It's well, it's not exhausted.

1232
01:00:05,160 --> 01:00:08,440
Speaker 1: Well, no, to me, it was. I mean, when you

1233
01:00:08,480 --> 01:00:12,800
Speaker 1: get home and destroyed, so you have to do numerous shows,

1234
01:00:12,960 --> 01:00:15,120
Speaker 1: it's you know, it's not the two shows.

1235
01:00:15,240 --> 01:00:18,600
Speaker 2: And by the way, what's the enemy of every comedian Friday.

1236
01:00:18,320 --> 01:00:19,600
Speaker 1: Late Friday light show.

1237
01:00:19,560 --> 01:00:24,040
Speaker 2: Because they're tired and they're drunk. That is, I actually

1238
01:00:24,040 --> 01:00:27,560
Speaker 2: can go over my forty one year career and maybe

1239
01:00:27,720 --> 01:00:30,080
Speaker 2: count on one hand at the most part of a

1240
01:00:30,120 --> 01:00:34,440
Speaker 2: second hand the number of great second show Fridays I

1241
01:00:34,480 --> 01:00:39,520
Speaker 2: did in forty one fucking years, like maybe five. Maybe

1242
01:00:39,680 --> 01:00:41,880
Speaker 2: it just was impossible.

1243
01:00:42,080 --> 01:00:45,640
Speaker 1: There are things that the general public doesn't realize how

1244
01:00:45,640 --> 01:00:50,200
Speaker 1: important they are. The time, the venue. The venue is essential.

1245
01:00:50,320 --> 01:00:52,560
Speaker 1: I mean, you have a bad venue where they can't

1246
01:00:52,600 --> 01:00:53,240
Speaker 1: see you or here.

1247
01:00:53,240 --> 01:00:55,080
Speaker 2: It doesn't matter what time, No, it doesn't.

1248
01:00:55,240 --> 01:00:57,840
Speaker 1: You know. That's why if you're in a comedy club

1249
01:00:58,000 --> 01:01:00,600
Speaker 1: that's set up for comedy and it's a low ceiling

1250
01:01:00,640 --> 01:01:02,280
Speaker 1: and you know it's a thing of beauty, that's our.

1251
01:01:02,160 --> 01:01:05,000
Speaker 2: Fat people don't understand that low ceilings are very important

1252
01:01:05,040 --> 01:01:07,640
Speaker 2: a comedy, not that when someone plays a theater.

1253
01:01:07,640 --> 01:01:10,480
Speaker 1: Because laughter is contagious and when you have a low ceiling,

1254
01:01:10,520 --> 01:01:14,280
Speaker 1: it hovers and it rolls, but a high ceiling it goes.

1255
01:01:15,000 --> 01:01:19,040
Speaker 2: Do you know what's interesting? I twice have done outdoor shows.

1256
01:01:19,440 --> 01:01:21,919
Speaker 2: One was the worst show I've ever had in my life.

1257
01:01:22,000 --> 01:01:25,280
Speaker 2: That was a private gig for the w Hotels. And

1258
01:01:25,600 --> 01:01:29,080
Speaker 2: there's a whole story beyond beyond that that's hilarious, but

1259
01:01:29,200 --> 01:01:31,800
Speaker 2: at the time it was overwhelming for me. But I

1260
01:01:31,920 --> 01:01:34,360
Speaker 2: recently hosted a show at the Greek Theater out here

1261
01:01:34,880 --> 01:01:37,120
Speaker 2: and I killed and I was shocked.

1262
01:01:37,960 --> 01:01:41,000
Speaker 1: I wonder if that's set up differently Jeff, in terms

1263
01:01:41,040 --> 01:01:41,440
Speaker 1: of well.

1264
01:01:41,280 --> 01:01:44,680
Speaker 2: It's a very intimate, you know, unlike the Hollywood Bowl,

1265
01:01:44,960 --> 01:01:47,880
Speaker 2: the Greek is very intimate. The Greek's one of my

1266
01:01:47,960 --> 01:01:49,840
Speaker 2: favorite places periods.

1267
01:01:49,960 --> 01:01:52,160
Speaker 1: So it depends on how I'm there.

1268
01:01:52,360 --> 01:01:54,680
Speaker 2: I was shocked because it's a lot more in a

1269
01:01:54,720 --> 01:01:58,240
Speaker 2: lot of people. Probably ten thousand people, seven thousand, I'm

1270
01:01:58,280 --> 01:02:00,800
Speaker 2: not sure, maybe three thousds. I don't know. But the

1271
01:02:00,840 --> 01:02:04,320
Speaker 2: point thing is I realized, Oh, if it's intimate and

1272
01:02:04,360 --> 01:02:07,520
Speaker 2: it's set up this way, you're completely right. Wow, I

1273
01:02:07,520 --> 01:02:10,240
Speaker 2: can do an outdoor show. I was shocked at how

1274
01:02:10,280 --> 01:02:10,840
Speaker 2: well I did.

1275
01:02:10,960 --> 01:02:17,600
Speaker 1: I did not expect that. Yeah, so important. But coming

1276
01:02:17,720 --> 01:02:20,120
Speaker 1: up next we are going to start season five, which

1277
01:02:20,280 --> 01:02:21,680
Speaker 1: might be my favorite season.

1278
01:02:22,480 --> 01:02:24,240
Speaker 2: By the way, can I be honest with you say this,

1279
01:02:24,280 --> 01:02:26,880
Speaker 2: because I have not rewatched it. I couldn't tell you

1280
01:02:26,920 --> 01:02:30,000
Speaker 2: what season it was, what we did that I could.

1281
01:02:29,800 --> 01:02:30,480
Speaker 3: Not tell you.

1282
01:02:32,080 --> 01:02:34,760
Speaker 2: Yeah, is this the Kidney season? Oh it's a great

1283
01:02:34,760 --> 01:02:40,160
Speaker 2: one's great and it has easily our in the history

1284
01:02:40,160 --> 01:02:45,120
Speaker 2: of the show. And it's so sentimental to us. Oh

1285
01:02:45,200 --> 01:02:46,760
Speaker 2: my god, no it is.

1286
01:02:46,800 --> 01:02:48,880
Speaker 1: We'll get to that one of my favorite that's.

1287
01:02:48,760 --> 01:02:50,880
Speaker 2: Our You and I agree, it's our favorite scene that

1288
01:02:50,920 --> 01:02:51,640
Speaker 2: we've ever done.

1289
01:02:51,880 --> 01:02:53,760
Speaker 1: But there's a lot of good ones in this season,

1290
01:02:54,120 --> 01:02:57,400
Speaker 1: a lot of great episodes season. So we will see

1291
01:02:57,400 --> 01:03:00,760
Speaker 1: you next time and we will start season five. Yes,

1292
01:03:08,840 --> 01:03:12,160
Speaker 1: The History of Carbon Your Enthusiasm is a production of iHeartRadio.

1293
01:03:12,320 --> 01:03:17,440
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1294
01:03:17,520 --> 01:03:19,400
Speaker 1: or wherever you listen to your favorite shows.