1
00:00:01,160 --> 00:00:04,640
Speaker 1: Wake you up, Wake up, wakes up the program, your alarm,

2
00:00:04,680 --> 00:00:07,000
Speaker 1: the power one oh five point one on iHeartRadio.

3
00:00:07,720 --> 00:00:10,880
Speaker 2: Got morning Usa, yo yo yo yo yo yo yo

4
00:00:10,960 --> 00:00:12,760
Speaker 2: yo yo yo yo yo yo yo yo yo yo

5
00:00:12,840 --> 00:00:14,320
Speaker 2: yo yo yo yo yo yo yo.

6
00:00:14,880 --> 00:00:16,880
Speaker 3: What's up, Jesse, Larry charlamage to god.

7
00:00:17,480 --> 00:00:19,480
Speaker 4: It's Friday.

8
00:00:20,239 --> 00:00:23,440
Speaker 5: That's right, It's Friday, Happy New Year. And now today's

9
00:00:23,480 --> 00:00:25,960
Speaker 5: interviews is the best of show. Of course we're on vacation.

10
00:00:26,600 --> 00:00:30,040
Speaker 5: Today's interviews is Camern and Chris Gotti and of course

11
00:00:30,120 --> 00:00:32,440
Speaker 5: Chris Scotti's IRV Gott. He's brother one of the founders

12
00:00:32,440 --> 00:00:34,560
Speaker 5: of Murder Inks. And this is some of the best

13
00:00:34,600 --> 00:00:35,279
Speaker 5: interviews of the year.

14
00:00:36,600 --> 00:00:40,360
Speaker 6: Right right, Ray yo, charlamagn yafy? What up are we live?

15
00:00:40,720 --> 00:00:42,240
Speaker 7: This is your time to get it off your chest.

16
00:00:42,360 --> 00:00:44,920
Speaker 8: I got an indoor pool pool.

17
00:00:44,960 --> 00:00:46,560
Speaker 7: We want to hear from you on the breakfast club.

18
00:00:46,760 --> 00:00:48,960
Speaker 9: Get on the phone right now here, tell you what it.

19
00:00:48,840 --> 00:00:49,680
Speaker 10: Is we lie.

20
00:00:50,280 --> 00:00:51,680
Speaker 8: Hello, who's this?

21
00:00:51,680 --> 00:00:54,440
Speaker 11: This is wrop baby laugh from will Sport, Connecticut.

22
00:00:54,640 --> 00:00:55,000
Speaker 4: What's up?

23
00:00:55,000 --> 00:00:55,200
Speaker 5: Brother?

24
00:00:55,240 --> 00:00:56,120
Speaker 8: What's going on with you?

25
00:00:56,320 --> 00:00:56,560
Speaker 4: Hey?

26
00:00:56,600 --> 00:00:56,920
Speaker 9: Listen?

27
00:00:56,960 --> 00:01:00,160
Speaker 11: I just want to say God bless you Charlam man

28
00:01:00,360 --> 00:01:03,680
Speaker 11: and just hilarious man for what you do on a

29
00:01:03,760 --> 00:01:07,120
Speaker 11: daily basis. Man, it's not easy, and you don't get

30
00:01:07,200 --> 00:01:10,000
Speaker 11: the I want to give you your flowers while you're here.

31
00:01:10,160 --> 00:01:10,360
Speaker 6: Man.

32
00:01:10,440 --> 00:01:11,960
Speaker 11: You guys help.

33
00:01:11,880 --> 00:01:12,720
Speaker 9: Me every day.

34
00:01:12,840 --> 00:01:14,759
Speaker 8: Man, you put me in the right direction.

35
00:01:15,520 --> 00:01:18,880
Speaker 11: You keep me safe, and I just want the positive

36
00:01:18,959 --> 00:01:21,560
Speaker 11: vibe to come back to you guys on a daily basis.

37
00:01:21,600 --> 00:01:22,520
Speaker 8: Man, I love y'all.

38
00:01:22,520 --> 00:01:26,880
Speaker 11: Man, Thank you, welcome you too.

39
00:01:27,240 --> 00:01:29,040
Speaker 8: Hello, who yo up?

40
00:01:29,120 --> 00:01:31,240
Speaker 9: Audist replay from Chicago?

41
00:01:31,880 --> 00:01:33,040
Speaker 8: Replay what's happening?

42
00:01:33,360 --> 00:01:33,760
Speaker 4: What up?

43
00:01:34,000 --> 00:01:34,400
Speaker 10: What up?

44
00:01:34,440 --> 00:01:34,640
Speaker 1: Man?

45
00:01:34,720 --> 00:01:36,720
Speaker 9: Look, I got to give a shout out this morning

46
00:01:36,840 --> 00:01:37,880
Speaker 9: to Lauren l Rosa.

47
00:01:38,720 --> 00:01:38,880
Speaker 11: Man.

48
00:01:38,959 --> 00:01:41,800
Speaker 9: She been holding down. Man, she's been coming with good news.

49
00:01:41,880 --> 00:01:44,920
Speaker 9: Good sack. Me and her the same age, man, and

50
00:01:44,959 --> 00:01:47,280
Speaker 9: I just love seeing people my age to go art

51
00:01:48,000 --> 00:01:49,920
Speaker 9: and then baby girl, keep doing what you do. You know,

52
00:01:50,800 --> 00:01:58,120
Speaker 9: thank you. I appreciate that, no doubt, no doubt.

53
00:01:56,640 --> 00:02:00,960
Speaker 5: You go ahead game.

54
00:02:02,280 --> 00:02:05,000
Speaker 9: Oh yeah, man, Look like I said, I'm replaying. I

55
00:02:05,000 --> 00:02:07,640
Speaker 9: want to probably I'm on Instagram, mat lady love.

56
00:02:08,160 --> 00:02:09,200
Speaker 8: Why they call you replay?

57
00:02:09,280 --> 00:02:09,400
Speaker 4: Bro?

58
00:02:09,800 --> 00:02:11,520
Speaker 9: Oh man, that's actually then they gave me I'm an

59
00:02:11,560 --> 00:02:13,600
Speaker 9: R and B singer and uh, I don't know one

60
00:02:13,600 --> 00:02:16,120
Speaker 9: of the guys Triumph replay. I'm like, all right that

61
00:02:16,240 --> 00:02:18,079
Speaker 9: because I want everybody to replay my phone.

62
00:02:18,400 --> 00:02:21,280
Speaker 8: Okay, all right, brother, have a good one.

63
00:02:21,480 --> 00:02:22,840
Speaker 1: Put a little more sauce on that. You know what

64
00:02:22,840 --> 00:02:24,480
Speaker 1: I'm saying, Yeah, you got to come up with something better.

65
00:02:24,480 --> 00:02:25,520
Speaker 1: Why they call you replay?

66
00:02:25,560 --> 00:02:27,280
Speaker 8: I don't know? You know what I mean because when I.

67
00:02:27,200 --> 00:02:29,519
Speaker 1: Put it down, you know, ladies love it so much

68
00:02:29,560 --> 00:02:31,400
Speaker 1: they want to see it again. Something, you know what

69
00:02:31,440 --> 00:02:33,200
Speaker 1: I mean, Like this happened bag?

70
00:02:35,240 --> 00:02:38,880
Speaker 8: He said facts. Oh okay, I don't know nothing else.

71
00:02:39,919 --> 00:02:41,520
Speaker 8: I thought he was telling me he wasn't in the women.

72
00:02:41,560 --> 00:02:43,240
Speaker 8: I didn't know. I'm like, what, excuse me?

73
00:02:43,320 --> 00:02:43,799
Speaker 10: Hello?

74
00:02:43,880 --> 00:02:46,800
Speaker 9: Is this Jake Metal?

75
00:02:47,840 --> 00:02:48,639
Speaker 8: Jay Meta? What's uping?

76
00:02:48,639 --> 00:02:49,480
Speaker 3: Prt it off your chest?

77
00:02:49,560 --> 00:02:50,480
Speaker 8: Jay medaw, good morning.

78
00:02:50,840 --> 00:02:53,839
Speaker 9: You know I'm stressed. You know, I'm tired of people

79
00:02:53,880 --> 00:02:56,519
Speaker 9: always asking you you know you getting but now you

80
00:02:56,600 --> 00:02:59,200
Speaker 9: gonna get married? And I tell him in a minute.

81
00:03:00,040 --> 00:03:02,200
Speaker 9: You know, they're always telling you winning going to get

82
00:03:02,200 --> 00:03:04,840
Speaker 9: a new job, and I tell them in the minute.

83
00:03:04,880 --> 00:03:05,040
Speaker 4: Though.

84
00:03:05,160 --> 00:03:07,799
Speaker 9: You know, everyone has their own page and they want

85
00:03:07,840 --> 00:03:10,800
Speaker 9: to put you to a standard to do things. You know,

86
00:03:11,160 --> 00:03:14,359
Speaker 9: how old are you me? I just turned thirty.

87
00:03:14,400 --> 00:03:16,760
Speaker 1: That's why I didn't know men get that kind of pressure.

88
00:03:16,760 --> 00:03:18,840
Speaker 1: I didn't know men get that. That's not that's usually

89
00:03:18,880 --> 00:03:21,520
Speaker 1: pressure that's reserved for women. I'm talking about the marriage part.

90
00:03:22,160 --> 00:03:22,839
Speaker 10: It's not a job.

91
00:03:22,880 --> 00:03:23,880
Speaker 12: Do you have kids yet?

92
00:03:24,280 --> 00:03:27,760
Speaker 9: No, that's what I'm saying. They have a kid in

93
00:03:27,840 --> 00:03:28,400
Speaker 9: the minute?

94
00:03:28,480 --> 00:03:28,720
Speaker 4: Dog.

95
00:03:28,960 --> 00:03:29,919
Speaker 6: You know, how old are.

96
00:03:29,880 --> 00:03:30,560
Speaker 8: You to me?

97
00:03:30,880 --> 00:03:33,280
Speaker 9: I'm getting close to the age. You know, thirty is

98
00:03:33,440 --> 00:03:34,000
Speaker 9: you know it's that.

99
00:03:34,440 --> 00:03:35,120
Speaker 8: It's that point.

100
00:03:36,120 --> 00:03:38,080
Speaker 1: Want when they ask you, you know when you're gonna

101
00:03:38,080 --> 00:03:40,040
Speaker 1: get married, just be like I'm in the men though,

102
00:03:40,280 --> 00:03:41,240
Speaker 1: just say something like that.

103
00:03:41,320 --> 00:03:43,640
Speaker 8: You know, think so, yeah, that's what I tell them.

104
00:03:43,760 --> 00:03:45,760
Speaker 8: That's right, that's right, that's right, that's right.

105
00:03:46,040 --> 00:03:48,080
Speaker 5: But that's definitely if you got older parents too, because

106
00:03:48,080 --> 00:03:49,240
Speaker 5: older parents want grandparents.

107
00:03:49,240 --> 00:03:50,200
Speaker 8: I'm sure. So that's what they ask.

108
00:03:50,320 --> 00:03:53,120
Speaker 1: Older parents want grandparents.

109
00:03:53,160 --> 00:03:55,080
Speaker 13: Guys by a certain age, if you don't have kids,

110
00:03:55,080 --> 00:03:57,200
Speaker 13: that'd be like or you're not married, they think something.

111
00:03:57,520 --> 00:03:58,960
Speaker 8: Old parents want grand kids. That's what I matter.

112
00:04:00,080 --> 00:04:03,040
Speaker 1: Well, you'll meet you'll meet missus, miss mister Wright in

113
00:04:03,040 --> 00:04:04,160
Speaker 1: in due time.

114
00:04:04,240 --> 00:04:09,600
Speaker 8: Miss mister or missus. I'm no have a good day, brother.

115
00:04:09,880 --> 00:04:12,000
Speaker 8: You appreciate you, yes, sir?

116
00:04:12,480 --> 00:04:15,000
Speaker 5: All right, brother, get it off your chest. Eight hundred

117
00:04:15,160 --> 00:04:17,040
Speaker 5: five eighty five one oh five one. If you need

118
00:04:17,080 --> 00:04:19,240
Speaker 5: to vent phone lines, to wide openness, to breakfast club

119
00:04:19,240 --> 00:04:19,600
Speaker 5: in morning.

120
00:04:20,400 --> 00:04:22,040
Speaker 7: This is your time to get it off your chest.

121
00:04:22,440 --> 00:04:23,760
Speaker 7: So you're man or blessed.

122
00:04:23,760 --> 00:04:25,880
Speaker 11: I hate the way you walk, the weight you talk,

123
00:04:25,960 --> 00:04:27,640
Speaker 11: I hate the way you dress.

124
00:04:27,680 --> 00:04:28,120
Speaker 8: Everything.

125
00:04:28,200 --> 00:04:31,600
Speaker 7: When he is mess call up new eight hundred five

126
00:04:31,640 --> 00:04:33,280
Speaker 7: eight five one five one hit me.

127
00:04:33,520 --> 00:04:34,880
Speaker 8: I'm with the coach of Philings.

128
00:04:35,800 --> 00:04:38,400
Speaker 3: Hello, who's this yo? What's super trucker?

129
00:04:38,400 --> 00:04:38,960
Speaker 4: How you doing?

130
00:04:39,440 --> 00:04:39,960
Speaker 8: Super truck?

131
00:04:40,000 --> 00:04:42,040
Speaker 1: And talk to the trucker. I thought he said super sucker.

132
00:04:42,080 --> 00:04:45,080
Speaker 1: I like that you got somebody like this, dum man.

133
00:04:45,120 --> 00:04:47,480
Speaker 4: I call you guys about uh months ago?

134
00:04:47,800 --> 00:04:51,160
Speaker 2: Yes, sir, and I sing and like, man, I thought

135
00:04:51,160 --> 00:04:53,120
Speaker 2: I did all right, But I asked my all day.

136
00:04:53,200 --> 00:04:54,799
Speaker 2: I say, yo, you hit me on the breakfast club.

137
00:04:55,279 --> 00:04:57,039
Speaker 8: She was like yeah, but you ain't listening.

138
00:04:57,360 --> 00:04:58,240
Speaker 4: I was like, what you mean?

139
00:04:58,480 --> 00:05:01,040
Speaker 2: She's like NBS you how he will get up with

140
00:05:01,080 --> 00:05:03,200
Speaker 2: you and you trying to plug a dance song?

141
00:05:03,720 --> 00:05:03,920
Speaker 4: Yo?

142
00:05:04,160 --> 00:05:05,800
Speaker 1: So she mad at you. She's like, damn you could

143
00:05:05,800 --> 00:05:08,479
Speaker 1: have got on you know. I bet this truck.

144
00:05:09,560 --> 00:05:12,640
Speaker 4: Hey look here man. She from the Bronx to Charlomagne.

145
00:05:12,680 --> 00:05:13,720
Speaker 4: So you know what I'm dealing with.

146
00:05:13,880 --> 00:05:14,400
Speaker 8: She's crazy?

147
00:05:14,400 --> 00:05:17,000
Speaker 2: So can I can I take this.

148
00:05:17,040 --> 00:05:19,160
Speaker 4: Time to tell people where they can find my music at.

149
00:05:19,240 --> 00:05:20,880
Speaker 8: Man, you can't try to get you to do it

150
00:05:20,960 --> 00:05:22,240
Speaker 8: last time, but you ignored me.

151
00:05:22,760 --> 00:05:23,400
Speaker 2: I'm sorry.

152
00:05:23,440 --> 00:05:23,640
Speaker 4: Man.

153
00:05:23,720 --> 00:05:27,640
Speaker 2: Look, you can find my music at Superchuck at dot com.

154
00:05:27,680 --> 00:05:27,880
Speaker 13: Man.

155
00:05:28,400 --> 00:05:30,919
Speaker 2: I'm at super Chuck on all of the platforms, super

156
00:05:30,960 --> 00:05:34,159
Speaker 2: Chuck at an Artists on TikTok, and I also have

157
00:05:34,240 --> 00:05:37,680
Speaker 2: a show coming up at the Tiny sat Toau in Jacksonville,

158
00:05:37,760 --> 00:05:41,279
Speaker 2: North Carolina, where I'll be performing alongside my manche Taylor.

159
00:05:41,720 --> 00:05:43,080
Speaker 8: How long a you, bro?

160
00:05:43,920 --> 00:05:44,880
Speaker 4: Twenty one years?

161
00:05:44,920 --> 00:05:47,599
Speaker 8: Man, congratulations to you king you in the.

162
00:05:47,600 --> 00:05:49,279
Speaker 4: Truck now, yes, sir, you know what I.

163
00:05:50,880 --> 00:05:52,840
Speaker 10: Yes, sir, there he go.

164
00:05:53,160 --> 00:05:56,560
Speaker 5: You be safe, all right, man, I appreciate it.

165
00:05:56,600 --> 00:05:57,520
Speaker 2: Man, y'all have a good one.

166
00:05:57,600 --> 00:05:58,560
Speaker 8: Love to you. Brother.

167
00:05:58,720 --> 00:06:01,600
Speaker 12: I've never actually since I've been here, what does that

168
00:06:01,680 --> 00:06:02,120
Speaker 12: do for you?

169
00:06:02,200 --> 00:06:02,400
Speaker 4: And they?

170
00:06:03,040 --> 00:06:05,320
Speaker 8: So as a kid, I'm going to explain it.

171
00:06:05,440 --> 00:06:07,640
Speaker 5: So as a kid, my parents, you know, we couldn't

172
00:06:07,640 --> 00:06:10,039
Speaker 5: afford airplane tickets, so we would drive everywhere. We would

173
00:06:10,120 --> 00:06:12,080
Speaker 5: drive to Virginia Beach. We would drive to Virginia, We

174
00:06:12,200 --> 00:06:16,160
Speaker 5: drive to the Carolinas. We would drive to Miami or Florida.

175
00:06:16,320 --> 00:06:18,279
Speaker 5: And you know, back then it was. We didn't have

176
00:06:18,279 --> 00:06:20,480
Speaker 5: game boys, nothing like that, so our fund would be

177
00:06:20,560 --> 00:06:22,600
Speaker 5: there when we passed truckers try to get them to

178
00:06:22,600 --> 00:06:23,159
Speaker 5: blow the horn.

179
00:06:23,640 --> 00:06:25,400
Speaker 8: So that was like a game we played as a kid.

180
00:06:25,520 --> 00:06:26,400
Speaker 12: Oh that's so cute.

181
00:06:26,400 --> 00:06:27,800
Speaker 8: Okay, yeah, that's that's what we did.

182
00:06:27,880 --> 00:06:29,720
Speaker 12: So I didn't know where that from.

183
00:06:30,000 --> 00:06:31,839
Speaker 8: What That's cute man.

184
00:06:31,839 --> 00:06:33,240
Speaker 5: So me and my cousin would be like, yo, yo,

185
00:06:33,320 --> 00:06:36,440
Speaker 5: I got them so.

186
00:06:36,480 --> 00:06:38,640
Speaker 1: That when we first started like getting God's attention and

187
00:06:38,920 --> 00:06:40,080
Speaker 1: making them do things for.

188
00:06:40,040 --> 00:06:42,200
Speaker 8: You women drive trucks to sir, you.

189
00:06:42,160 --> 00:06:45,720
Speaker 5: Ain't never seen no one with rugg whole live. I

190
00:06:45,800 --> 00:06:48,400
Speaker 5: never did back then, that never did. Get it off

191
00:06:48,440 --> 00:06:51,000
Speaker 5: your chest. Eight hundred five eighty five, one oh five one.

192
00:06:51,080 --> 00:06:52,520
Speaker 5: If you need to vent, hit us up now. It's

193
00:06:52,520 --> 00:06:53,159
Speaker 5: the Breakfast Club.

194
00:06:53,160 --> 00:06:54,400
Speaker 7: Good morning.

195
00:06:55,560 --> 00:06:58,920
Speaker 5: And hilarius charlamagnemc God. We are to Breakfast Club. We

196
00:06:58,960 --> 00:07:01,360
Speaker 5: got a special guest in them. Yes, sir a Marion

197
00:07:01,600 --> 00:07:02,560
Speaker 5: he welcome back.

198
00:07:02,800 --> 00:07:03,279
Speaker 3: Good brother.

199
00:07:04,000 --> 00:07:05,719
Speaker 8: Hey, what was your routine this morning?

200
00:07:05,760 --> 00:07:05,920
Speaker 10: Man?

201
00:07:05,960 --> 00:07:07,400
Speaker 8: What did you do up?

202
00:07:07,440 --> 00:07:10,480
Speaker 10: Pray, meditation, a little moment to myself.

203
00:07:10,680 --> 00:07:13,760
Speaker 14: You know what I'm saying, Shower up, get fresh, say

204
00:07:13,800 --> 00:07:15,920
Speaker 14: my affirmation, put on my ood.

205
00:07:16,640 --> 00:07:18,239
Speaker 8: Yeah, what is your attention for today.

206
00:07:19,600 --> 00:07:21,600
Speaker 14: They just have a good time. You know what I'm saying,

207
00:07:22,280 --> 00:07:24,480
Speaker 14: not put too much on it. You know what I'm saying.

208
00:07:24,520 --> 00:07:26,120
Speaker 6: You weren't known as the zen King?

209
00:07:26,720 --> 00:07:32,400
Speaker 15: Like how do you stay so tranquil, like, so zenful

210
00:07:32,560 --> 00:07:33,360
Speaker 15: through everything?

211
00:07:33,600 --> 00:07:35,720
Speaker 6: Like you don't let nothing bother you? Y. I done

212
00:07:35,760 --> 00:07:42,000
Speaker 6: came at you so many times. This man lets nothing

213
00:07:42,440 --> 00:07:43,360
Speaker 6: get to him.

214
00:07:43,640 --> 00:07:45,280
Speaker 10: I'm trying to get I'm intentional.

215
00:07:45,760 --> 00:07:46,000
Speaker 3: Yeah.

216
00:07:46,160 --> 00:07:48,400
Speaker 10: And also I don't take things personal, you know what

217
00:07:48,440 --> 00:07:48,880
Speaker 10: I'm saying.

218
00:07:49,200 --> 00:07:51,240
Speaker 5: The wild thing is, you know, Marion. I just looked

219
00:07:51,240 --> 00:07:53,280
Speaker 5: it up. A Marion is forty years old.

220
00:07:53,400 --> 00:07:54,920
Speaker 8: Crazy, we've been seeing him grow up.

221
00:07:55,600 --> 00:08:00,640
Speaker 1: He's still Marion Foyer, got baby head.

222
00:08:05,200 --> 00:08:08,520
Speaker 10: Yes, yes, a blessing it is.

223
00:08:08,680 --> 00:08:11,720
Speaker 5: People still look at you as like a young I

224
00:08:11,760 --> 00:08:14,320
Speaker 5: can't say team, but a young twenty year old because

225
00:08:14,320 --> 00:08:15,000
Speaker 5: that's what you look like.

226
00:08:15,280 --> 00:08:15,480
Speaker 4: Yeah.

227
00:08:15,520 --> 00:08:19,280
Speaker 14: Well, I mean it does confuse people sometimes, but yeah,

228
00:08:19,320 --> 00:08:20,080
Speaker 14: I think I made.

229
00:08:19,880 --> 00:08:22,640
Speaker 10: It to young status at this at this point in time, you.

230
00:08:22,560 --> 00:08:28,920
Speaker 8: Ain't kid, so is you know you can't be?

231
00:08:31,400 --> 00:08:32,960
Speaker 6: No Millennium toys back?

232
00:08:33,160 --> 00:08:36,840
Speaker 14: Yes, yes, yes, yes, I'm super excited about it. We

233
00:08:36,880 --> 00:08:39,960
Speaker 14: played Barclays on the twenty first, So if you ain't

234
00:08:39,960 --> 00:08:40,520
Speaker 14: got your ticket.

235
00:08:40,600 --> 00:08:43,720
Speaker 10: Definitely pop out. It's a moment. It's a moment.

236
00:08:44,040 --> 00:08:44,920
Speaker 6: What keeps you doing all?

237
00:08:45,000 --> 00:08:45,240
Speaker 3: Is that?

238
00:08:45,120 --> 00:08:46,199
Speaker 6: That all he is?

239
00:08:46,280 --> 00:08:46,400
Speaker 4: Like?

240
00:08:46,559 --> 00:08:48,560
Speaker 6: What keeps you doing doing this?

241
00:08:48,679 --> 00:08:52,720
Speaker 8: He's still doing flips and dance Like what you twist?

242
00:08:52,760 --> 00:08:54,199
Speaker 8: You ain't gonna take a long time to heal.

243
00:08:55,200 --> 00:08:55,240
Speaker 3: No.

244
00:08:55,440 --> 00:08:59,000
Speaker 14: Actually, I have a routine of of making sure that I,

245
00:08:59,080 --> 00:09:01,559
Speaker 14: you know, stay energized. I'm a performer, so it's important

246
00:09:01,559 --> 00:09:04,000
Speaker 14: that I take care of my body. But the Millennium Tour,

247
00:09:04,160 --> 00:09:08,559
Speaker 14: you know, is a series concert that has brought nostalgic literally.

248
00:09:08,160 --> 00:09:10,680
Speaker 10: Back on the planet. You know, my error in my time.

249
00:09:10,720 --> 00:09:13,280
Speaker 14: I'm so happy to been a part of it because,

250
00:09:13,559 --> 00:09:16,000
Speaker 14: you know, it brings you back to a memory and

251
00:09:16,040 --> 00:09:18,520
Speaker 14: creates a new memory at the same time, you know,

252
00:09:18,960 --> 00:09:21,560
Speaker 14: So I'm excited. Yeah, were keeping it going, We're keeping

253
00:09:21,559 --> 00:09:22,400
Speaker 14: that energy going.

254
00:09:23,000 --> 00:09:24,640
Speaker 1: Can I ask you what forty felt like? And I

255
00:09:24,679 --> 00:09:26,240
Speaker 1: remember how I felt when I turned forty?

256
00:09:26,480 --> 00:09:27,400
Speaker 10: Yeah, where were you?

257
00:09:28,040 --> 00:09:30,400
Speaker 8: What were you doing? How did it feel?

258
00:09:30,400 --> 00:09:32,400
Speaker 1: Because to me, it felt like I really entered the

259
00:09:32,400 --> 00:09:33,640
Speaker 1: new dimension when I turned for it.

260
00:09:33,920 --> 00:09:37,959
Speaker 14: Yeah, So I usually don't do anything for myself and

261
00:09:38,360 --> 00:09:41,840
Speaker 14: shout out to Janine who helped me put together my

262
00:09:41,920 --> 00:09:45,480
Speaker 14: birthday party. But I had a birthday party in Malibu

263
00:09:45,640 --> 00:09:48,480
Speaker 14: and it was such an amazing gathering. You know, all

264
00:09:48,520 --> 00:09:51,160
Speaker 14: of my friends came out of my family. So I

265
00:09:51,200 --> 00:09:53,959
Speaker 14: did something for myself, you know, which was thought party.

266
00:09:53,960 --> 00:09:56,520
Speaker 14: It was a lot of beautiful people in the building.

267
00:09:56,640 --> 00:09:58,360
Speaker 14: So that's what I did for my birthday.

268
00:09:58,520 --> 00:10:01,319
Speaker 1: Did you feel like yourself going into a different level

269
00:10:01,320 --> 00:10:01,800
Speaker 1: of conscience?

270
00:10:02,280 --> 00:10:06,400
Speaker 14: For sure, a different level of maturity, a certain level

271
00:10:06,400 --> 00:10:09,360
Speaker 14: of expectation for myself. The things that I'm creating now,

272
00:10:10,600 --> 00:10:13,280
Speaker 14: you know why am I still doing it? I definitely

273
00:10:13,280 --> 00:10:15,480
Speaker 14: feel like I've arrived because, you know, I'm one of

274
00:10:15,480 --> 00:10:18,760
Speaker 14: the few entertainers that have grown up in the public eye.

275
00:10:18,840 --> 00:10:23,600
Speaker 14: So growing up has you know, been a challenge. It's

276
00:10:23,640 --> 00:10:25,559
Speaker 14: sometimes in my career, you know what I mean. So

277
00:10:25,960 --> 00:10:29,120
Speaker 14: I finally feel like I've arrived to that place where

278
00:10:29,160 --> 00:10:33,120
Speaker 14: you know, I can have a say so and people

279
00:10:33,120 --> 00:10:36,080
Speaker 14: are understanding and respected. So, now, how do you figure

280
00:10:36,080 --> 00:10:38,880
Speaker 14: out who closes the Millennium Tour? Like who closes that show?

281
00:10:39,559 --> 00:10:42,000
Speaker 5: Artists on it and you're one of the originators on

282
00:10:42,080 --> 00:10:44,240
Speaker 5: that tour, so closes the Millennium Tour?

283
00:10:44,559 --> 00:10:49,400
Speaker 14: Well, it is a co headline, you know, myself, Trey,

284
00:10:49,559 --> 00:10:52,760
Speaker 14: and Bao. So it's it's kind of meant to be

285
00:10:52,920 --> 00:10:56,720
Speaker 14: like a festival vibe. You know, any real performing artists

286
00:10:56,720 --> 00:10:59,440
Speaker 14: will tell you sometimes it's not best to close the

287
00:10:59,480 --> 00:11:02,280
Speaker 14: show because you know the energy is drained. You know,

288
00:11:02,360 --> 00:11:04,480
Speaker 14: you kind of want to go maybe second before you know,

289
00:11:04,559 --> 00:11:07,680
Speaker 14: the last. So for me, yeah, I don't really trip

290
00:11:07,720 --> 00:11:10,200
Speaker 14: off of that, but yeah, that's how we decide between

291
00:11:10,280 --> 00:11:11,200
Speaker 14: us and the promoters.

292
00:11:11,280 --> 00:11:12,640
Speaker 5: How do you headline? So is it like you do

293
00:11:12,720 --> 00:11:14,960
Speaker 5: two then you jump in dough two. Yeah, Trey jumps

294
00:11:14,960 --> 00:11:16,400
Speaker 5: into do tune and exactly.

295
00:11:17,040 --> 00:11:19,240
Speaker 14: Yeah, maybe Trey will close and then me and Bob

296
00:11:19,320 --> 00:11:22,600
Speaker 14: will swap in between, you know, him going last before

297
00:11:22,600 --> 00:11:24,400
Speaker 14: Trey or maybe going last before Trey.

298
00:11:24,880 --> 00:11:29,520
Speaker 15: So yeah, so I know, before you know, the Millennium Tour,

299
00:11:29,880 --> 00:11:30,599
Speaker 15: it was b t K.

300
00:11:30,800 --> 00:11:32,400
Speaker 6: Why not this run?

301
00:11:34,040 --> 00:11:36,959
Speaker 14: Well, this one was kind of more so framed for

302
00:11:37,320 --> 00:11:40,839
Speaker 14: this class. You know, all the If you look at

303
00:11:40,840 --> 00:11:43,080
Speaker 14: the you know who's on there now, it's a lot

304
00:11:43,080 --> 00:11:47,400
Speaker 14: of non Millennium you know artists, you know what I'm saying, Like,

305
00:11:47,600 --> 00:11:49,559
Speaker 14: I think it's so cool that Boosey is gonna be

306
00:11:49,600 --> 00:11:52,719
Speaker 14: on there, you know what I mean? Yeah, apply I

307
00:11:52,800 --> 00:11:57,479
Speaker 14: think We're gonna get some special guests as well, exactly

308
00:11:57,960 --> 00:12:00,280
Speaker 14: the whole vibe. So it's kind of, I would say,

309
00:12:00,320 --> 00:12:03,680
Speaker 14: a little bit different than you know, like the previous years.

310
00:12:04,760 --> 00:12:06,720
Speaker 10: So yeah, that's that's how Why.

311
00:12:06,640 --> 00:12:09,679
Speaker 14: Are we getting all the old like that? Yeah, we

312
00:12:09,760 --> 00:12:14,280
Speaker 14: getting the classic. Get in the classics. Yeah, we're getting

313
00:12:14,280 --> 00:12:18,240
Speaker 14: the classic. It's actually my twentieth year anniversary of putting

314
00:12:18,440 --> 00:12:26,120
Speaker 14: In being a solo artist. Yeah, time is flying flying, Yeah,

315
00:12:26,280 --> 00:12:28,480
Speaker 14: so yeah, we get into classics. And also I'll be

316
00:12:28,520 --> 00:12:30,559
Speaker 14: introducing some new music, you know, I mean, I got

317
00:12:30,559 --> 00:12:31,840
Speaker 14: some new music, some new slaps.

318
00:12:31,880 --> 00:12:33,840
Speaker 10: I'm gonna be performing as well.

319
00:12:34,440 --> 00:12:36,800
Speaker 1: You said something that was interesting. You said growing up

320
00:12:36,800 --> 00:12:39,040
Speaker 1: for you was a challenge. Why was growing up a challenge?

321
00:12:39,040 --> 00:12:40,920
Speaker 1: Did you mean personally or professionally both?

322
00:12:41,160 --> 00:12:43,600
Speaker 14: All just because you know, when you're young and people

323
00:12:43,640 --> 00:12:46,480
Speaker 14: see you're young and you don't change much, you know

324
00:12:46,520 --> 00:12:50,760
Speaker 14: what I mean, Like physically, you know, because I take

325
00:12:50,760 --> 00:12:53,760
Speaker 14: care of myself. You know, people tend to just you know,

326
00:12:54,400 --> 00:12:56,800
Speaker 14: put you where they thought that you were.

327
00:12:56,960 --> 00:12:57,640
Speaker 10: You know what I'm saying.

328
00:12:57,800 --> 00:13:00,040
Speaker 14: So yeah, it's been a challenge in that way. And

329
00:13:00,080 --> 00:13:03,000
Speaker 14: so in business, you know, just really being able to

330
00:13:03,640 --> 00:13:05,840
Speaker 14: like have a say so, and then I just be like, Okay,

331
00:13:06,280 --> 00:13:08,320
Speaker 14: well you're a kid, you know what I mean. Any

332
00:13:08,720 --> 00:13:12,560
Speaker 14: child stars will tell you, you know, having a foot

333
00:13:12,800 --> 00:13:16,280
Speaker 14: in control in their business is a struggle when you

334
00:13:16,320 --> 00:13:16,840
Speaker 14: start young.

335
00:13:17,040 --> 00:13:17,839
Speaker 8: When did that change?

336
00:13:17,840 --> 00:13:19,559
Speaker 1: Like when did people start saying, Okay, this is a

337
00:13:19,640 --> 00:13:21,880
Speaker 1: Mario and the grown man, not the kid from you two.

338
00:13:22,400 --> 00:13:26,000
Speaker 14: I think once I really started taking full responsibility for

339
00:13:26,120 --> 00:13:29,440
Speaker 14: my independence, you know, trying different things. I think that

340
00:13:30,000 --> 00:13:32,640
Speaker 14: you know, when you're in the industry for a long time,

341
00:13:32,760 --> 00:13:34,800
Speaker 14: it is peaks and valleys. You know, you're not going

342
00:13:34,880 --> 00:13:37,880
Speaker 14: to have ten hot moments, you know what I'm saying.

343
00:13:37,920 --> 00:13:39,560
Speaker 14: You might have a down moment, you might have a

344
00:13:39,559 --> 00:13:42,720
Speaker 14: transitional moment. I think that it's okay, you know, when

345
00:13:43,400 --> 00:13:46,320
Speaker 14: you're finding your way. And I feel like after my

346
00:13:46,400 --> 00:13:51,520
Speaker 14: last couple of projects, you know, just supporting myself, being independent,

347
00:13:52,080 --> 00:13:55,520
Speaker 14: Like I started to feel like, Okay, now I have

348
00:13:55,600 --> 00:13:56,559
Speaker 14: control of my career.

349
00:13:56,600 --> 00:13:57,600
Speaker 10: Oh I want to put this out.

350
00:13:57,640 --> 00:14:00,679
Speaker 14: Okay, maybe I should put it out this way, you know,

351
00:14:00,880 --> 00:14:02,360
Speaker 14: maybe I should do things differently.

352
00:14:02,640 --> 00:14:04,360
Speaker 10: You know, I grew I grew into that.

353
00:14:04,559 --> 00:14:07,320
Speaker 14: So I'm like very proud of that, you know, because

354
00:14:07,320 --> 00:14:09,120
Speaker 14: a lot of artists don't get the chance to do that,

355
00:14:09,120 --> 00:14:09,520
Speaker 14: that's true.

356
00:14:09,559 --> 00:14:11,600
Speaker 1: And nobody talks about that, right, like nobody talks about

357
00:14:11,640 --> 00:14:13,800
Speaker 1: when you're red hot, and yeah, there's an ice box

358
00:14:13,840 --> 00:14:14,840
Speaker 1: for your career used to be.

359
00:14:14,960 --> 00:14:15,480
Speaker 4: You know what I mean.

360
00:14:17,000 --> 00:14:18,840
Speaker 1: Like, I mean, I don't feel like you've ever been

361
00:14:18,840 --> 00:14:20,040
Speaker 1: through that because you're always on the road.

362
00:14:20,240 --> 00:14:23,680
Speaker 14: Yeah yeah, yeah, And I've been gifted, you know, with

363
00:14:23,880 --> 00:14:26,280
Speaker 14: the talent to be able to do many things. Like

364
00:14:26,280 --> 00:14:29,280
Speaker 14: two years ago, I believe the last time we spoke,

365
00:14:30,120 --> 00:14:33,800
Speaker 14: you know, I was promoting my book. So there's always

366
00:14:33,800 --> 00:14:36,240
Speaker 14: something for me to do. Something new that I just

367
00:14:36,320 --> 00:14:40,560
Speaker 14: did that's really exciting is a show called The wild

368
00:14:40,640 --> 00:14:43,520
Speaker 14: Rose with all Black, So I'm gonna be you know,

369
00:14:43,640 --> 00:14:48,000
Speaker 14: hitting your TVs in twenty twenty six. I play an assassin,

370
00:14:48,120 --> 00:14:50,960
Speaker 14: so it's something different. First of all, Yeah, I'm doing

371
00:14:50,960 --> 00:14:54,320
Speaker 14: fighting scenes. I'm socking and popping. Wow, so you will be.

372
00:14:54,280 --> 00:14:56,720
Speaker 6: Seeing me King is now an assassins.

373
00:14:56,760 --> 00:14:57,800
Speaker 3: I mean, you know I'm.

374
00:14:57,640 --> 00:15:01,440
Speaker 14: Acting, right, but you know, the the real true measure

375
00:15:01,480 --> 00:15:03,080
Speaker 14: of an actor is to tell the truth, you know

376
00:15:03,120 --> 00:15:05,360
Speaker 14: what I'm saying. So get to show a different side

377
00:15:05,360 --> 00:15:06,480
Speaker 14: of myself. I'm excited about.

378
00:15:06,480 --> 00:15:08,200
Speaker 1: I feel like that's a natural transition for all you

379
00:15:08,240 --> 00:15:10,960
Speaker 1: flexible guys.

380
00:15:13,480 --> 00:15:13,640
Speaker 4: Yeah.

381
00:15:13,720 --> 00:15:16,040
Speaker 6: Yeah, we've been asked, what is your relationship now with

382
00:15:16,280 --> 00:15:16,640
Speaker 6: b two K.

383
00:15:17,320 --> 00:15:21,160
Speaker 14: I always will honor you know, my group, my foundation,

384
00:15:21,520 --> 00:15:24,600
Speaker 14: and you know where I come from. Uh As far

385
00:15:24,640 --> 00:15:28,720
Speaker 14: as personally, you know, we don't really have a relationship,

386
00:15:30,120 --> 00:15:30,920
Speaker 14: not not really.

387
00:15:31,200 --> 00:15:31,400
Speaker 3: You know.

388
00:15:32,000 --> 00:15:34,960
Speaker 14: I will say that Bud did come to one of

389
00:15:35,000 --> 00:15:37,560
Speaker 14: my shows and we chopped it up, you know, So

390
00:15:37,640 --> 00:15:39,960
Speaker 14: there'll always be a type of love there. You know,

391
00:15:40,320 --> 00:15:43,320
Speaker 14: we grew up together and you know we we did

392
00:15:44,080 --> 00:15:46,960
Speaker 14: something in all of our lives that no one in

393
00:15:47,000 --> 00:15:48,720
Speaker 14: our lives did, you know what I mean. So I

394
00:15:48,720 --> 00:15:51,880
Speaker 14: think that there's always an honor system there, you know,

395
00:15:52,400 --> 00:15:56,080
Speaker 14: not to speak negatively ever, and it just be like, yeah,

396
00:15:56,200 --> 00:15:56,840
Speaker 14: you know that was.

397
00:15:56,760 --> 00:16:00,640
Speaker 15: That before the group started or where you guys were

398
00:16:00,640 --> 00:16:02,200
Speaker 15: brought together as the group.

399
00:16:02,520 --> 00:16:05,120
Speaker 10: We were brought together as the group. Yeah.

400
00:16:05,240 --> 00:16:07,160
Speaker 14: The first time I met them, it was at a

401
00:16:07,200 --> 00:16:11,520
Speaker 14: New Year's Eve party and they performed and I performed,

402
00:16:11,520 --> 00:16:11,760
Speaker 14: and it.

403
00:16:11,840 --> 00:16:13,480
Speaker 10: Was like, you want to be the leads singer?

404
00:16:13,800 --> 00:16:14,640
Speaker 4: I was like yeah, so.

405
00:16:16,320 --> 00:16:20,320
Speaker 15: Yeah, yeah, And what about you and Marcus Houston?

406
00:16:20,400 --> 00:16:21,400
Speaker 6: Are y'all close?

407
00:16:21,680 --> 00:16:21,760
Speaker 3: No?

408
00:16:23,280 --> 00:16:23,800
Speaker 6: Got you?

409
00:16:23,920 --> 00:16:24,160
Speaker 4: Yeah?

410
00:16:24,320 --> 00:16:26,200
Speaker 8: I don't know why we thought y'all was real brothers.

411
00:16:25,960 --> 00:16:27,680
Speaker 16: That everyone you know, that was our thing.

412
00:16:27,760 --> 00:16:29,680
Speaker 10: That was our thing back then, you know what I mean.

413
00:16:29,720 --> 00:16:31,640
Speaker 14: Anybody that was a part of the camp was fam

414
00:16:31,920 --> 00:16:33,760
Speaker 14: you know, it's like, oh that's my cousin, you know

415
00:16:33,760 --> 00:16:34,240
Speaker 14: what I'm saying.

416
00:16:34,240 --> 00:16:36,000
Speaker 10: But yeah, no real blood time.

417
00:16:36,160 --> 00:16:40,680
Speaker 1: You were wanted a few people who probably experienced real celebrity,

418
00:16:41,040 --> 00:16:43,160
Speaker 1: right because I don't feel like there's real celebrity no more.

419
00:16:43,960 --> 00:16:44,360
Speaker 4: That's true.

420
00:16:45,240 --> 00:16:45,680
Speaker 10: That's true.

421
00:16:45,760 --> 00:16:50,040
Speaker 1: Like y'all had to like run from crowd, be duncked

422
00:16:50,040 --> 00:16:50,880
Speaker 1: off in disguise.

423
00:16:51,120 --> 00:16:53,720
Speaker 8: Yeah, how did that feel? And was it hard when

424
00:16:53,760 --> 00:16:54,840
Speaker 8: you weren't feeling it anymore?

425
00:16:54,920 --> 00:16:57,240
Speaker 14: You know, it was amazing to you know, look back

426
00:16:57,280 --> 00:16:59,760
Speaker 14: on it. There was sometimes where you know, I think

427
00:17:00,240 --> 00:17:02,200
Speaker 14: got hurt, he got lifted up into a crowd. It

428
00:17:02,280 --> 00:17:04,119
Speaker 14: was like a dangerous you know what I mean, because

429
00:17:04,160 --> 00:17:07,480
Speaker 14: five little strong girls is stronger than the biggest man,

430
00:17:07,920 --> 00:17:09,960
Speaker 14: you know what I mean. But looking back on that

431
00:17:10,040 --> 00:17:13,480
Speaker 14: time and having it, you know, be a part of

432
00:17:13,520 --> 00:17:16,760
Speaker 14: my experience as far as the organic you know, energy

433
00:17:17,400 --> 00:17:20,560
Speaker 14: between you and your fans was amazing. And when it changed,

434
00:17:20,600 --> 00:17:22,879
Speaker 14: it changed, not just for me, for everyone. You know,

435
00:17:22,920 --> 00:17:24,600
Speaker 14: I think you still have a little bit of a

436
00:17:24,640 --> 00:17:27,199
Speaker 14: fandom still today, but it's view different.

437
00:17:27,280 --> 00:17:30,360
Speaker 10: It's almost like are you okay? Why are you screaming?

438
00:17:30,400 --> 00:17:31,080
Speaker 8: Are you okay?

439
00:17:31,440 --> 00:17:31,639
Speaker 3: You know?

440
00:17:32,000 --> 00:17:34,240
Speaker 10: I still I still receive that love. You know, no

441
00:17:34,320 --> 00:17:36,679
Speaker 10: matter where I'm at on the planet, people still come

442
00:17:36,760 --> 00:17:38,560
Speaker 10: up to me and be like, wow, my childhood. Can

443
00:17:38,600 --> 00:17:39,439
Speaker 10: I take a picture with you?

444
00:17:39,840 --> 00:17:43,120
Speaker 14: So I always appreciate, you know, the influence that I've

445
00:17:43,119 --> 00:17:47,040
Speaker 14: had on people's life experience through music, through movies, through

446
00:17:47,400 --> 00:17:49,760
Speaker 14: So yeah, I don't feel no way about it. You know,

447
00:17:49,800 --> 00:17:54,240
Speaker 14: I definitely feel like, you know, a sort of an

448
00:17:54,320 --> 00:17:56,480
Speaker 14: elder on the scene, you know what I mean, that

449
00:17:56,760 --> 00:17:58,280
Speaker 14: has had all the experiences.

450
00:17:58,520 --> 00:18:00,239
Speaker 8: So it's just different when you got that when you

451
00:18:00,240 --> 00:18:01,040
Speaker 8: were a child.

452
00:18:01,400 --> 00:18:05,000
Speaker 1: That's what I'm saying that I guess that kid, you

453
00:18:05,040 --> 00:18:07,600
Speaker 1: know what I mean, Like they at different, yeah than

454
00:18:07,640 --> 00:18:08,600
Speaker 1: everybody else.

455
00:18:08,440 --> 00:18:11,399
Speaker 10: Period, And those fans are still with me to today.

456
00:18:11,600 --> 00:18:13,800
Speaker 14: I'm so thankful for those fans that stuff with me

457
00:18:13,840 --> 00:18:15,800
Speaker 14: because we're able to put on the Millennium Tour. We're

458
00:18:15,800 --> 00:18:18,800
Speaker 14: able to you know, bring that nostalgia back on the planet, which,

459
00:18:18,800 --> 00:18:21,400
Speaker 14: by the way, before the Millennium Tour, you know, that

460
00:18:21,560 --> 00:18:24,480
Speaker 14: wasn't the show, that wasn't the you know the set

461
00:18:24,480 --> 00:18:27,879
Speaker 14: list for you know, all of these productions. You know

462
00:18:27,880 --> 00:18:30,000
Speaker 14: what I mean, to have a little bit nostalgia in

463
00:18:30,040 --> 00:18:32,440
Speaker 14: your production, you know, is a great thing.

464
00:18:32,640 --> 00:18:34,960
Speaker 10: What was the crazy story that you remember as a child.

465
00:18:34,680 --> 00:18:39,320
Speaker 14: And a girl being in our room before we got there?

466
00:18:39,840 --> 00:18:42,840
Speaker 14: You know, the security would have to like check the room.

467
00:18:43,160 --> 00:18:46,400
Speaker 14: I always thought that was weird because you know, nobody

468
00:18:46,359 --> 00:18:48,960
Speaker 14: was in the room. How would they girls sitting in

469
00:18:49,000 --> 00:18:52,360
Speaker 14: there crouching down as soon as we walk and we're like, oh,

470
00:18:52,760 --> 00:18:54,760
Speaker 14: a green room or like it was a green room

471
00:18:54,760 --> 00:18:57,760
Speaker 14: and then all my personal room, you know, one of

472
00:18:57,800 --> 00:19:00,840
Speaker 14: the workers just let themselves in and I was like

473
00:19:00,920 --> 00:19:02,359
Speaker 14: half sleep and I woke, like.

474
00:19:02,280 --> 00:19:05,080
Speaker 10: What are you doing? It was a girl was trying

475
00:19:05,080 --> 00:19:08,120
Speaker 10: together and she was like hey, she was trying to gather.

476
00:19:08,840 --> 00:19:10,720
Speaker 10: I'm like, well, I'm sleeping. No, what are you doing?

477
00:19:10,760 --> 00:19:10,879
Speaker 4: Now?

478
00:19:10,880 --> 00:19:11,479
Speaker 3: You gotta go?

479
00:19:12,280 --> 00:19:12,440
Speaker 4: Yeah?

480
00:19:12,480 --> 00:19:14,199
Speaker 10: Yeah yeah, So that was when it was like a

481
00:19:14,200 --> 00:19:16,399
Speaker 10: little scary for you was a kid. Yeah.

482
00:19:16,480 --> 00:19:17,240
Speaker 8: Jesus Christ.

483
00:19:18,040 --> 00:19:19,800
Speaker 1: Did you find that your fans grew with you?

484
00:19:19,920 --> 00:19:21,640
Speaker 10: Yes, that's a lot of them.

485
00:19:21,720 --> 00:19:23,920
Speaker 14: I mean a lot of them still, you know, still

486
00:19:23,920 --> 00:19:26,040
Speaker 14: pop up to the shows and come to the meet

487
00:19:26,040 --> 00:19:27,000
Speaker 14: and greets and everything.

488
00:19:27,240 --> 00:19:27,720
Speaker 4: So yeah.

489
00:19:28,119 --> 00:19:30,399
Speaker 10: Yeah, girls I grew up with from New York City.

490
00:19:30,560 --> 00:19:32,360
Speaker 14: They know who they are, you know what I mean,

491
00:19:32,960 --> 00:19:36,520
Speaker 14: still come to my shows, got kids, got got work,

492
00:19:36,840 --> 00:19:38,000
Speaker 14: all all kinds of stuff.

493
00:19:38,040 --> 00:19:39,600
Speaker 1: So they never bring any of the kids. And they

494
00:19:39,640 --> 00:19:41,840
Speaker 1: got babyheads and you know long Yeah, I.

495
00:19:41,880 --> 00:19:44,760
Speaker 10: Say, what's up to their kids? Kids named after me?

496
00:19:45,240 --> 00:19:45,480
Speaker 3: Yeah?

497
00:19:46,359 --> 00:19:49,760
Speaker 14: Yeah, kids named after me and everything like, yeah, it's it's,

498
00:19:49,800 --> 00:19:51,840
Speaker 14: it's it's it's a few kids out there named after

499
00:19:51,880 --> 00:19:52,200
Speaker 14: O Mari.

500
00:19:52,720 --> 00:19:56,960
Speaker 8: They look like kids for real.

501
00:19:57,000 --> 00:20:01,160
Speaker 10: Oh no, no, no, no, no, the ghost meet.

502
00:20:00,960 --> 00:20:01,960
Speaker 8: And greets, that's what you're asking.

503
00:20:02,080 --> 00:20:02,919
Speaker 10: Yeah.

504
00:20:03,000 --> 00:20:05,560
Speaker 14: No, Now I haven't been any of those yet, but

505
00:20:05,600 --> 00:20:07,880
Speaker 14: I'm pretty sure that I've you know, inspired some kids

506
00:20:07,880 --> 00:20:08,280
Speaker 14: out there.

507
00:20:08,440 --> 00:20:10,480
Speaker 8: What about baw waw. You think you and bowleve do

508
00:20:10,480 --> 00:20:11,600
Speaker 8: a joint album.

509
00:20:11,400 --> 00:20:13,240
Speaker 10: Again, I'm not sure. I'm not sure.

510
00:20:13,480 --> 00:20:17,520
Speaker 14: I feel like if I'm gonna do, you know, any collaboration,

511
00:20:17,760 --> 00:20:20,720
Speaker 14: whether it be rappers singer, I feel like they have

512
00:20:20,840 --> 00:20:23,440
Speaker 14: to have like current music out you know what I'm saying,

513
00:20:23,560 --> 00:20:26,800
Speaker 14: music that and you know, current music of the last

514
00:20:26,840 --> 00:20:30,960
Speaker 14: maybe three three years, you know what I'm saying. So yeah,

515
00:20:31,040 --> 00:20:33,560
Speaker 14: if I'm gonna do a collaborative, it's gonna be like, okay,

516
00:20:33,760 --> 00:20:35,920
Speaker 14: new music, we're working on new vibes.

517
00:20:36,200 --> 00:20:37,760
Speaker 1: Why is that just because you feel like, you know,

518
00:20:38,359 --> 00:20:40,000
Speaker 1: if you made music in the last three years, you

519
00:20:40,040 --> 00:20:40,520
Speaker 1: actually care.

520
00:20:40,600 --> 00:20:41,119
Speaker 8: You're active.

521
00:20:41,480 --> 00:20:43,639
Speaker 14: Yeah, you're active, you know what I mean, Like you

522
00:20:44,040 --> 00:20:46,680
Speaker 14: know what's you know as far as producers, you know

523
00:20:46,720 --> 00:20:50,080
Speaker 14: what I mean, like what does that look like? And

524
00:20:50,280 --> 00:20:53,600
Speaker 14: also I feel like you you have a like a

525
00:20:53,600 --> 00:20:56,480
Speaker 14: better shot at putting something out, you know, like visuals.

526
00:20:56,520 --> 00:20:59,200
Speaker 10: I think that today's artists, like there's so.

527
00:20:59,240 --> 00:21:00,960
Speaker 14: Many things that you have to do in order to

528
00:21:01,560 --> 00:21:03,439
Speaker 14: you know, really be visible, you know what I mean.

529
00:21:03,560 --> 00:21:05,919
Speaker 14: So I will want someone that's not just you know,

530
00:21:06,480 --> 00:21:08,879
Speaker 14: visible you know, on social media, but like in the

531
00:21:09,040 --> 00:21:09,760
Speaker 14: music too.

532
00:21:10,280 --> 00:21:11,320
Speaker 8: Like you and Leo will cook up.

533
00:21:11,920 --> 00:21:13,800
Speaker 10: Oh yeah, Dob, that'll be dope.

534
00:21:14,000 --> 00:21:16,560
Speaker 8: Have you ever reached out to Leon No?

535
00:21:16,560 --> 00:21:18,359
Speaker 10: No, no, not yet, but we've crossed paths.

536
00:21:18,760 --> 00:21:21,080
Speaker 14: Yeah, we cross paths. I love to see what he's doing,

537
00:21:21,240 --> 00:21:25,080
Speaker 14: you know what I mean. Like he's he's actually a

538
00:21:25,200 --> 00:21:27,920
Speaker 14: child star too, you know, he's someone that started very

539
00:21:28,000 --> 00:21:30,439
Speaker 14: very young. So to see where he's at today is

540
00:21:30,480 --> 00:21:34,280
Speaker 14: just it's awesome. I feel like that's you know, it's

541
00:21:34,359 --> 00:21:37,280
Speaker 14: it's very rare to see a lot of child stars

542
00:21:37,680 --> 00:21:40,200
Speaker 14: continue on and continue to transform. And that's what I've

543
00:21:40,240 --> 00:21:43,160
Speaker 14: always loved about music is is you don't have to

544
00:21:43,200 --> 00:21:46,159
Speaker 14: stop or you don't have to essentially get old. You know,

545
00:21:46,240 --> 00:21:48,760
Speaker 14: you can pick up a you know, a flute. You know,

546
00:21:48,800 --> 00:21:50,879
Speaker 14: you can pick up an instrument, you can write, you

547
00:21:50,920 --> 00:21:53,280
Speaker 14: can direct, you know, it's so much to do in

548
00:21:53,320 --> 00:21:54,280
Speaker 14: our business.

549
00:21:54,080 --> 00:21:55,919
Speaker 1: What's the one thing you wish you knew when you

550
00:21:55,960 --> 00:21:59,240
Speaker 1: first started your career? What forty year old of Maya,

551
00:21:59,280 --> 00:22:01,440
Speaker 1: what would he tell you sixteen year old to Mario?

552
00:22:01,920 --> 00:22:07,719
Speaker 14: I think about like life, insurance policies, you know, trust,

553
00:22:07,960 --> 00:22:11,240
Speaker 14: you know, just certain things that you know, if you

554
00:22:11,280 --> 00:22:13,359
Speaker 14: wanted to take a break, you could, you know what

555
00:22:13,400 --> 00:22:16,760
Speaker 14: I'm saying. That's something that I feel like, you know, finances.

556
00:22:16,840 --> 00:22:19,040
Speaker 14: I just I wish I would have, you know, been

557
00:22:19,119 --> 00:22:21,840
Speaker 14: given that game earlier on. I felt like, you know,

558
00:22:22,720 --> 00:22:25,840
Speaker 14: maybe I would move differently, you know, if I had that.

559
00:22:26,160 --> 00:22:28,200
Speaker 14: But you know, everything is for is for a reason.

560
00:22:28,359 --> 00:22:31,520
Speaker 10: So yeah, definitely check him out on tour Millennium to twenty.

561
00:22:32,560 --> 00:22:36,160
Speaker 14: What's the date we at the Barclays Marsh twenty first,

562
00:22:36,280 --> 00:22:37,000
Speaker 14: y'all pop out?

563
00:22:37,640 --> 00:22:39,879
Speaker 8: Seventeenth, seventeenth here.

564
00:22:39,720 --> 00:22:42,679
Speaker 15: I don't know maybe's changed from my city because I

565
00:22:42,720 --> 00:22:45,840
Speaker 15: know out sixteen.

566
00:22:47,480 --> 00:22:49,760
Speaker 6: And then Barclays is the next day, March seventeenth.

567
00:22:49,840 --> 00:22:50,720
Speaker 10: Thank y'all so much.

568
00:22:50,880 --> 00:22:52,359
Speaker 5: Just I know we've seen Drake beat you in the

569
00:22:52,440 --> 00:22:56,439
Speaker 5: dance battle too, and a dance battle and.

570
00:22:56,480 --> 00:23:00,520
Speaker 8: Drake killed him. I don't believe that I know Droid

571
00:23:01,720 --> 00:23:02,560
Speaker 8: at the birthday party.

572
00:23:02,880 --> 00:23:05,960
Speaker 10: Oh he was at I was keeping the light.

573
00:23:07,600 --> 00:23:07,840
Speaker 4: Lights.

574
00:23:07,840 --> 00:23:12,480
Speaker 10: Give me up one, No, it was his.

575
00:23:14,040 --> 00:23:15,119
Speaker 3: All right, Well it is.

576
00:23:15,160 --> 00:23:18,760
Speaker 5: It's the Breakfast Club of Mario. Yeah, everybody's d J

577
00:23:19,320 --> 00:23:21,879
Speaker 5: n V Jess hilarious, Charlamagne the guy. We are the

578
00:23:21,880 --> 00:23:24,320
Speaker 5: Breakfast Club. Law La Ros is here as well. We

579
00:23:24,440 --> 00:23:26,680
Speaker 5: got a special guest in the villain.

580
00:23:26,400 --> 00:23:31,359
Speaker 1: One of the most hustling ladies and gentlemen Killers camera man, How.

581
00:23:31,280 --> 00:23:34,480
Speaker 4: You'll be good? More man, How you're doing, how you feeling?

582
00:23:34,800 --> 00:23:36,920
Speaker 4: Recular man, Good to be back and you've been up here.

583
00:23:36,800 --> 00:23:38,600
Speaker 5: In a little minute before we before we go anywhere,

584
00:23:38,600 --> 00:23:40,600
Speaker 5: I just got to ask one question, are you gonna

585
00:23:40,600 --> 00:23:41,480
Speaker 5: do another project?

586
00:23:41,480 --> 00:23:41,720
Speaker 4: Man?

587
00:23:42,160 --> 00:23:45,440
Speaker 5: Because you you play too much, you rapping, and you stop,

588
00:23:45,520 --> 00:23:47,480
Speaker 5: then you spit, then you stop, then somebody pisses you

589
00:23:47,520 --> 00:23:49,560
Speaker 5: off and you wrap him like killer. Still got it?

590
00:23:49,800 --> 00:23:51,080
Speaker 5: Just do a project.

591
00:23:50,680 --> 00:23:57,200
Speaker 4: Killers like for what now? Of course you know you

592
00:23:57,320 --> 00:23:59,680
Speaker 4: my brother. I appreciate that, but it don't be making

593
00:23:59,680 --> 00:24:02,239
Speaker 4: fun sense. Like if I'm gonna do a project, you're

594
00:24:02,280 --> 00:24:05,200
Speaker 4: gonna get merchandise behind it, it's gonna be a tour

595
00:24:05,280 --> 00:24:08,119
Speaker 4: behind it, everything else. But you know, I do the

596
00:24:08,119 --> 00:24:10,520
Speaker 4: freestyles on my show and here and there, but as

597
00:24:10,600 --> 00:24:13,399
Speaker 4: far as doing an actual project, and don't be making

598
00:24:13,480 --> 00:24:16,520
Speaker 4: financial sense for me, like you seem to be wrapping

599
00:24:16,600 --> 00:24:18,600
Speaker 4: my age. It's only a few kids who could really

600
00:24:18,640 --> 00:24:22,160
Speaker 4: go on tour. Who's my age? Just thinking in their

601
00:24:22,200 --> 00:24:24,560
Speaker 4: brain they're doing a lot, but they're not really doing

602
00:24:24,640 --> 00:24:27,679
Speaker 4: what they think they're doing. Because when you like, for me,

603
00:24:27,720 --> 00:24:32,040
Speaker 4: I was on tour up until twenty twenty when Covid hit,

604
00:24:32,080 --> 00:24:33,960
Speaker 4: I was on tour. I just didn't go back on

605
00:24:34,040 --> 00:24:37,159
Speaker 4: tour after that. But every every tour I had something

606
00:24:37,200 --> 00:24:40,600
Speaker 4: lined up, not just the show behind it. I keep

607
00:24:40,600 --> 00:24:43,119
Speaker 4: the freestyles far doing the album albums last time, like

608
00:24:43,119 --> 00:24:46,119
Speaker 4: a great album is like two weeks. You know what

609
00:24:46,160 --> 00:24:48,560
Speaker 4: I'm saying, Like that's I'm talking about a great one

610
00:24:48,760 --> 00:24:50,520
Speaker 4: last two three weeks?

611
00:24:50,680 --> 00:24:51,760
Speaker 8: Even like an EP just.

612
00:24:54,480 --> 00:24:57,639
Speaker 4: Look look me and Mace got some Now I would

613
00:24:57,640 --> 00:24:59,679
Speaker 4: do that me and ma it's got like nineteen records. Wo.

614
00:25:00,200 --> 00:25:03,200
Speaker 4: But I can't put him out, like like I feel

615
00:25:03,200 --> 00:25:05,960
Speaker 4: like my hands is tied with this. He'll get in

616
00:25:05,960 --> 00:25:07,439
Speaker 4: the mood and he'd be like, we're gonna come out.

617
00:25:07,480 --> 00:25:09,400
Speaker 4: Then he be like, nah, just wait and then don't

618
00:25:09,400 --> 00:25:11,520
Speaker 4: come out. I could play for y'all with nobody listening.

619
00:25:12,080 --> 00:25:16,560
Speaker 4: The world ain't listening. But Mace is really really nice.

620
00:25:17,480 --> 00:25:20,159
Speaker 4: I don't know. I can't tell you. I'm like, he's like,

621
00:25:20,200 --> 00:25:22,400
Speaker 4: he gets in the mood and we're gonna do it,

622
00:25:22,520 --> 00:25:24,800
Speaker 4: and then he'd be like, we're not gonna do it,

623
00:25:25,600 --> 00:25:27,600
Speaker 4: and what we got going on now is too good

624
00:25:27,600 --> 00:25:29,440
Speaker 4: to even question it, you know what I'm saying.

625
00:25:29,520 --> 00:25:31,919
Speaker 10: So the worst two slick talkers out there.

626
00:25:32,840 --> 00:25:35,439
Speaker 4: But on could y'all hear me do the free stops?

627
00:25:35,640 --> 00:25:38,960
Speaker 4: Mace is like dumb nice get like now I'm talking

628
00:25:39,000 --> 00:25:41,840
Speaker 4: about you know you ain't hear really rapping a nice

629
00:25:41,920 --> 00:25:44,680
Speaker 4: nice like a real real problem. I don't want to

630
00:25:44,680 --> 00:25:46,400
Speaker 4: say he's better than me. I want to say that

631
00:25:46,840 --> 00:25:51,120
Speaker 4: he's right underneath what he spent on what it is

632
00:25:51,280 --> 00:25:53,679
Speaker 4: I forced him, dude, be like too much for that

633
00:25:53,720 --> 00:25:56,240
Speaker 4: to happen. But but do you know what the problem

634
00:25:56,280 --> 00:25:58,879
Speaker 4: is for me. He sends me to tell him just

635
00:25:58,880 --> 00:26:01,840
Speaker 4: stop sending me because I'm getting frustrated he do. I

636
00:26:01,840 --> 00:26:03,800
Speaker 4: think you do this to tease me, to be honest

637
00:26:03,840 --> 00:26:06,440
Speaker 4: with you, Kim listening to this, listen to this and

638
00:26:06,440 --> 00:26:08,560
Speaker 4: it never comes out. But I think he does it

639
00:26:08,600 --> 00:26:12,639
Speaker 4: for therapy. He makes too much other money besides what

640
00:26:12,760 --> 00:26:14,639
Speaker 4: we do. Mace makes a lot of money, and I

641
00:26:14,640 --> 00:26:16,440
Speaker 4: think I don't like I don't want to say that,

642
00:26:16,520 --> 00:26:18,800
Speaker 4: but music isn't a priority. I wish it.

643
00:26:19,560 --> 00:26:22,399
Speaker 13: I saw you tell if it's bleep that Mace told

644
00:26:22,400 --> 00:26:23,879
Speaker 13: you that if you and Joe was the music, or

645
00:26:23,920 --> 00:26:25,400
Speaker 13: you and him even do anything that y'all put out,

646
00:26:25,400 --> 00:26:27,399
Speaker 13: it has to be like a moment because of all,

647
00:26:28,160 --> 00:26:31,160
Speaker 13: would that moment if y'are hypothetically speaking, if it did happen,

648
00:26:31,200 --> 00:26:32,080
Speaker 13: what would that moment be?

649
00:26:32,240 --> 00:26:34,200
Speaker 3: Is it a Mace?

650
00:26:35,080 --> 00:26:37,960
Speaker 4: Anything we do together like Mace, Like if we get

651
00:26:38,000 --> 00:26:41,600
Speaker 4: booked together. Mason moved for less than one hundred thousand

652
00:26:41,640 --> 00:26:43,840
Speaker 4: for him, and that's just being nice, Like he just

653
00:26:43,880 --> 00:26:47,560
Speaker 4: don't move. He do too much others to where he's like, Kim,

654
00:26:47,560 --> 00:26:50,119
Speaker 4: if I'm not getting a hundred, I don't even call him.

655
00:26:50,240 --> 00:26:53,359
Speaker 4: If it ain't like two hundred thousand. But he doesn't.

656
00:26:53,400 --> 00:26:56,399
Speaker 4: He doesn't care, like he really doesn't like what he

657
00:26:56,480 --> 00:26:59,840
Speaker 4: got going on. He doesn't care about doing anything else.

658
00:26:59,840 --> 00:27:02,959
Speaker 4: So I'd be like, Yo, Matshaw, listen so and so

659
00:27:03,040 --> 00:27:05,760
Speaker 4: on the bookers for like one hundred twenty five thousand,

660
00:27:05,880 --> 00:27:11,520
Speaker 4: like you're gonna take twenty five, And I'm like, He's like, camm,

661
00:27:11,640 --> 00:27:14,520
Speaker 4: y'all have to realize there's some moment when we're together.

662
00:27:14,640 --> 00:27:18,439
Speaker 4: We haven't been seen for twenty five for ten years,

663
00:27:18,520 --> 00:27:21,640
Speaker 4: why would we take that money. I'm like, Mace, it's

664
00:27:21,680 --> 00:27:26,120
Speaker 4: just a look. It's not a good look. So more

665
00:27:26,119 --> 00:27:28,800
Speaker 4: of the story is he basically says, we haven't been

666
00:27:28,840 --> 00:27:30,919
Speaker 4: speaking for a while, we're getting older. Everything that we

667
00:27:31,000 --> 00:27:34,639
Speaker 4: need to do needs to count. So kind of like

668
00:27:34,720 --> 00:27:37,360
Speaker 4: when you heard me say that with Juel's, same thing.

669
00:27:37,440 --> 00:27:39,840
Speaker 4: Juelle's has sent me to do a record, sent a

670
00:27:39,880 --> 00:27:43,040
Speaker 4: record for me to do probably five or six months,

671
00:27:43,080 --> 00:27:45,280
Speaker 4: maybe longer than that, and there was a good record,

672
00:27:45,320 --> 00:27:47,240
Speaker 4: but it was like, y'all be spectacled when you do

673
00:27:47,280 --> 00:27:49,320
Speaker 4: a song in fifteen years. So that's kind of what you're.

674
00:27:49,160 --> 00:27:49,800
Speaker 10: Gonna How did you?

675
00:27:49,800 --> 00:27:51,480
Speaker 5: It makes get back together for people that don't know

676
00:27:51,520 --> 00:27:53,840
Speaker 5: because there was Yuay. Were going back and forth for

677
00:27:53,920 --> 00:27:55,760
Speaker 5: years and then Bill.

678
00:27:56,240 --> 00:27:59,119
Speaker 4: Yeah, absolutely shot to Gillian Wallow. He went on Gillian

679
00:27:59,160 --> 00:28:03,280
Speaker 4: Wallow's show. I guess as artist was saying that Mace

680
00:28:03,440 --> 00:28:06,560
Speaker 4: was stealing from him or whatever, and when he was

681
00:28:06,640 --> 00:28:10,359
Speaker 4: up there, he just was like he basically like shouting

682
00:28:10,440 --> 00:28:12,000
Speaker 4: me out in the cool way. He's like, because you know,

683
00:28:12,040 --> 00:28:14,000
Speaker 4: he did a disrecord and it was kind of it

684
00:28:14,080 --> 00:28:16,880
Speaker 4: was crazy the oracle this to me, He's I didn't

685
00:28:16,920 --> 00:28:21,199
Speaker 4: really want to do that the camp and I was like,

686
00:28:21,880 --> 00:28:23,720
Speaker 4: but he said, in the coolies like cams my man.

687
00:28:23,760 --> 00:28:25,919
Speaker 4: Then I went on Gillian Waller and then we talked

688
00:28:25,960 --> 00:28:28,399
Speaker 4: and then when we spoke, we spoke and we just

689
00:28:28,480 --> 00:28:30,879
Speaker 4: kept it moving. But all because of Gillian Waller.

690
00:28:31,119 --> 00:28:34,480
Speaker 10: Basically click how the show come together from there, So.

691
00:28:34,359 --> 00:28:37,439
Speaker 4: The show actually came together. We were supposed to do a

692
00:28:37,480 --> 00:28:39,720
Speaker 4: tour after we got cool met him and Jada. That

693
00:28:39,760 --> 00:28:43,720
Speaker 4: didn't work out, and so many people were inviting me

694
00:28:43,760 --> 00:28:46,040
Speaker 4: to do podcasts, like yo, cam do a podcast when

695
00:28:46,040 --> 00:28:49,360
Speaker 4: you're gonna do a podcast, and I'm like, I don't

696
00:28:49,360 --> 00:28:51,160
Speaker 4: really want to talk to for a living, you know

697
00:28:51,200 --> 00:28:53,720
Speaker 4: what I'm saying, Like the Christ like, I don't want

698
00:28:53,760 --> 00:28:56,840
Speaker 4: to have to talk to nobody, but I do like sports.

699
00:28:57,480 --> 00:29:00,360
Speaker 4: So I look at the phone, I'm arguing with the

700
00:29:00,440 --> 00:29:02,880
Speaker 4: time I hang the phone up, it's say two and

701
00:29:02,960 --> 00:29:05,840
Speaker 4: a half hours of me argueing with it about sports.

702
00:29:05,880 --> 00:29:08,160
Speaker 4: So I was like, maybe this is something I want

703
00:29:08,200 --> 00:29:11,239
Speaker 4: to do. And I built a stage. I go out

704
00:29:11,280 --> 00:29:14,040
Speaker 4: of sound stage, I built my own set out, and

705
00:29:14,080 --> 00:29:16,760
Speaker 4: I said I'm going to do ESPN mester Hood. So

706
00:29:16,840 --> 00:29:19,000
Speaker 4: that's why we were suits on the show. But it

707
00:29:19,120 --> 00:29:23,360
Speaker 4: was a professional setting. And then after that I invited

708
00:29:23,440 --> 00:29:26,800
Speaker 4: Mace on the show as a guest and he's like, here,

709
00:29:26,880 --> 00:29:29,920
Speaker 4: what's going on? So I'm just shooting. I got a budget.

710
00:29:30,480 --> 00:29:32,760
Speaker 4: I'm gonna reach his budget and see if his bike

711
00:29:32,800 --> 00:29:36,560
Speaker 4: of course, and he's like you want to be partners.

712
00:29:36,600 --> 00:29:38,880
Speaker 4: I'm like, after I get my money back on what

713
00:29:39,000 --> 00:29:40,960
Speaker 4: I spent, we could go fifty to fifty and he's like,

714
00:29:40,960 --> 00:29:43,680
Speaker 4: all right, bet. So we did about ten shows and

715
00:29:43,760 --> 00:29:45,800
Speaker 4: a bunch of people called, so we ended up doing

716
00:29:45,840 --> 00:29:48,760
Speaker 4: like thirty shows and ended up getting a really good deal.

717
00:29:48,840 --> 00:29:51,760
Speaker 4: But after I did like five shows, he's like my

718
00:29:51,840 --> 00:29:54,000
Speaker 4: fifth guests and he's like to be partners. Shoes I

719
00:29:54,120 --> 00:29:56,400
Speaker 4: have nobody consistent doing it anyway, So that's how I

720
00:29:56,440 --> 00:29:56,880
Speaker 4: came together.

721
00:29:57,000 --> 00:29:59,440
Speaker 1: I did y'all smoking man. I think everything that y'all

722
00:29:59,440 --> 00:30:00,720
Speaker 1: have done in the media, it's grazy what it is,

723
00:30:00,720 --> 00:30:01,160
Speaker 1: what it is.

724
00:30:01,240 --> 00:30:04,320
Speaker 8: And then talk with Lee. I thank y'all smoking, Nah.

725
00:30:04,360 --> 00:30:06,840
Speaker 4: I appreciate that. Thank you, brother, I appreciate it, man.

726
00:30:06,920 --> 00:30:09,800
Speaker 4: It's all natural, it's all fun and kind of me.

727
00:30:09,840 --> 00:30:14,040
Speaker 4: A Mace relationship is like just picking up because we

728
00:30:14,160 --> 00:30:17,680
Speaker 4: me talking about just regular high school. After high school,

729
00:30:17,720 --> 00:30:20,560
Speaker 4: we gotta realize a lot of our public life was publicized.

730
00:30:20,560 --> 00:30:22,720
Speaker 4: So Mace got his deal at twenty one. I got

731
00:30:22,720 --> 00:30:24,600
Speaker 4: my deal at twenty one. So a lot of Chelse

732
00:30:24,640 --> 00:30:28,160
Speaker 4: seen music wise, it's been since we twenty one years old.

733
00:30:28,600 --> 00:30:30,240
Speaker 1: And I also say, you know, if you whatever, but

734
00:30:30,320 --> 00:30:32,520
Speaker 1: thank you for that. If what you build only benefits you,

735
00:30:32,600 --> 00:30:34,320
Speaker 1: it's not big enough. I love the way that you've

736
00:30:34,320 --> 00:30:37,280
Speaker 1: empowered somebody like Treasure, you know what I'm saying. And

737
00:30:37,320 --> 00:30:39,320
Speaker 1: I know you gots do like a whole production team there,

738
00:30:39,440 --> 00:30:40,040
Speaker 1: and she has.

739
00:30:39,920 --> 00:30:41,400
Speaker 12: Like a network or something for her own where she

740
00:30:41,400 --> 00:30:42,600
Speaker 12: can shun.

741
00:30:42,400 --> 00:30:45,000
Speaker 4: Well, she has her own show. It's called check Out

742
00:30:45,000 --> 00:30:49,000
Speaker 4: the stat and whatever she wants you to do. She's

743
00:30:49,280 --> 00:30:51,560
Speaker 4: able to do. We don't hold anybody out. We don't

744
00:30:51,560 --> 00:30:53,920
Speaker 4: stop nobody from doing what they can do, what they

745
00:30:53,960 --> 00:30:57,280
Speaker 4: want to do. She's big in the streaming world. You know,

746
00:30:57,360 --> 00:31:00,600
Speaker 4: I'm not really twitching and all that. It's like she's

747
00:31:00,640 --> 00:31:04,600
Speaker 4: big with Consanai and her boyfriend's a streamer and everything else.

748
00:31:04,640 --> 00:31:07,360
Speaker 4: But she just turned twenty four years old. So it's

749
00:31:07,360 --> 00:31:10,600
Speaker 4: really dope to have a dynamic of her being on

750
00:31:10,600 --> 00:31:12,880
Speaker 4: a show because we tease her about we don't know

751
00:31:12,920 --> 00:31:14,800
Speaker 4: and that should turn it back on us, like y'all

752
00:31:14,840 --> 00:31:18,680
Speaker 4: just don't know this. So it's good different generations being

753
00:31:18,720 --> 00:31:20,560
Speaker 4: on the show. But definitely she has a bunch of

754
00:31:20,880 --> 00:31:22,560
Speaker 4: she was going on with her show. It's called check

755
00:31:22,600 --> 00:31:23,640
Speaker 4: Out the Step in the.

756
00:31:23,600 --> 00:31:26,960
Speaker 13: Moment with her you and Adrian Brawner that went viral.

757
00:31:27,920 --> 00:31:30,040
Speaker 13: We had a conversation about it up here, and when

758
00:31:30,040 --> 00:31:33,000
Speaker 13: I watched the moment, I was so appreciative of it.

759
00:31:33,040 --> 00:31:35,040
Speaker 13: And I'm not her just because I know what it's

760
00:31:35,080 --> 00:31:36,440
Speaker 13: like to not be able to like kind of say

761
00:31:36,440 --> 00:31:39,160
Speaker 13: things or whatever. When that went super vibe, when people

762
00:31:39,160 --> 00:31:40,960
Speaker 13: were reacting to it, how did you feel watching it

763
00:31:41,000 --> 00:31:42,680
Speaker 13: because it was a natural thing for you to just do.

764
00:31:43,200 --> 00:31:45,480
Speaker 4: I don't really watched the show, to be honest with you.

765
00:31:45,520 --> 00:31:47,800
Speaker 4: We do the five days a week and I keep

766
00:31:47,840 --> 00:31:50,440
Speaker 4: it moving, so I didn't really I never watched it.

767
00:31:50,480 --> 00:31:52,920
Speaker 4: But it's in the moment your accent, like, but in

768
00:31:52,960 --> 00:31:55,880
Speaker 4: the moment see a lot of things y'all didn't see.

769
00:31:55,680 --> 00:31:58,360
Speaker 4: We don't we don't go live. We pre record. So

770
00:31:58,840 --> 00:32:01,960
Speaker 4: I stopped the show like six seven times and asks

771
00:32:02,000 --> 00:32:04,200
Speaker 4: him to stop. You know what I'm saying. It wasn't

772
00:32:04,240 --> 00:32:06,640
Speaker 4: like just once, it was like six seven times because

773
00:32:06,640 --> 00:32:08,560
Speaker 4: I know his dream Broun. I have a relationship with him.

774
00:32:09,080 --> 00:32:11,600
Speaker 4: I kept asking him to stop, and he was like, oh,

775
00:32:11,640 --> 00:32:14,280
Speaker 4: my bad, mo, my bad, bro, and he went and stopped.

776
00:32:14,320 --> 00:32:20,120
Speaker 14: To look so good in personally say what you wish that.

777
00:32:23,520 --> 00:32:26,520
Speaker 10: I love you got.

778
00:32:26,880 --> 00:32:29,640
Speaker 8: I'm sorry, I'm my bad, yaf my bad?

779
00:32:30,080 --> 00:32:30,640
Speaker 10: Hey stuck?

780
00:32:30,720 --> 00:32:31,720
Speaker 6: Could you stop?

781
00:32:31,880 --> 00:32:32,480
Speaker 8: Can you stop?

782
00:32:34,080 --> 00:32:34,280
Speaker 4: Yo?

783
00:32:34,440 --> 00:32:34,560
Speaker 8: Yo?

784
00:32:34,680 --> 00:32:42,760
Speaker 4: Broh? I told you so. Basically, I just asked him

785
00:32:42,760 --> 00:32:44,640
Speaker 4: to leave. You know, I didn't really want some of

786
00:32:44,640 --> 00:32:47,520
Speaker 4: the parts that I wish would It got edited to

787
00:32:47,560 --> 00:32:49,840
Speaker 4: where when I came back and I was kind of frustrating,

788
00:32:49,840 --> 00:32:52,600
Speaker 4: and I said something about him afterwards, which I didn't

789
00:32:52,640 --> 00:32:54,960
Speaker 4: want to air, but that was just pure frustration. But

790
00:32:55,000 --> 00:32:57,480
Speaker 4: in the moment, that's like my little sister, you know

791
00:32:57,520 --> 00:32:59,560
Speaker 4: what I'm saying. So at the end of the day,

792
00:32:59,800 --> 00:33:02,720
Speaker 4: if if you keep doing that, you dispected her. And

793
00:33:02,760 --> 00:33:04,720
Speaker 4: then if I asked you to stop, you disrespected me.

794
00:33:05,080 --> 00:33:07,800
Speaker 4: So now you're really in my house and you disrespected me.

795
00:33:08,000 --> 00:33:10,479
Speaker 4: So I paid him for his time and asked him

796
00:33:10,480 --> 00:33:12,280
Speaker 4: to leave. Like I said, it ain't like he's a stranger.

797
00:33:12,320 --> 00:33:13,760
Speaker 4: I know who he is and we got some mutual

798
00:33:13,800 --> 00:33:15,720
Speaker 4: friends as well, so but in the moment, it was

799
00:33:15,760 --> 00:33:18,600
Speaker 4: just disrespectful because it isn't like we asked you to

800
00:33:18,600 --> 00:33:19,960
Speaker 4: stop several times, and.

801
00:33:19,880 --> 00:33:23,120
Speaker 1: He apologized and people were mad at you because they're like, yo, you.

802
00:33:23,440 --> 00:33:26,440
Speaker 1: I guess they caught you saying something why his face, that's.

803
00:33:26,240 --> 00:33:29,040
Speaker 4: What I was talking about. I mean I was saying

804
00:33:29,080 --> 00:33:31,840
Speaker 4: that because when I sat back then I was like,

805
00:33:32,040 --> 00:33:33,720
Speaker 4: I hate this. I don't really want to repeat what

806
00:33:33,760 --> 00:33:36,640
Speaker 4: I say, and he's like, basically, yuh can this that?

807
00:33:36,720 --> 00:33:38,640
Speaker 4: And the third why'd you why'd you say that? It

808
00:33:38,680 --> 00:33:41,800
Speaker 4: was purely out of frustration. That's like saying, if y'all

809
00:33:41,840 --> 00:33:44,600
Speaker 4: walked me out now and then you sit down, you know, no,

810
00:33:44,840 --> 00:33:46,920
Speaker 4: I didn't sit down for the edit, and then you'd

811
00:33:46,920 --> 00:33:49,040
Speaker 4: be like, yo, this you know what I'm saying. I

812
00:33:49,080 --> 00:33:51,000
Speaker 4: said a little more than that, but it's like that

813
00:33:51,040 --> 00:33:52,880
Speaker 4: part should have been cut out. But it wasn't about

814
00:33:52,880 --> 00:33:55,120
Speaker 4: saying nothing to his face. I said it to his trade.

815
00:33:55,120 --> 00:33:58,000
Speaker 4: I walked over to him, and actually I scored him out.

816
00:33:58,080 --> 00:34:00,760
Speaker 4: It wasn't about a fighting situation for me and nothing

817
00:34:00,800 --> 00:34:02,600
Speaker 4: like that was just more of for I think he

818
00:34:02,760 --> 00:34:06,800
Speaker 4: was a little intoxicated and he just needs to be escorted.

819
00:34:06,440 --> 00:34:07,720
Speaker 8: Out, accountable.

820
00:34:08,719 --> 00:34:09,920
Speaker 4: Yes, smart guy.

821
00:34:10,360 --> 00:34:11,880
Speaker 8: So any artist that comes up there that talk to you,

822
00:34:12,120 --> 00:34:12,919
Speaker 8: you're gonnay him out.

823
00:34:14,239 --> 00:34:17,120
Speaker 4: You think about it is I'm not gonna terms Crawfords.

824
00:34:17,239 --> 00:34:18,360
Speaker 4: I'm not walking up on m.

825
00:34:22,480 --> 00:34:22,759
Speaker 3: I'm not.

826
00:34:23,840 --> 00:34:26,680
Speaker 4: But the security there, it ain't just us in there.

827
00:34:26,719 --> 00:34:29,760
Speaker 4: It was just other people in that that's outside the studio.

828
00:34:29,840 --> 00:34:32,880
Speaker 4: So it isn't just randomly me just putting out. But

829
00:34:32,920 --> 00:34:34,400
Speaker 4: I feel me and him was cool enough for me

830
00:34:34,440 --> 00:34:34,600
Speaker 4: to do.

831
00:34:35,520 --> 00:34:37,759
Speaker 1: And I'm glad you brought that Pink horse power. Oh yeah, yeah,

832
00:34:37,800 --> 00:34:41,200
Speaker 1: because I can't order it discreetly. I don't think I'm

833
00:34:41,239 --> 00:34:42,359
Speaker 1: glad that you brought it up here.

834
00:34:42,640 --> 00:34:43,120
Speaker 8: What is it?

835
00:34:43,160 --> 00:34:44,280
Speaker 6: I thought it was edible.

836
00:34:44,480 --> 00:34:44,840
Speaker 3: What is it.

837
00:34:46,160 --> 00:34:49,759
Speaker 4: She could take one from many your time. So basically

838
00:34:50,800 --> 00:34:51,480
Speaker 4: they delivered too.

839
00:34:51,520 --> 00:34:55,359
Speaker 5: By the way you call it, okay, crazy.

840
00:34:59,280 --> 00:35:00,400
Speaker 8: Honey back in the day.

841
00:35:02,680 --> 00:35:06,080
Speaker 4: Yeah, this is all naturals today. Yeah, it's all naturalist

842
00:35:06,080 --> 00:35:12,640
Speaker 4: from Africa, Africa. I'm gonna show you the video like

843
00:35:12,880 --> 00:35:14,759
Speaker 4: so you can see exactly where I went to get it.

844
00:35:14,760 --> 00:35:17,120
Speaker 4: Because the thing about it is this, So they have

845
00:35:17,239 --> 00:35:20,920
Speaker 4: this in the city, different places. But what happens is

846
00:35:20,960 --> 00:35:23,400
Speaker 4: I know people in Senegal and it comes in on

847
00:35:23,440 --> 00:35:25,440
Speaker 4: the boat. And what happens is when it's on the boat,

848
00:35:25,440 --> 00:35:28,799
Speaker 4: they water it down, they double or double down, so

849
00:35:28,840 --> 00:35:32,200
Speaker 4: it's more when it gets here. And basically I keep

850
00:35:32,200 --> 00:35:34,719
Speaker 4: it on the boat for two months to watch our

851
00:35:34,840 --> 00:35:37,000
Speaker 4: stocks so that we make sure we have the highest

852
00:35:37,000 --> 00:35:40,840
Speaker 4: potency of it. But it's all natural leaves, roots, trees,

853
00:35:41,520 --> 00:35:44,600
Speaker 4: and we just got the best product. It works. We've

854
00:35:44,640 --> 00:35:48,160
Speaker 4: been doing this for four years, probably made close to

855
00:35:48,160 --> 00:35:51,239
Speaker 4: ten million dollars on it, and uh, it's been really

856
00:35:51,239 --> 00:35:54,359
Speaker 4: really good. My man sugar Doggar basically runs everything right

857
00:35:54,400 --> 00:35:56,840
Speaker 4: now with that. But it's been really well. And the

858
00:35:56,880 --> 00:35:59,359
Speaker 4: thing about we are reoccurring customers that it's coming back.

859
00:35:59,400 --> 00:36:03,000
Speaker 4: I guarantee it, like Frank Lucas said, I guarantee it

860
00:36:03,160 --> 00:36:06,120
Speaker 4: like it's really gonna work. But Jess asked me how

861
00:36:06,160 --> 00:36:09,080
Speaker 4: long I was saying that. I said ten minutes. I said,

862
00:36:09,120 --> 00:36:10,799
Speaker 4: I wouldn't go do that and go to the mall,

863
00:36:10,840 --> 00:36:12,319
Speaker 4: hang out with your mom, nothing else.

864
00:36:12,440 --> 00:36:14,480
Speaker 1: Take that when it's time to go in and work

865
00:36:14,560 --> 00:36:18,400
Speaker 1: really Fastna.

866
00:36:16,840 --> 00:36:27,600
Speaker 4: Everything's good. You see, every know.

867
00:36:23,360 --> 00:36:24,040
Speaker 8: That's a conversation.

868
00:36:24,080 --> 00:36:25,680
Speaker 7: We're gonna be honest with you.

869
00:36:25,760 --> 00:36:27,800
Speaker 4: Ill don't want to say too much because but that

870
00:36:27,880 --> 00:36:29,040
Speaker 4: has good health reflect as well.

871
00:36:29,120 --> 00:36:31,640
Speaker 5: Now I tell everybody Cam is one of the pettiest

872
00:36:31,680 --> 00:36:34,520
Speaker 5: people I know. Right, yeah, I said, between Cam and fifty,

873
00:36:34,560 --> 00:36:36,480
Speaker 5: they are the two pettiest people I've ever seen in

874
00:36:36,480 --> 00:36:36,759
Speaker 5: my life.

875
00:36:36,800 --> 00:36:39,880
Speaker 4: Trying to do better though you're not what happened.

876
00:36:39,640 --> 00:36:41,320
Speaker 8: To Omar good and so you try.

877
00:36:41,200 --> 00:36:44,960
Speaker 4: To do better after that, she don't be knowing the

878
00:36:45,040 --> 00:36:47,880
Speaker 4: best story. So like right, Omar good and part of

879
00:36:47,920 --> 00:36:50,560
Speaker 4: me again. I was on my show talking about be

880
00:36:50,760 --> 00:36:54,239
Speaker 4: less actors black black actors. No disrespecting him, but we

881
00:36:54,280 --> 00:36:57,759
Speaker 4: all know his brother Cuba is the biggest star. And

882
00:36:57,960 --> 00:37:03,719
Speaker 4: basically I said Omar Gooding Junior, and he went off.

883
00:37:03,760 --> 00:37:06,200
Speaker 4: He went crazy, and because I hired him before for

884
00:37:06,280 --> 00:37:10,320
Speaker 4: a movie I did like twenty eleven twenty twelve percentage.

885
00:37:10,360 --> 00:37:12,359
Speaker 4: I did a movie with Queen Latif and shot Kim,

886
00:37:12,680 --> 00:37:14,759
Speaker 4: shot the Queen the TV and shot him and we

887
00:37:14,880 --> 00:37:17,399
Speaker 4: hired him. So in my segment of my show, I'm like, yo,

888
00:37:17,880 --> 00:37:21,000
Speaker 4: it's for the B class black actor, because you got

889
00:37:21,040 --> 00:37:22,879
Speaker 4: to sit here and wait for somebody to call you

890
00:37:22,880 --> 00:37:25,920
Speaker 4: for a part, or if they do, who says you're

891
00:37:25,920 --> 00:37:28,120
Speaker 4: going to get the part? Like just sitting around and waiting.

892
00:37:28,560 --> 00:37:30,960
Speaker 4: And I was actually talking to Rich Paul and he

893
00:37:31,040 --> 00:37:32,960
Speaker 4: was like, I'm should have came up with a network

894
00:37:33,000 --> 00:37:35,120
Speaker 4: by now, all came together, you know what I'm saying.

895
00:37:35,160 --> 00:37:38,440
Speaker 4: But I basically was telling y'all telling him saying what

896
00:37:38,520 --> 00:37:41,520
Speaker 4: I'm telling y'all now. And I called him Omar Gooding

897
00:37:41,600 --> 00:37:44,680
Speaker 4: Junior and he just went crazy. He was like, how

898
00:37:44,719 --> 00:37:47,799
Speaker 4: the fucking mind junior? When Cuba is the junior, you

899
00:37:47,920 --> 00:37:50,080
Speaker 4: disrespect him. You don't call a man out his name, this,

900
00:37:50,120 --> 00:37:51,719
Speaker 4: that and the third. So I'm like, I got him

901
00:37:51,680 --> 00:37:53,959
Speaker 4: on this page. I said, you go look at the dates.

902
00:37:54,000 --> 00:37:56,360
Speaker 4: I said, my bad, bro, I didn't mean to offend you. No,

903
00:37:56,560 --> 00:37:59,960
Speaker 4: no problem now that Then he started doing dish records

904
00:38:00,040 --> 00:38:00,920
Speaker 4: and I was like his.

905
00:38:01,040 --> 00:38:03,399
Speaker 8: Rappit wasn't bad though, that wasn't that bad, all right.

906
00:38:03,440 --> 00:38:05,160
Speaker 4: I put it on a pair. I said, this type high.

907
00:38:07,680 --> 00:38:09,719
Speaker 4: I brote that on this comments. I'm like, yo, I

908
00:38:09,719 --> 00:38:12,560
Speaker 4: don't want no smoke, bro, this die this is dope.

909
00:38:12,719 --> 00:38:15,680
Speaker 4: So did another one. I'm like, ill, I bet so

910
00:38:16,440 --> 00:38:18,759
Speaker 4: I know how much you cost? Bro? You know what

911
00:38:18,760 --> 00:38:22,160
Speaker 4: I'm saying. So I had a mutual friend. I was like, yo,

912
00:38:22,239 --> 00:38:24,239
Speaker 4: when you I haven't used him poison a while, how

913
00:38:24,280 --> 00:38:26,600
Speaker 4: much are you booking for you? Like, when I need

914
00:38:26,600 --> 00:38:28,719
Speaker 4: a movie scene, I pay him twelve hundred, said, but

915
00:38:28,880 --> 00:38:32,160
Speaker 4: I got three. I got three thousand for this. And

916
00:38:32,320 --> 00:38:34,480
Speaker 4: that's how that went because he went and stopped doing records.

917
00:38:34,520 --> 00:38:36,239
Speaker 4: And I already said I didn't want to problem.

918
00:38:35,960 --> 00:38:38,040
Speaker 8: And you said, I'm gonna come up with a fake movie.

919
00:38:38,280 --> 00:38:39,719
Speaker 3: Yeah, fike script, so you have to.

920
00:38:41,840 --> 00:38:44,640
Speaker 4: Yeah. But what happened is he signed a paperwork. And

921
00:38:44,719 --> 00:38:48,400
Speaker 4: so let's just say I paid every three. I gave

922
00:38:48,480 --> 00:38:50,440
Speaker 4: him three thousand dollars because I know he wouldn't say

923
00:38:50,480 --> 00:38:53,280
Speaker 4: no because he gets twelve hundred. So I said three thousand.

924
00:38:53,719 --> 00:38:58,880
Speaker 4: His flight was seven eight hundred, and so let's just

925
00:38:58,920 --> 00:39:02,640
Speaker 4: say I spent five that, so once he signed up paperwork,

926
00:39:02,760 --> 00:39:06,200
Speaker 4: I'm getting ten times that for the episode, so I win.

927
00:39:06,840 --> 00:39:10,240
Speaker 4: I spent five, but I made forty five off of gotcha,

928
00:39:10,440 --> 00:39:14,200
Speaker 4: off of his stupidity for me telling you I don't

929
00:39:14,200 --> 00:39:16,520
Speaker 4: want no problem with you, but you won't stop. So

930
00:39:16,560 --> 00:39:18,880
Speaker 4: now I'm gonna give you five and make forty five

931
00:39:19,239 --> 00:39:20,040
Speaker 4: and this content.

932
00:39:20,120 --> 00:39:21,880
Speaker 8: At the same time, he was really another room watching

933
00:39:22,040 --> 00:39:22,520
Speaker 8: and directed.

934
00:39:22,920 --> 00:39:25,160
Speaker 4: I wasn't enough room, but I had a ring camera

935
00:39:25,280 --> 00:39:28,879
Speaker 4: up around the corner at one of my cribs watching.

936
00:39:28,560 --> 00:39:30,680
Speaker 13: The whole old time, and he was to say that

937
00:39:30,680 --> 00:39:32,880
Speaker 13: he was gonna take legal action. Is that possible or like?

938
00:39:32,880 --> 00:39:34,480
Speaker 13: Because what documents did you have him sign it?

939
00:39:34,560 --> 00:39:34,959
Speaker 12: Like whatever?

940
00:39:35,080 --> 00:39:38,239
Speaker 4: Adam. So basically my man who actually didn't shine, my

941
00:39:38,239 --> 00:39:41,719
Speaker 4: man Babi one of my production companies, partners of one

942
00:39:41,719 --> 00:39:45,080
Speaker 4: of my production companies. We basically had him sign everything,

943
00:39:45,680 --> 00:39:47,319
Speaker 4: and what he was trying to say was gonna take

944
00:39:47,400 --> 00:39:50,600
Speaker 4: legal action about everything was cool but the dressing room.

945
00:39:50,640 --> 00:39:52,640
Speaker 4: But he didn't realize what he signed was once you

946
00:39:52,719 --> 00:39:55,720
Speaker 4: walk in, we could use security for his ring footage,

947
00:39:55,840 --> 00:40:00,080
Speaker 4: everything that we wanted to use once you walked in

948
00:40:00,080 --> 00:40:02,920
Speaker 4: the building, any camera we wanted to use. And what

949
00:40:02,960 --> 00:40:05,240
Speaker 4: I did was he had we get him fifteen hundred

950
00:40:05,280 --> 00:40:08,120
Speaker 4: dollars up front, and when he came, I made sure

951
00:40:08,160 --> 00:40:10,400
Speaker 4: the other fifteen hundred was in tens and files so

952
00:40:10,480 --> 00:40:12,400
Speaker 4: it looked like he got a lot of money. So

953
00:40:12,440 --> 00:40:14,400
Speaker 4: when he gave him, he gave him to not he

954
00:40:14,520 --> 00:40:19,600
Speaker 4: was I knew he would just signing anything, because you know,

955
00:40:19,640 --> 00:40:21,399
Speaker 4: when it looked for us, when it looked like it's

956
00:40:21,440 --> 00:40:24,680
Speaker 4: a lot, So we paid him like tens and five,

957
00:40:24,760 --> 00:40:26,880
Speaker 4: so it looked like he had twenty thousand when the

958
00:40:27,360 --> 00:40:28,440
Speaker 4: fifteen hundred dollars.

959
00:40:28,480 --> 00:40:30,120
Speaker 1: I don't know why you waited so long to do

960
00:40:30,200 --> 00:40:32,000
Speaker 1: to kill a comedy show. And I don't know why

961
00:40:32,000 --> 00:40:33,440
Speaker 1: you not on stage, damn.

962
00:40:36,400 --> 00:40:40,160
Speaker 4: Funny exactly now, I just don't be bothering people. And

963
00:40:40,200 --> 00:40:42,000
Speaker 4: then I'd be like, YO, leave me alone because I

964
00:40:42,040 --> 00:40:45,000
Speaker 4: know where I could go with it. And this is what.

965
00:40:45,040 --> 00:40:47,000
Speaker 8: Happens now, tell us about this comedy show.

966
00:40:47,080 --> 00:40:48,800
Speaker 4: Thanks thanks for even bringing that up. We got to

967
00:40:48,880 --> 00:40:54,359
Speaker 4: kill a comedy show. Today is tonight at the Beacon Theater.

968
00:40:54,640 --> 00:40:56,440
Speaker 4: Mo Man Johnny Shipes in the building. He's the one

969
00:40:56,440 --> 00:40:59,640
Speaker 4: that put everything together. D Ray's going to be there.

970
00:40:59,719 --> 00:41:04,440
Speaker 4: J I was gonna be a Tony rock Corey come yeah. Sorry,

971
00:41:04,480 --> 00:41:10,759
Speaker 4: I don't know if y'all still be Will Mills and

972
00:41:11,239 --> 00:41:18,240
Speaker 4: Ray Ray so yeah, yeah, yeah, yeah. So performers performing

973
00:41:18,400 --> 00:41:20,680
Speaker 4: is well. Definitely, y'all are all welcome to come. I

974
00:41:20,680 --> 00:41:22,239
Speaker 4: don't know what you guys are doing, but y'all more

975
00:41:22,239 --> 00:41:25,000
Speaker 4: than welcome to come. But we actually put that together

976
00:41:25,040 --> 00:41:28,080
Speaker 4: because I did. I got a cameo in the movie

977
00:41:28,400 --> 00:41:29,439
Speaker 4: Happy Gilmore too.

978
00:41:30,000 --> 00:41:33,560
Speaker 8: Yeah yeah, yeah, come about so yeah.

979
00:41:33,600 --> 00:41:35,960
Speaker 4: Joe Vessey, he's a comedian and writes with Adam saying

980
00:41:36,160 --> 00:41:37,680
Speaker 4: he's a big fan. He's the one that kind of

981
00:41:37,680 --> 00:41:39,200
Speaker 4: got us in the movie. I'm saying, this is my

982
00:41:39,239 --> 00:41:42,319
Speaker 4: man too. And he has a stand up and he

983
00:41:42,360 --> 00:41:44,040
Speaker 4: wants me to put it out. I guess he's not

984
00:41:44,040 --> 00:41:47,040
Speaker 4: going through the right channels. And I'm like, Johnny, like

985
00:41:47,120 --> 00:41:49,680
Speaker 4: I said, we're gonna put that out, but he was like,

986
00:41:50,400 --> 00:41:53,640
Speaker 4: let's just do a whole comedy show. We got out back.

987
00:41:53,960 --> 00:41:56,400
Speaker 4: They sponsored. That's how going, so we're gonna go on

988
00:41:56,440 --> 00:41:58,759
Speaker 4: tour with it. That's that easy bash out to Joe

989
00:41:58,840 --> 00:42:00,640
Speaker 4: VESI for even giving me that there to want to

990
00:42:00,680 --> 00:42:00,880
Speaker 4: do it.

991
00:42:01,360 --> 00:42:04,480
Speaker 1: Oh's the Joe, what what made you want to get

992
00:42:04,520 --> 00:42:06,720
Speaker 1: into comedy now, because you've always been for the funny

993
00:42:06,800 --> 00:42:07,880
Speaker 1: right always.

994
00:42:08,000 --> 00:42:10,040
Speaker 4: I'm being honest. It was Joe Vessi. I'm not even

995
00:42:10,080 --> 00:42:11,640
Speaker 4: gonna say and hold you when he said he had

996
00:42:12,040 --> 00:42:14,080
Speaker 4: so he has a stand up that's done, and he

997
00:42:14,160 --> 00:42:16,640
Speaker 4: just wanted to put it into my lap and say,

998
00:42:16,719 --> 00:42:18,560
Speaker 4: Cam do what you could do with him. And I'm like,

999
00:42:19,040 --> 00:42:21,480
Speaker 4: he's not on this show because paperwork kind of took

1000
00:42:21,520 --> 00:42:23,600
Speaker 4: a while, but it was purely when he had a

1001
00:42:23,680 --> 00:42:25,919
Speaker 4: stand up and I'm like, I'm gonna find a home

1002
00:42:26,000 --> 00:42:28,879
Speaker 4: for it, but why not put the show together after that?

1003
00:42:28,880 --> 00:42:31,440
Speaker 4: That's it's really totally Joe Vessi that gave me the

1004
00:42:31,480 --> 00:42:32,800
Speaker 4: idea to put a comedy show together.

1005
00:42:32,840 --> 00:42:34,759
Speaker 1: You know, you know, you know his dad, Peter Beth.

1006
00:42:34,840 --> 00:42:36,160
Speaker 1: You wanted to best sports commed.

1007
00:42:36,920 --> 00:42:39,400
Speaker 4: Joe Vessy is like a street basketball playing all that,

1008
00:42:40,200 --> 00:42:42,600
Speaker 4: so shout to him. That's how I came about Dope,

1009
00:42:42,800 --> 00:42:43,799
Speaker 4: No more, no less. Man.

1010
00:42:44,120 --> 00:42:46,320
Speaker 5: I gotta ask, where did the friction with you and

1011
00:42:46,400 --> 00:42:48,160
Speaker 5: Dame come from? How did that happen?

1012
00:42:49,200 --> 00:42:49,680
Speaker 4: I don't know.

1013
00:42:50,480 --> 00:42:53,640
Speaker 8: Dame like he was a manager partner with you one time.

1014
00:42:53,560 --> 00:42:56,000
Speaker 4: Right, Dame like Damed it a lot for me. You

1015
00:42:56,040 --> 00:42:58,279
Speaker 4: know what I'm saying, like, like today's going to be

1016
00:42:58,280 --> 00:43:02,760
Speaker 4: my last day. Dame dashed. That's too yeh, because it's annoying,

1017
00:43:02,880 --> 00:43:04,840
Speaker 4: you know what I'm saying. So, to be honest with you,

1018
00:43:04,920 --> 00:43:07,120
Speaker 4: I feel like I got set up. I feel like

1019
00:43:07,200 --> 00:43:10,120
Speaker 4: Dame had all this, all these problems with me and

1020
00:43:10,200 --> 00:43:12,480
Speaker 4: never said it and was looking like a reason to

1021
00:43:12,520 --> 00:43:15,800
Speaker 4: say it. I was in a terrible deal of Epic records.

1022
00:43:16,600 --> 00:43:20,040
Speaker 4: I grew up with Dame and Rockefeller was up, and

1023
00:43:20,080 --> 00:43:22,320
Speaker 4: he helped me get out that deal, and then I

1024
00:43:22,360 --> 00:43:24,880
Speaker 4: actually signed me to Rockefeller. That helped me get my

1025
00:43:24,920 --> 00:43:28,440
Speaker 4: group on. Rockefeller put out a platinum album that Dipomats

1026
00:43:28,520 --> 00:43:31,759
Speaker 4: was born. It was a great it was great, and

1027
00:43:32,000 --> 00:43:35,040
Speaker 4: he did a lot for me. So I always attribute

1028
00:43:35,040 --> 00:43:36,680
Speaker 4: that not only I knew this is I was like

1029
00:43:36,719 --> 00:43:39,360
Speaker 4: ten eleven years old, you know what I'm saying, And

1030
00:43:39,480 --> 00:43:42,120
Speaker 4: when Rockefeller fell apart, he's still my man. He's on

1031
00:43:42,200 --> 00:43:44,000
Speaker 4: my man last year. I don't you know what I'm saying.

1032
00:43:44,000 --> 00:43:47,160
Speaker 4: He's been my man this whole time. But to me,

1033
00:43:47,239 --> 00:43:51,160
Speaker 4: it's like a setup because no matter what, so publicly,

1034
00:43:51,200 --> 00:43:53,600
Speaker 4: I've been giving this man props for twenty five years

1035
00:43:54,440 --> 00:43:58,560
Speaker 4: and it hasn't been a smooth twenty five years. But

1036
00:43:58,640 --> 00:44:00,640
Speaker 4: that's always been my friend. I've never ran to the

1037
00:44:00,640 --> 00:44:03,359
Speaker 4: internet and talked about you, whether we's having good time,

1038
00:44:03,520 --> 00:44:06,239
Speaker 4: bad time, whatever. What I do do over the years

1039
00:44:06,360 --> 00:44:08,520
Speaker 4: just take breaks from you. Where I say that, it's

1040
00:44:08,560 --> 00:44:10,279
Speaker 4: like I didn't call Hi dat for a minute. I

1041
00:44:10,400 --> 00:44:12,640
Speaker 4: call him next year, this, that and the third. And

1042
00:44:12,680 --> 00:44:17,800
Speaker 4: when he started talking about me on different on different podcasts,

1043
00:44:17,880 --> 00:44:20,840
Speaker 4: I'm like, bro, what is the pH about? But he

1044
00:44:20,920 --> 00:44:22,920
Speaker 4: was guess he was saying, Kim is not a man.

1045
00:44:22,960 --> 00:44:25,520
Speaker 4: He ain't calling me this time. Yo, Bro, everybody's not

1046
00:44:25,560 --> 00:44:28,040
Speaker 4: built for your personality. I am. I just know how

1047
00:44:28,040 --> 00:44:30,880
Speaker 4: to take breaks from you from time to time because

1048
00:44:31,000 --> 00:44:33,440
Speaker 4: I know your personality now. I don't want to deal with

1049
00:44:33,480 --> 00:44:35,719
Speaker 4: it right now. But for him to go to the

1050
00:44:35,760 --> 00:44:39,200
Speaker 4: internet start talking about me, it was like, really, this

1051
00:44:39,320 --> 00:44:42,920
Speaker 4: is what the we're doing. And when I seen that,

1052
00:44:43,000 --> 00:44:45,000
Speaker 4: I was like, this is crazy. He kept doing it,

1053
00:44:45,120 --> 00:44:48,040
Speaker 4: kept doing different interview Yo, Kim, this is Kim, that

1054
00:44:48,200 --> 00:44:50,480
Speaker 4: cam this, and I'm like, and then he's talked about

1055
00:44:50,840 --> 00:44:53,160
Speaker 4: The last thing was he said I didn't promote nothing.

1056
00:44:53,200 --> 00:44:56,719
Speaker 4: We're supposed to go partners on with Anna Rup the

1057
00:44:56,800 --> 00:44:59,279
Speaker 4: movie and we did an album with a track and

1058
00:44:59,280 --> 00:45:02,600
Speaker 4: he said I didn't promoted, and I finally gave feedback

1059
00:45:02,640 --> 00:45:05,359
Speaker 4: on why I didn't promoted. I'm like, I didn't want

1060
00:45:05,360 --> 00:45:07,680
Speaker 4: to be in it. You know what I'm saying, No disrespect,

1061
00:45:07,760 --> 00:45:12,040
Speaker 4: but that's how it happened. From their avalanche, He's just

1062
00:45:12,360 --> 00:45:15,200
Speaker 4: crazy started going to create Kim. That's Kim. That Kim

1063
00:45:15,239 --> 00:45:18,440
Speaker 4: is saving point where it's like, bro, now you stretching

1064
00:45:18,480 --> 00:45:22,279
Speaker 4: the truth. You're lying about a few things, but that's

1065
00:45:22,320 --> 00:45:24,759
Speaker 4: where it all started from for me, this and interrupt.

1066
00:45:24,760 --> 00:45:27,200
Speaker 4: But to me, if you want to just my art

1067
00:45:27,280 --> 00:45:29,440
Speaker 4: on my movies or my music or whatever, cool you

1068
00:45:29,480 --> 00:45:32,520
Speaker 4: start getting personal and start taking mad personally. I'm like,

1069
00:45:32,560 --> 00:45:35,560
Speaker 4: we know too much about each other to be doing

1070
00:45:35,640 --> 00:45:38,719
Speaker 4: personal cause this could get nasty because I know a

1071
00:45:38,760 --> 00:45:41,200
Speaker 4: lot about you, you know a lot about me, and

1072
00:45:41,560 --> 00:45:44,440
Speaker 4: I'm mad funny, like I don't want to rag down

1073
00:45:44,840 --> 00:45:49,160
Speaker 4: my men on the internet, especially like that's I'm talking mom,

1074
00:45:49,160 --> 00:45:51,440
Speaker 4: But who the fuck is you around to come out

1075
00:45:51,440 --> 00:45:53,520
Speaker 4: with a passion teeth like you know what I'm saying, Like,

1076
00:45:53,840 --> 00:45:55,080
Speaker 4: wouldn't that would let you do that?

1077
00:45:55,160 --> 00:45:56,080
Speaker 3: Because you're my man?

1078
00:45:56,480 --> 00:45:58,560
Speaker 4: I texted him, I'm like, yo, bro, whoever you're around

1079
00:45:59,360 --> 00:46:03,640
Speaker 4: they you're not run no realize because they would not

1080
00:46:03,719 --> 00:46:06,960
Speaker 4: let you come on the camera like that. And that's

1081
00:46:07,040 --> 00:46:09,160
Speaker 4: kind of how it started. When I just it just

1082
00:46:09,200 --> 00:46:12,879
Speaker 4: got personal and it was to the point where I'm like, yo, listen, man,

1083
00:46:13,520 --> 00:46:16,800
Speaker 4: this kind of this could get nasty. And I spoke

1084
00:46:16,880 --> 00:46:19,480
Speaker 4: to Daniel. I know Daniel was up here with him.

1085
00:46:19,560 --> 00:46:21,920
Speaker 4: Daniel cool with me too, and so he kind of

1086
00:46:22,000 --> 00:46:25,480
Speaker 4: mediated it and he was like, yo, this is doing

1087
00:46:25,520 --> 00:46:27,760
Speaker 4: a good look for halling YadA yah yah ya YadA.

1088
00:46:27,960 --> 00:46:30,640
Speaker 4: I was like, cool, I said, listen, it was a Thursday.

1089
00:46:31,080 --> 00:46:33,239
Speaker 4: He said. Look, I said, listen, I got something coming

1090
00:46:33,280 --> 00:46:37,600
Speaker 4: out tomorrow. It's already done. If you tell him, listen,

1091
00:46:37,640 --> 00:46:40,600
Speaker 4: this is coming out tomorrow. But I won't say nothing

1092
00:46:40,600 --> 00:46:42,760
Speaker 4: else about him on the internet.

1093
00:46:42,920 --> 00:46:43,200
Speaker 10: Cool.

1094
00:46:43,800 --> 00:46:46,080
Speaker 4: He say, it's cool, He said, cool, he's still talking

1095
00:46:46,080 --> 00:46:48,759
Speaker 4: about me on the internet yesterday right now.

1096
00:46:48,920 --> 00:46:50,680
Speaker 3: Yeah, you know what I'm saying.

1097
00:46:50,760 --> 00:46:53,880
Speaker 8: Compos on Part fifteen exactly.

1098
00:46:54,400 --> 00:46:57,360
Speaker 4: And it was like, bro, I thought we were going

1099
00:46:57,440 --> 00:46:59,720
Speaker 4: to talk about each other. Cool, it ain't no problem.

1100
00:46:59,800 --> 00:47:01,360
Speaker 4: But for me to be honest with you, I was

1101
00:47:01,360 --> 00:47:05,400
Speaker 4: tapped out when an issue a three hundred million dollar lawsuit.

1102
00:47:06,520 --> 00:47:10,319
Speaker 4: And then he tells Daniel to tell me, You'll tell

1103
00:47:10,400 --> 00:47:12,120
Speaker 4: Kim to give me a million dollars and we might

1104
00:47:12,239 --> 00:47:14,320
Speaker 4: let it all go away. I'm like, you're trying to

1105
00:47:14,400 --> 00:47:17,360
Speaker 4: quiet his story, Like, what are you talking about? Send

1106
00:47:17,400 --> 00:47:20,840
Speaker 4: you a million off the three hundred million. I'm not

1107
00:47:21,040 --> 00:47:22,240
Speaker 4: sending you a million dollars.

1108
00:47:22,440 --> 00:47:23,960
Speaker 5: I'm glad he didn't take your show off the BOM

1109
00:47:24,040 --> 00:47:27,640
Speaker 5: because he could.

1110
00:47:27,719 --> 00:47:30,600
Speaker 4: Yeah, that's that's the point, like to me, and something

1111
00:47:30,719 --> 00:47:32,440
Speaker 4: disappointing because I looked up to him. You know what

1112
00:47:32,480 --> 00:47:34,080
Speaker 4: I'm saying, And I'm to a some point where I

1113
00:47:34,120 --> 00:47:37,280
Speaker 4: don't wish them wealth, health and success, but I can't

1114
00:47:37,280 --> 00:47:39,920
Speaker 4: no more because like you said, the King compone, know

1115
00:47:40,040 --> 00:47:41,960
Speaker 4: that you are the point where you said, as long

1116
00:47:41,960 --> 00:47:44,239
Speaker 4: as your name saying the algorithm, even if it takes

1117
00:47:44,239 --> 00:47:47,200
Speaker 4: beefing with your man to be in the algorithm, that's

1118
00:47:47,239 --> 00:47:49,480
Speaker 4: where you add in life. And I'm like, I see

1119
00:47:49,520 --> 00:47:51,240
Speaker 4: why I need to be curving. You gotta think about

1120
00:47:51,239 --> 00:47:53,120
Speaker 4: this not just artists. If you sit there and think

1121
00:47:53,120 --> 00:47:56,280
Speaker 4: about the artists that he helped and put on, it's phenomenal.

1122
00:47:56,360 --> 00:47:58,000
Speaker 4: You sit there and thinking about Kevin Hard and jay

1123
00:47:58,080 --> 00:48:01,680
Speaker 4: Z and Kanye On myself or whoever nobody with you,

1124
00:48:02,440 --> 00:48:04,160
Speaker 4: is it? The artist is that you? You know what

1125
00:48:04,200 --> 00:48:07,239
Speaker 4: I'm saying, not only that yet day one, don't you?

1126
00:48:07,800 --> 00:48:09,600
Speaker 4: So I don't mean this in a bad way because

1127
00:48:09,600 --> 00:48:11,440
Speaker 4: I know you're gonna take this and this would be

1128
00:48:11,640 --> 00:48:14,400
Speaker 4: like last another three four months for him. You know,

1129
00:48:14,560 --> 00:48:16,319
Speaker 4: he'll take a spend at this kid Da da da,

1130
00:48:16,640 --> 00:48:19,400
Speaker 4: and then I'll be seeing, like to me, bro, you

1131
00:48:19,520 --> 00:48:22,840
Speaker 4: try to to fame my character to where it's like,

1132
00:48:23,400 --> 00:48:27,000
Speaker 4: for what money? Kim's a civilian, all right, Dame whatever,

1133
00:48:27,080 --> 00:48:29,160
Speaker 4: I'm a civilian. We tried to give you a million

1134
00:48:29,200 --> 00:48:32,080
Speaker 4: dollars last year when you was in the news for

1135
00:48:32,239 --> 00:48:36,160
Speaker 4: owing eight hundred thousand dollars. We Mason, Mason Dame don't

1136
00:48:36,160 --> 00:48:38,680
Speaker 4: even got a good relationship. They don't even with each other.

1137
00:48:38,800 --> 00:48:41,239
Speaker 4: But Mace felt bad and he's like, Kim, you gonna

1138
00:48:41,239 --> 00:48:43,680
Speaker 4: spend five hundred thousand, five hundred thousand just so we

1139
00:48:43,920 --> 00:48:46,239
Speaker 4: just don't got no debt. I'm like, I don't know.

1140
00:48:46,400 --> 00:48:48,040
Speaker 4: I'll do it, but I don't really know if we're

1141
00:48:48,040 --> 00:48:50,040
Speaker 4: gonna make our money back, but for the for the

1142
00:48:50,120 --> 00:48:52,400
Speaker 4: sake of Dame, yeah, I'll do it. And then when

1143
00:48:52,440 --> 00:48:55,239
Speaker 4: this didn't go through, we suckers because you want to

1144
00:48:55,280 --> 00:48:58,359
Speaker 4: wait on young Boy NBA or Drake or whatever other

1145
00:48:58,480 --> 00:49:00,360
Speaker 4: deal you had. We tried to give you a million

1146
00:49:00,440 --> 00:49:04,520
Speaker 4: dollars just to clear get debt up, and you basically

1147
00:49:04,760 --> 00:49:06,719
Speaker 4: gamble yourself out waiting on more money.

1148
00:49:07,000 --> 00:49:09,480
Speaker 13: When you talk about Harlem, I know you mentioned earlier

1149
00:49:09,520 --> 00:49:11,719
Speaker 13: you and Jim's relationship not being the same. That's not

1150
00:49:12,239 --> 00:49:14,279
Speaker 13: like we're never going to get to see that sit

1151
00:49:14,400 --> 00:49:16,799
Speaker 13: down Conbo reunion like anything at all.

1152
00:49:17,280 --> 00:49:18,960
Speaker 4: I don't know. I mean, like I said, I just

1153
00:49:19,040 --> 00:49:21,279
Speaker 4: think they we're in two different spaces in life, and

1154
00:49:22,680 --> 00:49:24,640
Speaker 4: I mean I don't wishing well and I don't mean

1155
00:49:24,840 --> 00:49:26,839
Speaker 4: Juels and everybody that was part of what we did.

1156
00:49:26,920 --> 00:49:29,560
Speaker 4: I think it's a great movement, but sometimes things just

1157
00:49:29,640 --> 00:49:31,759
Speaker 4: come to on end. So I'm not I wouldn't never

1158
00:49:31,880 --> 00:49:34,120
Speaker 4: say never, but it doesn't look like it's in the

1159
00:49:34,200 --> 00:49:35,840
Speaker 4: near future. But I do wish them brothers.

1160
00:49:35,920 --> 00:49:40,080
Speaker 5: Well, all right, Well, the Killer Cam comedy show is

1161
00:49:40,160 --> 00:49:43,640
Speaker 5: going down tonight, and how could people order the Pink Horsepower.

1162
00:49:44,120 --> 00:49:48,160
Speaker 4: Pink hyphen Horsepower dot net is going to lead you

1163
00:49:48,280 --> 00:49:50,440
Speaker 4: to the new website. Because it's a new website. I

1164
00:49:50,440 --> 00:49:52,520
Speaker 4: don't know off the top, but it directs you to

1165
00:49:52,600 --> 00:49:56,360
Speaker 4: the website. So pink hyphen horsepower dot net for the

1166
00:49:56,440 --> 00:49:58,080
Speaker 4: last thing. For the last thing, I'll say in this

1167
00:49:58,320 --> 00:50:02,040
Speaker 4: not one hundred percent closed complex con if anybody's gonna

1168
00:50:02,080 --> 00:50:05,200
Speaker 4: be out there in Vegas coming up me and sexy right,

1169
00:50:05,200 --> 00:50:08,319
Speaker 4: they doing the drop of horsepower and whatever she got,

1170
00:50:08,560 --> 00:50:10,000
Speaker 4: I don't want to say the wrong name, but we're

1171
00:50:10,000 --> 00:50:12,239
Speaker 4: gonna package it together. We're gonna do a special drop

1172
00:50:12,320 --> 00:50:15,960
Speaker 4: for her sex pill for women. So so we'll try

1173
00:50:16,000 --> 00:50:17,839
Speaker 4: and send you something because she has something for women,

1174
00:50:17,920 --> 00:50:20,000
Speaker 4: I got something for men, and then you can take

1175
00:50:20,080 --> 00:50:23,160
Speaker 4: sexy resistant sense. Yeah, well then you have it.

1176
00:50:23,200 --> 00:50:29,400
Speaker 8: It's Cameron breakfast again, get a bunch of donkeys.

1177
00:50:30,560 --> 00:50:33,759
Speaker 1: That is why, Charlamagne, we live a life where we

1178
00:50:34,040 --> 00:50:35,480
Speaker 1: are tongue based on Kolie made a thing.

1179
00:50:35,560 --> 00:50:36,640
Speaker 10: We never say anything.

1180
00:50:42,200 --> 00:50:44,839
Speaker 7: On the breakfast club. In the word of Charlemagne, the God,

1181
00:50:44,960 --> 00:50:45,640
Speaker 7: he's a donkey.

1182
00:50:49,480 --> 00:50:52,360
Speaker 3: Ah man, Charlemagne, you've given donkey to day to who.

1183
00:50:52,280 --> 00:50:54,480
Speaker 8: Now, yes, donkey to day.

1184
00:50:54,520 --> 00:50:56,520
Speaker 1: Going to a thirty five year old Kentucky woman named

1185
00:50:56,560 --> 00:50:59,600
Speaker 1: Akisha Johnson. She was a patient at a Kentucky hospital

1186
00:50:59,680 --> 00:51:01,640
Speaker 1: and she did something that a lot of people think

1187
00:51:01,680 --> 00:51:03,960
Speaker 1: about doing when the process at the hospital is taking

1188
00:51:04,000 --> 00:51:04,359
Speaker 1: too long?

1189
00:51:04,840 --> 00:51:06,000
Speaker 8: What do you mean, Uncle Shola.

1190
00:51:06,120 --> 00:51:07,680
Speaker 1: She did something that a lot of people think about

1191
00:51:07,719 --> 00:51:10,200
Speaker 1: doing when the process at the hospital is taking too long.

1192
00:51:10,440 --> 00:51:12,439
Speaker 8: Well, let's go to WDR. You for the report. Please.

1193
00:51:12,680 --> 00:51:15,960
Speaker 17: A woman is under arrest in Louisville after reportedly choking

1194
00:51:16,120 --> 00:51:20,120
Speaker 17: and assaulting a UFL Hospital nurse. Court records say a

1195
00:51:20,200 --> 00:51:23,359
Speaker 17: nurse was making her round Saturday afternoon when thirty five

1196
00:51:23,400 --> 00:51:26,520
Speaker 17: year old Mikeisha Johnson allegedly attacked her.

1197
00:51:26,760 --> 00:51:27,160
Speaker 6: Please say.

1198
00:51:27,200 --> 00:51:30,160
Speaker 17: Footage of the incident shows Johnson choking the nurse, then

1199
00:51:30,239 --> 00:51:33,319
Speaker 17: slamming her to the ground, where she reportedly began hitting the.

1200
00:51:33,360 --> 00:51:34,120
Speaker 6: Nurse in the face.

1201
00:51:34,719 --> 00:51:35,359
Speaker 12: Officer say.

1202
00:51:35,440 --> 00:51:38,040
Speaker 17: Johnson claims she was angry at the staff were taking

1203
00:51:38,120 --> 00:51:41,320
Speaker 17: too long to discharge her. Johnson was charged with assault

1204
00:51:41,360 --> 00:51:44,640
Speaker 17: of a healthcare provider, want an endangerment, and menacing.

1205
00:51:45,440 --> 00:51:45,960
Speaker 4: Here's the thing.

1206
00:51:46,760 --> 00:51:48,520
Speaker 8: When you're ready to go, you're ready to go. Okay.

1207
00:51:48,600 --> 00:51:50,960
Speaker 1: We have all been part of this discharge process from

1208
00:51:51,000 --> 00:51:53,319
Speaker 1: the hospital in some way, shape or form, whether you've

1209
00:51:53,320 --> 00:51:55,440
Speaker 1: been the patient or whether you've been waiting with somebody.

1210
00:51:55,600 --> 00:51:58,160
Speaker 1: And yes, the hospital does drag their feet sometime. Okay,

1211
00:51:58,480 --> 00:52:00,560
Speaker 1: it is a hurry up and wait, situation. Nothing is

1212
00:52:00,600 --> 00:52:03,040
Speaker 1: worse when you have to unexpectedly go to the hospital,

1213
00:52:03,120 --> 00:52:04,239
Speaker 1: like you know, you got to go to the ear,

1214
00:52:04,360 --> 00:52:06,200
Speaker 1: like something not right with you, or the kids got

1215
00:52:06,320 --> 00:52:07,759
Speaker 1: a bone out of side gets so you gotta up

1216
00:52:07,800 --> 00:52:09,520
Speaker 1: and leave the house. And you didn't plan to owe

1217
00:52:09,560 --> 00:52:11,920
Speaker 1: my god, you be so ready to leave the hospital

1218
00:52:11,920 --> 00:52:13,560
Speaker 1: once they tell you nothing wrong or they fix what

1219
00:52:13,719 --> 00:52:16,400
Speaker 1: is wrong. But the hospital do be taken forever. But

1220
00:52:16,640 --> 00:52:20,400
Speaker 1: just because you think about choking somebody doesn't give you

1221
00:52:20,560 --> 00:52:24,239
Speaker 1: the right to do it, Okay, especially when this nurse

1222
00:52:24,520 --> 00:52:27,759
Speaker 1: wasn't doing anything but her job. Nurses out here working

1223
00:52:27,840 --> 00:52:31,600
Speaker 1: long hours, they're underpaid, they're stressed, and they always put

1224
00:52:31,640 --> 00:52:34,000
Speaker 1: their own health ever risk just to take care of

1225
00:52:34,080 --> 00:52:34,880
Speaker 1: our sick asses.

1226
00:52:35,040 --> 00:52:37,480
Speaker 8: Okay, they do not deserve to be attacked on the

1227
00:52:37,640 --> 00:52:38,640
Speaker 8: job full stop.

1228
00:52:39,000 --> 00:52:42,280
Speaker 1: But also, if you're trying to speed up the process, Makisha,

1229
00:52:42,640 --> 00:52:45,120
Speaker 1: the quickest way to slow things down is by physically

1230
00:52:45,160 --> 00:52:45,919
Speaker 1: attacking the nurse.

1231
00:52:46,040 --> 00:52:48,600
Speaker 8: Okay, you're definitely not going home now, you're going to

1232
00:52:48,719 --> 00:52:51,880
Speaker 8: jail now. I'm not here to make excuses for her violence.

1233
00:52:52,160 --> 00:52:55,239
Speaker 1: Okay, what she did was wrong, but we have to

1234
00:52:55,400 --> 00:52:59,120
Speaker 1: know something was off with her mentally, right, you gotta

1235
00:52:59,280 --> 00:53:01,319
Speaker 1: know that there is a lot of things that are

1236
00:53:01,360 --> 00:53:03,440
Speaker 1: going to push people to the breaking point. In this

1237
00:53:03,640 --> 00:53:05,560
Speaker 1: day and time that we live in. It's gonna be

1238
00:53:05,600 --> 00:53:07,600
Speaker 1: a lot of things that are gonna make people snap.

1239
00:53:07,800 --> 00:53:11,120
Speaker 1: And it's because folks like Makeisha are walking around with

1240
00:53:11,360 --> 00:53:14,960
Speaker 1: undiagnosed mental illnesses. Okay, a lot of folks out here underpression,

1241
00:53:15,280 --> 00:53:18,880
Speaker 1: and they don't got no tools, no resources, no coping skills.

1242
00:53:18,920 --> 00:53:20,719
Speaker 1: They're not going to no therapy, they don't have no

1243
00:53:20,840 --> 00:53:26,120
Speaker 1: emotional outlets. They just have frustration and nowhere healthy to

1244
00:53:26,200 --> 00:53:29,040
Speaker 1: put it, and they end up projecting on people the

1245
00:53:29,120 --> 00:53:32,960
Speaker 1: way that Makisha projected onto this nurse. And that's not

1246
00:53:33,040 --> 00:53:35,920
Speaker 1: an individual problem. Okay, that just doesn't stand with Makisha,

1247
00:53:36,000 --> 00:53:38,640
Speaker 1: that's a societal problem. We don't take mental health seriously.

1248
00:53:38,960 --> 00:53:41,360
Speaker 1: We tell people just demand up or suck it up

1249
00:53:41,560 --> 00:53:42,759
Speaker 1: or you know, get it.

1250
00:53:45,000 --> 00:53:49,719
Speaker 4: What suck it up? You know.

1251
00:53:51,560 --> 00:53:53,840
Speaker 1: You best not because I could have tied all of

1252
00:53:53,880 --> 00:53:56,239
Speaker 1: that in with Kanye too, but I didn't because he's

1253
00:53:56,280 --> 00:53:58,120
Speaker 1: somebody else that we know is deal with mental health

1254
00:53:58,160 --> 00:53:59,600
Speaker 1: issues and people be telling him to suck it up.

1255
00:53:59,640 --> 00:54:02,000
Speaker 8: He did it early. But we tell people to man

1256
00:54:02,160 --> 00:54:03,800
Speaker 8: up and get over it or just deal with it.

1257
00:54:03,920 --> 00:54:07,920
Speaker 1: Meanwhile, people out here exploding over little things, okay, and

1258
00:54:08,160 --> 00:54:11,120
Speaker 1: others have to pay the price like that poor nurse.

1259
00:54:11,200 --> 00:54:14,640
Speaker 8: So we need to get people help, get them therapy.

1260
00:54:15,239 --> 00:54:18,120
Speaker 1: I personally don't believe this young woman, Makisha Johnson needs

1261
00:54:18,160 --> 00:54:21,239
Speaker 1: to be in handcuffs, but she does deserve to get

1262
00:54:21,239 --> 00:54:24,279
Speaker 1: the credit, uh today for being stupid, So give her the.

1263
00:54:24,239 --> 00:54:25,040
Speaker 8: Biggest he huh.

1264
00:54:29,160 --> 00:54:29,640
Speaker 14: Yes yo.

1265
00:54:29,880 --> 00:54:34,239
Speaker 15: And this man said, suck it up and people exploding

1266
00:54:34,280 --> 00:54:35,040
Speaker 15: over little things?

1267
00:54:37,800 --> 00:54:39,720
Speaker 6: Right, this was so much gay intention.

1268
00:54:40,520 --> 00:54:46,600
Speaker 8: Oh my god, no, al.

1269
00:54:48,680 --> 00:54:50,279
Speaker 9: Over more thing.

1270
00:54:50,360 --> 00:54:54,200
Speaker 5: Everybody is dj Envy, Jesse, Larian Shawam and the God.

1271
00:54:54,239 --> 00:54:56,640
Speaker 5: We are the breakfast Club Lawla Roses here as well.

1272
00:54:56,680 --> 00:54:58,480
Speaker 8: We got a special guest in the Beloty. Yes, indeed,

1273
00:54:58,840 --> 00:54:59,840
Speaker 8: Chris gott He told.

1274
00:54:59,800 --> 00:55:01,880
Speaker 3: Me many thank you.

1275
00:55:03,719 --> 00:55:04,240
Speaker 8: House everything.

1276
00:55:04,320 --> 00:55:06,440
Speaker 3: Man. I'm blessed, you know, just taking it one day

1277
00:55:06,440 --> 00:55:09,279
Speaker 3: at a time from everything, you know. But everything's going great.

1278
00:55:10,320 --> 00:55:13,440
Speaker 3: Got a lot of positive stuff happening, and that's why

1279
00:55:13,480 --> 00:55:13,799
Speaker 3: I'm here.

1280
00:55:13,920 --> 00:55:15,719
Speaker 5: All right, if you don't mind, I want to go

1281
00:55:15,760 --> 00:55:17,480
Speaker 5: back a little bit for people that show know who

1282
00:55:17,560 --> 00:55:18,160
Speaker 5: Chris Gotti is.

1283
00:55:18,200 --> 00:55:20,759
Speaker 8: Of course Irv Gotty's brother. Yes, every got his big brother.

1284
00:55:21,040 --> 00:55:24,960
Speaker 5: Yes for Queens, New York Killas and you guys been

1285
00:55:25,000 --> 00:55:27,399
Speaker 5: in the industry for a while, and you guys, both

1286
00:55:27,440 --> 00:55:27,960
Speaker 5: of y'all.

1287
00:55:28,040 --> 00:55:29,160
Speaker 8: Founded Murder Inc.

1288
00:55:29,840 --> 00:55:32,319
Speaker 5: Most people only hear IRV whe thinking about Murder Ink,

1289
00:55:32,440 --> 00:55:35,080
Speaker 5: but you were kind of the silent guy behind everything.

1290
00:55:35,120 --> 00:55:38,840
Speaker 8: So talk about how Murder Inc. Or the ink was founded.

1291
00:55:38,960 --> 00:55:41,120
Speaker 3: It's murdered Ink. We hated that we had to change

1292
00:55:41,160 --> 00:55:44,040
Speaker 3: that name. That was Russell Simmons and Lee or that,

1293
00:55:44,800 --> 00:55:47,120
Speaker 3: and it came to us and being Chaves and say

1294
00:55:47,680 --> 00:55:49,880
Speaker 3: put murder to bed because we was doing with the

1295
00:55:49,960 --> 00:55:50,880
Speaker 3: figs and everything.

1296
00:55:51,040 --> 00:55:52,200
Speaker 4: So Murder Inc.

1297
00:55:52,320 --> 00:55:54,960
Speaker 3: Was founded because Irv wanted to be the biggest producer

1298
00:55:55,040 --> 00:55:58,080
Speaker 3: in the world. I helped make him that. They thought

1299
00:55:58,160 --> 00:55:59,960
Speaker 3: Earth came up, We're like, I'm gonna start a recordeting.

1300
00:56:00,080 --> 00:56:01,840
Speaker 3: He didn't start a label. He just wanted to be

1301
00:56:01,920 --> 00:56:05,240
Speaker 3: the biggest producer in the game. And that's what happened.

1302
00:56:05,520 --> 00:56:09,600
Speaker 3: And because that happened, Tom Matola, Dave nk Fist and

1303
00:56:09,640 --> 00:56:11,480
Speaker 3: over his Sony said we want to give you a

1304
00:56:11,520 --> 00:56:13,680
Speaker 3: record deal. They told us they wanted to buy four beats.

1305
00:56:13,680 --> 00:56:15,239
Speaker 3: At the time were selling beats for two hundred and

1306
00:56:15,239 --> 00:56:17,400
Speaker 3: fifty thousand tracks. So that's a million hours. I'm like,

1307
00:56:17,760 --> 00:56:21,480
Speaker 3: let's go get that. We met up at Justin's the restaurant,

1308
00:56:22,000 --> 00:56:25,320
Speaker 3: you know, did the restaurant, were talking, He's like, Tommy

1309
00:56:25,360 --> 00:56:27,719
Speaker 3: wants to give you a deal, not he doesn't want

1310
00:56:27,760 --> 00:56:30,680
Speaker 3: to buy beats, And to our surprise, he pulls a

1311
00:56:30,719 --> 00:56:32,719
Speaker 3: contract out and look at it, or if you looked

1312
00:56:32,760 --> 00:56:34,239
Speaker 3: at it, and he threw it right back at him,

1313
00:56:34,239 --> 00:56:35,560
Speaker 3: so you SERI sent it to our lawyer.

1314
00:56:36,040 --> 00:56:37,560
Speaker 16: So that's really the bird form merd Inc. And and

1315
00:56:37,640 --> 00:56:38,359
Speaker 16: we didn't have a name.

1316
00:56:39,080 --> 00:56:41,680
Speaker 3: We just came up with a bunch of things. DJ

1317
00:56:41,840 --> 00:56:45,640
Speaker 3: Clues doing the mixtape, John's doing a feature, and inside

1318
00:56:45,680 --> 00:56:47,600
Speaker 3: of that feature, we had a bunch of names we

1319
00:56:47,719 --> 00:56:50,680
Speaker 3: had thought of, like Lockdown Records. He says it in

1320
00:56:52,360 --> 00:56:55,400
Speaker 3: his verses on the features on the on the mixtape,

1321
00:56:55,440 --> 00:56:58,360
Speaker 3: and that's kind of where we was at. And then

1322
00:56:58,440 --> 00:57:01,160
Speaker 3: Earl was watching Arts and Entertainment one day, these Gangs

1323
00:57:01,239 --> 00:57:03,400
Speaker 3: the Week and he sees Murder Inc. On the screen

1324
00:57:03,480 --> 00:57:06,840
Speaker 3: and it's the notorious Murder Inc. Which was the Italian

1325
00:57:06,960 --> 00:57:08,799
Speaker 3: guys that was actually making hits.

1326
00:57:08,840 --> 00:57:10,240
Speaker 10: Yeah, that was doing hits on people in Brooklyn.

1327
00:57:10,360 --> 00:57:14,200
Speaker 3: Yeah, it's luckily Giano Alfred Anastasia and those guys, and

1328
00:57:14,719 --> 00:57:19,479
Speaker 3: the narrator of that show was like the notorious murder

1329
00:57:19,600 --> 00:57:23,760
Speaker 3: Rink and they made hits early crazy. He went crazy.

1330
00:57:23,800 --> 00:57:26,800
Speaker 3: He called everybody. I got the name. But that's why

1331
00:57:27,520 --> 00:57:29,640
Speaker 3: when you ask that question, how did you start? And

1332
00:57:30,160 --> 00:57:33,360
Speaker 3: if the co founders, that's the co founder. I helped

1333
00:57:33,400 --> 00:57:35,440
Speaker 3: make all of the music with them, with all the

1334
00:57:35,480 --> 00:57:37,440
Speaker 3: the producers, and I just took care of the business

1335
00:57:37,520 --> 00:57:38,240
Speaker 3: and I took care of my.

1336
00:57:38,280 --> 00:57:40,360
Speaker 10: Little brother, and Jiao was always the first artist.

1337
00:57:40,840 --> 00:57:45,720
Speaker 3: Another misconception, Joa was already signed Murder Death Jam. So

1338
00:57:45,880 --> 00:57:48,600
Speaker 3: his first album Vinevenda Vicci, it's on Death Jam. We

1339
00:57:49,000 --> 00:57:51,000
Speaker 3: just get the deal, but he already signed his deal.

1340
00:57:51,280 --> 00:57:53,160
Speaker 3: Oh wow wow, Yeah, people don't know that. So we

1341
00:57:53,280 --> 00:57:55,960
Speaker 3: had to go basically back to Leon and say that's

1342
00:57:56,000 --> 00:57:58,040
Speaker 3: our artists, and then we had to pay for it

1343
00:57:58,800 --> 00:57:59,960
Speaker 3: to get them back to Murder Inn.

1344
00:58:00,160 --> 00:58:03,680
Speaker 8: How have to pay a couple of million dollars damn.

1345
00:58:03,760 --> 00:58:06,240
Speaker 3: Yeah, look, we had to pay for a Shanti. She

1346
00:58:06,240 --> 00:58:09,440
Speaker 3: would signed the a Jam Records, which is a shoutout

1347
00:58:09,480 --> 00:58:13,680
Speaker 3: Mario Baasa. Mary was like an uncle and he has

1348
00:58:13,720 --> 00:58:15,840
Speaker 3: a shanty. He wanted us to do records for a

1349
00:58:15,920 --> 00:58:17,560
Speaker 3: shanty on his label.

1350
00:58:17,560 --> 00:58:18,320
Speaker 8: We had a little.

1351
00:58:18,120 --> 00:58:22,120
Speaker 3: Independent label and a shanty. He was there with him

1352
00:58:22,200 --> 00:58:26,280
Speaker 3: and IRV didn't really think about doing anything. Would hit

1353
00:58:26,320 --> 00:58:29,360
Speaker 3: me with the tunnel vision like stay focused, we get

1354
00:58:29,400 --> 00:58:32,040
Speaker 3: money with John Rod. I'm like, yo, she could write

1355
00:58:32,120 --> 00:58:36,240
Speaker 3: she's dope. And what break that broke that ice was

1356
00:58:37,240 --> 00:58:39,640
Speaker 3: Fat Joe. He caught me up because he's doing a

1357
00:58:39,680 --> 00:58:42,400
Speaker 3: big pun album and he says, I need that pun.

1358
00:58:42,840 --> 00:58:45,760
Speaker 3: I need an artist to do an R and B

1359
00:58:45,920 --> 00:58:49,080
Speaker 3: artist on the hook. I said, I got one. He

1360
00:58:49,160 --> 00:58:49,680
Speaker 3: said you do.

1361
00:58:50,000 --> 00:58:50,680
Speaker 4: I was like yeah.

1362
00:58:51,160 --> 00:58:54,320
Speaker 16: I called her up. She drove right to the studio pendit.

1363
00:58:54,920 --> 00:58:57,680
Speaker 3: Joe's like, yo, she's dope, I said, I tell her,

1364
00:58:59,560 --> 00:59:02,120
Speaker 3: I said, and that's he told IRV And I said

1365
00:59:02,120 --> 00:59:02,680
Speaker 3: what artists?

1366
00:59:03,040 --> 00:59:05,400
Speaker 16: And he called me up right after What artists you're

1367
00:59:05,400 --> 00:59:05,840
Speaker 16: talking about?

1368
00:59:05,920 --> 00:59:07,840
Speaker 3: Like my R and B artist? And it was a shanty.

1369
00:59:07,920 --> 00:59:10,120
Speaker 3: He said what artists and Earth called me right after that.

1370
00:59:10,120 --> 00:59:11,600
Speaker 3: I said, bring it to bring it back up. And

1371
00:59:11,720 --> 00:59:14,480
Speaker 3: that's really how we got a shanty. But Irv was

1372
00:59:14,520 --> 00:59:16,200
Speaker 3: my little brother. I raised him. He listened to me

1373
00:59:16,360 --> 00:59:19,600
Speaker 3: up to a certain point. After that point, I had

1374
00:59:19,640 --> 00:59:22,520
Speaker 3: to get someone else to so I would send messages

1375
00:59:22,560 --> 00:59:26,240
Speaker 3: through all types of people to tell him do something,

1376
00:59:26,320 --> 00:59:28,320
Speaker 3: to get it done. And that's what Joe did for me.

1377
00:59:28,560 --> 00:59:30,800
Speaker 5: I'm do when I asked you talk about he doesn't listen.

1378
00:59:30,960 --> 00:59:33,320
Speaker 5: When got to his later life, they said he was

1379
00:59:33,360 --> 00:59:35,840
Speaker 5: having health problems. Yeah, they said nobody could talk to

1380
00:59:35,880 --> 00:59:38,520
Speaker 5: Earth about talking to him constantly. They said he wouldn't

1381
00:59:38,600 --> 00:59:40,520
Speaker 5: change his diet, he wouldn't change his thing, and they

1382
00:59:40,520 --> 00:59:41,400
Speaker 5: said nobody could.

1383
00:59:41,200 --> 00:59:42,600
Speaker 10: Get through to him. Why do you think that that

1384
00:59:42,920 --> 00:59:43,360
Speaker 10: was for Earth?

1385
00:59:43,640 --> 00:59:45,520
Speaker 16: Partially because my pops was hard headed.

1386
00:59:46,040 --> 00:59:49,480
Speaker 3: He got it for my dad. So, same exact thing,

1387
00:59:49,600 --> 00:59:52,520
Speaker 3: going through diabetes, health problems, and my dad was like,

1388
00:59:53,080 --> 00:59:55,040
Speaker 3: you can't tell me God didn't make this orange and

1389
00:59:55,120 --> 01:00:00,520
Speaker 3: I can't eat it. You can't you know, this was

1390
01:00:00,640 --> 01:00:01,400
Speaker 3: really our problem.

1391
01:00:01,480 --> 01:00:05,360
Speaker 16: And then it's the ignorance of just health was the same.

1392
01:00:06,160 --> 01:00:08,400
Speaker 3: He would be like, there's no way you could tell

1393
01:00:08,440 --> 01:00:11,640
Speaker 3: me I can't eat this food it's good and he

1394
01:00:11,680 --> 01:00:13,480
Speaker 3: would tell you it's healthy eat and it was trash,

1395
01:00:14,920 --> 01:00:16,800
Speaker 3: you know, And it was just hard headed. Now when

1396
01:00:16,840 --> 01:00:17,160
Speaker 3: he had his.

1397
01:00:17,200 --> 01:00:19,120
Speaker 16: First stroke, he had two strokes.

1398
01:00:19,160 --> 01:00:22,400
Speaker 3: The first stroke basically he was I man, I didn't

1399
01:00:22,400 --> 01:00:24,960
Speaker 3: think he was gonna be here for after that one

1400
01:00:25,360 --> 01:00:26,880
Speaker 3: he was I went to the hospital as soon as

1401
01:00:26,880 --> 01:00:29,560
Speaker 3: I heard, I flew right to l a shout out BJ.

1402
01:00:29,760 --> 01:00:33,760
Speaker 3: BJ found him, Yeah, you know, BJ call us picked

1403
01:00:33,840 --> 01:00:35,640
Speaker 3: him up, got him to the hospital. Or when he

1404
01:00:36,080 --> 01:00:37,240
Speaker 3: came round. He was like, I don't want to go

1405
01:00:37,240 --> 01:00:38,760
Speaker 3: to the hospital and take me to the hospital. I'm

1406
01:00:38,800 --> 01:00:41,960
Speaker 3: gonna take my mads now. And BJ's ain't no, he said,

1407
01:00:42,120 --> 01:00:44,160
Speaker 3: so stand up and he couldn't. He stood up and

1408
01:00:44,200 --> 01:00:46,560
Speaker 3: fell back down and know you're going to the hospital.

1409
01:00:46,600 --> 01:00:49,000
Speaker 3: Took him to the hospital. I didn't know he's gonna

1410
01:00:49,040 --> 01:00:51,440
Speaker 3: get past that one, and he flew out there. He

1411
01:00:51,640 --> 01:00:54,040
Speaker 3: was there for I was there for a month and

1412
01:00:54,080 --> 01:00:56,840
Speaker 3: a half in the hospital, staying with him when he

1413
01:00:57,160 --> 01:00:59,600
Speaker 3: took about two weeks before he actually came back and

1414
01:00:59,840 --> 01:01:02,560
Speaker 3: was conscious. But those first two weeks, I don't think

1415
01:01:02,600 --> 01:01:05,160
Speaker 3: it's gonna make it. I always credit I said, BJ

1416
01:01:05,280 --> 01:01:08,520
Speaker 3: gave us another year basically before the next one. You know.

1417
01:01:08,680 --> 01:01:11,240
Speaker 1: So somebody told me that was a sense of acceptance

1418
01:01:11,840 --> 01:01:13,480
Speaker 1: that he had, and he would say he would say

1419
01:01:13,560 --> 01:01:15,080
Speaker 1: things like I'm going I'm going to see popping and

1420
01:01:15,120 --> 01:01:16,280
Speaker 1: I'm gonna be a popular.

1421
01:01:16,040 --> 01:01:18,520
Speaker 3: Yeah, yeah, he wrote. If you've seen his Graham, and

1422
01:01:18,600 --> 01:01:21,160
Speaker 3: I would always when I seen it, I'll call him, Like,

1423
01:01:21,280 --> 01:01:23,440
Speaker 3: you stop talking like that. I don't believe in calling

1424
01:01:23,520 --> 01:01:26,360
Speaker 3: off for death like that. You really have a death wish.

1425
01:01:27,000 --> 01:01:28,960
Speaker 3: I was like, you stop talking, You'll see him when

1426
01:01:28,960 --> 01:01:31,400
Speaker 3: it's your time. Well, I used to say, EF, you

1427
01:01:31,480 --> 01:01:33,720
Speaker 3: used to feel like he's God. Probably at one point

1428
01:01:34,000 --> 01:01:37,080
Speaker 3: when we was at the height of murdering, he probably

1429
01:01:37,120 --> 01:01:39,680
Speaker 3: felt like he was the alpha an omega at one point.

1430
01:01:41,040 --> 01:01:44,120
Speaker 10: You think he knew when he sold part of his catalog, right.

1431
01:01:44,120 --> 01:01:47,000
Speaker 3: Yeah, No, he sold it all. Well, hear on fifty

1432
01:01:47,040 --> 01:01:49,040
Speaker 3: percent of the masters. We had a fifty to fifty,

1433
01:01:49,080 --> 01:01:51,040
Speaker 3: so we had fifty sold it, did it? It was

1434
01:01:51,080 --> 01:01:52,960
Speaker 3: a three hundred million dollars deal, a hundred in cash,

1435
01:01:53,000 --> 01:01:56,760
Speaker 3: two hundred for movies and TV products projects.

1436
01:01:57,000 --> 01:01:58,280
Speaker 5: Do you think he knew at that time to set

1437
01:01:58,320 --> 01:01:59,919
Speaker 5: his kids up to be like, if something does happen,

1438
01:02:00,680 --> 01:02:02,240
Speaker 5: every kid to have that. Do you think that was

1439
01:02:02,360 --> 01:02:03,680
Speaker 5: the mentality.

1440
01:02:04,360 --> 01:02:09,439
Speaker 3: Irvs one hundred percent family. So yeah, that's definitely part

1441
01:02:09,480 --> 01:02:12,880
Speaker 3: of it, and it's also part of health. You know,

1442
01:02:13,120 --> 01:02:15,800
Speaker 3: just want to make sure, like you said, things, is

1443
01:02:15,880 --> 01:02:19,040
Speaker 3: there for somebody no matter what. Because IRV accepted death,

1444
01:02:19,120 --> 01:02:21,720
Speaker 3: he always he would always accept death if that was

1445
01:02:21,760 --> 01:02:23,880
Speaker 3: a consequence whatever it is. We both do like, I

1446
01:02:23,920 --> 01:02:27,240
Speaker 3: don't ever look at the consequence of whatever it is, right,

1447
01:02:27,760 --> 01:02:30,840
Speaker 3: the preciousness of life, think about that like we're here

1448
01:02:30,920 --> 01:02:33,880
Speaker 3: for such a short amount of times, but we never

1449
01:02:34,080 --> 01:02:37,720
Speaker 3: thought or thought about anything like that. Irv's no different

1450
01:02:38,680 --> 01:02:40,280
Speaker 3: And that's why when he got sick and he would

1451
01:02:40,320 --> 01:02:42,920
Speaker 3: tell me like, this is what it is, this is

1452
01:02:42,960 --> 01:02:46,040
Speaker 3: what it is. But he didn't try to prevent it.

1453
01:02:46,680 --> 01:02:50,640
Speaker 3: And no one talks mortality, especially when you're young. But

1454
01:02:50,760 --> 01:02:54,520
Speaker 3: it's coming, and we don't know when that's the reality too.

1455
01:02:54,560 --> 01:02:55,120
Speaker 4: We don't have it.

1456
01:02:55,280 --> 01:02:56,880
Speaker 3: No one knows that expiration day.

1457
01:02:57,120 --> 01:03:00,720
Speaker 5: How did you navigate with IRV having problems with all

1458
01:03:00,760 --> 01:03:03,520
Speaker 5: of your friends, Like one time IRV was not messed

1459
01:03:03,560 --> 01:03:07,040
Speaker 5: with whole. Then it was Fat Joe, then it was DMX,

1460
01:03:07,400 --> 01:03:09,800
Speaker 5: then it was Nas, Like, how did you navigate that

1461
01:03:10,000 --> 01:03:10,320
Speaker 5: part of it?

1462
01:03:10,360 --> 01:03:14,040
Speaker 3: Because families fight. IRV made a ton of mistakes if

1463
01:03:14,080 --> 01:03:15,920
Speaker 3: he was here, like here or not, I'm going to

1464
01:03:16,040 --> 01:03:19,439
Speaker 3: always speak the reality of what it was. IRV made

1465
01:03:19,800 --> 01:03:23,600
Speaker 3: a lot of mistakes. For instance, with jay Z Nas,

1466
01:03:24,160 --> 01:03:27,320
Speaker 3: they beefing. IRV made super ugly. You know, he produced

1467
01:03:27,360 --> 01:03:30,920
Speaker 3: that record. Correct to go after that and talk to

1468
01:03:31,040 --> 01:03:34,000
Speaker 3: Jay Z and say, I'm yo, I'm gonna sign nas

1469
01:03:34,680 --> 01:03:40,960
Speaker 3: what you think? Of course, wearing Baseline studios? What did

1470
01:03:41,600 --> 01:03:44,440
Speaker 3: before IRV spoke? I said, will, I'll give you the

1471
01:03:44,520 --> 01:03:46,760
Speaker 3: PG version, But I told him whatever you want to do,

1472
01:03:46,880 --> 01:03:47,320
Speaker 3: I'm with you.

1473
01:03:48,560 --> 01:03:51,200
Speaker 16: And then IRV was like, yo, it's good business.

1474
01:03:51,280 --> 01:03:52,000
Speaker 3: And he's telling him.

1475
01:03:52,040 --> 01:03:53,360
Speaker 16: It's like, Yo, are you crazy?

1476
01:03:53,440 --> 01:03:55,880
Speaker 3: You can't tell your man you want to work with

1477
01:03:56,000 --> 01:03:59,240
Speaker 3: his enemy like that, and Irv's like, nah, it's just on.

1478
01:03:59,440 --> 01:04:01,880
Speaker 3: Jay was like, you know, he was asking him, does

1479
01:04:01,920 --> 01:04:04,160
Speaker 3: he have real beef with with him? He said, nah,

1480
01:04:04,160 --> 01:04:07,840
Speaker 3: it's just like music. But Jay's keeping it cordial, like

1481
01:04:07,960 --> 01:04:11,120
Speaker 3: to see where Irv's going with j plays chess. He's

1482
01:04:11,200 --> 01:04:13,040
Speaker 3: not playing like he wants to see what you're going

1483
01:04:13,120 --> 01:04:17,320
Speaker 3: to say. And IRV as soon as Jay said it's

1484
01:04:17,360 --> 01:04:19,000
Speaker 3: not beef like that, he turned to me. He said,

1485
01:04:19,080 --> 01:04:21,880
Speaker 3: I told you, I told you, And Jay looking at

1486
01:04:21,960 --> 01:04:25,400
Speaker 3: me like, yo, is he serious? And I was like, wow,

1487
01:04:25,560 --> 01:04:32,600
Speaker 3: he's crazy, and nah, Steve stout Steve Stout shout out

1488
01:04:32,680 --> 01:04:36,240
Speaker 3: Steve Man. But the commissioners, he's he's in that day.

1489
01:04:36,360 --> 01:04:39,440
Speaker 3: He was a real hands on guy. He's the one

1490
01:04:39,480 --> 01:04:41,800
Speaker 3: that brought the deal to us and IRV was like,

1491
01:04:41,880 --> 01:04:44,520
Speaker 3: you serious, we could get nas Like we didn't think

1492
01:04:44,520 --> 01:04:47,800
Speaker 3: we could get that, and he was like, yeah, we

1493
01:04:47,920 --> 01:04:51,840
Speaker 3: made the record the pledge NOAJ pledging allegiance to murder ring.

1494
01:04:52,040 --> 01:04:52,680
Speaker 8: Think about that.

1495
01:04:53,440 --> 01:04:55,400
Speaker 16: He's on the records pledging allegiance to.

1496
01:04:55,480 --> 01:04:56,840
Speaker 8: Murder ring and the.

1497
01:04:58,440 --> 01:05:03,120
Speaker 3: Stout seeing future. In my opinion, and again to his credit,

1498
01:05:03,560 --> 01:05:06,000
Speaker 3: again I'm not knocking Stout. This dude is brilling. In

1499
01:05:06,080 --> 01:05:08,920
Speaker 3: the book of hip hop, he has to use one

1500
01:05:08,960 --> 01:05:11,600
Speaker 3: of the most iconic people in that book. The end

1501
01:05:11,640 --> 01:05:13,440
Speaker 3: of the day, he's seen the future. What's the future?

1502
01:05:13,840 --> 01:05:16,280
Speaker 3: Come on, murder ring, We're murdering, what's the future? It's

1503
01:05:16,320 --> 01:05:18,040
Speaker 3: fifty he's saying it.

1504
01:05:18,160 --> 01:05:18,520
Speaker 4: He knew it.

1505
01:05:19,320 --> 01:05:19,760
Speaker 3: He knew it.

1506
01:05:20,280 --> 01:05:23,640
Speaker 16: Jall had a sneaker deal with with Steve Reebok.

1507
01:05:23,680 --> 01:05:26,560
Speaker 3: We're on a private plane flying the designing everything in

1508
01:05:26,640 --> 01:05:29,280
Speaker 3: the in the you know, in the plane, and then

1509
01:05:29,560 --> 01:05:32,480
Speaker 3: he's seen the future and pulled everything and switch it.

1510
01:05:33,160 --> 01:05:34,760
Speaker 16: Now Gun he got his sneaker deal.

1511
01:05:35,160 --> 01:05:38,080
Speaker 3: Jay Z got a sneaker deal. You understand what Reebok?

1512
01:05:38,760 --> 01:05:42,800
Speaker 3: And again he knew he he seen something and understood

1513
01:05:42,800 --> 01:05:46,160
Speaker 3: and made the pivot as a businessman, I respected of question.

1514
01:05:46,280 --> 01:05:48,800
Speaker 1: Why was as a friend It's a little question for

1515
01:05:49,960 --> 01:05:52,520
Speaker 1: That's what I'm saying. Why was Jay upset with HERV

1516
01:05:52,640 --> 01:05:54,400
Speaker 1: but not Steve and Steve present of the deal?

1517
01:05:54,520 --> 01:05:56,760
Speaker 3: Well, Steve was also remembering Steve was also part of

1518
01:05:56,800 --> 01:05:58,920
Speaker 3: a lot of it. That's why Damon always has obef

1519
01:05:58,960 --> 01:06:03,480
Speaker 3: with Steve those of that. Steve was funneling a lot

1520
01:06:03,560 --> 01:06:05,959
Speaker 3: of deals with Jay and then seeing Jay again pulled

1521
01:06:06,080 --> 01:06:08,280
Speaker 3: that way instead of going through Dame and dealing with

1522
01:06:08,400 --> 01:06:10,880
Speaker 3: the you know that side of it. I understand that

1523
01:06:11,320 --> 01:06:13,080
Speaker 3: they would have took a bullet fit Jay. You're kidding

1524
01:06:13,080 --> 01:06:15,360
Speaker 3: me in that day that you're kidding me. It's not

1525
01:06:15,480 --> 01:06:16,040
Speaker 3: even close.

1526
01:06:16,560 --> 01:06:19,920
Speaker 10: It's like it's that's what makes me mad with that situation.

1527
01:06:20,000 --> 01:06:21,400
Speaker 10: I say, how do you feel like that situation?

1528
01:06:21,600 --> 01:06:24,240
Speaker 3: I spoke to Jay about that before one time. I

1529
01:06:24,320 --> 01:06:25,880
Speaker 3: told him and then I just left it a loone

1530
01:06:25,920 --> 01:06:26,280
Speaker 3: after that.

1531
01:06:26,640 --> 01:06:28,120
Speaker 5: How do you feel it when you see it play out?

1532
01:06:28,120 --> 01:06:30,120
Speaker 5: Because you see how close they were, you were on tours,

1533
01:06:30,160 --> 01:06:30,760
Speaker 5: you were in studio.

1534
01:06:30,880 --> 01:06:33,400
Speaker 3: There's a lot of stuff that's personal again inside of

1535
01:06:33,480 --> 01:06:35,600
Speaker 3: a family that we wouldn't know that I don't know

1536
01:06:36,640 --> 01:06:38,600
Speaker 3: that's I'll leave it there, and then you gotta let

1537
01:06:38,960 --> 01:06:41,320
Speaker 3: families be what they are because of what it is.

1538
01:06:41,400 --> 01:06:43,680
Speaker 3: I respect both of them to the highest level.

1539
01:06:43,800 --> 01:06:43,960
Speaker 4: You know.

1540
01:06:44,400 --> 01:06:46,560
Speaker 3: At the end of the day, I leave it alone.

1541
01:06:46,800 --> 01:06:47,800
Speaker 8: And didn't Jay get back.

1542
01:06:49,280 --> 01:06:50,720
Speaker 1: I think I think I heard you tell a story

1543
01:06:50,760 --> 01:06:54,360
Speaker 1: about how when j same line again, Yeah.

1544
01:06:54,680 --> 01:06:57,680
Speaker 3: Yeah, the same line, because it was like when when

1545
01:06:57,800 --> 01:07:00,800
Speaker 3: Jay told him that it wasn't really more it wasn't

1546
01:07:00,840 --> 01:07:03,720
Speaker 3: like physical beef. It was more lyrical. And IRV went

1547
01:07:03,760 --> 01:07:06,680
Speaker 3: crazy like I told you and any but Jay's looking

1548
01:07:06,680 --> 01:07:09,280
Speaker 3: at him like you more man, you can't be like serious,

1549
01:07:09,600 --> 01:07:12,240
Speaker 3: like but left it alone. Chest he's playing chess. And

1550
01:07:12,280 --> 01:07:14,400
Speaker 3: then right after that, Jay went and did a tour

1551
01:07:14,520 --> 01:07:18,640
Speaker 3: with fifty cents. They got the gun it sneaker, he

1552
01:07:18,760 --> 01:07:21,360
Speaker 3: has his remember he had his like Gucci. Yes, that's

1553
01:07:21,360 --> 01:07:24,120
Speaker 3: all college. And they went out on the tour and

1554
01:07:24,200 --> 01:07:27,120
Speaker 3: then irv Erv sat there and he's like, yeah, I

1555
01:07:27,280 --> 01:07:28,600
Speaker 3: just went out and he said, yeah it was good

1556
01:07:28,680 --> 01:07:31,720
Speaker 3: business because IRV told Jay it would be good business

1557
01:07:31,840 --> 01:07:33,840
Speaker 3: to do this. This is gonna be good business. Somebody

1558
01:07:33,840 --> 01:07:36,760
Speaker 3: had not But what he's not realizing and IRV knew

1559
01:07:36,800 --> 01:07:39,120
Speaker 3: it after the fact, you know, hindsight is twenty twenty.

1560
01:07:39,720 --> 01:07:43,600
Speaker 3: He realized that was one of his biggest mistakes, which

1561
01:07:44,880 --> 01:07:46,920
Speaker 3: it took a lot to fix that, but they did.

1562
01:07:46,960 --> 01:07:47,720
Speaker 8: They finally did fix it.

1563
01:07:47,760 --> 01:07:50,560
Speaker 3: Oh yeah, we had multiple conversations, but you know it

1564
01:07:50,680 --> 01:07:53,640
Speaker 3: wasn't never the same. What's that record? And Jay says,

1565
01:07:53,720 --> 01:07:57,440
Speaker 3: got to consult Earth, got of y'all heads got to roll, right,

1566
01:07:57,920 --> 01:08:01,800
Speaker 3: That's a fact. Jay took that off every forward record.

1567
01:08:02,560 --> 01:08:05,440
Speaker 3: Think about how serious that is that he said, no,

1568
01:08:05,560 --> 01:08:08,280
Speaker 3: I don't want to hear that no more. You can't

1569
01:08:08,320 --> 01:08:11,640
Speaker 3: get that unless you have the old original. It's bleeded out.

1570
01:08:11,720 --> 01:08:20,120
Speaker 3: It's bleeded out. It's called remastering. Baby, Yeah, gone does

1571
01:08:20,240 --> 01:08:20,679
Speaker 3: not exist.

1572
01:08:20,800 --> 01:08:21,160
Speaker 4: Go get that.

1573
01:08:21,320 --> 01:08:23,200
Speaker 3: Go get that record and see if you could hear it.

1574
01:08:23,560 --> 01:08:25,479
Speaker 3: Go to Apple Music and see if you hear it.

1575
01:08:26,200 --> 01:08:28,639
Speaker 3: I'm bad with titles as much as I I'm terrible

1576
01:08:28,680 --> 01:08:30,960
Speaker 3: with titles and names and stuff. I don't remember the title.

1577
01:08:31,240 --> 01:08:32,560
Speaker 3: It's on the streets, is watching.

1578
01:08:35,479 --> 01:08:36,280
Speaker 8: Us the customer home.

1579
01:08:36,760 --> 01:08:40,080
Speaker 16: Jay used to sit in my office literally to wait

1580
01:08:40,200 --> 01:08:41,320
Speaker 16: to talk to Earth.

1581
01:08:42,120 --> 01:08:44,720
Speaker 3: That's how deep that was. And when he come in,

1582
01:08:44,960 --> 01:08:47,599
Speaker 3: they go into it. But would help him with all

1583
01:08:47,680 --> 01:08:52,120
Speaker 3: types of business. I did thoughts. He respected HER's brain.

1584
01:08:52,600 --> 01:08:53,559
Speaker 3: I'll leave it there now.

1585
01:08:53,600 --> 01:08:55,200
Speaker 5: The fat Jolt thing you can never, I'm sorry, the

1586
01:08:55,240 --> 01:08:57,320
Speaker 5: fat Joe thing you could because fat Joe and Earth

1587
01:08:57,439 --> 01:08:58,560
Speaker 5: was like, we fixed that.

1588
01:08:58,800 --> 01:09:03,040
Speaker 16: Y'all fixed that with Joe and Earth again, never the same.

1589
01:09:03,600 --> 01:09:07,160
Speaker 3: He was at my man Jar's funeral, and you know,

1590
01:09:07,240 --> 01:09:11,280
Speaker 3: I told Joe again, my brother's keeper. I told Joe,

1591
01:09:11,320 --> 01:09:13,840
Speaker 3: you messed up, Broy and I went at Joe and

1592
01:09:13,920 --> 01:09:17,360
Speaker 3: told him, and he's like he understood. We was at

1593
01:09:17,400 --> 01:09:21,960
Speaker 3: say Let's actually and uh, I was having a meeting

1594
01:09:22,200 --> 01:09:26,400
Speaker 3: with my niece and saint from Innscote Records, and I

1595
01:09:26,439 --> 01:09:28,960
Speaker 3: didn't want to go and deal with this right now.

1596
01:09:29,640 --> 01:09:31,840
Speaker 3: And my other dude, Big Joe, kept coming, said yo.

1597
01:09:32,000 --> 01:09:34,160
Speaker 3: In fact, Joe's over come on, come on. I said,

1598
01:09:34,200 --> 01:09:36,960
Speaker 3: I don't want to talk right now. He forced me

1599
01:09:37,040 --> 01:09:38,200
Speaker 3: to talk, so I said, all right, let me go

1600
01:09:38,240 --> 01:09:40,040
Speaker 3: tell it. And when I went to Back Days with Rich,

1601
01:09:40,120 --> 01:09:42,840
Speaker 3: of course, I Rich and Joe and I told him,

1602
01:09:42,880 --> 01:09:45,559
Speaker 3: I said, you can't shout out my brother is a sucker,

1603
01:09:46,000 --> 01:09:49,600
Speaker 3: and then whisper, I'm sorry, that's a sucker move. And

1604
01:09:49,760 --> 01:09:52,080
Speaker 3: I told him that. You know, I asked them all

1605
01:09:52,160 --> 01:09:54,680
Speaker 3: kind of crazy questions because that's just me. It's like,

1606
01:09:54,800 --> 01:09:58,479
Speaker 3: was you messing with Ashanti? Is that your girl? You

1607
01:09:58,840 --> 01:10:01,520
Speaker 3: found her because of us? What are you doing interfering

1608
01:10:01,600 --> 01:10:04,720
Speaker 3: they had a relationship. What are you doing? I said,

1609
01:10:04,760 --> 01:10:07,120
Speaker 3: And listen to I promise you go listen to anything.

1610
01:10:07,320 --> 01:10:09,559
Speaker 3: All EARV did was yell how much he loved her.

1611
01:10:09,880 --> 01:10:12,280
Speaker 3: And the way he's talking about everything you could tell

1612
01:10:12,560 --> 01:10:16,520
Speaker 3: as a man he loved that woman. He was heartbroken.

1613
01:10:17,040 --> 01:10:18,599
Speaker 16: But I said, how do you tell me you love

1614
01:10:18,680 --> 01:10:20,840
Speaker 16: this girl and you out with everybody else?

1615
01:10:21,360 --> 01:10:24,280
Speaker 3: That don't make no sense. He kept getting caught with like, yo,

1616
01:10:24,439 --> 01:10:25,000
Speaker 3: what are you doing?

1617
01:10:25,080 --> 01:10:25,200
Speaker 4: Bro?

1618
01:10:26,080 --> 01:10:28,040
Speaker 3: But that's her, that is her. He one of his

1619
01:10:28,160 --> 01:10:30,920
Speaker 3: cake and eat it too. And that's the reality of

1620
01:10:31,000 --> 01:10:33,320
Speaker 3: that whole thing. But it's crazy, Like every time I say,

1621
01:10:33,640 --> 01:10:35,880
Speaker 3: just listen, everyone talks all crazy. Just listen to what

1622
01:10:35,920 --> 01:10:38,760
Speaker 3: he's saying. Listen to the words. Don't just hear his

1623
01:10:39,320 --> 01:10:42,760
Speaker 3: he's speaking loud. Will Lorenzos, we speak loud. But at

1624
01:10:42,760 --> 01:10:44,320
Speaker 3: the end of the day, you listen to what he's

1625
01:10:44,360 --> 01:10:47,160
Speaker 3: really saying. And IRV is not a liar. He is

1626
01:10:47,360 --> 01:10:50,280
Speaker 3: telling you the truth about her, about him. I was

1627
01:10:50,360 --> 01:10:54,200
Speaker 3: their counsel, meaning when they would fight, I'm over the

1628
01:10:54,240 --> 01:10:57,040
Speaker 3: Four Seasons with IRV and I at the rich Calton

1629
01:10:57,080 --> 01:10:58,640
Speaker 3: with a shine talking about what did he say? What

1630
01:10:58,720 --> 01:10:59,280
Speaker 3: did she say?

1631
01:10:59,640 --> 01:11:00,679
Speaker 10: Trying to keep them cool.

1632
01:11:01,200 --> 01:11:04,760
Speaker 3: I never took Earth's side while Earth was here, never,

1633
01:11:05,400 --> 01:11:08,240
Speaker 3: So all I said is I'm not gonna lie. Now.

1634
01:11:08,280 --> 01:11:10,240
Speaker 3: I'm not gonna talk about nothing. But I'm not gonna

1635
01:11:10,280 --> 01:11:12,240
Speaker 3: lie either, Like, you can't ask me to do that.

1636
01:11:12,360 --> 01:11:14,439
Speaker 3: He's not here no more. He can't even say that.

1637
01:11:15,280 --> 01:11:18,640
Speaker 3: If I hear something wrong, I will correct you. But

1638
01:11:18,760 --> 01:11:21,120
Speaker 3: that's it. That's just for respect for my brother. But

1639
01:11:21,280 --> 01:11:24,000
Speaker 3: I never Earth hated that. I never took inside with him,

1640
01:11:24,760 --> 01:11:27,040
Speaker 3: hated it like that was something I had to deal

1641
01:11:27,120 --> 01:11:30,720
Speaker 3: with him. And I'm like, yo, that's your relationship. You know,

1642
01:11:31,479 --> 01:11:34,560
Speaker 3: that's your business. This is over here. He was like,

1643
01:11:34,680 --> 01:11:36,080
Speaker 3: she didn't come to the trail, and I said she

1644
01:11:36,240 --> 01:11:39,840
Speaker 3: was at the tild Yeah, cause Darcell called her. I said,

1645
01:11:39,920 --> 01:11:43,320
Speaker 3: I called her. I called her and said you should

1646
01:11:43,360 --> 01:11:45,800
Speaker 3: be there, and she showed up. What more do you want?

1647
01:11:46,240 --> 01:11:46,880
Speaker 3: That's the fact.

1648
01:11:47,120 --> 01:11:49,360
Speaker 12: Have you and a chance been able to talk since everything?

1649
01:11:49,439 --> 01:11:51,680
Speaker 13: Cause I saw that you were upset with her when

1650
01:11:51,720 --> 01:11:53,800
Speaker 13: she sat down with Angie Martinez and she said that, yeah, I.

1651
01:11:53,840 --> 01:11:58,719
Speaker 3: Was upset cause we haven't spoke in person after Earth's passing.

1652
01:11:59,160 --> 01:12:02,040
Speaker 3: Imagine that, and I promise you I'm the reason she

1653
01:12:02,439 --> 01:12:06,840
Speaker 3: was murdering more. HERB made the records, but HERB would

1654
01:12:06,880 --> 01:12:08,479
Speaker 3: have never got to that point. If I don't do

1655
01:12:08,560 --> 01:12:10,799
Speaker 3: what I did. I used to fly up to Jersey

1656
01:12:11,200 --> 01:12:13,400
Speaker 3: giving her music to make record after record.

1657
01:12:13,400 --> 01:12:15,879
Speaker 16: If I don't put her on the punch, it never happens.

1658
01:12:15,920 --> 01:12:18,720
Speaker 3: And I did that. She knows it for her not

1659
01:12:18,840 --> 01:12:23,080
Speaker 3: to call me after ERR's passage, she texts me that

1660
01:12:23,760 --> 01:12:29,000
Speaker 3: don't feel right. Her mother Tina, that don't feel right.

1661
01:12:29,800 --> 01:12:33,400
Speaker 3: You understand, like I did everything for them, never did

1662
01:12:33,439 --> 01:12:36,040
Speaker 3: I did one thing in return. I'm not gonna sit

1663
01:12:36,120 --> 01:12:38,679
Speaker 3: here with sugar coat nothing. And that's why I felt

1664
01:12:38,720 --> 01:12:40,320
Speaker 3: the way. And then when I see it, I'm like, nah,

1665
01:12:40,400 --> 01:12:43,680
Speaker 3: that's not cool. You know, there's so much details of

1666
01:12:43,920 --> 01:12:46,519
Speaker 3: the murdering history that we don't know or the public

1667
01:12:46,560 --> 01:12:50,720
Speaker 3: doesn't know. Ashanti, we didn't have her signed and we

1668
01:12:50,840 --> 01:12:56,000
Speaker 3: put fool shout yeah, number one record in the country,

1669
01:12:56,040 --> 01:12:57,920
Speaker 3: and she's not signed. You know how much it costs

1670
01:12:58,000 --> 01:13:00,240
Speaker 3: us to get her from that little Ajam Records five

1671
01:13:00,320 --> 01:13:03,680
Speaker 3: million dollars out of our pife five because we got

1672
01:13:03,800 --> 01:13:04,360
Speaker 3: to hit record.

1673
01:13:05,080 --> 01:13:06,280
Speaker 4: We gotta hit record on her.

1674
01:13:06,560 --> 01:13:10,320
Speaker 16: So now he's the numbers up five million.

1675
01:13:10,720 --> 01:13:12,000
Speaker 1: What Madejoroe put the record out before?

1676
01:13:12,080 --> 01:13:13,639
Speaker 8: She was nerv HERV.

1677
01:13:13,520 --> 01:13:17,679
Speaker 3: Moves with his heart. Leo said, I'm not gonna pay

1678
01:13:17,760 --> 01:13:21,960
Speaker 3: for nothing. I was like, were going, it's timing. You know,

1679
01:13:22,240 --> 01:13:25,800
Speaker 3: success is number one reason for success is timing. She

1680
01:13:25,960 --> 01:13:29,200
Speaker 3: knows we had to pay that money. But look, IRV said, loyalty.

1681
01:13:29,360 --> 01:13:32,439
Speaker 3: He figured that's what hurt him. See, this is the

1682
01:13:32,560 --> 01:13:35,639
Speaker 3: plot that hurt him. He's thinking, she's gonna be loyal

1683
01:13:35,720 --> 01:13:39,960
Speaker 3: with me on just business things and stuff and getting

1684
01:13:40,000 --> 01:13:42,559
Speaker 3: Then it turned into relationship too, because in that moment

1685
01:13:43,240 --> 01:13:45,720
Speaker 3: he wasn't messing with her yet. He just seen a

1686
01:13:45,800 --> 01:13:48,840
Speaker 3: talented young girl and that's it.

1687
01:13:49,560 --> 01:13:51,400
Speaker 1: I didn't want to ask you about the funeral because

1688
01:13:51,400 --> 01:13:53,080
Speaker 1: because whole came to the funeral.

1689
01:13:52,920 --> 01:13:53,760
Speaker 8: Yes, didn't.

1690
01:13:53,800 --> 01:13:55,400
Speaker 4: I thought she did not?

1691
01:13:55,560 --> 01:13:56,519
Speaker 3: She sent some flowers.

1692
01:13:56,640 --> 01:13:59,280
Speaker 8: Okay, what about Joe that Joe did not?

1693
01:13:59,439 --> 01:14:03,000
Speaker 3: His father His father passed the same time.

1694
01:14:03,080 --> 01:14:03,840
Speaker 8: Okay, got you, got you.

1695
01:14:04,080 --> 01:14:07,200
Speaker 3: Joe came late. Actually, Joe was there late. He left

1696
01:14:07,240 --> 01:14:09,840
Speaker 3: his father's and got to us late. I've seen him

1697
01:14:09,880 --> 01:14:12,519
Speaker 3: after at the end, when it was almost over. He

1698
01:14:12,640 --> 01:14:15,680
Speaker 3: did get there, sorry, Joe, Yeah, he wasn't in the

1699
01:14:15,720 --> 01:14:18,000
Speaker 3: beginning though he got you. Yeah, I was on.

1700
01:14:18,200 --> 01:14:21,120
Speaker 13: Actually he mentioned the flowers, and I know she posted

1701
01:14:21,160 --> 01:14:23,720
Speaker 13: a statement online did that. I know you said that

1702
01:14:23,800 --> 01:14:25,920
Speaker 13: you want to talk in person, but like, did that

1703
01:14:26,120 --> 01:14:28,960
Speaker 13: provide any sort of comfort for you guys in that moment?

1704
01:14:29,160 --> 01:14:32,040
Speaker 13: Just having things show up there from her?

1705
01:14:33,040 --> 01:14:35,200
Speaker 3: I don't know how to answer that. Really, It's like,

1706
01:14:36,280 --> 01:14:37,920
Speaker 3: I mean, I got sick over her man.

1707
01:14:38,920 --> 01:14:43,200
Speaker 16: I got sick physically after he literally in the hospital, Like,

1708
01:14:44,080 --> 01:14:47,000
Speaker 16: and they what is it? Stress? What's the stress? It's

1709
01:14:47,040 --> 01:14:50,559
Speaker 16: my brother, he's here right now. Like, but I got

1710
01:14:50,600 --> 01:14:53,160
Speaker 16: through it. I have to, Like I said, so when

1711
01:14:53,200 --> 01:14:55,680
Speaker 16: you say that with the flowers.

1712
01:14:55,600 --> 01:15:00,240
Speaker 3: It's a good gesture. It's a good gesture. I won't

1713
01:15:00,280 --> 01:15:01,439
Speaker 3: go further than that. And I don't want to be

1714
01:15:01,520 --> 01:15:04,040
Speaker 3: disrespectful to her because she probably thinks it's good. But

1715
01:15:04,200 --> 01:15:06,519
Speaker 3: she should know better that she had to talk to

1716
01:15:06,680 --> 01:15:11,600
Speaker 3: me physically. Actually, she should come see me physically. I

1717
01:15:12,320 --> 01:15:15,200
Speaker 3: love Ashanti, you know what I'm saying. That's little that's

1718
01:15:15,439 --> 01:15:18,080
Speaker 3: like little sister for real, for real. We took care

1719
01:15:18,080 --> 01:15:22,919
Speaker 3: of her in every sense of your imagination. She confessed

1720
01:15:23,000 --> 01:15:27,439
Speaker 3: me one day afterwards, and she thanked me for everything

1721
01:15:27,520 --> 01:15:29,320
Speaker 3: we did for her because now she's out there by

1722
01:15:29,360 --> 01:15:32,880
Speaker 3: herself and she's getting all types of indecent proposals. Let's

1723
01:15:32,960 --> 01:15:36,720
Speaker 3: leave it to that, right, because that's what this industry is.

1724
01:15:37,479 --> 01:15:40,360
Speaker 3: Let's not make any sugar coating about it. It's an

1725
01:15:40,360 --> 01:15:43,200
Speaker 3: attractive young lady. She wants to make music. What could

1726
01:15:43,240 --> 01:15:47,280
Speaker 3: you do with this? You want that beat? Okay, let's

1727
01:15:47,320 --> 01:15:50,160
Speaker 3: go over here. And she told me. She told me,

1728
01:15:50,600 --> 01:15:53,120
Speaker 3: and she was like, thank you. She thanked me for

1729
01:15:53,280 --> 01:15:56,599
Speaker 3: always taking care of it. On versus, you know she's waiting,

1730
01:15:56,640 --> 01:15:58,760
Speaker 3: he shot out, Nelly. I have no problem with these

1731
01:15:59,080 --> 01:16:03,639
Speaker 3: nothing with Nelly, But on versus. The day of versus,

1732
01:16:03,760 --> 01:16:06,400
Speaker 3: he pulls up and I said, what do you want

1733
01:16:06,479 --> 01:16:08,920
Speaker 3: to do? Ask them like she come up and you

1734
01:16:09,080 --> 01:16:10,560
Speaker 3: ask her, what do you want to do?

1735
01:16:11,160 --> 01:16:13,040
Speaker 8: I'll roll this off the stage.

1736
01:16:13,720 --> 01:16:15,720
Speaker 16: She said, no, I'll give you the sign if there's

1737
01:16:15,760 --> 01:16:16,280
Speaker 16: a problem.

1738
01:16:17,160 --> 01:16:18,920
Speaker 3: But that's the day they got back together. That's why

1739
01:16:18,960 --> 01:16:22,479
Speaker 3: you don't get in the middle of relationships. It's different.

1740
01:16:23,120 --> 01:16:25,320
Speaker 8: That's why I never got any nerve and herd together.

1741
01:16:25,400 --> 01:16:26,000
Speaker 4: I never did.

1742
01:16:26,080 --> 01:16:27,800
Speaker 3: I just tried to keep it cool with them and

1743
01:16:27,920 --> 01:16:30,559
Speaker 3: keep the business moving. I could have swell.

1744
01:16:30,560 --> 01:16:32,240
Speaker 6: It was reported that she went to the funeral.

1745
01:16:32,280 --> 01:16:36,000
Speaker 3: Okay, so she just sent They lied. They did put

1746
01:16:36,040 --> 01:16:38,439
Speaker 3: a report that she was They lied again. She probably

1747
01:16:38,479 --> 01:16:40,519
Speaker 3: got a good publish this or something she had.

1748
01:16:40,479 --> 01:16:42,599
Speaker 13: Said that she tried to There was an olive branch

1749
01:16:42,840 --> 01:16:45,320
Speaker 13: or whatever that she tried to extend or was extended,

1750
01:16:45,360 --> 01:16:46,160
Speaker 13: but it wasn't received.

1751
01:16:46,200 --> 01:16:48,439
Speaker 12: Well, so you think that that's why she kind of text.

1752
01:16:48,280 --> 01:16:49,640
Speaker 8: Me and she didn't text me.

1753
01:16:50,120 --> 01:16:52,080
Speaker 3: If I show you the date she texted me slate,

1754
01:16:52,600 --> 01:16:55,680
Speaker 3: you understand he's gone already, So just put this in

1755
01:16:55,800 --> 01:16:58,760
Speaker 3: there without me going dB, he's gone, and then I

1756
01:16:58,800 --> 01:17:03,240
Speaker 3: get a text after he's gone a couple of days.

1757
01:17:03,880 --> 01:17:04,599
Speaker 3: She got my number.

1758
01:17:04,680 --> 01:17:06,360
Speaker 8: She could like I appreciated the call.

1759
01:17:06,560 --> 01:17:07,840
Speaker 16: I would appreciated a visit.

1760
01:17:07,960 --> 01:17:08,760
Speaker 8: Yeah, I get what you're saying.

1761
01:17:09,520 --> 01:17:11,880
Speaker 3: It's like I said, we did a lot, you know.

1762
01:17:12,280 --> 01:17:14,960
Speaker 3: And she could say whatever she wants about a relationship.

1763
01:17:15,080 --> 01:17:18,320
Speaker 3: She she whatever, but she can't lie about her career.

1764
01:17:19,520 --> 01:17:22,240
Speaker 3: Who can Who can sit there and say she did

1765
01:17:22,320 --> 01:17:23,800
Speaker 3: something more than what it is?

1766
01:17:24,360 --> 01:17:24,400
Speaker 4: Like?

1767
01:17:24,800 --> 01:17:27,280
Speaker 3: Yeah, she wrote the records with him. She hated every

1768
01:17:27,360 --> 01:17:27,880
Speaker 3: hit record.

1769
01:17:27,920 --> 01:17:28,360
Speaker 8: How about that?

1770
01:17:29,760 --> 01:17:31,960
Speaker 3: So what if we listen to her, does she become

1771
01:17:32,000 --> 01:17:37,640
Speaker 3: a shaanty? That's the facts for baby baby. She hated that.

1772
01:17:38,680 --> 01:17:39,240
Speaker 6: Too many babies.

1773
01:17:39,280 --> 01:17:41,479
Speaker 3: It's one of my favorite records ear winning the Booth

1774
01:17:41,560 --> 01:17:43,280
Speaker 3: and Soda. You gotta sing like this, he said, you

1775
01:17:43,320 --> 01:17:46,519
Speaker 3: gotta feel like you you high. You don't get high.

1776
01:17:46,560 --> 01:17:47,680
Speaker 3: That's why you don't know what it is.

1777
01:17:47,800 --> 01:17:48,680
Speaker 8: That's what he told her.

1778
01:17:49,439 --> 01:17:51,280
Speaker 3: And he said, you gotta be strung out on a

1779
01:17:51,439 --> 01:17:55,120
Speaker 3: man that way. And he's so, I don't want to

1780
01:17:55,200 --> 01:17:58,680
Speaker 3: hear it pitch perfect. I said, I'd stupid gott he

1781
01:17:59,439 --> 01:18:02,000
Speaker 3: sing it like that, and she did. See I give

1782
01:18:02,120 --> 01:18:07,479
Speaker 3: credit for the listening. A producer has to be able

1783
01:18:07,520 --> 01:18:11,519
Speaker 3: to produce or else you just the beat maker, right,

1784
01:18:11,600 --> 01:18:13,439
Speaker 3: and you're leaving it in the hands of an artist.

1785
01:18:13,520 --> 01:18:15,799
Speaker 3: And then that's the reality. If you trust that producer,

1786
01:18:15,840 --> 01:18:18,559
Speaker 3: which they trusted her, they was able to get through

1787
01:18:19,880 --> 01:18:24,040
Speaker 3: and make those changes. She compromised her own belief for his,

1788
01:18:24,920 --> 01:18:27,640
Speaker 3: which is to her credit. But that's the that's the

1789
01:18:27,720 --> 01:18:30,760
Speaker 3: beauty of a producer, and that's to me. Irv is

1790
01:18:30,800 --> 01:18:33,080
Speaker 3: a producer for real, for real.

1791
01:18:33,240 --> 01:18:36,040
Speaker 8: Well, thank you for joining us this morning. Good conversation.

1792
01:18:36,240 --> 01:18:38,280
Speaker 16: That's right, I got to talk about one more thing

1793
01:18:38,960 --> 01:18:39,800
Speaker 16: before we get off.

1794
01:18:39,880 --> 01:18:43,160
Speaker 3: I got a movie. I'm a filmmaker. Now, nice bawling.

1795
01:18:43,439 --> 01:18:47,320
Speaker 3: I got Lance Stevenson is my lead. Safari Trey Cheney,

1796
01:18:48,479 --> 01:18:52,160
Speaker 3: shout out to Chey. He's the lead.

1797
01:18:53,240 --> 01:18:53,800
Speaker 4: He's the lead.

1798
01:18:54,040 --> 01:18:56,720
Speaker 16: Not only is the lead, but he made an incredible soundtrack.

1799
01:18:57,160 --> 01:18:58,479
Speaker 16: Lan Stephen is the black drake.

1800
01:19:01,439 --> 01:19:03,640
Speaker 3: He's a black drake. I promise you. He's singing and

1801
01:19:03,760 --> 01:19:06,320
Speaker 3: rapping on the songs. And I couldn't believe I was

1802
01:19:06,360 --> 01:19:09,360
Speaker 3: gonna just make one or two songs for the movie.

1803
01:19:11,240 --> 01:19:16,439
Speaker 3: Why again, I asked, But you gotta come in right.

1804
01:19:16,800 --> 01:19:17,880
Speaker 8: Oh, they say he was in the movie.

1805
01:19:17,920 --> 01:19:20,400
Speaker 3: He's in the movie, but he didn't come to the studio.

1806
01:19:20,760 --> 01:19:22,280
Speaker 3: Got you got you, you gotta come.

1807
01:19:22,400 --> 01:19:23,040
Speaker 8: That's probably.

1808
01:19:26,280 --> 01:19:26,439
Speaker 14: You know.

1809
01:19:26,600 --> 01:19:28,640
Speaker 3: I'm gonna since you said, shout out to Safari, go

1810
01:19:28,800 --> 01:19:29,600
Speaker 3: watch this out on.

1811
01:19:31,840 --> 01:19:32,120
Speaker 4: Ball.

1812
01:19:33,680 --> 01:19:37,040
Speaker 3: No, it's it's it's based off of an Alfred Hitchcock

1813
01:19:37,120 --> 01:19:41,160
Speaker 3: movie called daland for Murder. The way the plot twist is,

1814
01:19:41,200 --> 01:19:44,519
Speaker 3: we just put the culture for today with people like us,

1815
01:19:46,080 --> 01:19:48,240
Speaker 3: you know what I'm saying, And we're doing it for

1816
01:19:48,320 --> 01:19:50,640
Speaker 3: the black and brown. So I'm not Latin, but I

1817
01:19:50,720 --> 01:19:54,280
Speaker 3: do Latin with my partner Don de narrow Man. We

1818
01:19:54,439 --> 01:19:58,360
Speaker 3: just finished Spanish Fly, a crazy movie, a comedy, you

1819
01:19:58,400 --> 01:20:00,479
Speaker 3: know what I'm saying. So we got we out at all.

1820
01:20:00,640 --> 01:20:03,640
Speaker 8: I'm not Spanish man either, he said, he not, but

1821
01:20:05,000 --> 01:20:05,599
Speaker 8: I'm not Spanish.

1822
01:20:06,000 --> 01:20:08,759
Speaker 3: I got a partner. Thats Cuban and he's my partner.

1823
01:20:08,840 --> 01:20:10,479
Speaker 3: He does all the Latin side for me, but I,

1824
01:20:10,960 --> 01:20:12,800
Speaker 3: you know, support him with everything he's doing. You know,

1825
01:20:12,840 --> 01:20:15,120
Speaker 3: it's funny because on my Wikipedia and someone put down

1826
01:20:15,160 --> 01:20:16,080
Speaker 3: there because people.

1827
01:20:15,840 --> 01:20:17,960
Speaker 16: Could add stuff people.

1828
01:20:18,080 --> 01:20:19,600
Speaker 8: He said, he does mine too all the time. He

1829
01:20:19,640 --> 01:20:21,760
Speaker 8: caught me a gardener mind and.

1830
01:20:21,760 --> 01:20:23,280
Speaker 3: I'm Dominican, so I'm.

1831
01:20:29,680 --> 01:20:31,000
Speaker 8: It's the breakfast club. Good morning.

1832
01:20:31,400 --> 01:20:31,720
Speaker 4: Thank you.

1833
01:20:33,439 --> 01:20:35,639
Speaker 8: That Charla Man. You've got a positive note positive notice

1834
01:20:35,680 --> 01:20:39,240
Speaker 8: simply this. We cannot give what we do not have. Okay.

1835
01:20:39,360 --> 01:20:42,160
Speaker 1: We cannot bring peace to the world if we ourselves

1836
01:20:42,200 --> 01:20:44,639
Speaker 1: are not peaceful. We cannot bring love to the world

1837
01:20:44,920 --> 01:20:49,160
Speaker 1: if we ourselves are not loving. So be the change

1838
01:20:49,200 --> 01:20:51,120
Speaker 1: you want to see on this planet. People, have a

1839
01:20:51,160 --> 01:20:51,599
Speaker 1: great day.

1840
01:20:52,120 --> 01:20:53,080
Speaker 8: Breakfast Club.

1841
01:20:58,680 --> 01:21:01,760
Speaker 7: Program your alarm the Power No. Five point one on iHeartRadio.