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Speaker 1: You want to play guests the celebrity I saw, yeah

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Speaker 1: in the wild.

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Speaker 2: Okay, so do we get twenty questions?

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Speaker 1: Yeah? And you can be the team captain. Okay, so

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Speaker 1: you can have you guys, whoever you want to be

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Speaker 1: in the game. You can ask all the question everybody.

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Speaker 1: So all I'll say is I ran into a celebrity

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Speaker 1: in the wild and I talked to them, and it

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Speaker 1: was awkward at first because they did not know who

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Speaker 1: I was. That's the clue that I will give you,

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Speaker 1: and that's the whole thing. But the clue is I

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Speaker 1: ran into a celebrity in the wild. I did talk

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Speaker 1: to them, and at first I had no idea who

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Speaker 1: I was.

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Speaker 2: Did you have your classes off?

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Speaker 1: Who knows what this scenario is? That's the clue. Yes

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Speaker 1: or no questions? And you have twenty of them?

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Speaker 2: Go, okay, we'll go down line guys.

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Speaker 3: Okay, you're the captain.

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Speaker 4: I know.

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Speaker 2: I'll go Lunchbalks, Morgan, Eddie Okay, all right, Bobby, And.

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Speaker 5: If you guess a person, that's a question.

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Speaker 2: Yeah.

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Speaker 5: And if you lose, whoever loses you die?

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Speaker 3: Okay, ohta kill you?

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Speaker 5: Yeah?

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Speaker 6: Serious?

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Speaker 5: Yeah? The games have to get more dramatic.

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Speaker 2: Or when not getting a views, did you run into

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Speaker 2: a male celebrity? Okay, woman, woman?

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Speaker 5: Interesting, I'll three of you go.

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Speaker 3: IM surprised by that one.

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Speaker 1: Ahead.

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Speaker 7: Yeah, I'm trying to think is because I was already

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Speaker 7: thinking mail it was an athlete and they didn't know

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Speaker 7: who you were, and I was like, dang it. Uh

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Speaker 7: so now it's a woman. I'm really confused. Are they no?

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Speaker 7: Are they known as an actress?

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Speaker 1: No?

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Speaker 7: Not an actress Morgan.

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Speaker 1: I'll tell you what. Whomever gets it can have a

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Speaker 1: dollar from a money can. But if you yell and

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Speaker 1: you miss it, you're out.

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Speaker 8: Are they older than sixty?

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Speaker 2: Hmmm? He's got to look it up.

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Speaker 1: Well, I just want to be for sure sure, because

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Speaker 1: I don't want to be going back and.

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Speaker 8: Because guys, my thought process here is like, if they're older,

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Speaker 8: maybe they.

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Speaker 3: Haven't listened to the show.

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Speaker 8: Maybe they're in the older range.

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Speaker 4: That's my thought.

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Speaker 1: I have the answer. The answer is no, they are not.

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Speaker 1: And one other rule is, if you get all twenty

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Speaker 1: questions in, it's just whoever yells her name first, he gets

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Speaker 1: to answer first.

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Speaker 5: It's yell.

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Speaker 1: It's not yelled the person at any point. If you

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Speaker 1: want to yell and you get it right, you can

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Speaker 1: have the dollar. Okay, all right, Eddie over to here?

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Speaker 1: Does she live in Nashville? Yes?

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Speaker 3: Why'd you laugh at that?

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Speaker 2: Lunch one?

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Speaker 3: Yeah, he's quiet. Now.

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Speaker 5: Well he also was like, I have no idea. Then

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Speaker 5: he laughs at somebody with a.

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Speaker 7: Good question in Ville. I don't know who all lives here.

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Speaker 3: What do you like Paris Hilton doesn't live here?

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Speaker 5: Dude, Yeah, but nobody knows who all lives here.

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Speaker 2: Were you wearing your glasses what at the time, you guys?

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Speaker 2: Cause she didn't recognize.

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Speaker 4: It helps me.

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Speaker 5: I need you to be more specific with that question.

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Speaker 2: Were your glasses off when you first? Okay, so you're

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Speaker 2: maybe you had sunglasses on.

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Speaker 5: I'm just asking, okay, did.

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Speaker 2: You have your standard what people recognize you for glasses

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Speaker 2: on at the time of the meeting?

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Speaker 1: Great question, great question, and they were judging you, and

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Speaker 1: I saw their eyes.

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Speaker 7: Your judgment judgment helped me pick.

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Speaker 2: That we because because he would consider them to be

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Speaker 2: maybe somebody that he doesn't know.

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Speaker 1: Well, me, you nailed the question that helped Eddie and

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Speaker 1: Lunchbox screw both. Do you?

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Speaker 5: I saw you judging her?

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Speaker 3: So the answer was why.

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Speaker 4: Now it's possibly.

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Speaker 8: Somebody that does know him, they just didn't recognize him exactly.

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Speaker 1: So like now it could be or it just still

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Speaker 1: can be they don't know who I am.

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Speaker 5: But still that that There was a great question.

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Speaker 7: Have they ever been in the studio?

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Speaker 1: No?

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Speaker 4: Wait, do you mean this new question?

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Speaker 7: I said the studio?

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Speaker 5: Now, he said this studio.

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Speaker 7: It's the show.

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Speaker 1: He said this. If we go back and he said this,

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Speaker 1: and he's gonna argue about it, he's kicked out of

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Speaker 1: the game.

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Speaker 7: But let's talk this studio.

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Speaker 4: I'm fighting for my team.

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Speaker 1: I'm a studio. This person has never been in this studio, Mike.

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Speaker 1: Is that another question?

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Speaker 4: Okay, Okay, that's it.

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Speaker 8: Are they married to someone famous?

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Speaker 1: No, and they've never been in this studio. And they

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Speaker 1: they're not married anybody famous.

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Speaker 2: They're not married to anybody famous. H And they're less

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Speaker 2: than sixty yep.

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Speaker 4: But why do we keep thinking they're old? They could

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Speaker 4: be young?

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Speaker 8: I mean, I don't know.

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Speaker 4: He had to technically.

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Speaker 7: Google it always knows, never know, always pull out to google.

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Speaker 3: Dreamers Right now, Eddie, were you wearing a card again?

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Speaker 4: What does that matter?

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Speaker 3: Exactly?

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Speaker 1: Now?

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Speaker 3: Great question, though, great question, hating on a on a

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Speaker 3: good question. Question. It wasn't stupid.

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Speaker 1: Yours was good?

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Speaker 3: Now, yours was dumb too.

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Speaker 2: No, it wasn't. No, mine gives information.

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Speaker 3: Me too, me too. It wasn't cold outside when he

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Speaker 3: met her.

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Speaker 2: No, because you were sweaters every day in the summer.

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Speaker 3: Because it's cold in the studio.

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Speaker 5: That's not why or whatever I want here.

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Speaker 1: It is Bobby Land. I can turn the air hotter

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Speaker 1: if I wanted.

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Speaker 3: This is so dumb ed.

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Speaker 1: Your question was stupid. Maymy Okay?

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Speaker 2: Has she been in our other studio?

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Speaker 1: I think so? Yeah, I would say yes, Yes, Mike,

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Speaker 1: I think so.

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Speaker 5: I would say yes, but we will do a check.

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Speaker 2: Can you check yes?

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Speaker 5: I would bet yes.

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Speaker 1: If it was like bet money against it, I would

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Speaker 1: say yes.

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Speaker 4: I think she's somewhere around.

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Speaker 3: What was the answer to also.

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Speaker 2: She said not married? Any famous? Is she married?

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Speaker 3: Hey, Mike, good question.

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Speaker 8: Yeah, I was thinking potentially readable. That was my.

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Speaker 2: If you should she's not an act we're talking as

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Speaker 2: our team, but they're not famous for acting.

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Speaker 3: Hey, that's true.

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Speaker 2: The answer is no, she's never been in the studio.

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Speaker 1: I had a double fact check from Mike and Scuba

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Speaker 1: and I look myself. She's never been in any studio

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Speaker 1: as far as like this one or the one over there.

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Speaker 5: I think she's been in a studio. But yes, I

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Speaker 5: thought she would have been.

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Speaker 1: Yes, but we upon Google, the answer is no and

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Speaker 1: a trouble fact check.

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Speaker 3: No, who's up me?

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Speaker 7: Is she known for making music as a musician.

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Speaker 5: As opposed to making music as an actress?

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Speaker 7: Well, I mean you'll find some technical on how I

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Speaker 7: asked it. So I want to make sure.

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Speaker 1: Is she known for making music as a musician?

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Speaker 5: Yes?

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Speaker 1: Ten questions?

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Speaker 8: Oh, I have an idea.

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Speaker 4: So do I know you?

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Speaker 1: Guys know you're kind of not on the same team anymore.

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Speaker 3: Yeah, you can get the money.

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Speaker 1: You're playing for the dollar, but you're eliminated if you

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Speaker 1: missed a guessing.

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Speaker 4: It when I said any.

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Speaker 1: Studio's not answering your question, so it's not your turn.

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Speaker 1: But if you want to say your.

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Speaker 2: Name, I know. Can I go back to my question, It'll.

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Speaker 1: Come to you. Morgan the floor seeds to you.

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Speaker 8: Has she been known to listen to our show?

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Speaker 1: No, not that I know of. I don't even know

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Speaker 1: who you're thinking about, but no, Eddie.

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Speaker 3: Has she released music in the last ten years?

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Speaker 1: Yeah, i'd say yeah, but yeah, the answer she yes,

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Speaker 1: I want to fact check, just to make sure. But

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Speaker 1: the answer is yes, m yes, okay.

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Speaker 2: When I said studio, what about our studio in Austin?

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Speaker 9: Great question because that was not included in those other questions.

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Speaker 5: I think yes.

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Speaker 4: I think yes too.

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Speaker 5: You got a chance to tell your name.

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Speaker 1: You don't have to wait.

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Speaker 4: I need a coronation. Is she is she been in

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Speaker 4: our studio in Austin?

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Speaker 7: Yes?

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Speaker 1: Okay, yes, Amy, Amy?

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Speaker 3: How did you do that?

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Speaker 4: Because I don't know. She just popped my head because

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Speaker 4: she's the only person I could think of that lives.

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Speaker 1: She played a bobbycast in our studio, had gone West?

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Speaker 3: We looked no.

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Speaker 9: I remember her sitting on the studio seat where I

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Speaker 9: used to sit in the old studio.

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Speaker 3: Find it we could find in and she even said

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Speaker 3: can you come in?

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Speaker 7: I don't think that's true.

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Speaker 2: I know for fact she was in our Austin studio

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Speaker 2: because I sang.

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Speaker 3: I have a memory of her in our studio.

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Speaker 2: Stars was she on the phone? She did come through

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Speaker 2: like c M a remote.

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Speaker 8: So maybe that's what you're potentially thinking of.

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00:09:19,760 --> 00:09:23,160
Speaker 1: Maybe we don't have gone west the band or her

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00:09:23,240 --> 00:09:24,959
Speaker 1: in our studio. She did play with us at the

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00:09:25,000 --> 00:09:27,280
Speaker 1: Million Dollar show at the Ryman, and she was in

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00:09:27,360 --> 00:09:29,480
Speaker 1: our Austin studio. We were doing that show in Austin.

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Speaker 3: Well, so what's the story.

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Speaker 5: I forgot about that.

217
00:09:34,480 --> 00:09:36,800
Speaker 1: I was driving down the road I was at I

218
00:09:36,800 --> 00:09:39,079
Speaker 1: had to go buy my manager Tom's house, and as

219
00:09:39,120 --> 00:09:43,880
Speaker 1: I was leaving, I just I took like some lefts

220
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Speaker 1: and rights and I see this person with these dogs.

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Speaker 1: One looks like Beethoven, and I'm like, look at that dog.

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Speaker 5: That's awesome.

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Speaker 1: Beethoven dogs like awesome big ones. Yeah, and so St

224
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Speaker 1: Bernard's called I think so, and I'm like, dang, look

225
00:09:57,720 --> 00:10:00,800
Speaker 1: at that dog. And then I'm like, I have sunglasses on,

226
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Speaker 1: so I roll a window down. I'm like it' Koby

227
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Speaker 1: Kelly and I'm like hey Kobe. And she's like, oh

228
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Speaker 1: god a fan, not in a bad way, but like

229
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Speaker 1: she was on the phone too, so I like it

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Speaker 1: did everything absolutely appropriate, and she was like, hey, how's

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Speaker 1: it going. I said, Hey, that's Bobby, and then I

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Speaker 1: realized she just knew Bobby is. So I'm like, hey,

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Speaker 1: Bobby Bone. She was oh, and she was on the

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Speaker 1: phone with somebody and then she puts the phone down

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Speaker 1: right in mid conversation, and I'm like, hey, your song

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Speaker 1: with Ryan Hurd, like I heard it's really great. She's

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Speaker 1: like thanks. But I was also on the phone through

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Speaker 1: speaker to bluetooth at the time, and they're going like,

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Speaker 1: what's happening is so it was a big cluster f

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Speaker 1: as they would say. And then I drove off and

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Speaker 1: then I got a text from her because I guess

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Speaker 1: her manager knows my manager, and she was like, hey,

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Speaker 1: I'll read it. She said, so funny running into you.

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Speaker 1: I was all flustered with the dogs and my phone

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Speaker 1: call was literally on the phone with my manager trying

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Speaker 1: to come up with some cool engagement ideas for a song.

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Speaker 1: And then that was it. But I saw Colby Kelly

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Speaker 1: walking her dogs. That's cool.

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Speaker 5: Yeah, she was super nice.

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Speaker 1: Even though she thought it was like a random fan

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Speaker 1: attacking her, she was still very nice to that random

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Speaker 1: fan was attacking her. So, Amy, you won the dollar,

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Speaker 1: and Kim, you can get it. Oh back problems.

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Speaker 2: I'll get it in a minute.

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Speaker 5: I keep seeing it'll take me.

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Speaker 2: Like sitting is fine. It's just when I stand up

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Speaker 2: from sitting too long.

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Speaker 1: That's a big part of sitting is a standing up

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Speaker 1: from it. It is otherwise it's not sitting, it's staying well,

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Speaker 1: I know, but.

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Speaker 2: Like sitting, I don't really feel it. And then when

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Speaker 2: the minute I get up, I'm like, oh yeah, I'm

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Speaker 2: in pain.

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Speaker 3: Is this all from knees to defeat?

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Speaker 2: It's all well adding up like it was there and

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Speaker 2: like knees to feed, just sent it over the edge.

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Speaker 5: Geez, tool feet Okay.

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Speaker 2: Straw that broke the camel's back.

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Speaker 1: I got like eighty bucks in this money cup here

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Speaker 1: you're making cash.

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Speaker 5: I'm losing it to Amy though, one dollar.

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Speaker 1: Okay. Let's go around the room, Amy, okay.

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Speaker 2: So what color do y'all dream in? I know we

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Speaker 2: don't want to talk about dreams that much, but great question.

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Speaker 2: My friend said she only dreams in black and white,

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Speaker 2: and I was like, what you do? So then I

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Speaker 2: googled it and according to research, only two twelve percent

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Speaker 2: of people report black and white dreaming. And I guess

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Speaker 2: I always dream in color. I'd never really thought about it,

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Speaker 2: but everything looks normal to me. It doesn't look black

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Speaker 2: and white. So I didn't know around the room what

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Speaker 2: y'all dream in.

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Speaker 1: It's interesting.

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Speaker 3: I don't think I've paid attention.

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Speaker 2: To that, right, which makes you think it's probably color.

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Speaker 1: Which makes me think it's probably color as well. I

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Speaker 1: don't dream a lot. I usually don't hit that deep

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Speaker 1: part of sleep, but I don't know that. When I do,

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Speaker 1: I'm like, dang, that felt like the fifties, So I

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Speaker 1: don't I probably color. I do find it interesting people

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Speaker 1: who know multiple languages what languages they dream in. And

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Speaker 1: there's a time whenever you move and you like move

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Speaker 1: to new country and kind of embrace the culture and

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Speaker 1: speak only in that language, there's like a flipping point

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Speaker 1: in a lot of people's brains where they start to

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Speaker 1: then dream in the language they learn their second language. Yeah, so,

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Speaker 1: but I dream of color. I'm Jamie Johnson over here.

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Speaker 2: Nobody in here is a black and white.

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Speaker 9: I don't think so. No, Like I just maybe next dream,

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Speaker 9: I'll try to focus on it and be like, what color?

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Speaker 5: What colors?

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Speaker 7: Lunchbox man, this is Jeff Bezos. I'm about tired of

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Speaker 7: this wedding, Like, are they already married? Because now there's

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Speaker 7: reports they've been married for weeks and it's just a

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Speaker 7: ceremony that they're doing over there like a party. But

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Speaker 7: I saw Jeff Bezos gave his wife to be a

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Speaker 7: five million dollar necklace as a wedding gift.

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Speaker 1: Which is like a nickel. It's like going to a

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Speaker 1: quarter a gumball machine for one of us.

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Speaker 3: So that's kind of cheap.

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Speaker 1: Yeah, but I don't know. There are a lot of

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Speaker 1: necklaces that are worth more than that.

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Speaker 5: That's the problem.

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Speaker 2: Yeah. I saw some woman on Instagram breaking down, like

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Speaker 2: their money to our money because she had spent the

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Speaker 2: what's her name, who's Laurence Sanchezez, Lauren Sanchez had spent

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Speaker 2: you know, I don't remember exactly, but eight hundred thousand

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Speaker 2: dollars or something on her bachelorette party situation, and people

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Speaker 2: are like, what in the world. But the math on

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Speaker 2: that was not even a penny in their the amount

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Speaker 2: of money they have, it's not even a penny.

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Speaker 1: Is he's the richest guy or is he unmus? Is

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Speaker 1: he top three? I think Larry Ellison was two last

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Speaker 1: time I looked. Is that oracle? The reason I really

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Speaker 1: know about him, Like maybe I'd got that in a

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Speaker 1: trivia question to dig deep back in the Successes and Resources.

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Speaker 1: But his wife's a big Michigan fan and they paid

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Speaker 1: all the money to get the quarterback. Oh wow, So

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Speaker 1: that's kind of how that comes together. So number one

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Speaker 1: is Elon, Number two is Larry Ellison. So they just

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Speaker 1: they basically bought the quarterback going to LSU. Now he's

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Speaker 1: going to Michigan.

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Speaker 3: But if you have that much money, can you just

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Speaker 3: buy the whole team?

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Speaker 5: Well they're now, so yes, you could.

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Speaker 3: Have, like, let's give our quarterback five million, let's give

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Speaker 3: our running back.

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Speaker 1: Absolutely, but get Texas Tech did that with a picture

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Speaker 1: in softball. They gave a million bucks. Now they just

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Speaker 1: changed some rules and some laws where if you're going

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Speaker 1: to pay them, collectives can't just pay a bunch of money.

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00:14:46,480 --> 00:14:48,480
Speaker 1: They have to like say exactly what the person is

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Speaker 1: going to do for that money, to prove what name,

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Speaker 1: image and likeness is. Because now there's a revenue share model. Anyway,

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Speaker 1: that's a whole sports thing. But you could have three

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Speaker 1: months ago, Wow you still can you just now they

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Speaker 1: have to work for it a little bit.

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Speaker 7: Also, I found an entry that uh, Lauren Sanchez's ex

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Speaker 7: is going to the wedding Tony Gonzalez, and so I thought.

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Speaker 1: They got paid to be quiet about stuff. Her ex

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Speaker 1: is Tony Gonzalez, the tight end, I don't think.

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Speaker 7: So, yes, Tony, they have a kid together.

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Speaker 5: That's awesome.

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Speaker 3: I didn't know that you were kidding.

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Speaker 1: Were you making a joke? Who me the tight end?

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Speaker 3: No, it's the only ton.

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Speaker 7: Age I guess. So I don't know how.

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Speaker 5: Freaking Tony the tight end.

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Speaker 7: That's amazing, But yes, And so I thought about it

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Speaker 7: because I was like, oh my gosh, remember Amy talked about, oh,

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Speaker 7: maybe if we asked her one day, would you go

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Speaker 7: on vacation with your ex? Like how weird that would be.

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Speaker 7: She's older than the and I just like, that's crazy.

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Speaker 3: But you also said that some of the girls that

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Speaker 3: you hooked up with were at your wedding.

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Speaker 7: Yeah, yeah, yeah, but we don't go on vacation together.

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Speaker 3: No, but they're at the wedding.

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Speaker 7: And I wasn't married to him.

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Speaker 5: That's true too.

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Speaker 7: Married is totally different.

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Speaker 5: They have a kid, they share a kid.

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Speaker 1: That's crazy. That's the Tony Gonzales the tight end. Yeah,

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Speaker 1: I had no idea because you said the tight end.

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Speaker 3: No, that's the only Tony Gonzales that I know. So

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Speaker 3: I asked the question.

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Speaker 2: So it was her son that had was turning nineteen

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Speaker 2: that they did the phone party.

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Speaker 1: For Nico Gonzalez's her ex boyfriend.

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Speaker 2: Oh, but they just had a baby.

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Speaker 7: Oh, they had a baby. I mean that's what I thought.

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Speaker 7: I mean, when they have.

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Speaker 1: A better rex husband though, So now it's back on

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00:16:15,160 --> 00:16:16,440
Speaker 1: they hooked up, but.

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Speaker 7: They had a child. I mean, that is so strange

385
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Speaker 7: that he's going to the wedding.

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Speaker 5: A yeah.

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Speaker 1: Mark Zuckerberg at three, Jeff Bezos at four. By the way,

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Speaker 1: Warren Buffett at five, Larry Page at six, Steve Balmer,

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Speaker 1: team owner at seven, Bernard Arnoldton family one hundred and

390
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Speaker 1: thirty eight billion.

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Speaker 5: He lives in France.

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Speaker 1: I don't know who that is is he probably the

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Speaker 1: owner of like fashion brands.

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Speaker 7: Also, I wonder does Bezos' ex wife go to the wedding.

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Speaker 5: No they I think they don't like you.

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Speaker 3: There's no way they Yeah, but I don't know.

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Speaker 7: And I mean, I mean, how bad is all this press?

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Speaker 7: She's like, gosh, I can't even turn on the TV.

399
00:16:53,320 --> 00:16:55,800
Speaker 7: Turn on the TV. It's just all over the place. Yeah,

400
00:16:55,840 --> 00:16:57,440
Speaker 7: he is all up in her face.

401
00:16:57,680 --> 00:17:00,400
Speaker 1: He has it, says luxury goods. But what what brands

402
00:17:00,400 --> 00:17:00,840
Speaker 1: do they have?

403
00:17:01,120 --> 00:17:01,520
Speaker 3: That guy?

404
00:17:02,480 --> 00:17:06,760
Speaker 1: L V m h Oh, here we go, Lou Baton

405
00:17:06,840 --> 00:17:12,120
Speaker 1: Christen New York, whoa Moway it's iced to the alcohol.

406
00:17:12,400 --> 00:17:14,960
Speaker 3: Yeahway, it's like a champagne.

407
00:17:14,520 --> 00:17:16,560
Speaker 1: Findy gmache hennessy.

408
00:17:17,520 --> 00:17:19,680
Speaker 3: Dang they own all those.

409
00:17:19,800 --> 00:17:22,600
Speaker 1: Yeah, that's why he's like the fifth or six or seventh.

410
00:17:22,680 --> 00:17:24,600
Speaker 1: What does he like eight eighth richest person in the

411
00:17:24,600 --> 00:17:27,520
Speaker 1: world on hundred thirty eight billion. Sergey Brinn at nine?

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Speaker 5: Is he Google Google?

413
00:17:28,880 --> 00:17:29,080
Speaker 3: Yep?

414
00:17:29,720 --> 00:17:33,640
Speaker 5: And then ten Eddie what the Yeah?

415
00:17:33,760 --> 00:17:36,080
Speaker 3: I popped in there recently until.

416
00:17:35,880 --> 00:17:40,280
Speaker 2: You guys sometimes who congratulations?

417
00:17:40,440 --> 00:17:41,880
Speaker 3: Bills come in and then I go down.

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Speaker 1: Yeah. Jensenh Wong, President Nvidia richest man, Dude, you're your

419
00:17:52,720 --> 00:17:53,560
Speaker 1: one degree away.

420
00:17:53,600 --> 00:17:55,359
Speaker 7: We're headed there. We're right on track.

421
00:17:55,520 --> 00:17:56,639
Speaker 3: Just keep riding his wave.

422
00:17:57,480 --> 00:18:00,520
Speaker 5: Uh, Nvidia's gone back up, it's going up huge.

423
00:18:00,560 --> 00:18:01,520
Speaker 1: Hey, your betcoin.

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00:18:01,240 --> 00:18:02,560
Speaker 5: Should be making some really good money too.

425
00:18:03,600 --> 00:18:06,440
Speaker 7: Video real quick for you. I mean we are getting rich.

426
00:18:06,560 --> 00:18:07,719
Speaker 3: You got a log in and everything.

427
00:18:08,160 --> 00:18:10,040
Speaker 7: No, a man takes like two seconds to log in?

428
00:18:10,080 --> 00:18:14,400
Speaker 7: Whatts this to boom?

429
00:18:14,440 --> 00:18:15,119
Speaker 3: What's the number?

430
00:18:15,480 --> 00:18:16,200
Speaker 7: Oh man?

431
00:18:16,480 --> 00:18:16,520
Speaker 9: No?

432
00:18:16,760 --> 00:18:23,320
Speaker 1: VIDI uh wow, what's the percentage? Because the money's gonna

433
00:18:23,359 --> 00:18:25,200
Speaker 1: be odd because we put a lot more money in,

434
00:18:25,440 --> 00:18:27,280
Speaker 1: So I want another percentage, not the dollar around.

435
00:18:28,720 --> 00:18:30,640
Speaker 7: You're ready have your socks blown off?

436
00:18:30,760 --> 00:18:35,000
Speaker 1: Percentage fifty nine point seven percent up.

437
00:18:35,359 --> 00:18:39,399
Speaker 4: Yes, guys, gosh, such a situation.

438
00:18:39,920 --> 00:18:42,280
Speaker 5: Check mine, I know my goodness.

439
00:18:42,200 --> 00:18:43,160
Speaker 3: Sing yours?

440
00:18:43,480 --> 00:18:45,960
Speaker 1: Oh you have your own mind's up two percent. I

441
00:18:45,960 --> 00:18:47,960
Speaker 1: bought it at the exact same time. M.

442
00:18:48,119 --> 00:18:50,760
Speaker 3: That's interesting. So you have a broker lunchbox, but you

443
00:18:50,800 --> 00:18:51,960
Speaker 3: also have your getting.

444
00:18:52,119 --> 00:18:54,520
Speaker 7: Now you're you're looking at today's return. It's up two percent.

445
00:18:54,680 --> 00:18:57,800
Speaker 7: The total is fifty nine points seven to one percent

446
00:18:57,880 --> 00:18:58,639
Speaker 7: total return.

447
00:18:59,160 --> 00:19:02,639
Speaker 1: Whoo, I can do total? What's the total money?

448
00:19:03,480 --> 00:19:06,920
Speaker 7: Two thousand and five hundred and fifty five dollars?

449
00:19:06,960 --> 00:19:09,159
Speaker 1: No, forty five dollars just went down? Sorry, but what

450
00:19:09,280 --> 00:19:09,800
Speaker 1: did we put in?

451
00:19:09,800 --> 00:19:14,800
Speaker 7: Total? Minu? So we put in like forty three hundred?

452
00:19:15,640 --> 00:19:16,560
Speaker 5: We did we put it?

453
00:19:16,880 --> 00:19:18,840
Speaker 1: I don't even trust these numbers you all put that.

454
00:19:19,640 --> 00:19:20,480
Speaker 1: I don't know.

455
00:19:20,960 --> 00:19:22,160
Speaker 5: I feel like we're getting tricked.

456
00:19:22,200 --> 00:19:23,080
Speaker 7: Yeah, divided by three?

457
00:19:24,520 --> 00:19:25,439
Speaker 3: Still time we gave you.

458
00:19:25,480 --> 00:19:26,399
Speaker 5: For one thousand dollars.

459
00:19:26,880 --> 00:19:29,560
Speaker 7: Yeah, yeah, y'all feel this way. Every time we have

460
00:19:29,600 --> 00:19:31,800
Speaker 7: the same reaction, every single time.

461
00:19:32,160 --> 00:19:33,600
Speaker 1: Still can change.

462
00:19:34,160 --> 00:19:36,679
Speaker 4: Okay, are we sure this is?

463
00:19:36,760 --> 00:19:36,879
Speaker 1: So?

464
00:19:36,960 --> 00:19:39,560
Speaker 7: We put in how much forty three hundred? Yeah?

465
00:19:39,560 --> 00:19:41,520
Speaker 3: I have forty three and twenty dollars.

466
00:19:41,600 --> 00:19:43,760
Speaker 1: Yeah, and we are at we all put in over

467
00:19:43,760 --> 00:19:45,040
Speaker 1: one thousand dollars.

468
00:19:44,640 --> 00:19:46,760
Speaker 4: Like over time, over time, not in one time.

469
00:19:46,840 --> 00:19:48,680
Speaker 7: Okay, So I I was like, I came to you guys,

470
00:19:48,680 --> 00:19:50,119
Speaker 7: and I bought. We bought in the video, and then

471
00:19:50,119 --> 00:19:51,639
Speaker 7: they started doing stuff and I was like, guys, we

472
00:19:51,720 --> 00:19:53,399
Speaker 7: need to buy more, and we bought more, and then

473
00:19:53,440 --> 00:19:54,880
Speaker 7: I was like, one more time, we need to buy

474
00:19:54,880 --> 00:19:56,040
Speaker 7: more and we now we're gonna.

475
00:19:55,840 --> 00:19:57,400
Speaker 5: Get our money back? Is the problem?

476
00:19:58,080 --> 00:20:00,600
Speaker 1: Hold on, it's not even that this because that like

477
00:20:00,680 --> 00:20:02,360
Speaker 1: like he always says, it's not money till you cash

478
00:20:02,359 --> 00:20:03,480
Speaker 1: it out, so we don't.

479
00:20:03,520 --> 00:20:05,240
Speaker 5: We may never get our money back, just like the palate.

480
00:20:05,280 --> 00:20:06,120
Speaker 3: You should cash out.

481
00:20:06,359 --> 00:20:07,760
Speaker 5: I would like to cash out right this second.

482
00:20:07,800 --> 00:20:08,920
Speaker 2: No, you've said that last time.

483
00:20:09,760 --> 00:20:12,560
Speaker 1: But if you vote, But if you vote, keep it in.

484
00:20:13,280 --> 00:20:15,280
Speaker 1: I will take it and reinvest it myself. I don't

485
00:20:15,280 --> 00:20:15,920
Speaker 1: trust him having it.

486
00:20:15,920 --> 00:20:18,160
Speaker 4: We're going to get it back. No, we started this together,

487
00:20:18,160 --> 00:20:18,639
Speaker 4: we're going to end.

488
00:20:18,720 --> 00:20:20,399
Speaker 1: I don't want to be together anymore. I want to

489
00:20:20,400 --> 00:20:22,040
Speaker 1: break out, so rude, I want to break up.

490
00:20:22,119 --> 00:20:24,600
Speaker 3: No, No, I will break up.

491
00:20:24,640 --> 00:20:29,119
Speaker 1: Hey, the corporate protector over there, you understand.

492
00:20:29,920 --> 00:20:31,919
Speaker 7: We feel that we can buy him out if he

493
00:20:31,920 --> 00:20:33,600
Speaker 7: doesn't want a video. If he wants to be out

494
00:20:33,640 --> 00:20:34,160
Speaker 7: on the video.

495
00:20:34,359 --> 00:20:35,120
Speaker 5: I'd like to be out.

496
00:20:35,240 --> 00:20:37,760
Speaker 2: No, you're in it. You're in it to win it

497
00:20:37,800 --> 00:20:38,240
Speaker 2: with us.

498
00:20:39,720 --> 00:20:42,480
Speaker 4: Sorry, what if he dies, well, then we'll get to

499
00:20:42,560 --> 00:20:43,000
Speaker 4: log in.

500
00:20:43,520 --> 00:20:44,399
Speaker 5: That's how it works.

501
00:20:44,800 --> 00:20:46,320
Speaker 7: Then you'll hold to my face at my funeral.

502
00:20:47,760 --> 00:20:48,320
Speaker 5: Open his eyes.

503
00:20:48,840 --> 00:20:50,920
Speaker 4: His wife can get in Chicago cubs.

504
00:20:50,920 --> 00:20:53,000
Speaker 1: What's his birth His wife doesn't know his money.

505
00:20:54,560 --> 00:20:55,800
Speaker 2: You're going to need a way for us to get

506
00:20:55,800 --> 00:20:57,040
Speaker 2: into our video if you die.

507
00:20:57,200 --> 00:20:59,000
Speaker 1: Okay, So wait, how much do we put into it?

508
00:20:59,040 --> 00:20:59,680
Speaker 1: A four thousand?

509
00:21:00,560 --> 00:21:01,680
Speaker 7: Yeah for the video? Yeah?

510
00:21:01,720 --> 00:21:03,120
Speaker 5: And what what's our total?

511
00:21:03,560 --> 00:21:05,560
Speaker 7: Sixty eight hundred dollars?

512
00:21:05,760 --> 00:21:06,360
Speaker 3: That's amazing?

513
00:21:06,560 --> 00:21:08,120
Speaker 1: And how much did you put on a bitcoin?

514
00:21:08,720 --> 00:21:12,439
Speaker 7: Let me go back to pick bitcoin? I am up,

515
00:21:14,760 --> 00:21:16,720
Speaker 7: I got a click on it. Right here we are.

516
00:21:17,280 --> 00:21:19,119
Speaker 7: I've made one hundred and thirty seven dollars.

517
00:21:19,200 --> 00:21:19,959
Speaker 1: How much you put in?

518
00:21:20,200 --> 00:21:26,920
Speaker 7: I put four hundred dollars?

519
00:21:27,320 --> 00:21:28,159
Speaker 5: Twenty five percent?

520
00:21:28,560 --> 00:21:31,080
Speaker 7: Yeah, I'm about twenty five percent. Not bad.

521
00:21:31,280 --> 00:21:34,320
Speaker 3: It's pretty good man making that money.

522
00:21:34,400 --> 00:21:35,520
Speaker 7: Hey is upset?

523
00:21:35,600 --> 00:21:37,119
Speaker 5: And dude, let me tell you, and you're not upset.

524
00:21:37,359 --> 00:21:38,160
Speaker 5: I never get my money.

525
00:21:38,160 --> 00:21:41,239
Speaker 2: I also, yes, stop saying that we will get our

526
00:21:41,240 --> 00:21:42,000
Speaker 2: money money?

527
00:21:42,000 --> 00:21:46,600
Speaker 7: We will, Hey, tko boxing, No, it's wrestling. And when

528
00:21:46,640 --> 00:21:48,520
Speaker 7: they bought the UFC, I came to you guys and said,

529
00:21:48,520 --> 00:21:50,800
Speaker 7: we need to buy that. We were up seventy three

530
00:21:50,840 --> 00:21:51,720
Speaker 7: percent on that stock.

531
00:21:51,880 --> 00:21:52,639
Speaker 1: Did we get in on that?

532
00:21:52,800 --> 00:21:52,879
Speaker 2: Just?

533
00:21:52,960 --> 00:21:53,879
Speaker 7: Yes, we all did.

534
00:21:54,320 --> 00:21:55,440
Speaker 1: I'd like all my money back.

535
00:21:56,760 --> 00:21:57,960
Speaker 2: So we're up on a different stock.

536
00:21:58,040 --> 00:21:59,200
Speaker 7: Yeah, up seventy three percent.

537
00:21:59,600 --> 00:22:01,600
Speaker 3: But you guys are making how much.

538
00:22:01,480 --> 00:22:02,320
Speaker 1: Do we put in there?

539
00:22:02,640 --> 00:22:06,800
Speaker 7: Uh? Please don't tell me one hundred dollars? Okay, yeah,

540
00:22:06,880 --> 00:22:08,960
Speaker 7: it's it's marketing value. Right now, it's one hundred ninety

541
00:22:08,960 --> 00:22:11,640
Speaker 7: seven bucks. We're up eighty three dollars and sixty four cents.

542
00:22:11,760 --> 00:22:14,639
Speaker 7: But I mean that's another one I found. I mean, guys,

543
00:22:14,880 --> 00:22:16,840
Speaker 7: I'm just saying I may have found my niche.

544
00:22:16,840 --> 00:22:20,080
Speaker 5: Hey, Ray, the Royal Caribbean tip you gave me not

545
00:22:20,160 --> 00:22:22,200
Speaker 5: as good as the video, way better than the VIDIA.

546
00:22:22,440 --> 00:22:24,440
Speaker 7: It is not up fifty nine percent. There's no chance.

547
00:22:26,000 --> 00:22:30,959
Speaker 1: I mean, look, my total percent change is seventy six percent.

548
00:22:31,160 --> 00:22:33,320
Speaker 5: That's pretty unreal. I got to get props to my

549
00:22:33,320 --> 00:22:34,680
Speaker 5: buddy Danny, and for Lauderdale.

550
00:22:35,080 --> 00:22:36,320
Speaker 1: He sees him come in every day.

551
00:22:36,359 --> 00:22:37,359
Speaker 5: He knew he was gonna boom.

552
00:22:37,400 --> 00:22:38,600
Speaker 1: Look at this, like, go, look at the hell that

553
00:22:38,680 --> 00:22:41,360
Speaker 1: thing's gone up. That looks ray.

554
00:22:41,359 --> 00:22:42,200
Speaker 3: Do you have that one too?

555
00:22:42,240 --> 00:22:43,239
Speaker 2: Steady climb right there?

556
00:22:43,480 --> 00:22:44,920
Speaker 5: Much smaller mount than bones.

557
00:22:45,040 --> 00:22:46,800
Speaker 2: What you want? Steady climb a lot of.

558
00:22:46,760 --> 00:22:48,840
Speaker 1: Smaller mount Yeah. In the video, A mine is up

559
00:22:48,880 --> 00:22:50,840
Speaker 1: forty five percent. Royal Caribbean's up.

560
00:22:50,880 --> 00:22:51,200
Speaker 5: I was wrong.

561
00:22:51,320 --> 00:22:53,159
Speaker 1: Rate's up seven hundred and sixty four percent since I

562
00:22:53,160 --> 00:22:53,520
Speaker 1: bought it?

563
00:22:53,680 --> 00:22:54,399
Speaker 5: What not?

564
00:22:54,440 --> 00:23:00,000
Speaker 1: Seventy six seven hundred seven times your money? Uh DraftKings

565
00:23:00,080 --> 00:23:01,359
Speaker 1: up one hundred and thirty nine percent.

566
00:23:02,000 --> 00:23:02,600
Speaker 3: It's awesome.

567
00:23:03,840 --> 00:23:07,000
Speaker 1: Costco about that five five percent? Everything's up at least

568
00:23:07,000 --> 00:23:10,400
Speaker 1: like all green that's my niche all green, green green

569
00:23:10,480 --> 00:23:15,040
Speaker 1: or your green bitcoin. When I bought bitcoin, my total

570
00:23:15,080 --> 00:23:21,360
Speaker 1: percent change two hundred and fourteen percent. That one's awesome.

571
00:23:23,800 --> 00:23:24,840
Speaker 1: I then you catch that one out?

572
00:23:24,960 --> 00:23:25,920
Speaker 3: Who needs a four oh one K?

573
00:23:26,040 --> 00:23:27,399
Speaker 1: I me some baseball cards or something?

574
00:23:27,680 --> 00:23:28,120
Speaker 5: What's up?

575
00:23:28,160 --> 00:23:29,800
Speaker 3: Who needs a four oh one K? Man? You just

576
00:23:29,800 --> 00:23:30,160
Speaker 3: do that.

577
00:23:30,600 --> 00:23:32,040
Speaker 1: I like my money back, so I may I need

578
00:23:32,040 --> 00:23:33,959
Speaker 1: you to like be the second person.

579
00:23:34,160 --> 00:23:35,280
Speaker 5: I don't want to buy me out.

580
00:23:35,320 --> 00:23:36,119
Speaker 2: I don't want to do that.

581
00:23:36,600 --> 00:23:37,040
Speaker 1: Just buy me out.

582
00:23:37,040 --> 00:23:37,800
Speaker 3: You want to do it together?

583
00:23:37,920 --> 00:23:39,440
Speaker 5: You want out because I don't want him to have.

584
00:23:39,440 --> 00:23:43,040
Speaker 1: My money anymore? Why Because it's hard to get anything

585
00:23:43,040 --> 00:23:43,600
Speaker 1: back from him.

586
00:23:43,680 --> 00:23:44,879
Speaker 2: We don't want it back right now.

587
00:23:44,920 --> 00:23:46,240
Speaker 1: I do, I would like it back. I'm having some

588
00:23:46,240 --> 00:23:46,960
Speaker 1: money troubles.

589
00:23:48,320 --> 00:23:49,240
Speaker 3: It's a tough time right.

590
00:23:49,119 --> 00:23:52,240
Speaker 2: Now, exactly why I'm just gonna ignore.

591
00:23:51,960 --> 00:23:53,640
Speaker 1: Them mony troubles like my cash.

592
00:23:53,680 --> 00:23:56,159
Speaker 2: You're fine, trust me, okay, Morgan?

593
00:23:56,920 --> 00:23:59,159
Speaker 8: Oh okay, So you guys know when people go and

594
00:23:59,200 --> 00:24:01,639
Speaker 8: fix like stop lights and you see like one of

595
00:24:01,680 --> 00:24:03,080
Speaker 8: those mechanical arms up there.

596
00:24:03,520 --> 00:24:04,560
Speaker 7: Do you guys know what I'm talking about?

597
00:24:04,600 --> 00:24:10,359
Speaker 3: This is my story. No, No, let me tell you something.

598
00:24:10,560 --> 00:24:13,720
Speaker 9: I have three stories now because Morgan always steals my story.

599
00:24:13,800 --> 00:24:14,719
Speaker 3: So now I got back up.

600
00:24:14,800 --> 00:24:18,760
Speaker 1: What I'll start doing is generically going to somebody first, Okay,

601
00:24:18,960 --> 00:24:22,359
Speaker 1: I like it. It doesn't matter who. Randomly, I'll just

602
00:24:22,359 --> 00:24:24,320
Speaker 1: go to somebody different, not generically, just randomly.

603
00:24:24,400 --> 00:24:24,760
Speaker 3: Okay.

604
00:24:24,880 --> 00:24:26,399
Speaker 7: Should we just yell that was my story?

605
00:24:26,560 --> 00:24:26,879
Speaker 3: No?

606
00:24:26,880 --> 00:24:29,280
Speaker 1: No, but you do that in games when somebody picks

607
00:24:29,280 --> 00:24:31,720
Speaker 1: anything that I know. But I'm saying, he don't do

608
00:24:31,720 --> 00:24:33,359
Speaker 1: that anymore. Just go do the next story for her,

609
00:24:33,880 --> 00:24:34,560
Speaker 1: all right, Morgan?

610
00:24:35,040 --> 00:24:38,280
Speaker 8: Okay, So anyways, you guys know those mechanical arms when

611
00:24:38,280 --> 00:24:40,240
Speaker 8: they do a stop light and they're going to fix

612
00:24:40,320 --> 00:24:40,920
Speaker 8: the stoplight.

613
00:24:41,000 --> 00:24:42,119
Speaker 4: Do you guys all know what I'm talking.

614
00:24:41,960 --> 00:24:45,919
Speaker 8: About, And there's a worker in it, and like they

615
00:24:46,000 --> 00:24:47,560
Speaker 8: kind of have a worker on the ground who stops

616
00:24:47,600 --> 00:24:49,080
Speaker 8: other people from driving around it.

617
00:24:49,119 --> 00:24:50,920
Speaker 4: Well, an eighteen.

618
00:24:50,480 --> 00:24:54,280
Speaker 8: Wheeler apparently didn't see this happen, and he smashed right

619
00:24:54,320 --> 00:24:57,639
Speaker 8: into the arm and then the arm flips and the

620
00:24:57,680 --> 00:25:00,280
Speaker 8: guys like dangling from this arm.

621
00:25:00,840 --> 00:25:03,200
Speaker 1: This is not the truck's fault, No, no, no, it's

622
00:25:03,320 --> 00:25:05,000
Speaker 1: they should have got out on the road and made

623
00:25:05,040 --> 00:25:07,760
Speaker 1: sure nobody came through, because, yeah, the bucket's up and

624
00:25:07,800 --> 00:25:09,760
Speaker 1: a car's not going to hit it, but an eighteen

625
00:25:09,800 --> 00:25:11,480
Speaker 1: wheeler does and hit the bottom of the bucket and.

626
00:25:11,480 --> 00:25:13,320
Speaker 5: The guy is like it nails him.

627
00:25:13,359 --> 00:25:14,440
Speaker 3: Yeah, you got to block that road.

628
00:25:14,520 --> 00:25:17,240
Speaker 1: Yes, somebody has to even put a cone up. Yeah,

629
00:25:17,240 --> 00:25:20,119
Speaker 1: it's crazy. The horrifying moment an eighteen wheeler crashes into

630
00:25:20,200 --> 00:25:21,480
Speaker 1: a worker and a bucket truck.

631
00:25:22,000 --> 00:25:23,840
Speaker 8: Yeah, and thankfully he's he didn't even have to go

632
00:25:23,840 --> 00:25:25,240
Speaker 8: to the worker didn't have to go to the hospital

633
00:25:25,280 --> 00:25:27,760
Speaker 8: because they have him harnessed in so he but that,

634
00:25:27,920 --> 00:25:31,119
Speaker 8: like imagine me, dangled upside down just in front of

635
00:25:31,160 --> 00:25:32,240
Speaker 8: an entire intersection.

636
00:25:33,119 --> 00:25:35,359
Speaker 5: Yeah, that sucks. That's and that's not the trucker's fault.

637
00:25:35,680 --> 00:25:38,040
Speaker 3: No, it's not. I don't even think the trucks stop.

638
00:25:38,080 --> 00:25:39,080
Speaker 3: He had no idea what he did.

639
00:25:39,200 --> 00:25:41,320
Speaker 1: He pulled over to this essentially, yeah, he pulled Yeah.

640
00:25:41,359 --> 00:25:43,360
Speaker 1: Could you feel something here?

641
00:25:43,400 --> 00:25:43,760
Speaker 3: A sound?

642
00:25:43,840 --> 00:25:45,640
Speaker 1: Maybe it's like yeah, because he had hard he pulled

643
00:25:45,680 --> 00:25:47,320
Speaker 1: over to the side. I'm watching it right now. Yeah,

644
00:25:47,400 --> 00:25:49,880
Speaker 1: that's it all right, Uh Eddie, do you have anything?

645
00:25:49,960 --> 00:25:51,960
Speaker 3: I have a backup story? Okay, Actually it's pretty good.

646
00:25:52,760 --> 00:25:56,440
Speaker 9: The these security guards are speaking on BuzzFeed about who

647
00:25:56,480 --> 00:25:58,480
Speaker 9: they've kind of been with, celebrities that they've been with,

648
00:25:58,520 --> 00:25:59,800
Speaker 9: so they're kind of saying like, here are the good

649
00:25:59,840 --> 00:26:02,680
Speaker 9: one here, no, no, no, who they've just like got

650
00:26:02,800 --> 00:26:06,119
Speaker 9: hired to protect while they're in town. So John Cena

651
00:26:06,280 --> 00:26:07,160
Speaker 9: is one that came up.

652
00:26:07,200 --> 00:26:10,280
Speaker 1: So it's security, he said, security, like security guards whatever.

653
00:26:10,320 --> 00:26:10,520
Speaker 3: There.

654
00:26:10,960 --> 00:26:15,200
Speaker 9: So one was talking about John Cena and I saw

655
00:26:15,200 --> 00:26:17,040
Speaker 9: it on the list. I'm like, oh, no, like we

656
00:26:17,080 --> 00:26:19,400
Speaker 9: all think John Cena is like awesome because we've heard

657
00:26:19,480 --> 00:26:23,160
Speaker 9: all awesome stuff. Well, this guy said he was awesome.

658
00:26:23,480 --> 00:26:25,440
Speaker 9: He said that he was driving him around he saw

659
00:26:25,440 --> 00:26:27,000
Speaker 9: a bunch of fans and he said, look at I'm

660
00:26:27,040 --> 00:26:28,960
Speaker 9: really sorry. Can we stop real quick, and I know

661
00:26:29,000 --> 00:26:30,680
Speaker 9: we're in a hurry, but can we meet some of

662
00:26:30,720 --> 00:26:33,040
Speaker 9: these fans make a wish kids much of than the one, probably,

663
00:26:33,560 --> 00:26:37,000
Speaker 9: And then he said he signed autographs for everyone, and

664
00:26:37,040 --> 00:26:38,880
Speaker 9: then at the end he said, hey, dude, thank you again.

665
00:26:38,920 --> 00:26:41,600
Speaker 3: I really apologized for that. He gave him a Snickers bar.

666
00:26:43,640 --> 00:26:44,720
Speaker 5: But probably another tip too.

667
00:26:45,960 --> 00:26:47,760
Speaker 3: But just on top of it, like do here take this.

668
00:26:47,800 --> 00:26:48,800
Speaker 3: I'm sorry we had to do that.

669
00:26:49,119 --> 00:26:49,680
Speaker 5: Give me another one.

670
00:26:49,920 --> 00:26:52,399
Speaker 3: Another one is Robert Duvall. You know is the actor.

671
00:26:52,800 --> 00:26:54,200
Speaker 5: Yeah, old guy, right, old guy.

672
00:26:54,720 --> 00:26:57,840
Speaker 9: Security guard said, he is awesome. He's so cool. He

673
00:26:57,880 --> 00:27:00,639
Speaker 9: always has a book with him. He reads the whole time.

674
00:27:00,960 --> 00:27:02,520
Speaker 9: And then when he goes out goes out to eat,

675
00:27:02,600 --> 00:27:06,159
Speaker 9: he does a log of like restaurant was okay, probably

676
00:27:06,160 --> 00:27:07,200
Speaker 9: never come back to this one again.

677
00:27:07,720 --> 00:27:08,440
Speaker 3: That's pretty funny.

678
00:27:08,480 --> 00:27:09,440
Speaker 5: That's fun Give me one more.

679
00:27:09,760 --> 00:27:10,919
Speaker 3: Adam Lambert.

680
00:27:11,280 --> 00:27:12,000
Speaker 5: I imagine he'd be.

681
00:27:12,000 --> 00:27:14,040
Speaker 7: Difficult, difficult.

682
00:27:14,960 --> 00:27:17,600
Speaker 9: He said that he drove him around. He said, look,

683
00:27:17,640 --> 00:27:20,600
Speaker 9: unless you see a thousand people bother me, stayed up

684
00:27:20,640 --> 00:27:21,320
Speaker 9: away from me.

685
00:27:21,480 --> 00:27:23,560
Speaker 3: Okay, like, don't even need you around me.

686
00:27:23,720 --> 00:27:26,600
Speaker 1: Humans talk to other humans that way, just in general. Yeah,

687
00:27:26,720 --> 00:27:27,959
Speaker 1: regardless you're paying him or not.

688
00:27:28,160 --> 00:27:28,879
Speaker 5: Like that sucks.

689
00:27:29,000 --> 00:27:32,520
Speaker 9: You want to hear eminem, Yeah, I bet he was

690
00:27:32,560 --> 00:27:35,600
Speaker 9: just quiet but fine, quiet but so nice.

691
00:27:35,720 --> 00:27:35,920
Speaker 3: Yeah.

692
00:27:35,960 --> 00:27:37,600
Speaker 1: I've had people that have worked with him and they

693
00:27:37,640 --> 00:27:38,720
Speaker 1: say the same thing, like he doesn't go to the

694
00:27:38,720 --> 00:27:40,600
Speaker 1: way to be nice, but he's also not not nice.

695
00:27:40,640 --> 00:27:42,359
Speaker 5: He's just like, I'm here.

696
00:27:42,880 --> 00:27:45,480
Speaker 9: This is a cool one, real quick. Yeah, Kicksbrooks. Yeah,

697
00:27:45,520 --> 00:27:47,879
Speaker 9: it's just super nice Kicksbrooks. So this guy said, I

698
00:27:47,920 --> 00:27:52,159
Speaker 9: was working security backstage. Kicksbrooks came in normal clothes and

699
00:27:52,200 --> 00:27:53,520
Speaker 9: he said, hey, man, I need to get back there.

700
00:27:53,560 --> 00:27:55,240
Speaker 9: He's like, where's your past? Like I don't have one

701
00:27:55,280 --> 00:27:58,080
Speaker 9: on me. He said, well, no, past can't come here.

702
00:27:58,840 --> 00:28:01,160
Speaker 9: And he's like okay, all right, and he walked away.

703
00:28:01,520 --> 00:28:04,000
Speaker 9: He came back with another I guess his manager whatever

704
00:28:04,080 --> 00:28:06,040
Speaker 9: said this is the artist and.

705
00:28:06,280 --> 00:28:06,680
Speaker 5: That was cool.

706
00:28:06,680 --> 00:28:08,240
Speaker 1: It kicks not to be like, don't you know who

707
00:28:08,280 --> 00:28:08,560
Speaker 1: I am?

708
00:28:08,720 --> 00:28:11,000
Speaker 9: That's what I thought, and he said after the show,

709
00:28:11,040 --> 00:28:13,160
Speaker 9: he came back and apologized, Hey, dude, I'm so sorry

710
00:28:13,160 --> 00:28:14,000
Speaker 9: I didn't have my past.

711
00:28:14,200 --> 00:28:16,240
Speaker 3: I'm sure that was hard for you, but thanks for

712
00:28:16,280 --> 00:28:18,000
Speaker 3: doing your job. That's good. I like that.

713
00:28:18,040 --> 00:28:18,280
Speaker 8: Cool.

714
00:28:18,440 --> 00:28:21,359
Speaker 1: Yeah, we're going to go to a Parker McCollum interview.

715
00:28:21,359 --> 00:28:24,040
Speaker 1: Now for about listening on the podcast, So take a break,

716
00:28:24,040 --> 00:28:29,080
Speaker 1: come back with our talk with Parker McCollum on The

717
00:28:29,119 --> 00:28:33,879
Speaker 1: Bobby Bone Show. Now is Parker McCollum, Hey, you guys,

718
00:28:33,920 --> 00:28:34,879
Speaker 1: how tall are you?

719
00:28:34,920 --> 00:28:35,480
Speaker 6: Six three?

720
00:28:36,240 --> 00:28:38,200
Speaker 5: You're a giant? Are you growing? Are you still age

721
00:28:38,240 --> 00:28:39,360
Speaker 5: young enough where you're still growing?

722
00:28:39,400 --> 00:28:40,280
Speaker 6: I'm a grown boy.

723
00:28:40,840 --> 00:28:44,200
Speaker 4: You're at that age you growing?

724
00:28:46,880 --> 00:28:49,000
Speaker 1: He looks still and every time I see him, I

725
00:28:49,000 --> 00:28:49,680
Speaker 1: feel like he's taller.

726
00:28:49,720 --> 00:28:50,640
Speaker 5: When you put boots on.

727
00:28:51,840 --> 00:28:54,640
Speaker 6: It definitely goes from six to three to a higher number.

728
00:28:54,680 --> 00:28:56,080
Speaker 6: I don't know what exactly, but.

729
00:28:56,240 --> 00:29:00,200
Speaker 1: I was talking to Parker at the ACMs and were

730
00:29:00,360 --> 00:29:02,400
Speaker 1: it's that time and commercial for everybody stands up and

731
00:29:02,440 --> 00:29:04,480
Speaker 1: so like, I really like Parker and I know Parker,

732
00:29:04,560 --> 00:29:05,600
Speaker 1: so I don't feel the need to have to go

733
00:29:05,640 --> 00:29:06,920
Speaker 1: and spend ten minutes with them in the middle of

734
00:29:06,920 --> 00:29:09,120
Speaker 1: an award show. It's that, you know, because we and

735
00:29:09,160 --> 00:29:11,360
Speaker 1: so real quick. It's like, hey, and he hugs me,

736
00:29:11,360 --> 00:29:12,360
Speaker 1: but he hugs down on me.

737
00:29:12,720 --> 00:29:13,640
Speaker 2: What do you mean by down?

738
00:29:13,720 --> 00:29:17,320
Speaker 6: He's yeah, I was looking for more than a hug.

739
00:29:17,360 --> 00:29:19,520
Speaker 4: Okay, well that's what it sounded like.

740
00:29:19,600 --> 00:29:20,800
Speaker 5: He lifted me up and let.

741
00:29:20,680 --> 00:29:21,560
Speaker 1: My legs dangle.

742
00:29:21,680 --> 00:29:23,120
Speaker 4: Okay, I get it now.

743
00:29:23,200 --> 00:29:26,680
Speaker 1: Yeah, yeah, he hugged down on me, big old boy, Bobby,

744
00:29:26,720 --> 00:29:30,040
Speaker 1: you're six one h but if he's in boots, he's

745
00:29:30,080 --> 00:29:30,480
Speaker 1: six holp.

746
00:29:30,520 --> 00:29:31,320
Speaker 5: What is it five?

747
00:29:31,800 --> 00:29:33,560
Speaker 6: Probably close to it, six four or six five, something

748
00:29:33,600 --> 00:29:33,800
Speaker 6: like that.

749
00:29:33,840 --> 00:29:35,440
Speaker 5: I'll show you my idea said six one on it.

750
00:29:35,760 --> 00:29:36,600
Speaker 6: Thoughts, I believe you?

751
00:29:36,640 --> 00:29:38,760
Speaker 2: Thank you don't don't believe him?

752
00:29:39,000 --> 00:29:40,200
Speaker 5: Why are you hating right now?

753
00:29:40,240 --> 00:29:42,520
Speaker 2: Well, because we know that you're not exactly.

754
00:29:42,200 --> 00:29:43,800
Speaker 5: It's my friend. Why are you doing to my friends?

755
00:29:44,480 --> 00:29:46,959
Speaker 1: Hey, Parker? What is the song of yours that fans

756
00:29:46,960 --> 00:29:49,040
Speaker 1: screamed the loudest um.

757
00:29:51,920 --> 00:29:56,960
Speaker 6: Uh like a cowboy stoned? Probably handle on you?

758
00:29:56,960 --> 00:29:58,320
Speaker 5: You just did three songs.

759
00:29:58,760 --> 00:30:01,040
Speaker 1: I was going through the ones that really like got it,

760
00:30:01,080 --> 00:30:03,760
Speaker 1: so handle on you screamed aloud to think So.

761
00:30:04,600 --> 00:30:05,520
Speaker 5: Now you're saying you don't.

762
00:30:05,360 --> 00:30:07,760
Speaker 6: Think so, I think so. That's probably the one.

763
00:30:07,840 --> 00:30:10,680
Speaker 1: Think Does it move in stages? Meaning and a year

764
00:30:10,680 --> 00:30:13,440
Speaker 1: from now or a year prior it was a different song.

765
00:30:13,920 --> 00:30:18,040
Speaker 6: It kind of does? I think, Like Pretty Hard, even

766
00:30:18,040 --> 00:30:19,880
Speaker 6: like two or three years after Pretty Hard came out,

767
00:30:19,880 --> 00:30:23,440
Speaker 6: that was still like the really big one, which we've

768
00:30:23,480 --> 00:30:25,240
Speaker 6: had songs that weren't singles that were never on the

769
00:30:25,320 --> 00:30:28,959
Speaker 6: radio that feel like they were number ones on at

770
00:30:29,000 --> 00:30:31,120
Speaker 6: the show. But I think handle it used the one

771
00:30:31,160 --> 00:30:32,280
Speaker 6: that gets the biggest reaction.

772
00:30:32,800 --> 00:30:35,840
Speaker 1: If you were allowed to steal one song from another

773
00:30:35,920 --> 00:30:39,560
Speaker 1: artist catalog and now you wrote it, but you didn't,

774
00:30:39,560 --> 00:30:41,600
Speaker 1: but you, but you now you wrote it in a

775
00:30:41,600 --> 00:30:42,600
Speaker 1: different timeline.

776
00:30:42,280 --> 00:30:43,000
Speaker 3: What would that song be?

777
00:30:43,440 --> 00:30:46,840
Speaker 1: Any artists, any any song, but now Parker McCollum, the

778
00:30:46,880 --> 00:30:48,480
Speaker 1: world knows you as writing that song.

779
00:30:51,160 --> 00:30:55,680
Speaker 6: Goy, that'd be a long list. Probably nobody in their

780
00:30:55,760 --> 00:30:56,280
Speaker 6: right mind.

781
00:30:56,760 --> 00:30:59,600
Speaker 3: George Strait, it's a gem.

782
00:30:59,400 --> 00:31:01,640
Speaker 1: Going on mid mid I want to say deep cut

783
00:31:01,640 --> 00:31:07,240
Speaker 1: a mid cut on George straight. Yeah, but I so

784
00:31:07,400 --> 00:31:10,080
Speaker 1: the writer though probably wasn't George right, No, I think.

785
00:31:09,960 --> 00:31:10,560
Speaker 6: Dean wrote that.

786
00:31:10,680 --> 00:31:14,520
Speaker 1: Yeah, you are a I say this, you're a great writer.

787
00:31:14,720 --> 00:31:15,080
Speaker 5: Thank you.

788
00:31:15,200 --> 00:31:17,280
Speaker 1: Do you ever write a lyric? And maybe it's like

789
00:31:17,320 --> 00:31:19,440
Speaker 1: what lyric do you have you written? And you're like, yep,

790
00:31:20,120 --> 00:31:22,080
Speaker 1: that's the bar right there, Like that's a bar.

791
00:31:23,520 --> 00:31:25,960
Speaker 6: I always liked the line and uh, in hell of

792
00:31:25,960 --> 00:31:31,240
Speaker 6: a year, I smoke you away and then you drink

793
00:31:31,320 --> 00:31:34,320
Speaker 6: till you drown. I've always thought that.

794
00:31:34,280 --> 00:31:34,920
Speaker 5: Was the bar.

795
00:31:35,120 --> 00:31:37,520
Speaker 1: Did that fall out of you or was that crafted

796
00:31:37,560 --> 00:31:38,080
Speaker 1: out of you?

797
00:31:38,080 --> 00:31:38,160
Speaker 2: No?

798
00:31:38,280 --> 00:31:40,480
Speaker 6: That just you know. The way I write songs, I

799
00:31:40,600 --> 00:31:42,240
Speaker 6: literally just I say this all the time. I don't

800
00:31:42,240 --> 00:31:44,600
Speaker 6: think people believe me, but you know, I just play

801
00:31:44,640 --> 00:31:47,200
Speaker 6: guitar until I sing a melody that I think is

802
00:31:47,560 --> 00:31:50,720
Speaker 6: you know, is melody's numero uno for me. And once

803
00:31:50,760 --> 00:31:54,160
Speaker 6: I have a melody, then I just literally just start

804
00:31:54,200 --> 00:31:56,760
Speaker 6: spitting things out and try to freestyle over the melody

805
00:31:56,800 --> 00:32:01,680
Speaker 6: and just sing crafty poetic things and whatever's kind of

806
00:32:02,480 --> 00:32:04,400
Speaker 6: on my on my mind or on my brain.

807
00:32:04,560 --> 00:32:06,440
Speaker 1: So do you record when you're doing that so you

808
00:32:06,480 --> 00:32:09,120
Speaker 1: don't miss something? I do not all the time, but

809
00:32:09,160 --> 00:32:12,000
Speaker 1: I've learned my lesson. So ever, have something you're like, man,

810
00:32:12,040 --> 00:32:13,600
Speaker 1: this is so good. I'm not gonna write it down right now,

811
00:32:13,640 --> 00:32:14,440
Speaker 1: for sure I'll remember it.

812
00:32:14,480 --> 00:32:15,880
Speaker 6: And then you're like, so many oh my god, I

813
00:32:15,880 --> 00:32:18,680
Speaker 6: can't remember it so many times, so many times. The

814
00:32:18,800 --> 00:32:21,440
Speaker 6: iPhone probably saved my songwriting career.

815
00:32:22,200 --> 00:32:23,960
Speaker 1: I wonder how many Grammys for all those great ideas

816
00:32:23,960 --> 00:32:24,800
Speaker 1: you would have won by now.

817
00:32:25,000 --> 00:32:27,640
Speaker 6: Well, I've actually thought about putting out like a record

818
00:32:27,640 --> 00:32:32,200
Speaker 6: of just iPhone recordings, just super raw.

819
00:32:32,800 --> 00:32:35,719
Speaker 5: Like the voice memo or like the work tape, iPhone.

820
00:32:35,880 --> 00:32:36,760
Speaker 6: Just the voice memos.

821
00:32:36,840 --> 00:32:38,760
Speaker 5: That would be really weird because it's mostly just you

822
00:32:38,800 --> 00:32:40,280
Speaker 5: going well.

823
00:32:40,320 --> 00:32:43,520
Speaker 6: I mean, like dog, you write the song, I'll usually

824
00:32:43,560 --> 00:32:45,400
Speaker 6: like record it because I'll usually send it to my

825
00:32:45,440 --> 00:32:48,560
Speaker 6: brother or send it to you know somebody and be like, hey,

826
00:32:48,680 --> 00:32:50,480
Speaker 6: check us out. I just wrote this. It's really good.

827
00:32:50,800 --> 00:32:55,280
Speaker 1: So it's it's a full song. Then it's just you.

828
00:32:55,280 --> 00:32:57,320
Speaker 1: You just have to be very careful chasing a melody.

829
00:32:57,400 --> 00:32:59,080
Speaker 6: You have to really be sure you didn't put any

830
00:32:59,800 --> 00:33:04,120
Speaker 6: you know, of the wrong voice memos on there. I

831
00:33:04,120 --> 00:33:08,400
Speaker 6: could go south quick. No, I just you know, I

832
00:33:08,600 --> 00:33:12,080
Speaker 6: like to I don't know. I just there's some it's

833
00:33:12,080 --> 00:33:13,960
Speaker 6: probably for off air, but yeah, there's some.

834
00:33:14,560 --> 00:33:15,120
Speaker 5: They don't say it.

835
00:33:15,160 --> 00:33:18,720
Speaker 1: I would encourage you not to say I got some

836
00:33:18,760 --> 00:33:22,920
Speaker 1: pretty good voice memo pranks that I pull. You have

837
00:33:23,200 --> 00:33:26,640
Speaker 1: a definite like cool cowboy energy. But what's the least

838
00:33:26,680 --> 00:33:27,600
Speaker 1: cowboy thing about you?

839
00:33:30,720 --> 00:33:34,240
Speaker 6: I don't know. I love like really fast cars.

840
00:33:34,720 --> 00:33:38,040
Speaker 1: Do you have any I do? This is when you

841
00:33:38,080 --> 00:33:40,360
Speaker 1: say what you have, give me one.

842
00:33:40,440 --> 00:33:42,920
Speaker 6: I have a C eight zero six Corvette. Yeah, I

843
00:33:42,960 --> 00:33:45,640
Speaker 6: don't really know what that is, and it's very fast,

844
00:33:46,160 --> 00:33:48,560
Speaker 6: and I've got a hellcat red eye white body Dodge

845
00:33:48,640 --> 00:33:51,880
Speaker 6: Challenger I had. I had a C seven zero six

846
00:33:51,920 --> 00:33:53,880
Speaker 6: seven speed manual, but I sawd it to my neighbor

847
00:33:54,360 --> 00:33:55,240
Speaker 6: two houses down.

848
00:33:55,360 --> 00:33:57,240
Speaker 5: So did he see it and won it?

849
00:33:57,640 --> 00:33:58,040
Speaker 6: He did?

850
00:33:58,640 --> 00:34:00,280
Speaker 1: Did you get him for the extra autograph that like

851
00:34:00,320 --> 00:34:00,720
Speaker 1: the trunk?

852
00:34:00,760 --> 00:34:03,160
Speaker 6: And I sold him for ten grand more than I

853
00:34:03,160 --> 00:34:05,040
Speaker 6: bought it. And I was twenty sixteen.

854
00:34:04,720 --> 00:34:06,640
Speaker 3: So talking about wow, is that the neighbor with a

855
00:34:06,640 --> 00:34:07,040
Speaker 3: good lawn?

856
00:34:07,800 --> 00:34:09,279
Speaker 6: No, that's not that. The guy with a good lawn

857
00:34:09,400 --> 00:34:11,080
Speaker 6: is not my neighbor. He lives on the other side

858
00:34:11,080 --> 00:34:14,799
Speaker 6: of the of the the area. So he's become a

859
00:34:14,800 --> 00:34:16,040
Speaker 6: good buddy. Now though, are you.

860
00:34:16,000 --> 00:34:16,839
Speaker 5: A good lawn guy?

861
00:34:16,920 --> 00:34:17,080
Speaker 6: Though?

862
00:34:17,080 --> 00:34:18,920
Speaker 5: Now where you notice and respect a good line.

863
00:34:18,960 --> 00:34:20,080
Speaker 6: I don't have as much time to go to my

864
00:34:20,160 --> 00:34:23,800
Speaker 6: ranch now, and so I've gotten super into my grass.

865
00:34:23,800 --> 00:34:24,000
Speaker 1: Man.

866
00:34:24,880 --> 00:34:30,520
Speaker 6: I'm like the good lawn guy, mister Brian Kotowski, who's

867
00:34:30,600 --> 00:34:33,400
Speaker 6: who has incredible grass and it's helping me get my

868
00:34:33,440 --> 00:34:35,440
Speaker 6: grass to where his grass is. He was like, man,

869
00:34:35,480 --> 00:34:38,240
Speaker 6: you're just a pair of new balances away from really

870
00:34:38,239 --> 00:34:40,279
Speaker 6: being a real dad. And I was like, I'm gonna

871
00:34:40,280 --> 00:34:44,280
Speaker 6: stick with the Nikes for now. For now, you're stranded

872
00:34:44,280 --> 00:34:45,720
Speaker 6: at BUCkies. You got twenty bucks.

873
00:34:45,920 --> 00:34:46,520
Speaker 5: What do you get?

874
00:34:46,960 --> 00:34:49,279
Speaker 6: I'm probably gonna get the they have, like this little

875
00:34:49,280 --> 00:34:51,560
Speaker 6: orange chicken burrito thing I used to eat all the

876
00:34:51,560 --> 00:34:53,319
Speaker 6: time we were when we toured in a van back

877
00:34:53,320 --> 00:34:55,200
Speaker 6: in the day. Like, I mean, we would like to

878
00:34:55,200 --> 00:34:58,200
Speaker 6: do our taxes at the end of the year sometimes

879
00:34:58,360 --> 00:35:02,200
Speaker 6: and and like these people would kill us and they'd

880
00:35:02,200 --> 00:35:04,160
Speaker 6: be like, what are what is BUCkies? Why are y'all

881
00:35:04,160 --> 00:35:07,200
Speaker 6: spending thousands of dollars at BUCkies a year? Well, you've

882
00:35:07,239 --> 00:35:09,640
Speaker 6: stopped there so much. And I would always it's like,

883
00:35:09,719 --> 00:35:11,560
Speaker 6: it's like an orange chicken burrito thing. I don't even

884
00:35:11,560 --> 00:35:13,520
Speaker 6: know what it's called, but I would hammer one every time.

885
00:35:14,080 --> 00:35:17,319
Speaker 1: Why would you self title this album that came out

886
00:35:17,360 --> 00:35:21,320
Speaker 1: today when it is not your first album?

887
00:35:21,520 --> 00:35:24,080
Speaker 6: I didn't know that that was the rule for that,

888
00:35:24,880 --> 00:35:25,640
Speaker 6: I would say rule.

889
00:35:25,680 --> 00:35:29,840
Speaker 1: I would just say, I don't know.

890
00:35:29,880 --> 00:35:32,560
Speaker 6: Frank Liddell, the producer, was really the was the first

891
00:35:32,560 --> 00:35:35,799
Speaker 6: one to bring it up. And then Sarah Dodd, who

892
00:35:35,840 --> 00:35:37,560
Speaker 6: did the artwork for the record, she was the one

893
00:35:37,600 --> 00:35:38,799
Speaker 6: she wanted to just She was like, what if you

894
00:35:38,840 --> 00:35:41,560
Speaker 6: just called it Parker? And I was like, I like that,

895
00:35:41,640 --> 00:35:44,160
Speaker 6: but you know, I don't know if that's a good idea.

896
00:35:44,360 --> 00:35:47,040
Speaker 6: And but the real reason is I just didn't, you know,

897
00:35:47,239 --> 00:35:49,279
Speaker 6: I didn't have like a great album title I was

898
00:35:49,280 --> 00:35:51,000
Speaker 6: in love with. I didn't have like a cool concept

899
00:35:51,040 --> 00:35:53,279
Speaker 6: or anything. I had a few of them, had some

900
00:35:53,360 --> 00:35:57,120
Speaker 6: notes I'd made, But and this record is super I

901
00:35:57,160 --> 00:35:59,439
Speaker 6: don't know, I feel like I finally figured it out

902
00:36:00,000 --> 00:36:03,359
Speaker 6: after all these years. You know, this is the album

903
00:36:03,360 --> 00:36:05,120
Speaker 6: I always wondered if I was good enough to make.

904
00:36:06,239 --> 00:36:06,400
Speaker 3: You know.

905
00:36:06,440 --> 00:36:09,400
Speaker 6: I put out my first record, The Limestone Kid, twenty fifteen,

906
00:36:09,719 --> 00:36:11,560
Speaker 6: and it just blew up for us in Texas and

907
00:36:11,600 --> 00:36:13,360
Speaker 6: kind of the red dirt scene, and so we were

908
00:36:13,360 --> 00:36:15,040
Speaker 6: selling a bunch of tickets right away. And it's just

909
00:36:15,040 --> 00:36:20,600
Speaker 6: been so good since it very first started. And and

910
00:36:21,440 --> 00:36:23,800
Speaker 6: you know, I didn't want to just be the Limestone

911
00:36:23,880 --> 00:36:25,560
Speaker 6: Kid forever. I wanted to go out and I wanted

912
00:36:25,560 --> 00:36:26,960
Speaker 6: to come to Nashville and to sign a record do.

913
00:36:27,000 --> 00:36:29,680
Speaker 6: I wanted to do the big business side of it

914
00:36:29,719 --> 00:36:32,399
Speaker 6: and be an entertainer and just see what that world

915
00:36:32,600 --> 00:36:34,560
Speaker 6: was like. And I did it, and then I kind

916
00:36:34,560 --> 00:36:35,799
Speaker 6: of got bored with it, and I was like, man,

917
00:36:35,800 --> 00:36:38,359
Speaker 6: I'm going to go back to just, you know, kind

918
00:36:38,360 --> 00:36:40,160
Speaker 6: of the old way of doing things, like I started,

919
00:36:40,440 --> 00:36:43,839
Speaker 6: and you know, this is super personal record, it's super raw,

920
00:36:43,880 --> 00:36:46,640
Speaker 6: and we really just hit record and recorded the songs

921
00:36:46,680 --> 00:36:49,680
Speaker 6: and didn't do anything really special and just felt like

922
00:36:49,680 --> 00:36:51,920
Speaker 6: a great time to kind of just have it be

923
00:36:52,040 --> 00:36:52,520
Speaker 6: the real me.

924
00:36:53,360 --> 00:36:56,279
Speaker 1: There's a song, if I'm going to pick one just

925
00:36:56,280 --> 00:36:59,239
Speaker 1: to kind of highlight that I liked, and I think

926
00:36:59,280 --> 00:37:01,239
Speaker 1: I really like the song, but also really like the

927
00:37:01,239 --> 00:37:02,480
Speaker 1: writers because I know the writers.

928
00:37:02,520 --> 00:37:02,759
Speaker 3: I know.

929
00:37:03,160 --> 00:37:06,040
Speaker 1: But it's Hope that I'm Enough with Matt Jenkins and

930
00:37:06,120 --> 00:37:09,480
Speaker 1: Jesse Alexander, you also wrote the song like I love

931
00:37:09,520 --> 00:37:11,560
Speaker 1: this song, Ray, would you play Hope that I'm Enough?

932
00:37:11,840 --> 00:37:15,040
Speaker 6: Sitting on the couch at the house. Our dog, Ruger

933
00:37:15,160 --> 00:37:17,600
Speaker 6: is a chocolate lab. He was laying on the couch

934
00:37:17,600 --> 00:37:19,400
Speaker 6: with my wife, Hallie Ray and I and I was

935
00:37:19,440 --> 00:37:22,279
Speaker 6: just playing guitar, kind of messing around, and I heard

936
00:37:22,280 --> 00:37:24,319
Speaker 6: her say, Rugre, I can feel you breathing on me

937
00:37:24,480 --> 00:37:26,680
Speaker 6: is a hot dog breath, you know, it on her neck,

938
00:37:26,719 --> 00:37:28,400
Speaker 6: And so I just started singing, I can feel you

939
00:37:28,440 --> 00:37:31,400
Speaker 6: breathing And I wrote that those first two verses, and

940
00:37:31,440 --> 00:37:35,080
Speaker 6: that that kind of cores hooked thing just right there,

941
00:37:35,120 --> 00:37:38,320
Speaker 6: like instantly, And then Matt and Jesse were at the

942
00:37:38,360 --> 00:37:41,400
Speaker 6: house probably a few weeks later, and I played it

943
00:37:41,400 --> 00:37:43,040
Speaker 6: for him. I said, hey, well we should finish this.

944
00:37:43,200 --> 00:37:45,319
Speaker 6: And I hate co writing, so, like any I would

945
00:37:45,440 --> 00:37:47,319
Speaker 6: rather just be like, hey, just help me finish this

946
00:37:47,360 --> 00:37:49,239
Speaker 6: instead of sit around for hours trying to come up

947
00:37:49,239 --> 00:37:52,279
Speaker 6: with a song. I really don't like doing that. So

948
00:37:54,320 --> 00:37:56,680
Speaker 6: it's a halle Ray's like as good as God can

949
00:37:56,680 --> 00:37:59,280
Speaker 6: make a woman. I mean, she's just so unbelievably pure

950
00:37:59,800 --> 00:38:02,800
Speaker 6: and a very very great person to write songs about.

951
00:38:02,840 --> 00:38:05,200
Speaker 6: So and she's always asking me, She's like, are you

952
00:38:05,200 --> 00:38:07,680
Speaker 6: ever going to write songs about love going right and

953
00:38:07,960 --> 00:38:10,640
Speaker 6: being happy? And I'm like, I don't know about being happy.

954
00:38:11,480 --> 00:38:13,520
Speaker 6: But there's actually a couple songs on this record that

955
00:38:14,520 --> 00:38:16,200
Speaker 6: are good love songs, I think.

956
00:38:17,000 --> 00:38:18,440
Speaker 1: And I don't. I can let you tell me what

957
00:38:18,480 --> 00:38:20,200
Speaker 1: those is. I only do one more song that you

958
00:38:20,239 --> 00:38:23,919
Speaker 1: did write by yourself. It was Permanent Headphones and so Ray,

959
00:38:23,920 --> 00:38:25,320
Speaker 1: would you play a little bit of that please?

960
00:38:25,840 --> 00:38:26,560
Speaker 6: Why that one?

961
00:38:26,640 --> 00:38:26,839
Speaker 1: Man?

962
00:38:27,560 --> 00:38:31,960
Speaker 6: I wrote that song when I was fifteen, and I

963
00:38:32,000 --> 00:38:33,640
Speaker 6: wasn't going to cut it on the record. I really

964
00:38:33,719 --> 00:38:37,000
Speaker 6: wasn't even thinking about it. And Eric Massey, the engineer,

965
00:38:37,000 --> 00:38:40,239
Speaker 6: and frankly Dell, the producer, had heard me kind of

966
00:38:40,960 --> 00:38:43,279
Speaker 6: playing around. I was just messing around playing guitar and

967
00:38:43,600 --> 00:38:45,400
Speaker 6: they heard me singing it and they were like, you know,

968
00:38:45,880 --> 00:38:47,120
Speaker 6: what in the world is that? And I was like, man,

969
00:38:47,160 --> 00:38:48,680
Speaker 6: I wrote that when I was fifteen. I cut it

970
00:38:48,719 --> 00:38:50,279
Speaker 6: on when I was twenty years old, I cut a

971
00:38:50,280 --> 00:38:54,680
Speaker 6: four song EP in Austin, my very first ever recorded anything,

972
00:38:54,880 --> 00:38:59,520
Speaker 6: and it never really had any life. It never really

973
00:39:00,120 --> 00:39:02,600
Speaker 6: no one ever really knew about that, those four songs

974
00:39:02,600 --> 00:39:05,680
Speaker 6: of that EP or anything. And they asked me to

975
00:39:05,719 --> 00:39:07,200
Speaker 6: cut it and I just said no and no and no,

976
00:39:07,320 --> 00:39:08,880
Speaker 6: and I just didn't want to go back there. You know.

977
00:39:08,880 --> 00:39:10,439
Speaker 6: I wrote that song a jack in the box parking

978
00:39:10,480 --> 00:39:14,120
Speaker 6: lot when I was fifteen years old, and that was

979
00:39:14,160 --> 00:39:15,640
Speaker 6: the first song I ever wrote that. My older brother

980
00:39:15,719 --> 00:39:18,640
Speaker 6: was like, yeah, you're a songwriter, and so it's always

981
00:39:18,680 --> 00:39:20,279
Speaker 6: been a pretty special song to me. I just never

982
00:39:20,320 --> 00:39:22,040
Speaker 6: thought that it would live again. I kind of thought

983
00:39:22,080 --> 00:39:25,839
Speaker 6: it was dead and gone, and you know, just I

984
00:39:25,840 --> 00:39:27,520
Speaker 6: never thought I would have another life. And then here

985
00:39:27,520 --> 00:39:29,400
Speaker 6: it is on my fifth studio album.

986
00:39:29,719 --> 00:39:31,120
Speaker 5: How do you feel hearing it?

987
00:39:32,320 --> 00:39:33,680
Speaker 6: You know, it's the only song on the record I

988
00:39:33,719 --> 00:39:36,360
Speaker 6: didn't listen to when when I was listening to mixes

989
00:39:36,400 --> 00:39:37,920
Speaker 6: and stuff. I just told him, I said, do whatever

990
00:39:37,960 --> 00:39:39,200
Speaker 6: you want with it. I didn't want to listen to it.

991
00:39:39,200 --> 00:39:41,800
Speaker 6: I didn't want to hear it super emotional when I

992
00:39:41,880 --> 00:39:44,480
Speaker 6: listened to it. And I finally one day this past

993
00:39:44,480 --> 00:39:46,200
Speaker 6: it was kind of like Christmas time, deer season. I

994
00:39:46,239 --> 00:39:48,120
Speaker 6: was driving to the ranch and I put it on

995
00:39:48,200 --> 00:39:50,520
Speaker 6: and I got like tear. I'd like, we get tier

996
00:39:50,560 --> 00:39:52,120
Speaker 6: ried right now talking about it's crazy. That song like

997
00:39:52,200 --> 00:39:55,560
Speaker 6: hits me so hard because I was I was. I

998
00:39:55,719 --> 00:39:59,719
Speaker 6: wanted to be a songwriter so bad then, and and

999
00:39:59,760 --> 00:40:01,399
Speaker 6: I was always trying to write songs that my older

1000
00:40:01,440 --> 00:40:06,120
Speaker 6: brother would think were you know, good and a real

1001
00:40:06,440 --> 00:40:08,120
Speaker 6: you know. The old stuff I was writing at that

1002
00:40:08,160 --> 00:40:12,799
Speaker 6: age was pretty elementary and just not very complete. And

1003
00:40:13,360 --> 00:40:15,920
Speaker 6: I remember sitting in my room at the house and

1004
00:40:16,200 --> 00:40:17,759
Speaker 6: he had come home from college and I played it

1005
00:40:17,760 --> 00:40:21,719
Speaker 6: for him and he was like wow. And getting that

1006
00:40:21,760 --> 00:40:23,640
Speaker 6: reaction from him, I was like, Okay, that's what a

1007
00:40:23,640 --> 00:40:25,239
Speaker 6: good song is. Those are the kind of songs I

1008
00:40:25,280 --> 00:40:28,240
Speaker 6: need to write. So when we cut it, and then,

1009
00:40:29,760 --> 00:40:31,600
Speaker 6: you know, I would listen to the entire record, listen

1010
00:40:31,640 --> 00:40:33,719
Speaker 6: to the mixes and going back and forth, except for

1011
00:40:33,760 --> 00:40:37,120
Speaker 6: that one, and now, I think it turned out great.

1012
00:40:37,200 --> 00:40:39,399
Speaker 6: I think we did the song justice. Yeah, I do too,

1013
00:40:39,680 --> 00:40:40,000
Speaker 6: thank you.

1014
00:40:40,160 --> 00:40:40,359
Speaker 3: Yeah.

1015
00:40:40,360 --> 00:40:43,160
Speaker 1: I just think about anything that I did at fifteen,

1016
00:40:43,200 --> 00:40:45,839
Speaker 1: I would listen to with a different ear because I

1017
00:40:46,000 --> 00:40:48,600
Speaker 1: know how well you could do a lot of things.

1018
00:40:48,600 --> 00:40:50,239
Speaker 1: How immature I was as a person amateur. I was

1019
00:40:50,280 --> 00:40:55,560
Speaker 1: as a writer immature, But it also was fundamental to

1020
00:40:55,880 --> 00:40:58,880
Speaker 1: everything else that's on the record. What you've said is

1021
00:40:58,920 --> 00:41:01,759
Speaker 1: the record that you always wanted to try to make,

1022
00:41:02,200 --> 00:41:04,880
Speaker 1: So it's kind of the beginning of all of the

1023
00:41:04,920 --> 00:41:05,520
Speaker 1: rest of it.

1024
00:41:05,880 --> 00:41:07,640
Speaker 6: And it's really cool. There's a song on the record

1025
00:41:07,640 --> 00:41:09,960
Speaker 6: called New York Is on Fire, and I wrote it

1026
00:41:10,000 --> 00:41:12,080
Speaker 6: in the studio the second day we were there, me

1027
00:41:12,160 --> 00:41:14,600
Speaker 6: and Adam, who played some acoustic guitar on the record.

1028
00:41:14,719 --> 00:41:18,080
Speaker 6: We sat on the floor and then wrote new York

1029
00:41:18,200 --> 00:41:20,759
Speaker 6: Is on Fire. And so my newest song and my

1030
00:41:20,800 --> 00:41:22,680
Speaker 6: oldest song or back to back on the record. It's

1031
00:41:22,760 --> 00:41:23,239
Speaker 6: kind of cool.

1032
00:41:23,400 --> 00:41:26,440
Speaker 1: That's pretty cool. What kind of kid were you? You say, fifteen?

1033
00:41:26,560 --> 00:41:27,319
Speaker 1: What kind of kid are you?

1034
00:41:27,320 --> 00:41:30,280
Speaker 6: In school? I should have been really good at school.

1035
00:41:30,920 --> 00:41:32,960
Speaker 6: I just didn't apply myself. I was pretty lazy.

1036
00:41:34,040 --> 00:41:34,200
Speaker 3: You know.

1037
00:41:34,239 --> 00:41:37,120
Speaker 6: My parents split when I was really young. My dad

1038
00:41:37,160 --> 00:41:40,359
Speaker 6: lived in California for a while, so I was living

1039
00:41:40,360 --> 00:41:43,120
Speaker 6: with my mom and I was the youngest, so my

1040
00:41:43,160 --> 00:41:44,800
Speaker 6: brother and sister were in college when I was in

1041
00:41:44,880 --> 00:41:49,000
Speaker 6: high school. And you know, I was just I don't know,

1042
00:41:49,040 --> 00:41:49,600
Speaker 6: I was kind.

1043
00:41:49,440 --> 00:41:54,120
Speaker 1: Of a punk, trouble maker or just not listener.

1044
00:41:54,880 --> 00:41:56,480
Speaker 6: No, I was a pretty good listener. I never really

1045
00:41:56,520 --> 00:41:59,120
Speaker 6: got in trouble. I just wasn't incredibly ambitious, you know,

1046
00:41:59,160 --> 00:42:00,759
Speaker 6: I was just kind of full of and through And

1047
00:42:01,000 --> 00:42:02,640
Speaker 6: you know, have you ever seen the movie Dazing Confused?

1048
00:42:03,360 --> 00:42:07,000
Speaker 3: You know Pink Pink Floyd Randall Pink Floyd.

1049
00:42:07,120 --> 00:42:09,919
Speaker 6: Yes that you know, he's the quarterback and he doesn't

1050
00:42:09,960 --> 00:42:12,120
Speaker 6: want to sign the contract and he just wants to

1051
00:42:12,200 --> 00:42:13,399
Speaker 6: chill and kick it all the time.

1052
00:42:13,480 --> 00:42:13,880
Speaker 3: That was me.

1053
00:42:14,440 --> 00:42:17,120
Speaker 2: So was that frustrating for those around you that saw

1054
00:42:17,160 --> 00:42:17,800
Speaker 2: your potential?

1055
00:42:18,280 --> 00:42:22,680
Speaker 6: I don't really think anybody saw any potential when I.

1056
00:42:22,680 --> 00:42:24,280
Speaker 6: I mean, you think about it, when when a fifteen

1057
00:42:24,360 --> 00:42:25,960
Speaker 6: sixteen year old kid tells you he's not going to

1058
00:42:26,000 --> 00:42:28,200
Speaker 6: go to college because he's going to be a country singer,

1059
00:42:28,200 --> 00:42:29,600
Speaker 6: everybody kind of rolls their eyes.

1060
00:42:29,840 --> 00:42:31,320
Speaker 3: Okay, that's funny.

1061
00:42:31,400 --> 00:42:34,520
Speaker 6: And so but I just knew. I was like, you

1062
00:42:34,560 --> 00:42:37,040
Speaker 6: know that that's that that was probably the first like

1063
00:42:37,160 --> 00:42:39,600
Speaker 6: fire that was lit in my belly to go be

1064
00:42:39,719 --> 00:42:41,520
Speaker 6: really ambitious and be like, all right, I'm going to

1065
00:42:41,600 --> 00:42:42,960
Speaker 6: prove everybody wrong.

1066
00:42:43,520 --> 00:42:47,120
Speaker 1: You talk about your brother kind of giving you the

1067
00:42:47,120 --> 00:42:49,800
Speaker 1: blessing of Hey, I think you got something in you.

1068
00:42:49,880 --> 00:42:51,919
Speaker 5: Who was an artist that did that for you? Later

1069
00:42:51,960 --> 00:42:55,319
Speaker 5: on you look that you looked up looked up to.

1070
00:42:55,480 --> 00:42:59,560
Speaker 6: Randy Rogers for sure, from the Randy Rodgers band. That

1071
00:42:59,680 --> 00:43:01,480
Speaker 6: was a huge fan of him. As a kid. My

1072
00:43:01,560 --> 00:43:06,399
Speaker 6: mom loved his record roller Coaster, and I put out

1073
00:43:06,400 --> 00:43:09,520
Speaker 6: the Limestone Kid. And then probably probably a year later,

1074
00:43:09,560 --> 00:43:13,200
Speaker 6: we were playing with him in Corpus Christie and you know,

1075
00:43:13,280 --> 00:43:15,480
Speaker 6: he was we were first of four and he was

1076
00:43:15,520 --> 00:43:18,240
Speaker 6: headlining that night, sold out big show, like ten thousand people,

1077
00:43:18,280 --> 00:43:20,920
Speaker 6: and after the show he was like, man, I'd love

1078
00:43:20,960 --> 00:43:23,080
Speaker 6: to manage you. And you know, he's like, I think

1079
00:43:23,080 --> 00:43:24,920
Speaker 6: you got it. You know, you could go be a

1080
00:43:24,960 --> 00:43:28,120
Speaker 6: star and all the stuff. And he was really one

1081
00:43:28,160 --> 00:43:30,600
Speaker 6: of the first artists that was like kind of took

1082
00:43:30,640 --> 00:43:33,480
Speaker 6: me under his wing and he was my manager for

1083
00:43:33,960 --> 00:43:34,560
Speaker 6: two or three.

1084
00:43:34,440 --> 00:43:38,719
Speaker 1: Years while he was also being Randy Rogers the performer. Yes, sir, yeah,

1085
00:43:38,719 --> 00:43:40,759
Speaker 1: that's pretty cool. I want to say this too, just

1086
00:43:40,760 --> 00:43:43,160
Speaker 1: because in case he's listening, I know I said this

1087
00:43:43,160 --> 00:43:45,680
Speaker 1: too privately. Your dad's awesome, and your dad's.

1088
00:43:45,520 --> 00:43:47,400
Speaker 6: Jacked, thank you. He's gonna love that.

1089
00:43:47,640 --> 00:43:49,640
Speaker 4: He is like jacked, like.

1090
00:43:51,480 --> 00:43:52,160
Speaker 6: He is ripped.

1091
00:43:52,360 --> 00:43:54,680
Speaker 1: You don't want to mess with that dude, except he

1092
00:43:54,719 --> 00:43:57,319
Speaker 1: has a kind face and he's very kind. But from

1093
00:43:57,560 --> 00:43:59,680
Speaker 1: when before you can see his kindness, you see his

1094
00:43:59,719 --> 00:44:02,160
Speaker 1: mass of arms and shoulders, and you go, don't want

1095
00:44:02,160 --> 00:44:05,440
Speaker 1: to mess with that dude. Uh, Yeah, Yeah, he's gonna

1096
00:44:05,480 --> 00:44:08,680
Speaker 1: love Yeah that you talked about his arms and shoulders

1097
00:44:08,680 --> 00:44:11,319
Speaker 1: and shoulders and shoulders, shoulders are part of the arms, right.

1098
00:44:11,560 --> 00:44:14,160
Speaker 1: I didn't spend much time looking at the legs. I

1099
00:44:14,160 --> 00:44:14,959
Speaker 1: don't know if he does leg.

1100
00:44:14,880 --> 00:44:16,760
Speaker 6: Day or those incredible calves.

1101
00:44:17,840 --> 00:44:18,080
Speaker 5: Yep.

1102
00:44:18,440 --> 00:44:22,560
Speaker 1: So yeah, I just wanted to say Parker's dad, if

1103
00:44:22,560 --> 00:44:24,759
Speaker 1: you're listening, goals.

1104
00:44:24,920 --> 00:44:27,520
Speaker 6: He's He's gonna love that way too much more than

1105
00:44:27,520 --> 00:44:27,880
Speaker 6: he should.

1106
00:44:29,360 --> 00:44:29,520
Speaker 3: Uh.

1107
00:44:29,520 --> 00:44:32,440
Speaker 1: The album's out today. It is called Parker McCollum. Uh

1108
00:44:32,480 --> 00:44:34,600
Speaker 1: what kind of man is the song? Right now? That's

1109
00:44:34,680 --> 00:44:37,080
Speaker 1: killing it. I always love seeing you. Are you in town?

1110
00:44:37,280 --> 00:44:39,239
Speaker 1: Because you don't live here anymore? Are you in town?

1111
00:44:39,360 --> 00:44:39,400
Speaker 2: Like?

1112
00:44:39,480 --> 00:44:41,560
Speaker 1: When you get here? Do you is it NonStop for

1113
00:44:41,560 --> 00:44:44,040
Speaker 1: a couple of days, just hitting everything. Tammer time, yeah,

1114
00:44:44,280 --> 00:44:46,319
Speaker 1: do it all. Do you wake up early and go

1115
00:44:46,360 --> 00:44:46,919
Speaker 1: to bed late.

1116
00:44:48,960 --> 00:44:51,440
Speaker 6: Sometimes I'm kind of out of my groove right now.

1117
00:44:51,520 --> 00:44:52,800
Speaker 6: We've been off the road, so I've been kind of

1118
00:44:52,800 --> 00:44:55,399
Speaker 6: out of my regular routine, so I'm kind of just

1119
00:44:55,560 --> 00:44:58,440
Speaker 6: floating through the wind. And we're about to go craze

1120
00:44:58,480 --> 00:45:00,560
Speaker 6: that new album, new tour, the whole it's about to

1121
00:45:00,560 --> 00:45:02,640
Speaker 6: get so wild. So it's just like staring me in

1122
00:45:02,640 --> 00:45:05,200
Speaker 6: the face. So what's going to be so wild Just

1123
00:45:05,239 --> 00:45:07,960
Speaker 6: the amount of stuff that we will be doing. Any

1124
00:45:08,000 --> 00:45:11,080
Speaker 6: explosions on stage, no explosion. We're going a lot more

1125
00:45:11,160 --> 00:45:15,920
Speaker 6: simple production for this tour, you know, no pyro, no smoke,

1126
00:45:17,440 --> 00:45:19,040
Speaker 6: just kind of cutting it all back and making sure

1127
00:45:19,040 --> 00:45:19,880
Speaker 6: it's about the songs.

1128
00:45:20,840 --> 00:45:22,200
Speaker 1: You know what. We had Tim mcgrawl and we were

1129
00:45:22,200 --> 00:45:25,640
Speaker 1: talking about paper umbrellas. That's cool. I really a question,

1130
00:45:25,760 --> 00:45:26,160
Speaker 1: that's cool.

1131
00:45:26,200 --> 00:45:26,759
Speaker 6: That was cool.

1132
00:45:26,840 --> 00:45:27,720
Speaker 5: Yeah.

1133
00:45:27,760 --> 00:45:30,000
Speaker 6: I just I've loved Tim mcgral my whole life. I Mean,

1134
00:45:30,160 --> 00:45:34,359
Speaker 6: he just a so many good songs, so many good

1135
00:45:34,360 --> 00:45:36,040
Speaker 6: country songs, and so to get to do a song

1136
00:45:36,080 --> 00:45:36,680
Speaker 6: with him was cool.

1137
00:45:37,000 --> 00:45:39,640
Speaker 1: Parker, good to see you man. Thank you congratulations on

1138
00:45:39,680 --> 00:45:43,719
Speaker 1: the record. Congratulations, and I can say this, I'm looking

1139
00:45:43,800 --> 00:45:46,200
Speaker 1: here's the here's the thing though, like your tour's got

1140
00:45:46,200 --> 00:45:48,319
Speaker 1: all these things like this sold out, this sold out,

1141
00:45:48,360 --> 00:45:51,000
Speaker 1: all the tour doesn't need help. But I will say

1142
00:45:51,000 --> 00:45:53,279
Speaker 1: that you can go to Parker McCollum dot com his

1143
00:45:53,360 --> 00:45:55,959
Speaker 1: twenty twenty five tour. I did do on my fingers

1144
00:45:56,000 --> 00:45:56,920
Speaker 1: because I don't know the months.

1145
00:45:57,000 --> 00:45:57,680
Speaker 6: That's awesome.

1146
00:46:00,160 --> 00:46:01,919
Speaker 1: He looked at me like you would a four year old,

1147
00:46:02,440 --> 00:46:04,440
Speaker 1: Like I'm a pretty intelligent guy, eximper when it comes

1148
00:46:04,480 --> 00:46:05,440
Speaker 1: to months on my fingers.

1149
00:46:05,160 --> 00:46:05,759
Speaker 6: I still want to go.

1150
00:46:06,360 --> 00:46:07,600
Speaker 4: It's like the one thing I've got on you.

1151
00:46:07,760 --> 00:46:09,319
Speaker 5: Yeah, I can't name the number.

1152
00:46:09,320 --> 00:46:11,080
Speaker 4: I'll tell you the month. I don't need my fingers.

1153
00:46:11,680 --> 00:46:14,200
Speaker 1: I do that on me right now, all the way

1154
00:46:14,280 --> 00:46:16,080
Speaker 1: up until the end of the year. I go go

1155
00:46:16,160 --> 00:46:20,600
Speaker 1: see Parker Live. Incredible live performer. Parker McCollum dot com.

1156
00:46:20,600 --> 00:46:22,240
Speaker 5: Parker. Good to see there is Parker McCallum.

1157
00:46:22,239 --> 00:46:24,240
Speaker 6: Everybody appreciate you.

1158
00:46:25,880 --> 00:46:30,839
Speaker 1: Okay, before we leave, do you want to talk about

1159
00:46:30,840 --> 00:46:35,239
Speaker 1: every day Millionaires or we done enough money talk?

1160
00:46:35,960 --> 00:46:36,959
Speaker 3: The money talks great.

1161
00:46:37,600 --> 00:46:39,680
Speaker 1: There is a group of people called every day Millionaires.

1162
00:46:39,719 --> 00:46:44,960
Speaker 1: Now it's those with wealth between one million and five million,

1163
00:46:45,960 --> 00:46:50,759
Speaker 1: okay and everyday millionaires that is that's soaring. But a

1164
00:46:50,800 --> 00:46:53,520
Speaker 1: lot of those people say they don't feel rich, and

1165
00:46:53,520 --> 00:46:55,560
Speaker 1: then that's the new middle class between one and five million.

1166
00:46:55,680 --> 00:47:00,799
Speaker 3: Okay, good break, the new middle class. It's like, that

1167
00:47:00,880 --> 00:47:02,440
Speaker 3: feels stupid. It's so dumb.

1168
00:47:02,480 --> 00:47:03,080
Speaker 5: That feel stupid.

1169
00:47:03,160 --> 00:47:04,120
Speaker 7: Yeah, that's really dumb.

1170
00:47:04,280 --> 00:47:06,160
Speaker 3: Yeah, it makes the rest of us feel terrible.

1171
00:47:06,920 --> 00:47:09,600
Speaker 1: Hey, I mean that's that means you're a low I means.

1172
00:47:09,440 --> 00:47:10,120
Speaker 5: Your low class.

1173
00:47:10,160 --> 00:47:11,719
Speaker 3: But how do they saying that you feel like you

1174
00:47:11,760 --> 00:47:13,480
Speaker 3: don't feel rich, like I feel.

1175
00:47:13,200 --> 00:47:15,560
Speaker 2: Like, well, I think that they're spent. Like Also, you

1176
00:47:15,600 --> 00:47:18,680
Speaker 2: have to take a look at I think there's a

1177
00:47:18,719 --> 00:47:20,400
Speaker 2: lot you end up spending money on.

1178
00:47:20,840 --> 00:47:23,120
Speaker 1: Well, the richer you get, the more you spend because

1179
00:47:23,120 --> 00:47:24,360
Speaker 1: you feel like you have more. You don't have to

1180
00:47:24,400 --> 00:47:26,279
Speaker 1: spend money just because you make more money.

1181
00:47:26,320 --> 00:47:29,759
Speaker 9: Right, But the fact that you're spending more money, you

1182
00:47:29,760 --> 00:47:32,320
Speaker 9: should feel rich because you have the money to spend.

1183
00:47:33,120 --> 00:47:34,560
Speaker 5: I understand your life, right, Yeah.

1184
00:47:34,680 --> 00:47:36,560
Speaker 1: I always think it's weird people are like, well, make money,

1185
00:47:36,600 --> 00:47:37,879
Speaker 1: so I got to spend more money to shut up.

1186
00:47:38,280 --> 00:47:38,720
Speaker 5: You don't.

1187
00:47:39,560 --> 00:47:41,200
Speaker 1: You can live the same lifestyle you were living before

1188
00:47:41,239 --> 00:47:43,200
Speaker 1: you got rich, you don't. That was a big thing

1189
00:47:43,200 --> 00:47:45,319
Speaker 1: in the NBA in like the nineties. They're like, yeah,

1190
00:47:45,400 --> 00:47:46,680
Speaker 1: we make a lot of money, but we spend a

1191
00:47:46,719 --> 00:47:49,080
Speaker 1: lot of money. It's like, well, you don't have to it,

1192
00:47:49,360 --> 00:47:52,000
Speaker 1: so you don't have to. Yeah, they're called everyday millionaires,

1193
00:47:52,320 --> 00:47:53,920
Speaker 1: so it's something else to be irritated at when they

1194
00:47:53,920 --> 00:47:58,480
Speaker 1: get upset about how they don't feel rich despite their wealth.

1195
00:47:58,560 --> 00:48:01,040
Speaker 1: Many these millionaires don't feel rich. Some they say, are

1196
00:48:01,120 --> 00:48:03,320
Speaker 1: house poor because they buy such expensive houses.

1197
00:48:03,520 --> 00:48:04,919
Speaker 3: Well, and then you got to upkeep the house.

1198
00:48:05,000 --> 00:48:05,960
Speaker 1: Yeah, but again they.

1199
00:48:05,800 --> 00:48:07,040
Speaker 5: Make the decision to do that.

1200
00:48:07,080 --> 00:48:10,160
Speaker 9: You're right, but your house alone should make you feel rich.

1201
00:48:10,160 --> 00:48:11,839
Speaker 9: If it's a nice house, you should feel rich.

1202
00:48:11,880 --> 00:48:14,920
Speaker 1: But if you're struggling to pay all of your upkeep

1203
00:48:15,040 --> 00:48:17,399
Speaker 1: of your house because you bought too much of a house, no,

1204
00:48:17,760 --> 00:48:19,080
Speaker 1: you don't feel rich.

1205
00:48:19,080 --> 00:48:19,840
Speaker 5: And that's your fault.

1206
00:48:20,239 --> 00:48:22,480
Speaker 1: That's all on you. It's like buying a car that

1207
00:48:22,520 --> 00:48:24,640
Speaker 1: you can't afford to fix if it breaks. You can

1208
00:48:24,680 --> 00:48:26,280
Speaker 1: afford the car, but can you fix it when it breaks?

1209
00:48:26,360 --> 00:48:26,480
Speaker 6: Right?

1210
00:48:26,800 --> 00:48:29,319
Speaker 9: Yeah, some of those like real expensive cars. The oil

1211
00:48:29,400 --> 00:48:30,600
Speaker 9: changes are ridiculous.

1212
00:48:31,400 --> 00:48:31,520
Speaker 8: Uh.

1213
00:48:31,680 --> 00:48:34,800
Speaker 1: Yes, So they say wealth accumulation doesn't always translate to

1214
00:48:34,840 --> 00:48:37,600
Speaker 1: financial security or a sense of abundance. That's because you're

1215
00:48:37,600 --> 00:48:38,440
Speaker 1: making bad decisions.

1216
00:48:38,600 --> 00:48:41,080
Speaker 2: Your your motto needs to be make more, spend less.

1217
00:48:41,680 --> 00:48:43,560
Speaker 1: Well, that also feels stupid, but I do like the

1218
00:48:43,600 --> 00:48:46,880
Speaker 1: idea of it. Yes, thank you guys, We'll see you

1219
00:48:46,880 --> 00:48:49,000
Speaker 1: guys on Monday. Hope you have a great wheat what.

1220
00:48:49,200 --> 00:48:50,799
Speaker 2: It's sort of my motto at the beginning of the year.

1221
00:48:51,560 --> 00:48:55,320
Speaker 1: If there's a reason, If there's a reason, yes, it's stupid.

1222
00:48:55,400 --> 00:48:55,560
Speaker 3: No.

1223
00:48:55,560 --> 00:48:57,960
Speaker 5: No, If there's a reason, yes, I.

1224
00:48:58,080 --> 00:48:59,160
Speaker 3: Live by that one too. Amy.

1225
00:49:00,080 --> 00:49:02,880
Speaker 1: If you make more and you spend less, you're probably

1226
00:49:02,880 --> 00:49:04,239
Speaker 1: doing that because you're in a place that you need

1227
00:49:04,280 --> 00:49:05,040
Speaker 1: to make some fixes.

1228
00:49:06,040 --> 00:49:07,920
Speaker 2: I think it was just a challenge in myself of

1229
00:49:08,000 --> 00:49:11,600
Speaker 2: like this, could yeah.

1230
00:49:11,440 --> 00:49:13,600
Speaker 5: Or make the same something?

1231
00:49:13,680 --> 00:49:17,800
Speaker 2: Yes, yes to make yes, just find ways because some.

1232
00:49:17,840 --> 00:49:19,239
Speaker 5: Save money, made money is what I say.

1233
00:49:19,360 --> 00:49:20,359
Speaker 2: That's yes, there you go.

1234
00:49:21,840 --> 00:49:23,480
Speaker 1: You save money, same thing is making it because that's

1235
00:49:23,480 --> 00:49:25,319
Speaker 1: money that you usually don't have. Then now you do

1236
00:49:25,360 --> 00:49:27,480
Speaker 1: a little extra save money. Mind to video money.

1237
00:49:27,520 --> 00:49:27,799
Speaker 5: What's up?

1238
00:49:27,840 --> 00:49:29,799
Speaker 3: What about it takes money to make money?

1239
00:49:29,800 --> 00:49:32,399
Speaker 5: I heard that one, that one that it also takes

1240
00:49:32,400 --> 00:49:33,120
Speaker 5: money to lose.

1241
00:49:32,960 --> 00:49:36,760
Speaker 2: Money, rich get richer.

1242
00:49:35,520 --> 00:49:40,000
Speaker 9: That's true too. I like saying that one too. Like

1243
00:49:40,040 --> 00:49:42,000
Speaker 9: around people like rich always gets.

1244
00:49:41,880 --> 00:49:44,759
Speaker 1: Richer because they have money. It takes money to make money.

1245
00:49:45,400 --> 00:49:46,600
Speaker 1: That's where those two combined.

1246
00:49:46,719 --> 00:49:51,000
Speaker 2: Unless you are house broke, house, house poor, whatever it's called.

1247
00:49:51,120 --> 00:49:55,640
Speaker 7: You know what they're saying, rich gets thebody says that?

1248
00:49:56,440 --> 00:49:58,000
Speaker 3: Did you just make that?

1249
00:49:58,080 --> 00:49:58,600
Speaker 2: What is the.

1250
00:50:00,320 --> 00:50:01,600
Speaker 4: Rich gets the biscuit?

1251
00:50:01,920 --> 00:50:02,280
Speaker 7: No?

1252
00:50:02,280 --> 00:50:04,600
Speaker 5: No, no, no, I've never wanted for the business.

1253
00:50:04,680 --> 00:50:06,800
Speaker 1: I never once heard rich gets the B word.

1254
00:50:08,200 --> 00:50:08,359
Speaker 3: No.

1255
00:50:09,120 --> 00:50:11,759
Speaker 4: Remember, that's why I didn't even know that's the fill

1256
00:50:11,760 --> 00:50:12,280
Speaker 4: in the blank.

1257
00:50:12,640 --> 00:50:13,359
Speaker 5: Were done, Mike?

1258
00:50:13,400 --> 00:50:14,080
Speaker 1: You ever heard that one?

1259
00:50:14,440 --> 00:50:14,520
Speaker 7: No?

1260
00:50:14,600 --> 00:50:16,239
Speaker 1: I've heard what the poor get? Yeah?

1261
00:50:16,600 --> 00:50:17,279
Speaker 2: What ft?

1262
00:50:17,400 --> 00:50:17,600
Speaker 3: Wait?

1263
00:50:17,640 --> 00:50:20,560
Speaker 1: What what are you saying? Get though the w I

1264
00:50:20,560 --> 00:50:21,480
Speaker 1: didn't hear the who?

1265
00:50:24,680 --> 00:50:25,560
Speaker 2: What are these saying?

1266
00:50:27,520 --> 00:50:28,239
Speaker 3: Take place lunch?

1267
00:50:28,480 --> 00:50:29,320
Speaker 5: Think they just rhyme?

1268
00:50:29,719 --> 00:50:31,560
Speaker 1: I think people just say stuff because that rhymes.

1269
00:50:32,000 --> 00:50:32,959
Speaker 2: How about just like.

1270
00:50:34,880 --> 00:50:35,640
Speaker 3: We're good, we're good?

1271
00:50:36,960 --> 00:50:40,120
Speaker 7: Yeah, maybe don't try to improv sayings now, that never

1272
00:50:40,160 --> 00:50:40,960
Speaker 7: goes well for me.

1273
00:50:41,600 --> 00:50:44,560
Speaker 1: All right, thank you guys, we will see you Monday. Goodbye, everybody,