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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe admissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for? GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero zero initiative at GM dot com.

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Speaker 1: GM everybody in. I'm the guy that'll come in here

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Speaker 1: and tell y'all exactly how I feel about everyone of

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Speaker 1: these bitch ass niggas. MnCO Local. You each a big podcast,

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Speaker 1: your number one place for business and podcasting rank number thirty.

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Speaker 1: Ship the motherfucking world A ship back, trune up the

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Speaker 1: volume on your phone and enjoy the show with your

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Speaker 1: home an hoss bill. Welcome, Welcome, Welcome to another episode

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Speaker 1: or it's up the podcast. I am your active and

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Speaker 1: attractive host for another episode of the fastest growing podcasts

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Speaker 1: on the market right now. We are currently sitting at

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Speaker 1: number thirty six in the music category. Independent Man, and

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Speaker 1: I just want to thank everybody that's ever tapped in

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Speaker 1: and tuned in and and that's aligned with the movement

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Speaker 1: in whatever way that might be. You're dealing with the

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Speaker 1: conversation starters. You're dealing with the conversation starters, right. You

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Speaker 1: see people, they take from me, they pull from me.

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Speaker 1: But that's what this is about. That's what this game

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Speaker 1: is about. You see me pour from things. So it's

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Speaker 1: just unfortunate that when they pull from me they try

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Speaker 1: to regurgitate things in a way. What where it appears

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Speaker 1: that they come up with these things. I'm almost to

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Speaker 1: a point where I'm taking it personal, you know, I know,

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Speaker 1: I hear some of them say the gig is the gig.

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Speaker 1: I'm not sure I'll understand that just yet. Nonetheless, we

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Speaker 1: got a lot to talk about in the culture. If

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Speaker 1: you're watching the video version of this podcast, then you

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Speaker 1: head anywhere and you want to excuse me. If you're

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Speaker 1: watching the video version of this podcast and you want

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Speaker 1: to check out the audio version, you're head to anywhere

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Speaker 1: you get podcasts, and then you type in this up

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Speaker 1: there podcast with Luna and we should pop up. If

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Speaker 1: you are listening to the audio version of this podcast

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Speaker 1: and you want to tap in with the video, you

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Speaker 1: know you want to see what the vibrations is. Then

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Speaker 1: you go to fog Fo TV on YouTube and bound

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Speaker 1: there's a platelist without the podcast there. You know, I'm

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Speaker 1: currently grabbing Infinity stones right now. So in a minute,

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Speaker 1: I show y'all what I've been working on. But for

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Speaker 1: those it's tapped in with me and support me. Man,

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Speaker 1: it's a blessing. I'm there for you. You know. We

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Speaker 1: do our live thing on Sundays on YouTube while I

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Speaker 1: tap in with the people you know, lying from INFOJL

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Speaker 1: FOL Studio and just talk to the people and they

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Speaker 1: ask me questions. You know, they tend to ask me

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Speaker 1: things about game, you know, and so it's so important

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Speaker 1: that I deliver man that Like I never knew it

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Speaker 1: was value in my understanding, but I'm starting to understand that.

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Speaker 1: And the problem is for them is that I'm understanding

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Speaker 1: that before I've signed anything. So it puts me in

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Speaker 1: a fortunate situation because I'm seeing that even people that's

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Speaker 1: multi media now, they can't put this thing together like this.

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Speaker 1: When they sit down and they think about something or

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Speaker 1: they look at something, they look at it from a

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Speaker 1: standpoint that it ain't it. You know. They need somebody

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Speaker 1: around like me that that that look at it and

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Speaker 1: see something totally different. It said, Damn, I never even

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Speaker 1: looked at it that way, right, So I mean racing that.

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Speaker 1: I'm embracing that, and some people turn the haters when

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Speaker 1: they get close to me. Because I'll tell you what

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Speaker 1: happens with some of the people that turn that get

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Speaker 1: close to me, and then they turn into a hater. See,

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Speaker 1: a lot of people got these. I see something going

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Speaker 1: on with Tony the clothes and Wallow that's unclear to me.

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Speaker 1: I gotta figure out what the what we're saying, because

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Speaker 1: it's some blimdal it ain't it ain't nobody saying nothing.

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Speaker 1: And when I'm from you just said right, So I see.

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Speaker 1: You know, like I say, some people they get close

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Speaker 1: to you and they become a hater because they like

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Speaker 1: it from the outside. Oh he talking that, he talking

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Speaker 1: that money, talk that game, he talking that pay for

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Speaker 1: pay like your way, He talking that game. And then

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Speaker 1: they get around you and they think that you're operating

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Speaker 1: for free. So then you turn something body. That's why

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Speaker 1: it's almost counterproductive to let people in. See, it's a

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Speaker 1: number of reasons why people don't let people in. At first,

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Speaker 1: they used a thing like yo no, they don't. They

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Speaker 1: why they do what they're doing. They don't see it's

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Speaker 1: people that's worth stuff in this crowd right here. They

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Speaker 1: ain't even combent through it. Because it's unfortunate because when

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Speaker 1: people interact with you, they already got their mind made

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Speaker 1: up on the result that they're looking for, right and

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Speaker 1: they want you to do certain things for free, and

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Speaker 1: it's unfortunate. But man, the wallow in tone of the

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Speaker 1: closest thing I probably speak on late in the podcast.

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Speaker 1: I'm not gonna really start there. I'm gonna start at

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Speaker 1: the Academics, the academics um situation going over on Andrew Shows.

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Speaker 1: So I'm gonna kind of run it down to y'all

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Speaker 1: what's been going on and how everything kind of intertwines

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Speaker 1: and what, you know, some of the game that I

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Speaker 1: peeped from it, some of the things that I looked

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Speaker 1: at and said, you know, it's a kind of funny

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Speaker 1: situation for those of you that have not been in

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Speaker 1: tune with what's going on with the whole Joe buddon

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Speaker 1: Andrew Shows, the Academics, Rory Mall, all of that situation.

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Speaker 1: I'm gonna kind of give it to you as quickly

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Speaker 1: as I can as I know that a lot of

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Speaker 1: y'all come to me for this kind of game. Right. So, oh,

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Speaker 1: Joe Buddon fired Rory and Mall after they quit because

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Speaker 1: they wasn't there, so he fired He fired them on camera.

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Speaker 1: That was weird, but I understand. You gotta talk to

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Speaker 1: the fan base. See it's almost like and let me

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Speaker 1: stop there. See this is the great thing about pod

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Speaker 1: especially if your mind works like mine does, then you

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Speaker 1: get the come on, you grab shit as you're going.

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Speaker 1: You're like a tornado. But anyway, let's live right there

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Speaker 1: for a minute. Joe Buddon firing Rory and Mall on

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Speaker 1: camera like that after they didn't show up, which indicates

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Speaker 1: already that they're they're not there, So its theatrics on it, right,

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Speaker 1: that's number one. Number two, it's almost in comparison to

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Speaker 1: that Lebron situation when he took his talents to South Beach.

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Speaker 1: See the problem one that Lebron wasn't coming back to Cleveland,

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Speaker 1: but the way it was received. See and always remember

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Speaker 1: what I'm saying. I'm putting you down. See I didn't

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Speaker 1: say what he'd done the way it was received. Now

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Speaker 1: your question is, well, don't isn't what you do playing

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Speaker 1: to how it's received. Yes, but perception throws that all

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Speaker 1: somewhere along the lines. Right, You can do certain things

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Speaker 1: thinking that you respecting the situation and then it is

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Speaker 1: received in the wrong way. So him doing that was

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Speaker 1: almost like you're making you want also you wanted to

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Speaker 1: be one of those you wanted to be a showy,

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Speaker 1: showy thing. Right, he could have easily when that having

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Speaker 1: came out and just say, you know what, the Joe

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Speaker 1: Budden Network is said to announce that Rory and Mall

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Speaker 1: would never would not be back on the podcast right now,

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Speaker 1: we've decided to go in different directions. We hope the

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Speaker 1: fans support both of us in this separation. In such

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Speaker 1: and such and suther Seting got on out of there

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Speaker 1: and that would have been received totally different. But you

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Speaker 1: you got into your bag seeing it ain't always good

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Speaker 1: sitting in your bag. Excuse me, I got a quick

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Speaker 1: custom for the time being. It ain't always good stuff

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Speaker 1: in your bag. Sometimes you got stuff in your bag.

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Speaker 1: Ain't got no being this in your bag. Yeah, so

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Speaker 1: sometimes you jump in your bag and grab something come

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Speaker 1: out and that was the wrong thing. But you went

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Speaker 1: I'm in my bag. I know you is in your bag,

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Speaker 1: but you didn't grab the wrong thing, got the bag.

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Speaker 1: So what you're doing is being received in a bad way, right,

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Speaker 1: and and so number one, you got that. So he

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Speaker 1: fires them, and then let's move right along. They go

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Speaker 1: and get a deal with Kevin Durant. After some back

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Speaker 1: and forth, he did a couple of parts where he

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Speaker 1: kind of kept reiterating that you know, they probably don't

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Speaker 1: understand the contract. And then he came back and cleaned

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Speaker 1: it up. But that's the same thing Alex Jones done

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Speaker 1: to him. So all that, that's what we do in

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Speaker 1: the media. We say something and then we understand okay,

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Speaker 1: and then we come and try to clean it up.

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Speaker 1: But sometimes that that that that before get a certain

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Speaker 1: amount of attention, and that after don't get no attention.

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Speaker 1: So don't nobody hit the apology, right? So he fired

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Speaker 1: him on camera, back and forth shots. They proceed to

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Speaker 1: go and get a deal with Kevin Durant. They continue

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Speaker 1: over and do a park as. I think it took

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Speaker 1: him about six eight weeks before they actually started recording.

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Speaker 1: I think they were episode three or four right now.

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Speaker 1: Um and the fans are growing up for for Rory

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Speaker 1: Mom for the time being. UM, but you know you

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Speaker 1: hear academics said, I've said a long time ago. It's

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Speaker 1: about sustaining that UM numbers. Sustaining those numbers. Also, you

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Speaker 1: shouldn't have never, in my opinion, went to that studio

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Speaker 1: to begin with. Shout out to them, folks, but the

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Speaker 1: brand is big enough that it warns an investment. The

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Speaker 1: fans need to see y'all taking this thing dead serious.

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Speaker 1: The cash shade that that this is taken. When academics

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Speaker 1: goes on Andrew shows show and they able to say

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Speaker 1: some of the things like I'm about to let you

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Speaker 1: hear it takes cash shade that you see when cash

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Speaker 1: is took, you don't feel it right away. You think

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Speaker 1: Buddon felt that right away. No, them first five or

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Speaker 1: six episodes after that were still doing good. And for me,

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Speaker 1: he should have seen. Look at how you handled the

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Speaker 1: first time and look at the results your fan base

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Speaker 1: gave you. This is how you know people are not

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Speaker 1: understanding they don't have no help on their team the

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Speaker 1: first time when Rory and Maw and them took the hiatus,

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Speaker 1: Look how you handled it with way more sensitivity. You

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Speaker 1: know you were saying certain things like Yo, they'll be back, man,

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Speaker 1: We're gonna work it out. And the fans rocked with you.

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Speaker 1: That's why the numbers didn't go nowhere. But what you've

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Speaker 1: done was received in a bad way. And it's sad

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Speaker 1: to see him scramble with these deals that was in

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Speaker 1: place when he had the boys with him, because it

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Speaker 1: seems like he's struggling to get these conversations going. You know,

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Speaker 1: he had may Know on the Facebook things shout out

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Speaker 1: to Mayno. He had Mayno on the Facebook thing. Mayno

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Speaker 1: been doing a podcast when they was at the top.

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Speaker 1: I just don't think I saw him mentioned Mayo. It's

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Speaker 1: what I'm saying. You see what I'm saying. So it's

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Speaker 1: like he's great. He's trying to grab in that he's

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Speaker 1: scrambling for these deals because he's trying to show still

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Speaker 1: that he got that cache and he got to because

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Speaker 1: he's contracted. He has contracts now so he gotta come out,

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Speaker 1: even if it looked crazy and it's four hundred people

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Speaker 1: in him. Dog got to know some people that don't.

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Speaker 1: They charge Wade less than probably what he's charging. They get,

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Speaker 1: you know, but we want to see you win, so

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Speaker 1: go win. But it's important I gotta be critical of

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Speaker 1: the game. It's important you learn from that because every

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Speaker 1: seemed like the people around you, they all seem to

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Speaker 1: have their own identities. Then I respect that, But somewhere

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Speaker 1: along the lines, it seemed like they're not seeing things

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Speaker 1: from the perspective that they should be seeing things and

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Speaker 1: me telling you things right, like, yo, bro, instead of

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Speaker 1: you receiving what you saw your fan base do that

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Speaker 1: first time you put them on a hiatus, instead of

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Speaker 1: you receiving that as okay, So they seen high. I'm

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Speaker 1: treating my family and they riding with that. You received

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Speaker 1: that light, Oh, pack them up. We got the proof.

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Speaker 1: We can move on with it without the boys. The

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Speaker 1: numbers didn't even budge. We can move on right, This

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Speaker 1: is what he thought, but it was received different. And

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Speaker 1: so what else is interesting about the situation that you

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Speaker 1: tie in loan. You got Academics go up on Andrew

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Speaker 1: Scholtz a week after Andrew Shotz and Joe Budden have

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Speaker 1: they being banged? The interesting fact about that Academics always

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Speaker 1: moves as an independent. But the interesting thing about that

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Speaker 1: is when it all boils down, the money wasn't right,

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Speaker 1: but that relationship with Academics that Joe Button stood on

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Speaker 1: that he would say, you know what, ac is my guy,

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Speaker 1: I got money waiting with Act. You put everything you had,

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Speaker 1: which is these two dudes right here, you built the

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Speaker 1: multimillion dollar thing with you put that on the line

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Speaker 1: to say, you know what, I'm still cool with Actually,

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Speaker 1: I love you Act. And then that goes and sins

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Speaker 1: with a dude to this you a week after this, U,

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Speaker 1: these are signs in the game. These are game signs.

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Speaker 1: These are game signs. Y'all have game signs. These are

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Speaker 1: game signs. They're throwing up. You're gonna sit with the

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Speaker 1: Andrew Shows like you know, y' off the heels and

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Speaker 1: and then Andrew smart enough to see this is what

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Speaker 1: I told Umar about Andrew's shows. Andrew Shows is a

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Speaker 1: psychology guy, so he's smart enough to know how to

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Speaker 1: get in there and throw all these false titles on

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Speaker 1: you that at willing, at his will, he can take

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Speaker 1: them from you. That's what he's good at. Oh, you're

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Speaker 1: the King, You're the did You're the dad, then Hill

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Speaker 1: And that's what's smart about it, that's what's genius about it.

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Speaker 1: It's a little game that Andrew Shows plays not only

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Speaker 1: with us, with everybody that he talks to. I think

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Speaker 1: he may think that he may think he's doing what

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Speaker 1: Joe Rogan is doing. But I don't feel that with

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Speaker 1: Joe Rogan. But I see Andrew do it, especially when

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Speaker 1: he's talking about hip hop and then telling him, because

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Speaker 1: I hear you, you're the most influential voicing hip hop.

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Speaker 1: But what he's doing is he's stroking the ego of

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Speaker 1: academics to loosen him up. Next thing, you know, I

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Speaker 1: want your co sign as I as I as I

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Speaker 1: throw some slammer next to your boy right here. Oh

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Speaker 1: you're making Joe tap dance. And then academic is like, no, yeah,

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Speaker 1: but he didn't got bullet's feeling good, the white boy

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Speaker 1: telling him, boy, you I told that Andrew, come on

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Speaker 1: my shoulder. Yeah, don't respond yet. I think it would

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Speaker 1: be a great conversation we all allowed to talk about.

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Speaker 1: I think it's an interesting dude. I told Umar that

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Speaker 1: when Umar went off on Andrew on my show, I

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Speaker 1: told him that, I say yo, because you know, I

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Speaker 1: said I said some things, and this was a while ago.

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Speaker 1: I said some things about Andrew. I said, yo. I

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Speaker 1: saw him branch out, and that's what I'm saying, they

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Speaker 1: take my talking points. I saw him branch out and

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Speaker 1: go on Joey Diaz. I remember when he winning said

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Speaker 1: with Whitney Cummins, see Joe, butten these guys don't know

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Speaker 1: these type things, right, what I'm saying, I'm really a

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Speaker 1: student of the game, so I can really I watched

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Speaker 1: it when it first happened, and I brought it up

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Speaker 1: to Umar and said, Yo, he's going over there. But

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Speaker 1: it's some things I would like to see, right, I'll

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Speaker 1: leave it there. You can watch that interview on Patreon.

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Speaker 1: But it's it's it's just it's it's funny, right. But

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Speaker 1: you see Andrew get into it with with Joe and

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Speaker 1: Joe say that he said with Alex Jones, I never

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Speaker 1: really understood that Andrew Shots is a smart individual. Dog.

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Speaker 1: I'm telling you, dudes, your dudes playing with Andrew Shots.

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Speaker 1: He's a smart little dude. Man, That dude's a smart guy.

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Speaker 1: He's not one of these guys that you could just

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Speaker 1: He's a psychology guy, so he knows how to interact

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Speaker 1: with people and trick him into certain little things. He's

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Speaker 1: a very intelligent guy. So don't put that pass away.

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Speaker 1: Everybody kicking. Don't put that passing me. Very smart dude.

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Speaker 1: So he's playing a little game. But I'm gonna let

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Speaker 1: you out here a clip from it and then we'll

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Speaker 1: we'll elaborate. But I know Joe Buddon feels bad, like yo, damn.

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Speaker 1: When you hear Joe Budden started his podcast with the

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Speaker 1: all these BBB you know he's doing a whole bunch

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Speaker 1: of he's letting you know he's really I think the

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Speaker 1: Machot said act because he's saying, like, yo, I just

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Speaker 1: be with Rory about being cool with you. Then you

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Speaker 1: go sit with the guy week after me and him

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Speaker 1: have this thing. Then show say, yo, all Joe is

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Speaker 1: doing is copying me because Andrew had Chris Hansen. Joe

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Speaker 1: had Chris Hanson, Andrew had somebody and so he's saying that,

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Speaker 1: you know, he's trying to just copy his moves. It's

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Speaker 1: what he's saying, Um, unfortunate. The CD two dudes go

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Speaker 1: at it like this, man, you know what I'm saying,

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Speaker 1: but warranted, but warranted. Let's listen to a Clipmency where

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Speaker 1: it takes the coach people don't think that we're smarter

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Speaker 1: than the average Joe and I'm looking like, these dudes

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Speaker 1: don't even know how much the dealers for. Yeah, now

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Speaker 1: they come out and start crying, shedding a tear. It's

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Speaker 1: the easiest way to get back on people's good side.

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Speaker 1: Everybody forgot that. Everybody's like, yo, we want him to win.

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Speaker 1: Let's get these guys to the top. And I'm like,

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Speaker 1: is this entertaining to everybody watching? Or are you so

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Speaker 1: mad at this guy who? I think that? Nah, the

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Speaker 1: tears got to be justifiable, though, if you just see

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Speaker 1: a grown man wine and you're like, shut the we don't.

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Speaker 1: But if you feel it's justified, then oh shit, the

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Speaker 1: emotions were all on their side. You can't pr wise

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Speaker 1: fire two people, not even have him there and then

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Speaker 1: expect people to not be like that's kind of fucked up.

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Speaker 1: And then on that same podcast have the one guy

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Speaker 1: left be like, yeah, the Spotify deal was a bad deal.

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Speaker 1: When you yelled at us for three hours about how

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Speaker 1: it was a great deal and we're fucking idiots and

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Speaker 1: we have no right. The only thing I said it

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Speaker 1: was a bad deal. I said he wasn't even crazy

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Speaker 1: if you asked for fifty millions Spotify, And then who

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Speaker 1: the fuck is the the bad deal when you yelled

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Speaker 1: at us for three hours about you. Yeah, I only

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Speaker 1: signed up to watch it. I think I told you again,

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Speaker 1: I mean bro, but was still in terms of what

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Speaker 1: when you have people buying, buying into an ideology, Yeah,

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Speaker 1: people are buying in sure, and then the moment people

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Speaker 1: sees that, wait, do we not oh rustled me? Nothing's

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Speaker 1: gonna change their snake oil. I really feel like they're

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Speaker 1: supporting these other dudes see the snake oil. See these

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Speaker 1: are tagnic says I tell you Andrew Shows is a sniper.

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Speaker 1: The nah, there's a little result. Maybe the podcast is good.

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Speaker 1: I tuned in. I tried to watch a little bit

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Speaker 1: of it, and I really watch it because I want

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Speaker 1: to see if the production was better on their ship

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Speaker 1: than our ship, because if their audio was a little

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Speaker 1: bit more crisp, I'd be upset. I'd be upset if

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Speaker 1: this was a little more O. You think he's taking

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Speaker 1: equipment from here? Joe Budding would say, you're fine, I

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Speaker 1: gotta fire this chair. Sometimes act act they're having fun,

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Speaker 1: but it's being received like a co sign. That's dangerous

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Speaker 1: for Joe Budden. That takes more of his cachet. Fire

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Speaker 1: of the chairs. Let me tell you something I got

350
00:21:15,800 --> 00:21:18,080
Speaker 1: said this shit yesterday he texts me. He goes, we're

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Speaker 1: talking about you coming on? He goes, is academics? How

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Speaker 1: is academics the only person that can make twitch fire? Like?

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Speaker 1: There's so many people on twitch? Hold up, yeah, we're

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Speaker 1: watching this in real time, and so what's happened? What? What?

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Speaker 1: What's happening? Man? Is that um YouTube has as Joe Maddens.

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Speaker 1: You guys are fucked up. You guys said that I

357
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Speaker 1: was just quoted YouTube art. This is so in reality?

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Speaker 1: Was I started realizing. I'm like, hey, is crazy brontime

359
00:22:04,920 --> 00:22:15,120
Speaker 1: he says something crazy, just crazy. He's listening. I can't

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Speaker 1: take the cooking up. I can't so really and you know,

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Speaker 1: seeing act on this podcast, it gave me a different

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Speaker 1: outlook on this commentary. You know, just his vocal inflection

363
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Speaker 1: is understanding the transitions. Want to let somebody he possesses

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Speaker 1: some talent in that regard. He kind of does what

365
00:22:51,240 --> 00:22:54,080
Speaker 1: I do on on his Twitch thing, but he still

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Speaker 1: has the chat to interact with. With this kind of thing,

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Speaker 1: there's nothing to interact with, which makes it very unique.

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Speaker 1: And so it tells you how strong and independent I

369
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Speaker 1: gotta be in my thinking to be able to do

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Speaker 1: something of this magnitude with this many people listening like this,

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Speaker 1: but to see act on another party like, yo, he

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Speaker 1: he kind of doing this thing. You know, Um, he

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Speaker 1: kind of doing this thing, kind of doing a good job,

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Speaker 1: you know what I'm saying. But they continue to throw

375
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Speaker 1: shots at Rory and Mall and the cash out that

376
00:23:26,760 --> 00:23:31,280
Speaker 1: he took from Rory and Mall is you went and

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00:23:31,400 --> 00:23:36,200
Speaker 1: done the show in Andrew Shots Homies Spot. Now here's

378
00:23:36,240 --> 00:23:40,080
Speaker 1: the plot twist. You went and done the podcast and

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00:23:40,240 --> 00:23:53,359
Speaker 1: Andrew shows Homeboys Studio. So now on this podcast, you

380
00:23:53,480 --> 00:23:58,200
Speaker 1: gotta do who knows y'all doing the show at his

381
00:23:58,320 --> 00:24:04,800
Speaker 1: homie spot taking shots set. Then when he takes shots shots,

382
00:24:04,880 --> 00:24:08,560
Speaker 1: have the shots because he's leveraging his relationship right there.

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00:24:08,680 --> 00:24:11,920
Speaker 1: It's important because that off, it's important that you understand

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00:24:11,960 --> 00:24:16,320
Speaker 1: what's happening. He's leveraging his relationship because truth be told,

385
00:24:16,440 --> 00:24:20,520
Speaker 1: he put dude on like in real life, he gave

386
00:24:20,600 --> 00:24:24,400
Speaker 1: him his opportunity, so he's he's under the guise of joking,

387
00:24:24,520 --> 00:24:28,240
Speaker 1: but he's really leveraging his relationship. Like I'm big dog

388
00:24:28,400 --> 00:24:33,200
Speaker 1: over him, so I'm dissing that he Yo, make sure

389
00:24:33,240 --> 00:24:36,119
Speaker 1: that they're paying double you know all these kind of

390
00:24:36,160 --> 00:24:39,000
Speaker 1: little jokes, right and Rory and malling them. You do

391
00:24:39,280 --> 00:24:44,080
Speaker 1: that your audience deserves an investment in regards to your

392
00:24:44,160 --> 00:24:47,879
Speaker 1: podcast set up home. You owe yourself at least that

393
00:24:49,600 --> 00:24:55,160
Speaker 1: some kind of investment on your podcast space. Brother, Right,

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00:24:55,560 --> 00:25:00,359
Speaker 1: So um, they went and done that. Now here's the

395
00:25:00,440 --> 00:25:08,399
Speaker 1: plot twist. Here's the plot twist. They did Rory and

396
00:25:08,480 --> 00:25:12,240
Speaker 1: Mall so bad on that podcast that the other owner

397
00:25:12,320 --> 00:25:15,119
Speaker 1: of the studios had to come out and take shots

398
00:25:15,200 --> 00:25:17,440
Speaker 1: at act just to try to even it out and

399
00:25:17,600 --> 00:25:19,679
Speaker 1: be able to explain the Rory and Mall to yo,

400
00:25:20,720 --> 00:25:23,040
Speaker 1: because Rory and Mall got to be feeling like, Yo,

401
00:25:23,200 --> 00:25:25,200
Speaker 1: you're sitting right there. They this, and we pay you,

402
00:25:25,600 --> 00:25:28,440
Speaker 1: he don't pay you. Oh, but to do next to him,

403
00:25:28,480 --> 00:25:31,719
Speaker 1: gave him a shot what you wanted to say, yo,

404
00:25:31,840 --> 00:25:34,400
Speaker 1: interview over you die. You can't can't do that. Let's

405
00:25:34,440 --> 00:25:38,080
Speaker 1: set some boundary like he not gonna do that. Shows

406
00:25:38,119 --> 00:25:41,960
Speaker 1: brought him in the game. But that's the unfortunate situation.

407
00:25:42,119 --> 00:25:46,800
Speaker 1: You put yourself in him at this level investing in

408
00:25:46,960 --> 00:25:50,880
Speaker 1: my podcast set up. But y'all guys weight up there

409
00:25:50,960 --> 00:25:53,840
Speaker 1: getting half a million. Listen, it's not gonna invest anything,

410
00:25:53,920 --> 00:25:57,000
Speaker 1: and you set up respectfully. We just got to put

411
00:25:57,040 --> 00:26:00,359
Speaker 1: the game down. If it's received, well didn't that's if

412
00:26:00,400 --> 00:26:03,399
Speaker 1: it's not, that's cool. Whichever winds received, it is the

413
00:26:03,480 --> 00:26:05,879
Speaker 1: way that we got to ride. It's important to be

414
00:26:05,960 --> 00:26:08,600
Speaker 1: critical or the information dog. I gotta be that way.

415
00:26:09,160 --> 00:26:13,119
Speaker 1: I'm sorry, you understand me. Let's hear a little more

416
00:26:13,240 --> 00:26:17,480
Speaker 1: what they were doing. It's to just communicate with my

417
00:26:17,600 --> 00:26:20,000
Speaker 1: core audience. I wanted to find a core Yeah, because truth,

418
00:26:20,240 --> 00:26:23,119
Speaker 1: truth be told. People don't realize why building the audience. Listen,

419
00:26:23,560 --> 00:26:26,119
Speaker 1: you're gonna have the masses, yeah, but you need a

420
00:26:26,200 --> 00:26:30,080
Speaker 1: grand wizard chat niggative rod for you. That's the person

421
00:26:30,240 --> 00:26:35,920
Speaker 1: who you have three ter than better than ten thousand people.

422
00:26:36,520 --> 00:26:38,960
Speaker 1: So I went there and I'm like, if they will

423
00:26:39,000 --> 00:26:42,399
Speaker 1: follow me off platform, yes, to somewhere else. Yes, they

424
00:26:42,480 --> 00:26:44,400
Speaker 1: gotta make an account At that time, wasn't that easy

425
00:26:44,440 --> 00:26:45,920
Speaker 1: to watch it on your phone? And if they would

426
00:26:45,960 --> 00:26:48,800
Speaker 1: watch me, they're they're my core audience. That's why I

427
00:26:48,920 --> 00:26:50,880
Speaker 1: didn't be like, yeah, that's the chat niggers, right. Yeah.

428
00:26:52,320 --> 00:26:55,320
Speaker 1: But and so me and my guy and another guy

429
00:26:55,359 --> 00:26:56,959
Speaker 1: who really does a lie for me, I'm like, Yo,

430
00:26:57,400 --> 00:26:59,199
Speaker 1: who the fuck could it be? So they're looking at

431
00:26:59,240 --> 00:27:02,000
Speaker 1: me like, NI gonna drive a kid? You really got

432
00:27:02,080 --> 00:27:08,000
Speaker 1: to go to Oh shit, they're talking about them away.

433
00:27:08,240 --> 00:27:09,879
Speaker 1: He was talking about the reason why they're beef and

434
00:27:09,880 --> 00:27:12,440
Speaker 1: then we're about to move on what I'm hearing Joe

435
00:27:12,520 --> 00:27:15,159
Speaker 1: talk about it. He's like, Yo, they're getting paid like

436
00:27:15,200 --> 00:27:17,560
Speaker 1: one hundred thousand dollars. These dudes are problems. That's what

437
00:27:17,680 --> 00:27:20,800
Speaker 1: he's thinking. Like, he's not thinking like we created this.

438
00:27:21,520 --> 00:27:23,640
Speaker 1: I think maybe his audience is probably trying to show

439
00:27:23,720 --> 00:27:27,320
Speaker 1: him like, no, it's not just youth. We actually did.

440
00:27:27,400 --> 00:27:29,080
Speaker 1: Like well, if we're being honest, it doesn't that mean

441
00:27:29,160 --> 00:27:31,720
Speaker 1: that they they liked them and that they resonate with them.

442
00:27:32,000 --> 00:27:34,200
Speaker 1: Like if we're gonna give Rory maw all the credit

443
00:27:34,240 --> 00:27:36,760
Speaker 1: they deserve. If people are going and listen to the podcasts,

444
00:27:36,800 --> 00:27:38,639
Speaker 1: how about this. If six months from now people are

445
00:27:38,680 --> 00:27:41,400
Speaker 1: still listening at these numbers, don't you got to say,

446
00:27:41,480 --> 00:27:43,600
Speaker 1: all right, you got something, maybe you don't understand it.

447
00:27:43,960 --> 00:27:46,160
Speaker 1: I also say this, people do when you say they can't,

448
00:27:46,320 --> 00:27:49,040
Speaker 1: they're not as good. All right, So we're gonna get

449
00:27:49,080 --> 00:27:53,639
Speaker 1: out of that just simply because um kind of getting

450
00:27:53,720 --> 00:27:57,080
Speaker 1: bored with them dudes. Um, just just kind of you know,

451
00:27:57,720 --> 00:28:00,640
Speaker 1: with the topic, even the topic. You know, I think

452
00:28:00,680 --> 00:28:03,400
Speaker 1: I'm gonna because it's it's just a bunch of little

453
00:28:03,560 --> 00:28:07,439
Speaker 1: bullsh you know, dudes, Like I'm handling business. We're doing business.

454
00:28:07,520 --> 00:28:10,640
Speaker 1: We're trying to get money. Win is influencing the Coulture dog,

455
00:28:11,119 --> 00:28:13,680
Speaker 1: We're going viral, man, you know what I'm saying. We're

456
00:28:13,720 --> 00:28:18,040
Speaker 1: doing things. So, um, unless this game to be took

457
00:28:18,119 --> 00:28:20,359
Speaker 1: from things, I'm gonna have to probably start staying away

458
00:28:20,400 --> 00:28:22,440
Speaker 1: from him, unless my audie and say no a long,

459
00:28:22,520 --> 00:28:25,240
Speaker 1: we need you for that, you know, And then I

460
00:28:25,280 --> 00:28:27,480
Speaker 1: gotta do you know, I gotta rab with my people.

461
00:28:27,760 --> 00:28:31,359
Speaker 1: You see what I mean, y'all let me know. But nonetheless, um,

462
00:28:32,000 --> 00:28:33,639
Speaker 1: we easily had to come out and do that for

463
00:28:33,720 --> 00:28:36,359
Speaker 1: the sake of business. Everybody thought it was a don't

464
00:28:36,560 --> 00:28:38,560
Speaker 1: I would beg that. I would probably say that it

465
00:28:38,640 --> 00:28:40,680
Speaker 1: ain't even a real beef. It was just to save

466
00:28:40,800 --> 00:28:43,840
Speaker 1: the business. Like, yo, we make money off them, that's

467
00:28:43,840 --> 00:28:46,239
Speaker 1: an opportunity. We can't lose that for that. So let

468
00:28:46,320 --> 00:28:48,600
Speaker 1: me come out and go ahead and act. Say nothing

469
00:28:48,600 --> 00:28:50,920
Speaker 1: to Andrew. You know, Andrew, he helped both of us,

470
00:28:51,000 --> 00:28:55,960
Speaker 1: so whatever Andrew stopped playing Kiki Ki Hey yo, but

471
00:28:56,040 --> 00:28:59,560
Speaker 1: act you're using them for views the act probably it's like, oh,

472
00:29:00,320 --> 00:29:03,520
Speaker 1: you know, is he I don't know. He's using them

473
00:29:03,560 --> 00:29:05,960
Speaker 1: for content for sure, But that's the game we in.

474
00:29:07,360 --> 00:29:15,520
Speaker 1: You know, we're in the content game. Um. I also

475
00:29:15,640 --> 00:29:21,120
Speaker 1: want to make a revelation. I think Joe buddon podcast.

476
00:29:21,200 --> 00:29:23,719
Speaker 1: I think Joe buddon thanks the podcast is trash. Now

477
00:29:29,280 --> 00:29:33,200
Speaker 1: I ain't gonna say trash. I think Joe Budden thanks

478
00:29:33,240 --> 00:29:35,720
Speaker 1: to podcast isn't as good as he would like it

479
00:29:35,840 --> 00:29:38,960
Speaker 1: to be. And I don't see it's and Ice being

480
00:29:39,040 --> 00:29:43,040
Speaker 1: there for longer than about six months. I see a

481
00:29:43,200 --> 00:29:48,719
Speaker 1: change coming because he's losing when you see him come

482
00:29:48,720 --> 00:29:51,360
Speaker 1: off with YouTube and people think that's a business more all.

483
00:29:51,400 --> 00:29:55,200
Speaker 1: He's doing that because he's doing that because the numbers

484
00:29:55,320 --> 00:29:58,840
Speaker 1: are not respectable numbers for his position in the game.

485
00:29:59,440 --> 00:30:03,320
Speaker 1: And you negotiate from a place of when I was

486
00:30:03,720 --> 00:30:09,120
Speaker 1: on YouTube, these are the numbers I was getting. So

487
00:30:11,160 --> 00:30:15,080
Speaker 1: that's important to know a couple of different things. I

488
00:30:15,200 --> 00:30:18,200
Speaker 1: also peeped from Joe and then we'll get away from

489
00:30:18,280 --> 00:30:20,360
Speaker 1: Joe Budden. It's a whole bunch of more things to

490
00:30:20,440 --> 00:30:23,200
Speaker 1: talk about. A couple other things I peeped from Joe

491
00:30:23,480 --> 00:30:26,000
Speaker 1: was again, the current structure of the podcast is either

492
00:30:26,040 --> 00:30:29,560
Speaker 1: gonna have to change or it's gonna it's gonna change.

493
00:30:30,600 --> 00:30:33,560
Speaker 1: Something is gonna change, either their way of potting or

494
00:30:33,880 --> 00:30:37,680
Speaker 1: something has to change for him to reclaim his position.

495
00:30:39,200 --> 00:30:42,040
Speaker 1: So what he's trying to do is strengthen his audio numbers.

496
00:30:42,560 --> 00:30:45,080
Speaker 1: Send all of those people that win video to audio,

497
00:30:46,280 --> 00:30:48,800
Speaker 1: you know what I'm saying, and then just operate with

498
00:30:48,920 --> 00:30:52,600
Speaker 1: those numbers. Probably that'll helped the Facebook deal. We don't know,

499
00:30:52,840 --> 00:30:56,760
Speaker 1: but it's an ice. It seems like whoever sits with

500
00:30:56,920 --> 00:31:01,480
Speaker 1: Joe gets their bones off this and Joe, but he

501
00:31:01,920 --> 00:31:04,000
Speaker 1: does the same. He kind of gets his bones off

502
00:31:04,080 --> 00:31:07,080
Speaker 1: this and them as well. So it's I guess it's

503
00:31:07,120 --> 00:31:12,040
Speaker 1: a give and take thing, you know. Um. I find

504
00:31:12,120 --> 00:31:17,080
Speaker 1: it funny though, that Joe was so hung and strong,

505
00:31:17,360 --> 00:31:20,160
Speaker 1: and I ain't I put this on I got I

506
00:31:20,200 --> 00:31:27,080
Speaker 1: ain't budgeting on this. He was so old, he was

507
00:31:27,120 --> 00:31:30,080
Speaker 1: so wrapped up in Rory and mall not being invested

508
00:31:30,120 --> 00:31:32,520
Speaker 1: in podcasting. But when I look at each and Ice,

509
00:31:32,600 --> 00:31:34,560
Speaker 1: I say to myself, I don't think I see two

510
00:31:34,640 --> 00:31:38,160
Speaker 1: men is invested in podcasting, even when it's talks about

511
00:31:38,200 --> 00:31:41,800
Speaker 1: I'm sorry, yes, even when each talks about podcasting the

512
00:31:41,920 --> 00:31:45,920
Speaker 1: Joe button, he basically says, hey, you're in this for

513
00:31:46,040 --> 00:31:48,680
Speaker 1: a different thing. Hey, you are doing such is, Hey

514
00:31:48,800 --> 00:31:52,760
Speaker 1: you are suching. So either this understood that they're gonna

515
00:31:52,800 --> 00:31:56,760
Speaker 1: have to move on soon or it isn't investing. And

516
00:31:56,880 --> 00:31:59,640
Speaker 1: if you're mad at Rory and Mall for that, then

517
00:32:00,080 --> 00:32:02,360
Speaker 1: we can't move the gold post. And now you know it.

518
00:32:02,480 --> 00:32:05,280
Speaker 1: Just these kind of things seem kind of weird to me.

519
00:32:05,440 --> 00:32:07,760
Speaker 1: That's why I have to have conversations with these guys

520
00:32:07,840 --> 00:32:09,920
Speaker 1: maybe to help them even see some of the things

521
00:32:10,000 --> 00:32:15,080
Speaker 1: that are doing and highs being received. Because if we

522
00:32:15,200 --> 00:32:17,640
Speaker 1: look at how these things are being looked at, I

523
00:32:17,760 --> 00:32:20,720
Speaker 1: think it's important for us to grow from that perspective

524
00:32:22,000 --> 00:32:24,760
Speaker 1: because sometimes all I'm seeing it I ain't done nothing,

525
00:32:25,040 --> 00:32:27,520
Speaker 1: nah man, you ain't knowing you tearing up ship when

526
00:32:27,560 --> 00:32:31,040
Speaker 1: you're coming through, like, you gotta put some you gotta

527
00:32:31,080 --> 00:32:34,880
Speaker 1: put some respect and some attention on that. If you

528
00:32:35,040 --> 00:32:37,640
Speaker 1: love people, you're losing people you love, you gotta look

529
00:32:37,680 --> 00:32:40,239
Speaker 1: at that and receive that a certain way. Like if

530
00:32:40,320 --> 00:32:43,400
Speaker 1: I care for y'all, I play these games like don't

531
00:32:43,440 --> 00:32:46,520
Speaker 1: nobody mean none. But it's really get hurtful when we

532
00:32:46,640 --> 00:32:49,480
Speaker 1: break it down and think about it, and really get

533
00:32:49,560 --> 00:32:52,320
Speaker 1: hurtful when I'm when I'm butting and I tell my

534
00:32:52,520 --> 00:32:56,000
Speaker 1: homeboard Rory that I built a multimillion dollar outfit with

535
00:32:56,960 --> 00:32:59,000
Speaker 1: when I had to tell him that I'm still cool

536
00:32:59,040 --> 00:33:02,680
Speaker 1: with academics. Man ain't doing that, and then show's called

537
00:33:02,760 --> 00:33:06,520
Speaker 1: acting act shoot over there. You see what I'm saying.

538
00:33:07,800 --> 00:33:10,680
Speaker 1: But Joe's done things as well. So I expect Joe

539
00:33:10,760 --> 00:33:12,880
Speaker 1: in a minute to sit down with meet Meal, to

540
00:33:13,000 --> 00:33:16,800
Speaker 1: sit down with my son. That's something coming of that magnitude.

541
00:33:16,920 --> 00:33:19,240
Speaker 1: This is the game that they this is the game,

542
00:33:20,160 --> 00:33:22,920
Speaker 1: this is how they play the game. It's important that

543
00:33:23,000 --> 00:33:25,400
Speaker 1: y'all understand it. So I'm putting you down. I'm letting

544
00:33:25,440 --> 00:33:29,280
Speaker 1: you know some or that magnitude to be taking place soon. Man.

545
00:33:29,400 --> 00:33:32,800
Speaker 1: This podcasting space, bro, it's just so new, it's just

546
00:33:32,920 --> 00:33:35,640
Speaker 1: so dope. Man. I just I'm blessed to be a

547
00:33:35,760 --> 00:33:38,680
Speaker 1: part of it, man, and actually have people to every

548
00:33:38,880 --> 00:33:45,200
Speaker 1: single day discover this. Man. And when they discover it, Dog,

549
00:33:45,360 --> 00:33:49,160
Speaker 1: they always say, yo, Dog, I'm rocking with it. But

550
00:33:49,320 --> 00:33:51,239
Speaker 1: I know it's a lot of people that's listening right

551
00:33:51,360 --> 00:33:54,240
Speaker 1: now that you ain't never even letting me know. And

552
00:33:54,360 --> 00:33:57,800
Speaker 1: that's cool as well. If you just can receive the game,

553
00:33:57,920 --> 00:34:01,360
Speaker 1: I can appreciate that to perspective whatever it is that

554
00:34:01,480 --> 00:34:05,920
Speaker 1: you may be doing. But the Joe Budden situation, man,

555
00:34:06,040 --> 00:34:08,399
Speaker 1: they take it out kind of catche from that dude.

556
00:34:08,520 --> 00:34:14,800
Speaker 1: Man cashe is leaving from that dude. Man. You know

557
00:34:14,920 --> 00:34:21,439
Speaker 1: what I'm saying. I wonder will he had the team

558
00:34:21,560 --> 00:34:26,920
Speaker 1: up with some manner? See, he gotta have them to

559
00:34:27,080 --> 00:34:29,279
Speaker 1: people that are simply because he got to bounce off

560
00:34:29,400 --> 00:34:32,440
Speaker 1: them doing what I do. It's different and he'll probably

561
00:34:32,560 --> 00:34:35,160
Speaker 1: lended that. But once you riches people in the background,

562
00:34:35,200 --> 00:34:39,120
Speaker 1: I'm feeding out for you. See what I'm saying. It's

563
00:34:39,160 --> 00:34:42,879
Speaker 1: just different things you gotta pay attention to. But when

564
00:34:42,920 --> 00:34:45,440
Speaker 1: I looked at the Andrew Shows in the Academics interview,

565
00:34:45,480 --> 00:34:49,920
Speaker 1: I said to myself, Man, this really showed me how

566
00:34:50,080 --> 00:34:56,160
Speaker 1: important Although it was an academics interview, it really showed

567
00:34:56,239 --> 00:34:58,640
Speaker 1: me how important it was for Andrew Shows to sit

568
00:34:58,800 --> 00:35:05,680
Speaker 1: next to somebody like Alemagne not only based on audience,

569
00:35:08,640 --> 00:35:16,000
Speaker 1: but based on learning the game and game tape. When

570
00:35:16,040 --> 00:35:18,120
Speaker 1: I see him talk, because I've watched him from the

571
00:35:18,280 --> 00:35:23,320
Speaker 1: beginning when they will argue Charlemagne to get upset, like like,

572
00:35:23,520 --> 00:35:28,760
Speaker 1: what is it this? He's tripping? Charlemagne has moved mentally

573
00:35:28,840 --> 00:35:34,040
Speaker 1: into a different place, so he let a lot of

574
00:35:34,160 --> 00:35:37,000
Speaker 1: things fly, but him and the Drew Shows and Drew

575
00:35:37,040 --> 00:35:40,760
Speaker 1: Shows got to sit next to Charlemagne and see before

576
00:35:40,840 --> 00:35:44,200
Speaker 1: we go in, what do we do? What kind of

577
00:35:44,360 --> 00:35:47,040
Speaker 1: how does he do that little thing when he segues,

578
00:35:47,120 --> 00:35:50,600
Speaker 1: what's that about? What kind of Oh he only got

579
00:35:50,680 --> 00:35:55,359
Speaker 1: one world rode down? So okay, okay, I see what's

580
00:35:55,400 --> 00:35:57,920
Speaker 1: going you know whatever the little tricks of the trade

581
00:35:58,120 --> 00:35:59,920
Speaker 1: is and shouts was able to do that because when

582
00:36:00,080 --> 00:36:03,520
Speaker 1: you look at shows and you look at ACT that

583
00:36:03,680 --> 00:36:06,560
Speaker 1: polar opposites. It's even things going on that AC ain't

584
00:36:06,600 --> 00:36:10,360
Speaker 1: tapped into. For real. Act is on the mainstream level,

585
00:36:12,160 --> 00:36:14,439
Speaker 1: but it's a lot of game that ACT can't see

586
00:36:14,520 --> 00:36:19,759
Speaker 1: either because the game he see is from his perspective.

587
00:36:21,320 --> 00:36:23,840
Speaker 1: It ain't no blood on academics money, it ain't no

588
00:36:24,000 --> 00:36:27,200
Speaker 1: dirt on this fingernails. He built this platform on the Internet.

589
00:36:27,280 --> 00:36:32,080
Speaker 1: That's a powerful platform, he bill. But when you're dealing

590
00:36:32,160 --> 00:36:34,959
Speaker 1: with somebody that gotta look at things, who've been looking

591
00:36:35,040 --> 00:36:38,520
Speaker 1: at things from a perspective of survival, you're dealing with

592
00:36:38,640 --> 00:36:41,280
Speaker 1: a different beast. You're dealing with the king of the jungle.

593
00:36:41,360 --> 00:36:47,760
Speaker 1: In regards to mental warfowl, or understanding and interpretating things,

594
00:36:48,080 --> 00:36:51,480
Speaker 1: I heard Joe Budden say something that said I said, boy,

595
00:36:51,560 --> 00:36:54,400
Speaker 1: that was deep, but people skipped on past it. But

596
00:36:54,520 --> 00:36:57,799
Speaker 1: for me it meant so much because it's the same

597
00:36:57,920 --> 00:37:03,560
Speaker 1: with me. He said. I have a problem telling people

598
00:37:03,960 --> 00:37:09,520
Speaker 1: how I understood than things, meaning I might tell you, AYO,

599
00:37:10,840 --> 00:37:14,000
Speaker 1: get away from that situation, son, And I have a

600
00:37:14,120 --> 00:37:17,920
Speaker 1: problem with telling you how. I know. You know I

601
00:37:18,000 --> 00:37:20,680
Speaker 1: can't explain it to you. But I'm almost all the

602
00:37:20,800 --> 00:37:24,840
Speaker 1: time right about things, man, And it's almost scary, like

603
00:37:25,280 --> 00:37:27,600
Speaker 1: you know what I'm saying. But I gotta be careful

604
00:37:27,640 --> 00:37:30,319
Speaker 1: because I can't make the same mistake these dudes make

605
00:37:30,400 --> 00:37:33,600
Speaker 1: it getting caught up in it, getting caught up in

606
00:37:33,760 --> 00:37:36,600
Speaker 1: thinking everything you say is right, every move you make

607
00:37:36,760 --> 00:37:39,760
Speaker 1: is legit. Every piece of paper you write on his gold,

608
00:37:39,800 --> 00:37:43,120
Speaker 1: and every wrap you write is in. That's it. Even

609
00:37:43,200 --> 00:37:46,359
Speaker 1: if the change this, that's the sound. Now, every part

610
00:37:46,480 --> 00:37:49,160
Speaker 1: you do it's the best party. You'll be a fool.

611
00:37:50,680 --> 00:37:55,920
Speaker 1: I exhibit confidence because it's necessary for my motivation. But

612
00:37:56,120 --> 00:37:59,520
Speaker 1: I'm not ignorant to the facts. I'm not ignorant to

613
00:37:59,600 --> 00:38:03,920
Speaker 1: the problem, says, I'm not ignorant, ignorant to what it

614
00:38:04,040 --> 00:38:06,400
Speaker 1: takes to get to the next level. So I operate

615
00:38:06,480 --> 00:38:09,480
Speaker 1: with those things at the forefront of my mentor. You

616
00:38:09,520 --> 00:38:15,279
Speaker 1: will never see me just disregard the game. You will

617
00:38:15,400 --> 00:38:20,320
Speaker 1: never see me disregard the game, because you gotta respect

618
00:38:20,360 --> 00:38:23,160
Speaker 1: the game. And that's what I see a lot. That's

619
00:38:23,160 --> 00:38:26,120
Speaker 1: what I one thing I know about the podcasting guys.

620
00:38:26,440 --> 00:38:29,279
Speaker 1: They don't respect the game. Number one, they don't even

621
00:38:29,400 --> 00:38:33,160
Speaker 1: know the game, which allows people that know the game

622
00:38:33,239 --> 00:38:35,320
Speaker 1: to get in this game. Like a jay z Or

623
00:38:35,520 --> 00:38:38,920
Speaker 1: did it to me, the folk had to be operating

624
00:38:39,000 --> 00:38:41,440
Speaker 1: either real close to a boss when they were young

625
00:38:42,120 --> 00:38:45,160
Speaker 1: or in the street as a boss. The rick ross

626
00:38:45,320 --> 00:38:49,120
Speaker 1: is something they're getting it from somewhere because you don't

627
00:38:49,160 --> 00:38:51,360
Speaker 1: wait till you get rich and then it just cut on.

628
00:38:52,000 --> 00:38:55,200
Speaker 1: It was already there. You were just waiting on your opportunity.

629
00:38:56,560 --> 00:38:59,640
Speaker 1: You were yet waiting when they make it happen. Whenever

630
00:38:59,680 --> 00:39:02,360
Speaker 1: I may happened, whenever I put two and two together,

631
00:39:02,719 --> 00:39:05,360
Speaker 1: whenever I figure out this ad thing, or whenever I

632
00:39:05,520 --> 00:39:08,600
Speaker 1: figure out this house thing or whenever I feel whenever

633
00:39:08,719 --> 00:39:11,399
Speaker 1: this happened, that's when the vibration gonna come, and I'm

634
00:39:11,400 --> 00:39:14,840
Speaker 1: gonna be totally prepared. You're dealing with preparation when you

635
00:39:14,920 --> 00:39:16,920
Speaker 1: look at Jay, when you look at did It, when

636
00:39:16,960 --> 00:39:19,359
Speaker 1: you look at QC, when you look at Ross, when

637
00:39:19,400 --> 00:39:22,359
Speaker 1: you look at a Drake, when you look at Dame,

638
00:39:22,480 --> 00:39:24,879
Speaker 1: when you look at Kanye, when you look at Loan,

639
00:39:25,000 --> 00:39:28,799
Speaker 1: You're dealing with preparation. And that's the difference. Everybody want

640
00:39:28,840 --> 00:39:32,359
Speaker 1: to part. Everybody think they can give game. Everybody think

641
00:39:32,440 --> 00:39:35,120
Speaker 1: they got it in them. Could a camera on? Get

642
00:39:35,200 --> 00:39:41,359
Speaker 1: your camera? So much more going in this thing. That's

643
00:39:41,360 --> 00:39:44,719
Speaker 1: the problem with the Joe Buddon podcast. These guys, if

644
00:39:44,760 --> 00:39:47,160
Speaker 1: you talk to them one on one, are very cool

645
00:39:47,239 --> 00:39:51,719
Speaker 1: to talk to. It's and ice guys. They get like,

646
00:39:51,880 --> 00:39:56,600
Speaker 1: it's just pretty smart. That's etiquette that's involved with this thing.

647
00:39:57,239 --> 00:40:00,480
Speaker 1: That's etiquette that's involved with this thing. You can't just

648
00:40:00,640 --> 00:40:03,480
Speaker 1: get up at talking. You can, but you gotta understand.

649
00:40:04,000 --> 00:40:07,680
Speaker 1: It's a dance. It's like you did what I'm saying so,

650
00:40:07,920 --> 00:40:10,520
Speaker 1: and that's the dudes just making money. The people that

651
00:40:10,600 --> 00:40:13,759
Speaker 1: are taking in with that perspective the same way with you.

652
00:40:14,920 --> 00:40:17,799
Speaker 1: You guys just trying out for basketball or young guys

653
00:40:17,880 --> 00:40:20,320
Speaker 1: that's on your way to the pros. You are already

654
00:40:20,400 --> 00:40:23,560
Speaker 1: practicing like you are a pro. You are already putting

655
00:40:23,600 --> 00:40:26,120
Speaker 1: in training like you are a pro. You are already

656
00:40:26,160 --> 00:40:28,799
Speaker 1: putting the work in like you're a pro. Yeah, man,

657
00:40:28,920 --> 00:40:32,120
Speaker 1: you're looking at a free agent in this game. Here.

658
00:40:32,239 --> 00:40:35,239
Speaker 1: This is the only change of the game. The game is.

659
00:40:35,320 --> 00:40:38,160
Speaker 1: You gotta make yourself a legitimate free agent. That means

660
00:40:38,160 --> 00:40:41,960
Speaker 1: your business in order your brand together. Everything is butted

661
00:40:42,080 --> 00:40:44,560
Speaker 1: up by all somebody really need to do. It's come

662
00:40:44,640 --> 00:40:46,879
Speaker 1: in and give you access to the information, to give

663
00:40:46,920 --> 00:40:49,600
Speaker 1: you access to the audience, how to run the You know,

664
00:40:49,800 --> 00:40:54,799
Speaker 1: just certain things. But you as as somebody that's operating

665
00:40:54,880 --> 00:40:57,279
Speaker 1: in the game, need to be operating as a professional.

666
00:40:57,440 --> 00:41:01,439
Speaker 1: That's how this go. This is the part of the game.

667
00:41:01,520 --> 00:41:05,080
Speaker 1: They won't teach you. The ones that make it to

668
00:41:05,200 --> 00:41:08,719
Speaker 1: the league, oh man, they was practicing like a pro

669
00:41:08,880 --> 00:41:12,120
Speaker 1: long before the league. They were lifting, wasting, training like

670
00:41:12,200 --> 00:41:15,080
Speaker 1: a pro long before the league. The ones this champion

671
00:41:15,200 --> 00:41:18,000
Speaker 1: in boxing, Oh they were training like a champion long

672
00:41:18,120 --> 00:41:21,160
Speaker 1: before the league. They were staying up late nights doing

673
00:41:21,239 --> 00:41:23,680
Speaker 1: their thing long before the money in the league. So

674
00:41:24,040 --> 00:41:28,480
Speaker 1: you gotta understand before the title come, you gotta already

675
00:41:28,520 --> 00:41:36,560
Speaker 1: be operating like the champion, be deserving the title. And

676
00:41:36,719 --> 00:41:39,240
Speaker 1: that's why I tell Royal Raymond, y'all gott to invest

677
00:41:39,360 --> 00:41:44,279
Speaker 1: something mean, y'all backdrop may y'all podcast set up. Y'all

678
00:41:44,400 --> 00:41:49,960
Speaker 1: can't give five hundred thousand people that. Look, we're talking

679
00:41:50,080 --> 00:41:54,799
Speaker 1: cache when we look at this hill Maine. Y'all got

680
00:41:54,920 --> 00:41:57,400
Speaker 1: to respect the game, y'all. That what I'm telling you.

681
00:41:57,920 --> 00:42:01,919
Speaker 1: All these college guys as in these they they don't

682
00:42:01,960 --> 00:42:04,880
Speaker 1: come from a place where respecting the game is necessary.

683
00:42:08,200 --> 00:42:10,600
Speaker 1: Why come from you don't respect the game by the

684
00:42:10,719 --> 00:42:13,839
Speaker 1: game gonna get you. But if the game good to you, boy,

685
00:42:13,880 --> 00:42:17,120
Speaker 1: you will be ball or ball. You ain't got room.

686
00:42:18,640 --> 00:42:22,000
Speaker 1: Gear me, you ain't got room. So it's important to

687
00:42:22,080 --> 00:42:26,160
Speaker 1: understand that. Man operate understanding that. But we're gonna move

688
00:42:26,280 --> 00:42:30,040
Speaker 1: from that. We're gonna take a quick break and we're

689
00:42:30,040 --> 00:42:32,200
Speaker 1: gonna get into something else. You know who it is

690
00:42:32,280 --> 00:42:35,359
Speaker 1: the biggest podcast in the world. After this break, we'll

691
00:42:35,400 --> 00:42:38,399
Speaker 1: be back breaking the game down with each of their

692
00:42:38,520 --> 00:42:56,239
Speaker 1: podcast Stay tuned. Get out my yard, man, Get out

693
00:42:56,440 --> 00:43:02,120
Speaker 1: my yard, Get out my yard. Hey, y'all tell me something,

694
00:43:03,080 --> 00:43:06,320
Speaker 1: and you didn't with that or another caucus or but

695
00:43:06,440 --> 00:43:10,200
Speaker 1: y'all tell me something. Why all the little video will

696
00:43:10,280 --> 00:43:13,400
Speaker 1: be people in folks yard? Man, why what's so? What

697
00:43:13,480 --> 00:43:16,880
Speaker 1: are you and why do it? Because you was invited

698
00:43:16,920 --> 00:43:19,120
Speaker 1: over and then then we get into it. Now I'm

699
00:43:19,120 --> 00:43:20,839
Speaker 1: telling you get out of the yard or what what's

700
00:43:20,880 --> 00:43:24,920
Speaker 1: the what's what's up with the yard thing? Like I'm confused.

701
00:43:28,239 --> 00:43:29,719
Speaker 1: I get out of my yard. No, you call me?

702
00:43:30,520 --> 00:43:34,279
Speaker 1: Get out? D you see oh lord, you see the

703
00:43:34,360 --> 00:43:39,680
Speaker 1: concus or get out? Come on, y'all talk, get out,

704
00:43:40,160 --> 00:43:45,000
Speaker 1: get out talking to me? Oh boy, he with it,

705
00:43:47,239 --> 00:43:51,360
Speaker 1: boy he so so so so the dude here, the

706
00:43:52,320 --> 00:43:54,920
Speaker 1: one from the caucas Mountains, he come in approach to

707
00:43:55,000 --> 00:43:57,480
Speaker 1: get the dude with the edge up messed up right,

708
00:43:58,040 --> 00:44:00,360
Speaker 1: So the white dude come approached the black dude like

709
00:44:00,840 --> 00:44:03,160
Speaker 1: my black keep my Yeah, you're touting to me like

710
00:44:03,320 --> 00:44:07,640
Speaker 1: I'm leon the pan. So he really comes, Yeah, straightening

711
00:44:08,480 --> 00:44:10,320
Speaker 1: the was me go time out? When they time my

712
00:44:10,480 --> 00:44:14,319
Speaker 1: straighten it home? Come to get dudes from straightening? Get

713
00:44:14,320 --> 00:44:17,440
Speaker 1: out of my yard. Get out my you're on my propert.

714
00:44:17,440 --> 00:44:19,759
Speaker 1: I'm gonna give you the out. Get the first get

715
00:44:19,800 --> 00:44:21,880
Speaker 1: me the first. I'm gonna give you the first, the

716
00:44:21,960 --> 00:44:24,279
Speaker 1: first one. Give me. Get out of my yard. Got

717
00:44:24,320 --> 00:44:28,000
Speaker 1: the first. Got the have made agreements. By they have

718
00:44:28,080 --> 00:44:32,839
Speaker 1: made agreement. Don't call me. I'm gonna be your bit. Oh,

719
00:44:35,719 --> 00:44:39,200
Speaker 1: get out of my yard, man, go buck, I got

720
00:44:39,200 --> 00:44:44,960
Speaker 1: a little bye bye bye bye. Get the fuck up. Mate. No,

721
00:44:45,120 --> 00:44:47,759
Speaker 1: you're in my yard. And I can walk without as

722
00:44:48,760 --> 00:44:52,239
Speaker 1: I can walk without. Oh, oh, here it is here.

723
00:44:52,280 --> 00:45:03,960
Speaker 1: It is round one and cacazo one. Ain't playing with dude? Man? Oh,

724
00:45:06,200 --> 00:45:14,200
Speaker 1: put your hands krut you, Oh, y'all, oh oh, we

725
00:45:14,320 --> 00:45:17,600
Speaker 1: come out the house. Shoe he coming from? See the

726
00:45:17,719 --> 00:45:20,319
Speaker 1: thing give when you push your man? See y'all, tell

727
00:45:20,400 --> 00:45:22,840
Speaker 1: y'all later about the fight I got into it. Walmart

728
00:45:23,000 --> 00:45:26,480
Speaker 1: pushed him. You understand me that he instantly getting his stands.

729
00:45:26,480 --> 00:45:28,560
Speaker 1: So I had to I had to whooper men, Walmart,

730
00:45:28,680 --> 00:45:31,440
Speaker 1: similar to this. You push that man like that? That

731
00:45:31,560 --> 00:45:35,200
Speaker 1: mean come on with it. Look at this. Watch your

732
00:45:35,239 --> 00:45:42,759
Speaker 1: hearty pushed dude, y'all. I'm most fail, but here it is.

733
00:45:42,840 --> 00:45:45,359
Speaker 1: Then then what you come for? Ain't he ain't? Ain't

734
00:45:45,360 --> 00:45:48,279
Speaker 1: then what you come for? HANDI what you come for? Yeah?

735
00:45:48,440 --> 00:45:50,759
Speaker 1: Out of Yeah, what we're doing? How you on a

736
00:45:50,760 --> 00:45:53,640
Speaker 1: little piece of Come here, let me talk. Yeah, you

737
00:45:53,760 --> 00:45:57,040
Speaker 1: want a little piece of TV? Man? What we got going?

738
00:45:58,239 --> 00:46:05,680
Speaker 1: What we got going? What are you doing? Dog? You

739
00:46:05,800 --> 00:46:08,839
Speaker 1: told me fun? Oh he tried to get him one.

740
00:46:09,760 --> 00:46:12,279
Speaker 1: Let's get it. Let's get it. Huh. Let me talk

741
00:46:12,360 --> 00:46:15,520
Speaker 1: to you then, let me talk to you overhand, right overhand?

742
00:46:15,600 --> 00:46:19,160
Speaker 1: Right one more on? Old damn, he hit the ground.

743
00:46:19,560 --> 00:46:24,480
Speaker 1: It's over for the cockers, cockersonor down round one. What

744
00:46:24,560 --> 00:46:32,920
Speaker 1: are you saying? He got the video album? He got

745
00:46:33,000 --> 00:46:36,160
Speaker 1: the video I ain't check you know you got whoop?

746
00:46:36,239 --> 00:46:38,120
Speaker 1: Will you tell it? He got the video album? And

747
00:46:38,239 --> 00:46:41,359
Speaker 1: if he ain't out chick, you know, if you ain't

748
00:46:41,440 --> 00:46:44,440
Speaker 1: out chick bambo? Yeah, damn, that's crazy. Man. Listen, it's

749
00:46:44,560 --> 00:46:46,919
Speaker 1: up that podcast. Ain't know what's going on. We're gonna

750
00:46:46,920 --> 00:46:50,080
Speaker 1: look at one more video. Baby daddy isn't see coul

751
00:46:50,719 --> 00:46:53,279
Speaker 1: hold up later. I walked him into how they hold

752
00:46:53,320 --> 00:46:55,640
Speaker 1: to move our whole Baby daddy, isn't the see on

753
00:46:55,920 --> 00:46:59,600
Speaker 1: crib man? Because you're a motherfucking clown hole because you

754
00:46:59,719 --> 00:47:04,000
Speaker 1: lie all right, bitch hole, I can't home the whole later?

755
00:47:04,080 --> 00:47:06,840
Speaker 1: What baby dad is man, it's a whole bunch of

756
00:47:06,960 --> 00:47:11,200
Speaker 1: profanity being you he scary to them? Are I'm gonna

757
00:47:11,200 --> 00:47:14,640
Speaker 1: beat this? He and I'm motherfucking he you motherfucking clown. Hold,

758
00:47:14,680 --> 00:47:17,680
Speaker 1: I'm putting no hot your face. Hole, don't flide your face.

759
00:47:18,120 --> 00:47:21,440
Speaker 1: It's like this shit fronting. You think it funny? All right,

760
00:47:22,640 --> 00:47:25,799
Speaker 1: all right, good plans on the don't put your hands

761
00:47:25,800 --> 00:47:27,719
Speaker 1: on joke. I don't know why you think sh a joke.

762
00:47:27,719 --> 00:47:29,759
Speaker 1: I don't know why you laid with your motherfucking baby dad.

763
00:47:29,760 --> 00:47:33,359
Speaker 1: I don't even think that's a problem, bitch, don't get

764
00:47:33,400 --> 00:47:36,799
Speaker 1: a fuck. Oh, hen accepted, then you polled the deal

765
00:47:36,960 --> 00:47:39,880
Speaker 1: on everything, bro, You posed be gonna see this the

766
00:47:40,000 --> 00:47:44,320
Speaker 1: problem to begin with living with false I know we

767
00:47:44,480 --> 00:47:47,800
Speaker 1: all undone it, but don't come on, slime. This is

768
00:47:47,880 --> 00:47:52,960
Speaker 1: this the vibration were accepting, man, the taking out kind

769
00:47:53,000 --> 00:47:56,000
Speaker 1: of catchade? Man. Well we hey, man, you tell me

770
00:47:56,320 --> 00:47:59,760
Speaker 1: you ain't so you telling me lading Dad's cool, because

771
00:48:00,040 --> 00:48:03,320
Speaker 1: all I'm worried about it's the sex. Pard. You basically

772
00:48:03,400 --> 00:48:05,720
Speaker 1: telling me I ain't worry So you think I ain't

773
00:48:05,760 --> 00:48:08,400
Speaker 1: worrying about you laying there with him and y'all coloring,

774
00:48:08,920 --> 00:48:12,640
Speaker 1: I'm worrying about him getting that same like yo, man,

775
00:48:12,719 --> 00:48:15,280
Speaker 1: we gotta put in perspective. See that's why I'm finished.

776
00:48:15,280 --> 00:48:18,440
Speaker 1: Start having women on my show so we can conversate,

777
00:48:19,400 --> 00:48:22,800
Speaker 1: because perspective is low somewhere along the lines, either on

778
00:48:22,880 --> 00:48:28,160
Speaker 1: outside or day side, but somewhere with certain mashup of people.

779
00:48:28,440 --> 00:48:32,880
Speaker 1: There's no perspective in those situations. Because you shouldn't even

780
00:48:32,920 --> 00:48:34,719
Speaker 1: be having to ask her this once she once she

781
00:48:34,880 --> 00:48:38,399
Speaker 1: admitted to be in there. Yo, this conversation is over.

782
00:48:39,200 --> 00:48:45,600
Speaker 1: You just missed your flight. Get you lat up with

783
00:48:45,640 --> 00:48:48,759
Speaker 1: your motherfucker baby daddy beach. Fuck is you saying, oh

784
00:48:48,960 --> 00:48:51,839
Speaker 1: I come back yesterday's say he rod they come back later?

785
00:48:52,000 --> 00:48:55,879
Speaker 1: Your baby daddy be stopped playing me? Ho pitfa home,

786
00:48:55,960 --> 00:49:03,600
Speaker 1: mine the fairs, Oh mine, damn your oh man, my mama,

787
00:49:04,320 --> 00:49:06,879
Speaker 1: I don't know who I am, bitch shee. That means

788
00:49:06,880 --> 00:49:10,040
Speaker 1: it ain't got nothing left. See what I'm gonna take

789
00:49:10,120 --> 00:49:12,640
Speaker 1: from you gonna do worse than a little slap. I'm

790
00:49:12,719 --> 00:49:17,080
Speaker 1: taking all this situation from you. Survive on your own.

791
00:49:17,120 --> 00:49:20,560
Speaker 1: I know you can. You're a beast. But far as

792
00:49:20,760 --> 00:49:26,400
Speaker 1: my involvement in everything is old, that means more than dude.

793
00:49:26,719 --> 00:49:29,680
Speaker 1: But that mean he ain't got nothing left. I don't

794
00:49:29,719 --> 00:49:33,560
Speaker 1: got nothing left. I'm looking at you just blatantly disrespect me.

795
00:49:34,560 --> 00:49:36,759
Speaker 1: And I can't threatened to not mess with you because

796
00:49:36,800 --> 00:49:40,080
Speaker 1: you don't care about that. You just you're sleeping with

797
00:49:40,200 --> 00:49:42,600
Speaker 1: somethbody else, so you can't care about missing with me.

798
00:49:44,600 --> 00:49:46,279
Speaker 1: You did what what I'm saying? So right now I

799
00:49:46,360 --> 00:49:50,080
Speaker 1: gotta go, you know it? And and and she I

800
00:49:50,160 --> 00:49:53,520
Speaker 1: didn't see him smacker, but I allegedly she was smacked

801
00:49:53,560 --> 00:49:58,759
Speaker 1: that because I heard something. Ain't you good to catch

802
00:49:58,840 --> 00:50:01,719
Speaker 1: right in front of your ug lads on kryp? Now,

803
00:50:01,840 --> 00:50:05,560
Speaker 1: well about I ain't gonad to kill the face going downstairs?

804
00:50:06,520 --> 00:50:10,560
Speaker 1: He got closed downstair? You thinking about ship? He got

805
00:50:10,680 --> 00:50:13,440
Speaker 1: clothes ship going downstairs? Look she had I had, you

806
00:50:13,640 --> 00:50:16,000
Speaker 1: told it. She didn't. Got scared, but just the thing.

807
00:50:16,560 --> 00:50:19,160
Speaker 1: The damage is done, but love it you posed to

808
00:50:19,239 --> 00:50:23,120
Speaker 1: be gone now his stuff ain't going downstair. Y'all can

809
00:50:23,239 --> 00:50:27,759
Speaker 1: have whatever in here. I'm out of hell. Keep the

810
00:50:27,880 --> 00:50:32,759
Speaker 1: bills together. Yeah, I don't know who the fuck y'all

811
00:50:32,840 --> 00:50:36,080
Speaker 1: think I'm gonna for what you thought? This? Will? You

812
00:50:36,160 --> 00:50:39,719
Speaker 1: got me fucked up? Fuck your time about and let

813
00:50:39,800 --> 00:50:42,960
Speaker 1: cook come up on rong beat his age coul The

814
00:50:43,080 --> 00:50:47,040
Speaker 1: fuck going on? Cook. You know, folks, if could knew

815
00:50:47,080 --> 00:50:49,400
Speaker 1: what was going on, he wouldn't be in that cuddling

816
00:50:49,480 --> 00:50:53,080
Speaker 1: with your gab bro. I ain't really you know, he

817
00:50:53,200 --> 00:50:56,839
Speaker 1: might respect yo cribbing or whatever there, but it don't

818
00:50:56,880 --> 00:50:59,520
Speaker 1: seem like Cud know what's going on because he laying

819
00:50:59,600 --> 00:51:03,440
Speaker 1: up with you. Gah, Yeah, when Cud know what's going on,

820
00:51:03,760 --> 00:51:08,080
Speaker 1: Cuds ain't disrespecting yo. Cripping and laying up with your

821
00:51:08,200 --> 00:51:14,560
Speaker 1: girl's disrespecting you as a man, but she disrespecting you.

822
00:51:16,320 --> 00:51:19,319
Speaker 1: That's why I really don't even understand Cuds know what's

823
00:51:19,400 --> 00:51:22,440
Speaker 1: going on, because do she know what's going on? Is

824
00:51:22,480 --> 00:51:26,840
Speaker 1: the problem? Yeah, Cuz know what's going on, but do

825
00:51:27,040 --> 00:51:29,759
Speaker 1: she yo, gad don't know what's going on? That's who

826
00:51:29,960 --> 00:51:36,080
Speaker 1: lost here. You're trying to straighten cul bit. You got

827
00:51:36,160 --> 00:51:38,680
Speaker 1: me fucked up. Oh I don't know what you got

828
00:51:38,760 --> 00:51:42,120
Speaker 1: going on. Cud got to go, bit you look, I

829
00:51:42,160 --> 00:51:46,319
Speaker 1: don't kick you fuck out your own show fucking talking about. Oh,

830
00:51:46,480 --> 00:51:49,359
Speaker 1: y'all got me fucked up, like I don't want to live.

831
00:51:50,400 --> 00:51:56,879
Speaker 1: Everybody kiss the fucking path. Cuse, come get this ship.

832
00:51:58,440 --> 00:52:00,719
Speaker 1: I don't gag. They got me, fuck you got me

833
00:52:00,800 --> 00:52:04,359
Speaker 1: fun the whole man, I don't give a fuck. Bitch

834
00:52:04,400 --> 00:52:06,800
Speaker 1: you later with nigga? Bitch? Fuck is you saying? Ho?

835
00:52:07,960 --> 00:52:10,840
Speaker 1: You fuck out? Beat up to say shit? Else? I

836
00:52:11,000 --> 00:52:13,560
Speaker 1: really to you. You're lucky pulled the fuck out. He

837
00:52:13,719 --> 00:52:16,200
Speaker 1: gonna get his ass slept. He did the right don

838
00:52:16,560 --> 00:52:18,640
Speaker 1: but you lay out with a whole another nigga beach

839
00:52:18,760 --> 00:52:22,280
Speaker 1: what you're saying? What did you saying? But I'm tripping

840
00:52:22,760 --> 00:52:24,920
Speaker 1: and been stopped playing me stake down, popped the whole

841
00:52:24,960 --> 00:52:29,399
Speaker 1: nonfin turned up? No now I turn her shut off. Bitch,

842
00:52:30,320 --> 00:52:33,600
Speaker 1: let's say shit, ill talking to that nigga. Didn't do it.

843
00:52:33,760 --> 00:52:36,960
Speaker 1: I got a problem with my girlfriend. That cub play

844
00:52:38,120 --> 00:52:40,560
Speaker 1: con get aware you're like where your mom pulled up

845
00:52:41,520 --> 00:52:46,480
Speaker 1: out too? What you mean or she playing? Cuds ain't

846
00:52:46,480 --> 00:52:51,440
Speaker 1: really playing. I'm gonna get this ship. You thank this

847
00:52:51,520 --> 00:52:54,799
Speaker 1: dude that nigga brought this. He comes to stay Look

848
00:52:54,840 --> 00:52:58,280
Speaker 1: at that cub come to stay at what cud done

849
00:52:58,760 --> 00:53:01,480
Speaker 1: you telling my cud no what's going on? Could know

850
00:53:01,680 --> 00:53:06,279
Speaker 1: this cud came to stay over you telling my man

851
00:53:09,560 --> 00:53:15,120
Speaker 1: what's it? Hey, mama gonna get cushed out to mama love?

852
00:53:16,680 --> 00:53:19,799
Speaker 1: What do you think? Oh what you thought this would

853
00:53:19,880 --> 00:53:24,600
Speaker 1: he ain't sweet. It's ain't sweet. It's an't sweet sweet

854
00:53:24,680 --> 00:53:27,080
Speaker 1: shot later on, motherfucking baby. Dad ain't even big Kno

855
00:53:27,120 --> 00:53:30,640
Speaker 1: called our age? What you're talking about? Or Eve gonna

856
00:53:30,680 --> 00:53:37,000
Speaker 1: get his ass? Be he left Mama. Always Mama goes

857
00:53:37,040 --> 00:53:39,160
Speaker 1: great to call the police. I don't really like it.

858
00:53:39,680 --> 00:53:43,440
Speaker 1: What she ain't saw him do nothing? Now allegedly I

859
00:53:43,560 --> 00:53:45,480
Speaker 1: think he might have smattered it, but she ain't saw

860
00:53:45,600 --> 00:53:48,960
Speaker 1: him doing an instant call the police. Ain't no violence.

861
00:53:49,000 --> 00:53:51,399
Speaker 1: You ain't saw nothing unless she don't call the text

862
00:53:51,480 --> 00:53:53,600
Speaker 1: to come over here, mama. So I can't speak on that.

863
00:53:54,000 --> 00:53:57,840
Speaker 1: So I retract that. Let's continue to watch for what.

864
00:53:58,719 --> 00:54:04,600
Speaker 1: That's a child? I got everything recorded. I ain't tripping

865
00:54:04,640 --> 00:54:09,759
Speaker 1: on n I'm just saying. I'm saying, what's the man saying?

866
00:54:10,560 --> 00:54:12,840
Speaker 1: What's a man stay here longer than two months? Was

867
00:54:13,040 --> 00:54:17,000
Speaker 1: a man stay longer than months? You got nigga turn

868
00:54:17,080 --> 00:54:20,680
Speaker 1: the lawyer? He you the law on them fault once?

869
00:54:20,760 --> 00:54:22,520
Speaker 1: I have to stay here two months? Got one piece

870
00:54:22,560 --> 00:54:27,920
Speaker 1: of mayl. I'm good, y'all better be Carol, know what

871
00:54:28,040 --> 00:54:31,239
Speaker 1: you do? She mama reached in that bag. I would

872
00:54:31,280 --> 00:54:33,480
Speaker 1: tell y'all about here and pulling stuff out of it out.

873
00:54:33,520 --> 00:54:35,759
Speaker 1: He won't leave staying with me. Cut the lights out,

874
00:54:35,880 --> 00:54:38,080
Speaker 1: make him starve, don't give him nothing, take the key,

875
00:54:38,320 --> 00:54:40,759
Speaker 1: take the phone. She even to figure something out. You

876
00:54:40,880 --> 00:54:51,200
Speaker 1: got the gold. Damn they fighting. She fighting him, Mommy,

877
00:54:53,400 --> 00:54:56,520
Speaker 1: she's fighting the mom Go to the police station. Go ahead.

878
00:54:56,520 --> 00:55:02,520
Speaker 1: I got here, I got everything recorded, I got no.

879
00:55:02,800 --> 00:55:05,759
Speaker 1: You ain't get slept on the it's on my line, bitch.

880
00:55:05,800 --> 00:55:07,200
Speaker 1: I should have stopped the fuck out of you what

881
00:55:07,239 --> 00:55:08,880
Speaker 1: you're saying. I should have stopped the fun out of here.

882
00:55:09,000 --> 00:55:10,839
Speaker 1: Don't put your hands on me because knock your ain't

883
00:55:10,880 --> 00:55:18,320
Speaker 1: the fuck out. I don't give your nigg emotional. But

884
00:55:18,560 --> 00:55:23,719
Speaker 1: is that boy emotional? That boy emotional, but that's a

885
00:55:25,440 --> 00:55:29,719
Speaker 1: real killing. Don't put your own hand on me, something

886
00:55:29,800 --> 00:55:32,400
Speaker 1: like anythne can't put your hands on the again. Put

887
00:55:32,480 --> 00:55:36,240
Speaker 1: your hands on the again. Yeah, all right, then everything

888
00:55:36,360 --> 00:55:40,359
Speaker 1: donna came the police, gonna make it with your whole

889
00:55:40,400 --> 00:55:47,040
Speaker 1: heir dollar. Fucking talking about that. What you do fucking

890
00:55:47,080 --> 00:55:54,799
Speaker 1: talking about stuff? And I shut shit down. I keep

891
00:55:54,840 --> 00:55:57,040
Speaker 1: niggas out. I don't give a folk going on. Bitch,

892
00:55:57,080 --> 00:55:59,280
Speaker 1: ain't gonna play with me on sheet and I stamped

893
00:55:59,360 --> 00:56:03,680
Speaker 1: it be fucking talk about and I'm leading alive. Beach

894
00:56:03,800 --> 00:56:05,960
Speaker 1: got me fun keep the baby that. I ain't beat

895
00:56:05,960 --> 00:56:08,520
Speaker 1: the I beat the bitch a fucking talking about. I

896
00:56:08,560 --> 00:56:13,480
Speaker 1: don't play that ship, play that ship? Oh yeah? If

897
00:56:13,480 --> 00:56:16,000
Speaker 1: I ain't you something sack to do. I'm still trying

898
00:56:16,000 --> 00:56:18,359
Speaker 1: to figure out play what but that is? I guess

899
00:56:19,080 --> 00:56:21,520
Speaker 1: Nah man, she doing that. She's making a decision. You

900
00:56:21,640 --> 00:56:25,239
Speaker 1: gotta cut that thing, lou she you don't play that.

901
00:56:25,360 --> 00:56:28,120
Speaker 1: She don't know who for everybody catching fade and come

902
00:56:28,239 --> 00:56:33,120
Speaker 1: my motherfucking feelings fucking mean yeah, I'll come over and regulate.

903
00:56:33,239 --> 00:56:45,160
Speaker 1: She dumbad bitch, Yo, beach you got called. I wasn't

904
00:56:45,200 --> 00:56:47,600
Speaker 1: a beach ball fitter. Be Oh you up here over

905
00:56:47,600 --> 00:56:49,439
Speaker 1: with your baby dad to beat you a sad ass?

906
00:56:49,480 --> 00:56:52,399
Speaker 1: Oh cool, I don't give a fuck ballhead, nasty short

907
00:56:53,360 --> 00:56:56,479
Speaker 1: fuck wrong with you? I got everything recorded, black boot

908
00:56:56,560 --> 00:57:01,520
Speaker 1: as hole about damn fuck is you talking about? And

909
00:57:01,680 --> 00:57:06,920
Speaker 1: beat you a whole hole? Naka who got me? Fucked up?

910
00:57:08,040 --> 00:57:11,000
Speaker 1: Stupid ass beach called? Now? I want to beat no

911
00:57:11,080 --> 00:57:12,839
Speaker 1: shit in the wrong. I ain't take your ball head

912
00:57:12,960 --> 00:57:16,720
Speaker 1: or glass on. I ain't your bad bill beach. Don't

913
00:57:16,760 --> 00:57:21,360
Speaker 1: you do saga boots hole. I don't get the fuck

914
00:57:21,400 --> 00:57:24,440
Speaker 1: about boy, I've been staying over two months, call him

915
00:57:25,520 --> 00:57:27,640
Speaker 1: and beat you bet not come nowhere on my side.

916
00:57:27,760 --> 00:57:40,520
Speaker 1: Hold that stamp, stupid ass beach. So that was that

917
00:57:40,680 --> 00:57:43,760
Speaker 1: was another video. You know, something new we're doing that.

918
00:57:43,880 --> 00:57:48,960
Speaker 1: It's up there podcast putting that inside of the the

919
00:57:49,080 --> 00:57:52,240
Speaker 1: show as well along with the show. What else you'll

920
00:57:52,320 --> 00:57:55,960
Speaker 1: want to talk about today, Let's talk about Drake certified.

921
00:57:57,840 --> 00:58:01,600
Speaker 1: So so Drake was caught on camera and Dodger Stadium

922
00:58:03,640 --> 00:58:06,080
Speaker 1: with the date and I leave her name out of

923
00:58:06,240 --> 00:58:08,960
Speaker 1: it and her son's name out of it because the

924
00:58:09,040 --> 00:58:12,760
Speaker 1: Internet is already plastered that name over the Internet thousands

925
00:58:12,880 --> 00:58:19,880
Speaker 1: of places. Um do I think it was rolled out?

926
00:58:20,960 --> 00:58:23,640
Speaker 1: I think it can be rolled out now if it wasn't.

927
00:58:24,240 --> 00:58:28,760
Speaker 1: What I do think what I what I do want

928
00:58:28,800 --> 00:58:32,840
Speaker 1: to speak too. More so though, is the stealth mold

929
00:58:33,000 --> 00:58:35,919
Speaker 1: in the game. I think Drake kicking you know, see

930
00:58:38,080 --> 00:58:41,840
Speaker 1: Drake probably kicking the kind of game now what he's saying.

931
00:58:42,280 --> 00:58:44,959
Speaker 1: Drake probably kicking the kind of game now what he's saying.

932
00:58:45,600 --> 00:58:47,320
Speaker 1: You know, hey, baby girl, you know, I just want

933
00:58:47,320 --> 00:58:49,960
Speaker 1: to regular relationship. All this fame stuff it's just just

934
00:58:50,120 --> 00:58:52,160
Speaker 1: doing too much to me. I just rather be with you,

935
00:58:52,400 --> 00:58:56,000
Speaker 1: you know, somebody regularly doing things, you know, just all

936
00:58:56,040 --> 00:58:59,240
Speaker 1: these industry girls they want me, and I'm just just

937
00:58:59,320 --> 00:59:01,400
Speaker 1: want to be a little you know, just try to

938
00:59:01,480 --> 00:59:03,720
Speaker 1: get you. You know, I just want to be the

939
00:59:03,880 --> 00:59:06,240
Speaker 1: best thing you've ever seen. Like I want to show you,

940
00:59:06,560 --> 00:59:09,320
Speaker 1: like I want to dedicate, you know, I want to

941
00:59:09,360 --> 00:59:15,360
Speaker 1: dedicate to you, you know, I want to Yeah, baby,

942
00:59:15,640 --> 00:59:19,840
Speaker 1: So he probably kicking that count of game. And when

943
00:59:19,880 --> 00:59:23,440
Speaker 1: I say game, I'm just saying, you know, feelings this, this,

944
00:59:23,600 --> 00:59:26,439
Speaker 1: this may be what the guy feelings. So the guy,

945
00:59:26,720 --> 00:59:30,280
Speaker 1: the guy probably meet this young lady and probably tell

946
00:59:30,360 --> 00:59:32,640
Speaker 1: her like, yo, no this ain't one of them, Like

947
00:59:32,760 --> 00:59:35,320
Speaker 1: I ain't doing all that playing like I'm serious about you,

948
00:59:35,480 --> 00:59:39,040
Speaker 1: like my anterest level, like I'm just man, you don't

949
00:59:39,080 --> 00:59:41,520
Speaker 1: know what you do to me, like everything every time.

950
00:59:42,000 --> 00:59:44,480
Speaker 1: And he keeps having to set the bar up and

951
00:59:44,640 --> 00:59:46,840
Speaker 1: up and up. So they go to Dodger Stadium and

952
00:59:46,920 --> 00:59:50,480
Speaker 1: helicopter come Drake look up like, oh no, hear me, hup,

953
00:59:51,320 --> 00:59:53,280
Speaker 1: And they kind of looked like they was they wasn't

954
00:59:53,320 --> 00:59:57,280
Speaker 1: happy they was in like this this disturbing that a

955
00:59:57,360 --> 01:00:01,680
Speaker 1: helicopters flying over this, what is this about? You know?

956
01:00:01,800 --> 01:00:04,280
Speaker 1: Even she may have thought he could have set that up.

957
01:00:04,360 --> 01:00:06,400
Speaker 1: Even though even if he didn't, like I told you

958
01:00:06,480 --> 01:00:08,800
Speaker 1: I didn't want to play doney your celebrity games, he

959
01:00:08,920 --> 01:00:12,080
Speaker 1: probably like, I didn't do that, So they could be

960
01:00:12,200 --> 01:00:16,360
Speaker 1: causing some sort of turmol. You don't know, um, but

961
01:00:18,040 --> 01:00:20,960
Speaker 1: Drake has been seen in her son's basketball game. Her

962
01:00:21,040 --> 01:00:24,000
Speaker 1: son plays with Lebron James son, so people thought he

963
01:00:24,120 --> 01:00:26,480
Speaker 1: was dead for Lebron and his son. I just want

964
01:00:26,520 --> 01:00:29,560
Speaker 1: to speak to the dedication to take for you to

965
01:00:29,680 --> 01:00:33,240
Speaker 1: be interested or the level of interest you most you

966
01:00:33,440 --> 01:00:40,840
Speaker 1: have to have to attend events of children that's not

967
01:00:41,000 --> 01:00:46,560
Speaker 1: your children that should love interest children takes a certain switch.

968
01:00:46,600 --> 01:00:50,200
Speaker 1: It's a it's a it's a certain level of dedication.

969
01:00:50,440 --> 01:00:53,240
Speaker 1: And I think he was he was, you know, slickly

970
01:00:53,320 --> 01:00:55,400
Speaker 1: trying to show her like, yo, I ain't playing and

971
01:00:55,560 --> 01:00:58,360
Speaker 1: I ain't gonna be here doing all the internet games

972
01:00:58,480 --> 01:01:01,880
Speaker 1: or nothing. I mean, you're like we here just chilling,

973
01:01:02,000 --> 01:01:04,840
Speaker 1: like we're trying to keep it on the tuck. You

974
01:01:04,920 --> 01:01:07,320
Speaker 1: see what I'm saying. But to go to to go

975
01:01:07,520 --> 01:01:10,800
Speaker 1: to her kids game says a whole lot. Hey, let

976
01:01:10,880 --> 01:01:14,280
Speaker 1: me talk about Nori re versus beings in the verses

977
01:01:14,880 --> 01:01:18,600
Speaker 1: for those of you may be unaware Noriega versus Benne Siegel.

978
01:01:19,160 --> 01:01:21,600
Speaker 1: It's on the cuffs of having the verses. And there's

979
01:01:21,600 --> 01:01:24,120
Speaker 1: a lot of people that's out there. It's a lot

980
01:01:24,160 --> 01:01:26,760
Speaker 1: of media, a lot of different people that I'm surprised

981
01:01:26,800 --> 01:01:30,080
Speaker 1: that they take on this. A lot of people are

982
01:01:30,160 --> 01:01:37,400
Speaker 1: saying that Benni Siegel is gonna watch Noriego. I find

983
01:01:37,480 --> 01:01:43,720
Speaker 1: that funny. Number one, because if nothing else, we understand

984
01:01:44,280 --> 01:01:47,640
Speaker 1: versus position in the game. See, that's the first thing.

985
01:01:47,840 --> 01:01:50,919
Speaker 1: People just talk, but they don't even quantify what they're

986
01:01:50,960 --> 01:01:54,520
Speaker 1: saying qualified, they don't do none of that. They just talk.

987
01:01:55,040 --> 01:01:58,000
Speaker 1: Look at versus and what versus currently stands. This is

988
01:01:58,120 --> 01:02:04,040
Speaker 1: an event. They're looking at these two people about song

989
01:02:04,200 --> 01:02:08,000
Speaker 1: for song. One thing I know, if nothing else about Noriega,

990
01:02:08,080 --> 01:02:13,240
Speaker 1: he know how to create a vibe around content. So

991
01:02:13,400 --> 01:02:16,880
Speaker 1: I'm looking at Noriega from a content standpoint. Why everybody

992
01:02:16,920 --> 01:02:19,360
Speaker 1: else looking at it from a song for song for song?

993
01:02:19,880 --> 01:02:22,720
Speaker 1: Dog we see song for song, We see it's so

994
01:02:22,960 --> 01:02:27,440
Speaker 1: much more at play here. It's just like when we

995
01:02:27,520 --> 01:02:31,440
Speaker 1: look at some of these podcasters, they look broken, petty,

996
01:02:34,440 --> 01:02:38,480
Speaker 1: and you want me to listen to you. I didn't

997
01:02:38,520 --> 01:02:40,840
Speaker 1: gang bang in my hood because the dudes didn't have

998
01:02:40,920 --> 01:02:43,600
Speaker 1: a high school diploma. How you gonna teach me anything?

999
01:02:43,720 --> 01:02:46,520
Speaker 1: What I'm gonna learn from you? What we're doing. I'm

1000
01:02:46,600 --> 01:02:52,200
Speaker 1: affiliated with some very good men. My understanding, though, as

1001
01:02:52,240 --> 01:02:54,760
Speaker 1: a youngster, was a I can't be no this if

1002
01:02:54,800 --> 01:02:57,760
Speaker 1: I can't call the top dog and telling me, yo,

1003
01:02:57,840 --> 01:03:01,600
Speaker 1: you know, I'm rapping whatever game we end, Why can't

1004
01:03:01,600 --> 01:03:03,480
Speaker 1: I get a I need a feature, give me out

1005
01:03:03,560 --> 01:03:07,280
Speaker 1: this invest the case, all of them would have been

1006
01:03:07,360 --> 01:03:09,600
Speaker 1: doing it, so it's impossible to do. So that was

1007
01:03:09,680 --> 01:03:14,840
Speaker 1: my understanding before anything. But nonetheless put things in that

1008
01:03:14,960 --> 01:03:19,520
Speaker 1: proper perspective. Versus is an event. Look at Noriega, what

1009
01:03:19,640 --> 01:03:23,240
Speaker 1: he does. Look at drink Champs, that's him. He's learned

1010
01:03:23,280 --> 01:03:25,600
Speaker 1: how to do that on his own, his own team,

1011
01:03:26,600 --> 01:03:33,080
Speaker 1: not hiring people. His team does that. So he understands cameras, props, backgrounds,

1012
01:03:33,480 --> 01:03:36,200
Speaker 1: you know, infliction on the mic, this, that and the third.

1013
01:03:36,520 --> 01:03:39,240
Speaker 1: We're dealing with Ben and he's a legend, but he's

1014
01:03:39,280 --> 01:03:42,320
Speaker 1: also been shot. He's you know, I don't know how

1015
01:03:42,400 --> 01:03:45,280
Speaker 1: he's gonna perform, how he gonna be dressed, what it's

1016
01:03:45,360 --> 01:03:48,000
Speaker 1: things that go into that outside of song for song

1017
01:03:49,520 --> 01:03:57,560
Speaker 1: this is a visual event, a visual and audio journey

1018
01:03:59,400 --> 01:04:01,840
Speaker 1: in some of you just, in my opinion, too focused

1019
01:04:01,880 --> 01:04:06,920
Speaker 1: on audio when I look at people like Juvenile and

1020
01:04:07,000 --> 01:04:09,000
Speaker 1: Man and Fresh. I just talked about this a couple

1021
01:04:09,040 --> 01:04:10,800
Speaker 1: of weeks ago. I know some of the people that's

1022
01:04:10,840 --> 01:04:14,200
Speaker 1: my supporter, they like this dude. Here be head on, man,

1023
01:04:15,080 --> 01:04:17,080
Speaker 1: this dude be on top of the game. I just

1024
01:04:17,240 --> 01:04:21,240
Speaker 1: told y'all a couple of weeks ago. Most celebrated men

1025
01:04:21,360 --> 01:04:24,520
Speaker 1: live life or prostitution. You can have them do anything.

1026
01:04:25,160 --> 01:04:29,120
Speaker 1: Respect to the legends juven man, it I know. Rappers

1027
01:04:29,160 --> 01:04:32,680
Speaker 1: can be paid to do anything. You know what I'm saying.

1028
01:04:32,760 --> 01:04:35,840
Speaker 1: You can have them really literally almost anywhere for the

1029
01:04:36,000 --> 01:04:37,840
Speaker 1: right amount of money. They're come in and ware and

1030
01:04:37,960 --> 01:04:40,400
Speaker 1: sit there, do whatever it is. If you need him

1031
01:04:40,440 --> 01:04:42,960
Speaker 1: to rap, he can be whatever. They're doing it. It's

1032
01:04:42,960 --> 01:04:47,800
Speaker 1: a busing and so they're doing it. But it's unfortunate again,

1033
01:04:47,960 --> 01:04:52,480
Speaker 1: how things I received. Vax that thing up, it's what

1034
01:04:52,640 --> 01:04:58,160
Speaker 1: they're talking about. You know, you a handsome young feller,

1035
01:04:58,680 --> 01:05:01,640
Speaker 1: is what they're saying. Don't you vax that thing up.

1036
01:05:02,720 --> 01:05:05,040
Speaker 1: You understand me. They took one of the hits from

1037
01:05:05,080 --> 01:05:10,480
Speaker 1: my childhood and say, vax that thing up for a chick, right,

1038
01:05:11,280 --> 01:05:13,280
Speaker 1: But this is what we deal with in in a

1039
01:05:13,360 --> 01:05:17,000
Speaker 1: lot of these industries and games. De folks, we're willing

1040
01:05:17,080 --> 01:05:20,280
Speaker 1: to do almost anything for a chick. This halfo feed

1041
01:05:20,400 --> 01:05:24,560
Speaker 1: their daughters and sons and old ladies. They're willing to

1042
01:05:24,680 --> 01:05:26,920
Speaker 1: do almost anything. But I just had to point out

1043
01:05:27,000 --> 01:05:29,520
Speaker 1: y'all know, I just told y'all that I want to

1044
01:05:29,600 --> 01:05:34,440
Speaker 1: say this. The drug war is over, but the war

1045
01:05:34,520 --> 01:05:40,040
Speaker 1: on drugs ain't over. I think that a sinking in

1046
01:05:40,120 --> 01:05:42,200
Speaker 1: a different time for some of you. But the warm

1047
01:05:42,320 --> 01:05:45,840
Speaker 1: drugs is over. I'm sorry. The drug war is over,

1048
01:05:46,360 --> 01:05:51,560
Speaker 1: but the warm drugs is not over. You know, they

1049
01:05:51,680 --> 01:05:55,640
Speaker 1: still prosecuting us. We still got uncles and cousin and

1050
01:05:55,840 --> 01:06:01,240
Speaker 1: brothers during a lot of time for things that's legal

1051
01:06:01,320 --> 01:06:04,560
Speaker 1: in certain places and things that tend to be on

1052
01:06:04,720 --> 01:06:09,840
Speaker 1: the cuffs of being legal anyway, when you see them, see,

1053
01:06:10,200 --> 01:06:12,360
Speaker 1: you got to know how the government play. That's why

1054
01:06:12,360 --> 01:06:15,880
Speaker 1: I always tell people it's important to have a wealth

1055
01:06:16,120 --> 01:06:19,200
Speaker 1: of knowledge, not just a little bit know a lot

1056
01:06:19,280 --> 01:06:22,280
Speaker 1: about a little bit. It ain't cool to know a

1057
01:06:22,400 --> 01:06:24,400
Speaker 1: lot about a little bit. It's cool to know a

1058
01:06:24,480 --> 01:06:30,160
Speaker 1: little bit about a lot. You understand me, So it's

1059
01:06:30,520 --> 01:06:33,800
Speaker 1: you broaden your horizon. But yet, like the government right

1060
01:06:34,200 --> 01:06:36,280
Speaker 1: when you look at them and they reject the fact

1061
01:06:36,320 --> 01:06:38,360
Speaker 1: that they want to look in the reparations, you know

1062
01:06:38,480 --> 01:06:43,120
Speaker 1: why because the people that's that will be looking in

1063
01:06:43,200 --> 01:06:47,960
Speaker 1: the reparations or anything, whether there's money involved, will find

1064
01:06:48,120 --> 01:06:56,960
Speaker 1: a way to produce documents that support their argument. So

1065
01:06:58,480 --> 01:07:00,360
Speaker 1: we try to pull a play out the book and

1066
01:07:00,480 --> 01:07:02,280
Speaker 1: introduce it like, hey, we just want to do a

1067
01:07:02,320 --> 01:07:06,600
Speaker 1: little research. Can y'all funded? See, you can't ignore what

1068
01:07:06,760 --> 01:07:10,560
Speaker 1: you funded, so we can get y'allt if we already

1069
01:07:10,600 --> 01:07:12,360
Speaker 1: got the research. We don't don't hanging you what we

1070
01:07:12,480 --> 01:07:16,840
Speaker 1: already got. And I'm just talking about reparations right now.

1071
01:07:17,400 --> 01:07:20,600
Speaker 1: How and why what they're doing in regards to push

1072
01:07:20,640 --> 01:07:26,040
Speaker 1: you back. If we tell them the fund research on it,

1073
01:07:28,000 --> 01:07:31,560
Speaker 1: we will come back with documents that support the calls

1074
01:07:32,280 --> 01:07:36,000
Speaker 1: and proof that they should be giving us things in

1075
01:07:36,160 --> 01:07:39,000
Speaker 1: which they would consequently have to give us because you

1076
01:07:39,120 --> 01:07:42,000
Speaker 1: can't ignore what you funded. So they're trying to reject

1077
01:07:42,080 --> 01:07:46,200
Speaker 1: the notion of even paying it any attention. This is

1078
01:07:46,240 --> 01:07:48,920
Speaker 1: the game the government plays. I was just telling my homeboy,

1079
01:07:49,000 --> 01:07:51,960
Speaker 1: they play a different kind of game. They don't play

1080
01:07:52,040 --> 01:07:55,000
Speaker 1: the little boy game that all y'all play, but they

1081
01:07:55,080 --> 01:07:58,520
Speaker 1: don't play the game that most people play. They are

1082
01:07:58,680 --> 01:08:01,479
Speaker 1: cheat there, you see, Yeah, they are. It's certain things

1083
01:08:01,600 --> 01:08:04,320
Speaker 1: they played different, so you gotta be prepared for that.

1084
01:08:04,720 --> 01:08:09,840
Speaker 1: But the but the the woe drugs is still paint

1085
01:08:09,880 --> 01:08:12,960
Speaker 1: the people like drug dealers still call them thugs and

1086
01:08:13,120 --> 01:08:18,479
Speaker 1: drug dealers make that synonymous with murderer. But see the

1087
01:08:18,680 --> 01:08:23,280
Speaker 1: drug dealer now is also white people in La Colorado

1088
01:08:23,640 --> 01:08:27,320
Speaker 1: is shops, doctors. They're drug dealers too. But the stigma

1089
01:08:27,439 --> 01:08:31,120
Speaker 1: that that they attached to black people and narcotics are

1090
01:08:31,200 --> 01:08:39,360
Speaker 1: drugs because they're deemed illegal is a crazy thing. And

1091
01:08:39,439 --> 01:08:41,880
Speaker 1: they only deemed illegal because a lot of times the

1092
01:08:41,960 --> 01:08:43,880
Speaker 1: way that they get they got it. Because you get

1093
01:08:43,960 --> 01:08:49,280
Speaker 1: that same person a bottle or that we with the

1094
01:08:49,400 --> 01:08:51,719
Speaker 1: right piece of paper from the right person, they cool,

1095
01:08:52,720 --> 01:08:55,200
Speaker 1: you know. So it's just it's just a lot you

1096
01:08:55,320 --> 01:08:58,160
Speaker 1: gotta pay attention to weave in and out of. I

1097
01:08:58,360 --> 01:09:04,880
Speaker 1: had a dude ask me, and they asked me because

1098
01:09:04,880 --> 01:09:07,519
Speaker 1: they think I know what they had to do. Ask me,

1099
01:09:07,640 --> 01:09:11,760
Speaker 1: lor what's the best way to build an audience? And

1100
01:09:11,880 --> 01:09:14,479
Speaker 1: I used to think this was cliche when people told

1101
01:09:14,560 --> 01:09:19,680
Speaker 1: me this, but I also remember not understanding or not

1102
01:09:19,960 --> 01:09:23,240
Speaker 1: having this access that we currently have because I'm learning

1103
01:09:23,320 --> 01:09:25,479
Speaker 1: more and more things where in a minute, I ain't

1104
01:09:25,479 --> 01:09:28,400
Speaker 1: gonna need one of them dudes. I ain't gonna need

1105
01:09:28,479 --> 01:09:30,840
Speaker 1: one of them dudes. And I'm about ready to hold on,

1106
01:09:31,040 --> 01:09:33,160
Speaker 1: let me get my I'm about ready to shoot on

1107
01:09:33,240 --> 01:09:37,960
Speaker 1: one the dude. They gonna get this moving. I'm about

1108
01:09:38,040 --> 01:09:40,639
Speaker 1: ridy to I'm about ridy. I'm about ready to turn

1109
01:09:40,720 --> 01:09:43,400
Speaker 1: the notch up just a little bit, gonna get this moving,

1110
01:09:43,720 --> 01:09:46,000
Speaker 1: because if I go to looking at one of you boys,

1111
01:09:46,439 --> 01:09:48,800
Speaker 1: I'm gonna have a problems. Ain't nothing then one of

1112
01:09:48,800 --> 01:09:53,519
Speaker 1: them can do on me. But nonetheless, because because I see,

1113
01:09:53,680 --> 01:09:57,400
Speaker 1: like one thing I know is they don't know nothing.

1114
01:09:58,400 --> 01:10:01,200
Speaker 1: They're faking like they know something. They don't know nothing.

1115
01:10:01,240 --> 01:10:05,920
Speaker 1: I know this. I'm close enough, you know, you know

1116
01:10:06,040 --> 01:10:07,920
Speaker 1: how you don't know what's going on in there. But

1117
01:10:08,000 --> 01:10:11,519
Speaker 1: it sound like they're fighting. If you're outside, somebody the

1118
01:10:11,600 --> 01:10:14,040
Speaker 1: dough and it's a lot gone, I'm that close right now.

1119
01:10:14,080 --> 01:10:16,320
Speaker 1: I ain't in the I ain't in the dough, but

1120
01:10:16,479 --> 01:10:19,479
Speaker 1: I'm outside the dough, and I can hear they're fighting

1121
01:10:19,560 --> 01:10:23,320
Speaker 1: in there about this shit. They don't know nothing, you

1122
01:10:23,400 --> 01:10:28,400
Speaker 1: know what I'm saying. So what I'm telling you is is, uh, dude,

1123
01:10:28,479 --> 01:10:30,719
Speaker 1: ask me long, how what's the best way to build

1124
01:10:30,760 --> 01:10:34,880
Speaker 1: an audience? And I just told him from my perspective,

1125
01:10:34,960 --> 01:10:39,320
Speaker 1: first thing you gotta do is just be dope, serve somebody.

1126
01:10:39,880 --> 01:10:42,280
Speaker 1: Let somebody look at you and say, nah, he get

1127
01:10:42,360 --> 01:10:47,400
Speaker 1: a game out man. Or let's say you talk about sports,

1128
01:10:49,240 --> 01:10:51,920
Speaker 1: nah man, he really knows his sports man, his opinion

1129
01:10:52,040 --> 01:10:56,479
Speaker 1: be on point, you know. And there's several other things

1130
01:10:56,560 --> 01:10:58,320
Speaker 1: to go into that, and then you know, and they

1131
01:10:58,400 --> 01:11:01,320
Speaker 1: an't sell at my course. Now I'm just playing. But

1132
01:11:01,800 --> 01:11:03,560
Speaker 1: it's a lot of things that you can do, and

1133
01:11:03,600 --> 01:11:05,280
Speaker 1: it's a lot of it's a lot of game that

1134
01:11:05,520 --> 01:11:07,640
Speaker 1: that that I can give you, that people can give you,

1135
01:11:08,160 --> 01:11:10,960
Speaker 1: you know what I'm saying. And it still may not work.

1136
01:11:11,160 --> 01:11:15,160
Speaker 1: That's the only problem. You can do everything and it

1137
01:11:15,240 --> 01:11:18,519
Speaker 1: still may not work. Then if you do everything and

1138
01:11:18,720 --> 01:11:24,439
Speaker 1: you consistent and you stay there, it's almost like every

1139
01:11:24,560 --> 01:11:28,760
Speaker 1: garbage can get a steak, you see what I'm saying.

1140
01:11:28,840 --> 01:11:31,800
Speaker 1: So it's it's almost like you're just waiting on this steak,

1141
01:11:31,880 --> 01:11:35,960
Speaker 1: you know, And but you're staying in the cup right here, digging, digging,

1142
01:11:36,160 --> 01:11:39,479
Speaker 1: for gold. Right, you're looking forward. You right here, you're

1143
01:11:39,479 --> 01:11:43,120
Speaker 1: attending prison in the moment, putting our dope content, switching

1144
01:11:43,200 --> 01:11:45,240
Speaker 1: it up, doing this, doing that, trying to this that

1145
01:11:45,680 --> 01:11:48,000
Speaker 1: you're doing your thing, and then they're passed the ball.

1146
01:11:48,120 --> 01:11:51,080
Speaker 1: The baller come through that way, even if it's on accident,

1147
01:11:51,600 --> 01:11:55,240
Speaker 1: even if somebody lose it and it roll over. Hunting,

1148
01:11:55,280 --> 01:11:57,639
Speaker 1: then you got it. You gotta be prepared right then

1149
01:11:57,720 --> 01:12:00,559
Speaker 1: to shoot it boom two point. I mean shooting these

1150
01:12:00,600 --> 01:12:02,559
Speaker 1: all day. I just told y'all a few minutes ago,

1151
01:12:02,960 --> 01:12:06,639
Speaker 1: long before you become a professional or anything, you've already

1152
01:12:06,720 --> 01:12:11,920
Speaker 1: operating like a professional or anything. Yeah, before you champion

1153
01:12:12,000 --> 01:12:14,479
Speaker 1: of the world, you operating like champion of the world.

1154
01:12:14,600 --> 01:12:17,240
Speaker 1: My weight is right, and I'm eating right. I'm training

1155
01:12:17,360 --> 01:12:20,600
Speaker 1: head them, you know, meditating whatever it takes to be

1156
01:12:20,760 --> 01:12:23,920
Speaker 1: to you know what I mean. So unless it's handed

1157
01:12:23,960 --> 01:12:25,880
Speaker 1: to you, and if it's handed to you, it won't

1158
01:12:25,920 --> 01:12:28,800
Speaker 1: be that long. Unless there's a plan conspired playing to

1159
01:12:28,880 --> 01:12:31,720
Speaker 1: where they don't you know, that's another whole, another conversation.

1160
01:12:31,880 --> 01:12:37,519
Speaker 1: But knowing what I know, being involved with what I'm

1161
01:12:37,600 --> 01:12:41,720
Speaker 1: involved with, I understand enough for the game to understand

1162
01:12:41,800 --> 01:12:44,800
Speaker 1: that if I do say one of these dude names

1163
01:12:44,880 --> 01:12:48,439
Speaker 1: and I put and I mash on them. It'll get

1164
01:12:48,520 --> 01:12:53,360
Speaker 1: the ball rolling real quick. It'll get the ball rolling

1165
01:12:53,479 --> 01:12:58,600
Speaker 1: real quick. But I just ain't there yet. Now, if

1166
01:12:58,640 --> 01:13:02,320
Speaker 1: they give me a reason, this is up. And they

1167
01:13:02,320 --> 01:13:04,759
Speaker 1: ain't even got a third. This ain't even twenty percent

1168
01:13:04,800 --> 01:13:08,000
Speaker 1: of my personality or none of that. You badly get

1169
01:13:08,040 --> 01:13:10,320
Speaker 1: a piece of me doing this because I ain't being

1170
01:13:11,760 --> 01:13:14,200
Speaker 1: It ain't being appreciated like I would like it to

1171
01:13:14,280 --> 01:13:18,320
Speaker 1: be appreciated once I once I get, once it provides

1172
01:13:18,439 --> 01:13:23,599
Speaker 1: me solace, then I'll be much much more. I'm very

1173
01:13:23,720 --> 01:13:29,519
Speaker 1: invested in this, be clear. But man, he got some

1174
01:13:29,680 --> 01:13:32,439
Speaker 1: We got a lot of uptick to do. Man, we're

1175
01:13:32,439 --> 01:13:34,639
Speaker 1: gonna go far. Man, we got a lot of uptick

1176
01:13:34,720 --> 01:13:36,760
Speaker 1: to do. Let's see what I hear my Son and

1177
01:13:36,840 --> 01:13:41,000
Speaker 1: academics going at it. Mike Son says, academics is part

1178
01:13:41,040 --> 01:13:43,920
Speaker 1: of the problem. He's part of the media and he's

1179
01:13:43,960 --> 01:13:47,920
Speaker 1: never lived the life that he's always reporting on. I

1180
01:13:48,120 --> 01:13:51,840
Speaker 1: think for Mike Son, he may be correct with that,

1181
01:13:51,960 --> 01:13:55,400
Speaker 1: but it's too late for that tone. He's already became

1182
01:13:55,479 --> 01:13:59,120
Speaker 1: a millionaire in that space. So the people you're talking

1183
01:13:59,200 --> 01:14:02,200
Speaker 1: to already they subscribe to him, and they ain't gonna.

1184
01:14:02,439 --> 01:14:07,400
Speaker 1: Now you might be you might be adding taking a

1185
01:14:07,439 --> 01:14:10,360
Speaker 1: little catchee from him. You know, you took a little

1186
01:14:10,400 --> 01:14:13,479
Speaker 1: casche Maybe meet take a little cat you know. So

1187
01:14:13,760 --> 01:14:17,920
Speaker 1: y'all try, you know whatever's happening there. But he's already

1188
01:14:18,000 --> 01:14:21,040
Speaker 1: built this himself up in that space. What I find

1189
01:14:21,200 --> 01:14:25,680
Speaker 1: interesting about my son and really a lot of the

1190
01:14:25,840 --> 01:14:29,720
Speaker 1: black leaders, the black people, you know what I mean,

1191
01:14:30,400 --> 01:14:32,640
Speaker 1: because I don't even know what leader is, so I

1192
01:14:32,720 --> 01:14:36,880
Speaker 1: ain't gonna say black leaders. The black individuals that that

1193
01:14:37,280 --> 01:14:41,479
Speaker 1: that put though themselves in positions to be on the

1194
01:14:41,640 --> 01:14:46,920
Speaker 1: front line of issues. Right in Nashville, Tennessee, we had

1195
01:14:46,960 --> 01:14:51,599
Speaker 1: a young man gunned down by the police. I've restopped them. Guys, Hey,

1196
01:14:51,680 --> 01:14:54,360
Speaker 1: we need a voice down here on this yo. Hey,

1197
01:14:55,320 --> 01:15:00,360
Speaker 1: you know what they did nothing? So when I here,

1198
01:15:00,760 --> 01:15:03,640
Speaker 1: dudes reply to each other and talk about everything they

1199
01:15:03,760 --> 01:15:06,160
Speaker 1: do in the community for no money. And man, if

1200
01:15:06,200 --> 01:15:09,400
Speaker 1: somebody get hit by the police, if this happen, and

1201
01:15:09,560 --> 01:15:11,519
Speaker 1: let me say his name because I always want to

1202
01:15:11,600 --> 01:15:15,679
Speaker 1: bring light to it. His name is Daniel Hanbrigg in Nashville, Tennessee.

1203
01:15:17,240 --> 01:15:19,920
Speaker 1: If anybody needs to be be in communication with his

1204
01:15:20,080 --> 01:15:22,960
Speaker 1: mother is lawyer or whatever. We can make that happen.

1205
01:15:23,080 --> 01:15:30,160
Speaker 1: The case needs more attention, right because it's always see

1206
01:15:30,800 --> 01:15:33,360
Speaker 1: it's always easy to have their cape on until the

1207
01:15:33,400 --> 01:15:36,320
Speaker 1: people now, I'm for us, I'm all about us. It's

1208
01:15:36,360 --> 01:15:42,080
Speaker 1: about us. I guess Nashville ain't black enough for Meek

1209
01:15:42,160 --> 01:15:46,880
Speaker 1: Mill to post the police brutality. I guess it ain't

1210
01:15:46,880 --> 01:15:52,800
Speaker 1: black enough for my son to come from Kentucky two

1211
01:15:52,920 --> 01:15:55,920
Speaker 1: hours down the road to bring a little light, to

1212
01:15:56,040 --> 01:16:00,000
Speaker 1: sit a little light on a situation that desperately needs

1213
01:16:01,400 --> 01:16:07,519
Speaker 1: some media attention. I guess it's I guess waynet black

1214
01:16:07,720 --> 01:16:10,800
Speaker 1: enough for something. Maybe they don't see enough what they

1215
01:16:10,920 --> 01:16:15,800
Speaker 1: see in Kentucky. I tell you something that I know

1216
01:16:16,320 --> 01:16:20,360
Speaker 1: about Kentucky, that Brianna Taylor situation. There was a lot

1217
01:16:20,439 --> 01:16:24,400
Speaker 1: of media coverage on that. There was a lot of

1218
01:16:24,520 --> 01:16:28,880
Speaker 1: money involved in that. It was a lot of cash,

1219
01:16:30,720 --> 01:16:34,760
Speaker 1: which is the same thing as cloud. There was a

1220
01:16:34,880 --> 01:16:37,559
Speaker 1: test to that. But when we talk about Nashville, Tennessee,

1221
01:16:37,680 --> 01:16:41,040
Speaker 1: d folk didn't show up. And that's why it offends me.

1222
01:16:42,360 --> 01:16:46,680
Speaker 1: It offends me when I hear you know that we

1223
01:16:46,800 --> 01:16:50,519
Speaker 1: all post a stating for each other, and y'all doing

1224
01:16:50,640 --> 01:16:54,560
Speaker 1: this for us and then we have a problem. We

1225
01:16:54,720 --> 01:16:57,240
Speaker 1: got the same skin tone as y'all. We real was

1226
01:16:57,320 --> 01:17:00,679
Speaker 1: just like y'all, you got gideons on in the street

1227
01:17:00,760 --> 01:17:04,920
Speaker 1: every day trying to help out, shout out lt and

1228
01:17:05,120 --> 01:17:08,599
Speaker 1: ham them they doing day. You understand what I'm saying.

1229
01:17:08,720 --> 01:17:13,280
Speaker 1: So it's like, how y'all don't reach out when the

1230
01:17:13,360 --> 01:17:15,920
Speaker 1: police shoot a man that's running away, don't None of

1231
01:17:16,000 --> 01:17:19,680
Speaker 1: y'all posted one time. Y'all ain't never reached out. But

1232
01:17:19,800 --> 01:17:22,320
Speaker 1: it's all about us. You ain't Kentucky that's two hours

1233
01:17:22,360 --> 01:17:24,800
Speaker 1: away home. You up there every day about the brea.

1234
01:17:25,280 --> 01:17:29,920
Speaker 1: What's what we're doing. I'm just disappointed in all of us, man,

1235
01:17:31,280 --> 01:17:35,240
Speaker 1: you know what I'm saying. I'm disappointed, man, I'm disappointed,

1236
01:17:35,320 --> 01:17:38,559
Speaker 1: and I just DM my son and I just say, yo, hey, bro,

1237
01:17:38,760 --> 01:17:42,800
Speaker 1: hear my line. You know what I'm saying. So we'll

1238
01:17:42,840 --> 01:17:47,200
Speaker 1: see where that goes. But um, the national coverage. That's

1239
01:17:47,200 --> 01:17:49,320
Speaker 1: why I always tell y'all, man, a lot of these

1240
01:17:49,400 --> 01:17:51,360
Speaker 1: people in their game, they don't like to see other

1241
01:17:51,439 --> 01:17:55,080
Speaker 1: people in situations where they prosper and do things they

1242
01:17:55,200 --> 01:17:59,800
Speaker 1: may shed light on their competition. These dudes will make

1243
01:17:59,800 --> 01:18:05,400
Speaker 1: you preordained competition. The dude so spook to somebody else

1244
01:18:05,479 --> 01:18:08,240
Speaker 1: getting in this little space that everybody eating off and

1245
01:18:08,360 --> 01:18:14,800
Speaker 1: it's so ridiculous, man, it's ridiculous. Dog. You know, I

1246
01:18:15,080 --> 01:18:18,080
Speaker 1: involved myself with certain people in certain things. Man, I'm

1247
01:18:18,120 --> 01:18:21,320
Speaker 1: smart enough to understand I'm about to start I gotta

1248
01:18:21,360 --> 01:18:25,120
Speaker 1: start back playing dumb though, because they're scared of me

1249
01:18:25,280 --> 01:18:29,519
Speaker 1: like this. So when you start seeing me doing things

1250
01:18:29,560 --> 01:18:32,320
Speaker 1: that you say, damn, it ain't really long, understand that

1251
01:18:32,520 --> 01:18:34,360
Speaker 1: it's a reason why I'm doing that. This is an

1252
01:18:34,400 --> 01:18:37,680
Speaker 1: easter egg. After this break, we'll be back breaking a

1253
01:18:37,840 --> 01:18:42,240
Speaker 1: game down with each of their podcast stay tune. You know,

1254
01:18:42,360 --> 01:18:46,000
Speaker 1: when you deal with me on this podcast level, you

1255
01:18:46,040 --> 01:18:47,360
Speaker 1: know a lot of people come to me for a

1256
01:18:47,439 --> 01:18:50,479
Speaker 1: different game, and I want to kind of retouch on

1257
01:18:50,560 --> 01:18:54,400
Speaker 1: a few things. Man, when I do this podcasting thing,

1258
01:18:54,439 --> 01:18:56,160
Speaker 1: and I'm gonna get y'all a little game that I

1259
01:18:56,280 --> 01:19:01,000
Speaker 1: probably they probably ain't necessary. But when I do this

1260
01:19:01,240 --> 01:19:07,639
Speaker 1: podcasting things, sometimes I go in before him. Ready, Sometimes

1261
01:19:07,680 --> 01:19:10,640
Speaker 1: I go in, Today's the day I gotta do it.

1262
01:19:10,720 --> 01:19:14,439
Speaker 1: It's so many other things. I don't see the luxury

1263
01:19:14,520 --> 01:19:20,960
Speaker 1: that the money provides, the luxury that the compensation provides.

1264
01:19:21,400 --> 01:19:26,120
Speaker 1: Right because at this very moment. Podcast doesn't make me

1265
01:19:26,280 --> 01:19:31,439
Speaker 1: money as much as I need to sustain life. So

1266
01:19:31,640 --> 01:19:34,839
Speaker 1: the things that are at the forefront of my financial structure,

1267
01:19:34,880 --> 01:19:38,040
Speaker 1: I gotta still play close attention to those. So I

1268
01:19:38,160 --> 01:19:42,680
Speaker 1: got designated situations. The luxury in this thing when you

1269
01:19:42,760 --> 01:19:45,960
Speaker 1: look at a roguing is hey man, whenever I want

1270
01:19:45,960 --> 01:19:49,000
Speaker 1: to pop up, it's a reason Steph Kerry can shoot

1271
01:19:49,080 --> 01:19:52,920
Speaker 1: that good. His dad always had a gem for I

1272
01:19:53,040 --> 01:19:55,759
Speaker 1: think he had a court at his house. These things

1273
01:19:55,880 --> 01:20:01,719
Speaker 1: play into the normal for people, and then what's great

1274
01:20:01,800 --> 01:20:08,680
Speaker 1: to people. It's sometimes normal to the person that's conducted it. Um,

1275
01:20:09,720 --> 01:20:12,800
Speaker 1: but this podcasting thing in the game associated with it,

1276
01:20:12,920 --> 01:20:15,560
Speaker 1: in the game I put down is being respected and

1277
01:20:15,720 --> 01:20:19,360
Speaker 1: received all across the world. I'm now I'm dibbling up

1278
01:20:19,400 --> 01:20:21,719
Speaker 1: in New York and they digging the style, they're digging

1279
01:20:21,800 --> 01:20:24,920
Speaker 1: the flavor. They don't understanding loon putting some good game down,

1280
01:20:25,040 --> 01:20:31,720
Speaker 1: That dude is what the yo wow? Right? And so

1281
01:20:34,920 --> 01:20:38,479
Speaker 1: as I navigate through though, and for those of you

1282
01:20:38,640 --> 01:20:44,519
Speaker 1: that watch me, that that our creators, it's it's important

1283
01:20:44,560 --> 01:20:47,200
Speaker 1: for me to speak to certain things that happened with

1284
01:20:47,320 --> 01:20:51,720
Speaker 1: the psyche when when these things start to take place. See,

1285
01:20:51,800 --> 01:20:55,840
Speaker 1: I'm well put together, but I'm in a new area.

1286
01:20:58,439 --> 01:21:00,479
Speaker 1: You ever been a good fighter, but they threw you

1287
01:21:00,600 --> 01:21:05,000
Speaker 1: in the pool. You're fighting, don't wait nothing in the

1288
01:21:05,120 --> 01:21:09,320
Speaker 1: water home. You gotta figure out how to swim. So

1289
01:21:09,479 --> 01:21:12,480
Speaker 1: I'm dealing with a lot of these you know, businesses

1290
01:21:12,520 --> 01:21:17,240
Speaker 1: and podcasting dudes and need celebrity guys. And I understand

1291
01:21:17,360 --> 01:21:22,920
Speaker 1: what they've done. They've created what they want you to

1292
01:21:23,040 --> 01:21:27,599
Speaker 1: think about the situation. But as you get closer and closer,

1293
01:21:29,520 --> 01:21:36,720
Speaker 1: you say, they don't know nothing. It's almost like it's

1294
01:21:36,720 --> 01:21:39,599
Speaker 1: almost like the dude that I remember being in jail. Right,

1295
01:21:39,960 --> 01:21:43,519
Speaker 1: I'll get y'all a little story about me and whoever

1296
01:21:43,600 --> 01:21:47,920
Speaker 1: this dude is, man, you probably hopefully you still living.

1297
01:21:48,000 --> 01:21:50,360
Speaker 1: If you're not, you know what I'm saying, it's probably

1298
01:21:50,439 --> 01:21:53,640
Speaker 1: because of this kind of behavior. You know, But I

1299
01:21:53,840 --> 01:21:58,200
Speaker 1: was in jail, and you know, this is my first

1300
01:21:58,280 --> 01:22:03,400
Speaker 1: time really doing long in thirty days in jail. So

1301
01:22:03,520 --> 01:22:06,320
Speaker 1: I'm actually in the jail going to court. You know.

1302
01:22:06,439 --> 01:22:08,760
Speaker 1: They got me out there and unwrapped myself in some

1303
01:22:09,520 --> 01:22:12,240
Speaker 1: probation eary things. And that's in a SMA game. I

1304
01:22:12,320 --> 01:22:15,400
Speaker 1: gotta get a youngsters be careful with that signing. Something

1305
01:22:15,479 --> 01:22:19,920
Speaker 1: just to go home, I will broke. I catch a

1306
01:22:20,000 --> 01:22:21,720
Speaker 1: little charge out. They're trying to get it. Hey, man,

1307
01:22:21,760 --> 01:22:23,240
Speaker 1: what they got from me? That where they say they're

1308
01:22:23,240 --> 01:22:25,840
Speaker 1: getting them twenty nine for this and the two for this. Hey,

1309
01:22:26,000 --> 01:22:27,400
Speaker 1: when I get to go home, where you can go

1310
01:22:27,479 --> 01:22:32,200
Speaker 1: to day sign that I'm out of here, pay attention

1311
01:22:32,240 --> 01:22:34,559
Speaker 1: to what you signed. And so you know, they had

1312
01:22:34,640 --> 01:22:37,200
Speaker 1: caught me up in full five. I was going. I

1313
01:22:37,240 --> 01:22:39,840
Speaker 1: think I went to jail nine times there. Yeah, it

1314
01:22:40,000 --> 01:22:42,160
Speaker 1: was too much going on. I would, I would, just

1315
01:22:42,600 --> 01:22:48,280
Speaker 1: you know, that'sn't for another time. Nonetheless, I was in jail, right,

1316
01:22:48,280 --> 01:22:51,000
Speaker 1: and we're coming back from court. All the dudes on

1317
01:22:51,120 --> 01:22:55,360
Speaker 1: the jail house, they back on the the bus. You

1318
01:22:55,479 --> 01:22:59,320
Speaker 1: understand me, we're coming, So we go to court. I

1319
01:22:59,439 --> 01:23:01,920
Speaker 1: even put you down. They got me going to courting.

1320
01:23:02,000 --> 01:23:04,840
Speaker 1: So they strapped you onto something about it, right, And

1321
01:23:04,960 --> 01:23:06,880
Speaker 1: so they got me strapped on the some dude. I

1322
01:23:07,000 --> 01:23:09,120
Speaker 1: really don't know this dude, and I really don't like

1323
01:23:09,280 --> 01:23:12,720
Speaker 1: the dude. We really been heaving. Not no ween got

1324
01:23:12,840 --> 01:23:14,920
Speaker 1: him up yet, but the energy had been off with

1325
01:23:15,040 --> 01:23:17,960
Speaker 1: me and the little dude, so they locked me to him.

1326
01:23:18,840 --> 01:23:21,679
Speaker 1: First thing he do it complain high walk because I ain't.

1327
01:23:21,720 --> 01:23:24,400
Speaker 1: I'm a young dude, so I ain't. I don't know

1328
01:23:24,520 --> 01:23:27,040
Speaker 1: nothing about Hey man, we all got to step at

1329
01:23:27,080 --> 01:23:29,439
Speaker 1: the same time. Come man, that right there hurt when

1330
01:23:29,520 --> 01:23:32,080
Speaker 1: you when you stepping, not stick. We ain't even on

1331
01:23:32,160 --> 01:23:34,680
Speaker 1: the same That right there hurts. So I'm you know,

1332
01:23:34,960 --> 01:23:37,880
Speaker 1: he gets he trying to get called himself getting mad

1333
01:23:37,920 --> 01:23:41,679
Speaker 1: because I don't I'm not stepping right what he's saying.

1334
01:23:43,080 --> 01:23:45,720
Speaker 1: So he says somethingbody, man, ain't. No, no, no, no.

1335
01:23:45,920 --> 01:23:48,280
Speaker 1: We get into it right there, locked on to each other.

1336
01:23:48,400 --> 01:23:51,639
Speaker 1: Now now that's why I'm telling you, man, Just picture

1337
01:23:51,760 --> 01:23:55,519
Speaker 1: that we get into it locked on to each other,

1338
01:23:57,120 --> 01:24:01,160
Speaker 1: shock or to each other. Right. But then it was

1339
01:24:01,200 --> 01:24:03,960
Speaker 1: a dude from out north. This cool you know that.

1340
01:24:04,120 --> 01:24:06,240
Speaker 1: I know. You know what I'm saying that we're telling

1341
01:24:06,320 --> 01:24:09,559
Speaker 1: him man, you know, and the situation got to care.

1342
01:24:10,360 --> 01:24:13,600
Speaker 1: But long story short, that was on the way to

1343
01:24:13,760 --> 01:24:15,639
Speaker 1: the court room that one of them teens, all kind

1344
01:24:15,680 --> 01:24:19,599
Speaker 1: of things happening throughout the transit, others thing and then

1345
01:24:19,920 --> 01:24:21,920
Speaker 1: don't go to the court room. Think you got a

1346
01:24:21,960 --> 01:24:25,240
Speaker 1: good situation, and the judge go left on you. Then

1347
01:24:25,360 --> 01:24:28,240
Speaker 1: we get back to the where they hold it about it.

1348
01:24:28,800 --> 01:24:31,040
Speaker 1: Some people quiet over it. About they said they're trying

1349
01:24:31,080 --> 01:24:34,080
Speaker 1: to hold it. Then far as man, they super disappointed.

1350
01:24:34,360 --> 01:24:37,040
Speaker 1: But they also in here with other people that could

1351
01:24:37,120 --> 01:24:41,599
Speaker 1: be aggressive, so they trying to unless they want them

1352
01:24:41,880 --> 01:24:45,519
Speaker 1: super super thus where they want to just and then

1353
01:24:45,800 --> 01:24:50,600
Speaker 1: make somebody whoop them or whoop somebody. So so we

1354
01:24:50,840 --> 01:24:53,439
Speaker 1: head back to the bus. Right we get on the bus. Man,

1355
01:24:54,720 --> 01:24:57,280
Speaker 1: I'm talking because nigga people coming up to me, they

1356
01:24:57,400 --> 01:25:00,400
Speaker 1: kind of know me, and what happened? You good? What's

1357
01:25:00,479 --> 01:25:01,760
Speaker 1: up with it? I'm like, man, I don't know what

1358
01:25:01,960 --> 01:25:07,080
Speaker 1: they do. I thought I was gonna say and said,

1359
01:25:07,120 --> 01:25:11,560
Speaker 1: you know, I'm kind of disappointed. Old buck nigga, you know,

1360
01:25:11,720 --> 01:25:19,000
Speaker 1: old shooper dupe, but swoll guy he high lowed man

1361
01:25:19,240 --> 01:25:24,560
Speaker 1: Nigga even training y'all let us something. Oh well, I

1362
01:25:24,680 --> 01:25:28,760
Speaker 1: guess this him training me taking man we y'all shackled up.

1363
01:25:29,320 --> 01:25:32,120
Speaker 1: I said, I put this on my kid's life. I

1364
01:25:32,280 --> 01:25:34,559
Speaker 1: told it Nigga on the bus and they're planning. Nigga

1365
01:25:34,640 --> 01:25:37,360
Speaker 1: from east Side that was on the bus that day.

1366
01:25:38,520 --> 01:25:40,439
Speaker 1: I told that Nigga on the bus. When we get

1367
01:25:40,479 --> 01:25:42,360
Speaker 1: off that bus, I'm gonna smack the shit out of you.

1368
01:25:43,600 --> 01:25:47,960
Speaker 1: In my man, I'm already known, damn bro we and jail.

1369
01:25:47,960 --> 01:25:50,840
Speaker 1: You can't let dude play like that. Now in the

1370
01:25:50,960 --> 01:25:54,040
Speaker 1: real world, I wouldn't have done that. I wouldn't have me.

1371
01:25:54,360 --> 01:25:56,639
Speaker 1: I'm not sure. I can't even say, but nine times

1372
01:25:56,680 --> 01:26:00,240
Speaker 1: out of ten, you know, I maybe would have let

1373
01:26:00,320 --> 01:26:03,360
Speaker 1: that roll. I'm not sure. But then now I'm just

1374
01:26:03,520 --> 01:26:05,960
Speaker 1: and I'm disappointed. I said, when we get off the bus,

1375
01:26:06,040 --> 01:26:09,439
Speaker 1: I'm smacking the shit out of you, right, And did

1376
01:26:09,520 --> 01:26:11,599
Speaker 1: he run to the He try to run the run,

1377
01:26:11,720 --> 01:26:13,840
Speaker 1: the run the bull game moment, so he hit me

1378
01:26:13,920 --> 01:26:17,760
Speaker 1: with the I'm a con vic. I'm a con vic.

1379
01:26:17,920 --> 01:26:21,679
Speaker 1: I'm telling I'm looking around like he trying to convince

1380
01:26:21,720 --> 01:26:25,200
Speaker 1: you with me, because that don't mean nothing to me.

1381
01:26:25,280 --> 01:26:28,240
Speaker 1: When we get off this bus on everything I got,

1382
01:26:28,400 --> 01:26:31,600
Speaker 1: We're going straight up you just because you try to

1383
01:26:31,760 --> 01:26:34,000
Speaker 1: you trying to treat me a certain kind of way.

1384
01:26:34,720 --> 01:26:37,000
Speaker 1: You understand me? In front of a bus full of people,

1385
01:26:37,040 --> 01:26:41,400
Speaker 1: I gotta go leave with right, and Lord knows, I'm

1386
01:26:41,439 --> 01:26:44,120
Speaker 1: just really trying to get out of this situation. I

1387
01:26:44,200 --> 01:26:46,479
Speaker 1: want to go home. I got an old lady there,

1388
01:26:46,600 --> 01:26:48,599
Speaker 1: I got you know what I'm saying. I ain't had

1389
01:26:48,680 --> 01:26:52,439
Speaker 1: no kids at that time, but I'm I got people

1390
01:26:52,479 --> 01:26:55,320
Speaker 1: out there that you know this operation, I can't get

1391
01:26:55,400 --> 01:27:00,040
Speaker 1: back out then be at least a functional right. So

1392
01:27:00,120 --> 01:27:02,280
Speaker 1: I ain't in my brain, in my heart, I don't

1393
01:27:02,280 --> 01:27:06,719
Speaker 1: want to, but you can't do that right. So then boom,

1394
01:27:07,280 --> 01:27:09,880
Speaker 1: I'm just putting it out how these people play the gag.

1395
01:27:10,280 --> 01:27:14,360
Speaker 1: So we get off the bus. I'm thinking in my heart,

1396
01:27:14,479 --> 01:27:17,080
Speaker 1: you know, my heart picking up now, we're finna get

1397
01:27:17,120 --> 01:27:19,240
Speaker 1: out soon. They because they take every bout in the

1398
01:27:19,320 --> 01:27:21,000
Speaker 1: room and let him out of hand cuse. So I'm

1399
01:27:21,080 --> 01:27:23,400
Speaker 1: knowing soon we get in here, it's up. Soon the

1400
01:27:23,560 --> 01:27:26,400
Speaker 1: dude leave out of here. Everybody probably gonna clear out.

1401
01:27:26,520 --> 01:27:29,120
Speaker 1: We're finna get it, don't you know. We get out

1402
01:27:29,160 --> 01:27:32,360
Speaker 1: the bus, dude go to Holling. Ain't ceo, CEO me

1403
01:27:32,439 --> 01:27:34,559
Speaker 1: and nit nit me and dude right here fin the fight.

1404
01:27:35,120 --> 01:27:37,400
Speaker 1: Put me a dude right here in the box alone,

1405
01:27:37,479 --> 01:27:40,240
Speaker 1: were finna get him up. I looked at him, I said,

1406
01:27:40,240 --> 01:27:44,840
Speaker 1: how are you the pole League? You the pole League?

1407
01:27:46,920 --> 01:27:49,800
Speaker 1: You the pole Lee, You the start holing for the

1408
01:27:49,920 --> 01:27:54,040
Speaker 1: pole Lee. You the pole League. Then if people like, oh,

1409
01:27:54,160 --> 01:27:57,000
Speaker 1: I'm talking about the whole bus, everybody that's on the

1410
01:27:57,120 --> 01:28:01,320
Speaker 1: line right here, like oh, he went out, Hey, he

1411
01:28:01,640 --> 01:28:03,960
Speaker 1: hodling for the teller. Don't you know that? Man ain't

1412
01:28:03,960 --> 01:28:06,559
Speaker 1: gonna put us in those say if we can go ahead,

1413
01:28:06,640 --> 01:28:10,439
Speaker 1: done to do none. You see what I'm saying. But

1414
01:28:11,520 --> 01:28:16,479
Speaker 1: back to what I was saying, you can't. You can't

1415
01:28:16,520 --> 01:28:19,160
Speaker 1: be in a situation with what what you good at

1416
01:28:19,280 --> 01:28:26,040
Speaker 1: no longer than That's why this is counterfeit production. Compliments

1417
01:28:26,040 --> 01:28:31,120
Speaker 1: side compliments a counterfeit production. The same way with this

1418
01:28:31,439 --> 01:28:35,200
Speaker 1: is they counterfeit as well. They're just on the negative side.

1419
01:28:35,640 --> 01:28:39,439
Speaker 1: But the compliments a counterfeit production. It does nothing to

1420
01:28:39,560 --> 01:28:43,120
Speaker 1: the overall grand scheme. It does nothing for the goal,

1421
01:28:43,320 --> 01:28:45,840
Speaker 1: It does nothing for the nixt step, It does nothing

1422
01:28:45,920 --> 01:28:49,080
Speaker 1: for the current step. It does something only to the mind.

1423
01:28:50,439 --> 01:28:53,200
Speaker 1: Sometimes the mind wants the man is triggered, it can go.

1424
01:28:53,479 --> 01:28:56,960
Speaker 1: But if that's your motivation, that's a very slippery slope

1425
01:28:57,000 --> 01:29:02,880
Speaker 1: to operate on, you know what I'm saying. So for me,

1426
01:29:03,280 --> 01:29:06,680
Speaker 1: as I, you know, navigate through podcast land, I say

1427
01:29:06,760 --> 01:29:10,240
Speaker 1: to myself, Man, as I navigated, more and more people

1428
01:29:10,320 --> 01:29:12,760
Speaker 1: coming and they vibe with me, and they say, Yo,

1429
01:29:12,840 --> 01:29:17,600
Speaker 1: we're rocking with dude, man, dude like, and I appreciate

1430
01:29:17,720 --> 01:29:22,519
Speaker 1: that one hundred percent. A hundred percent, But I just

1431
01:29:22,640 --> 01:29:25,000
Speaker 1: can't get caught up in it. It's a lot of

1432
01:29:25,040 --> 01:29:27,960
Speaker 1: work to be done there. Ain't even know structure in

1433
01:29:28,040 --> 01:29:30,200
Speaker 1: the game I'm trying to be in. Ain't even know

1434
01:29:30,320 --> 01:29:34,120
Speaker 1: structure in that. But the further I go, I start

1435
01:29:34,200 --> 01:29:35,880
Speaker 1: to see him. You know. I go in to create

1436
01:29:35,920 --> 01:29:40,280
Speaker 1: a land and connect with other dudes to do podcasts

1437
01:29:40,320 --> 01:29:42,400
Speaker 1: and this, and then I started to see the dudes.

1438
01:29:42,479 --> 01:29:46,559
Speaker 1: It's kind of maybe I'm weird to people, but these

1439
01:29:46,720 --> 01:29:50,920
Speaker 1: dudes is some um. You can tell when it's a creator,

1440
01:29:51,320 --> 01:29:54,160
Speaker 1: but he's not. He has no structure at all. It's

1441
01:29:54,200 --> 01:29:58,720
Speaker 1: just all over the place. You say, god, Lee deep.

1442
01:29:58,800 --> 01:30:01,280
Speaker 1: But but he has to amb getting next to the people.

1443
01:30:01,360 --> 01:30:05,840
Speaker 1: So what happens is the little experiences that the people

1444
01:30:05,960 --> 01:30:10,120
Speaker 1: have with creators that do give opportunities. We gotta make

1445
01:30:10,160 --> 01:30:12,519
Speaker 1: sure to write creators in front of those people, man,

1446
01:30:12,640 --> 01:30:15,519
Speaker 1: because they can they can negate the way that they

1447
01:30:15,600 --> 01:30:18,920
Speaker 1: feel about collaborating with creators this up and coming without

1448
01:30:19,000 --> 01:30:23,760
Speaker 1: that structure around them. That's why you need level headed individuals.

1449
01:30:23,840 --> 01:30:26,040
Speaker 1: But every time I go on the podcasts are going

1450
01:30:26,160 --> 01:30:31,479
Speaker 1: somebody they always say, yo, you give game right And

1451
01:30:31,680 --> 01:30:34,160
Speaker 1: me doing podcasts, I was running from They say you

1452
01:30:34,200 --> 01:30:36,799
Speaker 1: can run from your pass and run into your purpose.

1453
01:30:37,200 --> 01:30:39,120
Speaker 1: So I was running from my pass and I ran

1454
01:30:39,240 --> 01:30:43,240
Speaker 1: into my purpose. But the thing about it there is

1455
01:30:43,320 --> 01:30:49,200
Speaker 1: that perspective is key. I can't even navigate and tell

1456
01:30:49,320 --> 01:30:53,800
Speaker 1: you that. Hey man. The stuff I don't tell y'all

1457
01:30:53,960 --> 01:30:58,400
Speaker 1: is what shaped me. The game I'm giving y'all that

1458
01:30:58,520 --> 01:31:01,960
Speaker 1: y'all received so well, y'all be like, yo, this good game.

1459
01:31:02,040 --> 01:31:03,400
Speaker 1: I wish I was there to be able to go

1460
01:31:03,520 --> 01:31:05,880
Speaker 1: back and forth, back, whatever it might be, because you

1461
01:31:05,960 --> 01:31:09,479
Speaker 1: pay with your eyeball. It's fine whatever it is. But

1462
01:31:09,640 --> 01:31:13,360
Speaker 1: the kid, what I don't tell people is what shaped me.

1463
01:31:14,240 --> 01:31:16,439
Speaker 1: The stuff that may be a little dog to folk

1464
01:31:16,560 --> 01:31:19,760
Speaker 1: or maybe not understand or they think, now, he ain't

1465
01:31:19,800 --> 01:31:22,840
Speaker 1: never been through much. Man, he too too small, and

1466
01:31:22,960 --> 01:31:25,600
Speaker 1: ain't it he feels you know, hey man, it's some

1467
01:31:25,760 --> 01:31:30,840
Speaker 1: things going on that man, we can't explain. And that

1468
01:31:31,000 --> 01:31:34,120
Speaker 1: them the things that done it for me, The things

1469
01:31:34,160 --> 01:31:38,160
Speaker 1: I have trouble explaining that, those experiences what shaped the

1470
01:31:38,280 --> 01:31:44,120
Speaker 1: mindset they gotta deal with. But you go to podcast

1471
01:31:44,280 --> 01:31:46,720
Speaker 1: land and it's all kind of podcasts. You know, I

1472
01:31:46,840 --> 01:31:50,760
Speaker 1: look at them kind of like houses, you know, as

1473
01:31:50,800 --> 01:31:53,439
Speaker 1: I as I drive through. You know, I'm in the

1474
01:31:53,479 --> 01:31:56,360
Speaker 1: Bendlet you understand me. I'm driving through podcast Land. I

1475
01:31:56,439 --> 01:31:59,760
Speaker 1: see the million dollar worth a game house. I see

1476
01:31:59,800 --> 01:32:02,880
Speaker 1: the brillion n idiot house. I see the Black Effect house.

1477
01:32:03,400 --> 01:32:07,080
Speaker 1: You did what what I'm saying? I see Noriega them

1478
01:32:07,160 --> 01:32:10,439
Speaker 1: house to drink Champs, you know, I see now, Oh

1479
01:32:10,560 --> 01:32:14,120
Speaker 1: they're gonna building. Revolt is a building on that block.

1480
01:32:15,720 --> 01:32:21,000
Speaker 1: Spotify is a building on that block. Apple building on

1481
01:32:21,160 --> 01:32:24,479
Speaker 1: that block. Audio Man, all these spots they building on

1482
01:32:24,680 --> 01:32:32,080
Speaker 1: this block hill And so for me as I navigate it,

1483
01:32:32,360 --> 01:32:35,719
Speaker 1: it's because it's beefall through this time. You got Willow

1484
01:32:35,840 --> 01:32:38,200
Speaker 1: and Gilly and the Tony the Closer dude. And I

1485
01:32:38,320 --> 01:32:41,240
Speaker 1: told Tony the Closer, he you know, you're doing a

1486
01:32:41,320 --> 01:32:45,080
Speaker 1: whole lot of what happened? What's the issue, Like, what's

1487
01:32:45,120 --> 01:32:49,400
Speaker 1: the real problem? Because we hold them dudes in high regard.

1488
01:32:49,560 --> 01:32:53,000
Speaker 1: Help us understand what the situation is. Because when we

1489
01:32:53,120 --> 01:32:55,720
Speaker 1: look at them people, we say, all right, y'all, we

1490
01:32:55,840 --> 01:32:58,000
Speaker 1: got two of them. We got a tag team that

1491
01:32:58,160 --> 01:33:01,519
Speaker 1: we were willing to get a belt too. So what

1492
01:33:01,720 --> 01:33:05,040
Speaker 1: be the situation? I don't And I'm gonna tell you,

1493
01:33:05,200 --> 01:33:08,360
Speaker 1: Tony the Closer has being received and I like you

1494
01:33:08,520 --> 01:33:13,320
Speaker 1: because I like hustlers, and you're a hustler. I gotta

1495
01:33:13,400 --> 01:33:16,960
Speaker 1: look into your course, but I can't. I don't for

1496
01:33:17,120 --> 01:33:19,960
Speaker 1: whatever reason, I just I don't. I can't pay for

1497
01:33:20,080 --> 01:33:24,000
Speaker 1: those things, not knocking nobody, hustle, y'all making people millionnaires,

1498
01:33:24,040 --> 01:33:26,639
Speaker 1: hand to your business, come to Nashville. I can show

1499
01:33:26,720 --> 01:33:30,840
Speaker 1: you what I've already done without any courses and things

1500
01:33:30,960 --> 01:33:34,000
Speaker 1: like that. Maybe the information I got is what y'all

1501
01:33:34,120 --> 01:33:37,320
Speaker 1: navigating with to do courses. I don't even know, right,

1502
01:33:37,439 --> 01:33:40,920
Speaker 1: But nonetheless, when I see Tony the Closer go at

1503
01:33:41,000 --> 01:33:49,479
Speaker 1: Willow and Gilly, it's disappointing for me on one end,

1504
01:33:49,600 --> 01:33:51,559
Speaker 1: But on the other end, I say, the hand alone,

1505
01:33:51,640 --> 01:33:56,840
Speaker 1: but you operating outside of the agreements too. You operating

1506
01:33:56,920 --> 01:34:02,160
Speaker 1: outside of the structure too, So they don't have no

1507
01:34:02,320 --> 01:34:06,559
Speaker 1: real interest in giving you no you know. So let

1508
01:34:06,680 --> 01:34:08,960
Speaker 1: me bring the audience up to what's happening. Tony to

1509
01:34:09,040 --> 01:34:11,800
Speaker 1: Close as a financial guy, he's one of the real

1510
01:34:11,960 --> 01:34:14,599
Speaker 1: estate guys. He was on millions dollars worth a game

1511
01:34:14,680 --> 01:34:18,160
Speaker 1: for a long time. Tony the Close allegens that there's

1512
01:34:18,200 --> 01:34:22,719
Speaker 1: been some sort of situations where he set up plays

1513
01:34:22,840 --> 01:34:25,759
Speaker 1: for dudes to make money, Gilly the Kid and Wallow

1514
01:34:26,160 --> 01:34:30,240
Speaker 1: and been in a situation where they kind of run

1515
01:34:30,360 --> 01:34:32,760
Speaker 1: off with that and then start doing it with other

1516
01:34:32,880 --> 01:34:35,080
Speaker 1: people that he may or may not like or may

1517
01:34:35,200 --> 01:34:40,680
Speaker 1: or may not would have extended that olive branch too.

1518
01:34:43,400 --> 01:34:46,160
Speaker 1: He's also saying that he's went through transgressions with the

1519
01:34:46,240 --> 01:34:50,800
Speaker 1: police and certain people has been notified that hey, they

1520
01:34:50,920 --> 01:34:55,280
Speaker 1: got it, they got it. That's on your tag team. See,

1521
01:34:55,680 --> 01:34:59,240
Speaker 1: this is the thing. It's it's like wrestling. You got

1522
01:34:59,360 --> 01:35:02,080
Speaker 1: a two man and match, you could be the tag

1523
01:35:02,160 --> 01:35:06,559
Speaker 1: team champions of the world. But what if the game

1524
01:35:06,680 --> 01:35:09,639
Speaker 1: decided to put y'all in a handicap match, or decide

1525
01:35:09,640 --> 01:35:13,439
Speaker 1: to put y'all in where your name you should fold people.

1526
01:35:14,560 --> 01:35:18,439
Speaker 1: You gotta form votron, you gotta you get what I'm saying.

1527
01:35:18,520 --> 01:35:21,519
Speaker 1: So it be about he's saying that I am I'm

1528
01:35:21,560 --> 01:35:26,320
Speaker 1: on y'all team, and I made your money, and I've

1529
01:35:26,400 --> 01:35:28,599
Speaker 1: done this, done that. What's the what's the vibe? Y'all

1530
01:35:28,680 --> 01:35:31,360
Speaker 1: never supported me when I was even being attacked by

1531
01:35:31,400 --> 01:35:37,559
Speaker 1: the police. My whole thing gives that's not business, right,

1532
01:35:38,040 --> 01:35:41,800
Speaker 1: So that's where the lines get blurred, right, because it's

1533
01:35:41,920 --> 01:35:46,240
Speaker 1: it's almost like you're blurring the two, right, Okay, from

1534
01:35:46,280 --> 01:35:50,120
Speaker 1: a friend perspective, how man thing man, that's kind of like,

1535
01:35:50,640 --> 01:35:54,040
Speaker 1: but we're talking business. How did they offend you business wise?

1536
01:35:54,160 --> 01:35:58,160
Speaker 1: Because that's for me how it's being received. Because everybody

1537
01:35:58,240 --> 01:36:00,599
Speaker 1: that Tony to close the goals that he goes at

1538
01:36:00,680 --> 01:36:03,360
Speaker 1: them about their business. And in some kind of way,

1539
01:36:03,439 --> 01:36:10,000
Speaker 1: you've you've put Wily and Gillow in that Gillow Wile

1540
01:36:10,160 --> 01:36:13,880
Speaker 1: and Gilly in that tornado. That's both of them to

1541
01:36:13,960 --> 01:36:18,360
Speaker 1: get Gillow, but you put Wile and Gilly in that tornado.

1542
01:36:18,840 --> 01:36:21,360
Speaker 1: And so if there's no business issue, I think that

1543
01:36:21,439 --> 01:36:27,639
Speaker 1: should be clear. But let me continue to speak about

1544
01:36:27,720 --> 01:36:31,640
Speaker 1: podcast Land because everybody know I'm off the top of

1545
01:36:31,680 --> 01:36:37,480
Speaker 1: the head, but podcast Land, when I look at these houses.

1546
01:36:38,040 --> 01:36:40,800
Speaker 1: You ever had a car, man, Well, you ever do

1547
01:36:41,000 --> 01:36:44,000
Speaker 1: somebody that had a car? Where just looking out the

1548
01:36:44,080 --> 01:36:47,320
Speaker 1: one that the car you say, hey man, yo, call

1549
01:36:47,439 --> 01:36:52,160
Speaker 1: the truth man, that's my dream car. And you go

1550
01:36:52,280 --> 01:36:56,680
Speaker 1: outside and he started the carb. Hey what's that knocking on?

1551
01:36:57,240 --> 01:36:59,840
Speaker 1: Hey man? Some leaking? Some just start leaking when you

1552
01:37:00,040 --> 01:37:04,160
Speaker 1: started up, Oh dude, how you getting You gotta go

1553
01:37:04,240 --> 01:37:08,599
Speaker 1: through the trunk to get in. You see what I'm saying,

1554
01:37:08,640 --> 01:37:11,160
Speaker 1: so a lot of people don't and keep up a

1555
01:37:11,280 --> 01:37:15,040
Speaker 1: lot of people on these houses in podcast land that

1556
01:37:15,240 --> 01:37:22,560
Speaker 1: the house looked like it's a beautiful structure and a

1557
01:37:22,800 --> 01:37:30,280
Speaker 1: luxurious estate. But when I look at all of these houses,

1558
01:37:30,360 --> 01:37:32,559
Speaker 1: then in particularly, I look at the Joe Buddon house

1559
01:37:35,040 --> 01:37:42,360
Speaker 1: and I'm saying, wow, nice structure, columns, nice whole thing,

1560
01:37:42,680 --> 01:37:51,280
Speaker 1: whole ship bang pull sign a outside kitchen combined like

1561
01:37:51,560 --> 01:37:57,360
Speaker 1: the whole ship bang. But it's almost like how the

1562
01:37:57,479 --> 01:38:01,720
Speaker 1: how the fans are treating Joe Budden is like your

1563
01:38:01,760 --> 01:38:07,080
Speaker 1: house got seventy done and you fired the contractors. Then

1564
01:38:07,120 --> 01:38:11,479
Speaker 1: we come in and you got new contractors. But then

1565
01:38:11,560 --> 01:38:23,040
Speaker 1: we come in and ruce leaking walls of thirty and

1566
01:38:23,240 --> 01:38:28,720
Speaker 1: toe up floors done. It's damaged to the electricity. The

1567
01:38:28,840 --> 01:38:35,760
Speaker 1: wiring of the whole place is wrong. So sometimes when

1568
01:38:35,800 --> 01:38:41,200
Speaker 1: I look at things, I say, man, somebody better pray

1569
01:38:41,280 --> 01:38:43,240
Speaker 1: for Joe Budden, because I kind of think that he

1570
01:38:43,360 --> 01:38:46,200
Speaker 1: may be in a crisis right now. He just wears

1571
01:38:46,280 --> 01:38:49,680
Speaker 1: it well, but I'm almost in a position to say

1572
01:38:49,760 --> 01:38:51,840
Speaker 1: he's in the crisis. I think he can be in

1573
01:38:51,920 --> 01:38:56,200
Speaker 1: the crisis. And the reason I say that is what

1574
01:38:56,680 --> 01:39:02,160
Speaker 1: was bad has gotten worse. And what was complicated because

1575
01:39:02,160 --> 01:39:08,320
Speaker 1: he had a couple employees, you know, or friends, business partners, respectfully,

1576
01:39:11,439 --> 01:39:13,479
Speaker 1: he had a couple of them feeling like, yo, man,

1577
01:39:13,600 --> 01:39:15,600
Speaker 1: come on, man, get the money together, let's do it.

1578
01:39:15,680 --> 01:39:17,679
Speaker 1: But they were still bowl him. But man, come on, man, listen.

1579
01:39:18,240 --> 01:39:19,880
Speaker 1: You ever been in a part of what a dude?

1580
01:39:19,960 --> 01:39:22,840
Speaker 1: He's doing something weird? You to keep dancing though, bro,

1581
01:39:23,000 --> 01:39:30,759
Speaker 1: bro bron with it, you understand me. So it's still gone.

1582
01:39:30,920 --> 01:39:35,800
Speaker 1: It was still going. It was complicated, but now as

1583
01:39:35,960 --> 01:39:40,560
Speaker 1: it went to critical, a man doesn't just take his

1584
01:39:40,720 --> 01:39:47,200
Speaker 1: video awful place. A man doesn't allude to these people

1585
01:39:47,280 --> 01:39:53,560
Speaker 1: because he's almost telling them, bro, you pod bro like

1586
01:39:55,800 --> 01:39:58,360
Speaker 1: and then all these deals that he's trying to see

1587
01:39:58,400 --> 01:40:01,840
Speaker 1: the problem with the creative, even even all of us,

1588
01:40:02,560 --> 01:40:08,880
Speaker 1: problem with creators. They get stuck in creat a land.

1589
01:40:11,320 --> 01:40:13,760
Speaker 1: Sometimes you gotta peek your head out of creator land

1590
01:40:13,800 --> 01:40:18,080
Speaker 1: and make sure that all because all is well, that

1591
01:40:18,320 --> 01:40:23,360
Speaker 1: ends well, you understand me. See see how they pull

1592
01:40:23,439 --> 01:40:27,560
Speaker 1: that back in there. All's well, that ends well. Not

1593
01:40:27,760 --> 01:40:31,519
Speaker 1: the starts well, or that eat was well, all's well,

1594
01:40:31,600 --> 01:40:37,559
Speaker 1: that ends well. But creators get stuck in create a land,

1595
01:40:37,600 --> 01:40:42,200
Speaker 1: and what happens is head down creator, creative, creative creator.

1596
01:40:42,240 --> 01:40:45,200
Speaker 1: They ain't even noticing. And see that they ain't even

1597
01:40:45,280 --> 01:40:51,240
Speaker 1: noticing when the atmosphere changed. It's no longer summer's wonner.

1598
01:40:51,280 --> 01:40:55,000
Speaker 1: You gotta change how you're doing this thing now. Not

1599
01:40:55,200 --> 01:40:58,040
Speaker 1: only your appearance and your clothes, you gotta change how

1600
01:40:58,120 --> 01:41:01,120
Speaker 1: you conduct things at this point. This is how this

1601
01:41:01,320 --> 01:41:07,080
Speaker 1: goes right. So a creator picks up things along the

1602
01:41:07,200 --> 01:41:10,080
Speaker 1: way because he's trying to collect this Infinity stones. That's

1603
01:41:10,120 --> 01:41:13,080
Speaker 1: what I'm currently doing, you know, event with umar, set

1604
01:41:13,120 --> 01:41:17,080
Speaker 1: out this, go on, this, go on, this interview, go

1605
01:41:17,200 --> 01:41:19,840
Speaker 1: on this live with this person. Five thousand people in there,

1606
01:41:19,920 --> 01:41:23,960
Speaker 1: every single one of them saying, yo, you donpe you know,

1607
01:41:24,320 --> 01:41:26,479
Speaker 1: navigate over here. They say, nah, he the real thing,

1608
01:41:26,640 --> 01:41:29,240
Speaker 1: jump right here. They yo. She's like, yo, hey you

1609
01:41:30,240 --> 01:41:33,240
Speaker 1: I like how you get out. I appreciate it. Just

1610
01:41:33,479 --> 01:41:35,760
Speaker 1: keep putting the game down. But we're trying to get

1611
01:41:35,800 --> 01:41:41,160
Speaker 1: our Infinity stones. But the problem is, and one of

1612
01:41:41,240 --> 01:41:44,360
Speaker 1: my biggest feels is we gotta hope because along the way,

1613
01:41:44,439 --> 01:41:47,160
Speaker 1: we're so creative, we're picking up things. They do it

1614
01:41:47,280 --> 01:41:49,439
Speaker 1: this way, do it that way. They don't don't No

1615
01:41:49,520 --> 01:41:51,160
Speaker 1: matter what they say over that, don't worry about it.

1616
01:41:51,200 --> 01:41:53,560
Speaker 1: They grab that. Make sure you always pay attention to that.

1617
01:41:54,280 --> 01:41:59,439
Speaker 1: But sometimes and my biggest feel is, Lord, don't let

1618
01:41:59,520 --> 01:42:02,120
Speaker 1: me grab things along the way that ain't usable. When

1619
01:42:02,160 --> 01:42:07,160
Speaker 1: I get the way, I'm gone. I just made the

1620
01:42:07,200 --> 01:42:10,439
Speaker 1: analogy about hey man, you come out here thinking you

1621
01:42:10,560 --> 01:42:12,560
Speaker 1: can fight, han they threw you in a pool. This

1622
01:42:12,680 --> 01:42:17,320
Speaker 1: ain't got nothing to do with fighting. It's important to

1623
01:42:17,400 --> 01:42:21,400
Speaker 1: be a jack of all trades and a master of none.

1624
01:42:21,439 --> 01:42:23,479
Speaker 1: I know a little bit about a lot. I keep

1625
01:42:23,600 --> 01:42:27,439
Speaker 1: telling people I don't know a lot about a little bit.

1626
01:42:27,560 --> 01:42:29,439
Speaker 1: That ain't the kind of dude I am. I'm a

1627
01:42:29,600 --> 01:42:32,880
Speaker 1: real when I'm coming from You understand, because I understand.

1628
01:42:33,960 --> 01:42:37,679
Speaker 1: This thing turns this life thing, it turns up, down, left,

1629
01:42:37,840 --> 01:42:40,960
Speaker 1: right in. You gotta be able to navigate in the

1630
01:42:41,080 --> 01:42:44,880
Speaker 1: in the in different atmospheres. But you also gotta know

1631
01:42:45,000 --> 01:42:47,639
Speaker 1: when it changed. But it's kind of hard when you're creating,

1632
01:42:47,760 --> 01:42:50,000
Speaker 1: you're putting your game down to look up and say, oh,

1633
01:42:50,040 --> 01:42:54,080
Speaker 1: it doesn't it doesn't change. Hey, y'all, we can't say this.

1634
01:42:54,240 --> 01:42:56,120
Speaker 1: No mobile, we keep creating, but we can't do this.

1635
01:42:56,280 --> 01:42:59,560
Speaker 1: We can't do that. Those dudes that's going against you,

1636
01:42:59,800 --> 01:43:03,200
Speaker 1: you know you do go against it to a certain extent,

1637
01:43:03,280 --> 01:43:10,439
Speaker 1: because you don't conform, but you create. But my biggest fears, God,

1638
01:43:10,520 --> 01:43:13,920
Speaker 1: don't let me grab things along the way that ain't

1639
01:43:14,000 --> 01:43:20,559
Speaker 1: useful for where I'm gone. I no longer can talk

1640
01:43:20,640 --> 01:43:23,439
Speaker 1: to people that way when I'm the boss of a

1641
01:43:23,600 --> 01:43:27,479
Speaker 1: multimillion dollar thing. I no longer can handle my woman

1642
01:43:27,560 --> 01:43:30,000
Speaker 1: in a certain way when I've been caught doing things

1643
01:43:30,080 --> 01:43:36,559
Speaker 1: that detrimental to her confidence in the situation. I can

1644
01:43:36,640 --> 01:43:39,639
Speaker 1: no longer do what I used to do when I'm

1645
01:43:39,680 --> 01:43:45,720
Speaker 1: in a position that doesn't warrant that type of behavior. Man.

1646
01:43:45,880 --> 01:43:48,960
Speaker 1: And I also want to reject you know what Joe

1647
01:43:49,040 --> 01:43:54,160
Speaker 1: Budden was saying about. These people are sharing audience, and

1648
01:43:54,240 --> 01:43:56,599
Speaker 1: I want to make sure I do this publicly only

1649
01:43:56,680 --> 01:44:01,519
Speaker 1: because I represent far more people that don't have access

1650
01:44:01,600 --> 01:44:04,400
Speaker 1: to any of the information that the people at the

1651
01:44:04,520 --> 01:44:07,840
Speaker 1: forefront of the game operate with. So there is no

1652
01:44:08,080 --> 01:44:12,599
Speaker 1: sharing of any audience. There is no sharing of any

1653
01:44:13,040 --> 01:44:16,479
Speaker 1: any audience. Now, do these people get together and sit

1654
01:44:16,560 --> 01:44:19,640
Speaker 1: down because they don't like you? We don't know that,

1655
01:44:20,479 --> 01:44:23,799
Speaker 1: But that seems to be more the case than sharing

1656
01:44:23,880 --> 01:44:28,520
Speaker 1: the audience, because there's podcasters that deserve shots said audiences

1657
01:44:28,600 --> 01:44:31,880
Speaker 1: that don't get them. They funnel the money, they funnel

1658
01:44:31,960 --> 01:44:36,120
Speaker 1: the bread, they funnel the opportunity. But what's really happening

1659
01:44:36,320 --> 01:44:41,440
Speaker 1: is they're funneling the money, which by default funnels the opportunity,

1660
01:44:43,120 --> 01:44:47,479
Speaker 1: which by default affects the creativity because they're far more

1661
01:44:47,560 --> 01:44:51,519
Speaker 1: people creative that hasn't had the opportunity to be paid

1662
01:44:51,640 --> 01:44:55,160
Speaker 1: for their creativity. Then there are on the side of

1663
01:44:55,240 --> 01:44:58,599
Speaker 1: the ones that's getting paid because a lot of times

1664
01:44:59,000 --> 01:45:02,840
Speaker 1: there's these boys clubs, there's these situations where it's it's

1665
01:45:02,880 --> 01:45:05,479
Speaker 1: a little structure. I got a little team of people

1666
01:45:05,560 --> 01:45:08,680
Speaker 1: that I stand to make a percentage, y'all for, So

1667
01:45:08,880 --> 01:45:11,680
Speaker 1: any opportunity that comes my way, I funnel it through

1668
01:45:11,760 --> 01:45:13,800
Speaker 1: them first. If they don't want it, it may make

1669
01:45:13,840 --> 01:45:16,880
Speaker 1: it down to one of their friends, but it's less

1670
01:45:16,920 --> 01:45:19,960
Speaker 1: about what they're actually doing and more about who they're

1671
01:45:19,960 --> 01:45:24,000
Speaker 1: aligned with. I respect the game, but I think it's

1672
01:45:24,040 --> 01:45:26,400
Speaker 1: clear that we make sure that the people that's watching

1673
01:45:26,479 --> 01:45:30,080
Speaker 1: the game have a voice of someone that's putting it

1674
01:45:30,200 --> 01:45:37,240
Speaker 1: clear and concise as possible. Right, I can almost guarantee

1675
01:45:37,320 --> 01:45:40,000
Speaker 1: shows when they did a podcast with someone that hates

1676
01:45:40,080 --> 01:45:44,519
Speaker 1: Charlemagne that's not white. If he's white he'll joke his

1677
01:45:44,640 --> 01:45:47,400
Speaker 1: way through it and squash it because that's his arena.

1678
01:45:47,479 --> 01:45:51,559
Speaker 1: He's a psyche, he's a psychologist guy. But if it's

1679
01:45:51,600 --> 01:45:53,880
Speaker 1: a black dude, he's not sitting down with him. If

1680
01:45:53,920 --> 01:45:59,360
Speaker 1: he hates Charlemagne, we see acts sit down with Joe.

1681
01:45:59,720 --> 01:46:02,160
Speaker 1: Y'all tell me how y'all feel about that. I know

1682
01:46:02,320 --> 01:46:07,520
Speaker 1: actor is a boss. He's he's navigating in his own atmosphere.

1683
01:46:08,960 --> 01:46:14,240
Speaker 1: But he made that clear the very unique time Joe's

1684
01:46:14,520 --> 01:46:20,200
Speaker 1: Joe is down there counting one two, Joe's down, he

1685
01:46:20,280 --> 01:46:23,479
Speaker 1: gots to get up. He may be looking at his

1686
01:46:23,560 --> 01:46:26,559
Speaker 1: account and looking at his one of the last lump

1687
01:46:26,680 --> 01:46:31,759
Speaker 1: songs that he's gonna get if he don't figure something

1688
01:46:31,880 --> 01:46:36,400
Speaker 1: out to to get this audience back on board, because

1689
01:46:36,439 --> 01:46:41,040
Speaker 1: the audience is checked out, not the core. He still

1690
01:46:41,120 --> 01:46:45,280
Speaker 1: got that core, but he wasn't living like a core.

1691
01:46:45,520 --> 01:46:49,439
Speaker 1: He was living like the game isn't paying attention to

1692
01:46:49,560 --> 01:46:53,559
Speaker 1: me when they say his levels to it. It's important

1693
01:46:53,600 --> 01:46:56,160
Speaker 1: we all understand that he was living like the game,

1694
01:46:56,280 --> 01:47:01,519
Speaker 1: paying attention to this hill and be respected. Let's talk

1695
01:47:01,520 --> 01:47:07,439
Speaker 1: about the Erica Minna in Safari situation now. Before we

1696
01:47:07,600 --> 01:47:11,000
Speaker 1: talk about this, we got an interview coming up with

1697
01:47:11,160 --> 01:47:15,360
Speaker 1: this young lady that made these statements. UM, I want

1698
01:47:15,400 --> 01:47:18,000
Speaker 1: to kind of go into that a little bit first. Now,

1699
01:47:18,120 --> 01:47:20,320
Speaker 1: for those of you that don't know, there's a podcast

1700
01:47:20,439 --> 01:47:23,040
Speaker 1: eight eight at the Table, I believe the name of

1701
01:47:23,120 --> 01:47:25,960
Speaker 1: it is. Well, a young lady went on and said

1702
01:47:26,040 --> 01:47:29,520
Speaker 1: that dude should still pay the bills after the relationship.

1703
01:47:29,640 --> 01:47:32,920
Speaker 1: Let's hear. The other side of me is like, you

1704
01:47:32,960 --> 01:47:35,679
Speaker 1: can't take it back anyway, so it doesn't matter because

1705
01:47:35,920 --> 01:47:40,040
Speaker 1: you've already placed me at this space. So it's like, yeah,

1706
01:47:40,120 --> 01:47:43,680
Speaker 1: unless you want me to fake be with you to

1707
01:47:43,880 --> 01:47:46,680
Speaker 1: keep my ship, then let's just be friends. And it

1708
01:47:46,720 --> 01:47:48,519
Speaker 1: didn't work and that's that. But you gotta continue to

1709
01:47:48,720 --> 01:47:50,680
Speaker 1: you know, your credit is gonna messed up. I don't know,

1710
01:47:51,040 --> 01:47:58,000
Speaker 1: but he did continue. He's yeah, yeah, yeah, yeah. It's

1711
01:47:58,000 --> 01:47:59,760
Speaker 1: been like I've been with my guy maybe like going

1712
01:47:59,800 --> 01:48:02,280
Speaker 1: on one year and he's been paying my would love

1713
01:48:02,360 --> 01:48:04,880
Speaker 1: to meet you. I would really love to meet him

1714
01:48:04,880 --> 01:48:12,760
Speaker 1: because those men are an that because there's no man

1715
01:48:13,160 --> 01:48:15,720
Speaker 1: that's gonna be like I don't know him, that's like

1716
01:48:16,120 --> 01:48:20,120
Speaker 1: this nigga still once he finds out like that nigga, yeah,

1717
01:48:20,240 --> 01:48:23,439
Speaker 1: be like no, we gotta you know, No, he know,

1718
01:48:23,520 --> 01:48:28,640
Speaker 1: I gotta everybody know everything. So we have a conversation

1719
01:48:28,680 --> 01:48:30,920
Speaker 1: with her coming up. But let's talk about this clip

1720
01:48:31,160 --> 01:48:33,639
Speaker 1: and we'll talk about it with her personally. She also

1721
01:48:33,760 --> 01:48:37,840
Speaker 1: just made her debut on Kevin Samuel thing when he

1722
01:48:37,920 --> 01:48:44,799
Speaker 1: spoke with him. Um, the gases still pay the bills

1723
01:48:46,120 --> 01:48:49,320
Speaker 1: after the relationship because he's placed her own some sort

1724
01:48:49,360 --> 01:48:57,120
Speaker 1: of pedal. Still, I think that a relationship is an agreement,

1725
01:48:58,640 --> 01:49:00,960
Speaker 1: but a lot of time times we tend to make

1726
01:49:01,000 --> 01:49:04,640
Speaker 1: an agreement for one side, especially in a circumstance like this.

1727
01:49:05,479 --> 01:49:07,960
Speaker 1: Someone has to help me understand why we have a

1728
01:49:08,040 --> 01:49:10,479
Speaker 1: set of rules for one side that doesn't apply to

1729
01:49:10,640 --> 01:49:16,599
Speaker 1: the other side. What was those set of rules? Loan? Well,

1730
01:49:16,960 --> 01:49:19,680
Speaker 1: I need to be in a position not only need

1731
01:49:19,760 --> 01:49:22,160
Speaker 1: to be able to do it, I need to be

1732
01:49:22,280 --> 01:49:24,800
Speaker 1: in a position to be able to do that long

1733
01:49:25,040 --> 01:49:30,720
Speaker 1: after me and you are together. And also I need

1734
01:49:30,840 --> 01:49:33,559
Speaker 1: to be doing that for you paying your bills. Why

1735
01:49:33,680 --> 01:49:37,800
Speaker 1: you offer me nothing outside of saying that you place

1736
01:49:37,920 --> 01:49:40,559
Speaker 1: me on this level, like help me understand and thinking

1737
01:49:40,640 --> 01:49:45,920
Speaker 1: behind that because I'm thoroughly confused. And then for another

1738
01:49:46,040 --> 01:49:49,360
Speaker 1: guy to going live in that household like my old

1739
01:49:49,439 --> 01:49:53,519
Speaker 1: lady can't she Yo, whatever somebody got you, it's nothing

1740
01:49:53,600 --> 01:49:56,400
Speaker 1: to no more. Whatever somebody got you as nothing no more.

1741
01:49:56,479 --> 01:49:59,519
Speaker 1: Throw all that away. Yeah, whatever it is, I buy

1742
01:49:59,560 --> 01:50:02,040
Speaker 1: it right then, whatever it is, give it to your

1743
01:50:02,080 --> 01:50:05,360
Speaker 1: knees or somebody to give it away, and then whatever

1744
01:50:05,479 --> 01:50:08,479
Speaker 1: you want, we'll get that. But yeah, now we don't want. Now,

1745
01:50:08,640 --> 01:50:10,840
Speaker 1: we don't want what we're doing. I'm out with you.

1746
01:50:11,439 --> 01:50:13,920
Speaker 1: You looking good, you mine, you pupposed to be. Man,

1747
01:50:14,080 --> 01:50:16,880
Speaker 1: we together, I'm yours, you mine, and you got on

1748
01:50:17,360 --> 01:50:22,280
Speaker 1: some he gret he got you? What type of life

1749
01:50:22,360 --> 01:50:26,920
Speaker 1: were living? Who were playing with what we're doing. We're

1750
01:50:27,000 --> 01:50:30,760
Speaker 1: looking like that don't feel right, especially you providing the

1751
01:50:30,880 --> 01:50:36,880
Speaker 1: roof over our head. Man, I ain't having that type

1752
01:50:36,920 --> 01:50:40,479
Speaker 1: of a man. I ain't having that type of Yeah, nah,

1753
01:50:40,920 --> 01:50:43,280
Speaker 1: I ain't having that. I don't got that kind of

1754
01:50:43,600 --> 01:50:47,360
Speaker 1: understanding in me. I don't got that kind of timidness

1755
01:50:48,200 --> 01:50:52,320
Speaker 1: because to me, that's like you got too much acceptance

1756
01:50:52,439 --> 01:50:55,600
Speaker 1: about you know what I mean? You you accept me

1757
01:50:55,680 --> 01:50:59,360
Speaker 1: anything you ain't got now kind of stundard. You just

1758
01:50:59,560 --> 01:51:03,599
Speaker 1: out here, you're just letting whatever go on. You did

1759
01:51:03,720 --> 01:51:08,200
Speaker 1: what I'm saying, you let somebody like, Yeah, it ain't dribbing.

1760
01:51:08,280 --> 01:51:12,479
Speaker 1: I'm telling up bid night, yo. Bro. Now that's just

1761
01:51:12,680 --> 01:51:16,280
Speaker 1: somebody you playing with. See, she might be getting played

1762
01:51:16,320 --> 01:51:19,400
Speaker 1: with it and don't know, And that might be what

1763
01:51:19,560 --> 01:51:21,880
Speaker 1: I gotta talk to her about. You might be getting

1764
01:51:21,960 --> 01:51:24,360
Speaker 1: played with because it sounds like you're getting played with

1765
01:51:25,120 --> 01:51:27,720
Speaker 1: because you don't go from somebody that can pay all

1766
01:51:27,800 --> 01:51:30,400
Speaker 1: the bills for two years after you broke up to

1767
01:51:30,600 --> 01:51:35,559
Speaker 1: somebody that's okay with another dude paying the bills. Man,

1768
01:51:35,720 --> 01:51:39,479
Speaker 1: the range, man, you gotta you got a certain kind

1769
01:51:39,520 --> 01:51:50,240
Speaker 1: of range, you understand me. So interesting things, man, interesting things. Yeah,

1770
01:51:50,840 --> 01:51:54,760
Speaker 1: but what was your question? I'm saying, what kind of

1771
01:51:57,320 --> 01:51:59,559
Speaker 1: Obviously it's okay with it. My man feels like, let's

1772
01:51:59,760 --> 01:52:02,639
Speaker 1: we have this opportunity, let's stuck our bread. So when

1773
01:52:02,960 --> 01:52:06,560
Speaker 1: you know when that's why you're together, that's what that is.

1774
01:52:06,800 --> 01:52:09,920
Speaker 1: I wasn't trying to come I wasn't sneaking because if

1775
01:52:09,920 --> 01:52:12,120
Speaker 1: I was sneaky, I would have stayed with no sneaking,

1776
01:52:12,560 --> 01:52:14,680
Speaker 1: right I would. Yeah, I'm saying this, you man, it's

1777
01:52:14,800 --> 01:52:16,960
Speaker 1: or something like, oh, if that nigga gonna pay the red,

1778
01:52:17,280 --> 01:52:19,400
Speaker 1: then we're gonna come up with him. You man think

1779
01:52:19,439 --> 01:52:22,360
Speaker 1: he's I mean he thinks that Nigga is a sucker. Yeah,

1780
01:52:24,200 --> 01:52:26,400
Speaker 1: he thinks that, but I don't think that. No, that's

1781
01:52:26,560 --> 01:52:32,240
Speaker 1: that's my friend. He thinks he is, though, So both

1782
01:52:32,320 --> 01:52:36,479
Speaker 1: two things can be true. Now, dude, there's a sucker.

1783
01:52:37,120 --> 01:52:41,120
Speaker 1: But he also going out said, see how they try

1784
01:52:41,160 --> 01:52:44,519
Speaker 1: to escape by shifting it to somebody. No, sir, you

1785
01:52:44,920 --> 01:52:48,800
Speaker 1: get back, but you don't get away. Yeah, you're right,

1786
01:52:49,000 --> 01:52:54,479
Speaker 1: he a sucker, but you going out said too, you

1787
01:52:54,640 --> 01:52:58,200
Speaker 1: understand me, be called. You can't think he don't have

1788
01:52:58,479 --> 01:53:01,599
Speaker 1: no entitlement to that girl. Girl, he's paying out the biers. Fuck,

1789
01:53:02,760 --> 01:53:06,559
Speaker 1: just from a human perspective, what what do you pay

1790
01:53:06,640 --> 01:53:09,040
Speaker 1: for that you don't feel no entitlement about? You know

1791
01:53:09,080 --> 01:53:11,160
Speaker 1: what I'm saying, what do you what? What what do

1792
01:53:11,280 --> 01:53:14,120
Speaker 1: you pay for that that that that you don't got

1793
01:53:14,240 --> 01:53:19,080
Speaker 1: no entitlement for? Like I see people that you did

1794
01:53:19,160 --> 01:53:21,559
Speaker 1: went out that like somebody that man listen to here.

1795
01:53:21,640 --> 01:53:24,680
Speaker 1: So hey, if he