WEBVTT - Everything's Not Fine: BLM + a Movement in Music

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<v Speaker 1>My name is Alex and I am a proud ally

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<v Speaker 1>to the Black Lives Matter movement. No be alright, no alright,

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<v Speaker 1>no be alright forever, No be alright, alright, no be

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<v Speaker 1>alright forever. So I was planning on releasing my debut album,

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<v Speaker 1>The Gospel Tree, the first week of June. I can't

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<v Speaker 1>remember exactly what date it was, and I thought it

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<v Speaker 1>was the right time. We were in the middle of

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<v Speaker 1>a pandemic. Uh. It felt like the world could use

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<v Speaker 1>some of the messages that I had wanted to share

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<v Speaker 1>in my music, and I thought it was really kind

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<v Speaker 1>of like the perfect time to drop the album. And

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<v Speaker 1>then I saw it. I I saw the video of

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<v Speaker 1>of George Floyd being murdered at the hands of police.

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<v Speaker 1>I mean, I feel like, as an American, you see

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<v Speaker 1>violence all the time. It's it's literally glamorized. It's it's

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<v Speaker 1>sexy to see violence. We watch World Star fights, we

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<v Speaker 1>watch you know, rated our movies, we watch war movies.

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<v Speaker 1>We watch everything we can. But this one felt disgusting.

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<v Speaker 1>This one felt hatred fueled. You know, it felt like

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<v Speaker 1>I I was watching something that I shouldn't have to

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<v Speaker 1>see as a human being, and it just brought forth

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<v Speaker 1>feelings that I've always felt, of supporting somebody standing up

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<v Speaker 1>to bullies, not letting somebody put another person down, not

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<v Speaker 1>letting anybody think that they're more valuable than somebody else,

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<v Speaker 1>And it just it lit this fire under me. I

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<v Speaker 1>shut everything down. I told my team, we're not releasing

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<v Speaker 1>the album. I stopped posting on social media, as if

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<v Speaker 1>the world wasn't about to enter or wasn't in this

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<v Speaker 1>disgusting place. And it's interesting because we were in a pandemic.

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<v Speaker 1>People are dying every single day. But for some reason,

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<v Speaker 1>watching this video uncovered a truth to me and really

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<v Speaker 1>gave it this this blinding light. And I knew that

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<v Speaker 1>me being silent wouldn't be an option this time around.

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<v Speaker 1>So I shut everything down and uh, and I immediately

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<v Speaker 1>started researching how I can help, you know, signing petitions, donating,

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<v Speaker 1>calling mayor's offices and and and police departments in and

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<v Speaker 1>reaching out for justice for UM for Brianna Taylor as

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<v Speaker 1>her murder was was brought forth, and Elijah McClain and

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<v Speaker 1>signing just so many petitions, And it was disgusting how

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<v Speaker 1>many petitions there were, because it meant that this many

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<v Speaker 1>murders have been just completely swept under the rug. And

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<v Speaker 1>I fought as hard as I could every single day,

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<v Speaker 1>and we started seeing progress. We started seeing arrests, we

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<v Speaker 1>started seeing cases reopened, we started seeing um gatherings, and

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<v Speaker 1>and and and so much love. And the hatred from

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<v Speaker 1>the other people also rose up. The hatred from racist

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<v Speaker 1>the hatred from white supremacists also rose up, but they

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<v Speaker 1>kept getting fought back by so much love that we

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<v Speaker 1>had been producing together. I also started prepping to release

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<v Speaker 1>the album again because I felt like, Okay, now that

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<v Speaker 1>we've now that we've been fighting for quite a bit,

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<v Speaker 1>I do still feel like this album I can fit

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<v Speaker 1>in today's time. And that's when I came across one

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<v Speaker 1>of our guests, and I created an amazing friendship out

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<v Speaker 1>of that. But we bonded so well in our unified

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<v Speaker 1>goal to reach true racial equality and racial justice and

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<v Speaker 1>justice for the lives that have been taken for years,

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<v Speaker 1>hundreds of years. As I started finding out through podcasts

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<v Speaker 1>like sixteen nineteen, as I started listening to more anecdotes

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<v Speaker 1>from the Jim Crow era, and I started reading books

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<v Speaker 1>by tnahsy Coats and and educating myself to really be

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<v Speaker 1>the best ally that I can be uh, And now

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<v Speaker 1>I'm here to discuss Black Lives Matter and the movement

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<v Speaker 1>in music. And what I'm thinking is where do we

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<v Speaker 1>go from here? YEO? What's up? This is alex Iono.

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<v Speaker 1>This is my podcast. It's called Let's get into it.

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<v Speaker 1>And to help me with that, I have again, like

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<v Speaker 1>I said, one of my very very good friends. Now

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<v Speaker 1>like it literally went from zero to a hundred and

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<v Speaker 1>then one song. My brother d Wilson. He's a singer, songwriter,

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<v Speaker 1>worship leader from Chicago. He's written songs including the number

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<v Speaker 1>one gospel single not Lucky I'm Moved by Jonathan McReynolds.

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<v Speaker 1>He wrote the song that still tears me apart to

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<v Speaker 1>this day. It's called Rose Pedals with his band Common

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<v Speaker 1>Hymnal and Uh and of course wrote the Medicine, which

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<v Speaker 1>is one of the songs on my album The Gospel

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<v Speaker 1>at D How are you, brother? I'm great, bro, I'm

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<v Speaker 1>great man. Good to be here. Thanks for having me on.

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<v Speaker 1>I'm happy you're here. And we both now get to

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<v Speaker 1>make another new friend that we can release another new

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<v Speaker 1>song with. It might not be as it might not be,

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<v Speaker 1>it might not be as clean or reverence, but it's

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<v Speaker 1>definitely gonna be fine. I could guarantee that he is

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<v Speaker 1>a rapper, producer and the co host of the Waiting

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<v Speaker 1>on Reparations podcast and Athens, Georgia. His friends call him Mac,

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<v Speaker 1>but we call him Dope Knife. Dope Knife, How are you, bro? Hey?

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<v Speaker 1>What's going on? Alice? How you doing? Thank you for

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<v Speaker 1>having me? I'm so happy that you're here and and honestly,

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<v Speaker 1>to me, I think, UM, being an ally means knowing

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<v Speaker 1>when to shut up and listen. And that's really kind

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<v Speaker 1>of what I wanted to do on this podcast is

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<v Speaker 1>talk about music, talk about art and UH and really

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<v Speaker 1>learn from both of you guys how I can continue

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<v Speaker 1>being the best ally that I can be in anybody

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<v Speaker 1>who's listening who wants to be the best ally they

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<v Speaker 1>can be to this movement to fighting for racial justice

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<v Speaker 1>and fighting for racially quality, UH can can do that

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<v Speaker 1>as well. So before we get into all of that,

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<v Speaker 1>I have a question that I ask all of my guests,

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<v Speaker 1>what have you been doing this week to better your life?

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<v Speaker 1>And and I'll start so that you guys got some

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<v Speaker 1>time to think. Um, I've been house hunting, So I

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<v Speaker 1>don't know if this is like a new thing. But

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<v Speaker 1>the house that I was living in right now is

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<v Speaker 1>getting so old, and I got to find a new

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<v Speaker 1>house to live in, and it is I guess it's

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<v Speaker 1>for the better. I don't know. It's not a really

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<v Speaker 1>good answer. Usually I have a really good answer. But

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<v Speaker 1>my whole life has been the virtual tour and finding

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<v Speaker 1>a house. It's like my two biggest goals. So that's

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<v Speaker 1>what I've been doing. What you got from me, Mac,

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<v Speaker 1>I I freestyle a lot, and um it's it's actually

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<v Speaker 1>one of my more notable things that I do in

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<v Speaker 1>my live show. And it's usually the more that I've

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<v Speaker 1>been making music that's kind of become The main practice

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<v Speaker 1>that I get at freestyling is when I'm performing when

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<v Speaker 1>I'm on tours, like incorporating the freestyling into my set.

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<v Speaker 1>Before I started doing that, when I was like in

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<v Speaker 1>high school and stuff, I used to like have myself

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<v Speaker 1>go through like a regimented practice, like I practice freestyle

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<v Speaker 1>wrapping every day and practice and practice until I could

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<v Speaker 1>get good at it. And it's just been such a

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<v Speaker 1>long time since I've been in a situation where I

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<v Speaker 1>wasn't performing regularly, so I was I was kind of

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<v Speaker 1>like man maybe I should take the time out to

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<v Speaker 1>do like practice for a couple of hours for the

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<v Speaker 1>first time in years. For the first seven years, I've

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<v Speaker 1>practiced freestyling like I was in high school and it

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<v Speaker 1>was it's pretty refreshing. Can you explain what practicing freestyle like?

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<v Speaker 1>How do you practice freestyling? Well? For me, um, like,

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<v Speaker 1>I'll put on YouTube videos or TV and just out

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<v Speaker 1>loud rap what I'm seeing as it comes up, and

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<v Speaker 1>that way you can you can mess up. You can

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<v Speaker 1>still because okay, you have to understand how I incorporate

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<v Speaker 1>freestyling into my live set where I have this song

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<v Speaker 1>called who Got the Props? Where I'll just tell people

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<v Speaker 1>to pull stuff out of their pockets and stuff and

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<v Speaker 1>we'll make a song on the spot out all the

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<v Speaker 1>stuff that people and stuff like that. So that game

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<v Speaker 1>in particular, like just watching TV and everything that you

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<v Speaker 1>see visually just wrapping it, wrapping in the shower. So

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<v Speaker 1>I practiced freestyling and I feel like I'm better today

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<v Speaker 1>than I was yesterday. Here we go. That's what that's

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<v Speaker 1>what matter is most. What do you got from me?

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<v Speaker 1>What you've been doing this week to make to make

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<v Speaker 1>your life a little better? Well, so there's this big

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<v Speaker 1>um conference every year uh that really couldn't happen in

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<v Speaker 1>persons years that did on videos called the Global Leadership Summit.

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<v Speaker 1>And it's, um, it's this this sort of megachurch in

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<v Speaker 1>Chicago invites leaders from based literally all across, from all

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<v Speaker 1>over the world and from like sort of all walks

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<v Speaker 1>of life, the business world, of the church world, social

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<v Speaker 1>media world, like all of it. Like it's all it's

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<v Speaker 1>almost like a you name it of leadership. Um. And

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<v Speaker 1>so so for literally uh two days, you just hear

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<v Speaker 1>about all sorts of uh leadership principles. UM. You know,

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<v Speaker 1>not everybody that comes is you know, is a Christian

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<v Speaker 1>or or even like you know, practices of faith at all. Um,

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<v Speaker 1>you know, not even all the speakers or even but

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<v Speaker 1>it's just this is an amazing intersection of people just

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<v Speaker 1>exchanging leadership ideas and it's and then you get so

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<v Speaker 1>much good just um quality talks. UM. I want to

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<v Speaker 1>stay preaching because I live in the church, bro, But UM,

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<v Speaker 1>you get you get such a good quality talk, such

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<v Speaker 1>good quality principles. So literally since yesterday eight am until

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<v Speaker 1>I came here to do this, UM, I've been in

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<v Speaker 1>that in that summit. Oh man, Yeah, she's pretty it's

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<v Speaker 1>pretty intense that you definitely you definitely win for the

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<v Speaker 1>like I mean freestyling, like that's like that's major, major major.

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<v Speaker 1>But you're like you're talking about going to like you're

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<v Speaker 1>at the u N. You're at the u N of

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<v Speaker 1>the leadership, except like, yeah, way more efficient. Damn. Well listen, guys,

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<v Speaker 1>we we got we got three topics we're gonna be

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<v Speaker 1>talking about. First up, D and I are going to

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<v Speaker 1>go one on one and we're gonna talk through the Medicine,

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<v Speaker 1>which is the song that we we sing together on

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<v Speaker 1>my album and on your upcoming album. Am I allowed

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<v Speaker 1>to talk about your upcoming album? Um? Uh? Nobody told me? Yeah,

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<v Speaker 1>what's the streets saying no? Yeah, absolutely no, But nobody's

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<v Speaker 1>told me no. So this is the debut we're talking

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<v Speaker 1>about it right now. I'd rather ask for forgiveness and permission.

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<v Speaker 1>So yeah, there you go. Uh And then uh, and

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<v Speaker 1>then Mac, you and I are going to go one

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<v Speaker 1>on one talking about politics and hip hop. And then lastly,

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<v Speaker 1>the three of us are going to have like an

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<v Speaker 1>all in, you know, go at it to talk about

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<v Speaker 1>the Black Lives Matter movement in music Um, so, d

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<v Speaker 1>let's get straight into it. Mac. We'll talk with you

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<v Speaker 1>in a bit, all right, d Well, listen, we're friends now,

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<v Speaker 1>you have no choice. You're my friend, and and I

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<v Speaker 1>just want to I think if you watch my documentary

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<v Speaker 1>that I put out of the whole album, you'll see

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<v Speaker 1>at the very end there's the snippet that talks about

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<v Speaker 1>the album. But I kind of wanted to just do

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<v Speaker 1>like a twenty minute in depth discussion about how we

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<v Speaker 1>became friends, how the song came about, Um, what the

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<v Speaker 1>song means to you now compared to when you first

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<v Speaker 1>wrote it. We're gonna talk about all that. So first,

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<v Speaker 1>let's get straight into it. Um, I heard this song

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<v Speaker 1>my dad like literally, this is like it's usually when

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<v Speaker 1>your dad shows you something on social media, it's not

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<v Speaker 1>cool historically actually really bad. My my dad posted a

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<v Speaker 1>story that was you singing the first ever version of

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<v Speaker 1>the medicine. It was just you live sitting at the keyboard,

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<v Speaker 1>and uh, and I was like in tears, a full

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<v Speaker 1>on was it was? It was? This was maybe? Days?

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<v Speaker 1>Was it was like days after George Floyd was murdered? Yeah, yeah,

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<v Speaker 1>I had to be Um, maybe it wasn't it certainly

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<v Speaker 1>was not a week. Yeah, it might have been like

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<v Speaker 1>four or five days. And uh, and I just I

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<v Speaker 1>just remember hearing it and just weeping, just feeling it,

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<v Speaker 1>like I mean, because the thing that the thing about

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<v Speaker 1>the song to me was that I had heard so much,

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<v Speaker 1>you know, and and not that it's the wrong thing,

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<v Speaker 1>but after George Floyd's murder, it was all hatred in return,

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<v Speaker 1>you know. It was it was fun twelve, It was

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<v Speaker 1>a cab. It was all of those things which I'm

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<v Speaker 1>not saying are the wrong reaction, but as somebody who

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<v Speaker 1>always tries to lead with love, I searched for where

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<v Speaker 1>the love was. I searched for where we're turning to

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<v Speaker 1>love instead of just urnning directly back into violence and

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<v Speaker 1>feeding into the cycle of war. And the song that

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<v Speaker 1>you that you wrote was really one of the first

0:12:08.200 --> 0:12:11.839
<v Speaker 1>places in which I felt like we were at a

0:12:11.960 --> 0:12:14.199
<v Speaker 1>growing like it was. It was, it was written from

0:12:14.200 --> 0:12:17.120
<v Speaker 1>a growing place. It wasn't just it wasn't just looting

0:12:17.280 --> 0:12:22.800
<v Speaker 1>and fire and destruction, which is the deserving reaction to

0:12:22.920 --> 0:12:27.360
<v Speaker 1>something like George Floyd's murder. But hearing hearing your song

0:12:27.480 --> 0:12:30.520
<v Speaker 1>brought a whole new side of it to me, and

0:12:30.559 --> 0:12:32.760
<v Speaker 1>so I've I've heard it many times and I love

0:12:32.840 --> 0:12:34.880
<v Speaker 1>listening to it. But how did you write this song?

0:12:34.960 --> 0:12:38.560
<v Speaker 1>Tell me about the creation of the medicine? Yeah, um,

0:12:38.679 --> 0:12:40.840
<v Speaker 1>so yeah, just like you said, you know, it's a

0:12:40.840 --> 0:12:45.319
<v Speaker 1>couple of days after um, George Floyd was murdered. Um.

0:12:45.360 --> 0:12:48.080
<v Speaker 1>I've had a very interesting sort of journey when it

0:12:48.080 --> 0:12:52.200
<v Speaker 1>comes to justice issues. Um, you know, like being sort

0:12:52.240 --> 0:12:56.679
<v Speaker 1>of raised in uh you know, maybe middle class, um,

0:12:56.720 --> 0:12:59.160
<v Speaker 1>you know, like sort of society, like a lot of

0:12:59.200 --> 0:13:02.199
<v Speaker 1>diverse f It's like I've never really encountered a lot

0:13:02.240 --> 0:13:05.680
<v Speaker 1>of racism, um, even growing up, not really until I

0:13:05.720 --> 0:13:08.040
<v Speaker 1>became like sort of maybe a teena like once I

0:13:08.040 --> 0:13:11.480
<v Speaker 1>started driving on my own, and it's always driving with

0:13:11.600 --> 0:13:14.080
<v Speaker 1>young black men where you run into it, you know,

0:13:14.520 --> 0:13:17.360
<v Speaker 1>And so like I remember being like so like I

0:13:17.640 --> 0:13:19.400
<v Speaker 1>had to really sort of laid awaken and in my

0:13:19.440 --> 0:13:23.960
<v Speaker 1>twenties around Traylon Martin's murder um and watching so many

0:13:24.000 --> 0:13:28.079
<v Speaker 1>of the people that I knew as family turned into monsters.

0:13:28.840 --> 0:13:31.200
<v Speaker 1>And so for me in a lot of ways, like

0:13:31.240 --> 0:13:34.559
<v Speaker 1>writing songs like Rose Pedals, writing songs like the Medicine,

0:13:35.320 --> 0:13:37.760
<v Speaker 1>it's sort of me sort of find a lot finally

0:13:37.880 --> 0:13:41.600
<v Speaker 1>being able to articulate all the things that have been

0:13:41.640 --> 0:13:43.040
<v Speaker 1>turning into me, and I, like you, I was the

0:13:43.040 --> 0:13:46.160
<v Speaker 1>same way. I was like, man, you know, like it

0:13:46.200 --> 0:13:48.480
<v Speaker 1>was so hard to see because it happened in Chicago

0:13:48.520 --> 0:13:51.480
<v Speaker 1>to like and actually happened, a lot of looting happened

0:13:51.520 --> 0:13:53.800
<v Speaker 1>like just five minutes or so from where we live.

0:13:54.559 --> 0:13:59.320
<v Speaker 1>And at the same time being so heartbroken that you know,

0:13:59.559 --> 0:14:01.680
<v Speaker 1>there are so on the people that are that are angry,

0:14:01.960 --> 0:14:06.640
<v Speaker 1>that are hurt, that are under pressure, um, that are victims,

0:14:06.800 --> 0:14:11.240
<v Speaker 1>that just that that feel a real thing and can't

0:14:12.200 --> 0:14:14.360
<v Speaker 1>express it articulate a different way. I was really I

0:14:14.400 --> 0:14:16.640
<v Speaker 1>was marked by two things. I was. I saw this

0:14:16.679 --> 0:14:18.440
<v Speaker 1>one video of this young man and I don't know

0:14:18.440 --> 0:14:21.000
<v Speaker 1>where he was, was a young um, young black kid

0:14:21.640 --> 0:14:24.280
<v Speaker 1>basically saying like, this is what you get. This is

0:14:24.320 --> 0:14:26.200
<v Speaker 1>what you get when you take a man away from

0:14:26.200 --> 0:14:29.800
<v Speaker 1>his family, This is what you get when you impose

0:14:29.960 --> 0:14:33.640
<v Speaker 1>all these ills on this community and don't give us

0:14:33.680 --> 0:14:36.520
<v Speaker 1>any way out or any resources. We don't want to

0:14:36.560 --> 0:14:38.760
<v Speaker 1>destroy anything, We don't want to burn anything. But how

0:14:38.760 --> 0:14:41.680
<v Speaker 1>else are we supposed to do this? If if everything

0:14:41.720 --> 0:14:46.000
<v Speaker 1>that we want to change isn't happening. And I cried

0:14:46.640 --> 0:14:51.080
<v Speaker 1>watching he couldn't have been older than sixteen. And I

0:14:51.120 --> 0:14:54.000
<v Speaker 1>cried just watching this kid. You know, I'm thirty three,

0:14:54.280 --> 0:14:58.960
<v Speaker 1>was watching this kid. He was so profound in what

0:14:59.200 --> 0:15:02.720
<v Speaker 1>in in thought of saying, this is what you get,

0:15:02.920 --> 0:15:05.720
<v Speaker 1>like this is what happens. You know. Ice Cube was

0:15:05.720 --> 0:15:07.720
<v Speaker 1>around the same age when he wrote after Police. It's

0:15:07.760 --> 0:15:10.560
<v Speaker 1>like he was sixteen being able to process information. So

0:15:10.640 --> 0:15:13.160
<v Speaker 1>I'm driving home. I listened to one of my favorite pastors,

0:15:13.280 --> 0:15:16.600
<v Speaker 1>name is Eric Mason and Philly. He's a black pastor

0:15:17.200 --> 0:15:19.840
<v Speaker 1>UM and one day on Twitter. One day on and

0:15:19.880 --> 0:15:21.800
<v Speaker 1>I don't even know why, it's like he's a boomer too.

0:15:21.800 --> 0:15:23.680
<v Speaker 1>I guess he used. He still used a periscope, which

0:15:23.720 --> 0:15:26.560
<v Speaker 1>is weird. But one day he was um. He was

0:15:27.840 --> 0:15:30.120
<v Speaker 1>one day he was on periscope just like letting it

0:15:30.280 --> 0:15:34.000
<v Speaker 1>loose man, and I'm screaming. I'm screaming at my phone

0:15:34.040 --> 0:15:38.120
<v Speaker 1>like yes. And so that's where I first heard him

0:15:38.160 --> 0:15:41.040
<v Speaker 1>say something like something to the effect of like there's

0:15:41.120 --> 0:15:43.240
<v Speaker 1>like this is a sickness, like there's a sickness and

0:15:43.320 --> 0:15:46.880
<v Speaker 1>a sickness. And I'm driving home, like just I just

0:15:46.960 --> 0:15:50.400
<v Speaker 1>left the chiropractor and I'm driving home. All the windows

0:15:50.440 --> 0:15:54.600
<v Speaker 1>are open and I just I like that that word

0:15:54.760 --> 0:15:58.760
<v Speaker 1>like sickness just like hit me in the middle of

0:15:58.800 --> 0:16:02.600
<v Speaker 1>my chest, and I probably in the car, probably at

0:16:02.680 --> 0:16:04.920
<v Speaker 1>least wrote the very first line, like there's a sickness

0:16:05.000 --> 0:16:08.320
<v Speaker 1>here that threatens to divide us, and we're all afraid

0:16:08.400 --> 0:16:10.880
<v Speaker 1>to say its name out loud. Always trying to find

0:16:10.920 --> 0:16:13.360
<v Speaker 1>a way to to express things, or to look at things,

0:16:13.520 --> 0:16:17.600
<v Speaker 1>or to address things that is differently than the way

0:16:17.760 --> 0:16:20.360
<v Speaker 1>everybody else is sort of addressing and getting talking about it.

0:16:20.960 --> 0:16:24.760
<v Speaker 1>And um, I still could because I don't throw people away.

0:16:24.800 --> 0:16:27.200
<v Speaker 1>I still have a lot of people that fall on

0:16:27.240 --> 0:16:30.280
<v Speaker 1>the side of you know, that cop was just doing

0:16:30.320 --> 0:16:32.640
<v Speaker 1>his job, or George Floyd was this, this and that,

0:16:32.760 --> 0:16:35.920
<v Speaker 1>like they're still very much in my world and now

0:16:35.960 --> 0:16:38.480
<v Speaker 1>and then I haven't, But now that I'm more awake,

0:16:38.520 --> 0:16:39.960
<v Speaker 1>I have a lot more people on the on the

0:16:40.160 --> 0:16:43.680
<v Speaker 1>on the side of saying. But whatever whatever it was

0:16:43.760 --> 0:16:47.400
<v Speaker 1>that y'all thought he did, that was unwarranted. He did

0:16:47.440 --> 0:16:49.840
<v Speaker 1>not deserve that. He like, you don't kill a man

0:16:49.880 --> 0:16:53.600
<v Speaker 1>in the street for a twenty like, where are we like?

0:16:53.680 --> 0:16:55.320
<v Speaker 1>What do we like? What kind of world are we

0:16:55.400 --> 0:16:59.280
<v Speaker 1>living in? Where a twenty effake twenty if it even

0:16:59.400 --> 0:17:01.960
<v Speaker 1>was that gets you killed in the street, you know.

0:17:02.320 --> 0:17:03.920
<v Speaker 1>So I'm hearing all these things and I'm just I'm

0:17:03.960 --> 0:17:07.080
<v Speaker 1>just so grieved and heartbroken because as a as a Christian,

0:17:07.760 --> 0:17:12.000
<v Speaker 1>it's tough watching the church miss it so freaking often.

0:17:12.240 --> 0:17:14.280
<v Speaker 1>Like that's what happened that, That's part of what happened

0:17:14.320 --> 0:17:17.040
<v Speaker 1>with Rose Pedals too. Was just like guys were missing it.

0:17:17.160 --> 0:17:19.439
<v Speaker 1>We're missing it like this is a human life, like

0:17:19.920 --> 0:17:22.440
<v Speaker 1>this is this is blood, this is breath, these are

0:17:22.440 --> 0:17:25.280
<v Speaker 1>all the things that we say we're supposed to care about,

0:17:25.320 --> 0:17:27.200
<v Speaker 1>but all of a sudden we have all these all

0:17:27.240 --> 0:17:30.320
<v Speaker 1>these excuses and all these reasons not too Um. So

0:17:30.359 --> 0:17:33.639
<v Speaker 1>I came home, Um, my daughter and my wife are

0:17:33.640 --> 0:17:37.400
<v Speaker 1>about the head to the store, and I was like, great,

0:17:37.480 --> 0:17:39.560
<v Speaker 1>y'all leave. I have to get to the piano, like

0:17:40.000 --> 0:17:41.760
<v Speaker 1>when I find those moments, you know, as a songwriter,

0:17:41.880 --> 0:17:44.560
<v Speaker 1>like when you have those moments of inspiration, you have

0:17:44.680 --> 0:17:46.640
<v Speaker 1>to hold onto them as long as you can because

0:17:46.680 --> 0:17:50.480
<v Speaker 1>once they're gone, they're gone. Right, And so, um, I

0:17:50.520 --> 0:17:53.040
<v Speaker 1>got I probably got back home at like five thirty

0:17:53.160 --> 0:17:57.520
<v Speaker 1>or six. I went right to my my keyboard, um,

0:17:57.560 --> 0:17:59.960
<v Speaker 1>and I just immediately started like hammering out these world

0:18:00.400 --> 0:18:04.200
<v Speaker 1>and it was weird how quickly they came and how

0:18:04.280 --> 0:18:07.719
<v Speaker 1>good they were. Um. And then literally as as soon

0:18:07.760 --> 0:18:09.520
<v Speaker 1>as soon as I felt like the song was done

0:18:09.520 --> 0:18:16.000
<v Speaker 1>being written, I started doing takes on a video and like, um,

0:18:16.040 --> 0:18:18.080
<v Speaker 1>I just started like going, you know, like playing it,

0:18:18.200 --> 0:18:20.320
<v Speaker 1>playing it. I would mess up, start everything over again,

0:18:20.359 --> 0:18:23.320
<v Speaker 1>like and once I finally got one that I mean, honestly,

0:18:23.320 --> 0:18:24.679
<v Speaker 1>that was the first one that I was able to

0:18:24.680 --> 0:18:27.439
<v Speaker 1>even sing all the way through between messing up and

0:18:27.480 --> 0:18:29.880
<v Speaker 1>crying and writing, and it's like and I just put

0:18:29.920 --> 0:18:33.040
<v Speaker 1>it up. Man. It was just like, um, you know,

0:18:33.160 --> 0:18:34.800
<v Speaker 1>I don't have a huge following, I'm not a very

0:18:34.800 --> 0:18:37.840
<v Speaker 1>influential person. Like I just put it up as a

0:18:37.880 --> 0:18:41.960
<v Speaker 1>way too. I don't even know why, Like I don't

0:18:41.960 --> 0:18:44.040
<v Speaker 1>know what possessed me to do it. It was more

0:18:44.200 --> 0:18:47.199
<v Speaker 1>just like I have to put this up, Like I

0:18:47.240 --> 0:18:48.720
<v Speaker 1>just have to. I have to put this out into

0:18:48.760 --> 0:18:51.600
<v Speaker 1>the world like this. It's it's unprotected, it's all the

0:18:51.600 --> 0:18:54.520
<v Speaker 1>wrong things, but like this, this is I have to

0:18:54.600 --> 0:18:58.920
<v Speaker 1>just say this right now, that this like this like

0:18:59.040 --> 0:19:03.639
<v Speaker 1>we are and more importantly, you know, to those to

0:19:03.880 --> 0:19:06.919
<v Speaker 1>those folks that I and in community with, you know,

0:19:07.080 --> 0:19:10.400
<v Speaker 1>in the Christian space, we are missing it. Like that's

0:19:10.400 --> 0:19:12.240
<v Speaker 1>what that second verse was about, you know, Like if

0:19:12.320 --> 0:19:14.320
<v Speaker 1>I can sing, I can sing the words of ends

0:19:14.320 --> 0:19:16.440
<v Speaker 1>of men and songs of angels, I can give all

0:19:16.480 --> 0:19:18.199
<v Speaker 1>my possession to the poor. But if your love can

0:19:18.200 --> 0:19:21.000
<v Speaker 1>move them out into my hatred, I missed it, like

0:19:21.200 --> 0:19:24.479
<v Speaker 1>I missed everything. If if, if all these you know,

0:19:24.720 --> 0:19:27.879
<v Speaker 1>platitudes that we throw out all the time is not

0:19:28.040 --> 0:19:31.400
<v Speaker 1>causing me to love my brother, then I am missing

0:19:31.440 --> 0:19:38.119
<v Speaker 1>the whole thing. Um. And then I just cried, and

0:19:38.200 --> 0:19:41.679
<v Speaker 1>I just cried. Then I just cried. I if you

0:19:41.840 --> 0:19:44.040
<v Speaker 1>listen to this song and you really have that pure

0:19:44.200 --> 0:19:48.159
<v Speaker 1>hearted you know, drive and understanding of the weight of

0:19:48.200 --> 0:19:50.080
<v Speaker 1>what's going on in the world right now, it's I

0:19:50.080 --> 0:19:53.880
<v Speaker 1>think it's absolutely impossible to not cry listening to that song,

0:19:53.960 --> 0:19:56.439
<v Speaker 1>or not at least feel like you want to. You

0:19:56.560 --> 0:19:59.760
<v Speaker 1>mentioned the faith aspect of the song, you know, Uh,

0:20:00.000 --> 0:20:03.199
<v Speaker 1>You're you're obviously a very devout Christian man. I do

0:20:03.320 --> 0:20:07.280
<v Speaker 1>still absolutely claim Christianity. I still believe in God, I

0:20:07.280 --> 0:20:10.760
<v Speaker 1>still believe in higher Power. I'm very monotheistic in mind,

0:20:11.600 --> 0:20:15.000
<v Speaker 1>as somebody who writes so much gospel music and and

0:20:15.000 --> 0:20:20.880
<v Speaker 1>and worship music. More than anything I in the gospel.

0:20:20.920 --> 0:20:23.480
<v Speaker 1>In my album, I have some songs that directly address

0:20:23.520 --> 0:20:27.440
<v Speaker 1>my relationship with with God. How difficult is it? Because

0:20:27.480 --> 0:20:32.680
<v Speaker 1>I do definitely find it difficult um looking at Christian

0:20:32.720 --> 0:20:35.439
<v Speaker 1>religions right now, and like you said, are just missing

0:20:35.480 --> 0:20:39.440
<v Speaker 1>it so hard that we believe in a god that's

0:20:39.440 --> 0:20:43.640
<v Speaker 1>that that that gave us scriptures that say to love

0:20:43.880 --> 0:20:47.399
<v Speaker 1>your brother and love and and to be christ Like,

0:20:47.760 --> 0:20:52.680
<v Speaker 1>and to to accept everybody and love everybody, and and

0:20:52.960 --> 0:20:55.920
<v Speaker 1>leave no stone unturned when it comes to love. And

0:20:56.000 --> 0:21:00.320
<v Speaker 1>yet we're here and among the hatred for the l

0:21:00.359 --> 0:21:03.480
<v Speaker 1>g B t Q plus community, among the hatred for

0:21:03.480 --> 0:21:06.439
<v Speaker 1>for anybody that doesn't believe in what the amount of

0:21:06.560 --> 0:21:10.199
<v Speaker 1>wars that that have been started off of religion, And

0:21:10.280 --> 0:21:15.879
<v Speaker 1>now we're here today as somebody who writes actively addressing faith,

0:21:16.040 --> 0:21:19.480
<v Speaker 1>addressing worship. How difficult has it been in the wake

0:21:19.520 --> 0:21:21.959
<v Speaker 1>of all of this. It doesn't change that the leaders

0:21:21.960 --> 0:21:27.160
<v Speaker 1>of churches, that that pastors that churchgoers are still saying yeah,

0:21:27.200 --> 0:21:30.040
<v Speaker 1>but blue lives matter, or saying but all lives matter,

0:21:30.119 --> 0:21:33.560
<v Speaker 1>or trying to fight these these fight something that's so

0:21:33.600 --> 0:21:37.920
<v Speaker 1>simple as yes, a man was murdered and that's not okay. Yeah, yeah,

0:21:38.040 --> 0:21:41.320
<v Speaker 1>you know it's been. It's been crazy difficult, I think, Um,

0:21:41.359 --> 0:21:43.320
<v Speaker 1>you know, I think one one of the ways that

0:21:43.520 --> 0:21:46.080
<v Speaker 1>you know, we as a church all like missing probably

0:21:46.119 --> 0:21:49.320
<v Speaker 1>consistently is like we want to pick and choose. Um.

0:21:49.359 --> 0:21:52.200
<v Speaker 1>And so for me, the difficult part actually hasn't been writing,

0:21:52.240 --> 0:21:56.560
<v Speaker 1>because I've always written songs that have have pushed up

0:21:56.600 --> 0:21:59.760
<v Speaker 1>against those boundaries and barriers. I've always done that. Um. Now,

0:21:59.800 --> 0:22:01.679
<v Speaker 1>they haven't always been popular, which is why I'm not

0:22:01.760 --> 0:22:06.880
<v Speaker 1>rich or famous. But but it's uh, but it hasn't been.

0:22:07.520 --> 0:22:09.959
<v Speaker 1>I think the more difficult thing for me now is

0:22:10.960 --> 0:22:16.200
<v Speaker 1>how much Sunday mornings have become in a journey into

0:22:16.359 --> 0:22:22.240
<v Speaker 1>escapism for Western American Christians. Um, in that we can

0:22:22.480 --> 0:22:24.320
<v Speaker 1>you know, as long as we can get the church

0:22:24.359 --> 0:22:27.840
<v Speaker 1>on Sunday and have that hour, you know, the world

0:22:27.920 --> 0:22:30.720
<v Speaker 1>be damned. Like it's like nothing. We don't address anything

0:22:30.720 --> 0:22:32.960
<v Speaker 1>in here. We don't talk about any of that stuff

0:22:32.960 --> 0:22:35.359
<v Speaker 1>in here. Um we had you know, we don't. We

0:22:35.400 --> 0:22:37.639
<v Speaker 1>don't like none of that stuff matters. I just you know,

0:22:37.720 --> 0:22:39.920
<v Speaker 1>I got my church. We're gonna sing our favorite songs,

0:22:39.920 --> 0:22:42.600
<v Speaker 1>We're gonna do these things, and then we can go

0:22:42.600 --> 0:22:45.200
<v Speaker 1>back to the real world. My my driving the last

0:22:45.440 --> 0:22:49.520
<v Speaker 1>uh two or three years has been no, we have

0:22:49.720 --> 0:22:52.679
<v Speaker 1>to bring that stuff here to Sunday. Um. So the

0:22:52.720 --> 0:22:55.480
<v Speaker 1>most trouble I've gotten into, and I've gotten into trouble,

0:22:55.880 --> 0:22:58.240
<v Speaker 1>the most trouble I've gotten into it is just it's

0:22:58.320 --> 0:23:02.879
<v Speaker 1>just UM not allowing my church at least, you know,

0:23:02.920 --> 0:23:06.080
<v Speaker 1>the folks that I lead and served, not allowing gus

0:23:06.119 --> 0:23:08.600
<v Speaker 1>to come into church and be able to escape the

0:23:08.600 --> 0:23:12.440
<v Speaker 1>real world. No if when when um, when there was

0:23:12.680 --> 0:23:14.320
<v Speaker 1>I think it was the same. I think didn't like

0:23:14.560 --> 0:23:17.000
<v Speaker 1>the Charlottesville thing happened in the Dallas thing happened in

0:23:17.000 --> 0:23:19.240
<v Speaker 1>the same weekend or like in the same couple of

0:23:19.320 --> 0:23:21.320
<v Speaker 1>days where it's like they had a riot, they had

0:23:21.359 --> 0:23:24.280
<v Speaker 1>like pro two protests in Charlotsville class and then I

0:23:24.320 --> 0:23:27.399
<v Speaker 1>think that same weekend there was a peaceful protests in

0:23:28.040 --> 0:23:30.920
<v Speaker 1>Dallas and then somebody started shooting there. And I think

0:23:30.960 --> 0:23:33.560
<v Speaker 1>for you're talking about a few years ago, you're not. No,

0:23:33.600 --> 0:23:35.679
<v Speaker 1>it's not recently this last summer. It was last summer

0:23:36.160 --> 0:23:38.919
<v Speaker 1>because I remember and I remember in our meetings going, hey, y'all,

0:23:39.160 --> 0:23:42.000
<v Speaker 1>this thing just happened. We have to say something to

0:23:42.080 --> 0:23:45.520
<v Speaker 1>our church about this, because because everybody's talking about it

0:23:45.560 --> 0:23:48.000
<v Speaker 1>on Facebook. Everybody's arguing about it on Facebook. Everybody's being

0:23:48.119 --> 0:23:50.840
<v Speaker 1>very hateful. We need to be the ones to come

0:23:50.840 --> 0:23:53.119
<v Speaker 1>in and say this is wrong. Well, you know what

0:23:53.200 --> 0:23:56.680
<v Speaker 1>I mean, like to address it. So that Sunday I

0:23:56.960 --> 0:23:59.520
<v Speaker 1>addressed it. I talked about it, we pray like, we cried,

0:23:59.560 --> 0:24:02.720
<v Speaker 1>we wet we I had people like yo sitting here

0:24:02.760 --> 0:24:06.280
<v Speaker 1>for five minutes, and think about how you interact with

0:24:06.280 --> 0:24:08.879
<v Speaker 1>with with people that don't look like you, think like you,

0:24:08.920 --> 0:24:11.639
<v Speaker 1>believe like you. You might be doing it way wrong.

0:24:11.760 --> 0:24:14.240
<v Speaker 1>There's a parable that Jesus tells a New Testament about

0:24:14.240 --> 0:24:17.399
<v Speaker 1>the good Samaritan, about the man that was beaten on

0:24:17.440 --> 0:24:19.840
<v Speaker 1>the side of the road. All the church folks passed

0:24:19.880 --> 0:24:23.760
<v Speaker 1>him by, everybody that said, oh we love God, we

0:24:23.800 --> 0:24:25.840
<v Speaker 1>believe in God, we hold all these things. A little

0:24:25.920 --> 0:24:31.080
<v Speaker 1>lah saw this man that was beaten, bruce, robbed, destroyed, disenfranchise,

0:24:31.480 --> 0:24:33.000
<v Speaker 1>and provished to press on the side of the road

0:24:33.040 --> 0:24:36.200
<v Speaker 1>and pass him by. And the Jesus says, a despised Samaritan.

0:24:36.280 --> 0:24:38.199
<v Speaker 1>Not that he was a bad person, not that he

0:24:38.320 --> 0:24:41.280
<v Speaker 1>was sinful, none of these things, just that church folks

0:24:41.280 --> 0:24:44.200
<v Speaker 1>hated him. And it was the one person that all

0:24:44.200 --> 0:24:46.000
<v Speaker 1>the church people hated that ended up being the most

0:24:46.080 --> 0:24:49.439
<v Speaker 1>kind and compassionate and showing God's heart to a person

0:24:49.480 --> 0:24:52.240
<v Speaker 1>that was disenfranchised. So for me, it's like the hardest

0:24:52.280 --> 0:24:57.040
<v Speaker 1>thing has been helping the people that I served in

0:24:57.080 --> 0:24:59.240
<v Speaker 1>the context and then the community that I've been placed

0:24:59.280 --> 0:25:02.199
<v Speaker 1>in understand that these just can't be good things that

0:25:02.240 --> 0:25:05.560
<v Speaker 1>we talk about that we don't live about. If we're

0:25:05.560 --> 0:25:08.400
<v Speaker 1>not living them, then we just stopped talking about them.

0:25:08.440 --> 0:25:10.119
<v Speaker 1>If we start, if we're not living them, we just

0:25:10.160 --> 0:25:13.120
<v Speaker 1>stopped singing about them. Um, if we're not living them,

0:25:13.119 --> 0:25:16.439
<v Speaker 1>then we should stop trying to influence everybody to vote,

0:25:16.560 --> 0:25:18.840
<v Speaker 1>you know, a certain way when if you don't care

0:25:18.880 --> 0:25:20.560
<v Speaker 1>for me, if you don't care about all life, you

0:25:20.600 --> 0:25:22.960
<v Speaker 1>can't be pro life. If you don't care about a

0:25:23.040 --> 0:25:26.919
<v Speaker 1>life that is brown, that is gay, that is you

0:25:27.040 --> 0:25:29.359
<v Speaker 1>name it. If you don't care about that life equally

0:25:29.400 --> 0:25:30.960
<v Speaker 1>as much as you care about just a life just

0:25:31.040 --> 0:25:33.080
<v Speaker 1>being born, then there's no way you could be pro life.

0:25:33.359 --> 0:25:36.919
<v Speaker 1>Because God cares about human life. God cares about human blood,

0:25:37.160 --> 0:25:39.760
<v Speaker 1>God cares about human breath, and if we don't, we

0:25:39.840 --> 0:25:43.600
<v Speaker 1>can't say we care about the same things God cares about. Absolutely,

0:25:43.640 --> 0:25:45.520
<v Speaker 1>bro I couldn't agree more. I want to talk about

0:25:45.560 --> 0:25:48.600
<v Speaker 1>something that actually you told me d which is uh.

0:25:48.680 --> 0:25:51.320
<v Speaker 1>It was a quote when I was afraid because you

0:25:51.359 --> 0:25:55.240
<v Speaker 1>are one of the first churchgoers, um and devout you know,

0:25:55.440 --> 0:25:59.800
<v Speaker 1>worship leaders and musicians, who writes church music. So I

0:25:59.880 --> 0:26:02.359
<v Speaker 1>was definitely nervous to show you my album. That was

0:26:02.440 --> 0:26:06.440
<v Speaker 1>definitely uh, my album was very irreverent is the word

0:26:06.480 --> 0:26:08.040
<v Speaker 1>I like to use. You know. I have a song

0:26:08.080 --> 0:26:11.200
<v Speaker 1>called old a f I have. You know, I talk

0:26:11.240 --> 0:26:14.000
<v Speaker 1>about hooking up with girls, I talk about smoking weed,

0:26:14.040 --> 0:26:17.040
<v Speaker 1>I talked about all of this stuff. Um. I was

0:26:17.080 --> 0:26:20.440
<v Speaker 1>definitely nervous to show you it, and you actually came

0:26:20.480 --> 0:26:22.760
<v Speaker 1>back with one of my favorite quotes that I think

0:26:23.160 --> 0:26:24.840
<v Speaker 1>is what I want to end with on this on

0:26:24.920 --> 0:26:27.840
<v Speaker 1>this faith talk, which is when you were known. That's

0:26:27.880 --> 0:26:29.360
<v Speaker 1>the other quote you told me. When you follow God,

0:26:29.359 --> 0:26:31.560
<v Speaker 1>you flow in life. But God would this is the

0:26:31.600 --> 0:26:35.960
<v Speaker 1>quote hold on. The quote is God would rather me

0:26:36.080 --> 0:26:40.400
<v Speaker 1>be real than right. And when you told me that,

0:26:40.440 --> 0:26:42.760
<v Speaker 1>it made me have all the confidence in the world

0:26:42.800 --> 0:26:45.320
<v Speaker 1>that it doesn't matter if if if the music can't

0:26:45.320 --> 0:26:48.520
<v Speaker 1>be played during a church service. It's it's that I'm

0:26:48.560 --> 0:26:52.159
<v Speaker 1>telling my truth and I'm saying my piece as I

0:26:52.200 --> 0:26:54.240
<v Speaker 1>see it, and I'm saying it with the words that

0:26:54.320 --> 0:26:56.080
<v Speaker 1>I need to say it with, and so I think

0:26:56.119 --> 0:26:58.560
<v Speaker 1>I absolutely agree with you. There's there's so much to

0:26:58.600 --> 0:27:01.840
<v Speaker 1>be said about the oncept of like Sunday. You know,

0:27:01.880 --> 0:27:05.679
<v Speaker 1>a Sunday Christian who is who on Monday, Tuesday, Wednesday, Thursday,

0:27:05.720 --> 0:27:11.360
<v Speaker 1>Friday will post about is the devil angel on Sunday?

0:27:11.480 --> 0:27:14.320
<v Speaker 1>Get out of here exactly and then come come into

0:27:14.359 --> 0:27:16.480
<v Speaker 1>church and pretend that that it's the you know, the

0:27:16.520 --> 0:27:19.119
<v Speaker 1>walls are sealed off from from the rest of the world.

0:27:19.200 --> 0:27:21.720
<v Speaker 1>So my last question that I have for you before

0:27:21.720 --> 0:27:24.680
<v Speaker 1>we take a quick break is about the next steps

0:27:25.000 --> 0:27:30.080
<v Speaker 1>um as a musician, um as a worship leader, as

0:27:30.160 --> 0:27:33.440
<v Speaker 1>somebody who writes worship music and and you know, uh

0:27:33.600 --> 0:27:36.400
<v Speaker 1>other type other genres of music. What are the next

0:27:36.440 --> 0:27:39.679
<v Speaker 1>steps that you see for yourself as a musician, and

0:27:39.680 --> 0:27:41.159
<v Speaker 1>then what are the what are the next steps that

0:27:41.160 --> 0:27:43.600
<v Speaker 1>you would see for an ally, for somebody who wants

0:27:43.640 --> 0:27:45.879
<v Speaker 1>to keep this fight up until we really get the

0:27:45.960 --> 0:27:48.560
<v Speaker 1>change that we want. Yeah, I would say I would

0:27:48.600 --> 0:27:51.240
<v Speaker 1>say for me, you know, I'm called to the places

0:27:51.240 --> 0:27:54.879
<v Speaker 1>that I'm called until God moves me elsewhere. So for

0:27:54.920 --> 0:27:57.040
<v Speaker 1>the church that I that me and my family are

0:27:57.080 --> 0:28:00.560
<v Speaker 1>a part of. You know, my my wife was the first, uh,

0:28:00.720 --> 0:28:05.199
<v Speaker 1>but the first black woman on that staff. This has

0:28:05.240 --> 0:28:08.360
<v Speaker 1>been a largely upper class, upper middle class white church

0:28:08.400 --> 0:28:11.240
<v Speaker 1>for the last sixty or fifty years. So there's so

0:28:11.320 --> 0:28:13.440
<v Speaker 1>much that they just don't know that they don't know.

0:28:14.040 --> 0:28:18.760
<v Speaker 1>I would say for allies, um, you know, there's shortly

0:28:18.800 --> 0:28:21.600
<v Speaker 1>at shortly or shortly in In this whole wake of

0:28:21.880 --> 0:28:24.000
<v Speaker 1>people waking up to injustices, there were a lot of

0:28:24.040 --> 0:28:26.280
<v Speaker 1>people that were suddenly asking black folks a lot of

0:28:26.359 --> 0:28:30.000
<v Speaker 1>questions and sort of like reaching for their closest black

0:28:30.000 --> 0:28:33.800
<v Speaker 1>associate to like say, well, teach me um. And I'm

0:28:33.840 --> 0:28:36.080
<v Speaker 1>not sure if that's the way to go. I think

0:28:36.160 --> 0:28:39.200
<v Speaker 1>the way to go would be a true partnership where

0:28:39.240 --> 0:28:41.840
<v Speaker 1>you're not just drilling them for questions. You can have

0:28:41.880 --> 0:28:44.640
<v Speaker 1>the right answers when the time comes, but they actually

0:28:44.720 --> 0:28:48.080
<v Speaker 1>get to drill you, um and get to and get

0:28:48.120 --> 0:28:51.960
<v Speaker 1>to uh sort of um, hold you accountable. And it's

0:28:51.960 --> 0:28:53.960
<v Speaker 1>not it's more than just help me, Mr black man.

0:28:54.080 --> 0:28:56.800
<v Speaker 1>It's you know or or give me all the right answers.

0:28:56.920 --> 0:28:59.680
<v Speaker 1>It's like how can like how can can I hold you?

0:28:59.800 --> 0:29:02.200
<v Speaker 1>Kind can I ask you the tough questions. Can I

0:29:02.280 --> 0:29:04.320
<v Speaker 1>ask you how how have you how have you been

0:29:04.320 --> 0:29:07.360
<v Speaker 1>trying to I appreciate you reading books and listening to

0:29:07.400 --> 0:29:09.480
<v Speaker 1>the podcast, like doing all these things, and so many

0:29:09.480 --> 0:29:12.280
<v Speaker 1>people I think that, oh, I'm gonna learn something, going

0:29:12.360 --> 0:29:14.800
<v Speaker 1>to grab some black people and answer accent in questions,

0:29:15.120 --> 0:29:16.800
<v Speaker 1>and I won't be racist at the end of it. No,

0:29:17.440 --> 0:29:19.880
<v Speaker 1>you need to do You need to study this stuff

0:29:19.920 --> 0:29:23.560
<v Speaker 1>to see how deeply ingrained it is so for every

0:29:23.600 --> 0:29:27.200
<v Speaker 1>ally before you just jump out and do the wrong

0:29:27.280 --> 0:29:31.720
<v Speaker 1>thing with the right intentions, do the appropriate study. That's

0:29:31.760 --> 0:29:35.800
<v Speaker 1>absolutely I mean like it made me feel like, uh,

0:29:35.960 --> 0:29:39.400
<v Speaker 1>it made me feel like, um uh if you were

0:29:39.440 --> 0:29:41.680
<v Speaker 1>going to church and instead of actually reading the Bible,

0:29:41.720 --> 0:29:43.760
<v Speaker 1>you just ask people like, hey, so what did Jesus

0:29:43.760 --> 0:29:47.880
<v Speaker 1>do next? What do Yeah, that's what it feels it

0:29:48.120 --> 0:29:50.959
<v Speaker 1>and and it's really the information is all there if

0:29:51.000 --> 0:29:53.080
<v Speaker 1>you want to look it up. There's books on books

0:29:53.080 --> 0:29:56.120
<v Speaker 1>on books, this podcast. I heard of a cool podcast

0:29:56.200 --> 0:30:00.200
<v Speaker 1>with this dope host named Dope Knife. But I really

0:30:00.200 --> 0:30:03.040
<v Speaker 1>appreciate you, bro, I really appreciate you for coming on here.

0:30:03.400 --> 0:30:07.160
<v Speaker 1>Um and and I appreciate you for blessing the album. Uh.

0:30:07.200 --> 0:30:10.640
<v Speaker 1>The album was absolutely made complete with with the addition

0:30:10.640 --> 0:30:13.200
<v Speaker 1>of the Medicine. And I still don't know. I don't

0:30:13.200 --> 0:30:16.200
<v Speaker 1>even know the miracle that was at the end of

0:30:16.200 --> 0:30:18.840
<v Speaker 1>the song. Um D says we need a miracle like

0:30:18.880 --> 0:30:20.640
<v Speaker 1>you did for my mother. I don't even know the

0:30:20.640 --> 0:30:22.760
<v Speaker 1>miracle that that God did for you, mother, But I

0:30:22.800 --> 0:30:25.280
<v Speaker 1>cry every time I hear that part because I know

0:30:25.800 --> 0:30:28.480
<v Speaker 1>the passion in which you spoke with So I appreciate

0:30:28.520 --> 0:30:30.360
<v Speaker 1>you immensely. I'm gonna talk with you in a little bit.

0:30:30.360 --> 0:30:31.959
<v Speaker 1>We're gonna take a quick break, and when we come back,

0:30:31.960 --> 0:30:36.720
<v Speaker 1>I'll be talking with Mac about politics and hip hop. Alright,

0:30:36.760 --> 0:30:38.560
<v Speaker 1>we are back. This is let's get into it. I'm

0:30:38.560 --> 0:30:41.320
<v Speaker 1>Alex Ciono, and we are talking about Black Lives Matter

0:30:41.520 --> 0:30:44.880
<v Speaker 1>and music combining together. I just had a beautiful conversation

0:30:44.920 --> 0:30:47.600
<v Speaker 1>with my friend d Wilson Um, who is featured on

0:30:47.640 --> 0:30:50.160
<v Speaker 1>my album The Gospel of twenty three and his song

0:30:50.320 --> 0:30:52.880
<v Speaker 1>The Medicine, which I actually just did. I call it

0:30:52.920 --> 0:30:55.480
<v Speaker 1>a cover of um and Uh. And we've had a

0:30:55.480 --> 0:30:57.520
<v Speaker 1>great friendship that's come out of that. So we're just

0:30:57.520 --> 0:30:59.800
<v Speaker 1>talking about that. And now we are talking about politics

0:30:59.800 --> 0:31:02.479
<v Speaker 1>and hip hop with somebody who has a bit of

0:31:02.520 --> 0:31:06.880
<v Speaker 1>knowledge about both UH Dope underground rapper, producer and a

0:31:06.920 --> 0:31:10.480
<v Speaker 1>host of the new podcast Waiting on Reparations. His name

0:31:10.680 --> 0:31:13.320
<v Speaker 1>is Mac, but we call him Dope Knife, or maybe

0:31:13.320 --> 0:31:15.240
<v Speaker 1>it's Dope Knife, but I call him Mac. I have

0:31:15.400 --> 0:31:18.160
<v Speaker 1>not figured that out yet. What's up, by the how

0:31:18.200 --> 0:31:20.840
<v Speaker 1>are you having I thank you for having me, um.

0:31:20.840 --> 0:31:22.920
<v Speaker 1>But our subject that we're talking about is politics and

0:31:23.000 --> 0:31:25.960
<v Speaker 1>hip hop, and politics and music have had a history

0:31:26.400 --> 0:31:29.480
<v Speaker 1>that go way way back together from the Jim Crow

0:31:29.560 --> 0:31:34.120
<v Speaker 1>era where they use music to actually oppress um black

0:31:34.160 --> 0:31:37.360
<v Speaker 1>people too. Nowadays, like you have Pink with Dear Mr

0:31:37.400 --> 0:31:41.880
<v Speaker 1>President and Kana Laday's UH remake of that that addresses

0:31:42.000 --> 0:31:44.440
<v Speaker 1>this current president, you have the Dixie Chicks writing songs

0:31:44.440 --> 0:31:47.720
<v Speaker 1>about this, uh, especially in hip hop. Let's go back

0:31:47.720 --> 0:31:50.920
<v Speaker 1>to hip hop. What what songs do you identify as

0:31:50.960 --> 0:31:54.440
<v Speaker 1>like some of your top politically saturated songs that were

0:31:54.520 --> 0:31:58.760
<v Speaker 1>real like staple pieces. Well, Um, I'm kind of like

0:31:58.840 --> 0:32:02.080
<v Speaker 1>a you know, third generation hip hopper, So I'm not

0:32:02.160 --> 0:32:04.640
<v Speaker 1>really like I grew up in the eighties or anything.

0:32:04.680 --> 0:32:08.240
<v Speaker 1>I grew up in the nineties and early two thousand's.

0:32:08.280 --> 0:32:13.240
<v Speaker 1>So even with that, the most resonating hip hop song

0:32:13.360 --> 0:32:16.440
<v Speaker 1>on a political end would probably be Grandmaster Flash and

0:32:16.480 --> 0:32:20.040
<v Speaker 1>the Furious Fives The message You don't push me because

0:32:20.600 --> 0:32:26.480
<v Speaker 1>close too. But yeah, I mean that that's widely recognized

0:32:26.520 --> 0:32:31.120
<v Speaker 1>as being probably the first successful, you know, political or

0:32:31.280 --> 0:32:36.280
<v Speaker 1>social commentary like rap song, So that one always stands

0:32:36.320 --> 0:32:39.280
<v Speaker 1>out to me, like, whenever I'm writing something that has

0:32:39.600 --> 0:32:42.200
<v Speaker 1>any sort of like political bent to it, I kind

0:32:42.200 --> 0:32:44.880
<v Speaker 1>of think about that song and reference that because it's

0:32:44.880 --> 0:32:47.080
<v Speaker 1>just the way that the I mean, the song is

0:32:47.120 --> 0:32:51.200
<v Speaker 1>called the Message, but it really doesn't have a preachy

0:32:51.280 --> 0:32:53.800
<v Speaker 1>vibe to it at all. It really sounds like somebody

0:32:53.880 --> 0:32:55.880
<v Speaker 1>just speaking in their truth. I feel like some of

0:32:55.920 --> 0:32:58.240
<v Speaker 1>the best, some of the best songs I have those

0:32:58.280 --> 0:33:00.560
<v Speaker 1>like those hidden messages where you're like happening and then

0:33:00.560 --> 0:33:03.960
<v Speaker 1>all of a sudden you're like, oh shit, I'm I

0:33:04.040 --> 0:33:08.800
<v Speaker 1>was just just debunking, you know, this philosophy exactly. I

0:33:08.880 --> 0:33:13.360
<v Speaker 1>have um a song called Dynasty that's really just a

0:33:13.400 --> 0:33:16.160
<v Speaker 1>battle rap song, but there's like three or four lines

0:33:16.200 --> 0:33:18.440
<v Speaker 1>in there that have you know, like one of the

0:33:18.480 --> 0:33:21.239
<v Speaker 1>lines is, um, I would still love my son if

0:33:21.280 --> 0:33:22.880
<v Speaker 1>he's gay, but I'll kick him out the house if

0:33:22.880 --> 0:33:26.320
<v Speaker 1>he wraps whack And for whatever reason, Like people just

0:33:26.880 --> 0:33:30.040
<v Speaker 1>resonate to that line like a lot, like on that level, Like, man,

0:33:30.080 --> 0:33:32.000
<v Speaker 1>you know, I never really thought about it like that,

0:33:32.080 --> 0:33:35.160
<v Speaker 1>but that's that's like, that's that's you really say something there.

0:33:35.200 --> 0:33:38.960
<v Speaker 1>I'm like, oh, just absolutely kind of sounded funny. Man,

0:33:39.080 --> 0:33:41.160
<v Speaker 1>I love that line. What what What do you think

0:33:41.520 --> 0:33:45.360
<v Speaker 1>is so important about using music as a tool? What

0:33:45.440 --> 0:33:48.120
<v Speaker 1>makes music such an incredible tool in times like this,

0:33:48.200 --> 0:33:51.720
<v Speaker 1>with movements like this, well, just as a communications device

0:33:52.280 --> 0:33:55.000
<v Speaker 1>for people who do want to like spread a message,

0:33:55.000 --> 0:33:58.080
<v Speaker 1>who have any sort of musical talent. I think that

0:33:58.240 --> 0:34:01.440
<v Speaker 1>a musician using their mus to get a point across

0:34:01.600 --> 0:34:05.280
<v Speaker 1>is probably more powerful than any interview that they're gonna do.

0:34:05.560 --> 0:34:08.239
<v Speaker 1>You know, like your your listeners are gonna hear your

0:34:08.280 --> 0:34:11.520
<v Speaker 1>new track, are gonna hear your album before they're gonna

0:34:11.560 --> 0:34:14.440
<v Speaker 1>hear oh you you really dropped some science in like

0:34:14.480 --> 0:34:17.359
<v Speaker 1>a three hour interview with BBC or something like that.

0:34:17.400 --> 0:34:19.000
<v Speaker 1>You know they're going to hear a jewel that you

0:34:19.000 --> 0:34:20.440
<v Speaker 1>you put it in a in a line or in

0:34:20.480 --> 0:34:23.719
<v Speaker 1>a verse. First, No, I mean, I think you're absolutely right.

0:34:23.760 --> 0:34:27.879
<v Speaker 1>I've I've from however early I can remember, have used

0:34:27.960 --> 0:34:30.279
<v Speaker 1>music to express myself, to speak my piece or to

0:34:30.360 --> 0:34:32.560
<v Speaker 1>say whatever I need to say. And so whether it's

0:34:32.600 --> 0:34:35.080
<v Speaker 1>talking about girls and trying to get a girl to

0:34:35.160 --> 0:34:39.359
<v Speaker 1>like me. Back to now, like releasing songs like like

0:34:39.400 --> 0:34:42.200
<v Speaker 1>the cover of these the Medicine where you're talking about

0:34:42.200 --> 0:34:45.640
<v Speaker 1>some real heavy ship. I think it's just a powerful way.

0:34:45.680 --> 0:34:47.880
<v Speaker 1>And I think even like we were talking about before,

0:34:47.960 --> 0:34:50.600
<v Speaker 1>sometimes it's so catchy that you sing something before you

0:34:50.640 --> 0:34:53.239
<v Speaker 1>even know what you're singing. You know, sometimes you're singing

0:34:53.239 --> 0:34:56.880
<v Speaker 1>along and then you're like, oh, wow, that's crazy. I

0:34:56.920 --> 0:34:59.279
<v Speaker 1>didn't even think about it like that when I was

0:34:59.440 --> 0:35:04.520
<v Speaker 1>thirteen listening to a Most Deaf and Tilips Black Star album.

0:35:04.640 --> 0:35:07.600
<v Speaker 1>It's like, you know, you listen to that Third Team

0:35:07.680 --> 0:35:10.760
<v Speaker 1>and you're taking in stuff and you're like, oh, man, yeah,

0:35:11.040 --> 0:35:14.080
<v Speaker 1>that's really deep. But then you get older and you

0:35:14.160 --> 0:35:16.160
<v Speaker 1>go back and revisit it and it's like, oh they

0:35:16.200 --> 0:35:19.160
<v Speaker 1>were They were talking about stuff on a level that

0:35:19.560 --> 0:35:22.960
<v Speaker 1>I was hearing but wasn't necessarily retaining. But it was

0:35:23.000 --> 0:35:26.120
<v Speaker 1>important that I heard it that earlier, because like, those

0:35:26.160 --> 0:35:28.440
<v Speaker 1>ideas stuck with me, even if I wasn't aware that

0:35:28.480 --> 0:35:29.759
<v Speaker 1>those like, you know what I mean, that they were

0:35:29.800 --> 0:35:32.160
<v Speaker 1>like giving ideas and stuff like that. Now, of course,

0:35:32.400 --> 0:35:35.080
<v Speaker 1>life with anything, it can be used for good, it

0:35:35.120 --> 0:35:37.440
<v Speaker 1>can be used for bad, you know, like people can

0:35:37.560 --> 0:35:42.799
<v Speaker 1>use music to spread messages that aren't necessarily aren't necessarily

0:35:42.840 --> 0:35:45.439
<v Speaker 1>constructive to hear over and over and over and over

0:35:45.480 --> 0:35:47.680
<v Speaker 1>and over and over again. Oh man, I mean, I

0:35:47.719 --> 0:35:49.520
<v Speaker 1>think it's it's a device that can be used on

0:35:49.560 --> 0:35:53.480
<v Speaker 1>both sides. Our current president right now has been mentioned

0:35:53.480 --> 0:35:56.520
<v Speaker 1>in so many rap songs even before he was the president,

0:35:57.080 --> 0:35:59.040
<v Speaker 1>and he brags about it as if it's like a

0:35:59.120 --> 0:36:02.839
<v Speaker 1>powerful thing and and and uses it. We did an

0:36:02.840 --> 0:36:05.560
<v Speaker 1>episode on that um about a week or two ago,

0:36:05.840 --> 0:36:11.720
<v Speaker 1>like strictly strictly about hip hop's relationship with Donald Trump president.

0:36:11.880 --> 0:36:16.000
<v Speaker 1>But um, we're pretty much going back and talking about

0:36:16.120 --> 0:36:19.799
<v Speaker 1>why Donald Trump was referenced so much in hip hop

0:36:19.840 --> 0:36:22.719
<v Speaker 1>before his presidency and kind of what we came to

0:36:22.760 --> 0:36:26.960
<v Speaker 1>the conclusion because from what we found, Trump has been

0:36:27.000 --> 0:36:31.680
<v Speaker 1>mentioned over two hundred times in rap songs from like

0:36:31.840 --> 0:36:35.600
<v Speaker 1>nineteen eighty four to two thousand and fifteen, Like two

0:36:35.680 --> 0:36:37.759
<v Speaker 1>hundred and fifty times. I don't know for a fact,

0:36:37.840 --> 0:36:41.480
<v Speaker 1>but I'm pretty sure that's more than any one living

0:36:42.120 --> 0:36:46.440
<v Speaker 1>figure has been mentioned, you know, I mean exactly, like,

0:36:46.560 --> 0:36:48.960
<v Speaker 1>for I mean, you're you're talking like Trump and Tony

0:36:49.040 --> 0:36:54.600
<v Speaker 1>Montana like men like that much in rap songs, so

0:36:54.800 --> 0:36:57.760
<v Speaker 1>you know, it's it's it very much kind of seems

0:36:57.840 --> 0:37:01.120
<v Speaker 1>like hip hop or just kind of looked at Trump

0:37:01.160 --> 0:37:05.000
<v Speaker 1>as like a symbol of success, you know, in the

0:37:05.040 --> 0:37:09.400
<v Speaker 1>in this capitalistic dog eat dog sort of society that

0:37:09.440 --> 0:37:11.239
<v Speaker 1>we live in the States. They kind of looked at

0:37:11.320 --> 0:37:13.160
<v Speaker 1>him as that sort of thing. It's just like, hey,

0:37:13.200 --> 0:37:15.520
<v Speaker 1>I got money like Trump. I mean, I mean the

0:37:15.520 --> 0:37:18.279
<v Speaker 1>Trump Plaza, Yo, We're getting paper like Trump. I'm the

0:37:18.280 --> 0:37:20.560
<v Speaker 1>black Trump is all that that sort of thing. And

0:37:20.600 --> 0:37:23.480
<v Speaker 1>then the switch as soon as he came down that

0:37:23.600 --> 0:37:28.880
<v Speaker 1>escalator like happens super hard, all of a sudden, f

0:37:29.080 --> 0:37:32.880
<v Speaker 1>Donald Trump. Yeah, it's literally that all across the board.

0:37:33.560 --> 0:37:35.279
<v Speaker 1>Let's switch gears really quick, because I do want to

0:37:35.280 --> 0:37:39.799
<v Speaker 1>talk about your new podcast, Waiting on Reparations. Reparations. It's

0:37:39.800 --> 0:37:43.960
<v Speaker 1>a very Reparations is definitely a hot button. And by

0:37:43.960 --> 0:37:46.040
<v Speaker 1>the way, I should probably define it for anybody who

0:37:46.080 --> 0:37:48.959
<v Speaker 1>is curious about what reparations are. It isn't the form

0:37:49.000 --> 0:37:54.040
<v Speaker 1>of actually paying, like like giving the value of the

0:37:54.080 --> 0:37:56.399
<v Speaker 1>wrongs that you have done back to the person who

0:37:56.440 --> 0:37:59.319
<v Speaker 1>you did the wrongs too, So reparations is not just

0:37:59.480 --> 0:38:03.480
<v Speaker 1>like people saying sorry that reparations fail action most of

0:38:03.480 --> 0:38:07.719
<v Speaker 1>the time by money. That is a way to physically

0:38:07.920 --> 0:38:11.200
<v Speaker 1>try and make a situation. Right. That being said, tell

0:38:11.280 --> 0:38:14.319
<v Speaker 1>us about waiting on reparations, well, waiting on reparations. The

0:38:14.400 --> 0:38:19.160
<v Speaker 1>podcast um Our podcast is pretty much dedicated to bridging

0:38:19.200 --> 0:38:23.320
<v Speaker 1>the intersections between hip hop and politics and where those connect,

0:38:23.920 --> 0:38:26.400
<v Speaker 1>and we kind of used that as a vehicle for

0:38:26.440 --> 0:38:30.920
<v Speaker 1>both of us. My co host is um the Athens, Georgia,

0:38:31.320 --> 0:38:36.880
<v Speaker 1>Clark County Commissioner Mariah Parker, who's also dope rapper and

0:38:37.000 --> 0:38:40.640
<v Speaker 1>singer herself by the name of Lingua Franca. And you know,

0:38:40.719 --> 0:38:43.600
<v Speaker 1>we we make music together and we we were always

0:38:43.640 --> 0:38:47.640
<v Speaker 1>talking politics and stuff. So, for example, last week, we

0:38:47.640 --> 0:38:51.279
<v Speaker 1>were having a discussion about the police, right, so we

0:38:51.320 --> 0:38:55.040
<v Speaker 1>started talking about how the cliche of like, oh, the

0:38:55.040 --> 0:38:58.319
<v Speaker 1>police are the biggest gang in America, which led us

0:38:58.320 --> 0:39:01.480
<v Speaker 1>to getting in contact with uh m C who does

0:39:01.520 --> 0:39:04.839
<v Speaker 1>a podcast called Hood Politics and Behind the Police, and

0:39:04.880 --> 0:39:09.279
<v Speaker 1>we just had a whole discussion about police policing and

0:39:09.360 --> 0:39:12.799
<v Speaker 1>their connection to gang culture. And then we listened to

0:39:12.840 --> 0:39:14.759
<v Speaker 1>a bunch of rap songs that are about police and

0:39:14.760 --> 0:39:18.759
<v Speaker 1>gangs and then discussed it. So that's so just just

0:39:18.880 --> 0:39:22.600
<v Speaker 1>extrapolate that with any sort of political topic that you want,

0:39:22.680 --> 0:39:24.879
<v Speaker 1>and that's kind of the format for our show. So

0:39:25.600 --> 0:39:27.520
<v Speaker 1>you know, um, if we want to talk about the

0:39:27.640 --> 0:39:30.279
<v Speaker 1>history of the N word and its relations to hip hop,

0:39:30.400 --> 0:39:33.680
<v Speaker 1>if we want to talk about, um, the labor movement

0:39:33.800 --> 0:39:36.600
<v Speaker 1>and its relations to hip hop. It's been a new experience,

0:39:36.640 --> 0:39:39.200
<v Speaker 1>the whole podcast thing. And that's I mean, it sounds sick.

0:39:39.600 --> 0:39:41.880
<v Speaker 1>You know. I was raised in my community was like,

0:39:41.960 --> 0:39:45.320
<v Speaker 1>let's not talk about politics, Let's let politicians talk about politics,

0:39:45.320 --> 0:39:49.640
<v Speaker 1>and now knowing that that is a terrible concoction for

0:39:49.640 --> 0:39:54.120
<v Speaker 1>for just kind of falling into a blind sheep mindset. Um.

0:39:54.160 --> 0:39:56.680
<v Speaker 1>I think it's incredible that you're doing something that bridges

0:39:56.719 --> 0:39:58.360
<v Speaker 1>that gap because I feel like a lot of people

0:39:59.000 --> 0:40:01.520
<v Speaker 1>want to get into pol ticks but are so intimidated

0:40:01.640 --> 0:40:04.160
<v Speaker 1>because they feel like, you know, if they're in their

0:40:04.200 --> 0:40:06.960
<v Speaker 1>twenties and they're just starting to learn about politics when

0:40:07.000 --> 0:40:10.040
<v Speaker 1>you have like a little baby Obama that's been studying

0:40:10.040 --> 0:40:12.840
<v Speaker 1>politics since like kindergarten, and they feel like they're just

0:40:12.880 --> 0:40:15.759
<v Speaker 1>not equipped for it. And so I'm excited to listen

0:40:15.800 --> 0:40:17.560
<v Speaker 1>to it if you're listening to this podcast, makes you

0:40:17.600 --> 0:40:20.080
<v Speaker 1>go and listen to this afterwards. Um, but I would

0:40:20.080 --> 0:40:22.920
<v Speaker 1>like to I'm very interested because of the name of

0:40:22.960 --> 0:40:26.160
<v Speaker 1>your podcast, what do reparations look like to you this year?

0:40:26.200 --> 0:40:31.640
<v Speaker 1>In a lot of people, and especially you know, people

0:40:31.640 --> 0:40:34.880
<v Speaker 1>on the right, like to use sort of the specter

0:40:35.080 --> 0:40:37.080
<v Speaker 1>of oh, they want they want you to repay, and

0:40:37.120 --> 0:40:38.800
<v Speaker 1>they want you to give give them money, you know

0:40:38.800 --> 0:40:44.120
<v Speaker 1>what I mean, Like, it's not necessarily about here's some cash. Sorry.

0:40:45.200 --> 0:40:47.759
<v Speaker 1>You know if that doesn't feel real, you know, that

0:40:47.800 --> 0:40:51.799
<v Speaker 1>doesn't feel like, hey, it's not realistic, and it's just

0:40:51.840 --> 0:40:55.680
<v Speaker 1>like stupid, Like that doesn't that doesn't accomplish anything, you know. Um,

0:40:55.719 --> 0:41:00.520
<v Speaker 1>it's kind of like, uh, it's it's reparations. The you know,

0:41:01.040 --> 0:41:03.560
<v Speaker 1>repair is part of the name is to like put

0:41:03.719 --> 0:41:07.000
<v Speaker 1>right what was wrong, you know. So to me, a

0:41:07.080 --> 0:41:11.360
<v Speaker 1>realistic look at what reparations would be is if you

0:41:11.480 --> 0:41:17.799
<v Speaker 1>put government dollars into the black community, you know, I

0:41:17.800 --> 0:41:23.359
<v Speaker 1>mean into education, into historical black colleges, into black owned businesses,

0:41:23.960 --> 0:41:28.080
<v Speaker 1>into changing the infrastructure so that some of the things

0:41:28.120 --> 0:41:33.000
<v Speaker 1>that were done systemically fifty forty years ago that is

0:41:33.040 --> 0:41:37.839
<v Speaker 1>like still a roadblock in impairing people's like upward movement, mobility,

0:41:38.040 --> 0:41:39.880
<v Speaker 1>get you know, getting rid of that stuff. But I mean,

0:41:39.920 --> 0:41:42.760
<v Speaker 1>all of these things are stuff that we haven't even

0:41:42.800 --> 0:41:47.000
<v Speaker 1>addressed yet that if they were addressed to the people

0:41:47.000 --> 0:41:49.799
<v Speaker 1>who are so staunchly, you know, opposed to even the

0:41:49.840 --> 0:41:54.399
<v Speaker 1>concept of reparations, you can't be against that and then

0:41:54.480 --> 0:41:59.640
<v Speaker 1>also be against just stopping the factory, you know what

0:41:59.680 --> 0:42:03.879
<v Speaker 1>I mean. You gotta choose what you can't be like, oh, well, y'all,

0:42:03.920 --> 0:42:07.480
<v Speaker 1>don't we don't need to pay reparations because everything's fine,

0:42:08.120 --> 0:42:11.840
<v Speaker 1>but everything's not fine. But everything's not fine from so

0:42:11.920 --> 0:42:16.000
<v Speaker 1>many double standards. There's so many double standards going on. Um.

0:42:16.040 --> 0:42:18.839
<v Speaker 1>But we we chose the name for the show. First

0:42:18.840 --> 0:42:21.440
<v Speaker 1>of all, we we originally were coming up with the

0:42:21.560 --> 0:42:24.319
<v Speaker 1>rap group for a rap duo, and we were like, hey,

0:42:24.360 --> 0:42:27.040
<v Speaker 1>we're Waiting our Reparations. We had like for the story

0:42:27.040 --> 0:42:29.719
<v Speaker 1>of sort of style like our our music both has

0:42:29.960 --> 0:42:32.000
<v Speaker 1>a sort of political tint tours. We're like, yeah, Waiting

0:42:32.000 --> 0:42:34.759
<v Speaker 1>our Reparations would be a dope ass name for that.

0:42:35.800 --> 0:42:37.880
<v Speaker 1>And then we got Approach from the podcast and we

0:42:37.880 --> 0:42:41.080
<v Speaker 1>were like, yo, I think it would be a Domnat

0:42:41.160 --> 0:42:43.919
<v Speaker 1>from the podcast too, So now it's a great name.

0:42:43.960 --> 0:42:46.839
<v Speaker 1>It's a great name. UM. Well, I mean, we're here.

0:42:47.080 --> 0:42:49.239
<v Speaker 1>And that's why I think the podcast is so UM

0:42:50.239 --> 0:42:53.200
<v Speaker 1>prevalent right now, is that we're we're here living in

0:42:53.239 --> 0:42:56.640
<v Speaker 1>this newest wave of civil rights movements of fighting for

0:42:56.760 --> 0:43:01.640
<v Speaker 1>racially quality and racial justice, UM, dating back to the

0:43:01.719 --> 0:43:05.360
<v Speaker 1>forties into the sixties with Dr Martin Luther King and

0:43:05.360 --> 0:43:09.480
<v Speaker 1>and uh in the last let's say, maybe four years,

0:43:09.600 --> 0:43:12.799
<v Speaker 1>five years, UM, since you know, Black Lives Matter was

0:43:12.800 --> 0:43:16.400
<v Speaker 1>really kind of coined as this new civil rights movement. UM.

0:43:16.440 --> 0:43:18.640
<v Speaker 1>In that last five years, there's also been so much

0:43:18.680 --> 0:43:22.400
<v Speaker 1>progress that we've made from um, you know, starting the

0:43:22.440 --> 0:43:26.359
<v Speaker 1>movement of of reforming the police and figuring out a

0:43:26.360 --> 0:43:31.560
<v Speaker 1>new way to to enforce law here in America. For

0:43:31.600 --> 0:43:34.040
<v Speaker 1>the next five years, what would you like to see

0:43:34.200 --> 0:43:37.080
<v Speaker 1>for the Black Lives Matter movement and for the civil

0:43:37.200 --> 0:43:42.040
<v Speaker 1>rights movement in general? I think that, um, just like

0:43:42.200 --> 0:43:45.400
<v Speaker 1>the civil rights movement of the past, I think what

0:43:45.920 --> 0:43:48.200
<v Speaker 1>this current moment in time is going to need. And

0:43:48.280 --> 0:43:50.640
<v Speaker 1>I'm not I don't even I feel kind of hesitant

0:43:50.640 --> 0:43:52.520
<v Speaker 1>to even say what it's going to need or what

0:43:52.600 --> 0:43:54.799
<v Speaker 1>I think it needs, because for all I know, there's

0:43:54.840 --> 0:43:57.279
<v Speaker 1>people out there who are doing the work right now,

0:43:57.840 --> 0:43:59.480
<v Speaker 1>you know what I mean, Like I'm on a podcast

0:43:59.480 --> 0:44:02.200
<v Speaker 1>when I live in him. So, but I do think

0:44:02.239 --> 0:44:07.040
<v Speaker 1>that tangible policy change needs to be attached to all

0:44:07.040 --> 0:44:09.759
<v Speaker 1>of this emotion right now, and if you know, from

0:44:09.760 --> 0:44:12.000
<v Speaker 1>my understanding, that seems to be what's going on. But

0:44:12.520 --> 0:44:18.960
<v Speaker 1>it goes way deeper than reforming the police, you know,

0:44:19.320 --> 0:44:23.080
<v Speaker 1>And I can kind of already see it happening that

0:44:23.360 --> 0:44:25.640
<v Speaker 1>the gate keepers, as they were, are kind of looking

0:44:25.680 --> 0:44:28.400
<v Speaker 1>at this as a reason to do a bunch of

0:44:28.400 --> 0:44:31.000
<v Speaker 1>ship that no one asked for and that no one

0:44:31.400 --> 0:44:35.280
<v Speaker 1>really cares about, thinking that that's going to pacify anyone,

0:44:35.400 --> 0:44:39.040
<v Speaker 1>Like I don't know how like a character from family

0:44:39.040 --> 0:44:41.359
<v Speaker 1>got to be invoiced by a black person who's going

0:44:41.400 --> 0:44:43.520
<v Speaker 1>to stop a cop from shooting me, you know what

0:44:43.600 --> 0:44:46.560
<v Speaker 1>I mean. So it's like, let's handle that stuff first,

0:44:46.680 --> 0:44:50.720
<v Speaker 1>like let's handle these deep seated systemic racist issues first,

0:44:50.800 --> 0:44:56.000
<v Speaker 1>and then I think through that policy change, it will

0:44:56.040 --> 0:44:59.880
<v Speaker 1>filter into the culture, society. And then it almost feels

0:44:59.880 --> 0:45:01.640
<v Speaker 1>like if you start with the bigger things, the smaller

0:45:01.640 --> 0:45:04.360
<v Speaker 1>things are gonna obviously come out as like okay, we

0:45:04.400 --> 0:45:08.759
<v Speaker 1>can't do that. That's not okay exactly but it's American though,

0:45:09.200 --> 0:45:11.560
<v Speaker 1>for us to like try to solve problems that way,

0:45:11.600 --> 0:45:12.880
<v Speaker 1>you know what I mean. It's like, hey, we have

0:45:12.920 --> 0:45:15.279
<v Speaker 1>a drug problem. Should we look at the reason why

0:45:15.280 --> 0:45:17.719
<v Speaker 1>people are doing drugs? No, let's just the rest the

0:45:17.719 --> 0:45:22.680
<v Speaker 1>people that are doing you know. It's like yeah, right right,

0:45:22.920 --> 0:45:25.160
<v Speaker 1>it's just like I mean, it's it is like that,

0:45:25.280 --> 0:45:27.920
<v Speaker 1>Like you said, it's the American way right now. And

0:45:27.960 --> 0:45:31.440
<v Speaker 1>I think that the American way needs to change before

0:45:31.480 --> 0:45:34.080
<v Speaker 1>anything else changes, because if the American way changes and

0:45:34.120 --> 0:45:36.840
<v Speaker 1>we lead in a certain direction, then most of the

0:45:36.880 --> 0:45:40.040
<v Speaker 1>things we're trying to fight off will naturally fall apart.

0:45:40.400 --> 0:45:44.160
<v Speaker 1>The thing with the thing with like politics is that

0:45:44.560 --> 0:45:47.400
<v Speaker 1>a lot of cats that are in my like circle,

0:45:47.640 --> 0:45:50.279
<v Speaker 1>like the hip hop scene, you know, they definitely have

0:45:51.040 --> 0:45:57.319
<v Speaker 1>strong like political leanings and political ideals, but they kind

0:45:57.320 --> 0:46:02.240
<v Speaker 1>of turn a nose towards actual electoral politics and stuff

0:46:02.280 --> 0:46:04.480
<v Speaker 1>like that and kind of think it doesn't matter. All

0:46:04.520 --> 0:46:07.399
<v Speaker 1>politicians are the same. The game's rigged, and they don't

0:46:07.480 --> 0:46:12.080
<v Speaker 1>understand how important this stuff is. And it's like it's

0:46:12.719 --> 0:46:15.919
<v Speaker 1>it's just people. It's just made up of people, and

0:46:16.640 --> 0:46:19.640
<v Speaker 1>those people could be us, you know. Now, I'm not

0:46:19.680 --> 0:46:23.440
<v Speaker 1>an elected politician. I have way too many tracks that

0:46:23.480 --> 0:46:27.600
<v Speaker 1>would prevent me from like that to anything, but I

0:46:27.640 --> 0:46:30.200
<v Speaker 1>mean it is. It is important, especially for like young

0:46:30.280 --> 0:46:32.359
<v Speaker 1>people to know that. It's like, yo, if you want

0:46:32.360 --> 0:46:35.640
<v Speaker 1>to change the world, you actually can go out and

0:46:35.719 --> 0:46:37.680
<v Speaker 1>change the world right now. It's you know what I'm saying.

0:46:38.239 --> 0:46:40.960
<v Speaker 1>Absolutely all right, Well listen, we're gonna take a quick break.

0:46:40.960 --> 0:46:42.520
<v Speaker 1>When we come back, we're gonna pick up right where

0:46:42.520 --> 0:46:45.399
<v Speaker 1>we are, which is music in in in the Black

0:46:45.440 --> 0:46:47.799
<v Speaker 1>Lives Matter movement and how we can best use our

0:46:47.920 --> 0:46:50.560
<v Speaker 1>art to to continue making change. We'll be right back,

0:46:51.920 --> 0:46:53.680
<v Speaker 1>all right, y'all, we are back. This is let's get

0:46:53.719 --> 0:46:56.040
<v Speaker 1>into it. I'm alex Iono. I got my man mac

0:46:56.160 --> 0:46:58.919
<v Speaker 1>a k a Dope knife, and my brother d Wilson here,

0:46:58.960 --> 0:47:01.680
<v Speaker 1>and we're talking about Black Lives Matter movement and uh

0:47:01.719 --> 0:47:05.120
<v Speaker 1>in the new civil rights movement and how it's affected

0:47:05.239 --> 0:47:08.600
<v Speaker 1>and influences music today. All three of us are musicians.

0:47:09.239 --> 0:47:12.520
<v Speaker 1>All three of us produce and write and speak from

0:47:12.520 --> 0:47:16.000
<v Speaker 1>our hearts, and especially in a time like this, what's

0:47:16.000 --> 0:47:18.239
<v Speaker 1>going on in our hearts is turmoil. What's going on

0:47:18.280 --> 0:47:21.160
<v Speaker 1>in our hearts is fighting for real change, fighting for

0:47:21.200 --> 0:47:23.920
<v Speaker 1>a better world, and sometimes it really feels like, uh,

0:47:24.560 --> 0:47:27.560
<v Speaker 1>like it's impossible, and some days it feels like we can.

0:47:27.600 --> 0:47:30.920
<v Speaker 1>We're on the brink of glory. So we're here talking

0:47:30.920 --> 0:47:34.000
<v Speaker 1>about it. We had some great conversations so far, UM,

0:47:34.040 --> 0:47:37.399
<v Speaker 1>but I wanted to ask some more questions about kind

0:47:37.440 --> 0:47:40.759
<v Speaker 1>of language. UM. And and language in music is one

0:47:40.800 --> 0:47:43.240
<v Speaker 1>of our most effective tools. I mean we're talking about

0:47:43.760 --> 0:47:46.360
<v Speaker 1>I think for the last like five weeks on Spotify's

0:47:46.400 --> 0:47:49.520
<v Speaker 1>New Music Friday, the the out of the first five songs,

0:47:49.560 --> 0:47:53.360
<v Speaker 1>you'll have a song that is directly speaking to this

0:47:53.560 --> 0:47:56.520
<v Speaker 1>civil rights movent, this Black Lives Matter movement. UM, why

0:47:56.560 --> 0:47:58.719
<v Speaker 1>is it important do you guys think as musicians? And

0:47:58.719 --> 0:48:00.520
<v Speaker 1>I kind of talked on this a little bit with

0:48:00.560 --> 0:48:03.319
<v Speaker 1>you Mac already, But to use that language and how

0:48:04.040 --> 0:48:06.319
<v Speaker 1>important it is to pay attention to the language not

0:48:06.360 --> 0:48:08.760
<v Speaker 1>only that we use, but that we listened to as well.

0:48:09.160 --> 0:48:11.359
<v Speaker 1>When you know better, do better. What's why I say

0:48:11.360 --> 0:48:13.479
<v Speaker 1>to myself, and that's what I'm say to my daughter

0:48:13.520 --> 0:48:16.400
<v Speaker 1>now too. Is like once you once you know better,

0:48:16.800 --> 0:48:20.440
<v Speaker 1>you have you have um, not just an opportunity, but

0:48:20.520 --> 0:48:24.640
<v Speaker 1>an obligation to do and say better. There are things

0:48:24.680 --> 0:48:27.400
<v Speaker 1>I said when I was a middle schooler that I

0:48:27.400 --> 0:48:30.400
<v Speaker 1>don't say now because I'm thirty three years old and

0:48:30.480 --> 0:48:34.160
<v Speaker 1>I would sound crazy, right like, um, you know, like

0:48:34.239 --> 0:48:37.200
<v Speaker 1>and that's that's both socially and that's you know, professionally,

0:48:37.239 --> 0:48:39.239
<v Speaker 1>Like there's there's things I had to learn how to talk,

0:48:39.719 --> 0:48:41.759
<v Speaker 1>you know, when I'm in offices versus when I'm talking

0:48:41.760 --> 0:48:43.000
<v Speaker 1>to my homies, you know what I mean. It's like,

0:48:43.239 --> 0:48:46.759
<v Speaker 1>so the language like what you fill yourself with, um,

0:48:46.840 --> 0:48:49.839
<v Speaker 1>is what you're gonna regarditate. I'm like a hip hop

0:48:49.920 --> 0:48:52.279
<v Speaker 1>hip hop cat, right, so like I'm on some like

0:48:52.440 --> 0:48:56.520
<v Speaker 1>elemental hip hop stuff where it's like you know, break dancing,

0:48:57.040 --> 0:49:02.279
<v Speaker 1>DJ's graffiti, m seeing and what is commonly you know,

0:49:03.200 --> 0:49:07.000
<v Speaker 1>overlooked element is you know knowledge. You know, knowledge is

0:49:07.600 --> 0:49:11.239
<v Speaker 1>knowledge yourself, knowledge of of of the world around you

0:49:12.280 --> 0:49:14.719
<v Speaker 1>is one of those elements. So I try to make

0:49:14.719 --> 0:49:19.880
<v Speaker 1>sure that I'm always putting in something like that in

0:49:19.960 --> 0:49:22.680
<v Speaker 1>my music when I'm making it. Not necessarily in a

0:49:22.760 --> 0:49:25.400
<v Speaker 1>way to preach, but I just I just try to

0:49:25.400 --> 0:49:29.120
<v Speaker 1>make sure that all of my music means something to me,

0:49:30.000 --> 0:49:33.880
<v Speaker 1>you know, And it's not necessarily like a standard that

0:49:33.920 --> 0:49:36.719
<v Speaker 1>I hold for other musicians to have, Like, oh, musicians

0:49:36.840 --> 0:49:40.600
<v Speaker 1>have to address what's going on in the world around him.

0:49:40.640 --> 0:49:44.279
<v Speaker 1>But I think that if everyone that you talked to

0:49:44.880 --> 0:49:48.680
<v Speaker 1>is thinking about what's going on in the world right now,

0:49:49.080 --> 0:49:55.480
<v Speaker 1>and it's like this whole black lives Matter, George Floyd, COVID, quarantine, lockdown,

0:49:55.520 --> 0:49:59.319
<v Speaker 1>all these things are like the most prevalent things in

0:49:59.440 --> 0:50:02.759
<v Speaker 1>people's lives when you're talking to them in just actual conversation.

0:50:03.200 --> 0:50:05.680
<v Speaker 1>I'm not saying I'm trying to hear anybody's music filled

0:50:05.719 --> 0:50:08.680
<v Speaker 1>with a bunch of that. But if your music is

0:50:08.719 --> 0:50:13.160
<v Speaker 1>completely devoid of any sort of reference or mentioned of

0:50:13.719 --> 0:50:16.240
<v Speaker 1>the world that we're all, you know, the shared human

0:50:16.280 --> 0:50:19.000
<v Speaker 1>experience that we're all going through, then it's kind of

0:50:19.040 --> 0:50:21.680
<v Speaker 1>just fluff, you know, And that's that's bad because that

0:50:21.760 --> 0:50:24.080
<v Speaker 1>has its place too, But it's just it's not where

0:50:25.040 --> 0:50:26.759
<v Speaker 1>I mean. I think it just carries its weight. It

0:50:26.840 --> 0:50:30.719
<v Speaker 1>carries its weight, you know, it says I remember, I'm

0:50:30.800 --> 0:50:32.800
<v Speaker 1>following a bunch of people that I used to and

0:50:33.080 --> 0:50:36.360
<v Speaker 1>like that I used to really rock with. When George

0:50:36.360 --> 0:50:38.719
<v Speaker 1>Floyd is murdered and they're busy promoting their brand new

0:50:38.760 --> 0:50:41.839
<v Speaker 1>YouTube video and you're just like, there's there's a it's

0:50:41.840 --> 0:50:43.520
<v Speaker 1>not I'm not saying that you have to go out

0:50:43.560 --> 0:50:47.560
<v Speaker 1>and and you know, throw a Molotov cocktail at a

0:50:47.560 --> 0:50:52.200
<v Speaker 1>cop car. Yeah, or even say there's a there's a

0:50:52.239 --> 0:50:57.040
<v Speaker 1>middle ground. Even if it's doing you're at least just acknowledging, acknowledging,

0:50:57.840 --> 0:51:01.200
<v Speaker 1>simple acknowledgement, even with the um you know, the explosion

0:51:01.320 --> 0:51:04.200
<v Speaker 1>and by root and in Lebanon um the other day,

0:51:04.400 --> 0:51:07.040
<v Speaker 1>I had tweeted something before I saw it and immediately

0:51:07.080 --> 0:51:09.000
<v Speaker 1>saw it and took down the tweet because it's like

0:51:09.400 --> 0:51:13.319
<v Speaker 1>there there's a level of tone deaf that is, it

0:51:13.440 --> 0:51:18.040
<v Speaker 1>crosses over from not necessarily being political or not wanting

0:51:18.040 --> 0:51:20.640
<v Speaker 1>to address things that don't bother you or don't that

0:51:20.680 --> 0:51:24.240
<v Speaker 1>don't you know, affect you directly. There's a line between

0:51:24.280 --> 0:51:27.440
<v Speaker 1>that and just being tone deaf to what's going on

0:51:27.520 --> 0:51:30.919
<v Speaker 1>in the world. And and it comes off as your

0:51:31.320 --> 0:51:33.600
<v Speaker 1>you know, I like the line, like your privilege is showing,

0:51:33.880 --> 0:51:36.399
<v Speaker 1>Like that's really what it is when you're when you're

0:51:36.480 --> 0:51:39.680
<v Speaker 1>posting about life, you know, in the Bahamas while there's

0:51:39.719 --> 0:51:45.600
<v Speaker 1>there's a civil unrest going Yeah, I think go ahead, Yeah.

0:51:45.600 --> 0:51:48.759
<v Speaker 1>I think the shift is happening to in in fan

0:51:48.840 --> 0:51:53.239
<v Speaker 1>bases where I think folks will start to expect in

0:51:53.280 --> 0:51:56.400
<v Speaker 1>demand that sort of well roundedness from the people that

0:51:56.440 --> 0:51:58.200
<v Speaker 1>they follow, you know what I mean, Like yeah, I know,

0:51:58.280 --> 0:52:00.400
<v Speaker 1>like like life for his little baby, you know, like

0:52:00.400 --> 0:52:03.480
<v Speaker 1>a little baby the other like a month ago, Like

0:52:03.520 --> 0:52:05.719
<v Speaker 1>we I love little babies music, you know what I mean.

0:52:05.760 --> 0:52:08.560
<v Speaker 1>Like he makes great he makes great music, but he

0:52:08.640 --> 0:52:11.680
<v Speaker 1>even took time him and the baby to address the world,

0:52:11.760 --> 0:52:14.239
<v Speaker 1>right And it's like dude, like yeah, thank you know

0:52:14.280 --> 0:52:16.000
<v Speaker 1>what I mean, Like thanks for that. Like we we

0:52:16.080 --> 0:52:18.480
<v Speaker 1>want to know that the folks that we're giving our

0:52:18.520 --> 0:52:22.439
<v Speaker 1>time and attention and our finances to that that they

0:52:22.640 --> 0:52:24.600
<v Speaker 1>feel like they're part of our world and they at

0:52:24.680 --> 0:52:26.360
<v Speaker 1>least make the attempt. Like I know, I know a

0:52:26.360 --> 0:52:29.000
<v Speaker 1>little babies richer than me. I know, he has security,

0:52:29.000 --> 0:52:31.759
<v Speaker 1>I know, but but he still understands where he comes from.

0:52:32.280 --> 0:52:34.600
<v Speaker 1>He still understands that there is a world that he's

0:52:34.600 --> 0:52:37.200
<v Speaker 1>connected to that he has to address. I think fans,

0:52:37.920 --> 0:52:41.440
<v Speaker 1>I think if musicians don't start demanding that of themselves,

0:52:41.880 --> 0:52:44.000
<v Speaker 1>fans are going to start demanding that of the folks

0:52:44.000 --> 0:52:47.000
<v Speaker 1>that they're you know, of that their fans are. And

0:52:47.040 --> 0:52:52.000
<v Speaker 1>particularly with hip hop, I mean there's never been there's

0:52:52.000 --> 0:52:54.480
<v Speaker 1>never been more of a moment that was made for

0:52:54.560 --> 0:52:58.680
<v Speaker 1>what for hip hop was birth out of than the

0:52:58.760 --> 0:53:02.120
<v Speaker 1>moment that we're in right now out so and you know,

0:53:02.160 --> 0:53:04.959
<v Speaker 1>there's the trust me, there's there's tons of hip hop

0:53:05.000 --> 0:53:07.239
<v Speaker 1>out there that you're going to find where people are

0:53:07.280 --> 0:53:10.040
<v Speaker 1>completely aware of the moment that we're living in and

0:53:10.280 --> 0:53:13.200
<v Speaker 1>they're talking about it in their music and they're they're

0:53:13.239 --> 0:53:15.719
<v Speaker 1>making it. They're making it fly, you know what I mean.

0:53:15.760 --> 0:53:18.320
<v Speaker 1>It's it's not sounding like, it's not sounding like something

0:53:18.360 --> 0:53:23.480
<v Speaker 1>that that's not, you know. But the thing is a

0:53:23.520 --> 0:53:27.000
<v Speaker 1>lot of those cats are cats like me that are

0:53:27.000 --> 0:53:29.320
<v Speaker 1>on the underground and stuff like that, and it's definitely

0:53:29.360 --> 0:53:31.440
<v Speaker 1>stuff that people can go out and find, but it

0:53:31.640 --> 0:53:37.840
<v Speaker 1>is very important that those mainstream voices part of my

0:53:37.880 --> 0:53:39.799
<v Speaker 1>language get what the program, you know what I mean.

0:53:39.880 --> 0:53:42.440
<v Speaker 1>It's just like it's like you're either sleep or you're not.

0:53:43.320 --> 0:53:45.839
<v Speaker 1>You know. That's I loved when when Alex was talking

0:53:45.840 --> 0:53:47.520
<v Speaker 1>to me when we when we when we talked about

0:53:47.520 --> 0:53:50.719
<v Speaker 1>your album, when you let me hear it and you

0:53:50.880 --> 0:53:53.960
<v Speaker 1>and you were you were nervous or trepidacious about you know,

0:53:54.000 --> 0:53:57.360
<v Speaker 1>calling it the gospel and things like that, and I said, like, listen,

0:53:57.520 --> 0:54:00.800
<v Speaker 1>inherent in the birth of gospel as some music is

0:54:00.880 --> 0:54:03.520
<v Speaker 1>slave music. And what I had just learned about two

0:54:03.560 --> 0:54:07.240
<v Speaker 1>months ago was that in those old Negro like slave

0:54:07.320 --> 0:54:09.799
<v Speaker 1>songs and Negro spiritual songs, it wasn't just follow the

0:54:09.840 --> 0:54:12.200
<v Speaker 1>dream gored like they were. They were giving each other

0:54:12.800 --> 0:54:16.600
<v Speaker 1>game plans and road maps and secret messages and all

0:54:16.640 --> 0:54:19.719
<v Speaker 1>these different things. So and even inherent in gospel music,

0:54:19.760 --> 0:54:23.560
<v Speaker 1>it's folks dealing with the struggle of their day, right

0:54:23.880 --> 0:54:25.680
<v Speaker 1>and so like there and so like if you say

0:54:25.680 --> 0:54:27.280
<v Speaker 1>it's the perfect time for hip hop, which I completely

0:54:27.280 --> 0:54:29.600
<v Speaker 1>when thousand agree with agree with, I think it's the

0:54:29.600 --> 0:54:33.440
<v Speaker 1>perfect time for gospel music to that like real music

0:54:33.640 --> 0:54:36.640
<v Speaker 1>that is that isn't that at the same time addresses

0:54:37.200 --> 0:54:42.360
<v Speaker 1>um society and our issues, but also is um giving

0:54:42.360 --> 0:54:45.400
<v Speaker 1>people hope and determination for a better tomorrow. That's gospel

0:54:45.560 --> 0:54:48.000
<v Speaker 1>music in its essence. That's hip hop in its essence.

0:54:48.040 --> 0:54:51.359
<v Speaker 1>Because black folks didn't have nothing else, Like all we

0:54:51.400 --> 0:54:55.520
<v Speaker 1>could do was make dope music with with our own messages,

0:54:55.560 --> 0:54:58.200
<v Speaker 1>with our own words, with our own culture, in order

0:54:58.200 --> 0:55:01.520
<v Speaker 1>to communicate with each other to say, like, you're not crazy,

0:55:01.560 --> 0:55:04.160
<v Speaker 1>I know what's going on, and YO to like tomorrow

0:55:04.239 --> 0:55:05.880
<v Speaker 1>is gonna be better or the future is going to

0:55:05.960 --> 0:55:08.400
<v Speaker 1>be better. It's at the perfect time for those two.

0:55:09.160 --> 0:55:12.320
<v Speaker 1>From my from my opinion, the two the two greatest

0:55:12.360 --> 0:55:17.120
<v Speaker 1>American art forms hip hop and gossap music. I'll fight

0:55:17.160 --> 0:55:21.000
<v Speaker 1>anybody on this. Well, no, no, I agree with you.

0:55:21.080 --> 0:55:24.200
<v Speaker 1>And it's like, like I was saying earlier, is you know,

0:55:24.360 --> 0:55:28.720
<v Speaker 1>recognizing the power of music. Like imagine if that last

0:55:28.800 --> 0:55:30.840
<v Speaker 1>like two minute thing that you just said was a

0:55:31.000 --> 0:55:35.000
<v Speaker 1>verse you know what I'm saying, Like like like it

0:55:35.040 --> 0:55:39.560
<v Speaker 1>would resonate so much more because it's music, and then

0:55:39.680 --> 0:55:42.520
<v Speaker 1>that's what music was made for, so that we can Yeah, music,

0:55:42.800 --> 0:55:46.160
<v Speaker 1>music carries its way absolutely. Uh. There's one last topic

0:55:46.200 --> 0:55:47.520
<v Speaker 1>that I want to talk about, and it is a

0:55:47.640 --> 0:55:51.960
<v Speaker 1>very very hot button right now, and it is cultural appropriation.

0:55:53.360 --> 0:55:55.919
<v Speaker 1>I saw this funny as video when everything went down

0:55:55.920 --> 0:55:58.279
<v Speaker 1>and it started talking about people were starting to bring

0:55:58.360 --> 0:56:01.320
<v Speaker 1>up the concept of cultural appropriation and and people aren't

0:56:01.320 --> 0:56:03.920
<v Speaker 1>fully getting it in terms of music because they're like, well,

0:56:03.920 --> 0:56:06.440
<v Speaker 1>what about rock and roll? Rock and roll is just us?

0:56:06.920 --> 0:56:09.640
<v Speaker 1>And somebody made a video as a producer who put

0:56:09.640 --> 0:56:12.279
<v Speaker 1>in a video that said me making a beat with

0:56:12.480 --> 0:56:16.480
<v Speaker 1>no Black music influence, and it was literally had ended

0:56:16.520 --> 0:56:19.480
<v Speaker 1>up being like playing like random keys on a piano,

0:56:19.560 --> 0:56:25.160
<v Speaker 1>because I don't think people fully understand how much of

0:56:25.200 --> 0:56:28.919
<v Speaker 1>the Black culture is actually fully music. You know, all

0:56:28.960 --> 0:56:33.800
<v Speaker 1>of my music, everything that I am is Black culture

0:56:34.000 --> 0:56:35.840
<v Speaker 1>in terms of music, all of the R and B,

0:56:35.960 --> 0:56:38.880
<v Speaker 1>everybody that I listened to from growing up, listening to

0:56:38.880 --> 0:56:42.840
<v Speaker 1>Fred Hammond and Lauren Hill and Stevie Wonder and even

0:56:42.880 --> 0:56:47.879
<v Speaker 1>to its deepest route is Black culture. And now there's

0:56:47.880 --> 0:56:50.200
<v Speaker 1>a lot of brands, a lot of companies, a lot

0:56:50.239 --> 0:56:53.640
<v Speaker 1>of artists who are taking fire for and and rightfully

0:56:53.680 --> 0:56:56.879
<v Speaker 1>so for culturally appropriating and taking it as their own.

0:56:57.920 --> 0:57:01.200
<v Speaker 1>Music is difficult because it's it is especially now we're

0:57:01.239 --> 0:57:04.240
<v Speaker 1>blending everything we're throwing in rock and roll with country

0:57:04.280 --> 0:57:06.319
<v Speaker 1>and throwing a little bit of hip hop in there,

0:57:06.320 --> 0:57:08.600
<v Speaker 1>and everybody's dancing around. Where do you guys feel like

0:57:08.680 --> 0:57:16.040
<v Speaker 1>that line is drawn between appropriation and collaboration in music specifically? Yeah,

0:57:16.040 --> 0:57:18.800
<v Speaker 1>and music specifically, because I think in fashion, like I mean,

0:57:18.840 --> 0:57:22.000
<v Speaker 1>we're I think they're in fashion, and in you know,

0:57:22.040 --> 0:57:25.680
<v Speaker 1>sports teams from from the Washington UH football team is

0:57:25.720 --> 0:57:28.200
<v Speaker 1>not what they're called. There's there. I think that there's

0:57:28.240 --> 0:57:30.200
<v Speaker 1>a lot of movement going on, and as the three

0:57:30.240 --> 0:57:33.640
<v Speaker 1>of us are you know musicians and quote unquote experts

0:57:33.640 --> 0:57:35.840
<v Speaker 1>and music. I'd love to see your guys thoughts, because

0:57:35.880 --> 0:57:38.320
<v Speaker 1>I think music is a little bit more complicated than

0:57:38.800 --> 0:57:43.360
<v Speaker 1>calling a team something that's just really offensive musically, And

0:57:43.440 --> 0:57:47.440
<v Speaker 1>I mean, I definitely can see how people disagree with

0:57:47.520 --> 0:57:52.040
<v Speaker 1>what I'm gonna say, But musically, I'm personally not prepared

0:57:52.920 --> 0:57:58.360
<v Speaker 1>two ask of somebody something that I'm personally not doing.

0:57:58.440 --> 0:58:00.880
<v Speaker 1>So I know, I'm I'm a do sir, and I

0:58:00.960 --> 0:58:04.000
<v Speaker 1>sample right, especially when I was younger, I used to

0:58:04.000 --> 0:58:09.240
<v Speaker 1>sample a lot. So if I'm sitting down with like

0:58:10.080 --> 0:58:15.560
<v Speaker 1>some old symphony composers stuff and I'm like sampling that

0:58:15.600 --> 0:58:18.480
<v Speaker 1>into a beat that I'm making. If someone were to

0:58:18.520 --> 0:58:21.520
<v Speaker 1>come to me and like say, well you sample that composer,

0:58:21.640 --> 0:58:25.720
<v Speaker 1>can you name other songs that they composed? No, I can't,

0:58:27.160 --> 0:58:29.840
<v Speaker 1>you know, I can't. I can't. So like, I just

0:58:29.960 --> 0:58:32.240
<v Speaker 1>I just don't know how quick I am to like

0:58:32.320 --> 0:58:35.920
<v Speaker 1>ask somebody, oh, well, you're a white kid, and that

0:58:36.000 --> 0:58:39.240
<v Speaker 1>kind of sounds like a Motown song named another Motown artists.

0:58:40.000 --> 0:58:41.600
<v Speaker 1>If they can't, I'm not prepared to be like, oh

0:58:41.640 --> 0:58:44.520
<v Speaker 1>my god, you're culturally appropriating. What's wrong with you? But

0:58:45.280 --> 0:58:49.400
<v Speaker 1>supplies have to say, I just the person whatever people

0:58:49.440 --> 0:58:53.400
<v Speaker 1>are out there that are partaking in a music that

0:58:53.600 --> 0:58:57.200
<v Speaker 1>isn't of their culture, that is like preaching I invented

0:58:57.240 --> 0:59:00.320
<v Speaker 1>this and my culture really invented this, Like where giving

0:59:00.320 --> 0:59:03.720
<v Speaker 1>anybody credit. Then yeah, obviously that person is wrong. But

0:59:03.880 --> 0:59:08.200
<v Speaker 1>there's a lot of different things that we don't expect,

0:59:08.280 --> 0:59:12.240
<v Speaker 1>like each new generation to fully be informed of, you

0:59:12.280 --> 0:59:15.520
<v Speaker 1>know what I'm saying. In music, I think I just

0:59:15.560 --> 0:59:17.439
<v Speaker 1>think music is probably going to be one of those

0:59:17.440 --> 0:59:21.800
<v Speaker 1>things where it's just right now, it's so what's the word,

0:59:21.880 --> 0:59:26.400
<v Speaker 1>it's so like like like incestuous and cross pollinating and

0:59:26.480 --> 0:59:29.720
<v Speaker 1>everybody's doing everybody's doing you know, everyone's dipping their toes

0:59:29.760 --> 0:59:32.960
<v Speaker 1>and everyone's music, you know in music culture that it's

0:59:33.040 --> 0:59:39.600
<v Speaker 1>like I think the ideal situation would be ten fifteen

0:59:39.680 --> 0:59:44.640
<v Speaker 1>years from now that we're just this genre lists. You know,

0:59:44.800 --> 0:59:47.800
<v Speaker 1>just this this, this this genrest thing that can just

0:59:48.040 --> 0:59:51.080
<v Speaker 1>morph into whatever whoever takes it on and whatever culture

0:59:51.080 --> 0:59:52.920
<v Speaker 1>takes it on and they add their own spin to it.

0:59:53.680 --> 0:59:57.960
<v Speaker 1>That's where my mind is with music. More than this

0:59:58.120 --> 1:00:04.840
<v Speaker 1>music belongs to this culture forever about to touch it? Right? Uh? Yeah,

1:00:04.960 --> 1:00:08.520
<v Speaker 1>I think I think, um, I think app Yeah, I

1:00:08.520 --> 1:00:10.240
<v Speaker 1>think I think you can sort of unpack it in

1:00:10.280 --> 1:00:12.520
<v Speaker 1>sort of three different ways. I try to be a

1:00:12.560 --> 1:00:15.280
<v Speaker 1>geek about everything. Um, actually don't try to be. I

1:00:15.400 --> 1:00:19.360
<v Speaker 1>just am sort of a geek about everything. But uh,

1:00:19.520 --> 1:00:21.520
<v Speaker 1>I think, you know, I think I think you have to.

1:00:21.840 --> 1:00:24.520
<v Speaker 1>I think in order to save yourself from the you know,

1:00:25.360 --> 1:00:31.200
<v Speaker 1>appropch from appropriating a culture, especially when it comes to musically, UM,

1:00:31.240 --> 1:00:33.240
<v Speaker 1>I think you should. I think there should be an

1:00:33.240 --> 1:00:39.360
<v Speaker 1>appropriate love for the culture, um, a respect for the pioneers,

1:00:40.000 --> 1:00:43.080
<v Speaker 1>and an advocacy for the community. Like I think that's

1:00:43.120 --> 1:00:45.880
<v Speaker 1>where for me anyway, that's where I draw the line.

1:00:46.280 --> 1:00:49.400
<v Speaker 1>So when I see, you know, an artist that has

1:00:49.400 --> 1:00:52.800
<v Speaker 1>a clear love for the clear love and appreciation for

1:00:52.880 --> 1:00:54.840
<v Speaker 1>the culture let's call it hip hop or R and

1:00:54.880 --> 1:00:58.600
<v Speaker 1>B right like and but I don't see them paying

1:00:58.640 --> 1:01:02.320
<v Speaker 1>homage to the pioneers, and I don't see them stepping

1:01:02.400 --> 1:01:06.320
<v Speaker 1>up for the community should that community fall prey to

1:01:06.480 --> 1:01:09.760
<v Speaker 1>whatever sort of injustice or whatever. That's when I look

1:01:09.800 --> 1:01:11.680
<v Speaker 1>at that person differently, you know what I mean, Where

1:01:11.680 --> 1:01:13.720
<v Speaker 1>I can even say like, yeah, you make you you

1:01:13.800 --> 1:01:16.280
<v Speaker 1>make the music right or you know you like you

1:01:16.400 --> 1:01:20.480
<v Speaker 1>uphold the standards musically, but in a in a sense,

1:01:20.560 --> 1:01:23.680
<v Speaker 1>you are appropriating because you don't pay homage and you

1:01:23.720 --> 1:01:26.160
<v Speaker 1>don't advocate, right, you know what I mean? And so

1:01:26.280 --> 1:01:28.200
<v Speaker 1>like little Richard talked about it a couple months ago

1:01:28.240 --> 1:01:30.919
<v Speaker 1>where he's like, I gave everybody their swag. I gave

1:01:30.960 --> 1:01:33.520
<v Speaker 1>Elvis his swag, I gave the Beatles their swag. Like

1:01:33.560 --> 1:01:36.520
<v Speaker 1>all these people ripped off of me and never brought

1:01:36.560 --> 1:01:39.040
<v Speaker 1>me up in the conversation. So now we you know,

1:01:39.120 --> 1:01:41.560
<v Speaker 1>now we all can look like we all now I

1:01:41.560 --> 1:01:44.080
<v Speaker 1>look a little little richer differently. But before that, you know,

1:01:44.200 --> 1:01:46.720
<v Speaker 1>I started saw him as like the goofy rock guy,

1:01:46.840 --> 1:01:48.280
<v Speaker 1>you know what I mean. He's saying trudy, fruity and

1:01:48.360 --> 1:01:50.760
<v Speaker 1>rudy and all these things, like clearly he was talented.

1:01:51.040 --> 1:01:53.520
<v Speaker 1>Now I see him as, oh he was sonning all

1:01:53.560 --> 1:01:56.280
<v Speaker 1>these dudes, like he was all these dudes dads, and

1:01:56.320 --> 1:01:58.600
<v Speaker 1>they just never gave him gave him respect for it

1:01:59.040 --> 1:02:00.800
<v Speaker 1>um And so like for you, you know, like when

1:02:00.800 --> 1:02:02.720
<v Speaker 1>I you know, I call a little bit of what

1:02:02.720 --> 1:02:05.560
<v Speaker 1>you're saying about your love for gossap music and things

1:02:05.600 --> 1:02:07.440
<v Speaker 1>like that, like I see that in you, you know,

1:02:07.560 --> 1:02:10.480
<v Speaker 1>I see the love for the culture. I see the

1:02:10.520 --> 1:02:13.240
<v Speaker 1>homage you pay to the pioneers, and I see your

1:02:13.280 --> 1:02:16.480
<v Speaker 1>advocacy for the community. So if every so, if anybody

1:02:16.480 --> 1:02:18.680
<v Speaker 1>were to come for Alex and say Alex is appropriating,

1:02:18.720 --> 1:02:21.400
<v Speaker 1>I say no, because I see all these things in

1:02:21.480 --> 1:02:23.720
<v Speaker 1>him that tells me that he's not. You know, that

1:02:23.760 --> 1:02:25.880
<v Speaker 1>tells me that he that he is actually a part

1:02:25.920 --> 1:02:29.200
<v Speaker 1>of the community because of the way he treats the

1:02:29.320 --> 1:02:32.280
<v Speaker 1>art form, the pioneers and the community itself, you know

1:02:32.320 --> 1:02:35.440
<v Speaker 1>what I mean. So like for me, yeah, like that's

1:02:35.560 --> 1:02:37.080
<v Speaker 1>that's where the line. That's where the line is for me.

1:02:37.160 --> 1:02:40.960
<v Speaker 1>It may not be a perfect line, but I kind

1:02:41.000 --> 1:02:44.560
<v Speaker 1>of feel like, um, the way we were talking before

1:02:44.720 --> 1:02:49.800
<v Speaker 1>about how you know, things that happened politically filter into

1:02:49.800 --> 1:02:53.440
<v Speaker 1>the culture, I kind of feel the same way about music,

1:02:53.880 --> 1:02:57.360
<v Speaker 1>where it's like, if somebody does have a proper appreciation

1:02:57.760 --> 1:03:00.360
<v Speaker 1>of the culture that they're protecting in you'll hear it

1:03:00.400 --> 1:03:02.640
<v Speaker 1>in the music. You know what I'm saying. I just

1:03:03.360 --> 1:03:05.000
<v Speaker 1>I don't know. I don't want to mention any names,

1:03:05.040 --> 1:03:07.880
<v Speaker 1>but there's there's definitely stuff out there where it's like

1:03:08.360 --> 1:03:13.400
<v Speaker 1>just aesthetically, it's checking off the marks, but there's there's

1:03:13.440 --> 1:03:23.720
<v Speaker 1>something missing. But it's like act as. I think that

1:03:23.840 --> 1:03:26.120
<v Speaker 1>the most important thing, like you would like you mentioned

1:03:26.160 --> 1:03:29.160
<v Speaker 1>MAC is is and you mentioned it as well, The

1:03:29.520 --> 1:03:31.880
<v Speaker 1>is making sure that you're paying that on is you're playing,

1:03:31.960 --> 1:03:35.960
<v Speaker 1>you're paying that that respects back. Um. And you know,

1:03:36.160 --> 1:03:39.200
<v Speaker 1>I'm not, by any means the person to to I'm

1:03:39.240 --> 1:03:42.479
<v Speaker 1>not the appropriation judge. I don't. I don't choose what's

1:03:42.480 --> 1:03:45.680
<v Speaker 1>appropriating and what's not. I just know, uh, you know,

1:03:45.920 --> 1:03:48.920
<v Speaker 1>for me as myself, I was raised listening to a

1:03:48.960 --> 1:03:51.479
<v Speaker 1>certain type of music. My parents loved listening to this music.

1:03:51.520 --> 1:03:55.920
<v Speaker 1>It's what I drew a direct passion towards. And uh.

1:03:55.920 --> 1:03:57.960
<v Speaker 1>And I made sure that when I stepped up to

1:03:58.000 --> 1:03:59.760
<v Speaker 1>the plate, I knew what I was talking about, and

1:03:59.760 --> 1:04:03.840
<v Speaker 1>I new what's even though you know, as musicians we

1:04:03.880 --> 1:04:05.840
<v Speaker 1>are supposed to break the rules and we're supposed to

1:04:05.880 --> 1:04:09.480
<v Speaker 1>bend and and try new things, it's also about respecting

1:04:09.800 --> 1:04:12.400
<v Speaker 1>what's been done before and not you know, not trying

1:04:12.440 --> 1:04:14.720
<v Speaker 1>to you know, shoot on what's been done before, or

1:04:14.800 --> 1:04:17.640
<v Speaker 1>neglect what's been done before. Um. And that's something that

1:04:17.680 --> 1:04:20.480
<v Speaker 1>I think, at least for me, I try and do.

1:04:20.760 --> 1:04:24.560
<v Speaker 1>And I really appreciate your words d um about that

1:04:24.680 --> 1:04:28.840
<v Speaker 1>art um. But we are actually out of time unfortunately. Um,

1:04:29.000 --> 1:04:31.760
<v Speaker 1>but this conversation was so special. I know, right like

1:04:31.800 --> 1:04:36.120
<v Speaker 1>I want, Um, but this conversation meant a lot to

1:04:36.160 --> 1:04:38.840
<v Speaker 1>me honestly, um D, I always love talking with you.

1:04:39.200 --> 1:04:41.760
<v Speaker 1>Uh it's it really is amazing to me how our

1:04:41.800 --> 1:04:44.520
<v Speaker 1>friendship has bloomed in in the matter of months in

1:04:44.600 --> 1:04:48.080
<v Speaker 1>one song. H and MATC. Hopefully the same goes. I'm excited.

1:04:48.680 --> 1:04:50.960
<v Speaker 1>I'm really glad I met you guys. Thank you for

1:04:51.000 --> 1:04:53.760
<v Speaker 1>having me on. Of course, my last bit of the

1:04:53.800 --> 1:04:56.840
<v Speaker 1>podcast is called not So Shameless Promo, So I want

1:04:56.840 --> 1:04:59.920
<v Speaker 1>to give you guys some time to just literally rap

1:05:00.160 --> 1:05:02.640
<v Speaker 1>whatever you want to wrap and promote whatever you want

1:05:02.640 --> 1:05:05.600
<v Speaker 1>to promote and plug. So Mac, I'll let you go first,

1:05:06.680 --> 1:05:10.560
<v Speaker 1>all right. Yeah, Um, I'm Dope Knife. You can find

1:05:10.600 --> 1:05:15.520
<v Speaker 1>me dope knife dot com. My Twitter is at Dope Knife,

1:05:15.560 --> 1:05:19.440
<v Speaker 1>my Instagram is at Dope Underscore Knife, got a couple

1:05:19.760 --> 1:05:25.520
<v Speaker 1>new EPs out, I've got a YouTube channel and um yeah,

1:05:25.560 --> 1:05:28.680
<v Speaker 1>I don't want to sound to whatever whatever, but I'm

1:05:28.720 --> 1:05:33.920
<v Speaker 1>I'm pretty I'm pretty dope. Like I mean, you know,

1:05:34.040 --> 1:05:37.800
<v Speaker 1>it's it's it's it's definitely lyrical. So it's like if

1:05:37.840 --> 1:05:39.560
<v Speaker 1>that's if that's the sort of thing that you're into.

1:05:39.680 --> 1:05:41.800
<v Speaker 1>I definitely know it's a it's a niche. But if

1:05:41.880 --> 1:05:47.480
<v Speaker 1>you're into hearing people wrapped very well, then if you

1:05:47.720 --> 1:05:49.960
<v Speaker 1>if you're interested in good music, then you should probably

1:05:50.000 --> 1:05:53.440
<v Speaker 1>listen to it. If people wrapping well is your thing, yes,

1:05:53.640 --> 1:05:58.880
<v Speaker 1>people wrapping well over over pleasant beats. That's it. That's it,

1:05:59.440 --> 1:06:01.520
<v Speaker 1>all right. D hit us with some not so shameless promo.

1:06:02.040 --> 1:06:04.920
<v Speaker 1>Oh man, I'm de Wilson. I'm sorry. I'm sorry. I'm

1:06:04.960 --> 1:06:09.840
<v Speaker 1>so good waiting on reparations. Yeah, I was waiting on

1:06:09.880 --> 1:06:12.480
<v Speaker 1>the promo. I was waiting on the promo. I just

1:06:12.520 --> 1:06:14.680
<v Speaker 1>followed it. I just followed it. Um, I'm a subscriber.

1:06:14.720 --> 1:06:17.440
<v Speaker 1>Now you got me. I haven't listened with a show yet. No, yeah,

1:06:17.560 --> 1:06:19.800
<v Speaker 1>d Wilson, UM, don't follow me on Facebook. I'm gonna

1:06:19.840 --> 1:06:28.280
<v Speaker 1>lead that soon. Um as as anyway, Um sorry, um.

1:06:28.800 --> 1:06:31.800
<v Speaker 1>Ady Wilson live on Instagram Common him and no Gang

1:06:31.800 --> 1:06:35.080
<v Speaker 1>Gang at Common him and on Instagram and I have

1:06:35.160 --> 1:06:37.120
<v Speaker 1>a I have a couple of EPs coming out. Um

1:06:37.200 --> 1:06:40.400
<v Speaker 1>checking me out on Alex's record. Arsna Medsin also play

1:06:40.480 --> 1:06:42.440
<v Speaker 1>that record at Thalvan times from the beginning to end,

1:06:42.520 --> 1:06:46.240
<v Speaker 1>but to repeat because it's flames. I think that's it. Oh,

1:06:46.240 --> 1:06:48.440
<v Speaker 1>odds and in podcast that's my podcast, Odds and in

1:06:48.600 --> 1:06:52.200
<v Speaker 1>podcast with Dan Sharona um love so check that out

1:06:52.360 --> 1:06:54.400
<v Speaker 1>as well. I love that you guys know you can

1:06:54.440 --> 1:06:57.400
<v Speaker 1>follow me at alex Iono everywhere. Ai O n oh.

1:06:57.480 --> 1:06:59.560
<v Speaker 1>It's the best part about having a weird last name.

1:06:59.640 --> 1:07:03.360
<v Speaker 1>And I'm so grateful for for you listening here. So please,

1:07:03.400 --> 1:07:05.120
<v Speaker 1>if you have the time, make sure you rate our

1:07:05.160 --> 1:07:08.400
<v Speaker 1>podcast and subscribe. That is how we grow and uh

1:07:08.440 --> 1:07:10.840
<v Speaker 1>and we will talk with you very very soon talk

1:07:10.920 --> 1:07:19.680
<v Speaker 1>to later Facebook. We really want you to get the

1:07:19.680 --> 1:07:21.800
<v Speaker 1>help you need, so if you need help, please seek

1:07:21.800 --> 1:07:25.200
<v Speaker 1>independent advice from a competent healthcare or mental health professional.

1:07:25.680 --> 1:07:27.800
<v Speaker 1>The views and opinions expressed in this podcast are solely

1:07:27.840 --> 1:07:30.840
<v Speaker 1>those of the podcast author or individuals participating in the podcast,

1:07:30.880 --> 1:07:32.840
<v Speaker 1>and do not represent the opinions of I Heart Media

1:07:32.920 --> 1:07:35.120
<v Speaker 1>or its employees. This podcast should not be used as

1:07:35.160 --> 1:07:38.440
<v Speaker 1>medical advice, mental health advice, counseling, or therapy. Listening to

1:07:38.440 --> 1:07:41.320
<v Speaker 1>the podcast does not established dr patient relationship with hosts

1:07:41.400 --> 1:07:43.480
<v Speaker 1>or guests of alex Iono, Let's Get Into It or

1:07:43.520 --> 1:07:46.520
<v Speaker 1>I Heart Media. No guarantee is given regarding the accuracy

1:07:46.560 --> 1:07:49.760
<v Speaker 1>of any statements or opinions made on this podcast, well,

1:07:49.760 --> 1:07:51.360
<v Speaker 1>if that's a doozy