1 00:00:00,880 --> 00:00:03,680 Speaker 1: Don't be out here at like a donkey bitch. 2 00:00:04,960 --> 00:00:07,680 Speaker 2: It's time for Donkey of the Day. I'm a big boy. 3 00:00:07,720 --> 00:00:09,320 Speaker 3: I could take it if he feel out deserve it 4 00:00:09,320 --> 00:00:11,320 Speaker 3: ain't no big deal, I know, Charlottage. 5 00:00:10,920 --> 00:00:13,720 Speaker 2: God going funny mouse gotta say something you may not 6 00:00:13,760 --> 00:00:15,120 Speaker 2: agree with. It doesn't mean I'm meaning. 7 00:00:15,080 --> 00:00:17,560 Speaker 3: Who's getting that donk that don't eat that don't don't 8 00:00:17,640 --> 00:00:19,960 Speaker 3: don't un't dunt donkey other day right. 9 00:00:19,800 --> 00:00:22,520 Speaker 2: Here the breakfast club. 10 00:00:22,560 --> 00:00:24,680 Speaker 3: Bitch, you you could call me the Donkey of the day, 11 00:00:24,720 --> 00:00:26,760 Speaker 3: But like I need no harm. 12 00:00:27,040 --> 00:00:29,280 Speaker 2: Lauren started coughing as soon as I lift to Paulo. 13 00:00:29,120 --> 00:00:31,479 Speaker 1: Santos, I told you, I think you're playing spells on it. 14 00:00:31,480 --> 00:00:31,960 Speaker 2: Says a lot. 15 00:00:32,000 --> 00:00:33,600 Speaker 3: I'm just doing this because I want to keep any 16 00:00:33,600 --> 00:00:34,760 Speaker 3: bad spirits out the room. 17 00:00:34,800 --> 00:00:35,640 Speaker 2: Because Donkey of to. 18 00:00:35,680 --> 00:00:38,519 Speaker 3: Day for Tuesday, July twenty fifth goes to a singer 19 00:00:38,840 --> 00:00:39,760 Speaker 3: named Brocardi. 20 00:00:39,920 --> 00:00:41,680 Speaker 2: I think I'm pronouncing her name right now. 21 00:00:41,680 --> 00:00:44,839 Speaker 3: This is a Donkey of the Day update, by the way, okay, 22 00:00:44,920 --> 00:00:46,559 Speaker 3: because it's like a where are they now? See in 23 00:00:46,560 --> 00:00:48,680 Speaker 3: the history of he Halls, we have had some very 24 00:00:48,680 --> 00:00:51,839 Speaker 3: interesting characters, and Brocardi is one of them. She is 25 00:00:51,880 --> 00:00:54,279 Speaker 3: forty years old now and a couple of years ago 26 00:00:54,320 --> 00:00:56,240 Speaker 3: when I Face first gave her donkey of to day. 27 00:00:56,280 --> 00:00:57,800 Speaker 3: I gave her a donkey of to day because she 28 00:00:57,960 --> 00:01:00,880 Speaker 3: decided that she wanted to marry a ghost. 29 00:01:01,240 --> 00:01:02,080 Speaker 2: Well, yeah, she. 30 00:01:02,080 --> 00:01:04,759 Speaker 3: Decided that she didn't want to do tell depth towards part. 31 00:01:04,840 --> 00:01:07,200 Speaker 3: She wanted her as already did. Okay, she married the 32 00:01:07,240 --> 00:01:11,960 Speaker 3: spirit of a Victorian soldier named Eduardo. One stormy night 33 00:01:12,000 --> 00:01:14,240 Speaker 3: in twenty twenty one when the Polter Guys proposed to 34 00:01:14,240 --> 00:01:17,800 Speaker 3: her after bursting into her bedroom and professing his love 35 00:01:17,840 --> 00:01:19,679 Speaker 3: for her. Y'all think I'm making this up, but I'm not. 36 00:01:19,959 --> 00:01:22,679 Speaker 3: Let's go to the morning to hear her. Hear Brocardy 37 00:01:22,800 --> 00:01:23,320 Speaker 3: talk about it. 38 00:01:23,800 --> 00:01:27,920 Speaker 4: So just just remind us how you met at Eduardo. 39 00:01:28,280 --> 00:01:30,520 Speaker 2: It was an unconventional meeting. 40 00:01:30,640 --> 00:01:31,520 Speaker 1: Let's say that. 41 00:01:31,800 --> 00:01:34,039 Speaker 4: You kind of burst into my bedroom in the dead 42 00:01:34,040 --> 00:01:38,920 Speaker 4: of night and kind of captivated me, sent sensations all 43 00:01:38,959 --> 00:01:43,440 Speaker 4: over my body, and that was our first encounters Victorian. 44 00:01:43,160 --> 00:01:46,560 Speaker 1: He's a Victorian soldier. Yes, right, so you got used 45 00:01:46,560 --> 00:01:47,200 Speaker 1: to the relationship. 46 00:01:47,240 --> 00:01:48,840 Speaker 3: You're now very much in love and if that last 47 00:01:48,840 --> 00:01:51,520 Speaker 3: time when you came on to talk about it, you 48 00:01:51,600 --> 00:01:52,600 Speaker 3: told that here. 49 00:01:52,960 --> 00:01:55,960 Speaker 2: What what what what what what? 50 00:01:55,960 --> 00:01:56,279 Speaker 3: What? 51 00:01:56,280 --> 00:01:56,840 Speaker 1: What? 52 00:01:56,840 --> 00:01:57,680 Speaker 2: What? 53 00:01:57,680 --> 00:01:58,600 Speaker 1: What? 54 00:01:58,600 --> 00:01:59,160 Speaker 3: What is it? 55 00:01:59,400 --> 00:01:59,880 Speaker 1: He's here? 56 00:02:00,560 --> 00:02:01,400 Speaker 3: What should I hope so too? 57 00:02:01,440 --> 00:02:02,240 Speaker 2: It's your wedding day? 58 00:02:03,600 --> 00:02:04,000 Speaker 1: Where's he? 59 00:02:04,840 --> 00:02:06,760 Speaker 5: Can't you see him? 60 00:02:06,920 --> 00:02:06,960 Speaker 4: No? 61 00:02:07,440 --> 00:02:10,639 Speaker 2: Definitely, definitely not there. And you think that I would 62 00:02:10,680 --> 00:02:11,840 Speaker 2: be able to see him. 63 00:02:12,760 --> 00:02:14,520 Speaker 1: He doesn't like you, he doesn't like me. 64 00:02:15,480 --> 00:02:18,160 Speaker 2: Well, I'm sorry, so don't worry. 65 00:02:18,200 --> 00:02:18,520 Speaker 3: It's a bit. 66 00:02:18,880 --> 00:02:19,600 Speaker 2: I'm not marrying. 67 00:02:19,919 --> 00:02:21,720 Speaker 5: No, I know what what what? 68 00:02:22,080 --> 00:02:22,160 Speaker 3: What? 69 00:02:22,200 --> 00:02:25,800 Speaker 2: Are we listening to today's update and talk you today? Okay? 70 00:02:25,960 --> 00:02:29,560 Speaker 3: And the reason Ricardy is getting another heth is because 71 00:02:29,600 --> 00:02:32,080 Speaker 3: this past weekend a story broke. I was reading it 72 00:02:32,120 --> 00:02:35,359 Speaker 3: on metro dot com and the story is a singer 73 00:02:35,360 --> 00:02:38,639 Speaker 3: who claimed to have married the ghost of a Victorian soldier. 74 00:02:39,280 --> 00:02:44,799 Speaker 3: Says she's getting divorced. Bro We just heard how they met, 75 00:02:45,040 --> 00:02:48,640 Speaker 3: but according to her, they supposedly became inseparable, and the 76 00:02:48,680 --> 00:02:51,960 Speaker 3: ghost even sent her cryptic messages in the shower. If 77 00:02:52,000 --> 00:02:54,960 Speaker 3: you are married to the crypt keeper, isn't every message 78 00:02:55,000 --> 00:02:57,600 Speaker 3: of cryptic message? Now this is where it gets it 79 00:02:57,639 --> 00:03:01,520 Speaker 3: gets really good, y'all. Riccardi said they having issues because 80 00:03:01,560 --> 00:03:05,440 Speaker 3: she said, I want a summer wedding, but the ghost 81 00:03:05,520 --> 00:03:09,560 Speaker 3: hates the heat, probably because he escaped Hell I. 82 00:03:09,440 --> 00:03:11,440 Speaker 2: Don't know that man, don't know where he went in 83 00:03:11,440 --> 00:03:12,040 Speaker 2: the afterlife. 84 00:03:12,080 --> 00:03:13,919 Speaker 3: But I can only assume that a ghost who hates 85 00:03:13,960 --> 00:03:16,800 Speaker 3: heat only knows what said heat feels like in the 86 00:03:16,840 --> 00:03:20,000 Speaker 3: afterlife because he at least passed through hades at least once. 87 00:03:20,240 --> 00:03:22,680 Speaker 3: Not to mention, According to her, she wants it to 88 00:03:22,680 --> 00:03:26,679 Speaker 3: be hot because she secretly would love to make him melt. Bricardi, 89 00:03:26,760 --> 00:03:29,560 Speaker 3: are you dating Slimer from Ghostbusters or Frosty the Snowman? 90 00:03:29,919 --> 00:03:31,360 Speaker 2: I mean, what do you mean you want to make 91 00:03:31,440 --> 00:03:31,840 Speaker 2: him melt? 92 00:03:31,880 --> 00:03:34,240 Speaker 3: You really got to pick what plotline of Ghostbusters you 93 00:03:34,240 --> 00:03:36,400 Speaker 3: want to run with. You're either gonna marry a ghost 94 00:03:36,440 --> 00:03:38,680 Speaker 3: are you gonna melt to stay puff marshmallow man and 95 00:03:38,720 --> 00:03:41,960 Speaker 3: make s'mores. I'm not making any of this up, Bricardy said, 96 00:03:41,960 --> 00:03:44,400 Speaker 3: and I quote, I want a summer wedding, but he 97 00:03:44,480 --> 00:03:47,600 Speaker 3: hates the heat, and I secretly love to make him melt. 98 00:03:47,600 --> 00:03:52,880 Speaker 3: But he disappears often enough, as it is Bricardy, that's 99 00:03:52,960 --> 00:03:55,520 Speaker 3: called ghosting, right, What do. 100 00:03:55,560 --> 00:03:58,000 Speaker 2: You expect when you marry a ghost? 101 00:03:58,200 --> 00:04:01,360 Speaker 3: Imagine rationalizing your in your mind that you've had a 102 00:04:01,400 --> 00:04:04,280 Speaker 3: relationship problem from the start, and one of those problems 103 00:04:04,360 --> 00:04:08,480 Speaker 3: is that your phantom boyfriend keeps ghosting you. Ricardi, you 104 00:04:08,520 --> 00:04:11,120 Speaker 3: should have known this wasn't gonna last long. In the vowels, 105 00:04:11,240 --> 00:04:15,160 Speaker 3: they say, tell death, do us part. Technically his only 106 00:04:15,200 --> 00:04:17,960 Speaker 3: option was to leave, all right, if you already come 107 00:04:18,000 --> 00:04:20,800 Speaker 3: in dead. Parting was just next on the list. I 108 00:04:20,960 --> 00:04:24,039 Speaker 3: actually have some of her wedding vows. We have footage 109 00:04:24,080 --> 00:04:26,520 Speaker 3: from the actual wedding. This is real, people, listen. 110 00:04:26,920 --> 00:04:29,800 Speaker 4: Do you take Eduardo to be your partner in the 111 00:04:29,839 --> 00:04:33,000 Speaker 4: adventure that lies ahead? Do you promise to walk side 112 00:04:33,000 --> 00:04:35,960 Speaker 4: by side to the ends of the earth. Do you 113 00:04:36,000 --> 00:04:39,479 Speaker 4: take Eduardo as your partner from now until the end 114 00:04:39,560 --> 00:04:39,920 Speaker 4: of time? 115 00:04:40,520 --> 00:04:42,279 Speaker 2: I did, Eduardo. 116 00:04:42,560 --> 00:04:45,440 Speaker 4: Do you take regard to be your partner in the 117 00:04:45,480 --> 00:04:49,359 Speaker 4: adventure that lies ahead? Do you promise to walk side 118 00:04:49,360 --> 00:04:52,560 Speaker 4: by side to the ends of the earth. Do you 119 00:04:52,600 --> 00:04:56,160 Speaker 4: take to be your partner from now until the end 120 00:04:56,160 --> 00:04:56,599 Speaker 4: of time? 121 00:05:01,480 --> 00:05:04,039 Speaker 3: I keep telling y'all. Segregation was a great concept that 122 00:05:04,120 --> 00:05:08,720 Speaker 3: was poorly should have been based on intelligence and behavior 123 00:05:09,000 --> 00:05:11,600 Speaker 3: and not race. Okay, I for one am shocked that 124 00:05:11,600 --> 00:05:13,600 Speaker 3: they are getting a divorce because I'm sure they had 125 00:05:13,600 --> 00:05:16,560 Speaker 3: no problems with communication. Because I don't know why, but 126 00:05:16,640 --> 00:05:19,919 Speaker 3: I feel I feel like her husband was very transparent 127 00:05:19,960 --> 00:05:20,280 Speaker 3: with her. 128 00:05:20,720 --> 00:05:23,880 Speaker 2: Okay, I'm almost willing to bet she could see right 129 00:05:23,920 --> 00:05:24,880 Speaker 2: through him all right. 130 00:05:24,960 --> 00:05:27,120 Speaker 3: Now. They tried to get on the same page, she said, 131 00:05:27,160 --> 00:05:30,120 Speaker 3: for weeks, they got nowhere in regards the wedding dates. 132 00:05:30,240 --> 00:05:33,080 Speaker 3: She even designed the Luigi board the wedding dates to 133 00:05:33,120 --> 00:05:36,200 Speaker 3: see which they were both drawn to. Some of y'all 134 00:05:36,240 --> 00:05:39,159 Speaker 3: had really watched one too many episodes of Wednesday Adams, 135 00:05:39,160 --> 00:05:42,320 Speaker 3: But let's play along. Ricarde says that her ghost groom 136 00:05:42,760 --> 00:05:46,360 Speaker 3: had turned into a complete groom zilla, and his list 137 00:05:46,440 --> 00:05:50,000 Speaker 3: of demands grew daily. And she said that her ghost 138 00:05:50,120 --> 00:05:54,000 Speaker 3: groom had become increasingly possessive. 139 00:05:55,040 --> 00:05:57,960 Speaker 2: Does she mean possessed or possessive? All right? 140 00:05:58,040 --> 00:06:02,520 Speaker 3: She even claims that Eduardo got too drunk during their honeymoon, 141 00:06:03,000 --> 00:06:06,919 Speaker 3: a spirit drunk off spirits. Isn't that some form of 142 00:06:07,000 --> 00:06:10,560 Speaker 3: supernatural cannibalism? Now? Would you like to know, Lauren and 143 00:06:10,760 --> 00:06:15,440 Speaker 3: Envy what really caused them to separate? Apparently her ghost 144 00:06:15,440 --> 00:06:19,080 Speaker 3: groom is fascinated with Marilyn Monroe, and the ghost of 145 00:06:19,120 --> 00:06:22,480 Speaker 3: Marilyn Monroe keeps popping up at the chapel that they 146 00:06:22,520 --> 00:06:23,280 Speaker 3: got married at. 147 00:06:23,520 --> 00:06:24,640 Speaker 1: Oh the speaker piece. 148 00:06:25,400 --> 00:06:29,599 Speaker 3: Briccarty said, that her haunted husband would ghost her for 149 00:06:29,800 --> 00:06:33,479 Speaker 3: days at a time and come back smelling like Chanelle 150 00:06:33,600 --> 00:06:37,359 Speaker 3: number five, Marilyn Monroe's favorite perfume. 151 00:06:38,240 --> 00:06:39,120 Speaker 1: But I'm goong with it. 152 00:06:39,279 --> 00:06:42,880 Speaker 3: I really hope that some of y'all don't die and 153 00:06:43,000 --> 00:06:46,000 Speaker 3: smell like your favorite fragrance for all of eternity. 154 00:06:46,440 --> 00:06:48,760 Speaker 2: Could you imagine smelling like cool water forever. 155 00:06:50,120 --> 00:06:53,240 Speaker 3: More of the story is Bricardi and Eduardo are getting 156 00:06:53,240 --> 00:06:55,960 Speaker 3: a divorce, and it sucks to hear him getting divorced 157 00:06:56,080 --> 00:06:59,720 Speaker 3: because it's just another woman out here without a boom. 158 00:07:00,080 --> 00:07:06,960 Speaker 2: Okay, hit my boo red. No, I don't like that shop. 159 00:07:07,480 --> 00:07:08,359 Speaker 1: That's a homie movie. 160 00:07:08,400 --> 00:07:11,600 Speaker 3: I don't need that kind of a boo. She's out 161 00:07:11,600 --> 00:07:16,400 Speaker 3: here without her boo. That's what I needed. Please give 162 00:07:16,440 --> 00:07:19,080 Speaker 3: Bricardi the sweet sounds of the Hamiltodes. 163 00:07:19,600 --> 00:07:23,000 Speaker 1: Oh no, you are the dog. 164 00:07:24,040 --> 00:07:33,200 Speaker 5: Of the day, the doggie, oh the day, ye. 165 00:07:35,240 --> 00:07:38,000 Speaker 1: Lauren, because it's like funeral hymn music. 166 00:07:38,880 --> 00:07:40,160 Speaker 2: Lauren, even think about this. 167 00:07:40,360 --> 00:07:43,480 Speaker 5: I got a question for you. How does a ghost 168 00:07:43,560 --> 00:07:44,520 Speaker 5: cry when he's sad? 169 00:07:45,240 --> 00:07:47,560 Speaker 2: Boo boo hoo, Yes, you got that one. 170 00:07:47,640 --> 00:07:49,800 Speaker 1: You're such a dad, Like what why. 171 00:07:52,080 --> 00:07:53,840 Speaker 2: I just heard that yesterday? 172 00:07:54,440 --> 00:07:58,160 Speaker 5: Why was the ghost embarrass Lauren because I don't know 173 00:07:58,480 --> 00:07:59,559 Speaker 5: he had a boo girl? 174 00:08:00,360 --> 00:08:05,480 Speaker 1: Hey, what see you started setting Lauren? 175 00:08:05,840 --> 00:08:08,240 Speaker 2: What do ghosts eat with meatballs? What do ghosts eat 176 00:08:08,280 --> 00:08:08,920 Speaker 2: with meatballs? 177 00:08:09,040 --> 00:08:10,440 Speaker 1: I don't know? And be tell me. 178 00:08:13,280 --> 00:08:13,920 Speaker 2: I got one more? 179 00:08:13,920 --> 00:08:20,880 Speaker 5: I got, I got This is what happens. Okay, okay, 180 00:08:21,080 --> 00:08:22,960 Speaker 5: what do you say when you catch a ghost? 181 00:08:23,840 --> 00:08:24,160 Speaker 1: Got you? 182 00:08:24,720 --> 00:08:25,200 Speaker 2: I got you? 183 00:08:25,320 --> 00:08:31,080 Speaker 5: Boo, I got you, I got you? 184 00:08:31,120 --> 00:08:38,000 Speaker 2: What's a ghost? Favorite tree? Booberries? Ice cream? Ice cream? 185 00:08:38,080 --> 00:08:40,000 Speaker 2: Get it? Ice cream? Ice scream. 186 00:08:41,160 --> 00:08:41,280 Speaker 3: Like that? 187 00:08:41,440 --> 00:08:43,360 Speaker 5: A will shout to be et, We'll see them all 188 00:08:43,400 --> 00:08:44,080 Speaker 5: peace be et. 189 00:08:44,320 --> 00:08:46,640 Speaker 3: If anybody out there looking for any spirit lovers man, 190 00:08:46,640 --> 00:08:48,440 Speaker 3: because you know that you got chubby chases out there, 191 00:08:48,800 --> 00:08:50,640 Speaker 3: and then you got people who you know you got 192 00:08:50,720 --> 00:08:53,120 Speaker 3: chubby chases. Those are people who like, you know, the 193 00:08:53,240 --> 00:08:55,760 Speaker 3: chunky amongst us. And then you have people who like uh, 194 00:08:56,160 --> 00:09:00,160 Speaker 3: women who like ghosts. So you can go on e. 195 00:08:59,440 --> 00:09:00,360 Speaker 2: Turn on harmermony. 196 00:09:00,679 --> 00:09:01,560 Speaker 1: Wait that's a thing. 197 00:09:01,800 --> 00:09:02,800 Speaker 2: No, that's not, no damn thing. 198 00:09:03,000 --> 00:09:06,680 Speaker 3: You can I don't believe eternal harmony and find you 199 00:09:06,720 --> 00:09:09,640 Speaker 3: a soulmate. They got ghouls and goblins, maybe some zombies. 200 00:09:09,679 --> 00:09:11,440 Speaker 1: It's my single looking for somebody. 201 00:09:12,200 --> 00:09:14,600 Speaker 2: Anybody, don't believe them any alrighty really. 202 00:09:14,559 --> 00:09:16,520 Speaker 5: Now when we come back, let's open up the phone lines. 203 00:09:16,600 --> 00:09:18,840 Speaker 5: Eight hundred five A five one oh five one. Now, 204 00:09:18,920 --> 00:09:22,920 Speaker 5: Lauren during the room, Yes we did. Lauren was saying 205 00:09:23,000 --> 00:09:25,000 Speaker 5: in her room. Is that about the young lady named 206 00:09:25,080 --> 00:09:28,520 Speaker 5: Veronica that threw the thirty six gg brah at Drake right? 207 00:09:29,840 --> 00:09:32,880 Speaker 5: Thirty six g Yes, and now she got office from Playboys. 208 00:09:32,880 --> 00:09:34,600 Speaker 5: So we're gonna open up the phone lines and ask 209 00:09:34,640 --> 00:09:37,040 Speaker 5: you this. Eight hundred five A five one oh five 210 00:09:37,040 --> 00:09:39,680 Speaker 5: to one. You guys out there working, you're on the road, 211 00:09:39,760 --> 00:09:41,680 Speaker 5: you're doing your whatever, you gotta do this, you know, 212 00:09:41,920 --> 00:09:46,960 Speaker 5: support your family. Play If Playboy offered you an opportunity. 213 00:09:46,440 --> 00:09:47,880 Speaker 2: Yes, would you take it? 214 00:09:48,080 --> 00:09:52,840 Speaker 3: Lauren ready to go, But keep in mind, she's an entrepreneur, right, 215 00:09:52,880 --> 00:09:55,240 Speaker 3: who just became I don't want to say unemployed, but 216 00:09:55,280 --> 00:09:56,240 Speaker 3: you did just quit TMG. 217 00:09:56,280 --> 00:09:57,200 Speaker 2: But you're still an entrepreneur. 218 00:09:57,240 --> 00:09:58,760 Speaker 1: So you got yeah, I got the income. 219 00:09:59,320 --> 00:10:01,160 Speaker 2: She's in here drink at eight in the morning. She 220 00:10:01,240 --> 00:10:01,960 Speaker 2: said she do it. 221 00:10:02,360 --> 00:10:04,960 Speaker 3: First of all, I just want to put her circumstances 222 00:10:04,960 --> 00:10:06,559 Speaker 3: out there before she would do it. 223 00:10:06,559 --> 00:10:08,600 Speaker 1: I don't know, you made me seem like I got 224 00:10:08,640 --> 00:10:13,320 Speaker 1: a whole bunch of issues. Oh no, the baggage was heavy. Yeah, 225 00:10:14,600 --> 00:10:17,480 Speaker 1: I'm just not mad as it's forgetting her money. Like dude, we're. 226 00:10:17,320 --> 00:10:20,240 Speaker 2: Asking eight hundred five A five one O five one. 227 00:10:20,440 --> 00:10:23,760 Speaker 5: Would you do Playboy if you got the opportunity like 228 00:10:23,800 --> 00:10:24,959 Speaker 5: this lady, That is the question. 229 00:10:24,960 --> 00:10:26,440 Speaker 3: I don't think you's get an opporunity. I think it's 230 00:10:26,480 --> 00:10:26,800 Speaker 3: all cap. 231 00:10:26,920 --> 00:10:29,160 Speaker 1: You're gonna see Playboy sliding that DM now. 232 00:10:29,520 --> 00:10:31,240 Speaker 5: So many people out there just remember you got kids. 233 00:10:31,280 --> 00:10:32,760 Speaker 5: You got to drop the kids off in school, you 234 00:10:32,760 --> 00:10:34,680 Speaker 5: gotta take them to play dates and all that. Would 235 00:10:34,760 --> 00:10:40,120 Speaker 5: you do Playboy? And also, you know Playboy, they're not 236 00:10:40,120 --> 00:10:42,400 Speaker 5: gonna cut the picture, so it's whatever whatever you see 237 00:10:42,400 --> 00:10:43,880 Speaker 5: in the mirror is what Playboy's gonna put out there. 238 00:10:44,960 --> 00:10:46,480 Speaker 5: We're gonna when we come back. 239 00:10:46,559 --> 00:10:48,800 Speaker 2: You said that they're not gonna do the photoshop to. 240 00:10:48,920 --> 00:10:50,560 Speaker 5: Now they're not gonna be down no photoshop. 241 00:10:50,640 --> 00:10:51,640 Speaker 2: Whatever they see in the mirror. 242 00:10:52,880 --> 00:10:54,480 Speaker 1: I can't like retouch myself. 243 00:10:54,920 --> 00:10:56,120 Speaker 2: We're gonna talk when we come back. 244 00:10:56,120 --> 00:10:57,000 Speaker 5: Eight hundred. 245 00:10:58,920 --> 00:11:00,240 Speaker 2: It's the Breakfast Club. More on it. 246 00:11:01,679 --> 00:11:03,439 Speaker 5: Call out, you pull out your phone, fall in right now, 247 00:11:03,920 --> 00:11:07,760 Speaker 5: you call me add your opinion to the Breakfast Club 248 00:11:07,800 --> 00:11:10,200 Speaker 5: top break It down eight hundred and five eighty five 249 00:11:10,240 --> 00:11:11,000 Speaker 5: one oh five one. 250 00:11:11,160 --> 00:11:12,640 Speaker 2: The Breakfast Club. 251 00:11:15,040 --> 00:11:17,120 Speaker 3: Donkey today is brought to you by the law office 252 00:11:17,160 --> 00:11:20,079 Speaker 3: of Michael s Laminsoft. Don't be a donkey. Do pound 253 00:11:20,080 --> 00:11:22,520 Speaker 3: two fifty on your cell and say the bull. If 254 00:11:22,559 --> 00:11:24,640 Speaker 3: you've been hurt in a construction accident, that's pound two 255 00:11:24,720 --> 00:11:26,560 Speaker 3: five oz from your cell and say the bull.