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Speaker 1: And That's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what you really miss podcasts. A

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Speaker 1: very special episode. We are broadcasting from Blue Wires Studios

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Speaker 1: at WIN Las Vegas with our very special friend Vanessa Lenji.

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Speaker 1: Happy to be here.

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Speaker 2: Let me tell you, if we can keep it together

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Speaker 2: just long enough to get through this episode.

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Speaker 1: I will be shocked. I don't know. This is a

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Speaker 1: there's a lot, and this is a lot. Our energy

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Speaker 1: is a lot. This episode is a lot. We're just

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Speaker 1: we're a lot.

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Speaker 2: We're well into our residency at the Wind Las Vegas,

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Speaker 2: whether the Win Las Vegas knows it or not. We've

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Speaker 2: already requested a standing desk for Jenna next episode.

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Speaker 3: And the sitting desk for Kevin. Any sleeping desk for Vanessa. Yes,

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Speaker 3: so just a tilted desk Hollywood type sez right.

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Speaker 1: No no requests, just a small writer of a ten

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Speaker 1: page writer. Welcome back, Vanessa, Thank you.

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Speaker 2: She switched outfits.

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Speaker 1: We This window outfit is something very special. She's a

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Speaker 1: bridge house.

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Speaker 2: And she's sitting in the window. So we're at the

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Speaker 2: wynd Hotel in Las Vegas and there's a window I

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Speaker 2: feel like we're in a zoo, but we get to

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Speaker 2: watch like they can't comment on us, we can comment

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Speaker 2: on them. This is great. This is how I want

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Speaker 2: to live my life all the time.

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Speaker 1: Great because we live here now, yeah, this is it.

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Speaker 1: I would live here. Can we squat here? No, Kevin,

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Speaker 1: you can't announce that you're squatting and then squat. You

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Speaker 1: got to just squat waters right. I actually didn't know

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Speaker 1: what squatting was until christ And Channel episode of Home

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Speaker 1: and when she was a squatter?

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Speaker 2: Oh yeah, in the show. Do you remember Jenna lived

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Speaker 2: with me, stayed with me for a little bit like

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Speaker 2: one piled season, and there was a house across the

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Speaker 2: street and they were.

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Speaker 1: They were squatting in the house, squatters for years with

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Speaker 1: the birds. Yes, there were the squatters.

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Speaker 2: They had birds.

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Speaker 1: Oh my gosh, that's.

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Speaker 2: A fun fact.

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Speaker 1: I'd love to know.

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Speaker 2: When and Jenna was staying with me, we'd put each

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Speaker 2: other on tape for auditions and things, and Jenna had

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Speaker 2: a motto that she'd repeat for herself and for me, Jenna,

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Speaker 2: what was it.

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Speaker 1: Ww VLD What would Vanessa Lengs do? And you know

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Speaker 1: what that was? For every audition I would go in,

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Speaker 1: I'd wear a different colored lipstick. I would give them

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Speaker 1: the riskiest version of that character, and i would just

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Speaker 1: do something different because we always said that you were

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Speaker 1: one of a kind, and that's why you booked so much,

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Speaker 1: because there's only one Vanessa out there, whereas like, you know,

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Speaker 1: these cookie cutter people come in me trying to be

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Speaker 1: a cookie cutter thing coming in and I'm like, that's

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Speaker 1: not how you book jobs. You you just emanate Vanessa.

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Speaker 3: Ngis I just do something weirder than they were expecting you.

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Speaker 2: To do the thing you actually want to do, that's

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Speaker 2: fair and not feel bad about it. Yeah, you're scared

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Speaker 2: of it.

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Speaker 1: You're like unapologetically you or whatever it was at the

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Speaker 1: time in your life that you were feeling weird or different,

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Speaker 1: it was it was working.

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Speaker 3: Is working, bring yourself pleasure and then they will feel that.

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Speaker 2: I know we have a recap to do, but I

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Speaker 2: have a question about that, because what when you get

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Speaker 2: an audition or something, what is your approach to her secrets?

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Speaker 1: I'll give you all this.

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Speaker 2: I'm just because like watching you act is like watching

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Speaker 2: Slean Beyonce whoa or coming across the Daltons in a

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Speaker 2: pod in the ocean because it's it's like so juicy,

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Speaker 2: Like I feel like you read a page and you

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Speaker 2: see something so much more than I ever could, Like

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Speaker 2: you see all the subtext? Do you see all that

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Speaker 2: this character could be, even if it's just a word.

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Speaker 2: What is that process like for you?

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Speaker 1: Okay, this is great.

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Speaker 3: I think I was an only child and I was

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Speaker 3: alone a lot, so my fantasy land is well practiced.

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Speaker 2: We still have access to that.

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Speaker 1: I still have access to that.

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Speaker 3: I was also acting since I was five or six

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Speaker 3: years old, so I don't think I ever got a

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Speaker 3: chance to use access, which is a whole other story.

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Speaker 3: Uh No, I chose this. I chose this career. I

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Speaker 3: chose this career. I chose, I chose this career. I

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Speaker 3: choose this career.

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Speaker 1: I choose. Okay, So here's my here's my thing.

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Speaker 3: I read it and I imagine it, and I read

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Speaker 3: it again and again again again and again again. I read

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Speaker 3: it so many times until it kind of paints itself.

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Speaker 3: So I know what the walls look like in the room,

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Speaker 3: and I know what I'm wearing, and then you know,

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Speaker 3: there's like all these details that come the more you

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Speaker 3: read it, the more you read it, the more you

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Speaker 3: read it, there's more details, and I leave the details.

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Speaker 3: And and then I tell myself, if I'm not going

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Speaker 3: to have fun, if I'm not going to enjoy myself

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Speaker 3: going to this audition, then I shouldn't go.

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Speaker 1: By the way, I never not go.

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Speaker 3: So that's a weird rule I have with myself because

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Speaker 3: I also I should turn down more auditions, but I

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Speaker 3: can't because I think, and I SI, you're so lucky

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Speaker 3: to have this opportunity. If you say no, that's like, yeah,

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Speaker 3: it's like punching a gift horse in the mouth. What's

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Speaker 3: the expression that, I don't think you punch them? But

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Speaker 3: don't take that look it up. You do something with

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Speaker 3: a gift horse, which is weird.

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Speaker 2: I don't know.

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Speaker 1: I need that explained.

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Speaker 3: But whatever it is, I don't want to do it

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Speaker 3: when it comes to auditions.

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Speaker 1: The poor horse. Okay. The thing is, don't look a

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Speaker 1: gift horse in the mouth. And it means that you

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Speaker 1: shouldn't criticize a gift, even if you don't like it

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Speaker 1: very much. A gift horse, in other words, is a gift.

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Speaker 3: Yeah, And so I see auditions as a gift because

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Speaker 3: a lot of people want to do what we do right,

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Speaker 3: and a lot of people don't get to. So every

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Speaker 3: time I have one, I think, okay, I have to,

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Speaker 3: you know, see this as the gift. And then if

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Speaker 3: I'm going to go, which I am going to go,

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Speaker 3: I better love it. This is good advice for all children.

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Speaker 3: So HI, enjoy everything you do, don't do it?

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Speaker 1: Yeah? So then so then like how do I how

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Speaker 1: do I how do I love this?

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Speaker 3: Like?

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Speaker 1: How do I love this? How do I have fun here?

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Speaker 3: And usually that'll involve some kind of weird costume thing

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Speaker 3: that delights me. I love I think it's funny, or

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Speaker 3: a lot of the times it's a oh I could

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Speaker 3: do this weird nuanced reference from the sound of music

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Speaker 3: that no one will ever pick up on, but I

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Speaker 3: will know that it's a shout.

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Speaker 1: So I'll do that.

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Speaker 3: I'll mix in things that I love that I secretly

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Speaker 3: just obsessively love. Let's see what else do I do

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Speaker 3: I really love that? I also, all I used to

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Speaker 3: do this one was in person auditions. I think of

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Speaker 3: everything in terms of relationship, so like, of course we

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Speaker 3: have an amazing relationship. And when I think back to

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Speaker 3: even meeting and us getting to know each other, naturally,

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Speaker 3: the three of us kind of just congealed, and we

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Speaker 3: had good vibes between three of us. So when I

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Speaker 3: go into an audition, I think of that, Like, let's

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Speaker 3: say Sam's here and you're casting for us. I would

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Speaker 3: walk into that room and less focused on the audition

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Speaker 3: and more about what relationship I'm building with you, because

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Speaker 3: we're actually co creating whatever, even if we don't even

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Speaker 3: if don't get the job, we're co creating what happens

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Speaker 3: in the room. So I'm constantly thinking about that.

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Speaker 1: And then she's so good, you guys.

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Speaker 3: And then then wait, and then there's also this thing

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Speaker 3: called PAD, which is post audition depression.

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Speaker 1: It happens every single.

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Speaker 3: Time I go to me and you just have to

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Speaker 3: have room for a pad and you have to take

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Speaker 3: really like you have to just be like okay, and

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Speaker 3: then you go down and you're.

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Speaker 1: Like that sucked. I suck.

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Speaker 3: Everything sucks. I should never. I'm never working again. I

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Speaker 3: should never. I shouldn't work at the post office. Nothing

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Speaker 3: against post office work, because that's great too, but like whatever,

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Speaker 3: I should just not be, you know, in front of

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Speaker 3: a camera ever again. And so I just let let

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Speaker 3: myself have that. So that so that here's what that does.

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Speaker 3: It's like all the criticism that could happen, or all

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Speaker 3: the anxiety that could happen before I walk into the

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Speaker 3: room with Sam or with whoever, my whatever, that part

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Speaker 3: of me that self critic I'm like, you're going to

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Speaker 3: get your moments right.

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Speaker 1: You can, you can beat me up, you can just

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Speaker 1: hold I'm going to give you.

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Speaker 3: That nice pad afterwards, or you're going to get to

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Speaker 3: shit talk me to your heart's content, but not here,

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Speaker 3: because you know, if we don't go into that room

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Speaker 3: thinking that we're going to get the job, there's no

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Speaker 3: way we're going to get the job.

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Speaker 2: You're totally right, I mean because I've been in that

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Speaker 2: room several times being like this isn't for me.

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Speaker 1: That's what you should just get. That's what you get.

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Speaker 3: And you know it's not a science, but at least

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Speaker 3: when you look back at your life, you're like, I

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Speaker 3: had a good time.

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Speaker 2: Yeah, that's the biggest thing.

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Speaker 1: I think.

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Speaker 2: Once you I had to adjust myself being like, let

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Speaker 2: me just enjoy this because maybe the only opportunity to

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Speaker 2: have to play this character.

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Speaker 1: Isn't here, so let me just enjoy it.

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Speaker 2: I also like how you like analyze a script where

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Speaker 2: like you're seeing everything, so like all the work is

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Speaker 2: done before you go into the room or put yourself

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Speaker 2: on tape, because you already know how you as a

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Speaker 2: character exists in that world, so you don't worry about it.

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Speaker 3: And then I'd say, try to try to not practice

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Speaker 3: how you're going to say something as much as possible,

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Speaker 3: because I used to get caught up on that, like

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Speaker 3: on how it should sound coming out of my mouth, and.

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Speaker 1: When I see that.

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Speaker 3: Thinking about the story you told me on the plane

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Speaker 3: on the way here about dated running. He doesn't listen

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Speaker 3: to these podcast lines with you and you guys, I

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Speaker 3: love him such a sweetie.

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Speaker 1: What was I saying? I don't know. Oh, I was saying, no.

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Speaker 2: Getting too stuck in how you like?

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Speaker 1: Yeah, because when.

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Speaker 3: You're missing the relationship, right, yeah, you're missing playing off

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Speaker 3: another person.

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Speaker 1: You created the world and you know who the character is.

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Speaker 1: Your instinct of that character when you go in there

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Speaker 1: is already given. So if you're so focused on the lines,

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Speaker 1: you haven't thought and you haven't thought about the world,

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Speaker 1: it's probably a good thing because then you at least

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Speaker 1: say the lines in some way that you wanted to.

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Speaker 1: But if you've created the world, you just trust the

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Speaker 1: way your instincts are going to give or what they're

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Speaker 1: going to say.

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Speaker 3: Yeah, and knowing that even the parts that you probably

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Speaker 3: didn't plan probably the best parts.

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Speaker 2: And that makes it fun because you're discovering it in

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Speaker 2: there with the person you now built this relationship with exactly.

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Speaker 1: And then they feel like a genius, right because then

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Speaker 1: they contributed. Yes, Okay, wow, thank you for that. Thank

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Speaker 1: you for sharing that, because again, what would Vanessa and

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Speaker 1: she just do? Now, that's what she would do. That's

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Speaker 1: that's what you really missed. Kids.

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Speaker 2: Listen, you can go to NYU for Forum kidding.

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Speaker 1: This is season three, episode twelve, The Spanish Teacher, and

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Speaker 1: this air on February seventh, twenty twelve.

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Speaker 2: What was going on in the world Kevin set Fire

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Speaker 2: to the Rain by Adell was a number one song

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Speaker 2: set Fire to This episode was also.

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Speaker 1: A part of this Yeah, very good Chronicle was a

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Speaker 1: number one movie.

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Speaker 2: That movie was great.

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Speaker 1: Actually I didn't see it, but another one I haven't

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Speaker 1: launched Michael B.

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Speaker 2: Jordan's career. Also wasn't Dane Dehan and that movie I

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Speaker 2: think I don't know. I could be like I didn't

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Speaker 2: tell you he was in it. Yeah, that movie was

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Speaker 2: a gigantic like launching pad for.

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Speaker 1: It's quite a few movies that we've watched that have

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Speaker 1: been number one that we haven't seen. It convinced.

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Speaker 2: Chronicle was great. Glean news this week afterwards he's ended

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Speaker 2: in the Big Michael episode.

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Speaker 3: It was a quiet week, nothing happened. So this episode,

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Speaker 3: why do you guys sound so sad?

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Speaker 1: Okay, Well, yeah, let me know.

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Speaker 2: You watched it.

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Speaker 1: I did. It was we were in it. Jenna, you

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Speaker 1: guys were both in it. What were you doing this week?

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Speaker 1: Jenna's head had been removed from her body. I had

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Speaker 1: unhinged my jaw, it was on the ground. My feet

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Speaker 1: were removed from my body as well. This is your

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Speaker 1: PTOM paid time off. See you later. I was wondering

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Speaker 1: what I was.

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Speaker 3: Yeah, when they showed me which episodes we're doing and

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Speaker 3: said Jenna wasn't in it, I was like, how honest

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Speaker 3: do you guys get on this podcast, because let's get honest.

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Speaker 3: I just felt like they were I mean, I'm glad

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Speaker 3: that it was paid time off, but I just didn't

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Speaker 3: agree with why how they treated you.

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Speaker 1: Thank you, thank you. Yeah, it's a tough. It was

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Speaker 1: a tough time to be away. It was actually strange

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Speaker 1: to be away, not on my terms. It wasn't like

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Speaker 1: they were like, you know, you have to be away,

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Speaker 1: but they it was kind of like that. It was

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Speaker 1: a nice It was actually a nice break, but it

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Speaker 1: also was like, had I chosen to take it off

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Speaker 1: so it would have felt better, Yeah, did you think

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Speaker 1: it was off?

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Speaker 2: Did you go somewhere?

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Speaker 4: No?

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Speaker 1: I stayed home. I also didn't want them to be like, well,

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Speaker 1: I come back and they're like, well, you went to Hawaii?

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Speaker 1: Do you know what I mean? Like I couldn't win anyway. Yeah,

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Speaker 1: that's how I saw it too. I was like, there's

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Speaker 1: not getting a chance to win, So you know, I

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Speaker 1: just took the time off. I did some reflecting, and

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Speaker 1: in a few episodes, I'm gonna get a really fucking

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Speaker 1: great episode Tina gets to be Rachel Berry. Maybe that's

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Speaker 1: also a metaphor for what was happening at the time.

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Speaker 2: I don't know.

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Speaker 1: Home oh man. Anyway, I actually am kind of grateful

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Speaker 1: so I have not been in this episode. After watching it,

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Speaker 1: I missed you all for sure, but I really I'm

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Speaker 1: I'm my jaw was on the ground when I watched

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Speaker 1: this the other night. Had you seen this episode before.

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Speaker 1: I don't think so, no that makes sense. I also like, yeah,

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Speaker 1: like it's like it doesn't bring back good memories. So

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Speaker 1: I'm not sure that I was like sitting down to

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Speaker 1: watch this. Yeah, I don't imagine, you know, yeah, like

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Speaker 1: a smile and face on. This was directed by Paris Barclay.

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Speaker 1: Also God blessom we love Paris like had to do this,

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Speaker 1: Oh no, wonder why I did fun dance things. Paris

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Speaker 1: always let me do fun.

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Speaker 3: Dancing him and Eric him and Eric always they were like,

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Speaker 3: we'll let you.

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Speaker 2: Behind the spirder halfway through because like who directed this?

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Speaker 2: Because we were all on one.

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Speaker 1: Yeah, it was.

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Speaker 2: Doing things that we were like. Amber started one of

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Speaker 2: the musical numbers like sitting up. I was like, that

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Speaker 2: is weird.

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Speaker 1: I know on this side the thing, I was so weird.

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Speaker 1: But I will say, uh, Paris has come on the

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Speaker 1: podcast great and he calls some of these things auchi's

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Speaker 1: oh and so I would call this whole episode a

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Speaker 1: big old Auchi got through it. He did get through it, Okay,

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Speaker 1: So this was what we're going to get into this

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Speaker 1: or not get into it and kind of talk around it.

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Speaker 1: This is directed by Paris we love Paris. This was

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Speaker 1: written technically by Ian Brennan and it was a very

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Speaker 1: special guest star, Ricky Martin. Are you kidding? I was said,

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Speaker 1: I missed Ricky.

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Speaker 2: Well, Vanessa and I have shared something in common.

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Speaker 3: Tell Ricky Martin was both Kevin and my first concert.

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Speaker 1: Wow, not the same place I was in Montreal.

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Speaker 3: I was Dallas and Ricky came out on that car. Yeah,

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Speaker 3: and it was the loudest I had never heard my

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Speaker 3: ears hurt so much. I didn't know concerts were like

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Speaker 3: that either. And they didn't have parents who cared enough

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Speaker 3: to put your I mean I wasn't that young.

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Speaker 1: Wait a second, I don't think I went with my parents.

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Speaker 2: Shoot, I was my mom.

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Speaker 1: Okay, there you go. We didn't get headphones, is what

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Speaker 1: I mean?

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Speaker 3: Those like noise canceling my ears.

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Speaker 1: We're definitely damned.

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Speaker 2: I just didn't know. It was like I had been

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Speaker 2: living in a cave my whole life. And then I

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Speaker 2: stepped into that arena, and then he stepped out on

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Speaker 2: stage in those leather pants and sixteen thousand women started screaming.

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Speaker 1: Is that when you realized you were again? The moment

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Speaker 1: I don't think that was it was it before or after.

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Speaker 2: I don't think it was then.

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Speaker 1: What if it was.

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Speaker 3: I think it's the moment I realized I was gay,

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Speaker 3: And if you could have that same moment simultaneous, that's

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Speaker 3: why it was connected.

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Speaker 2: It definitely was something around it, though, because there were

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Speaker 2: rumors about him, and I remember hearing like my family

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Speaker 2: talk about it and like especially tuning into it, and

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Speaker 2: like if I wasn't concerned about it, I wouldn't have

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Speaker 2: been tuning into it, you know what I mean. I

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Speaker 2: don't think I realized why.

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Speaker 3: I would pick up on what's interesting to us and

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Speaker 3: we don't consciously maybe no.

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Speaker 1: And I think it was like, well, how do they

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Speaker 1: feel about it?

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Speaker 3: Sort of gauging the totally totally just do the gods

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Speaker 3: think this is good or bad?

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Speaker 1: Exact people are not. Okay, So you guys were Ricky

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Speaker 1: Ricky fans.

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Speaker 3: We're Ricky fans, and Kevin and I, you know, bonded

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Speaker 3: over the fact that was our first concert and then

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Speaker 3: was so exciting that he was there.

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Speaker 2: Can we tell him?

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Speaker 1: I'm sure we told him. I mean we were.

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Speaker 3: When I think back of this episode, it was everyone

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Speaker 3: was falling over each other to try to get closer

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Speaker 3: to him and tell him just like like offer adulation,

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Speaker 3: like just like can we okay first covered in sex?

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Speaker 1: I need to know. I need to tell me. So

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Speaker 1: everybody's a Ricky fan. He's gorgeous. You guys were big fans.

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Speaker 1: You went to the concert, Yeah, you know that was

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Speaker 1: your first concert. What was he like and who got

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Speaker 1: close to him? Like, because when Gwyneth came in, like

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Speaker 1: there was a handful of people that kind of like

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Speaker 1: got into her circle a little bit. She like allowed in, right,

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Speaker 1: she was very kind to everybody, but like there's a

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Speaker 1: few select people. So I'm I want to know what

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Speaker 1: Ricky was like and how that what that dynamic was

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Speaker 1: on SAT or did he kind of like step away?

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Speaker 2: And I don't remember him being as Gwynneth was like

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Speaker 2: down for everything. She like was hanging out one like

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Speaker 2: what's the hot goss like totally we were talking about

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Speaker 2: like current music. I don't my perspective. I was also

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Speaker 2: very intimidated by Gwyneth, but she sort of I don't

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Speaker 2: nip that in the bud pretty quickly as much as

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Speaker 2: she could right by being so approachable. Ricky Martin was

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Speaker 2: not unapproachable, but I was also so intimidated, and I

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Speaker 2: think I needed him to sort of like break the

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Speaker 2: ice for me. Well, like I think I maybe.

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Speaker 1: Spoke to him like once or twice because I.

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Speaker 2: Was like sitting in the room just sort.

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Speaker 1: Of like I am shocked.

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Speaker 3: I don't think anybody got really close, and I think

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Speaker 3: he was. I think we were objectifying him, to be honest,

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Speaker 3: probably I think everyone was.

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Speaker 1: Just like yours. Well, he must be so used to

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Speaker 1: that too that he's like, who do I even allow

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Speaker 1: to like be near me?

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Speaker 2: Well, he was coming in?

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Speaker 3: When was where was he on his coming out?

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Speaker 2: He was yeah, But like the only real thing I

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Speaker 2: remember was watching him eat lunch in the choir room.

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Speaker 1: Goodness coming.

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Speaker 2: Because he got like, you know, we would eat like trash,

403
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Speaker 2: we'd eat like whatever was around.

404
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Speaker 1: What did he eat?

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Speaker 2: And he like had like his assistant bring him like

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Speaker 2: a really nice salad of course, And I was just like,

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Speaker 2: he's here working these long days, he's so fine.

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Speaker 1: And what is he eating?

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Speaker 2: He's eating a salad. I'm like, I'm tired and want

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Speaker 2: to eat brown. Because I was mostly judging myself like

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Speaker 2: I'm not doing enough?

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Speaker 1: Why am I not eating a salad? Why am I

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Speaker 1: eating this? But he was so so nice, but he

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Speaker 1: was it was very much like very nice. I remember that, Yeah,

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Speaker 1: I remember that. It was very nice. He wasn't there

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Speaker 1: to make friends.

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Speaker 3: He was there to do to do his thing, and

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Speaker 3: I felt like he I didn't see much difference in

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Speaker 3: his personality between the character and him, Like he was

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Speaker 3: a sweet, warn nice teeth man.

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Speaker 2: Yeah, no notes, because there were some people that would

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Speaker 2: come on and like you would see the different levels

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Speaker 2: understandably of how much they were trying to integrate and

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Speaker 2: get to know us, but like that takes a lot

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Speaker 2: of extra energy to do that.

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Speaker 1: And to be fair, he was only in one episode.

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Speaker 1: Like the other guests like Gwenna came back, like Staymos

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Speaker 1: who were close with he came back, So like there's

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Speaker 1: a there's an icebreaker, and then there's an inn. And

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Speaker 1: when you only see him once, it's like how much

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Speaker 1: can you get in that amount of time when you

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Speaker 1: were his number?

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Speaker 2: Maybe I don't know if anyone did. I will say

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Speaker 2: I was watching this episode in the hotel room last

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Speaker 2: night and I had two friends with me and we

436
00:20:09,080 --> 00:20:13,639
Speaker 2: were watching sex and I know it started and my

437
00:20:13,640 --> 00:20:15,560
Speaker 2: friend Cleia was like, Kevin, your voice is like so

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Speaker 2: identifiable just from like one sound, and I was like,

439
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Speaker 2: I don't think that's me singing, because I would remember

440
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Speaker 2: if I did a song with Ricky Martin, right, it

441
00:20:26,560 --> 00:20:31,320
Speaker 2: was absolutely me and I It was the first moment

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Speaker 2: really where I was looking at myself, hearing myself, and

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Speaker 2: I felt like, am I okay?

444
00:20:39,920 --> 00:20:44,400
Speaker 1: Is my brain okay? Because I have no absolutely.

445
00:20:44,080 --> 00:20:50,040
Speaker 2: Zero recollection of recording that song, And like there's times where,

446
00:20:50,040 --> 00:20:51,320
Speaker 2: like you know, we'll see something come up and I

447
00:20:51,320 --> 00:20:54,320
Speaker 2: don't initially remember it. I'm like, oh, as we're watching it,

448
00:20:54,359 --> 00:20:56,119
Speaker 2: the memory started to come back. Nothing.

449
00:20:56,280 --> 00:20:58,880
Speaker 1: I feel like Kevin though. Sometimes they bundled a bunch

450
00:20:58,960 --> 00:21:01,920
Speaker 1: of songs together, like you do two songs in an episode,

451
00:21:02,000 --> 00:21:04,439
Speaker 1: especially if it's a short kind of like little stint

452
00:21:04,560 --> 00:21:07,639
Speaker 1: in like or chorus or an ad lib, so you

453
00:21:08,320 --> 00:21:10,879
Speaker 1: just like, I know, there's a lot going on for

454
00:21:11,000 --> 00:21:12,080
Speaker 1: you emotionally.

455
00:21:12,160 --> 00:21:14,359
Speaker 2: I do have to say, I don't know if the

456
00:21:14,400 --> 00:21:17,439
Speaker 2: wind knew what was up. But I walked down. I

457
00:21:17,480 --> 00:21:20,080
Speaker 2: got down from my room tonight today to walk here,

458
00:21:20,720 --> 00:21:26,639
Speaker 2: and Madonna's song from the episode was playing in the casino. Yes,

459
00:21:27,400 --> 00:21:31,639
Speaker 2: it was very I was walking to breakfast and I

460
00:21:31,680 --> 00:21:35,159
Speaker 2: was like, okay, this is weird. The wind knows the

461
00:21:35,160 --> 00:21:37,800
Speaker 2: wind Las Vegas has its finger on the pulse, on

462
00:21:37,840 --> 00:21:49,640
Speaker 2: the pulse talking about songs so sexy and I know it.

463
00:21:50,200 --> 00:21:53,359
Speaker 3: And I wanted to talk about the fact that Zach

464
00:21:53,480 --> 00:21:58,560
Speaker 3: had me roll down Harry Harry's body in that scene.

465
00:21:59,160 --> 00:22:02,800
Speaker 3: I actually wrote down, like did a log roll like

466
00:22:02,840 --> 00:22:08,000
Speaker 3: you would do down Grass down Harry's body onto the floor.

467
00:22:08,280 --> 00:22:11,439
Speaker 1: Yeah, they really You said yes a lot? Yeah, I

468
00:22:11,440 --> 00:22:12,160
Speaker 1: said yes a lot.

469
00:22:12,880 --> 00:22:17,240
Speaker 3: Any like I think that in the sleep deprivation and

470
00:22:17,400 --> 00:22:21,320
Speaker 3: over exhaustion of Zach's mine and Brooke and Brittany too,

471
00:22:21,359 --> 00:22:24,960
Speaker 3: probably whenever they had a like a fever dream of

472
00:22:25,000 --> 00:22:29,520
Speaker 3: an outlandish damp opportunity, they would be like, Vanessa will

473
00:22:29,520 --> 00:22:34,639
Speaker 3: do it. Vanessa will roll down somebody's body onto the floor, totally.

474
00:22:34,960 --> 00:22:39,119
Speaker 3: Vanessa will do the what's that called the helicopter. I

475
00:22:39,160 --> 00:22:42,359
Speaker 3: had to do the helicopter. Yes, it's a break dancing movie.

476
00:22:43,760 --> 00:22:45,119
Speaker 3: And I was like, I don't even know how to

477
00:22:45,160 --> 00:22:47,120
Speaker 3: do this, but I will do it. You're like, I'll

478
00:22:47,119 --> 00:22:48,720
Speaker 3: try try it. And I was in a dress and

479
00:22:48,760 --> 00:22:50,600
Speaker 3: I was on stage doing I think that was another

480
00:22:50,640 --> 00:22:53,200
Speaker 3: Paris episode and we had to do it double time

481
00:22:53,280 --> 00:23:00,119
Speaker 3: or triple time, or it was when you ago do

482
00:23:00,600 --> 00:23:02,680
Speaker 3: a double time yeah, across the ridge.

483
00:23:02,720 --> 00:23:06,199
Speaker 1: I don't care. I don't care. We had to do

484
00:23:06,520 --> 00:23:07,840
Speaker 1: we had to do double time, and then I had

485
00:23:07,840 --> 00:23:10,080
Speaker 1: to do a hell whatever that move is. We were

486
00:23:10,160 --> 00:23:12,560
Speaker 1: running down anything. We even ended up in the in.

487
00:23:12,480 --> 00:23:16,160
Speaker 3: The in the show, well that double time did double

488
00:23:16,160 --> 00:23:18,760
Speaker 3: time did? Yeah, but not my not my special breakdown.

489
00:23:19,160 --> 00:23:19,560
Speaker 1: That's wow.

490
00:23:19,680 --> 00:23:21,840
Speaker 2: That's a hard song to do two times as fast

491
00:23:21,920 --> 00:23:22,239
Speaker 2: it was.

492
00:23:22,320 --> 00:23:27,200
Speaker 1: Oh, it was QUI actually crazy, Okay, I'm sorry. Well

493
00:23:27,240 --> 00:23:30,879
Speaker 1: but as we warned the Vanessa, we'll say yes and

494
00:23:31,440 --> 00:23:35,440
Speaker 1: that that Ricky Martin number. All I remember is wow,

495
00:23:35,480 --> 00:23:37,439
Speaker 1: I'm I don't know how this is going to go.

496
00:23:38,119 --> 00:23:40,879
Speaker 1: And I rolled down his body on the floor.

497
00:23:41,040 --> 00:23:45,040
Speaker 2: I similarly I had to do like the body. He

498
00:23:45,080 --> 00:23:48,119
Speaker 2: and I were doing like matching body roles, and I

499
00:23:48,200 --> 00:23:54,080
Speaker 2: just like I think I couldn't contain myself. I was

500
00:23:54,080 --> 00:23:56,600
Speaker 2: texting my family the whole time, like, I can't believe

501
00:23:56,840 --> 00:23:58,880
Speaker 2: I'm doing this with Ricky Martin right now.

502
00:23:59,119 --> 00:24:00,359
Speaker 1: You were really stars.

503
00:24:00,400 --> 00:24:03,119
Speaker 2: I was very starstruck because it was someone like so

504
00:24:03,280 --> 00:24:08,320
Speaker 2: formative to like my adolescent brain musically and therefore like professionally,

505
00:24:08,680 --> 00:24:10,000
Speaker 2: and then also maybe.

506
00:24:09,800 --> 00:24:14,080
Speaker 1: Homo, Yeah for sure, who knows for sure? Yes?

507
00:24:14,680 --> 00:24:18,880
Speaker 2: Okay, So also don't want to lose you Bomboo and hero.

508
00:24:18,920 --> 00:24:23,520
Speaker 1: Lasha keep going lah lab mona.

509
00:24:24,440 --> 00:24:27,840
Speaker 2: A little less conversation in cucaracha.

510
00:24:28,040 --> 00:24:30,720
Speaker 1: Don't talk about it, don't say it.

511
00:24:31,520 --> 00:24:36,240
Speaker 3: You talk about Naya's beautiful legs and dancing and face

512
00:24:36,280 --> 00:24:38,840
Speaker 3: when she sings, and I mean, I mean you'll get to.

513
00:24:38,840 --> 00:24:43,680
Speaker 1: That great all right. So there's some fun veacts about

514
00:24:43,680 --> 00:24:47,920
Speaker 1: this episode that we should talk about. So I remember

515
00:24:48,160 --> 00:24:50,800
Speaker 1: November twenty ninth, twenty eleven, the day news broke that

516
00:24:50,920 --> 00:24:53,640
Speaker 1: Ricky Martin had closed a deal with Glee to guest

517
00:24:53,640 --> 00:24:57,360
Speaker 1: star in an episode. Ricky tweeted, I hear McKinley High

518
00:24:57,359 --> 00:25:02,800
Speaker 1: has an opening for a Spanish teacher. Y'all apply sexy mm.

519
00:25:04,400 --> 00:25:07,000
Speaker 1: Ricky also recorded his songs on January fourth, and the

520
00:25:07,000 --> 00:25:09,280
Speaker 1: episode began filming in January fifth.

521
00:25:09,520 --> 00:25:12,680
Speaker 2: Welcome to the Club. He got thrown in real quick.

522
00:25:13,640 --> 00:25:17,240
Speaker 2: He finished filming the scenes that week. He shot from

523
00:25:17,320 --> 00:25:18,800
Speaker 2: the fifth to the seventh.

524
00:25:18,800 --> 00:25:20,520
Speaker 1: They shoot him out. So it was that quick. So

525
00:25:20,560 --> 00:25:25,080
Speaker 1: that's why you guys numbers. Yeah, makes sense. It felt

526
00:25:25,080 --> 00:25:27,440
Speaker 1: like a like a drive. Well he did great.

527
00:25:27,480 --> 00:25:30,520
Speaker 3: Then that whole speech he did about being a teeth

528
00:25:30,560 --> 00:25:31,119
Speaker 3: tooth model.

529
00:25:31,200 --> 00:25:35,080
Speaker 1: Teeth model, that's probably what he's probably just cheting it together.

530
00:25:35,119 --> 00:25:36,520
Speaker 2: To get through a lot to say.

531
00:25:36,560 --> 00:25:39,720
Speaker 1: And then he also landed this that big monologue.

532
00:25:39,200 --> 00:25:43,080
Speaker 3: Was uh will will at the end. That was beautiful.

533
00:25:43,119 --> 00:25:46,520
Speaker 3: So he crushed it in three days. That's amazing.

534
00:25:47,040 --> 00:25:50,199
Speaker 2: I was very impressed by his acting and also like

535
00:25:50,280 --> 00:25:53,240
Speaker 2: the whole One of my favorite parts of the episode

536
00:25:53,480 --> 00:25:56,600
Speaker 2: was his whole speech about being a teeth model, because

537
00:25:56,600 --> 00:25:59,119
Speaker 2: it reminded me of earlier seasons of was like, Okay,

538
00:25:59,119 --> 00:26:03,119
Speaker 2: this is satire, Yes, this isn't racist, yes, which was

539
00:26:03,160 --> 00:26:06,360
Speaker 2: refreshing during the episode. Didn't get a lot of time

540
00:26:06,400 --> 00:26:10,720
Speaker 2: for that. And he's just so natural. Yeah, I don't

541
00:26:10,720 --> 00:26:10,919
Speaker 2: know why.

542
00:26:10,920 --> 00:26:13,480
Speaker 1: I very good. But he also he was in General

543
00:26:13,520 --> 00:26:16,040
Speaker 1: Hospital for a long time. Wasn't he like he he

544
00:26:16,560 --> 00:26:19,040
Speaker 1: had acted before his music career?

545
00:26:19,920 --> 00:26:23,399
Speaker 2: Right? I mean, as my mom and sister who were

546
00:26:23,400 --> 00:26:26,280
Speaker 2: obsessed General hospital, I learned that at a very young age.

547
00:26:27,200 --> 00:26:29,080
Speaker 2: It was oh, litn't love you to look? A sung

548
00:26:29,119 --> 00:26:30,680
Speaker 2: by the guy that was on General Hospital?

549
00:26:31,280 --> 00:26:31,840
Speaker 1: I love it.

550
00:26:32,320 --> 00:26:36,159
Speaker 2: Yeah, that was my family. Filming for Michael was not

551
00:26:36,480 --> 00:26:40,120
Speaker 2: still not finished. We had mentioned and the two episodes

552
00:26:40,160 --> 00:26:42,560
Speaker 2: continued in parallel until the final Michael Jack's Number was

553
00:26:42,560 --> 00:26:44,920
Speaker 2: shot on January thirteenth, the same day as the thirteenth

554
00:26:44,920 --> 00:26:48,040
Speaker 2: episode Heart started filming.

555
00:26:48,240 --> 00:26:51,560
Speaker 3: Yeah, I'm remembering this now because I was. I was saying,

556
00:26:52,119 --> 00:26:55,200
Speaker 3: you know, fifteen to seventeen hour days and well into Saturday.

557
00:26:55,240 --> 00:26:58,040
Speaker 3: And now I'm remembering when we started to double shoot episodes,

558
00:26:59,000 --> 00:27:04,840
Speaker 3: triple shoot, and how insane that is. I mean, we

559
00:27:04,960 --> 00:27:08,199
Speaker 3: really needed eighteen days in per episode truly to do

560
00:27:08,240 --> 00:27:10,760
Speaker 3: it like where everyone got to rest and where everyone

561
00:27:10,880 --> 00:27:15,240
Speaker 3: felt calm and everyone's mental health was taking care of.

562
00:27:15,320 --> 00:27:17,800
Speaker 3: You needed probably eighteen days. And instead we were doing

563
00:27:18,040 --> 00:27:22,200
Speaker 3: each episode in eight days some and then yah yeah,

564
00:27:22,200 --> 00:27:25,359
Speaker 3: and then and when with a whole other crew, and

565
00:27:25,440 --> 00:27:28,840
Speaker 3: you'd have to go between sets between episodes between it

566
00:27:28,880 --> 00:27:29,720
Speaker 3: was crazy.

567
00:27:30,840 --> 00:27:32,560
Speaker 2: If the show was made now, and it was would

568
00:27:32,560 --> 00:27:37,640
Speaker 2: probably be ten episodes like how great sheet, like some

569
00:27:37,720 --> 00:27:39,400
Speaker 2: more time to actually.

570
00:27:39,520 --> 00:27:42,480
Speaker 3: Except when you think about your paycheck checks. Oh yeah,

571
00:27:42,520 --> 00:27:45,720
Speaker 3: the paycheck and there waiting, I actually can't afford to live.

572
00:27:45,840 --> 00:27:47,879
Speaker 1: Yeah right, never mind, I take it back, right, give

573
00:27:47,960 --> 00:27:51,320
Speaker 1: us twenty two, but mentally, mentally give us ten. Yes,

574
00:27:51,680 --> 00:27:55,200
Speaker 1: mentally give me ten. Pay me for twenty two. Isn't

575
00:27:55,240 --> 00:27:58,080
Speaker 1: it too much as it's just like I just like

576
00:27:58,440 --> 00:28:00,520
Speaker 1: I'm asking for like a little bit like give me

577
00:28:00,560 --> 00:28:03,480
Speaker 1: twenty two episodes. This is the seventh episode where Rachel

578
00:28:03,480 --> 00:28:10,359
Speaker 1: doesn't sing a solo and Jenna and Darren, though credited,

579
00:28:10,560 --> 00:28:15,320
Speaker 1: do not appear in this episode PTO Bitches. Darren is

580
00:28:15,359 --> 00:28:17,280
Speaker 1: off doing how to Succeed in Business with that where

581
00:28:17,280 --> 00:28:21,080
Speaker 1: you're trying on Broadway at the time, Vanessa, And this

582
00:28:21,359 --> 00:28:25,280
Speaker 1: marks the first episode in which Tina is not there.

583
00:28:25,320 --> 00:28:27,520
Speaker 1: That's the first episode that I was not in and

584
00:28:27,560 --> 00:28:29,560
Speaker 1: it will be the last episode until I become a

585
00:28:29,640 --> 00:28:32,360
Speaker 1: recur from a series regular in season six.

586
00:28:32,600 --> 00:28:32,800
Speaker 4: Yeah.

587
00:28:32,800 --> 00:28:34,159
Speaker 2: That went long. That was a long time.

588
00:28:34,840 --> 00:28:35,000
Speaker 4: Yeah.

589
00:28:35,080 --> 00:28:37,320
Speaker 1: I mean none of us really had any episodes off. No,

590
00:28:37,600 --> 00:28:39,680
Speaker 1: so you were in every episode, right, Kevin.

591
00:28:40,120 --> 00:28:42,160
Speaker 2: No, I was the only one to do one hundred

592
00:28:42,200 --> 00:28:46,160
Speaker 2: straight episode. Okay, Okay, that's good. And then I was like, yeah,

593
00:28:46,640 --> 00:28:47,440
Speaker 2: and I got to.

594
00:28:47,680 --> 00:28:49,400
Speaker 1: Do a movie, got it, got it? Got it.

595
00:28:50,080 --> 00:28:52,720
Speaker 2: Spanish is Harry's first language because he was born in

596
00:28:52,720 --> 00:28:55,160
Speaker 2: Costa Rica. Always forget that lived there until his family

597
00:28:55,160 --> 00:28:57,000
Speaker 2: moved to the US when he was six, So Harry's

598
00:28:57,080 --> 00:29:02,080
Speaker 2: tri lingual. There's nothing Harry can't. Yes, you can literally

599
00:29:02,120 --> 00:29:06,680
Speaker 2: have Vanessa roll down his hard as. During the performance

600
00:29:07,040 --> 00:29:09,000
Speaker 2: of sexteen I Know It, Finn draws a face on

601
00:29:09,040 --> 00:29:11,800
Speaker 2: a box, which is reference to the shuffle bot from

602
00:29:11,920 --> 00:29:15,640
Speaker 2: L M FAO, the group who originally performs.

603
00:29:15,360 --> 00:29:18,520
Speaker 1: I noticed that, and I was like, yeah on.

604
00:29:18,520 --> 00:29:20,640
Speaker 2: The second time. This is the second time we see Mercedes,

605
00:29:20,720 --> 00:29:24,520
Speaker 2: Rachel and Kurt having a sleepover in the twelfth episode

606
00:29:24,880 --> 00:29:27,120
Speaker 2: of the season, the first time being in.

607
00:29:27,160 --> 00:29:28,840
Speaker 1: Season two episodes twelve, Soill he loved Songs.

608
00:29:28,920 --> 00:29:31,400
Speaker 2: I love that little circular moment.

609
00:29:31,520 --> 00:29:34,200
Speaker 3: That's right, and I love who's tracking how many sleepovers

610
00:29:34,240 --> 00:29:35,960
Speaker 3: there have been featured on the show?

611
00:29:36,040 --> 00:29:38,000
Speaker 1: Is that just a personal obsession?

612
00:29:38,040 --> 00:29:38,240
Speaker 4: God?

613
00:29:38,320 --> 00:29:40,520
Speaker 2: Is so A little summary of this episode, Yes, so

614
00:29:40,560 --> 00:29:42,800
Speaker 2: Well signs a gig club a Spanish singing assignment and

615
00:29:42,880 --> 00:29:47,520
Speaker 2: enlists the help of his musically inclined night school Spanish teacher. Meanwhile,

616
00:29:47,840 --> 00:29:50,800
Speaker 2: Rachel spills the beans to Curt and Mercedes on Finn's

617
00:29:50,800 --> 00:29:54,880
Speaker 2: marriage proposal, and Mercedes has love complications of her own.

618
00:29:55,880 --> 00:29:57,840
Speaker 1: Okay, look.

619
00:30:00,400 --> 00:30:03,040
Speaker 2: In one breath, It's like, yes, address the elephant in

620
00:30:03,080 --> 00:30:05,760
Speaker 2: the room. That Will is the Spanish teacher and clearly

621
00:30:05,800 --> 00:30:14,560
Speaker 2: speaks no Spanish like great, but that's probably where the

622
00:30:14,640 --> 00:30:19,479
Speaker 2: good stops, right, it starts and stop. I mean just

623
00:30:19,480 --> 00:30:21,720
Speaker 2: the list of songs, right, Like I felt like I

624
00:30:21,800 --> 00:30:23,600
Speaker 2: was losing my mind watching this a bit.

625
00:30:23,680 --> 00:30:26,479
Speaker 1: Like I was talking to myself while I was watching this,

626
00:30:27,040 --> 00:30:29,000
Speaker 1: like how is this real?

627
00:30:29,920 --> 00:30:34,560
Speaker 2: It felt like the things you're in one breath. It's

628
00:30:34,840 --> 00:30:36,880
Speaker 2: I think a lot of times the show is so

629
00:30:37,040 --> 00:30:40,720
Speaker 2: good at walking the line of like satire and being

630
00:30:42,400 --> 00:30:45,640
Speaker 2: commenting on society in a way that is witty and

631
00:30:45,680 --> 00:30:48,960
Speaker 2: funny and dark. Right, And it works, Yes, it does.

632
00:30:49,240 --> 00:30:51,480
Speaker 2: Sometimes you cross the line and it doesn't work.

633
00:30:51,600 --> 00:30:53,360
Speaker 3: And sometimes you cross the line so far that the

634
00:30:53,360 --> 00:30:57,320
Speaker 3: line is a dot. Yes, I have this thing that

635
00:30:57,400 --> 00:30:58,719
Speaker 3: just popped in my head and I don't know if

636
00:30:58,720 --> 00:31:02,400
Speaker 3: this is weird. I'm also waving people taking pictures, which

637
00:31:02,440 --> 00:31:05,640
Speaker 3: is is that you know when we you know, you

638
00:31:05,640 --> 00:31:10,480
Speaker 3: think of Italians, okay, and you love people people love

639
00:31:10,560 --> 00:31:13,880
Speaker 3: talking with Italian accents and doing this and this and

640
00:31:14,040 --> 00:31:16,120
Speaker 3: this and a pizza and apasta and a whole thing,

641
00:31:16,320 --> 00:31:22,680
Speaker 3: and we it's still not culturally understood that that that

642
00:31:22,680 --> 00:31:26,440
Speaker 3: that we're inappropriate. It's still like Italian is the one

643
00:31:26,480 --> 00:31:29,200
Speaker 3: that you can still like. It's just it's not weird,

644
00:31:29,240 --> 00:31:31,920
Speaker 3: it's not cringe, it's not auchy. But maybe in ten

645
00:31:32,000 --> 00:31:35,000
Speaker 3: years Italian people are gonna be like, fuck you can't.

646
00:31:35,760 --> 00:31:38,400
Speaker 1: Maybe they do now, maybe they do now, you know,

647
00:31:38,720 --> 00:31:38,960
Speaker 1: And I.

648
00:31:39,080 --> 00:31:41,560
Speaker 3: Just I just I just want to, you know, get

649
00:31:41,960 --> 00:31:44,200
Speaker 3: let everybody off the hook, ever so slightly. You don't

650
00:31:44,200 --> 00:31:48,080
Speaker 3: know just the time, Yeah, I do you understand and learn?

651
00:31:48,200 --> 00:31:48,760
Speaker 2: That was the thing?

652
00:31:49,040 --> 00:31:51,160
Speaker 1: This show is in a time capsule.

653
00:31:51,240 --> 00:31:53,479
Speaker 2: Yes, yeah, it's very much of the time. And I

654
00:31:53,480 --> 00:31:56,400
Speaker 2: think looking back, honestly, when we started this whole thing,

655
00:31:56,600 --> 00:32:00,240
Speaker 2: I thought a lot more with age poorly and it

656
00:32:00,320 --> 00:32:03,320
Speaker 2: has yeah, agreed, And I think because the contract of

657
00:32:03,360 --> 00:32:05,360
Speaker 2: the show being a satire, you can get away with

658
00:32:05,400 --> 00:32:09,280
Speaker 2: a lot more. Yes, and so it's sort of like

659
00:32:09,400 --> 00:32:12,400
Speaker 2: the I guess just the racist things.

660
00:32:12,160 --> 00:32:15,840
Speaker 1: That are really aging as well.

661
00:32:16,040 --> 00:32:21,480
Speaker 2: Right, No, totally, yeah, I mean I felt weird doing

662
00:32:21,520 --> 00:32:22,400
Speaker 2: like kukaracha.

663
00:32:22,880 --> 00:32:26,280
Speaker 1: Oh well you should have. Did you feel we're doing

664
00:32:26,360 --> 00:32:27,400
Speaker 1: it while you were shooting it?

665
00:32:28,120 --> 00:32:28,479
Speaker 2: Yeah?

666
00:32:28,600 --> 00:32:31,040
Speaker 3: Okay, good, tell us about how you felt while you

667
00:32:31,040 --> 00:32:32,680
Speaker 3: were shooting what was going on?

668
00:32:33,040 --> 00:32:34,600
Speaker 2: It is like you're in the scene, right.

669
00:32:34,480 --> 00:32:36,400
Speaker 1: And your job and it's like.

670
00:32:36,400 --> 00:32:38,160
Speaker 2: Okay, well this is supposed to be like funny and

671
00:32:38,200 --> 00:32:40,880
Speaker 2: absurd because it's so wrong that we're doing it right.

672
00:32:41,000 --> 00:32:42,800
Speaker 2: So then it's like, oh, these kids are just doing

673
00:32:42,840 --> 00:32:45,600
Speaker 2: what they're told, so like we're just really committed to

674
00:32:45,640 --> 00:32:48,520
Speaker 2: the bit. But then when you see it all in

675
00:32:48,560 --> 00:32:52,040
Speaker 2: forty four minutes of like one number after another, we

676
00:32:52,120 --> 00:32:52,960
Speaker 2: committed too hard.

677
00:32:54,440 --> 00:32:56,760
Speaker 3: So it's like the show was trying to send a

678
00:32:56,800 --> 00:33:00,800
Speaker 3: message that that there's this inappropriate age thing happening.

679
00:33:00,840 --> 00:33:02,440
Speaker 1: The show is trying to convey that.

680
00:33:02,800 --> 00:33:07,360
Speaker 3: But because of the amount of cringe, well he didn't

681
00:33:07,360 --> 00:33:08,280
Speaker 3: balance out or.

682
00:33:08,200 --> 00:33:14,520
Speaker 1: Something culturally appropriating and presenting and being reductive. Why yes,

683
00:33:14,760 --> 00:33:19,080
Speaker 1: while we are commenting on it, it's like, you know,

684
00:33:20,800 --> 00:33:22,160
Speaker 1: just don't do it.

685
00:33:22,440 --> 00:33:25,880
Speaker 2: What are you trying to say? But than like, no,

686
00:33:25,960 --> 00:33:27,440
Speaker 2: we're just reaffirming all that.

687
00:33:27,640 --> 00:33:31,040
Speaker 1: We need to find a storyline for Ricky. So let's

688
00:33:31,160 --> 00:33:34,480
Speaker 1: just make Will be the butt of this really bad

689
00:33:34,680 --> 00:33:37,520
Speaker 1: Have you had him on the show Ricky? No, yeah

690
00:33:38,080 --> 00:33:38,680
Speaker 1: yet not yet.

691
00:33:39,320 --> 00:33:41,960
Speaker 3: You should ask him about how he would be really

692
00:33:41,960 --> 00:33:44,920
Speaker 3: fascinating for me. I just said, we have to say

693
00:33:44,960 --> 00:33:47,800
Speaker 3: all together that this is we say it all at

694
00:33:47,800 --> 00:33:51,320
Speaker 3: the same time. No to say no, we're saying we're

695
00:33:51,400 --> 00:33:55,960
Speaker 3: saying no. Okay, just say no, no, We've all said it.

696
00:33:56,040 --> 00:34:02,200
Speaker 1: Also inappropriately, Sue is trying to have a baby. Now, well,

697
00:34:02,360 --> 00:34:05,240
Speaker 1: why is there always a baby? What does that mean?

698
00:34:05,320 --> 00:34:08,200
Speaker 2: I think Ryan Murphy loves a baby.

699
00:34:08,280 --> 00:34:09,920
Speaker 1: What do you mean by why is there always a baby?

700
00:34:11,880 --> 00:34:12,080
Speaker 4: No?

701
00:34:12,080 --> 00:34:15,720
Speaker 1: No, But there's also no, no, she didn't so sus

702
00:34:15,840 --> 00:34:19,400
Speaker 1: now trying to have a baby, there was a fake baby.

703
00:34:19,800 --> 00:34:23,520
Speaker 1: There's also Quinn has been trying to steal her baby,

704
00:34:23,680 --> 00:34:26,719
Speaker 1: her technical biological baby back from Shelby for such a

705
00:34:26,719 --> 00:34:29,680
Speaker 1: long time, where you have finally moved on from that storyline,

706
00:34:29,800 --> 00:34:31,680
Speaker 1: and yet here we are sus now trying to have

707
00:34:31,719 --> 00:34:36,120
Speaker 1: a baby. It's like, what is with the babies?

708
00:34:36,200 --> 00:34:38,320
Speaker 2: Because babies representing I'm kidding.

709
00:34:38,520 --> 00:34:41,480
Speaker 1: Babies don't don't you know. I'm not saying like, let's

710
00:34:41,520 --> 00:34:43,879
Speaker 1: show on the babies. I love the babies. Just it's

711
00:34:44,000 --> 00:34:49,799
Speaker 1: just it's like a lie. I think it's you know,

712
00:34:49,840 --> 00:34:52,279
Speaker 1: I think it's provocative. Okay, fine, because I think that

713
00:34:52,440 --> 00:34:55,600
Speaker 1: you know, you know, Ryan was a provocateur. Is loves

714
00:34:55,719 --> 00:34:58,600
Speaker 1: to you know, and people love to be provoked. And

715
00:34:58,800 --> 00:35:02,960
Speaker 1: when you're talking about like motherhood and child rearing and babies,

716
00:35:03,280 --> 00:35:08,200
Speaker 1: it's the it's a very vulnerable, easy to provoke spot.

717
00:35:08,719 --> 00:35:11,640
Speaker 1: I think, like I was the Nanini scene where she's

718
00:35:12,120 --> 00:35:14,600
Speaker 1: telling Sue that she's too old of a baby. I felt,

719
00:35:16,000 --> 00:35:19,319
Speaker 1: I felt my feelings get hurt, Like, this is a

720
00:35:19,360 --> 00:35:23,120
Speaker 1: show that you were on, that's funny. They literally kill

721
00:35:23,440 --> 00:35:25,680
Speaker 1: all kinds of people and build all kinds of people up.

722
00:35:25,719 --> 00:35:28,080
Speaker 3: So that's the nature of the show you're watching. But

723
00:35:28,160 --> 00:35:30,359
Speaker 3: I couldn't stop my little feelings from getting hurt.

724
00:35:30,520 --> 00:35:34,960
Speaker 1: Why is Nini so funny? Oh, she's amazing. Actually forgot

725
00:35:35,040 --> 00:35:36,120
Speaker 1: how good she was.

726
00:35:36,520 --> 00:35:39,799
Speaker 2: Also to give someone who is not an actor, this

727
00:35:40,360 --> 00:35:44,719
Speaker 2: must have been like three page wrong and she and

728
00:35:44,760 --> 00:35:47,960
Speaker 2: also some of it obviously is like offensive and whatever. However,

729
00:35:48,640 --> 00:35:50,480
Speaker 2: as I was gasping at the content of it, I

730
00:35:50,520 --> 00:35:52,640
Speaker 2: was also gasping a simultaneous delivery.

731
00:35:52,760 --> 00:35:53,520
Speaker 1: Her delivery.

732
00:35:53,719 --> 00:35:56,560
Speaker 3: Yes, I watched it a few times.

733
00:35:57,280 --> 00:35:59,560
Speaker 1: Chokes. She landed those jokes so perfectly.

734
00:35:59,640 --> 00:36:00,000
Speaker 4: By the way.

735
00:36:00,080 --> 00:36:03,200
Speaker 2: Way, So I got to the Wind Las Vegas a

736
00:36:03,200 --> 00:36:05,600
Speaker 2: couple of days early before we did this, and I

737
00:36:05,640 --> 00:36:08,040
Speaker 2: was sitting in the bar and this woman comes up.

738
00:36:08,080 --> 00:36:08,239
Speaker 1: First.

739
00:36:08,280 --> 00:36:12,279
Speaker 2: I was like, we're just car She was in this

740
00:36:12,400 --> 00:36:17,200
Speaker 2: like matching set Blencia, yes, and like a beautiful woman

741
00:36:17,239 --> 00:36:20,040
Speaker 2: and I and I see her from far away, and

742
00:36:20,120 --> 00:36:22,239
Speaker 2: she sits down sort of like close to me, and

743
00:36:22,280 --> 00:36:24,680
Speaker 2: I can't really see her face, and then these two

744
00:36:24,719 --> 00:36:27,799
Speaker 2: people come up and start talking to her and I

745
00:36:27,880 --> 00:36:31,480
Speaker 2: hear her voice, and then I start texting Jenna and

746
00:36:31,520 --> 00:36:35,279
Speaker 2: I'm like, I think Nini is sitting next to me,

747
00:36:36,040 --> 00:36:38,200
Speaker 2: like I haven't seen her face yet, but I know

748
00:36:38,280 --> 00:36:41,279
Speaker 2: that voice because we're watching these episodes right now, and

749
00:36:41,400 --> 00:36:44,640
Speaker 2: all I hear is her illing Cord about his big lips.

750
00:36:44,719 --> 00:36:46,840
Speaker 1: Oh, such a good delivery.

751
00:36:46,480 --> 00:36:48,160
Speaker 2: And the whole time. Then my friends come meet up

752
00:36:48,160 --> 00:36:50,120
Speaker 2: with me, like should I go over there be like? Hey,

753
00:36:50,320 --> 00:36:52,000
Speaker 2: she looked at me for a second and I did

754
00:36:52,000 --> 00:36:54,680
Speaker 2: this super awkward thing of like smiling to be like,

755
00:36:57,400 --> 00:36:59,319
Speaker 2: and she stared at me and just like turned away

756
00:36:59,600 --> 00:37:04,279
Speaker 2: because she was having a thought and didn't recognize a

757
00:37:04,320 --> 00:37:07,320
Speaker 2: lot of us people recognize her, and they're taking photos

758
00:37:07,320 --> 00:37:09,600
Speaker 2: with therm like okay, it was her, yes, And then

759
00:37:09,600 --> 00:37:10,920
Speaker 2: it was obviously.

760
00:37:12,280 --> 00:37:15,799
Speaker 1: I would have you would have. I couldn't believe that

761
00:37:15,880 --> 00:37:16,399
Speaker 1: she was here.

762
00:37:17,680 --> 00:37:22,400
Speaker 3: Why we're doing these This is very magical, as are possible.

763
00:37:23,040 --> 00:37:31,680
Speaker 1: Face truly, so yes, Nini isless really really so so good.

764
00:37:31,800 --> 00:37:36,120
Speaker 1: I get it now, I get it well Sue. Sue's

765
00:37:36,120 --> 00:37:39,080
Speaker 1: trying to have a baby. Guys. I don't know what

766
00:37:39,160 --> 00:37:40,359
Speaker 1: else to say about it.

767
00:37:40,480 --> 00:37:43,560
Speaker 3: I don't know what I liked about it is that

768
00:37:43,920 --> 00:37:46,680
Speaker 3: the episode made me cry and to almost cry. Actually

769
00:37:46,760 --> 00:37:49,760
Speaker 3: I won't lie. I almost cried in two spots.

770
00:37:49,800 --> 00:37:50,479
Speaker 1: And it was.

771
00:37:52,040 --> 00:37:55,719
Speaker 3: Just like the way that she flashed you of vulnerability

772
00:37:55,840 --> 00:38:00,680
Speaker 3: in this episode. You know, there was this moment where

773
00:38:00,719 --> 00:38:03,360
Speaker 3: she takes takes off her glasses and I think Samuel

774
00:38:03,400 --> 00:38:06,040
Speaker 3: said it. She says a lie, like I can do anything.

775
00:38:06,600 --> 00:38:09,040
Speaker 3: And because she really gets beat up for her desire

776
00:38:09,080 --> 00:38:13,160
Speaker 3: to have a baby, you know, she really everyone comes

777
00:38:13,200 --> 00:38:17,279
Speaker 3: at her. Yeah and yeah, so I just I really

778
00:38:17,280 --> 00:38:22,839
Speaker 3: thought it really showcase as Jane, just like she gets

779
00:38:22,880 --> 00:38:26,759
Speaker 3: all this like crazy storyline where she's the villain. Yeah,

780
00:38:26,800 --> 00:38:30,120
Speaker 3: and then like literally your heart strains are just cut

781
00:38:30,160 --> 00:38:32,719
Speaker 3: in half. Like this is going to sound so weird.

782
00:38:32,719 --> 00:38:35,640
Speaker 3: It's very Malwana. You ever watch Moana's my favorite Disney movie,

783
00:38:36,239 --> 00:38:39,439
Speaker 3: and I love that there are no just straight evil

784
00:38:39,520 --> 00:38:42,239
Speaker 3: characters in Moana. You always get to see this like

785
00:38:42,360 --> 00:38:46,000
Speaker 3: heart in the center of of you know that uh

786
00:38:46,920 --> 00:38:50,000
Speaker 3: the crab for example, he's so lonely, he hat his grandma,

787
00:38:50,080 --> 00:38:51,799
Speaker 3: but you like feel for him, even at the end.

788
00:38:52,800 --> 00:38:56,279
Speaker 1: The Kiti, you know, is just somebody's still her heart.

789
00:38:57,040 --> 00:38:59,919
Speaker 3: I think, Jane, really it's a good point, really cry

790
00:39:00,200 --> 00:39:01,840
Speaker 3: that it's very and she doesn't compare.

791
00:39:01,960 --> 00:39:04,279
Speaker 2: So we were talking before the show started, and you

792
00:39:04,320 --> 00:39:05,880
Speaker 2: were saying, like, what's so little?

793
00:39:06,000 --> 00:39:11,040
Speaker 3: It's so subtle or a beat or just like like

794
00:39:11,080 --> 00:39:13,239
Speaker 3: a like a look of the eye to one side

795
00:39:13,239 --> 00:39:15,759
Speaker 3: and then back again where she like takes off her

796
00:39:15,840 --> 00:39:17,400
Speaker 3: armor and then puts it back on, and you're like,

797
00:39:17,440 --> 00:39:19,640
Speaker 3: oh my god, you know she has feelings.

798
00:39:19,719 --> 00:39:23,000
Speaker 1: This is insane. It's great brilliant, brilliant writing.

799
00:39:22,680 --> 00:39:25,880
Speaker 2: And reliant acting, Like you'd be brilliant enough just to

800
00:39:25,880 --> 00:39:29,640
Speaker 2: be able to do the straight sort of crazy soue

801
00:39:29,880 --> 00:39:32,680
Speaker 2: character like yes, all the awards, but then to be

802
00:39:32,719 --> 00:39:36,040
Speaker 2: able to a couple of times a season do that

803
00:39:36,560 --> 00:39:39,000
Speaker 2: with a look or a beat like you said, and

804
00:39:39,080 --> 00:39:40,160
Speaker 2: breaks your hearts.

805
00:39:40,239 --> 00:39:43,879
Speaker 1: Your heart breaks your heart, Jane Lynch, Jane Lynch for you, unbelievable.

806
00:39:45,680 --> 00:39:47,920
Speaker 1: There's also another thing going on with Mercedes and Sam.

807
00:39:49,840 --> 00:39:52,520
Speaker 1: I love Why are they so good?

808
00:39:53,600 --> 00:39:59,600
Speaker 2: It's in real life also, you would never I would

809
00:39:59,640 --> 00:40:03,680
Speaker 2: not think that that would make sense together, but on screen, yeah.

810
00:40:03,840 --> 00:40:05,960
Speaker 3: I'm pretty good at picking up chemistry. I would say,

811
00:40:06,000 --> 00:40:07,879
Speaker 3: real life chemistry, not romantic at all.

812
00:40:08,560 --> 00:40:11,200
Speaker 1: Nothing. I would never when I watched it, I was

813
00:40:11,200 --> 00:40:12,480
Speaker 1: shipping them. I wanted more.

814
00:40:12,560 --> 00:40:16,399
Speaker 2: Yeah, I was good for them because totally I think

815
00:40:16,880 --> 00:40:19,600
Speaker 2: any Yeah, they are sort of like the extremes of

816
00:40:19,640 --> 00:40:21,600
Speaker 2: like the group in that way. Yes, like the rest

817
00:40:21,680 --> 00:40:25,160
Speaker 2: of us at all in between are all obsessed romantically

818
00:40:25,200 --> 00:40:29,640
Speaker 2: with each other and like physically, and those two not

819
00:40:29,760 --> 00:40:30,200
Speaker 2: so much.

820
00:40:30,239 --> 00:40:32,759
Speaker 1: But you put them for them, but it doesn't seem

821
00:40:32,840 --> 00:40:34,840
Speaker 1: like it from the outside, right.

822
00:40:35,239 --> 00:40:38,240
Speaker 3: Right, they come on, They're like, actually, we are in love.

823
00:40:38,320 --> 00:40:42,600
Speaker 1: I imagine, and and so they go to Emma for help,

824
00:40:42,680 --> 00:40:46,319
Speaker 1: and they they she suggests that they don't speak to

825
00:40:46,400 --> 00:40:49,279
Speaker 1: each other for a full week, but also her pamphlets.

826
00:40:50,680 --> 00:40:54,759
Speaker 1: Why are Emma's pamphlets. I'm glad that they're addressing the

827
00:40:54,760 --> 00:40:58,960
Speaker 1: pamphlets now, yes, they're they're talking about Emma caring so

828
00:40:59,080 --> 00:41:02,000
Speaker 1: deeply about Creed hating the pamphlets because at first it

829
00:41:02,120 --> 00:41:06,319
Speaker 1: just feels like a thing that you know, what a

830
00:41:06,320 --> 00:41:09,520
Speaker 1: great prop master you have, or Ian who wrote all

831
00:41:09,560 --> 00:41:13,080
Speaker 1: those really great weird titles. But then to have Emma

832
00:41:13,200 --> 00:41:15,680
Speaker 1: like care so deeply about them and for will to

833
00:41:15,760 --> 00:41:18,960
Speaker 1: like shit on them. It's actually like it worked really

834
00:41:19,000 --> 00:41:23,120
Speaker 1: really well. But she Emma decides to. She says, why

835
00:41:23,120 --> 00:41:24,920
Speaker 1: don't you guys spend a week away and see how

836
00:41:24,960 --> 00:41:28,680
Speaker 1: you feel? And when they when that bell rings, when

837
00:41:28,719 --> 00:41:32,480
Speaker 1: they see each other. I cried? Why did I cry?

838
00:41:32,920 --> 00:41:33,399
Speaker 2: I don't know.

839
00:41:33,480 --> 00:41:37,720
Speaker 1: It's really sweet, it's really really sweet. I think you cried.

840
00:41:37,800 --> 00:41:41,000
Speaker 3: I think you cried because how many times in life

841
00:41:41,200 --> 00:41:45,160
Speaker 3: have you wanted something with someone? And whether it be

842
00:41:45,200 --> 00:41:49,279
Speaker 3: friendship or romance or you know, whatever it is, there's

843
00:41:49,320 --> 00:41:52,520
Speaker 3: a feeling and there are too many reasons not to.

844
00:41:53,160 --> 00:41:54,000
Speaker 1: It's heartbreaking.

845
00:41:54,160 --> 00:41:57,160
Speaker 3: It's heartbreaking to look at somebody and be see what's

846
00:41:57,200 --> 00:41:59,759
Speaker 3: possible but not be able, and not be and know

847
00:41:59,840 --> 00:42:02,200
Speaker 3: that you're never gonna act on it, you know.

848
00:42:02,480 --> 00:42:04,319
Speaker 1: I think that's what came up for me.

849
00:42:05,040 --> 00:42:09,080
Speaker 2: And I also that combined with seeing like your friends

850
00:42:10,200 --> 00:42:12,400
Speaker 2: do this thing, Like I was also so.

851
00:42:12,400 --> 00:42:13,640
Speaker 1: Proud of them.

852
00:42:14,040 --> 00:42:17,239
Speaker 2: They're so good at it because they displayed everything you

853
00:42:17,280 --> 00:42:20,839
Speaker 2: just said, and like that's hard to do, and it

854
00:42:20,920 --> 00:42:22,840
Speaker 2: was a really any.

855
00:42:23,080 --> 00:42:26,600
Speaker 1: Cord really pulled, pulled out the guns, the big gun.

856
00:42:26,680 --> 00:42:28,680
Speaker 1: I'll just wait till next episode and get out of here.

857
00:42:28,960 --> 00:42:32,200
Speaker 3: I'm always so impressed by him because because he doesn't

858
00:42:32,200 --> 00:42:35,399
Speaker 3: come across like he's able to do that.

859
00:42:35,800 --> 00:42:36,440
Speaker 1: No, he is.

860
00:42:36,520 --> 00:42:39,279
Speaker 3: He's just like I don't know, I'm just scored, like

861
00:42:39,360 --> 00:42:41,759
Speaker 3: playing the guitar and like I'll make you laugh.

862
00:42:41,800 --> 00:42:44,560
Speaker 2: And that's like his down place ability.

863
00:42:45,800 --> 00:42:48,480
Speaker 1: He's disarming. Yes, that's right, he's.

864
00:42:48,360 --> 00:42:52,240
Speaker 2: And he does care about it.

865
00:42:52,120 --> 00:42:56,839
Speaker 3: It doesn't like he's reminds me of how uh, how

866
00:42:56,920 --> 00:42:59,040
Speaker 3: much he took care of back up, like when she was.

867
00:43:00,520 --> 00:43:05,000
Speaker 1: The most nursuring and actually wildly nurturing. Like surprisingly so

868
00:43:05,400 --> 00:43:08,400
Speaker 1: when he would be around like Bear or around Emma, No,

869
00:43:09,120 --> 00:43:12,839
Speaker 1: anytime he's around them, he is a dog and baby whisperer.

870
00:43:12,960 --> 00:43:15,600
Speaker 1: It is the weirdest thing. Bear would just like sleep

871
00:43:15,640 --> 00:43:17,439
Speaker 1: in his arms and I'd be like, he is never

872
00:43:17,480 --> 00:43:20,800
Speaker 1: this colmon And like Emma, he like loves being around kids.

873
00:43:20,880 --> 00:43:23,200
Speaker 1: He comes from a big family, and it makes sense.

874
00:43:23,440 --> 00:43:26,200
Speaker 1: He is just so unassuming in all of these ways.

875
00:43:26,239 --> 00:43:29,480
Speaker 1: He's very layered and like on the surface that is

876
00:43:29,520 --> 00:43:31,920
Speaker 1: not the cord you get in your first, I cor

877
00:43:32,000 --> 00:43:35,719
Speaker 1: second or your five hundred and sixtieth, but really getting

878
00:43:35,760 --> 00:43:37,839
Speaker 1: to the core of cord when you know him, like

879
00:43:38,360 --> 00:43:41,720
Speaker 1: to the core of cord, you should suggest the book

880
00:43:41,840 --> 00:43:46,000
Speaker 1: or album or podcast to the core of Cord. But

881
00:43:46,280 --> 00:43:49,080
Speaker 1: I yeah, I'm I'm a fan. I also am just

882
00:43:49,680 --> 00:43:52,560
Speaker 1: props to Paris for making this episode work and giving

883
00:43:52,600 --> 00:43:55,080
Speaker 1: this episode heart and the two of them, the way

884
00:43:55,080 --> 00:43:57,440
Speaker 1: he cut it, the way that he he directed them,

885
00:43:57,520 --> 00:44:00,360
Speaker 1: I just thought was really beautiful. So mhmm.

886
00:44:01,000 --> 00:44:04,719
Speaker 2: There's also Rachel and Finn. Yes, this I feel like

887
00:44:04,840 --> 00:44:11,719
Speaker 2: this is the new Quinn and the Baby. So Vanessa, yes,

888
00:44:11,800 --> 00:44:17,560
Speaker 2: tell me Quinn and Puck. And now I forgot a name,

889
00:44:17,560 --> 00:44:21,560
Speaker 2: but Adina what's her character name?

890
00:44:21,840 --> 00:44:23,400
Speaker 1: Shelby? There we go.

891
00:44:24,000 --> 00:44:25,840
Speaker 2: I'm a co host of a Glee rewatch podcast.

892
00:44:27,000 --> 00:44:30,319
Speaker 1: You wouldn't know it. No. For me, we sort of.

893
00:44:30,880 --> 00:44:33,120
Speaker 2: Over that story because it dragged on for so long

894
00:44:33,160 --> 00:44:36,479
Speaker 2: and it just felted with the and now this whole

895
00:44:36,480 --> 00:44:42,400
Speaker 2: proposal thing feels like a bit in an episode is

896
00:44:42,400 --> 00:44:45,640
Speaker 2: one thing, and then to start like committing to.

897
00:44:45,600 --> 00:44:49,960
Speaker 1: It feels so uncomfortable as a viewer.

898
00:44:50,000 --> 00:44:52,560
Speaker 2: For me, at least, I've been like, why is this happening?

899
00:44:52,600 --> 00:44:52,799
Speaker 1: Now?

900
00:44:53,400 --> 00:44:58,040
Speaker 2: I think we the characters do a lot of weird,

901
00:44:59,080 --> 00:45:04,759
Speaker 2: high schooly, rash, irrational things, and I feel like this

902
00:45:04,960 --> 00:45:08,560
Speaker 2: is justifiable and that way where this is the longest

903
00:45:08,560 --> 00:45:14,080
Speaker 2: standing relationship in the entire show A shippers, and the debate

904
00:45:14,360 --> 00:45:18,040
Speaker 2: about what's going to happen post graduation is Rachel going

905
00:45:18,080 --> 00:45:20,560
Speaker 2: to New York, Finn doesn't nobody wants to do with

906
00:45:20,680 --> 00:45:23,719
Speaker 2: his life, and so I feel like it makes sense.

907
00:45:25,080 --> 00:45:28,360
Speaker 2: It just and I guess when I say like I'm uncomfortable,

908
00:45:28,480 --> 00:45:30,839
Speaker 2: that's not to say don't do it. It's like it's

909
00:45:30,880 --> 00:45:35,040
Speaker 2: another like a weird piece of drama, but it feels

910
00:45:35,120 --> 00:45:37,440
Speaker 2: it also feels weird that it happened. And then they didn't.

911
00:45:37,200 --> 00:45:39,919
Speaker 1: Address it for like a hot minute, and.

912
00:45:39,920 --> 00:45:42,160
Speaker 2: Because it doesn't look like there's no moment of we're

913
00:45:42,160 --> 00:45:45,120
Speaker 2: not going to tell anybody, like a big secret meeting,

914
00:45:45,600 --> 00:45:48,120
Speaker 2: they just don't address it. And then it comes up

915
00:45:48,160 --> 00:45:51,439
Speaker 2: finally in the scene where they're like all in bed

916
00:45:51,480 --> 00:45:56,640
Speaker 2: and she reveals it. Yes, And also it's like, you

917
00:45:56,680 --> 00:45:59,160
Speaker 2: know nobody can keep a secret. Well, we know it's

918
00:45:59,200 --> 00:45:59,759
Speaker 2: going to come out.

919
00:46:00,080 --> 00:46:04,400
Speaker 1: Yeah, I actually don't get weird about this storyline until

920
00:46:04,840 --> 00:46:06,880
Speaker 1: next episode. I think that's probably what I'm.

921
00:46:07,080 --> 00:46:10,520
Speaker 3: Yeah, I'm so I can't wait till the next episode

922
00:46:10,520 --> 00:46:12,359
Speaker 3: of the podcast I find out what the.

923
00:46:12,239 --> 00:46:18,000
Speaker 1: Weird thing that's right? Very good Vanessa. Yes, so we will. Well,

924
00:46:18,239 --> 00:46:22,480
Speaker 1: we'll unpack that more because there's like when when adults

925
00:46:22,480 --> 00:46:24,080
Speaker 1: get involved, that's when it gets weird to me.

926
00:46:24,120 --> 00:46:25,799
Speaker 3: I can just tell you that the vibe in this

927
00:46:25,920 --> 00:46:30,120
Speaker 3: room has changed significantly when this this topic of this

928
00:46:30,239 --> 00:46:32,879
Speaker 3: storyline came up just as the as the vibe check

929
00:46:32,920 --> 00:46:35,800
Speaker 3: for the room. It was like, we like went into

930
00:46:36,080 --> 00:46:40,319
Speaker 3: two floors below this floor and I started feeling this

931
00:46:40,400 --> 00:46:45,239
Speaker 3: weird twisty sensation inside, so like it like it feels

932
00:46:45,280 --> 00:46:48,000
Speaker 3: like a shark is lurking. Well, it's twist it. Okay,

933
00:46:48,400 --> 00:46:50,839
Speaker 3: that's the next episode. I just wanted everyone to know

934
00:46:51,040 --> 00:46:51,319
Speaker 3: I do.

935
00:46:51,360 --> 00:46:52,840
Speaker 2: Want to talk about Naya.

936
00:46:53,640 --> 00:46:56,600
Speaker 1: I'd love to all the time because, oh please, let's

937
00:46:56,600 --> 00:46:56,880
Speaker 1: do it.

938
00:46:57,120 --> 00:47:01,440
Speaker 2: She in this episode her usual it's just like.

939
00:47:03,120 --> 00:47:04,120
Speaker 1: So good.

940
00:47:04,680 --> 00:47:07,560
Speaker 2: Besides the fact, yes, it's very I love that Sentana's

941
00:47:07,600 --> 00:47:10,919
Speaker 2: calling out Will and all this shit. However, I don't

942
00:47:10,960 --> 00:47:12,480
Speaker 2: know what student in high school.

943
00:47:12,640 --> 00:47:14,800
Speaker 1: I was thinking it was like a little out of line,

944
00:47:14,960 --> 00:47:18,440
Speaker 1: but okay, like we're.

945
00:47:18,320 --> 00:47:21,920
Speaker 2: Yeah, it's fine, but I would like I would have

946
00:47:22,080 --> 00:47:24,040
Speaker 2: liked the whole episode which just her and Rickey Marton

947
00:47:24,080 --> 00:47:31,160
Speaker 2: performing songs together because they talk about chemistry. One oh,

948
00:47:31,880 --> 00:47:34,680
Speaker 2: they're both so talented. I was like, can this number

949
00:47:34,719 --> 00:47:36,479
Speaker 2: just go on for the next twenty to thirty minute.

950
00:47:36,520 --> 00:47:39,759
Speaker 2: It's the one that feels it felt the most appropriate. Yes,

951
00:47:41,320 --> 00:47:45,719
Speaker 2: even though it also was not appropriate. No, no, you're right,

952
00:47:46,440 --> 00:47:49,200
Speaker 2: but it felt appropriate. And when that's all that matters

953
00:47:50,040 --> 00:47:53,040
Speaker 2: mean to me, I was like, yes, I was talking about,

954
00:47:53,560 --> 00:47:57,040
Speaker 2: you know, music sung in Spanish and choose a Madonna.

955
00:47:56,680 --> 00:48:03,080
Speaker 1: Song, right right, Okay, good point, keep point taking right.

956
00:48:03,080 --> 00:48:05,920
Speaker 2: But however, the number was in there and they showed up.

957
00:48:06,280 --> 00:48:10,040
Speaker 1: Oh, they showed up. Rating was good. Yeah, romans was good.

958
00:48:10,640 --> 00:48:22,880
Speaker 1: Give it to me. So we do tarty takes, fanessa okay,

959
00:48:23,200 --> 00:48:27,319
Speaker 1: and this is where we give our takes of different categories,

960
00:48:27,760 --> 00:48:32,840
Speaker 1: and so each category will have its moment and you

961
00:48:32,880 --> 00:48:35,680
Speaker 1: can chime in. You can give your strong opinion, not

962
00:48:35,840 --> 00:48:40,880
Speaker 1: so strong opinion, so best cringe moment of the episode.

963
00:48:42,120 --> 00:48:47,080
Speaker 1: And that could be the whole thing that's hard in

964
00:48:47,160 --> 00:48:50,960
Speaker 1: this one. I really think the first one that came

965
00:48:51,040 --> 00:48:53,840
Speaker 1: up for me was the first scene of Glacu Karacha.

966
00:48:55,719 --> 00:49:00,400
Speaker 3: I think that the one where the actress says that

967
00:49:00,480 --> 00:49:02,880
Speaker 3: she she's in the class to tell her maid not

968
00:49:03,000 --> 00:49:06,759
Speaker 3: to the night of the bathroom at her house and

969
00:49:06,800 --> 00:49:10,120
Speaker 3: then she wins the Grassius Award and then doesn't say

970
00:49:10,840 --> 00:49:14,200
Speaker 3: word Grassius, but does say that now her mate.

971
00:49:13,960 --> 00:49:15,080
Speaker 1: Is going to the bathroom.

972
00:49:15,080 --> 00:49:18,040
Speaker 3: Before she I was like, that doesn't feel funny or

973
00:49:18,320 --> 00:49:18,840
Speaker 3: good to me.

974
00:49:19,320 --> 00:49:22,479
Speaker 1: Yeah, I was like, moment, oh.

975
00:49:22,480 --> 00:49:25,520
Speaker 3: Great, Wow, I didn't know, no, no, it was it

976
00:49:25,560 --> 00:49:28,239
Speaker 3: was absolutely I'm saying it's fantastic. But I like when

977
00:49:28,280 --> 00:49:30,520
Speaker 3: people I guess I like to be agree with Yeah,

978
00:49:30,600 --> 00:49:34,319
Speaker 3: that's weird, and will unpack that later as I tell you,

979
00:49:34,360 --> 00:49:35,520
Speaker 3: don't do anything.

980
00:49:35,200 --> 00:49:41,239
Speaker 1: For validation best dance move. I think the log rule,

981
00:49:41,920 --> 00:49:45,680
Speaker 1: Hey it obviously.

982
00:49:46,000 --> 00:49:49,480
Speaker 3: I really was proud that I did it. I didn't

983
00:49:49,480 --> 00:49:54,480
Speaker 3: break anything. I also did push ups in that too impressive.

984
00:49:54,600 --> 00:49:58,799
Speaker 3: Oh and Jen's wanted me to say this. I was

985
00:49:58,840 --> 00:50:01,880
Speaker 3: on the prices right as a contestant and in the

986
00:50:01,960 --> 00:50:05,200
Speaker 3: last few years, like I don't even recently. That's what

987
00:50:05,200 --> 00:50:06,960
Speaker 3: I'm trying to say. The Drew Carey price is right.

988
00:50:07,840 --> 00:50:11,520
Speaker 3: And I did do push ups and I don't know why,

989
00:50:11,800 --> 00:50:13,279
Speaker 3: Like it was like one of those moments where I

990
00:50:13,280 --> 00:50:15,560
Speaker 3: think I was just on the edge of blacking out

991
00:50:15,560 --> 00:50:19,000
Speaker 3: out of joy and disbelief that this was happening to me.

992
00:50:19,239 --> 00:50:21,560
Speaker 3: When they called me up to stage because I didn't know.

993
00:50:21,640 --> 00:50:23,960
Speaker 3: You know, it's like one of those things like everyone's like,

994
00:50:24,000 --> 00:50:25,840
Speaker 3: of course, Vanessa, you went on the prices, right, and

995
00:50:25,880 --> 00:50:29,000
Speaker 3: they call you you're you're a giant Neon signed for

996
00:50:29,040 --> 00:50:29,880
Speaker 3: put me on camera.

997
00:50:30,560 --> 00:50:32,760
Speaker 1: But you know, inside, I don't believe that about myself.

998
00:50:33,320 --> 00:50:35,000
Speaker 3: And so when I was watching this episode and I

999
00:50:35,000 --> 00:50:37,319
Speaker 3: saw that me do the push up thing, I was like, oh,

1000
00:50:37,320 --> 00:50:41,080
Speaker 3: maybe that's my thing. Like you, there's people always knew

1001
00:50:41,080 --> 00:50:43,600
Speaker 3: how Ashley Simson did the jig which you go uncomfortable.

1002
00:50:43,600 --> 00:50:46,240
Speaker 3: There's always some you have, like a core that happens

1003
00:50:46,239 --> 00:50:49,560
Speaker 3: that you do. I think that's mine, just like do

1004
00:50:49,560 --> 00:50:51,880
Speaker 3: do push ups? I go for those arms, get.

1005
00:50:51,719 --> 00:50:54,800
Speaker 2: Those Just watching this episode, watching that number and picking

1006
00:50:54,840 --> 00:50:58,720
Speaker 2: someone to watch throughout the entire thing because everyone's doing wild.

1007
00:50:58,920 --> 00:51:01,920
Speaker 4: Yes, it was a real for all things perform rockout

1008
00:51:02,920 --> 00:51:09,960
Speaker 4: best performance, but best song, Sorry, yeah, it's just sure there, okay,

1009
00:51:10,360 --> 00:51:11,560
Speaker 4: best performance.

1010
00:51:11,120 --> 00:51:16,239
Speaker 1: By a prop the pamphlets. I'm sorry. I didn't mean

1011
00:51:16,280 --> 00:51:18,920
Speaker 1: to step on you, No, I was.

1012
00:51:19,680 --> 00:51:21,920
Speaker 3: I was just remarking. I didn't know that that question

1013
00:51:22,000 --> 00:51:23,640
Speaker 3: was coming up. The best performance by a prop is

1014
00:51:23,640 --> 00:51:26,640
Speaker 3: that when you do every episode? Wow, that's just I

1015
00:51:26,960 --> 00:51:30,840
Speaker 3: love that you know, as an only child, I have

1016
00:51:30,880 --> 00:51:33,160
Speaker 3: a lot of relationship with things. Yeah, and I feel

1017
00:51:33,160 --> 00:51:39,360
Speaker 3: sometimes a tiny minture. I have a lot of things. Puppets, yes,

1018
00:51:39,400 --> 00:51:40,720
Speaker 3: so oh my finger puppets.

1019
00:51:40,800 --> 00:51:45,000
Speaker 1: Yeah, that's right. So that question really checked me.

1020
00:51:45,480 --> 00:51:47,960
Speaker 3: It took me because it felt like a little part

1021
00:51:48,000 --> 00:51:50,680
Speaker 3: of me was being seen, Like, of course, what was

1022
00:51:50,719 --> 00:51:54,840
Speaker 3: the best prop's performance problem? That's something I would have written.

1023
00:51:56,719 --> 00:52:01,719
Speaker 3: The pamphlets were great. I also think uh Sue was

1024
00:52:01,760 --> 00:52:06,360
Speaker 3: cleaning her trophies with the Q tip, and I felt

1025
00:52:06,400 --> 00:52:11,280
Speaker 3: like the trophies really yeah, we're saying something about her character,

1026
00:52:11,480 --> 00:52:12,920
Speaker 3: you know, adding to the scene.

1027
00:52:13,040 --> 00:52:15,160
Speaker 1: We haven't done the trophies yet. That's a good one.

1028
00:52:15,200 --> 00:52:19,759
Speaker 2: I also think Roz's metal is always a standout because like,

1029
00:52:19,800 --> 00:52:20,839
Speaker 2: what is she without it?

1030
00:52:21,440 --> 00:52:22,680
Speaker 1: Right? All that?

1031
00:52:22,680 --> 00:52:24,680
Speaker 3: That's a great that's a great one, Kevin, that's a

1032
00:52:24,719 --> 00:52:29,960
Speaker 3: good point, great question, and the best line is, oh.

1033
00:52:29,800 --> 00:52:33,719
Speaker 1: Lord, I mean we have some quotes here, Okay, great,

1034
00:52:33,840 --> 00:52:36,440
Speaker 1: I'm gonna look Santana.

1035
00:52:36,520 --> 00:52:39,879
Speaker 2: You went from laku karacha to bullfighting to a bull

1036
00:52:39,880 --> 00:52:43,360
Speaker 2: fighting mariachi. Also, my god, that number, why don't you

1037
00:52:43,360 --> 00:52:45,319
Speaker 2: just dress up as a taco bell chiha embark the

1038
00:52:45,320 --> 00:52:47,640
Speaker 2: theme songatory they explore you don't even know enough to

1039
00:52:47,640 --> 00:52:51,120
Speaker 2: be embarrassed about these stereotypes that you're perpetuating. And I

1040
00:52:51,160 --> 00:52:54,279
Speaker 2: feel like the whole episode was leading to that, like

1041
00:52:54,440 --> 00:53:00,719
Speaker 2: that's the thesis of it. However, like do you need it?

1042
00:53:00,719 --> 00:53:03,200
Speaker 2: It was like six times of like beating it in

1043
00:53:03,280 --> 00:53:05,120
Speaker 2: of likes nothing.

1044
00:53:05,680 --> 00:53:08,839
Speaker 1: I don't know that line is great, though, I love

1045
00:53:08,880 --> 00:53:11,360
Speaker 1: that line. Ross had some good ones.

1046
00:53:11,760 --> 00:53:14,360
Speaker 3: Uh, what you need to do is start praying that

1047
00:53:14,400 --> 00:53:17,040
Speaker 3: you give birth to a child that likes to eat sand,

1048
00:53:17,680 --> 00:53:20,720
Speaker 3: because that's all that's coming out of those old, wrinkly boobs.

1049
00:53:21,760 --> 00:53:24,840
Speaker 3: I was I don't know how I was shocked. I

1050
00:53:24,920 --> 00:53:26,480
Speaker 3: guess I was gasp worthy.

1051
00:53:26,680 --> 00:53:28,880
Speaker 1: Kurt had a good one. Ladies. I appreciate you spending

1052
00:53:28,920 --> 00:53:30,600
Speaker 1: time with me while Blaine recovers, but why are you

1053
00:53:30,640 --> 00:53:32,919
Speaker 1: being so weird and serious? Our periods don't come until

1054
00:53:32,920 --> 00:53:36,040
Speaker 1: the end of Oh that was great, very good, very good.

1055
00:53:36,840 --> 00:53:39,240
Speaker 1: Normally I like learning.

1056
00:53:39,280 --> 00:53:41,800
Speaker 3: I like learning that those characters were saying, we grade

1057
00:53:41,800 --> 00:53:42,920
Speaker 3: the performances normally.

1058
00:53:43,400 --> 00:53:46,960
Speaker 1: Wow, you guys really into the threw me into the.

1059
00:53:48,800 --> 00:53:53,240
Speaker 3: Oh gosh, I have a great performance moment Heather dancing

1060
00:53:53,280 --> 00:53:56,319
Speaker 3: as the bull, Oh so good, so great. She really

1061
00:53:56,360 --> 00:54:00,799
Speaker 3: embodied that bull she did, Harry, Yeah, come on, physicality.

1062
00:54:01,000 --> 00:54:03,480
Speaker 1: Yeah. I don't know that we should rate these numbers. No,

1063
00:54:03,600 --> 00:54:05,759
Speaker 1: they all sort of get like a two thumbs down. Yeah.

1064
00:54:05,880 --> 00:54:09,560
Speaker 1: I think that's that's where we're after. Okay, cool, Okay,

1065
00:54:09,680 --> 00:54:11,040
Speaker 1: it's been great to be on your show.

1066
00:54:11,200 --> 00:54:12,080
Speaker 2: Performance MVP.

1067
00:54:12,640 --> 00:54:13,720
Speaker 1: Yes, performance MVP.

1068
00:54:15,440 --> 00:54:19,040
Speaker 2: I mean honestly knowing his schedule and showing up and

1069
00:54:19,120 --> 00:54:20,040
Speaker 2: knocking out of the park.

1070
00:54:20,080 --> 00:54:24,360
Speaker 1: I'd say, Ricky Martin gets the MVP. Absolutely the schedule,

1071
00:54:24,680 --> 00:54:26,160
Speaker 1: but knowing that as well.

1072
00:54:27,320 --> 00:54:29,440
Speaker 3: You did all of that in three days, and that's crazy,

1073
00:54:29,480 --> 00:54:31,200
Speaker 3: it's wild, that's actually wild.

1074
00:54:31,440 --> 00:54:39,080
Speaker 1: Lot. You should actually get a real medal. He's fine, Okay,

1075
00:54:39,480 --> 00:54:40,759
Speaker 1: should we found on TikTok.

1076
00:54:41,320 --> 00:54:44,640
Speaker 2: I don't know how many people tagged me in this,

1077
00:54:45,280 --> 00:54:51,279
Speaker 2: especially on Twitter and on on TikTok personally, Jen and

1078
00:54:51,360 --> 00:54:54,840
Speaker 2: I got tagged so many times because we're back with

1079
00:54:54,920 --> 00:54:59,879
Speaker 2: another greatest hit from demy de Vito, who honestly star

1080
00:55:00,239 --> 00:55:03,920
Speaker 2: an icon of our time, and this is if there

1081
00:55:04,000 --> 00:55:08,240
Speaker 2: was a Taylor Swift episode of Glee acting all the parts,

1082
00:55:08,480 --> 00:55:11,399
Speaker 2: and it's.

1083
00:55:10,080 --> 00:55:12,000
Speaker 1: Surreal, unreal. That is.

1084
00:55:12,520 --> 00:55:16,160
Speaker 2: I appreciate everyone tagging, and I understand the fervor. Thanks

1085
00:55:16,200 --> 00:55:19,640
Speaker 2: in the persistence because that deserves all the awards, all

1086
00:55:19,680 --> 00:55:20,080
Speaker 2: the attention.

1087
00:55:20,760 --> 00:55:23,719
Speaker 1: You can take the trophy back from Rickeyan. Well, he'll

1088
00:55:23,760 --> 00:55:27,480
Speaker 1: understand the MVP of this episode. Yes, well, thank you

1089
00:55:27,600 --> 00:55:30,880
Speaker 1: so much Vanessa for joining us from the episode. You guys,

1090
00:55:31,000 --> 00:55:38,680
Speaker 1: we have another episode of Vanessa next week. You're welcome, right, Well,

1091
00:55:39,040 --> 00:55:40,160
Speaker 1: that's what you really.

1092
00:55:39,960 --> 00:55:42,879
Speaker 2: Miss Thanks for joining us live from the Blue Wire

1093
00:55:42,920 --> 00:55:45,920
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