WEBVTT - REWIND: ROCCSTAR - Ghetto Casserole 

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<v Speaker 1>Hey, guys, welcome to another episode of Eating While Broke.

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<v Speaker 1>I'm your host, Colleen Witt, and today we have very

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<v Speaker 1>special guest. Grammy Award winning producer sold over fifty million records, is.

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<v Speaker 2>Probably over records.

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<v Speaker 1>So rock Star producer rock Star is in the building.

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<v Speaker 3>What's up?

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<v Speaker 1>And self made? Self made, self made, self made to

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<v Speaker 1>the max, to the max slept on floors. I've heard,

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<v Speaker 1>I've heard the rumors. I'm so excited to have you

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<v Speaker 1>in the building. And you're gonna have to feed me,

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<v Speaker 1>of course, so what do you what are you gonna

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<v Speaker 1>feed me?

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<v Speaker 3>We're doing well my broke dish. Really this should be

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<v Speaker 3>Eating while uh broke as hell if you want to

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<v Speaker 3>add that as hell, because I was the ass hell part.

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<v Speaker 3>It's unbelievable. But right now, this dish ray here is

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<v Speaker 3>called ghetto cast role and it was the chicken top

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<v Speaker 3>ramen mixed in with a turkey burger burger that I

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<v Speaker 3>seasoned up, chopped up, put into the situation, mixed up

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<v Speaker 3>and just changed the world with that guy me I'm

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<v Speaker 3>talking about that had me full for you know, I'm

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<v Speaker 3>talking about the whole day that pretty much was it

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<v Speaker 3>to the point where people just started requesting, let me

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<v Speaker 3>get some ghetto.

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<v Speaker 1>Okay, oh you really named it that. That was like

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<v Speaker 1>the coin name that you gave it back. I've never

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<v Speaker 1>had ghetto cast role. I'm very I'm a hater of

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<v Speaker 1>Ramen because we've taped over one hundred and twenty episodes

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<v Speaker 1>and everybody, and I say even people be like I

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<v Speaker 1>thought she hated ram I'm like, I can only block

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<v Speaker 1>Ramen so much in a broke show.

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<v Speaker 3>You know, it's crazy.

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<v Speaker 1>But when I see a Ramen with a flair, I

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<v Speaker 1>really believe that the individual was probably, like you said,

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<v Speaker 1>broke as hell. Yeah, you know, you had it so

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<v Speaker 1>many times that you had to up it. Go ahead,

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<v Speaker 1>start off popping it off. And while you're in this

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<v Speaker 1>kitchen cooking, I want you to take me back to

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<v Speaker 1>what was going on when you was broke as hell?

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<v Speaker 3>Okay, well, I mean there's just so many years of

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<v Speaker 3>being broke as hell. Like, which part of being broke

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<v Speaker 3>as hell did you want to have the conversation about,

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<v Speaker 3>because you know, I mean, I come from absolutely nothing,

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<v Speaker 3>so I was broke as hell the whole time.

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<v Speaker 2>Where are you from originally?

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<v Speaker 3>So I'm from like Los Angeles of course. So California.

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<v Speaker 3>But I've lived all over South Central, all over Inglewood,

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<v Speaker 3>all the trash this I'm like, yeah, but first you

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<v Speaker 3>gotta like you gotta. If you don't do that, it

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<v Speaker 3>don't even taste the same. But we're gonna put that

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<v Speaker 3>over there, because that's what that's gonna be at. I

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<v Speaker 3>lived all over South Central, Inglewood and all over LA

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<v Speaker 3>everywhere in La all you know what I mean, and

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<v Speaker 3>then also all over the valley too, you know what

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<v Speaker 3>I mean. So yeah, yeah until that. My parents were

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<v Speaker 3>married until I was about twelve and then they split.

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<v Speaker 3>So right when I turned into a teenager and started

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<v Speaker 3>going outside, it was yeah, I was dolo, okay.

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<v Speaker 2>And then did you also always know you were going

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<v Speaker 2>to get into music?

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<v Speaker 3>You know?

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<v Speaker 2>Nah?

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<v Speaker 3>Not really. I thought I was going to be an actor,

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<v Speaker 3>which I ended up being on love and hip hop

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<v Speaker 3>and different stuff. It's kind of a version of acting.

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<v Speaker 3>But I started off, you know, coming out, you know,

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<v Speaker 3>and like my my, my mom put me into acting

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<v Speaker 3>and I was the stand up comedy champion at Lave

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<v Speaker 3>Factory for like three years with Jamie Massada. So Jamie Masada,

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<v Speaker 3>which was the left he put me in and I

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<v Speaker 3>was young, but I was so good that him, Paul

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<v Speaker 3>Rodriguez and all of them put me into the adult

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<v Speaker 3>camp and I was like ten, so ten eleven, twelve,

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<v Speaker 3>ten eleven, twelve, and like yeah, the beginning of thirteen,

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<v Speaker 3>I was, I was, I was doing the stand up comedy. Okay,

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<v Speaker 3>he as a kid, and then that got me into

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<v Speaker 3>like some national commercials and a couple of tea Like

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<v Speaker 3>I start figuring out, like dang, what's a Coogan account?

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<v Speaker 3>And obviously being broke as hell. My parents were also

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<v Speaker 3>broke as hell, so that Cougan account got cooganed, that

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<v Speaker 3>got cooked.

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<v Speaker 2>I thought that all that money was supposed to protect it.

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<v Speaker 2>It is supposed to.

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<v Speaker 3>Yeah, I didn't work because my dad had the same

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<v Speaker 3>name as me, so he just absolutely mangled wopped my account.

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<v Speaker 3>By time, whatever I had built was whenever I had built,

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<v Speaker 3>it was saram bag. So I did all that work,

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<v Speaker 3>but it was still a good experience, you know what

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<v Speaker 3>I mean. So, yeah, there's a rap.

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<v Speaker 2>Yeah it was it a shocker that you lost the

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<v Speaker 2>money or did you kind of know it was going

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<v Speaker 2>to disappear?

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<v Speaker 3>Well? I know, I knew. I knew that I came

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<v Speaker 3>from the type of appearance like I know what it was.

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<v Speaker 3>You know what I'm saying. You know, when you grow

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<v Speaker 3>up and you like, I'm probably not go never see

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<v Speaker 3>this money. By the time I get to this money, now,

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<v Speaker 3>I was hustling. I was already out in the streets

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<v Speaker 3>hustling young. So like even when I was done out

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<v Speaker 3>and I just was out there hustling dolo to the

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<v Speaker 3>point where by the time I was like fourteen fifteen,

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<v Speaker 3>I was like making so much money just doing different

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<v Speaker 3>whatever I was doing. And then I was giving my

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<v Speaker 3>mom money, and like they were separate. So I get

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<v Speaker 3>my mom here, take some bands, and she like, how

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<v Speaker 3>you got bands in you? Fourteen? And I'm handing her money.

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<v Speaker 3>So I was like it was a little weird because

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<v Speaker 3>I always was a hustler. I get straight to it. However,

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<v Speaker 3>it go like ever since I was young, I was

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<v Speaker 3>selling candy or selling this. You know, I go to

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<v Speaker 3>ninety nine cent stores, go home, go to the school,

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<v Speaker 3>sell sugar, Daddy, sell the sell that. So I was

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<v Speaker 3>always doing something. I was always hustling. I'm the hustler,

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<v Speaker 3>Like you come get me when it's time to hustle.

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<v Speaker 3>We don't figure it out. Thus, years later, obviously multiple companies,

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<v Speaker 3>and but but it came from you know, absolutely nothing.

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<v Speaker 3>So but for like I I was doing good on

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<v Speaker 3>the hustle, and then I started getting kicked out of

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<v Speaker 3>the schools that I was hustling in, so then my

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<v Speaker 3>money started dropping back down. Whatever, And there I was,

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<v Speaker 3>I was, I was. I was cooking the ninety nine

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<v Speaker 3>cent store. However that was happening different situations, said I

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<v Speaker 3>was just going viral when be in here just saying

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<v Speaker 3>I was doing anything. But we was doing all kinds

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<v Speaker 3>of stuff. Then I get the bread, I get the

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<v Speaker 3>can't do whatever situation was, and then we'd go run

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<v Speaker 3>it up, run it up, run it up. However that happened,

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<v Speaker 3>and then and I'd be selling it. It to be all profits,

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<v Speaker 3>so I'd be making like one hundred something a day.

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<v Speaker 3>Then I started baking. I'm like, damn, when I'm thinking

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<v Speaker 3>about all the things I'm talking about hustling, this shit

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<v Speaker 3>kind of self incriminated. When I started thinking about all

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<v Speaker 3>this stuff I was doing, liked, am I supposed to

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<v Speaker 3>break that down? Just know I was, because I was,

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<v Speaker 3>I'm like, damgn. I started. I'm like, by the time

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<v Speaker 3>I'm done, y'all be like dangn We should probably cut

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<v Speaker 3>that out because I was doing all kinds of I

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<v Speaker 3>was hustling, I was running plays, I was in licks.

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<v Speaker 3>I was doing all kinds of stuff. And we don't

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<v Speaker 3>want to go through all that. Don't even tell me aboutself,

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<v Speaker 3>but I was. It was It was unusual. When I

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<v Speaker 3>got sixteen, I was out the house, like my mom.

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<v Speaker 3>They just I was moving around so much. They was like,

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<v Speaker 3>you want to be grown. Shit hit the streets. So

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<v Speaker 3>I was sleeping in the car. I bought it myself

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<v Speaker 3>a car, started sleeping in a car. Like sixteen, I

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<v Speaker 3>was hustling nobody. My mom and them didn't even know

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<v Speaker 3>I had any talent besides the you know accomy. Yeah,

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<v Speaker 3>because my sister, she was a singer and she like

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<v Speaker 3>the first American idol, and so she they was on

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<v Speaker 3>whatever she was on. I was just in the cut.

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<v Speaker 3>Like I mean, obviously the way I look, I might

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<v Speaker 3>have cut have been a supermodel or something. But if

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<v Speaker 3>they wasn't thinking about that, it was like.

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<v Speaker 2>Whatever the hell, Like your parents attention switched to her beause.

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<v Speaker 3>Oh it's been I switched. It was always her. Yeah,

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<v Speaker 3>she was always like the one and then she's super dope.

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<v Speaker 3>That's my like that, that's my heart. She was always

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<v Speaker 3>like just super anointed singing wise, and so she always

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<v Speaker 3>had opportunities and different things going on. And yeah, I

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<v Speaker 3>just so should I start cooking? Oh yeah, you gotta

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<v Speaker 3>dump that in. But then we gotta get the season

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<v Speaker 3>and so anyway you gotta throw a little season and

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<v Speaker 3>so on there, because it ain't never been a black

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<v Speaker 3>dish without seasoning.

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<v Speaker 2>No, no, I'm about to.

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<v Speaker 3>Say, what is this we're talking about? Oh but what

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<v Speaker 3>was I saying?

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<v Speaker 2>You were talking about your sister was annoyed?

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<v Speaker 1>Oh?

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<v Speaker 3>Yeah, she was doing her thing right. She was, she

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<v Speaker 3>was winning, She had like she she was doing a

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<v Speaker 3>lot of she was doing amazing. She was winning. She

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<v Speaker 3>won like, I think of three hundred thousand dollars on

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<v Speaker 3>one show. And she's like her voice's next level, always been.

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<v Speaker 3>And so they just was kind of on whatever she

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<v Speaker 3>was on.

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<v Speaker 2>And it was just the two of y'all. As far

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<v Speaker 2>as family, I got four four siblings.

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<v Speaker 3>Yeah, but that's yeah, yeah, that's the gang. But yeah,

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<v Speaker 3>you know they ain't. Nobody thought I was doing They

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<v Speaker 3>thought I was the fuck up. They like this nigga

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<v Speaker 3>is failing every class you know what I'm saying. They

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<v Speaker 3>like outside in the streets, he just they just knocked

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<v Speaker 3>this nigga out. He just went to jail. And then

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<v Speaker 3>we heard these industry it's all kind of shit. I'm

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<v Speaker 3>doing all kind of stuff when I was younger, so

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<v Speaker 3>they like, dang, they like he he ain't dot. So

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<v Speaker 3>nobody had faith in me. But you know, you know,

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<v Speaker 3>I was kind of like always very good or a

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<v Speaker 3>master at whatever it was I did. So, like the

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<v Speaker 3>crump movement was heavy, so we were like the pioneers.

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<v Speaker 3>I was like the main one of the main people

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<v Speaker 3>out here who was in the mix like and kind

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<v Speaker 3>of created that frequency. So I was like we were dancing,

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<v Speaker 3>and dancing got me in a lot of different rooms too,

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<v Speaker 3>just because I was always so good like flipping, tumbling,

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<v Speaker 3>everything that just was super vicious at dancing. So you know,

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<v Speaker 3>coming from Tommy to Clown into the crump movement and

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<v Speaker 3>then it being you know, that's when b too, that's

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<v Speaker 3>when like you got served in that type of stuff.

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<v Speaker 3>It was just the biggest thing on earth to know

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<v Speaker 3>how to crump, to know how to so I was

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<v Speaker 3>like in the front of that. So when I was

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<v Speaker 3>out in the streets, Da Dad, I'd be doing that.

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<v Speaker 3>I'll be doing smack DVD rat battles. That was another thing.

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<v Speaker 3>Like my bar game was always crazy. You know what

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<v Speaker 3>I'm saying. I was smack DVD rat battles. I was

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<v Speaker 3>running around with like Shug and them type of people

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<v Speaker 3>early when I was fifteen, you know what I mean.

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<v Speaker 3>Run He had me battling it. I was in the

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<v Speaker 3>mix early, super early. And then you know, I just

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<v Speaker 3>start honing in on everything and I just took it

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<v Speaker 3>to the next level. I don't know it started there.

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<v Speaker 3>And then one thing I've always done is been real

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<v Speaker 3>tapped in with God, like he saved me. I think

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<v Speaker 3>that's because I would have got mangled to a bunch

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<v Speaker 3>of them times. But He saved me so many times

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<v Speaker 3>just with I felt a lot of grace and favor

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<v Speaker 3>and situations because the people around me was getting molly wopped.

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<v Speaker 3>I'm talking about I'm telling you they was getting molly wopped.

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<v Speaker 2>So you're so sixteen seventeen. So you're sixteen seventeen.

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<v Speaker 1>What is going on in the So you're doing the dancing.

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<v Speaker 1>You went from comedy slash hustling to dancing.

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<v Speaker 3>Yeah. I was always dancing even when I was a kid.

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<v Speaker 2>There and you're still struggling. You're still like homeless, kind

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<v Speaker 2>of sleeping in.

0:11:57.640 --> 0:12:00.600
<v Speaker 3>Cars, yep, messed up, yep, running the doing a whole

0:12:00.600 --> 0:12:03.080
<v Speaker 3>bunch of nothing, going from couch to couch to car.

0:12:04.679 --> 0:12:06.960
<v Speaker 3>And then my car broke down on me one night,

0:12:07.040 --> 0:12:09.120
<v Speaker 3>actually because I was trying to stay warm. I was

0:12:09.120 --> 0:12:11.240
<v Speaker 3>sleeping the car and I was trying to you know,

0:12:11.240 --> 0:12:13.720
<v Speaker 3>when you be sleeping the car and then you're like, damn,

0:12:13.720 --> 0:12:15.880
<v Speaker 3>it's a cold ass night. You try and hit the

0:12:16.240 --> 0:12:19.240
<v Speaker 3>gas to like, I was so sleepy from whatever it

0:12:19.360 --> 0:12:21.880
<v Speaker 3>was I was doing that I had fell asleep up

0:12:21.920 --> 0:12:24.559
<v Speaker 3>under this little thing and I had hit the gas

0:12:24.640 --> 0:12:26.520
<v Speaker 3>and I was trying to warm up the car, and

0:12:26.559 --> 0:12:29.440
<v Speaker 3>I fell asleep with the car with my foot on

0:12:29.480 --> 0:12:33.080
<v Speaker 3>the gas, and I woke up in exhaust, like the

0:12:33.240 --> 0:12:36.000
<v Speaker 3>whole car was in exhaust fumes, and the engine was

0:12:36.040 --> 0:12:39.160
<v Speaker 3>just rocking left and right. Whoa, and I'm like dang,

0:12:39.840 --> 0:12:42.760
<v Speaker 3>and somebody hit my window like boom boom, like yo,

0:12:42.840 --> 0:12:44.960
<v Speaker 3>get out the car, bro get out the car, and

0:12:45.000 --> 0:12:46.640
<v Speaker 3>so I jumped out. He like, bro, you just stayed

0:12:46.640 --> 0:12:48.079
<v Speaker 3>in that car. You was gonna die. The car was

0:12:48.120 --> 0:12:50.280
<v Speaker 3>going to explode. Are you crazy? Like what do you

0:12:50.320 --> 0:12:52.960
<v Speaker 3>got going up? And so that was a moment where

0:12:53.559 --> 0:12:56.840
<v Speaker 3>I ended up having to, you know, like call my

0:12:56.840 --> 0:12:58.640
<v Speaker 3>I think I called my dad and he lived in

0:12:58.679 --> 0:13:01.760
<v Speaker 3>San Diego the time, and I was like, yo, like,

0:13:03.200 --> 0:13:06.800
<v Speaker 3>I know, I know, y'all ain't the ones. You know

0:13:06.800 --> 0:13:08.280
<v Speaker 3>what I'm saying. I know I don't mess with y'all

0:13:08.320 --> 0:13:10.200
<v Speaker 3>on this, that and the third like that, But I'm

0:13:10.240 --> 0:13:13.880
<v Speaker 3>gonna have to It's either that or I'm gonna app

0:13:14.000 --> 0:13:16.160
<v Speaker 3>I'm gonna like, I'm out the car now, so I'm

0:13:16.160 --> 0:13:18.360
<v Speaker 3>gonna be on the street. So it's either that or

0:13:18.400 --> 0:13:20.880
<v Speaker 3>I'm gonna be I'm about to have to go. I'm

0:13:20.880 --> 0:13:23.240
<v Speaker 3>about to have to go level up like I was going.

0:13:23.320 --> 0:13:25.040
<v Speaker 3>It was gonna turn into something else. I was gonna

0:13:25.400 --> 0:13:27.959
<v Speaker 3>it was gonna go from the car to a next level.

0:13:30.360 --> 0:13:32.720
<v Speaker 3>I was gonna go to the next level ship. So

0:13:32.760 --> 0:13:35.400
<v Speaker 3>I'm like, I'm just telling you, like early why this

0:13:35.480 --> 0:13:37.680
<v Speaker 3>is gonna be. So he was like all right, man

0:13:37.880 --> 0:13:41.600
<v Speaker 3>like man like, my my wife is this and it's

0:13:41.960 --> 0:13:44.880
<v Speaker 3>just come whatever. And then I went to San Diego.

0:13:44.920 --> 0:13:47.760
<v Speaker 3>And from when I got to San Diego, I stayed

0:13:47.760 --> 0:13:51.360
<v Speaker 3>there for a little bit like six months and then

0:13:52.080 --> 0:13:53.880
<v Speaker 3>I was like, yo, let's get back to it. So

0:13:53.960 --> 0:13:55.800
<v Speaker 3>I went back to it. But you know, I skipped

0:13:55.800 --> 0:13:58.040
<v Speaker 3>you know who I skipped. When I was in high school,

0:13:58.480 --> 0:14:02.319
<v Speaker 3>I used to stay on my boy, Ruben Cannon's couch,

0:14:02.640 --> 0:14:05.800
<v Speaker 3>which is Nick Cannon's younger brother, and so I had

0:14:06.080 --> 0:14:09.240
<v Speaker 3>that was my best friend, Ruben and his brother Nick Cannon,

0:14:09.679 --> 0:14:12.440
<v Speaker 3>and so he was getting all that. Like Nick would

0:14:12.520 --> 0:14:16.240
<v Speaker 3>just put them up because they came. And so they

0:14:16.280 --> 0:14:19.000
<v Speaker 3>had little apartment in the middle of Hollywood was run down,

0:14:19.280 --> 0:14:20.960
<v Speaker 3>but all of us, it was like seven of us

0:14:20.960 --> 0:14:23.800
<v Speaker 3>in one bedroom. It was all in there. But Ruben

0:14:23.880 --> 0:14:25.640
<v Speaker 3>really looked out for me when I was younger too,

0:14:25.720 --> 0:14:27.480
<v Speaker 3>like just he was a solid. That was one of

0:14:27.480 --> 0:14:32.520
<v Speaker 3>my solid hummies. But Ruben Cannon, Ruben Cannon is one

0:14:32.560 --> 0:14:35.240
<v Speaker 3>of the ones I can't. I don't know about everybody else,

0:14:35.280 --> 0:14:36.800
<v Speaker 3>but Ruben that's.

0:14:36.640 --> 0:14:39.000
<v Speaker 2>One of the ones. But yeah, one of my favorites

0:14:39.040 --> 0:14:40.840
<v Speaker 2>by the way, personally, Yeah.

0:14:40.680 --> 0:14:43.560
<v Speaker 3>He's the one that's my brother, like for him different.

0:14:43.800 --> 0:14:46.800
<v Speaker 3>So like you know, I always like super appreciated when

0:14:46.800 --> 0:14:49.360
<v Speaker 3>anybody did anything for me, because nobody did nothing for me.

0:14:49.880 --> 0:14:53.400
<v Speaker 3>So we can, you know, let me go and you

0:14:53.440 --> 0:14:55.680
<v Speaker 3>gotta get to it. I don't know if y'all can

0:14:55.720 --> 0:14:57.400
<v Speaker 3>see this, but you gotta throw that on there. It

0:14:57.440 --> 0:15:01.280
<v Speaker 3>ain't even you gotta get it well because that's where

0:15:01.280 --> 0:15:03.960
<v Speaker 3>the flavors start acting different, because you know, when you

0:15:04.000 --> 0:15:05.800
<v Speaker 3>get to cooking stuff, it be I'm just telling you

0:15:05.800 --> 0:15:08.560
<v Speaker 3>how my ghetto care thro I was doing something else.

0:15:08.680 --> 0:15:11.640
<v Speaker 3>It was a different conversation. What was what was we

0:15:11.640 --> 0:15:12.280
<v Speaker 3>said you.

0:15:12.240 --> 0:15:15.160
<v Speaker 1>Was talking about before you ended up in San Diego.

0:15:15.280 --> 0:15:16.480
<v Speaker 1>You was staying with Reuben.

0:15:17.400 --> 0:15:19.760
<v Speaker 3>Yeah, all was staying with Ruby Yep, yep, yep as

0:15:19.760 --> 0:15:21.760
<v Speaker 3>a young and I was. I was messed up early.

0:15:21.840 --> 0:15:23.960
<v Speaker 3>So he was looking at when I was like fourteen.

0:15:24.520 --> 0:15:27.160
<v Speaker 2>How did y'all know each other? You guys? Wood? Okay?

0:15:27.640 --> 0:15:30.640
<v Speaker 3>Yeah, Hollywood High and so you know, I went to

0:15:30.720 --> 0:15:34.440
<v Speaker 3>performing arts schools because my mom and them. That's one

0:15:34.440 --> 0:15:36.680
<v Speaker 3>thing I could be thankful for my mom and then

0:15:36.720 --> 0:15:39.520
<v Speaker 3>put me in performing arts schools, which opened me up

0:15:39.520 --> 0:15:45.120
<v Speaker 3>to plays, musicals, choir classes. So like most niggas in

0:15:45.160 --> 0:15:48.080
<v Speaker 3>the hoods going to school revelopment, they choir class was

0:15:48.120 --> 0:15:51.680
<v Speaker 3>a fade in the bathroom. My my, I'm just saying

0:15:51.680 --> 0:15:54.280
<v Speaker 3>like that's where niggas day was you going to door.

0:15:54.320 --> 0:15:55.760
<v Speaker 3>See you going to Chris, Are you going to you

0:15:55.800 --> 0:15:58.680
<v Speaker 3>know what I'm saying, different joints. I was like the Hamilton's,

0:15:58.720 --> 0:16:01.760
<v Speaker 3>the Hollywoods. It was still wicked. We'd be getting it.

0:16:01.760 --> 0:16:04.160
<v Speaker 3>It'd be riots and aughty, we'd be getting in this.

0:16:04.400 --> 0:16:07.600
<v Speaker 3>But at the same time, I was like, it was

0:16:07.680 --> 0:16:11.760
<v Speaker 3>weird because you be in choir class with other gang

0:16:11.800 --> 0:16:14.680
<v Speaker 3>members and others, you know, and we in quire classes

0:16:14.760 --> 0:16:18.720
<v Speaker 3>quare clabs, but we really creating food blown everything, Like

0:16:18.760 --> 0:16:22.480
<v Speaker 3>it's crazy because creation is creation for what you chose

0:16:22.520 --> 0:16:24.760
<v Speaker 3>to do. If you're a creator and you next level,

0:16:24.840 --> 0:16:27.000
<v Speaker 3>then you're gonna create on that level. So and we're

0:16:27.040 --> 0:16:28.040
<v Speaker 3>always in competition.

0:16:28.200 --> 0:16:31.840
<v Speaker 1>So so when you're in these classes with other gang

0:16:31.840 --> 0:16:35.440
<v Speaker 1>members or rival gangs. Everybody was getting along during choir

0:16:35.520 --> 0:16:35.920
<v Speaker 1>and all that.

0:16:36.320 --> 0:16:38.520
<v Speaker 3>Yeah, I mean because in school, it's like it's school,

0:16:38.640 --> 0:16:41.080
<v Speaker 3>you know what I mean. You get into situations and

0:16:41.560 --> 0:16:43.720
<v Speaker 3>you know, back then it was kind of like there

0:16:43.800 --> 0:16:46.239
<v Speaker 3>was a green light on the Blacks from the eighteens

0:16:46.280 --> 0:16:48.400
<v Speaker 3>at the time, so it was all kind of stuff

0:16:48.440 --> 0:16:50.160
<v Speaker 3>going on. So we kind of was sticking together and

0:16:50.200 --> 0:16:52.400
<v Speaker 3>everybody was just in the mix. It was because it

0:16:52.440 --> 0:16:54.200
<v Speaker 3>was all kind of it was that's a long story,

0:16:54.200 --> 0:16:57.760
<v Speaker 3>but anyway, you know, it was it was a lot.

0:16:57.840 --> 0:16:59.640
<v Speaker 3>It was a lot going on. It was a lot

0:16:59.680 --> 0:17:02.840
<v Speaker 3>of war work, but in terms of school, like dance,

0:17:02.960 --> 0:17:05.840
<v Speaker 3>like choir, like different things that we was doing. Yeah,

0:17:05.880 --> 0:17:08.280
<v Speaker 3>that was that was. Yeah, we was. We was in

0:17:08.320 --> 0:17:11.320
<v Speaker 3>there going viral. Okay, yeah, we was in that going viral.

0:17:11.880 --> 0:17:14.639
<v Speaker 3>I'm gonna we almost done with this. Ain't gonna lie Okay,

0:17:14.760 --> 0:17:15.560
<v Speaker 3>they ain't never done.

0:17:15.960 --> 0:17:17.439
<v Speaker 2>That's good because I'm hungry.

0:17:17.640 --> 0:17:18.840
<v Speaker 3>No, it's actually crazy.

0:17:19.080 --> 0:17:24.040
<v Speaker 1>Now you come back from San Diego. Yep, fast tracking

0:17:24.040 --> 0:17:25.920
<v Speaker 1>now back to so you go back from San Diego.

0:17:26.080 --> 0:17:27.520
<v Speaker 3>You're trying to figure out, well, where did you get

0:17:27.560 --> 0:17:28.000
<v Speaker 3>rid of? Yeah?

0:17:28.000 --> 0:17:28.760
<v Speaker 2>I'm like where is that?

0:17:28.800 --> 0:17:30.160
<v Speaker 3>What? Yeah? I told you figure.

0:17:30.280 --> 0:17:32.679
<v Speaker 1>I love hearing the story because you have these extra

0:17:33.359 --> 0:17:35.199
<v Speaker 1>I want to say, adjectives.

0:17:35.320 --> 0:17:36.000
<v Speaker 2>Is that the right word?

0:17:36.080 --> 0:17:41.879
<v Speaker 3>Yeah? Okay, yeah, because it's action packed. You know what

0:17:41.920 --> 0:17:43.760
<v Speaker 3>I'm saying. I was going through a lot, like I

0:17:43.760 --> 0:17:46.119
<v Speaker 3>didn't you know when you when you when you coming

0:17:46.119 --> 0:17:48.960
<v Speaker 3>from nothing. And this is why I always am with

0:17:49.200 --> 0:17:52.640
<v Speaker 3>people who came from nothing, because we understand each other

0:17:52.680 --> 0:17:54.720
<v Speaker 3>on a level that's just a little different. But I

0:17:54.880 --> 0:17:57.920
<v Speaker 3>also running corporate of the highest level. But I also

0:17:58.200 --> 0:18:00.720
<v Speaker 3>run in the lowest level because at the end of

0:18:00.760 --> 0:18:04.720
<v Speaker 3>the day, it's like when you come from having no

0:18:04.840 --> 0:18:08.359
<v Speaker 3>other option, it's serious. Yeah, I know, you know what

0:18:08.359 --> 0:18:11.200
<v Speaker 3>I'm saying. It's like, just because somebody's in a higher

0:18:11.200 --> 0:18:14.280
<v Speaker 3>neighborhood don't mean that they don't got no option but

0:18:14.320 --> 0:18:16.400
<v Speaker 3>to run the play either. Yeah, you know what I'm saying.

0:18:16.400 --> 0:18:18.840
<v Speaker 3>That's why you got white collar crimes, and that's why

0:18:18.880 --> 0:18:21.720
<v Speaker 3>you got other Don't think it's just all about oh,

0:18:21.760 --> 0:18:24.040
<v Speaker 3>because he got a rag on, he hard like, No,

0:18:24.080 --> 0:18:27.879
<v Speaker 3>it's a lot of people come from nothing, even to

0:18:28.000 --> 0:18:32.840
<v Speaker 3>Brazil favelas, to wherever you go. It's hoods, it's motherfuckers

0:18:32.880 --> 0:18:35.840
<v Speaker 3>that's willing to go to the roof wherever you go.

0:18:36.000 --> 0:18:38.679
<v Speaker 3>So I understood that early and I always related to

0:18:38.680 --> 0:18:43.040
<v Speaker 3>whoever was should like what you want. But the smart hustlers,

0:18:43.480 --> 0:18:47.000
<v Speaker 3>I hate dumb hustlers. I never hustled dumb. I would

0:18:47.040 --> 0:18:47.679
<v Speaker 3>have been locked up.

0:18:48.160 --> 0:18:49.760
<v Speaker 2>Can you break down a dumb hustler for me?

0:18:50.000 --> 0:18:54.000
<v Speaker 3>Yeah, A dumb hustler is A dumb hustler is A

0:18:56.040 --> 0:19:01.840
<v Speaker 3>dumb hustler is basically somebody who is always just hustling backwards.

0:19:02.200 --> 0:19:04.160
<v Speaker 3>Like if you in and out of jail all day,

0:19:04.720 --> 0:19:07.920
<v Speaker 3>you're hustling backwards, like your hustle is not planned out,

0:19:08.320 --> 0:19:12.159
<v Speaker 3>Like where's your execution? Every last every last person around

0:19:12.200 --> 0:19:16.640
<v Speaker 3>me been to prison, been to this, been to that, right,

0:19:16.800 --> 0:19:18.880
<v Speaker 3>every last person around me been to prison like all

0:19:18.920 --> 0:19:21.400
<v Speaker 3>my family, my brother did thirteen years, my other brother.

0:19:22.600 --> 0:19:26.119
<v Speaker 3>Everybody's been. But at the end of the day, you

0:19:26.240 --> 0:19:29.320
<v Speaker 3>know what I'm saying, it's about like dang, like they

0:19:29.359 --> 0:19:31.159
<v Speaker 3>all got the same story, Like damn, I should have

0:19:31.200 --> 0:19:34.080
<v Speaker 3>did that different. So if you're going to continue to

0:19:34.080 --> 0:19:35.840
<v Speaker 3>do the same thing over and over and over and

0:19:35.880 --> 0:19:38.640
<v Speaker 3>over and over, I need to drain this.

0:19:40.320 --> 0:19:40.600
<v Speaker 2>Ship.

0:19:41.080 --> 0:19:42.239
<v Speaker 3>Here. We're gonna figure out this one.

0:19:42.840 --> 0:19:44.919
<v Speaker 2>We have. We have a way to drain it can well.

0:19:44.760 --> 0:19:46.880
<v Speaker 3>Cut no, but no, we don't even need to. I'm

0:19:46.920 --> 0:19:47.679
<v Speaker 3>not just this guy to.

0:19:47.680 --> 0:19:49.520
<v Speaker 2>Be keen did with what if that splash? Is that

0:19:49.560 --> 0:19:50.560
<v Speaker 2>gonna splash that you?

0:19:50.680 --> 0:19:54.880
<v Speaker 3>Nah? Hell no, I'm doing drinking similarly.

0:19:54.640 --> 0:19:56.480
<v Speaker 2>That's how you know you self made right.

0:19:56.240 --> 0:19:58.320
<v Speaker 3>There right there, right there?

0:19:58.560 --> 0:20:00.840
<v Speaker 2>We don't real quick.

0:20:01.000 --> 0:20:03.040
<v Speaker 3>Yeah, I ain't worried about that, but you know this

0:20:03.160 --> 0:20:05.080
<v Speaker 3>needs to be cleaned anyway eventually.

0:20:05.440 --> 0:20:07.159
<v Speaker 2>But you didn't put the seasonings in there?

0:20:07.240 --> 0:20:09.160
<v Speaker 3>Yeah, I know it's about to Okay, let's.

0:20:09.080 --> 0:20:10.440
<v Speaker 2>Not micro manage your cooking.

0:20:10.680 --> 0:20:12.720
<v Speaker 3>No, yeah, that's what I'm saying. That's why I ford

0:20:12.760 --> 0:20:14.480
<v Speaker 3>it out because I don't be liking the season and to.

0:20:14.520 --> 0:20:17.280
<v Speaker 2>Be I'm talking about yeah, yeah, so that's what I

0:20:17.280 --> 0:20:18.240
<v Speaker 2>do at my house.

0:20:18.359 --> 0:20:21.320
<v Speaker 3>Yeah, I just kind of what's his name it was?

0:20:21.320 --> 0:20:24.040
<v Speaker 3>When you drop that in there, I should have had

0:20:24.080 --> 0:20:26.080
<v Speaker 3>you do the I'm talking about.

0:20:26.160 --> 0:20:27.240
<v Speaker 2>You needed help in the kitchen.

0:20:27.800 --> 0:20:32.919
<v Speaker 3>Me, Hell no, I don't need no help. I'll shoot me.

0:20:33.359 --> 0:20:36.679
<v Speaker 3>I ain't. Look, I'll tell you called me. Okay, I

0:20:36.720 --> 0:20:38.320
<v Speaker 3>should have went to the man. I should have went

0:20:38.359 --> 0:20:43.040
<v Speaker 3>to culinary art school. Just your whole it's all cut

0:20:43.040 --> 0:20:45.440
<v Speaker 3>of stuff going on. You throw this in there right there,

0:20:46.160 --> 0:20:47.520
<v Speaker 3>you feel look at this.

0:20:47.600 --> 0:20:50.480
<v Speaker 2>See I envisioned ghetto cast roles to be something.

0:20:50.200 --> 0:20:53.119
<v Speaker 3>Different, did you? This is the positive It looks.

0:20:53.240 --> 0:20:54.520
<v Speaker 2>It looks really fancy.

0:20:54.680 --> 0:20:56.879
<v Speaker 3>No, I'm telling you, I used to cut up the

0:20:57.000 --> 0:20:59.960
<v Speaker 3>turkey burger and throw this into that. If you eat

0:21:00.080 --> 0:21:02.120
<v Speaker 3>that with that, you feel to be like this dude,

0:21:02.280 --> 0:21:05.120
<v Speaker 3>rock did that? And then don't be using my recipe

0:21:05.160 --> 0:21:09.080
<v Speaker 3>at home, because that's the whole point using this, and

0:21:09.080 --> 0:21:11.080
<v Speaker 3>they're going to be they're going to be judging your

0:21:11.080 --> 0:21:17.120
<v Speaker 3>recipe this way because they wanted to do this. I'm

0:21:17.119 --> 0:21:19.240
<v Speaker 3>talking about what had me. You know what I'm saying,

0:21:19.760 --> 0:21:23.400
<v Speaker 3>I've been doing this as niggas were drinking similar looks. Yeah, yes,

0:21:23.520 --> 0:21:26.600
<v Speaker 3>I'm telling you. And then for me, I'm a spice

0:21:26.600 --> 0:21:29.359
<v Speaker 3>idter threw some mohat sauce on top and did it up.

0:21:30.600 --> 0:21:32.280
<v Speaker 2>Does it look this plated like this?

0:21:32.280 --> 0:21:32.680
<v Speaker 3>This? Well?

0:21:34.000 --> 0:21:36.440
<v Speaker 2>Does what look like does whenever you did it? Did

0:21:36.440 --> 0:21:37.919
<v Speaker 2>it look like this when you would play it?

0:21:38.000 --> 0:21:43.000
<v Speaker 3>Yeah? Yeah, yeah I cut it up sometimes, but yeah,

0:21:43.000 --> 0:21:44.920
<v Speaker 3>does it look well? It looked fancy.

0:21:45.080 --> 0:21:46.280
<v Speaker 2>It looked kind fancy.

0:21:47.880 --> 0:21:51.360
<v Speaker 3>If you I.

0:21:51.280 --> 0:21:53.200
<v Speaker 2>Think if you added like a little bit of greenery

0:21:53.280 --> 0:21:55.240
<v Speaker 2>or vegetable to it would have looked really fast.

0:21:55.240 --> 0:21:59.600
<v Speaker 3>Like you're really trying to break down my looks a little.

0:22:00.119 --> 0:22:05.200
<v Speaker 2>It looks nice. Okay, it's kind of fun. I haven't

0:22:05.320 --> 0:22:07.240
<v Speaker 2>sold millions of records. You know what I'm saying.

0:22:07.280 --> 0:22:09.439
<v Speaker 3>You never know. For me, this is listen, this is

0:22:09.520 --> 0:22:12.160
<v Speaker 3>doing something. You gotta break down to what's his name

0:22:12.640 --> 0:22:14.679
<v Speaker 3>into the West that you ain't got a knife if

0:22:14.720 --> 0:22:15.920
<v Speaker 3>you break down a little.

0:22:15.680 --> 0:22:19.600
<v Speaker 2>Piece Wait a minute, hold up, yeah, we need a

0:22:19.640 --> 0:22:20.359
<v Speaker 2>knife for your cooking.

0:22:20.720 --> 0:22:22.840
<v Speaker 3>Oh my Mama little, it's kind of crazy. I didn't

0:22:22.840 --> 0:22:24.199
<v Speaker 3>want to do too much, but I didn't want to

0:22:24.200 --> 0:22:26.240
<v Speaker 3>do too little. You know what I'm saying. When you

0:22:26.320 --> 0:22:29.719
<v Speaker 3>do that, and you do that with that, and you

0:22:29.800 --> 0:22:31.399
<v Speaker 3>just throw a little turkey up in there.

0:22:32.480 --> 0:22:37.680
<v Speaker 2>Look at it. I love that.

0:22:38.400 --> 0:22:40.840
<v Speaker 3>Yeah, that's like something different because we didn't You didn't

0:22:40.880 --> 0:22:43.600
<v Speaker 3>have time to get all the pasta and this and

0:22:43.640 --> 0:22:46.920
<v Speaker 3>that and the third this was already its own made pasta.

0:22:47.240 --> 0:22:55.840
<v Speaker 3>She was going on, m it's actually kind of crazy, right, it's.

0:22:55.640 --> 0:22:58.640
<v Speaker 2>Good and you know what you're using that meat really well.

0:22:58.880 --> 0:23:02.360
<v Speaker 3>What I'm trying to explain, I was trying to tell

0:23:02.920 --> 0:23:05.679
<v Speaker 3>I don't even be like, I don't even want to

0:23:05.680 --> 0:23:08.960
<v Speaker 3>tell nobody when I started telling people.

0:23:08.760 --> 0:23:14.080
<v Speaker 2>Stuffy little soft, I don't like that, but I ain't

0:23:14.080 --> 0:23:14.800
<v Speaker 2>gonna lie.

0:23:14.720 --> 0:23:18.239
<v Speaker 3>I was talking too much. You seasoned that meat like

0:23:18.320 --> 0:23:19.080
<v Speaker 3>something's going on.

0:23:19.200 --> 0:23:22.520
<v Speaker 2>You seasoned it. What I'm trying to that it's good hunt.

0:23:22.600 --> 0:23:25.880
<v Speaker 2>That's what I'm trying to explain there, trying to tell.

0:23:25.800 --> 0:23:29.920
<v Speaker 3>You it's th season. I'm telling you this right here.

0:23:29.960 --> 0:23:32.200
<v Speaker 3>You was eating this after you did whatever you did

0:23:32.520 --> 0:23:36.919
<v Speaker 3>and came back to this. That's what I'm trying to

0:23:36.920 --> 0:23:39.040
<v Speaker 3>tell you thought you went to Ruth Cress.

0:23:40.600 --> 0:23:42.920
<v Speaker 2>I'm not gonna lie. You seasoned very well.

0:23:42.920 --> 0:23:44.600
<v Speaker 3>That's what I'm telling you. You thought I went to

0:23:44.720 --> 0:23:47.000
<v Speaker 3>you thought you went to Ruth Chris, but you went

0:23:47.040 --> 0:23:52.440
<v Speaker 3>to Rocks Crest. I don't know that that was crazy.

0:23:53.320 --> 0:23:58.440
<v Speaker 3>I ain't gonna lie that was nuts. But the punchline

0:23:58.600 --> 0:24:02.879
<v Speaker 3>is the punch you are ol man. Yeah, I just

0:24:03.000 --> 0:24:06.159
<v Speaker 3>came from eating That was the problem. To eat my

0:24:06.240 --> 0:24:08.320
<v Speaker 3>whole wasn't not right now, it's gonna be unusual.

0:24:08.320 --> 0:24:10.560
<v Speaker 2>I just what did you eat before this?

0:24:11.000 --> 0:24:14.000
<v Speaker 3>I just came from ruth Crest. We just came from

0:24:14.080 --> 0:24:17.160
<v Speaker 3>Ruth Christ That's the crazy part. I was like, damn,

0:24:17.240 --> 0:24:19.359
<v Speaker 3>let's just go get some steak into and then it

0:24:19.600 --> 0:24:22.320
<v Speaker 3>Now I got steak and all kind of his bomb. No, huh,

0:24:23.240 --> 0:24:26.080
<v Speaker 3>I'm telling you, I know my own ship. That's what

0:24:26.119 --> 0:24:29.360
<v Speaker 3>I'm saying. I'm mad. I'm not that hungry because it's

0:24:29.400 --> 0:24:30.240
<v Speaker 3>been going too far.

0:24:32.880 --> 0:24:34.720
<v Speaker 2>Is that you went from Ruth Chris to Eating this.

0:24:35.240 --> 0:24:38.359
<v Speaker 3>That's what I'm screaming. But it's the same program. Actually,

0:24:38.359 --> 0:24:41.760
<v Speaker 3>I like mine better. Really, man, what when I get

0:24:41.800 --> 0:24:44.240
<v Speaker 3>to season some of that stuff be bland. I'll be

0:24:44.280 --> 0:24:48.000
<v Speaker 3>paying five hundred dollars for something bland, just for the look.

0:24:48.760 --> 0:24:52.680
<v Speaker 2>You know what you're missing out because this.

0:24:52.200 --> 0:24:54.000
<v Speaker 3>This turkey burger is kind of doing something.

0:24:54.080 --> 0:24:57.440
<v Speaker 2>It's doing something like like I feel better what I'm saying.

0:24:57.480 --> 0:24:59.480
<v Speaker 3>And then this one right here is even more seasons

0:24:59.480 --> 0:25:02.080
<v Speaker 3>than that one. That's the crazy because I could smell it.

0:25:03.080 --> 0:25:05.800
<v Speaker 3>I know what happened off the way that the edges

0:25:05.920 --> 0:25:08.280
<v Speaker 3>is cout. I'm like, oh, like if I had to pick,

0:25:08.320 --> 0:25:10.200
<v Speaker 3>and then I had to pick for myself, I had

0:25:10.200 --> 0:25:10.600
<v Speaker 3>to pick.

0:25:10.520 --> 0:25:13.000
<v Speaker 2>That one, right, Maybe the other side is like that.

0:25:13.200 --> 0:25:15.520
<v Speaker 3>No, get a corner, Get a corner of that, and

0:25:15.520 --> 0:25:17.200
<v Speaker 3>see what happens if you.

0:25:17.200 --> 0:25:18.600
<v Speaker 2>Get that right already?

0:25:19.160 --> 0:25:20.520
<v Speaker 3>Be like, what is that corner?

0:25:20.560 --> 0:25:21.720
<v Speaker 2>This one looks more juicy.

0:25:21.920 --> 0:25:23.920
<v Speaker 3>That's what I'm telling you you. I didn't even mean

0:25:23.960 --> 0:25:26.040
<v Speaker 3>to do you like that, but I thought I was

0:25:26.080 --> 0:25:34.280
<v Speaker 3>gonna be able to get all stuffed. Yep mm hmm. Yeah,

0:25:35.880 --> 0:25:38.560
<v Speaker 3>that's what I'm yelling. That's what I'm telling you. Something

0:25:38.560 --> 0:25:40.160
<v Speaker 3>else going on over here anyway.

0:25:40.280 --> 0:25:40.919
<v Speaker 2>You know what.

0:25:43.240 --> 0:25:46.120
<v Speaker 3>You can That's what I'm explaining. I'm gonna put together

0:25:46.160 --> 0:25:47.840
<v Speaker 3>when I can put together. When I can put it together.

0:25:49.280 --> 0:25:52.040
<v Speaker 2>What was the last time you had this I.

0:25:52.000 --> 0:25:54.600
<v Speaker 3>Ain't made this in probably fifteen years.

0:25:54.880 --> 0:25:55.840
<v Speaker 2>Fifteen years.

0:25:56.640 --> 0:25:58.640
<v Speaker 3>This was like, this was a struggle meal.

0:25:58.720 --> 0:26:00.240
<v Speaker 2>If we left up at seventy.

0:26:01.520 --> 0:26:03.880
<v Speaker 3>Yeah, seventeen y all right, we're getting.

0:26:03.640 --> 0:26:04.800
<v Speaker 2>Close to you becoming rich.

0:26:05.200 --> 0:26:10.000
<v Speaker 3>Yeah, mam, we're getting there somewhere. Yeah. Yeah. I touched

0:26:10.000 --> 0:26:14.280
<v Speaker 3>my first million at like twenty one. Oh am, I

0:26:14.400 --> 0:26:16.760
<v Speaker 3>we're here now, okay, yeah, but I touched my first

0:26:16.760 --> 0:26:22.160
<v Speaker 3>million like twenty one.

0:26:25.200 --> 0:26:28.040
<v Speaker 1>I'm not skipping steps because your story is fun. So

0:26:28.119 --> 0:26:31.600
<v Speaker 1>seventeen yep, you moved from San Diego.

0:26:31.760 --> 0:26:33.960
<v Speaker 3>Yeah, I'm back and I'm back on the block. I'm

0:26:34.000 --> 0:26:37.560
<v Speaker 3>back around here and I'm figuring it out pretty much.

0:26:37.600 --> 0:26:44.560
<v Speaker 3>So like eighteen, I had eighteen, I had bumped into

0:26:45.680 --> 0:26:50.320
<v Speaker 3>an investor. First of all, I was I was writing,

0:26:51.160 --> 0:26:53.119
<v Speaker 3>like I was battle rapping and doing all that, and

0:26:53.160 --> 0:26:55.160
<v Speaker 3>I was so popular with dance and I was getting

0:26:55.160 --> 0:26:58.000
<v Speaker 3>a lot of popularity with dance in my space in

0:26:58.040 --> 0:27:00.439
<v Speaker 3>San Diego. I had dropped the record called bat Box

0:27:00.880 --> 0:27:02.879
<v Speaker 3>on my space, and when I tell you, it was

0:27:03.000 --> 0:27:05.639
<v Speaker 3>the most popular. So I had like a million something blades.

0:27:05.960 --> 0:27:08.160
<v Speaker 3>It was the most popular song. And I said, dang,

0:27:08.560 --> 0:27:12.080
<v Speaker 3>these people really like my music. This is crazy, And

0:27:12.160 --> 0:27:14.080
<v Speaker 3>so I was getting so much, not that people were

0:27:14.160 --> 0:27:16.239
<v Speaker 3>dming me like yo, bro, that's fire, Like yo, bro,

0:27:16.359 --> 0:27:22.080
<v Speaker 3>what's up? So basically this investor had DM me like yo,

0:27:22.119 --> 0:27:27.800
<v Speaker 3>I got no Actually sorry, Mike Post. You know Mike

0:27:27.840 --> 0:27:31.040
<v Speaker 3>Post he created Law and Order, the Law and Order Tell,

0:27:31.280 --> 0:27:32.920
<v Speaker 3>the Lawn Order theme song, and all the music for

0:27:33.000 --> 0:27:36.160
<v Speaker 3>Law and Order. He gets paid every three seconds. He's ridiculous.

0:27:36.280 --> 0:27:40.080
<v Speaker 3>So so Mike Post is like, yo, like my other

0:27:40.160 --> 0:27:42.399
<v Speaker 3>boy was actually at Mike's studio. He's like, yo, you

0:27:42.440 --> 0:27:44.040
<v Speaker 3>should sit down on him. So I came over there.

0:27:44.680 --> 0:27:47.800
<v Speaker 3>They gave me like like it was like yo, go ahead,

0:27:47.920 --> 0:27:50.320
<v Speaker 3>like play what you got? I played it. I did

0:27:50.480 --> 0:27:52.560
<v Speaker 3>like a whole performance thing, Da da da, and it

0:27:52.680 --> 0:27:55.760
<v Speaker 3>was like yo, like you're the next There was no

0:27:55.840 --> 0:27:58.040
<v Speaker 3>Drake obviously, there was just maybe a Chris, but there

0:27:58.119 --> 0:28:01.520
<v Speaker 3>was no rapping, singing dance. Wasn't they like yo, like

0:28:01.640 --> 0:28:04.000
<v Speaker 3>you next up? Like this is crazy, like what you need?

0:28:04.160 --> 0:28:06.560
<v Speaker 3>Matter of fact. So he had an SSL studio with

0:28:06.600 --> 0:28:09.560
<v Speaker 3>like other rooms. He was like listen, anytime, use my studio.

0:28:10.040 --> 0:28:12.840
<v Speaker 3>You're good. So for me going, you know, in everybody

0:28:12.960 --> 0:28:15.800
<v Speaker 3>closet to record you know what I'm saying. The bathrooms

0:28:15.800 --> 0:28:18.720
<v Speaker 3>and I'm recording the most random places in the hood,

0:28:18.880 --> 0:28:21.840
<v Speaker 3>just like wherever you got a mic, set it up. Like,

0:28:22.320 --> 0:28:25.840
<v Speaker 3>so going from there to an SSL recording studio was

0:28:25.880 --> 0:28:29.479
<v Speaker 3>a It just was a different frequency. So I'm like,

0:28:29.760 --> 0:28:32.159
<v Speaker 3>because of my environment, I have to now adapt to

0:28:32.240 --> 0:28:36.960
<v Speaker 3>this level of music. So that SSL made me change

0:28:36.960 --> 0:28:39.840
<v Speaker 3>the way I approached records because I'm like, let me

0:28:39.880 --> 0:28:41.800
<v Speaker 3>think a little harder now, you know what I'm saying.

0:28:41.840 --> 0:28:43.440
<v Speaker 3>So I'm doing that, this and the third, and I'm

0:28:43.600 --> 0:28:46.200
<v Speaker 3>writing crazy records and I'm rapping. I'm doing all this stuff.

0:28:46.240 --> 0:28:48.640
<v Speaker 3>I was with this dude in Kira from London, which

0:28:48.680 --> 0:28:51.240
<v Speaker 3>is which was my main producer. I actually assigned a

0:28:51.280 --> 0:28:57.960
<v Speaker 3>production deal with him and Kira early was like he

0:28:58.040 --> 0:29:00.880
<v Speaker 3>was a family friend from from my mom from way back,

0:29:00.880 --> 0:29:05.240
<v Speaker 3>but he's from London, so his sound was European. He

0:29:05.280 --> 0:29:08.160
<v Speaker 3>had like done Kylie Minogue and all these other people,

0:29:08.280 --> 0:29:10.480
<v Speaker 3>so he was like, yo, rock, this is how we

0:29:10.520 --> 0:29:12.920
<v Speaker 3>gonna approach it. It was always like some big sound

0:29:12.960 --> 0:29:17.520
<v Speaker 3>in European, worldwide stuff. And then I'm like okay, and

0:29:17.560 --> 0:29:20.000
<v Speaker 3>then he was like, Yo, there's this group called Lexington Bridge.

0:29:20.040 --> 0:29:22.120
<v Speaker 3>The're number one in Germany. I'm gonna put you on

0:29:22.160 --> 0:29:24.760
<v Speaker 3>there with them. So he put me in with this

0:29:24.840 --> 0:29:27.720
<v Speaker 3>group and I ended up doing a verse and ended

0:29:27.800 --> 0:29:30.080
<v Speaker 3>up having a number one record in Germany with these.

0:29:29.960 --> 0:29:33.000
<v Speaker 2>Kids, You're doing a versus and rapping right, rapping, And

0:29:33.040 --> 0:29:34.080
<v Speaker 2>I was like eighteen.

0:29:34.200 --> 0:29:36.920
<v Speaker 3>So I'm like, dang, I'm sitting there and I'm going crazy.

0:29:36.920 --> 0:29:38.880
<v Speaker 3>I'm like, this is nuts. This is the first time

0:29:38.880 --> 0:29:40.240
<v Speaker 3>I ever But I didn't know what that meant. I

0:29:40.400 --> 0:29:42.640
<v Speaker 3>just like that. And then so from there.

0:29:43.360 --> 0:29:45.400
<v Speaker 2>Like now when you have the number one record, are

0:29:45.400 --> 0:29:46.760
<v Speaker 2>you making money or you just know that you have

0:29:47.280 --> 0:29:47.560
<v Speaker 2>I just know.

0:29:47.560 --> 0:29:48.720
<v Speaker 3>I got number on raere. I didn't even know what

0:29:48.760 --> 0:29:49.440
<v Speaker 3>it means.

0:29:49.160 --> 0:29:50.880
<v Speaker 2>To have a number one record.

0:29:51.560 --> 0:29:56.120
<v Speaker 3>I'm like nineteen right there in eighteen ninety. So then

0:29:56.960 --> 0:29:59.600
<v Speaker 3>Tim and Bob, right, you know Tim and Bob. Tim

0:29:59.600 --> 0:30:03.400
<v Speaker 3>and Bob like legendary producers like Jimmy jam and Terry

0:30:03.440 --> 0:30:07.800
<v Speaker 3>Lewis like super like my real film now my next

0:30:07.840 --> 0:30:10.560
<v Speaker 3>level brothers. These families different, But back then there was

0:30:10.600 --> 0:30:13.480
<v Speaker 3>Tim and Bob. They created Bobby Volentino that they voice

0:30:13.480 --> 0:30:15.520
<v Speaker 3>the me in Evolution and brought out to me in

0:30:15.680 --> 0:30:20.440
<v Speaker 3>case and everybody from beyond they had it was like everything.

0:30:20.560 --> 0:30:23.560
<v Speaker 3>So Dad came around and they were using my sister

0:30:23.920 --> 0:30:29.320
<v Speaker 3>actually to do back all Jennifer Lopez's backgrounds at the time,

0:30:29.440 --> 0:30:33.320
<v Speaker 3>and so one day, you know, my sister always was

0:30:33.360 --> 0:30:35.720
<v Speaker 3>like my sister loved me, so she's always like yo,

0:30:35.960 --> 0:30:38.280
<v Speaker 3>like I'm over here, da da da. And I came

0:30:38.320 --> 0:30:40.880
<v Speaker 3>to drop her off something at the studio and she's like, oh,

0:30:40.920 --> 0:30:43.000
<v Speaker 3>this is my brother. And they're like, damn, bro, you

0:30:43.000 --> 0:30:44.520
<v Speaker 3>look kind of dope. You look out like a look

0:30:44.600 --> 0:30:46.640
<v Speaker 3>like what you do? And I'm like, yo, rap da

0:30:46.720 --> 0:30:49.680
<v Speaker 3>da da, And so I pressed play on something. They like,

0:30:49.720 --> 0:30:52.880
<v Speaker 3>what the yo, man, what's up with here? So Tim

0:30:52.960 --> 0:30:55.240
<v Speaker 3>and Bob set up a session. I actually got in

0:30:55.280 --> 0:30:57.520
<v Speaker 3>the booth and while I was in the booth, he's like, yo,

0:30:57.560 --> 0:30:59.400
<v Speaker 3>can you test the mic because Bobby Valentino for the

0:30:59.400 --> 0:31:02.640
<v Speaker 3>comminges the mic. And so I started like singing or whatever,

0:31:02.760 --> 0:31:04.520
<v Speaker 3>just to try and get whatever frequency they were trying

0:31:04.520 --> 0:31:06.240
<v Speaker 3>to go. What even thinking about it? They was like, bro,

0:31:06.320 --> 0:31:08.200
<v Speaker 3>your voice is dope. What the do you know how

0:31:08.200 --> 0:31:12.480
<v Speaker 3>to write? So they forced me into writing like records.

0:31:12.520 --> 0:31:14.000
<v Speaker 3>It was weird like at the time, like yo, just

0:31:14.040 --> 0:31:16.480
<v Speaker 3>start yo, just start trying to write some stuff. And

0:31:16.520 --> 0:31:18.800
<v Speaker 3>like two or three sessions later, I had already wrote

0:31:19.120 --> 0:31:21.720
<v Speaker 3>like a hit and they're like, dude, this is like

0:31:21.760 --> 0:31:24.400
<v Speaker 3>you're a writer, you're a singer, You're a and I'm like, dang,

0:31:24.440 --> 0:31:26.800
<v Speaker 3>I just was transitioning into thing. I was morphing in

0:31:26.800 --> 0:31:29.440
<v Speaker 3>the difference right away. I'm like, damn, am I singer?

0:31:29.480 --> 0:31:32.480
<v Speaker 3>Am I writer? Because I was always rapping, battle rapping,

0:31:32.520 --> 0:31:36.040
<v Speaker 3>hardcore always, and then so my pin was so crazy.

0:31:36.080 --> 0:31:39.160
<v Speaker 3>It was like you put melodies over your pen, you're

0:31:39.200 --> 0:31:41.760
<v Speaker 3>gonna be vicious. And so my sister was always a singer,

0:31:41.840 --> 0:31:44.480
<v Speaker 3>so melodies was easy for me. So I'm like okay.

0:31:44.920 --> 0:31:49.920
<v Speaker 3>And so Tony Mercedes, who signed TolC, had came one

0:31:50.000 --> 0:31:52.640
<v Speaker 3>day and brought his artists and was like, yo, I

0:31:52.640 --> 0:31:55.720
<v Speaker 3>got this artist. She's big in Australia. Write her a song.

0:31:56.240 --> 0:31:58.080
<v Speaker 3>And I wrote her a song on the spot as

0:31:58.080 --> 0:32:00.760
<v Speaker 3>a smash, and he gave me a check. The next day.

0:32:00.920 --> 0:32:03.440
<v Speaker 2>It was like here, how much was the check?

0:32:03.840 --> 0:32:08.240
<v Speaker 3>Seventy five hundred dollars and I'm like like, hold on,

0:32:08.320 --> 0:32:10.080
<v Speaker 3>but he gave me the check. You're like just sign

0:32:10.200 --> 0:32:12.520
<v Speaker 3>this and I'm like all right, well I'm signing, and

0:32:12.520 --> 0:32:15.760
<v Speaker 3>it gave me seventy five dollars. I'm like, so one

0:32:15.760 --> 0:32:17.680
<v Speaker 3>of them, who am I giving this to? He like

0:32:17.720 --> 0:32:21.080
<v Speaker 3>this for you for writing a song every record. I

0:32:21.400 --> 0:32:23.160
<v Speaker 3>was trying to get you ten, but they only agreed that.

0:32:23.240 --> 0:32:27.120
<v Speaker 3>I'm like, so I got seventy five. Oh yeah, it's over.

0:32:27.840 --> 0:32:28.200
<v Speaker 2>I know that.

0:32:30.040 --> 0:32:34.640
<v Speaker 3>They're done. Everybody's done. Everybody's done. Nobody is going to

0:32:34.720 --> 0:32:37.920
<v Speaker 3>breathe again with the writing. Y'all are done. They're handing

0:32:37.960 --> 0:32:42.360
<v Speaker 3>out checks for writing hits. Everybody's done. All y'all are good.

0:32:42.440 --> 0:32:44.640
<v Speaker 3>Don't even don't even pick up the pen no more

0:32:44.840 --> 0:32:48.720
<v Speaker 3>unless you're extravagant. So from that day on, when I

0:32:48.800 --> 0:32:51.440
<v Speaker 3>see that check, and I didn't have to do no gags,

0:32:51.520 --> 0:32:53.480
<v Speaker 3>I have to do nothing. I have to hit no lick,

0:32:53.720 --> 0:32:56.840
<v Speaker 3>I'd have to do no nothing. I'd have to jump

0:32:56.880 --> 0:32:58.920
<v Speaker 3>through no windows, nothing, do no flock. I had to

0:32:59.280 --> 0:33:01.520
<v Speaker 3>sell nothing. I was, I said, he just handed me

0:33:01.600 --> 0:33:04.520
<v Speaker 3>this and all cash, and I don't have to do nothing.

0:33:04.600 --> 0:33:06.720
<v Speaker 3>And I just had to do that. No, my mama,

0:33:06.760 --> 0:33:09.800
<v Speaker 3>I was, Oh my god, I ain't look and as you.

0:33:09.960 --> 0:33:14.240
<v Speaker 3>And obviously ever since then it got wicked, it got serious,

0:33:14.600 --> 0:33:19.960
<v Speaker 3>and so I just started just becoming a guillotine with

0:33:20.040 --> 0:33:23.960
<v Speaker 3>the pen, like I'm just sharp I'm just like everybody

0:33:24.000 --> 0:33:28.000
<v Speaker 3>getting diced. So from then I just start cataloging. Oh y'all,

0:33:28.000 --> 0:33:30.240
<v Speaker 3>hold on, y'all be buying records after that's all y'all want.

0:33:30.440 --> 0:33:32.160
<v Speaker 3>So now I'm sitting there and then I'm finding friends.

0:33:32.200 --> 0:33:34.280
<v Speaker 3>You know what I sing? Jump in the booth, sing

0:33:34.280 --> 0:33:36.640
<v Speaker 3>what I'm singing? You know how to right? So then

0:33:36.960 --> 0:33:40.160
<v Speaker 3>the engineers ain't moving fast enough for me, so I'm like, damn,

0:33:40.200 --> 0:33:41.960
<v Speaker 3>I can't find an engineer. So now I'm in the

0:33:42.000 --> 0:33:44.560
<v Speaker 3>back trying to figure out how the engineer. Okay, let

0:33:44.560 --> 0:33:45.960
<v Speaker 3>me see how to record myself so I ain't got

0:33:46.040 --> 0:33:47.840
<v Speaker 3>to worry about these things. So I figure it out.

0:33:47.880 --> 0:33:50.280
<v Speaker 3>After some months, I put in hours and hours, and

0:33:50.360 --> 0:33:51.880
<v Speaker 3>every day I'm trying to figure it out, and I'm

0:33:51.880 --> 0:33:53.800
<v Speaker 3>going through, how do I tweet this? Put this EQ?

0:33:54.200 --> 0:33:56.480
<v Speaker 3>What's this? I'm looking up? So I'm asking the engineers.

0:33:56.560 --> 0:33:58.640
<v Speaker 3>They don't even want to rock. I'm in the middle

0:33:58.640 --> 0:34:00.720
<v Speaker 3>of Okay, how do I put it a EQ on this?

0:34:00.760 --> 0:34:02.160
<v Speaker 3>How do I make this sound better? How do I

0:34:02.200 --> 0:34:05.760
<v Speaker 3>do this? So I'm getting the breakdown. It's crazy. I'm

0:34:05.800 --> 0:34:09.000
<v Speaker 3>getting a breakdown. I'm like, damn, okay, cool. So from

0:34:09.000 --> 0:34:12.040
<v Speaker 3>there now I'm now all the engineer a little bit.

0:34:12.360 --> 0:34:14.319
<v Speaker 3>So then I'm sitting there and I'm writing. I'm like, damn,

0:34:14.360 --> 0:34:17.440
<v Speaker 3>where the producers at. Ain't these niggas ain't not giving

0:34:17.440 --> 0:34:20.680
<v Speaker 3>me enough material. I'm writing faster than the producers. You

0:34:20.719 --> 0:34:23.440
<v Speaker 3>know what I'm saying. For real. I'm like, I'm now

0:34:23.480 --> 0:34:26.120
<v Speaker 3>I'm cooking because my hustle. They gave me a check.

0:34:26.200 --> 0:34:29.600
<v Speaker 3>It's done. I'm not gonna stop until i'm up. If

0:34:29.640 --> 0:34:32.520
<v Speaker 3>I could stack these checks up to where i could

0:34:32.600 --> 0:34:34.640
<v Speaker 3>be up all the way up and just be up

0:34:35.200 --> 0:34:37.520
<v Speaker 3>man o my mom, and You're never gonna see nobody.

0:34:37.520 --> 0:34:41.080
<v Speaker 3>It's done. So I'm out writing every day. I'm waking morning, noon,

0:34:41.040 --> 0:34:44.640
<v Speaker 3>and night. I'm writing. And so now I'm like, okay, cool,

0:34:45.520 --> 0:34:47.760
<v Speaker 3>I don't know. I can't find any producers, but garage

0:34:47.840 --> 0:34:51.239
<v Speaker 3>man logic. I'm like, shop, let me figure it out.

0:34:51.280 --> 0:34:53.839
<v Speaker 3>So now I'm on garage man making whack beats. I'm

0:34:53.840 --> 0:35:01.000
<v Speaker 3>talking about super whack. I'm like boom. I'm like, oh,

0:35:01.120 --> 0:35:03.080
<v Speaker 3>I can see what a mix on it. They gotta

0:35:03.120 --> 0:35:06.720
<v Speaker 3>be crazy, It's all right, oh running back. So niggas

0:35:06.800 --> 0:35:08.879
<v Speaker 3>is walking in and I'm pressing play and the other

0:35:08.920 --> 0:35:14.280
<v Speaker 3>niggas in. They're like, yeah, we see, we can see,

0:35:14.280 --> 0:35:17.000
<v Speaker 3>we can see kind of what's he doing? Right? Hey?

0:35:17.080 --> 0:35:19.200
<v Speaker 3>And then Tim and Bob and all them and and

0:35:19.440 --> 0:35:22.080
<v Speaker 3>Tricky Stewart and all that, they coming in and they

0:35:22.160 --> 0:35:25.239
<v Speaker 3>pressing play on crazy. I'm like, damn, why shit is what?

0:35:25.960 --> 0:35:29.480
<v Speaker 3>So now I'm like damn, Like hold on. So I'm

0:35:29.680 --> 0:35:31.720
<v Speaker 3>now I got to sit here every day and figure

0:35:31.719 --> 0:35:34.080
<v Speaker 3>out how to produce, and I'm making whack ass beats

0:35:34.160 --> 0:35:37.439
<v Speaker 3>until finally i make a beat that's hot. Then I'm like, oh,

0:35:37.640 --> 0:35:40.879
<v Speaker 3>I'm for real. Hey, look I'm telling you now I'm

0:35:40.920 --> 0:35:42.279
<v Speaker 3>for real. I'm somebody else.

0:35:42.360 --> 0:35:43.400
<v Speaker 2>Now it's hlarious.

0:35:43.520 --> 0:35:46.080
<v Speaker 3>Man. I I'm doing. I'm doing all kind of I

0:35:46.120 --> 0:35:47.799
<v Speaker 3>don't even know how to play, but I'm trying. I'm

0:35:47.840 --> 0:35:50.759
<v Speaker 3>figuring it out. What this note? Go to this note? Okay?

0:35:50.800 --> 0:35:53.279
<v Speaker 3>What about this note? That don't sound right? So now

0:35:53.320 --> 0:35:56.319
<v Speaker 3>I'm playing everything my ear I'm creeping. So now I'm

0:35:56.360 --> 0:36:00.200
<v Speaker 3>getting into it now. So now I'm like, okay, you

0:36:00.239 --> 0:36:04.239
<v Speaker 3>know what, I'm selling records, But the records, it's now

0:36:04.280 --> 0:36:07.120
<v Speaker 3>about the networking. You gotta run around and figure out

0:36:07.480 --> 0:36:10.800
<v Speaker 3>how to get in people's faces. Like I got records

0:36:10.800 --> 0:36:12.680
<v Speaker 3>over here, I got enough of a catalog. I probably

0:36:12.719 --> 0:36:15.960
<v Speaker 3>made probably fifty sixty songs now and I'm able to

0:36:15.960 --> 0:36:16.520
<v Speaker 3>press play.

0:36:16.880 --> 0:36:19.239
<v Speaker 1>But like he's hearing it, you didn't try to go

0:36:19.320 --> 0:36:21.640
<v Speaker 1>back to first due that roature to check for the

0:36:21.680 --> 0:36:22.279
<v Speaker 1>seventy five.

0:36:22.480 --> 0:36:24.440
<v Speaker 3>That was one check. He not finna just cut me.

0:36:24.480 --> 0:36:26.279
<v Speaker 3>He did cut me a couple more checks, but he

0:36:26.360 --> 0:36:28.719
<v Speaker 3>don't got an undern amount of checks. He got other

0:36:28.760 --> 0:36:31.040
<v Speaker 3>producers that's bigger than me. Like he just gave me

0:36:31.080 --> 0:36:34.239
<v Speaker 3>a Like Tony Mercedi's just looked out. He just looked out,

0:36:34.280 --> 0:36:36.960
<v Speaker 3>like that's you know what you're young, Go ahead, I'll

0:36:37.040 --> 0:36:39.120
<v Speaker 3>rock with you. And I did, and I showed him

0:36:39.120 --> 0:36:41.919
<v Speaker 3>prove cut me to check. And Tony still my guy

0:36:41.960 --> 0:36:44.120
<v Speaker 3>to this day. But he created TLC. Like he's saying,

0:36:44.480 --> 0:36:46.880
<v Speaker 3>he was one of the early executives. So he always

0:36:46.920 --> 0:36:49.480
<v Speaker 3>seen you know, we make no scrubs and stuff. You

0:36:49.600 --> 0:36:53.720
<v Speaker 3>see you can see through like this dude, is he something?

0:36:53.760 --> 0:36:57.640
<v Speaker 3>He got something so real? An R is always recognized

0:36:57.719 --> 0:37:00.239
<v Speaker 3>like greatness in me when they've seen whatever was the

0:37:00.320 --> 0:37:03.080
<v Speaker 3>hungry whatever it was. So so he just looked out.

0:37:03.120 --> 0:37:06.000
<v Speaker 3>But I went to trying to find other Tony Mercedes,

0:37:06.440 --> 0:37:09.759
<v Speaker 3>who else got it? Yeah, so I was hustling and then,

0:37:09.840 --> 0:37:14.080
<v Speaker 3>like I said, your network is your network. So at

0:37:14.080 --> 0:37:16.160
<v Speaker 3>the time, I only knew a couple of people, and

0:37:16.200 --> 0:37:17.919
<v Speaker 3>I'm not I'm trying to figure out how to get

0:37:18.000 --> 0:37:20.520
<v Speaker 3>further than where I'm at. So I'm like, dang, like,

0:37:20.840 --> 0:37:23.080
<v Speaker 3>how do I get Maybe I need a manager. I

0:37:23.120 --> 0:37:26.120
<v Speaker 3>need somebody. Yeah, because this ain't gonna work. I need somebody.

0:37:26.480 --> 0:37:29.080
<v Speaker 3>So then I linked up with Chris Lighty.

0:37:29.640 --> 0:37:31.000
<v Speaker 2>Okay, you know what I'm saying.

0:37:31.120 --> 0:37:35.319
<v Speaker 3>No, Rather Chris Lighty Chris Light's most legendary manager ever.

0:37:35.480 --> 0:37:38.319
<v Speaker 3>He created fifty cent did divide him in water deal.

0:37:38.680 --> 0:37:42.719
<v Speaker 3>He's Violate. He created a company called Violator. No he's dead.

0:37:43.360 --> 0:37:47.200
<v Speaker 3>Yeah they died. No, No, it's all good. But that's

0:37:47.239 --> 0:37:49.319
<v Speaker 3>my that was my that was my big bro. So

0:37:49.360 --> 0:37:54.359
<v Speaker 3>he his situation was different because he created Violator, which

0:37:54.360 --> 0:37:57.560
<v Speaker 3>he signed Buster to and fifty And that's where Mona

0:37:57.600 --> 0:37:59.960
<v Speaker 3>Scott came from. And that's where all of them came.

0:38:00.480 --> 0:38:02.799
<v Speaker 3>She worked for Violator, all of them. He had a

0:38:02.880 --> 0:38:06.640
<v Speaker 3>hub of the Big Diddy. All of them was under Violator.

0:38:06.840 --> 0:38:09.279
<v Speaker 3>Violator was the thing, Yo gotty, all of them was.

0:38:09.400 --> 0:38:11.920
<v Speaker 3>When I got to Violator, they had already been them

0:38:11.960 --> 0:38:15.160
<v Speaker 3>but yo, gotty was running around with Mike Lighty, and

0:38:15.760 --> 0:38:20.799
<v Speaker 3>so Chris Lighty, Mike Lighty, Dave Lighty, Dave Lighty brought me. Yeah,

0:38:20.800 --> 0:38:22.960
<v Speaker 3>they're all Lighties, but Dave Lighty brought me to Chris

0:38:23.040 --> 0:38:26.920
<v Speaker 3>Lighty and Chris Lighty. When he see me, he was like,

0:38:28.520 --> 0:38:30.840
<v Speaker 3>because at that point in time, I had walked in

0:38:30.880 --> 0:38:34.080
<v Speaker 3>there and was like, what's up, bro, Yeah, I'm the greatest.

0:38:35.120 --> 0:38:39.919
<v Speaker 3>I'm the greatest that ever lived. And he was like, what, who?

0:38:39.960 --> 0:38:41.799
<v Speaker 3>I ain't even ever heard of you? Bro with you?

0:38:42.239 --> 0:38:44.920
<v Speaker 3>And so he like, I said, who's your favorite rapper?

0:38:45.239 --> 0:38:48.759
<v Speaker 3>He's telling me. I said, but I'm way better than them.

0:38:48.800 --> 0:38:50.520
<v Speaker 3>Do you know what I'm saying? I'm way better than

0:38:50.520 --> 0:38:53.080
<v Speaker 3>your favorite? He like, bro, God, hold on. He calls

0:38:53.320 --> 0:38:57.239
<v Speaker 3>Chris Lady, everybody in the room, the whole office, and

0:38:57.280 --> 0:38:59.920
<v Speaker 3>he goes, Okay, we're gonna see what you're into. He's like,

0:39:00.000 --> 0:39:04.000
<v Speaker 3>he's laughing at me. Though I swear everybody knows that

0:39:04.120 --> 0:39:08.640
<v Speaker 3>was around Tiffany, all the people that was around, he's

0:39:08.719 --> 0:39:11.440
<v Speaker 3>laughing at me. Right, He's like, yo, like, okay, we're

0:39:11.440 --> 0:39:13.680
<v Speaker 3>gonna see. And so I get up and I just

0:39:13.719 --> 0:39:16.359
<v Speaker 3>start barring down the whole room and they're like, oh

0:39:16.440 --> 0:39:20.080
<v Speaker 3>my god, what wal he like. So after I'm done,

0:39:20.160 --> 0:39:24.200
<v Speaker 3>I'm like yeah. He like, hold on, man, yo, you

0:39:24.480 --> 0:39:28.040
<v Speaker 3>are not. He like, hold on, man, you got song songs?

0:39:28.120 --> 0:39:31.640
<v Speaker 3>Press play? So I play like five six of my

0:39:31.760 --> 0:39:35.239
<v Speaker 3>craziest records. He like, you wrote these, that's you on it.

0:39:35.680 --> 0:39:38.799
<v Speaker 3>He's like, okay, you know what? All right, y'all, y'all good?

0:39:38.960 --> 0:39:42.120
<v Speaker 3>Are we good? All right? Everybody good? All right? Bruh.

0:39:42.560 --> 0:39:44.279
<v Speaker 3>So at the time, I had went to New York

0:39:44.320 --> 0:39:46.000
<v Speaker 3>to meet Chris Lighty, but I had set up a

0:39:46.080 --> 0:39:49.799
<v Speaker 3>meeting with Mark Pitts, which is also my big bro,

0:39:49.920 --> 0:39:52.440
<v Speaker 3>which was the president of the RCA Records. But he

0:39:52.480 --> 0:39:54.239
<v Speaker 3>had by a storm and you know, he signed Chris

0:39:54.280 --> 0:39:55.320
<v Speaker 3>Brown signs.

0:39:55.719 --> 0:39:57.600
<v Speaker 2>How are you getting these contacts? You're like, just.

0:39:57.840 --> 0:40:01.000
<v Speaker 3>Because because I was moving around. So I was in

0:40:01.120 --> 0:40:04.200
<v Speaker 3>a studio and a dude named cast And how I

0:40:04.200 --> 0:40:08.560
<v Speaker 3>got to Mark Pitts was a dude named casting kind

0:40:08.560 --> 0:40:11.120
<v Speaker 3>of like was there with me. He was like early

0:40:11.160 --> 0:40:13.320
<v Speaker 3>with me when I was just hustling in there singing

0:40:13.360 --> 0:40:16.880
<v Speaker 3>making records all the time. And Caston was like, dude,

0:40:16.920 --> 0:40:20.920
<v Speaker 3>you are ridiculous on the pen like yo, like you

0:40:21.160 --> 0:40:23.200
<v Speaker 3>like you need to be, so he brought a dude

0:40:23.280 --> 0:40:26.440
<v Speaker 3>named Kirk Lightburn to the studio that he was cool with,

0:40:26.520 --> 0:40:29.080
<v Speaker 3>and Kirk Lightburn worked from Mark Pitts, and Kirk Lightburn

0:40:29.120 --> 0:40:33.000
<v Speaker 3>heard me and was like, Yo, I need to get

0:40:33.080 --> 0:40:37.080
<v Speaker 3>you to New York to meet Mark period. So they

0:40:37.080 --> 0:40:39.359
<v Speaker 3>were scheduling it, and I scheduled Chris Lighty and Mark

0:40:39.400 --> 0:40:43.280
<v Speaker 3>Pitts same in two days. And so when I told

0:40:43.360 --> 0:40:45.320
<v Speaker 3>when I went and met with Mark Pitts and RCA,

0:40:45.960 --> 0:40:47.719
<v Speaker 3>we had such a vibe. I was with him, we

0:40:47.760 --> 0:40:50.239
<v Speaker 3>was locked in and him the whole off. He was like, Yo,

0:40:50.360 --> 0:40:52.359
<v Speaker 3>let's let's lock it and let's get it. Were good

0:40:52.440 --> 0:40:55.000
<v Speaker 3>you Buystorm And I went to Chris Lighti and Chris

0:40:55.080 --> 0:40:58.600
<v Speaker 3>Lighty was like, I can't even let you leave. Bro.

0:40:59.440 --> 0:41:00.920
<v Speaker 2>I was gonna say I would have never It was like,

0:41:01.000 --> 0:41:01.480
<v Speaker 2>I can't.

0:41:01.320 --> 0:41:03.520
<v Speaker 3>Even let you leave. He's like, honestly, I know where

0:41:03.520 --> 0:41:07.920
<v Speaker 3>you went from, but you the biggest your next trust me,

0:41:08.400 --> 0:41:10.080
<v Speaker 3>I know what it is. And I was like, I

0:41:10.120 --> 0:41:12.960
<v Speaker 3>think I was twenty at the time. I'm like, I

0:41:12.960 --> 0:41:15.640
<v Speaker 3>wouldn't old enough to drink. So I'm like I'm like,

0:41:16.040 --> 0:41:17.920
<v Speaker 3>I'm like, all right, so what you want to do?

0:41:18.400 --> 0:41:21.880
<v Speaker 3>He like well, well, how much you need or what

0:41:21.920 --> 0:41:23.799
<v Speaker 3>do you not? How much? He said, what do you need?

0:41:24.040 --> 0:41:26.759
<v Speaker 3>And I'm like, well right now, honestly, I just got

0:41:26.760 --> 0:41:30.239
<v Speaker 3>this little apartment that joint kind of hitting. But I've

0:41:30.239 --> 0:41:32.040
<v Speaker 3>been doing all cuntient. But I said, I'm finna go

0:41:32.080 --> 0:41:34.000
<v Speaker 3>back and the home you gotta lick. Right now, I'm

0:41:34.000 --> 0:41:36.200
<v Speaker 3>supposed to be up, Like if we hit this and

0:41:36.239 --> 0:41:38.200
<v Speaker 3>get away with this, I'm gonna be up fifty thousand.

0:41:38.280 --> 0:41:41.279
<v Speaker 3>You said that, yeah, but I'm telling them, really, what's happening. Yeah,

0:41:41.600 --> 0:41:43.239
<v Speaker 3>I'm like, cause I'm like, but the home you gotta lick.

0:41:43.320 --> 0:41:44.680
<v Speaker 3>But I'm like, I'm supposed to be writing this, and

0:41:44.800 --> 0:41:47.320
<v Speaker 3>these niggas want me to come to Germany. I'm he like, listen,

0:41:48.560 --> 0:41:51.239
<v Speaker 3>how much add up all your bills for the year.

0:41:51.840 --> 0:41:53.279
<v Speaker 3>And I'm like all right, I'm sitting there. He like,

0:41:53.320 --> 0:41:55.400
<v Speaker 3>do it now, and I'm sitting here and I'm adding

0:41:55.480 --> 0:41:58.960
<v Speaker 3>up and I'm like, oh damn. I'm like, okay, I

0:41:59.000 --> 0:42:02.440
<v Speaker 3>rent two thousand month, so that's already twenty four thy

0:42:02.640 --> 0:42:06.000
<v Speaker 3>twelve months. And then this car I just got off

0:42:06.000 --> 0:42:09.200
<v Speaker 3>this stupid ad. I got it from Statewide, which they

0:42:09.280 --> 0:42:11.680
<v Speaker 3>give you that you know, state Wide, No they you

0:42:11.680 --> 0:42:13.960
<v Speaker 3>ain't got no credit, but you want to flaws. You

0:42:14.040 --> 0:42:16.359
<v Speaker 3>put down thirty percent and they'll give you a car.

0:42:16.600 --> 0:42:18.360
<v Speaker 3>But they come in to repo at the day you

0:42:18.440 --> 0:42:22.600
<v Speaker 3>missed one payment. It's unusual so anyway, because they repot it.

0:42:22.800 --> 0:42:25.000
<v Speaker 3>So that's how I know. So I had this state

0:42:25.040 --> 0:42:28.479
<v Speaker 3>wide joint and I'm like, dang, thirteen hundred a month,

0:42:28.840 --> 0:42:30.760
<v Speaker 3>and I'm like, damn, I added that up. So tod,

0:42:30.960 --> 0:42:32.680
<v Speaker 3>I'm like damn. After I started adding up, like I

0:42:32.760 --> 0:42:34.399
<v Speaker 3>just need to get but I need to be fly,

0:42:34.920 --> 0:42:37.160
<v Speaker 3>and then I needed I'm like, damn, my bill's like

0:42:37.360 --> 0:42:40.680
<v Speaker 3>five thousand dollars a month. Bro. No, But I'm sitting

0:42:40.680 --> 0:42:42.640
<v Speaker 3>there and I'm talking. I'm like in my head and

0:42:42.840 --> 0:42:46.120
<v Speaker 3>I'm like, hey, bro, I ain't gonna lie all this, Okay.

0:42:46.160 --> 0:42:52.040
<v Speaker 3>So whole time, I'm dating this girl, Genevieve Jackson right

0:42:52.080 --> 0:42:54.959
<v Speaker 3>since I was, because I can't leave her out either

0:42:55.440 --> 0:43:00.000
<v Speaker 3>because she was pivotal back then. She's Michael Jackson's niece, right,

0:43:00.520 --> 0:43:07.640
<v Speaker 3>Jermaine's daughter, Randy's so like, I was also off and on,

0:43:07.760 --> 0:43:12.359
<v Speaker 3>living in the Jackson House on haven Hurst real like I.

0:43:12.280 --> 0:43:17.239
<v Speaker 2>Didn't have a spot to stay because they grew up

0:43:17.280 --> 0:43:19.359
<v Speaker 2>on haven Hurst and Mensino with the giraffe and all

0:43:19.400 --> 0:43:22.200
<v Speaker 2>that other that they grew up in that crazy mansion.

0:43:22.600 --> 0:43:26.120
<v Speaker 3>And she was my girl since I was sixteen. So

0:43:26.520 --> 0:43:30.560
<v Speaker 3>I was with her from sixteen to like twenty something,

0:43:30.960 --> 0:43:34.239
<v Speaker 3>so twenty I think or twenty one, I don't know.

0:43:34.360 --> 0:43:38.080
<v Speaker 3>We just got her like five years. But during this time,

0:43:38.640 --> 0:43:43.240
<v Speaker 3>I was also living off and on at the Jackson House.

0:43:43.600 --> 0:43:47.759
<v Speaker 3>Between my boy Shank's house and the Jackson House. So

0:43:48.160 --> 0:43:50.839
<v Speaker 3>my best friend Shank, we all shocked up in this

0:43:50.880 --> 0:43:53.880
<v Speaker 3>one bedroom over there. And then when it's getting bad

0:43:53.920 --> 0:43:56.000
<v Speaker 3>over there, I'm going to my girl house. She got

0:43:56.040 --> 0:43:58.880
<v Speaker 3>a mansion. I'm sleeping in the room Michael used to

0:43:58.920 --> 0:44:02.200
<v Speaker 3>sleep in. No dead ass, this is my baby. This

0:44:02.280 --> 0:44:05.760
<v Speaker 3>is my girl, like look Jennivier. So I'm playing scrabble

0:44:05.800 --> 0:44:09.000
<v Speaker 3>with miss Jackson, like Dr Majesty ja'afar, her little brother,

0:44:09.080 --> 0:44:12.200
<v Speaker 3>the whole family. We there. Janet's coming home to see

0:44:12.200 --> 0:44:14.279
<v Speaker 3>her mom at random times, and this is where her

0:44:14.280 --> 0:44:16.719
<v Speaker 3>grandma lived. She lived with her grandma, So that's Michael's mom,

0:44:16.719 --> 0:44:19.960
<v Speaker 3>that's Janis mind as everybody. So I'm there and I

0:44:20.120 --> 0:44:24.399
<v Speaker 3>was just like inside of the highest frequency. And then

0:44:24.480 --> 0:44:27.480
<v Speaker 3>go to the hood and be in the hood. It's

0:44:27.520 --> 0:44:30.560
<v Speaker 3>the weirdest. It was like where I was so catching

0:44:30.640 --> 0:44:33.640
<v Speaker 3>frequencies from everywhere. So I can't leave her out either

0:44:33.640 --> 0:44:37.799
<v Speaker 3>because she was she was also looking out back then

0:44:37.840 --> 0:44:40.360
<v Speaker 3>in terms of like letting me stay there and whatever.

0:44:40.440 --> 0:44:42.720
<v Speaker 3>Like she was solid back then. I can't just skip

0:44:42.719 --> 0:44:46.880
<v Speaker 3>over her. But I also besides Ruben Cannon and I

0:44:46.960 --> 0:44:49.600
<v Speaker 3>was everywhere, but that was one of the main places

0:44:49.600 --> 0:44:51.680
<v Speaker 3>I was obviously because I was my girl, So it

0:44:51.719 --> 0:44:56.400
<v Speaker 3>was what it was. But skip up. So I was

0:44:56.440 --> 0:44:58.840
<v Speaker 3>with her and he was tripping off that like dang

0:44:59.280 --> 0:45:00.839
<v Speaker 3>you with the jack like it was.

0:45:00.800 --> 0:45:03.520
<v Speaker 2>A thing when you were wait, go back. So he

0:45:03.560 --> 0:45:06.000
<v Speaker 2>asked you how much you made for a year? Yeah yeah, yeah, okay,

0:45:06.200 --> 0:45:08.200
<v Speaker 2>So you end up telling it up and telling him,

0:45:08.719 --> 0:45:10.640
<v Speaker 2>But how did he know that you were with her?

0:45:10.680 --> 0:45:12.880
<v Speaker 3>That's what I was saying, because I actually took her

0:45:12.920 --> 0:45:15.400
<v Speaker 3>out there. Yeah, I took.

0:45:15.239 --> 0:45:16.239
<v Speaker 2>Her out there.

0:45:16.280 --> 0:45:20.520
<v Speaker 3>So so so my boy let me stay at his house.

0:45:20.920 --> 0:45:24.680
<v Speaker 3>Roger Mason, which was playing for the Knicks at the time.

0:45:24.960 --> 0:45:27.240
<v Speaker 3>Roger Mason from the Knicks used to play for The

0:45:27.320 --> 0:45:32.000
<v Speaker 3>King's Two. But Roger Mason was trying to get me

0:45:32.080 --> 0:45:36.399
<v Speaker 3>to do his artist's project C. C. Cigar. So I'm

0:45:36.520 --> 0:45:38.839
<v Speaker 3>like like, ooh, I could go out there. I can

0:45:38.880 --> 0:45:40.839
<v Speaker 3>have these meetings. I could link with Roger figure out

0:45:40.840 --> 0:45:42.799
<v Speaker 3>if I can get a check out of him. And

0:45:42.880 --> 0:45:46.200
<v Speaker 3>so so I'm like, so Roger's like, yeah, you come,

0:45:46.239 --> 0:45:48.200
<v Speaker 3>you and your girl come, y'all just stay. He had

0:45:48.200 --> 0:45:50.000
<v Speaker 3>a penthouse over There's like, y'all got to stay here.

0:45:50.520 --> 0:45:53.040
<v Speaker 3>I'm like, damn you know me, I'm like, oh, I

0:45:53.080 --> 0:45:55.520
<v Speaker 3>got the oh, I got to New York. I was

0:45:55.560 --> 0:45:56.920
<v Speaker 3>in the big house. I was in there and being

0:45:56.920 --> 0:45:59.480
<v Speaker 3>at her in this tag like it's so it was up.

0:46:00.000 --> 0:46:02.000
<v Speaker 3>That's one of my best friends. Still. Roger Mason's really

0:46:02.000 --> 0:46:05.960
<v Speaker 3>won't so, you know, he was so anybody I met

0:46:05.960 --> 0:46:08.080
<v Speaker 3>with him. I'm sitting there with him. I'm telling him

0:46:08.239 --> 0:46:10.560
<v Speaker 3>like yo, He's like, damn you a Jackson. This is crazy,

0:46:10.640 --> 0:46:13.560
<v Speaker 3>like all this other stuff. Right, So he's like, all right, cool,

0:46:13.960 --> 0:46:16.000
<v Speaker 3>So how much five thousand a month for me? That

0:46:16.040 --> 0:46:17.759
<v Speaker 3>was a lot for him. He didn't even remember that

0:46:17.840 --> 0:46:20.359
<v Speaker 3>I even said five thousand a month. So he's like

0:46:20.560 --> 0:46:23.359
<v Speaker 3>fivey twelve sixty. He's like, all right, cool, I'm gonna

0:46:23.360 --> 0:46:26.120
<v Speaker 3>have you a check tomorrow for seventy thousand. After you

0:46:26.160 --> 0:46:28.200
<v Speaker 3>get that check, I'm gonna you're gonna work that check

0:46:28.280 --> 0:46:30.160
<v Speaker 3>back off. I will take it out of the money

0:46:30.160 --> 0:46:33.759
<v Speaker 3>that I make you. And I'm like, hold on, bro,

0:46:34.760 --> 0:46:37.440
<v Speaker 3>So you saying, if I saw if we do this

0:46:37.520 --> 0:46:39.880
<v Speaker 3>management and everything right here, right here, right now, you

0:46:40.000 --> 0:46:42.360
<v Speaker 3>fin the cut. I'm getting seventy thousand for you to

0:46:42.400 --> 0:46:44.120
<v Speaker 3>manage me and go get make me some more money.

0:46:44.160 --> 0:46:47.640
<v Speaker 3>And smo, do you believe in me that much? Were

0:46:47.680 --> 0:46:51.400
<v Speaker 3>you thinking? I said, Bro, it's over. Signed with Chris Lighty,

0:46:51.719 --> 0:46:55.239
<v Speaker 3>we locked in and it was like that was that

0:46:55.320 --> 0:46:57.240
<v Speaker 3>was the first person to believe in me. Chris Lighty

0:46:57.280 --> 0:46:59.560
<v Speaker 3>for real. And he was the one that was walking

0:46:59.600 --> 0:47:03.560
<v Speaker 3>around all offices like rock star. He did so so

0:47:03.560 --> 0:47:08.040
<v Speaker 3>so okay, all this confidence that you hear that right

0:47:08.080 --> 0:47:12.120
<v Speaker 3>there don't really work in the music business unless you

0:47:12.200 --> 0:47:14.799
<v Speaker 3>have accolades. I didn't have them, but I knew who

0:47:14.800 --> 0:47:16.960
<v Speaker 3>I was. So when you're walking around and you know

0:47:17.000 --> 0:47:26.000
<v Speaker 3>who you are, early, it's problems.

0:47:26.680 --> 0:47:27.200
<v Speaker 2>But it wasn't.

0:47:27.520 --> 0:47:33.880
<v Speaker 3>Now I heard because Kanye is like that too, but wasn't.

0:47:34.160 --> 0:47:36.680
<v Speaker 2>But before he was Kanye, he was producer.

0:47:36.320 --> 0:47:36.839
<v Speaker 3>For other people.

0:47:36.920 --> 0:47:39.400
<v Speaker 2>But was he was He was always.

0:47:38.960 --> 0:47:42.240
<v Speaker 3>Confident, but he wasn't on what I was going because

0:47:42.239 --> 0:47:44.759
<v Speaker 3>the thing about him was I'm just saying, yeah, it

0:47:44.840 --> 0:47:47.680
<v Speaker 3>was that I get like he is like like me

0:47:47.719 --> 0:47:50.759
<v Speaker 3>and him would have been best friends, but he was

0:47:50.880 --> 0:47:54.880
<v Speaker 3>like the way he was, he was still like up

0:47:54.960 --> 0:47:58.759
<v Speaker 3>under whoever, like he was up under the rock or

0:47:58.840 --> 0:48:01.040
<v Speaker 3>up under dame er, can you look out me? I'm

0:48:01.080 --> 0:48:04.200
<v Speaker 3>finna go be, Dang, I'm finna go be. I'm finna

0:48:04.200 --> 0:48:06.600
<v Speaker 3>go figure it out, like yeah, man light, he managed me,

0:48:06.640 --> 0:48:10.320
<v Speaker 3>but he was setting me up to become me, you

0:48:10.360 --> 0:48:11.880
<v Speaker 3>know what I'm saying. I was already walking in the

0:48:11.880 --> 0:48:16.399
<v Speaker 3>buildings like, yeah, who's your biggest artist? All right, cool,

0:48:16.640 --> 0:48:18.600
<v Speaker 3>I'll do the album, but this is how we're gonna

0:48:18.600 --> 0:48:21.279
<v Speaker 3>do this, and they're like who is this? And Chris like, yo,

0:48:21.440 --> 0:48:23.759
<v Speaker 3>he's next. I just told you. I put all y'all,

0:48:24.160 --> 0:48:26.680
<v Speaker 3>then I put you on. I just told you he's next.

0:48:26.680 --> 0:48:28.439
<v Speaker 3>And then they'd be like, oh a right, Chris, all right,

0:48:28.480 --> 0:48:32.400
<v Speaker 3>well let's do So Chris was more like standing behind

0:48:32.680 --> 0:48:36.200
<v Speaker 3>bullying like whatever. Like Chris was so solid that he

0:48:36.320 --> 0:48:38.359
<v Speaker 3>was like rock, just talk your shit, just go off.

0:48:38.520 --> 0:48:41.440
<v Speaker 3>So I was running through buildings going off like whatever,

0:48:41.640 --> 0:48:44.920
<v Speaker 3>who is it? All right? What's the artist? Okay, this

0:48:44.960 --> 0:48:48.040
<v Speaker 3>is trash. Let's redo this. But I was delivering, like

0:48:48.080 --> 0:48:49.880
<v Speaker 3>when it was my time to shine. He'd come in

0:48:49.920 --> 0:48:52.560
<v Speaker 3>and press play like I told y'all. Okay, So we

0:48:52.600 --> 0:48:54.680
<v Speaker 3>was winning, and so I went and got an artist.

0:48:55.000 --> 0:48:56.680
<v Speaker 3>You know, he'd be like, rock, you need the you

0:48:56.719 --> 0:48:59.239
<v Speaker 3>gotta get in your mogul mode. All this genius put

0:48:59.320 --> 0:49:01.080
<v Speaker 3>it on an artist. So I went and got this

0:49:01.200 --> 0:49:04.800
<v Speaker 3>artist named Jude Claire Demors right out of Detroit. And

0:49:04.840 --> 0:49:08.120
<v Speaker 3>I don't want to know Chris and the Cute. I

0:49:08.160 --> 0:49:11.240
<v Speaker 3>actually caught her walking out of Chris and Cute's office

0:49:11.640 --> 0:49:14.319
<v Speaker 3>Chris and Cute and was like, everybody's passing on this girl.

0:49:14.760 --> 0:49:16.239
<v Speaker 3>And I looked at her and I'm like, this chick

0:49:16.400 --> 0:49:21.160
<v Speaker 3>is like gorgeous. She was like she was like just

0:49:21.400 --> 0:49:23.680
<v Speaker 3>she had a thing to her and I'm like, dang,

0:49:23.800 --> 0:49:27.360
<v Speaker 3>you a star man. And she's like yeah, and she

0:49:27.480 --> 0:49:29.640
<v Speaker 3>from the She's like from the bottom of the d

0:49:30.280 --> 0:49:33.520
<v Speaker 3>Like she's like Foster Home like type. Her parents were

0:49:33.600 --> 0:49:36.560
<v Speaker 3>running back, so she was like from the bottom. Like so,

0:49:36.800 --> 0:49:39.080
<v Speaker 3>but she's a white girl. It's the weirdest thing. So

0:49:39.080 --> 0:49:41.759
<v Speaker 3>she like that Tina Marine, you know, you never heard

0:49:41.800 --> 0:49:45.160
<v Speaker 3>of her. Jude dem she ever seen Star She's on

0:49:45.160 --> 0:49:47.919
<v Speaker 3>the show Star But but but but anyway, I knew,

0:49:48.200 --> 0:49:50.600
<v Speaker 3>I knew. I knew she was a start early because

0:49:50.840 --> 0:49:53.120
<v Speaker 3>when I see him like yo, and her voice was

0:49:53.160 --> 0:49:56.239
<v Speaker 3>real dope, and I'm like, damn, that's crazy. So I

0:49:56.320 --> 0:50:01.040
<v Speaker 3>grabbed Jude and I'm like, yo, just roll me, let me.

0:50:01.080 --> 0:50:03.200
<v Speaker 3>I'm gonna sign you. I'm gonna do your project. We're

0:50:03.200 --> 0:50:05.839
<v Speaker 3>gonna get you popping. And she's like, all right, let's

0:50:05.840 --> 0:50:09.880
<v Speaker 3>do it. So she signed me. My well, my lawyer,

0:50:09.960 --> 0:50:12.440
<v Speaker 3>Roger Patton was opening a lot of doors for me,

0:50:12.800 --> 0:50:16.680
<v Speaker 3>my boy Kenny Lattimore, which was singing with my sister. Again.

0:50:16.920 --> 0:50:18.439
<v Speaker 3>I know a lot of people from my sister too.

0:50:18.719 --> 0:50:21.400
<v Speaker 3>Kenny Latimore introduced me to Roger Patton, my lawyer. To

0:50:21.440 --> 0:50:24.120
<v Speaker 3>this day, I never changed. I stick to the code

0:50:24.719 --> 0:50:26.920
<v Speaker 3>my lawyer to this day. I made him millions of dollars.

0:50:27.160 --> 0:50:33.160
<v Speaker 3>She's still the same lawyer. Roger Patton linked me with

0:50:33.560 --> 0:50:35.840
<v Speaker 3>a bunch of different people, but he did all the contracts.

0:50:35.840 --> 0:50:39.600
<v Speaker 3>He was ideals. So I signed her. And when I

0:50:39.640 --> 0:50:42.759
<v Speaker 3>signed her, I did her album and Chris was like, Yo,

0:50:42.880 --> 0:50:45.000
<v Speaker 3>do her album, get it right. And I signed this

0:50:45.040 --> 0:50:48.279
<v Speaker 3>other girl, Carolina Web which is like one of the

0:50:48.400 --> 0:50:52.000
<v Speaker 3>greatest talents. She's ridiculous, like a rock chick like something,

0:50:52.239 --> 0:50:54.719
<v Speaker 3>but anyway, like a paramour. But I signed her and

0:50:54.800 --> 0:50:58.000
<v Speaker 3>her and I and when I signed her, He's like,

0:50:58.080 --> 0:50:59.920
<v Speaker 3>do her album. Let's go do it. So I've been

0:51:00.360 --> 0:51:03.400
<v Speaker 3>album I was. I was doing all kind of stuff

0:51:03.440 --> 0:51:05.920
<v Speaker 3>like me and her was locked in finished her album.

0:51:06.000 --> 0:51:07.960
<v Speaker 3>She was still on the bottom and I'm We're like,

0:51:08.000 --> 0:51:11.000
<v Speaker 3>we're gonna run. So we So we walked into Jimmy

0:51:11.000 --> 0:51:13.920
<v Speaker 3>Ivian's house, right and this is the first time I

0:51:13.960 --> 0:51:16.920
<v Speaker 3>ever started seeing what was going on. So besides him

0:51:16.960 --> 0:51:19.520
<v Speaker 3>giving me that seventy thousand dollars check, the other biggest

0:51:19.600 --> 0:51:24.160
<v Speaker 3>check I got was was Roger Mason ended up giving

0:51:24.200 --> 0:51:27.120
<v Speaker 3>me two hundred and twenty thousand dollars to do CC

0:51:27.200 --> 0:51:32.399
<v Speaker 3>Cigars album. So now I'm up like two ninety now,

0:51:32.600 --> 0:51:35.359
<v Speaker 3>my mam and me up to ninety. You don't want

0:51:35.400 --> 0:51:37.319
<v Speaker 3>me to be up to ninety at that point, but

0:51:37.560 --> 0:51:40.920
<v Speaker 3>I was doing it. Hey, look, I was like to night.

0:51:41.600 --> 0:51:43.680
<v Speaker 3>When I looked at this, it was zeros in the

0:51:43.760 --> 0:51:46.799
<v Speaker 3>account and it was legal man on my mama, you

0:51:46.800 --> 0:51:48.279
<v Speaker 3>don't even want to talk to me. Talking to me

0:51:48.440 --> 0:51:51.160
<v Speaker 3>was wild because I was just saying, I mean, what

0:51:51.160 --> 0:51:52.919
<v Speaker 3>do you mean I'll fly out of here? Hey, look,

0:51:53.280 --> 0:51:57.560
<v Speaker 3>I thought I was next year. It was I blew

0:51:57.560 --> 0:52:00.920
<v Speaker 3>through the money so fast that my ankles on twisted.

0:52:02.000 --> 0:52:04.600
<v Speaker 3>That's how fast I ran through the money. My ankles

0:52:04.640 --> 0:52:07.480
<v Speaker 3>almost twisted. How fast I ran through the money. It

0:52:07.520 --> 0:52:09.920
<v Speaker 3>was unusual. But I didn't even get there yet. Thank

0:52:10.000 --> 0:52:13.680
<v Speaker 3>you for ruining that. But yeah, I absolutely ran through

0:52:13.719 --> 0:52:16.440
<v Speaker 3>the money. And when I tell you, I never not

0:52:16.640 --> 0:52:19.880
<v Speaker 3>ran through the money. It's mandatory that you run through

0:52:19.920 --> 0:52:23.279
<v Speaker 3>the money. Though. A billionaire broke that down to me

0:52:23.360 --> 0:52:28.279
<v Speaker 3>because I never understood why I kept blowing my money.

0:52:28.440 --> 0:52:32.120
<v Speaker 3>That's a huge part that people have to realize. Why

0:52:32.160 --> 0:52:36.760
<v Speaker 3>do you blow your money? Why? So a couple different

0:52:36.880 --> 0:52:40.400
<v Speaker 3>mobuls taught me different things, but one billionaire told me,

0:52:41.160 --> 0:52:43.040
<v Speaker 3>you know the reason you blowed through your money, Like

0:52:43.040 --> 0:52:45.840
<v Speaker 3>you keep complaining because one time I went broke. This

0:52:45.960 --> 0:52:48.279
<v Speaker 3>we're skipping up. You got me skipping up. One time

0:52:48.320 --> 0:52:51.600
<v Speaker 3>I went broke right after I got all this money.

0:52:51.760 --> 0:52:53.760
<v Speaker 3>One time I went broke. And when I was broke,

0:52:54.239 --> 0:52:56.000
<v Speaker 3>I was sitting there and I'm telling him, like, bro

0:52:56.080 --> 0:52:58.759
<v Speaker 3>I'm fucked up right now. You ain't got no projects like,

0:52:59.160 --> 0:53:01.520
<v Speaker 3>just give me a bridge and I'm gonna get back

0:53:01.560 --> 0:53:04.400
<v Speaker 3>on my feet. And he like, he like, listen, how

0:53:04.480 --> 0:53:06.320
<v Speaker 3>much you I'm like give me, like I need like

0:53:06.360 --> 0:53:08.359
<v Speaker 3>a core, I need like two hundred and fifty thousand.

0:53:08.480 --> 0:53:14.200
<v Speaker 3>So he like, all right, listen, you keep looking real emo.

0:53:14.320 --> 0:53:16.640
<v Speaker 3>And I don't like the way you're talking about yourself

0:53:16.880 --> 0:53:18.919
<v Speaker 3>or the way you feeling, like the way you're I'm

0:53:19.040 --> 0:53:21.680
<v Speaker 3>used to a different type of rock star. You gotta

0:53:21.840 --> 0:53:25.279
<v Speaker 3>understand how the trajectory of money goes. And I'm like,

0:53:25.320 --> 0:53:27.560
<v Speaker 3>what you mean? He said, listen, When I made five

0:53:27.640 --> 0:53:30.760
<v Speaker 3>hundred thousand, I lost it. Then I made a million,

0:53:30.920 --> 0:53:33.520
<v Speaker 3>I lost it. Then I made two million. I lost

0:53:33.520 --> 0:53:35.439
<v Speaker 3>it until I got to a place where I made

0:53:35.560 --> 0:53:37.680
<v Speaker 3>enough where I could fall on a cloud and I

0:53:37.800 --> 0:53:39.839
<v Speaker 3>was still up there, and then I could keep going

0:53:39.880 --> 0:53:42.799
<v Speaker 3>from there. He said, it's mandatory because you have to

0:53:42.840 --> 0:53:45.120
<v Speaker 3>go low to go high. You gotta bend your knees

0:53:45.160 --> 0:53:48.279
<v Speaker 3>to jumps gravity. If you don't go low, you're not

0:53:48.320 --> 0:53:52.960
<v Speaker 3>gonna go high. So your trajectory even on a stock obviously,

0:53:53.040 --> 0:53:57.400
<v Speaker 3>now me being publicly traded, a publicly traded company owner,

0:53:57.440 --> 0:54:00.640
<v Speaker 3>and me being a stock me being who I today

0:54:00.960 --> 0:54:03.319
<v Speaker 3>and a mogul and a different type of thing with tech,

0:54:03.360 --> 0:54:07.520
<v Speaker 3>and I understand now how graphs and charts work. Back then,

0:54:07.560 --> 0:54:09.400
<v Speaker 3>I didn't even know what he was talking about, but

0:54:09.480 --> 0:54:11.839
<v Speaker 3>I did say, dang, you do gotta being your needs

0:54:11.880 --> 0:54:13.920
<v Speaker 3>to jump. You gotta go lower to go higher. He's like, bro,

0:54:14.200 --> 0:54:17.239
<v Speaker 3>you keep don't fold because you hit the ground. You

0:54:17.239 --> 0:54:19.920
<v Speaker 3>should be rejoicing. You the type of dude you are.

0:54:20.040 --> 0:54:22.319
<v Speaker 3>You think you're gonna stay here? Yeah? Right, I bet

0:54:22.400 --> 0:54:24.680
<v Speaker 3>everything in my account you'll be rich in the year.

0:54:25.280 --> 0:54:28.640
<v Speaker 3>And I'm like what damn. I'm like, okay, cool, And

0:54:28.680 --> 0:54:30.600
<v Speaker 3>he didn't give me the money. He was like, I'm

0:54:30.600 --> 0:54:32.040
<v Speaker 3>not gonna give you the money because you gotta go

0:54:32.080 --> 0:54:34.000
<v Speaker 3>through the steps to go get the money. Go figure

0:54:34.040 --> 0:54:36.560
<v Speaker 3>it out. Shit. And I'm like, damn, this nigga did

0:54:36.640 --> 0:54:39.040
<v Speaker 3>all that and I didn't get nothing. This sucks. This

0:54:39.160 --> 0:54:41.840
<v Speaker 3>nigga sucks. But at the end of the day, it

0:54:42.000 --> 0:54:44.960
<v Speaker 3>was so true. I was like, yo, and I figured

0:54:45.000 --> 0:54:48.800
<v Speaker 3>out how to maneuver and figure and everything. Every detail

0:54:48.960 --> 0:54:52.959
<v Speaker 3>was mandatory for my next elevation, you know what I'm saying.

0:54:53.000 --> 0:54:56.480
<v Speaker 3>So it's crazy, but anyway, that's not where I was at.

0:54:56.520 --> 0:54:58.120
<v Speaker 3>You got me over here going broke and stuff like that.

0:54:58.160 --> 0:55:00.279
<v Speaker 3>Where losing my money? Where was I at? No? I

0:55:00.320 --> 0:55:02.400
<v Speaker 3>was somewhere else, is going brilliant?

0:55:02.440 --> 0:55:07.560
<v Speaker 2>All right, Yo, you got your money from Chris lady up,

0:55:08.480 --> 0:55:11.640
<v Speaker 2>you got the two hundred and twenty, and he was

0:55:11.680 --> 0:55:12.360
<v Speaker 2>feeling yourself.

0:55:12.400 --> 0:55:14.120
<v Speaker 3>I was doing as much as one person could do.

0:55:14.280 --> 0:55:18.680
<v Speaker 3>I'll talk about So. Then I bump into Chris Brown, right, No, no, no,

0:55:18.719 --> 0:55:21.399
<v Speaker 3>not yet, Chris Lighty, No no, no, Let's go back

0:55:21.400 --> 0:55:23.880
<v Speaker 3>to June. That's where I was at so so so

0:55:24.400 --> 0:55:26.719
<v Speaker 3>Claire Demos. I'm sitting there at Dinner album. We walk

0:55:26.719 --> 0:55:30.239
<v Speaker 3>into Jimmy Ivin's house. Jimmy Ivien, me and Chris Lighty

0:55:30.239 --> 0:55:32.480
<v Speaker 3>sit there and play the music and I'm in Jimmy house.

0:55:32.520 --> 0:55:35.080
<v Speaker 3>I'm like, Jimmy made everybody. So I'm sitting there in

0:55:35.160 --> 0:55:37.680
<v Speaker 3>Jimmy house and I'm like, yo, I'm nervous, but I'm like, shit,

0:55:37.760 --> 0:55:40.880
<v Speaker 3>I just made the craziest album ever. I got Tina

0:55:40.920 --> 0:55:44.440
<v Speaker 3>Marie right here, press play. And he's sitting there, Jimmy.

0:55:44.440 --> 0:55:50.000
<v Speaker 3>He's like yeah with his hat, He's like, mansion is stupendous.

0:55:50.200 --> 0:55:53.560
<v Speaker 3>I'm sitting here like this is cantankerous. I'm in this joint,

0:55:53.640 --> 0:55:57.640
<v Speaker 3>like need me one of these, I'm saying. So anyway, yeah,

0:55:57.640 --> 0:56:00.440
<v Speaker 3>it's unusual activity. So I'm in gim me. I mean,

0:56:00.760 --> 0:56:02.720
<v Speaker 3>I'm sitting here, and I'm like, damn, this is crazy.

0:56:02.920 --> 0:56:06.000
<v Speaker 3>So we present play and so he's sitting there and

0:56:06.080 --> 0:56:10.680
<v Speaker 3>I'm she's nervous, so she ain't selling the records, so

0:56:10.800 --> 0:56:13.319
<v Speaker 3>I get to selling the records for her. Damn. There,

0:56:13.360 --> 0:56:16.319
<v Speaker 3>I'm in that mother like boo, I'm I'm sitting So

0:56:16.320 --> 0:56:18.320
<v Speaker 3>he's now paying attention to what I'm doing. I'm lipping

0:56:18.320 --> 0:56:21.400
<v Speaker 3>the words and this up then and then I'm here,

0:56:21.600 --> 0:56:24.239
<v Speaker 3>so I just take because she ain't able to right

0:56:24.239 --> 0:56:26.799
<v Speaker 3>now for some reason, she not being her. She's a

0:56:26.840 --> 0:56:30.720
<v Speaker 3>star twenty four to seven, but something made her not deliver,

0:56:31.320 --> 0:56:33.560
<v Speaker 3>and I said, damn, so I had to take the

0:56:33.600 --> 0:56:36.480
<v Speaker 3>floor and I'm instead and I'm you know, as a producer.

0:56:36.560 --> 0:56:38.120
<v Speaker 3>We still we made it. So we're sitting there and

0:56:38.120 --> 0:56:41.319
<v Speaker 3>we know how to still deliver whatever's happening. And so

0:56:41.360 --> 0:56:45.239
<v Speaker 3>he's sitting there, so he tells Chrisy goes, Okay, I

0:56:45.880 --> 0:56:49.400
<v Speaker 3>like her, but he's the star, so what do you

0:56:49.440 --> 0:56:54.040
<v Speaker 3>want to do with him? And so she so Chris

0:56:54.400 --> 0:56:57.680
<v Speaker 3>Landy like, oh, Okay, well we'll figure it out. Let's

0:56:57.719 --> 0:56:59.719
<v Speaker 3>talk and to that. So we get in the car

0:57:00.520 --> 0:57:03.759
<v Speaker 3>and she starts crying, breaking it down. She acting like

0:57:04.280 --> 0:57:08.000
<v Speaker 3>I did it something. So I'm like, damn. Like so

0:57:08.120 --> 0:57:11.279
<v Speaker 3>that's another thing, managing artists and them whole. So I'm

0:57:11.320 --> 0:57:15.120
<v Speaker 3>like damn. So I'm sitting here with her and I'm like, listen,

0:57:15.440 --> 0:57:17.240
<v Speaker 3>you didn't sell it. Period.

0:57:17.360 --> 0:57:18.080
<v Speaker 2>You said that to her?

0:57:18.400 --> 0:57:22.000
<v Speaker 3>What me, I'm saying everything. I'm telling her you didn't

0:57:22.040 --> 0:57:24.480
<v Speaker 3>sell it. We did all this and you didn't sell it.

0:57:24.800 --> 0:57:27.400
<v Speaker 3>So that's not my fault. You're supposed to sell it.

0:57:27.600 --> 0:57:30.200
<v Speaker 3>So me and her do all that, and she like, ah,

0:57:30.440 --> 0:57:33.760
<v Speaker 3>it's a whole thing. So I tell Chris, I say, Chris,

0:57:33.800 --> 0:57:35.880
<v Speaker 3>I need you to set something up. She don't feel

0:57:35.920 --> 0:57:38.760
<v Speaker 3>good about herself right now. It feels like this is this,

0:57:39.520 --> 0:57:41.920
<v Speaker 3>we got it. We gotta deliver. And Chris like, I'm

0:57:41.920 --> 0:57:43.160
<v Speaker 3>gonna call La Red.

0:57:43.440 --> 0:57:46.200
<v Speaker 2>I'm like, all right, do you leave Jimmy with the

0:57:46.240 --> 0:57:47.479
<v Speaker 2>whole I want him?

0:57:47.920 --> 0:57:50.800
<v Speaker 3>So he was see Chris started kind of like like,

0:57:51.040 --> 0:57:53.200
<v Speaker 3>we'll circle back to Jimmy because he want to work

0:57:53.240 --> 0:57:57.600
<v Speaker 3>with you. Because Jimmy signs Timberland's producers and doctor dres

0:57:57.680 --> 0:58:01.320
<v Speaker 3>and forrels and that's what that's what Jimmy. Yeah, so

0:58:01.440 --> 0:58:03.560
<v Speaker 3>he's met people like me show up. He like, oh,

0:58:03.560 --> 0:58:06.160
<v Speaker 3>it's another to doctor Dry. That's why I come over.

0:58:06.520 --> 0:58:09.320
<v Speaker 3>So he's on that type of vibe. But that's where

0:58:09.360 --> 0:58:12.760
<v Speaker 3>he's thinking. But she's like, I'm still in the middle

0:58:12.800 --> 0:58:15.280
<v Speaker 3>of I just completed this project and gave her all

0:58:15.280 --> 0:58:18.680
<v Speaker 3>these promises. Claire. I got you out the hood, I

0:58:18.720 --> 0:58:22.200
<v Speaker 3>got you you good. We're from Detroit. It's over. It's us,

0:58:22.440 --> 0:58:24.960
<v Speaker 3>it's just me and you against the world. And Chris,

0:58:25.120 --> 0:58:27.040
<v Speaker 3>let's get it done. I promised you you was gonna

0:58:27.040 --> 0:58:29.560
<v Speaker 3>get signed. I know, nobody ever did it. I'm gonna

0:58:29.600 --> 0:58:31.280
<v Speaker 3>do it for you. And I was, and I was

0:58:31.320 --> 0:58:34.080
<v Speaker 3>stuck on it. So I told Chris right now, forget me,

0:58:34.560 --> 0:58:38.760
<v Speaker 3>let's go to somebody. So he hit He hit La Reid.

0:58:39.240 --> 0:58:42.760
<v Speaker 3>So we missed the flight to go meet La Red.

0:58:43.640 --> 0:58:47.080
<v Speaker 3>So I'm like, oh my god. So I'm just in

0:58:47.160 --> 0:58:52.040
<v Speaker 3>the airport with Claire. I'm losing it. Claire's like, Yo,

0:58:52.200 --> 0:58:57.480
<v Speaker 3>this is crazy because I always miss every flight because

0:58:57.560 --> 0:59:02.000
<v Speaker 3>I'm my My scheduling is try. So I missed the flight.

0:59:02.680 --> 0:59:05.560
<v Speaker 3>She's looking at me like I've done, signed to the

0:59:05.600 --> 0:59:09.720
<v Speaker 3>most incompetent. He's a genius, but he just what is

0:59:09.720 --> 0:59:14.160
<v Speaker 3>he doing? So she's sitting here and she's like, she's

0:59:14.400 --> 0:59:17.600
<v Speaker 3>a white girl, but she's a black woman. It's not

0:59:17.720 --> 0:59:20.320
<v Speaker 3>a normal. Yeah, it's not She's not a normal. So

0:59:20.360 --> 0:59:24.440
<v Speaker 3>she's sitting there like and I'm like, damn. I'm like,

0:59:24.920 --> 0:59:29.959
<v Speaker 3>I just missed a flight. So Chris like, you missed

0:59:30.000 --> 0:59:32.960
<v Speaker 3>a flight. So he cussing me out. So I'm like, damn.

0:59:33.400 --> 0:59:35.880
<v Speaker 3>I'm like, so he like, listen, I set it up

0:59:35.920 --> 0:59:38.880
<v Speaker 3>for a week later. Get here in a week, bro,

0:59:39.080 --> 0:59:41.880
<v Speaker 3>if you miss this flight, don't talk to me for

0:59:42.280 --> 0:59:44.920
<v Speaker 3>I'm not even talking to you no more. I'm like, damn.

0:59:45.400 --> 0:59:47.800
<v Speaker 3>So I get on the flight. I'm domn there sleeping

0:59:47.840 --> 0:59:51.320
<v Speaker 3>the airport. I'm in that the flight. I'm not the

0:59:51.360 --> 0:59:54.800
<v Speaker 3>flight on Wednesday. I'm in there Tuesday. Like I'm in

0:59:54.880 --> 0:59:57.840
<v Speaker 3>that joint right, I don't even care. So we get

0:59:57.840 --> 1:00:00.720
<v Speaker 3>on that flight, made, we go to La re We

1:00:00.760 --> 1:00:04.600
<v Speaker 3>go to La Reid's office. When we go to La

1:00:04.720 --> 1:00:08.800
<v Speaker 3>Reid's office, I'm in there with this an r that

1:00:08.920 --> 1:00:12.000
<v Speaker 3>was kind of like feeling Claire a little bit off

1:00:12.080 --> 1:00:14.960
<v Speaker 3>what was going on, named Randy Rozano and so she

1:00:15.200 --> 1:00:18.440
<v Speaker 3>was like kind of champion and like whatever you wanted.

1:00:18.520 --> 1:00:20.520
<v Speaker 3>Like she was like, yo, when you go to La Reid,

1:00:20.560 --> 1:00:22.520
<v Speaker 3>I'm gonna be in there like that was one of

1:00:22.520 --> 1:00:24.760
<v Speaker 3>his main a and rs. She like, y'all, I'm gonna

1:00:24.760 --> 1:00:27.200
<v Speaker 3>be with y'all. Like this is crazy, like I love it,

1:00:27.280 --> 1:00:30.200
<v Speaker 3>and everybody respected Chris. So everybody's kind of like, yo,

1:00:30.280 --> 1:00:32.520
<v Speaker 3>let's do it, like this is a thing. And so

1:00:33.000 --> 1:00:35.840
<v Speaker 3>I took Claire. I'm like, listen before we go in here,

1:00:37.360 --> 1:00:40.840
<v Speaker 3>you this is where Rihanna came from. You're Rihanna. This

1:00:40.920 --> 1:00:44.200
<v Speaker 3>has to happen. Let's go like this is not a game.

1:00:44.440 --> 1:00:48.960
<v Speaker 3>I'm not gonna be selling your sell yourself. Please, this

1:00:49.040 --> 1:00:51.040
<v Speaker 3>is crazy. And she like I got this, don't worry

1:00:51.080 --> 1:00:53.400
<v Speaker 3>about it. I got it. I'm like all right, cool.

1:00:53.520 --> 1:00:56.920
<v Speaker 3>So we go up at La Reid's office and La

1:00:56.960 --> 1:00:58.480
<v Speaker 3>Reid sitting there and he's like, no, da da, but

1:00:58.520 --> 1:01:03.040
<v Speaker 3>see Claire's bad. So La read like he got the

1:01:03.120 --> 1:01:05.720
<v Speaker 3>Rihanna's and the Pink singer. So when he sees something,

1:01:05.760 --> 1:01:09.360
<v Speaker 3>he's like, so she walk in and she come in

1:01:09.400 --> 1:01:13.800
<v Speaker 3>and da da da. He like, okay, go ahead, play it.

1:01:13.880 --> 1:01:16.520
<v Speaker 3>But when you playing the song perform it. I'm like,

1:01:16.680 --> 1:01:22.240
<v Speaker 3>oh my god. So I'm like, this is finnicky crazy already.

1:01:22.280 --> 1:01:25.040
<v Speaker 3>I'm like, don't even know. But I'm like, oh, so clear,

1:01:25.200 --> 1:01:27.919
<v Speaker 3>get up, and she'd kill it. She'd get to doing

1:01:28.080 --> 1:01:30.560
<v Speaker 3>whatever they be doing when you do stuff. So she

1:01:30.720 --> 1:01:32.640
<v Speaker 3>was cooking the records crazy and she in it, and

1:01:32.720 --> 1:01:35.880
<v Speaker 3>she telling him, oh, this is she's singing the record

1:01:35.920 --> 1:01:39.200
<v Speaker 3>and the record crazy sound like a new reality. And

1:01:39.240 --> 1:01:42.720
<v Speaker 3>he like, all right, get y'all, go go ahead, and

1:01:43.960 --> 1:01:45.640
<v Speaker 3>I get it. I get it. So he tells us

1:01:45.680 --> 1:01:47.320
<v Speaker 3>I get it. In the middle of us doing this,

1:01:47.400 --> 1:01:50.040
<v Speaker 3>She's like, I get it. Okay, y'all go ahead, go outside.

1:01:50.280 --> 1:01:52.480
<v Speaker 3>Let's I'm gonna talk to Chris. I get it, Like

1:01:52.520 --> 1:01:56.360
<v Speaker 3>I've seen enough. I'm like, damn. So we go outside

1:01:56.400 --> 1:01:58.480
<v Speaker 3>and I'm sitting there. I'm like, damn, you blew it.

1:01:58.720 --> 1:02:01.720
<v Speaker 3>I told you about this stupid ass dress you do

1:02:01.760 --> 1:02:04.160
<v Speaker 3>on war and this probably would mess up. And she's like,

1:02:04.200 --> 1:02:08.120
<v Speaker 3>man I did. So we in the in the lobby

1:02:08.280 --> 1:02:11.200
<v Speaker 3>arguing about whatever the fuck because I'm thinking she I'm like,

1:02:11.280 --> 1:02:13.880
<v Speaker 3>I don't even know. So then Chris Lighty and La

1:02:13.960 --> 1:02:15.880
<v Speaker 3>Reed come out with the other n rs and they're like,

1:02:15.920 --> 1:02:19.040
<v Speaker 3>all right, all right, do you want the deal. I'm like,

1:02:19.080 --> 1:02:21.880
<v Speaker 3>what deal. They're like, listen, we're gonna go across the

1:02:21.920 --> 1:02:24.280
<v Speaker 3>street to Lavo. We're gonna let the lawyers do the deal.

1:02:24.680 --> 1:02:26.880
<v Speaker 3>We're giving her her record deal right now. Y'all not

1:02:26.960 --> 1:02:32.080
<v Speaker 3>leaving until we signing it. And I'm like, huh, so

1:02:32.240 --> 1:02:35.640
<v Speaker 3>me and her we it's up. So she started crying.

1:02:35.760 --> 1:02:38.880
<v Speaker 3>We running around. It's that. I'm like, oh, it's up.

1:02:38.960 --> 1:02:43.600
<v Speaker 3>So I'm like, damn. So I'm sitting there with her like, yo,

1:02:44.520 --> 1:02:46.960
<v Speaker 3>I can't believe I just did this because I really

1:02:47.280 --> 1:02:51.240
<v Speaker 3>manifested and created and it worked and we're here, and

1:02:51.320 --> 1:02:54.400
<v Speaker 3>so they like, no, so I go. And that was

1:02:54.400 --> 1:02:58.160
<v Speaker 3>my first seven hundred and fifty thousand so I sold.

1:02:58.280 --> 1:03:01.040
<v Speaker 3>I was twenty one. I think I sold her for

1:03:01.120 --> 1:03:05.480
<v Speaker 3>seven hundred. She signed to me. It's called fs O

1:03:06.160 --> 1:03:09.280
<v Speaker 3>for the Services Up. So she signed on my production company,

1:03:09.320 --> 1:03:12.000
<v Speaker 3>and she signed the Epic Records through me. So so

1:03:12.640 --> 1:03:18.800
<v Speaker 3>I basically you leased the artist pretty much. Anyway. I

1:03:18.800 --> 1:03:22.000
<v Speaker 3>got the check, bought her a brand new Rams Rover,

1:03:22.640 --> 1:03:25.480
<v Speaker 3>gave her a check, got her out her apartment. She

1:03:25.560 --> 1:03:28.120
<v Speaker 3>was living with her sister and her mom and it's

1:03:28.200 --> 1:03:30.640
<v Speaker 3>like over there in the middle of Korea town and

1:03:30.680 --> 1:03:33.560
<v Speaker 3>something crazy. It was like it was crazy, but got

1:03:33.600 --> 1:03:36.360
<v Speaker 3>them their own spot. They moved into this house. And

1:03:36.440 --> 1:03:41.240
<v Speaker 3>that was the first time I ever flipped. That was

1:03:41.440 --> 1:03:48.320
<v Speaker 3>that was like my first legal brick. Like I like load,

1:03:48.960 --> 1:03:50.920
<v Speaker 3>like I found a collect that was pretty much a

1:03:50.920 --> 1:03:54.439
<v Speaker 3>Colombian connect and I just flipped the whole. All that's

1:03:54.520 --> 1:03:56.560
<v Speaker 3>gone one load. I showed up and we got out

1:03:56.600 --> 1:03:58.960
<v Speaker 3>of there safe and the gorillas didn't get us. That

1:03:59.720 --> 1:04:02.000
<v Speaker 3>was the most money I had ever seen at the time,

1:04:02.040 --> 1:04:04.840
<v Speaker 3>so I'm like, oh my god, and I just went broke.

1:04:05.800 --> 1:04:08.240
<v Speaker 3>That was the thing. I lost all the money doing

1:04:08.280 --> 1:04:10.040
<v Speaker 3>too much because I had just got all that. The

1:04:10.120 --> 1:04:15.520
<v Speaker 3>second again, yeah yeah, definitely lost again. But but that too,

1:04:15.600 --> 1:04:18.560
<v Speaker 3>I just was I was down there like two ninety

1:04:18.600 --> 1:04:22.480
<v Speaker 3>I was down there like two and nine dollars. I

1:04:22.600 --> 1:04:24.800
<v Speaker 3>was down I'll tell you all to you know where

1:04:24.840 --> 1:04:27.000
<v Speaker 3>I was at. It was bad. But anyway, so I'm

1:04:27.080 --> 1:04:30.520
<v Speaker 3>sitting there broke, busted and discussed in the office. Boom

1:04:30.560 --> 1:04:32.720
<v Speaker 3>that check come through. It's another seven. I'm like, oh,

1:04:32.760 --> 1:04:35.800
<v Speaker 3>I'm up now up So now I'm like, oh, so

1:04:36.880 --> 1:04:39.120
<v Speaker 3>signed her there. That was the first time I ever

1:04:39.160 --> 1:04:42.800
<v Speaker 3>went through having an artist and a major. That whole

1:04:42.840 --> 1:04:45.120
<v Speaker 3>situation went far left. But we're not going to go

1:04:45.480 --> 1:04:49.000
<v Speaker 3>into what that was because that was crazy. But you

1:04:49.000 --> 1:04:51.120
<v Speaker 3>know that taught me a whole bunch of stuff there

1:04:51.120 --> 1:04:56.040
<v Speaker 3>in terms of signing artist to majors and then the net.

1:04:56.080 --> 1:04:58.440
<v Speaker 3>Let's keep skipping. The next big check was when I

1:04:58.520 --> 1:05:01.800
<v Speaker 3>signed a label deal myself to Craig Calman. That was

1:05:01.920 --> 1:05:02.760
<v Speaker 3>my first millions.

1:05:04.080 --> 1:05:06.320
<v Speaker 2>Chris Oh, Chris Lighty, Chris Brown.

1:05:06.800 --> 1:05:10.480
<v Speaker 3>That's where we're going, like watching a movie.

1:05:10.560 --> 1:05:12.440
<v Speaker 2>Yeah, literally, I can have popcorn right now.

1:05:12.360 --> 1:05:15.480
<v Speaker 3>No, no, no, no, So Chris Lighty oh ye, okay,

1:05:15.480 --> 1:05:18.800
<v Speaker 3>we gotta wrap this up. So Chris Lighty, this is

1:05:18.840 --> 1:05:24.000
<v Speaker 3>the sick part about this. Chris Lighty dies out the blue,

1:05:25.360 --> 1:05:31.200
<v Speaker 3>right out the blue. So I'm like, what the so

1:05:31.240 --> 1:05:38.320
<v Speaker 3>they called me like Chris dead. I'm like, huh, Chris

1:05:38.320 --> 1:05:43.919
<v Speaker 3>who Chris Lighty dead. I'm like, hold on, bro, what

1:05:45.360 --> 1:05:49.640
<v Speaker 3>so I'm like what So I'm fucked off. My head

1:05:49.720 --> 1:05:53.800
<v Speaker 3>is fucked I'm like, bro, So I'm calling Dave. I'm crying.

1:05:53.840 --> 1:05:56.720
<v Speaker 3>I'm fucked up. I'm like, what is going on? So?

1:05:56.960 --> 1:06:02.680
<v Speaker 3>This whole conspiracy is crazy? Ship. I'm like dude, what

1:06:02.840 --> 1:06:08.120
<v Speaker 3>is going So once he once he died, all the

1:06:08.240 --> 1:06:12.120
<v Speaker 3>vultures just fool. It got bad, right, It got bad

1:06:12.240 --> 1:06:15.840
<v Speaker 3>right away because they already didn't like me. You understand,

1:06:16.040 --> 1:06:18.680
<v Speaker 3>they didn't like me. They had to like me. Yeah,

1:06:18.800 --> 1:06:20.800
<v Speaker 3>that's the thing. They had to like me because I

1:06:20.840 --> 1:06:24.200
<v Speaker 3>pressed playing my speakers was smacking their stupid asses, and

1:06:24.240 --> 1:06:26.480
<v Speaker 3>they had to like me because of who I was with,

1:06:26.840 --> 1:06:30.040
<v Speaker 3>and it was hierarchy, so they couldn't do nothing about

1:06:30.120 --> 1:06:33.240
<v Speaker 3>but like, all right, he's next. He guess he's the

1:06:33.280 --> 1:06:36.280
<v Speaker 3>next Kanye like they had to, but they didn't want

1:06:36.320 --> 1:06:40.080
<v Speaker 3>to and they didn't. So when he died, and my MoMA,

1:06:40.200 --> 1:06:44.520
<v Speaker 3>one thing I remember I'll never forget. I walked into

1:06:44.560 --> 1:06:47.120
<v Speaker 3>I snuck into the being my Awards and I walked

1:06:47.160 --> 1:06:49.440
<v Speaker 3>into the being my Awards. And I'm gonna leave the

1:06:49.480 --> 1:06:52.320
<v Speaker 3>exact name out of it because I liked the exact now,

1:06:52.880 --> 1:06:54.800
<v Speaker 3>but back then it was the wick. It was the

1:06:54.880 --> 1:06:57.640
<v Speaker 3>coldest shit I ever heard. And Nigga tell me so,

1:06:58.440 --> 1:07:00.800
<v Speaker 3>I had already liked been trying to reach out to

1:07:00.840 --> 1:07:03.440
<v Speaker 3>people afterwards, to do certain things, even trying to reach

1:07:03.480 --> 1:07:06.080
<v Speaker 3>out to the label, and they didn't want to respond.

1:07:06.560 --> 1:07:08.800
<v Speaker 3>And now they direct with my artists and I can't

1:07:08.840 --> 1:07:09.680
<v Speaker 3>even get it.

1:07:09.800 --> 1:07:10.280
<v Speaker 2>Jesus.

1:07:10.360 --> 1:07:14.360
<v Speaker 3>So now the artists and all them is all best

1:07:14.360 --> 1:07:16.800
<v Speaker 3>friends and I can't even nobody want to answer my calls.

1:07:17.320 --> 1:07:21.120
<v Speaker 3>Now it's Rock who is Ain't no Chris, It's just Rock.

1:07:21.520 --> 1:07:25.800
<v Speaker 3>So now I'm the little nigga again. I'm nobody again.

1:07:26.240 --> 1:07:28.080
<v Speaker 3>So I'm sitting there and I'm like, damn, so I

1:07:28.080 --> 1:07:30.320
<v Speaker 3>can't even get to the label. They taking my artists.

1:07:30.360 --> 1:07:33.040
<v Speaker 3>She running around sessions and were about to drop. I

1:07:33.040 --> 1:07:35.439
<v Speaker 3>don't know nothing about it. They doing whatever they want

1:07:35.440 --> 1:07:37.880
<v Speaker 3>to do, and I'm trying to reach out to La

1:07:37.960 --> 1:07:40.040
<v Speaker 3>Read and I can't get to them. None of them

1:07:40.080 --> 1:07:42.320
<v Speaker 3>want to answer my call. So I'm like, man, it's crazy.

1:07:42.640 --> 1:07:46.560
<v Speaker 3>So everybody kind of just blackball. It was like nobody was.

1:07:46.640 --> 1:07:48.440
<v Speaker 3>It was like as soon as Chris, they was like,

1:07:48.480 --> 1:07:50.960
<v Speaker 3>why would we answer the phone without Chris? This isn't

1:07:50.960 --> 1:07:55.080
<v Speaker 3>making any sense right, So what happens is I'm like

1:07:55.160 --> 1:07:57.439
<v Speaker 3>most people would have been like, damn, man, they ain't

1:07:57.440 --> 1:08:00.800
<v Speaker 3>fuck with me. I'm done. But obviously lead that's when

1:08:00.840 --> 1:08:05.360
<v Speaker 3>that confidence, like whatever God has for me, no man

1:08:05.400 --> 1:08:09.439
<v Speaker 3>could stop. So I already knew, like y'all are trying

1:08:09.480 --> 1:08:12.360
<v Speaker 3>to play me and just fueled me. Most people fold

1:08:12.480 --> 1:08:15.080
<v Speaker 3>when they give that type of energy, they fold up.

1:08:15.360 --> 1:08:18.160
<v Speaker 3>I get amped from it. It's like a big It's

1:08:18.240 --> 1:08:20.439
<v Speaker 3>like the big that comes from me being in the

1:08:20.439 --> 1:08:23.360
<v Speaker 3>streets the biggest dude hop out and oh what's up,

1:08:23.680 --> 1:08:26.000
<v Speaker 3>and everybody like hey, backing up, and man, I don't

1:08:26.000 --> 1:08:29.040
<v Speaker 3>want to I'm like, huh, I feel like now you think,

1:08:29.439 --> 1:08:31.920
<v Speaker 3>now you think you want to show me. I'm finished

1:08:31.920 --> 1:08:33.680
<v Speaker 3>try and do some amazing shit. So I want to

1:08:33.720 --> 1:08:36.320
<v Speaker 3>show out. So I'm trying to do I always was

1:08:36.360 --> 1:08:38.040
<v Speaker 3>that guy. I want to fight the biggest dude. I

1:08:38.120 --> 1:08:42.519
<v Speaker 3>want to whatever. So I went after everybody pretty much

1:08:42.520 --> 1:08:44.240
<v Speaker 3>in a nutshell in a different type of way. I'm like,

1:08:44.280 --> 1:08:45.960
<v Speaker 3>I gotta play chess. They don't want to let me

1:08:45.960 --> 1:08:54.599
<v Speaker 3>in the door. I'ma figure this out my throat. So

1:08:55.160 --> 1:08:56.880
<v Speaker 3>I went to the b and my awards and wasn't

1:08:56.920 --> 1:08:58.880
<v Speaker 3>nobody fucking with me. It was all what it was.

1:08:59.320 --> 1:09:02.280
<v Speaker 3>And when I went to be in my awards, the dude,

1:09:02.280 --> 1:09:07.160
<v Speaker 3>the executive, powerful executive, he sees me, he goes, yo,

1:09:07.280 --> 1:09:12.439
<v Speaker 3>So how you being? I'm like, man, Ever since Chris

1:09:12.520 --> 1:09:15.439
<v Speaker 3>Lighty died, Man, this industry just I'm seeing how fake

1:09:15.479 --> 1:09:19.719
<v Speaker 3>it is. He's like, yeah, man, like Chris Lighty died,

1:09:21.280 --> 1:09:23.040
<v Speaker 3>we didn't really want you in the building in the

1:09:23.080 --> 1:09:26.160
<v Speaker 3>first place, Like we talked to you. He tells me,

1:09:26.200 --> 1:09:28.040
<v Speaker 3>we didn't want you in the building in the first place.

1:09:28.280 --> 1:09:33.679
<v Speaker 3>You you pretty much Chris barged his way in there

1:09:33.760 --> 1:09:35.880
<v Speaker 3>with you, and we couldn't do nothing about it. But

1:09:36.600 --> 1:09:39.680
<v Speaker 3>at the end of the day, he's gone. So I

1:09:39.680 --> 1:09:42.240
<v Speaker 3>don't know what the hell you're gonna do now because

1:09:42.479 --> 1:09:44.560
<v Speaker 3>I don't see it happening. But he'd been waiting to

1:09:44.560 --> 1:09:46.599
<v Speaker 3>say this. This is how wicked he be on the low.

1:09:46.720 --> 1:09:51.400
<v Speaker 3>They don't see it happening. But good luck, bro, and yeah, man,

1:09:51.640 --> 1:09:54.880
<v Speaker 3>it's all good. This is a jew too, It's all good.

1:09:54.920 --> 1:09:59.040
<v Speaker 3>I holler at you. I'm like, damn, I'm like I said, listen,

1:09:59.280 --> 1:10:01.800
<v Speaker 3>I said, Chris Lighty is gone, and you think my

1:10:01.880 --> 1:10:04.360
<v Speaker 3>career over. He's like, I don't think your career is over,

1:10:04.479 --> 1:10:08.080
<v Speaker 3>but I just don't see what you're gonna do next.

1:10:08.680 --> 1:10:12.240
<v Speaker 3>I said, well, first of all, what you gotta understand

1:10:12.360 --> 1:10:15.160
<v Speaker 3>is this shit is in me on a scale. You

1:10:15.320 --> 1:10:17.960
<v Speaker 3>haven't even you the fact that you just said that.

1:10:18.280 --> 1:10:21.760
<v Speaker 3>I said, I guarantee you you'll be cutting me a

1:10:21.880 --> 1:10:23.960
<v Speaker 3>check soon, but I'm gonna holler at you, so we'll

1:10:23.920 --> 1:10:27.160
<v Speaker 3>want to shake his hand. So he like, uh so boom,

1:10:27.240 --> 1:10:30.760
<v Speaker 3>So I go back. I tell I guarantee you you're

1:10:30.760 --> 1:10:33.639
<v Speaker 3>gonna cut me a check soon. And that's saying nigga

1:10:33.760 --> 1:10:37.800
<v Speaker 3>ended up cutting me multiple checks. But the crazy thing

1:10:37.920 --> 1:10:41.040
<v Speaker 3>is crazy thing is they will try and blacklist you

1:10:41.120 --> 1:10:44.160
<v Speaker 3>to the maximum capacity if they feel like they can't.

1:10:44.439 --> 1:10:47.760
<v Speaker 3>The industry is so scandalous if they can get you

1:10:47.800 --> 1:10:50.720
<v Speaker 3>out the way they will. They're all scary ass executives.

1:10:50.880 --> 1:10:53.360
<v Speaker 3>None of them want to be taking risk and putting

1:10:53.400 --> 1:10:57.360
<v Speaker 3>their job on the line for you. And so I

1:10:57.520 --> 1:11:00.880
<v Speaker 3>ended up, you know, kind of like have to navigate

1:11:01.080 --> 1:11:04.439
<v Speaker 3>my artists being took me, kind of running through my

1:11:04.520 --> 1:11:10.040
<v Speaker 3>bread not having nothing going on into who brought me

1:11:10.080 --> 1:11:15.240
<v Speaker 3>back to life Mark Pitts with Chris Brown. So after

1:11:15.360 --> 1:11:18.439
<v Speaker 3>all of that, right, you understand, after all of that,

1:11:18.840 --> 1:11:24.400
<v Speaker 3>I'm sitting there and I'm just like doing independent projects

1:11:24.439 --> 1:11:26.920
<v Speaker 3>really like I gotta I'm hustling, and so I'm just

1:11:27.000 --> 1:11:31.519
<v Speaker 3>doing independent projects. And so like I got a new

1:11:31.560 --> 1:11:37.559
<v Speaker 3>girlfriend and she was signed the TI and I took her.

1:11:37.680 --> 1:11:40.559
<v Speaker 3>And now they feel some time. It's crazy. So I'm

1:11:40.600 --> 1:11:43.839
<v Speaker 3>already politic and all kind of stuff, right, it's crazy.

1:11:44.200 --> 1:11:47.599
<v Speaker 3>I'm already in the mix. So I'm like, damn, like,

1:11:47.800 --> 1:11:51.040
<v Speaker 3>I just keep running into roadblocks. So I'm sitting there

1:11:51.080 --> 1:11:55.240
<v Speaker 3>and one day Chris Lighty, no Chris like Mark Pitts

1:11:55.240 --> 1:11:58.759
<v Speaker 3>calls me and he goes, hey, you still make music.

1:11:59.600 --> 1:12:03.040
<v Speaker 3>I'm like, what do I make? I said, Now, Mark,

1:12:03.640 --> 1:12:06.080
<v Speaker 3>you know I'm the greatest that ever lived. Why would

1:12:06.080 --> 1:12:08.040
<v Speaker 3>you call me and ask me? Am I still the

1:12:08.040 --> 1:12:10.839
<v Speaker 3>greatest that ever lived? And he goes, you are nuts?

1:12:11.160 --> 1:12:13.439
<v Speaker 3>He said, Yo, pull up on me, man, we're doing

1:12:13.439 --> 1:12:15.960
<v Speaker 3>this Chris Brown camp, pull up on me. Let's see

1:12:15.960 --> 1:12:18.040
<v Speaker 3>what we can get accomplished. Like, I'm gonna just see.

1:12:18.320 --> 1:12:21.920
<v Speaker 3>So check this out. I had just gotten to a

1:12:22.120 --> 1:12:30.040
<v Speaker 3>whole pretty much scuffle with Chris Brown's whole team in

1:12:30.120 --> 1:12:32.280
<v Speaker 3>the club supper club the night before.

1:12:33.040 --> 1:12:33.599
<v Speaker 2>Oh my god.

1:12:34.040 --> 1:12:38.040
<v Speaker 3>So so I'm in. I'm in. This is how crazy

1:12:38.040 --> 1:12:40.120
<v Speaker 3>it is because I'm in the club, so like, this

1:12:40.160 --> 1:12:42.400
<v Speaker 3>is how I'm doing stuff. So I'm in the club

1:12:42.720 --> 1:12:44.360
<v Speaker 3>supper club and all this stuff because this where all

1:12:44.360 --> 1:12:46.599
<v Speaker 3>the stars is coming, Like everybody's there, all the big

1:12:46.640 --> 1:12:48.880
<v Speaker 3>stars of the time, kept coming to supper club. Yanna

1:12:48.920 --> 1:12:51.280
<v Speaker 3>be there, this person be there, and my boy Johnny Cruz,

1:12:51.280 --> 1:12:53.680
<v Speaker 3>who I grew up with, was running the club. It's

1:12:53.680 --> 1:12:55.880
<v Speaker 3>the biggest club in Hollywood. So I'm in there and

1:12:55.920 --> 1:12:58.080
<v Speaker 3>I'm at the main table and he just like, just

1:12:58.160 --> 1:12:59.920
<v Speaker 3>give me a thousand and give me. So I'm by

1:13:00.200 --> 1:13:04.080
<v Speaker 3>bottles and I got bad, bitch. It's ridiculous. I got five, six,

1:13:04.200 --> 1:13:06.759
<v Speaker 3>seven bad. So I'm walking in with seven eight bad bitches.

1:13:06.880 --> 1:13:08.920
<v Speaker 3>And then they're like, damn, it's a good was this

1:13:09.040 --> 1:13:12.680
<v Speaker 3>Hugh Hefner. I'm walking in So Chris Brown. This is

1:13:12.680 --> 1:13:15.679
<v Speaker 3>the first time I ever interacted with him besides dance,

1:13:16.240 --> 1:13:19.720
<v Speaker 3>because I met Chris Brown two times before, but it

1:13:19.840 --> 1:13:22.599
<v Speaker 3>wasn't that type of experience. He came to the Jackson House.

1:13:22.760 --> 1:13:25.040
<v Speaker 3>You can actually look up Chris Brown going to the

1:13:25.080 --> 1:13:28.400
<v Speaker 3>Jackson House. I was there. He came to the Jackson

1:13:28.400 --> 1:13:31.120
<v Speaker 3>House to meet the Jackson kids because he's always idolized Michael.

1:13:31.439 --> 1:13:33.960
<v Speaker 3>First time I ever met Chris, but it was quick

1:13:34.000 --> 1:13:35.600
<v Speaker 3>and it was some Jackson. He probably thought I was

1:13:35.640 --> 1:13:38.280
<v Speaker 3>a Jackson kid, right. So I was in the I

1:13:38.360 --> 1:13:40.320
<v Speaker 3>was in there like I was in there doing whatever

1:13:40.360 --> 1:13:43.200
<v Speaker 3>they was doing. Hey, how are you. I think I

1:13:43.240 --> 1:13:45.240
<v Speaker 3>was switching it all up. I don't even know whatever

1:13:45.280 --> 1:13:49.880
<v Speaker 3>they was on. I was doing, yes, but hey, mister Brown,

1:13:50.040 --> 1:13:53.439
<v Speaker 3>are you because they talk real polite about everything, could

1:13:53.439 --> 1:13:56.439
<v Speaker 3>be cussing you out politely. So I'm sitting there with

1:13:56.479 --> 1:13:59.120
<v Speaker 3>them on some like whole other. I we all in there.

1:13:59.160 --> 1:14:01.840
<v Speaker 3>He's taking a picture and he's like in awe and

1:14:01.880 --> 1:14:04.439
<v Speaker 3>he's stars struck and I'm in there and I'm like, yeah,

1:14:04.439 --> 1:14:07.200
<v Speaker 3>I'm just blending in out and definitely the darkest one.

1:14:07.680 --> 1:14:10.640
<v Speaker 3>And so anyway, so that happened, right. That was the

1:14:10.680 --> 1:14:12.320
<v Speaker 3>first time I met him. Then I met him through

1:14:12.360 --> 1:14:17.040
<v Speaker 3>Crump obviously, because he started to use Crump in everything,

1:14:17.680 --> 1:14:19.840
<v Speaker 3>and so he would come to our Crump arenas Doun

1:14:19.920 --> 1:14:23.599
<v Speaker 3>the Missus Obviously. Chris Brother was one of my best

1:14:23.600 --> 1:14:26.519
<v Speaker 3>friends now right all these years later, but back then

1:14:26.560 --> 1:14:28.800
<v Speaker 3>I didn't know. We didn't know each other. So he

1:14:29.000 --> 1:14:32.000
<v Speaker 3>was sitting there and he was going through the Crump arenas,

1:14:32.000 --> 1:14:33.400
<v Speaker 3>and he was like one of the only stars that

1:14:33.439 --> 1:14:36.439
<v Speaker 3>would actually show up to the Crump sessions. So it'd

1:14:36.439 --> 1:14:39.920
<v Speaker 3>be big Crump sessions with all these people doing its

1:14:40.120 --> 1:14:43.040
<v Speaker 3>Crump anas, and he would show up in battle on stage,

1:14:43.080 --> 1:14:44.680
<v Speaker 3>like all right, cool call out. So he would come

1:14:44.720 --> 1:14:48.760
<v Speaker 3>with britty with me ho and then was like ops.

1:14:48.840 --> 1:14:51.559
<v Speaker 3>So for me, I'm like, ooh, he come with the ops.

1:14:51.720 --> 1:14:55.200
<v Speaker 3>So I'm bumping into him on a dance tip. It's

1:14:55.200 --> 1:14:57.719
<v Speaker 3>still that, you know what I'm saying. It ain't so anyway,

1:14:57.800 --> 1:14:59.559
<v Speaker 3>back to the club. So we in the club. I

1:14:59.560 --> 1:15:02.240
<v Speaker 3>got all these bitches, No, we're doing all this. So

1:15:02.920 --> 1:15:05.360
<v Speaker 3>one day he like, damn, his table over there was

1:15:05.400 --> 1:15:07.559
<v Speaker 3>kind of dry. He like, yo, So I had a

1:15:07.640 --> 1:15:12.120
<v Speaker 3>chick that looked like a bagging now, laters, unbelievable. I'm

1:15:12.120 --> 1:15:15.520
<v Speaker 3>talking the next level, just an all pink star burst.

1:15:15.680 --> 1:15:17.720
<v Speaker 3>And so he was sitting there. He was looking because Chris,

1:15:17.840 --> 1:15:19.880
<v Speaker 3>you know, he if it's a bad bitch around, he

1:15:19.880 --> 1:15:23.439
<v Speaker 3>don't even he like what's going. So I'm like, yo,

1:15:23.520 --> 1:15:25.600
<v Speaker 3>see me. He look over and I don't even know.

1:15:25.640 --> 1:15:28.120
<v Speaker 3>I'm like that. I'm like, so I sent him go

1:15:28.120 --> 1:15:30.200
<v Speaker 3>go to his table. I don't even want you here.

1:15:30.439 --> 1:15:31.120
<v Speaker 3>So I'm trying to.

1:15:31.120 --> 1:15:33.560
<v Speaker 2>Like, see you want it.

1:15:34.080 --> 1:15:37.280
<v Speaker 3>I did. It didn't matter anyone Politiican right now, these

1:15:37.360 --> 1:15:39.439
<v Speaker 3>niggas ain't messing it. I was just like, yo, I'm

1:15:39.439 --> 1:15:42.080
<v Speaker 3>trying to he's my we're the same age. So he

1:15:42.160 --> 1:15:43.720
<v Speaker 3>looking at me like, who is this nigga with all

1:15:43.760 --> 1:15:45.680
<v Speaker 3>this motion? Because who am I?

1:15:45.760 --> 1:15:47.160
<v Speaker 2>So you send over the appetizer?

1:15:47.360 --> 1:15:50.160
<v Speaker 3>I send over there? So he like, damn he said

1:15:50.240 --> 1:15:53.000
<v Speaker 3>this type of frequency. So he over there. He like, okay,

1:15:53.160 --> 1:15:54.960
<v Speaker 3>you kind of respect, like a little bit like, oh

1:15:54.960 --> 1:15:57.320
<v Speaker 3>a nigga, send you a couple bad But you're like, okay,

1:15:57.360 --> 1:15:59.479
<v Speaker 3>who why we ain't be gonna be best friends. But

1:15:59.520 --> 1:16:03.160
<v Speaker 3>it's like so the next week, he don't come to

1:16:03.240 --> 1:16:05.599
<v Speaker 3>the table, don't come to the club. But I come

1:16:05.640 --> 1:16:08.600
<v Speaker 3>back to saying I'm back six Chames, hey, look, and

1:16:08.720 --> 1:16:12.040
<v Speaker 3>then his crew come, what's you're all my niggas now?

1:16:12.280 --> 1:16:15.760
<v Speaker 3>But back then it wasn't. So then I get there.

1:16:15.800 --> 1:16:18.360
<v Speaker 3>I bought his table because they say he wasn't coming,

1:16:18.520 --> 1:16:20.960
<v Speaker 3>so I bought his table. So they come to his

1:16:21.080 --> 1:16:25.360
<v Speaker 3>table and they telling me like they telling me like, yo,

1:16:25.439 --> 1:16:29.000
<v Speaker 3>that's our table. Really, the homie chick was the one

1:16:29.040 --> 1:16:31.280
<v Speaker 3>pressing the line like this is my table. I'm like,

1:16:31.320 --> 1:16:33.640
<v Speaker 3>just say your fucking table? Fuck you talking about I

1:16:33.760 --> 1:16:36.679
<v Speaker 3>just cut to that. So I don't even know really

1:16:36.680 --> 1:16:40.479
<v Speaker 3>that that's his niggas. His cousin is Keys and Autumn

1:16:40.760 --> 1:16:43.280
<v Speaker 3>but we in it and we back and forth. So

1:16:43.320 --> 1:16:45.320
<v Speaker 3>she like, so he's stepping up for his girl. I'm like,

1:16:45.360 --> 1:16:49.200
<v Speaker 3>nigga woo. So we're now it's a whole fucking thing

1:16:49.640 --> 1:16:52.719
<v Speaker 3>between me and my niggas. Him keeps all these other niggas,

1:16:52.720 --> 1:16:54.640
<v Speaker 3>They're like ooh, So we get into it. I'm like,

1:16:54.680 --> 1:16:57.000
<v Speaker 3>what they do? What I'm saying? You know, I'm gangbanging. So

1:16:57.080 --> 1:16:59.880
<v Speaker 3>I'm doing this. I get right to I get right,

1:17:00.200 --> 1:17:02.639
<v Speaker 3>I go right back to South Central. I get right

1:17:02.680 --> 1:17:04.960
<v Speaker 3>back to that and mean what nigga wool? So I'm

1:17:05.000 --> 1:17:07.800
<v Speaker 3>dripping and they like what nigga bo. So it's back

1:17:07.840 --> 1:17:11.519
<v Speaker 3>and forth, and it's up because these niggas is Virginia, rowdy,

1:17:11.560 --> 1:17:14.559
<v Speaker 3>burnt out niggas, and plus a couple other niggas like

1:17:14.560 --> 1:17:17.599
<v Speaker 3>like Red. He had a couple of it, the hommy

1:17:17.680 --> 1:17:19.439
<v Speaker 3>Red and a couple other niggas. It's a couple of

1:17:19.439 --> 1:17:21.280
<v Speaker 3>buzz out here, different niggas. And he was sliding with

1:17:21.520 --> 1:17:23.519
<v Speaker 3>and they was there and I'm I'm payd we on

1:17:23.600 --> 1:17:25.800
<v Speaker 3>some show. It's up. So it's all kind of la

1:17:25.960 --> 1:17:28.599
<v Speaker 3>shit going on. So after that, I'm like, whoah, all right,

1:17:28.600 --> 1:17:30.439
<v Speaker 3>bet wool, and we don't bump into each other, nigga

1:17:30.439 --> 1:17:32.120
<v Speaker 3>because they came and broke it off. I wold, nigga,

1:17:32.120 --> 1:17:36.080
<v Speaker 3>we gonna wool, so we lead the club whatever. The

1:17:36.160 --> 1:17:40.639
<v Speaker 3>next day, Mark Pitts calls me the next day, right,

1:17:40.920 --> 1:17:44.040
<v Speaker 3>so I don't even not even thinking about nothing. So

1:17:44.200 --> 1:17:47.599
<v Speaker 3>I go into the studio Glenn Wood, and I walk in.

1:17:48.120 --> 1:17:52.240
<v Speaker 3>When I walk in, I walk by and all seven

1:17:52.320 --> 1:17:55.400
<v Speaker 3>of them niggas is sitting there in the lobby looking

1:17:55.439 --> 1:17:57.240
<v Speaker 3>at me like what the fuck? So when I walk up,

1:17:57.280 --> 1:17:59.200
<v Speaker 3>they hop up, they like, what's up with this nigga?

1:17:59.320 --> 1:18:01.719
<v Speaker 3>And I'm looking. I'm like, so I'm walking by this again,

1:18:01.680 --> 1:18:04.599
<v Speaker 3>and Mark like he come meet me in a lobby

1:18:04.680 --> 1:18:07.040
<v Speaker 3>like rock what up? So then they see Mark see

1:18:07.040 --> 1:18:09.120
<v Speaker 3>me and they know he the executive, so they're like

1:18:09.560 --> 1:18:12.880
<v Speaker 3>they kind of stop, like hold on, bro, like what

1:18:13.000 --> 1:18:15.599
<v Speaker 3>the fuck? So they on some shit. I'm on some shit.

1:18:15.640 --> 1:18:18.040
<v Speaker 3>I'm like yeah, So I tell Mark, I go in

1:18:18.040 --> 1:18:19.559
<v Speaker 3>the back. I ain't say nothing to Mark. I ain't

1:18:19.560 --> 1:18:21.800
<v Speaker 3>gonna lie. I ain't even tell him nothing. And he's

1:18:21.800 --> 1:18:24.000
<v Speaker 3>still to this day he talk to Mark Bnzy always

1:18:24.000 --> 1:18:27.120
<v Speaker 3>be like Yo, this nigga. He didn't even tell him nothing.

1:18:27.800 --> 1:18:30.040
<v Speaker 3>He takes me back to room see and glen Wood

1:18:30.320 --> 1:18:33.559
<v Speaker 3>and he tells me, all right, Rock, just try and

1:18:33.560 --> 1:18:36.000
<v Speaker 3>create something. You know what I'm saying. We working on Chris,

1:18:36.040 --> 1:18:39.240
<v Speaker 3>and just try and create something. And I'm like, all right,

1:18:39.800 --> 1:18:42.880
<v Speaker 3>shit whatever. So I go in there and I start

1:18:42.960 --> 1:18:47.360
<v Speaker 3>creating crazy shit, right. So the nigga come back in

1:18:48.560 --> 1:18:52.240
<v Speaker 3>like twelve minutes later, and he like, why the fuck

1:18:52.280 --> 1:18:54.679
<v Speaker 3>you didn't tell me you be beefing with these niggas.

1:18:54.720 --> 1:18:57.680
<v Speaker 3>You got in a fight with these niggas. Yes, So

1:18:57.800 --> 1:18:59.320
<v Speaker 3>Mark like, Rock, why you didn't tell me you got

1:18:59.360 --> 1:19:01.519
<v Speaker 3>in a fight with these And I'm like, but I

1:19:01.560 --> 1:19:05.639
<v Speaker 3>get to plan psychology. I'm like, so because I got

1:19:05.640 --> 1:19:09.280
<v Speaker 3>something going on with somebody's friends or posse or homies

1:19:09.439 --> 1:19:12.120
<v Speaker 3>that has something to do with an executive conversation. I

1:19:12.200 --> 1:19:14.639
<v Speaker 3>just told, you know, Chris. Then I start bringing up Chris,

1:19:14.760 --> 1:19:17.320
<v Speaker 3>like and did that. And then he like, listen, Rod,

1:19:18.960 --> 1:19:20.719
<v Speaker 3>I'm gonna go in there and I'm gonna shut it down.

1:19:22.040 --> 1:19:25.799
<v Speaker 3>Don't come out this room, and you just work, okay,

1:19:25.840 --> 1:19:27.720
<v Speaker 3>And I don't got time, So I'm like all right.

1:19:28.280 --> 1:19:30.439
<v Speaker 3>So I'm in the room, right and he don't come

1:19:30.479 --> 1:19:35.439
<v Speaker 3>back for like six hours. So I do five records like,

1:19:35.640 --> 1:19:38.559
<v Speaker 3>niggas do not even a song in a day. I

1:19:38.640 --> 1:19:41.439
<v Speaker 3>did five of them, bitches. So he come back in

1:19:41.479 --> 1:19:43.439
<v Speaker 3>the room and he's like, yo, you did you do anything.

1:19:44.240 --> 1:19:47.360
<v Speaker 3>I'm like anything. So the group so my bands who

1:19:47.439 --> 1:19:49.800
<v Speaker 3>is the engineer at the time who ended up being

1:19:49.840 --> 1:19:53.559
<v Speaker 3>my engineer for the whole album after that, he was

1:19:53.600 --> 1:19:56.040
<v Speaker 3>in there. He was like, Yo, this nigga just did

1:19:56.080 --> 1:20:00.400
<v Speaker 3>five songs. He was like, five songs. Hell no, bro,

1:20:00.640 --> 1:20:03.360
<v Speaker 3>I just did five song. He like, press play, So

1:20:03.479 --> 1:20:05.360
<v Speaker 3>I press play on this record call up Down that

1:20:05.400 --> 1:20:08.080
<v Speaker 3>you can google and actually see c B a first record.

1:20:08.080 --> 1:20:10.960
<v Speaker 3>He actually cut him one. It's called up Down. I

1:20:11.000 --> 1:20:15.800
<v Speaker 3>did this record, and he like this is crazy. He like,

1:20:15.840 --> 1:20:17.439
<v Speaker 3>hold on, man, hold on, this is what I was

1:20:17.479 --> 1:20:19.679
<v Speaker 3>trying to tell niggas. So he walk out the room

1:20:20.040 --> 1:20:24.560
<v Speaker 3>and I'm like damn. So he go get Chris in

1:20:25.080 --> 1:20:29.639
<v Speaker 3>room A and Chris come walking in with fifty niggas.

1:20:29.640 --> 1:20:33.639
<v Speaker 3>Told me I'm talking about like fifty niggas, all the niggas.

1:20:33.640 --> 1:20:36.400
<v Speaker 3>I got problems with the other niggas, the niggas that

1:20:36.400 --> 1:20:39.280
<v Speaker 3>they was in there talking shit with ten at Davis

1:20:39.600 --> 1:20:43.040
<v Speaker 3>seventh Streeter, all these niggas, right, So I'm like damn.

1:20:43.560 --> 1:20:45.720
<v Speaker 3>So they come walking. They they're so thick that they

1:20:45.760 --> 1:20:48.840
<v Speaker 3>can't even fit through the studio door. That's how many

1:20:48.840 --> 1:20:51.360
<v Speaker 3>of them niggas. It was, and bitches. Everything they gave,

1:20:51.360 --> 1:20:53.479
<v Speaker 3>everybody came because they're like, let's see you with this niggas.

1:20:53.520 --> 1:20:57.800
<v Speaker 3>Ok So I press play. He marked like, hey, play

1:20:57.800 --> 1:21:01.360
<v Speaker 3>that last song. So I don't even look at them niggas.

1:21:01.360 --> 1:21:03.960
<v Speaker 3>I just turn around to the board and press play.

1:21:04.200 --> 1:21:06.160
<v Speaker 3>And I'm like, you know that, and the way I'm

1:21:06.200 --> 1:21:08.800
<v Speaker 3>getting off, like as a dancer, like the way I

1:21:08.920 --> 1:21:10.960
<v Speaker 3>bob in the way I moved the shit. He was like,

1:21:11.080 --> 1:21:15.160
<v Speaker 3>oh like it immediately, but the shit was banging, so

1:21:15.200 --> 1:21:18.160
<v Speaker 3>he like, damn. So I turned like out the blue,

1:21:18.240 --> 1:21:20.400
<v Speaker 3>like you know, like thirty seconds later, I'm playing, and

1:21:20.439 --> 1:21:24.800
<v Speaker 3>that nigga back there like right, but the niggas behind

1:21:24.840 --> 1:21:30.720
<v Speaker 3>him is like Dave was not with nothing I was

1:21:30.760 --> 1:21:33.760
<v Speaker 3>talking about. So I'm like, damn. So he I see him,

1:21:33.880 --> 1:21:35.960
<v Speaker 3>He like, hey, bro, when it come out, he like

1:21:35.960 --> 1:21:38.559
<v Speaker 3>that's fight. He loaded up in the room. I'm like,

1:21:39.320 --> 1:21:43.479
<v Speaker 3>oh okay, so he take the record, go load it up.

1:21:44.400 --> 1:21:46.719
<v Speaker 3>And then when he loaded it up, he like, whoa,

1:21:46.760 --> 1:21:48.640
<v Speaker 3>you come back? So I'm in there and Mark like

1:21:48.720 --> 1:21:51.519
<v Speaker 3>just keep working. So it's like twelve o'clock and I'm

1:21:51.560 --> 1:21:54.120
<v Speaker 3>instilled in there working. I did another like four records.

1:21:54.320 --> 1:21:57.479
<v Speaker 3>I'm like, this is I don't give I'm out working everybody, nigga,

1:21:57.479 --> 1:22:00.439
<v Speaker 3>I'm making hits. Fuck everybody, let's go. I'm looking shit

1:22:00.479 --> 1:22:03.400
<v Speaker 3>loaded up, knock it out. I'm free styling records. That's

1:22:03.400 --> 1:22:05.400
<v Speaker 3>how crazy I was going on these records. And then

1:22:05.439 --> 1:22:08.759
<v Speaker 3>so he like he come back in Chris like by himself.

1:22:08.760 --> 1:22:11.040
<v Speaker 3>He like, hey, come listen to this. So I'm like

1:22:11.080 --> 1:22:13.760
<v Speaker 3>all right, So I go in the room, I go

1:22:13.880 --> 1:22:17.000
<v Speaker 3>listen to the record. And when I'm listening to the record,

1:22:17.040 --> 1:22:21.760
<v Speaker 3>I'm like damn. And so he played it. He like whoa, whoa.

1:22:21.800 --> 1:22:23.760
<v Speaker 3>And now these nigga's in there bobbing because they was

1:22:23.760 --> 1:22:25.320
<v Speaker 3>in there with him and they feel like they're part

1:22:25.360 --> 1:22:27.920
<v Speaker 3>of it there. So now everybody fucking with it now.

1:22:28.600 --> 1:22:30.479
<v Speaker 3>And then so I'm in there, I come in. They

1:22:30.520 --> 1:22:36.760
<v Speaker 3>still got to stank attitude whatever, right, so so so

1:22:36.760 --> 1:22:39.400
<v Speaker 3>so basically he was like, yo, I love this record.

1:22:39.560 --> 1:22:41.720
<v Speaker 3>D So he told Mark Markers like I told you

1:22:41.760 --> 1:22:44.280
<v Speaker 3>this nigga hot, and so he left you. When we

1:22:44.280 --> 1:22:45.479
<v Speaker 3>was leaving, he was like I'm about to go home.

1:22:45.520 --> 1:22:47.920
<v Speaker 3>But listen, bro, after I get off community service, like

1:22:47.960 --> 1:22:51.040
<v Speaker 3>meet me here like like come tomorrow, bro. I'm like

1:22:51.560 --> 1:22:56.320
<v Speaker 3>all right, for sure. Yeah, Chris tell me like come tomorrow. Yeah.

1:22:56.600 --> 1:22:59.280
<v Speaker 3>He's like at the community service like come tomorrow. I'm

1:22:59.280 --> 1:23:01.559
<v Speaker 3>like all right. Show. Oh so I tell Mark like, hey,

1:23:01.680 --> 1:23:05.760
<v Speaker 3>Chris told me to come tomorrow. Should I come? He like, yeah, nigga, come,

1:23:06.080 --> 1:23:08.280
<v Speaker 3>What the hell did you talk about? Come and stop

1:23:08.560 --> 1:23:10.840
<v Speaker 3>blindsiding me. I sat there and had to put my

1:23:10.920 --> 1:23:12.719
<v Speaker 3>neck in. Tina came over here and you to cuss

1:23:12.800 --> 1:23:16.280
<v Speaker 3>me out about you. I'm like, damn. So from there,

1:23:16.720 --> 1:23:20.519
<v Speaker 3>I came every day and every day I made hit

1:23:20.640 --> 1:23:28.559
<v Speaker 3>records until I made Find China, and then it was bad.

1:23:29.040 --> 1:23:34.559
<v Speaker 3>Then it was over. It's over, It's done. I mean crazily.

1:23:35.240 --> 1:23:40.479
<v Speaker 3>I did executive produced the like I'm from then where no,

1:23:40.560 --> 1:23:42.920
<v Speaker 3>But you know I went from executive produce. I went

1:23:42.920 --> 1:23:47.479
<v Speaker 3>from that album. So after Find China see Find China, see,

1:23:47.520 --> 1:23:50.439
<v Speaker 3>Chris was at a very different place. And this is

1:23:50.479 --> 1:23:53.519
<v Speaker 3>why me being in at Jackson House changed my life.

1:23:54.960 --> 1:23:59.160
<v Speaker 3>Because Find China changed my life. You understand what I'm saying.

1:23:59.200 --> 1:24:01.519
<v Speaker 3>That was the biggest record and It changed the radio,

1:24:01.920 --> 1:24:05.320
<v Speaker 3>and it made everybody think Michael Jackson had just died.

1:24:05.920 --> 1:24:10.160
<v Speaker 3>It made everybody. Even Janet Jackson called and said, this

1:24:10.200 --> 1:24:12.000
<v Speaker 3>is the closest thing I ever heard to my brother,

1:24:12.080 --> 1:24:15.360
<v Speaker 3>I need whoever produced this album to come do my album,

1:24:15.640 --> 1:24:17.560
<v Speaker 3>which is crazy because she didn't even know I was

1:24:17.640 --> 1:24:21.160
<v Speaker 3>dating her niece. She even know it was me. So

1:24:21.280 --> 1:24:23.920
<v Speaker 3>but that's a different story. But what I'm saying is fine.

1:24:24.000 --> 1:24:28.880
<v Speaker 3>China was so massive and it hit so hard that everybody.

1:24:29.240 --> 1:24:32.519
<v Speaker 3>Bruno Mars changed his sound. Everybody changed their sound and

1:24:32.560 --> 1:24:35.600
<v Speaker 3>went to that. Bruno Mars went from beautiful girls to

1:24:36.120 --> 1:24:40.080
<v Speaker 3>now everybody's in the eighties. I don't want no I'm like, oh,

1:24:40.120 --> 1:24:42.280
<v Speaker 3>so all y'all want to bring basslines to the radio.

1:24:42.360 --> 1:24:47.280
<v Speaker 3>I changed music guaranteed. So once Chris did find China.

1:24:47.560 --> 1:24:50.040
<v Speaker 3>As a matter of fact, Timberland walked in the room

1:24:50.040 --> 1:24:52.080
<v Speaker 3>and then me and Timberland was locked in for about

1:24:52.280 --> 1:24:56.080
<v Speaker 3>four months straight. Timberland is the reason I did the

1:24:56.120 --> 1:24:58.759
<v Speaker 3>stuff with Beyonce. With Beyonce flew me out to Jungle

1:24:58.800 --> 1:25:01.719
<v Speaker 3>City and he brought me to at least get Timberland

1:25:01.720 --> 1:25:03.320
<v Speaker 3>brought me to some different people because me and him

1:25:03.360 --> 1:25:05.960
<v Speaker 3>was super locked in so but he came to the

1:25:06.000 --> 1:25:09.160
<v Speaker 3>camp late after the album was damn, they're done, and

1:25:09.200 --> 1:25:12.960
<v Speaker 3>he was like he heard find China, stopped the music

1:25:14.080 --> 1:25:16.640
<v Speaker 3>and said, listen, this is the craziest shit. What the

1:25:16.760 --> 1:25:20.000
<v Speaker 3>fuck is happening? Who did this? And they was like, oh,

1:25:20.400 --> 1:25:23.160
<v Speaker 3>Chris and Allen was like that nigga. He was like, nigga,

1:25:23.240 --> 1:25:27.360
<v Speaker 3>you are not normal. Oh for show they're like you.

1:25:27.640 --> 1:25:29.559
<v Speaker 3>But at that time I was at I was in

1:25:29.560 --> 1:25:33.880
<v Speaker 3>the camp, his friends, it became my best friends, his cousin,

1:25:34.000 --> 1:25:36.400
<v Speaker 3>my cousin. We all together, We at the clubs together,

1:25:36.479 --> 1:25:40.000
<v Speaker 3>were moving around. I played Autumn Leaves for Rihanna and

1:25:40.040 --> 1:25:42.840
<v Speaker 3>she cried, oh he played at at least for Rihanna.

1:25:42.920 --> 1:25:46.200
<v Speaker 3>She cried niggas like, I can't like. The records were

1:25:46.320 --> 1:25:51.439
<v Speaker 3>so vicious that it was like people couldn't believe that

1:25:51.479 --> 1:25:54.519
<v Speaker 3>niggas was creating this level of music. And that was

1:25:54.560 --> 1:25:56.439
<v Speaker 3>my time to shine. That was my time to show

1:25:56.479 --> 1:25:59.400
<v Speaker 3>the industry through the biggest artists in the world, that

1:25:59.479 --> 1:26:04.720
<v Speaker 3>I was. And so that record Fine China changed everything

1:26:04.960 --> 1:26:08.280
<v Speaker 3>because I went from that to executive producing this album.

1:26:08.520 --> 1:26:12.200
<v Speaker 3>I did not I did. I did ten records on

1:26:12.600 --> 1:26:14.760
<v Speaker 3>X on that album, and I named the album X

1:26:14.760 --> 1:26:17.960
<v Speaker 3>with Diplo, Me, Diplo, Chris. We did the X, but

1:26:18.280 --> 1:26:20.320
<v Speaker 3>we actually named the album X off this record that

1:26:20.360 --> 1:26:24.720
<v Speaker 3>we did called X and it was life. That was

1:26:24.760 --> 1:26:27.680
<v Speaker 3>life changing for me. That record changed my life. And

1:26:27.720 --> 1:26:29.840
<v Speaker 3>then I went from that to doing j Lo's album,

1:26:29.960 --> 1:26:34.479
<v Speaker 3>Fergie album, Usher, Rihann, everybody you could think of it

1:26:34.680 --> 1:26:38.880
<v Speaker 3>just domino effect. Once they knew, oh he's him, and

1:26:38.920 --> 1:26:41.320
<v Speaker 3>the executives can get around it no more. Once show

1:26:41.439 --> 1:26:44.280
<v Speaker 3>artists are requested me, who did that? Well, who's the

1:26:44.360 --> 1:26:46.439
<v Speaker 3>nigga that's always with Chris? Who's the nigga that just

1:26:46.479 --> 1:26:48.760
<v Speaker 3>did that? Brought him? Because Chris Brown was in a

1:26:48.760 --> 1:26:51.800
<v Speaker 3>place where nobody was trying to hear his shit no more. Yeah,

1:26:51.840 --> 1:26:54.320
<v Speaker 3>there wasn't fucking with him. And then I said, well,

1:26:54.320 --> 1:26:57.400
<v Speaker 3>why don't we do a Jackson record that is going

1:26:57.479 --> 1:27:01.680
<v Speaker 3>to remind the world, like Michael Jackson was getting in

1:27:01.720 --> 1:27:05.599
<v Speaker 3>bullshit every day, dude, whack old jack Oh this is this.

1:27:05.800 --> 1:27:08.479
<v Speaker 3>But when he pressed play, oh, that ship went out

1:27:08.479 --> 1:27:10.760
<v Speaker 3>the window. And we do a Michael record. And so

1:27:10.840 --> 1:27:12.960
<v Speaker 3>when he did that, you know, he took a risk

1:27:13.360 --> 1:27:16.639
<v Speaker 3>and he did the Michael record. They was right back

1:27:16.640 --> 1:27:17.160
<v Speaker 3>on his dick.

1:27:17.800 --> 1:27:21.920
<v Speaker 2>So now that we've gotten your full scope and your

1:27:21.960 --> 1:27:24.240
<v Speaker 2>tipping points. Yeah, and I like that. I like that

1:27:24.280 --> 1:27:27.719
<v Speaker 2>you got a little black listed in between. That's crazy.

1:27:27.760 --> 1:27:31.080
<v Speaker 3>Tried after that it became bad. They couldn't do it on.

1:27:31.200 --> 1:27:34.840
<v Speaker 2>Now you've been a successful Now became my best friend. Yeah.

1:27:34.840 --> 1:27:35.960
<v Speaker 2>Now they're all your best friends, know.

1:27:37.600 --> 1:27:41.040
<v Speaker 3>Yeah, all of those ones. That was all they was

1:27:41.080 --> 1:27:44.240
<v Speaker 3>doing this. Who's on the phone, Oh yeah, tell him

1:27:44.360 --> 1:27:47.800
<v Speaker 3>email me. They was doing that. Damn same niggas is

1:27:47.840 --> 1:27:51.000
<v Speaker 3>hitting my line sixty dollars, my latist saying, is there

1:27:51.200 --> 1:27:53.960
<v Speaker 3>can I get? Oh? Oh is this the same nigga

1:27:53.960 --> 1:27:55.920
<v Speaker 3>that I didn't believe in me? Oh yeah, yeah, yeah,

1:27:55.960 --> 1:27:58.320
<v Speaker 3>I'm a link. Oh yeah, send them through. I'm dumb

1:27:58.400 --> 1:28:01.000
<v Speaker 3>talking the niggas crazy too, don't get it twisted. I'm

1:28:01.080 --> 1:28:04.840
<v Speaker 3>letting them. I'm reminding them that they didn't believe back then.

1:28:05.080 --> 1:28:08.000
<v Speaker 3>But because I'm a scorpios, I can't. You can't forget. Yeah,

1:28:08.000 --> 1:28:10.200
<v Speaker 3>you can't forget. I'm not gonna let you forget. But

1:28:11.320 --> 1:28:13.400
<v Speaker 3>now I'll get over it. But you won't forget.

1:28:14.040 --> 1:28:16.760
<v Speaker 2>I believe it. I'm very fair scorpios.

1:28:16.840 --> 1:28:17.040
<v Speaker 3>Yeah.

1:28:18.080 --> 1:28:22.439
<v Speaker 1>But now now that you're you're you're killing it in

1:28:22.479 --> 1:28:27.080
<v Speaker 1>the music game. You're also tapping into the entrepreneur game.

1:28:27.160 --> 1:28:29.479
<v Speaker 2>You're doing that. I guess we're not going to talk

1:28:29.479 --> 1:28:30.120
<v Speaker 2>about your ar.

1:28:30.320 --> 1:28:32.800
<v Speaker 3>About skipping up till now. Yeah. Well yeah, now we

1:28:32.920 --> 1:28:37.080
<v Speaker 3>now we thirteen Grammys later, and we just want to build.

1:28:37.280 --> 1:28:39.160
<v Speaker 2>No, thirteen thirteen. I thought I was fifteen.

1:28:39.240 --> 1:28:42.000
<v Speaker 3>No, I was at eleven, and then we're up for

1:28:42.040 --> 1:28:48.080
<v Speaker 3>three right now, Okay, a fourteen. Yeah, that's that's all

1:28:48.120 --> 1:28:50.120
<v Speaker 3>what I'm saying. That's a hundred million records.

1:28:50.479 --> 1:28:53.960
<v Speaker 2>We're here, We're here, yeah, right, over time. But I

1:28:54.000 --> 1:28:56.080
<v Speaker 2>just want to make sure that I cover just kind

1:28:56.080 --> 1:28:58.840
<v Speaker 2>of the today's standpoint, like what's going on with you? Now?

1:28:58.920 --> 1:28:59.679
<v Speaker 3>We got rock.

1:28:59.520 --> 1:29:02.160
<v Speaker 2>Wireless, Yeah, Rockstar Wireless, ros Star Wireless.

1:29:02.240 --> 1:29:05.240
<v Speaker 3>Yeah, well yeah, because you got a transition. So making

1:29:05.360 --> 1:29:09.759
<v Speaker 3>millions of dollars and becoming a mogul in music gets

1:29:09.760 --> 1:29:13.479
<v Speaker 3>you to a place, right, And that made all my

1:29:13.640 --> 1:29:16.559
<v Speaker 3>some of my best friends, like flow Rider and different

1:29:16.600 --> 1:29:18.320
<v Speaker 3>people that support me. Me and floor Rider used to

1:29:18.360 --> 1:29:22.160
<v Speaker 3>sleep on the floor at Davonte's swing studio. Yeah, if

1:29:22.200 --> 1:29:23.760
<v Speaker 3>you talked to floor Rider and be like you used

1:29:23.760 --> 1:29:26.719
<v Speaker 3>to sleep on the floor at Me and flow Rider

1:29:26.840 --> 1:29:30.200
<v Speaker 3>used to sleep on the floor at Davonte's swing studio

1:29:30.240 --> 1:29:32.840
<v Speaker 3>and we were sharing burgers and Sharon Fries and shit

1:29:32.920 --> 1:29:35.560
<v Speaker 3>like that. He got discovered, went to Miami and I

1:29:35.600 --> 1:29:38.360
<v Speaker 3>think signed a trick that year, one of them out

1:29:38.400 --> 1:29:41.160
<v Speaker 3>the blue. But we was all there, broke, busted in discussion.

1:29:41.160 --> 1:29:42.639
<v Speaker 3>This is why floor Rider is one of my best

1:29:42.640 --> 1:29:45.200
<v Speaker 3>friends in the world. And it just killed that that

1:29:45.320 --> 1:29:49.519
<v Speaker 3>ninety million dollar deal with Celsius and all that time heat.

1:29:49.600 --> 1:29:51.360
<v Speaker 3>That's one of my best friends. I love floor Rider

1:29:51.400 --> 1:29:53.960
<v Speaker 3>to death. But we came from the bottom together. But

1:29:54.640 --> 1:29:57.200
<v Speaker 3>a lot of the people that I came up with

1:29:57.240 --> 1:29:59.799
<v Speaker 3>and when I became a mogan whatever situate, they support

1:29:59.800 --> 1:30:04.320
<v Speaker 3>me on a different scale because they've really seen what

1:30:04.400 --> 1:30:08.479
<v Speaker 3>I went through to become something bigger and so tech.

1:30:09.360 --> 1:30:12.759
<v Speaker 3>I've always been in a tech it was my passion forever.

1:30:12.960 --> 1:30:16.960
<v Speaker 3>Like we won the CS Award for Most Innovative Technology

1:30:17.080 --> 1:30:21.479
<v Speaker 3>in twenty thirteen for the dual screen cell phone. Me

1:30:21.520 --> 1:30:25.200
<v Speaker 3>and my partner Darius Allen, which I partnered in Rockster

1:30:25.280 --> 1:30:28.799
<v Speaker 3>Wireless with was creating cell phones, selling cell phones, tablets

1:30:28.800 --> 1:30:31.519
<v Speaker 3>with the projectors, doing stuff that people couldn't do early,

1:30:32.040 --> 1:30:34.599
<v Speaker 3>and so I stick to the same code I start

1:30:34.640 --> 1:30:37.679
<v Speaker 3>with you, I'm finished, but still my partner in things

1:30:37.680 --> 1:30:41.400
<v Speaker 3>that we do all day. I was doing tech since

1:30:42.560 --> 1:30:46.200
<v Speaker 3>I figured that tech was what's next, Crypto was what's next.

1:30:46.200 --> 1:30:48.200
<v Speaker 3>I had a million dollars in crypto. I had million

1:30:48.240 --> 1:30:51.720
<v Speaker 3>dollars in bitcoin when bitcoin was two thousand dollars. My

1:30:51.800 --> 1:30:53.760
<v Speaker 3>boy DA put me up on a play. I made

1:30:53.840 --> 1:30:58.439
<v Speaker 3>million dollars in bitcoin early. So I was on plays

1:30:58.640 --> 1:31:01.760
<v Speaker 3>everything tech early, and I was always in it, and

1:31:01.800 --> 1:31:04.760
<v Speaker 3>I was just honing creating. And so that's how I

1:31:04.920 --> 1:31:07.439
<v Speaker 3>kind of got into tech. Because music will make you

1:31:07.439 --> 1:31:09.519
<v Speaker 3>a certain amount of money, but it's a gateway drug.

1:31:09.960 --> 1:31:14.280
<v Speaker 3>And the problem is people stay in music forever. Catalog

1:31:14.360 --> 1:31:18.160
<v Speaker 3>publishing all that. That's cool, but it's limited. I take that.

1:31:18.600 --> 1:31:20.760
<v Speaker 3>I've used that gateway drug to get into a much

1:31:20.800 --> 1:31:23.759
<v Speaker 3>bigger atmosphere, and I use the connections and the people

1:31:23.800 --> 1:31:28.160
<v Speaker 3>I've built this world with to This is how beats

1:31:28.200 --> 1:31:30.439
<v Speaker 3>By Dre becomes a four billion dollar company. You take

1:31:30.520 --> 1:31:33.840
<v Speaker 3>Jimmy Iveen starts dabbling in tech, he takes the doctor

1:31:33.920 --> 1:31:37.960
<v Speaker 3>dres and now here it's the influence of this. So

1:31:38.720 --> 1:31:41.280
<v Speaker 3>Chris Brown one hundred and fifty six million followers on

1:31:41.400 --> 1:31:44.679
<v Speaker 3>just one platform. If that's your people and he pushes

1:31:44.720 --> 1:31:48.160
<v Speaker 3>a button, you now, even if it's just ten percent,

1:31:48.560 --> 1:31:51.479
<v Speaker 3>you got fifteen million users on a platform, you could

1:31:51.520 --> 1:31:56.200
<v Speaker 3>already sell the platform just off them users at one percent,

1:31:56.280 --> 1:31:59.080
<v Speaker 3>one point five million users on a platform. So once

1:31:59.120 --> 1:32:01.840
<v Speaker 3>I started to understand and extra strategies, how to do

1:32:01.920 --> 1:32:05.280
<v Speaker 3>reverse mergers and the shell companies, how to do pink sheets,

1:32:05.479 --> 1:32:08.679
<v Speaker 3>how to sit there and run stocks from the top

1:32:08.760 --> 1:32:12.240
<v Speaker 3>to the bottom, how to really understand the crypto markets,

1:32:12.280 --> 1:32:16.160
<v Speaker 3>the NFT markets, how to mint, how to understand floors,

1:32:16.439 --> 1:32:19.960
<v Speaker 3>where Ethereum went, where this is it? Solana all the coins?

1:32:20.160 --> 1:32:23.240
<v Speaker 3>How to go through different situations. I study things and

1:32:23.280 --> 1:32:26.679
<v Speaker 3>once I started understanding where the money was, I started

1:32:26.680 --> 1:32:31.240
<v Speaker 3>to create tech companies on a scale that's like okay, music,

1:32:31.520 --> 1:32:35.439
<v Speaker 3>tech influence all in one situation. Then that's how I

1:32:35.439 --> 1:32:38.920
<v Speaker 3>got Rockstar Wireless. Did it with the head of T Mobile,

1:32:39.439 --> 1:32:43.519
<v Speaker 3>Dan Thigerson, Mike Seffert and all of them, and they

1:32:43.560 --> 1:32:46.040
<v Speaker 3>came in, They're like, yo, we support we don't have

1:32:46.080 --> 1:32:49.280
<v Speaker 3>any minority NB and os let's tag team. So we

1:32:49.360 --> 1:32:52.920
<v Speaker 3>locked in with them. Did that, did the biggest deal.

1:32:53.200 --> 1:32:56.920
<v Speaker 3>We're the only black owned cell phone company and that's worldwide,

1:32:57.000 --> 1:33:00.360
<v Speaker 3>and we have better rates than everybody else. Yeah, rasing

1:33:00.360 --> 1:33:01.200
<v Speaker 3>everybody now.

1:33:01.080 --> 1:33:02.280
<v Speaker 2>And now we know that I'm going to get a

1:33:02.280 --> 1:33:06.160
<v Speaker 2>second line. Oh yeah, get you a second oneless.

1:33:06.320 --> 1:33:09.120
<v Speaker 3>As you know, Mint Mobile just sold for one point

1:33:09.200 --> 1:33:14.400
<v Speaker 3>four billion. That's how Ryan got his one point four billion,

1:33:14.720 --> 1:33:15.920
<v Speaker 3>as he would have had to do a lot of

1:33:15.960 --> 1:33:18.559
<v Speaker 3>movies to get that. But you know that tech takes

1:33:18.560 --> 1:33:22.040
<v Speaker 3>you somewhere else. I also have Trinity Social, which TikTok

1:33:22.120 --> 1:33:24.559
<v Speaker 3>is going out of style and they're about to get banned.

1:33:24.720 --> 1:33:29.800
<v Speaker 3>So we created a social media platform that encompasses all

1:33:29.840 --> 1:33:33.479
<v Speaker 3>of the platforms into one platform. That's why it's called Trinity.

1:33:33.479 --> 1:33:35.439
<v Speaker 3>It's like the Father, the son Hoole. It's like all

1:33:35.520 --> 1:33:38.479
<v Speaker 3>of the things in one is the Trinity. And so

1:33:38.520 --> 1:33:41.280
<v Speaker 3>it's called Trinity Social. And we have a version of

1:33:41.320 --> 1:33:43.519
<v Speaker 3>Clubhouse in there, a version of OnlyFans in there. We

1:33:43.560 --> 1:33:47.160
<v Speaker 3>have everything that Instagram gives you from feeds, you can monetize,

1:33:47.479 --> 1:33:51.120
<v Speaker 3>go lot, everything all inside one social media app. And

1:33:51.200 --> 1:33:56.120
<v Speaker 3>so that's next stuff as well as loaded right now

1:33:56.120 --> 1:33:58.960
<v Speaker 3>in your app store, download Trinity Social. You'll love it

1:34:00.240 --> 1:34:02.840
<v Speaker 3>if you're tired of paying however much you're paying, and

1:34:02.880 --> 1:34:05.240
<v Speaker 3>people paying three four five hundred dollars on cell phone bills.

1:34:05.320 --> 1:34:08.960
<v Speaker 3>You can come to Rockstar wireless we given nineteen ninety nine. Like,

1:34:09.080 --> 1:34:10.439
<v Speaker 3>I don't know what you want to do. I don't

1:34:10.439 --> 1:34:12.160
<v Speaker 3>know if you beat that I pay for it.

1:34:12.320 --> 1:34:14.800
<v Speaker 2>Wh at coming to play my phone way too hot,

1:34:14.840 --> 1:34:16.600
<v Speaker 2>So we gotta gotta go.

1:34:17.040 --> 1:34:19.839
<v Speaker 3>And so I've been building heavy tech companies and running

1:34:19.840 --> 1:34:22.800
<v Speaker 3>plays and now I'm kind of the bridge between tech

1:34:22.840 --> 1:34:26.120
<v Speaker 3>companies and the music business. It's impossible to get to

1:34:26.120 --> 1:34:29.040
<v Speaker 3>a Chris Brown, it's impossible to get to a Jennifer Lopez.

1:34:29.040 --> 1:34:31.479
<v Speaker 3>It's and possible to get to a Fergie or a

1:34:31.560 --> 1:34:35.840
<v Speaker 3>Prince Royce or even like certain basketball players certain and

1:34:35.880 --> 1:34:38.519
<v Speaker 3>they're all my best friend. Like there's people I'm day

1:34:38.560 --> 1:34:41.840
<v Speaker 3>to day with. So I bridge gaps between even other

1:34:41.880 --> 1:34:44.880
<v Speaker 3>companies that I rock with, and we bridge gaps so

1:34:44.920 --> 1:34:47.640
<v Speaker 3>that their companies can scale a lot faster than the

1:34:47.720 --> 1:34:52.600
<v Speaker 3>traditional marketing of strategies, because that's really the new marketing strategy.

1:34:52.720 --> 1:34:56.560
<v Speaker 3>Like influencers and so I have, you know, kind of

1:34:56.640 --> 1:34:59.360
<v Speaker 3>ignorant amount of them, and so we go crazy and

1:34:59.400 --> 1:35:01.200
<v Speaker 3>we're all friends, Like I only mess with people that

1:35:01.200 --> 1:35:03.960
<v Speaker 3>I like, And so that's the whole situation, and I've

1:35:03.960 --> 1:35:06.120
<v Speaker 3>just been scaling and just building from there. And that's

1:35:06.120 --> 1:35:09.960
<v Speaker 3>how I you know, coming from nothing to something I

1:35:10.040 --> 1:35:12.240
<v Speaker 3>saw that really happened. And when I tell somebody, I

1:35:12.320 --> 1:35:15.519
<v Speaker 3>really was sleeping coming from nothing, that's something I really

1:35:15.520 --> 1:35:18.519
<v Speaker 3>built it break by brick by brick by step.

1:35:18.760 --> 1:35:23.200
<v Speaker 2>I think we just learned that just now. Hell Broke's

1:35:23.240 --> 1:35:26.000
<v Speaker 2>head to lit to to really lit.

1:35:26.120 --> 1:35:28.800
<v Speaker 1>So wealthy, I would say more wealthy.

1:35:30.080 --> 1:35:31.960
<v Speaker 3>I'm still rich. I feel like I need to get

1:35:32.000 --> 1:35:35.000
<v Speaker 3>to I'm getting to wealthy once I exit you know,

1:35:35.040 --> 1:35:37.960
<v Speaker 3>two or three of these companies or even one of

1:35:38.520 --> 1:35:41.439
<v Speaker 3>even one of them, Uh, you know, it's going to

1:35:41.479 --> 1:35:44.360
<v Speaker 3>be a wealthy situation. But until then, I would say

1:35:44.479 --> 1:35:48.000
<v Speaker 3>rich because you know, for me, uh, until you're nine

1:35:48.439 --> 1:35:51.719
<v Speaker 3>ten figures, until you're in a one hundred million range,

1:35:51.920 --> 1:35:54.880
<v Speaker 3>like ten figures. Yeah, I touched ten figures in terms

1:35:54.880 --> 1:35:59.400
<v Speaker 3>of deals, but that's ten million, nine million. I know

1:35:59.520 --> 1:36:03.280
<v Speaker 3>that's a million eleven minute. But you're talking about people

1:36:03.360 --> 1:36:07.960
<v Speaker 3>are out here running around with billions and billions and

1:36:08.080 --> 1:36:10.519
<v Speaker 3>hundreds of me. So it's like for me, I'm still

1:36:11.000 --> 1:36:12.519
<v Speaker 3>I'm gonna get to where I need to get. I'm

1:36:12.640 --> 1:36:14.880
<v Speaker 3>like I'm pushing buttons. You know what I'm saying on

1:36:14.880 --> 1:36:16.920
<v Speaker 3>a different scale, And that's why I've set things up

1:36:16.960 --> 1:36:19.599
<v Speaker 3>to make sure that the exit strategies are built. Do

1:36:19.760 --> 1:36:22.760
<v Speaker 3>not build anything in your life and without an exit strategy,

1:36:23.200 --> 1:36:25.360
<v Speaker 3>and that's how you set yourself up for failure. And

1:36:26.000 --> 1:36:28.000
<v Speaker 3>when you learn how to build an exit strategy and

1:36:28.160 --> 1:36:31.360
<v Speaker 3>anything it is, you don't want to be tied to

1:36:31.400 --> 1:36:35.680
<v Speaker 3>something forever like that, get you know, unless it's now.

1:36:35.720 --> 1:36:39.200
<v Speaker 3>I'm not talking about people, the girl, you know whatever, family,

1:36:39.200 --> 1:36:42.160
<v Speaker 3>love and friends and that's different. But I'm talking about

1:36:42.160 --> 1:36:45.559
<v Speaker 3>companies because they're stressful. You build them, do it, and

1:36:45.600 --> 1:36:49.280
<v Speaker 3>then you let somebody become the machine and move and

1:36:49.360 --> 1:36:52.080
<v Speaker 3>you either sit back and just get residuals forever, or

1:36:52.120 --> 1:36:54.280
<v Speaker 3>you put it in a place where it's gone and

1:36:54.320 --> 1:36:56.720
<v Speaker 3>you win and you can relax. It's about buying an

1:36:56.760 --> 1:37:00.000
<v Speaker 3>island and you know, growing your own fruit, stuff like that.

1:37:00.680 --> 1:37:03.040
<v Speaker 3>But yeah, you know, nothing is something is a real thing.

1:37:03.080 --> 1:37:05.800
<v Speaker 1>For me, it is and well, I just want to

1:37:05.840 --> 1:37:09.720
<v Speaker 1>thank you so much for cooking for me. Oh yeah,

1:37:09.840 --> 1:37:15.480
<v Speaker 1>and probably hands down one of the best storytellers, most animated.

1:37:15.800 --> 1:37:21.080
<v Speaker 1>I loved hearing your story and thank you so much

1:37:21.080 --> 1:37:23.240
<v Speaker 1>for taking time out of your day of course to

1:37:23.280 --> 1:37:23.760
<v Speaker 1>come down here.

1:37:23.840 --> 1:37:31.320
<v Speaker 3>Yeah, I appreciate you. I'm sycause oh yeah, I'm the

1:37:31.360 --> 1:37:32.360
<v Speaker 3>AI goggles too.

1:37:32.560 --> 1:37:35.160
<v Speaker 2>He got the A I got and I'm obsessed with as.

1:37:35.160 --> 1:37:36.120
<v Speaker 2>So you know, I'm gonna be.

1:37:36.080 --> 1:37:37.400
<v Speaker 3>We got a bunch of different stuff.

1:37:39.120 --> 1:37:42.640
<v Speaker 1>Your I could be your test, the person that tests,

1:37:42.680 --> 1:37:43.280
<v Speaker 1>because I'll keep it.

1:37:43.640 --> 1:37:45.160
<v Speaker 3>But if you pass out, I don't know what to

1:37:47.880 --> 1:37:48.360
<v Speaker 3>I'm just.

1:37:50.920 --> 1:37:52.559
<v Speaker 2>You know, but I'm saying like I could be like

1:37:52.600 --> 1:37:55.840
<v Speaker 2>the critical reviewer. I'll be like, I'll keep it all

1:37:55.840 --> 1:37:57.160
<v Speaker 2>the way real, no filter.

1:37:57.840 --> 1:38:00.320
<v Speaker 3>I'm gonna see. I just created a pet s D

1:38:00.479 --> 1:38:05.040
<v Speaker 3>program through sound therapy through frequent ancient frequencies like war

1:38:05.120 --> 1:38:07.960
<v Speaker 3>drums and waterfall and stuff. And I'll give you that

1:38:08.040 --> 1:38:10.680
<v Speaker 3>and see how you feel after going through like the

1:38:10.680 --> 1:38:15.840
<v Speaker 3>ptsd UH sound frequency. It's to to to calm like

1:38:16.040 --> 1:38:18.640
<v Speaker 3>for really for the military, for people that are overseas,

1:38:18.720 --> 1:38:21.479
<v Speaker 3>to calm their nerves when they're in the middle of Iraq.

1:38:21.520 --> 1:38:23.920
<v Speaker 3>You can zone out and jump into you know or

1:38:23.960 --> 1:38:28.240
<v Speaker 3>wherever you're at, jumping to a frequency therapy program that

1:38:28.360 --> 1:38:32.960
<v Speaker 3>actually is a real therapeutic situation that's happening, and you

1:38:33.000 --> 1:38:34.880
<v Speaker 3>can you know, select being wherever you want to be

1:38:34.880 --> 1:38:37.639
<v Speaker 3>on a beach or you know, wherever. And it's real time,

1:38:38.000 --> 1:38:39.759
<v Speaker 3>it's real, it's heavy, it's.

1:38:39.560 --> 1:38:41.960
<v Speaker 2>Crazy to try it. And I'm gonna be a reviewer.

1:38:42.240 --> 1:38:43.920
<v Speaker 3>Yeah, please be a hard reviewer.

1:38:44.240 --> 1:38:45.519
<v Speaker 2>I'm going to be excited about it too.

1:38:45.680 --> 1:38:48.439
<v Speaker 3>Yeah. And then the tech ain't gonna stop, so you

1:38:48.560 --> 1:38:50.120
<v Speaker 3>just stay tuned. I got I'm coming up with a

1:38:50.160 --> 1:38:54.400
<v Speaker 3>lot of stuff create please do Yeah, rock star follow

1:38:54.479 --> 1:38:56.519
<v Speaker 3>me of course, rock star music R O C C

1:38:56.760 --> 1:38:58.439
<v Speaker 3>S C A R music on everything.

1:38:58.640 --> 1:39:01.719
<v Speaker 2>Then you heard it here first while Broke, peace out guys, Yes,

1:39:01.840 --> 1:39:02.320
<v Speaker 2>yes sir.

1:39:02.760 --> 1:39:08.000
<v Speaker 3>Please for more

1:39:08.040 --> 1:39:11.320
<v Speaker 2>Eating While Broke from iHeartRadio and The Black Effect, visit

1:39:11.360 --> 1:39:14.760
<v Speaker 2>the iHeartRadio app, Apple podcast, or wherever you listen to

1:39:14.800 --> 1:39:15.839
<v Speaker 2>your favorite shows.