1 00:00:00,080 --> 00:00:02,040 Speaker 1: All right, Scott, Are you ready, Kurt? 2 00:00:02,240 --> 00:00:04,400 Speaker 2: I'm ready? All right? 3 00:00:06,559 --> 00:00:09,240 Speaker 1: It makes me laugh, just laughing. 4 00:00:10,039 --> 00:00:10,159 Speaker 3: Uh. 5 00:00:10,840 --> 00:00:14,239 Speaker 4: Denmark debuts new children's show about a man with a 6 00:00:14,400 --> 00:00:16,440 Speaker 4: huge and uncontrollable penis. 7 00:00:17,600 --> 00:00:23,040 Speaker 2: Yeah, that's a big old bananas. 8 00:00:21,000 --> 00:00:24,439 Speaker 1: I do world up his head? 9 00:00:25,200 --> 00:00:26,400 Speaker 2: Would you believe. 10 00:00:30,520 --> 00:00:33,159 Speaker 4: You? My Jo sillion pieces? 11 00:00:33,680 --> 00:00:34,600 Speaker 2: Would you believe? 12 00:00:37,960 --> 00:00:44,240 Speaker 5: Bananas by Bananas? 13 00:00:44,320 --> 00:00:48,240 Speaker 4: Ba Ladies and gentlemen, Welcome to Bananas. 14 00:00:48,560 --> 00:00:49,880 Speaker 1: I am Kurt Brown Older. 15 00:00:49,800 --> 00:00:52,760 Speaker 2: I am Scotty landis Banana Boy number two. And thank 16 00:00:52,800 --> 00:00:56,280 Speaker 2: you for tuning into the silliest little podcast that ever was. 17 00:00:57,840 --> 00:01:00,440 Speaker 4: Uh, and I'm just gonna get right into it. Our 18 00:01:00,560 --> 00:01:04,639 Speaker 4: guest today is the multi talented musician who has played 19 00:01:04,680 --> 00:01:10,200 Speaker 4: with honestly seemingly every indie darigue band out there, the Shins, 20 00:01:10,280 --> 00:01:15,679 Speaker 4: Beck Spoon, Yeah Yeah yeahs Connor Obert. She is the 21 00:01:15,800 --> 00:01:18,800 Speaker 4: driving force behind the band Deep Sea Diver and her 22 00:01:18,880 --> 00:01:22,560 Speaker 4: new album Impossible Wait is available right now and honestly, 23 00:01:23,120 --> 00:01:26,560 Speaker 4: the titular track is my favorite song of twenty twenty, 24 00:01:26,600 --> 00:01:30,600 Speaker 4: so I'm very excited. Please welcome to the show. Jessica Dobson. 25 00:01:32,280 --> 00:01:35,520 Speaker 5: Hello, Hello, thanks so much for having me. I'm so excited. 26 00:01:35,880 --> 00:01:40,559 Speaker 2: We're thank you for being here, my god, we. 27 00:01:40,600 --> 00:01:43,160 Speaker 4: Like to have we like to talk dumb stuff with 28 00:01:43,240 --> 00:01:44,520 Speaker 4: incredibly talented people. 29 00:01:44,640 --> 00:01:48,559 Speaker 2: That's right, that's right. And Jessica, you're look. You appear 30 00:01:48,640 --> 00:01:51,360 Speaker 2: that you're in a studio where you working today. 31 00:01:52,800 --> 00:01:58,160 Speaker 5: I haven't gotten to work yet. I was making bretton. 32 00:01:58,160 --> 00:02:01,480 Speaker 3: No, I don't know what I have been work. I'll 33 00:02:01,520 --> 00:02:06,360 Speaker 3: do anything to procrastinate making music. Sometimes I tidied it 34 00:02:06,400 --> 00:02:07,280 Speaker 3: a little bit for you guys. 35 00:02:07,280 --> 00:02:09,720 Speaker 5: I's selling courage. But yeah, this is my home studio 36 00:02:09,960 --> 00:02:12,840 Speaker 5: in the basement. Wonderful and I love it. Thanks. 37 00:02:12,880 --> 00:02:14,920 Speaker 4: It looks fantastic. Do you want to hear about this 38 00:02:15,000 --> 00:02:16,040 Speaker 4: crazy Denmark show? 39 00:02:16,480 --> 00:02:16,760 Speaker 3: Yes? 40 00:02:17,919 --> 00:02:20,160 Speaker 1: Right, this made me. It is. 41 00:02:21,600 --> 00:02:25,120 Speaker 4: It is legitimately fast. Okay, this is uh. This was 42 00:02:25,160 --> 00:02:28,200 Speaker 4: sent in by I don't know one hundred ban animals. Yes, 43 00:02:29,480 --> 00:02:32,440 Speaker 4: but I do have and I think Copyhaste was first. 44 00:02:32,600 --> 00:02:35,200 Speaker 4: Again copy Haste, thank you. But I'm also going to 45 00:02:35,240 --> 00:02:37,880 Speaker 4: give a shout out to Liz Zeller that is the 46 00:02:37,919 --> 00:02:42,520 Speaker 4: person I saw it from first. This is from CNN, 47 00:02:43,080 --> 00:02:46,480 Speaker 4: written by oh Rob, Rob Pitchetta. 48 00:02:46,639 --> 00:02:49,640 Speaker 2: Thank you. Rot. 49 00:02:51,000 --> 00:02:55,600 Speaker 4: Denmark's flagship broadcaster, has suffered blowback oh really over its 50 00:02:55,720 --> 00:03:01,960 Speaker 4: newest children's TV program, John dillermondatient, starring a man with 51 00:03:02,000 --> 00:03:06,160 Speaker 4: a penis so massive and flexible it can save children 52 00:03:06,200 --> 00:03:09,320 Speaker 4: from danger, fetch objects from a river, and operate as 53 00:03:09,360 --> 00:03:13,720 Speaker 4: a pogo stick. The show Who's thirteen episodes are available 54 00:03:13,720 --> 00:03:15,000 Speaker 4: to watch. You can watch him right now on the 55 00:03:15,040 --> 00:03:19,760 Speaker 4: dr Network's website. In episode one, for instance, the mustache 56 00:03:19,840 --> 00:03:25,080 Speaker 4: the mustached. I thought it was mustachio, me too, This says, 57 00:03:25,200 --> 00:03:30,399 Speaker 4: mustached the mustache. Dillermond uses his gigantic stripey organ as 58 00:03:30,440 --> 00:03:33,960 Speaker 4: a lead for his dog, but quickly finds himself inundated 59 00:03:34,000 --> 00:03:36,120 Speaker 4: with crests from his neighbors to take their pets out 60 00:03:36,160 --> 00:03:38,400 Speaker 4: for a walk too. And another point in the show, 61 00:03:38,400 --> 00:03:41,360 Speaker 4: he is stuck floating in midair after balloons are tied 62 00:03:41,400 --> 00:03:44,080 Speaker 4: to his groin. There is a photograph of that, and 63 00:03:44,240 --> 00:03:48,680 Speaker 4: it is it is so he's like wearing like a 64 00:03:48,720 --> 00:03:52,360 Speaker 4: red and white stripey old timey like one piece men's 65 00:03:52,720 --> 00:03:56,400 Speaker 4: bathing suit. Okay, his penis also is wearing that, so 66 00:03:56,480 --> 00:03:57,840 Speaker 4: it's red and white stripe. 67 00:03:57,920 --> 00:04:01,640 Speaker 1: Sure, this is a man who. 68 00:04:01,520 --> 00:04:05,640 Speaker 4: Has dick tied to like five balloons hanging upside down 69 00:04:05,880 --> 00:04:06,320 Speaker 4: mid air. 70 00:04:06,600 --> 00:04:08,800 Speaker 1: That's just a photograph, and it's a children's show. 71 00:04:08,960 --> 00:04:11,000 Speaker 5: This is a cartoon or real life? 72 00:04:11,920 --> 00:04:13,680 Speaker 1: Fucking crazy? 73 00:04:14,160 --> 00:04:14,280 Speaker 3: Uh. 74 00:04:15,040 --> 00:04:17,680 Speaker 4: This show was met with hilarity in Denmark and across 75 00:04:17,720 --> 00:04:22,960 Speaker 4: the internet, and there's nothing much that it keeps going 76 00:04:23,000 --> 00:04:23,760 Speaker 4: on and on and on. 77 00:04:24,839 --> 00:04:25,880 Speaker 1: It's a huge success. 78 00:04:26,040 --> 00:04:29,200 Speaker 4: Children are watching it in big numbers. Two hundred thousand 79 00:04:29,200 --> 00:04:31,840 Speaker 4: people have viewed the first episode. Nice and I guess 80 00:04:31,880 --> 00:04:35,280 Speaker 4: two hundred thousand in Denmark is probably what is it? 81 00:04:35,360 --> 00:04:36,600 Speaker 2: Everybody? So? 82 00:04:38,480 --> 00:04:42,320 Speaker 4: I don't know, but yeah, so that is we should? 83 00:04:42,480 --> 00:04:44,360 Speaker 4: You guys should I'm going to post a picture. You 84 00:04:44,360 --> 00:04:46,080 Speaker 4: guys should watch a little bit of it. 85 00:04:46,080 --> 00:04:46,880 Speaker 5: It's incredible. 86 00:04:47,520 --> 00:04:48,080 Speaker 1: But I don't. 87 00:04:48,120 --> 00:04:50,200 Speaker 4: I don't think I honestly, I have a child, I 88 00:04:50,240 --> 00:04:52,640 Speaker 4: have two children, one who watches TV. 89 00:04:52,880 --> 00:04:56,000 Speaker 1: I don't know. I'm not I don't know how I 90 00:04:56,040 --> 00:04:57,320 Speaker 1: feel about it, honestly. 91 00:04:57,720 --> 00:04:59,200 Speaker 4: You know, on one side it's like, oh, it's like 92 00:04:59,279 --> 00:05:01,200 Speaker 4: body positive activity, I guess. 93 00:05:01,240 --> 00:05:03,960 Speaker 1: But on the other side, it's like it's a really giant. 94 00:05:04,839 --> 00:05:07,680 Speaker 3: Yeah wait, so I miss Is this a cartoon or 95 00:05:07,760 --> 00:05:08,320 Speaker 3: real life? 96 00:05:08,360 --> 00:05:08,919 Speaker 2: Great question? 97 00:05:09,080 --> 00:05:11,840 Speaker 1: That, thank you, great question because. 98 00:05:11,640 --> 00:05:12,680 Speaker 5: There's a big difference. 99 00:05:12,920 --> 00:05:16,600 Speaker 1: Even though to begin with, it is neither. 100 00:05:16,760 --> 00:05:20,039 Speaker 4: It is stop animation, and the stop animation is so 101 00:05:20,839 --> 00:05:25,440 Speaker 4: chunky and bad it's that stop animation where just like 102 00:05:25,560 --> 00:05:29,240 Speaker 4: flat surfaces constantly change when they change, like they just 103 00:05:29,320 --> 00:05:32,839 Speaker 4: you know, pick it up, and they're careless, not purposefully 104 00:05:32,880 --> 00:05:35,880 Speaker 4: I think, careless about how what pressure duns get put 105 00:05:35,920 --> 00:05:38,280 Speaker 4: on like flat surfaces. So it just looks like this 106 00:05:39,960 --> 00:05:42,520 Speaker 4: everything's moving all the time. It is very weird. 107 00:05:43,000 --> 00:05:47,800 Speaker 3: That like reminded me of what's that John Wilson episode 108 00:05:48,360 --> 00:05:51,640 Speaker 3: the guy who's just like so so open about his 109 00:05:51,720 --> 00:05:55,520 Speaker 3: penis just laying on the bed tying it to strange rocks, 110 00:05:55,839 --> 00:05:58,120 Speaker 3: trying to get there's his balls. Maybe I think I 111 00:05:58,160 --> 00:05:59,760 Speaker 3: got it backwards, but still. 112 00:06:00,040 --> 00:06:02,800 Speaker 1: Wilson how to just walks around and film stuff. 113 00:06:03,360 --> 00:06:04,359 Speaker 5: Yeah, have you seen that? 114 00:06:04,760 --> 00:06:08,680 Speaker 4: Yes, I've watched the first for the first episode, and 115 00:06:08,720 --> 00:06:10,880 Speaker 4: like was almost crying, and how beautiful. 116 00:06:10,960 --> 00:06:12,000 Speaker 5: It's so good. 117 00:06:12,240 --> 00:06:14,120 Speaker 3: I know he does that thing where he's able to 118 00:06:14,240 --> 00:06:18,480 Speaker 3: like hit strike an emotional chord and be completely neurotic 119 00:06:18,480 --> 00:06:20,760 Speaker 3: and funny and yeah, it's crazy, but that you should 120 00:06:20,800 --> 00:06:23,120 Speaker 3: see the episode with There's a man who I think 121 00:06:23,480 --> 00:06:26,840 Speaker 3: I can't remember the details, but he ties things to 122 00:06:26,839 --> 00:06:29,159 Speaker 3: his balls or his penis for some kind of purpose 123 00:06:29,680 --> 00:06:32,960 Speaker 3: and so maybe they can get together. Oh can you 124 00:06:32,960 --> 00:06:35,119 Speaker 3: say he's trying to get his foreskin back. 125 00:06:35,279 --> 00:06:38,320 Speaker 1: Wow, okay, to get his foreskin back. Oh man, I 126 00:06:38,320 --> 00:06:39,520 Speaker 1: gotta watch that episode. 127 00:06:40,000 --> 00:06:41,520 Speaker 3: It's really it. I think it's like one of the 128 00:06:41,560 --> 00:06:43,239 Speaker 3: last ones. But I was dying. 129 00:06:43,640 --> 00:06:44,120 Speaker 2: I was dying. 130 00:06:44,160 --> 00:06:45,080 Speaker 5: But step animation. 131 00:06:45,760 --> 00:06:48,039 Speaker 3: I just don't even understand how you come up with 132 00:06:48,080 --> 00:06:51,159 Speaker 3: this concept and it clears any room, any person. 133 00:06:51,320 --> 00:06:52,200 Speaker 5: It gets beyond that. 134 00:06:52,800 --> 00:06:57,919 Speaker 4: How Scotty and I, you know, constantly pitched television show. 135 00:06:57,839 --> 00:07:03,239 Speaker 1: Yes, and it is ridibly to get something made. 136 00:07:03,720 --> 00:07:06,479 Speaker 4: The fact that they got a children's show made with 137 00:07:06,520 --> 00:07:09,880 Speaker 4: a giant dick man is I mean, it brings me 138 00:07:09,960 --> 00:07:10,559 Speaker 4: great joy. 139 00:07:10,640 --> 00:07:12,680 Speaker 1: I'm not gonna let my kid watch it. 140 00:07:12,800 --> 00:07:15,320 Speaker 2: And then the opposite will be in Like if this 141 00:07:15,600 --> 00:07:17,960 Speaker 2: actually is a huge hit in like three years, some 142 00:07:18,200 --> 00:07:20,600 Speaker 2: American network will buy the rights and then they'll bring 143 00:07:20,600 --> 00:07:23,360 Speaker 2: in people like Kurt and I to pitch on ideas 144 00:07:23,400 --> 00:07:25,040 Speaker 2: and we'll go, okay, it's this, this and this, and 145 00:07:25,080 --> 00:07:27,320 Speaker 2: they'll be like, we love it. But it can't be 146 00:07:27,360 --> 00:07:29,800 Speaker 2: a penis. It can't be a long one. It's got 147 00:07:29,800 --> 00:07:31,600 Speaker 2: to be something else. Maybe he has a pet snake, 148 00:07:31,720 --> 00:07:34,440 Speaker 2: maybe he has a friend that's has a long nose, 149 00:07:34,520 --> 00:07:36,280 Speaker 2: and you're like, oh, so you're trying to destroy the 150 00:07:36,400 --> 00:07:40,000 Speaker 2: entire thing that makes this special right away. That's the joy. 151 00:07:40,040 --> 00:07:41,960 Speaker 2: I'm sure it's similar in music, but it's like the 152 00:07:42,040 --> 00:07:44,920 Speaker 2: joy of like no bees, creative, reach for it, go 153 00:07:45,040 --> 00:07:47,160 Speaker 2: for it, and then you get. You give them everything 154 00:07:47,200 --> 00:07:50,040 Speaker 2: you got and they're like, we kind of want friends. 155 00:07:50,120 --> 00:07:55,800 Speaker 2: Where's our Ross and Rachel moment? And you're like, it's 156 00:07:55,840 --> 00:07:56,400 Speaker 2: a business. 157 00:07:57,360 --> 00:08:00,280 Speaker 4: It is fascinating that anything original ever gets me. So 158 00:08:00,320 --> 00:08:02,800 Speaker 4: how what you're The new album that came out came 159 00:08:02,800 --> 00:08:03,960 Speaker 4: out in October. 160 00:08:03,680 --> 00:08:07,200 Speaker 5: Right, yes, October sixteenth. 161 00:08:06,920 --> 00:08:08,560 Speaker 1: And so when did when was it recorded? 162 00:08:08,960 --> 00:08:13,240 Speaker 3: It was recorded in September or like basically the end 163 00:08:13,280 --> 00:08:17,520 Speaker 3: of twenty eighteen and then into twenty nineteen. And it 164 00:08:17,600 --> 00:08:20,360 Speaker 3: was interesting because we thought it was done and then 165 00:08:20,400 --> 00:08:21,840 Speaker 3: there's always like the question of. 166 00:08:22,120 --> 00:08:24,080 Speaker 5: Is there one more song that needs to happen? And 167 00:08:24,080 --> 00:08:25,080 Speaker 5: it ended up being impossible. 168 00:08:25,080 --> 00:08:28,000 Speaker 3: Wait the one Sharon Bennett and sing on and just 169 00:08:28,040 --> 00:08:30,200 Speaker 3: crazy and how that all worked out and yeah, so 170 00:08:30,240 --> 00:08:30,760 Speaker 3: pretty sweet. 171 00:08:30,760 --> 00:08:31,720 Speaker 5: But I mean it was done for. 172 00:08:31,640 --> 00:08:34,480 Speaker 3: A while and then we were trying to find a 173 00:08:34,520 --> 00:08:37,640 Speaker 3: home for it label wise, and then the pandemic and all, 174 00:08:37,880 --> 00:08:41,920 Speaker 3: so whatever, I can't even believe that we it's crazy 175 00:08:41,960 --> 00:08:45,360 Speaker 3: to me and totally right that we decided to release 176 00:08:45,440 --> 00:08:47,679 Speaker 3: it in the fall, you know, when stuff was still 177 00:08:47,679 --> 00:08:52,200 Speaker 3: shut down. I'm terribly, terribly mistouring, huge hole in my 178 00:08:52,240 --> 00:08:55,280 Speaker 3: heart for that, but hopefully it'll come back soon. But yeah, 179 00:08:55,320 --> 00:08:57,079 Speaker 3: we put a record out crazy. 180 00:08:57,280 --> 00:08:58,200 Speaker 2: That's great. That's great. 181 00:08:58,240 --> 00:09:00,200 Speaker 4: And yeah, you've been touring pretty much since you are 182 00:09:00,559 --> 00:09:02,520 Speaker 4: nineteen pretty much stop. 183 00:09:02,840 --> 00:09:03,560 Speaker 5: Yeah, I have to. 184 00:09:03,600 --> 00:09:06,120 Speaker 3: I have to make a small correction to somewhere along 185 00:09:06,120 --> 00:09:09,880 Speaker 3: the line in some interview, I toured with Connor Obersts, 186 00:09:09,920 --> 00:09:11,840 Speaker 3: but I never played with him. And I feel always 187 00:09:11,880 --> 00:09:15,480 Speaker 3: really guilty if I don't say that out loud, because 188 00:09:15,480 --> 00:09:18,280 Speaker 3: I feel like he might hear, or maybe Phoebe Bridges 189 00:09:18,400 --> 00:09:19,520 Speaker 3: is listening and she's like. 190 00:09:19,600 --> 00:09:25,240 Speaker 5: That's not true. Yeah, Bobe bananas. 191 00:09:25,360 --> 00:09:28,800 Speaker 2: Babe did bananas. So we're now best friends. We're in Yeah, talked, 192 00:09:28,880 --> 00:09:31,920 Speaker 2: you know that's how podcasts for an hour and then 193 00:09:31,960 --> 00:09:34,480 Speaker 2: your best friends the rest of your life. Yeah. 194 00:09:34,720 --> 00:09:37,000 Speaker 4: You just get on a group text with every other 195 00:09:37,040 --> 00:09:39,640 Speaker 4: guest we've ever had on and we constantly. 196 00:09:39,160 --> 00:09:40,439 Speaker 2: Text it welcome to help. 197 00:09:41,520 --> 00:09:42,800 Speaker 5: Everyone goes on the same. 198 00:09:44,280 --> 00:09:47,720 Speaker 2: Uh Man Trapped inside twenty four Hour Fitness when Jim 199 00:09:47,760 --> 00:09:52,079 Speaker 2: closes for the night, so This was sent in by Woedessa. 200 00:09:52,160 --> 00:09:55,080 Speaker 2: Thank you, Wodessa. It was on Men'shealth dot Com, written 201 00:09:55,120 --> 00:10:00,360 Speaker 2: by the greatest typer I know, Philip ellis Hella. Here 202 00:10:00,240 --> 00:10:03,520 Speaker 2: are the details. A late night workout ended up lasting 203 00:10:03,520 --> 00:10:06,040 Speaker 2: a lot longer than originally planned for a gym goer 204 00:10:06,120 --> 00:10:08,960 Speaker 2: in Sandy, Utah. Beautiful Sandy Utah. 205 00:10:09,280 --> 00:10:10,319 Speaker 5: Oh yeah. 206 00:10:10,400 --> 00:10:14,040 Speaker 2: When Dan Hill finished his swim on Sunday evening, he 207 00:10:14,120 --> 00:10:16,160 Speaker 2: found that he was the only person left in the 208 00:10:16,320 --> 00:10:19,160 Speaker 2: entire gym. The staff had left for the night, unaware 209 00:10:19,200 --> 00:10:23,600 Speaker 2: that he was still inside, locking him in the greatest irony. 210 00:10:23,679 --> 00:10:27,520 Speaker 2: Hill was in a twenty four hour fitness quote. I 211 00:10:27,600 --> 00:10:31,360 Speaker 2: mean it is so good quote. I am literally locked 212 00:10:31,360 --> 00:10:34,920 Speaker 2: inside a twenty four hour fitness right now, Hill wrote 213 00:10:34,960 --> 00:10:37,680 Speaker 2: on his Facebook post from his phone. They closed the 214 00:10:37,679 --> 00:10:39,760 Speaker 2: doors and went home while I was swimming my laps 215 00:10:39,760 --> 00:10:42,320 Speaker 2: in the pool. Doesn't the name suggest that they stay 216 00:10:42,360 --> 00:10:45,200 Speaker 2: open twenty four hours? Walking around trying to figure out 217 00:10:45,200 --> 00:10:47,840 Speaker 2: how to get out. I called Sandy Dispatch. They told 218 00:10:47,880 --> 00:10:50,880 Speaker 2: me they'd call me back. I called my wife. She said, 219 00:10:50,920 --> 00:10:56,120 Speaker 2: find a comfortable place to sleep. Lol. So while he 220 00:10:56,160 --> 00:10:59,199 Speaker 2: waited to be rescued, he took amusing photos and the 221 00:10:59,240 --> 00:11:01,160 Speaker 2: photos are great. This guy actually had a great sense 222 00:11:01,160 --> 00:11:02,480 Speaker 2: of humor. But it's not that you're not going to 223 00:11:02,559 --> 00:11:04,320 Speaker 2: die in a jim. It's just kind of a weird 224 00:11:04,320 --> 00:11:08,320 Speaker 2: and convenient if anything work out some more. But he 225 00:11:08,400 --> 00:11:12,080 Speaker 2: posted all these photos and they went viral. His Facebook 226 00:11:12,120 --> 00:11:15,880 Speaker 2: status had over eighteen thousand reactions, which I assume is 227 00:11:15,920 --> 00:11:20,439 Speaker 2: pretty good. And then he says, so I called dispatch, 228 00:11:20,559 --> 00:11:23,560 Speaker 2: and the guy pauses for ten seconds. In ten seconds 229 00:11:23,559 --> 00:11:26,600 Speaker 2: and says, you're aware, And I said, I'm at twenty 230 00:11:26,600 --> 00:11:28,880 Speaker 2: four hour Fitness. There's an alarm system here, and I 231 00:11:28,920 --> 00:11:31,280 Speaker 2: don't want to get busted for breaking and entering. Smart. 232 00:11:31,320 --> 00:11:35,600 Speaker 2: This guy's on top of it, very smart. I thought 233 00:11:35,640 --> 00:11:38,760 Speaker 2: at first it was just funny. Hill told ABC six, 234 00:11:39,080 --> 00:11:40,920 Speaker 2: you know, it was kind of like home alone, like, 235 00:11:40,960 --> 00:11:43,079 Speaker 2: oh my gosh, I have this gym to myself. I 236 00:11:43,080 --> 00:11:45,959 Speaker 2: think everyone secretly wants to be locked in a department store, 237 00:11:46,040 --> 00:11:48,920 Speaker 2: or a hardware store or a restaurant. I think that's 238 00:11:48,960 --> 00:11:51,280 Speaker 2: one reason it blew up so much. It taps into 239 00:11:51,280 --> 00:11:54,160 Speaker 2: that feeling of being the last person on earth, which 240 00:11:54,200 --> 00:11:57,679 Speaker 2: is true. Hill was eventually liberated from twenty four Hour 241 00:11:57,720 --> 00:12:00,959 Speaker 2: Fitness by three understanding police officers who posed with him 242 00:12:00,960 --> 00:12:04,439 Speaker 2: for selfie and later posted free at Last, Free at Last, 243 00:12:05,080 --> 00:12:07,959 Speaker 2: I am free at Last pretty fun. 244 00:12:09,120 --> 00:12:12,880 Speaker 4: I love that idea of like when you expect that 245 00:12:13,120 --> 00:12:16,480 Speaker 4: where there's just rules that you have gone by for 246 00:12:16,559 --> 00:12:19,520 Speaker 4: so long that when all of a sudden someone doesn't 247 00:12:19,800 --> 00:12:20,439 Speaker 4: obey the. 248 00:12:20,440 --> 00:12:21,720 Speaker 1: Rules that you're used to. 249 00:12:21,960 --> 00:12:25,120 Speaker 4: Yes, you're just like at a fundament, like everything falls 250 00:12:25,120 --> 00:12:26,560 Speaker 4: apart in like one moment. 251 00:12:26,679 --> 00:12:28,160 Speaker 2: Yes, totally. 252 00:12:28,320 --> 00:12:30,440 Speaker 5: I have a story about this jump in. 253 00:12:30,880 --> 00:12:34,559 Speaker 3: So it wasn't a twenty four hour fitness I think 254 00:12:34,600 --> 00:12:38,280 Speaker 3: it was a YMCA and I was on tour. We 255 00:12:38,360 --> 00:12:41,840 Speaker 3: think we were in Phoenix, and the venue gave us 256 00:12:41,840 --> 00:12:44,400 Speaker 3: like gym passes to go after sound check, which is 257 00:12:44,440 --> 00:12:46,200 Speaker 3: really sweet and you know, you get a shower and 258 00:12:46,240 --> 00:12:49,120 Speaker 3: all the luxuries and of tour that you don't normally get. 259 00:12:49,160 --> 00:12:51,640 Speaker 3: And so I went there and there wasn't many people. 260 00:12:51,640 --> 00:12:54,120 Speaker 3: There was like a Sunday night, and at the end 261 00:12:54,120 --> 00:12:56,599 Speaker 3: they went to go like take a shower in the basement. 262 00:12:56,360 --> 00:12:57,400 Speaker 5: Which was very creepy. 263 00:12:57,559 --> 00:12:59,640 Speaker 3: There was a lady that was lingering too long and 264 00:12:59,679 --> 00:13:03,200 Speaker 3: wanted to talk to me the whole time, and so 265 00:13:03,240 --> 00:13:04,199 Speaker 3: then she finally laughed. 266 00:13:04,200 --> 00:13:05,840 Speaker 5: And I'm just like casually putting on make. 267 00:13:05,760 --> 00:13:07,480 Speaker 3: And I noticed my phone that there was no reception 268 00:13:07,559 --> 00:13:11,040 Speaker 3: down there, but I wasn't too worried. And then like 269 00:13:11,559 --> 00:13:14,839 Speaker 3: some lights started turning off and I was like, Oh, 270 00:13:14,840 --> 00:13:15,400 Speaker 3: that's weird. 271 00:13:15,600 --> 00:13:16,760 Speaker 5: It's really dim in here. 272 00:13:16,920 --> 00:13:22,320 Speaker 3: And then thankfully somebody came down and they like jumped 273 00:13:22,360 --> 00:13:23,720 Speaker 3: back when they saw him, and they're. 274 00:13:23,520 --> 00:13:26,320 Speaker 5: Like, oh, I don't know you were down here. We 275 00:13:26,320 --> 00:13:29,080 Speaker 5: would have to lock all the doors, and I was. 276 00:13:29,120 --> 00:13:32,560 Speaker 3: Just like, oh shit, like because I wouldn't have been 277 00:13:32,600 --> 00:13:34,040 Speaker 3: able to tell. I don't think any of my band 278 00:13:34,080 --> 00:13:36,920 Speaker 3: members even knew I was there, Like the show would 279 00:13:37,000 --> 00:13:37,560 Speaker 3: not have gone on. 280 00:13:37,800 --> 00:13:40,800 Speaker 5: I would have been locked in this creepy as show. 281 00:13:40,840 --> 00:13:44,120 Speaker 3: Basement like the YMCA, and it would have been pitch 282 00:13:44,160 --> 00:13:46,319 Speaker 3: black because they were going to turn all the lights off. 283 00:13:46,760 --> 00:13:49,920 Speaker 5: Locked in a basement shower. Yeah, just gnarly. So I 284 00:13:49,920 --> 00:13:52,960 Speaker 5: feel for that guy, but yeah. 285 00:13:52,679 --> 00:13:53,120 Speaker 2: It's weird. 286 00:13:53,160 --> 00:13:55,080 Speaker 4: It is like there is like there is that like 287 00:13:55,200 --> 00:13:59,480 Speaker 4: childhood desire of like spending like the at the museum 288 00:13:59,600 --> 00:14:03,600 Speaker 4: or like in a in a store or something. Yeah, 289 00:14:03,600 --> 00:14:07,079 Speaker 4: but I did. I also have a story about kind 290 00:14:07,080 --> 00:14:10,320 Speaker 4: of about this. But there is this place in near La. 291 00:14:11,080 --> 00:14:13,160 Speaker 4: I think I'll use its name only because I don't 292 00:14:13,160 --> 00:14:17,800 Speaker 4: think it exists anymore. Sturdivant Camp, which is this place. 293 00:14:17,920 --> 00:14:21,800 Speaker 4: It's about a it's about like a two and a 294 00:14:21,840 --> 00:14:25,000 Speaker 4: half hour hike straight up a mountain and then it's 295 00:14:25,040 --> 00:14:27,720 Speaker 4: like these series of cabins set in the woods, yes, 296 00:14:28,040 --> 00:14:31,880 Speaker 4: by themselves, and you can rent them and like, but 297 00:14:31,960 --> 00:14:34,200 Speaker 4: some there's like a you know, like a grounds keeper 298 00:14:34,200 --> 00:14:35,880 Speaker 4: who like lets you into the cabin and then you 299 00:14:35,920 --> 00:14:38,760 Speaker 4: can stay there. But there's like no running water and 300 00:14:38,800 --> 00:14:41,640 Speaker 4: there's no you know, I think there's running water in electricity, 301 00:14:41,640 --> 00:14:43,160 Speaker 4: but like, you know, you're in the middle of nowhere. 302 00:14:43,160 --> 00:14:44,800 Speaker 4: There's no way to get there with a car, so 303 00:14:44,840 --> 00:14:47,000 Speaker 4: you have to hike and it's like uphill the whole way. 304 00:14:47,440 --> 00:14:50,280 Speaker 4: And my wife and I went up there, and you know, 305 00:14:50,320 --> 00:14:53,080 Speaker 4: we had like you know, registered with the person, told 306 00:14:53,120 --> 00:14:54,560 Speaker 4: them that we're going to be there, but it's all 307 00:14:54,600 --> 00:14:56,600 Speaker 4: like once you get there, it's like very remote. 308 00:14:56,640 --> 00:14:58,280 Speaker 1: You're in the middle of the forest. 309 00:14:59,120 --> 00:15:01,920 Speaker 4: And we get up there at sunset, so the sun 310 00:15:02,160 --> 00:15:05,880 Speaker 4: is setting gorgeous and nobody's there, and then all of 311 00:15:05,880 --> 00:15:08,080 Speaker 4: the cabins are locked. I didn't bring a tent. Oh 312 00:15:08,160 --> 00:15:10,080 Speaker 4: we're supposed to be staying in a cabin. Oh, and 313 00:15:10,120 --> 00:15:12,720 Speaker 4: it's a two and a half hour walk down to 314 00:15:12,800 --> 00:15:15,200 Speaker 4: get off the mountain. Yeah, and it's like getting dark 315 00:15:15,280 --> 00:15:17,240 Speaker 4: right now, and it's like what do we do? And 316 00:15:17,280 --> 00:15:20,840 Speaker 4: then there's these little boxes in the Angela's National Forest 317 00:15:21,520 --> 00:15:25,120 Speaker 4: that are literally you open the box and it is 318 00:15:25,360 --> 00:15:27,040 Speaker 4: a telephone. 319 00:15:27,120 --> 00:15:29,120 Speaker 1: Quote. I don't even think you'd call it a telephone. 320 00:15:29,120 --> 00:15:32,200 Speaker 4: I think it's like a wire device that has like 321 00:15:32,280 --> 00:15:34,760 Speaker 4: a handle that you pick up and like a little 322 00:15:34,760 --> 00:15:38,160 Speaker 4: squawk box and then a literal wire that you can 323 00:15:38,280 --> 00:15:41,520 Speaker 4: see running all the way. It's just one little thin 324 00:15:41,560 --> 00:15:43,560 Speaker 4: wire that runs all the way down the mountain. That's 325 00:15:43,560 --> 00:15:46,120 Speaker 4: so funny, and we like we like called it, we 326 00:15:46,200 --> 00:15:48,600 Speaker 4: like kept calling it calling it is like lift literally 327 00:15:48,680 --> 00:15:51,000 Speaker 4: lifting it up, and they're like, oh, it is nobody. 328 00:15:51,040 --> 00:15:52,960 Speaker 4: And then finally we get through to someone who's at 329 00:15:53,000 --> 00:15:54,600 Speaker 4: like the base of the mountain who's like, is no 330 00:15:54,640 --> 00:16:00,280 Speaker 4: one there? Oh well, and then we found like like 331 00:16:00,320 --> 00:16:02,280 Speaker 4: there was like we don't know, no one's coming tonight, 332 00:16:02,360 --> 00:16:04,440 Speaker 4: so sorry, and we're just like what And so then 333 00:16:04,480 --> 00:16:07,280 Speaker 4: we had to break into an emergency shelter. 334 00:16:07,400 --> 00:16:07,920 Speaker 2: I love that. 335 00:16:09,160 --> 00:16:10,000 Speaker 1: And then it was amazing. 336 00:16:10,080 --> 00:16:12,800 Speaker 4: It like inside the emergency shelter was like a little fireplace, 337 00:16:12,800 --> 00:16:15,280 Speaker 4: and we like started a fire and I brought food 338 00:16:15,320 --> 00:16:17,200 Speaker 4: and everything like that and had like a camp stove, 339 00:16:17,240 --> 00:16:19,000 Speaker 4: and so then we like cooked up and just like 340 00:16:19,160 --> 00:16:21,880 Speaker 4: lived in that emergency shelter for the night. 341 00:16:22,000 --> 00:16:24,320 Speaker 1: And it was honestly amazing. 342 00:16:24,720 --> 00:16:26,400 Speaker 4: But it was that thing where just like this was 343 00:16:26,400 --> 00:16:29,160 Speaker 4: supposed to happen and it just like everything shut down. 344 00:16:29,240 --> 00:16:31,920 Speaker 3: Yeah, and then you have to use all your primal senses. 345 00:16:33,520 --> 00:16:35,560 Speaker 2: Those are the best moments when you get permission just 346 00:16:35,600 --> 00:16:38,000 Speaker 2: to survive and you're like, all right, like we have 347 00:16:38,080 --> 00:16:41,080 Speaker 2: no choice here, so let's do something we we would 348 00:16:41,120 --> 00:16:44,040 Speaker 2: normally not do in society and then enjoy the hell 349 00:16:44,080 --> 00:16:45,880 Speaker 2: out of it. You did the right thing. Were you 350 00:16:45,920 --> 00:16:48,840 Speaker 2: going to sleep outside? No way? Yeah? 351 00:16:48,880 --> 00:16:51,360 Speaker 4: I mean honestly, it was like it was pretty wet. 352 00:16:52,240 --> 00:16:54,880 Speaker 4: It was winter time in the mountains. 353 00:16:55,000 --> 00:16:57,520 Speaker 1: Yeah, would not of work. You guys ready for another 354 00:16:57,560 --> 00:16:58,200 Speaker 1: story tease? 355 00:16:58,240 --> 00:16:58,520 Speaker 2: One up? 356 00:16:58,680 --> 00:16:58,920 Speaker 4: Yeah? 357 00:16:59,000 --> 00:17:01,680 Speaker 3: Can I turn my heater off really quick? Because to 358 00:17:01,760 --> 00:17:05,240 Speaker 3: turn on and it sound like ye in the audio. 359 00:17:05,760 --> 00:17:06,479 Speaker 1: Take a moment. 360 00:17:06,920 --> 00:17:08,560 Speaker 2: You got to take a moment in this life. 361 00:17:08,720 --> 00:17:10,520 Speaker 5: Heaters off. No more swishing sounds. 362 00:17:10,640 --> 00:17:14,400 Speaker 2: No swishing sounds. Kurt, fire up a killer teaser. 363 00:17:15,400 --> 00:17:19,000 Speaker 4: This is just to balance out the penis story from before, 364 00:17:19,040 --> 00:17:21,639 Speaker 4: please have to And this is a This is a 365 00:17:21,680 --> 00:17:28,840 Speaker 4: pair of stories, both about the same thing. So this 366 00:17:28,880 --> 00:17:32,159 Speaker 4: is from NBC News. This was sent in by a 367 00:17:32,240 --> 00:17:35,960 Speaker 4: ton of people, but I first saw it from Morgan 368 00:17:36,040 --> 00:17:40,399 Speaker 4: prospit Walls. Thank you Morgan again, everybody. We're on Instagram 369 00:17:40,440 --> 00:17:43,960 Speaker 4: the Bananas Podcast. Go dm us your crazy stories. Please 370 00:17:44,000 --> 00:17:47,679 Speaker 4: do while you're online, please go rate us and review 371 00:17:47,760 --> 00:17:50,600 Speaker 4: us on Apple Podcasts. It does still matter it somehow, 372 00:17:52,440 --> 00:17:54,120 Speaker 4: it does weirdly, all right. 373 00:17:54,119 --> 00:17:55,520 Speaker 1: So this is NBC News. 374 00:17:55,560 --> 00:18:01,359 Speaker 4: It's by Reuter's uh giant vagina sculpture fuels culture wars 375 00:18:01,400 --> 00:18:06,040 Speaker 4: in Brazil now does Yeah, So this is I would. 376 00:18:06,040 --> 00:18:07,879 Speaker 1: I'm not even gonna read it. I'll just describe it 377 00:18:07,920 --> 00:18:10,280 Speaker 1: to you. This is fucking amazing. 378 00:18:10,520 --> 00:18:15,479 Speaker 4: It is a hundred and eight foot concrete and resin 379 00:18:15,560 --> 00:18:19,800 Speaker 4: sculpture on a hillside. And the photograph is taken from 380 00:18:20,359 --> 00:18:24,080 Speaker 4: i'm gonna say, half a mile away. It just looks 381 00:18:24,280 --> 00:18:27,760 Speaker 4: it looks like the hillside just has a giant red 382 00:18:27,840 --> 00:18:29,840 Speaker 4: vagina and it's amazing. 383 00:18:31,960 --> 00:18:33,760 Speaker 1: And and then I'll post a photo. 384 00:18:33,800 --> 00:18:36,600 Speaker 4: The other photo is from like right on top of it, 385 00:18:36,680 --> 00:18:38,560 Speaker 4: and it's it's massive. 386 00:18:38,680 --> 00:18:39,800 Speaker 1: It's you could fit. 387 00:18:40,600 --> 00:18:43,960 Speaker 4: I'm looking at it, you could probably fit like eight 388 00:18:44,600 --> 00:18:48,040 Speaker 4: human beings laying down inside of it. Yes, Like that's 389 00:18:48,080 --> 00:18:49,080 Speaker 4: how big we're talking. 390 00:18:49,119 --> 00:18:51,119 Speaker 5: Okay, you know there'd be volunteers for that. 391 00:18:53,440 --> 00:18:56,080 Speaker 1: Well, we do have a volunteer for it. 392 00:18:56,200 --> 00:19:00,200 Speaker 4: Jessica, thank you for teeing this one up, because this 393 00:19:00,280 --> 00:19:05,320 Speaker 4: is a different story from NBC News as well, written 394 00:19:05,400 --> 00:19:06,399 Speaker 4: by the. 395 00:19:06,480 --> 00:19:09,159 Speaker 2: Cover everything nobody. 396 00:19:09,200 --> 00:19:13,520 Speaker 4: American student ends up trapped in giant vagina sculosure. 397 00:19:17,160 --> 00:19:21,000 Speaker 2: Oh, American students so dumb and privileged and entitled. 398 00:19:21,000 --> 00:19:24,200 Speaker 1: It's the best. So this is surprisingly enough. 399 00:19:24,280 --> 00:19:29,400 Speaker 4: I wish that these were two of the same vagina sculptures, 400 00:19:29,400 --> 00:19:32,439 Speaker 4: but it's two separate vagina sculptures. There is a vagina 401 00:19:32,440 --> 00:19:36,280 Speaker 4: sculpture in Germany and this kid is very funny looking. 402 00:19:36,680 --> 00:19:38,720 Speaker 1: He's just like, you know, as a goof. 403 00:19:38,800 --> 00:19:40,520 Speaker 4: He tried to like get inside of it for a 404 00:19:40,520 --> 00:19:43,800 Speaker 4: photograph and literally got his legs trapped and he's laying 405 00:19:43,880 --> 00:19:46,719 Speaker 4: down like with his whole body sticking out of rebirds 406 00:19:46,800 --> 00:19:47,960 Speaker 4: nine foot tall vagina. 407 00:19:51,320 --> 00:19:53,520 Speaker 1: But I will post both of it. But it is cool. 408 00:19:53,600 --> 00:19:57,680 Speaker 4: The the sculpture the is by an artist, the big one, 409 00:19:57,800 --> 00:20:01,960 Speaker 4: the one foot one in Brazil. Artist is Juliana Notari. 410 00:20:02,880 --> 00:20:05,960 Speaker 4: The work is titled Diva and it's in the Usina 411 00:20:06,000 --> 00:20:11,080 Speaker 4: de Arte Art Park in Perma Buca, Brazil, and she 412 00:20:11,440 --> 00:20:16,720 Speaker 4: says the the issues have become increasingly urgent today. 413 00:20:16,640 --> 00:20:18,840 Speaker 2: So people are outraged in this village, Like is there 414 00:20:18,840 --> 00:20:20,760 Speaker 2: a small village that just is like, we don't want 415 00:20:20,800 --> 00:20:24,080 Speaker 2: to have to look up at this thing every day? 416 00:20:24,119 --> 00:20:26,359 Speaker 4: It was I think it's mostly people on Twitter and 417 00:20:26,400 --> 00:20:26,920 Speaker 4: on Facebook. 418 00:20:26,920 --> 00:20:28,399 Speaker 2: Oh well, screw them, who cares? 419 00:20:28,560 --> 00:20:36,240 Speaker 4: Yeah, it doesn't matter, real really care, contrarians looking for 420 00:20:36,240 --> 00:20:37,000 Speaker 4: a little action. 421 00:20:37,960 --> 00:20:38,360 Speaker 5: Totally. 422 00:20:38,440 --> 00:20:41,399 Speaker 4: Yeah, so yeah, she says it it's depicted both of 423 00:20:41,160 --> 00:20:41,560 Speaker 4: of a. 424 00:20:41,680 --> 00:20:48,160 Speaker 6: Jiba, of a gina and the wound, questioning the relationship 425 00:20:48,200 --> 00:20:52,600 Speaker 6: between nature and culture in a fallocentric and anthropocentric society. 426 00:20:52,760 --> 00:20:56,520 Speaker 4: So whatever, I'm on artist Giuliano Notari side. 427 00:20:56,320 --> 00:20:58,720 Speaker 5: Of course, I like behind it. 428 00:20:59,080 --> 00:21:01,439 Speaker 1: Yeah, you know, I like the piece. The piece is 429 00:21:01,440 --> 00:21:02,360 Speaker 1: actually very beautiful. 430 00:21:02,400 --> 00:21:05,800 Speaker 4: It's very striking because it's so green, The hillside is 431 00:21:05,840 --> 00:21:09,159 Speaker 4: so green, and then it's this a giant vagina, like 432 00:21:09,280 --> 00:21:11,680 Speaker 4: just looking like the hillside has one. 433 00:21:11,840 --> 00:21:15,120 Speaker 5: I'm like picturing is it the Jesus sculpture? The huge 434 00:21:15,119 --> 00:21:15,800 Speaker 5: mass it's like one. 435 00:21:15,680 --> 00:21:16,440 Speaker 1: Of the in South. 436 00:21:16,960 --> 00:21:19,560 Speaker 5: Yeah, yeah, yeah, it'd be funny. That's just right next. 437 00:21:19,359 --> 00:21:21,159 Speaker 1: To it, just facing it. 438 00:21:21,480 --> 00:21:24,920 Speaker 5: That's what Jesus, Jesus, I'm the diva. 439 00:21:25,720 --> 00:21:30,640 Speaker 4: But it is so there's has a comic talked about 440 00:21:30,680 --> 00:21:33,960 Speaker 4: this yet? How insane it is that the that the 441 00:21:33,720 --> 00:21:37,760 Speaker 4: the the crucifix is the symbol for Christianity. Yes, it's 442 00:21:37,840 --> 00:21:41,080 Speaker 4: the bill the torture device. Bill Hicks has Bill Hicks 443 00:21:41,080 --> 00:21:41,600 Speaker 4: had that that. 444 00:21:41,640 --> 00:21:44,480 Speaker 2: It was like, so that's what you want to see, Like, 445 00:21:44,520 --> 00:21:46,359 Speaker 2: if this really is your Lord and savior when he 446 00:21:46,440 --> 00:21:48,480 Speaker 2: comes back the second time, the first thing you're going 447 00:21:48,520 --> 00:21:50,119 Speaker 2: to show him is the thing he was nailed to 448 00:21:50,240 --> 00:21:52,320 Speaker 2: and murdered, like just like, hey, look at this, like 449 00:21:52,359 --> 00:21:56,200 Speaker 2: we're all wearing it. Yes, Bill Hicks covered that one 450 00:21:55,960 --> 00:22:00,440 Speaker 2: good and he's right, all right, great, my god, my god, 451 00:22:00,880 --> 00:22:03,720 Speaker 2: that's pretty cool. It probably is killer acoustics. Maybe, Jessica, 452 00:22:03,760 --> 00:22:05,680 Speaker 2: maybe you could play a concert in front of this thing. 453 00:22:05,720 --> 00:22:07,440 Speaker 2: I bet it drives sound. 454 00:22:07,280 --> 00:22:11,120 Speaker 3: With a sponsor. Go to the vagina, get paid to 455 00:22:11,320 --> 00:22:12,639 Speaker 3: singing it. I wouldn't go to the one where that 456 00:22:12,680 --> 00:22:17,600 Speaker 3: guy got stuck. No, go to the diva. 457 00:22:17,040 --> 00:22:17,640 Speaker 1: The diva. 458 00:22:18,000 --> 00:22:20,960 Speaker 4: Yeah, it would be nice if another artist put a 459 00:22:21,000 --> 00:22:21,960 Speaker 4: diva cup right now. 460 00:22:22,119 --> 00:22:23,920 Speaker 2: I was just a gout to say that. 461 00:22:25,080 --> 00:22:27,359 Speaker 3: Some other dirty jokes came to mind, and that's not 462 00:22:27,400 --> 00:22:28,160 Speaker 3: really a dirty one. 463 00:22:28,160 --> 00:22:29,639 Speaker 5: That's natural diva cups. 464 00:22:29,640 --> 00:22:33,639 Speaker 4: But yeah, for everybody who doesn't know what a diva 465 00:22:33,640 --> 00:22:34,399 Speaker 4: cup is, look it up. 466 00:22:34,600 --> 00:22:35,679 Speaker 1: It's got to give us another one. 467 00:22:35,680 --> 00:22:38,000 Speaker 2: I'll tease this into a little what we call commercial. 468 00:22:38,280 --> 00:22:42,840 Speaker 2: Therey Uh Israeli bank robber uses an avocado in two 469 00:22:42,880 --> 00:22:44,240 Speaker 2: successful bank heists. 470 00:22:46,440 --> 00:23:14,680 Speaker 7: Naturally, Banana baa. 471 00:23:17,000 --> 00:23:21,960 Speaker 4: Guys, we are back from Bananas and a reminder for 472 00:23:22,000 --> 00:23:27,080 Speaker 4: everybody that we are doing a live show online February sixth. 473 00:23:27,760 --> 00:23:29,800 Speaker 4: You can be there in your living room or wherever 474 00:23:29,840 --> 00:23:34,040 Speaker 4: you want to be. Go to bananaslive dot com. Oh. Also, 475 00:23:34,200 --> 00:23:39,240 Speaker 4: everybody has been messaging the Banana's Instagram account about the 476 00:23:39,280 --> 00:23:43,200 Speaker 4: phone number for the Banana phone. If you are one 477 00:23:43,240 --> 00:23:46,159 Speaker 4: of them. Here is the Banana phone phone number. If 478 00:23:46,200 --> 00:23:48,600 Speaker 4: you don't know what that is, we have a phone 479 00:23:48,920 --> 00:23:51,680 Speaker 4: that is a banana that you can call at anytime. 480 00:23:52,119 --> 00:23:54,600 Speaker 4: The number is two one three two one four seven 481 00:23:54,680 --> 00:23:56,600 Speaker 4: nine seven four SCTY. You will answer and talk to 482 00:23:56,600 --> 00:23:57,840 Speaker 4: you for exactly one minute. 483 00:23:57,920 --> 00:23:59,760 Speaker 2: That's right, Yes, that's good. 484 00:23:59,800 --> 00:24:01,560 Speaker 3: As A I didn't know there was a time limit. 485 00:24:01,920 --> 00:24:06,280 Speaker 3: I've heard about the phone from you guys naturally, and yeah. 486 00:24:06,080 --> 00:24:09,679 Speaker 2: Okay, yeah, I had to curb it at a minute, 487 00:24:09,760 --> 00:24:13,000 Speaker 2: because you know, most people nervously just hang up on 488 00:24:13,040 --> 00:24:15,880 Speaker 2: me right away. But the ones that stay on every 489 00:24:15,920 --> 00:24:17,760 Speaker 2: once in a while, somebody will go for a good 490 00:24:17,760 --> 00:24:20,840 Speaker 2: ten minutes and then I learn a lot about them 491 00:24:20,960 --> 00:24:24,680 Speaker 2: and their life and their week. And but I had 492 00:24:24,720 --> 00:24:27,280 Speaker 2: to say one minute just so that doesn't happen. And 493 00:24:27,280 --> 00:24:31,000 Speaker 2: it ruined my entire life. But it's really fun. I 494 00:24:31,040 --> 00:24:33,760 Speaker 2: probably get six to ten calls a day. It'll probably 495 00:24:33,800 --> 00:24:36,320 Speaker 2: ring while we're doing the podcast, and everybody's great and 496 00:24:36,359 --> 00:24:38,879 Speaker 2: cool and keep them coming. I'm happy to text or call. 497 00:24:40,280 --> 00:24:44,440 Speaker 2: That's amazing, all right, you two. I have a fun thing. 498 00:24:45,800 --> 00:24:51,080 Speaker 2: Israeli bank robber uses an avocado in two successful bank heists. 499 00:24:51,720 --> 00:24:55,480 Speaker 2: This was sent in by Nick C. Duval on Instagram. 500 00:24:55,560 --> 00:24:58,400 Speaker 2: Thank you, Nick, and it comes from the New York 501 00:24:58,480 --> 00:25:02,600 Speaker 2: Daily News, written by the one only Brian Niemitz. Gotta 502 00:25:02,600 --> 00:25:05,560 Speaker 2: love what Brian does. A forty seven year old bank 503 00:25:05,680 --> 00:25:10,360 Speaker 2: robber pulled off two armed robberies by convincing bank tellers 504 00:25:10,400 --> 00:25:17,280 Speaker 2: that the avocado he was holding was a hand grenade. 505 00:25:18,200 --> 00:25:20,640 Speaker 4: I was really wondering how he was gonna pull it off. 506 00:25:22,040 --> 00:25:22,399 Speaker 1: I love it. 507 00:25:22,440 --> 00:25:24,439 Speaker 2: Yeah, your picture, and it's like in his coat pocket 508 00:25:24,440 --> 00:25:26,560 Speaker 2: and he's using it like a gun or no, no, no, 509 00:25:26,600 --> 00:25:29,640 Speaker 2: he's holding this thing up and saying it's all hand grenade. 510 00:25:29,680 --> 00:25:33,880 Speaker 2: The unidentified crook, described by the Times of Israel as 511 00:25:33,920 --> 00:25:39,359 Speaker 2: a resident of southern Israel's Bedouin village, reportedly made off 512 00:25:39,359 --> 00:25:43,240 Speaker 2: with eighty three hundred American dollars after robbing a pair 513 00:25:43,240 --> 00:25:46,119 Speaker 2: of banks just five days apart. YEP armed with an 514 00:25:46,119 --> 00:25:51,240 Speaker 2: avocado painted black. The produce packing perp. 515 00:25:51,080 --> 00:25:53,879 Speaker 4: Not even he wasn't even willing to wait for it 516 00:25:53,920 --> 00:25:55,800 Speaker 4: to write then, Nope, he was just gonna get a 517 00:25:55,840 --> 00:25:57,440 Speaker 4: green avocado had painted black. 518 00:25:58,600 --> 00:26:00,679 Speaker 2: Didn stick a pin in it, didn't like glue a 519 00:26:00,760 --> 00:26:03,320 Speaker 2: ring to it, Just holding up an avoca. It's amazing 520 00:26:03,359 --> 00:26:07,920 Speaker 2: what you can do with an avocado. He the produce 521 00:26:08,119 --> 00:26:11,680 Speaker 2: packing purp allegedly told the first teller, put the money 522 00:26:11,680 --> 00:26:18,240 Speaker 2: in the bag quickly, or I'll throw this grenade. Oh boy, 523 00:26:18,400 --> 00:26:21,120 Speaker 2: I feel like grenades, and correct me if I'm wrong. 524 00:26:21,200 --> 00:26:22,920 Speaker 2: You too, But don't you feel like you know how 525 00:26:22,920 --> 00:26:25,040 Speaker 2: to use a grenade, even though we totally don't know 526 00:26:25,040 --> 00:26:28,359 Speaker 2: how to use a grenade? We don't know, Jessica. Do 527 00:26:28,359 --> 00:26:30,679 Speaker 2: you feel like you could throw a grenade successfully if 528 00:26:30,720 --> 00:26:31,159 Speaker 2: you had to? 529 00:26:32,880 --> 00:26:35,840 Speaker 3: Like, meaning, would I be able to take out the 530 00:26:35,880 --> 00:26:39,119 Speaker 3: pin without shaking and dropping it next to my foot? 531 00:26:39,400 --> 00:26:42,679 Speaker 2: Yeah? Just the concept of from cartoons and movies and 532 00:26:42,680 --> 00:26:44,760 Speaker 2: TV shows. I feel like we all feel like, yeah, 533 00:26:44,800 --> 00:26:46,480 Speaker 2: you pull the pin and then you throw it and 534 00:26:46,480 --> 00:26:49,720 Speaker 2: then three seconds later, but we don't know what we're doing. 535 00:26:50,520 --> 00:26:54,440 Speaker 5: No, I would need no extreme military training, no one. 536 00:26:55,119 --> 00:26:56,960 Speaker 4: What is the time limit on a grenade? I think 537 00:26:57,000 --> 00:27:00,639 Speaker 4: all grenades have different time limits too, Like there's a 538 00:27:00,680 --> 00:27:05,240 Speaker 4: lot of time. It is such a funny like war device. Yeah, 539 00:27:05,280 --> 00:27:10,840 Speaker 4: where it can literally be thrown back at you. Yes, yeah, 540 00:27:12,720 --> 00:27:15,040 Speaker 4: there's some time for it to just be caused back. 541 00:27:18,680 --> 00:27:23,240 Speaker 2: It's not great though. The alleged thief were elaborate disguises, 542 00:27:23,320 --> 00:27:27,080 Speaker 2: including hats, glasses, and an eyepatch. I mean this guy 543 00:27:29,080 --> 00:27:33,480 Speaker 2: the details God Cops, working off of tips, located the 544 00:27:33,480 --> 00:27:36,840 Speaker 2: man by tracking his cell phone locations. His criminal record 545 00:27:36,920 --> 00:27:41,800 Speaker 2: reportedly included a three year stint for robbery. Though avocados 546 00:27:41,840 --> 00:27:44,840 Speaker 2: are not known to be explosive, they do pack nearly 547 00:27:44,960 --> 00:27:49,120 Speaker 2: twenty vitamins and minerals according to web MD. So there 548 00:27:49,119 --> 00:27:51,960 Speaker 2: you go, two banks, one avocado, a little bit of 549 00:27:51,960 --> 00:27:58,080 Speaker 2: black paint, eight grand later. Wow, it's so good. It's 550 00:27:58,119 --> 00:27:59,359 Speaker 2: so good, Jessica. 551 00:27:59,480 --> 00:28:02,439 Speaker 4: Do you either have a favorite fruit or have you 552 00:28:02,480 --> 00:28:03,640 Speaker 4: ever stolen anything? 553 00:28:03,840 --> 00:28:04,119 Speaker 2: Great? 554 00:28:04,760 --> 00:28:05,119 Speaker 5: Oh? 555 00:28:05,240 --> 00:28:08,720 Speaker 3: Man, I know I've I mean I definitely have those, 556 00:28:08,760 --> 00:28:11,399 Speaker 3: like child mostly bubble gum is what I would steal 557 00:28:11,440 --> 00:28:18,639 Speaker 3: as a kid. Yes, bubblicious. Yeah, the zebra one whatever 558 00:28:18,640 --> 00:28:19,640 Speaker 3: that was fruit. 559 00:28:21,920 --> 00:28:27,480 Speaker 4: Bubble cape literally loses its flavor after to cheeses fruitst one. 560 00:28:27,280 --> 00:28:27,720 Speaker 5: And a half. 561 00:28:27,840 --> 00:28:32,520 Speaker 3: Maybe it's terrible. Yeah, bubble gums come a long way 562 00:28:32,560 --> 00:28:32,919 Speaker 3: since then. 563 00:28:34,800 --> 00:28:43,120 Speaker 5: Favorite fruit? Uh probably? I just like actually green tipped bananas. 564 00:28:43,200 --> 00:28:47,640 Speaker 4: Really, yes, tipped bananas when. 565 00:28:47,440 --> 00:28:50,080 Speaker 5: They are just barely under ripe. 566 00:28:50,880 --> 00:28:54,000 Speaker 3: I don't like bananas that have any brown spots on them. 567 00:28:54,080 --> 00:28:54,840 Speaker 5: I won't eat them. 568 00:28:55,200 --> 00:28:55,480 Speaker 2: Okay. 569 00:28:56,240 --> 00:28:57,960 Speaker 3: I don't bake banana bread, so I don't give a 570 00:28:58,000 --> 00:28:59,360 Speaker 3: shit about putting it in my freezer. 571 00:28:59,480 --> 00:29:01,120 Speaker 2: Yeah, have standard eating it. 572 00:29:01,080 --> 00:29:05,080 Speaker 5: For a later day. Green tip bananas, I'm all about it. 573 00:29:05,160 --> 00:29:06,160 Speaker 2: Okay. 574 00:29:06,240 --> 00:29:08,600 Speaker 4: I agree, A green tip banana like right before, it's 575 00:29:08,800 --> 00:29:11,120 Speaker 4: totally right. Yeah, that's a good banana. 576 00:29:11,120 --> 00:29:14,120 Speaker 2: It's not chalky, perfect, smooth, operator. 577 00:29:14,840 --> 00:29:15,160 Speaker 5: Yeah. 578 00:29:16,360 --> 00:29:19,680 Speaker 2: Years ago, about about six years ago, I was with 579 00:29:19,720 --> 00:29:22,080 Speaker 2: my friend Melissa. We were drinking in a bar. We 580 00:29:22,160 --> 00:29:27,080 Speaker 2: got invited to hang out. What is it, Barnesdale, Kurt 581 00:29:27,120 --> 00:29:30,320 Speaker 2: That art park that's on the hill in La. Yeah, Barnesdale. 582 00:29:30,400 --> 00:29:32,880 Speaker 2: It's pretty cool and they do like music nights normally, 583 00:29:32,920 --> 00:29:34,720 Speaker 2: and you sit on blankets and they play music and 584 00:29:34,760 --> 00:29:37,720 Speaker 2: there's wine and beer tasting and stuff. And we got 585 00:29:37,720 --> 00:29:41,240 Speaker 2: invited and we didn't want to stop drinking. And I 586 00:29:41,520 --> 00:29:46,479 Speaker 2: figured out that if you take a tortilla, you go 587 00:29:46,560 --> 00:29:49,840 Speaker 2: buy a big burrito tortilla and some aluminum foil that 588 00:29:49,960 --> 00:29:52,720 Speaker 2: you can wrap a tall boy of beer and it 589 00:29:52,760 --> 00:29:55,040 Speaker 2: looks like a burrito, and then you can just walk 590 00:29:55,080 --> 00:29:57,320 Speaker 2: down the sidewalk and it looks like you're eating a burrito, 591 00:29:57,360 --> 00:29:59,440 Speaker 2: but you're really just drinking a beer. I have done 592 00:29:59,480 --> 00:30:01,840 Speaker 2: this so much time since it is the greatest way 593 00:30:01,840 --> 00:30:05,320 Speaker 2: to drink in public. Any can beverage, white claw, canned wine, 594 00:30:05,560 --> 00:30:08,200 Speaker 2: can prosecco, and all you do is you just buy 595 00:30:08,200 --> 00:30:11,920 Speaker 2: a very cheap and expensive mission burrito I mean tortilla, 596 00:30:12,280 --> 00:30:15,880 Speaker 2: wrap it up, wrap it halfway with a nice limon foil, 597 00:30:16,000 --> 00:30:18,800 Speaker 2: and nobody I mean it smells a little like tortilla. 598 00:30:18,800 --> 00:30:20,680 Speaker 2: I'm not gonna lie, so maybe six a beer. Maybe 599 00:30:20,680 --> 00:30:23,080 Speaker 2: wine isn't the best for you. But I've done this 600 00:30:23,120 --> 00:30:26,600 Speaker 2: twenty times now, I've walked right by cops with it. 601 00:30:27,920 --> 00:30:30,760 Speaker 4: Do you have the tortilla, So you poke the tortilla 602 00:30:30,880 --> 00:30:32,360 Speaker 4: up a little bit over the edge of the. 603 00:30:32,320 --> 00:30:33,080 Speaker 2: Can, that's right. 604 00:30:33,240 --> 00:30:34,920 Speaker 4: So do you do that in the front, yes, so 605 00:30:34,960 --> 00:30:36,880 Speaker 4: that kind of like hits the tortilla hits your nose 606 00:30:36,880 --> 00:30:37,360 Speaker 4: a little. 607 00:30:37,160 --> 00:30:39,720 Speaker 2: Bit exactly right. So the back of the can, away 608 00:30:39,720 --> 00:30:42,480 Speaker 2: from the mouth hoole or whatever it's called, the spout, 609 00:30:42,720 --> 00:30:45,080 Speaker 2: you put a little extra like two inches of burrito 610 00:30:45,200 --> 00:30:46,960 Speaker 2: so when you tip it, it goes over your nose 611 00:30:47,040 --> 00:30:51,080 Speaker 2: like a nice little drinking mask. And it works. It's 612 00:30:51,120 --> 00:30:53,320 Speaker 2: so funny. And then at the end of the day, 613 00:30:53,440 --> 00:30:56,000 Speaker 2: when you're pretty buzzed and you're outside and in public, 614 00:30:56,320 --> 00:30:58,400 Speaker 2: find a bird and befriend it and feed it the 615 00:30:58,400 --> 00:31:01,560 Speaker 2: rest of your tortilla, and then it's great recycle the foil. 616 00:31:02,080 --> 00:31:05,720 Speaker 2: It's a victimless crime, and I highly highly recommend it 617 00:31:05,720 --> 00:31:07,160 Speaker 2: to everybody who wants to drink in public. 618 00:31:07,840 --> 00:31:09,680 Speaker 5: You should put a doll up of sour cream on 619 00:31:09,720 --> 00:31:13,080 Speaker 5: your nose. Too, just one. 620 00:31:15,600 --> 00:31:17,720 Speaker 3: It's an awkward way of eating a burrito, like to 621 00:31:17,800 --> 00:31:19,640 Speaker 3: dip it on your nose. I'm just like picturing like 622 00:31:19,680 --> 00:31:24,000 Speaker 3: Burrito King California Staalburrito, just like Chunky. I love like 623 00:31:24,080 --> 00:31:27,480 Speaker 3: the links you're going like you're not buying like a kombucha. 624 00:31:27,640 --> 00:31:30,280 Speaker 3: Like you can carry around anything that isn't alcohol in 625 00:31:30,320 --> 00:31:34,760 Speaker 3: a glass, you know, container, but the tortilla and foil Okay. 626 00:31:34,880 --> 00:31:37,080 Speaker 2: Well it's so big, that's the thing. You can You 627 00:31:37,080 --> 00:31:39,160 Speaker 2: could put a tall boy in there. You could. It's 628 00:31:39,200 --> 00:31:41,520 Speaker 2: like if you had the right glass, you could just 629 00:31:41,600 --> 00:31:44,400 Speaker 2: make a cocktail and do it. It's just fabulous. And 630 00:31:44,640 --> 00:31:46,480 Speaker 2: when you're standing there, there's a lot of photos of 631 00:31:46,520 --> 00:31:49,479 Speaker 2: me holding it from this one hangout, and it just 632 00:31:49,480 --> 00:31:51,880 Speaker 2: looks like I'm holding a burrito the entire party, which 633 00:31:51,920 --> 00:31:55,520 Speaker 2: is really funny too. Why isn't this guy eating this burrito? 634 00:31:58,320 --> 00:31:58,920 Speaker 5: I love it. 635 00:31:59,160 --> 00:32:00,880 Speaker 2: Yeah, it just looks it's like, yeah, it's like I 636 00:32:00,920 --> 00:32:03,120 Speaker 2: worked with a guy in this greenhouse once named Kobe 637 00:32:03,160 --> 00:32:05,160 Speaker 2: who wouldn't turn his head when he ate tacos, and 638 00:32:05,200 --> 00:32:07,320 Speaker 2: it blew all of our minds. He would just stick 639 00:32:07,400 --> 00:32:12,880 Speaker 2: them straight and like like a hot time zero tilts 640 00:32:12,960 --> 00:32:17,920 Speaker 2: just who Yes, he would just straight ahead, heart, softer, crunchy. 641 00:32:18,080 --> 00:32:20,520 Speaker 2: Just in this we had an older woman who is 642 00:32:20,640 --> 00:32:23,280 Speaker 2: Japanese American who was probably in her fifties. She did 643 00:32:23,280 --> 00:32:25,880 Speaker 2: all like the planting, and she just was staring at him. 644 00:32:25,920 --> 00:32:27,400 Speaker 2: I'm like, what are you staring at she She's like, 645 00:32:27,560 --> 00:32:30,080 Speaker 2: he doesn't turn his head when he eats tacos. And 646 00:32:30,120 --> 00:32:33,000 Speaker 2: we were like, Kobe, how dare you. 647 00:32:34,600 --> 00:32:37,200 Speaker 5: That's something Larry David would notice it? Yes, it has 648 00:32:37,280 --> 00:32:37,880 Speaker 5: an episode. 649 00:32:38,600 --> 00:32:40,640 Speaker 4: Yes, that is very true. 650 00:32:41,520 --> 00:32:45,600 Speaker 2: All right, Curtie B you got one for some boy? Yeah, 651 00:32:45,880 --> 00:32:46,400 Speaker 2: I do. 652 00:32:46,600 --> 00:32:49,760 Speaker 4: Indeed, this is I this was I thought about putting 653 00:32:49,760 --> 00:32:52,520 Speaker 4: this one just as an Instagram post because the visual 654 00:32:52,800 --> 00:32:56,120 Speaker 4: is so important to this okay, but the story is 655 00:32:57,400 --> 00:33:00,160 Speaker 4: specific and unique enough that I think it requires is 656 00:33:00,320 --> 00:33:04,760 Speaker 4: to discuss it. This was sent in by Samantha Abrago. 657 00:33:04,960 --> 00:33:08,520 Speaker 4: Thank you, Samas. Oh yeah, this is This is from 658 00:33:08,560 --> 00:33:10,959 Speaker 4: an article in Inked Magazine. 659 00:33:11,280 --> 00:33:13,640 Speaker 2: I've heard of it and I. 660 00:33:13,600 --> 00:33:16,120 Speaker 4: Haven't written by Inked mag staff. 661 00:33:16,240 --> 00:33:17,680 Speaker 2: Oh the best god. 662 00:33:17,680 --> 00:33:22,000 Speaker 4: This is about. The title is this twenty six year 663 00:33:22,000 --> 00:33:25,680 Speaker 4: old is self tattooing his entire body bluelue. 664 00:33:26,080 --> 00:33:29,840 Speaker 2: Okay and okay, when. 665 00:33:29,720 --> 00:33:32,000 Speaker 4: You see the photo sure it is. I would if 666 00:33:32,040 --> 00:33:35,280 Speaker 4: you have a laptop open, I would. It's worth a Google. 667 00:33:35,880 --> 00:33:39,560 Speaker 4: It is a turquoise. He is self tattooed like he's 668 00:33:39,800 --> 00:33:44,840 Speaker 4: he's self tattooing his own face, which is fucking co 669 00:33:45,640 --> 00:33:52,560 Speaker 4: ray ink. Well, he's done his face. He is a 670 00:33:52,640 --> 00:33:57,560 Speaker 4: blue person now, Okay. And you know because it's like 671 00:33:57,640 --> 00:34:01,880 Speaker 4: an even inked magazine inc magazine, the magazine for and 672 00:34:02,000 --> 00:34:06,560 Speaker 4: about tattoos, heard of it that starts this article. There 673 00:34:06,600 --> 00:34:10,279 Speaker 4: are no two tattoo stories that are alike you know 674 00:34:10,320 --> 00:34:14,080 Speaker 4: what inked? I think there are. I think it's called 675 00:34:14,200 --> 00:34:18,359 Speaker 4: I got drunk and got a dumb fucking tattoo. Yes, yeah, 676 00:34:19,000 --> 00:34:23,720 Speaker 4: says Donnie Snyder of Scarborough, Ontario. We've certainly never seen 677 00:34:23,760 --> 00:34:25,080 Speaker 4: a tattoo like his. 678 00:34:25,400 --> 00:34:25,520 Speaker 2: Now. 679 00:34:25,560 --> 00:34:28,279 Speaker 4: We're very familiar with full body tattooing and have seen 680 00:34:28,280 --> 00:34:31,720 Speaker 4: plenty of people black out their bodies for the uniform aesthetic. However, 681 00:34:31,760 --> 00:34:34,760 Speaker 4: for the most part, these people have spent decades committed 682 00:34:34,760 --> 00:34:40,200 Speaker 4: to body modification. We're already heavily tattooed, not Donnie. Donnie 683 00:34:40,239 --> 00:34:44,160 Speaker 4: didn't have a single tattoo before he went about tattooing 684 00:34:44,280 --> 00:34:49,719 Speaker 4: wo entire body blue. And he's gone about the journey alone. 685 00:34:50,960 --> 00:34:54,759 Speaker 4: The past several years, he has slowly but surely been 686 00:34:54,840 --> 00:34:58,520 Speaker 4: tattooing his skin turquoise, and with the exception of his 687 00:34:58,600 --> 00:35:02,160 Speaker 4: right forearm, he's done all all the work himself. 688 00:35:02,280 --> 00:35:04,920 Speaker 2: Because he's right handed, so he can't do his own forearm. 689 00:35:05,000 --> 00:35:07,000 Speaker 2: That's he couldn't even do with his left hand. After 690 00:35:07,040 --> 00:35:09,160 Speaker 2: all that time, come on, Donnie. 691 00:35:09,000 --> 00:35:14,200 Speaker 4: Lazy, So they this is a very there's a lengthy 692 00:35:14,320 --> 00:35:19,520 Speaker 4: interview with Donnie, and I do want to get just 693 00:35:20,520 --> 00:35:22,040 Speaker 4: a little bit of it. I don't want to get 694 00:35:22,080 --> 00:35:24,880 Speaker 4: too much in the weeds with Donnie. But at first 695 00:35:24,880 --> 00:35:27,319 Speaker 4: I was just like, oh, this guy is a crazy person. Yes, 696 00:35:27,560 --> 00:35:31,200 Speaker 4: And I left the interview being like, this is the 697 00:35:31,200 --> 00:35:36,239 Speaker 4: perfect thing for this guy. Okay, so what inspired you 698 00:35:36,280 --> 00:35:37,640 Speaker 4: to be in tattooing your body and why do you 699 00:35:37,719 --> 00:35:40,319 Speaker 4: choose this color? I just like the look of it, 700 00:35:40,400 --> 00:35:41,600 Speaker 4: and I thought it would be neat. 701 00:35:41,880 --> 00:35:44,640 Speaker 1: Great, that's all you need. 702 00:35:45,280 --> 00:35:46,279 Speaker 5: I thought it would be neat. 703 00:35:46,480 --> 00:35:49,960 Speaker 4: That is, honestly, that's the answer for all tattoos, right. 704 00:35:49,960 --> 00:35:52,680 Speaker 5: That's the most underwhelming descriptive word, neat. 705 00:35:53,560 --> 00:35:58,160 Speaker 3: And that that made him color his body for life. 706 00:35:59,520 --> 00:36:01,239 Speaker 2: Unbelieve, Oh my god. 707 00:36:01,760 --> 00:36:05,799 Speaker 4: No, unemployed unemployable other than as a blue man. 708 00:36:06,040 --> 00:36:08,760 Speaker 2: Sure there's a career out there for and it's. 709 00:36:08,600 --> 00:36:13,040 Speaker 4: Not even the right blue for that. Okay, okay, So 710 00:36:13,160 --> 00:36:19,360 Speaker 4: here this is where it gets pretty great. He essentially 711 00:36:19,560 --> 00:36:24,160 Speaker 4: said that I'm trying to find the exact thing. Okay here, 712 00:36:24,320 --> 00:36:27,160 Speaker 4: How do people online and in person respond to your tattoos? 713 00:36:27,160 --> 00:36:28,799 Speaker 4: I get all kinds of comments when I'm out. Some 714 00:36:28,840 --> 00:36:31,680 Speaker 4: people love that tattoo, Others are clearly not thrilled about it. 715 00:36:31,760 --> 00:36:34,400 Speaker 4: Occasionally it can be overwhelming. Sometimes the negative ones do 716 00:36:34,440 --> 00:36:36,479 Speaker 4: get me, but I'm getting better at brushing them off. Yes, 717 00:36:36,520 --> 00:36:40,800 Speaker 4: I have had many bizarre interactions, as you can probably imagine. 718 00:36:40,800 --> 00:36:46,879 Speaker 4: I get surprised looks, unblinking stairs, snarky comments in comments, compliments, 719 00:36:47,200 --> 00:36:56,359 Speaker 4: lighthearted jokes, mean spirited jokes, looks of right, I get 720 00:36:56,400 --> 00:37:02,680 Speaker 4: free beers, looks of disgusted, strange proposition, chuckling, handshakes, people 721 00:37:02,719 --> 00:37:06,480 Speaker 4: pulling at my clothes to peek underneath, high fives, looks 722 00:37:06,480 --> 00:37:10,800 Speaker 4: of horror, honking hugs, shouting from cars, people asking you 723 00:37:10,800 --> 00:37:13,600 Speaker 4: to take pictures with me, people taking pictures of videos 724 00:37:13,600 --> 00:37:17,000 Speaker 4: without asking, fist bumps, and even couple people licking their 725 00:37:17,040 --> 00:37:19,439 Speaker 4: thumb to try to rub the tattoo off. 726 00:37:19,520 --> 00:37:23,239 Speaker 2: Oh well that crosses a line. That's not Yeah. 727 00:37:23,440 --> 00:37:25,960 Speaker 4: I also just love that he was like, do you 728 00:37:26,000 --> 00:37:28,239 Speaker 4: want to do you want the real answer to how 729 00:37:28,320 --> 00:37:31,600 Speaker 4: people have reacted? I will give you how everyone I've 730 00:37:31,640 --> 00:37:34,280 Speaker 4: ever met has reactive. 731 00:37:34,440 --> 00:37:37,400 Speaker 5: Leave no stone unturned. That's amazing. 732 00:37:37,440 --> 00:37:39,040 Speaker 4: And here is that. This is the thing where I 733 00:37:39,080 --> 00:37:41,279 Speaker 4: came around to like this guy. In addition to the 734 00:37:41,360 --> 00:37:44,600 Speaker 4: visual appeal, the tattoo definitely serves the secondary function of 735 00:37:44,640 --> 00:37:47,040 Speaker 4: forcing me out of my comfort zone. I used to 736 00:37:47,120 --> 00:37:50,200 Speaker 4: isolate myself from other people to an unhealthy degree. I 737 00:37:50,200 --> 00:37:53,319 Speaker 4: would rarely go out, more necessary, only go to work 738 00:37:53,360 --> 00:37:55,759 Speaker 4: the grocery store, et cetera. When I was out, I 739 00:37:55,840 --> 00:37:58,359 Speaker 4: generally interact with people as as little as I could 740 00:37:58,360 --> 00:38:00,680 Speaker 4: get away with. Now I have to talk to him, 741 00:38:00,880 --> 00:38:04,000 Speaker 4: and it's like exposure therapy. Even though not every interaction 742 00:38:04,120 --> 00:38:06,200 Speaker 4: is positive, it can still be quite awkward. I think 743 00:38:06,200 --> 00:38:08,759 Speaker 4: I can stand to benefit from engaging with people more, 744 00:38:09,000 --> 00:38:12,080 Speaker 4: and I often enjoy it. Now I love it. 745 00:38:12,200 --> 00:38:16,600 Speaker 2: Yeah, now self help you Now it's self help endearing. 746 00:38:18,280 --> 00:38:20,399 Speaker 4: Yeah, he's he's been out of the week. 747 00:38:20,560 --> 00:38:22,239 Speaker 2: Absolute, what a what a. 748 00:38:23,080 --> 00:38:25,120 Speaker 4: It's just like I need to talk to people more. 749 00:38:25,360 --> 00:38:28,560 Speaker 4: Maybe I should tat to buy by hand my entire 750 00:38:28,600 --> 00:38:29,960 Speaker 4: body blue? 751 00:38:31,560 --> 00:38:32,960 Speaker 2: Should I wear a funny hat? 752 00:38:33,800 --> 00:38:34,680 Speaker 5: No? 753 00:38:36,640 --> 00:38:38,960 Speaker 4: I feel like you could have benefited from someone just 754 00:38:38,960 --> 00:38:43,520 Speaker 4: being like, here's a cool shirt. People ask questions about this, Oh. 755 00:38:46,080 --> 00:38:49,000 Speaker 2: Oh oh Donnie. But he should run for Mary sounds 756 00:38:49,040 --> 00:38:51,560 Speaker 2: like the most popular guy in Ontario. Like everybody is 757 00:38:51,600 --> 00:38:54,600 Speaker 2: interacting with this dude. Or he should do something benefits 758 00:38:54,880 --> 00:38:57,960 Speaker 2: or start a band, be a stand up, do something. 759 00:38:59,280 --> 00:39:01,000 Speaker 5: I know. I was like listening to his reasons for 760 00:39:01,040 --> 00:39:02,440 Speaker 5: why he did this. I was like, oh, that's why 761 00:39:02,440 --> 00:39:03,800 Speaker 5: I'm a musician. 762 00:39:04,200 --> 00:39:08,880 Speaker 3: Like interacting with people self, Like, I love touring, but 763 00:39:08,960 --> 00:39:11,600 Speaker 3: I didn't paint my body blue or to do it. 764 00:39:12,320 --> 00:39:15,279 Speaker 2: Were you shy as a kid? Were you shy before 765 00:39:15,320 --> 00:39:16,320 Speaker 2: he became a musicial. 766 00:39:16,560 --> 00:39:20,160 Speaker 5: I wasn't shy, but I I am an extrovert. 767 00:39:20,239 --> 00:39:22,480 Speaker 3: But there's a different part of me that comes alive 768 00:39:23,000 --> 00:39:26,080 Speaker 3: on playing shows and just like getting that real time 769 00:39:26,160 --> 00:39:28,200 Speaker 3: interest something I'm so deeply missed. It's just that real 770 00:39:28,239 --> 00:39:30,880 Speaker 3: time interaction and elementary surprise. 771 00:39:31,000 --> 00:39:34,880 Speaker 5: You know. But yeah it props to him. 772 00:39:35,600 --> 00:39:35,839 Speaker 2: Yeah. 773 00:39:36,680 --> 00:39:39,600 Speaker 4: So wait, do you feel like when you're touring that 774 00:39:39,840 --> 00:39:43,120 Speaker 4: is your ability to kind of like do social interaction 775 00:39:44,360 --> 00:39:45,400 Speaker 4: extended version. 776 00:39:45,560 --> 00:39:50,799 Speaker 3: Like I I some musicians don't like interacting with fans 777 00:39:50,840 --> 00:39:51,399 Speaker 3: after the show. 778 00:39:51,480 --> 00:39:52,160 Speaker 5: I'm opposite. 779 00:39:52,200 --> 00:39:54,560 Speaker 3: I love doing that. I love hearing stories and coming 780 00:39:54,560 --> 00:39:56,839 Speaker 3: away with stories. Maybe that I'll have some next time 781 00:39:56,880 --> 00:39:59,040 Speaker 3: tour opens up. Yes, I'm going to start writing these 782 00:39:59,080 --> 00:40:00,719 Speaker 3: down so I can send them to you. 783 00:40:00,640 --> 00:40:01,680 Speaker 2: Guys, please. 784 00:40:01,680 --> 00:40:03,560 Speaker 3: You know, I've heard a million stories on the road 785 00:40:03,600 --> 00:40:07,640 Speaker 3: that are crazy and exerience, but like, yeah, it kind 786 00:40:07,640 --> 00:40:11,160 Speaker 3: of is. It's like, uh, it just feeds off of 787 00:40:11,160 --> 00:40:13,239 Speaker 3: each other every interaction where I just get hurry, then 788 00:40:13,239 --> 00:40:15,239 Speaker 3: I come home and then I just like go away 789 00:40:15,280 --> 00:40:19,120 Speaker 3: for two months and don't talk to anybody, right, And yeah, 790 00:40:19,160 --> 00:40:21,920 Speaker 3: so because yeah, expending a lot of energy socially, and 791 00:40:21,920 --> 00:40:23,560 Speaker 3: then you just kind of want to start so off isolating. 792 00:40:23,560 --> 00:40:25,520 Speaker 2: But I'm the same way. I'm the same way. Yeah, 793 00:40:25,560 --> 00:40:28,319 Speaker 2: I like when it's not the great choar. I used 794 00:40:28,320 --> 00:40:30,160 Speaker 2: to go out about six nights a week and I'd 795 00:40:30,160 --> 00:40:33,400 Speaker 2: get a lot of shows. I'd go out to work, drinks, meat, writers, 796 00:40:33,440 --> 00:40:35,719 Speaker 2: meet actors, just kind of hang out and do you know, 797 00:40:35,800 --> 00:40:39,080 Speaker 2: dinners and stuff. And then when this hit, people were like, dude, Scotti, 798 00:40:39,120 --> 00:40:42,160 Speaker 2: are you okay? Like and I actually found that I 799 00:40:42,320 --> 00:40:46,120 Speaker 2: was very okay with being alone and very productive writing wise, 800 00:40:46,200 --> 00:40:49,160 Speaker 2: because I think I'd been burning the candle a little 801 00:40:49,680 --> 00:40:52,080 Speaker 2: hard at both ends, and then this gave me permission 802 00:40:52,120 --> 00:40:55,160 Speaker 2: to not have to be anywhere. Now, after ten months 803 00:40:55,160 --> 00:40:57,960 Speaker 2: of this or whatever it is, I'm starting to feel 804 00:40:58,000 --> 00:41:00,960 Speaker 2: that like, yeah, it'll be fun to meet my friends 805 00:41:00,960 --> 00:41:02,920 Speaker 2: at L Coyote and drink a couple of margarita's and 806 00:41:02,960 --> 00:41:05,760 Speaker 2: eat chips and salsa, do that kind of fun stuff. 807 00:41:06,000 --> 00:41:07,840 Speaker 2: But I gotta say, for the first six months, I 808 00:41:07,840 --> 00:41:11,080 Speaker 2: almost felt protected in a way that never would have 809 00:41:11,080 --> 00:41:14,359 Speaker 2: anticipated and was extremely creative, Like felt like I could 810 00:41:14,360 --> 00:41:16,839 Speaker 2: write every single day without any writer's block or any 811 00:41:18,360 --> 00:41:20,800 Speaker 2: it was. It was a weird relief, and I'm glad 812 00:41:20,840 --> 00:41:23,360 Speaker 2: to know that if anything this dumb ever happens again, 813 00:41:23,440 --> 00:41:25,760 Speaker 2: that I won't be sol. 814 00:41:26,400 --> 00:41:29,239 Speaker 4: Yeah, that's interesting. That was the first time I've ever 815 00:41:29,280 --> 00:41:31,480 Speaker 4: heard you say writer's block? Have you? Because you are 816 00:41:31,520 --> 00:41:34,719 Speaker 4: so prolific, I always just imagine that you sit down 817 00:41:34,719 --> 00:41:37,800 Speaker 4: and it's like, bah, it just all comes out so easily. 818 00:41:37,880 --> 00:41:39,320 Speaker 4: Do you have it? Do you have it? Sometimes? 819 00:41:39,480 --> 00:41:43,760 Speaker 2: Never have I haven't had it. But it's more shifting 820 00:41:43,800 --> 00:41:46,160 Speaker 2: between projects, like if I'm doing a couple of TV 821 00:41:46,239 --> 00:41:49,920 Speaker 2: pilots and a feature. Sometimes you have to shift your 822 00:41:49,920 --> 00:41:54,319 Speaker 2: brain back and forth and go to those worlds and 823 00:41:54,320 --> 00:41:56,640 Speaker 2: those characters, and you don't want your characters speaking or 824 00:41:56,640 --> 00:42:00,560 Speaker 2: sounding like especially you know, in dialogue. But I found 825 00:42:00,640 --> 00:42:03,920 Speaker 2: that a lot of my writing peers, especially in TV writers, 826 00:42:04,280 --> 00:42:08,560 Speaker 2: have been petrified, have been absolutely unable to write and 827 00:42:08,600 --> 00:42:11,880 Speaker 2: the anxiety. And I understand the anxiety was so strong 828 00:42:11,960 --> 00:42:14,080 Speaker 2: and great, and there's so much uncertainty that you had 829 00:42:14,080 --> 00:42:16,000 Speaker 2: so many other things to worry about. But I actually 830 00:42:16,000 --> 00:42:20,080 Speaker 2: found comfort in a blank page and knowing that nobody's 831 00:42:20,120 --> 00:42:21,440 Speaker 2: going to bother me, and that all I had to 832 00:42:21,440 --> 00:42:22,960 Speaker 2: do was start typing. 833 00:42:24,680 --> 00:42:27,560 Speaker 4: Yeah, Well, Jessica, have you been able to which which 834 00:42:27,640 --> 00:42:29,480 Speaker 4: side have you been on? I've been fifty to fifty. 835 00:42:29,560 --> 00:42:31,160 Speaker 4: Have you been able to get writing done? 836 00:42:31,400 --> 00:42:35,120 Speaker 3: So a lot of our energy. So we came back 837 00:42:35,120 --> 00:42:37,920 Speaker 3: from tour. We were on the road for like three months, 838 00:42:37,920 --> 00:42:40,560 Speaker 3: off and on. We did some dates with Wilco and Joseph, 839 00:42:40,640 --> 00:42:42,719 Speaker 3: and it was amazing that we got to tour like 840 00:42:42,760 --> 00:42:46,160 Speaker 3: before everything shut down, and then the day we got back, 841 00:42:46,160 --> 00:42:47,839 Speaker 3: everything shut down, which is crazy. 842 00:42:48,640 --> 00:42:50,759 Speaker 5: And then it was that one. 843 00:42:50,800 --> 00:42:53,440 Speaker 3: Then it was the question of are we releasing our 844 00:42:53,440 --> 00:42:56,960 Speaker 3: record still this year? And we decided yes, and then 845 00:42:57,000 --> 00:42:58,960 Speaker 3: it was all just planning. So I was kind of 846 00:42:59,040 --> 00:43:03,799 Speaker 3: like I had a goal yes, and like, uh, it 847 00:43:03,840 --> 00:43:05,600 Speaker 3: was made a lot easier to like Peter, my partner 848 00:43:05,640 --> 00:43:07,800 Speaker 3: who plays drums in the band. You know, we obviously 849 00:43:07,840 --> 00:43:11,480 Speaker 3: lived together, so we both had an endgame to strive towards. 850 00:43:11,520 --> 00:43:15,080 Speaker 5: And I think like we work really well with limitations, and. 851 00:43:15,120 --> 00:43:17,840 Speaker 3: So just like we Yeah, I just had to be 852 00:43:17,960 --> 00:43:19,719 Speaker 3: so creative in the ways that we were going to 853 00:43:19,800 --> 00:43:22,879 Speaker 3: promote this record. And but you know, now that I'm 854 00:43:22,920 --> 00:43:25,839 Speaker 3: on the other side that it's out, I am so 855 00:43:25,920 --> 00:43:28,400 Speaker 3: hungry to create and actually really hungry to be a 856 00:43:28,440 --> 00:43:31,200 Speaker 3: lot more collaborative with other artists. I have been talking 857 00:43:31,239 --> 00:43:33,359 Speaker 3: to people about just like let's do a cover and 858 00:43:33,440 --> 00:43:35,240 Speaker 3: just release it for fun on band camp or whatever 859 00:43:35,280 --> 00:43:38,200 Speaker 3: it is, and just like connecting with people. But the 860 00:43:38,239 --> 00:43:40,800 Speaker 3: first few months I definitely went insular. 861 00:43:41,440 --> 00:43:42,840 Speaker 5: And then now, yeah, I'm dying. I want to go 862 00:43:42,880 --> 00:43:43,480 Speaker 5: to l Coyote. 863 00:43:43,880 --> 00:43:46,200 Speaker 2: Yeah, I'll meet you there. God, this is over, let's 864 00:43:46,239 --> 00:43:48,919 Speaker 2: all rendezvous and just bring Peter and we'll just chip 865 00:43:48,960 --> 00:43:50,919 Speaker 2: and salsa to death. It's so good. 866 00:43:51,000 --> 00:43:52,200 Speaker 5: Oh my god, amazing. 867 00:43:52,360 --> 00:43:54,960 Speaker 4: I would love that. So you did you know Sharon 868 00:43:55,840 --> 00:43:58,319 Speaker 4: before you worked with her on that song or was 869 00:43:58,320 --> 00:43:59,000 Speaker 4: that kind of like no? 870 00:43:59,320 --> 00:44:03,640 Speaker 3: Personally, her brothers were fans of Deep Sea Diver and 871 00:44:03,920 --> 00:44:05,640 Speaker 3: a long time ago I saw like a post that 872 00:44:05,680 --> 00:44:07,400 Speaker 3: they said like, hey, Sharon, this is the band I 873 00:44:07,440 --> 00:44:08,799 Speaker 3: was talking to you about, and they had the last 874 00:44:08,880 --> 00:44:10,600 Speaker 3: name Vanett, and so I was like, well, I think 875 00:44:10,680 --> 00:44:13,200 Speaker 3: that's Sharon Mannon and that was really cool, and so 876 00:44:13,280 --> 00:44:14,360 Speaker 3: I think we were on her radar. 877 00:44:15,200 --> 00:44:17,000 Speaker 5: But it ended up being long story short. 878 00:44:17,120 --> 00:44:19,600 Speaker 3: I met her backstage of the Nick Cave concert one time, 879 00:44:19,640 --> 00:44:21,960 Speaker 3: but it was in Passing Cool and then she was 880 00:44:22,000 --> 00:44:27,799 Speaker 3: opening for him. I love nick Cave and yes, And 881 00:44:27,840 --> 00:44:30,640 Speaker 3: then it ended up being I went to a show 882 00:44:30,760 --> 00:44:32,680 Speaker 3: like the night before we were going to record the 883 00:44:32,719 --> 00:44:35,759 Speaker 3: song Impossible Way, and I like Instagram storiedes andthing. I 884 00:44:35,840 --> 00:44:38,640 Speaker 3: was like, hey, there's no other places I'd say, there's 885 00:44:38,640 --> 00:44:40,920 Speaker 3: no other place I'd rather be than at this show 886 00:44:41,360 --> 00:44:43,480 Speaker 3: the night before we finished our record. So then the 887 00:44:43,520 --> 00:44:45,400 Speaker 3: next day we went and ended Impossible Wait. And she 888 00:44:45,480 --> 00:44:48,160 Speaker 3: ended up getting back to me that day and saying. 889 00:44:47,920 --> 00:44:51,000 Speaker 5: Like, hey, I've been meeting to you, like say hi, cause. 890 00:44:50,800 --> 00:44:53,200 Speaker 3: I had messaged her a long time ago, and she 891 00:44:53,280 --> 00:44:55,359 Speaker 3: got back and we connected and it was just really 892 00:44:55,360 --> 00:44:58,200 Speaker 3: crazy because that same day I had said out loud 893 00:44:58,239 --> 00:44:59,839 Speaker 3: to my co producer, I was like, gosh, it would 894 00:44:59,840 --> 00:45:01,520 Speaker 3: be a suite of sharing sing on the song, and 895 00:45:01,520 --> 00:45:02,839 Speaker 3: I think I was still coming off the high of 896 00:45:02,880 --> 00:45:05,279 Speaker 3: like she had such an amazing live show too, and 897 00:45:05,280 --> 00:45:07,719 Speaker 3: it just like I just heard her vocals on it, 898 00:45:07,800 --> 00:45:10,960 Speaker 3: and you know, it's like the art of asking, it's intimidating, 899 00:45:11,000 --> 00:45:13,080 Speaker 3: but you know, eventually I was. 900 00:45:13,000 --> 00:45:15,279 Speaker 5: Just like a fuck it, I'm gonna ask. And you know, 901 00:45:15,719 --> 00:45:17,239 Speaker 5: you hold something loosely when you ask. 902 00:45:17,320 --> 00:45:19,480 Speaker 3: It's like maybe the person loves the song, but it's 903 00:45:19,520 --> 00:45:21,640 Speaker 3: not for them or their vocals you know, won't sound good. 904 00:45:21,680 --> 00:45:22,040 Speaker 5: I don't know. 905 00:45:23,000 --> 00:45:25,440 Speaker 3: And so it worked and it was awesome and then 906 00:45:25,440 --> 00:45:26,480 Speaker 3: we became friends through that. 907 00:45:27,360 --> 00:45:29,719 Speaker 4: Wait, that's amazing. So it was like the same day 908 00:45:29,800 --> 00:45:31,880 Speaker 4: you sent her, you sent her the song, was like, 909 00:45:31,920 --> 00:45:33,600 Speaker 4: any chance you want to come by the studio and 910 00:45:33,640 --> 00:45:34,320 Speaker 4: record something? 911 00:45:34,400 --> 00:45:36,920 Speaker 5: So that was delayed because she was so busy. 912 00:45:37,120 --> 00:45:39,200 Speaker 3: I didn't I didn't want to ask right away, like 913 00:45:39,320 --> 00:45:41,640 Speaker 3: her reaching out and being like, hey, here's one um 914 00:45:41,760 --> 00:45:43,720 Speaker 3: call me whenever and like hey, sing on my song. 915 00:45:44,200 --> 00:45:45,320 Speaker 5: Uh I. 916 00:45:46,239 --> 00:45:48,480 Speaker 3: I tried to be more tactical about it, but like 917 00:45:49,640 --> 00:45:52,880 Speaker 3: ended up sending her like a good mix because you 918 00:45:52,920 --> 00:45:56,000 Speaker 3: also don't want to present some shitty like day of mix. 919 00:45:56,080 --> 00:45:58,080 Speaker 5: It's like this song in my head, it's cool, but 920 00:45:58,280 --> 00:45:58,959 Speaker 5: check this out. 921 00:45:59,200 --> 00:46:02,120 Speaker 3: Yeah, And so we sent her like a cool rough 922 00:46:02,160 --> 00:46:03,480 Speaker 3: mix of it and I was like, this is what 923 00:46:03,520 --> 00:46:06,000 Speaker 3: I'm hearing, Like if this resonates with you, awesome, and 924 00:46:06,080 --> 00:46:06,759 Speaker 3: she was like. 925 00:46:07,680 --> 00:46:09,160 Speaker 5: I'm trying to figure out how I can do it 926 00:46:09,200 --> 00:46:10,200 Speaker 5: because she was so busy. 927 00:46:10,360 --> 00:46:12,520 Speaker 3: I'm so happy for her that record blew up, remind 928 00:46:12,600 --> 00:46:15,399 Speaker 3: me tomorrow, and like she was just always on the road. 929 00:46:15,719 --> 00:46:18,480 Speaker 3: And finally like a message came through like midnight a 930 00:46:18,480 --> 00:46:20,440 Speaker 3: few months later, it was like I love a song, 931 00:46:20,520 --> 00:46:20,920 Speaker 3: Let's do it. 932 00:46:20,920 --> 00:46:23,640 Speaker 2: And I was just like, yes, amazing. 933 00:46:23,880 --> 00:46:26,920 Speaker 3: So yeah, so freaking sweet and she's just the best. 934 00:46:28,160 --> 00:46:30,000 Speaker 3: So very very glad that that worked out. 935 00:46:30,080 --> 00:46:30,640 Speaker 2: That's cool. 936 00:46:31,880 --> 00:46:33,640 Speaker 4: And so you said you were on tour with Wilco. 937 00:46:34,080 --> 00:46:36,200 Speaker 4: Was so you're opening for Wilco? 938 00:46:36,440 --> 00:46:39,799 Speaker 3: Yes, they were, they were opening for us, and it 939 00:46:39,840 --> 00:46:40,560 Speaker 3: was yeah, no, I'm. 940 00:46:40,440 --> 00:46:45,720 Speaker 4: Just kidding a how is it as a band opening 941 00:46:45,880 --> 00:46:47,879 Speaker 4: for like a band like Wilco. Because I have as 942 00:46:47,880 --> 00:46:49,560 Speaker 4: a comedian, have opened for bands. 943 00:46:50,200 --> 00:46:55,480 Speaker 5: Oh yes, shows like that worst, it's the worst. 944 00:46:57,000 --> 00:46:59,080 Speaker 4: I always say yes too, because it's always a band 945 00:46:59,120 --> 00:46:59,920 Speaker 4: that I like love. 946 00:47:00,400 --> 00:47:03,919 Speaker 3: I'm like getting visions of like seeing Neil Hamburger at 947 00:47:03,920 --> 00:47:06,279 Speaker 3: like the old Spaceland opening for me. 948 00:47:07,600 --> 00:47:09,919 Speaker 4: Neil Hamburger makes sense, do you know, because he's a 949 00:47:09,920 --> 00:47:13,080 Speaker 4: a character and most of his jokes are about music, 950 00:47:13,160 --> 00:47:16,600 Speaker 4: you know, totally just like a comedian who is themselves 951 00:47:16,600 --> 00:47:20,640 Speaker 4: on stage and you're not telling only means of face jokes. 952 00:47:21,840 --> 00:47:25,560 Speaker 3: I feel like one step underneath that is when poets open. 953 00:47:26,360 --> 00:47:29,800 Speaker 5: Kill unless unless it's a bookstore, like. 954 00:47:30,200 --> 00:47:32,480 Speaker 4: Except except for Derek Brown. Derek. 955 00:47:32,760 --> 00:47:34,799 Speaker 5: I love Derek. I know him very well. 956 00:47:35,440 --> 00:47:39,279 Speaker 3: Yes, No, Derek Derek because he's a musician, that's what Like. 957 00:47:39,400 --> 00:47:42,120 Speaker 3: There was one time where he was playing up here 958 00:47:42,120 --> 00:47:43,560 Speaker 3: in Seattle and he was like, Hey, do you want 959 00:47:43,600 --> 00:47:46,279 Speaker 3: to just like score a soundtrack in real time to 960 00:47:46,480 --> 00:47:47,799 Speaker 3: my poetry at the show? 961 00:47:47,800 --> 00:47:48,319 Speaker 5: And I was like. 962 00:47:48,560 --> 00:47:52,680 Speaker 3: Absolutely, And I love him. Yeah, he's funk rock. He's 963 00:47:52,680 --> 00:47:53,080 Speaker 3: the best. 964 00:47:53,560 --> 00:47:56,520 Speaker 4: Oh I didn't know you know Derek? Yeah, I love Derek. 965 00:47:56,520 --> 00:47:59,359 Speaker 4: He's a good friend. Yeah, I agree, right, comedy show 966 00:47:59,480 --> 00:47:59,839 Speaker 4: on a. 967 00:48:01,440 --> 00:48:03,480 Speaker 3: Oh, I feel like I've heard of this, maybe I 968 00:48:03,520 --> 00:48:05,920 Speaker 3: saw something about him posting it. 969 00:48:05,960 --> 00:48:08,640 Speaker 5: Doesn't he like have a gondola. He just owns a gondola. 970 00:48:09,480 --> 00:48:10,640 Speaker 4: He used to Ali. 971 00:48:10,880 --> 00:48:13,840 Speaker 5: That's right. I lived in Long Beach for like four years. 972 00:48:14,040 --> 00:48:17,600 Speaker 2: In my very wow, that's why I met. 973 00:48:18,120 --> 00:48:21,160 Speaker 3: Yeah, the bridge between Orange County. It's like kind of 974 00:48:21,200 --> 00:48:25,400 Speaker 3: like a kind of like Venice, but not nearly as gritty. 975 00:48:25,520 --> 00:48:27,320 Speaker 5: No, it's it is. 976 00:48:27,400 --> 00:48:32,399 Speaker 3: It's interesting, for sure, but you would ask me a question, Oh, 977 00:48:32,440 --> 00:48:33,160 Speaker 3: how what is it like? 978 00:48:35,160 --> 00:48:37,760 Speaker 5: Yeah, well, I mean. 979 00:48:39,160 --> 00:48:41,680 Speaker 3: It's like I feel like I'm not one to put 980 00:48:41,800 --> 00:48:43,760 Speaker 3: people on like a crazy high pedestal. 981 00:48:43,800 --> 00:48:44,560 Speaker 2: It's like that helps. 982 00:48:45,120 --> 00:48:48,080 Speaker 5: We're all human beings. I love what you do. 983 00:48:48,800 --> 00:48:50,839 Speaker 3: I think you like what I do because you took 984 00:48:50,920 --> 00:48:55,240 Speaker 3: us out on tour and I am very like visibly, 985 00:48:55,239 --> 00:48:57,160 Speaker 3: I get very like I'm the person at the show, 986 00:48:57,200 --> 00:48:59,879 Speaker 3: not who's dancing like crazy, but just like you can 987 00:49:00,080 --> 00:49:01,240 Speaker 3: hell if I'm into something. 988 00:49:01,640 --> 00:49:02,960 Speaker 5: And like I. 989 00:49:02,680 --> 00:49:08,760 Speaker 3: Love standing side stage, especially watching Nell's and Jeff Tweety 990 00:49:08,880 --> 00:49:10,080 Speaker 3: like their guitar playing together. 991 00:49:10,080 --> 00:49:11,120 Speaker 5: It is just my favorite. 992 00:49:11,640 --> 00:49:14,160 Speaker 3: And Nels has been a big influence on my guitar playing. 993 00:49:14,200 --> 00:49:17,160 Speaker 3: And he's just like an open book that you go like, Hey, 994 00:49:17,160 --> 00:49:18,960 Speaker 3: what does that pedal do? He's like, don't ask me, 995 00:49:19,120 --> 00:49:21,240 Speaker 3: just get on my pedal board and grab a guitar. 996 00:49:21,920 --> 00:49:22,719 Speaker 5: And so it's the best. 997 00:49:23,360 --> 00:49:26,520 Speaker 3: Yeah, And they're all just such an amazing human beings. 998 00:49:26,520 --> 00:49:30,800 Speaker 3: Like I've found that, like most people that have made it. 999 00:49:30,840 --> 00:49:31,920 Speaker 5: Are wonderful people. 1000 00:49:32,120 --> 00:49:36,200 Speaker 3: Yes, And that's just a testament to like, I don't know, 1001 00:49:37,080 --> 00:49:40,200 Speaker 3: just just being that kindness going a long way and 1002 00:49:40,280 --> 00:49:42,520 Speaker 3: ferosity and all these things. And their crew is like 1003 00:49:42,600 --> 00:49:45,759 Speaker 3: family and so yeah, it's just I don't know, you 1004 00:49:45,800 --> 00:49:48,520 Speaker 3: pick up all these things that you learn along the way, 1005 00:49:48,560 --> 00:49:50,839 Speaker 3: and so I'm really grateful for opportunities like that where 1006 00:49:50,880 --> 00:49:53,120 Speaker 3: you're like on tour with such a big band, but 1007 00:49:53,160 --> 00:49:55,719 Speaker 3: you're seeing all the inside pieces, you know. 1008 00:49:55,800 --> 00:49:57,279 Speaker 4: Yeah, Wow, that's great. 1009 00:49:57,640 --> 00:50:02,800 Speaker 2: Yeah, Okay, I got one. Then I got one. We're 1010 00:50:02,880 --> 00:50:07,080 Speaker 2: talking about great singers. Jessica is a great singer. This 1011 00:50:07,120 --> 00:50:10,360 Speaker 2: one was sent in by many, many, many ban animals. 1012 00:50:11,800 --> 00:50:19,479 Speaker 2: Man gets wasted legally changes name to Celene Dion, Eric 1013 00:50:19,600 --> 00:50:23,360 Speaker 2: and forget and forgot it. Welcome to Selene Dion. Nothing 1014 00:50:23,400 --> 00:50:26,359 Speaker 2: like blacking out and waking up as Celene Dion. This 1015 00:50:26,480 --> 00:50:28,680 Speaker 2: was sent in by so many of you. Nick Hudson 1016 00:50:28,719 --> 00:50:32,120 Speaker 2: sent this in Brooke. Markham sent this in Brooks an actress. Kurt. 1017 00:50:32,160 --> 00:50:34,120 Speaker 2: We should have brooked on the podcast She's been a 1018 00:50:34,160 --> 00:50:37,399 Speaker 2: long time been animal. Thank you, Brook. Written by Eric 1019 00:50:38,239 --> 00:50:43,080 Speaker 2: Hejudice at New York Post, the weirdest newspaper in America. 1020 00:50:43,520 --> 00:50:46,040 Speaker 2: Celen Dion, super fan in the UK, got drunk and 1021 00:50:46,120 --> 00:50:49,319 Speaker 2: legally changed his name to hers, then promptly forgot about it. 1022 00:50:49,360 --> 00:50:51,880 Speaker 2: But it's all coming back to him now. Good writing, 1023 00:50:52,920 --> 00:50:58,840 Speaker 2: Good writing, Eric. The thirty year old Celene Dion born 1024 00:50:59,040 --> 00:51:01,719 Speaker 2: Thomas Dodd told the Post that he came up with 1025 00:51:01,760 --> 00:51:04,239 Speaker 2: the idea while boozing it up and watching a TV 1026 00:51:04,400 --> 00:51:08,440 Speaker 2: concert by the fifty two year old Canadian crooner on 1027 00:51:08,560 --> 00:51:12,360 Speaker 2: Christmas Eve because he loves her. Quote she is my 1028 00:51:12,440 --> 00:51:14,840 Speaker 2: go to person I listen to and I need cheering 1029 00:51:14,960 --> 00:51:18,680 Speaker 2: up me too, honestly, he told the Post via Twitter. 1030 00:51:19,360 --> 00:51:22,239 Speaker 2: He said he spent much of the pandemic watching concerts 1031 00:51:22,360 --> 00:51:25,640 Speaker 2: alone at home, which is great and super fun thing 1032 00:51:25,680 --> 00:51:29,040 Speaker 2: to do, including one by Celine Dion over the holiday 1033 00:51:29,120 --> 00:51:32,279 Speaker 2: that was accompanied by a magnum of champagne given to 1034 00:51:32,360 --> 00:51:36,200 Speaker 2: him by a friend. Quote That'll probably explain a lot, 1035 00:51:36,320 --> 00:51:39,600 Speaker 2: he said. While enjoying the show, he plunked down eighty 1036 00:51:39,719 --> 00:51:42,359 Speaker 2: nine pounds, which is about one hundred and twenty two 1037 00:51:42,440 --> 00:51:49,480 Speaker 2: American dollars, and officially took her name Vienna online application. However, 1038 00:51:49,560 --> 00:51:52,360 Speaker 2: the details are a bit fuzzy. I honestly, hand to 1039 00:51:52,440 --> 00:51:57,319 Speaker 2: my heart, don't remember doing it. I remember watching the 1040 00:51:57,360 --> 00:52:00,640 Speaker 2: concert and remember getting rather tipsy. Days later, he came 1041 00:52:00,680 --> 00:52:04,840 Speaker 2: home from work as a hospitality manager in Staffordshire to 1042 00:52:04,920 --> 00:52:07,719 Speaker 2: find an envelope with documentation waiting for him. I wasn't 1043 00:52:07,760 --> 00:52:09,800 Speaker 2: aware I had done it till I found the envelope 1044 00:52:09,800 --> 00:52:12,239 Speaker 2: in the post. Initially I had to sit down as 1045 00:52:12,239 --> 00:52:15,160 Speaker 2: I couldn't believe it. So I then checked my bank 1046 00:52:15,280 --> 00:52:17,560 Speaker 2: and confirmed it all and why stopped there? Once it's 1047 00:52:17,560 --> 00:52:20,399 Speaker 2: sunk in, I signed straight away as I bloody love her, 1048 00:52:20,440 --> 00:52:26,040 Speaker 2: so he committed this is his blue tattoo. Oh god, 1049 00:52:26,280 --> 00:52:28,640 Speaker 2: things have been pretty crazy over here since this morning, 1050 00:52:28,680 --> 00:52:31,520 Speaker 2: he said. As it took off Friday morning on Twitter. 1051 00:52:32,360 --> 00:52:35,920 Speaker 2: It got worldwide media attention. I currently have paparazzi camped outside. 1052 00:52:36,040 --> 00:52:39,040 Speaker 2: You know you're famous when somebody changes their name to 1053 00:52:39,120 --> 00:52:42,960 Speaker 2: your name and paparazzi shows up. That's a crazy, not 1054 00:52:43,160 --> 00:52:47,279 Speaker 2: good level of fame. He also noted his inbox is 1055 00:52:47,280 --> 00:52:50,120 Speaker 2: now full of Celine Dion fans asking me to record 1056 00:52:50,560 --> 00:52:54,200 Speaker 2: them a video message. Oh god, I'll skip to the 1057 00:52:54,280 --> 00:52:56,320 Speaker 2: end here. In the meantime, he said he is hoping 1058 00:52:56,320 --> 00:52:58,600 Speaker 2: to get a chance to eventually talk to or meet 1059 00:52:58,719 --> 00:53:01,200 Speaker 2: with his namesake. I mean, come on, real, Selene, come 1060 00:53:01,239 --> 00:53:02,160 Speaker 2: on call him. 1061 00:53:02,120 --> 00:53:04,080 Speaker 4: Up, Selene, you gotta meet with Celene. 1062 00:53:04,280 --> 00:53:11,400 Speaker 2: Selene, you gotta do this. You might think I'm joking, 1063 00:53:11,440 --> 00:53:13,560 Speaker 2: but I will need to put on oxygen just thinking 1064 00:53:13,600 --> 00:53:15,839 Speaker 2: about it as making my heart race, my eyes water. 1065 00:53:15,880 --> 00:53:18,000 Speaker 2: It would honestly mean the world to me and more. 1066 00:53:18,120 --> 00:53:21,799 Speaker 2: I mean, obviously, this guy named himself pretty good. And 1067 00:53:21,840 --> 00:53:24,080 Speaker 2: I guess the Post reached out to Celine Dion, the 1068 00:53:24,120 --> 00:53:28,160 Speaker 2: real female Canadian Celene Dion about it, and there were 1069 00:53:28,200 --> 00:53:33,399 Speaker 2: no comments from her reps at this point. Selene, too bad. 1070 00:53:33,480 --> 00:53:35,560 Speaker 4: I love that in the UK you can change your 1071 00:53:35,640 --> 00:53:37,719 Speaker 4: name while drunk. 1072 00:53:37,760 --> 00:53:40,000 Speaker 5: So easily, So easily. 1073 00:53:40,800 --> 00:53:44,799 Speaker 3: I thought it was much harder to do that at 1074 00:53:45,080 --> 00:53:48,680 Speaker 3: one person to stop you. It's so good, like some 1075 00:53:48,800 --> 00:53:50,200 Speaker 3: kind of notary, like what's happened? 1076 00:53:50,239 --> 00:53:50,800 Speaker 5: What happened? 1077 00:53:51,080 --> 00:53:53,960 Speaker 2: Well? Kirk became a minister online? Right, you're a universalist 1078 00:53:54,000 --> 00:53:55,480 Speaker 2: minister something. 1079 00:53:55,880 --> 00:54:01,400 Speaker 4: I mean when I became a minister in nineteen ninety six, 1080 00:54:02,280 --> 00:54:04,239 Speaker 4: and there was before you could do it online. You 1081 00:54:04,239 --> 00:54:08,880 Speaker 4: had to really you just filled out a postcard and 1082 00:54:09,719 --> 00:54:12,160 Speaker 4: five dollars in an envelope and you just mailed it 1083 00:54:12,200 --> 00:54:15,560 Speaker 4: away and like in three months later, I got like 1084 00:54:15,600 --> 00:54:17,799 Speaker 4: a package back being like you're a minister now, And 1085 00:54:17,840 --> 00:54:20,520 Speaker 4: I did it just as a Yeah, when I was whatever, 1086 00:54:20,920 --> 00:54:23,960 Speaker 4: nineteen years old, and then I think I married my 1087 00:54:24,000 --> 00:54:25,560 Speaker 4: first couple when I was like twenty three. 1088 00:54:25,640 --> 00:54:27,120 Speaker 2: Yeah, you've married a lot of It was like rare 1089 00:54:27,160 --> 00:54:28,680 Speaker 2: back to now. 1090 00:54:28,760 --> 00:54:31,000 Speaker 4: Yeah, But back then it was like you're a minister. 1091 00:54:31,560 --> 00:54:32,800 Speaker 4: I'm like, anyone get married. 1092 00:54:33,120 --> 00:54:35,960 Speaker 5: Yeah, yeah, Peter got his license or whatever it's called. 1093 00:54:36,719 --> 00:54:37,200 Speaker 5: It's easy. 1094 00:54:38,239 --> 00:54:41,200 Speaker 2: Married me to a bartender named Misty. Once in New Orleans. 1095 00:54:42,880 --> 00:54:46,000 Speaker 2: We were, uh I did. Indeed, we were drinks place. 1096 00:54:46,360 --> 00:54:48,919 Speaker 2: Oh god, I know. It's called Friend's Bar, I think, 1097 00:54:49,320 --> 00:54:50,600 Speaker 2: or the Friendly Bar. 1098 00:54:50,640 --> 00:54:52,440 Speaker 4: And you would have to ring the doorbell in order 1099 00:54:52,480 --> 00:54:54,200 Speaker 4: to get in. It's one of the very few bars 1100 00:54:54,239 --> 00:54:56,920 Speaker 4: that everyone needs to ring a doorbell in order to 1101 00:54:57,040 --> 00:54:57,560 Speaker 4: enter the bar. 1102 00:54:57,719 --> 00:55:00,640 Speaker 2: We uh, we go in and they're out. I don't know, 1103 00:55:00,719 --> 00:55:03,000 Speaker 2: six or seven of us. I think it was somebody's 1104 00:55:03,640 --> 00:55:06,560 Speaker 2: bachelor Bauchterrett Co party. I think it was Kristin Rich's 1105 00:55:08,000 --> 00:55:11,000 Speaker 2: Rich Chris. So we get a party bus at dinner. 1106 00:55:11,080 --> 00:55:13,360 Speaker 2: We made we started getting pretty wasted at dinner and 1107 00:55:13,400 --> 00:55:15,520 Speaker 2: we just rented a party bus on our phones, which 1108 00:55:15,560 --> 00:55:17,880 Speaker 2: is amazing. You can do that. And we're we're about 1109 00:55:17,880 --> 00:55:20,360 Speaker 2: twenty vodka SODA's in. We get to this bar. We 1110 00:55:20,520 --> 00:55:22,400 Speaker 2: ring the doorbell. We're the only people there. Maybe there 1111 00:55:22,440 --> 00:55:25,279 Speaker 2: was one old guy playing like lottery or something. Yeah, 1112 00:55:25,360 --> 00:55:31,040 Speaker 2: And this bartender was this very nice, very southern lesbian 1113 00:55:31,320 --> 00:55:35,160 Speaker 2: named Misty, who I just she liked me right away, 1114 00:55:35,160 --> 00:55:37,040 Speaker 2: and I liked her right away. We were, you know, 1115 00:55:37,160 --> 00:55:39,479 Speaker 2: joke flirting with each other and drinking and drinking. People 1116 00:55:39,520 --> 00:55:42,400 Speaker 2: are buying shots. It was, but we're being nice, we're dancing, 1117 00:55:42,640 --> 00:55:45,880 Speaker 2: we're laughing, everybody's having fun. And I start saying, Misty, 1118 00:55:45,920 --> 00:55:47,640 Speaker 2: when are you gonna When are you gonna make an 1119 00:55:47,640 --> 00:55:50,280 Speaker 2: honest man out of me? Missy, when are you gonna 1120 00:55:50,280 --> 00:55:52,480 Speaker 2: marry me? And She's like, this one's too much. He's trouble. 1121 00:55:52,600 --> 00:55:55,120 Speaker 2: Keep him away, he's trouble. Ha ha ha, you know, 1122 00:55:55,239 --> 00:55:58,440 Speaker 2: and I'm like, Misty, I'm serious, when she's like, come 1123 00:55:58,440 --> 00:56:01,000 Speaker 2: around the bar, so I climb over the bar. Kurt 1124 00:56:01,080 --> 00:56:04,520 Speaker 2: does we take each other's hands. Kurt marries us. I 1125 00:56:04,600 --> 00:56:08,880 Speaker 2: probably owe her half my money and and Kurt married 1126 00:56:08,920 --> 00:56:11,160 Speaker 2: us behind the bar with a varka soda in my hand. 1127 00:56:11,320 --> 00:56:13,880 Speaker 2: I think we kissed. And uh, as far as I know, 1128 00:56:13,920 --> 00:56:16,960 Speaker 2: I'm married to a lesbian name missed New Orleans. 1129 00:56:18,640 --> 00:56:23,279 Speaker 4: Also earlier in that night, I had married Kristin and 1130 00:56:23,400 --> 00:56:26,600 Speaker 4: Rich a lady's arm wrestling competition. 1131 00:56:27,160 --> 00:56:28,799 Speaker 2: M date forgot about that. 1132 00:56:28,800 --> 00:56:31,920 Speaker 4: It was a late It was a lady's arm wrestling 1133 00:56:31,960 --> 00:56:34,360 Speaker 4: competition that was like of course because it was New Orleans. 1134 00:56:34,360 --> 00:56:37,160 Speaker 4: It was like amazing, Like every woman who came out 1135 00:56:37,160 --> 00:56:39,799 Speaker 4: had like the huge outfits on it had like a 1136 00:56:39,840 --> 00:56:42,080 Speaker 4: posse with them, and then they would like come up 1137 00:56:42,080 --> 00:56:44,799 Speaker 4: on stage and then arm wrestle each other. Kristin arm 1138 00:56:44,840 --> 00:56:48,640 Speaker 4: wrestled someone and then I married her, yes, and it 1139 00:56:48,680 --> 00:56:51,080 Speaker 4: was it was yeah, and then married you guys. 1140 00:56:51,160 --> 00:56:53,720 Speaker 2: Yep, what a night for romance, What a night. 1141 00:56:54,040 --> 00:56:56,520 Speaker 4: What a night, Jessica, thank you so much for being 1142 00:56:56,560 --> 00:56:57,320 Speaker 4: on Bananas. 1143 00:56:57,480 --> 00:56:59,160 Speaker 5: Oh man, I loved it. 1144 00:56:59,520 --> 00:57:00,400 Speaker 2: We would love to have you. 1145 00:57:00,800 --> 00:57:03,960 Speaker 4: I'm going to post I'm going to post the video 1146 00:57:04,000 --> 00:57:07,000 Speaker 4: for Impossible Wait on the Bananas Instagram so you can 1147 00:57:07,040 --> 00:57:10,320 Speaker 4: go watch it right now, Let's do it again. 1148 00:57:10,520 --> 00:57:12,920 Speaker 2: Anything else you want to plug anything, Jessica, anything you're 1149 00:57:12,920 --> 00:57:15,000 Speaker 2: releasing soon or excited about. 1150 00:57:16,040 --> 00:57:19,120 Speaker 5: So nothing being released soon. 1151 00:57:19,160 --> 00:57:21,640 Speaker 3: I mean, we're working with some people and possibly doing 1152 00:57:21,640 --> 00:57:23,360 Speaker 3: some covers, but I can't talk too much about that. 1153 00:57:23,440 --> 00:57:26,440 Speaker 3: But I'm you know, we're trying to figure out, like 1154 00:57:26,840 --> 00:57:28,960 Speaker 3: nobody still knows when touring is going to start again, 1155 00:57:28,960 --> 00:57:31,240 Speaker 3: and so I think we're gonna do have a few 1156 00:57:31,280 --> 00:57:34,400 Speaker 3: live streams or like special events coming up. Awesome, make 1157 00:57:34,440 --> 00:57:35,720 Speaker 3: sure I won't do it in the same day as 1158 00:57:35,760 --> 00:57:40,680 Speaker 3: you guys. That's Kabruardy sixth right, yeah, and so yeah, 1159 00:57:40,720 --> 00:57:45,040 Speaker 3: that'll be that'll be sweet. But no, I just you're 1160 00:57:45,040 --> 00:57:48,400 Speaker 3: just trying to say creative. I wanted to tell you guys, 1161 00:57:48,400 --> 00:57:52,800 Speaker 3: I really like your theme song too. Thinking about it 1162 00:57:52,840 --> 00:57:55,600 Speaker 3: this morning, it was like it reminds me of like. 1163 00:57:55,600 --> 00:57:59,440 Speaker 5: Weekend at Bernie's. Yes, like meets like meets like Huey Lewis. 1164 00:58:00,040 --> 00:58:03,920 Speaker 2: Ah is an incredible musician and he's done TV shows. 1165 00:58:04,400 --> 00:58:06,720 Speaker 2: He did work off song for Workaholics, he did a 1166 00:58:06,720 --> 00:58:08,920 Speaker 2: song for another show I wrote on and when we 1167 00:58:09,200 --> 00:58:11,520 Speaker 2: made bananas. I was like, Kurt, I got this guy 1168 00:58:11,560 --> 00:58:13,680 Speaker 2: that can make as a theme song and my instructions 1169 00:58:13,720 --> 00:58:17,240 Speaker 2: are my my area for him to play in was 1170 00:58:17,840 --> 00:58:20,240 Speaker 2: I want Glenn Fries the heat is on, but I 1171 00:58:20,240 --> 00:58:22,760 Speaker 2: want you to say bananas as many times as possible. 1172 00:58:22,920 --> 00:58:24,920 Speaker 2: And then that was the first. What you heard is 1173 00:58:24,920 --> 00:58:26,600 Speaker 2: his first draft first. 1174 00:58:26,800 --> 00:58:31,360 Speaker 5: Oh really, that's so rades, no notes. I love that. 1175 00:58:31,840 --> 00:58:34,800 Speaker 3: There's like a few times where he sustains like that 1176 00:58:34,920 --> 00:58:37,600 Speaker 3: kind of sounds like this like Thursday ask post punk, 1177 00:58:37,720 --> 00:58:44,520 Speaker 3: like like like it's a sweet Yeah, totally, well, we 1178 00:58:44,600 --> 00:58:47,480 Speaker 3: give you full on permission to cover it. 1179 00:58:47,600 --> 00:58:50,320 Speaker 2: Anytime you ever want to sing Banana's theme song, we 1180 00:58:50,400 --> 00:58:52,200 Speaker 2: will play very special episodes. 1181 00:58:52,360 --> 00:58:54,960 Speaker 5: I'll totally do it. 1182 00:58:56,480 --> 00:58:56,680 Speaker 2: Well. 1183 00:58:56,680 --> 00:58:58,880 Speaker 5: Thanks you guys so sweet. 1184 00:58:59,040 --> 00:58:59,200 Speaker 4: Yeah. 1185 00:58:59,240 --> 00:58:59,720 Speaker 5: I'll send you. 1186 00:58:59,640 --> 00:59:02,280 Speaker 3: Guys some goodies and you guys can do whatever you 1187 00:59:02,320 --> 00:59:03,760 Speaker 3: want them. 1188 00:59:04,040 --> 00:59:15,800 Speaker 2: Bananas Bananas. This has been an exactly right production. 1189 00:59:15,520 --> 00:59:17,240 Speaker 1: Produced and engineered by Katie. 1190 00:59:17,040 --> 00:59:19,400 Speaker 2: Levine, theme music by Kahan. 1191 00:59:19,240 --> 00:59:21,560 Speaker 1: And all of our artwork is done by Travis Millard. 1192 00:59:21,800 --> 00:59:24,480 Speaker 2: You can follow us on Instagram at The Bananas Podcast, 1193 00:59:24,520 --> 00:59:26,680 Speaker 2: where we post stories every day and things that we 1194 00:59:26,760 --> 00:59:28,200 Speaker 2: don't cover on the podcast. 1195 00:59:28,600 --> 00:59:32,240 Speaker 4: Listen, subscribe, and Please leave us a review on Apple podcast, Stitcher, 1196 00:59:32,320 --> 00:59:33,800 Speaker 4: or wherever you get your podcast. 1197 00:59:34,080 --> 00:59:37,160 Speaker 2: And if you're interested in advertising on Bananas, please email 1198 00:59:37,240 --> 00:59:40,160 Speaker 2: us at THEE Bananas Podcast at gmail dot com. That's 1199 00:59:40,280 --> 00:59:57,360 Speaker 2: the Bananas Podcast at gmail dot com.