WEBVTT - Livin' La Vida Loca ("The Spanish Teacher" S3 EP12)

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<v Speaker 1>And That's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what you really miss podcasts. A

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<v Speaker 1>very special episode. We are broadcasting from Blue Wires Studios

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<v Speaker 1>at WIN Las Vegas with our very special friend Vanessa Lenji.

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<v Speaker 1>Happy to be here.

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<v Speaker 2>Let me tell you, if we can keep it together

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<v Speaker 2>just long enough to get through this episode.

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<v Speaker 1>I will be shocked. I don't know. This is a

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<v Speaker 1>there's a lot, and this is a lot. Our energy

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<v Speaker 1>is a lot. This episode is a lot. We're just

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<v Speaker 1>we're a lot.

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<v Speaker 2>We're well into our residency at the Wind Las Vegas,

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<v Speaker 2>whether the Win Las Vegas knows it or not. We've

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<v Speaker 2>already requested a standing desk for Jenna next episode.

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<v Speaker 3>And the sitting desk for Kevin. Any sleeping desk for Vanessa. Yes,

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<v Speaker 3>so just a tilted desk Hollywood type sez right.

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<v Speaker 1>No no requests, just a small writer of a ten

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<v Speaker 1>page writer. Welcome back, Vanessa, Thank you.

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<v Speaker 2>She switched outfits.

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<v Speaker 1>We This window outfit is something very special. She's a

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<v Speaker 1>bridge house.

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<v Speaker 2>And she's sitting in the window. So we're at the

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<v Speaker 2>wynd Hotel in Las Vegas and there's a window I

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<v Speaker 2>feel like we're in a zoo, but we get to

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<v Speaker 2>watch like they can't comment on us, we can comment

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<v Speaker 2>on them. This is great. This is how I want

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<v Speaker 2>to live my life all the time.

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<v Speaker 1>Great because we live here now, yeah, this is it.

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<v Speaker 1>I would live here. Can we squat here? No, Kevin,

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<v Speaker 1>you can't announce that you're squatting and then squat. You

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<v Speaker 1>got to just squat waters right. I actually didn't know

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<v Speaker 1>what squatting was until christ And Channel episode of Home

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<v Speaker 1>and when she was a squatter?

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<v Speaker 2>Oh yeah, in the show. Do you remember Jenna lived

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<v Speaker 2>with me, stayed with me for a little bit like

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<v Speaker 2>one piled season, and there was a house across the

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<v Speaker 2>street and they were.

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<v Speaker 1>They were squatting in the house, squatters for years with

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<v Speaker 1>the birds. Yes, there were the squatters.

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<v Speaker 2>They had birds.

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<v Speaker 1>Oh my gosh, that's.

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<v Speaker 2>A fun fact.

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<v Speaker 1>I'd love to know.

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<v Speaker 2>When and Jenna was staying with me, we'd put each

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<v Speaker 2>other on tape for auditions and things, and Jenna had

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<v Speaker 2>a motto that she'd repeat for herself and for me, Jenna,

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<v Speaker 2>what was it.

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<v Speaker 1>Ww VLD What would Vanessa Lengs do? And you know

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<v Speaker 1>what that was? For every audition I would go in,

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<v Speaker 1>I'd wear a different colored lipstick. I would give them

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<v Speaker 1>the riskiest version of that character, and i would just

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<v Speaker 1>do something different because we always said that you were

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<v Speaker 1>one of a kind, and that's why you booked so much,

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<v Speaker 1>because there's only one Vanessa out there, whereas like, you know,

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<v Speaker 1>these cookie cutter people come in me trying to be

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<v Speaker 1>a cookie cutter thing coming in and I'm like, that's

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<v Speaker 1>not how you book jobs. You you just emanate Vanessa.

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<v Speaker 3>Ngis I just do something weirder than they were expecting you.

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<v Speaker 2>To do the thing you actually want to do, that's

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<v Speaker 2>fair and not feel bad about it. Yeah, you're scared

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<v Speaker 2>of it.

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<v Speaker 1>You're like unapologetically you or whatever it was at the

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<v Speaker 1>time in your life that you were feeling weird or different,

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<v Speaker 1>it was it was working.

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<v Speaker 3>Is working, bring yourself pleasure and then they will feel that.

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<v Speaker 2>I know we have a recap to do, but I

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<v Speaker 2>have a question about that, because what when you get

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<v Speaker 2>an audition or something, what is your approach to her secrets?

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<v Speaker 1>I'll give you all this.

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<v Speaker 2>I'm just because like watching you act is like watching

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<v Speaker 2>Slean Beyonce whoa or coming across the Daltons in a

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<v Speaker 2>pod in the ocean because it's it's like so juicy,

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<v Speaker 2>Like I feel like you read a page and you

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<v Speaker 2>see something so much more than I ever could, Like

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<v Speaker 2>you see all the subtext? Do you see all that

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<v Speaker 2>this character could be, even if it's just a word.

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<v Speaker 2>What is that process like for you?

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<v Speaker 1>Okay, this is great.

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<v Speaker 3>I think I was an only child and I was

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<v Speaker 3>alone a lot, so my fantasy land is well practiced.

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<v Speaker 2>We still have access to that.

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<v Speaker 1>I still have access to that.

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<v Speaker 3>I was also acting since I was five or six

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<v Speaker 3>years old, so I don't think I ever got a

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<v Speaker 3>chance to use access, which is a whole other story.

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<v Speaker 3>Uh No, I chose this. I chose this career. I

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<v Speaker 3>chose this career. I chose, I chose this career. I

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<v Speaker 3>choose this career.

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<v Speaker 1>I choose. Okay, So here's my here's my thing.

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<v Speaker 3>I read it and I imagine it, and I read

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<v Speaker 3>it again and again again again and again again. I read

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<v Speaker 3>it so many times until it kind of paints itself.

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<v Speaker 3>So I know what the walls look like in the room,

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<v Speaker 3>and I know what I'm wearing, and then you know,

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<v Speaker 3>there's like all these details that come the more you

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<v Speaker 3>read it, the more you read it, the more you

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<v Speaker 3>read it, there's more details, and I leave the details.

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<v Speaker 3>And and then I tell myself, if I'm not going

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<v Speaker 3>to have fun, if I'm not going to enjoy myself

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<v Speaker 3>going to this audition, then I shouldn't go.

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<v Speaker 1>By the way, I never not go.

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<v Speaker 3>So that's a weird rule I have with myself because

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<v Speaker 3>I also I should turn down more auditions, but I

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<v Speaker 3>can't because I think, and I SI, you're so lucky

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<v Speaker 3>to have this opportunity. If you say no, that's like, yeah,

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<v Speaker 3>it's like punching a gift horse in the mouth. What's

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<v Speaker 3>the expression that, I don't think you punch them? But

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<v Speaker 3>don't take that look it up. You do something with

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<v Speaker 3>a gift horse, which is weird.

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<v Speaker 2>I don't know.

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<v Speaker 1>I need that explained.

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<v Speaker 3>But whatever it is, I don't want to do it

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<v Speaker 3>when it comes to auditions.

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<v Speaker 1>The poor horse. Okay. The thing is, don't look a

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<v Speaker 1>gift horse in the mouth. And it means that you

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<v Speaker 1>shouldn't criticize a gift, even if you don't like it

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<v Speaker 1>very much. A gift horse, in other words, is a gift.

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<v Speaker 3>Yeah, And so I see auditions as a gift because

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<v Speaker 3>a lot of people want to do what we do right,

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<v Speaker 3>and a lot of people don't get to. So every

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<v Speaker 3>time I have one, I think, okay, I have to,

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<v Speaker 3>you know, see this as the gift. And then if

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<v Speaker 3>I'm going to go, which I am going to go,

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<v Speaker 3>I better love it. This is good advice for all children.

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<v Speaker 3>So HI, enjoy everything you do, don't do it?

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<v Speaker 1>Yeah? So then so then like how do I how

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<v Speaker 1>do I how do I love this?

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<v Speaker 3>Like?

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<v Speaker 1>How do I love this? How do I have fun here?

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<v Speaker 3>And usually that'll involve some kind of weird costume thing

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<v Speaker 3>that delights me. I love I think it's funny, or

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<v Speaker 3>a lot of the times it's a oh I could

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<v Speaker 3>do this weird nuanced reference from the sound of music

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<v Speaker 3>that no one will ever pick up on, but I

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<v Speaker 3>will know that it's a shout.

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<v Speaker 1>So I'll do that.

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<v Speaker 3>I'll mix in things that I love that I secretly

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<v Speaker 3>just obsessively love. Let's see what else do I do

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<v Speaker 3>I really love that? I also, all I used to

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<v Speaker 3>do this one was in person auditions. I think of

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<v Speaker 3>everything in terms of relationship, so like, of course we

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<v Speaker 3>have an amazing relationship. And when I think back to

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<v Speaker 3>even meeting and us getting to know each other, naturally,

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<v Speaker 3>the three of us kind of just congealed, and we

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<v Speaker 3>had good vibes between three of us. So when I

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<v Speaker 3>go into an audition, I think of that, Like, let's

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<v Speaker 3>say Sam's here and you're casting for us. I would

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<v Speaker 3>walk into that room and less focused on the audition

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<v Speaker 3>and more about what relationship I'm building with you, because

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<v Speaker 3>we're actually co creating whatever, even if we don't even

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<v Speaker 3>if don't get the job, we're co creating what happens

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<v Speaker 3>in the room. So I'm constantly thinking about that.

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<v Speaker 1>And then she's so good, you guys.

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<v Speaker 3>And then then wait, and then there's also this thing

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<v Speaker 3>called PAD, which is post audition depression.

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<v Speaker 1>It happens every single.

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<v Speaker 3>Time I go to me and you just have to

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<v Speaker 3>have room for a pad and you have to take

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<v Speaker 3>really like you have to just be like okay, and

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<v Speaker 3>then you go down and you're.

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<v Speaker 1>Like that sucked. I suck.

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<v Speaker 3>Everything sucks. I should never. I'm never working again. I

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<v Speaker 3>should never. I shouldn't work at the post office. Nothing

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<v Speaker 3>against post office work, because that's great too, but like whatever,

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<v Speaker 3>I should just not be, you know, in front of

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<v Speaker 3>a camera ever again. And so I just let let

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<v Speaker 3>myself have that. So that so that here's what that does.

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<v Speaker 3>It's like all the criticism that could happen, or all

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<v Speaker 3>the anxiety that could happen before I walk into the

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<v Speaker 3>room with Sam or with whoever, my whatever, that part

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<v Speaker 3>of me that self critic I'm like, you're going to

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<v Speaker 3>get your moments right.

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<v Speaker 1>You can, you can beat me up, you can just

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<v Speaker 1>hold I'm going to give you.

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<v Speaker 3>That nice pad afterwards, or you're going to get to

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<v Speaker 3>shit talk me to your heart's content, but not here,

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<v Speaker 3>because you know, if we don't go into that room

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<v Speaker 3>thinking that we're going to get the job, there's no

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<v Speaker 3>way we're going to get the job.

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<v Speaker 2>You're totally right, I mean because I've been in that

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<v Speaker 2>room several times being like this isn't for me.

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<v Speaker 1>That's what you should just get. That's what you get.

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<v Speaker 3>And you know it's not a science, but at least

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<v Speaker 3>when you look back at your life, you're like, I

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<v Speaker 3>had a good time.

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<v Speaker 2>Yeah, that's the biggest thing.

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<v Speaker 1>I think.

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<v Speaker 2>Once you I had to adjust myself being like, let

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<v Speaker 2>me just enjoy this because maybe the only opportunity to

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<v Speaker 2>have to play this character.

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<v Speaker 1>Isn't here, so let me just enjoy it.

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<v Speaker 2>I also like how you like analyze a script where

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<v Speaker 2>like you're seeing everything, so like all the work is

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<v Speaker 2>done before you go into the room or put yourself

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<v Speaker 2>on tape, because you already know how you as a

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<v Speaker 2>character exists in that world, so you don't worry about it.

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<v Speaker 3>And then I'd say, try to try to not practice

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<v Speaker 3>how you're going to say something as much as possible,

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<v Speaker 3>because I used to get caught up on that, like

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<v Speaker 3>on how it should sound coming out of my mouth, and.

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<v Speaker 1>When I see that.

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<v Speaker 3>Thinking about the story you told me on the plane

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<v Speaker 3>on the way here about dated running. He doesn't listen

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<v Speaker 3>to these podcast lines with you and you guys, I

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<v Speaker 3>love him such a sweetie.

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<v Speaker 1>What was I saying? I don't know. Oh, I was saying, no.

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<v Speaker 2>Getting too stuck in how you like?

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<v Speaker 1>Yeah, because when.

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<v Speaker 3>You're missing the relationship, right, yeah, you're missing playing off

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<v Speaker 3>another person.

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<v Speaker 1>You created the world and you know who the character is.

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<v Speaker 1>Your instinct of that character when you go in there

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<v Speaker 1>is already given. So if you're so focused on the lines,

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<v Speaker 1>you haven't thought and you haven't thought about the world,

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<v Speaker 1>it's probably a good thing because then you at least

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<v Speaker 1>say the lines in some way that you wanted to.

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<v Speaker 1>But if you've created the world, you just trust the

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<v Speaker 1>way your instincts are going to give or what they're

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<v Speaker 1>going to say.

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<v Speaker 3>Yeah, and knowing that even the parts that you probably

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<v Speaker 3>didn't plan probably the best parts.

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<v Speaker 2>And that makes it fun because you're discovering it in

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<v Speaker 2>there with the person you now built this relationship with exactly.

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<v Speaker 1>And then they feel like a genius, right because then

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<v Speaker 1>they contributed. Yes, Okay, wow, thank you for that. Thank

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<v Speaker 1>you for sharing that, because again, what would Vanessa and

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<v Speaker 1>she just do? Now, that's what she would do. That's

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<v Speaker 1>that's what you really missed. Kids.

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<v Speaker 2>Listen, you can go to NYU for Forum kidding.

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<v Speaker 1>This is season three, episode twelve, The Spanish Teacher, and

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<v Speaker 1>this air on February seventh, twenty twelve.

0:10:38.559 --> 0:10:41.439
<v Speaker 2>What was going on in the world Kevin set Fire

0:10:41.520 --> 0:10:43.040
<v Speaker 2>to the Rain by Adell was a number one song

0:10:43.120 --> 0:10:45.640
<v Speaker 2>set Fire to This episode was also.

0:10:45.400 --> 0:10:48.959
<v Speaker 1>A part of this Yeah, very good Chronicle was a

0:10:49.000 --> 0:10:49.600
<v Speaker 1>number one movie.

0:10:49.640 --> 0:10:50.920
<v Speaker 2>That movie was great.

0:10:51.320 --> 0:10:54.960
<v Speaker 1>Actually I didn't see it, but another one I haven't

0:10:55.600 --> 0:10:56.280
<v Speaker 1>launched Michael B.

0:10:56.360 --> 0:11:01.280
<v Speaker 2>Jordan's career. Also wasn't Dane Dehan and that movie I

0:11:01.280 --> 0:11:03.720
<v Speaker 2>think I don't know. I could be like I didn't

0:11:03.760 --> 0:11:06.120
<v Speaker 2>tell you he was in it. Yeah, that movie was

0:11:06.160 --> 0:11:08.400
<v Speaker 2>a gigantic like launching pad for.

0:11:08.360 --> 0:11:10.000
<v Speaker 1>It's quite a few movies that we've watched that have

0:11:10.080 --> 0:11:12.880
<v Speaker 1>been number one that we haven't seen. It convinced.

0:11:13.240 --> 0:11:17.280
<v Speaker 2>Chronicle was great. Glean news this week afterwards he's ended

0:11:17.400 --> 0:11:19.199
<v Speaker 2>in the Big Michael episode.

0:11:19.440 --> 0:11:24.360
<v Speaker 3>It was a quiet week, nothing happened. So this episode,

0:11:25.920 --> 0:11:27.320
<v Speaker 3>why do you guys sound so sad?

0:11:27.760 --> 0:11:29.280
<v Speaker 1>Okay, Well, yeah, let me know.

0:11:29.440 --> 0:11:30.120
<v Speaker 2>You watched it.

0:11:30.320 --> 0:11:34.040
<v Speaker 1>I did. It was we were in it. Jenna, you

0:11:34.080 --> 0:11:36.280
<v Speaker 1>guys were both in it. What were you doing this week?

0:11:36.960 --> 0:11:40.120
<v Speaker 1>Jenna's head had been removed from her body. I had

0:11:40.200 --> 0:11:44.040
<v Speaker 1>unhinged my jaw, it was on the ground. My feet

0:11:44.080 --> 0:11:46.079
<v Speaker 1>were removed from my body as well. This is your

0:11:46.080 --> 0:11:51.680
<v Speaker 1>PTOM paid time off. See you later. I was wondering

0:11:51.720 --> 0:11:52.000
<v Speaker 1>what I was.

0:11:52.280 --> 0:11:54.520
<v Speaker 3>Yeah, when they showed me which episodes we're doing and

0:11:54.559 --> 0:11:57.240
<v Speaker 3>said Jenna wasn't in it, I was like, how honest

0:11:57.440 --> 0:12:00.839
<v Speaker 3>do you guys get on this podcast, because let's get honest.

0:12:00.880 --> 0:12:02.959
<v Speaker 3>I just felt like they were I mean, I'm glad

0:12:02.960 --> 0:12:05.400
<v Speaker 3>that it was paid time off, but I just didn't

0:12:05.440 --> 0:12:07.640
<v Speaker 3>agree with why how they treated you.

0:12:07.840 --> 0:12:11.400
<v Speaker 1>Thank you, thank you. Yeah, it's a tough. It was

0:12:11.440 --> 0:12:13.560
<v Speaker 1>a tough time to be away. It was actually strange

0:12:13.600 --> 0:12:16.920
<v Speaker 1>to be away, not on my terms. It wasn't like

0:12:16.960 --> 0:12:19.120
<v Speaker 1>they were like, you know, you have to be away,

0:12:19.200 --> 0:12:22.079
<v Speaker 1>but they it was kind of like that. It was

0:12:22.120 --> 0:12:24.040
<v Speaker 1>a nice It was actually a nice break, but it

0:12:24.080 --> 0:12:26.360
<v Speaker 1>also was like, had I chosen to take it off

0:12:26.360 --> 0:12:29.199
<v Speaker 1>so it would have felt better, Yeah, did you think

0:12:29.200 --> 0:12:29.760
<v Speaker 1>it was off?

0:12:29.840 --> 0:12:30.679
<v Speaker 2>Did you go somewhere?

0:12:31.000 --> 0:12:31.160
<v Speaker 4>No?

0:12:31.800 --> 0:12:36.280
<v Speaker 1>I stayed home. I also didn't want them to be like, well,

0:12:36.400 --> 0:12:39.120
<v Speaker 1>I come back and they're like, well, you went to Hawaii?

0:12:39.520 --> 0:12:42.440
<v Speaker 1>Do you know what I mean? Like I couldn't win anyway. Yeah,

0:12:42.480 --> 0:12:44.160
<v Speaker 1>that's how I saw it too. I was like, there's

0:12:44.200 --> 0:12:47.120
<v Speaker 1>not getting a chance to win, So you know, I

0:12:47.160 --> 0:12:49.960
<v Speaker 1>just took the time off. I did some reflecting, and

0:12:50.120 --> 0:12:52.080
<v Speaker 1>in a few episodes, I'm gonna get a really fucking

0:12:52.120 --> 0:12:56.760
<v Speaker 1>great episode Tina gets to be Rachel Berry. Maybe that's

0:12:56.800 --> 0:12:59.199
<v Speaker 1>also a metaphor for what was happening at the time.

0:12:59.520 --> 0:13:00.040
<v Speaker 2>I don't know.

0:13:00.040 --> 0:13:07.320
<v Speaker 1>Home oh man. Anyway, I actually am kind of grateful

0:13:07.400 --> 0:13:09.600
<v Speaker 1>so I have not been in this episode. After watching it,

0:13:10.280 --> 0:13:15.000
<v Speaker 1>I missed you all for sure, but I really I'm

0:13:15.240 --> 0:13:17.240
<v Speaker 1>I'm my jaw was on the ground when I watched

0:13:17.240 --> 0:13:19.040
<v Speaker 1>this the other night. Had you seen this episode before.

0:13:19.160 --> 0:13:22.600
<v Speaker 1>I don't think so, no that makes sense. I also like, yeah,

0:13:22.760 --> 0:13:25.200
<v Speaker 1>like it's like it doesn't bring back good memories. So

0:13:25.200 --> 0:13:27.040
<v Speaker 1>I'm not sure that I was like sitting down to

0:13:27.080 --> 0:13:30.440
<v Speaker 1>watch this. Yeah, I don't imagine, you know, yeah, like

0:13:30.440 --> 0:13:34.880
<v Speaker 1>a smile and face on. This was directed by Paris Barclay.

0:13:34.880 --> 0:13:37.640
<v Speaker 1>Also God blessom we love Paris like had to do this,

0:13:37.720 --> 0:13:40.280
<v Speaker 1>Oh no, wonder why I did fun dance things. Paris

0:13:40.360 --> 0:13:41.720
<v Speaker 1>always let me do fun.

0:13:41.640 --> 0:13:44.400
<v Speaker 3>Dancing him and Eric him and Eric always they were like,

0:13:44.559 --> 0:13:45.320
<v Speaker 3>we'll let you.

0:13:45.200 --> 0:13:48.160
<v Speaker 2>Behind the spirder halfway through because like who directed this?

0:13:48.200 --> 0:13:49.600
<v Speaker 2>Because we were all on one.

0:13:49.800 --> 0:13:50.480
<v Speaker 1>Yeah, it was.

0:13:50.520 --> 0:13:53.199
<v Speaker 2>Doing things that we were like. Amber started one of

0:13:53.240 --> 0:13:55.200
<v Speaker 2>the musical numbers like sitting up. I was like, that

0:13:55.360 --> 0:13:56.200
<v Speaker 2>is weird.

0:13:56.679 --> 0:13:58.720
<v Speaker 1>I know on this side the thing, I was so weird.

0:13:58.880 --> 0:14:02.280
<v Speaker 1>But I will say, uh, Paris has come on the

0:14:02.400 --> 0:14:06.040
<v Speaker 1>podcast great and he calls some of these things auchi's

0:14:06.800 --> 0:14:09.679
<v Speaker 1>oh and so I would call this whole episode a

0:14:09.679 --> 0:14:15.600
<v Speaker 1>big old Auchi got through it. He did get through it, Okay,

0:14:15.600 --> 0:14:17.360
<v Speaker 1>So this was what we're going to get into this

0:14:17.800 --> 0:14:20.720
<v Speaker 1>or not get into it and kind of talk around it.

0:14:22.000 --> 0:14:24.760
<v Speaker 1>This is directed by Paris we love Paris. This was

0:14:24.800 --> 0:14:28.000
<v Speaker 1>written technically by Ian Brennan and it was a very

0:14:28.000 --> 0:14:30.360
<v Speaker 1>special guest star, Ricky Martin. Are you kidding? I was said,

0:14:30.360 --> 0:14:31.040
<v Speaker 1>I missed Ricky.

0:14:31.480 --> 0:14:33.880
<v Speaker 2>Well, Vanessa and I have shared something in common.

0:14:34.080 --> 0:14:40.440
<v Speaker 3>Tell Ricky Martin was both Kevin and my first concert.

0:14:41.160 --> 0:14:43.760
<v Speaker 1>Wow, not the same place I was in Montreal.

0:14:43.880 --> 0:14:48.880
<v Speaker 3>I was Dallas and Ricky came out on that car. Yeah,

0:14:50.960 --> 0:14:53.160
<v Speaker 3>and it was the loudest I had never heard my

0:14:53.240 --> 0:14:55.840
<v Speaker 3>ears hurt so much. I didn't know concerts were like

0:14:55.840 --> 0:14:58.320
<v Speaker 3>that either. And they didn't have parents who cared enough

0:14:58.320 --> 0:15:00.640
<v Speaker 3>to put your I mean I wasn't that young.

0:15:01.920 --> 0:15:04.920
<v Speaker 1>Wait a second, I don't think I went with my parents.

0:15:05.600 --> 0:15:07.240
<v Speaker 2>Shoot, I was my mom.

0:15:07.520 --> 0:15:10.360
<v Speaker 1>Okay, there you go. We didn't get headphones, is what

0:15:10.400 --> 0:15:10.640
<v Speaker 1>I mean?

0:15:10.640 --> 0:15:13.560
<v Speaker 3>Those like noise canceling my ears.

0:15:13.840 --> 0:15:14.760
<v Speaker 1>We're definitely damned.

0:15:15.240 --> 0:15:18.080
<v Speaker 2>I just didn't know. It was like I had been

0:15:18.120 --> 0:15:21.400
<v Speaker 2>living in a cave my whole life. And then I

0:15:21.400 --> 0:15:23.800
<v Speaker 2>stepped into that arena, and then he stepped out on

0:15:23.800 --> 0:15:30.840
<v Speaker 2>stage in those leather pants and sixteen thousand women started screaming.

0:15:31.200 --> 0:15:35.360
<v Speaker 1>Is that when you realized you were again? The moment

0:15:35.480 --> 0:15:38.320
<v Speaker 1>I don't think that was it was it before or after.

0:15:39.200 --> 0:15:40.400
<v Speaker 2>I don't think it was then.

0:15:42.440 --> 0:15:43.480
<v Speaker 1>What if it was.

0:15:45.080 --> 0:15:47.880
<v Speaker 3>I think it's the moment I realized I was gay,

0:15:49.320 --> 0:15:52.480
<v Speaker 3>And if you could have that same moment simultaneous, that's

0:15:52.480 --> 0:15:54.120
<v Speaker 3>why it was connected.

0:15:54.240 --> 0:15:56.280
<v Speaker 2>It definitely was something around it, though, because there were

0:15:56.360 --> 0:15:58.680
<v Speaker 2>rumors about him, and I remember hearing like my family

0:15:58.760 --> 0:16:03.520
<v Speaker 2>talk about it and like especially tuning into it, and

0:16:03.560 --> 0:16:06.040
<v Speaker 2>like if I wasn't concerned about it, I wouldn't have

0:16:06.040 --> 0:16:08.320
<v Speaker 2>been tuning into it, you know what I mean. I

0:16:08.320 --> 0:16:09.600
<v Speaker 2>don't think I realized why.

0:16:09.480 --> 0:16:12.440
<v Speaker 3>I would pick up on what's interesting to us and

0:16:12.600 --> 0:16:14.000
<v Speaker 3>we don't consciously maybe no.

0:16:14.240 --> 0:16:15.440
<v Speaker 1>And I think it was like, well, how do they

0:16:15.480 --> 0:16:16.200
<v Speaker 1>feel about it?

0:16:16.440 --> 0:16:21.000
<v Speaker 3>Sort of gauging the totally totally just do the gods

0:16:21.000 --> 0:16:22.080
<v Speaker 3>think this is good or bad?

0:16:22.440 --> 0:16:26.640
<v Speaker 1>Exact people are not. Okay, So you guys were Ricky

0:16:26.920 --> 0:16:27.880
<v Speaker 1>Ricky fans.

0:16:27.680 --> 0:16:30.880
<v Speaker 3>We're Ricky fans, and Kevin and I, you know, bonded

0:16:30.920 --> 0:16:33.320
<v Speaker 3>over the fact that was our first concert and then

0:16:33.440 --> 0:16:34.560
<v Speaker 3>was so exciting that he was there.

0:16:34.840 --> 0:16:35.800
<v Speaker 2>Can we tell him?

0:16:36.040 --> 0:16:38.160
<v Speaker 1>I'm sure we told him. I mean we were.

0:16:38.560 --> 0:16:41.440
<v Speaker 3>When I think back of this episode, it was everyone

0:16:41.600 --> 0:16:44.520
<v Speaker 3>was falling over each other to try to get closer

0:16:44.560 --> 0:16:49.400
<v Speaker 3>to him and tell him just like like offer adulation,

0:16:49.600 --> 0:16:53.840
<v Speaker 3>like just like can we okay first covered in sex?

0:16:53.960 --> 0:16:56.200
<v Speaker 1>I need to know. I need to tell me. So

0:16:56.440 --> 0:16:59.440
<v Speaker 1>everybody's a Ricky fan. He's gorgeous. You guys were big fans.

0:16:59.520 --> 0:17:02.000
<v Speaker 1>You went to the concert, Yeah, you know that was

0:17:02.000 --> 0:17:07.120
<v Speaker 1>your first concert. What was he like and who got

0:17:07.160 --> 0:17:09.600
<v Speaker 1>close to him? Like, because when Gwyneth came in, like

0:17:09.640 --> 0:17:12.040
<v Speaker 1>there was a handful of people that kind of like

0:17:12.560 --> 0:17:15.320
<v Speaker 1>got into her circle a little bit. She like allowed in, right,

0:17:15.440 --> 0:17:17.720
<v Speaker 1>she was very kind to everybody, but like there's a

0:17:17.760 --> 0:17:21.400
<v Speaker 1>few select people. So I'm I want to know what

0:17:21.520 --> 0:17:24.720
<v Speaker 1>Ricky was like and how that what that dynamic was

0:17:24.720 --> 0:17:27.120
<v Speaker 1>on SAT or did he kind of like step away?

0:17:27.280 --> 0:17:34.280
<v Speaker 2>And I don't remember him being as Gwynneth was like

0:17:34.520 --> 0:17:38.399
<v Speaker 2>down for everything. She like was hanging out one like

0:17:38.480 --> 0:17:41.840
<v Speaker 2>what's the hot goss like totally we were talking about

0:17:41.880 --> 0:17:46.359
<v Speaker 2>like current music. I don't my perspective. I was also

0:17:46.440 --> 0:17:50.080
<v Speaker 2>very intimidated by Gwyneth, but she sort of I don't

0:17:50.160 --> 0:17:52.000
<v Speaker 2>nip that in the bud pretty quickly as much as

0:17:52.000 --> 0:17:56.000
<v Speaker 2>she could right by being so approachable. Ricky Martin was

0:17:56.040 --> 0:18:00.359
<v Speaker 2>not unapproachable, but I was also so intimidated, and I

0:18:00.359 --> 0:18:03.959
<v Speaker 2>think I needed him to sort of like break the

0:18:03.960 --> 0:18:07.040
<v Speaker 2>ice for me. Well, like I think I maybe.

0:18:06.760 --> 0:18:09.320
<v Speaker 1>Spoke to him like once or twice because I.

0:18:09.200 --> 0:18:10.760
<v Speaker 2>Was like sitting in the room just sort.

0:18:10.560 --> 0:18:12.640
<v Speaker 1>Of like I am shocked.

0:18:12.800 --> 0:18:14.920
<v Speaker 3>I don't think anybody got really close, and I think

0:18:14.960 --> 0:18:17.639
<v Speaker 3>he was. I think we were objectifying him, to be honest,

0:18:17.800 --> 0:18:19.760
<v Speaker 3>probably I think everyone was.

0:18:19.760 --> 0:18:22.080
<v Speaker 1>Just like yours. Well, he must be so used to

0:18:22.080 --> 0:18:24.080
<v Speaker 1>that too that he's like, who do I even allow

0:18:24.400 --> 0:18:25.720
<v Speaker 1>to like be near me?

0:18:25.880 --> 0:18:26.800
<v Speaker 2>Well, he was coming in?

0:18:27.400 --> 0:18:30.800
<v Speaker 3>When was where was he on his coming out?

0:18:30.119 --> 0:18:34.399
<v Speaker 2>He was yeah, But like the only real thing I

0:18:34.440 --> 0:18:37.640
<v Speaker 2>remember was watching him eat lunch in the choir room.

0:18:38.119 --> 0:18:39.159
<v Speaker 1>Goodness coming.

0:18:40.600 --> 0:18:43.040
<v Speaker 2>Because he got like, you know, we would eat like trash,

0:18:43.320 --> 0:18:44.800
<v Speaker 2>we'd eat like whatever was around.

0:18:44.920 --> 0:18:45.480
<v Speaker 1>What did he eat?

0:18:45.680 --> 0:18:47.800
<v Speaker 2>And he like had like his assistant bring him like

0:18:47.840 --> 0:18:51.080
<v Speaker 2>a really nice salad of course, And I was just like,

0:18:51.760 --> 0:18:54.960
<v Speaker 2>he's here working these long days, he's so fine.

0:18:55.680 --> 0:18:56.600
<v Speaker 1>And what is he eating?

0:18:56.640 --> 0:18:59.480
<v Speaker 2>He's eating a salad. I'm like, I'm tired and want

0:18:59.480 --> 0:19:02.600
<v Speaker 2>to eat brown. Because I was mostly judging myself like

0:19:02.720 --> 0:19:03.560
<v Speaker 2>I'm not doing enough?

0:19:03.560 --> 0:19:05.240
<v Speaker 1>Why am I not eating a salad? Why am I

0:19:05.280 --> 0:19:08.000
<v Speaker 1>eating this? But he was so so nice, but he

0:19:08.040 --> 0:19:10.640
<v Speaker 1>was it was very much like very nice. I remember that, Yeah,

0:19:10.680 --> 0:19:12.720
<v Speaker 1>I remember that. It was very nice. He wasn't there

0:19:12.720 --> 0:19:13.440
<v Speaker 1>to make friends.

0:19:13.600 --> 0:19:16.680
<v Speaker 3>He was there to do to do his thing, and

0:19:16.760 --> 0:19:19.600
<v Speaker 3>I felt like he I didn't see much difference in

0:19:19.640 --> 0:19:23.280
<v Speaker 3>his personality between the character and him, Like he was

0:19:23.320 --> 0:19:27.680
<v Speaker 3>a sweet, warn nice teeth man.

0:19:27.840 --> 0:19:31.320
<v Speaker 2>Yeah, no notes, because there were some people that would

0:19:31.320 --> 0:19:33.399
<v Speaker 2>come on and like you would see the different levels

0:19:33.520 --> 0:19:36.720
<v Speaker 2>understandably of how much they were trying to integrate and

0:19:36.760 --> 0:19:39.280
<v Speaker 2>get to know us, but like that takes a lot

0:19:39.280 --> 0:19:41.800
<v Speaker 2>of extra energy to do that.

0:19:41.880 --> 0:19:43.760
<v Speaker 1>And to be fair, he was only in one episode.

0:19:44.040 --> 0:19:46.800
<v Speaker 1>Like the other guests like Gwenna came back, like Staymos

0:19:46.840 --> 0:19:49.320
<v Speaker 1>who were close with he came back, So like there's

0:19:49.400 --> 0:19:52.520
<v Speaker 1>a there's an icebreaker, and then there's an inn. And

0:19:52.560 --> 0:19:55.480
<v Speaker 1>when you only see him once, it's like how much

0:19:55.520 --> 0:19:56.919
<v Speaker 1>can you get in that amount of time when you

0:19:56.920 --> 0:19:58.520
<v Speaker 1>were his number?

0:19:59.119 --> 0:20:02.359
<v Speaker 2>Maybe I don't know if anyone did. I will say

0:20:02.640 --> 0:20:05.440
<v Speaker 2>I was watching this episode in the hotel room last

0:20:05.480 --> 0:20:09.080
<v Speaker 2>night and I had two friends with me and we

0:20:09.080 --> 0:20:13.639
<v Speaker 2>were watching sex and I know it started and my

0:20:13.640 --> 0:20:15.560
<v Speaker 2>friend Cleia was like, Kevin, your voice is like so

0:20:15.760 --> 0:20:19.040
<v Speaker 2>identifiable just from like one sound, and I was like,

0:20:19.119 --> 0:20:22.719
<v Speaker 2>I don't think that's me singing, because I would remember

0:20:22.760 --> 0:20:26.520
<v Speaker 2>if I did a song with Ricky Martin, right, it

0:20:26.560 --> 0:20:31.320
<v Speaker 2>was absolutely me and I It was the first moment

0:20:31.400 --> 0:20:36.600
<v Speaker 2>really where I was looking at myself, hearing myself, and

0:20:36.680 --> 0:20:38.560
<v Speaker 2>I felt like, am I okay?

0:20:39.920 --> 0:20:44.400
<v Speaker 1>Is my brain okay? Because I have no absolutely.

0:20:44.080 --> 0:20:50.040
<v Speaker 2>Zero recollection of recording that song, And like there's times where,

0:20:50.040 --> 0:20:51.320
<v Speaker 2>like you know, we'll see something come up and I

0:20:51.320 --> 0:20:54.320
<v Speaker 2>don't initially remember it. I'm like, oh, as we're watching it,

0:20:54.359 --> 0:20:56.119
<v Speaker 2>the memory started to come back. Nothing.

0:20:56.280 --> 0:20:58.880
<v Speaker 1>I feel like Kevin though. Sometimes they bundled a bunch

0:20:58.960 --> 0:21:01.920
<v Speaker 1>of songs together, like you do two songs in an episode,

0:21:02.000 --> 0:21:04.439
<v Speaker 1>especially if it's a short kind of like little stint

0:21:04.560 --> 0:21:07.639
<v Speaker 1>in like or chorus or an ad lib, so you

0:21:08.320 --> 0:21:10.879
<v Speaker 1>just like, I know, there's a lot going on for

0:21:11.000 --> 0:21:12.080
<v Speaker 1>you emotionally.

0:21:12.160 --> 0:21:14.359
<v Speaker 2>I do have to say, I don't know if the

0:21:14.400 --> 0:21:17.439
<v Speaker 2>wind knew what was up. But I walked down. I

0:21:17.480 --> 0:21:20.080
<v Speaker 2>got down from my room tonight today to walk here,

0:21:20.720 --> 0:21:26.639
<v Speaker 2>and Madonna's song from the episode was playing in the casino. Yes,

0:21:27.400 --> 0:21:31.639
<v Speaker 2>it was very I was walking to breakfast and I

0:21:31.680 --> 0:21:35.159
<v Speaker 2>was like, okay, this is weird. The wind knows the

0:21:35.160 --> 0:21:37.800
<v Speaker 2>wind Las Vegas has its finger on the pulse, on

0:21:37.840 --> 0:21:49.640
<v Speaker 2>the pulse talking about songs so sexy and I know it.

0:21:50.200 --> 0:21:53.359
<v Speaker 3>And I wanted to talk about the fact that Zach

0:21:53.480 --> 0:21:58.560
<v Speaker 3>had me roll down Harry Harry's body in that scene.

0:21:59.160 --> 0:22:02.800
<v Speaker 3>I actually wrote down, like did a log roll like

0:22:02.840 --> 0:22:08.000
<v Speaker 3>you would do down Grass down Harry's body onto the floor.

0:22:08.280 --> 0:22:11.439
<v Speaker 1>Yeah, they really You said yes a lot? Yeah, I

0:22:11.440 --> 0:22:12.160
<v Speaker 1>said yes a lot.

0:22:12.880 --> 0:22:17.240
<v Speaker 3>Any like I think that in the sleep deprivation and

0:22:17.400 --> 0:22:21.320
<v Speaker 3>over exhaustion of Zach's mine and Brooke and Brittany too,

0:22:21.359 --> 0:22:24.960
<v Speaker 3>probably whenever they had a like a fever dream of

0:22:25.000 --> 0:22:29.520
<v Speaker 3>an outlandish damp opportunity, they would be like, Vanessa will

0:22:29.520 --> 0:22:34.639
<v Speaker 3>do it. Vanessa will roll down somebody's body onto the floor, totally.

0:22:34.960 --> 0:22:39.119
<v Speaker 3>Vanessa will do the what's that called the helicopter. I

0:22:39.160 --> 0:22:42.359
<v Speaker 3>had to do the helicopter. Yes, it's a break dancing movie.

0:22:43.760 --> 0:22:45.119
<v Speaker 3>And I was like, I don't even know how to

0:22:45.160 --> 0:22:47.120
<v Speaker 3>do this, but I will do it. You're like, I'll

0:22:47.119 --> 0:22:48.720
<v Speaker 3>try try it. And I was in a dress and

0:22:48.760 --> 0:22:50.600
<v Speaker 3>I was on stage doing I think that was another

0:22:50.640 --> 0:22:53.200
<v Speaker 3>Paris episode and we had to do it double time

0:22:53.280 --> 0:23:00.119
<v Speaker 3>or triple time, or it was when you ago do

0:23:00.600 --> 0:23:02.680
<v Speaker 3>a double time yeah, across the ridge.

0:23:02.720 --> 0:23:06.199
<v Speaker 1>I don't care. I don't care. We had to do

0:23:06.520 --> 0:23:07.840
<v Speaker 1>we had to do double time, and then I had

0:23:07.840 --> 0:23:10.080
<v Speaker 1>to do a hell whatever that move is. We were

0:23:10.160 --> 0:23:12.560
<v Speaker 1>running down anything. We even ended up in the in.

0:23:12.480 --> 0:23:16.160
<v Speaker 3>The in the show, well that double time did double

0:23:16.160 --> 0:23:18.760
<v Speaker 3>time did? Yeah, but not my not my special breakdown.

0:23:19.160 --> 0:23:19.560
<v Speaker 1>That's wow.

0:23:19.680 --> 0:23:21.840
<v Speaker 2>That's a hard song to do two times as fast

0:23:21.920 --> 0:23:22.239
<v Speaker 2>it was.

0:23:22.320 --> 0:23:27.200
<v Speaker 1>Oh, it was QUI actually crazy, Okay, I'm sorry. Well

0:23:27.240 --> 0:23:30.879
<v Speaker 1>but as we warned the Vanessa, we'll say yes and

0:23:31.440 --> 0:23:35.440
<v Speaker 1>that that Ricky Martin number. All I remember is wow,

0:23:35.480 --> 0:23:37.439
<v Speaker 1>I'm I don't know how this is going to go.

0:23:38.119 --> 0:23:40.879
<v Speaker 1>And I rolled down his body on the floor.

0:23:41.040 --> 0:23:45.040
<v Speaker 2>I similarly I had to do like the body. He

0:23:45.080 --> 0:23:48.119
<v Speaker 2>and I were doing like matching body roles, and I

0:23:48.200 --> 0:23:54.080
<v Speaker 2>just like I think I couldn't contain myself. I was

0:23:54.080 --> 0:23:56.600
<v Speaker 2>texting my family the whole time, like, I can't believe

0:23:56.840 --> 0:23:58.880
<v Speaker 2>I'm doing this with Ricky Martin right now.

0:23:59.119 --> 0:24:00.359
<v Speaker 1>You were really stars.

0:24:00.400 --> 0:24:03.119
<v Speaker 2>I was very starstruck because it was someone like so

0:24:03.280 --> 0:24:08.320
<v Speaker 2>formative to like my adolescent brain musically and therefore like professionally,

0:24:08.680 --> 0:24:10.000
<v Speaker 2>and then also maybe.

0:24:09.800 --> 0:24:14.080
<v Speaker 1>Homo, Yeah for sure, who knows for sure? Yes?

0:24:14.680 --> 0:24:18.880
<v Speaker 2>Okay, So also don't want to lose you Bomboo and hero.

0:24:18.920 --> 0:24:23.520
<v Speaker 1>Lasha keep going lah lab mona.

0:24:24.440 --> 0:24:27.840
<v Speaker 2>A little less conversation in cucaracha.

0:24:28.040 --> 0:24:30.720
<v Speaker 1>Don't talk about it, don't say it.

0:24:31.520 --> 0:24:36.240
<v Speaker 3>You talk about Naya's beautiful legs and dancing and face

0:24:36.280 --> 0:24:38.840
<v Speaker 3>when she sings, and I mean, I mean you'll get to.

0:24:38.840 --> 0:24:43.680
<v Speaker 1>That great all right. So there's some fun veacts about

0:24:43.680 --> 0:24:47.920
<v Speaker 1>this episode that we should talk about. So I remember

0:24:48.160 --> 0:24:50.800
<v Speaker 1>November twenty ninth, twenty eleven, the day news broke that

0:24:50.920 --> 0:24:53.640
<v Speaker 1>Ricky Martin had closed a deal with Glee to guest

0:24:53.640 --> 0:24:57.360
<v Speaker 1>star in an episode. Ricky tweeted, I hear McKinley High

0:24:57.359 --> 0:25:02.800
<v Speaker 1>has an opening for a Spanish teacher. Y'all apply sexy mm.

0:25:04.400 --> 0:25:07.000
<v Speaker 1>Ricky also recorded his songs on January fourth, and the

0:25:07.000 --> 0:25:09.280
<v Speaker 1>episode began filming in January fifth.

0:25:09.520 --> 0:25:12.680
<v Speaker 2>Welcome to the Club. He got thrown in real quick.

0:25:13.640 --> 0:25:17.240
<v Speaker 2>He finished filming the scenes that week. He shot from

0:25:17.320 --> 0:25:18.800
<v Speaker 2>the fifth to the seventh.

0:25:18.800 --> 0:25:20.520
<v Speaker 1>They shoot him out. So it was that quick. So

0:25:20.560 --> 0:25:25.080
<v Speaker 1>that's why you guys numbers. Yeah, makes sense. It felt

0:25:25.080 --> 0:25:27.440
<v Speaker 1>like a like a drive. Well he did great.

0:25:27.480 --> 0:25:30.520
<v Speaker 3>Then that whole speech he did about being a teeth

0:25:30.560 --> 0:25:31.119
<v Speaker 3>tooth model.

0:25:31.200 --> 0:25:35.080
<v Speaker 1>Teeth model, that's probably what he's probably just cheting it together.

0:25:35.119 --> 0:25:36.520
<v Speaker 2>To get through a lot to say.

0:25:36.560 --> 0:25:39.720
<v Speaker 1>And then he also landed this that big monologue.

0:25:39.200 --> 0:25:43.080
<v Speaker 3>Was uh will will at the end. That was beautiful.

0:25:43.119 --> 0:25:46.520
<v Speaker 3>So he crushed it in three days. That's amazing.

0:25:47.040 --> 0:25:50.199
<v Speaker 2>I was very impressed by his acting and also like

0:25:50.280 --> 0:25:53.240
<v Speaker 2>the whole One of my favorite parts of the episode

0:25:53.480 --> 0:25:56.600
<v Speaker 2>was his whole speech about being a teeth model, because

0:25:56.600 --> 0:25:59.119
<v Speaker 2>it reminded me of earlier seasons of was like, Okay,

0:25:59.119 --> 0:26:03.119
<v Speaker 2>this is satire, Yes, this isn't racist, yes, which was

0:26:03.160 --> 0:26:06.360
<v Speaker 2>refreshing during the episode. Didn't get a lot of time

0:26:06.400 --> 0:26:10.720
<v Speaker 2>for that. And he's just so natural. Yeah, I don't

0:26:10.720 --> 0:26:10.919
<v Speaker 2>know why.

0:26:10.920 --> 0:26:13.480
<v Speaker 1>I very good. But he also he was in General

0:26:13.520 --> 0:26:16.040
<v Speaker 1>Hospital for a long time. Wasn't he like he he

0:26:16.560 --> 0:26:19.040
<v Speaker 1>had acted before his music career?

0:26:19.920 --> 0:26:23.399
<v Speaker 2>Right? I mean, as my mom and sister who were

0:26:23.400 --> 0:26:26.280
<v Speaker 2>obsessed General hospital, I learned that at a very young age.

0:26:27.200 --> 0:26:29.080
<v Speaker 2>It was oh, litn't love you to look? A sung

0:26:29.119 --> 0:26:30.680
<v Speaker 2>by the guy that was on General Hospital?

0:26:31.280 --> 0:26:31.840
<v Speaker 1>I love it.

0:26:32.320 --> 0:26:36.159
<v Speaker 2>Yeah, that was my family. Filming for Michael was not

0:26:36.480 --> 0:26:40.120
<v Speaker 2>still not finished. We had mentioned and the two episodes

0:26:40.160 --> 0:26:42.560
<v Speaker 2>continued in parallel until the final Michael Jack's Number was

0:26:42.560 --> 0:26:44.920
<v Speaker 2>shot on January thirteenth, the same day as the thirteenth

0:26:44.920 --> 0:26:48.040
<v Speaker 2>episode Heart started filming.

0:26:48.240 --> 0:26:51.560
<v Speaker 3>Yeah, I'm remembering this now because I was. I was saying,

0:26:52.119 --> 0:26:55.200
<v Speaker 3>you know, fifteen to seventeen hour days and well into Saturday.

0:26:55.240 --> 0:26:58.040
<v Speaker 3>And now I'm remembering when we started to double shoot episodes,

0:26:59.000 --> 0:27:04.840
<v Speaker 3>triple shoot, and how insane that is. I mean, we

0:27:04.960 --> 0:27:08.199
<v Speaker 3>really needed eighteen days in per episode truly to do

0:27:08.240 --> 0:27:10.760
<v Speaker 3>it like where everyone got to rest and where everyone

0:27:10.880 --> 0:27:15.240
<v Speaker 3>felt calm and everyone's mental health was taking care of.

0:27:15.320 --> 0:27:17.800
<v Speaker 3>You needed probably eighteen days. And instead we were doing

0:27:18.040 --> 0:27:22.200
<v Speaker 3>each episode in eight days some and then yah yeah,

0:27:22.200 --> 0:27:25.359
<v Speaker 3>and then and when with a whole other crew, and

0:27:25.440 --> 0:27:28.840
<v Speaker 3>you'd have to go between sets between episodes between it

0:27:28.880 --> 0:27:29.720
<v Speaker 3>was crazy.

0:27:30.840 --> 0:27:32.560
<v Speaker 2>If the show was made now, and it was would

0:27:32.560 --> 0:27:37.640
<v Speaker 2>probably be ten episodes like how great sheet, like some

0:27:37.720 --> 0:27:39.400
<v Speaker 2>more time to actually.

0:27:39.520 --> 0:27:42.480
<v Speaker 3>Except when you think about your paycheck checks. Oh yeah,

0:27:42.520 --> 0:27:45.720
<v Speaker 3>the paycheck and there waiting, I actually can't afford to live.

0:27:45.840 --> 0:27:47.879
<v Speaker 1>Yeah right, never mind, I take it back, right, give

0:27:47.960 --> 0:27:51.320
<v Speaker 1>us twenty two, but mentally, mentally give us ten. Yes,

0:27:51.680 --> 0:27:55.200
<v Speaker 1>mentally give me ten. Pay me for twenty two. Isn't

0:27:55.240 --> 0:27:58.080
<v Speaker 1>it too much as it's just like I just like

0:27:58.440 --> 0:28:00.520
<v Speaker 1>I'm asking for like a little bit like give me

0:28:00.560 --> 0:28:03.480
<v Speaker 1>twenty two episodes. This is the seventh episode where Rachel

0:28:03.480 --> 0:28:10.359
<v Speaker 1>doesn't sing a solo and Jenna and Darren, though credited,

0:28:10.560 --> 0:28:15.320
<v Speaker 1>do not appear in this episode PTO Bitches. Darren is

0:28:15.359 --> 0:28:17.280
<v Speaker 1>off doing how to Succeed in Business with that where

0:28:17.280 --> 0:28:21.080
<v Speaker 1>you're trying on Broadway at the time, Vanessa, And this

0:28:21.359 --> 0:28:25.280
<v Speaker 1>marks the first episode in which Tina is not there.

0:28:25.320 --> 0:28:27.520
<v Speaker 1>That's the first episode that I was not in and

0:28:27.560 --> 0:28:29.560
<v Speaker 1>it will be the last episode until I become a

0:28:29.640 --> 0:28:32.360
<v Speaker 1>recur from a series regular in season six.

0:28:32.600 --> 0:28:32.800
<v Speaker 4>Yeah.

0:28:32.800 --> 0:28:34.159
<v Speaker 2>That went long. That was a long time.

0:28:34.840 --> 0:28:35.000
<v Speaker 4>Yeah.

0:28:35.080 --> 0:28:37.320
<v Speaker 1>I mean none of us really had any episodes off. No,

0:28:37.600 --> 0:28:39.680
<v Speaker 1>so you were in every episode, right, Kevin.

0:28:40.120 --> 0:28:42.160
<v Speaker 2>No, I was the only one to do one hundred

0:28:42.200 --> 0:28:46.160
<v Speaker 2>straight episode. Okay, Okay, that's good. And then I was like, yeah,

0:28:46.640 --> 0:28:47.440
<v Speaker 2>and I got to.

0:28:47.680 --> 0:28:49.400
<v Speaker 1>Do a movie, got it, got it? Got it.

0:28:50.080 --> 0:28:52.720
<v Speaker 2>Spanish is Harry's first language because he was born in

0:28:52.720 --> 0:28:55.160
<v Speaker 2>Costa Rica. Always forget that lived there until his family

0:28:55.160 --> 0:28:57.000
<v Speaker 2>moved to the US when he was six, So Harry's

0:28:57.080 --> 0:29:02.080
<v Speaker 2>tri lingual. There's nothing Harry can't. Yes, you can literally

0:29:02.120 --> 0:29:06.680
<v Speaker 2>have Vanessa roll down his hard as. During the performance

0:29:07.040 --> 0:29:09.000
<v Speaker 2>of sexteen I Know It, Finn draws a face on

0:29:09.040 --> 0:29:11.800
<v Speaker 2>a box, which is reference to the shuffle bot from

0:29:11.920 --> 0:29:15.640
<v Speaker 2>L M FAO, the group who originally performs.

0:29:15.360 --> 0:29:18.520
<v Speaker 1>I noticed that, and I was like, yeah on.

0:29:18.520 --> 0:29:20.640
<v Speaker 2>The second time. This is the second time we see Mercedes,

0:29:20.720 --> 0:29:24.520
<v Speaker 2>Rachel and Kurt having a sleepover in the twelfth episode

0:29:24.880 --> 0:29:27.120
<v Speaker 2>of the season, the first time being in.

0:29:27.160 --> 0:29:28.840
<v Speaker 1>Season two episodes twelve, Soill he loved Songs.

0:29:28.920 --> 0:29:31.400
<v Speaker 2>I love that little circular moment.

0:29:31.520 --> 0:29:34.200
<v Speaker 3>That's right, and I love who's tracking how many sleepovers

0:29:34.240 --> 0:29:35.960
<v Speaker 3>there have been featured on the show?

0:29:36.040 --> 0:29:38.000
<v Speaker 1>Is that just a personal obsession?

0:29:38.040 --> 0:29:38.240
<v Speaker 4>God?

0:29:38.320 --> 0:29:40.520
<v Speaker 2>Is so A little summary of this episode, Yes, so

0:29:40.560 --> 0:29:42.800
<v Speaker 2>Well signs a gig club a Spanish singing assignment and

0:29:42.880 --> 0:29:47.520
<v Speaker 2>enlists the help of his musically inclined night school Spanish teacher. Meanwhile,

0:29:47.840 --> 0:29:50.800
<v Speaker 2>Rachel spills the beans to Curt and Mercedes on Finn's

0:29:50.800 --> 0:29:54.880
<v Speaker 2>marriage proposal, and Mercedes has love complications of her own.

0:29:55.880 --> 0:29:57.840
<v Speaker 1>Okay, look.

0:30:00.400 --> 0:30:03.040
<v Speaker 2>In one breath, It's like, yes, address the elephant in

0:30:03.080 --> 0:30:05.760
<v Speaker 2>the room. That Will is the Spanish teacher and clearly

0:30:05.800 --> 0:30:14.560
<v Speaker 2>speaks no Spanish like great, but that's probably where the

0:30:14.640 --> 0:30:19.479
<v Speaker 2>good stops, right, it starts and stop. I mean just

0:30:19.480 --> 0:30:21.720
<v Speaker 2>the list of songs, right, Like I felt like I

0:30:21.800 --> 0:30:23.600
<v Speaker 2>was losing my mind watching this a bit.

0:30:23.680 --> 0:30:26.479
<v Speaker 1>Like I was talking to myself while I was watching this,

0:30:27.040 --> 0:30:29.000
<v Speaker 1>like how is this real?

0:30:29.920 --> 0:30:34.560
<v Speaker 2>It felt like the things you're in one breath. It's

0:30:34.840 --> 0:30:36.880
<v Speaker 2>I think a lot of times the show is so

0:30:37.040 --> 0:30:40.720
<v Speaker 2>good at walking the line of like satire and being

0:30:42.400 --> 0:30:45.640
<v Speaker 2>commenting on society in a way that is witty and

0:30:45.680 --> 0:30:48.960
<v Speaker 2>funny and dark. Right, And it works, Yes, it does.

0:30:49.240 --> 0:30:51.480
<v Speaker 2>Sometimes you cross the line and it doesn't work.

0:30:51.600 --> 0:30:53.360
<v Speaker 3>And sometimes you cross the line so far that the

0:30:53.360 --> 0:30:57.320
<v Speaker 3>line is a dot. Yes, I have this thing that

0:30:57.400 --> 0:30:58.719
<v Speaker 3>just popped in my head and I don't know if

0:30:58.720 --> 0:31:02.400
<v Speaker 3>this is weird. I'm also waving people taking pictures, which

0:31:02.440 --> 0:31:05.640
<v Speaker 3>is is that you know when we you know, you

0:31:05.640 --> 0:31:10.480
<v Speaker 3>think of Italians, okay, and you love people people love

0:31:10.560 --> 0:31:13.880
<v Speaker 3>talking with Italian accents and doing this and this and

0:31:14.040 --> 0:31:16.120
<v Speaker 3>this and a pizza and apasta and a whole thing,

0:31:16.320 --> 0:31:22.680
<v Speaker 3>and we it's still not culturally understood that that that

0:31:22.680 --> 0:31:26.440
<v Speaker 3>that we're inappropriate. It's still like Italian is the one

0:31:26.480 --> 0:31:29.200
<v Speaker 3>that you can still like. It's just it's not weird,

0:31:29.240 --> 0:31:31.920
<v Speaker 3>it's not cringe, it's not auchy. But maybe in ten

0:31:32.000 --> 0:31:35.000
<v Speaker 3>years Italian people are gonna be like, fuck you can't.

0:31:35.760 --> 0:31:38.400
<v Speaker 1>Maybe they do now, maybe they do now, you know,

0:31:38.720 --> 0:31:38.960
<v Speaker 1>And I.

0:31:39.080 --> 0:31:41.560
<v Speaker 3>Just I just I just want to, you know, get

0:31:41.960 --> 0:31:44.200
<v Speaker 3>let everybody off the hook, ever so slightly. You don't

0:31:44.200 --> 0:31:48.080
<v Speaker 3>know just the time, Yeah, I do you understand and learn?

0:31:48.200 --> 0:31:48.760
<v Speaker 2>That was the thing?

0:31:49.040 --> 0:31:51.160
<v Speaker 1>This show is in a time capsule.

0:31:51.240 --> 0:31:53.479
<v Speaker 2>Yes, yeah, it's very much of the time. And I

0:31:53.480 --> 0:31:56.400
<v Speaker 2>think looking back, honestly, when we started this whole thing,

0:31:56.600 --> 0:32:00.240
<v Speaker 2>I thought a lot more with age poorly and it

0:32:00.320 --> 0:32:03.320
<v Speaker 2>has yeah, agreed, And I think because the contract of

0:32:03.360 --> 0:32:05.360
<v Speaker 2>the show being a satire, you can get away with

0:32:05.400 --> 0:32:09.280
<v Speaker 2>a lot more. Yes, and so it's sort of like

0:32:09.400 --> 0:32:12.400
<v Speaker 2>the I guess just the racist things.

0:32:12.160 --> 0:32:15.840
<v Speaker 1>That are really aging as well.

0:32:16.040 --> 0:32:21.480
<v Speaker 2>Right, No, totally, yeah, I mean I felt weird doing

0:32:21.520 --> 0:32:22.400
<v Speaker 2>like kukaracha.

0:32:22.880 --> 0:32:26.280
<v Speaker 1>Oh well you should have. Did you feel we're doing

0:32:26.360 --> 0:32:27.400
<v Speaker 1>it while you were shooting it?

0:32:28.120 --> 0:32:28.479
<v Speaker 2>Yeah?

0:32:28.600 --> 0:32:31.040
<v Speaker 3>Okay, good, tell us about how you felt while you

0:32:31.040 --> 0:32:32.680
<v Speaker 3>were shooting what was going on?

0:32:33.040 --> 0:32:34.600
<v Speaker 2>It is like you're in the scene, right.

0:32:34.480 --> 0:32:36.400
<v Speaker 1>And your job and it's like.

0:32:36.400 --> 0:32:38.160
<v Speaker 2>Okay, well this is supposed to be like funny and

0:32:38.200 --> 0:32:40.880
<v Speaker 2>absurd because it's so wrong that we're doing it right.

0:32:41.000 --> 0:32:42.800
<v Speaker 2>So then it's like, oh, these kids are just doing

0:32:42.840 --> 0:32:45.600
<v Speaker 2>what they're told, so like we're just really committed to

0:32:45.640 --> 0:32:48.520
<v Speaker 2>the bit. But then when you see it all in

0:32:48.560 --> 0:32:52.040
<v Speaker 2>forty four minutes of like one number after another, we

0:32:52.120 --> 0:32:52.960
<v Speaker 2>committed too hard.

0:32:54.440 --> 0:32:56.760
<v Speaker 3>So it's like the show was trying to send a

0:32:56.800 --> 0:33:00.800
<v Speaker 3>message that that there's this inappropriate age thing happening.

0:33:00.840 --> 0:33:02.440
<v Speaker 1>The show is trying to convey that.

0:33:02.800 --> 0:33:07.360
<v Speaker 3>But because of the amount of cringe, well he didn't

0:33:07.360 --> 0:33:08.280
<v Speaker 3>balance out or.

0:33:08.200 --> 0:33:14.520
<v Speaker 1>Something culturally appropriating and presenting and being reductive. Why yes,

0:33:14.760 --> 0:33:19.080
<v Speaker 1>while we are commenting on it, it's like, you know,

0:33:20.800 --> 0:33:22.160
<v Speaker 1>just don't do it.

0:33:22.440 --> 0:33:25.880
<v Speaker 2>What are you trying to say? But than like, no,

0:33:25.960 --> 0:33:27.440
<v Speaker 2>we're just reaffirming all that.

0:33:27.640 --> 0:33:31.040
<v Speaker 1>We need to find a storyline for Ricky. So let's

0:33:31.160 --> 0:33:34.480
<v Speaker 1>just make Will be the butt of this really bad

0:33:34.680 --> 0:33:37.520
<v Speaker 1>Have you had him on the show Ricky? No, yeah

0:33:38.080 --> 0:33:38.680
<v Speaker 1>yet not yet.

0:33:39.320 --> 0:33:41.960
<v Speaker 3>You should ask him about how he would be really

0:33:41.960 --> 0:33:44.920
<v Speaker 3>fascinating for me. I just said, we have to say

0:33:44.960 --> 0:33:47.800
<v Speaker 3>all together that this is we say it all at

0:33:47.800 --> 0:33:51.320
<v Speaker 3>the same time. No to say no, we're saying we're

0:33:51.400 --> 0:33:55.960
<v Speaker 3>saying no. Okay, just say no, no, We've all said it.

0:33:56.040 --> 0:34:02.200
<v Speaker 1>Also inappropriately, Sue is trying to have a baby. Now, well,

0:34:02.360 --> 0:34:05.240
<v Speaker 1>why is there always a baby? What does that mean?

0:34:05.320 --> 0:34:08.200
<v Speaker 2>I think Ryan Murphy loves a baby.

0:34:08.280 --> 0:34:09.920
<v Speaker 1>What do you mean by why is there always a baby?

0:34:11.880 --> 0:34:12.080
<v Speaker 4>No?

0:34:12.080 --> 0:34:15.720
<v Speaker 1>No, But there's also no, no, she didn't so sus

0:34:15.840 --> 0:34:19.400
<v Speaker 1>now trying to have a baby, there was a fake baby.

0:34:19.800 --> 0:34:23.520
<v Speaker 1>There's also Quinn has been trying to steal her baby,

0:34:23.680 --> 0:34:26.719
<v Speaker 1>her technical biological baby back from Shelby for such a

0:34:26.719 --> 0:34:29.680
<v Speaker 1>long time, where you have finally moved on from that storyline,

0:34:29.800 --> 0:34:31.680
<v Speaker 1>and yet here we are sus now trying to have

0:34:31.719 --> 0:34:36.120
<v Speaker 1>a baby. It's like, what is with the babies?

0:34:36.200 --> 0:34:38.320
<v Speaker 2>Because babies representing I'm kidding.

0:34:38.520 --> 0:34:41.480
<v Speaker 1>Babies don't don't you know. I'm not saying like, let's

0:34:41.520 --> 0:34:43.879
<v Speaker 1>show on the babies. I love the babies. Just it's

0:34:44.000 --> 0:34:49.799
<v Speaker 1>just it's like a lie. I think it's you know,

0:34:49.840 --> 0:34:52.279
<v Speaker 1>I think it's provocative. Okay, fine, because I think that

0:34:52.440 --> 0:34:55.600
<v Speaker 1>you know, you know, Ryan was a provocateur. Is loves

0:34:55.719 --> 0:34:58.600
<v Speaker 1>to you know, and people love to be provoked. And

0:34:58.800 --> 0:35:02.960
<v Speaker 1>when you're talking about like motherhood and child rearing and babies,

0:35:03.280 --> 0:35:08.200
<v Speaker 1>it's the it's a very vulnerable, easy to provoke spot.

0:35:08.719 --> 0:35:11.640
<v Speaker 1>I think, like I was the Nanini scene where she's

0:35:12.120 --> 0:35:14.600
<v Speaker 1>telling Sue that she's too old of a baby. I felt,

0:35:16.000 --> 0:35:19.319
<v Speaker 1>I felt my feelings get hurt, Like, this is a

0:35:19.360 --> 0:35:23.120
<v Speaker 1>show that you were on, that's funny. They literally kill

0:35:23.440 --> 0:35:25.680
<v Speaker 1>all kinds of people and build all kinds of people up.

0:35:25.719 --> 0:35:28.080
<v Speaker 3>So that's the nature of the show you're watching. But

0:35:28.160 --> 0:35:30.359
<v Speaker 3>I couldn't stop my little feelings from getting hurt.

0:35:30.520 --> 0:35:34.960
<v Speaker 1>Why is Nini so funny? Oh, she's amazing. Actually forgot

0:35:35.040 --> 0:35:36.120
<v Speaker 1>how good she was.

0:35:36.520 --> 0:35:39.799
<v Speaker 2>Also to give someone who is not an actor, this

0:35:40.360 --> 0:35:44.719
<v Speaker 2>must have been like three page wrong and she and

0:35:44.760 --> 0:35:47.960
<v Speaker 2>also some of it obviously is like offensive and whatever. However,

0:35:48.640 --> 0:35:50.480
<v Speaker 2>as I was gasping at the content of it, I

0:35:50.520 --> 0:35:52.640
<v Speaker 2>was also gasping a simultaneous delivery.

0:35:52.760 --> 0:35:53.520
<v Speaker 1>Her delivery.

0:35:53.719 --> 0:35:56.560
<v Speaker 3>Yes, I watched it a few times.

0:35:57.280 --> 0:35:59.560
<v Speaker 1>Chokes. She landed those jokes so perfectly.

0:35:59.640 --> 0:36:00.000
<v Speaker 4>By the way.

0:36:00.080 --> 0:36:03.200
<v Speaker 2>Way, So I got to the Wind Las Vegas a

0:36:03.200 --> 0:36:05.600
<v Speaker 2>couple of days early before we did this, and I

0:36:05.640 --> 0:36:08.040
<v Speaker 2>was sitting in the bar and this woman comes up.

0:36:08.080 --> 0:36:08.239
<v Speaker 1>First.

0:36:08.280 --> 0:36:12.279
<v Speaker 2>I was like, we're just car She was in this

0:36:12.400 --> 0:36:17.200
<v Speaker 2>like matching set Blencia, yes, and like a beautiful woman

0:36:17.239 --> 0:36:20.040
<v Speaker 2>and I and I see her from far away, and

0:36:20.120 --> 0:36:22.239
<v Speaker 2>she sits down sort of like close to me, and

0:36:22.280 --> 0:36:24.680
<v Speaker 2>I can't really see her face, and then these two

0:36:24.719 --> 0:36:27.799
<v Speaker 2>people come up and start talking to her and I

0:36:27.880 --> 0:36:31.480
<v Speaker 2>hear her voice, and then I start texting Jenna and

0:36:31.520 --> 0:36:35.279
<v Speaker 2>I'm like, I think Nini is sitting next to me,

0:36:36.040 --> 0:36:38.200
<v Speaker 2>like I haven't seen her face yet, but I know

0:36:38.280 --> 0:36:41.279
<v Speaker 2>that voice because we're watching these episodes right now, and

0:36:41.400 --> 0:36:44.640
<v Speaker 2>all I hear is her illing Cord about his big lips.

0:36:44.719 --> 0:36:46.840
<v Speaker 1>Oh, such a good delivery.

0:36:46.480 --> 0:36:48.160
<v Speaker 2>And the whole time. Then my friends come meet up

0:36:48.160 --> 0:36:50.120
<v Speaker 2>with me, like should I go over there be like? Hey,

0:36:50.320 --> 0:36:52.000
<v Speaker 2>she looked at me for a second and I did

0:36:52.000 --> 0:36:54.680
<v Speaker 2>this super awkward thing of like smiling to be like,

0:36:57.400 --> 0:36:59.319
<v Speaker 2>and she stared at me and just like turned away

0:36:59.600 --> 0:37:04.279
<v Speaker 2>because she was having a thought and didn't recognize a

0:37:04.320 --> 0:37:07.320
<v Speaker 2>lot of us people recognize her, and they're taking photos

0:37:07.320 --> 0:37:09.600
<v Speaker 2>with therm like okay, it was her, yes, And then

0:37:09.600 --> 0:37:10.920
<v Speaker 2>it was obviously.

0:37:12.280 --> 0:37:15.799
<v Speaker 1>I would have you would have. I couldn't believe that

0:37:15.880 --> 0:37:16.399
<v Speaker 1>she was here.

0:37:17.680 --> 0:37:22.400
<v Speaker 3>Why we're doing these This is very magical, as are possible.

0:37:23.040 --> 0:37:31.680
<v Speaker 1>Face truly, so yes, Nini isless really really so so good.

0:37:31.800 --> 0:37:36.120
<v Speaker 1>I get it now, I get it well Sue. Sue's

0:37:36.120 --> 0:37:39.080
<v Speaker 1>trying to have a baby. Guys. I don't know what

0:37:39.160 --> 0:37:40.359
<v Speaker 1>else to say about it.

0:37:40.480 --> 0:37:43.560
<v Speaker 3>I don't know what I liked about it is that

0:37:43.920 --> 0:37:46.680
<v Speaker 3>the episode made me cry and to almost cry. Actually

0:37:46.760 --> 0:37:49.760
<v Speaker 3>I won't lie. I almost cried in two spots.

0:37:49.800 --> 0:37:50.479
<v Speaker 1>And it was.

0:37:52.040 --> 0:37:55.719
<v Speaker 3>Just like the way that she flashed you of vulnerability

0:37:55.840 --> 0:38:00.680
<v Speaker 3>in this episode. You know, there was this moment where

0:38:00.719 --> 0:38:03.360
<v Speaker 3>she takes takes off her glasses and I think Samuel

0:38:03.400 --> 0:38:06.040
<v Speaker 3>said it. She says a lie, like I can do anything.

0:38:06.600 --> 0:38:09.040
<v Speaker 3>And because she really gets beat up for her desire

0:38:09.080 --> 0:38:13.160
<v Speaker 3>to have a baby, you know, she really everyone comes

0:38:13.200 --> 0:38:17.279
<v Speaker 3>at her. Yeah and yeah, so I just I really

0:38:17.280 --> 0:38:22.839
<v Speaker 3>thought it really showcase as Jane, just like she gets

0:38:22.880 --> 0:38:26.759
<v Speaker 3>all this like crazy storyline where she's the villain. Yeah,

0:38:26.800 --> 0:38:30.120
<v Speaker 3>and then like literally your heart strains are just cut

0:38:30.160 --> 0:38:32.719
<v Speaker 3>in half. Like this is going to sound so weird.

0:38:32.719 --> 0:38:35.640
<v Speaker 3>It's very Malwana. You ever watch Moana's my favorite Disney movie,

0:38:36.239 --> 0:38:39.439
<v Speaker 3>and I love that there are no just straight evil

0:38:39.520 --> 0:38:42.239
<v Speaker 3>characters in Moana. You always get to see this like

0:38:42.360 --> 0:38:46.000
<v Speaker 3>heart in the center of of you know that uh

0:38:46.920 --> 0:38:50.000
<v Speaker 3>the crab for example, he's so lonely, he hat his grandma,

0:38:50.080 --> 0:38:51.799
<v Speaker 3>but you like feel for him, even at the end.

0:38:52.800 --> 0:38:56.279
<v Speaker 1>The Kiti, you know, is just somebody's still her heart.

0:38:57.040 --> 0:38:59.919
<v Speaker 3>I think, Jane, really it's a good point, really cry

0:39:00.200 --> 0:39:01.840
<v Speaker 3>that it's very and she doesn't compare.

0:39:01.960 --> 0:39:04.279
<v Speaker 2>So we were talking before the show started, and you

0:39:04.320 --> 0:39:05.880
<v Speaker 2>were saying, like, what's so little?

0:39:06.000 --> 0:39:11.040
<v Speaker 3>It's so subtle or a beat or just like like

0:39:11.080 --> 0:39:13.239
<v Speaker 3>a like a look of the eye to one side

0:39:13.239 --> 0:39:15.759
<v Speaker 3>and then back again where she like takes off her

0:39:15.840 --> 0:39:17.400
<v Speaker 3>armor and then puts it back on, and you're like,

0:39:17.440 --> 0:39:19.640
<v Speaker 3>oh my god, you know she has feelings.

0:39:19.719 --> 0:39:23.000
<v Speaker 1>This is insane. It's great brilliant, brilliant writing.

0:39:22.680 --> 0:39:25.880
<v Speaker 2>And reliant acting, Like you'd be brilliant enough just to

0:39:25.880 --> 0:39:29.640
<v Speaker 2>be able to do the straight sort of crazy soue

0:39:29.880 --> 0:39:32.680
<v Speaker 2>character like yes, all the awards, but then to be

0:39:32.719 --> 0:39:36.040
<v Speaker 2>able to a couple of times a season do that

0:39:36.560 --> 0:39:39.000
<v Speaker 2>with a look or a beat like you said, and

0:39:39.080 --> 0:39:40.160
<v Speaker 2>breaks your hearts.

0:39:40.239 --> 0:39:43.879
<v Speaker 1>Your heart breaks your heart, Jane Lynch, Jane Lynch for you, unbelievable.

0:39:45.680 --> 0:39:47.920
<v Speaker 1>There's also another thing going on with Mercedes and Sam.

0:39:49.840 --> 0:39:52.520
<v Speaker 1>I love Why are they so good?

0:39:53.600 --> 0:39:59.600
<v Speaker 2>It's in real life also, you would never I would

0:39:59.640 --> 0:40:03.680
<v Speaker 2>not think that that would make sense together, but on screen, yeah.

0:40:03.840 --> 0:40:05.960
<v Speaker 3>I'm pretty good at picking up chemistry. I would say,

0:40:06.000 --> 0:40:07.879
<v Speaker 3>real life chemistry, not romantic at all.

0:40:08.560 --> 0:40:11.200
<v Speaker 1>Nothing. I would never when I watched it, I was

0:40:11.200 --> 0:40:12.480
<v Speaker 1>shipping them. I wanted more.

0:40:12.560 --> 0:40:16.399
<v Speaker 2>Yeah, I was good for them because totally I think

0:40:16.880 --> 0:40:19.600
<v Speaker 2>any Yeah, they are sort of like the extremes of

0:40:19.640 --> 0:40:21.600
<v Speaker 2>like the group in that way. Yes, like the rest

0:40:21.680 --> 0:40:25.160
<v Speaker 2>of us at all in between are all obsessed romantically

0:40:25.200 --> 0:40:29.640
<v Speaker 2>with each other and like physically, and those two not

0:40:29.760 --> 0:40:30.200
<v Speaker 2>so much.

0:40:30.239 --> 0:40:32.759
<v Speaker 1>But you put them for them, but it doesn't seem

0:40:32.840 --> 0:40:34.840
<v Speaker 1>like it from the outside, right.

0:40:35.239 --> 0:40:38.240
<v Speaker 3>Right, they come on, They're like, actually, we are in love.

0:40:38.320 --> 0:40:42.600
<v Speaker 1>I imagine, and and so they go to Emma for help,

0:40:42.680 --> 0:40:46.319
<v Speaker 1>and they they she suggests that they don't speak to

0:40:46.400 --> 0:40:49.279
<v Speaker 1>each other for a full week, but also her pamphlets.

0:40:50.680 --> 0:40:54.759
<v Speaker 1>Why are Emma's pamphlets. I'm glad that they're addressing the

0:40:54.760 --> 0:40:58.960
<v Speaker 1>pamphlets now, yes, they're they're talking about Emma caring so

0:40:59.080 --> 0:41:02.000
<v Speaker 1>deeply about Creed hating the pamphlets because at first it

0:41:02.120 --> 0:41:06.319
<v Speaker 1>just feels like a thing that you know, what a

0:41:06.320 --> 0:41:09.520
<v Speaker 1>great prop master you have, or Ian who wrote all

0:41:09.560 --> 0:41:13.080
<v Speaker 1>those really great weird titles. But then to have Emma

0:41:13.200 --> 0:41:15.680
<v Speaker 1>like care so deeply about them and for will to

0:41:15.760 --> 0:41:18.960
<v Speaker 1>like shit on them. It's actually like it worked really

0:41:19.000 --> 0:41:23.120
<v Speaker 1>really well. But she Emma decides to. She says, why

0:41:23.120 --> 0:41:24.920
<v Speaker 1>don't you guys spend a week away and see how

0:41:24.960 --> 0:41:28.680
<v Speaker 1>you feel? And when they when that bell rings, when

0:41:28.719 --> 0:41:32.480
<v Speaker 1>they see each other. I cried? Why did I cry?

0:41:32.920 --> 0:41:33.399
<v Speaker 2>I don't know.

0:41:33.480 --> 0:41:37.720
<v Speaker 1>It's really sweet, it's really really sweet. I think you cried.

0:41:37.800 --> 0:41:41.000
<v Speaker 3>I think you cried because how many times in life

0:41:41.200 --> 0:41:45.160
<v Speaker 3>have you wanted something with someone? And whether it be

0:41:45.200 --> 0:41:49.279
<v Speaker 3>friendship or romance or you know, whatever it is, there's

0:41:49.320 --> 0:41:52.520
<v Speaker 3>a feeling and there are too many reasons not to.

0:41:53.160 --> 0:41:54.000
<v Speaker 1>It's heartbreaking.

0:41:54.160 --> 0:41:57.160
<v Speaker 3>It's heartbreaking to look at somebody and be see what's

0:41:57.200 --> 0:41:59.759
<v Speaker 3>possible but not be able, and not be and know

0:41:59.840 --> 0:42:02.200
<v Speaker 3>that you're never gonna act on it, you know.

0:42:02.480 --> 0:42:04.319
<v Speaker 1>I think that's what came up for me.

0:42:05.040 --> 0:42:09.080
<v Speaker 2>And I also that combined with seeing like your friends

0:42:10.200 --> 0:42:12.400
<v Speaker 2>do this thing, Like I was also so.

0:42:12.400 --> 0:42:13.640
<v Speaker 1>Proud of them.

0:42:14.040 --> 0:42:17.239
<v Speaker 2>They're so good at it because they displayed everything you

0:42:17.280 --> 0:42:20.839
<v Speaker 2>just said, and like that's hard to do, and it

0:42:20.920 --> 0:42:22.840
<v Speaker 2>was a really any.

0:42:23.080 --> 0:42:26.600
<v Speaker 1>Cord really pulled, pulled out the guns, the big gun.

0:42:26.680 --> 0:42:28.680
<v Speaker 1>I'll just wait till next episode and get out of here.

0:42:28.960 --> 0:42:32.200
<v Speaker 3>I'm always so impressed by him because because he doesn't

0:42:32.200 --> 0:42:35.399
<v Speaker 3>come across like he's able to do that.

0:42:35.800 --> 0:42:36.440
<v Speaker 1>No, he is.

0:42:36.520 --> 0:42:39.279
<v Speaker 3>He's just like I don't know, I'm just scored, like

0:42:39.360 --> 0:42:41.759
<v Speaker 3>playing the guitar and like I'll make you laugh.

0:42:41.800 --> 0:42:44.560
<v Speaker 2>And that's like his down place ability.

0:42:45.800 --> 0:42:48.480
<v Speaker 1>He's disarming. Yes, that's right, he's.

0:42:48.360 --> 0:42:52.240
<v Speaker 2>And he does care about it.

0:42:52.120 --> 0:42:56.839
<v Speaker 3>It doesn't like he's reminds me of how uh, how

0:42:56.920 --> 0:42:59.040
<v Speaker 3>much he took care of back up, like when she was.

0:43:00.520 --> 0:43:05.000
<v Speaker 1>The most nursuring and actually wildly nurturing. Like surprisingly so

0:43:05.400 --> 0:43:08.400
<v Speaker 1>when he would be around like Bear or around Emma, No,

0:43:09.120 --> 0:43:12.839
<v Speaker 1>anytime he's around them, he is a dog and baby whisperer.

0:43:12.960 --> 0:43:15.600
<v Speaker 1>It is the weirdest thing. Bear would just like sleep

0:43:15.640 --> 0:43:17.439
<v Speaker 1>in his arms and I'd be like, he is never

0:43:17.480 --> 0:43:20.800
<v Speaker 1>this colmon And like Emma, he like loves being around kids.

0:43:20.880 --> 0:43:23.200
<v Speaker 1>He comes from a big family, and it makes sense.

0:43:23.440 --> 0:43:26.200
<v Speaker 1>He is just so unassuming in all of these ways.

0:43:26.239 --> 0:43:29.480
<v Speaker 1>He's very layered and like on the surface that is

0:43:29.520 --> 0:43:31.920
<v Speaker 1>not the cord you get in your first, I cor

0:43:32.000 --> 0:43:35.719
<v Speaker 1>second or your five hundred and sixtieth, but really getting

0:43:35.760 --> 0:43:37.839
<v Speaker 1>to the core of cord when you know him, like

0:43:38.360 --> 0:43:41.720
<v Speaker 1>to the core of cord, you should suggest the book

0:43:41.840 --> 0:43:46.000
<v Speaker 1>or album or podcast to the core of Cord. But

0:43:46.280 --> 0:43:49.080
<v Speaker 1>I yeah, I'm I'm a fan. I also am just

0:43:49.680 --> 0:43:52.560
<v Speaker 1>props to Paris for making this episode work and giving

0:43:52.600 --> 0:43:55.080
<v Speaker 1>this episode heart and the two of them, the way

0:43:55.080 --> 0:43:57.440
<v Speaker 1>he cut it, the way that he he directed them,

0:43:57.520 --> 0:44:00.360
<v Speaker 1>I just thought was really beautiful. So mhmm.

0:44:01.000 --> 0:44:04.719
<v Speaker 2>There's also Rachel and Finn. Yes, this I feel like

0:44:04.840 --> 0:44:11.719
<v Speaker 2>this is the new Quinn and the Baby. So Vanessa, yes,

0:44:11.800 --> 0:44:17.560
<v Speaker 2>tell me Quinn and Puck. And now I forgot a name,

0:44:17.560 --> 0:44:21.560
<v Speaker 2>but Adina what's her character name?

0:44:21.840 --> 0:44:23.400
<v Speaker 1>Shelby? There we go.

0:44:24.000 --> 0:44:25.840
<v Speaker 2>I'm a co host of a Glee rewatch podcast.

0:44:27.000 --> 0:44:30.319
<v Speaker 1>You wouldn't know it. No. For me, we sort of.

0:44:30.880 --> 0:44:33.120
<v Speaker 2>Over that story because it dragged on for so long

0:44:33.160 --> 0:44:36.479
<v Speaker 2>and it just felted with the and now this whole

0:44:36.480 --> 0:44:42.400
<v Speaker 2>proposal thing feels like a bit in an episode is

0:44:42.400 --> 0:44:45.640
<v Speaker 2>one thing, and then to start like committing to.

0:44:45.600 --> 0:44:49.960
<v Speaker 1>It feels so uncomfortable as a viewer.

0:44:50.000 --> 0:44:52.560
<v Speaker 2>For me, at least, I've been like, why is this happening?

0:44:52.600 --> 0:44:52.799
<v Speaker 1>Now?

0:44:53.400 --> 0:44:58.040
<v Speaker 2>I think we the characters do a lot of weird,

0:44:59.080 --> 0:45:04.759
<v Speaker 2>high schooly, rash, irrational things, and I feel like this

0:45:04.960 --> 0:45:08.560
<v Speaker 2>is justifiable and that way where this is the longest

0:45:08.560 --> 0:45:14.080
<v Speaker 2>standing relationship in the entire show A shippers, and the debate

0:45:14.360 --> 0:45:18.040
<v Speaker 2>about what's going to happen post graduation is Rachel going

0:45:18.080 --> 0:45:20.560
<v Speaker 2>to New York, Finn doesn't nobody wants to do with

0:45:20.680 --> 0:45:23.719
<v Speaker 2>his life, and so I feel like it makes sense.

0:45:25.080 --> 0:45:28.360
<v Speaker 2>It just and I guess when I say like I'm uncomfortable,

0:45:28.480 --> 0:45:30.839
<v Speaker 2>that's not to say don't do it. It's like it's

0:45:30.880 --> 0:45:35.040
<v Speaker 2>another like a weird piece of drama, but it feels

0:45:35.120 --> 0:45:37.440
<v Speaker 2>it also feels weird that it happened. And then they didn't.

0:45:37.200 --> 0:45:39.919
<v Speaker 1>Address it for like a hot minute, and.

0:45:39.920 --> 0:45:42.160
<v Speaker 2>Because it doesn't look like there's no moment of we're

0:45:42.160 --> 0:45:45.120
<v Speaker 2>not going to tell anybody, like a big secret meeting,

0:45:45.600 --> 0:45:48.120
<v Speaker 2>they just don't address it. And then it comes up

0:45:48.160 --> 0:45:51.439
<v Speaker 2>finally in the scene where they're like all in bed

0:45:51.480 --> 0:45:56.640
<v Speaker 2>and she reveals it. Yes, And also it's like, you

0:45:56.680 --> 0:45:59.160
<v Speaker 2>know nobody can keep a secret. Well, we know it's

0:45:59.200 --> 0:45:59.759
<v Speaker 2>going to come out.

0:46:00.080 --> 0:46:04.400
<v Speaker 1>Yeah, I actually don't get weird about this storyline until

0:46:04.840 --> 0:46:06.880
<v Speaker 1>next episode. I think that's probably what I'm.

0:46:07.080 --> 0:46:10.520
<v Speaker 3>Yeah, I'm so I can't wait till the next episode

0:46:10.520 --> 0:46:12.359
<v Speaker 3>of the podcast I find out what the.

0:46:12.239 --> 0:46:18.000
<v Speaker 1>Weird thing that's right? Very good Vanessa. Yes, so we will. Well,

0:46:18.239 --> 0:46:22.480
<v Speaker 1>we'll unpack that more because there's like when when adults

0:46:22.480 --> 0:46:24.080
<v Speaker 1>get involved, that's when it gets weird to me.

0:46:24.120 --> 0:46:25.799
<v Speaker 3>I can just tell you that the vibe in this

0:46:25.920 --> 0:46:30.120
<v Speaker 3>room has changed significantly when this this topic of this

0:46:30.239 --> 0:46:32.879
<v Speaker 3>storyline came up just as the as the vibe check

0:46:32.920 --> 0:46:35.800
<v Speaker 3>for the room. It was like, we like went into

0:46:36.080 --> 0:46:40.319
<v Speaker 3>two floors below this floor and I started feeling this

0:46:40.400 --> 0:46:45.239
<v Speaker 3>weird twisty sensation inside, so like it like it feels

0:46:45.280 --> 0:46:48.000
<v Speaker 3>like a shark is lurking. Well, it's twist it. Okay,

0:46:48.400 --> 0:46:50.839
<v Speaker 3>that's the next episode. I just wanted everyone to know

0:46:51.040 --> 0:46:51.319
<v Speaker 3>I do.

0:46:51.360 --> 0:46:52.840
<v Speaker 2>Want to talk about Naya.

0:46:53.640 --> 0:46:56.600
<v Speaker 1>I'd love to all the time because, oh please, let's

0:46:56.600 --> 0:46:56.880
<v Speaker 1>do it.

0:46:57.120 --> 0:47:01.440
<v Speaker 2>She in this episode her usual it's just like.

0:47:03.120 --> 0:47:04.120
<v Speaker 1>So good.

0:47:04.680 --> 0:47:07.560
<v Speaker 2>Besides the fact, yes, it's very I love that Sentana's

0:47:07.600 --> 0:47:10.919
<v Speaker 2>calling out Will and all this shit. However, I don't

0:47:10.960 --> 0:47:12.480
<v Speaker 2>know what student in high school.

0:47:12.640 --> 0:47:14.800
<v Speaker 1>I was thinking it was like a little out of line,

0:47:14.960 --> 0:47:18.440
<v Speaker 1>but okay, like we're.

0:47:18.320 --> 0:47:21.920
<v Speaker 2>Yeah, it's fine, but I would like I would have

0:47:22.080 --> 0:47:24.040
<v Speaker 2>liked the whole episode which just her and Rickey Marton

0:47:24.080 --> 0:47:31.160
<v Speaker 2>performing songs together because they talk about chemistry. One oh,

0:47:31.880 --> 0:47:34.680
<v Speaker 2>they're both so talented. I was like, can this number

0:47:34.719 --> 0:47:36.479
<v Speaker 2>just go on for the next twenty to thirty minute.

0:47:36.520 --> 0:47:39.759
<v Speaker 2>It's the one that feels it felt the most appropriate. Yes,

0:47:41.320 --> 0:47:45.719
<v Speaker 2>even though it also was not appropriate. No, no, you're right,

0:47:46.440 --> 0:47:49.200
<v Speaker 2>but it felt appropriate. And when that's all that matters

0:47:50.040 --> 0:47:53.040
<v Speaker 2>mean to me, I was like, yes, I was talking about,

0:47:53.560 --> 0:47:57.040
<v Speaker 2>you know, music sung in Spanish and choose a Madonna.

0:47:56.680 --> 0:48:03.080
<v Speaker 1>Song, right right, Okay, good point, keep point taking right.

0:48:03.080 --> 0:48:05.920
<v Speaker 2>But however, the number was in there and they showed up.

0:48:06.280 --> 0:48:10.040
<v Speaker 1>Oh, they showed up. Rating was good. Yeah, romans was good.

0:48:10.640 --> 0:48:22.880
<v Speaker 1>Give it to me. So we do tarty takes, fanessa okay,

0:48:23.200 --> 0:48:27.319
<v Speaker 1>and this is where we give our takes of different categories,

0:48:27.760 --> 0:48:32.840
<v Speaker 1>and so each category will have its moment and you

0:48:32.880 --> 0:48:35.680
<v Speaker 1>can chime in. You can give your strong opinion, not

0:48:35.840 --> 0:48:40.880
<v Speaker 1>so strong opinion, so best cringe moment of the episode.

0:48:42.120 --> 0:48:47.080
<v Speaker 1>And that could be the whole thing that's hard in

0:48:47.160 --> 0:48:50.960
<v Speaker 1>this one. I really think the first one that came

0:48:51.040 --> 0:48:53.840
<v Speaker 1>up for me was the first scene of Glacu Karacha.

0:48:55.719 --> 0:49:00.400
<v Speaker 3>I think that the one where the actress says that

0:49:00.480 --> 0:49:02.880
<v Speaker 3>she she's in the class to tell her maid not

0:49:03.000 --> 0:49:06.759
<v Speaker 3>to the night of the bathroom at her house and

0:49:06.800 --> 0:49:10.120
<v Speaker 3>then she wins the Grassius Award and then doesn't say

0:49:10.840 --> 0:49:14.200
<v Speaker 3>word Grassius, but does say that now her mate.

0:49:13.960 --> 0:49:15.080
<v Speaker 1>Is going to the bathroom.

0:49:15.080 --> 0:49:18.040
<v Speaker 3>Before she I was like, that doesn't feel funny or

0:49:18.320 --> 0:49:18.840
<v Speaker 3>good to me.

0:49:19.320 --> 0:49:22.479
<v Speaker 1>Yeah, I was like, moment, oh.

0:49:22.480 --> 0:49:25.520
<v Speaker 3>Great, Wow, I didn't know, no, no, it was it

0:49:25.560 --> 0:49:28.239
<v Speaker 3>was absolutely I'm saying it's fantastic. But I like when

0:49:28.280 --> 0:49:30.520
<v Speaker 3>people I guess I like to be agree with Yeah,

0:49:30.600 --> 0:49:34.319
<v Speaker 3>that's weird, and will unpack that later as I tell you,

0:49:34.360 --> 0:49:35.520
<v Speaker 3>don't do anything.

0:49:35.200 --> 0:49:41.239
<v Speaker 1>For validation best dance move. I think the log rule,

0:49:41.920 --> 0:49:45.680
<v Speaker 1>Hey it obviously.

0:49:46.000 --> 0:49:49.480
<v Speaker 3>I really was proud that I did it. I didn't

0:49:49.480 --> 0:49:54.480
<v Speaker 3>break anything. I also did push ups in that too impressive.

0:49:54.600 --> 0:49:58.799
<v Speaker 3>Oh and Jen's wanted me to say this. I was

0:49:58.840 --> 0:50:01.880
<v Speaker 3>on the prices right as a contestant and in the

0:50:01.960 --> 0:50:05.200
<v Speaker 3>last few years, like I don't even recently. That's what

0:50:05.200 --> 0:50:06.960
<v Speaker 3>I'm trying to say. The Drew Carey price is right.

0:50:07.840 --> 0:50:11.520
<v Speaker 3>And I did do push ups and I don't know why,

0:50:11.800 --> 0:50:13.279
<v Speaker 3>Like it was like one of those moments where I

0:50:13.280 --> 0:50:15.560
<v Speaker 3>think I was just on the edge of blacking out

0:50:15.560 --> 0:50:19.000
<v Speaker 3>out of joy and disbelief that this was happening to me.

0:50:19.239 --> 0:50:21.560
<v Speaker 3>When they called me up to stage because I didn't know.

0:50:21.640 --> 0:50:23.960
<v Speaker 3>You know, it's like one of those things like everyone's like,

0:50:24.000 --> 0:50:25.840
<v Speaker 3>of course, Vanessa, you went on the prices, right, and

0:50:25.880 --> 0:50:29.000
<v Speaker 3>they call you you're you're a giant Neon signed for

0:50:29.040 --> 0:50:29.880
<v Speaker 3>put me on camera.

0:50:30.560 --> 0:50:32.760
<v Speaker 1>But you know, inside, I don't believe that about myself.

0:50:33.320 --> 0:50:35.000
<v Speaker 3>And so when I was watching this episode and I

0:50:35.000 --> 0:50:37.319
<v Speaker 3>saw that me do the push up thing, I was like, oh,

0:50:37.320 --> 0:50:41.080
<v Speaker 3>maybe that's my thing. Like you, there's people always knew

0:50:41.080 --> 0:50:43.600
<v Speaker 3>how Ashley Simson did the jig which you go uncomfortable.

0:50:43.600 --> 0:50:46.240
<v Speaker 3>There's always some you have, like a core that happens

0:50:46.239 --> 0:50:49.560
<v Speaker 3>that you do. I think that's mine, just like do

0:50:49.560 --> 0:50:51.880
<v Speaker 3>do push ups? I go for those arms, get.

0:50:51.719 --> 0:50:54.800
<v Speaker 2>Those Just watching this episode, watching that number and picking

0:50:54.840 --> 0:50:58.720
<v Speaker 2>someone to watch throughout the entire thing because everyone's doing wild.

0:50:58.920 --> 0:51:01.920
<v Speaker 4>Yes, it was a real for all things perform rockout

0:51:02.920 --> 0:51:09.960
<v Speaker 4>best performance, but best song, Sorry, yeah, it's just sure there, okay,

0:51:10.360 --> 0:51:11.560
<v Speaker 4>best performance.

0:51:11.120 --> 0:51:16.239
<v Speaker 1>By a prop the pamphlets. I'm sorry. I didn't mean

0:51:16.280 --> 0:51:18.920
<v Speaker 1>to step on you, No, I was.

0:51:19.680 --> 0:51:21.920
<v Speaker 3>I was just remarking. I didn't know that that question

0:51:22.000 --> 0:51:23.640
<v Speaker 3>was coming up. The best performance by a prop is

0:51:23.640 --> 0:51:26.640
<v Speaker 3>that when you do every episode? Wow, that's just I

0:51:26.960 --> 0:51:30.840
<v Speaker 3>love that you know, as an only child, I have

0:51:30.880 --> 0:51:33.160
<v Speaker 3>a lot of relationship with things. Yeah, and I feel

0:51:33.160 --> 0:51:39.360
<v Speaker 3>sometimes a tiny minture. I have a lot of things. Puppets, yes,

0:51:39.400 --> 0:51:40.720
<v Speaker 3>so oh my finger puppets.

0:51:40.800 --> 0:51:45.000
<v Speaker 1>Yeah, that's right. So that question really checked me.

0:51:45.480 --> 0:51:47.960
<v Speaker 3>It took me because it felt like a little part

0:51:48.000 --> 0:51:50.680
<v Speaker 3>of me was being seen, Like, of course, what was

0:51:50.719 --> 0:51:54.840
<v Speaker 3>the best prop's performance problem? That's something I would have written.

0:51:56.719 --> 0:52:01.719
<v Speaker 3>The pamphlets were great. I also think uh Sue was

0:52:01.760 --> 0:52:06.360
<v Speaker 3>cleaning her trophies with the Q tip, and I felt

0:52:06.400 --> 0:52:11.280
<v Speaker 3>like the trophies really yeah, we're saying something about her character,

0:52:11.480 --> 0:52:12.920
<v Speaker 3>you know, adding to the scene.

0:52:13.040 --> 0:52:15.160
<v Speaker 1>We haven't done the trophies yet. That's a good one.

0:52:15.200 --> 0:52:19.759
<v Speaker 2>I also think Roz's metal is always a standout because like,

0:52:19.800 --> 0:52:20.839
<v Speaker 2>what is she without it?

0:52:21.440 --> 0:52:22.680
<v Speaker 1>Right? All that?

0:52:22.680 --> 0:52:24.680
<v Speaker 3>That's a great that's a great one, Kevin, that's a

0:52:24.719 --> 0:52:29.960
<v Speaker 3>good point, great question, and the best line is, oh.

0:52:29.800 --> 0:52:33.719
<v Speaker 1>Lord, I mean we have some quotes here, Okay, great,

0:52:33.840 --> 0:52:36.440
<v Speaker 1>I'm gonna look Santana.

0:52:36.520 --> 0:52:39.879
<v Speaker 2>You went from laku karacha to bullfighting to a bull

0:52:39.880 --> 0:52:43.360
<v Speaker 2>fighting mariachi. Also, my god, that number, why don't you

0:52:43.360 --> 0:52:45.319
<v Speaker 2>just dress up as a taco bell chiha embark the

0:52:45.320 --> 0:52:47.640
<v Speaker 2>theme songatory they explore you don't even know enough to

0:52:47.640 --> 0:52:51.120
<v Speaker 2>be embarrassed about these stereotypes that you're perpetuating. And I

0:52:51.160 --> 0:52:54.279
<v Speaker 2>feel like the whole episode was leading to that, like

0:52:54.440 --> 0:53:00.719
<v Speaker 2>that's the thesis of it. However, like do you need it?

0:53:00.719 --> 0:53:03.200
<v Speaker 2>It was like six times of like beating it in

0:53:03.280 --> 0:53:05.120
<v Speaker 2>of likes nothing.

0:53:05.680 --> 0:53:08.839
<v Speaker 1>I don't know that line is great, though, I love

0:53:08.880 --> 0:53:11.360
<v Speaker 1>that line. Ross had some good ones.

0:53:11.760 --> 0:53:14.360
<v Speaker 3>Uh, what you need to do is start praying that

0:53:14.400 --> 0:53:17.040
<v Speaker 3>you give birth to a child that likes to eat sand,

0:53:17.680 --> 0:53:20.720
<v Speaker 3>because that's all that's coming out of those old, wrinkly boobs.

0:53:21.760 --> 0:53:24.840
<v Speaker 3>I was I don't know how I was shocked. I

0:53:24.920 --> 0:53:26.480
<v Speaker 3>guess I was gasp worthy.

0:53:26.680 --> 0:53:28.880
<v Speaker 1>Kurt had a good one. Ladies. I appreciate you spending

0:53:28.920 --> 0:53:30.600
<v Speaker 1>time with me while Blaine recovers, but why are you

0:53:30.640 --> 0:53:32.919
<v Speaker 1>being so weird and serious? Our periods don't come until

0:53:32.920 --> 0:53:36.040
<v Speaker 1>the end of Oh that was great, very good, very good.

0:53:36.840 --> 0:53:39.240
<v Speaker 1>Normally I like learning.

0:53:39.280 --> 0:53:41.800
<v Speaker 3>I like learning that those characters were saying, we grade

0:53:41.800 --> 0:53:42.920
<v Speaker 3>the performances normally.

0:53:43.400 --> 0:53:46.960
<v Speaker 1>Wow, you guys really into the threw me into the.

0:53:48.800 --> 0:53:53.240
<v Speaker 3>Oh gosh, I have a great performance moment Heather dancing

0:53:53.280 --> 0:53:56.319
<v Speaker 3>as the bull, Oh so good, so great. She really

0:53:56.360 --> 0:54:00.799
<v Speaker 3>embodied that bull she did, Harry, Yeah, come on, physicality.

0:54:01.000 --> 0:54:03.480
<v Speaker 1>Yeah. I don't know that we should rate these numbers. No,

0:54:03.600 --> 0:54:05.759
<v Speaker 1>they all sort of get like a two thumbs down. Yeah.

0:54:05.880 --> 0:54:09.560
<v Speaker 1>I think that's that's where we're after. Okay, cool, Okay,

0:54:09.680 --> 0:54:11.040
<v Speaker 1>it's been great to be on your show.

0:54:11.200 --> 0:54:12.080
<v Speaker 2>Performance MVP.

0:54:12.640 --> 0:54:13.720
<v Speaker 1>Yes, performance MVP.

0:54:15.440 --> 0:54:19.040
<v Speaker 2>I mean honestly knowing his schedule and showing up and

0:54:19.120 --> 0:54:20.040
<v Speaker 2>knocking out of the park.

0:54:20.080 --> 0:54:24.360
<v Speaker 1>I'd say, Ricky Martin gets the MVP. Absolutely the schedule,

0:54:24.680 --> 0:54:26.160
<v Speaker 1>but knowing that as well.

0:54:27.320 --> 0:54:29.440
<v Speaker 3>You did all of that in three days, and that's crazy,

0:54:29.480 --> 0:54:31.200
<v Speaker 3>it's wild, that's actually wild.

0:54:31.440 --> 0:54:39.080
<v Speaker 1>Lot. You should actually get a real medal. He's fine, Okay,

0:54:39.480 --> 0:54:40.759
<v Speaker 1>should we found on TikTok.

0:54:41.320 --> 0:54:44.640
<v Speaker 2>I don't know how many people tagged me in this,

0:54:45.280 --> 0:54:51.279
<v Speaker 2>especially on Twitter and on on TikTok personally, Jen and

0:54:51.360 --> 0:54:54.840
<v Speaker 2>I got tagged so many times because we're back with

0:54:54.920 --> 0:54:59.879
<v Speaker 2>another greatest hit from demy de Vito, who honestly star

0:55:00.239 --> 0:55:03.920
<v Speaker 2>an icon of our time, and this is if there

0:55:04.000 --> 0:55:08.240
<v Speaker 2>was a Taylor Swift episode of Glee acting all the parts,

0:55:08.480 --> 0:55:11.399
<v Speaker 2>and it's.

0:55:10.080 --> 0:55:12.000
<v Speaker 1>Surreal, unreal. That is.

0:55:12.520 --> 0:55:16.160
<v Speaker 2>I appreciate everyone tagging, and I understand the fervor. Thanks

0:55:16.200 --> 0:55:19.640
<v Speaker 2>in the persistence because that deserves all the awards, all

0:55:19.680 --> 0:55:20.080
<v Speaker 2>the attention.

0:55:20.760 --> 0:55:23.719
<v Speaker 1>You can take the trophy back from Rickeyan. Well, he'll

0:55:23.760 --> 0:55:27.480
<v Speaker 1>understand the MVP of this episode. Yes, well, thank you

0:55:27.600 --> 0:55:30.880
<v Speaker 1>so much Vanessa for joining us from the episode. You guys,

0:55:31.000 --> 0:55:38.680
<v Speaker 1>we have another episode of Vanessa next week. You're welcome, right, Well,

0:55:39.040 --> 0:55:40.160
<v Speaker 1>that's what you really.

0:55:39.960 --> 0:55:42.879
<v Speaker 2>Miss Thanks for joining us live from the Blue Wire

0:55:42.920 --> 0:55:45.920
<v Speaker 2>Studios at the wind last faces you next week. Thanks

0:55:45.920 --> 0:55:49.040
<v Speaker 2>for listening and follow us on Instagram at and that's

0:55:49.080 --> 0:55:51.239
<v Speaker 2>what you really miss pod. Make sure to write us

0:55:51.239 --> 0:55:53.839
<v Speaker 2>a review and leave us five stars. See you next time.