WEBVTT - Summer Rewind

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<v Speaker 1>M what's up. I'm Laura Currency and I'm Alexa Kristin.

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<v Speaker 1>Welcome back to episode fifteen, Dog Days of Summer. Happy

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<v Speaker 1>Labor Day, everybody. We're calling you from home. I'm in

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<v Speaker 1>Connecticut where my husband mowing the lawn. And if you

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<v Speaker 1>hear that in the background, I apologize. A man is

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<v Speaker 1>in love with his lawn. And Laura, where are you.

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<v Speaker 1>I'm getting ready to mix the spicy Margaret my tiki

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<v Speaker 1>bar at the Jersey Shorey. So in celebration of the

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<v Speaker 1>end of summer, we've been doing a lot of thinking,

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<v Speaker 1>a lot of reflection. We've had so much fun with

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<v Speaker 1>the last seven eight months of bad Land. Yeah, amazing

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<v Speaker 1>conversations with people who are listening, Amazing conversations with people

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<v Speaker 1>in the industry. And Laura and I wanted to bring

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<v Speaker 1>back some of our lost stiles because we think some

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<v Speaker 1>of these conversations that you haven't heard yet are actually

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<v Speaker 1>really still relevant. So we're gonna take a look back

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<v Speaker 1>to really look ahead and the like that. We were

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<v Speaker 1>talking on the phone earlier this morning about all the

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<v Speaker 1>really interesting things that are happening in the streaming environment,

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<v Speaker 1>but really around um some original production that we're hearing

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<v Speaker 1>over at Facebook with their new watch platform. So, I

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<v Speaker 1>mean everybody's been talking about it. We've been talking about

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<v Speaker 1>this for years, but it just seems like, you know,

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<v Speaker 1>everything's heating up in terms of original content, whether it's

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<v Speaker 1>in gaming, original content on platforms like Facebook, and original

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<v Speaker 1>content media companies that are really building their revenue model

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<v Speaker 1>around audiences and really focusing in on audiences and building

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<v Speaker 1>content to really super serve those audiences. So one of

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<v Speaker 1>the things that's getting interesting Alectual're talking about things heating

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<v Speaker 1>up in the original space is this idea that it

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<v Speaker 1>seems that the democratization of networks and platforms is really

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<v Speaker 1>enabling some interesting programming that you don't necessarily have to

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<v Speaker 1>go to Hollywood define even though Apple just dropped what

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<v Speaker 1>was it, like a billion book, UM basically seeking out creators,

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<v Speaker 1>and I think Facebook has an interesting approach. I know,

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<v Speaker 1>we were just talking about how we're excited to see

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<v Speaker 1>Humans of New York become an actual series that we're

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<v Speaker 1>gonna be able to watch. Yeah, I actually tried this

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<v Speaker 1>week and I emailed UM, the founder of Humans of

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<v Speaker 1>New York, and asked them if I could contribute to

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<v Speaker 1>one of the families that was in UM their inaugural

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<v Speaker 1>first episode, UH, because it was just really powerful. What

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<v Speaker 1>I think is really interesting and I've been If anyone

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<v Speaker 1>out there has been having conversations with me off of Adlandia,

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<v Speaker 1>they know I've been obsessed with the A six ten

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<v Speaker 1>V podcast. It came out I think in July. I

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<v Speaker 1>was talking about addiction versus UM popularity and the age

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<v Speaker 1>of morality. If you haven't listened to that episode, it's amazing.

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<v Speaker 1>One of the things that they talk about is because

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<v Speaker 1>of everything that's happening in the streaming space, in the

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<v Speaker 1>programming space, in the original content space, should we be

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<v Speaker 1>thinking that it's the end of endings? And I think

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<v Speaker 1>that that is the main thing. So if you think

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<v Speaker 1>about Humans of New York as a platform, UM, like

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<v Speaker 1>a creative platform, you know, it was generally these amazing

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<v Speaker 1>you know, images and texts, but it was still static

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<v Speaker 1>and now they're moving into video and it's really the

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<v Speaker 1>end of those endings, if you will. So you're gonna

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<v Speaker 1>see more extensions UM, more ways for people to tell stories,

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<v Speaker 1>but still on the same type of kind of creative platform.

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<v Speaker 1>And just by extending the creative platform into new formats

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<v Speaker 1>really is building the franchise out on a totally different level.

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<v Speaker 1>And I think, Laura, that's what you're talking about is

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<v Speaker 1>like there's a there's a real excitement right in this

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<v Speaker 1>investment in original content but also taking creative platforms that

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<v Speaker 1>really work and putting them into new and different places. UM.

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<v Speaker 1>Whether that's Facebook Watch, UM, whether that's gonna be Apple

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<v Speaker 1>and some of their originals, or whether it's even people

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<v Speaker 1>who have kind of legacy programming but are now going

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<v Speaker 1>to transis and that into new media forms. That's exciting

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<v Speaker 1>to us, sotally exciting, and I think it's cool to

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<v Speaker 1>see some of the new players in the content space

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<v Speaker 1>are getting a crack at the opportunity to stream in

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<v Speaker 1>the same ways you would basically turn on your television

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<v Speaker 1>and put on NBC, ABC, etcetera. And so I'm really

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<v Speaker 1>excited to see what from the original programming um is

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<v Speaker 1>that comes out of places like Group nine with you know,

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<v Speaker 1>Ben Lear's Thrillis and the other sub brands under his portfolio. UM.

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<v Speaker 1>And more exciting than that, we're going to get a

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<v Speaker 1>chance to go back into the archives from an earlier

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<v Speaker 1>discussion we had this year with one of the partners

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<v Speaker 1>at Attention A t t N dot Com. Brad Hougan, Yeah,

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<v Speaker 1>I think you know, we wanted to as you said,

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<v Speaker 1>Laura kind of moved back to move forward to the

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<v Speaker 1>conversation we had with Brad a few months ago. It's

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<v Speaker 1>kind of one of our lost files that we're gonna

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<v Speaker 1>te up in this episode. It's really interesting just talking

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<v Speaker 1>about how they built audience, where they kind of came

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<v Speaker 1>from actually their founders for nonprofit people UM and realized

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<v Speaker 1>that there was more or in the space of entertainment

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<v Speaker 1>and news media that needed to center around UM, not

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<v Speaker 1>cause marketing, but really kind of putting cause issues in

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<v Speaker 1>front of the public and making sure that they're talking

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<v Speaker 1>to things that people have said are important to them.

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<v Speaker 1>And I think that looking forward, you know, to me,

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<v Speaker 1>there are a ton of questions I have in terms

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<v Speaker 1>of where does this put the agency? How do agencies

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<v Speaker 1>get involved in this? If we've got all of these

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<v Speaker 1>media companies and tech companies that are actually producing original

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<v Speaker 1>content more and more, and we know the advertising is

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<v Speaker 1>fundamentally changing, where the agencies sit in this mix? And

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<v Speaker 1>I think that's going to be a future episode that

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<v Speaker 1>we hit on and you know, talk to some folks

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<v Speaker 1>about Its interesting you bring up the idea of where

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<v Speaker 1>this sits in the role of agency, and I think

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<v Speaker 1>one of the more interesting angles that some of these

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<v Speaker 1>publishers who have gotten out in front or producing content

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<v Speaker 1>for brands, whether that's Attention and whether that's Mike, whether

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<v Speaker 1>that's t Brand, whether that's Vox. You know, it's interesting

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<v Speaker 1>to see that not only are these media companies out

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<v Speaker 1>there producing and reporting and you know, providing analysis on

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<v Speaker 1>the issues that matter, they're also starting to pick up

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<v Speaker 1>production work. And it's interesting that they're able to demonstrate

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<v Speaker 1>proof of concept through their actual reporting and journalism and

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<v Speaker 1>being able to put that on the head and say,

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<v Speaker 1>you know what, you know, for brands, we can actually

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<v Speaker 1>get into market quickly and produce content around things that

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<v Speaker 1>are contextually relevant in the moment. So I think agencies

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<v Speaker 1>are going to have to compete with this and figure

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<v Speaker 1>out how and what role they play when you have

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<v Speaker 1>you know, people who have the resources and the production

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<v Speaker 1>capabilities um and also the you know, insight and the

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<v Speaker 1>know how on what's happening to insert a brands of

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<v Speaker 1>culture and do it quickly. I totally agree, and I

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<v Speaker 1>would love to talk. We're going to have Andrew estex

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<v Speaker 1>on stand and I would love to talk to him

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<v Speaker 1>about what does it look like when agencies stop getting

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<v Speaker 1>briefs and start writing them the themselves, like preemptively, just

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<v Speaker 1>about things that they think matter for their brands, and

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<v Speaker 1>start creating relationships that are super strong with these platforms

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<v Speaker 1>so that they have a pipeline for content and quick

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<v Speaker 1>content production that is really innovative. And I think something

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<v Speaker 1>that brands don't know to ask for, but the agency

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<v Speaker 1>can start delivering on. I think there's an opportunity there.

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<v Speaker 1>So enjoy episode fifteen and the last days of summer.

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<v Speaker 1>We'll be enjoying it with a spicy margarita on the

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<v Speaker 1>beach and in the burbs. Thanks bad Landia. We're here

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<v Speaker 1>with Brad Howgan, partner at Attention dot Com and Issues

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<v Speaker 1>based media company. Welcome Brad, Hey, Brad, Hey, guys, glad

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<v Speaker 1>to be here. So Brad, do you have a super

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<v Speaker 1>fascinating story. I'm at ut, but you've gone on to

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<v Speaker 1>done some insane things since then started at BBH in

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<v Speaker 1>New York and then got a call I should say,

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<v Speaker 1>call up to the majors. Maybe I don't know. I

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<v Speaker 1>saw you a chopped I'll never forget I'm Wall Street

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<v Speaker 1>with your wife, and I'm like, what's up. You're like,

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<v Speaker 1>I'm moving to l A. And I'm like why. And

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<v Speaker 1>You're like, I'm going to work with this guy, Scooter

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<v Speaker 1>brou And I was like, who the fund is that

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<v Speaker 1>you grew up with him? Right? Yeah, I've actually been

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<v Speaker 1>working with him for a couple of years at that point,

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<v Speaker 1>but we actually decided we were gonna plant some roots

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<v Speaker 1>and up in office. So we still don't have a tan.

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<v Speaker 1>But you left. Yeah, I mean, I'm pretty pale, I'm

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<v Speaker 1>like the white I'm like, I'm super white. I've got

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<v Speaker 1>blond eyebrows. So you were the cmot SP projects and

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<v Speaker 1>then at some point over the course of your time there,

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<v Speaker 1>you decided to move on to Attention. Yeah. I was like, man,

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<v Speaker 1>we've made it. Life is good, money's coming in. Why

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<v Speaker 1>don't I leave and go work at a startup? Get

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<v Speaker 1>something else off the ground, which I figured, like I

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<v Speaker 1>had I've got two young kids and I'm, you know,

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<v Speaker 1>in my mid thirties. I figured I'm gonna give it

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<v Speaker 1>one more go in the startup world because I don't

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<v Speaker 1>think that you know, in ten years, I don't know

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<v Speaker 1>that I'll have it in me again. So it was exciting.

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<v Speaker 1>And I met Matthew and Jarrett in like, Matthew and

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<v Speaker 1>Jared are my partners and the co founders of the company,

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<v Speaker 1>and UM. I helped them get this business off the ground,

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<v Speaker 1>but they're the ones who had the vision for it,

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<v Speaker 1>and it was a really um they're really spectacular guys.

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<v Speaker 1>I met them in two thousand, I guess mid two

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<v Speaker 1>thousand twelve, like leading into the election, they had started

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<v Speaker 1>our time dot org and we were introduced UM when

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<v Speaker 1>I was working a scooter to help get talent to

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<v Speaker 1>be in videos and tweet about voter registration. And I

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<v Speaker 1>was just always really impressed by how that two of

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<v Speaker 1>them specifically were able to on a nonprofit budget not

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<v Speaker 1>only get talent to do things for them, but they

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<v Speaker 1>were actually really good at breaking down the issues and like,

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<v Speaker 1>you know, it wasn't just a video with Usher or

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<v Speaker 1>Jessica Alba saying vote. It was like, here's why you

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<v Speaker 1>should vote. And you know, I don't want to put

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<v Speaker 1>words in their mouth, but I feel like they were

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<v Speaker 1>a little bit frustrated with nonprofit space because there's a

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<v Speaker 1>lot of restrictions, but they were really excited about the

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<v Speaker 1>content side of that business, and they wanted to start

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<v Speaker 1>a media company, and um, I knew some people who

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<v Speaker 1>were really excited to invest in that space, and um,

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<v Speaker 1>they all met and they loved each other, and um

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<v Speaker 1>they got the business off the ground, and then I

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<v Speaker 1>came on board about eight months later. Um, but it

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<v Speaker 1>was it's been like a cool ride. You make it

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<v Speaker 1>sound so easy, and it's it's just that easy and

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<v Speaker 1>it's just that yeah, and now we have attention and

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<v Speaker 1>here we are. But they really put in the work

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<v Speaker 1>and there's a great core team of people who've been

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<v Speaker 1>there at the company for a little over two years.

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<v Speaker 1>And UM, you know, it's been it's a grind every day,

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<v Speaker 1>but like when you get to make content that matters

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<v Speaker 1>and work on things that you're passionate about, it's really

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<v Speaker 1>it makes the job a lot easier. Doesn't mean that

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<v Speaker 1>every day isn't a grind. It just means, like, you know,

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<v Speaker 1>you can be proud of the output on a daily basis,

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<v Speaker 1>and that's exciting. It's exciting to be part of. And

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<v Speaker 1>that's how I was when I was a scooter. That's

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<v Speaker 1>how I was when I was a BBH. Like I

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<v Speaker 1>love the creative work that we made. Then I was

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<v Speaker 1>going to ask you, I mean, what's the difference between

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<v Speaker 1>going from entertainment music based work where you're like driving

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<v Speaker 1>rising stars, you're talking to millennials, which are still talking

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<v Speaker 1>to millennials, right, um, but more on the entertainment side,

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<v Speaker 1>to now something where you're really trying to drive issue education,

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<v Speaker 1>right Yeah. I mean I think that there are a

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<v Speaker 1>lot of things that are parallels and like similar so

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<v Speaker 1>building a foundation, building an audience, building fandom, right. Like

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<v Speaker 1>I always tell people what's been really impressive about the

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<v Speaker 1>growth of Attention is it's actually not that different from Bieber.

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<v Speaker 1>Like a lot of people say that we came out

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<v Speaker 1>of nowhere, but we've been around doing this for two

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<v Speaker 1>years and we've been Facebook has been a huge integral

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<v Speaker 1>part of it, yea a massive a piece of it,

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<v Speaker 1>and we've really were focused on just making great quality

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<v Speaker 1>content that people wanted to share. Um. We've never promoted

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<v Speaker 1>a post, we've never boosted a Facebook post, we've never

0:11:55.000 --> 0:11:57.360
<v Speaker 1>paid for any growth at all. And it's because we're

0:11:57.360 --> 0:12:01.120
<v Speaker 1>just focused on making really good, premium shareable content. And

0:12:01.160 --> 0:12:02.960
<v Speaker 1>like when I was working with Scooters, the same thing

0:12:03.000 --> 0:12:05.240
<v Speaker 1>it was. You know, people said, oh, my god, Justin

0:12:05.240 --> 0:12:07.840
<v Speaker 1>Bieber came out of nowhere. But um, we had been

0:12:07.880 --> 0:12:09.720
<v Speaker 1>at it for a long time, and Scooter in particular

0:12:09.720 --> 0:12:12.480
<v Speaker 1>had been at it for a very long time years before,

0:12:12.679 --> 0:12:15.000
<v Speaker 1>you know, just making videos that people thought Justin was

0:12:15.040 --> 0:12:18.199
<v Speaker 1>making himself like you know, Scooter was masterminding that, and

0:12:18.280 --> 0:12:20.360
<v Speaker 1>you know the stories out there now you know, made

0:12:20.360 --> 0:12:23.800
<v Speaker 1>a couple of movies about it. But it's not that dissimilar. Um,

0:12:23.840 --> 0:12:28.200
<v Speaker 1>I think the differences are you know, we're entertainment and

0:12:28.320 --> 0:12:32.360
<v Speaker 1>music in particular is um and talent manage in particular

0:12:32.440 --> 0:12:34.720
<v Speaker 1>is much more. You don't really it's not like a

0:12:34.800 --> 0:12:38.840
<v Speaker 1>huge scalable business with regards to like you don't need

0:12:38.840 --> 0:12:41.000
<v Speaker 1>a lot of staff, you know, it's like you need

0:12:41.080 --> 0:12:43.439
<v Speaker 1>managers to manage projects and maybe a couple of people

0:12:43.440 --> 0:12:46.920
<v Speaker 1>to support um projects. But um, you know, the difference

0:12:46.920 --> 0:12:49.520
<v Speaker 1>for me has been going back to I have to

0:12:49.600 --> 0:12:52.080
<v Speaker 1>draw a lot back from my advertising agency days, where

0:12:52.080 --> 0:12:57.480
<v Speaker 1>it's like building structure and holding staff accountable, holding myself accountable. Um,

0:12:57.600 --> 0:13:01.520
<v Speaker 1>and um, it's relearning old skills of you know, you

0:13:01.559 --> 0:13:03.640
<v Speaker 1>still have to hustle, but you have to hustle with

0:13:03.679 --> 0:13:06.360
<v Speaker 1>a lot more structure in your day, which is which

0:13:06.400 --> 0:13:08.839
<v Speaker 1>is you know, when you're working in entertainment. When when

0:13:08.840 --> 0:13:11.600
<v Speaker 1>I was working entertainment, we we had a lot of hustle,

0:13:11.640 --> 0:13:13.480
<v Speaker 1>but it was just kind of like let's do this,

0:13:13.559 --> 0:13:14.920
<v Speaker 1>let's do this, let's do this, let's do this. And

0:13:14.960 --> 0:13:16.600
<v Speaker 1>now it's like, okay, well we need to think about

0:13:16.840 --> 0:13:18.440
<v Speaker 1>the plan, like what are we doing next year? What

0:13:18.440 --> 0:13:19.760
<v Speaker 1>are we doing in two years? And how do we

0:13:19.760 --> 0:13:22.200
<v Speaker 1>grow our business? And it's it's just different, you know

0:13:22.200 --> 0:13:24.160
<v Speaker 1>because a lot most of the fake news bubble, like

0:13:24.200 --> 0:13:26.720
<v Speaker 1>what wrench has that thrown in your plan? Considering a

0:13:26.720 --> 0:13:29.040
<v Speaker 1>lot of or has it? Yeah, I don't think it's

0:13:29.040 --> 0:13:31.240
<v Speaker 1>thrown any wrenches in our plan. I mean we're really

0:13:32.080 --> 0:13:34.560
<v Speaker 1>focus and you know, I don't run our editorial operation.

0:13:34.679 --> 0:13:37.439
<v Speaker 1>Matthew Siegel does, and he does a sensational job. He

0:13:37.559 --> 0:13:41.560
<v Speaker 1>is amazing instincts for what people want to want to Um.

0:13:41.600 --> 0:13:43.720
<v Speaker 1>I mean Our Time was his first thing. Like they

0:13:43.720 --> 0:13:46.680
<v Speaker 1>started Our Time right after college. Um. But they both

0:13:46.720 --> 0:13:50.560
<v Speaker 1>were in d C. And Matthew testified before Congress about

0:13:50.640 --> 0:13:53.360
<v Speaker 1>voting lines that he had waited, like I don't remember

0:13:53.360 --> 0:13:55.440
<v Speaker 1>the exact numbers, but I think it's like a nineteen

0:13:55.480 --> 0:13:58.200
<v Speaker 1>hour voting line or something crazy. He voted after they

0:13:58.240 --> 0:14:01.720
<v Speaker 1>called the election in two thousand eight, um, and he

0:14:01.800 --> 0:14:04.720
<v Speaker 1>was pissed, and then he testified before Congress and he

0:14:04.760 --> 0:14:06.800
<v Speaker 1>was like super involved in politics ever since. So it's

0:14:06.800 --> 0:14:09.920
<v Speaker 1>got a very strong play. That's actually a killer story

0:14:10.160 --> 0:14:14.080
<v Speaker 1>and the motivating story for why attention exists. Yeah, well

0:14:14.120 --> 0:14:17.319
<v Speaker 1>it's that's why our time started. It was like civic engagement,

0:14:17.440 --> 0:14:19.840
<v Speaker 1>like let's let's get young people involved, and then that

0:14:20.360 --> 0:14:22.960
<v Speaker 1>rolled into attention. Same thing. It's like, you know, we

0:14:22.960 --> 0:14:26.560
<v Speaker 1>want to start conversations that matter around issues that deserve attention,

0:14:26.880 --> 0:14:28.640
<v Speaker 1>and we want young people to feel like they can

0:14:28.720 --> 0:14:31.680
<v Speaker 1>understand these issues. All people really that they can feel

0:14:31.680 --> 0:14:34.360
<v Speaker 1>like they can understand issues, um, in ways that they

0:14:34.360 --> 0:14:37.320
<v Speaker 1>want to consume them. Because people aren't going and watching

0:14:37.520 --> 0:14:40.760
<v Speaker 1>our long documentaries on a regular basis anymore. Um. People

0:14:40.760 --> 0:14:43.920
<v Speaker 1>are on their phone all day and people are not, um,

0:14:43.960 --> 0:14:46.280
<v Speaker 1>you know, reading as much for better or words. I

0:14:46.320 --> 0:14:48.600
<v Speaker 1>think reading actually went up a little bit around the

0:14:48.600 --> 0:14:53.520
<v Speaker 1>election cost election, which is great, UM, but video is huge,

0:14:53.640 --> 0:14:56.840
<v Speaker 1>and UM, if you can distill you know, the Syrian

0:14:56.880 --> 0:15:00.520
<v Speaker 1>refugee screening process into two minutes, which we did with

0:15:00.560 --> 0:15:02.920
<v Speaker 1>the White House, then in people watch it and you

0:15:02.960 --> 0:15:05.000
<v Speaker 1>get millions of people to watch something like that. That's cool.

0:15:05.120 --> 0:15:06.560
<v Speaker 1>You worked with the White House on that, Yeah, we

0:15:06.560 --> 0:15:08.520
<v Speaker 1>work with the White House on that and on quite

0:15:08.520 --> 0:15:10.480
<v Speaker 1>a lot of other projects as well. We've done some

0:15:10.560 --> 0:15:13.760
<v Speaker 1>Zeca Explainer videos with the White House. We've UM done

0:15:13.800 --> 0:15:17.960
<v Speaker 1>some coverage and videos around UM, the commutation of some

0:15:17.960 --> 0:15:21.160
<v Speaker 1>people who are incarcerated with UM when the President the

0:15:21.200 --> 0:15:23.000
<v Speaker 1>last two times we've broken a couple of stories with

0:15:23.040 --> 0:15:25.800
<v Speaker 1>the President that as well. Alex and I has spent

0:15:25.840 --> 0:15:27.560
<v Speaker 1>a lot of time talking about kind of the the

0:15:27.600 --> 0:15:32.080
<v Speaker 1>emergence of issues based media companies out of the distermediation

0:15:32.320 --> 0:15:35.440
<v Speaker 1>of traditional news companies based on social and what have you.

0:15:35.600 --> 0:15:37.040
<v Speaker 1>Why do you think the time has been right for

0:15:37.120 --> 0:15:40.160
<v Speaker 1>attention now? Like, why do you think you've been able

0:15:40.200 --> 0:15:42.040
<v Speaker 1>to scale? How many uniques are you up to now?

0:15:42.200 --> 0:15:47.760
<v Speaker 1>We reach over half a billion people monthly globally. Yeah,

0:15:47.880 --> 0:15:49.640
<v Speaker 1>I mean why now? I mean we we debate this

0:15:49.680 --> 0:15:52.800
<v Speaker 1>all the time, like, you know, given social and given

0:15:52.800 --> 0:15:55.640
<v Speaker 1>the place, like, what role will attention play in the

0:15:55.680 --> 0:15:59.400
<v Speaker 1>next ten fift twenty years for our generation? Yeah? I

0:15:59.400 --> 0:16:01.080
<v Speaker 1>mean I think it's I think it's a couple of things.

0:16:01.160 --> 0:16:04.240
<v Speaker 1>I think part of its luck as as it always is. Right,

0:16:04.400 --> 0:16:07.120
<v Speaker 1>We launched our company at the same time that Facebook

0:16:07.200 --> 0:16:10.920
<v Speaker 1>Video launched, and we made a conscious decision to ignore

0:16:11.000 --> 0:16:13.920
<v Speaker 1>all other properties. We were way behind everybody else on YouTube,

0:16:14.000 --> 0:16:16.400
<v Speaker 1>so platform decision was, let's just be really good at

0:16:16.400 --> 0:16:18.360
<v Speaker 1>Facebook and hope that Facebook video is going to be

0:16:18.400 --> 0:16:20.920
<v Speaker 1>as big as we think it is. And so we

0:16:21.040 --> 0:16:23.800
<v Speaker 1>took that risk, which paid off. And I want to

0:16:23.840 --> 0:16:26.000
<v Speaker 1>interrupt the flow, but like, how do you make that?

0:16:26.040 --> 0:16:29.120
<v Speaker 1>How did you make that? Bet? So when you when

0:16:29.120 --> 0:16:31.800
<v Speaker 1>you look at both platforms, Facebook was kind of in

0:16:31.800 --> 0:16:37.040
<v Speaker 1>this interesting place, but totally the reasoning was twofold. When

0:16:37.080 --> 0:16:39.440
<v Speaker 1>you look at both platforms. One, everyone was way ahead

0:16:39.440 --> 0:16:40.800
<v Speaker 1>of us on YouTube, but everyone is in the same

0:16:40.800 --> 0:16:43.680
<v Speaker 1>playing field on Facebook video, Like nobody had any views

0:16:43.680 --> 0:16:46.840
<v Speaker 1>a month, right, it was just like just starting. So

0:16:46.880 --> 0:16:49.960
<v Speaker 1>we were whether your vice or your buzz feed or

0:16:50.000 --> 0:16:53.760
<v Speaker 1>your attention, you're all at zero right there, just launching second.

0:16:54.880 --> 0:16:59.560
<v Speaker 1>YouTube had become and still is a massive search platform.

0:16:59.600 --> 0:17:02.120
<v Speaker 1>But if you're a company that nobody's ever heard of,

0:17:02.880 --> 0:17:05.640
<v Speaker 1>no one's going to search for you on YouTube because

0:17:05.760 --> 0:17:07.600
<v Speaker 1>like they've never heard of you, so why would they

0:17:07.880 --> 0:17:10.439
<v Speaker 1>go on there? And you know, that's my My use

0:17:10.480 --> 0:17:12.360
<v Speaker 1>case for for YouTube is probably the same as you guys,

0:17:12.400 --> 0:17:14.480
<v Speaker 1>which is like, oh I want to watch this video.

0:17:14.560 --> 0:17:16.159
<v Speaker 1>Oh I want to listen to this song, and you

0:17:16.280 --> 0:17:20.359
<v Speaker 1>just everyone does. Right, that's your YouTube engine. It's the

0:17:20.440 --> 0:17:24.080
<v Speaker 1>number two search engine after Google. Yeah and right, I

0:17:24.080 --> 0:17:29.960
<v Speaker 1>mean I'm just railing off facts. Yea yeah. But as

0:17:29.960 --> 0:17:32.360
<v Speaker 1>a platform, I'm pretty sure. So so you have that

0:17:32.560 --> 0:17:35.560
<v Speaker 1>versus Facebook, which was already a discovery platform, right. The

0:17:35.640 --> 0:17:38.760
<v Speaker 1>feed allows you to discover things easier. So we're like, okay,

0:17:38.760 --> 0:17:41.119
<v Speaker 1>well if that's the case, and you know, and again

0:17:41.119 --> 0:17:44.879
<v Speaker 1>this this decision was made largely by Jared Matthew, Michael,

0:17:45.080 --> 0:17:48.320
<v Speaker 1>Mike Finissi and our team at the time, um, and

0:17:48.440 --> 0:17:51.800
<v Speaker 1>they did a great job just you know, making that call.

0:17:51.880 --> 0:17:53.440
<v Speaker 1>And it was the right call and it paid off.

0:17:54.400 --> 0:17:56.560
<v Speaker 1>So where are you doubling down? Like what technology are

0:17:56.600 --> 0:17:59.560
<v Speaker 1>you bullish on in and kind of what's driving that?

0:17:59.680 --> 0:18:04.920
<v Speaker 1>Is it marketers, is it the news cycle? Is it culture?

0:18:05.440 --> 0:18:08.080
<v Speaker 1>Where are you really focusing? So I'll answer that in

0:18:08.080 --> 0:18:12.000
<v Speaker 1>a couple of parts. One, it's definitely not the news cycle, um,

0:18:12.040 --> 0:18:13.760
<v Speaker 1>which is the gift that keeps I probably have a

0:18:13.800 --> 0:18:17.119
<v Speaker 1>more aggressive everyone saying that, Well, I have a. I

0:18:17.119 --> 0:18:19.880
<v Speaker 1>have probably more aggressive stance than most people at our company,

0:18:19.920 --> 0:18:21.199
<v Speaker 1>but we all feel the same way, which is we

0:18:21.200 --> 0:18:22.720
<v Speaker 1>are not a news company. We don't want to be

0:18:22.720 --> 0:18:25.080
<v Speaker 1>a news company. Our goal is to be impervious to

0:18:25.119 --> 0:18:26.880
<v Speaker 1>the news cycle. I don't want to be the next

0:18:26.920 --> 0:18:30.040
<v Speaker 1>generation news company. I'm not trying to take down CNN.

0:18:30.400 --> 0:18:34.119
<v Speaker 1>There's a really good, fascinating how this dynamic has changed

0:18:34.119 --> 0:18:36.000
<v Speaker 1>over the last twelve months. Well, so, like the new

0:18:36.080 --> 0:18:39.960
<v Speaker 1>cycle is an up and down business, right, so you're

0:18:39.960 --> 0:18:42.119
<v Speaker 1>when the news is good, your business is good. When

0:18:42.119 --> 0:18:43.840
<v Speaker 1>the news is bad, your business is bad. It's just

0:18:43.880 --> 0:18:46.080
<v Speaker 1>not a good business. And we feel like it was

0:18:46.160 --> 0:18:49.560
<v Speaker 1>for generations. Yeah, but that was when they were not

0:18:49.640 --> 0:18:52.080
<v Speaker 1>That was when they were like five, like three stations

0:18:52.119 --> 0:18:55.440
<v Speaker 1>to get news leading to a bigger point. Yeah, of course.

0:18:55.480 --> 0:18:58.919
<v Speaker 1>So now with like like everyone's covering the same thing

0:18:59.000 --> 0:19:01.080
<v Speaker 1>over and over again. Right, So our whole point is, like,

0:19:01.600 --> 0:19:03.800
<v Speaker 1>you know, what do millennials care about? What do people

0:19:03.800 --> 0:19:06.280
<v Speaker 1>care about? They care about issues more importantly. People are

0:19:06.720 --> 0:19:08.919
<v Speaker 1>again this is like me my point of view, but

0:19:09.000 --> 0:19:11.639
<v Speaker 1>like people are selfish and they care about not just

0:19:11.680 --> 0:19:14.240
<v Speaker 1>the issue, but how that issue affects them. And so

0:19:14.280 --> 0:19:17.119
<v Speaker 1>our goal is to show people here's what the issue,

0:19:17.200 --> 0:19:18.600
<v Speaker 1>here's what it means, and here's how it's going to

0:19:18.600 --> 0:19:23.720
<v Speaker 1>affect you in your life. And is that playing to

0:19:23.720 --> 0:19:26.560
<v Speaker 1>the echo chamber though? Is it playing to the echo

0:19:26.680 --> 0:19:29.200
<v Speaker 1>chamber of like, here's what's trending, here's what we want

0:19:29.200 --> 0:19:31.640
<v Speaker 1>to think. So, because I mean, there are a lot

0:19:31.640 --> 0:19:33.600
<v Speaker 1>of things that are just like you know we we do.

0:19:33.680 --> 0:19:36.280
<v Speaker 1>We have a series called America Versus right, um, and

0:19:36.320 --> 0:19:38.880
<v Speaker 1>we do this on a very regular the videos where

0:19:38.920 --> 0:19:43.760
<v Speaker 1>you demonstrate like food in schools in this country compared

0:19:43.800 --> 0:19:48.119
<v Speaker 1>to Japan. The first thing we did in the series

0:19:48.160 --> 0:19:51.440
<v Speaker 1>was America Versus Japan school lunches. We've done four hundred

0:19:51.520 --> 0:19:54.960
<v Speaker 1>million views on America Versus videos this year, just this year,

0:19:55.640 --> 0:19:58.760
<v Speaker 1>and um, we really struck a churt. So Nick, now,

0:19:58.880 --> 0:20:01.520
<v Speaker 1>for instance, we're taking that series and we're gonna ladder

0:20:01.520 --> 0:20:03.280
<v Speaker 1>it up. So we get we're looking for a host.

0:20:03.520 --> 0:20:05.400
<v Speaker 1>We're gonna take that host around the world and we're

0:20:05.400 --> 0:20:08.040
<v Speaker 1>going to compare America to other countries you know, hosted

0:20:08.080 --> 0:20:11.000
<v Speaker 1>series and that's like we know that that works, right,

0:20:11.040 --> 0:20:12.920
<v Speaker 1>So that's where the talent you're investing in to do

0:20:13.000 --> 0:20:16.040
<v Speaker 1>stuff like that. Who are the talent. We're taling, so

0:20:16.160 --> 0:20:18.520
<v Speaker 1>I mean we're talking to some talent, but like we

0:20:18.600 --> 0:20:20.000
<v Speaker 1>go back and forth a little bit. It's like, do

0:20:20.000 --> 0:20:22.520
<v Speaker 1>we want to find someone who's well known already or

0:20:22.560 --> 0:20:24.720
<v Speaker 1>and for whether it's that series or any series, or

0:20:24.880 --> 0:20:27.280
<v Speaker 1>do we want to homegrow talent um and like find

0:20:27.320 --> 0:20:29.719
<v Speaker 1>people that nobody has heard of, but like bring them

0:20:29.800 --> 0:20:32.679
<v Speaker 1>up with us, And like it's kind of like Rolling

0:20:32.720 --> 0:20:34.639
<v Speaker 1>Stone back in the day. It's like you want to

0:20:34.680 --> 0:20:38.960
<v Speaker 1>find your you know, you're a Cameron Crow was, um,

0:20:39.000 --> 0:20:40.600
<v Speaker 1>you know what I mean, Like, wouldn't it be cool?

0:20:41.000 --> 0:20:43.159
<v Speaker 1>So like we're just investing in young talent. We have

0:20:43.240 --> 0:20:47.399
<v Speaker 1>all these amazingly talented writers, watching editors. Who's the up

0:20:47.440 --> 0:20:50.280
<v Speaker 1>and coming talent at our company? I mean, we've got

0:20:50.280 --> 0:20:51.680
<v Speaker 1>a lot of people. I don't want to I don't

0:20:51.720 --> 0:20:53.880
<v Speaker 1>want to single anyone out, I guess because I don't

0:20:53.880 --> 0:20:55.600
<v Speaker 1>want anyone to feel bad. But I will say this.

0:20:56.080 --> 0:20:59.320
<v Speaker 1>We have, um, a guy named Omar Roland who runs

0:20:59.720 --> 0:21:02.159
<v Speaker 1>are our snapchat. He does a show on on our

0:21:02.160 --> 0:21:05.359
<v Speaker 1>Snapchat called how to Sound Smart, and he gives you

0:21:05.400 --> 0:21:09.240
<v Speaker 1>a hilarious he like does it while he's in bed,

0:21:09.320 --> 0:21:12.080
<v Speaker 1>brushing his teeth, picking out his outfit and he's like,

0:21:12.160 --> 0:21:13.920
<v Speaker 1>these are the three things you need to notice sound

0:21:13.960 --> 0:21:16.720
<v Speaker 1>smart today, and uh, it's a it's just a great

0:21:16.760 --> 0:21:18.280
<v Speaker 1>it's a great show. Like and it's to the point

0:21:18.280 --> 0:21:21.359
<v Speaker 1>where like, uh, I get my mom My mom texts

0:21:21.359 --> 0:21:23.000
<v Speaker 1>me every day She's like, oh my god, Omri was

0:21:23.040 --> 0:21:26.000
<v Speaker 1>amazing today. So he was great. We've got Kyle Yeager,

0:21:26.280 --> 0:21:29.480
<v Speaker 1>who's probably like the best young marijuana reporter in the country,

0:21:29.520 --> 0:21:31.879
<v Speaker 1>and I genuinely believe that we have a woman but

0:21:32.240 --> 0:21:34.000
<v Speaker 1>one of the first platforms, by the way, that I

0:21:34.040 --> 0:21:40.480
<v Speaker 1>think was really bringing to the forefront, UM, marijuana legalization. Yeah,

0:21:40.560 --> 0:21:43.440
<v Speaker 1>at the risk of sounding totally braggadocious, I would put

0:21:43.440 --> 0:21:46.359
<v Speaker 1>our marijuana coverage up against anyone's, Like I really do

0:21:46.440 --> 0:21:50.080
<v Speaker 1>think that, and um, we've covered it doggedly over the

0:21:50.160 --> 0:21:54.360
<v Speaker 1>last two years. UM to the relations with marketers, though

0:21:54.400 --> 0:21:57.880
<v Speaker 1>I'm curious, I honestly don't think they care. I don't either.

0:21:58.440 --> 0:22:00.520
<v Speaker 1>I don't think they care. I think they're other things

0:22:00.520 --> 0:22:02.320
<v Speaker 1>that we that we could cover that people are way

0:22:02.320 --> 0:22:07.040
<v Speaker 1>more sensitive about, um, like politics. You know, it's funny,

0:22:07.080 --> 0:22:09.399
<v Speaker 1>it's like from a marketing perspective to everyone's like, oh

0:22:09.440 --> 0:22:11.280
<v Speaker 1>my gosh, it's probably so much money being thrown at

0:22:11.320 --> 0:22:14.400
<v Speaker 1>the election, like blah blah blah from from brands and

0:22:14.520 --> 0:22:17.160
<v Speaker 1>normally that is the case, right, like brand spend this election,

0:22:17.240 --> 0:22:22.399
<v Speaker 1>Like everyone pulled back. Everyone's liked in the middle dance

0:22:22.440 --> 0:22:25.840
<v Speaker 1>floor by himself. Everybody was like it was like the

0:22:25.880 --> 0:22:28.520
<v Speaker 1>bud light. The bud light adds with like Seth Rogan

0:22:28.640 --> 0:22:32.280
<v Speaker 1>and yeah, that was it. That's like all I saw,

0:22:32.480 --> 0:22:37.960
<v Speaker 1>wasted to see hit the fucking wall. But you didn't

0:22:37.960 --> 0:22:39.880
<v Speaker 1>want to be in the way of that happening. Okay,

0:22:39.920 --> 0:22:43.000
<v Speaker 1>I want to go back to have celebrities come to

0:22:43.080 --> 0:22:45.280
<v Speaker 1>you and said, I love what you're doing, like you

0:22:45.280 --> 0:22:47.840
<v Speaker 1>have relationships and it doesn't have to be celebrities, but talent,

0:22:48.040 --> 0:22:52.000
<v Speaker 1>right like people entertainment super connected. I mean I was.

0:22:52.040 --> 0:22:54.240
<v Speaker 1>I was very lucky to work in the talent business

0:22:54.240 --> 0:22:57.040
<v Speaker 1>for long time. And it's beneficially yeah, I mean, but

0:22:57.080 --> 0:22:59.720
<v Speaker 1>not just me, like our whole we have multiple people

0:22:59.720 --> 0:23:01.680
<v Speaker 1>in our company who I mean, we're in l a

0:23:02.080 --> 0:23:04.639
<v Speaker 1>like with multiple people in our company, Matthew and Jarrett included,

0:23:04.640 --> 0:23:06.960
<v Speaker 1>who've done a lot of videos with talent, like you know,

0:23:07.040 --> 0:23:09.160
<v Speaker 1>like we we did a video with Usher. I brought

0:23:09.240 --> 0:23:11.760
<v Speaker 1>Usher in, but he remembered Matthew and Jarrett from when

0:23:11.760 --> 0:23:14.159
<v Speaker 1>he did videos with Our Time. So how did that

0:23:14.200 --> 0:23:18.840
<v Speaker 1>come about? Um, we have uh, a young hustler at

0:23:18.840 --> 0:23:22.359
<v Speaker 1>our company who figured out a way and it wasn't me.

0:23:22.480 --> 0:23:24.359
<v Speaker 1>It didn't come through me. She just figured out a

0:23:24.400 --> 0:23:26.919
<v Speaker 1>way to get to to get to Gaga's team. But

0:23:27.000 --> 0:23:29.960
<v Speaker 1>like I would actually think right now, especially right now

0:23:30.160 --> 0:23:34.439
<v Speaker 1>that celebrities are saying they need or thinking, you know what,

0:23:34.800 --> 0:23:37.280
<v Speaker 1>if I'm going to do something with this right if

0:23:37.280 --> 0:23:40.159
<v Speaker 1>I'm going to do something with this, this fame, this voice,

0:23:40.600 --> 0:23:44.400
<v Speaker 1>I want to go and partner with someone that it's

0:23:44.400 --> 0:23:46.439
<v Speaker 1>going to be meaningful. So are you getting pete? Are

0:23:46.440 --> 0:23:49.280
<v Speaker 1>you guys getting calls? Was like, hey, love what you're doing.

0:23:50.000 --> 0:23:52.280
<v Speaker 1>What are they saying they want an outlet? So like

0:23:52.320 --> 0:23:54.359
<v Speaker 1>I'll give you a good example, Like we're doing some stuff.

0:23:54.440 --> 0:23:56.000
<v Speaker 1>We've done some stuff and or continue to do some

0:23:56.000 --> 0:23:59.399
<v Speaker 1>stuff with Vic mensa Um, who is an artist who's

0:23:59.720 --> 0:24:01.840
<v Speaker 1>one of the hottest up and coming rappers in the country.

0:24:02.280 --> 0:24:06.280
<v Speaker 1>He's incredible talent and he uh, he's actually a guy

0:24:06.359 --> 0:24:08.480
<v Speaker 1>who puts his money where his mouth is. Like a

0:24:08.520 --> 0:24:11.520
<v Speaker 1>lot of people, not just talent, people like to talk

0:24:11.960 --> 0:24:14.760
<v Speaker 1>about issues and like shine light on issues. Vic went

0:24:14.840 --> 0:24:18.159
<v Speaker 1>to Standing Rock. Vic went to Flint, Vic went and

0:24:18.240 --> 0:24:21.200
<v Speaker 1>protested when Lacwon McDonald was shot. He wrote a song

0:24:21.240 --> 0:24:24.160
<v Speaker 1>about on the show The show, I mean, I can

0:24:24.200 --> 0:24:27.520
<v Speaker 1>we can ask. VI's amazing, He's incredible. I think I

0:24:27.560 --> 0:24:30.600
<v Speaker 1>could have handled that. I honestly don't think, but you

0:24:30.600 --> 0:24:32.119
<v Speaker 1>know what I mean. He went to Standing Rock twice.

0:24:32.240 --> 0:24:33.840
<v Speaker 1>He went, and he went and he brought like a

0:24:33.880 --> 0:24:35.920
<v Speaker 1>group of activists back and there are a lot of

0:24:35.960 --> 0:24:39.840
<v Speaker 1>their They stood on the front lines and like protected

0:24:39.880 --> 0:24:43.280
<v Speaker 1>the protesters and like he brought people back to Standing

0:24:43.440 --> 0:24:46.520
<v Speaker 1>He rented a bus on his own dime from Chicago

0:24:46.560 --> 0:24:49.399
<v Speaker 1>where he's from, drove people overnight to Standing Rock and

0:24:49.400 --> 0:24:52.320
<v Speaker 1>they all protested and like this is like how active

0:24:52.359 --> 0:24:55.080
<v Speaker 1>he is. And then he channels this into his music,

0:24:55.480 --> 0:24:58.480
<v Speaker 1>which is very He's he's just an activist at heart,

0:24:58.480 --> 0:25:00.920
<v Speaker 1>and like that's that's you. That's not everybody, and it

0:25:00.960 --> 0:25:03.240
<v Speaker 1>doesn't have to be everybody, but like what we want

0:25:03.240 --> 0:25:06.439
<v Speaker 1>to be in that conversation is the platform that they use.

0:25:06.560 --> 0:25:09.159
<v Speaker 1>So like I always say, like going back to my

0:25:09.240 --> 0:25:12.239
<v Speaker 1>music days, it's like when you put out an album

0:25:12.359 --> 0:25:15.480
<v Speaker 1>or or a single, you want you gotta go do

0:25:15.640 --> 0:25:18.119
<v Speaker 1>the Today's Show, and you do Fallon and you do

0:25:18.240 --> 0:25:20.240
<v Speaker 1>Kimmel or you probably can't do both, but you do

0:25:20.280 --> 0:25:23.120
<v Speaker 1>one of the two. You do ellen Um and you've

0:25:23.119 --> 0:25:26.440
<v Speaker 1>got like the Rolling Stone cover and this. That's all

0:25:26.480 --> 0:25:29.200
<v Speaker 1>to promote the music. But when a publicist is trying

0:25:29.240 --> 0:25:31.520
<v Speaker 1>to get their artists out there, they also want human stories.

0:25:31.920 --> 0:25:34.640
<v Speaker 1>We want to be a stop on that press tour

0:25:35.000 --> 0:25:36.919
<v Speaker 1>so that talent comes to us. Would you say it's

0:25:36.920 --> 0:25:40.439
<v Speaker 1>like a young MTV. Yeah, I would say that. I

0:25:40.440 --> 0:25:42.679
<v Speaker 1>mean there's a hole in the market for it. I

0:25:42.760 --> 0:25:48.639
<v Speaker 1>love MTV so passionate, I love I love it, but

0:25:49.760 --> 0:25:52.240
<v Speaker 1>it's still a great brand. It's an amazing brand. They're

0:25:52.280 --> 0:25:55.480
<v Speaker 1>amazing people there the time, and we are rooting for

0:25:55.480 --> 0:25:57.320
<v Speaker 1>them all the time. Is now. The time is now.

0:25:57.359 --> 0:26:01.480
<v Speaker 1>Though some advice, there's you guys, there's so many. You

0:26:01.520 --> 0:26:04.800
<v Speaker 1>are very very different than Vice, very very trust me.

0:26:04.800 --> 0:26:06.359
<v Speaker 1>I love Vice. I'm a consumer and I have a

0:26:06.359 --> 0:26:08.160
<v Speaker 1>lot of friends there, and I know you guys do too,

0:26:08.880 --> 0:26:11.960
<v Speaker 1>But I think that they're You're right, there's a place

0:26:12.000 --> 0:26:14.560
<v Speaker 1>for that. But I'm interested too because I think that

0:26:14.800 --> 0:26:20.320
<v Speaker 1>UM celebrities sometimes attach themselves to certain things. I don't

0:26:20.400 --> 0:26:24.159
<v Speaker 1>think that the way you're talking about issues that you

0:26:24.200 --> 0:26:27.720
<v Speaker 1>can just attach yourself. You have to do something with it.

0:26:28.000 --> 0:26:30.960
<v Speaker 1>And that's what I think is is actually different when

0:26:30.960 --> 0:26:33.280
<v Speaker 1>you have a product and I'm gonna call attention right

0:26:33.320 --> 0:26:38.600
<v Speaker 1>what you do as a product that is that, Um,

0:26:38.640 --> 0:26:41.680
<v Speaker 1>it's just it's just real. It's real. And I love

0:26:41.720 --> 0:26:44.560
<v Speaker 1>that you're not driven by the news cycle because it

0:26:44.600 --> 0:26:47.919
<v Speaker 1>actually makes it. Uh, it gives some dissonance right to

0:26:47.960 --> 0:26:49.760
<v Speaker 1>the news cycle that it needs how we break through.

0:26:49.840 --> 0:26:51.920
<v Speaker 1>That's how you break through totally. Like there are great

0:26:51.960 --> 0:26:55.760
<v Speaker 1>companies out there in our space that are attacking the news.

0:26:56.440 --> 0:26:59.760
<v Speaker 1>Um that you know, a lot of people consider competition

0:26:59.760 --> 0:27:02.440
<v Speaker 1>of ours, Like I think they just make their good

0:27:02.440 --> 0:27:05.080
<v Speaker 1>companies that go out and you know, make good content.

0:27:05.359 --> 0:27:08.360
<v Speaker 1>But like we are not you know now like now

0:27:08.440 --> 0:27:10.480
<v Speaker 1>this news like or now this now that I guess

0:27:10.480 --> 0:27:14.199
<v Speaker 1>they're rebranded themselves. Um, they're they're a great company, like Sensational,

0:27:14.240 --> 0:27:17.200
<v Speaker 1>I think they But they make so much content and

0:27:17.240 --> 0:27:20.240
<v Speaker 1>they're like breaking things all day every day. I mean,

0:27:20.520 --> 0:27:22.360
<v Speaker 1>you know, we're not doing three D videos a month.

0:27:22.359 --> 0:27:23.840
<v Speaker 1>We're not doing two D videos a month. We do

0:27:23.960 --> 0:27:27.040
<v Speaker 1>like fifty And if you're going to limit yourself to

0:27:27.160 --> 0:27:29.440
<v Speaker 1>doing fifty videos in a month. You have to make

0:27:29.480 --> 0:27:32.280
<v Speaker 1>sure that every video counts. And like we're the number

0:27:32.320 --> 0:27:36.760
<v Speaker 1>one publisher in America on digital average use per video

0:27:37.040 --> 0:27:40.040
<v Speaker 1>with the number one and engagements per video. And so

0:27:40.080 --> 0:27:41.840
<v Speaker 1>you bring up an interesting point in that, right, because

0:27:41.840 --> 0:27:44.520
<v Speaker 1>I think it's as marketers is something we kind of

0:27:44.600 --> 0:27:49.360
<v Speaker 1>quarrel a bit about, which is you know, frequency over impact, right,

0:27:49.400 --> 0:27:51.200
<v Speaker 1>And and basically what you're just saying is you can

0:27:51.200 --> 0:27:54.399
<v Speaker 1>turn and burn content out all day, but is the

0:27:54.440 --> 0:27:59.119
<v Speaker 1>impact in which you're delivering that meaningful depends on your business?

0:27:59.320 --> 0:28:01.600
<v Speaker 1>And I was just saying, if you care like seeing

0:28:01.680 --> 0:28:03.639
<v Speaker 1>it's like are you are you going to be CNN

0:28:04.359 --> 0:28:06.679
<v Speaker 1>or are you going to be I would argue. I

0:28:06.680 --> 0:28:10.320
<v Speaker 1>would argue though, that everybody has the opportunity to be

0:28:10.359 --> 0:28:14.040
<v Speaker 1>a CNN at this point, you know, everybody have given

0:28:14.080 --> 0:28:17.720
<v Speaker 1>social and now although really hard, yeah, but I'm saying

0:28:17.720 --> 0:28:20.240
<v Speaker 1>everybody's an opportunity to break news. Everybody has the opportunity

0:28:20.240 --> 0:28:22.760
<v Speaker 1>to have a voice. There is doing a really good

0:28:22.800 --> 0:28:24.439
<v Speaker 1>job at that. By the way, BuzzFeed News does not

0:28:24.480 --> 0:28:27.760
<v Speaker 1>get enough credit for breaking stories. They never have actually

0:28:27.840 --> 0:28:31.000
<v Speaker 1>for writing actually very good, great stories. I think they

0:28:31.040 --> 0:28:33.359
<v Speaker 1>do a great job. So where are places you're Brad

0:28:33.440 --> 0:28:36.600
<v Speaker 1>making big bets for I mean, you know, in terms

0:28:36.680 --> 0:28:39.760
<v Speaker 1>of are you investing in partnerships? Talks us a little

0:28:39.760 --> 0:28:42.080
<v Speaker 1>bit about your relationship with Bill Maher. You've done some

0:28:42.160 --> 0:28:44.400
<v Speaker 1>great content with him. Are these a type of relationship

0:28:44.440 --> 0:28:46.120
<v Speaker 1>you're looking to build out for the new year? Yeah,

0:28:46.160 --> 0:28:48.440
<v Speaker 1>I mean they're they're Bill. Bill has been since a

0:28:48.480 --> 0:28:52.040
<v Speaker 1>sensational investor. He's an investor in our business. Um. You know,

0:28:52.120 --> 0:28:54.400
<v Speaker 1>he and he and Matthew in particularly gotten very close.

0:28:54.400 --> 0:28:56.800
<v Speaker 1>They're very similar. Matthew is like the biggest Bill mar fan.

0:28:57.200 --> 0:28:58.959
<v Speaker 1>And it was so it was so badass because he

0:28:59.000 --> 0:29:01.560
<v Speaker 1>was like, I'm gonna get Bill Maurer to invest in

0:29:01.560 --> 0:29:03.640
<v Speaker 1>this company, and he and he just like hustled it.

0:29:03.760 --> 0:29:06.600
<v Speaker 1>Peace bar did. He did a panel with um it

0:29:06.680 --> 0:29:10.200
<v Speaker 1>was on his show. It was with John Legend. Dude.

0:29:10.240 --> 0:29:13.360
<v Speaker 1>It was one of the best. You know, it was

0:29:13.440 --> 0:29:15.200
<v Speaker 1>a lot of people, a lot of people started talking

0:29:15.240 --> 0:29:17.400
<v Speaker 1>a lot more about it. But I have not really

0:29:17.520 --> 0:29:21.040
<v Speaker 1>been engaged by him in that way until I saw

0:29:21.080 --> 0:29:23.520
<v Speaker 1>that post. So like, he's been a great partner from

0:29:23.880 --> 0:29:26.560
<v Speaker 1>from you see yourself leaning into smart comedy a bit, Yeah,

0:29:26.680 --> 0:29:28.600
<v Speaker 1>for sure, I think we're gonna make some bets on

0:29:28.640 --> 0:29:31.760
<v Speaker 1>comedy for sure, and I think smart comedy though smart,

0:29:32.760 --> 0:29:34.440
<v Speaker 1>we're not gonna Yeah, I mean it's not it would

0:29:34.480 --> 0:29:39.200
<v Speaker 1>be off brands to not be um, but I do think, Um,

0:29:39.240 --> 0:29:43.400
<v Speaker 1>I think we're I think keep going, keep going. We

0:29:43.400 --> 0:29:45.920
<v Speaker 1>could stop there, but we're gonna keep going. We could

0:29:46.640 --> 0:29:52.680
<v Speaker 1>and we're good. Um, but I think, um, I mean,

0:29:52.720 --> 0:29:55.720
<v Speaker 1>they're we're gonna make someone. We're always doubling down on

0:29:55.760 --> 0:29:58.640
<v Speaker 1>Facebook every day because I don't think Facebook going anywhere

0:29:58.640 --> 0:30:01.640
<v Speaker 1>anytime soon. But can we talking about that less than

0:30:01.640 --> 0:30:06.360
<v Speaker 1>three seconds? There's been a lot of transparency issues, reach issues,

0:30:07.440 --> 0:30:10.160
<v Speaker 1>like you know, when you're talking to a brand, you're

0:30:10.160 --> 0:30:12.400
<v Speaker 1>talking to a marketer or even talking to talent, what

0:30:12.480 --> 0:30:16.120
<v Speaker 1>are you talking about in terms of the views you're getting?

0:30:16.320 --> 0:30:19.880
<v Speaker 1>Like how real are you get? Trust in transparency? Well, yeah,

0:30:19.920 --> 0:30:24.480
<v Speaker 1>but it's it's important, Yeah, for your brand, it's important

0:30:24.520 --> 0:30:28.640
<v Speaker 1>for your viewers. Right, So, like how are you are

0:30:28.640 --> 0:30:31.240
<v Speaker 1>you many conversations with Facebook? It's yeah, we talked to

0:30:31.240 --> 0:30:34.400
<v Speaker 1>Facebook every day. But it's also I mean, we're in

0:30:34.440 --> 0:30:40.360
<v Speaker 1>a very lucky position right now in that, like our

0:30:40.440 --> 0:30:44.680
<v Speaker 1>numbers are incredible because organic, because they're organic and our

0:30:44.720 --> 0:30:49.200
<v Speaker 1>completion rates are Like that's the fundamental difference. Like when

0:30:49.240 --> 0:30:51.800
<v Speaker 1>you don't pay for views, you have real So like

0:30:52.360 --> 0:30:54.440
<v Speaker 1>when Facebook changes are algorithm, people like, oh my god,

0:30:54.440 --> 0:30:56.640
<v Speaker 1>are you guys? Like no, because we're just optimizing for

0:30:56.680 --> 0:30:59.280
<v Speaker 1>shares anyway, Like I want people to share amongst their

0:30:59.320 --> 0:31:02.240
<v Speaker 1>friends and their family. People elect to like attention because

0:31:02.240 --> 0:31:04.040
<v Speaker 1>no one sees it in a sponsored thing, watches one

0:31:04.120 --> 0:31:06.800
<v Speaker 1>video and just clicks like because that's how the ere

0:31:06.800 --> 0:31:09.400
<v Speaker 1>attrition rate is. Just it's just different. It's just like

0:31:09.400 --> 0:31:13.280
<v Speaker 1>a totally different. When you think about audiences, especially on Facebook,

0:31:13.320 --> 0:31:17.000
<v Speaker 1>how do you start thinking about who your audience really is?

0:31:17.080 --> 0:31:20.240
<v Speaker 1>Because millennial doesn't mean it means something, But when you're

0:31:20.280 --> 0:31:23.239
<v Speaker 1>talking about you know, audience reach, it means you know,

0:31:23.280 --> 0:31:25.360
<v Speaker 1>you better go hustle the world. Yeah, of course. I

0:31:25.400 --> 0:31:27.160
<v Speaker 1>mean look, you've got to always start with your core.

0:31:28.280 --> 0:31:32.320
<v Speaker 1>Like Facebook is a millennial platform, Like there are a

0:31:32.320 --> 0:31:35.520
<v Speaker 1>lot of people does more than millennials are on Facebook

0:31:35.920 --> 0:31:38.040
<v Speaker 1>but this but a lot of the shares are driven

0:31:38.120 --> 0:31:42.680
<v Speaker 1>by like mid twenties to mid thirties to late thirties people,

0:31:43.320 --> 0:31:47.520
<v Speaker 1>and um, that is like that's that's like our core audience.

0:31:47.560 --> 0:31:50.040
<v Speaker 1>So like that's Facebook, but every platform is Like our

0:31:50.040 --> 0:31:52.960
<v Speaker 1>audience on Instagram is different from our audience on Facebook,

0:31:53.040 --> 0:31:55.840
<v Speaker 1>our audience on Snapchat, which we're growing and betting a

0:31:55.880 --> 0:31:59.360
<v Speaker 1>lot on in seventeen to your question earlier, is different,

0:31:59.480 --> 0:32:02.560
<v Speaker 1>like it's younger. Uh, it's they want to see different

0:32:02.560 --> 0:32:05.440
<v Speaker 1>types of content, Like it can't be the same stuff.

0:32:05.480 --> 0:32:08.360
<v Speaker 1>And I think where a lot of traditional media companies fail.

0:32:08.440 --> 0:32:10.800
<v Speaker 1>And this is like the obvious answer to people who know,

0:32:11.280 --> 0:32:12.800
<v Speaker 1>but when you look at it, when you when you

0:32:12.920 --> 0:32:15.400
<v Speaker 1>when you don't know, Like you can't just cut the

0:32:15.440 --> 0:32:18.840
<v Speaker 1>same thing first for Snapchat, Instagram face, you can't just

0:32:18.880 --> 0:32:21.560
<v Speaker 1>do it sting to it now. Honestly, they are some

0:32:21.640 --> 0:32:24.040
<v Speaker 1>of them are. That doesn't mean you're starting to execute

0:32:24.080 --> 0:32:25.200
<v Speaker 1>some of them are. But a lot of them are

0:32:25.200 --> 0:32:30.360
<v Speaker 1>getting it by like acquiring companies right and or hiring

0:32:30.400 --> 0:32:33.280
<v Speaker 1>the right people or partnering with people were starting. Like

0:32:33.320 --> 0:32:35.600
<v Speaker 1>I think CNN has done a great job. I don't

0:32:35.640 --> 0:32:38.000
<v Speaker 1>think great Big Story gets enough credit. I think there

0:32:38.000 --> 0:32:40.280
<v Speaker 1>are a lot of you know, you're the second person

0:32:40.400 --> 0:32:43.320
<v Speaker 1>this week that actually has said that. Yeah, I think

0:32:43.320 --> 0:32:45.560
<v Speaker 1>turners feel like I feel like they're on the upswing,

0:32:46.160 --> 0:32:50.280
<v Speaker 1>thewing going into you know, everybody's starting. That's true, I

0:32:50.280 --> 0:32:52.800
<v Speaker 1>think so. I mean between a Time Warner deal with

0:32:53.080 --> 0:32:55.560
<v Speaker 1>I will tell you that I wanted to say this before,

0:32:56.080 --> 0:32:58.720
<v Speaker 1>but there was a I don't. I'm not I'm going

0:32:58.760 --> 0:33:00.760
<v Speaker 1>to butcher the quotes. I'll just say into you guys later.

0:33:00.800 --> 0:33:05.840
<v Speaker 1>But there's a YouTube clip of Ben Smith from BuzzFeed

0:33:05.920 --> 0:33:10.840
<v Speaker 1>on a panel with Jeff Zucker and Jeff Sucker like

0:33:11.080 --> 0:33:15.760
<v Speaker 1>it's it's really impressive what CNN does. He's like, he's like,

0:33:16.040 --> 0:33:17.720
<v Speaker 1>you know, Ben, what do you have to do? You know?

0:33:17.800 --> 0:33:20.200
<v Speaker 1>Be like Ben was very asked this question. I don't

0:33:20.200 --> 0:33:22.040
<v Speaker 1>remember who was on the panel. The point is that

0:33:22.120 --> 0:33:25.440
<v Speaker 1>Jeff Zucker was like, basically, Ben Smith was like, I

0:33:25.520 --> 0:33:30.040
<v Speaker 1>do two minutes of content a month, right for short

0:33:30.040 --> 0:33:32.600
<v Speaker 1>form video. And Jeff was like, with all due respect,

0:33:32.640 --> 0:33:34.959
<v Speaker 1>I did two hundred minutes of content in three hours

0:33:35.560 --> 0:33:37.800
<v Speaker 1>and I do that all day every day. And you're like,

0:33:37.840 --> 0:33:40.160
<v Speaker 1>holy crap, Like CNN, for whether you like it or

0:33:40.160 --> 0:33:43.120
<v Speaker 1>hate it, is an impressive operation. Before you go, we

0:33:43.160 --> 0:33:46.960
<v Speaker 1>have to play one game with you because it plants

0:33:47.040 --> 0:33:49.440
<v Speaker 1>versus zombies, because I'm obsessed with that on my phone now.

0:33:49.480 --> 0:33:52.440
<v Speaker 1>But we'd like so we like kill fuck Mary you know,

0:33:52.520 --> 0:33:55.960
<v Speaker 1>kill Mary, Yeah, I do. We're going to ask You're

0:33:55.960 --> 0:33:58.680
<v Speaker 1>not gonna ask you that. Okay, good, We're not gonna

0:33:58.680 --> 0:34:01.960
<v Speaker 1>ask you that. But we we like the model, right

0:34:02.000 --> 0:34:07.920
<v Speaker 1>and that's goods go. I don't know what I'm gonna

0:34:07.920 --> 0:34:11.520
<v Speaker 1>be out. Are you watching? But it's kill What would

0:34:11.520 --> 0:34:13.960
<v Speaker 1>you kill? What would you buy? And what would you

0:34:14.000 --> 0:34:18.040
<v Speaker 1>do yourself? D I Y? So we'll give you options.

0:34:18.080 --> 0:34:24.720
<v Speaker 1>Don't worry. Kill kill by d I Y, Amazon, Netflix, HBO,

0:34:26.200 --> 0:34:32.719
<v Speaker 1>kill by Open up my notepad here the little math.

0:34:33.560 --> 0:34:35.759
<v Speaker 1>He's got to see which one is. I'm not going

0:34:35.840 --> 0:34:40.680
<v Speaker 1>to hurt his partnerships and producers, like wrap it up,

0:34:41.160 --> 0:34:46.280
<v Speaker 1>Rad like getting out of um all right, I would

0:34:47.760 --> 0:34:57.440
<v Speaker 1>by Amazon, I would kill Netflix, and I would do HBO. Yeah, Snapchat, Facebook, Twitter,

0:34:58.800 --> 0:35:03.600
<v Speaker 1>I would kill Twitter here, I would buy Facebook and

0:35:03.640 --> 0:35:08.960
<v Speaker 1>I would do Snapchat myself. Biber, Kanye Beyonce, no comment,

0:35:10.680 --> 0:35:18.160
<v Speaker 1>I'd buy Biber, Brad, Brad Howgen, everybody from Attention dot

0:35:18.160 --> 0:35:19.920
<v Speaker 1>com be sure to check out the site. Like it

0:35:19.960 --> 0:35:29.800
<v Speaker 1>on Facebook. Thanks guys, Thanks, thank you. So that's the

0:35:29.920 --> 0:35:32.279
<v Speaker 1>episode fifteen. I hope you enjoyed the Lost File with

0:35:32.320 --> 0:35:35.560
<v Speaker 1>Brad Howgan from Attention. Thank you, Brad, and a big

0:35:35.560 --> 0:35:39.360
<v Speaker 1>thanks for our best producer he's actually our only producer,

0:35:39.480 --> 0:35:43.359
<v Speaker 1>Cameron Drew's Enjoy Your Label Day weekend. Also special thanks

0:35:43.400 --> 0:35:46.200
<v Speaker 1>as always to Andy Bower's, Matt Turk and our friends

0:35:46.200 --> 0:35:49.080
<v Speaker 1>and family. A panoply thanks bad Landia, Do you in

0:35:49.120 --> 0:36:02.719
<v Speaker 1>two weeks? Full disclosure. Our opinions are our own.