WEBVTT - From Twink to Twunk

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<v Speaker 1>Would you fucking eagle? I mean, eagles are hot, I think,

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<v Speaker 1>and they're endangered and like it could be your only chance.

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<v Speaker 1>I don't know about you, but I spent a lot

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<v Speaker 1>of my adolescents fapping it to Greek mythology, and I

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<v Speaker 1>think I think you did too. No chance, no way, Um,

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<v Speaker 1>I won't say it, no, no, deny. Oh. We are

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<v Speaker 1>the muss goddesses of the arts and proclaims of heroes,

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<v Speaker 1>heroes like Hercules. I like, Well, we have been visited

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<v Speaker 1>by the muses and they have inspired us to talk

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<v Speaker 1>about Greek mythology, which is I think like one of

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<v Speaker 1>the earliest things we talked about doing on this podcast

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<v Speaker 1>because it's something that we both are obsessed with, obsessed

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<v Speaker 1>with and also just like is not in the culture

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<v Speaker 1>as much as it should be, you know, like it

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<v Speaker 1>is and it always has been. And I do think

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<v Speaker 1>we'll we'll talk today a little bit about how um,

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<v Speaker 1>Greek mythology is something that you know, artists are always

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<v Speaker 1>coming back to, always like breathing new life into because

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<v Speaker 1>of the universal nature of these stories. But we're really

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<v Speaker 1>going to talk about it all, from Hercules to you know,

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<v Speaker 1>Madeline Miller and everything in between because this is like

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<v Speaker 1>a Virgin the show where we give yesterday's pop culture

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<v Speaker 1>and in today's case, ancient pop culture. Today's takes. I'm

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<v Speaker 1>Rostamu and I'm Fran Toronto. Something I'm always scared of

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<v Speaker 1>is getting murdered in an Airbnb. Um. I'm not always

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<v Speaker 1>scared of getting murdered, because sometimes I'm like whatever, I'm

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<v Speaker 1>ready for the solid to be over. But airbnb is,

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<v Speaker 1>I think are particularly chilling. And that's why I liked

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<v Speaker 1>the premise of Barbarian, which friend and I just saw yesterday,

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<v Speaker 1>because it does run with that idea of when you

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<v Speaker 1>go stay at someone's house, you never really know whose

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<v Speaker 1>house you're staying in. And also the people who own

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<v Speaker 1>the kind of homes that are turned into Airbnbs don't

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<v Speaker 1>even really necessarily know what homes they're living in. Yeah,

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<v Speaker 1>if you haven't watched the trailer to Barbarian, you'll you'll

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<v Speaker 1>get the premise immediately. But it's just so in real life,

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<v Speaker 1>like it is a real thing that could happen to

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<v Speaker 1>you when you book an Airbnb. And and now I'm

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<v Speaker 1>terrified of airbnbs, And honestly, I just hope that this

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<v Speaker 1>continues to irreparably damage Airbnb as a corporation. Like, I

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<v Speaker 1>think that we should make more horror films and TV

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<v Speaker 1>shows that make us scared of booking Airbnb. Okay, so

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<v Speaker 1>for the Virgin spoiler alert, we're gonna talk a little

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<v Speaker 1>bit about Barbarian here. So Barbarian is about a woman

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<v Speaker 1>who rents an Airbnb. It turns out someone is staying there.

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<v Speaker 1>It's built ours guard a k. A. Pennywise, who is

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<v Speaker 1>really hot also terrifying. Yeah, I think he's hotter as

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<v Speaker 1>Pennywise to be honest um, And he's like, oh no,

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<v Speaker 1>it's fine, Like let's both stay here, and then some

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<v Speaker 1>weird ship happens in the house. She goes to investigate,

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<v Speaker 1>finds this secret basement that leads to another secret basement,

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<v Speaker 1>another secret basement. Literally is like it's a comically scary hallway.

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<v Speaker 1>It's like, actually, like something that could be so simple

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<v Speaker 1>and so cliche in a canon of horror films, but

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<v Speaker 1>like it's so well done and really scary. Yes, And

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<v Speaker 1>the more I have sat with it, the more I

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<v Speaker 1>have really liked it and thought it was a really

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<v Speaker 1>good movie and really well done. The parts in the

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<v Speaker 1>basement we're kind of reminding me of have you ever

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<v Speaker 1>seen The Descent? I haven't, one of my favorite horror movies.

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<v Speaker 1>It's so scary, and the scariest part of it to

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<v Speaker 1>me is the claustrophobia of them being underground, not even

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<v Speaker 1>really the monsters. I thought the lead actress was really good.

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<v Speaker 1>She was very funny, and this was like one of

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<v Speaker 1>her I mean, she's done a handful of horror and

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<v Speaker 1>action of for but like, I think this was like

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<v Speaker 1>such a moment for her. Yeah. And I liked that

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<v Speaker 1>they introduced the Justin Long character, who was like a

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<v Speaker 1>horrible person and is by the end of the movie

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<v Speaker 1>more monstrous than the actual monster who is the monster

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<v Speaker 1>of the film. Yeah, yeah, yeah, and without giving too

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<v Speaker 1>much away, like something else that I love about that.

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<v Speaker 1>I mean, aside from the fact that like they make

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<v Speaker 1>this Airbnb like multi property manager seemed like a complete asshole,

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<v Speaker 1>which like we need more representation for like asshole airbnb

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<v Speaker 1>property managers. They they haven't had their they haven't had

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<v Speaker 1>their do um. But the if you watch the trailer

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<v Speaker 1>for the film, it sets you up to think that

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<v Speaker 1>the movie is going to be one thing, and then

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<v Speaker 1>the movie drastically changes twice and kind of almost switches

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<v Speaker 1>protagonists for a moment, and um, I just think that

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<v Speaker 1>that is something that I will always want to watch,

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<v Speaker 1>what no matter the genre, like someone who is willing

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<v Speaker 1>to break the form of a film and like Foura

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<v Speaker 1>into something just because they really wanted to surprise the audience.

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<v Speaker 1>Because on its face, it's a pretty simple premise and

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<v Speaker 1>it's really just the way that it's executed that I

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<v Speaker 1>think elevates it to being a very good horror movie. Yeah,

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<v Speaker 1>and like honestly slightly less simple. Um, we're on a roll,

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<v Speaker 1>like in terms of scary movies this week, it's speaky season.

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<v Speaker 1>So Rose had been telling me to watch X, a

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<v Speaker 1>movie that came out how many months ago? It came

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<v Speaker 1>out earlier this year. It came out in the spring.

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<v Speaker 1>They shot it in New Zealand and had rented this

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<v Speaker 1>farm for a certain amount of time, and I guess

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<v Speaker 1>it took them not as long to shoot it as

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<v Speaker 1>I thought they did. So t West or Tie West,

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<v Speaker 1>however you pronounced his name and Mia Goth were like, wait,

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<v Speaker 1>let's also make a prequel film while we have the space,

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<v Speaker 1>and he and Mia Goth wrote it together, which is

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<v Speaker 1>did they write it on Saturday. Did they just kind

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<v Speaker 1>of figure out I think they. I think I think

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<v Speaker 1>they wrote it during their their quarantine before filming, and

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<v Speaker 1>it has now been announced there's going to be a

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<v Speaker 1>third film. Max Sine um I. Maxine is the character

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<v Speaker 1>that Mia Goth plays a X, the corn star character

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<v Speaker 1>who survives. She's the final girly. I think it's a

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<v Speaker 1>really good filmmaker muse situation where they they clearly work

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<v Speaker 1>very well together, because I will say I really loved

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<v Speaker 1>X when I watched it a couple of weeks ago,

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<v Speaker 1>and then I loved Pearl even more. Yeah, okay, Mia

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<v Speaker 1>Goth as a muse. I think it's the perfect way

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<v Speaker 1>of explaining why both of these movies shine so hard.

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<v Speaker 1>Um okay. So X is basically about a film crew

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<v Speaker 1>that is shooting a porno. They want to rent a farm.

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<v Speaker 1>The farm happens to be inhabited by two of the oldest,

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<v Speaker 1>creepiest people you've ever seen in your entire life. They're

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<v Speaker 1>so old that they look like corpses, and the movie,

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<v Speaker 1>without revealing these like the older woman Pearl to you

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<v Speaker 1>too far in advance, is able to build a dramatic

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<v Speaker 1>tension that is like so weird and so specific and

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<v Speaker 1>like fully reliant on like how eerie she looks and um,

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<v Speaker 1>you know, but also how eerie she acts, because I

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<v Speaker 1>don't think old people are you know, creepy in and

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<v Speaker 1>of themselves, but Pearl throughout the movie wants the youth

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<v Speaker 1>that these people possess. Like first, she tries to fuck

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<v Speaker 1>like literally everyone there, and they're all like, you're disgusting,

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<v Speaker 1>and so then she decides to kill them all except

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<v Speaker 1>for Miagoth's character Maxine, who the creepiest scene in the

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<v Speaker 1>movie is when she gets into bed with her Oh

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<v Speaker 1>my god, it scared me. But also the movie I

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<v Speaker 1>thought was also really funny. Brittney Snow, Britney Snow, you

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<v Speaker 1>will always be famous Britney Snow tour. In this film,

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<v Speaker 1>she was a revelation. Her cover of Landslide was amazing.

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<v Speaker 1>Um kid Cutty was great. Also, that girl Jenna Ortega,

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<v Speaker 1>who's in literally everything, was in this I thought her

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<v Speaker 1>death scene was pretty satisfying. And the gag of the

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<v Speaker 1>movie you don't know in advance um is that the

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<v Speaker 1>protagonist of the movie, Mia Goth, also plays the old

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<v Speaker 1>woman in prosthetics at the same time, so she is

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<v Speaker 1>simultaneously the hero and the villain of the story, which

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<v Speaker 1>I think is so brilliant and so Pearl. The movie

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<v Speaker 1>is a prequel of the older woman's character Pearl in

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<v Speaker 1>origin story and and finding out how she got to

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<v Speaker 1>this point of being this woman who clearly has a

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<v Speaker 1>life full of wasted dreams. And I thought, this is

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<v Speaker 1>the kind of movie that we don't see anymore. You know,

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<v Speaker 1>it's a it's a deeply psychological thriller, character study. It's

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<v Speaker 1>not even really a horror movie. It's not really that horrific.

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<v Speaker 1>But I thought it was fascinating. I loved the way

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<v Speaker 1>that they mimicked the technicolor movies of the wartime era.

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<v Speaker 1>Mia Goth was transcendent um. The scene with the scarecrow, Yeah,

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<v Speaker 1>that was that was That was crazy. A scene where

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<v Speaker 1>she kills the guy and yells at him and she's like,

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<v Speaker 1>she's like really, well done, so good and then her

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<v Speaker 1>he's so hot. Um. And then of course Mia goths

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<v Speaker 1>six minute monologue at the end, how did you know?

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<v Speaker 1>Six minutes? Is it? Like people are talking about it

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<v Speaker 1>on Twitter. Incredible And you know, we'll have to wait

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<v Speaker 1>and see what Maxine is like. But this might be

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<v Speaker 1>the kind of thing where the whole is better than

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<v Speaker 1>the some of its parts, and the some of its

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<v Speaker 1>parts are still really good. So I'm very excited to

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<v Speaker 1>see how it all shakes out. We have a new

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<v Speaker 1>episode of House of Dragon, and which holes were very

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<v Speaker 1>important because it opened with older rain Era giving birth

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<v Speaker 1>and then having to walk longer than I've ever walked

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<v Speaker 1>in my life up all those stairs, um, having just

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<v Speaker 1>given birth. This episode was really good. I really liked

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<v Speaker 1>the introduction of the new actors. What I am finding

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<v Speaker 1>with House to the Dragon, though, is that it has

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<v Speaker 1>a serious pacing problem. It is moving through this stuff

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<v Speaker 1>too fast. I keep seeing stuff on Twitter and on

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<v Speaker 1>TikTok of scenes that were cut. I think we could

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<v Speaker 1>have gotten so much more character development. I didn't like

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<v Speaker 1>that we never got to see any interaction between Rania

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<v Speaker 1>and Harwin Strong, who secretly her lover and the father

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<v Speaker 1>of her bastard children. Um. But this show, it continues

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<v Speaker 1>to be great and like it is Sunday night appointment television,

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<v Speaker 1>and everyone's acting is incredible. I really liked the introduction

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<v Speaker 1>of Emma to r C who plays older Ranira, and

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<v Speaker 1>their non binary which I love to see, and also

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<v Speaker 1>The actress who plays the younger Allison is queer, and

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<v Speaker 1>even said in an interview that she played Allison as

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<v Speaker 1>being in love with Rania. So I wow, that's so.

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<v Speaker 1>I mean, like I as sometimes I hate like batty things.

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<v Speaker 1>But when it's like the actor saying that, not like

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<v Speaker 1>the creator like just trying for like pr or whatever, like,

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<v Speaker 1>I love that. I uh, I will agree and also

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<v Speaker 1>disagree about like the page Well, okay, I actually fully

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<v Speaker 1>agree with you on the pacing thing. Um. I think

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<v Speaker 1>watching this episode in particular, where we jump forward in time,

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<v Speaker 1>I'm kind of like, what's your rush, Like, we're gonna

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<v Speaker 1>get seven more seasons? I don't think we That's the

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<v Speaker 1>thing is. I think because they know of what happened

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<v Speaker 1>with Game of Thrones, I think this will be a

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<v Speaker 1>much more contained show, and I would imagine three. And

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<v Speaker 1>I think what they're rushing to get to is the

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<v Speaker 1>actual Dance of the Dragons, which is the Targarrian Civil War.

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<v Speaker 1>And so most of the season so far has been

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<v Speaker 1>spent setting up what's going to happen, because all of

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<v Speaker 1>the action of the Dance of the Dragons, like the

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<v Speaker 1>stuff that we're seeing happen now in the source material

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<v Speaker 1>is like one line, it's like this person died, this happened,

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<v Speaker 1>and most of the bulk of this is what happens

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<v Speaker 1>in the actual war. And I understand why they're rushing

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<v Speaker 1>because they know how soured people were on the way

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<v Speaker 1>Game of Thrones ended. But that being said, what Game

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<v Speaker 1>of Thrones always did so well with character development, and

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<v Speaker 1>they have done a really good job developing these characters.

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<v Speaker 1>It's just that they're doing it so fast, and I

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<v Speaker 1>wish there was a little more room to breathe. Yeah,

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<v Speaker 1>the reason I almost like disagree with you was because

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<v Speaker 1>I don't feel like the pacing is unsuccessful, you know

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<v Speaker 1>what I mean, Like I don't watching it. I'm like,

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<v Speaker 1>even though it feels quote unquote rushed, like I don't

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<v Speaker 1>watch it and feel like, oh, I don't really know

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<v Speaker 1>who what this character wants are, Like, Like I don't

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<v Speaker 1>really I really wish I had seen you know what

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<v Speaker 1>I mean? Like it's it earns the pace that it gives,

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<v Speaker 1>But I just think that it would be so much

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<v Speaker 1>fun to watch a lot of the things that they skipped.

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<v Speaker 1>I know, it's not that I don't like what I have,

0:12:42.920 --> 0:12:46.040
<v Speaker 1>It's that I want more of a good thing. And

0:12:46.200 --> 0:12:48.920
<v Speaker 1>also some things it's not that they feel unearned, but

0:12:48.960 --> 0:12:53.559
<v Speaker 1>like the way this episode ends with Lena Valerian instructing

0:12:53.600 --> 0:12:56.520
<v Speaker 1>her dragon to kill her because she knows she's going

0:12:56.559 --> 0:13:00.000
<v Speaker 1>to die from childbirth. Like it's an amazing scene. How

0:13:00.120 --> 0:13:01.920
<v Speaker 1>much more amazing would it have been if we had

0:13:01.960 --> 0:13:04.800
<v Speaker 1>spent that much more time with that character and really

0:13:04.880 --> 0:13:09.360
<v Speaker 1>understood what she and her family were losing. That being said,

0:13:09.960 --> 0:13:13.920
<v Speaker 1>I'm addicted. I you know, we will be watching next

0:13:14.080 --> 0:13:16.640
<v Speaker 1>Sunday as well. I really did not think I was

0:13:16.640 --> 0:13:18.760
<v Speaker 1>going to get addicted to, Like I thought that Rings

0:13:18.760 --> 0:13:21.120
<v Speaker 1>of Power was going to be my appointment TV. And

0:13:21.240 --> 0:13:23.760
<v Speaker 1>lo and behold, this is actually satiating the thing that

0:13:23.800 --> 0:13:25.760
<v Speaker 1>I want out of that show, which we're not. We're

0:13:25.800 --> 0:13:29.720
<v Speaker 1>not going to talk about that brings rings era Well,

0:13:29.840 --> 0:13:31.960
<v Speaker 1>we'll see. I mean, the thing about Rings of Power

0:13:32.160 --> 0:13:34.520
<v Speaker 1>is like they could make seven episodes and I will

0:13:34.559 --> 0:13:36.720
<v Speaker 1>watch them all. You know what I mean. But but

0:13:36.840 --> 0:13:38.719
<v Speaker 1>you know, it's just not that good. It's not that good.

0:13:38.800 --> 0:13:43.160
<v Speaker 1>Speaking of things that not that good. Um, we saw

0:13:43.320 --> 0:13:47.160
<v Speaker 1>don't worry Darling, and that was that was that was

0:13:47.200 --> 0:13:51.160
<v Speaker 1>a red herring transition because the gag of gags is

0:13:51.240 --> 0:13:55.559
<v Speaker 1>I actually really liked it. Well, I mean there's nuance

0:13:55.600 --> 0:13:58.720
<v Speaker 1>to that, there's nance to that. It's but I also

0:13:58.880 --> 0:14:02.760
<v Speaker 1>kind of like did quote unquote, but I don't think

0:14:02.800 --> 0:14:04.439
<v Speaker 1>that's how I felt when I left the theater. I

0:14:04.480 --> 0:14:07.000
<v Speaker 1>think I felt the way I felt when I left

0:14:07.000 --> 0:14:10.440
<v Speaker 1>the theater was the same as the guy that was

0:14:10.520 --> 0:14:15.040
<v Speaker 1>in our theater. When the credits role the movie ends,

0:14:15.280 --> 0:14:18.319
<v Speaker 1>there is two seconds of silence and you see a

0:14:18.360 --> 0:14:22.240
<v Speaker 1>guy walking already exiting the theater before the like right

0:14:22.240 --> 0:14:24.120
<v Speaker 1>as the credits roll, and he goes, what a piece

0:14:24.120 --> 0:14:27.920
<v Speaker 1>of shit? It was like a lot of very funny.

0:14:28.040 --> 0:14:30.720
<v Speaker 1>The whole audience left, but like that's but this is

0:14:30.720 --> 0:14:32.640
<v Speaker 1>what I'm saying is that is very exemplar or of

0:14:32.720 --> 0:14:35.200
<v Speaker 1>the whole thing around this movie. That guy did that

0:14:35.280 --> 0:14:38.280
<v Speaker 1>for the lull. That guy did that to be a troll,

0:14:38.400 --> 0:14:40.800
<v Speaker 1>And that is how everyone is interacting with this movie,

0:14:41.000 --> 0:14:45.000
<v Speaker 1>which actually, if there wasn't all of this drama build

0:14:45.040 --> 0:14:47.960
<v Speaker 1>up to it would have been perfectly fine. It's a

0:14:48.000 --> 0:14:51.000
<v Speaker 1>perfectly fine film. It's also what I will say is

0:14:51.320 --> 0:14:53.760
<v Speaker 1>I totally get what Harry Style said. It is a

0:14:53.800 --> 0:14:57.800
<v Speaker 1>movie that feels like a movie. It's that kind of

0:14:57.840 --> 0:15:00.240
<v Speaker 1>like go to the theater and watch a movie movie

0:15:00.280 --> 0:15:05.040
<v Speaker 1>he spelled. It is like that. Okay. I think that

0:15:05.640 --> 0:15:08.400
<v Speaker 1>the things that worked. Olivia Wilde's directing was very good.

0:15:08.440 --> 0:15:11.240
<v Speaker 1>It's a beautiful movie. The music is great. Some of

0:15:11.240 --> 0:15:14.240
<v Speaker 1>the things that aren't good are the right script, the

0:15:14.280 --> 0:15:17.480
<v Speaker 1>script which Olivia Wilde didn't write. I saw some interesting

0:15:17.520 --> 0:15:21.440
<v Speaker 1>TikTok's which were about how this movie there. This was

0:15:21.600 --> 0:15:25.280
<v Speaker 1>a story that Olivia Wilde brought and her writing partner rewrote.

0:15:25.760 --> 0:15:30.600
<v Speaker 1>And in the original it's much less feminist, and um,

0:15:31.120 --> 0:15:34.880
<v Speaker 1>the originals less feminist. Yes, the original does what I

0:15:34.920 --> 0:15:36.960
<v Speaker 1>wish this movie had done, which is that you know

0:15:37.320 --> 0:15:41.000
<v Speaker 1>much earlier in the story about the reveal which spoiler

0:15:41.000 --> 0:15:44.080
<v Speaker 1>alert if you haven't seen, don't worry darling. Well, I mean,

0:15:44.120 --> 0:15:48.120
<v Speaker 1>can we back up actually, because like I um feel

0:15:48.160 --> 0:15:52.280
<v Speaker 1>like despite the months of like controversy we've had around

0:15:52.280 --> 0:15:55.160
<v Speaker 1>this film, no one actually knows what it's about. And

0:15:55.320 --> 0:15:57.320
<v Speaker 1>like I think that if you don't know what it's about,

0:15:57.360 --> 0:16:01.080
<v Speaker 1>it's basically like a kind of intention community called the

0:16:01.160 --> 0:16:04.920
<v Speaker 1>Victory Project is living in a nineteen fifties esque kind

0:16:04.920 --> 0:16:07.560
<v Speaker 1>of like community where the husbands go off to work.

0:16:07.600 --> 0:16:09.160
<v Speaker 1>You don't really know what they're doing all day, and

0:16:09.160 --> 0:16:11.080
<v Speaker 1>the wife stay at home, and they've all agreed to

0:16:11.120 --> 0:16:15.080
<v Speaker 1>be a part of this constructed cultish community that is

0:16:15.120 --> 0:16:17.240
<v Speaker 1>kind of in the middle of the desert. Question Mark

0:16:17.400 --> 0:16:23.200
<v Speaker 1>and Florence, It's it's giving. Joshua Tree actually, like basically,

0:16:23.320 --> 0:16:27.640
<v Speaker 1>Florence Pew carries the dramatic tension of this film by

0:16:27.760 --> 0:16:30.600
<v Speaker 1>kind of starting to notice an investi the things that

0:16:30.640 --> 0:16:32.560
<v Speaker 1>are like off or weird about this community. And that's

0:16:32.600 --> 0:16:36.080
<v Speaker 1>basically which which is the inciting incident of this is

0:16:36.120 --> 0:16:38.240
<v Speaker 1>that one of her friends in the community, played by

0:16:38.280 --> 0:16:41.000
<v Speaker 1>Kiki Lane, has suffered what seems to be some kind

0:16:41.000 --> 0:16:44.880
<v Speaker 1>of mental break And UM, I bring this up because

0:16:44.960 --> 0:16:47.600
<v Speaker 1>the latest round of drama in all this is that

0:16:47.720 --> 0:16:51.880
<v Speaker 1>Kiki Lane recently posted on Instagram that she was cut

0:16:51.920 --> 0:16:56.120
<v Speaker 1>from most of the movie. Um, which is kind of

0:16:56.120 --> 0:16:58.920
<v Speaker 1>fucked considering that she's one of the names on the

0:16:58.960 --> 0:17:01.160
<v Speaker 1>poster and yet she hasn't been involved in any of

0:17:01.200 --> 0:17:03.680
<v Speaker 1>the press, but she was used to sell this movie,

0:17:03.960 --> 0:17:05.960
<v Speaker 1>and I do have to wonder if that's because she's

0:17:06.000 --> 0:17:09.240
<v Speaker 1>the only notable black lead and so even though her

0:17:09.240 --> 0:17:13.119
<v Speaker 1>part was cut down to almost nothing and very much

0:17:13.200 --> 0:17:15.880
<v Speaker 1>kind of fills the stereotype of being the like magical

0:17:15.920 --> 0:17:19.359
<v Speaker 1>black person who sets the white protagonist on their journey

0:17:19.359 --> 0:17:21.840
<v Speaker 1>of self discovery. She was cut from this movie but

0:17:21.960 --> 0:17:24.040
<v Speaker 1>was still used to sell it, and I'm glad she

0:17:24.080 --> 0:17:26.119
<v Speaker 1>posted about it because when she did, I was like,

0:17:26.400 --> 0:17:30.320
<v Speaker 1>you can tell that she was cut, Like there is god.

0:17:30.359 --> 0:17:31.760
<v Speaker 1>I kind of want to get into the weeds to

0:17:31.760 --> 0:17:34.080
<v Speaker 1>be honest, Like, as you said, this is the inciting incident.

0:17:34.080 --> 0:17:36.000
<v Speaker 1>And there's a moment where Florence is like, my friend

0:17:36.040 --> 0:17:38.760
<v Speaker 1>died spoiler alert, my friend, Like this happened to my friend.

0:17:38.760 --> 0:17:41.000
<v Speaker 1>It's like, actually, like there's nothing in the movie that

0:17:41.040 --> 0:17:44.159
<v Speaker 1>would suggest that you were friends, like really, like like

0:17:44.200 --> 0:17:47.200
<v Speaker 1>she called, you were like a lot of things rather

0:17:47.280 --> 0:17:51.679
<v Speaker 1>than being shown Yes, it's very stupid. Um, I felt

0:17:51.720 --> 0:17:55.320
<v Speaker 1>like the ending is such a fart that I couldn't

0:17:55.359 --> 0:17:59.479
<v Speaker 1>in totality enjoy what the movie was giving us. Well,

0:17:59.760 --> 0:18:03.280
<v Speaker 1>they felt like it was so lazy and cliche and

0:18:03.720 --> 0:18:05.960
<v Speaker 1>not earned. Well, this is going back to what I

0:18:05.960 --> 0:18:08.919
<v Speaker 1>said before, which is that I really believe that the

0:18:09.000 --> 0:18:11.919
<v Speaker 1>twist at the end of this movie, and spoiler alert

0:18:12.000 --> 0:18:14.840
<v Speaker 1>again for anyone who hasn't seen it, what's revealed is

0:18:14.880 --> 0:18:19.840
<v Speaker 1>that the victory Project is a simulation that has been

0:18:19.880 --> 0:18:24.359
<v Speaker 1>created by like Jordan's Peterson esque in cells to trap

0:18:24.760 --> 0:18:28.760
<v Speaker 1>women in and so their their literal partners. Well not always,

0:18:28.840 --> 0:18:32.800
<v Speaker 1>because they do. Say when Harry Styles is out in

0:18:32.840 --> 0:18:35.119
<v Speaker 1>the real world and is like getting into it, they're like,

0:18:35.400 --> 0:18:37.920
<v Speaker 1>pick a woman who you have some kind of existing

0:18:38.000 --> 0:18:40.639
<v Speaker 1>relationship with, so it could be you know, your girlfriend,

0:18:40.680 --> 0:18:42.639
<v Speaker 1>your wife, it could be just like a friend of yours,

0:18:42.920 --> 0:18:45.520
<v Speaker 1>and they're they're kidnapping these women and putting them in

0:18:45.560 --> 0:18:50.040
<v Speaker 1>a simulation. The men have to care for these women

0:18:50.160 --> 0:18:53.320
<v Speaker 1>and it's funny. So Fran sent me a voice memo

0:18:53.440 --> 0:18:57.200
<v Speaker 1>last night asking me about some of this stuff, like

0:18:57.400 --> 0:19:00.920
<v Speaker 1>how the women piss and ship in the simulations if

0:19:00.960 --> 0:19:03.960
<v Speaker 1>you like the images, Like the simulation is literally like

0:19:04.080 --> 0:19:06.639
<v Speaker 1>Harry Styles and Florence Pe laying in a bed with

0:19:06.720 --> 0:19:09.560
<v Speaker 1>their like eyes applied open and like some sort of

0:19:09.600 --> 0:19:12.920
<v Speaker 1>like you know, VR being like projected into their eyes,

0:19:12.960 --> 0:19:16.720
<v Speaker 1>and it's like if they're laying there like their whole

0:19:16.760 --> 0:19:19.840
<v Speaker 1>lives like, but but they're not, because that's the whole

0:19:19.880 --> 0:19:22.960
<v Speaker 1>point is that she is. But he when he goes

0:19:23.040 --> 0:19:25.520
<v Speaker 1>to work every day, that that's him live leaving the

0:19:25.560 --> 0:19:28.480
<v Speaker 1>simulation and they asked him, will you be able to

0:19:28.520 --> 0:19:30.880
<v Speaker 1>get a job to support this? Will you be able

0:19:30.960 --> 0:19:33.880
<v Speaker 1>to take care of your wife? So I'm assuming he's

0:19:33.920 --> 0:19:36.119
<v Speaker 1>going out into the real world every day to work

0:19:36.200 --> 0:19:39.760
<v Speaker 1>some like stupid job, and then he comes home to

0:19:39.920 --> 0:19:42.159
<v Speaker 1>his slave wife laying in bed and he probably like

0:19:42.440 --> 0:19:46.439
<v Speaker 1>cleans her bedpan or her diaper, my god, and like

0:19:46.480 --> 0:19:50.760
<v Speaker 1>what refills her food catheter? Like that's never explained. That's

0:19:50.760 --> 0:19:54.320
<v Speaker 1>never explained. And this all goes back to my point

0:19:54.400 --> 0:19:56.639
<v Speaker 1>I've been trying to make, which is that I think

0:19:57.000 --> 0:20:01.560
<v Speaker 1>the reveal of the simulation would happen much earlier in

0:20:01.600 --> 0:20:05.720
<v Speaker 1>the movie. And in the original script it does and

0:20:05.760 --> 0:20:08.840
<v Speaker 1>you know, almost the whole film. So in the original script,

0:20:09.160 --> 0:20:12.879
<v Speaker 1>the first time that Alice breaks through the portal, she

0:20:13.040 --> 0:20:15.320
<v Speaker 1>finds out and then she goes back and kind of

0:20:15.440 --> 0:20:19.160
<v Speaker 1>keeps figuring out more and more and like goes out

0:20:19.160 --> 0:20:21.920
<v Speaker 1>again and comes back, and and I think that would

0:20:21.960 --> 0:20:25.560
<v Speaker 1>have been much more effective, because look, this is very

0:20:25.640 --> 0:20:28.880
<v Speaker 1>clearly uh kind of I'm not gonna say rip off,

0:20:28.880 --> 0:20:31.719
<v Speaker 1>but heavily inspired by The Stepford Wives. And the thing

0:20:31.720 --> 0:20:35.480
<v Speaker 1>about the Stepford Wives is that you know what's happening,

0:20:36.320 --> 0:20:39.639
<v Speaker 1>you know what's happening in The Stepford Wives very early on.

0:20:39.760 --> 0:20:41.840
<v Speaker 1>You know that there's something about robots, that the men

0:20:41.880 --> 0:20:44.560
<v Speaker 1>are killing their wives, replacing them with robots, And the

0:20:44.600 --> 0:20:49.600
<v Speaker 1>tension doesn't come from the reveal. The tension comes from

0:20:49.640 --> 0:20:53.920
<v Speaker 1>this woman knowing what's happening and still making these choices

0:20:54.040 --> 0:20:56.000
<v Speaker 1>and trying to save herself, trying to save her friends,

0:20:56.040 --> 0:20:58.960
<v Speaker 1>trying to save her children. So I think that if

0:20:59.400 --> 0:21:02.240
<v Speaker 1>the reveal had happened much earlier in the film, there

0:21:02.240 --> 0:21:07.040
<v Speaker 1>would have been so much tension inherent in Florence trying

0:21:07.119 --> 0:21:09.119
<v Speaker 1>to figure out not only how to save herself, but

0:21:09.160 --> 0:21:11.600
<v Speaker 1>how to save the other women, trying to figure out

0:21:11.720 --> 0:21:14.479
<v Speaker 1>why this happened to her, And I think it just

0:21:14.560 --> 0:21:17.320
<v Speaker 1>would have been a much more interesting thing if the

0:21:17.400 --> 0:21:20.439
<v Speaker 1>whole movie didn't hinge on the Oh my god, it

0:21:20.520 --> 0:21:24.359
<v Speaker 1>was a simulation, because I think I think that's the

0:21:24.440 --> 0:21:28.000
<v Speaker 1>least interesting part of the movie. It's if your movie

0:21:28.200 --> 0:21:30.680
<v Speaker 1>ends in a and it was all the simulation, like

0:21:30.960 --> 0:21:33.439
<v Speaker 1>go back to film school. I'm sorry, Like that is

0:21:33.480 --> 0:21:35.800
<v Speaker 1>just not how movies can end. It's how movies can begin.

0:21:36.040 --> 0:21:38.840
<v Speaker 1>Because yeah, because I think something that's much more interesting

0:21:38.880 --> 0:21:41.560
<v Speaker 1>would have been. I thought Olivia Wilde was actually really

0:21:41.560 --> 0:21:44.280
<v Speaker 1>good in the movie, and one of her best scenes

0:21:44.440 --> 0:21:47.240
<v Speaker 1>was towards the end you find out that she's known

0:21:47.800 --> 0:21:50.840
<v Speaker 1>about the simulation the whole time. She's the only one

0:21:50.880 --> 0:21:53.879
<v Speaker 1>who's known, and she's decided to stay because her children

0:21:53.920 --> 0:21:55.840
<v Speaker 1>have died in the real world and now she has

0:21:55.960 --> 0:21:58.920
<v Speaker 1>them in the simulation. And I think so much more

0:21:59.000 --> 0:22:01.680
<v Speaker 1>could have been drawn out of that if you knew earlier,

0:22:01.720 --> 0:22:03.320
<v Speaker 1>and you could have spent more time with her and

0:22:03.600 --> 0:22:06.280
<v Speaker 1>the implications of that, and like are there other women

0:22:06.320 --> 0:22:09.040
<v Speaker 1>that know, or like what is the thing with the children?

0:22:09.119 --> 0:22:11.920
<v Speaker 1>Like there should have been clues about her children dying,

0:22:11.960 --> 0:22:14.520
<v Speaker 1>Like she should have mentioned something earlier in the movie

0:22:14.520 --> 0:22:17.600
<v Speaker 1>about like them being fragile or like something like that.

0:22:17.840 --> 0:22:20.840
<v Speaker 1>It's just there. There were a lot of missed opportunities.

0:22:21.119 --> 0:22:25.520
<v Speaker 1>But all that being said, it's still a pretty good movie,

0:22:25.960 --> 0:22:31.120
<v Speaker 1>and all of the drama surrounding it is just kind

0:22:31.119 --> 0:22:34.240
<v Speaker 1>of stupid. I think, well, I'll say perfectly fine. First

0:22:34.240 --> 0:22:36.480
<v Speaker 1>of all, the fact that it's like not the nineties

0:22:36.520 --> 0:22:38.000
<v Speaker 1>and is in the present day. I guess in like

0:22:38.040 --> 0:22:40.159
<v Speaker 1>the first three minutes of the movie, like it's literally

0:22:40.240 --> 0:22:42.040
<v Speaker 1>the twist of like the village, And I was like

0:22:42.080 --> 0:22:45.480
<v Speaker 1>this is like I thought maybe it would be to cliche. Um,

0:22:45.600 --> 0:22:49.880
<v Speaker 1>the plane crashing that happens never explained, Like what was that?

0:22:50.320 --> 0:22:53.240
<v Speaker 1>The Jemma Chan who's like loveling this movie but also

0:22:53.359 --> 0:22:55.640
<v Speaker 1>kind of feels kind of cut from the movie, has

0:22:55.640 --> 0:22:58.760
<v Speaker 1>a moment where she stabs Chris fine as you have

0:22:58.880 --> 0:23:01.679
<v Speaker 1>no idea? Why no idea? Why is it because she

0:23:01.760 --> 0:23:03.919
<v Speaker 1>also wants to escape? Is it because she was in

0:23:04.000 --> 0:23:06.480
<v Speaker 1>charge the whole time? Like that would have been more

0:23:06.560 --> 0:23:09.760
<v Speaker 1>interesting twist? And it's just this movie thinks that you

0:23:09.840 --> 0:23:13.480
<v Speaker 1>care about the wrong things. Yeah, exactly. Then what the

0:23:13.560 --> 0:23:15.520
<v Speaker 1>movie wants you to care about is not what the

0:23:15.600 --> 0:23:19.120
<v Speaker 1>audiences I think care about. Um. And also Harry Styles

0:23:19.200 --> 0:23:22.480
<v Speaker 1>was like fine as an actor. I actually would say

0:23:22.640 --> 0:23:27.160
<v Speaker 1>the Harry Styles was wonderful and I really enjoyed him,

0:23:27.200 --> 0:23:29.040
<v Speaker 1>and like I felt like he was one of the

0:23:29.160 --> 0:23:32.040
<v Speaker 1>I thought, obviously Shyla buff would have been better. He

0:23:32.040 --> 0:23:35.720
<v Speaker 1>would he would have been better because he would have

0:23:35.880 --> 0:23:39.720
<v Speaker 1>sold the like doting husband at the beginning, But then

0:23:39.800 --> 0:23:42.679
<v Speaker 1>he would have been incredible as the in cell. He

0:23:42.720 --> 0:23:46.720
<v Speaker 1>would have been so believable as this loser, misogynist who

0:23:46.720 --> 0:23:50.680
<v Speaker 1>would kidnap and rape his wife. That's also something that

0:23:50.880 --> 0:23:53.679
<v Speaker 1>ever addressed. That's also something that's never addressed. And you know,

0:23:53.720 --> 0:23:56.240
<v Speaker 1>Olivia Wilde for the past year has been talking about

0:23:56.320 --> 0:23:59.480
<v Speaker 1>how feminist and empowering the sex scenes in this movie are.

0:24:00.000 --> 0:24:02.560
<v Speaker 1>And now that we know what this movie is really about, Um,

0:24:02.600 --> 0:24:05.440
<v Speaker 1>Olivia Wilde, those are rape scenes. So it doesn't really

0:24:05.480 --> 0:24:08.280
<v Speaker 1>matter that the woman is the only one coming because

0:24:08.359 --> 0:24:13.719
<v Speaker 1>she's being raped. So maybe stop like touting that as

0:24:13.800 --> 0:24:17.480
<v Speaker 1>it being like a feminist reclaiming of sex scenes in cinema.

0:24:17.600 --> 0:24:20.480
<v Speaker 1>And also, I mean, the one thing that Harry did

0:24:20.520 --> 0:24:23.600
<v Speaker 1>not carry was when Harry styles as an insult you

0:24:23.640 --> 0:24:27.840
<v Speaker 1>and I were gig it was very funny. It was

0:24:27.960 --> 0:24:30.440
<v Speaker 1>fucking funny. Um. And I bet that's what his Harry

0:24:30.480 --> 0:24:32.720
<v Speaker 1>looks like in real life, haven't I heard the two us?

0:24:33.560 --> 0:24:36.320
<v Speaker 1>Oh there's a whole there's a conspiracy theory that he's bald.

0:24:36.440 --> 0:24:39.080
<v Speaker 1>I will not believe it. But anyways, Um, I actually

0:24:39.080 --> 0:24:41.200
<v Speaker 1>think Harry was really good and I don't really feel

0:24:41.240 --> 0:24:44.080
<v Speaker 1>like that the dig on his acting was that earned

0:24:44.240 --> 0:24:46.800
<v Speaker 1>because the character does have a British accent. The character

0:24:46.920 --> 0:24:48.760
<v Speaker 1>is British. Yeah, the whole British thing was some kind

0:24:48.760 --> 0:24:51.200
<v Speaker 1>of twitter red Harry yeah, although I guess he was

0:24:51.240 --> 0:24:54.520
<v Speaker 1>American in the real world and chose to be British

0:24:54.600 --> 0:24:57.840
<v Speaker 1>in the simulation. Oh is that because they asked him

0:24:57.880 --> 0:25:00.560
<v Speaker 1>what nationality he wanted to be and he wrote British.

0:25:00.920 --> 0:25:05.960
<v Speaker 1>Oh okay, that's interesting. Um yeah. I also wondered, like

0:25:06.040 --> 0:25:10.040
<v Speaker 1>if something was changed during the production because Harry's American

0:25:10.040 --> 0:25:12.840
<v Speaker 1>accent is like so bad, But like I don't know, um,

0:25:12.880 --> 0:25:15.600
<v Speaker 1>but yeah, I don't. I felt it was perfectly fine.

0:25:15.680 --> 0:25:17.800
<v Speaker 1>Not a movie to revisit. No, but Kate ber Land,

0:25:17.840 --> 0:25:34.479
<v Speaker 1>you will always be famous. She's perfect Virgins. I know

0:25:34.560 --> 0:25:37.920
<v Speaker 1>that podcasting is an auditory medium that you can't see

0:25:38.000 --> 0:25:40.520
<v Speaker 1>us right now, but if you could see us, you

0:25:40.560 --> 0:25:45.760
<v Speaker 1>would see that. Today, for our discussion on Greek mythology,

0:25:46.320 --> 0:25:48.320
<v Speaker 1>Frand and I both thought we were going to get

0:25:48.600 --> 0:25:51.760
<v Speaker 1>going to goop each other by each bringing our copy

0:25:51.880 --> 0:25:55.440
<v Speaker 1>of de Laire's Book of Greek Myths, which is like

0:25:55.560 --> 0:25:57.639
<v Speaker 1>the book that we all you know, it is a

0:25:57.800 --> 0:26:03.280
<v Speaker 1>sacred texts foundational text and truly like is the genesis

0:26:03.400 --> 0:26:05.480
<v Speaker 1>of this episode, and it's just so funny that we

0:26:05.680 --> 0:26:09.200
<v Speaker 1>both were like, I have a surprise for you, bok

0:26:09.680 --> 0:26:13.080
<v Speaker 1>that like a bunch of nerds like sucking nerds coming

0:26:13.119 --> 0:26:14.680
<v Speaker 1>to school, like and as soon as we brought the

0:26:14.720 --> 0:26:17.880
<v Speaker 1>book up. Also are amazing engineer Clay who's here shout

0:26:17.920 --> 0:26:21.520
<v Speaker 1>out to Clay Um also recognized it. So truly, this

0:26:21.560 --> 0:26:25.960
<v Speaker 1>book is omnipotent universal the culture. I think like if

0:26:26.000 --> 0:26:28.520
<v Speaker 1>you were a kid, and if you were like a

0:26:28.560 --> 0:26:32.439
<v Speaker 1>millennial kid, um, you know, this was something that was

0:26:32.680 --> 0:26:37.520
<v Speaker 1>part of your you know, culture, it really was, and

0:26:37.560 --> 0:26:39.480
<v Speaker 1>I think that, like, I mean, this was taught in

0:26:39.560 --> 0:26:41.960
<v Speaker 1>my school actually, like we had a lesson on it

0:26:41.960 --> 0:26:44.480
<v Speaker 1>in fifth grade, and I was like, I already read

0:26:44.560 --> 0:26:48.000
<v Speaker 1>that book, Like I remember being like so ericant about it,

0:26:48.040 --> 0:26:53.040
<v Speaker 1>but I definitely got this after seeing Disney's Hercules. And

0:26:53.640 --> 0:26:58.760
<v Speaker 1>Disney's Hercules is for sure the thing that sparked my interest,

0:26:58.880 --> 0:27:03.680
<v Speaker 1>and I guess probably our generation's interest with Greek mythology,

0:27:03.680 --> 0:27:05.720
<v Speaker 1>which is what we're talking about today. I mean, sure,

0:27:06.560 --> 0:27:10.520
<v Speaker 1>it's slightly predated by the Hercules TV show and it's

0:27:10.520 --> 0:27:14.000
<v Speaker 1>spin off, Zena Warrior Princess, which also were very mythology,

0:27:14.080 --> 0:27:16.880
<v Speaker 1>but I think we were we were a little too

0:27:16.960 --> 0:27:20.359
<v Speaker 1>young for those, Like I didn't really watch I kind

0:27:20.400 --> 0:27:24.399
<v Speaker 1>of watched Zena and I had a Zena action figure.

0:27:24.440 --> 0:27:28.080
<v Speaker 1>At some point I had a Hercules video game for

0:27:28.160 --> 0:27:32.200
<v Speaker 1>my Sega Genesis, so that was an ancient Hercules. The

0:27:32.840 --> 0:27:36.000
<v Speaker 1>Disney movie, No, it was like it was the TV

0:27:36.160 --> 0:27:41.959
<v Speaker 1>show video the video game for Sega Sega starring Kevin Sorbo.

0:27:42.320 --> 0:27:45.120
<v Speaker 1>Horny Horny show. It was very horny. I mean, as

0:27:45.160 --> 0:27:49.560
<v Speaker 1>was Zena. But Zena was lesbian horny. Yes, yeah, honestly,

0:27:49.600 --> 0:27:52.840
<v Speaker 1>I mean lesbian cannon. I would say, like the most

0:27:52.880 --> 0:27:58.960
<v Speaker 1>sapphic like kind of homoerotic thing that existed in that

0:27:59.080 --> 0:28:02.280
<v Speaker 1>dan age, like Zena was, I think in lesbian culture

0:28:02.280 --> 0:28:05.480
<v Speaker 1>at the time, like a mascot, like was emblazoned on

0:28:05.960 --> 0:28:08.760
<v Speaker 1>you know, lesbian T shirts and paraphernalia and stuff like

0:28:08.760 --> 0:28:12.440
<v Speaker 1>that that people would subculturally share in like wink wink. Also,

0:28:12.600 --> 0:28:15.600
<v Speaker 1>Xena fan fiction was huge really at the time. Yes,

0:28:15.680 --> 0:28:19.400
<v Speaker 1>I have heard this from fan fiction scholars. But um,

0:28:19.440 --> 0:28:21.919
<v Speaker 1>for the purposes of this episode, I do think starting

0:28:21.920 --> 0:28:26.560
<v Speaker 1>with Disney Hercules as the root of this lifelong obsession

0:28:27.280 --> 0:28:32.639
<v Speaker 1>an interest is very important. Um, you know, Hercules was

0:28:33.119 --> 0:28:34.600
<v Speaker 1>I don't know if you know this, but like kind

0:28:34.600 --> 0:28:37.960
<v Speaker 1>of a flop in terms of Disney movies, because you know,

0:28:38.040 --> 0:28:42.360
<v Speaker 1>this is sort of the tail end of the Disney Renaissance,

0:28:42.600 --> 0:28:46.480
<v Speaker 1>which like when the classics ended. Yeah, yeah, yeah, Because

0:28:46.520 --> 0:28:50.680
<v Speaker 1>so the Disney Renaissance of the nineties like really began

0:28:50.800 --> 0:28:54.680
<v Speaker 1>with The Little Mermaid, which came out in eight nine. Um,

0:28:54.680 --> 0:28:58.320
<v Speaker 1>But it wasn't until I was actually, um listening to

0:28:58.680 --> 0:29:01.360
<v Speaker 1>a podcast about this the other a. You know, Disney

0:29:01.400 --> 0:29:05.280
<v Speaker 1>movies really only existed to basically like create I p

0:29:05.600 --> 0:29:09.400
<v Speaker 1>to sell merch off of um, And it wasn't something

0:29:09.440 --> 0:29:12.400
<v Speaker 1>where Disney thought that they were like profitable in and

0:29:12.400 --> 0:29:14.880
<v Speaker 1>of themselves. And it was only with Beauty and the

0:29:14.920 --> 0:29:19.760
<v Speaker 1>Beasts huge critical and commercial success that Disney movies became

0:29:19.840 --> 0:29:24.000
<v Speaker 1>something that were financially successful in and of themselves, and

0:29:24.080 --> 0:29:27.800
<v Speaker 1>like Disney became an entity that wasn't just selling merch

0:29:27.920 --> 0:29:32.120
<v Speaker 1>and theme parks, but like movies. So I guess that's

0:29:32.160 --> 0:29:37.120
<v Speaker 1>how you get something like Hercules, which is obviously one

0:29:37.160 --> 0:29:39.360
<v Speaker 1>of the Disney movies that's like supposed to be for

0:29:39.520 --> 0:29:51.040
<v Speaker 1>boys for boys boys derivatory. Um, it's very you know

0:29:51.120 --> 0:29:56.040
<v Speaker 1>because like princess movies are like about princesses. Clearly, Um,

0:29:56.160 --> 0:30:00.120
<v Speaker 1>when you look at Hercules, it's very obviously to me

0:30:00.320 --> 0:30:03.400
<v Speaker 1>supposed to be a sports movie like Hercules is supposed

0:30:03.440 --> 0:30:07.360
<v Speaker 1>to be you know, a Nikes and analog for like

0:30:07.440 --> 0:30:10.440
<v Speaker 1>Michael Jordan's or like any of the sports heroes at

0:30:10.440 --> 0:30:13.640
<v Speaker 1>the time, and that's very much seen in the movie

0:30:13.640 --> 0:30:16.400
<v Speaker 1>and things like zero to Hero, which that song is

0:30:16.440 --> 0:30:20.720
<v Speaker 1>literally all about, like the cultures celebrity around sports figures,

0:30:20.760 --> 0:30:23.880
<v Speaker 1>which I think is like such a smart modernization of

0:30:23.920 --> 0:30:26.840
<v Speaker 1>like the movie because it has that kind of Aladdin

0:30:27.040 --> 0:30:29.600
<v Speaker 1>esque like wink wink, here's all this contemporary humor you

0:30:29.600 --> 0:30:31.920
<v Speaker 1>can enjoy. Like, I just think that's so smart to

0:30:31.960 --> 0:30:35.480
<v Speaker 1>think about Hercules as like the Lebron of his time,

0:30:35.640 --> 0:30:38.720
<v Speaker 1>you know, or like that that he had that superstardom

0:30:38.840 --> 0:30:41.800
<v Speaker 1>that turned into merch, which is really funny that you

0:30:42.000 --> 0:30:44.760
<v Speaker 1>are mentioning that. You know, they were like Disney was

0:30:44.760 --> 0:30:48.200
<v Speaker 1>trying to crank out movies to sell merch because infamously

0:30:48.440 --> 0:30:53.360
<v Speaker 1>Jack Nicholson was supposed to be Hades in Hercules, and

0:30:53.520 --> 0:30:55.800
<v Speaker 1>they ended up not giving him the role because his

0:30:55.920 --> 0:30:59.960
<v Speaker 1>management demanded fifty of Hades merch sales, and instead of

0:31:00.120 --> 0:31:03.240
<v Speaker 1>came James Woods, who is a pervert and a horrible person,

0:31:03.320 --> 0:31:05.840
<v Speaker 1>one of the worst people on the internet truly, um

0:31:05.920 --> 0:31:10.960
<v Speaker 1>but he and he did sound good. I like, obviously

0:31:11.000 --> 0:31:13.480
<v Speaker 1>I loved all of the Disney movies that came before this.

0:31:13.720 --> 0:31:17.480
<v Speaker 1>I love the Disney Princess movies, but Hercules really captured

0:31:17.560 --> 0:31:22.240
<v Speaker 1>my imagination in a way that that the others hadn't.

0:31:22.480 --> 0:31:27.360
<v Speaker 1>And I think with Hercules, the thing was like, yes,

0:31:27.440 --> 0:31:29.520
<v Speaker 1>with the movies that are based off of fairy tales,

0:31:29.560 --> 0:31:32.120
<v Speaker 1>like you can go back and read the originals, um,

0:31:32.160 --> 0:31:35.520
<v Speaker 1>but there's sort of like a limited amount of source

0:31:35.600 --> 0:31:38.920
<v Speaker 1>material to turn to. And with Greek mythology, with Hercules,

0:31:39.640 --> 0:31:43.080
<v Speaker 1>you find out that there's literally like a whole culture

0:31:43.160 --> 0:31:46.800
<v Speaker 1>to explore and all of these stories, bottomless pit of

0:31:47.120 --> 0:31:49.960
<v Speaker 1>myths and sub myths and sub sub myths. Yes, and

0:31:50.000 --> 0:31:53.680
<v Speaker 1>so this book, like Hercules, was the entry point for sure.

0:31:54.160 --> 0:31:57.640
<v Speaker 1>And then Dolores Book of Greek Myths was you know,

0:31:58.360 --> 0:32:01.160
<v Speaker 1>like the rabbit hole to go down. Oh yeah, And

0:32:01.200 --> 0:32:04.560
<v Speaker 1>like you and I avid readers, like I remember reading

0:32:04.560 --> 0:32:06.959
<v Speaker 1>this book like just blowing through it. You know, it's

0:32:06.960 --> 0:32:08.560
<v Speaker 1>a picture book, but it still has a lot of text.

0:32:08.560 --> 0:32:10.800
<v Speaker 1>But I remember blowing through it and being like, there

0:32:10.800 --> 0:32:13.240
<v Speaker 1>has to be more books on Greek mythology, and there were,

0:32:13.440 --> 0:32:15.320
<v Speaker 1>and there were, I mean, this is the one that

0:32:15.400 --> 0:32:19.040
<v Speaker 1>makes it the most accessible for children, because you know,

0:32:19.080 --> 0:32:23.600
<v Speaker 1>Greek mythology is famously very fucked up. Dark, dark, dark,

0:32:23.680 --> 0:32:25.200
<v Speaker 1>which I think kind of leads us to one of

0:32:25.200 --> 0:32:27.640
<v Speaker 1>the things I wanted to talk about as like an

0:32:27.760 --> 0:32:31.440
<v Speaker 1>entry point in this discussion, which is how Greek mythology

0:32:31.560 --> 0:32:34.880
<v Speaker 1>is different from other kinds of mythology, and how Greek

0:32:34.880 --> 0:32:39.680
<v Speaker 1>gods are different from other pantheons and why culturally we

0:32:39.800 --> 0:32:42.800
<v Speaker 1>keep coming back to them. And you know, obviously there's

0:32:42.840 --> 0:32:44.880
<v Speaker 1>a lot of scholarship on this, and I think like

0:32:44.960 --> 0:32:48.760
<v Speaker 1>the big thing is that the Greek gods act like humans,

0:32:48.880 --> 0:32:54.520
<v Speaker 1>Like they have very human passions and vulnerabilities. They're like

0:32:54.640 --> 0:32:58.040
<v Speaker 1>very petty and jealous, and they have all of these

0:32:58.080 --> 0:33:02.000
<v Speaker 1>like interpersonal dramas, and their constly flying down from Olympus

0:33:02.280 --> 0:33:06.520
<v Speaker 1>like rape and abduct somebody adult. There's so much like adultery,

0:33:06.600 --> 0:33:09.760
<v Speaker 1>so much mess, so much like turning mortals into animals

0:33:09.800 --> 0:33:13.480
<v Speaker 1>for pretty much no reason for from ye to cover

0:33:13.560 --> 0:33:16.560
<v Speaker 1>up rape. Yeah, I mean, we we'll we'll get into that, um.

0:33:16.720 --> 0:33:19.400
<v Speaker 1>But the darkness that you're getting out of Greek mythology

0:33:19.480 --> 0:33:22.280
<v Speaker 1>and why I think it's different from other mythologies, has

0:33:22.320 --> 0:33:25.880
<v Speaker 1>a lot to do with the fact that it predates

0:33:26.560 --> 0:33:31.240
<v Speaker 1>the colonization of the world, right, it predates the popularization

0:33:31.240 --> 0:33:35.080
<v Speaker 1>of Christianity, And so these myths existed at a time

0:33:35.160 --> 0:33:39.960
<v Speaker 1>where there was no lexicon around same sex sex, right,

0:33:40.080 --> 0:33:43.640
<v Speaker 1>there was no there was no like rape was fine, unfortunately,

0:33:43.760 --> 0:33:46.960
<v Speaker 1>like having sex with boys was like totally chill, but

0:33:47.000 --> 0:33:50.160
<v Speaker 1>like on top like in addition, as long as you

0:33:50.200 --> 0:33:52.360
<v Speaker 1>were chill about it. Also, it must be said that

0:33:52.800 --> 0:33:56.240
<v Speaker 1>there's no sort of like unlike the Bible, there's no

0:33:56.800 --> 0:34:00.920
<v Speaker 1>like foundational text Greek myths, and a lot of these

0:34:01.120 --> 0:34:04.280
<v Speaker 1>are folk tales that come from a lot of different

0:34:04.400 --> 0:34:09.120
<v Speaker 1>cultures that were woven into the Greek like social cultural

0:34:09.160 --> 0:34:13.280
<v Speaker 1>identity and like formalized into these tales. But like there's

0:34:13.320 --> 0:34:16.919
<v Speaker 1>no definitive telling of all of them. And like sure,

0:34:16.960 --> 0:34:19.000
<v Speaker 1>a lot of like the you know, like great play

0:34:19.080 --> 0:34:22.799
<v Speaker 1>rights and like thinkers wrote down their version of them.

0:34:23.080 --> 0:34:27.000
<v Speaker 1>People says Metamorphoses not a foundational text but one of

0:34:27.040 --> 0:34:30.200
<v Speaker 1>the most known compilation. But they're still pretty loosey goosey,

0:34:30.239 --> 0:34:34.680
<v Speaker 1>and the details really do differ from telling to telling,

0:34:34.719 --> 0:34:37.560
<v Speaker 1>which I think is like why there's so much fun

0:34:37.680 --> 0:34:43.200
<v Speaker 1>and why Greek mythology has really lent itself, so, you know,

0:34:43.320 --> 0:34:47.239
<v Speaker 1>naturally to all of these contemporary adaptations, right, And I

0:34:47.320 --> 0:34:50.480
<v Speaker 1>kind of think what is really beautiful and the thing

0:34:50.480 --> 0:34:54.279
<v Speaker 1>that I was so attracted to about Greek mythology then

0:34:54.360 --> 0:34:57.920
<v Speaker 1>and now is you know, obviously we look back at

0:34:58.000 --> 0:35:01.080
<v Speaker 1>Greek times and there are things you're like, oh, that's

0:35:01.120 --> 0:35:03.400
<v Speaker 1>not how we act today when it comes to like

0:35:03.520 --> 0:35:06.560
<v Speaker 1>pedophilia or like enslaved people are like how women are treated.

0:35:06.840 --> 0:35:08.440
<v Speaker 1>But like, in addition to the bad stuff, there was

0:35:08.480 --> 0:35:13.360
<v Speaker 1>also just a really rich, beautiful hiddenism that like really

0:35:13.800 --> 0:35:16.759
<v Speaker 1>UM injects itself into like all of these myths that

0:35:16.800 --> 0:35:20.000
<v Speaker 1>make them so messy and such a joy to read

0:35:20.040 --> 0:35:26.200
<v Speaker 1>because they're not beholden to the um colonist ideas of purity,

0:35:26.360 --> 0:35:29.480
<v Speaker 1>purity morality. Yeah, like all the certain things, there's a

0:35:29.480 --> 0:35:33.279
<v Speaker 1>lot of sucking, and there's a lot of it all

0:35:33.480 --> 0:35:39.279
<v Speaker 1>is well sucking, fucking h drugs, drinking like orgies, like

0:35:39.640 --> 0:35:43.920
<v Speaker 1>war like reality, yes, like killing, going create, like losing

0:35:43.960 --> 0:35:46.680
<v Speaker 1>your mind to the point that you literally tear people

0:35:46.800 --> 0:35:50.640
<v Speaker 1>to shreds, crazy parties, killing people like it's nothing like

0:35:50.840 --> 0:35:54.840
<v Speaker 1>wars um anger like. And I think that that unfettered

0:35:54.880 --> 0:35:59.160
<v Speaker 1>emotionality makes great stories, right, even if it's like crazy

0:35:59.200 --> 0:36:01.440
<v Speaker 1>to read, You're like this is these are good stories

0:36:01.520 --> 0:36:04.480
<v Speaker 1>and um, you know in comparison to other mythologies or

0:36:04.480 --> 0:36:07.160
<v Speaker 1>when we think about like a Hans Christian Anderson, right,

0:36:07.280 --> 0:36:10.560
<v Speaker 1>like those like the Little Mermaid o G. Little Mermaid

0:36:10.680 --> 0:36:13.160
<v Speaker 1>or the O G. Cinderella, like those are really dark

0:36:13.480 --> 0:36:16.880
<v Speaker 1>and also very Christian. Like the Little Mermaid. The whole

0:36:16.880 --> 0:36:19.800
<v Speaker 1>thing with the original Little Mermaid is that the story

0:36:19.960 --> 0:36:23.200
<v Speaker 1>ends with her turning into c foam because she doesn't

0:36:23.400 --> 0:36:25.640
<v Speaker 1>have an immortal soul. And then she does get like

0:36:25.680 --> 0:36:28.080
<v Speaker 1>lifted up into heaven and well she gets lifted up

0:36:28.080 --> 0:36:30.880
<v Speaker 1>to like purgatory for two hundred years and then she

0:36:30.960 --> 0:36:34.000
<v Speaker 1>finally gets to have an immortal soul and go to heaven.

0:36:34.120 --> 0:36:36.600
<v Speaker 1>I hadn't heard that version, but yeah, it's all about

0:36:36.760 --> 0:36:39.600
<v Speaker 1>the afterlife and Christianity, but it still has that the

0:36:39.719 --> 0:36:42.520
<v Speaker 1>darkness of the you know, she was supposed to stab

0:36:42.600 --> 0:36:45.279
<v Speaker 1>the prince and like doesn't she like there's something about

0:36:45.280 --> 0:36:47.640
<v Speaker 1>cutting off her feet or something, and in Cinderella the

0:36:47.640 --> 0:36:50.839
<v Speaker 1>sisters have to cut off their toes or whatever, like uh,

0:36:50.880 --> 0:36:53.440
<v Speaker 1>you know, but like the thing about Greek mythology is

0:36:53.480 --> 0:36:56.600
<v Speaker 1>that like it has the nastiness without the kind of

0:36:56.680 --> 0:36:59.880
<v Speaker 1>like judgment of it, yes, the judgment. Yeah, and because

0:37:00.280 --> 0:37:03.520
<v Speaker 1>and like also just like queerness and like gender fuckory,

0:37:03.719 --> 0:37:07.600
<v Speaker 1>like so many gods, not in the Delarues version, but

0:37:07.640 --> 0:37:10.279
<v Speaker 1>like in other versions of Greek myths, Like there's so

0:37:10.400 --> 0:37:13.360
<v Speaker 1>much queerness and so much kind of like gender fuckory

0:37:13.480 --> 0:37:18.600
<v Speaker 1>among God's heroes stories and all that jazz and Disney

0:37:18.680 --> 0:37:21.040
<v Speaker 1>hercules to go back to, you know, the jumping off

0:37:21.080 --> 0:37:25.520
<v Speaker 1>point is not explicitly queer, but like it's the queerest

0:37:25.560 --> 0:37:30.120
<v Speaker 1>fucking story. I mean it should literally be called from

0:37:30.120 --> 0:37:35.680
<v Speaker 1>Twink to Twine. A twink who doesn't know his biological parents,

0:37:36.200 --> 0:37:39.000
<v Speaker 1>feels that there's something out there more for him, a

0:37:39.080 --> 0:37:41.920
<v Speaker 1>community that he belongs to because he doesn't belong in

0:37:41.960 --> 0:37:46.320
<v Speaker 1>this and then has like a sassy best friend who

0:37:46.440 --> 0:37:48.719
<v Speaker 1>like doesn't really want to date him because she thinks

0:37:48.719 --> 0:37:51.440
<v Speaker 1>there's like a little something off about him. He has

0:37:51.480 --> 0:37:54.120
<v Speaker 1>a hairy mentor who like kind of wants to fuck

0:37:55.239 --> 0:37:59.200
<v Speaker 1>another like older man who wants to suck him God,

0:37:59.320 --> 0:38:01.520
<v Speaker 1>And but I remb member as a kid, I definitely

0:38:01.520 --> 0:38:05.440
<v Speaker 1>caught onto that yearning, um that you know, there's something

0:38:06.160 --> 0:38:08.040
<v Speaker 1>something wrong with me, Like I need to find something

0:38:08.080 --> 0:38:11.040
<v Speaker 1>greater than myself and the possibility. You know. The I

0:38:11.120 --> 0:38:14.040
<v Speaker 1>Want song to Go the Distance is, which is a

0:38:14.080 --> 0:38:17.400
<v Speaker 1>beautiful song, way too short, way too short, and the

0:38:17.400 --> 0:38:20.520
<v Speaker 1>interlude not the best song in the in the movie

0:38:20.560 --> 0:38:23.240
<v Speaker 1>though that that is won't salam in Love, wont sam

0:38:23.239 --> 0:38:25.120
<v Speaker 1>in Love of course, one of the greatest songs ever written.

0:38:25.360 --> 0:38:27.200
<v Speaker 1>And also I will say with Go the Distance, the

0:38:27.239 --> 0:38:30.120
<v Speaker 1>interlude makes it really difficult to do for karaoke. Um

0:38:30.200 --> 0:38:34.040
<v Speaker 1>as well, It's kind of like, um uh, the song

0:38:34.080 --> 0:38:36.719
<v Speaker 1>from Mowanna To, which is split up into like three

0:38:36.760 --> 0:38:40.120
<v Speaker 1>different versions that all happen at different parts of the movie. Right.

0:38:40.160 --> 0:38:42.400
<v Speaker 1>I need I need the kind of karaoke cut of

0:38:42.440 --> 0:38:45.439
<v Speaker 1>Go the Distance because it's exactly in my vocal range

0:38:45.440 --> 0:38:47.760
<v Speaker 1>and I can really nail it really like they should

0:38:47.800 --> 0:38:50.240
<v Speaker 1>there should be a sort of part of your world

0:38:50.560 --> 0:38:54.920
<v Speaker 1>version of it all together. Yeah, exactly. Um, but I

0:38:56.200 --> 0:38:59.120
<v Speaker 1>mean Hercules is hot, Like let's say that, like I'm

0:38:59.200 --> 0:39:02.200
<v Speaker 1>very horny for Hercules, as Meg is really hot to

0:39:02.360 --> 0:39:06.400
<v Speaker 1>another sort of bisexual jumping off point. And Meg's like

0:39:06.520 --> 0:39:09.960
<v Speaker 1>kind of self assuredness which we had never really seen

0:39:10.120 --> 0:39:13.399
<v Speaker 1>in the Disney Cinematic universe before. In a female lead,

0:39:13.560 --> 0:39:17.879
<v Speaker 1>and because she very distinctly says that she's not a princess. Yes, yeah,

0:39:18.480 --> 0:39:22.200
<v Speaker 1>we hadn't seen a Disney, a female Disney character at

0:39:22.200 --> 0:39:25.120
<v Speaker 1>that point who wasn't a princess. And like now in

0:39:25.360 --> 0:39:27.840
<v Speaker 1>today in Disney, we have this whole sort of meta

0:39:27.920 --> 0:39:32.240
<v Speaker 1>thing where we have these heroines who are constantly saying

0:39:32.600 --> 0:39:35.759
<v Speaker 1>I'm not a princess, like literally in the movies, say

0:39:35.800 --> 0:39:38.520
<v Speaker 1>things like that. And I think Meg was kind of

0:39:38.560 --> 0:39:41.520
<v Speaker 1>the first version of that. She did it first, She

0:39:41.560 --> 0:39:44.040
<v Speaker 1>did it first. She said she did it without the

0:39:44.080 --> 0:39:48.239
<v Speaker 1>need to be like wink wink consumers, No, but she

0:39:48.400 --> 0:39:51.799
<v Speaker 1>was but literally like I'm a damsel, I'm in distress,

0:39:52.520 --> 0:39:57.000
<v Speaker 1>I can handle it, have a nice day like that girl.

0:39:57.080 --> 0:39:59.640
<v Speaker 1>Let's watch it right after that, honestly. But the thing

0:40:00.000 --> 0:40:03.400
<v Speaker 1>fortunately about that movie is I do know almost every

0:40:03.440 --> 0:40:06.600
<v Speaker 1>word of that movie, like the dialogue and songs, and

0:40:06.640 --> 0:40:10.040
<v Speaker 1>I it's really hard to not engage. And I think

0:40:10.080 --> 0:40:13.719
<v Speaker 1>people that do that during movies are insufferable. Maybe, but

0:40:14.280 --> 0:40:15.960
<v Speaker 1>I have to. I have to tell you. I think

0:40:16.000 --> 0:40:17.520
<v Speaker 1>I've told you this, but I've never said it on

0:40:17.560 --> 0:40:22.120
<v Speaker 1>the pod Hercules Disney. Hercules is in my bona fide

0:40:22.160 --> 0:40:26.600
<v Speaker 1>top five like albums of films of all time. I

0:40:26.760 --> 0:40:29.680
<v Speaker 1>got it. It honestly, at a certain point in my

0:40:29.760 --> 0:40:32.480
<v Speaker 1>life could have been in mind. I love it, you know,

0:40:32.640 --> 0:40:37.080
<v Speaker 1>I really love the Fates. They were very very important

0:40:37.239 --> 0:40:40.480
<v Speaker 1>to me as a child's representation matters, it really does,

0:40:41.800 --> 0:40:44.120
<v Speaker 1>you know. It's the James Woods of it all does

0:40:44.200 --> 0:40:47.000
<v Speaker 1>make Hatie suck. But like Haiti's is such a good

0:40:47.120 --> 0:40:51.759
<v Speaker 1>villain and so fucking funny, great amazing line reads, and

0:40:52.239 --> 0:40:56.520
<v Speaker 1>a villain that you know is kind of the comedic relief,

0:40:56.640 --> 0:41:00.080
<v Speaker 1>like we don't see that as much with other is

0:41:00.160 --> 0:41:04.799
<v Speaker 1>Evelance before you know he because you have Ursula, but

0:41:04.920 --> 0:41:09.000
<v Speaker 1>she's not comedic, you know, she's I mean, she's sassy.

0:41:09.200 --> 0:41:12.320
<v Speaker 1>But like Hades is like every single line he has

0:41:12.440 --> 0:41:15.799
<v Speaker 1>is a joke. Where Ursula it's like I'm fabulous and

0:41:15.840 --> 0:41:18.040
<v Speaker 1>I have a few winky winks, which is scar to like.

0:41:18.280 --> 0:41:21.319
<v Speaker 1>I think, you know all these queer coded villains, is

0:41:21.400 --> 0:41:24.120
<v Speaker 1>Hades queer coded? I think I could, I could. There's

0:41:24.120 --> 0:41:26.279
<v Speaker 1>certainly an argument to be made for it. I would think,

0:41:26.360 --> 0:41:28.919
<v Speaker 1>I would say so personal. I think he wants to Hercules.

0:41:29.400 --> 0:41:33.360
<v Speaker 1>I mean everyone wants to fuck Hercules. Hercules. Um, I

0:41:33.400 --> 0:41:37.000
<v Speaker 1>mean honestly. But the uh the original story of Hercules

0:41:37.040 --> 0:41:40.000
<v Speaker 1>I think is herk was born out of wedlock and

0:41:40.280 --> 0:41:45.719
<v Speaker 1>Harra found out Athena fucking narc probably a Fenna is

0:41:45.760 --> 0:41:50.160
<v Speaker 1>the cop of great She probably was like guess what

0:41:50.400 --> 0:41:53.200
<v Speaker 1>Zoos did again? And like, you know, had Hercules banished

0:41:53.280 --> 0:41:57.120
<v Speaker 1>or whatever? And actually now it's a ab all are

0:41:57.160 --> 0:42:00.560
<v Speaker 1>about but like, actually, though, I mean there's another. I'm

0:42:00.560 --> 0:42:06.880
<v Speaker 1>pretty Athena was the one that fucked over Medusa. Medusa

0:42:07.120 --> 0:42:11.520
<v Speaker 1>was you know, raped and then um by Poseidon and

0:42:11.560 --> 0:42:15.080
<v Speaker 1>then Athena was like, guess what happened, um, Medusa? Her

0:42:15.080 --> 0:42:17.920
<v Speaker 1>body is desecrated, let's banish her. And then she was

0:42:17.960 --> 0:42:20.640
<v Speaker 1>a priest. She was a priestess. Yes, oh I didn't

0:42:20.640 --> 0:42:23.319
<v Speaker 1>know that, I um. And then she you know, and

0:42:23.320 --> 0:42:25.399
<v Speaker 1>then SEUs was like or someone was like, your head

0:42:25.480 --> 0:42:28.040
<v Speaker 1>is snakes now, like as punishment for being raped, well,

0:42:28.080 --> 0:42:31.160
<v Speaker 1>most of Greek pathology is just women being punished for

0:42:31.239 --> 0:42:33.680
<v Speaker 1>being raped, yes, and then covering it up and like

0:42:33.760 --> 0:42:37.280
<v Speaker 1>either like saying something about it and being punished literally

0:42:37.320 --> 0:42:40.959
<v Speaker 1>saying nothing about it and being punished, or being turned

0:42:40.960 --> 0:42:45.239
<v Speaker 1>into animals or turning themselves into trees to escape the

0:42:45.280 --> 0:42:48.239
<v Speaker 1>threat of being raised. I mean this is what um

0:42:48.360 --> 0:42:50.600
<v Speaker 1>we've talked about this before in the on the podcast,

0:42:50.680 --> 0:42:53.239
<v Speaker 1>and like we will get into a discussion of you know,

0:42:53.320 --> 0:42:58.200
<v Speaker 1>like adaptations of Greek mythology. But Um Wake Siren is

0:42:58.200 --> 0:43:00.640
<v Speaker 1>a really great book of short story is that are

0:43:01.200 --> 0:43:06.040
<v Speaker 1>retellings of Ovid tales and they're basically it's basically all

0:43:06.080 --> 0:43:11.520
<v Speaker 1>about sexual violence, um and and like those stories from

0:43:11.560 --> 0:43:16.719
<v Speaker 1>a very contemporary perspective because like Greek mythology, like the

0:43:16.800 --> 0:43:19.879
<v Speaker 1>women are treated horribly as women in that society were,

0:43:20.160 --> 0:43:23.319
<v Speaker 1>and that book is like a kind of reclamation or

0:43:23.440 --> 0:43:28.240
<v Speaker 1>nuancing of you know, stories that didn't have the historical

0:43:28.280 --> 0:43:30.480
<v Speaker 1>context to nuance them at the time. You know, like

0:43:30.560 --> 0:43:34.240
<v Speaker 1>that these conversations didn't exist. Conversations about rape didn't exist,

0:43:34.520 --> 0:43:38.480
<v Speaker 1>Conversations about you know, Peter Asty didn't exist, conversations about

0:43:38.800 --> 0:43:42.560
<v Speaker 1>like the word homosexual is a very new invention. Right. Also,

0:43:42.640 --> 0:43:46.839
<v Speaker 1>even the term rape, like in classic tales, like does

0:43:46.880 --> 0:43:50.880
<v Speaker 1>not always mean rape. Like like you know, like there's

0:43:50.920 --> 0:43:54.160
<v Speaker 1>a very famous statue called the Rape of Persephone that

0:43:54.400 --> 0:43:58.000
<v Speaker 1>depicts Haiti is pulling Persephone into the underworld, but like,

0:43:58.040 --> 0:44:02.359
<v Speaker 1>based on various translations, it's rape, is not necessarily like

0:44:02.440 --> 0:44:05.040
<v Speaker 1>always about sexual violence. Like sometimes it's about like a

0:44:05.080 --> 0:44:09.520
<v Speaker 1>woman being kidnapped against her consent. And so the idea

0:44:09.600 --> 0:44:12.400
<v Speaker 1>of rape and like it's sexualization is like kind of

0:44:12.520 --> 0:44:17.560
<v Speaker 1>murky in in Greek myth but in basically like gods

0:44:17.560 --> 0:44:21.680
<v Speaker 1>were always stealing these mortals away to do something with

0:44:21.719 --> 0:44:24.120
<v Speaker 1>them against their will because to them they were just

0:44:24.200 --> 0:44:27.480
<v Speaker 1>like pretty playthings. So you have something like the Guinea

0:44:27.520 --> 0:44:29.920
<v Speaker 1>Maade story, right, and I was just like or like

0:44:29.960 --> 0:44:32.400
<v Speaker 1>the rape of Io, who like gets turned into a bowl?

0:44:32.680 --> 0:44:36.040
<v Speaker 1>Oh right, They're always getting turned into I mean that's

0:44:36.080 --> 0:44:38.680
<v Speaker 1>literally what Ovid's metamorphosis about. It's about all of these

0:44:38.719 --> 0:44:45.600
<v Speaker 1>different figures in Greek mythology who transform and metamorphosized, getting

0:44:45.600 --> 0:44:54.000
<v Speaker 1>turned into different turned into Medusa's into swans, Peacock's trees, trees, spiders, yes, spiders,

0:44:54.160 --> 0:45:10.319
<v Speaker 1>all that jazz. Greek mythology is very trans Which do

0:45:10.360 --> 0:45:13.919
<v Speaker 1>you think are the hottest kind of god? Okay? So

0:45:14.920 --> 0:45:18.040
<v Speaker 1>the god that I truly would want to fuck, and

0:45:18.080 --> 0:45:20.799
<v Speaker 1>I have thought long and hard about this is Hephaestus,

0:45:21.960 --> 0:45:25.719
<v Speaker 1>because you know someone who can fuck the goddess of

0:45:25.800 --> 0:45:29.440
<v Speaker 1>love and like really throw it down, who also is

0:45:29.480 --> 0:45:33.280
<v Speaker 1>like hammering metal in a smith all day, a working

0:45:33.280 --> 0:45:37.880
<v Speaker 1>class himbo. Truly, that's who Hephaestus is, Like, that is

0:45:37.920 --> 0:45:40.360
<v Speaker 1>the god that I want to suck. Who would play

0:45:40.400 --> 0:45:43.480
<v Speaker 1>a Festus in like a modern day adaptation. It's kind

0:45:43.480 --> 0:45:47.440
<v Speaker 1>of giving, like a like working class him It's kind

0:45:47.440 --> 0:45:50.120
<v Speaker 1>of maybe not Adam Driver, because like Adam Driver's cast

0:45:50.120 --> 0:45:54.160
<v Speaker 1>into everything, but it kind of because Adam Driver would

0:45:54.160 --> 0:45:57.080
<v Speaker 1>suck Aphrodite, you know, like, but I also think like

0:45:57.120 --> 0:46:00.719
<v Speaker 1>Hephaestus would be like kind of ugly, um, I mean

0:46:00.800 --> 0:46:02.520
<v Speaker 1>out of Driver, it's kind of ugly. But the thing

0:46:02.560 --> 0:46:04.719
<v Speaker 1>is if you can lay yeah, he's got shovel, I

0:46:04.760 --> 0:46:07.360
<v Speaker 1>mean he can lay that pipe. I want to know

0:46:07.360 --> 0:46:09.160
<v Speaker 1>what your other answers are, but I was gonna say,

0:46:09.200 --> 0:46:11.560
<v Speaker 1>my my guests for you actually would have been argust

0:46:11.680 --> 0:46:14.040
<v Speaker 1>This girl. I'm holding up a picture of Greek mythology.

0:46:14.080 --> 0:46:16.000
<v Speaker 1>It's the guy, the guy who's covered an eye, the

0:46:16.040 --> 0:46:18.960
<v Speaker 1>guy that that's covered in eyes. He's hot in this

0:46:19.000 --> 0:46:21.640
<v Speaker 1>illustration too, if you want to google Argus de Laire's

0:46:21.680 --> 0:46:24.719
<v Speaker 1>book of Greek myths. Um and then also, like I

0:46:24.800 --> 0:46:27.799
<v Speaker 1>do think I would be into Hara because of her

0:46:28.080 --> 0:46:32.520
<v Speaker 1>mommy vibe. Jealous mommy jealous mommy vibes like she would

0:46:33.120 --> 0:46:37.120
<v Speaker 1>own my ass literally like fifty of like myths are

0:46:37.160 --> 0:46:40.200
<v Speaker 1>just like Zeus cheating on her and her having a

0:46:40.320 --> 0:46:44.560
<v Speaker 1>rage stroke and killing or transforming someone, And I would

0:46:44.600 --> 0:46:46.400
<v Speaker 1>love for her to take that energy out on me.

0:46:46.560 --> 0:46:49.000
<v Speaker 1>I think she. I would love to have Hara make

0:46:49.120 --> 0:46:55.200
<v Speaker 1>me cry. Honestly, there is a a really good Hara

0:46:55.320 --> 0:47:00.600
<v Speaker 1>adaptation somewhere because her a limited series. Yes, because every

0:47:00.600 --> 0:47:06.600
<v Speaker 1>single story she's in is her as this shrew who hysteric,

0:47:07.200 --> 0:47:10.680
<v Speaker 1>hysterical shrew who is so angry that she has to

0:47:11.080 --> 0:47:13.480
<v Speaker 1>so angry about her husband or whatever. She would have

0:47:13.560 --> 0:47:16.680
<v Speaker 1>dumped Zeus. She was the original before he cheats carry

0:47:16.760 --> 0:47:20.040
<v Speaker 1>Underwood vibes. Yes, but there's something interesting about that story

0:47:20.120 --> 0:47:24.560
<v Speaker 1>because there's Harry can't give up this relationship. She's also

0:47:24.920 --> 0:47:32.520
<v Speaker 1>Zeus's sister because oh yeah, that's all, which is like

0:47:32.600 --> 0:47:34.560
<v Speaker 1>literally when you think about when you think about the

0:47:34.560 --> 0:47:40.000
<v Speaker 1>Persephone myth, Hersephonie is given to Hades, who is her

0:47:40.080 --> 0:47:46.839
<v Speaker 1>uncle by her father, Zeus who is her dad who

0:47:46.880 --> 0:47:49.960
<v Speaker 1>fucked her mom Demeter, who is his sister, So it's

0:47:49.960 --> 0:47:52.960
<v Speaker 1>all in SSS. But with Harry, it's like she's trapped

0:47:53.040 --> 0:47:57.200
<v Speaker 1>in this relationship, like she is the figurehead of all

0:47:57.480 --> 0:48:00.640
<v Speaker 1>of Olympus, Like she can't leave her post. She just

0:48:00.680 --> 0:48:02.920
<v Speaker 1>has to deal with this Zeus bullshit all the time.

0:48:02.960 --> 0:48:04.560
<v Speaker 1>And I think that is like a really good story,

0:48:04.800 --> 0:48:08.240
<v Speaker 1>you know. Okay, So who which which Greek god would

0:48:08.239 --> 0:48:10.239
<v Speaker 1>you want to fuck? Or like, you know, rent an

0:48:10.239 --> 0:48:12.600
<v Speaker 1>Airbnb and have a long weekend with, have a long

0:48:12.760 --> 0:48:16.160
<v Speaker 1>weekend with. I mean, would you want to spirit you

0:48:16.200 --> 0:48:19.520
<v Speaker 1>away to Olympus or to the underworld? When when I

0:48:19.560 --> 0:48:23.719
<v Speaker 1>was a kid, I was horny for Apollo and actually

0:48:24.320 --> 0:48:26.760
<v Speaker 1>one of my earliest I would say that, like Apolo

0:48:26.800 --> 0:48:30.200
<v Speaker 1>has got such mean twink energy he is, and he's

0:48:30.239 --> 0:48:32.880
<v Speaker 1>a mean god to like, he's not nice. What he

0:48:32.920 --> 0:48:35.560
<v Speaker 1>did to Cassandra very petty. Wait what did he do

0:48:35.640 --> 0:48:39.680
<v Speaker 1>to Cassandra? So Cassandra in the you know theron the

0:48:39.719 --> 0:48:42.080
<v Speaker 1>Myth of Troy. You know, Cassandra is one of the

0:48:42.160 --> 0:48:45.279
<v Speaker 1>daughters of Troy and like Apollo wants her and she

0:48:46.200 --> 0:48:51.040
<v Speaker 1>rejects him, and so he places this curse on her

0:48:51.120 --> 0:48:53.839
<v Speaker 1>that she will have visions of the future, but no

0:48:53.880 --> 0:48:57.080
<v Speaker 1>one will believe her. Oh, is she the one that

0:48:57.200 --> 0:49:01.080
<v Speaker 1>launched a thousand ships? No, that's Helen of Troy, Thank you. Thanks.

0:49:01.160 --> 0:49:04.200
<v Speaker 1>Sandra is one of the Trojan Women, which we'll get to.

0:49:04.239 --> 0:49:06.400
<v Speaker 1>Oh my god, we're jumping around so much, but I

0:49:06.440 --> 0:49:08.359
<v Speaker 1>love it. Okay, So as a kid, I have a

0:49:08.480 --> 0:49:11.160
<v Speaker 1>visceral memory rose of obviously you know when your kid,

0:49:11.239 --> 0:49:13.960
<v Speaker 1>you like draw horny things like that that happens. And

0:49:14.239 --> 0:49:20.840
<v Speaker 1>this book delares book of business. This book um really

0:49:20.920 --> 0:49:22.799
<v Speaker 1>like you know, horned me up. And I have a

0:49:22.880 --> 0:49:26.920
<v Speaker 1>visceral memory of drawing this kind of depiction of Apollo

0:49:27.400 --> 0:49:32.440
<v Speaker 1>and then drawing these like chiseled abs on him, you know.

0:49:32.560 --> 0:49:34.719
<v Speaker 1>And then I remember drawing it and finishing the drawing,

0:49:34.719 --> 0:49:36.799
<v Speaker 1>and I then your mom saw you and then like

0:49:37.160 --> 0:49:39.919
<v Speaker 1>and then like prayed over your body. Luckily it wasn't

0:49:40.040 --> 0:49:42.560
<v Speaker 1>that well, I mean it did. I did. My horny

0:49:42.640 --> 0:49:44.960
<v Speaker 1>drawings did get discovered. I remember crying about it and

0:49:45.000 --> 0:49:47.400
<v Speaker 1>my dad being like, it's okay, like you you you

0:49:47.440 --> 0:49:51.799
<v Speaker 1>beautifully portray women and men's bodies. I remember my dad

0:49:51.920 --> 0:49:55.080
<v Speaker 1>saying something to that effect, like really weird, just trying

0:49:55.120 --> 0:49:57.200
<v Speaker 1>to like kind of be like my kids school gardens,

0:49:57.239 --> 0:49:58.600
<v Speaker 1>Like I don't know how to do that. That's how

0:49:58.640 --> 0:50:01.200
<v Speaker 1>people have been like like dealing with gay stuff forever,

0:50:01.280 --> 0:50:03.680
<v Speaker 1>Like it's just art. It's just art. That's what most

0:50:03.680 --> 0:50:06.000
<v Speaker 1>of like Greek statues are. It's like all these men

0:50:06.200 --> 0:50:08.799
<v Speaker 1>like men like wrestling each other and they're like, oh

0:50:08.840 --> 0:50:11.760
<v Speaker 1>they were friends. Yeah. But I remember in fifth grade

0:50:11.800 --> 0:50:14.080
<v Speaker 1>like looking at the drawing and being like and I

0:50:14.120 --> 0:50:17.000
<v Speaker 1>remember I'm like over my on my bed finishing the drawing.

0:50:17.000 --> 0:50:19.880
<v Speaker 1>I remember looking at it. I mean like, oh no,

0:50:20.480 --> 0:50:23.319
<v Speaker 1>like this is like I'm horny for this, and that

0:50:23.480 --> 0:50:27.320
<v Speaker 1>is going to be a problem, an ongoing problem for me. UM.

0:50:27.360 --> 0:50:29.960
<v Speaker 1>But I haven't told this story on the pod before. UM,

0:50:30.000 --> 0:50:32.359
<v Speaker 1>But this tattoo that I have of Apollo and High

0:50:32.360 --> 0:50:36.680
<v Speaker 1>and synthas Um, which is another beautiful um twink abduction

0:50:36.760 --> 0:50:42.400
<v Speaker 1>love story is my first memory of queerness, if not

0:50:42.440 --> 0:50:47.160
<v Speaker 1>my earliest memory. Cane um basically as t l DR

0:50:47.239 --> 0:50:49.399
<v Speaker 1>ver t l d R. It's a it's a really

0:50:49.400 --> 0:50:53.640
<v Speaker 1>short myth um. You know, Apollo as he just want

0:50:53.719 --> 0:50:55.960
<v Speaker 1>to do, falls in love with a twink named High

0:50:55.960 --> 0:50:59.239
<v Speaker 1>and Cinthis and you know they love each other and

0:50:59.400 --> 0:51:02.879
<v Speaker 1>they are you know as like gods do. And one

0:51:02.920 --> 0:51:05.200
<v Speaker 1>day they decided to play discus and Apollo is like

0:51:05.280 --> 0:51:07.960
<v Speaker 1>so toxic that he throws the disc is too hard

0:51:08.239 --> 0:51:12.000
<v Speaker 1>and kills High and Cynthis upon impact, and Apollo is

0:51:12.040 --> 0:51:18.480
<v Speaker 1>obviously forever time and then and Apollo is obviously devastated,

0:51:18.560 --> 0:51:20.879
<v Speaker 1>and so he you know, creates the High and Scynth

0:51:21.080 --> 0:51:24.640
<v Speaker 1>flower in his honor um. But I remember it's like

0:51:24.719 --> 0:51:27.440
<v Speaker 1>I remember after finishing DeLay's Book of Greek Myths, I

0:51:27.520 --> 0:51:30.280
<v Speaker 1>moved on too books without pictures, Greek myths without pictures

0:51:30.280 --> 0:51:32.960
<v Speaker 1>and like, and I remember reading It's like it was

0:51:32.960 --> 0:51:35.200
<v Speaker 1>like three sentences of a myth. It was like a

0:51:35.200 --> 0:51:37.320
<v Speaker 1>long list of myth myths that I was reading in

0:51:37.400 --> 0:51:40.880
<v Speaker 1>a bible, thin pages like textbook. And I remember reading

0:51:40.920 --> 0:51:43.879
<v Speaker 1>like Apollo had a lover and his name was high

0:51:44.000 --> 0:51:48.239
<v Speaker 1>Synthis and I was like his like what like? And

0:51:48.280 --> 0:51:51.000
<v Speaker 1>it was very It was definitely something that stuck out

0:51:51.040 --> 0:51:53.080
<v Speaker 1>to me. I think that might be a good jumping

0:51:53.120 --> 0:51:55.040
<v Speaker 1>off point to start talking about some of our other

0:51:55.320 --> 0:52:00.759
<v Speaker 1>favorite adaptations of Greek mythology um, which is definitely something

0:52:00.800 --> 0:52:03.239
<v Speaker 1>that has, you know, stuck with me throughout my life.

0:52:03.239 --> 0:52:06.000
<v Speaker 1>And I do think there is a cycle where every

0:52:06.040 --> 0:52:10.280
<v Speaker 1>couple of years we get some new you know, text

0:52:10.440 --> 0:52:13.560
<v Speaker 1>added to the cannon. And right now we are kind

0:52:13.600 --> 0:52:18.400
<v Speaker 1>of in this renaissance of you know, these very contemporary

0:52:18.520 --> 0:52:22.520
<v Speaker 1>retellings of these classic stories. Um, well, I don't. It's

0:52:22.560 --> 0:52:25.040
<v Speaker 1>not a zance like there actually should be way more

0:52:25.120 --> 0:52:27.480
<v Speaker 1>like it should be. There should be. It's actually not

0:52:27.600 --> 0:52:30.799
<v Speaker 1>that many like it's kind of shocking how untapped A

0:52:30.880 --> 0:52:33.560
<v Speaker 1>lot of this is, yes, but but you know, Okay,

0:52:33.600 --> 0:52:35.919
<v Speaker 1>So I think some of the formative ones for me,

0:52:36.480 --> 0:52:38.680
<v Speaker 1>like we'll get to the current day, but some of

0:52:38.719 --> 0:52:41.640
<v Speaker 1>the formative ones for me, like over the years have

0:52:41.800 --> 0:52:46.919
<v Speaker 1>been things like Mary Zimmerman's Metamorphosis, which we discovered we

0:52:46.920 --> 0:52:49.760
<v Speaker 1>were both obsessed with huge I we did a performance

0:52:49.800 --> 0:52:52.640
<v Speaker 1>of it at my high school that I stage managed

0:52:52.719 --> 0:52:55.000
<v Speaker 1>question Mark, and it was like one of my favorite

0:52:55.120 --> 0:52:57.920
<v Speaker 1>plays I had ever read. It was um for me

0:52:58.000 --> 0:53:00.480
<v Speaker 1>when so I was a theater nerd and when I

0:53:00.560 --> 0:53:03.799
<v Speaker 1>was auditioning for colleges because I wanted to go into

0:53:03.800 --> 0:53:09.200
<v Speaker 1>an acting program, one of my audition monologues was from Metamorphosis,

0:53:09.239 --> 0:53:12.520
<v Speaker 1>of course, um so for the virgins. Metamorphoses is a

0:53:12.600 --> 0:53:15.840
<v Speaker 1>play written by Mary's Emmerman that basically adapts all the

0:53:15.840 --> 0:53:21.640
<v Speaker 1>different like myths. Yeah, all the different exactly, and it's

0:53:21.680 --> 0:53:26.680
<v Speaker 1>like so romantic and sexy and beautiful and like I

0:53:26.680 --> 0:53:30.560
<v Speaker 1>think my monologue audition for it was Orpheus is but

0:53:30.680 --> 0:53:35.040
<v Speaker 1>like that depiction of Orpheus and Euridicies myth is like

0:53:35.080 --> 0:53:40.040
<v Speaker 1>one of my favorites ever because in the adaptation you

0:53:40.160 --> 0:53:45.880
<v Speaker 1>have to see Orpheus making the crucial mistake of you know,

0:53:46.040 --> 0:53:49.240
<v Speaker 1>turning around and looking back back at it and seeing

0:53:49.480 --> 0:53:52.920
<v Speaker 1>the mistake over and over and over and over again.

0:53:53.160 --> 0:53:55.960
<v Speaker 1>You know. The Orpheus and euridicy I think, really speaks

0:53:56.000 --> 0:53:59.080
<v Speaker 1>to this thing that the Greeks did really well, which

0:53:59.120 --> 0:54:04.160
<v Speaker 1>is tragic, you know, like something like Greek Greeks invented

0:54:04.560 --> 0:54:07.959
<v Speaker 1>theater as we know it um. I was a theater

0:54:08.080 --> 0:54:11.680
<v Speaker 1>kid in high school, and you know, Greek theater is

0:54:11.719 --> 0:54:16.120
<v Speaker 1>one of the foundations of any sort of like theatrical practice,

0:54:16.760 --> 0:54:18.400
<v Speaker 1>and it's like one of the first things that you

0:54:18.520 --> 0:54:20.680
<v Speaker 1>learn about in theater school, both like when I was

0:54:20.680 --> 0:54:22.400
<v Speaker 1>in high school and the theater kid when I like

0:54:22.480 --> 0:54:25.440
<v Speaker 1>briefly studied acting in college before I realized it was

0:54:25.520 --> 0:54:30.480
<v Speaker 1>lame um and the great thing about the Greeks, and

0:54:30.560 --> 0:54:34.279
<v Speaker 1>like this carries on through the history of like storytelling

0:54:34.280 --> 0:54:36.759
<v Speaker 1>and like obviously you see it and things like Shakespeare

0:54:37.239 --> 0:54:41.560
<v Speaker 1>is this sort of like luxuriating in tragedy, you know,

0:54:41.760 --> 0:54:49.000
<v Speaker 1>like it's very indulgent, Like these tragedies exist for that

0:54:49.120 --> 0:54:53.200
<v Speaker 1>experience of like like pushing on a bruise, you know,

0:54:53.280 --> 0:54:57.800
<v Speaker 1>like reveling in sadness. Um. So things like orpheus and euridacy,

0:54:57.880 --> 0:55:00.359
<v Speaker 1>like you know how that story ends, like and it's

0:55:00.400 --> 0:55:06.200
<v Speaker 1>been told a thousand times, um, but you just even

0:55:06.280 --> 0:55:09.560
<v Speaker 1>knowing how it ends, like you you want to luxuriate

0:55:09.600 --> 0:55:13.160
<v Speaker 1>and that feeling of despair. Um. I don't know. I

0:55:13.200 --> 0:55:16.359
<v Speaker 1>think you know this about me. But I very similarly

0:55:16.520 --> 0:55:20.040
<v Speaker 1>studied theater briefly and then decided it was lame and quit.

0:55:20.120 --> 0:55:23.080
<v Speaker 1>Did you know this? So I went to the DePaul

0:55:23.400 --> 0:55:27.520
<v Speaker 1>Theater Conservatory for one semester, like because I graduated from

0:55:27.600 --> 0:55:29.440
<v Speaker 1>high school and you know, I was a theater kid

0:55:29.440 --> 0:55:31.080
<v Speaker 1>in high school, and I was like, theater is my

0:55:31.080 --> 0:55:33.280
<v Speaker 1>community and helped me realize who I am, so surely

0:55:33.280 --> 0:55:34.600
<v Speaker 1>it's what I want to do for the rest of

0:55:34.640 --> 0:55:37.040
<v Speaker 1>my life, which is like in America, like why do

0:55:37.080 --> 0:55:39.440
<v Speaker 1>we like pressure kids to think that they need to

0:55:39.440 --> 0:55:41.000
<v Speaker 1>know what to do with the rest of their life

0:55:41.080 --> 0:55:44.520
<v Speaker 1>when they are nineteen? Anyways, I went to the DePaul

0:55:44.560 --> 0:55:49.520
<v Speaker 1>Feeder Conservatory and uh really, like like we we had

0:55:49.520 --> 0:55:51.719
<v Speaker 1>to study like Greek tragedy, and I always thought the

0:55:51.760 --> 0:55:55.480
<v Speaker 1>tragedies were so fucking boring, Like I mean, they are

0:55:55.520 --> 0:55:59.279
<v Speaker 1>texted so and even like modern adaptations are boring, they

0:55:59.320 --> 0:56:02.799
<v Speaker 1>are in are boring, but there's just something about them,

0:56:02.840 --> 0:56:06.120
<v Speaker 1>like I get it. I my senior year of high school,

0:56:06.680 --> 0:56:09.239
<v Speaker 1>I got cast in one of our main stage productions

0:56:09.280 --> 0:56:11.120
<v Speaker 1>and I had a lean in it. Um. We did

0:56:11.120 --> 0:56:14.799
<v Speaker 1>The Trojan Women by Euripides, and that is like it's

0:56:14.840 --> 0:56:17.440
<v Speaker 1>trauma pore and it's like about the aftermath of the

0:56:17.440 --> 0:56:20.399
<v Speaker 1>Trojan War and all of the leftover women and like

0:56:20.800 --> 0:56:24.160
<v Speaker 1>these women whose lives have been ruined, their husbands killed,

0:56:24.320 --> 0:56:28.240
<v Speaker 1>that they've been raped, their city has been torn apart um.

0:56:28.280 --> 0:56:33.240
<v Speaker 1>I played Tolphibious, who's the Greek soldier who like throws

0:56:33.440 --> 0:56:37.640
<v Speaker 1>Hector's baby off of like the walls of Troy. Um,

0:56:37.920 --> 0:56:40.880
<v Speaker 1>my god, and it's so like at the time, like

0:56:41.120 --> 0:56:49.839
<v Speaker 1>we thought we were doing the most groundbreaking contemporization of

0:56:50.000 --> 0:56:53.440
<v Speaker 1>Greek tragedy that had ever been done. And now I

0:56:53.480 --> 0:56:55.840
<v Speaker 1>look back and I'm like, oh my god. The parents

0:56:56.000 --> 0:56:58.560
<v Speaker 1>sitting through that must have been like what the fuck

0:56:59.040 --> 0:57:01.520
<v Speaker 1>is That's kind of something that I got to wear

0:57:01.560 --> 0:57:04.799
<v Speaker 1>a cape, so that is a cape a cape or

0:57:04.800 --> 0:57:07.560
<v Speaker 1>a cape let, honey. It is so funny though that

0:57:07.600 --> 0:57:11.520
<v Speaker 1>like retroactively, we look back on these moments and like

0:57:11.800 --> 0:57:14.279
<v Speaker 1>you think in the moment, you're like this is like

0:57:14.480 --> 0:57:16.680
<v Speaker 1>so good, like this is actually good, like even though

0:57:16.680 --> 0:57:18.320
<v Speaker 1>we're in high school, like this is so good. It's

0:57:18.360 --> 0:57:22.400
<v Speaker 1>like no, it's not, like you're This is like you know,

0:57:22.600 --> 0:57:25.200
<v Speaker 1>like an adaptation of like a Greek myth about like

0:57:25.520 --> 0:57:28.600
<v Speaker 1>rape and motherhood. Like you and you as like you

0:57:28.680 --> 0:57:32.000
<v Speaker 1>as a seventeen or eighteen year old do not have

0:57:32.080 --> 0:57:35.760
<v Speaker 1>the emotional maturity to be able to bring this in

0:57:35.800 --> 0:57:40.200
<v Speaker 1>a meaningful way. You simply do not. And also we

0:57:40.240 --> 0:57:43.800
<v Speaker 1>had this like visiting teacher who directed it, who like

0:57:44.280 --> 0:57:46.840
<v Speaker 1>had gone to n y U and so and so

0:57:47.040 --> 0:57:50.000
<v Speaker 1>they like they brought all of these like sort of

0:57:50.000 --> 0:57:53.400
<v Speaker 1>like you know, contemporary theater ideas to this production. And

0:57:53.440 --> 0:57:57.320
<v Speaker 1>we did these like ritual quote unquote rituals on stage

0:57:57.360 --> 0:58:01.040
<v Speaker 1>that we're like very like modern dance. And it was

0:58:01.120 --> 0:58:03.640
<v Speaker 1>like what did you do to Like we were doing

0:58:03.720 --> 0:58:06.920
<v Speaker 1>viewpoints work if anyone out there, and it's like this

0:58:07.040 --> 0:58:09.840
<v Speaker 1>like thing we don't don't know, Yeah, I mean, if

0:58:09.880 --> 0:58:11.880
<v Speaker 1>you know what it is, I'm sure really saying that

0:58:12.000 --> 0:58:15.240
<v Speaker 1>was very triggering for you, and I like apologize, but

0:58:15.320 --> 0:58:18.200
<v Speaker 1>also to deal with it. You know, I think part

0:58:18.200 --> 0:58:20.520
<v Speaker 1>of honestly part of the way I feel about Greek theater,

0:58:20.600 --> 0:58:22.640
<v Speaker 1>and I was like, this is boring is like partially

0:58:22.680 --> 0:58:25.480
<v Speaker 1>how I feel about Shakespeare sometimes because it is actually

0:58:25.520 --> 0:58:28.080
<v Speaker 1>really difficult for me to be like entertained by like

0:58:28.200 --> 0:58:32.120
<v Speaker 1>Shakespeare as is Shakespeare, I feel totally different, you know,

0:58:32.520 --> 0:58:34.440
<v Speaker 1>I know, I know you were were very different when

0:58:34.440 --> 0:58:35.840
<v Speaker 1>it comes to the Shakespeare at all. But like the

0:58:35.840 --> 0:58:39.160
<v Speaker 1>thing for me is that Greek mythology similar to Shakespeare

0:58:39.440 --> 0:58:42.960
<v Speaker 1>is like I think the stories have less resonance in

0:58:42.960 --> 0:58:47.840
<v Speaker 1>a contemporary world, but they did give us archetypes and

0:58:47.960 --> 0:58:52.919
<v Speaker 1>story tools that have you know, formed and influenced our

0:58:53.240 --> 0:58:56.960
<v Speaker 1>method of storytelling for centuries and centuries, you know. And

0:58:57.040 --> 0:59:01.320
<v Speaker 1>like when I think about like Greek tragedy specifically, it's

0:59:01.360 --> 0:59:05.400
<v Speaker 1>like we have you know, the like the term catharsis

0:59:05.440 --> 0:59:08.720
<v Speaker 1>because of that are like um and things like um,

0:59:08.760 --> 0:59:11.320
<v Speaker 1>you know, a Greek chorus, Like that's an idea that

0:59:11.400 --> 0:59:14.080
<v Speaker 1>like you can see and like not even really need to,

0:59:14.200 --> 0:59:18.720
<v Speaker 1>like you you under you immediately understand what's happening. Um.

0:59:18.760 --> 0:59:21.479
<v Speaker 1>But yeah, like as I was mentioning before, right now

0:59:21.560 --> 0:59:24.560
<v Speaker 1>we are okay, maybe we're not in assence of you know,

0:59:24.840 --> 0:59:27.640
<v Speaker 1>Greek Greek Greek tellings, but there have been over the

0:59:27.680 --> 0:59:31.520
<v Speaker 1>past couple of years, especially in literature, a lot of

0:59:31.920 --> 0:59:38.000
<v Speaker 1>very modern adaptations of Greek myths. Button. But I think

0:59:38.080 --> 0:59:41.560
<v Speaker 1>the the difference with the trend now is that it's

0:59:42.000 --> 0:59:47.440
<v Speaker 1>applying a contemporary sensibility but keeping it in the classical setting.

0:59:47.560 --> 0:59:52.240
<v Speaker 1>So I'm thinking specifically of the Song of Achilles and Searcy,

0:59:52.440 --> 0:59:56.160
<v Speaker 1>both by Madeline Miller. I think we are like split

0:59:56.200 --> 0:59:57.920
<v Speaker 1>right down the middle where you're more of a Song

0:59:57.960 --> 1:00:00.800
<v Speaker 1>of Achilles girly and I'm a Searcy. Yeah, and that

1:00:00.880 --> 1:00:03.960
<v Speaker 1>really says a lot about who we are women, you know.

1:00:04.240 --> 1:00:06.720
<v Speaker 1>A big part of my ethos actually, just like the

1:00:07.280 --> 1:00:10.640
<v Speaker 1>things that I want to make now are very informed

1:00:10.720 --> 1:00:14.840
<v Speaker 1>by something that the books stood for, which was putting

1:00:15.400 --> 1:00:19.920
<v Speaker 1>queerness into a story that it's traditionally excluded from. And

1:00:20.000 --> 1:00:23.440
<v Speaker 1>like we just never get to see faggots or lesbians

1:00:23.520 --> 1:00:25.760
<v Speaker 1>or trans people like pick up the sword, you know

1:00:25.760 --> 1:00:29.800
<v Speaker 1>what I mean. We see them, Um, we see their innteriority.

1:00:29.840 --> 1:00:32.680
<v Speaker 1>We see their heartbreak, we see their oppression, we see

1:00:32.720 --> 1:00:36.240
<v Speaker 1>like the systemic ways that they have like obstacles, but

1:00:36.360 --> 1:00:38.200
<v Speaker 1>like we never get to see them like you know,

1:00:38.440 --> 1:00:42.880
<v Speaker 1>kill the fucking dragon, rescue the damsel, pick up the sword. Um.

1:00:42.960 --> 1:00:45.360
<v Speaker 1>And I felt like that was something that was really

1:00:45.480 --> 1:00:48.360
<v Speaker 1>radical about Song of Achilles. And you know it also

1:00:48.480 --> 1:00:50.840
<v Speaker 1>is very like especially radical, and that it's not even

1:00:50.920 --> 1:00:55.160
<v Speaker 1>just like a retelling, Like it's not injecting queerness into

1:00:55.160 --> 1:00:59.560
<v Speaker 1>a story in which queerness never existed. It's reclaiming queerness

1:00:59.560 --> 1:01:03.520
<v Speaker 1>in a story that always was queer and was straight washed.

1:01:03.720 --> 1:01:07.280
<v Speaker 1>And it totally reads very white a And also I

1:01:07.280 --> 1:01:10.640
<v Speaker 1>mean this is this is a compliment, not a dig.

1:01:10.680 --> 1:01:13.720
<v Speaker 1>Like it also reads like fan fiction, like it totally

1:01:13.840 --> 1:01:18.080
<v Speaker 1>is fan fiction. I mean all Greek mythology adaptations are

1:01:18.120 --> 1:01:20.800
<v Speaker 1>a fan fiction. Yes, but um, it's worth saying that

1:01:20.920 --> 1:01:24.720
<v Speaker 1>Madeline Miller is a classics professor, so she has clocked

1:01:24.760 --> 1:01:27.680
<v Speaker 1>you know, the ten thousand hours on this, which I

1:01:27.720 --> 1:01:31.000
<v Speaker 1>think makes a lot of her work so much more compelling.

1:01:31.120 --> 1:01:33.640
<v Speaker 1>Like I hadn't read her work in a long time,

1:01:33.640 --> 1:01:36.400
<v Speaker 1>and when I picked sir s up this month, like

1:01:36.800 --> 1:01:38.720
<v Speaker 1>I was like, oh my god, I forgot that she

1:01:38.840 --> 1:01:41.680
<v Speaker 1>just knows her ship and she and she has a

1:01:41.800 --> 1:01:46.200
<v Speaker 1>really I really like her writing style. It's very and

1:01:46.200 --> 1:01:48.600
<v Speaker 1>this is also not a dig. It's very easy to read.

1:01:48.800 --> 1:01:54.120
<v Speaker 1>It's very accessible, but still poetic, very poetic, dramatic, very melodramatic.

1:01:54.480 --> 1:01:59.000
<v Speaker 1>I really prefer Sercy because like, I'm always going to

1:01:59.040 --> 1:02:02.600
<v Speaker 1>be a witch girl writer, writer or die. Um, what's

1:02:02.640 --> 1:02:05.320
<v Speaker 1>the story of we should actually for the virgins, clarify

1:02:05.600 --> 1:02:08.800
<v Speaker 1>the stories of Achilles and sars Okay first, okay, So

1:02:09.240 --> 1:02:14.720
<v Speaker 1>Searcy is about the goddess Cercy, who is like like

1:02:14.840 --> 1:02:18.640
<v Speaker 1>often thought to be like kind of the mother of witches,

1:02:18.840 --> 1:02:22.240
<v Speaker 1>like she in Greek mythology, like she is the classic,

1:02:22.320 --> 1:02:24.240
<v Speaker 1>which I would say her in Hecate are kind of

1:02:24.240 --> 1:02:27.200
<v Speaker 1>the two which figures in Greek mythology. Hecate is the

1:02:27.200 --> 1:02:33.560
<v Speaker 1>goddess of magic. Searcy is a um daughter of a

1:02:32.960 --> 1:02:37.760
<v Speaker 1>a river god I believe. Yeah, well she's a she's

1:02:37.800 --> 1:02:44.200
<v Speaker 1>a daughter of Helios and one of his Sidon's daughters. Yeah,

1:02:44.240 --> 1:02:46.760
<v Speaker 1>because he was just you know, sucking and fucking yeah. Um.

1:02:46.920 --> 1:02:52.720
<v Speaker 1>And Searcy is a big figure in Um the Odyssey

1:02:52.760 --> 1:02:58.480
<v Speaker 1>because when Odysseus, Odysseus and his crew of men um

1:02:58.520 --> 1:03:01.240
<v Speaker 1>you know, end up on her eye end. She becomes

1:03:01.320 --> 1:03:05.000
<v Speaker 1>enambored with Odysseus, turns all his men into pigs um,

1:03:05.040 --> 1:03:08.840
<v Speaker 1>and she and Odysseus are sucking and sucking um. And

1:03:08.960 --> 1:03:14.560
<v Speaker 1>so the the novel Cercy is really about um, you know,

1:03:14.600 --> 1:03:19.280
<v Speaker 1>giving this woman who only is um like a character

1:03:19.440 --> 1:03:23.280
<v Speaker 1>in in other people's stories and specifically in men's stories,

1:03:23.680 --> 1:03:27.160
<v Speaker 1>her own story and her own agency. Um. And it's

1:03:27.200 --> 1:03:29.760
<v Speaker 1>about you know, her being this goddess who like kind

1:03:29.760 --> 1:03:32.800
<v Speaker 1>of has no power of her own. And then like

1:03:33.920 --> 1:03:38.520
<v Speaker 1>literally like invents witchcraft. Yeah, and like um in the Odyssey,

1:03:38.600 --> 1:03:40.280
<v Speaker 1>which like we don't even need to talk about because

1:03:40.280 --> 1:03:41.840
<v Speaker 1>it is like so boring, but like in the Odyssey,

1:03:42.040 --> 1:03:44.920
<v Speaker 1>she is like a very minor character, Like she's a villain.

1:03:44.920 --> 1:03:48.000
<v Speaker 1>Who isn't she vanquished? Like, isn't she's not vanquished? They're

1:03:48.040 --> 1:03:50.040
<v Speaker 1>just kind of leave her yeah, um. And And so

1:03:50.280 --> 1:03:52.840
<v Speaker 1>like the kind of expanding of this story the way

1:03:52.880 --> 1:03:57.400
<v Speaker 1>Madeline Miller does it is she creates opposition between magic

1:03:57.560 --> 1:04:00.720
<v Speaker 1>and the what what gods can do? And so the

1:04:00.760 --> 1:04:05.080
<v Speaker 1>fact that she had power is like something the gods

1:04:05.240 --> 1:04:09.520
<v Speaker 1>cannot get around. They can't do anything about her potions.

1:04:09.560 --> 1:04:12.360
<v Speaker 1>They can't do anything about her manifest stations, her spells,

1:04:12.440 --> 1:04:15.800
<v Speaker 1>like because you know, they don't know how to do

1:04:15.880 --> 1:04:19.320
<v Speaker 1>magic basically, So it's very fascinating. Um Song of Achilles

1:04:19.400 --> 1:04:22.040
<v Speaker 1>is literally just like a high school breakup story, but

1:04:22.120 --> 1:04:24.800
<v Speaker 1>told through like the Trojan the Trojan, it's not even

1:04:24.800 --> 1:04:26.960
<v Speaker 1>a breakup because they don't break up, just one of

1:04:26.960 --> 1:04:30.440
<v Speaker 1>them dies. I mean they did kind of technically break up.

1:04:30.680 --> 1:04:35.200
<v Speaker 1>Um uh. And Madeline Miller's telling of it is wonderful

1:04:35.360 --> 1:04:41.200
<v Speaker 1>because Patrick Cluse is the protagonist and Achilles is a

1:04:41.240 --> 1:04:45.520
<v Speaker 1>little toxic and I think super toxic. Yes, yeah, very toxic,

1:04:45.600 --> 1:04:48.240
<v Speaker 1>because the whole idea of especially the way that Madeline

1:04:48.280 --> 1:04:53.240
<v Speaker 1>Miller tells it, is like Achille knows that he if

1:04:53.240 --> 1:04:56.640
<v Speaker 1>he goes to war, will die young, but he will

1:04:56.720 --> 1:05:00.560
<v Speaker 1>die in glory and that is more importan into him

1:05:00.600 --> 1:05:04.160
<v Speaker 1>than having a long happy life with his lover Patroclus, right,

1:05:04.280 --> 1:05:07.080
<v Speaker 1>And and it's real and so much of Greek mythology

1:05:07.120 --> 1:05:10.439
<v Speaker 1>is about knowing your fate before it happens and doing

1:05:10.440 --> 1:05:13.360
<v Speaker 1>the thing anyway. Yeah, And like I think Achilles, like

1:05:14.120 --> 1:05:17.640
<v Speaker 1>was he a demigod? Said he's a daughter of Thetis,

1:05:18.200 --> 1:05:21.960
<v Speaker 1>who was one of Poseidon's daughters, and I honestly just

1:05:22.040 --> 1:05:24.280
<v Speaker 1>like I was going through a breakup at the time

1:05:24.520 --> 1:05:27.200
<v Speaker 1>and like had a really toxic partner when I was

1:05:27.280 --> 1:05:30.320
<v Speaker 1>reading it, and like I just remember being like damn,

1:05:30.480 --> 1:05:35.360
<v Speaker 1>like this like myth from centuries and centuries ago. Madeline

1:05:35.400 --> 1:05:39.080
<v Speaker 1>Miller was able to render with an emotional reality that

1:05:39.160 --> 1:05:42.160
<v Speaker 1>like I could access as a high schooler, Like it

1:05:42.200 --> 1:05:45.120
<v Speaker 1>was just it's just so beautiful. Um, but I love

1:05:45.240 --> 1:05:47.960
<v Speaker 1>I love that. I love her expansion of it because

1:05:48.720 --> 1:05:52.120
<v Speaker 1>you know, Patrick Loose and Achilles relationship is never explored

1:05:52.160 --> 1:05:54.280
<v Speaker 1>really in Greek mythology. It's just like their lovers and

1:05:54.320 --> 1:05:57.400
<v Speaker 1>that was it. Yeah, well, well there's the big thing

1:05:57.400 --> 1:06:01.840
<v Speaker 1>of Greek mythology is Achilles. Patrick Cliss again, like very

1:06:01.920 --> 1:06:05.120
<v Speaker 1>much like Cercy, is just like a throwaway character in

1:06:05.160 --> 1:06:10.520
<v Speaker 1>a larger story, Like you only get like Achilles, like um,

1:06:10.600 --> 1:06:15.280
<v Speaker 1>you know, uh, like melodramatic outpouring of grief when Patrick

1:06:15.320 --> 1:06:17.680
<v Speaker 1>Cliss is killed and it's what leads him to have this,

1:06:18.120 --> 1:06:23.240
<v Speaker 1>you know, to kill Hector in this very like dishonorable way, um,

1:06:23.360 --> 1:06:25.800
<v Speaker 1>and like leads to his death. And so it is

1:06:25.880 --> 1:06:28.080
<v Speaker 1>nice to have that story like fleshed out and like

1:06:28.160 --> 1:06:30.920
<v Speaker 1>to have this person who's like a footnote in history,

1:06:31.160 --> 1:06:35.440
<v Speaker 1>given you know, all this agency and backstory and like death. Honestly,

1:06:35.520 --> 1:06:39.560
<v Speaker 1>like Achilles was kind of giving like toxic masculinity top,

1:06:39.760 --> 1:06:42.640
<v Speaker 1>and like Patrick Cluse was like Twinkie bottom, and like

1:06:42.720 --> 1:06:47.040
<v Speaker 1>Achilles hated like his effeminiscy. I actually think Patrick Luz

1:06:47.080 --> 1:06:50.800
<v Speaker 1>was the top. I don't. I don't, but that's like

1:06:50.840 --> 1:06:54.680
<v Speaker 1>for for like Greek historical reasons, because obviously, like gay

1:06:54.680 --> 1:06:56.920
<v Speaker 1>sex wasn't like frowned upon, right, like it was something

1:06:56.960 --> 1:06:59.160
<v Speaker 1>like that was people would have sex openly and like

1:06:59.200 --> 1:07:01.720
<v Speaker 1>it was totally okay to have male lovers, especially if

1:07:01.760 --> 1:07:05.280
<v Speaker 1>you were you know, at war, right like like um,

1:07:05.320 --> 1:07:09.800
<v Speaker 1>and so because they thought that it would like engender um,

1:07:09.840 --> 1:07:12.840
<v Speaker 1>like better camaraderie on the battlefield if the person you

1:07:12.880 --> 1:07:16.040
<v Speaker 1>were going to war with with someone that you cared

1:07:16.080 --> 1:07:19.000
<v Speaker 1>about in this like sexual and like sort of romantic way, right.

1:07:19.080 --> 1:07:22.800
<v Speaker 1>And so you know, classicists like they don't find like

1:07:23.120 --> 1:07:26.240
<v Speaker 1>stigma and like you you around like gay sex stuff,

1:07:26.280 --> 1:07:30.880
<v Speaker 1>but they do find stigma and judgment around penetration. So

1:07:31.000 --> 1:07:36.320
<v Speaker 1>the receptive partner is at times throughout Greek mythology shamed

1:07:36.440 --> 1:07:38.960
<v Speaker 1>for being the receiving partner. But part of the reason

1:07:39.040 --> 1:07:42.360
<v Speaker 1>why why pederasty was like acceptable was because when you

1:07:42.360 --> 1:07:46.919
<v Speaker 1>were pederasty is literally just like an adult man having

1:07:47.000 --> 1:07:50.320
<v Speaker 1>sex with a young boy, which was extremely common in

1:07:50.320 --> 1:07:52.840
<v Speaker 1>in uh kind of Greek mythological time, and it was

1:07:52.880 --> 1:07:56.200
<v Speaker 1>sort of like a mentorship kind of thing. Yeah. Sometimes

1:07:56.240 --> 1:07:58.080
<v Speaker 1>it was like my little toy. Sometimes it was a

1:07:58.080 --> 1:08:00.760
<v Speaker 1>mentorship things. Sometimes it was like you're my companion, You're

1:08:00.760 --> 1:08:02.720
<v Speaker 1>coming with me to war, You're gonna stay in my

1:08:02.760 --> 1:08:04.640
<v Speaker 1>tent and like bear my cup and stuff like that.

1:08:04.760 --> 1:08:09.480
<v Speaker 1>So sometimes these our full relationship yeah, um, but it

1:08:09.560 --> 1:08:11.840
<v Speaker 1>was that you know that these boys were never looked

1:08:11.840 --> 1:08:15.560
<v Speaker 1>down on for being the receptive partners because they were

1:08:15.600 --> 1:08:18.800
<v Speaker 1>not yet citizens, right, And so that's kind of why

1:08:18.800 --> 1:08:21.320
<v Speaker 1>I think Patrick Louse is the bottom is because he

1:08:21.520 --> 1:08:24.120
<v Speaker 1>was the not the one that was glorified and made

1:08:24.160 --> 1:08:27.160
<v Speaker 1>the hero. Yeah, but like I get that that's like

1:08:27.200 --> 1:08:30.120
<v Speaker 1>the mythological baggage of it. But like in the way

1:08:30.200 --> 1:08:34.439
<v Speaker 1>I look at it, I think like Achilles, because he's

1:08:34.520 --> 1:08:36.880
<v Speaker 1>such a hot shot on the battlefield, Like when he

1:08:36.880 --> 1:08:38.880
<v Speaker 1>comes back to the tent at night, he needs someone

1:08:38.920 --> 1:08:42.599
<v Speaker 1>who's going to suck his brain. He can so he

1:08:42.640 --> 1:08:47.360
<v Speaker 1>can like unwind. That's that I'm writing. That's excellent, that's

1:08:47.360 --> 1:09:01.040
<v Speaker 1>the vibe. I know that. I think this is true.

1:09:01.080 --> 1:09:03.160
<v Speaker 1>This also could just be like a byproduct of having

1:09:03.240 --> 1:09:05.599
<v Speaker 1>read a lot of fan fiction, but I think they

1:09:05.600 --> 1:09:08.599
<v Speaker 1>did a lot of like thig fucking. That's I was

1:09:08.720 --> 1:09:12.800
<v Speaker 1>literally going to say that there was intercural sex. Yes,

1:09:12.880 --> 1:09:14.920
<v Speaker 1>that's what it's called. They would like that, they would

1:09:14.960 --> 1:09:17.920
<v Speaker 1>that would be there, um, that would be their loophole

1:09:18.360 --> 1:09:21.800
<v Speaker 1>around not being the receptive partner because also because I'm

1:09:21.800 --> 1:09:23.920
<v Speaker 1>sure it was very hard to you know, keep clean

1:09:24.040 --> 1:09:26.400
<v Speaker 1>when we were at war, yes, but because they would

1:09:26.400 --> 1:09:28.640
<v Speaker 1>be ashamed for being a receptive partner. They're like, oh,

1:09:28.640 --> 1:09:31.200
<v Speaker 1>it's final, Just fuck your thigh gap and then we

1:09:31.240 --> 1:09:34.560
<v Speaker 1>can like kind of you ever done that, that's a complation.

1:09:34.800 --> 1:09:37.400
<v Speaker 1>I have a couple of times. Actually, one time, even

1:09:37.439 --> 1:09:41.679
<v Speaker 1>even more unusually, someone fucked the crease of the back

1:09:41.720 --> 1:09:44.960
<v Speaker 1>of my knee and it like happened. It happened like

1:09:45.280 --> 1:09:48.560
<v Speaker 1>very organically. It's just kind of like I was spooning

1:09:48.560 --> 1:09:52.040
<v Speaker 1>with someone and like he was I think taller than

1:09:52.080 --> 1:09:54.680
<v Speaker 1>me and just kind of naturally like his dick like

1:09:54.880 --> 1:09:58.519
<v Speaker 1>slotted in into like the back of my knee and

1:09:58.600 --> 1:10:03.120
<v Speaker 1>he just fun and it was like weirdly really erotic.

1:10:03.400 --> 1:10:06.559
<v Speaker 1>Oh yeah, and he did it to completion. Look at

1:10:06.600 --> 1:10:13.719
<v Speaker 1>a crevices and crevices and crevice, the crevices crevicing. Um yeah,

1:10:13.760 --> 1:10:16.639
<v Speaker 1>I feel like honestly, like I will say, I do

1:10:16.800 --> 1:10:20.760
<v Speaker 1>like having sex with like just the ass crack. That

1:10:20.880 --> 1:10:23.840
<v Speaker 1>is something that I have done to completion. Um or

1:10:23.880 --> 1:10:25.760
<v Speaker 1>has been done to me to completion, but not a

1:10:25.760 --> 1:10:28.200
<v Speaker 1>thigh gap. And now it's something that I maybe and

1:10:28.280 --> 1:10:30.479
<v Speaker 1>I think like if you're squeezing the thighs together and

1:10:30.520 --> 1:10:32.160
<v Speaker 1>like you you know, it feels so good to like

1:10:32.360 --> 1:10:36.439
<v Speaker 1>rub between someone's cheeks, like you know, when it's like

1:10:36.479 --> 1:10:38.559
<v Speaker 1>a sort of just the tip kind of situation. I

1:10:38.600 --> 1:10:40.439
<v Speaker 1>was just about to say, it's kind of giving a

1:10:40.600 --> 1:10:43.160
<v Speaker 1>just the tip vibe or honestly that kind of like

1:10:43.320 --> 1:10:45.760
<v Speaker 1>I mean, Greek culture was very just the tip. There

1:10:45.880 --> 1:10:47.880
<v Speaker 1>was I was reading before that there was a god

1:10:47.880 --> 1:10:50.920
<v Speaker 1>of fertility called pre APIs who just had a giant

1:10:51.320 --> 1:10:55.160
<v Speaker 1>erection all the time, and they I know, right, and

1:10:55.360 --> 1:10:58.080
<v Speaker 1>there would be like little kind of like insignias of

1:10:58.160 --> 1:11:01.280
<v Speaker 1>pre aps on like people's like dull wars to signify

1:11:01.360 --> 1:11:04.040
<v Speaker 1>that they had like a strong man at the house,

1:11:04.120 --> 1:11:06.880
<v Speaker 1>so like you where or whatever, which is like so fun.

1:11:07.080 --> 1:11:10.160
<v Speaker 1>I wonder if there's like a um, a vagina version

1:11:10.200 --> 1:11:12.600
<v Speaker 1>of that where it's just like a woman with a big,

1:11:12.720 --> 1:11:16.439
<v Speaker 1>like enormous pussy. Do you feel I feel like that

1:11:16.479 --> 1:11:21.240
<v Speaker 1>has to I hope so too. But considering you know, patriarchy,

1:11:21.360 --> 1:11:24.840
<v Speaker 1>probably not, probably not UM. But the other thing is, like,

1:11:24.880 --> 1:11:26.800
<v Speaker 1>you know, people would always have sex in public, people

1:11:26.800 --> 1:11:30.599
<v Speaker 1>would always have um orgies. And in Greek times, like

1:11:30.680 --> 1:11:34.760
<v Speaker 1>the men would carry around little sacks of oil, like

1:11:34.800 --> 1:11:38.320
<v Speaker 1>little lube sacks, like just on their belts because they

1:11:38.400 --> 1:11:42.120
<v Speaker 1>just always had to be ready, which is whack a doodle,

1:11:42.160 --> 1:11:44.280
<v Speaker 1>But also just like I think paints a picture of

1:11:44.320 --> 1:11:47.080
<v Speaker 1>like what sex was like during that time. UM, I

1:11:47.120 --> 1:11:49.479
<v Speaker 1>think a lot about UM. Have you heard of this

1:11:49.600 --> 1:11:53.920
<v Speaker 1>sacred Band of Thebes? Yes, for the virgins. The Band

1:11:53.960 --> 1:11:58.040
<v Speaker 1>of Thebes was this army of three hundred soldiers or

1:11:58.160 --> 1:12:03.439
<v Speaker 1>rather a hundred and deep pairs of male lovers that were,

1:12:03.479 --> 1:12:07.800
<v Speaker 1>you know, in the lore, undefeatable because they loved each

1:12:07.840 --> 1:12:10.120
<v Speaker 1>other so much. And that's and that's why we have

1:12:10.200 --> 1:12:14.639
<v Speaker 1>the movie. Well, I mean, I'm pretty sure the guy

1:12:14.680 --> 1:12:17.880
<v Speaker 1>who wrote three hundred has never credited the Band of

1:12:17.960 --> 1:12:21.160
<v Speaker 1>Thebes as his inspiration because his version of the story

1:12:21.439 --> 1:12:24.280
<v Speaker 1>is not the same like battle or myth of the

1:12:24.320 --> 1:12:28.080
<v Speaker 1>Band of Thebes, but he literally rips off of the

1:12:28.120 --> 1:12:31.599
<v Speaker 1>myth of the Band of Thebes and then takes the

1:12:31.720 --> 1:12:34.559
<v Speaker 1>queerness out of it. But it's still pretty gay. It

1:12:34.640 --> 1:12:37.640
<v Speaker 1>is still pretty gay, but the army is like explicitly homophobic.

1:12:37.680 --> 1:12:40.200
<v Speaker 1>There's a moment in three hundred where one of the

1:12:40.240 --> 1:12:42.760
<v Speaker 1>guys is like, oh, that boy lever or whatever, which

1:12:42.800 --> 1:12:46.120
<v Speaker 1>like that never happened in Greek times, Like that was

1:12:46.200 --> 1:12:49.400
<v Speaker 1>not how sentiment around men having sex with men existed.

1:12:49.520 --> 1:12:53.160
<v Speaker 1>So it's like so ikey and stupid to me for

1:12:53.360 --> 1:12:56.040
<v Speaker 1>like someone to like kind of pull out what could

1:12:56.080 --> 1:12:58.320
<v Speaker 1>be the most interesting part of that story slash. All

1:12:58.320 --> 1:13:00.120
<v Speaker 1>I'm saying is that I'm probably gonna adapt this, and

1:13:00.160 --> 1:13:02.120
<v Speaker 1>I'm gonna well, that was gonna be. That was gonna

1:13:02.120 --> 1:13:04.960
<v Speaker 1>be My next question, Like, if you were going to

1:13:05.040 --> 1:13:08.880
<v Speaker 1>adopt you know, a Greek myth or story or like

1:13:09.200 --> 1:13:12.680
<v Speaker 1>a particular god or goddess or whatever into you know,

1:13:13.080 --> 1:13:17.000
<v Speaker 1>a book or a limited series or a movie, what

1:13:17.040 --> 1:13:20.400
<v Speaker 1>would it be? Forgive me? I have multiple answers. One

1:13:20.400 --> 1:13:22.800
<v Speaker 1>of them would be a band of thebes. I think that,

1:13:23.000 --> 1:13:27.479
<v Speaker 1>you know, three hundred soldiers sucking and fuckingto victory is

1:13:27.760 --> 1:13:32.000
<v Speaker 1>an amazing and that should be the title. But it's

1:13:32.040 --> 1:13:34.200
<v Speaker 1>kind of like a I mean, I've never actually read

1:13:34.439 --> 1:13:38.120
<v Speaker 1>like a kind of textual reading of the myth or whatever,

1:13:38.160 --> 1:13:40.360
<v Speaker 1>so I don't know actually what they did, but like

1:13:40.520 --> 1:13:42.840
<v Speaker 1>it's kind of amazing to think about, like, you know,

1:13:43.160 --> 1:13:45.639
<v Speaker 1>going to battle, slaughtering a bunch of people, going back

1:13:45.680 --> 1:13:49.080
<v Speaker 1>to camp just fucking, just like sucking to get the

1:13:49.080 --> 1:13:52.080
<v Speaker 1>adrenaline out of your system, and that gives you the

1:13:52.320 --> 1:13:55.160
<v Speaker 1>energy and willpower to like go into the next battle.

1:13:55.240 --> 1:14:00.840
<v Speaker 1>Like that's amazing. Um. I have written an erotic adaptation

1:14:01.439 --> 1:14:03.400
<v Speaker 1>that is set in the modern day of Zeus and

1:14:03.479 --> 1:14:06.919
<v Speaker 1>gay Meade that is going to be published in um

1:14:06.960 --> 1:14:10.920
<v Speaker 1>a compilation like next year. I will send it to you.

1:14:10.960 --> 1:14:16.360
<v Speaker 1>It's it's it's pretty I mean, it's pretty graphic. Um,

1:14:16.400 --> 1:14:18.680
<v Speaker 1>it was so fun to make sure to keep my

1:14:18.760 --> 1:14:23.519
<v Speaker 1>little um my belt sachet of lube. But in my

1:14:23.600 --> 1:14:26.840
<v Speaker 1>act keep that thing. In my adaptation, You're gonna roll

1:14:26.880 --> 1:14:29.280
<v Speaker 1>your eyes because it's so on the nose. In my adaptation,

1:14:29.880 --> 1:14:34.120
<v Speaker 1>Zeus is like this, like you know, real estate, UM

1:14:34.320 --> 1:14:38.040
<v Speaker 1>kind of mogul club owner who owns a club called Olympus.

1:14:38.240 --> 1:14:42.680
<v Speaker 1>And Ganya Meade is a bottle boy twink that you know,

1:14:42.840 --> 1:14:46.360
<v Speaker 1>he meets and usurps when it's when it's right, it's right. Um.

1:14:46.439 --> 1:14:48.519
<v Speaker 1>So I'll send that to you. But my real answer,

1:14:48.600 --> 1:14:51.240
<v Speaker 1>the thing that I literally actually have started to like

1:14:51.760 --> 1:14:56.320
<v Speaker 1>write as something that, um, I would I mean, I

1:14:56.360 --> 1:14:58.479
<v Speaker 1>think it could be a series, but it would also

1:14:58.479 --> 1:15:02.919
<v Speaker 1>be a very good book, is Dionysus. He is currently

1:15:02.960 --> 1:15:05.439
<v Speaker 1>my favorite. I mean, he's my favorite god. I think

1:15:05.560 --> 1:15:08.360
<v Speaker 1>I think that you know, for the virgins, he's the god.

1:15:08.640 --> 1:15:10.600
<v Speaker 1>Everyone says he's the god of wine, but he's the

1:15:10.600 --> 1:15:14.760
<v Speaker 1>god of hedonism. He's the god of transnis queerness. He

1:15:15.240 --> 1:15:19.080
<v Speaker 1>you know, was very gender fluid, um. And he you know,

1:15:19.160 --> 1:15:22.200
<v Speaker 1>unfortunately had this like cult of like women who he

1:15:22.400 --> 1:15:24.960
<v Speaker 1>you know, subscribed to his ideologies and like would rip

1:15:25.000 --> 1:15:26.960
<v Speaker 1>people apart. And that's like the ugly story. But I

1:15:27.000 --> 1:15:30.200
<v Speaker 1>think that there's an interesting version of that of someone

1:15:30.280 --> 1:15:35.720
<v Speaker 1>who understands the transformative and addictive power of pleasure and

1:15:35.920 --> 1:15:40.080
<v Speaker 1>uses that to manipulate a crowd. Um. And I think that, honestly,

1:15:40.479 --> 1:15:44.559
<v Speaker 1>there aren't stories of Dionysius that are as queer as

1:15:44.600 --> 1:15:47.360
<v Speaker 1>he is, you know, and I feel like there's a

1:15:47.439 --> 1:15:50.040
<v Speaker 1>version of the you know, the enclave of people in

1:15:50.120 --> 1:15:53.919
<v Speaker 1>his entourage that is like every all genders and everyone's

1:15:53.960 --> 1:15:57.559
<v Speaker 1>kind of like fucking and indulging. Um, what about you,

1:15:57.640 --> 1:16:01.800
<v Speaker 1>what would you adapt? Well? I, you know, I think

1:16:01.840 --> 1:16:03.519
<v Speaker 1>my answer would have been a lot different when I

1:16:03.560 --> 1:16:07.120
<v Speaker 1>was a teenager. Um, you know, looking at this book

1:16:07.160 --> 1:16:09.000
<v Speaker 1>of myths that we have in front of us, the

1:16:09.040 --> 1:16:11.320
<v Speaker 1>one that I was always the most drawn to was

1:16:11.360 --> 1:16:14.439
<v Speaker 1>the Artemis story. And like when I was a teenager,

1:16:14.479 --> 1:16:17.479
<v Speaker 1>I would have loved to do like a sort of

1:16:17.920 --> 1:16:20.719
<v Speaker 1>I think Artemis has a big, kind of buffy energy,

1:16:21.240 --> 1:16:24.479
<v Speaker 1>so that kind of like you know, young warrior girl

1:16:24.880 --> 1:16:28.439
<v Speaker 1>kind of thing, like this eternal maiden. Um, that would

1:16:28.439 --> 1:16:31.240
<v Speaker 1>have been really interesting. But well, for the versions, what

1:16:31.760 --> 1:16:34.559
<v Speaker 1>Artemis story does the book tell? Oh, it's just like

1:16:34.680 --> 1:16:36.800
<v Speaker 1>about Artemis and like the guy who's in love with her,

1:16:36.800 --> 1:16:39.280
<v Speaker 1>who she turns into a deer. The guy watches her

1:16:39.360 --> 1:16:43.400
<v Speaker 1>bathe non consensually, and then she catches him and she's like,

1:16:43.479 --> 1:16:46.599
<v Speaker 1>you're a deer now, motherfucker. She's got us of the hunt,

1:16:46.680 --> 1:16:50.160
<v Speaker 1>by the way, Yes, And like feminism question and the moon,

1:16:50.880 --> 1:16:54.120
<v Speaker 1>but there's other moon goddesses. I mean, Salne also would

1:16:54.120 --> 1:16:56.680
<v Speaker 1>be a great story, but like also some problematic like

1:16:56.800 --> 1:16:59.799
<v Speaker 1>consent stuff there, But no, I mean my real answer

1:16:59.880 --> 1:17:03.280
<v Speaker 1>is I think it's kind of expected, but it's also

1:17:03.560 --> 1:17:06.400
<v Speaker 1>a thing that I can't believe has not been done,

1:17:06.439 --> 1:17:11.120
<v Speaker 1>which is a Medusa retelling. And like I am going

1:17:11.160 --> 1:17:13.720
<v Speaker 1>to be like kind of obvious and say, like I

1:17:13.760 --> 1:17:15.880
<v Speaker 1>think it would be incredible to do it as a

1:17:15.920 --> 1:17:19.960
<v Speaker 1>trans story, Like I think, like the idea of this

1:17:20.040 --> 1:17:24.240
<v Speaker 1>woman being being raped and then like someone like tells

1:17:24.320 --> 1:17:27.360
<v Speaker 1>on her, Like I think it's a retelling where Athene

1:17:27.439 --> 1:17:33.519
<v Speaker 1>is a turf Medusa's trans um. But but I really think,

1:17:33.600 --> 1:17:36.920
<v Speaker 1>like if I never get around to it, like that's

1:17:37.439 --> 1:17:41.840
<v Speaker 1>I don't know how there hasn't been like a contemporary

1:17:41.880 --> 1:17:45.640
<v Speaker 1>like reclaiming of Medusa as a feminist figure, because the

1:17:45.720 --> 1:17:48.760
<v Speaker 1>only ways we've seen her are as a monster in

1:17:48.880 --> 1:17:52.200
<v Speaker 1>someone else's story. And I do think I could do it,

1:17:52.240 --> 1:17:56.040
<v Speaker 1>but I just don't have the sort of like scholarly

1:17:56.200 --> 1:18:00.639
<v Speaker 1>like ability to really um research antiquity enough to make

1:18:00.680 --> 1:18:03.120
<v Speaker 1>it the tail it could be not But maybe I

1:18:03.120 --> 1:18:06.040
<v Speaker 1>could do one that's like more vibes well, I mean

1:18:06.400 --> 1:18:09.360
<v Speaker 1>I I personally like when I when I've started to

1:18:09.400 --> 1:18:12.639
<v Speaker 1>write about dionysis, I don't want it. I would never

1:18:12.680 --> 1:18:16.400
<v Speaker 1>ever write ancient dialogue like I would never I would

1:18:15.800 --> 1:18:19.120
<v Speaker 1>not I would be writing temporary dialogue. I would still

1:18:19.160 --> 1:18:22.920
<v Speaker 1>want to set it in that time period, but I

1:18:22.920 --> 1:18:25.160
<v Speaker 1>don't make who knows. Maybe after I finished my book,

1:18:25.240 --> 1:18:26.800
<v Speaker 1>like that's the next thing I'll work on. I was

1:18:26.800 --> 1:18:31.240
<v Speaker 1>gonna say, I categorically reject the lexicon of get around

1:18:31.280 --> 1:18:32.760
<v Speaker 1>to it, because I think it's something you need to

1:18:32.800 --> 1:18:37.960
<v Speaker 1>do immediately. And Virgins, if anyone adapts Medusa before Rose does,

1:18:38.120 --> 1:18:40.760
<v Speaker 1>we will find you and kill you. But also, if

1:18:40.800 --> 1:18:46.400
<v Speaker 1>anyone up there wants to like option trans Medusa, hit

1:18:46.439 --> 1:18:56.320
<v Speaker 1>me up, tell us what you thought about today's episode.

1:18:56.320 --> 1:19:00.439
<v Speaker 1>We want to hear what your favorite Greek myth is. Yes,

1:19:00.920 --> 1:19:05.400
<v Speaker 1>santag Us at Like a Virgin nine, please leave us

1:19:05.400 --> 1:19:08.040
<v Speaker 1>a review on Apple Podcasts. It helps us so much.

1:19:08.520 --> 1:19:10.439
<v Speaker 1>I'm your co host, Rose Damn You. You You can find

1:19:10.439 --> 1:19:13.360
<v Speaker 1>me anywhere you want on social at Rose Damn You

1:19:13.600 --> 1:19:15.800
<v Speaker 1>and I'm a friend. You can find me at France

1:19:15.800 --> 1:19:18.400
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1:19:22.840 --> 1:19:26.920
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1:19:26.920 --> 1:19:30.360
<v Speaker 1>an iHeart Radio production. Our producer is Phoebe Unter, with

1:19:30.520 --> 1:19:33.760
<v Speaker 1>support from Lindsay Hoffman, Julian Weller, Jess Crane, Chitch and

1:19:33.840 --> 1:19:39.280
<v Speaker 1>Nikki Etour until next week, See you later, Virgins. No chance,

1:19:39.560 --> 1:19:45.040
<v Speaker 1>no way, I won't say no no it didn't. I

1:19:45.760 --> 1:19:45.920
<v Speaker 1>oh