WEBVTT - What Makes Something Beautiful?

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<v Speaker 1>Hey, welcome to Sign Stuff, a production of iHeartRadio. I'm

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<v Speaker 1>More Him, and today we're diving into the science of beauty.

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<v Speaker 1>What makes someone beautiful, what's going on in our brains

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<v Speaker 1>when we see a beautiful thing? And is it possible

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<v Speaker 1>to be addicted to beauty? We're going to talk to

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<v Speaker 1>a couple of beauty experts, including an evolutionary biologist who

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<v Speaker 1>has a brand new theory about what beauty is. So

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<v Speaker 1>get ready with me as we explore what makes something beautiful?

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<v Speaker 1>I promise the answers our real beauty. Enjoy. Hey everyone, Okay,

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<v Speaker 1>here are some interesting facts about beauty. Babies as young

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<v Speaker 1>as two months old can tell the difference between someone

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<v Speaker 1>who's supposed to be attractive and someone who's not. In

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<v Speaker 1>a famous nineteen eighty seven study, scientists showed a bunch

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<v Speaker 1>of babies photos of women that were rated by adults

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<v Speaker 1>to be attractive or not, and then they measured which

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<v Speaker 1>photos to babies would stare at more. They found that

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<v Speaker 1>babies would look at the faces of women who were

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<v Speaker 1>rated to be attractive more than the faces of women

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<v Speaker 1>rated to be less attractive. Other studies and beauty have

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<v Speaker 1>found that people who are considered beautiful are also more

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<v Speaker 1>likely to be thought of as being smarter, more trustworthy,

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<v Speaker 1>and confident. They get hired more for jobs, and they

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<v Speaker 1>are more likely to get paid more and get more promotions.

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<v Speaker 1>Studies have even found that being beautiful or attractive will

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<v Speaker 1>make you less likely to be found guilty if you're

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<v Speaker 1>ever accused of a crime. Clearly it helps to be beautiful.

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<v Speaker 1>So the first thing I did was try to see

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<v Speaker 1>how I could be more beautiful, and to do that,

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<v Speaker 1>I reached out to a plastic surgeon. Well, thank you,

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<v Speaker 1>doctor Sadegi for talking with us.

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<v Speaker 2>Well, thank you very much for inviting me to your studio.

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<v Speaker 1>I called up doctor Piem Sadegi. Doctor Sadeghi was a

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<v Speaker 1>plastic surgeon in his home country of Iran and did

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<v Speaker 1>his medical fellowship in plastic surgery at the Cleveland Clinic

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<v Speaker 1>in Ohio. Currently, he's the resident in pathology at Eastern

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<v Speaker 1>Carolina University. I wanted to ask doctor Sadeghi what he

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<v Speaker 1>would do to make me more beautiful, but apparently that's

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<v Speaker 1>not how it works.

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<v Speaker 2>A doctor's job and responsibility is first to listen to

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<v Speaker 2>the patient to know what exactly the definition of beauty

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<v Speaker 2>of that patient is and what it means to them.

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<v Speaker 2>So that's very important to first understand the beauty standards.

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<v Speaker 2>A doctor should spend a great time dealing with the

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<v Speaker 2>patient to be able to understand those standards.

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<v Speaker 1>Okay, According to doctor Sadegi, a plastic surgeon's job is

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<v Speaker 1>to quote promote a patient beauty standards unquote, which means

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<v Speaker 1>it all depends on what the patient considers to be beautiful.

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<v Speaker 1>But that's kind of the question I wanted to know now.

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<v Speaker 1>The reason I reached out to doctor Sadeghi in particular

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<v Speaker 1>is that he's written several academic papers on plastic surgery procedures,

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<v Speaker 1>and specifically, he and his colleagues at the Cleveland Clinic

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<v Speaker 1>published the paper titled what is Beauty? So I asked

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<v Speaker 1>him to tell us, how do you define beauty?

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<v Speaker 2>That's a great question and a simple question, but a

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<v Speaker 2>very sophisticated answer. I want to answer your question with this.

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<v Speaker 2>Beauty is a multi dimensional concept that has intrigued philosophers, artists, scientists,

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<v Speaker 2>and surgeons for centuries. Cannot be fully defined, as Plato

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<v Speaker 2>suggests it, Beauty is not just what appears pleasing. It

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<v Speaker 2>often harbors a deeper meaning or essence, inviting us to

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<v Speaker 2>contemplate beyond the surface. From both philosophical and neurobiological perspectives,

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<v Speaker 2>beauty engages not only our senses, but also our emotions

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<v Speaker 2>and memory, evoking a powerful, often mysterious response. So good

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<v Speaker 2>luck with that. Yeah, thank you.

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<v Speaker 1>We're trying. Yeah, thanks a lot, doctor said, Diggy. It's

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<v Speaker 1>a tricky concept, so I asked him if he could

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<v Speaker 1>be more specific. For example, what makes a human phase

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<v Speaker 1>or body appear more beautiful?

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<v Speaker 2>So promasurgical and scientific perspective, Symmetry, proportion, and harmony are

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<v Speaker 2>key elements of facial and bodily beauty. For the phase,

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<v Speaker 2>features such as balance, third and fifth symmetry, and the

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<v Speaker 2>proportions like the golden ratio play important roles. Similarly, for

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<v Speaker 2>the body, of characteristics like waste to heat ratios in

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<v Speaker 2>women or muscle or symmetry in men are often perceived

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<v Speaker 2>as attractive.

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<v Speaker 1>You mentioned proportions. Can you explain what that means?

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<v Speaker 2>So the proportions of the elements in the face are

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<v Speaker 2>like different in different people and in different cultures.

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<v Speaker 1>Meaning some people might have larger eyes.

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<v Speaker 2>Correct, like the distances between the eyes the nose. The

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<v Speaker 2>nose with the lips, the length of their lips, the

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<v Speaker 2>proportion of the upper lip to the lower lip.

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<v Speaker 1>Okay, here's our first clue about what makes something beautiful,

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<v Speaker 1>and this is the idea that it's related to ratios

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<v Speaker 1>or proportions, for example, the ratio between the waist and

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<v Speaker 1>the hip in women, or the shoulders and the waist

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<v Speaker 1>in men, or for faces, how symmetric you're is, or

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<v Speaker 1>what the relative distances are between your eyes and nose

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<v Speaker 1>and ears and mouth and cheeks are. But searching the

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<v Speaker 1>scientific literature on this, it's hard to find a study

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<v Speaker 1>that conclusively proves there's a perfect face or an ideal

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<v Speaker 1>set of ratios that people find beautiful. Some studies find

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<v Speaker 1>that symmetry is important, some don't. Scientists have tried to

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<v Speaker 1>look for common features and the proportions of faces that

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<v Speaker 1>are ranked by test subjects to be beautiful, and it

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<v Speaker 1>seems there are none. It's like, we can all tell

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<v Speaker 1>if a face looks beautiful to us, but trying to

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<v Speaker 1>say why that face is beautiful is hard. In one

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<v Speaker 1>two thousand and eight study, researchers at Google and tele

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<v Speaker 1>Abeef University had to use ninety eight variables about the

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<v Speaker 1>face to get a computer program to predict how human

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<v Speaker 1>judges would rate faces to be beautiful. In other words,

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<v Speaker 1>when we're looking at a face and judging whether we

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<v Speaker 1>find it handsome, pretty or not, we might be juggling

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<v Speaker 1>as many as ninety eight variables in our heads. And

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<v Speaker 1>there are several ideas that make this even more complicated.

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<v Speaker 1>So there is sort of like a general idealized face

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<v Speaker 1>and body for men and women. But I imagine that

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<v Speaker 1>it can vary depending on the person and the culture.

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<v Speaker 2>Right correct. For example, in Asia, the curvedness in the

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<v Speaker 2>forehead and also the ratio of forehead between like the

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<v Speaker 2>hairline and the eyebrows is different.

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<v Speaker 1>Oh, how is it different? So in Asia prefer.

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<v Speaker 2>What not to be like totally flat, let's say, And

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<v Speaker 2>that is more correlated in Asian cultures, So we need

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<v Speaker 2>to also consider that. For example, if you want to

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<v Speaker 2>practice in Asian countries, you might get more requests from

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<v Speaker 2>the patient who want to do these types of procedures

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<v Speaker 2>rather than the others.

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<v Speaker 1>Yes, as you can imagine, beauty standards vary with culture.

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<v Speaker 1>What's considered beautiful in one culture might be different to

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<v Speaker 1>what's considered beautiful in another culture. Beauty standards can also

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<v Speaker 1>change over time within a culture.

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<v Speaker 2>These standards of beauty have evolved dramatically across time and cultures.

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<v Speaker 2>In ancient Greece, proportion and mathematical harmony were central. During

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<v Speaker 2>the Renaissance, fuller figures were admired as symbols of fertility

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<v Speaker 2>and wealth. Today, especially in Western media, beauty often favors thinness, youth,

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<v Speaker 2>and flawlessness, though this is now being increasingly challenged by

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<v Speaker 2>more inclusive ideals that celebrate diverse body types, ages, and

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<v Speaker 2>skin conditions. Importantly, each culture defines beauty in its own way.

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<v Speaker 2>This emphasizes that beauty is not only in the eye

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<v Speaker 2>of the beholder, but also shaped by the society and

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<v Speaker 2>time in which we leave.

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<v Speaker 1>Okay, how do we make sense of all of this?

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<v Speaker 1>It seems that beauty is definitely a thing. Babies can

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<v Speaker 1>recognize it, which means there's something inherent in our DNA

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<v Speaker 1>about it, and there's also something universal about beauty. No

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<v Speaker 1>matter what culture you're in, people talk about beauty, and

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<v Speaker 1>everyone in the world has opinions about whether something or

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<v Speaker 1>someone is beautiful or not. At the same time, it's

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<v Speaker 1>hard to describe exactly what it is that makes us think,

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<v Speaker 1>ah that's beautiful and what's considered beautiful can be different

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<v Speaker 1>depending on the person, their culture, and it can change

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<v Speaker 1>over time. So to date, there hasn't really been a

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<v Speaker 1>strong scientific theory about what beauty is until now. On

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<v Speaker 1>our next segment, we'll talk to an evolutionary biologist who

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<v Speaker 1>thinks she has a theory of beauty that covers all

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<v Speaker 1>of these aspects of beauty and how it has played

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<v Speaker 1>a role in our evolution. But first, I was curious

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<v Speaker 1>about something doctor Siedeggi brought up. You mentioned that the

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<v Speaker 1>goal is to promote the patient's quality of life. What

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<v Speaker 1>does that mean?

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<v Speaker 2>Right? So, when you think of the beauty concept and

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<v Speaker 2>when you have a beautiful image of yourself in your subconsciousness,

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<v Speaker 2>you think in a positive way. When you think that

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<v Speaker 2>you are the most beautiful person, not comparing to anyone,

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<v Speaker 2>but just you are beautiful, this is a positive statement

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<v Speaker 2>of your mind and this positivity, this mindset, positivity is

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<v Speaker 2>very important in your daily job, in your daily activity

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<v Speaker 2>because it gives a positive energy to your mind, so

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<v Speaker 2>then you can better perform in your daily basics.

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<v Speaker 1>I say, feeling beautiful is part of how we feel

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<v Speaker 1>better about ourselves in general.

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<v Speaker 2>That's right. And also it can affect the others. It

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<v Speaker 2>can be transmitted to coworkers, to friends, to anyone because

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<v Speaker 2>it's a positive energy, and that's why I believe it

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<v Speaker 2>can promote the quality of life.

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<v Speaker 1>All Right, we'll dig into the biology of beauty and

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<v Speaker 1>how it's affected evolution after the break and stay with us.

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<v Speaker 1>We'll be right back. Welcome back. All right. We talked

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<v Speaker 1>about how beauty is hard to define and how there

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<v Speaker 1>doesn't seem to be a standard for what beauty is.

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<v Speaker 1>It can vary from person to person and from culture

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<v Speaker 1>to culture. But does that mean that it's impossible to

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<v Speaker 1>study scientifically? Not necessarily. There's a growing group of scientists

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<v Speaker 1>who think they figured out the right way to define

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<v Speaker 1>beauty and they think it works for humans and possibly

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<v Speaker 1>other animals. To fill us and I talked to one

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<v Speaker 1>of those scientists, doctor Tamra Mendelssohn.

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<v Speaker 3>My name is Tamra Mendelssohn, and I am a professor

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<v Speaker 3>of biological sciences at the University of Maryland, Baltimore County.

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<v Speaker 3>I study evolutionary biology and specifically animal behavior.

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<v Speaker 1>So to start us off, how do scientists define beauty?

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<v Speaker 3>You know, it's hard to pin down, so you might

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<v Speaker 3>get a different definition from every scientist you ask.

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<v Speaker 1>I guess that's kind of the beauty of it.

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<v Speaker 3>Sure, I would say only relatively recently have a critical

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<v Speaker 3>mass of scientists really started to address the question. Philosophers

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<v Speaker 3>have been asking for centuries, and scientists surely ask here

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<v Speaker 3>and there. But I think recently, with the development of

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<v Speaker 3>technology in artificial intelligence and in neuroscience, I think we're

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<v Speaker 3>better able to ask this question from a scientific perspective.

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<v Speaker 1>What do you mean advances in AI and neuroscience, what

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<v Speaker 1>has been happening there?

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<v Speaker 3>Well, we can use neural networks to visualize activity in

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<v Speaker 3>the brain and figure out where in the brain information

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<v Speaker 3>is processed, how it's processed.

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<v Speaker 1>And so way to have those scientists been finding in

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<v Speaker 1>terms of beauty.

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<v Speaker 3>Well, maybe it makes sense to start with our definition

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<v Speaker 3>of beauty and then I can talk about how the

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<v Speaker 3>technology relates to and enforces that definition. We just wrote

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<v Speaker 3>a paper that just came out in Biological Reviews. This

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<v Speaker 3>is with my colleagues Julian Renew from the CNRS in France,

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<v Speaker 3>Dave Schukar from the University of Saint Andrews in Scotland,

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<v Speaker 3>and Gil Rosenthal from the University of Padava in Italy.

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<v Speaker 3>And we are all evolutionary biologists who still the animal communication,

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<v Speaker 3>and we define it beauty then as the pleasure or

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<v Speaker 3>hedonic impact of fluent information processing, independent of the function

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<v Speaker 3>or consummatory reward of that stimulus.

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<v Speaker 1>That's a bit of a mouthful the area, right. Okay.

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<v Speaker 1>What doctor Mendelssohn is doing here is trying to come

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<v Speaker 1>up with a definition of beauty that holds up and

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<v Speaker 1>that is useful to scientists. If a definition is vague

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<v Speaker 1>or can't be tested, then you can't really do science

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<v Speaker 1>with it. Say one more time, what's the definition of beauty.

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<v Speaker 3>The pleasure or hedonic impact of fluent information processing, independent

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<v Speaker 3>of the function or consummatory reward of that stimulus.

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<v Speaker 1>Okay, so I guess we'll start with the first part.

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<v Speaker 1>It's a feeling. Beauty is a feeling.

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<v Speaker 3>Yes, beauty is a feeling. Absolutely, it's the pleasure or

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<v Speaker 3>what psychologists or neuroscientists called hedonic impact.

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<v Speaker 1>What does that mean?

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<v Speaker 3>It feels good. So every animal has some kind of

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<v Speaker 3>a reward system. Vertebrates especially like us and other primates

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<v Speaker 3>and fish, which is what I study, all have What's

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<v Speaker 3>called a mesolympic reward system that generates positive feelings. It

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<v Speaker 3>seems clear from early studies of beauty and philosophy to

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<v Speaker 3>now empirically, it's been shown that beauty is pleasure and

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<v Speaker 3>that at least all vertebrates, if not all animals, should

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<v Speaker 3>have the capacity to experience that.

0:15:35.360 --> 0:15:38.800
<v Speaker 1>To experience pleasure, or to experience the sense of beauty.

0:15:39.040 --> 0:15:42.640
<v Speaker 3>Good question. So let's start with pleasure. You have to

0:15:42.680 --> 0:15:45.400
<v Speaker 3>have that. If other animals are going to experience beauty,

0:15:45.440 --> 0:15:47.520
<v Speaker 3>they must also be able to experience pleasure. That's like

0:15:47.560 --> 0:15:48.240
<v Speaker 3>the first piece.

0:15:48.560 --> 0:15:50.760
<v Speaker 1>So it seems like you're saying that beauty is an

0:15:50.800 --> 0:15:54.640
<v Speaker 1>experience felt by the person looking at something that's quote

0:15:54.760 --> 0:15:59.360
<v Speaker 1>beautiful unquote, meaning that it's not an inherent property of something.

0:15:59.520 --> 0:16:01.400
<v Speaker 3>Very much so, yes, it's an interaction.

0:16:01.760 --> 0:16:05.320
<v Speaker 1>It's the reaction that person or animal has looking at

0:16:05.320 --> 0:16:07.240
<v Speaker 1>this other organism.

0:16:07.080 --> 0:16:10.480
<v Speaker 3>Yes, exactly, or listening to a beautiful piece of music

0:16:10.520 --> 0:16:11.080
<v Speaker 3>for example.

0:16:11.440 --> 0:16:16.840
<v Speaker 1>Oh right, right, all right. The first part of doctor

0:16:16.880 --> 0:16:20.520
<v Speaker 1>Mendelssohn's definition of beauty is that it's a feeling felt

0:16:20.520 --> 0:16:24.840
<v Speaker 1>by the person looking at or listening to something. It's

0:16:24.840 --> 0:16:27.920
<v Speaker 1>not inherent in the thing being observed. In other words,

0:16:28.240 --> 0:16:32.000
<v Speaker 1>Beauty really is in the eye or ear of the beholder,

0:16:32.520 --> 0:16:36.760
<v Speaker 1>and it's not just any feeling. It's a feeling of pleasure. Now,

0:16:36.840 --> 0:16:39.960
<v Speaker 1>she mentioned the reward system, and that is the circuit

0:16:40.000 --> 0:16:43.320
<v Speaker 1>in your brain that gets turned on when you feel good.

0:16:43.840 --> 0:16:47.160
<v Speaker 1>If you've heard of dopamine, dopamine is the brain chemical

0:16:47.320 --> 0:16:51.200
<v Speaker 1>that gets released that makes this circuit work. It's also

0:16:51.280 --> 0:16:55.200
<v Speaker 1>the circuit that gets hijacked when you become addicted. We'll

0:16:55.200 --> 0:16:57.760
<v Speaker 1>get to that later, but for now, just remember that

0:16:57.840 --> 0:17:02.880
<v Speaker 1>beauty is a feeling. Okay, So it's a feeling and

0:17:02.920 --> 0:17:07.119
<v Speaker 1>you said it's a feeling that's related to information processing.

0:17:07.520 --> 0:17:10.679
<v Speaker 3>Yes, great, So that's like the next piece, right, and

0:17:10.720 --> 0:17:13.679
<v Speaker 3>it's specifically. The word we use in our definition is

0:17:13.720 --> 0:17:17.159
<v Speaker 3>fluent information processing. I think most people can wrap their

0:17:17.200 --> 0:17:19.760
<v Speaker 3>minds around the concept of fluency, Like when you're fluent

0:17:19.800 --> 0:17:22.399
<v Speaker 3>in a language, it's easy, right, you don't even have

0:17:22.440 --> 0:17:24.879
<v Speaker 3>to think about it. It's easy to speak that language

0:17:25.000 --> 0:17:30.000
<v Speaker 3>you're fluent. So psychologists use fluency as the basis of beauty.

0:17:30.520 --> 0:17:33.960
<v Speaker 3>So beauty is something that is easy, easy to process.

0:17:33.960 --> 0:17:41.399
<v Speaker 3>So in neuroesthetics they model beauty as efficient information processing.

0:17:41.800 --> 0:17:45.040
<v Speaker 3>It's when something is processed at low cost.

0:17:45.280 --> 0:17:48.240
<v Speaker 1>Oh, I guess this is bringing to mind the phrase

0:17:48.520 --> 0:17:51.520
<v Speaker 1>that someone is easy on the eyes? Is that sort

0:17:51.520 --> 0:17:52.480
<v Speaker 1>of what this relates to?

0:17:53.040 --> 0:17:55.639
<v Speaker 3>Absolutely, one hundred percent, that's exactly it.

0:17:55.760 --> 0:17:58.439
<v Speaker 1>Yes, meaning if I look at something and somehow my

0:17:58.560 --> 0:18:02.920
<v Speaker 1>brain doesn't have to think much about it, somehow that's beautiful.

0:18:03.200 --> 0:18:05.919
<v Speaker 3>Yes, that is the core piece of beauty. And so

0:18:06.000 --> 0:18:10.320
<v Speaker 3>we're arguing that not necessarily all efficiently or fluently processed

0:18:10.320 --> 0:18:14.480
<v Speaker 3>information is beautiful, but that all beautiful stimuli have this

0:18:14.600 --> 0:18:17.879
<v Speaker 3>in common of being efficiently or fluently processed.

0:18:19.600 --> 0:18:22.200
<v Speaker 1>Okay, this gets a little bit technical, but the main

0:18:22.240 --> 0:18:25.440
<v Speaker 1>point is that, according to doctor Mendelssohn, a key part

0:18:25.480 --> 0:18:28.560
<v Speaker 1>of something being beautiful is that it gives us information,

0:18:29.000 --> 0:18:31.320
<v Speaker 1>and that it gives us that information in a way

0:18:31.400 --> 0:18:35.520
<v Speaker 1>that's easy for our brain to process. For example, you

0:18:35.560 --> 0:18:39.880
<v Speaker 1>might apply that to a face. If face has balanced proportions,

0:18:40.119 --> 0:18:43.600
<v Speaker 1>maybe that's easier for our brain to process that it's

0:18:43.640 --> 0:18:48.440
<v Speaker 1>a face, and because it's easy, our brain goes, ooh,

0:18:48.520 --> 0:18:51.280
<v Speaker 1>that was easy, and it gives us a little pang

0:18:51.400 --> 0:18:54.919
<v Speaker 1>of pleasure. And that experience of pleasure, doctor Mendelssohn and

0:18:54.960 --> 0:19:00.600
<v Speaker 1>her colleagues argue is what beauty is it makes me

0:19:00.840 --> 0:19:03.280
<v Speaker 1>notice that you're using the word efficiency, meaning that it's

0:19:03.320 --> 0:19:06.160
<v Speaker 1>not how much information is being given to my brain,

0:19:06.359 --> 0:19:09.000
<v Speaker 1>it's how easily my brain can process it.

0:19:09.040 --> 0:19:13.160
<v Speaker 3>That's right. Efficiently processed information isn't necessarily simple. It can

0:19:13.200 --> 0:19:17.679
<v Speaker 3>be complex. But if that complex information is processed efficiently

0:19:17.720 --> 0:19:20.280
<v Speaker 3>at low cost, then that is pleasurable.

0:19:20.440 --> 0:19:22.520
<v Speaker 1>Well, I guess what would be the opposite of that?

0:19:22.600 --> 0:19:25.680
<v Speaker 1>Does that mean that's something that's not beautiful or ugly?

0:19:25.680 --> 0:19:28.199
<v Speaker 1>Would you say something that's not beautiful? Would you use

0:19:28.240 --> 0:19:28.920
<v Speaker 1>the word ugly?

0:19:29.400 --> 0:19:33.320
<v Speaker 3>I think that possibly this concept of ugly might have

0:19:33.600 --> 0:19:38.520
<v Speaker 3>more cognitive connotations, so it may remind us of something gross.

0:19:39.040 --> 0:19:44.800
<v Speaker 3>So ugly isn't necessarily just inefficiently processed information. Inefficiently processed

0:19:44.800 --> 0:19:49.320
<v Speaker 3>information is uncomfortable, for sure, that's been shown. But whether

0:19:49.359 --> 0:19:51.199
<v Speaker 3>it's ugly, I think, is another question.

0:19:52.800 --> 0:19:57.639
<v Speaker 1>It's true some people find ugly things beautiful. Okay, we

0:19:57.720 --> 0:20:00.400
<v Speaker 1>talked about how beauty is a feeling and how it's

0:20:00.440 --> 0:20:05.000
<v Speaker 1>about information being efficient. Now let's talk about what's in

0:20:05.040 --> 0:20:09.160
<v Speaker 1>that information. And do you apply this definition of beauty

0:20:09.359 --> 0:20:12.760
<v Speaker 1>that we have so far to just other organisms or

0:20:12.800 --> 0:20:14.560
<v Speaker 1>does it apply to all things?

0:20:14.800 --> 0:20:15.720
<v Speaker 3>All things?

0:20:16.200 --> 0:20:19.239
<v Speaker 1>So then what sort of information am I getting when

0:20:19.280 --> 0:20:20.600
<v Speaker 1>I look at a beautiful face?

0:20:20.840 --> 0:20:25.280
<v Speaker 3>Well, you're getting a lot of information right at all levels.

0:20:25.400 --> 0:20:28.080
<v Speaker 3>But if we were to judge whether a particular face

0:20:28.200 --> 0:20:31.760
<v Speaker 3>is beautiful or not, then by our definition, we would

0:20:31.800 --> 0:20:35.680
<v Speaker 3>be asking if that face is more efficiently processed than

0:20:35.720 --> 0:20:38.280
<v Speaker 3>other faces. So there are some really basic ways that

0:20:38.359 --> 0:20:42.760
<v Speaker 3>information can be efficiently processed, Like symmetry is efficiently processed,

0:20:42.760 --> 0:20:45.240
<v Speaker 3>because that's basically you're getting two for one, right, So

0:20:45.280 --> 0:20:50.679
<v Speaker 3>that's cheap. Prototypicality when a stimulus is like the best

0:20:50.720 --> 0:20:54.160
<v Speaker 3>representative of a category that is efficiently processed.

0:20:55.440 --> 0:20:57.760
<v Speaker 1>All right, This is kind of interesting. What doctor Mendelsson

0:20:57.800 --> 0:21:01.359
<v Speaker 1>means here when she talks about prototypicality is basically the

0:21:01.520 --> 0:21:04.439
<v Speaker 1>average face in a group of people. And this is

0:21:04.440 --> 0:21:06.439
<v Speaker 1>something that was found in some of the studies I

0:21:06.520 --> 0:21:08.800
<v Speaker 1>mentioned earlier. If you take a bunch of photos of

0:21:08.840 --> 0:21:11.679
<v Speaker 1>people's faces and you add all those faces together to

0:21:11.720 --> 0:21:14.440
<v Speaker 1>get kind of the average face of that group, test

0:21:14.480 --> 0:21:18.560
<v Speaker 1>subjects will generally think that face is more beautiful than

0:21:18.600 --> 0:21:21.919
<v Speaker 1>any one of the other faces in the group, especially

0:21:22.240 --> 0:21:25.359
<v Speaker 1>for women's faces. In other words, part of having a

0:21:25.400 --> 0:21:29.840
<v Speaker 1>beautiful face is having features that don't stand out very much.

0:21:30.040 --> 0:21:33.840
<v Speaker 1>And doctor Mendelssohn argues that face is beautiful because it's

0:21:33.960 --> 0:21:37.520
<v Speaker 1>easy for our brains to process since the average is

0:21:37.600 --> 0:21:42.600
<v Speaker 1>kind of what our brains are expecting. So you're saying

0:21:42.680 --> 0:21:46.800
<v Speaker 1>that our brains are sort of tuned to recognize some

0:21:46.920 --> 0:21:50.560
<v Speaker 1>certain things or like certain things, and so when something

0:21:50.800 --> 0:21:54.240
<v Speaker 1>satisfies that tuning in a really easy and efficient way,

0:21:54.320 --> 0:21:55.880
<v Speaker 1>then we think, oh, that's beautiful.

0:21:56.040 --> 0:21:59.159
<v Speaker 3>Yes, I mean, arguably there's potentially more to it than that,

0:21:59.240 --> 0:22:03.440
<v Speaker 3>but that's necessary but potentially insufficient component of beauty.

0:22:03.600 --> 0:22:05.760
<v Speaker 1>I see you said that there was another component, which

0:22:05.800 --> 0:22:08.399
<v Speaker 1>was its independent what it's independent of.

0:22:08.720 --> 0:22:11.879
<v Speaker 3>It's independent according to the definition of the function or

0:22:11.960 --> 0:22:16.120
<v Speaker 3>consummatory reward provided by the stimulus. So this goes back

0:22:16.119 --> 0:22:21.359
<v Speaker 3>to Kant and his idea of disinterestedness, that beauty. Beauty

0:22:21.400 --> 0:22:24.480
<v Speaker 3>is a self sufficient source of pleasure that we don't

0:22:24.560 --> 0:22:28.360
<v Speaker 3>necessarily want to own it. That beauty then is liking

0:22:28.680 --> 0:22:32.280
<v Speaker 3>without wanting, and the only wanting maybe you feel towards

0:22:32.320 --> 0:22:34.840
<v Speaker 3>something that's beautiful is you just want to keep processing it.

0:22:35.200 --> 0:22:37.520
<v Speaker 3>You want to keep listening, or you want to keep looking,

0:22:37.800 --> 0:22:39.840
<v Speaker 3>but you don't want to have it. You don't want

0:22:39.840 --> 0:22:42.639
<v Speaker 3>to eat it, you don't want to mate with it.

0:22:44.160 --> 0:22:46.760
<v Speaker 1>Okay. The last part of this definition of beauty is

0:22:46.800 --> 0:22:50.679
<v Speaker 1>that we should like beauty for beauty's sake. In other words,

0:22:50.880 --> 0:22:54.359
<v Speaker 1>part of the definition of beauty is that it's addictive.

0:22:54.680 --> 0:22:59.000
<v Speaker 1>We want it just for the pleasure of experiencing it. Okay.

0:22:59.119 --> 0:23:01.040
<v Speaker 1>When we come back, we're going to talk about how

0:23:01.160 --> 0:23:05.600
<v Speaker 1>beauty could have affected our evolution and whether it's possible

0:23:05.960 --> 0:23:09.879
<v Speaker 1>for an animal like a dog or cat or fish

0:23:10.240 --> 0:23:15.280
<v Speaker 1>to experience beauty. Stay with us. You're listening to science

0:23:15.320 --> 0:23:24.480
<v Speaker 1>stuff and we're back, all right. Cool. So we have

0:23:24.520 --> 0:23:27.040
<v Speaker 1>a definition of beauty, and then how does that apply

0:23:27.240 --> 0:23:33.639
<v Speaker 1>to evolution and our biology and why we are all here? Great?

0:23:34.800 --> 0:23:38.399
<v Speaker 3>I love that question. So the way we came at this,

0:23:38.520 --> 0:23:41.160
<v Speaker 3>my colleagues and I, is because we study animal behavior

0:23:41.520 --> 0:23:44.439
<v Speaker 3>and we're interested in how animals choose their mates. I

0:23:44.480 --> 0:23:48.480
<v Speaker 3>study fish that are stunningly beautiful? Are they beautiful to

0:23:49.000 --> 0:23:52.399
<v Speaker 3>other fish? Are our peacock's beautiful to pea hens? What

0:23:52.560 --> 0:23:57.000
<v Speaker 3>is the experience that those animals have? What are they feeling?

0:23:57.680 --> 0:24:00.320
<v Speaker 1>Meaning? Is it a coincidence that we find a peacock

0:24:00.400 --> 0:24:04.280
<v Speaker 1>still beautiful and that it's also something phans find attractive.

0:24:04.440 --> 0:24:06.439
<v Speaker 1>Is there a connection there that's kind of what you're asking.

0:24:06.680 --> 0:24:10.480
<v Speaker 3>Yeah, and then key, if animals experience it as beautiful,

0:24:10.720 --> 0:24:13.479
<v Speaker 3>how does that affect their decision to choose or not

0:24:13.600 --> 0:24:16.920
<v Speaker 3>choose that other individual that has this ornament as a mate?

0:24:16.960 --> 0:24:23.280
<v Speaker 1>Meaning is a peacock's tail beautiful to a phn correct? Okay,

0:24:23.280 --> 0:24:25.879
<v Speaker 1>The last question we're asking here today is what is

0:24:25.920 --> 0:24:29.520
<v Speaker 1>the role of beauty in nature? If animals and our

0:24:29.560 --> 0:24:33.679
<v Speaker 1>ancestors could experience beauty, how did it shape evolution? And

0:24:33.760 --> 0:24:36.639
<v Speaker 1>here doctor Mendelson doesn't have a lot of answers. Like

0:24:36.720 --> 0:24:41.040
<v Speaker 1>I mentioned, this theory is still pretty new, which is exciting.

0:24:41.240 --> 0:24:43.520
<v Speaker 1>If you've never talked to a scientist while they're still

0:24:43.560 --> 0:24:47.440
<v Speaker 1>formulating their hypothesis, it's interesting to hear how they think.

0:24:49.080 --> 0:24:52.520
<v Speaker 1>You know, it seems like we as humans use beauty

0:24:52.800 --> 0:24:56.160
<v Speaker 1>as a factor in our choice of who we want

0:24:56.200 --> 0:24:59.600
<v Speaker 1>to mate with. Is that the same for animals as well?

0:25:00.080 --> 0:25:02.280
<v Speaker 3>Here's an analogy. You would need to buy a new car,

0:25:02.400 --> 0:25:05.960
<v Speaker 3>so you go to the car sales place, or you

0:25:06.000 --> 0:25:09.000
<v Speaker 3>want a candy bar. You have a hankering for something sweet,

0:25:09.600 --> 0:25:12.280
<v Speaker 3>and you go to the grocery store and you look

0:25:12.320 --> 0:25:14.800
<v Speaker 3>at all these candy bars. Which candy bar? To what

0:25:14.880 --> 0:25:19.360
<v Speaker 3>extent does the wrapper influence your decision? You already want

0:25:19.359 --> 0:25:22.920
<v Speaker 3>the candy bar, you already want to mate. What role

0:25:23.040 --> 0:25:24.240
<v Speaker 3>does the beauty play.

0:25:24.000 --> 0:25:26.280
<v Speaker 1>In that process? Yes, do we know? No?

0:25:27.440 --> 0:25:28.199
<v Speaker 3>I don't think we do.

0:25:28.720 --> 0:25:30.600
<v Speaker 1>Okay, what are some of your hypotheses?

0:25:30.960 --> 0:25:35.160
<v Speaker 3>So we argue that this beauty, this experience of beauty,

0:25:35.840 --> 0:25:39.800
<v Speaker 3>encourages proximity. So the idea is that an animal already

0:25:39.840 --> 0:25:42.560
<v Speaker 3>wants to mate, say it's breeding season, they're already looking

0:25:42.600 --> 0:25:45.680
<v Speaker 3>for a mate. Then they see something beautiful that makes

0:25:45.720 --> 0:25:49.160
<v Speaker 3>them feel good and they're attracted to it for that reason,

0:25:49.200 --> 0:25:50.960
<v Speaker 3>so they want to keep processing it. So it just

0:25:51.080 --> 0:25:56.440
<v Speaker 3>encourages proximity, and then once they're physically proximate to that individual,

0:25:56.520 --> 0:25:59.400
<v Speaker 3>then they may So it's just kind of like it's

0:25:59.440 --> 0:26:02.280
<v Speaker 3>a marketplace, and you know, there's a lot to choose from.

0:26:02.320 --> 0:26:04.600
<v Speaker 3>You just don't know which one. And there's something that

0:26:04.640 --> 0:26:07.400
<v Speaker 3>really catches your eye or catches your ear and makes

0:26:07.400 --> 0:26:08.640
<v Speaker 3>you feel good, so that's the one you.

0:26:08.600 --> 0:26:13.280
<v Speaker 1>Go to, all right. Doctor Mendelssoh's hypothesis is that beauty

0:26:13.320 --> 0:26:16.560
<v Speaker 1>evolved as a kind of hack to give animals an

0:26:16.720 --> 0:26:21.520
<v Speaker 1>edge during mate selection. Being beautiful or having features that

0:26:21.600 --> 0:26:26.280
<v Speaker 1>turn on our potential mate's information processing reward system has

0:26:26.280 --> 0:26:29.080
<v Speaker 1>nothing to do with survival, but it does help you

0:26:29.440 --> 0:26:33.520
<v Speaker 1>get attention. So I feel like maybe you're saying that

0:26:33.800 --> 0:26:38.040
<v Speaker 1>beauty is something that has come up even though it's

0:26:38.320 --> 0:26:42.159
<v Speaker 1>not useful for survival, Like, maybe it's just useful for

0:26:42.359 --> 0:26:43.520
<v Speaker 1>choosing a mate.

0:26:43.760 --> 0:26:47.080
<v Speaker 3>Yeah. For sure, our brains tuning to our environment and

0:26:47.400 --> 0:26:51.040
<v Speaker 3>wanting to process information efficiently. So then what's happening is

0:26:51.080 --> 0:26:54.760
<v Speaker 3>that mutations arise that exploit this bias and that make

0:26:54.840 --> 0:26:58.679
<v Speaker 3>themselves attractive because they're efficiently processed.

0:26:58.840 --> 0:26:59.159
<v Speaker 1>Hmmm.

0:27:00.119 --> 0:27:02.800
<v Speaker 3>It has nothing to do with whether they are more

0:27:02.880 --> 0:27:06.359
<v Speaker 3>fit if you will, or have you know, quote unquote

0:27:06.359 --> 0:27:07.000
<v Speaker 3>better genes.

0:27:07.240 --> 0:27:10.119
<v Speaker 1>Meaning a peacock's tail obviously has nothing to do with

0:27:10.240 --> 0:27:13.280
<v Speaker 1>how it might get food in the wild. But because

0:27:13.880 --> 0:27:19.440
<v Speaker 1>it pickles the peahan's soft spot for information processing, that's

0:27:19.480 --> 0:27:24.200
<v Speaker 1>why peacocks over time evolved these huge, colorful tales.

0:27:24.560 --> 0:27:29.440
<v Speaker 3>Yes, and in fact, arguably this is it's not good

0:27:29.440 --> 0:27:31.360
<v Speaker 3>for them to have these big tails, right, It does

0:27:31.400 --> 0:27:34.640
<v Speaker 3>actually affect their ability to find food in a bad way.

0:27:35.000 --> 0:27:38.720
<v Speaker 3>I saw this great video of a tiger just totally

0:27:38.800 --> 0:27:42.199
<v Speaker 3>nailing a male peacock who is displaying because they're just

0:27:42.359 --> 0:27:46.800
<v Speaker 3>so obvious. Right, tigers can just the right. So and

0:27:47.400 --> 0:27:50.800
<v Speaker 3>Darwin famously said that a peacock's tail, when I look

0:27:50.800 --> 0:27:54.480
<v Speaker 3>at it, it makes me sick, because he had developed

0:27:54.480 --> 0:27:57.400
<v Speaker 3>his whole theory of natural selection and then he looks

0:27:57.440 --> 0:27:59.960
<v Speaker 3>at this tail and he's like, that's ridiculous. That does

0:28:00.200 --> 0:28:03.400
<v Speaker 3>nothing for its survival. So then he publishes his book

0:28:03.440 --> 0:28:07.920
<v Speaker 3>on sexual selection to explain that maybe sometimes traits can

0:28:07.920 --> 0:28:11.639
<v Speaker 3>help you with reproduction, even at a cost to survival.

0:28:11.720 --> 0:28:13.200
<v Speaker 3>And that's where beauty might come in.

0:28:13.560 --> 0:28:18.440
<v Speaker 1>I see, sometimes beauty might be a burden on your survival. Yes,

0:28:18.520 --> 0:28:21.760
<v Speaker 1>but because we have a beauty response, it's there because

0:28:21.760 --> 0:28:24.359
<v Speaker 1>it gives you an advantage in mating. And you're saying,

0:28:24.400 --> 0:28:29.440
<v Speaker 1>we have this beauty response because our brains like information

0:28:29.520 --> 0:28:30.840
<v Speaker 1>that's easy to process.

0:28:31.000 --> 0:28:32.000
<v Speaker 3>Got it, that's it.

0:28:33.560 --> 0:28:38.000
<v Speaker 1>Yeah, Apparently Darwin was not a fan of peacocks. Okay.

0:28:38.040 --> 0:28:40.280
<v Speaker 1>The last part of our conversation I want to play

0:28:40.320 --> 0:28:42.840
<v Speaker 1>for you was when we talked about whether we can

0:28:42.960 --> 0:28:46.600
<v Speaker 1>change what we find beautiful if beauty is what our

0:28:46.640 --> 0:28:50.360
<v Speaker 1>brains find easy to process, and if we find easier

0:28:50.400 --> 0:28:53.640
<v Speaker 1>to process things that match what we expect. Does that

0:28:53.720 --> 0:28:58.000
<v Speaker 1>mean changing beauty standards? It's just about changing expectations.

0:28:59.520 --> 0:29:02.920
<v Speaker 3>And then throw another puzzling piece on top of the

0:29:03.040 --> 0:29:06.760
<v Speaker 3>mere exposure effect. So familiarity can make something more beautiful.

0:29:06.920 --> 0:29:10.240
<v Speaker 3>When you have been exposed to something, it becomes more

0:29:10.280 --> 0:29:12.400
<v Speaker 3>beautiful to a certain extent.

0:29:12.560 --> 0:29:14.880
<v Speaker 1>But the more we were exposed to something, the more

0:29:14.920 --> 0:29:16.880
<v Speaker 1>we grow to appreciate it.

0:29:16.960 --> 0:29:17.880
<v Speaker 3>Yeah, the more we like it.

0:29:17.960 --> 0:29:18.480
<v Speaker 1>Yeah.

0:29:18.760 --> 0:29:21.400
<v Speaker 3>And these are mostly in psychology studies where they flash

0:29:21.480 --> 0:29:24.840
<v Speaker 3>things for people and then they ask them what they like,

0:29:25.040 --> 0:29:27.320
<v Speaker 3>and they've shown that the things that have been flashed,

0:29:27.720 --> 0:29:30.080
<v Speaker 3>that they've been exposed to more are more likely.

0:29:30.160 --> 0:29:34.600
<v Speaker 1>Oh, so we can influence what we find beautiful. I

0:29:34.720 --> 0:29:36.840
<v Speaker 1>just had some interesting thoughts because you know, I also

0:29:36.840 --> 0:29:39.720
<v Speaker 1>produce a television show, and so there's always questions about

0:29:39.760 --> 0:29:44.360
<v Speaker 1>representation and what we portray in the media. And then

0:29:44.400 --> 0:29:48.040
<v Speaker 1>you're seeing that a lot in advertisements today, different body types,

0:29:48.080 --> 0:29:51.160
<v Speaker 1>different skin tones. People are trying to change the standards

0:29:51.160 --> 0:29:51.640
<v Speaker 1>of beauty.

0:29:52.080 --> 0:29:55.360
<v Speaker 3>A lot of beauty is genetic or something that you

0:29:55.400 --> 0:29:57.240
<v Speaker 3>can't really change. But I think a lot of beauty

0:29:57.360 --> 0:29:58.880
<v Speaker 3>is what you can change, right, because it's just all

0:29:58.920 --> 0:30:02.200
<v Speaker 3>about efficiency and our brains are being tuned all the time.

0:30:02.400 --> 0:30:05.720
<v Speaker 1>We're receptive to having standards of beauty change.

0:30:06.440 --> 0:30:08.960
<v Speaker 3>I think so just by mere exposure, you can start

0:30:08.960 --> 0:30:10.719
<v Speaker 3>to influence people's standards of beauty.

0:30:12.640 --> 0:30:16.160
<v Speaker 1>All right, I think that answers our question what makes

0:30:16.160 --> 0:30:20.720
<v Speaker 1>something beautiful? It's not skin deep. It's all in the

0:30:20.720 --> 0:30:24.680
<v Speaker 1>brain of the beholder. To close us off, I'm going

0:30:24.720 --> 0:30:27.000
<v Speaker 1>to let that Razidegi have the last word.

0:30:28.480 --> 0:30:32.920
<v Speaker 2>The majority of the anatomy of human beings is pretty

0:30:32.960 --> 0:30:35.520
<v Speaker 2>much similar. We are all the same. We all have

0:30:35.840 --> 0:30:39.160
<v Speaker 2>the major organs, we all have the liver, we all

0:30:39.160 --> 0:30:43.520
<v Speaker 2>have the lungs. I believe that every person is beautiful.

0:30:43.760 --> 0:30:47.320
<v Speaker 2>We just need to explore it and discover it. And

0:30:47.960 --> 0:30:50.120
<v Speaker 2>that is the beauty of the beauty concept.

0:30:51.560 --> 0:30:57.000
<v Speaker 1>Thanks for joining us. See you next time you've been

0:30:57.080 --> 0:31:00.920
<v Speaker 1>listening to Science Stuff production I heard Ready Bring the

0:31:01.000 --> 0:31:05.400
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0:31:05.400 --> 0:31:08.720
<v Speaker 1>producer Jerry Rowland, and audio engineer and mixer Kasey Pegram

0:31:09.200 --> 0:31:11.360
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