WEBVTT - I’m a Martha with Paul W. Downs

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<v Speaker 1>Hi Catherine, Hi Elsey. I'm in New York City and

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<v Speaker 1>I'm swety. I'm a sweaty Betty. I went to the

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<v Speaker 1>wrong studio this morning.

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<v Speaker 2>Not your fault.

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<v Speaker 1>I've been all over town, up and downtown. It's only

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<v Speaker 1>two o'clock in the afternoon and I've already changed my

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<v Speaker 1>underwear twice.

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<v Speaker 2>Great getting a little puma down there.

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<v Speaker 1>It's a little moist over here in New York. Yeah,

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<v Speaker 1>So I'm only here for three more days. I'm on

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<v Speaker 1>my transition to my work. First I come to New York,

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<v Speaker 1>then I go farther east, and then I go farther east.

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<v Speaker 2>That's what we did when we went to New yorka

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<v Speaker 2>with you.

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<v Speaker 3>We like stopped in New York and saw some Broadway

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<v Speaker 3>shows with a friend, and then we, you know, pieced

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<v Speaker 3>out to Spain for a week, which was I know.

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<v Speaker 1>I'm not seeing any Broadway shows this week, but I've

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<v Speaker 1>been invited to a couple. But I'm just trying to

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<v Speaker 1>pop into my favorite restaurants since i'll be out of

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<v Speaker 1>town and see all my friends that i haven't seen.

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<v Speaker 1>I like to make my presence known when I am

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<v Speaker 1>in town because I'm gone so much. I'll be out

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<v Speaker 1>of town for eight weeks now, and Doug is going

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<v Speaker 1>to sleep away camp for a month where he's going

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<v Speaker 1>to learn how to come when I call him.

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<v Speaker 2>And not beyond everything hopefully.

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<v Speaker 1>Yeah, he's yeah, my baby, my baby, I love my baby.

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<v Speaker 3>Well, I know you'll miss him, but we are very

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<v Speaker 3>excited to see you move off to my Orca and

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<v Speaker 3>have some fun for a while.

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<v Speaker 1>Yeah, you can tune into my Instagram to watch me

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<v Speaker 1>with my nieces and nephews while I'm corrupting them perfection.

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<v Speaker 1>I'm reading a book right now called Hamnet.

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<v Speaker 3>I've heard that's good. It's on my little to read list.

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<v Speaker 1>Yeah, I'm halfway through. It's nice. I like things that

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<v Speaker 1>are set like centuries ago, so yeah, I have to

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<v Speaker 1>you know, m.

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<v Speaker 3>H, I'm reading something right now that's set a couple

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<v Speaker 3>centuries ago, and like it's a little bit of like

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<v Speaker 3>an unlikable main character, like like that kind of a

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<v Speaker 3>witch and a bitch like yeah.

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<v Speaker 1>I like that. Though I know it's not often you

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<v Speaker 1>have an unlikable main character, but I yeah, sometimes prefer that.

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<v Speaker 3>Yeah, it's called Fine Shade with a y Chelsea.

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<v Speaker 2>We have a very fun guest day.

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<v Speaker 1>Who oh my god, I'm excited. He's so ridiculous.

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<v Speaker 3>He's so funny, and tonight is the season finale of.

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<v Speaker 1>His show, season finale of Hacks. Everybody, he created Hacks,

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<v Speaker 1>which is a great show with Jean Smart and Hannah

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<v Speaker 1>einbeinder On Max and our friend and guest today is

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<v Speaker 1>the person responsible for it? Well, he and his wife

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<v Speaker 1>are responsible for it and bestie and bestie. Yeah, oh

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<v Speaker 1>that's right, him and his wife and their best friend.

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<v Speaker 1>They're a threatfle Please welcome Paul W Downs. Oh my god,

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<v Speaker 1>you're so ridiculous. Paul W have you ever been on

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<v Speaker 1>a zoom before? We have what aren't you? Aren't you

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<v Speaker 1>a showrunner?

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<v Speaker 4>I am, but we don't usually have echo issues.

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<v Speaker 1>Just to fill our listeners in, Paul W went from

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<v Speaker 1>his closet or some sort of bunker and it was

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<v Speaker 1>all it was all wood, so there was an echo.

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<v Speaker 1>And then we told him he had maybe if we

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<v Speaker 1>could get into bed or something. He didn't want to

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<v Speaker 1>do that. We offered you to get into bed, and

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<v Speaker 1>instead you went around the corner into some is this

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<v Speaker 1>a birthing room that you're in? Now?

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<v Speaker 4>This is a bedroom. This is the bedroom. There is

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<v Speaker 4>a bed, but here's the thing. It's a laptop, so

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<v Speaker 4>I have to hold the laptop.

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<v Speaker 1>I'm like, oh no, no, no, no, I just want

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<v Speaker 1>me to be as comfortable as possible, because great, you're

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<v Speaker 1>stressing me out.

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<v Speaker 4>Oh no, don't get stressed.

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<v Speaker 1>Paul congratulations on season three of the Very Funny, very

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<v Speaker 1>Successful Hacks on HBO. Max. Well we call it Max now, right, Yeah,

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<v Speaker 1>I suppose so legally we must, Yeah, yes, we must.

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<v Speaker 1>How has this experience been because Okay, to fill our

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<v Speaker 1>listeners in, Paul writes with his wife Lucia. Lucia and

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<v Speaker 1>you guys came up with this, right, we did.

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<v Speaker 5>We came up with it with our very best friend,

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<v Speaker 5>Jen Statsky, who's our our third showrunner.

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<v Speaker 1>Okay, right, I have a very good friend from high

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<v Speaker 1>school named Jen Satsky.

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<v Speaker 4>No way, yeah, So, and did you go to high

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<v Speaker 4>school in New Jersey?

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<v Speaker 1>I did Livingston High School. So tell Jen.

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<v Speaker 4>I'm from New Jersey. My parents are from Randolph and Dover.

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<v Speaker 3>Yeah.

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<v Speaker 5>First, all I should say I should have started with

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<v Speaker 5>huge fans. But also I've always thought you could be

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<v Speaker 5>in my family. You just I just get the vibe

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<v Speaker 5>you'd fit right in.

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<v Speaker 1>Yeah, I'm very I'm a very Jersey girl at heart.

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<v Speaker 1>That's really where the edge of the edges come. Yeah,

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<v Speaker 1>so are you right?

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<v Speaker 4>I'm a Jersey girl too. Yeah.

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<v Speaker 1>Would you compare yourself to Snookie at all?

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<v Speaker 4>No, I'm not a snooky.

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<v Speaker 5>I'm more of Martha Stewart. I gotta say, you pick

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<v Speaker 5>a Jersey girl that I feel is yeah, I.

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<v Speaker 1>Do too, because she's got the right amount of bitch.

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<v Speaker 1>Well she's got an extra amount of bitch, which I respect.

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<v Speaker 4>I do too.

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<v Speaker 1>Yeah.

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<v Speaker 4>I got heavy on the bitch and light on the

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<v Speaker 4>duck face.

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<v Speaker 1>She's light on the pleasant trees. Yeah, she doesn't care.

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<v Speaker 1>She doesn't have time. Every time I see her, she's like,

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<v Speaker 1>who are you with, Chelsea? Who brought who's your plus one?

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<v Speaker 1>That's all she cares about. And I'm like, yeah, I

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<v Speaker 1>like I like that. She cuts to the chase, like

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<v Speaker 1>I don't want to say it's so hot today either

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<v Speaker 1>to anyone, you know. Yeah, it's embarrassing. Okay, So tell

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<v Speaker 1>us because I know that you said you said you

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<v Speaker 1>were quoted as saying that women are funnier than men.

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<v Speaker 4>Well, yeah, I do.

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<v Speaker 1>That's a good thing for men to start saying, you know,

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<v Speaker 1>just start practicing that agreed, and is that why you

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<v Speaker 1>wanted to do a sh show senator on a female comedian.

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<v Speaker 5>Yes, we were talking about how my first, the first

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<v Speaker 5>live stand up show, like real stand up show I

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<v Speaker 5>ever saw was Paula Pundstone in Morriston, New Jersey, and

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<v Speaker 5>there were just like so many stand ups that we

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<v Speaker 5>were talking about that never got the same du that

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<v Speaker 5>a ton of their male counterparts did. And we were

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<v Speaker 5>just like, it's interesting, especially, you know, because I met

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<v Speaker 5>my wife and Jen in New York at the UCB

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<v Speaker 5>and we were like, you know, part of that alt

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<v Speaker 5>comedy scene, which also.

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<v Speaker 1>Are you I'm sorry, are you guys a throutble?

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<v Speaker 4>We're not atle sexually? We do not. The three of

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<v Speaker 4>us don't have sex.

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<v Speaker 1>Okay, just checking, I'm just clarifying, But that's good to know.

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<v Speaker 1>So is Jen Does she have a partner slash lover?

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<v Speaker 4>She does? She has a husband actually.

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<v Speaker 1>Okay, because that's very relevant to this conversation.

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<v Speaker 4>She does have a husband.

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<v Speaker 5>He would probably be fine if we, you know, became sexual,

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<v Speaker 5>but we're.

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<v Speaker 1>Not, okay, which we're not. Don't count your chickens before

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<v Speaker 1>they hatch. You never know what's down on the Pike.

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<v Speaker 4>That's exactly right, especially right way.

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<v Speaker 1>But I like the way I used it.

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<v Speaker 5>I did too, I did too, So not a throtfle

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<v Speaker 5>but yeah, we we just were like in this all

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<v Speaker 5>comedy scene also where there was a little bit of

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<v Speaker 5>like what's cool comedy, what's not cool comedy? You know,

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<v Speaker 5>and we were interested in exploring what it was like

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<v Speaker 5>for like a younger comedian who maybe thought someone like

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<v Speaker 5>Debora Vance was a hack not a cool comedy person,

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<v Speaker 5>what it would be like for her to understand like

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<v Speaker 5>all of the all of the indignities that person suffered

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<v Speaker 5>to like pave the way for other comedians like her.

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<v Speaker 5>So when we thought of it, we wrote an email

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<v Speaker 5>to each other that was just like the log line

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<v Speaker 5>of the show, and we could not stop thinking about

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<v Speaker 5>it anytime we hung it out, we talked about it.

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<v Speaker 1>I mean, it is such a great idea for a

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<v Speaker 1>show to look at something that way. I would have

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<v Speaker 1>thought in the opposite direction, like to prove this tough,

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<v Speaker 1>tough bad guy was like really did have a heart.

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<v Speaker 1>But that's also part of the story too with gens

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<v Speaker 1>Smarts character, right.

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<v Speaker 4>Yeah, a very person.

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<v Speaker 1>Yeah, it's like a like a love affair between Hannah

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<v Speaker 1>and Jean Smart.

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<v Speaker 5>It is a love affair, and we actually talk about

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<v Speaker 5>it that way. We talk about the thaw all the time.

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<v Speaker 4>Ah goe, Yeah, yeah.

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<v Speaker 1>So you did. You never did stand up when you

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<v Speaker 1>were at UCB.

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<v Speaker 4>I did do stand up. I did. I did mostly

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<v Speaker 4>sketch an improv, but I did do stand up.

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<v Speaker 5>And actually it was because I did stand up and

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<v Speaker 5>I found it a lonely and b like what I

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<v Speaker 5>was doing was like a lot of like character.

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<v Speaker 4>I would often be.

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<v Speaker 5>Like, hey, I have some tech, and people at clubs

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<v Speaker 5>would be like what. And now I feel like there's

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<v Speaker 5>a lot of tech in stand up, Like you go

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<v Speaker 5>to a show and it's like power points and tons

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<v Speaker 5>of stuff.

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<v Speaker 4>But I don't know it just it didn't feel like

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<v Speaker 4>the right place.

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<v Speaker 1>I don't know what you're fucking talking about. I have

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<v Speaker 1>never seen a PowerPoint presentation at a stand up show.

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<v Speaker 1>I mean, I understand differentiation between alternative and stand up

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<v Speaker 1>because Hanna is alternative. I would describe Hanna as comedy

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<v Speaker 1>as alternative, which I just did in an article at

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<v Speaker 1>the Wall Street Journal or something like that for her,

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<v Speaker 1>because because she is alternative, like she has tech.

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<v Speaker 4>Yes, she does have tech. That's right, she does. That's

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<v Speaker 4>a great Yes, she did a perfect example of it.

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<v Speaker 1>Paul W. Do you think Hannah's character is written after

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<v Speaker 1>you is like loosely based on you.

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<v Speaker 4>No, She's the closest to Jen and the reason.

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<v Speaker 5>I mean, there is parts of myself and Lucia and

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<v Speaker 5>Jen in the character, and also parts of us at

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<v Speaker 5>Deborah as well.

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<v Speaker 4>Again, I'm a Martha.

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<v Speaker 5>Stewart, and I feel like the biggest similarity is that

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<v Speaker 5>Jen Early, when Twitter was like just popping off, she

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<v Speaker 5>became very successful on Twitter. I do know, can you

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<v Speaker 5>be successful? A lot of people followed her, and she

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<v Speaker 5>got hired essentially. I mean, she had a great packet,

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<v Speaker 5>I'm sure, but she was hired to write for Jimmy Fallon,

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<v Speaker 5>and I think part of her discovery was because she

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<v Speaker 5>was so well liked her comedy. Her jokes were so

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<v Speaker 5>good on Twitter, So that part of the origin story

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<v Speaker 5>of the character.

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<v Speaker 4>Is borrowed from Jen's life. But there's a little bit

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<v Speaker 4>of all of us in that.

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<v Speaker 1>Yeah. I mean, it's nice to have a team of

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<v Speaker 1>three when you're doing anything creative because that gives you

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<v Speaker 1>two heads to bounce ideas off of, so you can

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<v Speaker 1>really like check the box of you know, because sometimes

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<v Speaker 1>when you're working with yourself, you always have to bounce

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<v Speaker 1>it off of someone else before you can put it

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<v Speaker 1>live or write it down. Because I do. Actually that's

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<v Speaker 1>not true. I don't, but I but I do. Sometimes

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<v Speaker 1>I do. If I'm like on the fence about something

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<v Speaker 1>I know, bounce it off a couple of people to

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<v Speaker 1>get the reaction. All I usually need is one confirmation.

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<v Speaker 1>I'm like, I was right, that's funny, you know. Yeah,

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<v Speaker 1>you say it out loud to see if there's a reaction,

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<v Speaker 1>and if there's not, you walk away, you know, with

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<v Speaker 1>your head between your legs.

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<v Speaker 5>Right or like me, because I've continued to do stand

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<v Speaker 5>up to a certain degree, not enough to be maybe

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<v Speaker 5>considered one. But I will keep doing a bit that

0:09:28.600 --> 0:09:31.040
<v Speaker 5>doesn't work. If I feel like it works for you,

0:09:31.360 --> 0:09:32.920
<v Speaker 5>truly yours, I just keep doing it.

0:09:32.960 --> 0:09:35.520
<v Speaker 1>I'm like, I think that's funny. If I do something

0:09:35.559 --> 0:09:38.040
<v Speaker 1>twice and two times it doesn't work, I don't do

0:09:38.080 --> 0:09:38.440
<v Speaker 1>it again.

0:09:38.840 --> 0:09:40.040
<v Speaker 4>That's probably the way to do it.

0:09:40.160 --> 0:09:42.120
<v Speaker 1>No, I don't think there are any rules to anything.

0:09:42.320 --> 0:09:45.360
<v Speaker 1>There really aren't the goal I think for every creative

0:09:45.440 --> 0:09:47.840
<v Speaker 1>And you tell me if you disagree in any way

0:09:48.320 --> 0:09:51.360
<v Speaker 1>is to be confident in their with they're creating. To

0:09:51.440 --> 0:09:54.360
<v Speaker 1>have confidence in your creative ability. And when you're confident

0:09:54.400 --> 0:09:56.640
<v Speaker 1>in what you're creating like that, you can smell that,

0:09:57.080 --> 0:09:59.120
<v Speaker 1>and when you're not, you can smell it. So if

0:09:59.160 --> 0:10:01.319
<v Speaker 1>you're on stage doing something that doesn't work and you're

0:10:01.320 --> 0:10:02.960
<v Speaker 1>confident about it, it will still work.

0:10:03.320 --> 0:10:04.440
<v Speaker 4>Right. Yeah, I think that's true.

0:10:04.559 --> 0:10:06.600
<v Speaker 5>I don't lose an audience because I think it's funny.

0:10:06.640 --> 0:10:08.559
<v Speaker 5>It does tickle me, and I do think that's something that.

0:10:08.600 --> 0:10:12.440
<v Speaker 1>Please use that expression on this podcast, that it tickles you. No,

0:10:14.040 --> 0:10:16.520
<v Speaker 1>it's like that's a personal request.

0:10:17.000 --> 0:10:18.840
<v Speaker 4>Oh good to know. You don't like to be tickled?

0:10:18.960 --> 0:10:21.160
<v Speaker 1>No, I don't. I don't like that. I don't like

0:10:21.200 --> 0:10:24.160
<v Speaker 1>the word tickle. I find it very molesty. You know,

0:10:25.320 --> 0:10:28.080
<v Speaker 1>get a tickle. It's like, no, thank you, I'm not

0:10:28.200 --> 0:10:31.880
<v Speaker 1>coming to get a tickle. Or tickle your fancy is

0:10:31.920 --> 0:10:34.480
<v Speaker 1>another expression that I could do without, but I use

0:10:34.559 --> 0:10:37.240
<v Speaker 1>it all the time in spite of it because it's

0:10:37.280 --> 0:10:41.640
<v Speaker 1>so stupid. This might tickle your fancy, but it's evocative.

0:10:42.080 --> 0:10:43.400
<v Speaker 1>It's very evocative.

0:10:43.520 --> 0:10:44.400
<v Speaker 4>But no, I think you're right.

0:10:44.400 --> 0:10:46.240
<v Speaker 5>You have to be confident and you have to enjoy

0:10:46.280 --> 0:10:49.520
<v Speaker 5>it yourself. That's one of the things that having three

0:10:49.559 --> 0:10:52.079
<v Speaker 5>of us it is good because we're so confident because

0:10:52.120 --> 0:10:53.800
<v Speaker 5>if we can make one of the other three laugh,

0:10:54.240 --> 0:10:56.000
<v Speaker 5>My favorite audience are the two of them, and so

0:10:56.120 --> 0:10:58.280
<v Speaker 5>we're constantly trying to make each other laugh. But it's

0:10:58.320 --> 0:11:00.679
<v Speaker 5>also great because we have a tiebreaker, So that's also

0:11:01.080 --> 0:11:04.560
<v Speaker 5>there's a really good part of the three in creative

0:11:04.559 --> 0:11:05.760
<v Speaker 5>collaboration because of that too.

0:11:06.000 --> 0:11:08.120
<v Speaker 1>So you guys want a bunch of Emmys. You went

0:11:08.120 --> 0:11:09.920
<v Speaker 1>on your honeymoon, Is this correct, and then you flew

0:11:09.960 --> 0:11:11.160
<v Speaker 1>back straight to the Emmys.

0:11:11.400 --> 0:11:14.559
<v Speaker 5>Yeah, well, we we weirdly because because of when the

0:11:14.600 --> 0:11:16.640
<v Speaker 5>Emmys were happening, we did our honeymoon before our wedding,

0:11:16.679 --> 0:11:17.520
<v Speaker 5>so we got married.

0:11:19.440 --> 0:11:20.920
<v Speaker 4>I mean, the truth, the true story is this.

0:11:21.120 --> 0:11:22.760
<v Speaker 1>We don't know if I could get it up to

0:11:22.800 --> 0:11:25.560
<v Speaker 1>do that, like do it in reverse, I might oh,

0:11:26.080 --> 0:11:27.679
<v Speaker 1>or maybe I would do the honeymoon and then leave

0:11:27.679 --> 0:11:28.560
<v Speaker 1>before the marriage.

0:11:28.720 --> 0:11:31.920
<v Speaker 5>It was great to do in reverse because I'm like, no, well,

0:11:31.920 --> 0:11:34.400
<v Speaker 5>we we actually found out like eleven days before our

0:11:34.440 --> 0:11:36.600
<v Speaker 5>honeymoon that she was two months pregnant, which we did

0:11:36.679 --> 0:11:37.360
<v Speaker 5>not plan.

0:11:37.280 --> 0:11:39.360
<v Speaker 1>The baby, and the baby was yours and.

0:11:39.320 --> 0:11:41.520
<v Speaker 4>The baby was mine as far as I know.

0:11:41.679 --> 0:11:44.600
<v Speaker 1>Okay, Well, obviously that's something to look into, m hm.

0:11:44.800 --> 0:11:46.760
<v Speaker 5>So we went on our honeymoon, we got married, and

0:11:46.760 --> 0:11:48.480
<v Speaker 5>then we came back and like four days later were

0:11:48.480 --> 0:11:48.920
<v Speaker 5>the Emmys.

0:11:49.240 --> 0:11:50.600
<v Speaker 4>So it was a really crazy month.

0:11:50.920 --> 0:11:52.839
<v Speaker 1>And then you won Emmys. How many Emmys did you

0:11:52.880 --> 0:11:53.360
<v Speaker 1>win that night?

0:11:54.000 --> 0:11:56.439
<v Speaker 4>I only won one? Did she had to do that night?

0:11:57.240 --> 0:11:57.960
<v Speaker 4>Gene won one?

0:11:58.080 --> 0:11:59.319
<v Speaker 5>I mean there were there were there were a few

0:11:59.320 --> 0:12:01.800
<v Speaker 5>emis for the show, but I personally took home one.

0:12:02.000 --> 0:12:04.480
<v Speaker 1>Let's talk about Jeane Smart. Tell me about your experience

0:12:04.559 --> 0:12:06.439
<v Speaker 1>with because Jean Smart lost her husband at the beginning

0:12:06.480 --> 0:12:09.199
<v Speaker 1>of this series. I remember Handa was telling me that

0:12:09.840 --> 0:12:13.520
<v Speaker 1>and then she had this huge resurgence at the same time,

0:12:13.720 --> 0:12:16.559
<v Speaker 1>which I find those things kind of coincide in people's

0:12:16.600 --> 0:12:18.880
<v Speaker 1>lives all the time, right, there could be a big

0:12:18.920 --> 0:12:21.120
<v Speaker 1>loss and then there could be like a major shift

0:12:21.559 --> 0:12:25.160
<v Speaker 1>in a different area. So tell us about choosing Jean

0:12:25.240 --> 0:12:27.359
<v Speaker 1>Smart for the role, Like, how did you decide?

0:12:27.640 --> 0:12:30.120
<v Speaker 5>Well, we wrote the part without anybody in mind, and

0:12:30.160 --> 0:12:33.440
<v Speaker 5>we had written the script and we made a list

0:12:33.480 --> 0:12:35.160
<v Speaker 5>of people that we thought would be good for it,

0:12:35.400 --> 0:12:38.000
<v Speaker 5>and she was honestly at the top of the list

0:12:38.040 --> 0:12:40.000
<v Speaker 5>because we wanted someone who could do like that her

0:12:40.000 --> 0:12:42.240
<v Speaker 5>heartfelt moments in the show, more dramatic parts, but also

0:12:42.280 --> 0:12:44.360
<v Speaker 5>we needed her to be a believable stand up and

0:12:44.400 --> 0:12:46.600
<v Speaker 5>deliver a joke. And there's not a ton of women

0:12:46.679 --> 0:12:48.720
<v Speaker 5>that are that age that we thought would be perfect

0:12:48.800 --> 0:12:50.959
<v Speaker 5>for it, and so we sent it to her and

0:12:51.040 --> 0:12:53.559
<v Speaker 5>she met with us and said, you know, I always

0:12:53.600 --> 0:12:55.560
<v Speaker 5>wanted to be a stand up. When I was twelve,

0:12:56.400 --> 0:12:58.720
<v Speaker 5>everyone was mermaid or a princess, and I dressed as

0:12:58.760 --> 0:13:01.040
<v Speaker 5>philis Diller and none of the other kids got it.

0:13:01.120 --> 0:13:03.280
<v Speaker 5>But she's like, I've always wanted to do that. So

0:13:03.320 --> 0:13:05.760
<v Speaker 5>it's weirdly kismet. And then a lot of weird kismet

0:13:05.920 --> 0:13:07.280
<v Speaker 5>stuff kept happening.

0:13:07.080 --> 0:13:08.760
<v Speaker 1>Like what else tell us? I like, will your weird

0:13:08.840 --> 0:13:09.439
<v Speaker 1>kismet chit?

0:13:09.840 --> 0:13:10.040
<v Speaker 6>You know?

0:13:10.280 --> 0:13:14.160
<v Speaker 5>When Jean's husband passed, we sent her flowers and they

0:13:14.160 --> 0:13:16.000
<v Speaker 5>were her wedding flowers, and she's like, it's so weird.

0:13:16.000 --> 0:13:18.000
<v Speaker 5>How would you have known that anemonees were my wedding

0:13:18.080 --> 0:13:19.959
<v Speaker 5>flower And we had sent heed that and were just

0:13:20.040 --> 0:13:22.480
<v Speaker 5>like a weird coincs. But there kept being these things

0:13:22.480 --> 0:13:24.240
<v Speaker 5>that She's like, when we would write the script, she'd

0:13:24.280 --> 0:13:25.760
<v Speaker 5>be like, do you know I was obsessed with Christmas

0:13:25.800 --> 0:13:27.440
<v Speaker 5>and be like, no, we don't really know you that well,

0:13:27.440 --> 0:13:29.240
<v Speaker 5>we're just starting the season, you know, we But there

0:13:29.320 --> 0:13:30.680
<v Speaker 5>was a lot of things that were written into the

0:13:30.679 --> 0:13:32.600
<v Speaker 5>show that she was like, this is as if you

0:13:32.840 --> 0:13:34.480
<v Speaker 5>live in my house or you know, there's just a

0:13:34.480 --> 0:13:37.559
<v Speaker 5>bunch of stuff that felt weird, you know, felt weirdly

0:13:37.640 --> 0:13:39.280
<v Speaker 5>like it was it was a destined thing.

0:13:39.440 --> 0:13:40.200
<v Speaker 4>She was meant for it.

0:13:40.280 --> 0:13:44.280
<v Speaker 1>But yeah, your character is so fucking funny. You and Meghan.

0:13:44.440 --> 0:13:47.760
<v Speaker 1>Oh my god, Megan is so ridiculous. I mean, does

0:13:47.800 --> 0:13:50.120
<v Speaker 1>she ever say anything serious? I'm like, every time I

0:13:50.160 --> 0:13:52.240
<v Speaker 1>see her, I'm like, are you in character? Or are

0:13:52.280 --> 0:13:54.120
<v Speaker 1>you I'm like, is this your a real person?

0:13:54.600 --> 0:13:57.520
<v Speaker 5>He's always on, She's always on. But I have gotten

0:13:57.559 --> 0:14:00.720
<v Speaker 5>some serious moments from her. And actually you'll see the

0:14:00.760 --> 0:14:02.760
<v Speaker 5>season she plays some serious moments in the show.

0:14:02.960 --> 0:14:04.600
<v Speaker 1>Oh, I don't know if I'm ready for that.

0:14:04.960 --> 0:14:06.680
<v Speaker 5>I gotta tell you what she's making She's making me

0:14:06.679 --> 0:14:08.760
<v Speaker 5>cry in the scene season three, it's the finale, it's

0:14:08.760 --> 0:14:09.320
<v Speaker 5>season three.

0:14:09.760 --> 0:14:12.240
<v Speaker 4>She was so good. I was moved and during it

0:14:12.240 --> 0:14:13.559
<v Speaker 4>it was crazy. She's great.

0:14:13.840 --> 0:14:16.560
<v Speaker 1>Yeah, that's okay, that's enough about that. Now, how do

0:14:16.679 --> 0:14:21.240
<v Speaker 1>you know when you are writing something and you're starring

0:14:21.280 --> 0:14:23.720
<v Speaker 1>in it. I always am curious about directing and starring

0:14:23.720 --> 0:14:25.800
<v Speaker 1>in your own stuff. How do you know when it's

0:14:26.120 --> 0:14:29.560
<v Speaker 1>actually serving the purpose, like serving the script versus just

0:14:29.600 --> 0:14:35.320
<v Speaker 1>serving your own role and and expansion of it. Yes, yeah, yeah, yeah.

0:14:35.360 --> 0:14:38.160
<v Speaker 5>I think because being a writer on the show, like

0:14:38.200 --> 0:14:40.120
<v Speaker 5>writing the show, I think I care so much more

0:14:40.120 --> 0:14:42.440
<v Speaker 5>about the story than my part in the show that

0:14:42.760 --> 0:14:45.120
<v Speaker 5>oftentimes I'm like, we can lose, we can lose that

0:14:45.120 --> 0:14:47.520
<v Speaker 5>scene of Jimmy. I honestly often am like the one

0:14:47.520 --> 0:14:50.520
<v Speaker 5>who's I just cut that, And luckily I have these

0:14:50.560 --> 0:14:52.200
<v Speaker 5>other people who are like, no, keep it in. That

0:14:52.360 --> 0:14:53.680
<v Speaker 5>was a funny scene. We got to keep it in.

0:14:54.040 --> 0:14:56.920
<v Speaker 5>But when I'm when I'm directing, I mostly direct episodes

0:14:56.920 --> 0:14:59.040
<v Speaker 5>that Jimmy isn't really in because I find that hard too.

0:14:59.080 --> 0:15:01.040
<v Speaker 5>I'm like, I how you do a whole movie where

0:15:01.040 --> 0:15:02.520
<v Speaker 5>you're the leader of the movie and directing the movie,

0:15:02.520 --> 0:15:04.760
<v Speaker 5>and like, what do you watch playback every five minutes?

0:15:04.800 --> 0:15:06.800
<v Speaker 5>And it seems or you're in a scene you're like,

0:15:06.960 --> 0:15:08.800
<v Speaker 5>can we just what I need you to do?

0:15:09.040 --> 0:15:11.320
<v Speaker 4>You know, in your director but.

0:15:11.320 --> 0:15:15.240
<v Speaker 1>You're writing, directing, and starring in this that's a lot.

0:15:15.360 --> 0:15:17.160
<v Speaker 1>I didn't realize you were also directing.

0:15:17.360 --> 0:15:19.680
<v Speaker 4>Yeah, I direct only a handful of the episodes.

0:15:20.720 --> 0:15:23.119
<v Speaker 1>All right, we get it, we get it. You're a director,

0:15:23.160 --> 0:15:24.800
<v Speaker 1>you don't have to get defense.

0:15:24.680 --> 0:15:25.520
<v Speaker 2>And a showrunner.

0:15:25.840 --> 0:15:27.720
<v Speaker 4>Well, no, I'm saying, I don't direct that many. I don't.

0:15:27.720 --> 0:15:29.840
<v Speaker 4>I don't even. I dabble, I dabble.

0:15:30.480 --> 0:15:32.360
<v Speaker 1>We have fun, and how does that work? Let me

0:15:32.400 --> 0:15:34.920
<v Speaker 1>tell I want to know about like being with your spouse,

0:15:35.080 --> 0:15:39.040
<v Speaker 1>working together, living together, how how does that vibe work?

0:15:39.160 --> 0:15:41.600
<v Speaker 1>You have a kid now, so we do, and obviously

0:15:41.640 --> 0:15:43.520
<v Speaker 1>you have to have help because if you're both working,

0:15:43.840 --> 0:15:46.040
<v Speaker 1>we do we do. Whenever I think of a couple

0:15:46.080 --> 0:15:48.880
<v Speaker 1>working together, I envisioned doctor Phil with his wife and

0:15:48.920 --> 0:15:52.160
<v Speaker 1>the audience and think, what don't you have anything to do?

0:15:52.760 --> 0:15:54.880
<v Speaker 1>You know? Like why is she sitting there listening to

0:15:54.960 --> 0:15:57.120
<v Speaker 1>her fucking husband? Like, get, that's an hour she could

0:15:57.120 --> 0:15:59.080
<v Speaker 1>get away from him, and she's choosing to go and

0:15:59.120 --> 0:16:02.800
<v Speaker 1>listen to him. Rant But I think, I guess I'm

0:16:02.800 --> 0:16:04.400
<v Speaker 1>going to answer my own question here. But then I

0:16:04.440 --> 0:16:07.680
<v Speaker 1>want you to elaborate, Paul W. Because working together with

0:16:07.720 --> 0:16:12.200
<v Speaker 1>a spouse in a creative space must be very stimulating, right,

0:16:12.360 --> 0:16:15.080
<v Speaker 1>Like more stimulate, like being able to carry your work

0:16:15.120 --> 0:16:18.160
<v Speaker 1>home with you when it is creative isn't as onerous

0:16:18.200 --> 0:16:19.800
<v Speaker 1>as it is to carry your work home with you

0:16:19.840 --> 0:16:22.760
<v Speaker 1>if you're a CPA or something exactly.

0:16:22.800 --> 0:16:24.760
<v Speaker 4>We are in a way.

0:16:25.080 --> 0:16:27.680
<v Speaker 5>We're always working, but we're never working because even when

0:16:27.720 --> 0:16:29.400
<v Speaker 5>we're together and we're at a restaurant and we see

0:16:29.440 --> 0:16:32.080
<v Speaker 5>a waitress who's like doing something fun, We're like, this

0:16:32.160 --> 0:16:33.280
<v Speaker 5>is this is a scene?

0:16:33.280 --> 0:16:33.800
<v Speaker 4>You know what I mean?

0:16:33.840 --> 0:16:37.280
<v Speaker 5>We're constantly collecting material, but also we're never really bored

0:16:37.320 --> 0:16:39.440
<v Speaker 5>because we always have something. And the thing is, because

0:16:39.440 --> 0:16:41.760
<v Speaker 5>we also work on comedy together. It's about trying to

0:16:41.760 --> 0:16:43.720
<v Speaker 5>make the other person laugh. So again, it's not like

0:16:44.120 --> 0:16:46.640
<v Speaker 5>being a CPA or even doing something dramatic. I'm like,

0:16:46.960 --> 0:16:50.560
<v Speaker 5>you know, we're not bringing home some true crime murder story,

0:16:50.640 --> 0:16:52.320
<v Speaker 5>you know, and thinking about the directing of that.

0:16:52.440 --> 0:16:53.920
<v Speaker 4>We're we're thinking about a better.

0:16:53.800 --> 0:16:56.600
<v Speaker 1>Joke or directing the Ashley Madison documentary. Is that what

0:16:56.600 --> 0:16:57.440
<v Speaker 1>you were thinking.

0:16:57.200 --> 0:16:59.480
<v Speaker 4>Of saying, Yeah, we're not doing that.

0:16:59.520 --> 0:17:03.480
<v Speaker 1>We're such a beautiful documentary, and what about like because

0:17:03.520 --> 0:17:06.400
<v Speaker 1>it's very heartwarming the show, and so I'm always wondering,

0:17:06.480 --> 0:17:09.040
<v Speaker 1>like the line, because I like I would always err

0:17:09.080 --> 0:17:11.199
<v Speaker 1>on the side of hard comedy, and this is this

0:17:11.320 --> 0:17:14.719
<v Speaker 1>is I wouldn't say hard comedy, right, I wouldn't say that.

0:17:14.960 --> 0:17:17.760
<v Speaker 1>I would say that it's comedy. But there's a lot

0:17:17.800 --> 0:17:20.280
<v Speaker 1>of heart, I guess from Gene. Sometimes it can be

0:17:20.320 --> 0:17:23.440
<v Speaker 1>hard comedy. How do you tell the line, like, what's

0:17:23.480 --> 0:17:26.480
<v Speaker 1>the most important for you and your storytelling vision and

0:17:26.560 --> 0:17:28.359
<v Speaker 1>what's the most important for the show?

0:17:28.720 --> 0:17:30.000
<v Speaker 4>Funny first? I mean it is.

0:17:30.080 --> 0:17:32.760
<v Speaker 5>It is in our minds a comedy and so we're

0:17:32.800 --> 0:17:35.160
<v Speaker 5>always always making sure that it's funny first.

0:17:35.400 --> 0:17:38.160
<v Speaker 4>But whether that just be the scene or the dialogue.

0:17:38.160 --> 0:17:40.639
<v Speaker 5>And we do have this kind of cheat code because

0:17:40.760 --> 0:17:42.280
<v Speaker 5>Gene plays a stand up so we get to like

0:17:42.359 --> 0:17:44.520
<v Speaker 5>write not only stand up jokes for it, but also like,

0:17:44.720 --> 0:17:46.960
<v Speaker 5>you know, she's a person that makes jokes constantly.

0:17:47.040 --> 0:17:50.080
<v Speaker 4>She's constantly joking. She's constantly ribbing Ava and Ava's throwing

0:17:50.080 --> 0:17:50.400
<v Speaker 4>it back.

0:17:50.480 --> 0:17:53.080
<v Speaker 5>Like we get to write jokes, which I think when

0:17:53.119 --> 0:17:56.760
<v Speaker 5>you see a comedy where people, you know whatever work

0:17:56.800 --> 0:17:59.800
<v Speaker 5>in a hospital and then they're slinging jokes, you're like, well,

0:17:59.840 --> 0:18:03.800
<v Speaker 5>if feels written, because right, people are not professional Canadians

0:18:03.840 --> 0:18:04.320
<v Speaker 5>who are really fun.

0:18:04.400 --> 0:18:05.120
<v Speaker 4>I'm not saying that.

0:18:05.080 --> 0:18:07.880
<v Speaker 1>You've never met a funny phlebotomist.

0:18:08.040 --> 0:18:09.479
<v Speaker 4>You know, I haven't. I don't think i've met.

0:18:09.480 --> 0:18:12.119
<v Speaker 1>It only took me two tries to get phlebotomists out

0:18:12.160 --> 0:18:12.680
<v Speaker 1>of my mouth.

0:18:12.920 --> 0:18:14.760
<v Speaker 4>That was good, that was and that's a funny word.

0:18:14.840 --> 0:18:16.960
<v Speaker 1>I'm assuming that you've had therapy in your life, right,

0:18:16.960 --> 0:18:20.040
<v Speaker 1>You've been to therapy, you have. It's impossible to live

0:18:20.080 --> 0:18:21.639
<v Speaker 1>in la and be in this industry and not go

0:18:21.680 --> 0:18:24.959
<v Speaker 1>to therapy. It's like the gateway drug to therapy is

0:18:25.119 --> 0:18:27.600
<v Speaker 1>being in Hollywood. You have to go to therapy at

0:18:27.600 --> 0:18:30.359
<v Speaker 1>some point if you've lived there. Okay, Well, we're going

0:18:30.400 --> 0:18:31.760
<v Speaker 1>to take a break and then we're gonna come back

0:18:31.800 --> 0:18:33.760
<v Speaker 1>and we're going to answer some callers questions. Okay, Paul

0:18:33.920 --> 0:18:40.040
<v Speaker 1>w Okay, we'll be right back this week.

0:18:40.080 --> 0:18:43.320
<v Speaker 3>We'd love to get questions from anyone with parenting questions

0:18:43.480 --> 0:18:46.600
<v Speaker 3>or step parenting questions. We'd also like to hear from

0:18:46.600 --> 0:18:49.119
<v Speaker 3>any trans or non binary folks who would like invice

0:18:49.160 --> 0:18:52.920
<v Speaker 3>from Chelsea, whether that be about friendships, dating, work issues,

0:18:53.000 --> 0:18:56.520
<v Speaker 3>or anything else. Right into Dear Chelsea Podcast at gmail dot.

0:18:56.359 --> 0:18:59.600
<v Speaker 1>Com, and we're back with Paul W. Downs Hell and

0:18:59.840 --> 0:19:02.840
<v Speaker 1>how there's no relation to the other the zillions of

0:19:02.880 --> 0:19:04.840
<v Speaker 1>Paul downs out there, right, because I was assuming that

0:19:05.000 --> 0:19:06.520
<v Speaker 1>W had to be put in there.

0:19:06.960 --> 0:19:09.080
<v Speaker 5>Yeah, well I do have I mean, I have a

0:19:09.119 --> 0:19:10.879
<v Speaker 5>relationship to my dad, but if I didn't have a W,

0:19:11.000 --> 0:19:13.000
<v Speaker 5>he might collect a residual, which is not good.

0:19:13.160 --> 0:19:14.639
<v Speaker 4>You know, it's good at me.

0:19:14.840 --> 0:19:17.320
<v Speaker 1>Are you in any way related to George W. Bush?

0:19:17.480 --> 0:19:21.399
<v Speaker 5>No, No, it's not the way at least you know

0:19:21.520 --> 0:19:22.199
<v Speaker 5>keyword for me.

0:19:22.359 --> 0:19:24.520
<v Speaker 1>But you know I was just asking, just you know,

0:19:24.720 --> 0:19:25.560
<v Speaker 1>I ask every guest.

0:19:26.040 --> 0:19:29.399
<v Speaker 3>Yes, our first question comes from l She says, to

0:19:29.400 --> 0:19:32.240
<v Speaker 3>your Chelsea, I'm writing to ask you about how to

0:19:32.320 --> 0:19:36.240
<v Speaker 3>approach a prenup. My fiance is a self made millionaire

0:19:36.240 --> 0:19:38.960
<v Speaker 3>and has two kids. I've always known that there will

0:19:39.000 --> 0:19:41.879
<v Speaker 3>be a prenup eventually, but I feel like the expectations

0:19:41.880 --> 0:19:45.040
<v Speaker 3>are always changing. None of this is very romantic, and

0:19:45.080 --> 0:19:47.679
<v Speaker 3>I hate going through this process. I don't want the

0:19:47.680 --> 0:19:50.480
<v Speaker 3>money he made before we were together, but having said that,

0:19:50.640 --> 0:19:51.480
<v Speaker 3>I want to stand.

0:19:51.280 --> 0:19:52.520
<v Speaker 1>Up for my lot more money.

0:19:53.640 --> 0:19:56.080
<v Speaker 3>I have no kids, I'm almost a decade younger, and

0:19:56.119 --> 0:19:59.160
<v Speaker 3>I've had a successful career. But it feels like since

0:19:59.200 --> 0:20:01.520
<v Speaker 3>we're starting a partner ship, I should have a somewhat

0:20:01.520 --> 0:20:04.200
<v Speaker 3>equal share in what happens going forward. How do you

0:20:04.240 --> 0:20:06.760
<v Speaker 3>recommend handling money matters like this in a couple?

0:20:07.119 --> 0:20:10.760
<v Speaker 1>L Oh, god, prenups. Sorry, yeah, that is I don't

0:20:10.760 --> 0:20:13.320
<v Speaker 1>know the legalities around a prenup because I'm smart enough

0:20:13.320 --> 0:20:16.120
<v Speaker 1>to never have been married. Paul, w what about you?

0:20:16.119 --> 0:20:16.719
<v Speaker 1>You're married?

0:20:16.920 --> 0:20:18.280
<v Speaker 4>I am married. I don't have a prenup.

0:20:18.280 --> 0:20:20.320
<v Speaker 1>Okay, well you need to get one, even though you

0:20:20.320 --> 0:20:21.600
<v Speaker 1>guys share the same job.

0:20:22.160 --> 0:20:23.440
<v Speaker 4>We gotta do. I know, that's the thing.

0:20:23.440 --> 0:20:26.119
<v Speaker 1>I'm like, that's gonna be a tricky No, you can

0:20:26.119 --> 0:20:28.359
<v Speaker 1>get a post up. Actually, that is a thing. People

0:20:28.400 --> 0:20:32.120
<v Speaker 1>do do that or they re they they renegotiate their

0:20:32.160 --> 0:20:35.240
<v Speaker 1>prenup once they're down the road, like five or ten years,

0:20:35.280 --> 0:20:37.840
<v Speaker 1>Like who's counting. Obviously they are because they're like, all

0:20:37.880 --> 0:20:40.880
<v Speaker 1>right now it's time for this to you know, mature.

0:20:41.200 --> 0:20:43.080
<v Speaker 1>But I would say, first of all, you need an

0:20:43.080 --> 0:20:46.000
<v Speaker 1>attorney that is going to have your best interests in mind.

0:20:46.040 --> 0:20:48.439
<v Speaker 1>You can't rely on your fiance's attorney to have your

0:20:48.520 --> 0:20:50.720
<v Speaker 1>best interests. That is not a thing. They don't have

0:20:50.760 --> 0:20:53.040
<v Speaker 1>your best interests, they have his best interests. So you

0:20:53.119 --> 0:20:55.320
<v Speaker 1>have to just find a lawyer, and find a female lawyer.

0:20:55.320 --> 0:20:59.040
<v Speaker 1>I would say to help negotiate your terms, and you're

0:20:59.080 --> 0:21:02.200
<v Speaker 1>absolutely right. If you're gonna move in and be a partnership,

0:21:02.240 --> 0:21:04.520
<v Speaker 1>then it should be more of a partnership. But yeah,

0:21:04.560 --> 0:21:06.720
<v Speaker 1>you're no way entitled to anything that he made before

0:21:06.760 --> 0:21:08.840
<v Speaker 1>that or any of the money that has set aside

0:21:08.840 --> 0:21:09.520
<v Speaker 1>for his children.

0:21:09.840 --> 0:21:10.480
<v Speaker 4>I think that's right.

0:21:10.920 --> 0:21:12.920
<v Speaker 5>I think it's like, okay, we just make terms that

0:21:13.280 --> 0:21:15.240
<v Speaker 5>you guys are a partnership from that point forward.

0:21:15.240 --> 0:21:15.840
<v Speaker 4>I think that's right.

0:21:15.880 --> 0:21:19.200
<v Speaker 1>I was once engaged very quietly too with someone, and

0:21:19.600 --> 0:21:22.639
<v Speaker 1>as soon as I heard about the prenup, I was like,

0:21:22.720 --> 0:21:26.080
<v Speaker 1>we're not doing this. It was my from my business managers.

0:21:26.359 --> 0:21:29.320
<v Speaker 1>Once I heard about what would be entailed, what it

0:21:29.359 --> 0:21:32.240
<v Speaker 1>would entail, I was like, never mind, I'm not even

0:21:32.240 --> 0:21:34.560
<v Speaker 1>going to have the problem to ever have to deal with.

0:21:34.760 --> 0:21:36.879
<v Speaker 4>I will say, our business manager did recommend a prenup

0:21:36.920 --> 0:21:37.600
<v Speaker 4>and we did not do it.

0:21:37.720 --> 0:21:40.080
<v Speaker 1>Yeah, there are those people. You must have thought you

0:21:40.119 --> 0:21:41.880
<v Speaker 1>were really in love at that time, Paul w.

0:21:42.320 --> 0:21:44.520
<v Speaker 4>Well, we had been together for like fifteen years.

0:21:44.720 --> 0:21:46.760
<v Speaker 1>That's a long time. Fifteen years. So now you've been

0:21:46.800 --> 0:21:51.000
<v Speaker 1>together twenty years, No, eighteen years, no, like seventeen seventeen. Okay,

0:21:51.040 --> 0:21:52.720
<v Speaker 1>my math is sometimes a little bit off.

0:21:53.040 --> 0:21:54.000
<v Speaker 4>Mine is off too. I don't.

0:21:54.000 --> 0:21:56.000
<v Speaker 5>I'm like, this is kind of an approximation, you know, yeah,

0:21:56.040 --> 0:21:57.040
<v Speaker 5>it was great anyway.

0:21:57.200 --> 0:22:00.360
<v Speaker 1>Well, lengths of time, durations of time is always in an approximation.

0:22:00.720 --> 0:22:02.280
<v Speaker 1>People are like, when did your mother die? I'm like,

0:22:02.320 --> 0:22:03.440
<v Speaker 1>I don't know. It could have been a year ago,

0:22:03.480 --> 0:22:04.879
<v Speaker 1>it could have been ten years ago. I have no

0:22:04.960 --> 0:22:06.440
<v Speaker 1>sense of time.

0:22:06.400 --> 0:22:09.480
<v Speaker 4>Right right, right, especially, I have very bad memory too.

0:22:09.720 --> 0:22:11.560
<v Speaker 1>Oh, you have a really bad memory. A lot of

0:22:11.560 --> 0:22:13.480
<v Speaker 1>guys have bad memories. It's impressive when you meet a

0:22:13.520 --> 0:22:15.680
<v Speaker 1>guy with good memory. I sometimes have a good one,

0:22:15.720 --> 0:22:17.600
<v Speaker 1>sometimes a bad one. It depends how much product spoke

0:22:17.640 --> 0:22:17.920
<v Speaker 1>that day.

0:22:17.960 --> 0:22:20.760
<v Speaker 3>But yeah, yeah, I think that's really good advice for Elle,

0:22:20.840 --> 0:22:23.480
<v Speaker 3>Like get your own attorney because it's not a romantic

0:22:23.520 --> 0:22:25.800
<v Speaker 3>thing and it needs to just like not be your manic.

0:22:25.680 --> 0:22:28.000
<v Speaker 1>And you shouldn't even discuss it with your husband to

0:22:28.600 --> 0:22:31.280
<v Speaker 1>just don't even discuss it. Let that lawyers deal with it.

0:22:31.520 --> 0:22:33.880
<v Speaker 1>People are there to do those jobs, so you don't

0:22:33.880 --> 0:22:36.800
<v Speaker 1>have to do them. Do not get involved. It will

0:22:36.840 --> 0:22:39.440
<v Speaker 1>get much more unromantic if you do exactly.

0:22:40.040 --> 0:22:42.120
<v Speaker 4>Yeah, keep the boundary, Yeah, and talk about money.

0:22:41.960 --> 0:22:45.320
<v Speaker 1>Is always an ugly conversation. It's an uncomfortable conversation. If

0:22:45.320 --> 0:22:48.600
<v Speaker 1>you need it, it's a desperate conversation. If you have it,

0:22:48.880 --> 0:22:51.200
<v Speaker 1>you know, it's just always like sticky.

0:22:51.560 --> 0:22:55.560
<v Speaker 3>Yeah, So there you go. L Our first color today

0:22:55.720 --> 0:22:59.399
<v Speaker 3>is Bree. She is thirty seven and she's a therapist,

0:22:59.480 --> 0:23:02.080
<v Speaker 3>your Chelsea Pie. I'm a lesbian in my mid thirties

0:23:02.119 --> 0:23:04.399
<v Speaker 3>who's worked for the last ten years as both a

0:23:04.480 --> 0:23:07.760
<v Speaker 3>child behavioral therapist and a family therapist. It can be

0:23:07.800 --> 0:23:10.840
<v Speaker 3>a very difficult and very rewarding job, and I love it.

0:23:11.280 --> 0:23:12.919
<v Speaker 3>At home, I have a wife who I've been with

0:23:12.960 --> 0:23:15.719
<v Speaker 3>since our early twenties. We have a beautiful four year

0:23:15.760 --> 0:23:17.520
<v Speaker 3>old daughter and are on the verge of trying for

0:23:17.560 --> 0:23:20.960
<v Speaker 3>another child. We have a wonderful marriage, she's my best friend,

0:23:21.080 --> 0:23:23.600
<v Speaker 3>my writer die and ninety percent of the time things

0:23:23.640 --> 0:23:27.159
<v Speaker 3>are great. Parenting is where it gets tricky. She's the

0:23:27.160 --> 0:23:29.320
<v Speaker 3>one who carried our daughter and has always been a

0:23:29.359 --> 0:23:32.520
<v Speaker 3>mama bear by nature, while I'm also a mom. I

0:23:32.560 --> 0:23:36.000
<v Speaker 3>often take the quote dad roles when parenting. Our daughter

0:23:36.040 --> 0:23:38.119
<v Speaker 3>has a special bond with my wife, which is great,

0:23:38.240 --> 0:23:40.560
<v Speaker 3>but sometimes it leaves me feeling a little left out.

0:23:41.000 --> 0:23:42.720
<v Speaker 3>And as much as I love my job, it feels

0:23:42.760 --> 0:23:45.679
<v Speaker 3>like it's working against me sometimes at home. While my

0:23:45.760 --> 0:23:49.000
<v Speaker 3>wife and I often parent cohesively, will occasionally disagree with

0:23:49.040 --> 0:23:53.040
<v Speaker 3>some parenting decisions. Unfortunately, whenever I disagree with her opinion,

0:23:53.359 --> 0:23:56.720
<v Speaker 3>she automatically says that I'm being too clinical. I try

0:23:56.760 --> 0:23:59.080
<v Speaker 3>not to use professional language for this reason, and I

0:23:59.119 --> 0:24:01.800
<v Speaker 3>do think I do a pretty good job. Needless to say,

0:24:01.880 --> 0:24:05.480
<v Speaker 3>anytime we have a parenting disagreement, her opinion always wins,

0:24:05.520 --> 0:24:09.360
<v Speaker 3>and she disqualifies mine due to my profession. My wife

0:24:09.400 --> 0:24:11.640
<v Speaker 3>struggles with a lot of insecurity, and I can see

0:24:11.640 --> 0:24:14.240
<v Speaker 3>some of the same traits developing in our daughter. I've

0:24:14.240 --> 0:24:15.960
<v Speaker 3>tried to explain that there are things we can do

0:24:16.000 --> 0:24:18.359
<v Speaker 3>as parents to build our daughter's self confidence, but my

0:24:18.480 --> 0:24:21.080
<v Speaker 3>words fall on deaf ears and she does get defensive.

0:24:21.640 --> 0:24:24.600
<v Speaker 3>I've suggested seeing a family therapist ourselves, but she revealed

0:24:24.600 --> 0:24:27.600
<v Speaker 3>to me that she doesn't believe in therapy, which is

0:24:27.640 --> 0:24:31.240
<v Speaker 3>a whole other dilemma. No, is it better for me

0:24:31.280 --> 0:24:33.560
<v Speaker 3>to back down and go along with her instincts as

0:24:33.560 --> 0:24:37.120
<v Speaker 3>a mom, sometimes against my better judgment and training. Am

0:24:37.119 --> 0:24:39.760
<v Speaker 3>I really letting my career blur my natural parenting?

0:24:40.119 --> 0:24:44.639
<v Speaker 1>Bree oh Hi Brie Hi Hi This is our special

0:24:44.640 --> 0:24:49.760
<v Speaker 1>guest today, Paul W. Downs. Hi, Hi, Hi. That's so

0:24:50.200 --> 0:24:53.240
<v Speaker 1>it's not funny, but it's very funny that your that's

0:24:53.280 --> 0:24:56.720
<v Speaker 1>like being a ghostbuster and having your spouse not believe

0:24:56.760 --> 0:24:59.280
<v Speaker 1>in ghosts. That's fucked up.

0:24:59.720 --> 0:25:00.960
<v Speaker 7>Yeah, it's been challenging.

0:25:01.560 --> 0:25:04.199
<v Speaker 1>People cannot not be open to therapy, Like that's just

0:25:04.240 --> 0:25:07.520
<v Speaker 1>so stupid to say you need a parenting counselor somebody

0:25:07.520 --> 0:25:09.600
<v Speaker 1>who can talk to both of you because it's not

0:25:09.640 --> 0:25:11.720
<v Speaker 1>cool that she's disagreeing with you. You guys are supposed to

0:25:11.760 --> 0:25:12.560
<v Speaker 1>be on the same team.

0:25:13.200 --> 0:25:15.359
<v Speaker 7>Yeah, And I you know, I think a lot of

0:25:15.400 --> 0:25:17.600
<v Speaker 7>it had to do with the fact that when I

0:25:17.920 --> 0:25:20.399
<v Speaker 7>when our daughter was first born, you know, I'm not

0:25:20.440 --> 0:25:23.000
<v Speaker 7>great with newborns. That was did not come nationally to me.

0:25:23.040 --> 0:25:25.600
<v Speaker 7>I was awkward, I fumbled around a lot, and I

0:25:25.640 --> 0:25:29.000
<v Speaker 7>think she sort of panicked and pulled back. And you know,

0:25:29.080 --> 0:25:32.480
<v Speaker 7>my expertise is really from five and above, and so

0:25:32.600 --> 0:25:34.480
<v Speaker 7>I think she was like, you know what we're done.

0:25:34.840 --> 0:25:37.399
<v Speaker 7>I'm going to make the decisions and you can be

0:25:37.440 --> 0:25:37.920
<v Speaker 7>over here.

0:25:38.680 --> 0:25:41.439
<v Speaker 1>Okay, Well that's that you can't be relegated to like

0:25:41.480 --> 0:25:43.800
<v Speaker 1>a second in command. A I wouldn't worry about that.

0:25:43.840 --> 0:25:46.200
<v Speaker 1>It's people bond with children at different ages, Like, don't

0:25:46.200 --> 0:25:49.600
<v Speaker 1>worry about not bonding to the same level when she

0:25:49.760 --> 0:25:53.280
<v Speaker 1>was an infant. Is your daughter, Yeah, daughter, and don't

0:25:53.280 --> 0:25:54.919
<v Speaker 1>worry about that. You're gonna have your own bonding with

0:25:54.960 --> 0:25:57.280
<v Speaker 1>her at whatever age it's going to happen. That always

0:25:57.320 --> 0:25:59.480
<v Speaker 1>shakes itself out. But your wife seems to be the

0:25:59.480 --> 0:26:02.520
<v Speaker 1>bigger issue you, which is you have to get her

0:26:02.560 --> 0:26:05.159
<v Speaker 1>to understand that she doesn't get to decide. She's not

0:26:05.240 --> 0:26:09.000
<v Speaker 1>the only parent in this unit. This family unit has

0:26:09.040 --> 0:26:11.240
<v Speaker 1>two parents, and she's dominating.

0:26:11.520 --> 0:26:14.439
<v Speaker 7>Yeah, and she's never dominated in anything before. I've always

0:26:14.440 --> 0:26:16.760
<v Speaker 7>been that kind of person too. She has been like, oh,

0:26:16.760 --> 0:26:18.879
<v Speaker 7>I'm going I'm good with whatever. I make all the

0:26:18.880 --> 0:26:21.119
<v Speaker 7>decisions for a lot of things, which can be frustrating

0:26:21.119 --> 0:26:23.480
<v Speaker 7>because I love a back and forth. And so now

0:26:23.480 --> 0:26:25.720
<v Speaker 7>she's like, you know what, I've never done anything and

0:26:25.720 --> 0:26:27.520
<v Speaker 7>made any decisions. Now I'm going to stand up for

0:26:27.560 --> 0:26:31.120
<v Speaker 7>myself and make all these decisions. And you know, it's

0:26:31.119 --> 0:26:33.520
<v Speaker 7>hard to argue with that, but I'd like to be

0:26:33.640 --> 0:26:35.400
<v Speaker 7>a role in my daughter's life.

0:26:35.240 --> 0:26:36.800
<v Speaker 1>And you have every right to be a role in

0:26:36.840 --> 0:26:40.080
<v Speaker 1>your daughter's life. So like, yeah, that's the most important thing.

0:26:40.160 --> 0:26:42.200
<v Speaker 1>It's not about who's right or who's wrong. It's about

0:26:42.200 --> 0:26:44.880
<v Speaker 1>both being open to listening to each other's opinions.

0:26:45.000 --> 0:26:46.320
<v Speaker 4>You do family therapy, right.

0:26:46.359 --> 0:26:48.960
<v Speaker 7>Yeah, I'm a family therapist and a child behavioral therapist.

0:26:49.080 --> 0:26:51.560
<v Speaker 4>Yeah. Okay, So what would you say.

0:26:53.200 --> 0:26:55.760
<v Speaker 5>I'm like, you know, I'm like, this is so hard

0:26:55.800 --> 0:27:00.800
<v Speaker 5>because you're you're in it. But this is past, this

0:27:00.920 --> 0:27:01.240
<v Speaker 5>is hard.

0:27:02.920 --> 0:27:05.680
<v Speaker 7>I mean, the immediate thought that would come to mind

0:27:05.720 --> 0:27:09.280
<v Speaker 7>for me is there's clearly some trust issues on her end,

0:27:09.440 --> 0:27:11.720
<v Speaker 7>in terms she did have a very traumatic childhood. There

0:27:11.840 --> 0:27:14.680
<v Speaker 7>is a lot of trust background issues there. She doesn't

0:27:14.720 --> 0:27:17.119
<v Speaker 7>believe in therapy because she doesn't trust the process. She

0:27:17.160 --> 0:27:21.440
<v Speaker 7>doesn't trust that someone a stranger could help her with

0:27:21.480 --> 0:27:24.760
<v Speaker 7>what she experienced, and she doesn't trust other people to

0:27:24.840 --> 0:27:27.879
<v Speaker 7>help make big decisions like myself for our daughter. And

0:27:27.960 --> 0:27:30.720
<v Speaker 7>at first, before we had a child, it was easier

0:27:30.760 --> 0:27:33.040
<v Speaker 7>because you know, it was just the two of us,

0:27:33.200 --> 0:27:36.760
<v Speaker 7>and now there's a whole human life here that is

0:27:36.800 --> 0:27:41.560
<v Speaker 7>impacting our ability to trust each other basically, So that

0:27:41.600 --> 0:27:44.320
<v Speaker 7>would be my first thought is there's some trust building

0:27:44.359 --> 0:27:47.040
<v Speaker 7>to have to occur here, but I don't know how

0:27:47.040 --> 0:27:47.320
<v Speaker 7>to do.

0:27:47.320 --> 0:27:50.120
<v Speaker 1>It well, especially with what you just said earlier, which

0:27:50.200 --> 0:27:53.439
<v Speaker 1>is that you made all the decisions until this and

0:27:53.480 --> 0:27:57.560
<v Speaker 1>you're a child psychologist or behavioral list and so she's

0:27:57.560 --> 0:27:59.200
<v Speaker 1>looking at you like, oh no, no, no, this is

0:27:59.240 --> 0:28:01.720
<v Speaker 1>another thing you're going to dominate. And now she's stepping

0:28:01.720 --> 0:28:03.440
<v Speaker 1>in and going, no, I'm going to take this role.

0:28:03.920 --> 0:28:06.840
<v Speaker 1>So yes, with that information, with everything you said, that

0:28:06.920 --> 0:28:09.720
<v Speaker 1>sounds pretty kind of textbook. So you should be able

0:28:09.720 --> 0:28:10.840
<v Speaker 1>to handle this without us.

0:28:15.000 --> 0:28:17.080
<v Speaker 4>How old is How old is she your daughter? Not

0:28:17.119 --> 0:28:17.560
<v Speaker 4>your wife?

0:28:17.680 --> 0:28:19.720
<v Speaker 1>She's four and a half now and a half.

0:28:20.000 --> 0:28:22.440
<v Speaker 4>Okay, yeah, you're about to get to your expertise.

0:28:23.440 --> 0:28:26.960
<v Speaker 7>Yes, and you know I'd love another child, but I

0:28:27.000 --> 0:28:28.480
<v Speaker 7>don't want to go through all this over again.

0:28:28.520 --> 0:28:30.760
<v Speaker 1>Okay, well you have to get into therapy together. She

0:28:30.840 --> 0:28:33.840
<v Speaker 1>can't that. That attitude isn't going to be good for

0:28:33.880 --> 0:28:37.280
<v Speaker 1>your marriage or your relationship or your family dynamic. So

0:28:37.640 --> 0:28:39.800
<v Speaker 1>you've got to really work on that and work on that.

0:28:39.840 --> 0:28:40.680
<v Speaker 1>Do you see someone?

0:28:41.080 --> 0:28:41.240
<v Speaker 4>Ah?

0:28:41.320 --> 0:28:41.840
<v Speaker 7>Yes, I do.

0:28:42.160 --> 0:28:44.120
<v Speaker 1>Well talk to your person about that. I mean, I

0:28:44.160 --> 0:28:45.560
<v Speaker 1>know you're trying to talk to us about it, but

0:28:45.720 --> 0:28:47.400
<v Speaker 1>you should also talk to your person and see what

0:28:47.440 --> 0:28:49.480
<v Speaker 1>they say, Like, what is an organic way for you

0:28:49.560 --> 0:28:51.440
<v Speaker 1>to bring her in where she doesn't feel threatened and

0:28:51.440 --> 0:28:54.800
<v Speaker 1>she doesn't feel it's about her, and you can organically

0:28:54.840 --> 0:28:58.360
<v Speaker 1>bring the conversation in around whatever the pretense of her

0:28:58.840 --> 0:29:01.160
<v Speaker 1>coming to therapy, which is you want to make sure

0:29:01.160 --> 0:29:03.560
<v Speaker 1>that you're staying connected. Maybe you don't feel so connected

0:29:03.600 --> 0:29:03.880
<v Speaker 1>to her.

0:29:04.240 --> 0:29:05.680
<v Speaker 7>Yeah, that's true, Oka.

0:29:05.760 --> 0:29:08.880
<v Speaker 1>And I don't think you go in saying like staking

0:29:08.920 --> 0:29:12.200
<v Speaker 1>your claim of what you think you're missing. I think

0:29:12.240 --> 0:29:14.400
<v Speaker 1>you go in like, I want us to be more

0:29:14.560 --> 0:29:16.880
<v Speaker 1>unified as parents, and I want to be closer to

0:29:16.920 --> 0:29:20.720
<v Speaker 1>you and acknowledge the closeness she has with your daughter

0:29:21.000 --> 0:29:24.520
<v Speaker 1>without sounding like it's a threat, you know what I mean, Like,

0:29:24.560 --> 0:29:26.880
<v Speaker 1>it's so great the way that you've stepped in. It

0:29:26.920 --> 0:29:29.640
<v Speaker 1>makes my life. It's so nice to know she's in

0:29:29.720 --> 0:29:32.800
<v Speaker 1>such safe hands. You know that obviously it's her mother,

0:29:32.920 --> 0:29:35.760
<v Speaker 1>but still, like people need to hear those things, you know,

0:29:35.840 --> 0:29:38.600
<v Speaker 1>and that's usually where the insecurity lies. It's like this

0:29:38.680 --> 0:29:40.760
<v Speaker 1>deep rooted fear that you're not doing a good enough

0:29:40.840 --> 0:29:42.680
<v Speaker 1>job at whatever it is you're doing.

0:29:43.000 --> 0:29:44.160
<v Speaker 4>Right, I think you've hit.

0:29:44.040 --> 0:29:45.840
<v Speaker 7>The nail on the head there with her. I think

0:29:45.880 --> 0:29:48.840
<v Speaker 7>that you're absolutely right. She would respond much better to

0:29:48.880 --> 0:29:51.320
<v Speaker 7>a positive approach there instead of in the past we

0:29:51.360 --> 0:29:53.400
<v Speaker 7>would just combat. I would say why am I not

0:29:53.440 --> 0:29:56.360
<v Speaker 7>allowed you in on this? And she would get defensive.

0:29:56.440 --> 0:29:58.440
<v Speaker 7>So I think that's absolutely right.

0:29:58.520 --> 0:29:58.800
<v Speaker 2>Yeah.

0:29:58.880 --> 0:30:00.600
<v Speaker 1>Yeah, with people who get to fend if, it's just

0:30:00.640 --> 0:30:02.680
<v Speaker 1>like you have to like pour love over them over

0:30:02.720 --> 0:30:04.760
<v Speaker 1>and over and over again until they just melt and

0:30:04.800 --> 0:30:05.200
<v Speaker 1>give up.

0:30:05.960 --> 0:30:06.240
<v Speaker 4>Yeah.

0:30:06.360 --> 0:30:07.880
<v Speaker 5>It's almost like you want to say, can you come

0:30:07.880 --> 0:30:10.080
<v Speaker 5>to my session because I want you to help me

0:30:10.200 --> 0:30:14.000
<v Speaker 5>with this thing. Yeah, exactly, I'm feeling sad about this thing,

0:30:14.000 --> 0:30:16.640
<v Speaker 5>and maybe you can shed some light on the situation

0:30:17.120 --> 0:30:19.440
<v Speaker 5>with my therapist. Like, you know, if you make it

0:30:19.480 --> 0:30:22.360
<v Speaker 5>more about what you need and not what they need

0:30:22.400 --> 0:30:25.640
<v Speaker 5>to change, that might be helpful. And I think that's right.

0:30:25.640 --> 0:30:27.720
<v Speaker 5>It's just about like being like, you're so great at

0:30:27.720 --> 0:30:29.800
<v Speaker 5>all these things. Sometimes I don't feel what you know.

0:30:29.840 --> 0:30:32.479
<v Speaker 5>I do feel like sometimes people do the counterbalance, they

0:30:32.560 --> 0:30:34.120
<v Speaker 5>do the end of the yang, and it's like it

0:30:34.200 --> 0:30:36.280
<v Speaker 5>might be the case that she's like, no, you're great,

0:30:37.080 --> 0:30:39.160
<v Speaker 5>you're a great parent. You also studied this, he went

0:30:39.200 --> 0:30:41.040
<v Speaker 5>to school for it, and you know me, I do

0:30:41.080 --> 0:30:41.640
<v Speaker 5>believe in it.

0:30:42.040 --> 0:30:45.720
<v Speaker 1>Absolutely, But you could still feel inadequate within a relationship,

0:30:46.000 --> 0:30:48.280
<v Speaker 1>and that's a good descriptor to use for the way

0:30:48.360 --> 0:30:52.040
<v Speaker 1>you feel to her, because that makes it, you know,

0:30:52.120 --> 0:30:52.960
<v Speaker 1>it's not aggressive.

0:30:53.240 --> 0:30:55.400
<v Speaker 7>Yeah, And I think there was also that second layer

0:30:55.480 --> 0:30:57.960
<v Speaker 7>for me if I was I'm not a blood parent,

0:30:58.240 --> 0:31:00.920
<v Speaker 7>and so I was already feeling insignificant that I didn't

0:31:00.960 --> 0:31:04.600
<v Speaker 7>have the same role in my daughter's life with that

0:31:04.640 --> 0:31:08.080
<v Speaker 7>whole second parent but not blood parent situation. So that

0:31:08.200 --> 0:31:10.280
<v Speaker 7>really haunted me for a while as well. I'm working

0:31:10.360 --> 0:31:10.680
<v Speaker 7>on that.

0:31:11.040 --> 0:31:14.280
<v Speaker 3>When you know, you said that you're thinking about another child,

0:31:14.360 --> 0:31:16.520
<v Speaker 3>are you? Is she going to carry again and use

0:31:16.560 --> 0:31:18.120
<v Speaker 3>her own eggs and everything?

0:31:18.320 --> 0:31:18.560
<v Speaker 8>Yeah?

0:31:18.720 --> 0:31:22.040
<v Speaker 7>Yeah, so same situations, full blood seidling.

0:31:22.240 --> 0:31:26.840
<v Speaker 1>You're having honest feelings about that reservations, right, you said, yeah, yeah,

0:31:26.880 --> 0:31:29.080
<v Speaker 1>so you got to like get this. It's gonna be fine.

0:31:29.120 --> 0:31:30.800
<v Speaker 1>You just have to get her to a place where

0:31:30.960 --> 0:31:33.880
<v Speaker 1>you have to really come from a place where you're

0:31:33.920 --> 0:31:37.400
<v Speaker 1>sharing it with her rather than prescribing it to her.

0:31:38.120 --> 0:31:38.479
<v Speaker 4>Yeah.

0:31:38.480 --> 0:31:42.000
<v Speaker 7>Absolutely, you know, I'm just navigating both her and being

0:31:42.240 --> 0:31:44.960
<v Speaker 7>you know, a same sex couple with same parenting, which

0:31:44.960 --> 0:31:46.800
<v Speaker 7>we don't have a lot of examples to pull from,

0:31:47.360 --> 0:31:48.880
<v Speaker 7>so we're sort of making it up on the fly.

0:31:49.560 --> 0:31:52.320
<v Speaker 1>Just follow Brandy Carlyle on Instagram. She and her wife

0:31:52.360 --> 0:31:55.080
<v Speaker 1>seem to make it work, even though Brandy Carlyle is

0:31:55.080 --> 0:31:59.360
<v Speaker 1>on can you join a band on tour that seems

0:31:59.360 --> 0:32:05.360
<v Speaker 1>to be a great Can you start doing stand up?

0:32:08.960 --> 0:32:12.000
<v Speaker 1>Most people don't know? Okay, well, good luck with everything

0:32:12.120 --> 0:32:14.200
<v Speaker 1>and keep us posted. Let us know. If that works

0:32:14.200 --> 0:32:16.320
<v Speaker 1>out and you get her to come to therapy.

0:32:16.360 --> 0:32:18.480
<v Speaker 7>Awesome, Maybe I'll get her to come here and get

0:32:18.520 --> 0:32:19.200
<v Speaker 7>therapy for me.

0:32:21.000 --> 0:32:21.360
<v Speaker 3>Bring her on.

0:32:21.600 --> 0:32:24.920
<v Speaker 1>Yeah, we are looking for couples. I'm not fucking joking.

0:32:25.360 --> 0:32:27.720
<v Speaker 1>I like talking to couples. So if you could get

0:32:27.760 --> 0:32:30.240
<v Speaker 1>her to do it, we'll set it up all right.

0:32:30.440 --> 0:32:31.400
<v Speaker 7>Thank you guys so much.

0:32:37.160 --> 0:32:39.320
<v Speaker 1>Paul, do you defer to your wife about your child,

0:32:39.560 --> 0:32:41.880
<v Speaker 1>about your parenting like or does she defer to you

0:32:41.960 --> 0:32:42.840
<v Speaker 1>who's in charge?

0:32:44.280 --> 0:32:46.880
<v Speaker 5>I think it depends on the moment. I feel like

0:32:46.960 --> 0:32:50.000
<v Speaker 5>we both we both have our thoughts. I mean, sometimes

0:32:50.000 --> 0:32:51.920
<v Speaker 5>it differs, but it's it's so it's so minor. It's

0:32:51.960 --> 0:32:54.200
<v Speaker 5>usually around like should we keep them up in the

0:32:54.240 --> 0:32:55.479
<v Speaker 5>car before you know what I mean.

0:32:55.520 --> 0:32:56.280
<v Speaker 4>It's stuff like that.

0:32:56.320 --> 0:32:58.240
<v Speaker 5>But I get what we was saying about, even because

0:32:58.280 --> 0:32:59.719
<v Speaker 5>I feel like dads feel this way too, even if

0:32:59.720 --> 0:33:01.920
<v Speaker 5>there are blood related it it's like, well they didn't.

0:33:01.680 --> 0:33:02.320
<v Speaker 4>Carry the child.

0:33:02.320 --> 0:33:04.840
<v Speaker 5>They also didn't if they if the child was breastflite,

0:33:04.840 --> 0:33:07.120
<v Speaker 5>they didn't brestfeed, And there's like a bond that happens there.

0:33:07.120 --> 0:33:08.520
<v Speaker 5>And in the beginning, dad, the dad is kind of

0:33:08.560 --> 0:33:11.040
<v Speaker 5>like the butler, not you know, he's just like making

0:33:11.040 --> 0:33:13.720
<v Speaker 5>sure everybody has the things, but not really doing as much.

0:33:13.760 --> 0:33:16.720
<v Speaker 4>So I do get that. I get what Breeze is

0:33:16.840 --> 0:33:17.480
<v Speaker 4>talking about.

0:33:17.600 --> 0:33:20.400
<v Speaker 1>Yeah, I would definitely, like I even hearing it, like

0:33:20.440 --> 0:33:23.360
<v Speaker 1>there's one birth parent and then there's one, so you're

0:33:23.520 --> 0:33:26.560
<v Speaker 1>assuming a male role almost because you're like the dad

0:33:26.640 --> 0:33:30.120
<v Speaker 1>or a traditional male role. But I would feel that

0:33:30.200 --> 0:33:31.920
<v Speaker 1>like if I was in a lesbian relationship and my

0:33:31.960 --> 0:33:35.400
<v Speaker 1>wife carried the baby, I'd be like, all right, one am,

0:33:35.400 --> 0:33:37.120
<v Speaker 1>I allowed man out. It's like how you feel after

0:33:37.120 --> 0:33:38.959
<v Speaker 1>a threesome, you know, when you're the extra.

0:33:39.400 --> 0:33:42.800
<v Speaker 3>Just like that, So how Paul W feels every day

0:33:42.800 --> 0:33:43.480
<v Speaker 3>in his workplace.

0:33:43.600 --> 0:33:47.720
<v Speaker 1>Paul W always feels post threesome. I could tell. Oh,

0:33:47.760 --> 0:33:49.920
<v Speaker 1>by the way, Paul, I just agree to do a

0:33:49.920 --> 0:33:52.640
<v Speaker 1>residency in Vegas at the Cosmopolitan once a month.

0:33:52.800 --> 0:33:55.160
<v Speaker 4>I know, congrats. I love that.

0:33:55.240 --> 0:33:58.040
<v Speaker 1>I was inspired by the show No.

0:33:58.000 --> 0:33:59.480
<v Speaker 4>Get Out of here, get out of here.

0:33:59.840 --> 0:34:02.959
<v Speaker 1>I read that you guys spend so much time in Vegas,

0:34:02.960 --> 0:34:05.000
<v Speaker 1>so you actually have to live there part time when

0:34:05.000 --> 0:34:05.840
<v Speaker 1>you're shooting, right.

0:34:06.000 --> 0:34:08.120
<v Speaker 5>We actually hate to say it. We shoot mostly in

0:34:08.200 --> 0:34:09.920
<v Speaker 5>La We're only there for like three days a season.

0:34:10.080 --> 0:34:11.640
<v Speaker 1>Oh okay, okay, that.

0:34:11.560 --> 0:34:12.239
<v Speaker 4>Makes you love.

0:34:12.640 --> 0:34:14.680
<v Speaker 5>We do love the Vegas portion of our shoot. We

0:34:14.960 --> 0:34:17.240
<v Speaker 5>love you know, it's so it's it is the show.

0:34:17.360 --> 0:34:18.880
<v Speaker 5>So I love Vegas.

0:34:18.880 --> 0:34:19.200
<v Speaker 4>I think it's.

0:34:19.520 --> 0:34:21.480
<v Speaker 1>I love the way her house is in Vegas with

0:34:21.560 --> 0:34:24.200
<v Speaker 1>that long drive. I love when a driveway isn't is

0:34:24.280 --> 0:34:26.200
<v Speaker 1>too long to be called a driveway and it's just

0:34:26.239 --> 0:34:29.760
<v Speaker 1>a drive. It's a drive. That's what I say. Whenever

0:34:29.800 --> 0:34:31.719
<v Speaker 1>I go to ted sarandas is the house, it's like

0:34:31.719 --> 0:34:34.600
<v Speaker 1>it's a drive, you know, like it's a whole. It

0:34:34.640 --> 0:34:36.960
<v Speaker 1>loops around the property and you're like, ooh am, I

0:34:37.320 --> 0:34:38.160
<v Speaker 1>never never land.

0:34:38.280 --> 0:34:40.680
<v Speaker 4>I want to go. Everybody knows going I gotta go. Yeah,

0:34:40.680 --> 0:34:41.480
<v Speaker 4>I gotta go to Ted.

0:34:41.600 --> 0:34:44.719
<v Speaker 1>The best hosts. Okay. So yeah, I love the way

0:34:44.760 --> 0:34:46.839
<v Speaker 1>her comes into her house. I'm like, oh god, that's

0:34:46.880 --> 0:34:48.480
<v Speaker 1>the only way you could get anyone to move to

0:34:48.560 --> 0:34:52.479
<v Speaker 1>Vegas is to give them some strolling indoor amusement park

0:34:52.520 --> 0:34:55.239
<v Speaker 1>for a house, you know, basically like, you have all

0:34:55.239 --> 0:34:57.239
<v Speaker 1>the fixings you need here, you don't ever have to

0:34:57.320 --> 0:35:00.280
<v Speaker 1>leave because it's fucking hot there.

0:35:00.400 --> 0:35:01.120
<v Speaker 4>Are you going to live there?

0:35:01.280 --> 0:35:04.520
<v Speaker 1>No, no, no doubt. I literally go. I fly. I

0:35:04.960 --> 0:35:07.800
<v Speaker 1>perform once a month, so it's like, oh oh, not

0:35:08.160 --> 0:35:10.759
<v Speaker 1>like a weekly thing, right. I tried to calculate in

0:35:10.760 --> 0:35:13.120
<v Speaker 1>my head how many hours in a row I could

0:35:13.120 --> 0:35:15.680
<v Speaker 1>stay in Vegas while also remaining stable. You know what

0:35:15.680 --> 0:35:19.200
<v Speaker 1>I mean. I'm not I can't be trusted in areas

0:35:19.239 --> 0:35:20.440
<v Speaker 1>like that or Monte Carlo.

0:35:21.320 --> 0:35:24.279
<v Speaker 4>Oh wow, Oh, Monte Carlo will be really fun. I

0:35:24.280 --> 0:35:24.959
<v Speaker 4>would see you there.

0:35:25.880 --> 0:35:29.600
<v Speaker 1>I've been dying to throw Monte Carlo into something. Yeah,

0:35:29.960 --> 0:35:30.520
<v Speaker 1>what do we have?

0:35:32.200 --> 0:35:35.000
<v Speaker 3>Well, now that we've hit Monte Carlo, our next caller

0:35:35.200 --> 0:35:39.480
<v Speaker 3>is Kelly. Kelly is twenty nine and says, Dear Chelsea,

0:35:39.760 --> 0:35:41.960
<v Speaker 3>I write to you because I need you to help

0:35:42.040 --> 0:35:45.000
<v Speaker 3>me get the hell over a fear. My partner is

0:35:45.000 --> 0:35:47.560
<v Speaker 3>a world traveler. It's one of her favorite things. She

0:35:47.600 --> 0:35:50.160
<v Speaker 3>would love nothing more than to go somewhere extra cool

0:35:50.200 --> 0:35:52.880
<v Speaker 3>with me. I also love to travel and take vacations,

0:35:52.920 --> 0:35:55.440
<v Speaker 3>but usually ones I can drive to. You see, I'm

0:35:55.480 --> 0:35:58.400
<v Speaker 3>afraid of planes. She and I have been together for

0:35:58.440 --> 0:36:01.520
<v Speaker 3>four years now. She's been patient and supportive, but it

0:36:01.600 --> 0:36:03.760
<v Speaker 3>has been four years, and I owe it to her

0:36:03.800 --> 0:36:06.480
<v Speaker 3>and me to shake it off. I refuse to fly

0:36:06.560 --> 0:36:09.800
<v Speaker 3>for about twenty years now. I think my avoidance is

0:36:09.880 --> 0:36:13.400
<v Speaker 3>rooted in past experience of turbulence, fear of no exit

0:36:13.480 --> 0:36:16.160
<v Speaker 3>or control, a fatal plane crash occurring in a city

0:36:16.200 --> 0:36:19.080
<v Speaker 3>my partner was visiting at the time, intrusive thoughts, and

0:36:19.160 --> 0:36:22.200
<v Speaker 3>overall anxiety. My therapist is on board to help me

0:36:22.239 --> 0:36:26.440
<v Speaker 3>through the plane fear, even via virtual reality. My doctor

0:36:26.480 --> 0:36:28.320
<v Speaker 3>has given me at Avan to use on my first

0:36:28.320 --> 0:36:31.759
<v Speaker 3>ever adult flight, whenever that may be. In conclusion, I'm

0:36:31.800 --> 0:36:34.360
<v Speaker 3>getting good building blocks toward my first flight, but the

0:36:34.400 --> 0:36:37.439
<v Speaker 3>thought still horrifies me. I need Chelsea Handler to tell

0:36:37.480 --> 0:36:39.680
<v Speaker 3>me to get the hell over it. Maybe tell me

0:36:39.760 --> 0:36:42.160
<v Speaker 3>what's so good about flying. Your advice will help my

0:36:42.200 --> 0:36:45.440
<v Speaker 3>partner like me even more. Kelly, and Kelly, I do

0:36:45.520 --> 0:36:47.319
<v Speaker 3>need you to tell us what you told me on

0:36:47.360 --> 0:36:50.120
<v Speaker 3>our call together about like the last time you flew

0:36:50.520 --> 0:36:53.000
<v Speaker 3>and when that was Yes, Hello.

0:36:52.800 --> 0:36:56.560
<v Speaker 8>Everyone, Hi, ahead, welcome, thank you so much, thanks for

0:36:56.600 --> 0:36:59.440
<v Speaker 8>having me so. My last flight was in two thousand

0:36:59.480 --> 0:37:03.360
<v Speaker 8>and five. I was very young and Hurricane Katrina was

0:37:03.400 --> 0:37:06.800
<v Speaker 8>basically hitting as we were leaving, the hurricane was hitting

0:37:06.880 --> 0:37:09.520
<v Speaker 8>and hitting, turbulence in the air just all of that

0:37:09.560 --> 0:37:11.640
<v Speaker 8>combined really freaked me out.

0:37:11.760 --> 0:37:17.400
<v Speaker 1>Yeah, but you're fine. You're fine now, nothing happened. So look,

0:37:17.600 --> 0:37:20.640
<v Speaker 1>the worst thing happened and you're fine. Yeah, I mean

0:37:20.680 --> 0:37:23.280
<v Speaker 1>the worst thing didn't happen, but it came close to happening,

0:37:23.400 --> 0:37:25.359
<v Speaker 1>or what you think was going to cause that. First

0:37:25.400 --> 0:37:26.920
<v Speaker 1>of all, I don't know if this will help you,

0:37:27.000 --> 0:37:28.960
<v Speaker 1>but it helped me a long time ago. I don't

0:37:29.000 --> 0:37:31.600
<v Speaker 1>have a fear of flying, but I remember someone telling

0:37:31.640 --> 0:37:34.880
<v Speaker 1>me that when you're experiencing turbulence, it's almost like the

0:37:34.920 --> 0:37:38.360
<v Speaker 1>opposite of crashing, like it is the most normal expected

0:37:38.360 --> 0:37:41.480
<v Speaker 1>thing to happen, and that planes don't get into trouble

0:37:41.560 --> 0:37:44.120
<v Speaker 1>during turbulence. That's not what causes planes to go out,

0:37:44.160 --> 0:37:46.480
<v Speaker 1>you know. I mean maybe with weather changing the way

0:37:46.520 --> 0:37:49.520
<v Speaker 1>it is because of climate change, that it could be

0:37:49.560 --> 0:37:51.560
<v Speaker 1>it could escalate to that, But that's not where where

0:37:51.600 --> 0:37:55.000
<v Speaker 1>crashes come from. Turbulence. So you should know that and

0:37:55.080 --> 0:37:56.560
<v Speaker 1>write that down in front of you so you could

0:37:56.600 --> 0:37:58.319
<v Speaker 1>read that over and over again. You know what I

0:37:58.320 --> 0:38:00.480
<v Speaker 1>mean for when you fly. I'm fucking serious.

0:38:00.640 --> 0:38:01.760
<v Speaker 2>But just you were fine.

0:38:01.880 --> 0:38:04.839
<v Speaker 1>You are fine, you are safe, you are fine, I

0:38:04.880 --> 0:38:07.120
<v Speaker 1>am safe. Blah blah blah, over and over and over

0:38:07.160 --> 0:38:10.080
<v Speaker 1>against yourself. To calm yourself down while you're on the

0:38:10.080 --> 0:38:12.359
<v Speaker 1>plane and out of van didn't help you.

0:38:12.800 --> 0:38:13.960
<v Speaker 8>I haven't tried it yet.

0:38:14.160 --> 0:38:15.000
<v Speaker 4>Oh it's gonna be great.

0:38:15.320 --> 0:38:17.799
<v Speaker 1>You're gonna you're gonna love it. The other thing is,

0:38:18.040 --> 0:38:20.839
<v Speaker 1>I would recommend you go to a hypnotist to try

0:38:20.880 --> 0:38:23.920
<v Speaker 1>to get over this, because Kerrie Gainer's in LA. But

0:38:23.960 --> 0:38:27.040
<v Speaker 1>that would require a flight, so I don't know. I

0:38:27.600 --> 0:38:30.800
<v Speaker 1>went to him for smoking cigarettes. I have tons of people.

0:38:30.880 --> 0:38:31.719
<v Speaker 1>Do you know who he is?

0:38:32.280 --> 0:38:33.880
<v Speaker 4>I've heard of him yet, Yeah, like he's.

0:38:33.680 --> 0:38:34.759
<v Speaker 1>This famous hypnotist.

0:38:34.880 --> 0:38:36.720
<v Speaker 5>Who is I had a friend who went for candy

0:38:36.960 --> 0:38:38.160
<v Speaker 5>for like a sugar addiction.

0:38:38.200 --> 0:38:38.359
<v Speaker 4>I went.

0:38:38.400 --> 0:38:40.720
<v Speaker 1>I had a friend who went for biting her toenails. Okay,

0:38:41.040 --> 0:38:44.960
<v Speaker 1>apparently the two biggest phobias are spiders and flying. Those

0:38:45.000 --> 0:38:47.560
<v Speaker 1>are the or no sorry, fear of public speaking, and

0:38:47.680 --> 0:38:49.799
<v Speaker 1>flying spiders are scary too.

0:38:50.000 --> 0:38:51.560
<v Speaker 4>We feel for the spider fear of people.

0:38:51.600 --> 0:38:54.080
<v Speaker 1>But can you look up a hypnotist? You have to

0:38:54.120 --> 0:38:57.200
<v Speaker 1>try it, you do it? Three times and you will like,

0:38:57.760 --> 0:38:59.959
<v Speaker 1>it works for a lot of people, so don't rule

0:39:00.120 --> 0:39:00.480
<v Speaker 1>that out.

0:39:00.600 --> 0:39:03.279
<v Speaker 5>And you know, my uncle flies planes, and I'm like,

0:39:03.800 --> 0:39:05.840
<v Speaker 5>this is crazy, this is scary. But you know what

0:39:05.880 --> 0:39:07.080
<v Speaker 5>he said to me, and it actually is in my

0:39:07.120 --> 0:39:09.239
<v Speaker 5>head all the time. Planes want to stay in the

0:39:09.280 --> 0:39:10.800
<v Speaker 5>air the way that they're designed.

0:39:11.000 --> 0:39:11.480
<v Speaker 4>They don't.

0:39:11.840 --> 0:39:14.239
<v Speaker 5>It's hard to get them down. Actually, the landing is

0:39:14.440 --> 0:39:16.200
<v Speaker 5>not to scare you, one of the one of the

0:39:16.200 --> 0:39:17.520
<v Speaker 5>most treacherous parts.

0:39:17.719 --> 0:39:22.720
<v Speaker 1>Because necessary to say that what are you doing right now?

0:39:23.040 --> 0:39:26.080
<v Speaker 1>So she gets on the plane, she's okay, and that

0:39:26.200 --> 0:39:28.640
<v Speaker 1>she remembers what you said about the fucking landing.

0:39:29.000 --> 0:39:30.240
<v Speaker 4>That's the last five minutes.

0:39:32.680 --> 0:39:33.800
<v Speaker 1>Ruined the whole flight.

0:39:34.760 --> 0:39:40.319
<v Speaker 5>No flying, it's not it's not dangerous to land.

0:39:40.360 --> 0:39:42.680
<v Speaker 4>It's fine. It's it's all safe. It's safer than driving

0:39:42.760 --> 0:39:44.560
<v Speaker 4>in a car. You know that. You've heard the stats.

0:39:44.640 --> 0:39:46.080
<v Speaker 1>It is safer than driving in a car.

0:39:46.320 --> 0:39:47.440
<v Speaker 4>Have you been in a Have you been in a

0:39:47.480 --> 0:39:48.000
<v Speaker 4>golf cart?

0:39:48.440 --> 0:39:49.040
<v Speaker 1>Yeah?

0:39:49.200 --> 0:39:51.400
<v Speaker 4>So golf carts don't really have a suspension that lets them.

0:39:51.440 --> 0:39:54.279
<v Speaker 5>I mean, they're really bouncy, but they don't tip over,

0:39:54.440 --> 0:39:56.600
<v Speaker 5>they don't roll, you know what I mean. That's exactly

0:39:56.600 --> 0:39:58.560
<v Speaker 5>what turbunece is it's like it's like bounces. It's not

0:39:58.600 --> 0:40:00.680
<v Speaker 5>going to make the plane all out of the air.

0:40:00.680 --> 0:40:02.560
<v Speaker 5>It's like being in a golf cart, and I do

0:40:02.680 --> 0:40:05.080
<v Speaker 5>I know that sounds crazy, but I do think because turbulence,

0:40:05.120 --> 0:40:07.960
<v Speaker 5>I don't love it either. I don't know who loves turbulence,

0:40:08.000 --> 0:40:10.600
<v Speaker 5>but I do think about the golf cart analogy whenever

0:40:10.600 --> 0:40:12.600
<v Speaker 5>there's turbulence, and also that the plane wants to be

0:40:12.600 --> 0:40:12.960
<v Speaker 5>in the air.

0:40:13.640 --> 0:40:17.920
<v Speaker 1>I don't think that line of thinking is helpful at all.

0:40:18.520 --> 0:40:19.880
<v Speaker 1>Does that make you feel better?

0:40:20.640 --> 0:40:24.120
<v Speaker 8>Yes, I wrote all those down right. It's also like

0:40:24.160 --> 0:40:29.200
<v Speaker 8>an overstimulation thing and not liking to be around people

0:40:29.320 --> 0:40:32.120
<v Speaker 8>and have no escape. So I'm wondering what escape up

0:40:32.200 --> 0:40:34.760
<v Speaker 8>for Like a first class flight that might.

0:40:35.719 --> 0:40:38.560
<v Speaker 5>Yeah, that will help a lot in first class will

0:40:38.880 --> 0:40:41.560
<v Speaker 5>have Also, I think turbulence is less apparent in the front.

0:40:41.640 --> 0:40:44.440
<v Speaker 3>I think, yeah, okay, I took out a van for

0:40:44.480 --> 0:40:45.960
<v Speaker 3>a flying because it was like a period where I

0:40:46.000 --> 0:40:48.799
<v Speaker 3>was pretty nervous flyer and it like you still think like,

0:40:48.960 --> 0:40:50.440
<v Speaker 3>oh I might die, but like it makes you not

0:40:50.560 --> 0:40:51.800
<v Speaker 3>care that you might die.

0:40:52.040 --> 0:40:53.160
<v Speaker 2>It just takes that away.

0:40:53.960 --> 0:40:56.279
<v Speaker 3>I will also say, TikTok, there are a lot of

0:40:56.280 --> 0:40:58.080
<v Speaker 3>people on there who are like, let me walk you

0:40:58.160 --> 0:41:00.319
<v Speaker 3>through the different sounds you're going to hear as you're

0:41:00.360 --> 0:41:02.520
<v Speaker 3>taking off or as you're landing. And here's why they're

0:41:02.520 --> 0:41:05.000
<v Speaker 3>not scary. I recently stumbled across this and it made

0:41:05.040 --> 0:41:07.319
<v Speaker 3>my next flight like so much easier.

0:41:07.760 --> 0:41:08.600
<v Speaker 8>To download TikTok.

0:41:08.760 --> 0:41:13.520
<v Speaker 1>Yes, well, get ahead of ourselves TikTok, yet don't ruin it.

0:41:14.080 --> 0:41:16.480
<v Speaker 1>Probably stay away from it and just look up what

0:41:16.520 --> 0:41:22.000
<v Speaker 1>she's talking about. Yeah, there on YouTube too, But does

0:41:22.040 --> 0:41:23.120
<v Speaker 1>any of that help you?

0:41:23.520 --> 0:41:26.759
<v Speaker 8>Definitely? Definitely. I'm just really grateful.

0:41:26.640 --> 0:41:27.239
<v Speaker 1>You can do it.

0:41:28.120 --> 0:41:32.000
<v Speaker 4>Thank you. It's gonna you're gonna love it.

0:41:32.280 --> 0:41:32.480
<v Speaker 6>Yeah.

0:41:32.600 --> 0:41:34.640
<v Speaker 8>I just want to pick a place I really want

0:41:34.640 --> 0:41:36.759
<v Speaker 8>to go to and then it'll feel really worth it.

0:41:36.800 --> 0:41:39.520
<v Speaker 8>And hearing your words of encouragement is super help.

0:41:39.600 --> 0:41:41.279
<v Speaker 1>Yeah, get after it, because once you get that fly

0:41:41.360 --> 0:41:43.520
<v Speaker 1>first flight down, then you can travel wherever you want, girl,

0:41:43.520 --> 0:41:45.200
<v Speaker 1>And that's the that's the key to the rest of

0:41:45.200 --> 0:41:48.279
<v Speaker 1>your life, like looking and seeing different new places. I mean,

0:41:48.480 --> 0:41:50.239
<v Speaker 1>how exciting is that to know that you can go

0:41:50.360 --> 0:41:54.080
<v Speaker 1>and travel around the world and you're not gonna be scared. Yep.

0:41:54.080 --> 0:41:56.200
<v Speaker 2>If Courtney can get Travis Barker to fly again.

0:41:56.360 --> 0:41:57.200
<v Speaker 3>You can fly again.

0:41:57.560 --> 0:41:59.680
<v Speaker 1>I think Courtney could get Travis Barker to do a

0:41:59.760 --> 0:42:01.959
<v Speaker 1>lot of things that he hasn't done in a long time.

0:42:02.280 --> 0:42:05.600
<v Speaker 1>He seems pretty devoted to her. Okay, well, good luck

0:42:05.640 --> 0:42:09.960
<v Speaker 1>with everything, take care, Thank you so much, check care bye.

0:42:10.960 --> 0:42:12.839
<v Speaker 1>I don't like these requests when people say I want

0:42:12.880 --> 0:42:14.680
<v Speaker 1>Chelsea to tell me to get my shit together. I

0:42:14.719 --> 0:42:16.520
<v Speaker 1>want Chelsea to tell me to go for a flight,

0:42:17.000 --> 0:42:19.640
<v Speaker 1>because it's like that's all I have to say. Then,

0:42:19.840 --> 0:42:22.040
<v Speaker 1>like they're not letting me decide what to say. Then

0:42:22.080 --> 0:42:23.279
<v Speaker 1>I'm just like, go do it.

0:42:23.520 --> 0:42:25.000
<v Speaker 2>I think we give her a lot of stuff though,

0:42:25.160 --> 0:42:25.839
<v Speaker 2>I think it was good.

0:42:25.920 --> 0:42:27.600
<v Speaker 1>Well, we did cover a lot of stuff. Think God

0:42:27.600 --> 0:42:28.200
<v Speaker 1>Paul was here.

0:42:28.320 --> 0:42:31.040
<v Speaker 3>People just don't have like Chelsea handler confidence, so they're like,

0:42:31.120 --> 0:42:31.799
<v Speaker 3>give that to me.

0:42:32.080 --> 0:42:34.319
<v Speaker 1>You know, it's not confidence, it's that I don't care,

0:42:34.560 --> 0:42:36.320
<v Speaker 1>you know what I mean long enough to make a choice.

0:42:36.400 --> 0:42:39.319
<v Speaker 1>I'm just like, let's go keep moving. Oh so, if

0:42:39.360 --> 0:42:41.600
<v Speaker 1>you haven't checked out my opening dates in Vegas, check

0:42:41.640 --> 0:42:43.640
<v Speaker 1>them out. They're on my website Chelseahandler dot com. We

0:42:43.640 --> 0:42:45.799
<v Speaker 1>announced four dates in Vegas plus my all my other

0:42:45.840 --> 0:42:48.640
<v Speaker 1>cities that I'm coming to get your tickets to Chelseahandler

0:42:48.680 --> 0:42:51.560
<v Speaker 1>dot com before this tour finally fucking wraps up. We're

0:42:51.560 --> 0:42:53.680
<v Speaker 1>gonna take a quick break, Paul, put your coffee down,

0:42:53.840 --> 0:42:58.040
<v Speaker 1>what you're on camera. We're gonna take a break, and

0:42:58.080 --> 0:42:59.879
<v Speaker 1>Paul w and I are going to have We're gonna

0:42:59.880 --> 0:43:00.239
<v Speaker 1>be back.

0:43:04.400 --> 0:43:09.440
<v Speaker 3>We're back, all right. Our last email comes from Kim.

0:43:10.200 --> 0:43:13.080
<v Speaker 3>She says, Dear Chelsea, I recently went through my first

0:43:13.080 --> 0:43:16.360
<v Speaker 3>adult breakup. My wife and I were together for twelve years,

0:43:16.400 --> 0:43:18.520
<v Speaker 3>married for seven, and it has been the most difficult

0:43:18.560 --> 0:43:21.040
<v Speaker 3>thing I've ever had to grow through. I love a

0:43:21.120 --> 0:43:24.520
<v Speaker 3>double life, split between corporate America and being a comedian.

0:43:25.160 --> 0:43:27.319
<v Speaker 3>I've been in a love hate relationship with stand up

0:43:27.360 --> 0:43:29.680
<v Speaker 3>since two thousand and six, and right before the pandemic,

0:43:29.760 --> 0:43:31.759
<v Speaker 3>I co wrote a web series that we finally put

0:43:31.840 --> 0:43:35.160
<v Speaker 3>in the festival circuit. I'm considering getting back on stage,

0:43:35.200 --> 0:43:37.160
<v Speaker 3>and of course all my stand up friends are like,

0:43:37.200 --> 0:43:39.840
<v Speaker 3>you have so much material. Let's just say that the

0:43:39.880 --> 0:43:43.480
<v Speaker 3>way my marriage ended is very complicated and involves a hypnotist,

0:43:43.560 --> 0:43:46.200
<v Speaker 3>a magician, a clown, and possibly a cult.

0:43:46.440 --> 0:43:48.600
<v Speaker 1>Can we get that hypnotist number for the other caller?

0:43:48.719 --> 0:43:50.719
<v Speaker 3>Well, that's hope, So I don't know if I have

0:43:50.760 --> 0:43:53.160
<v Speaker 3>a lifetime original movie on my hands or comedy gold,

0:43:53.200 --> 0:43:55.400
<v Speaker 3>but it's something that's the background.

0:43:55.480 --> 0:43:56.360
<v Speaker 2>And here's the dilemma.

0:43:56.640 --> 0:43:58.759
<v Speaker 3>My AX asked me to keep some information about our

0:43:58.760 --> 0:44:01.160
<v Speaker 3>breakup on the DL because it could affect her career.

0:44:01.680 --> 0:44:03.560
<v Speaker 3>Although I can easily tell jokes and not say her

0:44:03.640 --> 0:44:05.960
<v Speaker 3>name directly, things do tend to end up on the Internet,

0:44:06.080 --> 0:44:08.000
<v Speaker 3>and people that know us will very quickly put two

0:44:08.040 --> 0:44:10.840
<v Speaker 3>and two together. I'm also not sure what protections I

0:44:10.880 --> 0:44:12.680
<v Speaker 3>have if I decided to write a script or something

0:44:12.680 --> 0:44:15.680
<v Speaker 3>that's quote based on true events. I'm torn between feeling

0:44:15.680 --> 0:44:18.080
<v Speaker 3>the need to protect someone that honestly really hurt me

0:44:18.160 --> 0:44:20.279
<v Speaker 3>and wanting to dive back into my comedy world and

0:44:20.280 --> 0:44:21.800
<v Speaker 3>tell my story Kim.

0:44:22.280 --> 0:44:25.240
<v Speaker 1>I don't know what the legalities around that are, because

0:44:26.000 --> 0:44:27.840
<v Speaker 1>I know about writing a book how you have to

0:44:28.480 --> 0:44:31.120
<v Speaker 1>change things for people so that no one can recognize

0:44:31.160 --> 0:44:34.440
<v Speaker 1>who you're talking about. But you can still talk about

0:44:34.480 --> 0:44:37.239
<v Speaker 1>the people things that experiences you've had. You just have

0:44:37.280 --> 0:44:39.360
<v Speaker 1>to shroud who that other person is. And I don't

0:44:39.360 --> 0:44:41.880
<v Speaker 1>know if just being in front of people who know

0:44:41.960 --> 0:44:46.239
<v Speaker 1>that you dated her is enough of a connection that's

0:44:46.239 --> 0:44:49.080
<v Speaker 1>still your experience you're not calling her out. You've had

0:44:49.120 --> 0:44:51.719
<v Speaker 1>other girlfriends, I'm sure. Well maybe it's been a long time.

0:44:51.719 --> 0:44:53.640
<v Speaker 1>It sounded like so maybe not. But I think you

0:44:53.680 --> 0:44:56.839
<v Speaker 1>can talk about her without don't say her name. Don't

0:44:56.840 --> 0:44:58.800
<v Speaker 1>do that. If somebody asks for privacy, everyone has a

0:44:58.880 --> 0:45:01.920
<v Speaker 1>right to privacy, even though I don't respect that, you know,

0:45:02.400 --> 0:45:06.359
<v Speaker 1>but I think you should definitely pursue stand up and

0:45:06.480 --> 0:45:09.400
<v Speaker 1>see what you've got in this material, because nothing is

0:45:09.440 --> 0:45:12.960
<v Speaker 1>funny like tragedy, really nothing. You give anything two weeks

0:45:12.960 --> 0:45:15.520
<v Speaker 1>and it is cooked perfectly to bring it out and

0:45:15.560 --> 0:45:19.000
<v Speaker 1>start sharing it. So I am a firm believer in

0:45:19.239 --> 0:45:22.840
<v Speaker 1>the darker the moment, the funnier, the potential for funny

0:45:23.000 --> 0:45:24.400
<v Speaker 1>is greater percent.

0:45:24.480 --> 0:45:26.480
<v Speaker 4>I think that the saddest stuff can be the funniest.

0:45:26.480 --> 0:45:29.080
<v Speaker 5>And also if you have material that I mean, it

0:45:29.080 --> 0:45:32.200
<v Speaker 5>sounds pretty rich, that material sounds good. It feels like

0:45:32.239 --> 0:45:34.840
<v Speaker 5>you have to do it, especially if the person hurt you.

0:45:34.920 --> 0:45:35.279
<v Speaker 4>I get it.

0:45:35.320 --> 0:45:38.160
<v Speaker 5>We don't wanna, we don't want to expose the person.

0:45:38.200 --> 0:45:40.719
<v Speaker 5>That person has a right to privacy. But I don't

0:45:40.760 --> 0:45:44.560
<v Speaker 5>know unless you have an hour of material about this

0:45:44.600 --> 0:45:47.279
<v Speaker 5>woman who, then you know, you tape a special and

0:45:47.320 --> 0:45:49.640
<v Speaker 5>it becomes huge. I don't think it's gonna impact her career.

0:45:50.000 --> 0:45:51.879
<v Speaker 5>You know, people you guys have in common might be like, oh,

0:45:52.320 --> 0:45:53.120
<v Speaker 5>they had a clown.

0:45:53.320 --> 0:45:55.960
<v Speaker 1>Yeah, exactly. By the time you would would get as

0:45:56.040 --> 0:45:59.120
<v Speaker 1>comedy special, you're gonna have had had more girlfriends. So

0:45:59.160 --> 0:46:01.640
<v Speaker 1>there's no direct relation. I understand, you've been with someone

0:46:01.640 --> 0:46:03.840
<v Speaker 1>for twelve years, so when you say your ex, everyone

0:46:03.920 --> 0:46:06.799
<v Speaker 1>knows who knows you, knows who you're talking about, but

0:46:06.880 --> 0:46:08.960
<v Speaker 1>not everybody knows who you're talking about. So it is

0:46:09.040 --> 0:46:11.319
<v Speaker 1>kind of a murky area. But comics do it all

0:46:11.320 --> 0:46:13.040
<v Speaker 1>the time. My whole first set was about my ex

0:46:13.080 --> 0:46:16.120
<v Speaker 1>boyfriend finding him cheating on me with not one, but

0:46:16.160 --> 0:46:19.360
<v Speaker 1>two women. I added the second one for storytelling purposes.

0:46:19.600 --> 0:46:22.160
<v Speaker 1>There was really only one woman, but like I talked

0:46:22.160 --> 0:46:24.680
<v Speaker 1>about him for like. That was my first set was

0:46:24.800 --> 0:46:27.319
<v Speaker 1>just how walking in on my boyfriend cheating on me?

0:46:27.800 --> 0:46:31.120
<v Speaker 1>So you can, I mean, people, that's what everyone is doing.

0:46:31.120 --> 0:46:33.400
<v Speaker 1>Taylor Swift just wrote a song about Kim Kardashian and

0:46:33.440 --> 0:46:36.680
<v Speaker 1>called it Thank You Amy, and it's about Kim. We

0:46:36.760 --> 0:46:39.880
<v Speaker 1>all know it's about Kim Kardashian, So you know, I

0:46:39.920 --> 0:46:43.200
<v Speaker 1>would just say keep it. You've never said her name

0:46:43.239 --> 0:46:45.200
<v Speaker 1>out loud, don't say it so you don't get yourself

0:46:45.200 --> 0:46:47.759
<v Speaker 1>in trouble. But definitely, first you stand up and if

0:46:47.800 --> 0:46:50.120
<v Speaker 1>it you know, if you're feeling it and it's vibing,

0:46:50.320 --> 0:46:53.759
<v Speaker 1>then then continue. Conversely, if the opposite is true as well,

0:46:53.840 --> 0:46:56.719
<v Speaker 1>don't continue. Okay, well, we're gonna wrap up with you.

0:46:56.719 --> 0:46:58.640
<v Speaker 1>You're such a cutie pie, Paul w Downs. I had

0:46:58.640 --> 0:46:59.920
<v Speaker 1>such a fun time with you today.

0:47:00.400 --> 0:47:02.759
<v Speaker 4>I am is an honor and a pleasure. Thank you

0:47:02.760 --> 0:47:03.239
<v Speaker 4>for having me.

0:47:03.400 --> 0:47:05.560
<v Speaker 1>Okay, well, I wish you well. Say hi to my

0:47:05.600 --> 0:47:09.440
<v Speaker 1>friends Hannah and Jen Statsky. Tell her I say hello too.

0:47:09.520 --> 0:47:12.600
<v Speaker 4>From childhood, I will indeed, Yeah, I'm tell Gene to

0:47:12.600 --> 0:47:12.920
<v Speaker 4>come on.

0:47:13.000 --> 0:47:15.759
<v Speaker 1>Oh yeah, tell Gene. I want her on too. Yes, absolutely,

0:47:16.000 --> 0:47:17.600
<v Speaker 1>you have to write apart from me to come on.

0:47:17.680 --> 0:47:19.879
<v Speaker 1>So I can either have a love scene with no,

0:47:20.360 --> 0:47:22.680
<v Speaker 1>I can't have a love scene. I can't even have

0:47:22.680 --> 0:47:24.840
<v Speaker 1>a love scene with a man I once did. I

0:47:24.880 --> 0:47:26.759
<v Speaker 1>once had to do a movie and they this is

0:47:26.800 --> 0:47:28.560
<v Speaker 1>how bad you guys I was. I once had to

0:47:28.560 --> 0:47:31.160
<v Speaker 1>do a movie with this actor and they wanted me

0:47:31.239 --> 0:47:33.640
<v Speaker 1>to open mouth kiss him. And I took one look

0:47:33.680 --> 0:47:35.640
<v Speaker 1>at this guy and I was like, I can't do that.

0:47:35.920 --> 0:47:38.360
<v Speaker 1>You know, like I can't kiss this man. I just won't.

0:47:38.400 --> 0:47:39.880
<v Speaker 1>And so I went to the director and I was like,

0:47:40.080 --> 0:47:41.920
<v Speaker 1>I know this scene is about us like making out,

0:47:41.960 --> 0:47:44.560
<v Speaker 1>but obviously, like let's fake that because I'm not interested

0:47:44.600 --> 0:47:47.320
<v Speaker 1>in this. And he's like, well, it's in the script,

0:47:47.400 --> 0:47:50.359
<v Speaker 1>like you have to act, and I was like, no, no, no,

0:47:50.480 --> 0:47:53.120
<v Speaker 1>it's not happening, like I'm not making out with that kid.

0:47:53.239 --> 0:47:54.879
<v Speaker 1>He was like ten years younger than me. It felt

0:47:54.920 --> 0:47:59.000
<v Speaker 1>disgusting and it was there was a situation, and I

0:47:59.080 --> 0:48:01.320
<v Speaker 1>was like no, no, And then finally I was like

0:48:01.360 --> 0:48:02.160
<v Speaker 1>I don't know what to tell you.

0:48:02.200 --> 0:48:03.920
<v Speaker 6>To the director, I I don't know what to tell you.

0:48:04.320 --> 0:48:08.520
<v Speaker 6>It's not gonna happen. So finally he's like, okay, well

0:48:08.520 --> 0:48:11.000
<v Speaker 6>what can happen? I was like, we could touch arms

0:48:11.520 --> 0:48:13.640
<v Speaker 6>and then we're going to turn our back.

0:48:13.440 --> 0:48:15.120
<v Speaker 1>To the camera. No, you don't want to hire me

0:48:15.120 --> 0:48:16.720
<v Speaker 1>from everything ever, anything. I'm terrible.

0:48:16.840 --> 0:48:18.440
<v Speaker 4>Well, okay, I'll keep that in Okay, keep that.

0:48:18.480 --> 0:48:21.359
<v Speaker 1>In mind, keep my behavior in mine. I would love

0:48:21.400 --> 0:48:24.040
<v Speaker 1>to thank you so much, Paul w We love you.

0:48:24.120 --> 0:48:25.120
<v Speaker 4>Thank you, I love you.

0:48:25.440 --> 0:48:27.560
<v Speaker 1>Everyone tuned in to season three of Haacks if you

0:48:27.600 --> 0:48:30.759
<v Speaker 1>haven't seen it already, it's streaming on Max. Okay, So

0:48:30.960 --> 0:48:33.640
<v Speaker 1>upcoming shows that I have you guys, these are the

0:48:33.640 --> 0:48:37.520
<v Speaker 1>places I'm coming in May Prior Lake, Minnesota, Verona, New York, Auckland,

0:48:37.600 --> 0:48:43.279
<v Speaker 1>New Zealand, Wellington, New Zealand, Melbourne, Australia, Brisbane and Australia, Sydney, Australia.

0:48:43.320 --> 0:48:45.319
<v Speaker 1>We've added second shows to places that have sold out

0:48:45.360 --> 0:48:48.160
<v Speaker 1>the first and then I'm gonna be in Hawaii on Maui, Ka,

0:48:48.239 --> 0:48:52.239
<v Speaker 1>Hulue and Honolulu. I will be there in July. Also

0:48:52.280 --> 0:48:55.239
<v Speaker 1>in July, I'm coming to Niagara Falls on July twenty seventh.

0:48:55.280 --> 0:48:57.840
<v Speaker 1>I'm coming to Hollywood, Florida for my only show in

0:48:57.880 --> 0:49:01.160
<v Speaker 1>Florida on July twenty eighth. I'll be in Auburn, Washington

0:49:01.280 --> 0:49:04.080
<v Speaker 1>on August first, and then Santa Rosa, California for my

0:49:04.080 --> 0:49:07.680
<v Speaker 1>second show August second. And then I'm coming to Atlantic City.

0:49:07.760 --> 0:49:11.879
<v Speaker 1>MATEO o'line and I are co headlining a really fun

0:49:11.920 --> 0:49:15.920
<v Speaker 1>show in Atlantic City this summer. August tenth August seventeenth

0:49:16.040 --> 0:49:17.880
<v Speaker 1>is the Santa Barbara Bull. You do not want to

0:49:17.880 --> 0:49:22.040
<v Speaker 1>miss that. And then I will be all over Maine, Charlotte,

0:49:22.160 --> 0:49:26.520
<v Speaker 1>North Carolina, Charleston, South Carolina. I'm coming to Texas. I'm

0:49:26.520 --> 0:49:29.560
<v Speaker 1>coming to Saint Louis in Kansas City. I'm coming to Brooklyn,

0:49:29.600 --> 0:49:33.839
<v Speaker 1>New York at the Kings Theater on November eighth, and

0:49:33.960 --> 0:49:36.880
<v Speaker 1>I have tickets on sale throughout the end of the

0:49:37.000 --> 0:49:40.520
<v Speaker 1>year in December, so if you're in a city like

0:49:40.600 --> 0:49:45.320
<v Speaker 1>Philadelphia or Bethlehem, or San Diego or New Orleans or Omaha,

0:49:45.880 --> 0:49:47.520
<v Speaker 1>check Chelseahandler dot com for tickets.

0:49:47.800 --> 0:49:50.759
<v Speaker 3>Okay, if you'd like advice from Chelsea, shoot us an

0:49:50.800 --> 0:49:53.880
<v Speaker 3>email at Dear Chelsea podcast at gmail dot com and

0:49:53.920 --> 0:49:56.680
<v Speaker 3>be sure to include your phone number. Dear Chelsea is

0:49:56.800 --> 0:50:00.399
<v Speaker 3>edited and engineered by Brad Dickert executive producer Catherine in Law,

0:50:00.640 --> 0:50:03.000
<v Speaker 3>and be sure to check out our merch at Chelseahandler

0:50:03.040 --> 0:50:05.880
<v Speaker 3>dot com