WEBVTT - Bob Sumner Full Interview

0:00:00.080 --> 0:00:03.840
<v Speaker 1>My next guest is the executive producer Laugh Mob Laugh Tracks,

0:00:03.880 --> 0:00:06.920
<v Speaker 1>which is in the second season on True TV. But

0:00:07.360 --> 0:00:10.520
<v Speaker 1>let's go back. Let's go back. This is with me

0:00:10.600 --> 0:00:13.520
<v Speaker 1>and him, you know, step into the world. Because he's

0:00:13.560 --> 0:00:19.200
<v Speaker 1>also co created with Russell Simmons the HBO Death Comedy Jam.

0:00:19.280 --> 0:00:23.120
<v Speaker 1>He was working behind the scenes recruiting the best, unrecognized,

0:00:23.560 --> 0:00:26.480
<v Speaker 1>unknown or just starting out comedians in the world as

0:00:26.480 --> 0:00:30.120
<v Speaker 1>a producer, a talent scout, a good friend, many industry

0:00:30.160 --> 0:00:34.120
<v Speaker 1>influences considering him a career maker because he hitped my career.

0:00:34.400 --> 0:00:36.959
<v Speaker 1>I would not be sitting here if he had not

0:00:37.080 --> 0:00:39.159
<v Speaker 1>chosen me to be on Death Comedy Jam. We'll talk

0:00:39.200 --> 0:00:41.920
<v Speaker 1>about that during the interview. He surely can be credited

0:00:41.920 --> 0:00:45.320
<v Speaker 1>with discovering Bernie Mack, Dave Chappelle. I did Dave Chappelle

0:00:45.320 --> 0:00:47.960
<v Speaker 1>here and I did Death Comedy Jam together. Chris Tucker,

0:00:48.159 --> 0:00:50.360
<v Speaker 1>Bill Bellaman, that's my board, got him on my Speed

0:00:50.360 --> 0:00:53.360
<v Speaker 1>Died Secondly Entertainment. He's done my show Money Make Conversation

0:00:53.400 --> 0:00:56.400
<v Speaker 1>many times. Mike ELPs, that's a fool. Did the movie

0:00:56.440 --> 0:01:00.440
<v Speaker 1>with where Steve did it with be and say we

0:01:00.440 --> 0:01:03.280
<v Speaker 1>did that movie together. Monique, Monique, I did our TV

0:01:03.320 --> 0:01:06.800
<v Speaker 1>show The Parkers, Tracy Morgan that food know about him,

0:01:06.800 --> 0:01:09.479
<v Speaker 1>did a comedy concert that the Houston Arena and Houston,

0:01:09.520 --> 0:01:12.120
<v Speaker 1>Texas with and a multitude of other comedians. I'm just

0:01:12.160 --> 0:01:14.480
<v Speaker 1>letting you know what he's done. He's allowed me to

0:01:14.520 --> 0:01:18.480
<v Speaker 1>have a lane of participation. Please welcome to money making conversations,

0:01:18.760 --> 0:01:28.680
<v Speaker 1>my man, Bob Sumner. Right now. Man, I'm so proud

0:01:28.680 --> 0:01:32.520
<v Speaker 1>of you. I don't know what you got that long?

0:01:35.680 --> 0:01:42.880
<v Speaker 1>I said, you still got that long more? Absolutely, absolutely,

0:01:43.040 --> 0:01:45.920
<v Speaker 1>I'm telling something. Let's let's go back, man, because you

0:01:46.000 --> 0:01:48.160
<v Speaker 1>know we're gonna talk about laugh Mark, which is a

0:01:48.600 --> 0:01:52.040
<v Speaker 1>really it's it's you know, I've watched several episodes. I'm

0:01:52.040 --> 0:01:54.480
<v Speaker 1>a fan of it because it's like a sketch comedy

0:01:54.600 --> 0:01:58.320
<v Speaker 1>show tied into a stand up comedy show, which is

0:01:58.400 --> 0:02:02.440
<v Speaker 1>really fascinating from a creative standpoint, because you know, I'm

0:02:02.480 --> 0:02:05.280
<v Speaker 1>watching that show and because of the way they produced

0:02:05.800 --> 0:02:07.960
<v Speaker 1>and the stand up coming, I've already done with it.

0:02:08.040 --> 0:02:09.840
<v Speaker 1>That's excited about because I do want to talk about

0:02:09.840 --> 0:02:12.760
<v Speaker 1>our journey together and the comics and comedians lives. You

0:02:13.000 --> 0:02:15.359
<v Speaker 1>change and the facts changed the way we we look

0:02:15.400 --> 0:02:19.640
<v Speaker 1>at comedy today. From Steve Harvey to Eccentric Entertainment. Who's

0:02:19.680 --> 0:02:22.919
<v Speaker 1>on CBS right now, Dio hugually has a syndicated a

0:02:23.040 --> 0:02:25.960
<v Speaker 1>nationally syndicated show. And of course Bernie Mack, who would

0:02:26.000 --> 0:02:29.480
<v Speaker 1>always be legendary and what he did. Unfortunately health reasons

0:02:29.520 --> 0:02:31.880
<v Speaker 1>took him away. But there are other comics out there

0:02:31.919 --> 0:02:34.839
<v Speaker 1>who walked on that stage, who was established, who still

0:02:34.960 --> 0:02:37.320
<v Speaker 1>came on that stage and you know, built their brand out.

0:02:37.360 --> 0:02:39.680
<v Speaker 1>And we're talking like the you know, the Chris Tucker

0:02:39.760 --> 0:02:44.160
<v Speaker 1>did five minutes and then became an international star five

0:02:44.240 --> 0:02:52.000
<v Speaker 1>minutes on Death Comedy. You know, you know Andy Grifford,

0:02:52.120 --> 0:02:56.120
<v Speaker 1>he did Michael Jackson and become a superstar, saying wow, man,

0:02:56.440 --> 0:02:58.880
<v Speaker 1>let me, can I just think before we go into

0:02:59.040 --> 0:03:01.720
<v Speaker 1>all of that, you had something already that you pretty

0:03:01.760 --> 0:03:06.359
<v Speaker 1>much hit the nail on the head man Um in

0:03:06.560 --> 0:03:11.280
<v Speaker 1>terms of why why this show um was created, Laugh minds,

0:03:11.400 --> 0:03:16.400
<v Speaker 1>laugh tracks was really based on America. Really didn't know

0:03:16.520 --> 0:03:20.480
<v Speaker 1>how Death Comedy jam was built? You do? You do?

0:03:20.760 --> 0:03:23.400
<v Speaker 1>You know everybody always see the faces? Do you know

0:03:23.520 --> 0:03:27.080
<v Speaker 1>the big names? Definite? Like everybody thinks that Diana Ross

0:03:27.160 --> 0:03:30.400
<v Speaker 1>discovered the Jackson fives, and really it was Bobby Tella

0:03:30.840 --> 0:03:35.040
<v Speaker 1>from the Vancouver's. You know, people don't know that that part.

0:03:35.640 --> 0:03:39.960
<v Speaker 1>But um, what happened with me was I watched the

0:03:40.200 --> 0:03:44.040
<v Speaker 1>landscape of where comedy had gone out of the nineties,

0:03:44.120 --> 0:03:46.680
<v Speaker 1>you know, out of the nineties. Man, everybody was getting

0:03:46.680 --> 0:03:50.720
<v Speaker 1>the sitcoms. People was meeting people said, didn't know Steve,

0:03:51.280 --> 0:03:53.800
<v Speaker 1>but they came to Death Comedy Jam and got a

0:03:53.920 --> 0:03:58.080
<v Speaker 1>TV show. Tracy Morgan didn't know Martin, but he did

0:03:58.160 --> 0:04:00.120
<v Speaker 1>what he did and then he got on the right

0:04:00.200 --> 0:04:03.040
<v Speaker 1>and show so many things like that, including you know,

0:04:03.160 --> 0:04:06.080
<v Speaker 1>I brought Dolomite to Deaf Comedy Jam. I bought while

0:04:06.200 --> 0:04:09.440
<v Speaker 1>man Steve the Deaf Comedy Jam to mix the new

0:04:09.600 --> 0:04:14.000
<v Speaker 1>with the old. And what happened is when Deaf Comedy

0:04:14.080 --> 0:04:17.560
<v Speaker 1>Jam went off the air, and then the HBO brought

0:04:17.640 --> 0:04:21.000
<v Speaker 1>the Chris Rocks Show into light and things of that nature.

0:04:21.640 --> 0:04:25.719
<v Speaker 1>People don't understand that. And you know for a fact,

0:04:25.839 --> 0:04:28.800
<v Speaker 1>I was going all over the country finding these comedians

0:04:28.920 --> 0:04:31.720
<v Speaker 1>in little hole in the walls and this, that and

0:04:31.800 --> 0:04:35.200
<v Speaker 1>the other, and it just became magical after a while.

0:04:35.560 --> 0:04:39.160
<v Speaker 1>But then all of that stopped and I kept the

0:04:39.279 --> 0:04:42.320
<v Speaker 1>show going on the road where Kevin Hart won a

0:04:42.440 --> 0:04:45.520
<v Speaker 1>contest for me Cocobe Brown wont to contest for me

0:04:46.040 --> 0:04:49.080
<v Speaker 1>se Ray Davis. So the talent was still there, but

0:04:49.200 --> 0:04:53.440
<v Speaker 1>we didn't really have a vehicle to for them. So

0:04:54.200 --> 0:04:58.400
<v Speaker 1>with that being said, you know, the two thousand and

0:04:58.480 --> 0:05:01.960
<v Speaker 1>two thousand and ten, some of these people started coming on,

0:05:02.640 --> 0:05:05.440
<v Speaker 1>but I knew that there was the next generation. Just

0:05:05.680 --> 0:05:09.799
<v Speaker 1>like after Michael Jordan's you had Kobe Bryant doing Lebron James,

0:05:10.279 --> 0:05:13.520
<v Speaker 1>the same thing goes with comedy. So I decided to

0:05:13.600 --> 0:05:16.960
<v Speaker 1>go to l A and trying to build the brand. Okay,

0:05:17.360 --> 0:05:21.279
<v Speaker 1>my own brand and and and laugh Mob is nothing

0:05:21.360 --> 0:05:23.720
<v Speaker 1>more than the affter them. For MOB is more of

0:05:23.839 --> 0:05:27.680
<v Speaker 1>Bob's best. So what I would do is I would

0:05:27.720 --> 0:05:31.440
<v Speaker 1>go into these these big offices and talk to these people.

0:05:31.520 --> 0:05:34.440
<v Speaker 1>But nobody really knew that it was Bob something that

0:05:34.760 --> 0:05:37.520
<v Speaker 1>did this. And I'm trying to bring them a sketch

0:05:37.560 --> 0:05:42.000
<v Speaker 1>show as possible so more fresh stand up. Nobody's hearing me.

0:05:42.440 --> 0:05:45.400
<v Speaker 1>So you know what happened. I said, I'll just do

0:05:45.600 --> 0:05:49.279
<v Speaker 1>it myself and do it in a certain way where

0:05:49.600 --> 0:05:53.200
<v Speaker 1>I can take all these stand up comedians who don't

0:05:53.320 --> 0:05:56.960
<v Speaker 1>have great tapes. You know, after the show, they're trying

0:05:57.000 --> 0:05:59.760
<v Speaker 1>to pedal their tapes, but you get the tape and

0:06:00.200 --> 0:06:04.080
<v Speaker 1>like um video from shows, comic view or whatever that

0:06:04.160 --> 0:06:06.880
<v Speaker 1>they've been or nobody wants that. They want something fresh.

0:06:07.520 --> 0:06:10.040
<v Speaker 1>So also you could take a fresh tape. If I

0:06:10.160 --> 0:06:14.760
<v Speaker 1>identify who deserves a half hour or hour special, I'll

0:06:14.800 --> 0:06:17.800
<v Speaker 1>shoot it myself and then try to sell it to

0:06:17.880 --> 0:06:21.240
<v Speaker 1>a showtime or HBO, which it actually worked. But I

0:06:21.400 --> 0:06:24.320
<v Speaker 1>took all of the sixteen hours of material that I

0:06:24.520 --> 0:06:27.440
<v Speaker 1>had the audio, and I treated it just like a

0:06:27.600 --> 0:06:32.000
<v Speaker 1>Thanksgiving turkey. Okay, you take that material and just like

0:06:32.160 --> 0:06:35.440
<v Speaker 1>you take a turkey and you and you have the turkey,

0:06:35.760 --> 0:06:40.240
<v Speaker 1>then you turn it into uh um, a turkey sandwich,

0:06:40.600 --> 0:06:44.479
<v Speaker 1>U turkey, catch a roll um, you turn it into

0:06:44.560 --> 0:06:47.680
<v Speaker 1>turkey hash. You turn it into turkey. You know, you

0:06:47.839 --> 0:06:49.520
<v Speaker 1>just do that. And that's what I did with the

0:06:49.880 --> 0:06:53.560
<v Speaker 1>stand up. And we took the audio that had stories,

0:06:53.680 --> 0:06:56.880
<v Speaker 1>the comedians that had stories to tell, and some guys

0:06:56.960 --> 0:06:59.440
<v Speaker 1>out of my office decided that they're going to try

0:06:59.520 --> 0:07:03.200
<v Speaker 1>to take and turn them into comedy videos and we

0:07:03.279 --> 0:07:06.960
<v Speaker 1>put them on YouTube. We started getting sixty seventy million views.

0:07:07.160 --> 0:07:09.800
<v Speaker 1>Before you know it, it comes to networks trying to

0:07:10.240 --> 0:07:11.840
<v Speaker 1>you know, how can we be a part of this

0:07:12.280 --> 0:07:14.520
<v Speaker 1>right here we are all. You know, first of all,

0:07:14.640 --> 0:07:17.680
<v Speaker 1>let's let's really if you watch the shows. If you

0:07:17.760 --> 0:07:20.120
<v Speaker 1>watch the show, I'm telling the stand up comic is

0:07:20.160 --> 0:07:23.560
<v Speaker 1>on stage, okay, during his routine, and then they will

0:07:23.680 --> 0:07:27.320
<v Speaker 1>seamlessly transition into a video that they're referencing their stand

0:07:27.360 --> 0:07:30.280
<v Speaker 1>up comic, and you're seeing. This is the cool thing

0:07:30.320 --> 0:07:34.400
<v Speaker 1>about it. The actor or actors that they've chosen are

0:07:34.560 --> 0:07:39.640
<v Speaker 1>lip sinking the dialogue from the comedian. I mean, dead on,

0:07:40.080 --> 0:07:42.960
<v Speaker 1>dead on. That's what I really loved about it because

0:07:43.000 --> 0:07:45.320
<v Speaker 1>I was like, wow, I mean, so whether it's a

0:07:45.440 --> 0:07:48.360
<v Speaker 1>child actor or an adult actor, they are matching it.

0:07:48.560 --> 0:07:51.080
<v Speaker 1>You know, male, female, it doesn't matter. And that to

0:07:51.240 --> 0:07:55.080
<v Speaker 1>me is a female comedian or male comedian. That's what

0:07:55.240 --> 0:07:58.440
<v Speaker 1>I really really loved about the show. Was like, wow,

0:07:58.640 --> 0:08:01.160
<v Speaker 1>this is really slick. You know, I got the re

0:08:01.360 --> 0:08:04.520
<v Speaker 1>enactment of the comedy routine, but to be able to

0:08:05.320 --> 0:08:08.600
<v Speaker 1>have the comic on stage and then to take give

0:08:08.640 --> 0:08:10.880
<v Speaker 1>you the visual of their joke. That's what you're doing,

0:08:11.240 --> 0:08:13.840
<v Speaker 1>the visual of their joke while they're doing the routine.

0:08:13.960 --> 0:08:17.480
<v Speaker 1>It's pretty impressive. Ball that's pretty pretty that's pretty pretty creative. Brother,

0:08:18.840 --> 0:08:23.320
<v Speaker 1>Thanks man, thanks, but again, Jim, Jim, Marv, this kid,

0:08:23.440 --> 0:08:26.240
<v Speaker 1>jimmal and carlos Man. You know, we would just be

0:08:26.360 --> 0:08:29.520
<v Speaker 1>hanging out and be talking about different ideas and stuff.

0:08:29.560 --> 0:08:32.599
<v Speaker 1>And they sent me that first one on YouTube and

0:08:32.800 --> 0:08:36.080
<v Speaker 1>Led Grant with the kid with Tony Baker playing Red

0:08:36.240 --> 0:08:39.760
<v Speaker 1>Glant and it was to the kid. The father didn't

0:08:39.800 --> 0:08:43.040
<v Speaker 1>want the kid, right, you know. And then I had

0:08:44.240 --> 0:08:48.800
<v Speaker 1>with g and you know, this is long before the phenomenon,

0:08:50.000 --> 0:08:52.480
<v Speaker 1>you know, but that's the beat of you. You have

0:08:52.520 --> 0:08:54.319
<v Speaker 1>an eye for talent. When we come back, gonna talk

0:08:54.360 --> 0:08:57.880
<v Speaker 1>about you. How he discovered Rushawan McDonald as he told

0:08:57.920 --> 0:09:00.200
<v Speaker 1>me no, and then I had to do some work

0:09:00.280 --> 0:09:02.560
<v Speaker 1>to get on death Comedy. Jab. This is our relationship

0:09:02.600 --> 0:09:05.800
<v Speaker 1>really started. Bob Something that brother, I'm so happy. I'm

0:09:05.880 --> 0:09:08.199
<v Speaker 1>so proud of you. Just hearing your voice. I love

0:09:08.240 --> 0:09:10.360
<v Speaker 1>that little grabbling voice to yours. Bad. I know I'm

0:09:10.400 --> 0:09:13.599
<v Speaker 1>talking to my man, Bom Something. He created it. He

0:09:13.679 --> 0:09:16.319
<v Speaker 1>made us all man. He opened a gateway of success

0:09:16.400 --> 0:09:20.040
<v Speaker 1>for African American comedians in a very general market world.

0:09:20.520 --> 0:09:23.800
<v Speaker 1>We'll be back with more money making conversations. I just

0:09:23.840 --> 0:09:26.520
<v Speaker 1>with Sean McDonald and you're listening to money making conversations.

0:09:26.679 --> 0:09:28.800
<v Speaker 1>He's on the show. When I said he's on the show,

0:09:28.880 --> 0:09:31.120
<v Speaker 1>is that the executive producer of Laugh made that's m

0:09:31.200 --> 0:09:34.160
<v Speaker 1>O B B Laugh Tracks, which is in its second

0:09:34.200 --> 0:09:36.840
<v Speaker 1>season on True TV. But the heart of our conversation

0:09:37.000 --> 0:09:40.839
<v Speaker 1>is relationships. Uh, you know, how do you extend a

0:09:41.000 --> 0:09:43.760
<v Speaker 1>body of work over years, over decades? How do you

0:09:44.360 --> 0:09:48.360
<v Speaker 1>how do you allow comedy? Like some people said, comedy

0:09:48.440 --> 0:09:52.360
<v Speaker 1>can be uh, throwback comedy can be current comedy, especially

0:09:52.400 --> 0:09:56.120
<v Speaker 1>nowadays when comedy is being a PC me too. You know,

0:09:56.160 --> 0:09:58.120
<v Speaker 1>you can't do the jokes that you did in the naties.

0:09:58.200 --> 0:10:00.760
<v Speaker 1>You know, in fact, some people comed who done jokes

0:10:00.800 --> 0:10:03.400
<v Speaker 1>in the nanties have gotten in trouble because of the

0:10:03.840 --> 0:10:06.480
<v Speaker 1>people went back and found it on on social media,

0:10:06.600 --> 0:10:08.959
<v Speaker 1>founding on an old comedy special. So when I look

0:10:09.000 --> 0:10:11.360
<v Speaker 1>at your show that you're doing now, Bob, you know

0:10:11.440 --> 0:10:13.840
<v Speaker 1>what I'm talking about. You know, in Death Death Comedy

0:10:13.960 --> 0:10:16.240
<v Speaker 1>Jam came out. You know I did, I taped in

0:10:16.280 --> 0:10:20.079
<v Speaker 1>the N two. How how's your how's your view on

0:10:20.160 --> 0:10:23.079
<v Speaker 1>stand up comedy today? With the rules being changed so much?

0:10:25.320 --> 0:10:29.520
<v Speaker 1>You know, it's really interesting how the rules have changed.

0:10:29.840 --> 0:10:32.959
<v Speaker 1>Where you know, I I go back to the days

0:10:33.120 --> 0:10:38.040
<v Speaker 1>when you could smoke cigarette, you had cigarette commercials. You know,

0:10:38.400 --> 0:10:41.360
<v Speaker 1>I go, I go back to the days when you

0:10:41.440 --> 0:10:46.280
<v Speaker 1>couldn't watch Elvis from the waist down, you know, and

0:10:46.679 --> 0:10:51.920
<v Speaker 1>it was back then, and now you have comedy. The

0:10:52.080 --> 0:10:55.800
<v Speaker 1>comedians can't be politically you know, they have to be

0:10:55.920 --> 0:11:00.640
<v Speaker 1>politically correct and everything. Yet on your smartphone you can

0:11:00.720 --> 0:11:05.160
<v Speaker 1>watch porny. Like I don't, I don't understand what what's

0:11:05.240 --> 0:11:09.360
<v Speaker 1>going on in terms of I I was always told

0:11:09.880 --> 0:11:13.760
<v Speaker 1>that it was a thing called freedom of speech, right,

0:11:14.440 --> 0:11:17.400
<v Speaker 1>but now it doesn't seem like it's it's flowing that way,

0:11:18.000 --> 0:11:20.800
<v Speaker 1>and I don't know. I don't know what to say

0:11:21.000 --> 0:11:25.040
<v Speaker 1>or do about it. But I also think that part

0:11:25.120 --> 0:11:28.520
<v Speaker 1>of the reason why. And I have this term called

0:11:28.679 --> 0:11:33.640
<v Speaker 1>social medias, okay, and those are those comedians that you

0:11:33.880 --> 0:11:39.400
<v Speaker 1>see on YouTube for three minutes being like silly. Those

0:11:39.440 --> 0:11:42.280
<v Speaker 1>are the people that are getting booked now because they're

0:11:42.360 --> 0:11:47.160
<v Speaker 1>not saying anything, you know, they're not saying anything relevant

0:11:47.240 --> 0:11:50.400
<v Speaker 1>to how people are living. And that's what stand up

0:11:50.480 --> 0:11:53.440
<v Speaker 1>for me was stand up was an art, not a hustle,

0:11:54.200 --> 0:11:57.880
<v Speaker 1>right right. So so I'm kind of like, I'm kind

0:11:57.920 --> 0:12:00.480
<v Speaker 1>of like toring. Even when I look at David, you

0:12:00.559 --> 0:12:05.319
<v Speaker 1>know the six stays. You know, he's the same stand

0:12:05.400 --> 0:12:08.120
<v Speaker 1>up commuting that he was when I met him when

0:12:08.160 --> 0:12:10.559
<v Speaker 1>he was eighteen years or you know what I mean.

0:12:11.040 --> 0:12:13.800
<v Speaker 1>It's just that the things that he was saying then

0:12:13.960 --> 0:12:17.360
<v Speaker 1>nobody was really paying attention to. But now since he's

0:12:17.400 --> 0:12:22.040
<v Speaker 1>become a star, people are dissecting everything he says. But

0:12:22.240 --> 0:12:28.280
<v Speaker 1>everything he says is real life stuff, right, So I

0:12:28.360 --> 0:12:31.120
<v Speaker 1>don't know, I don't I don't know how to take it. Yeah, well,

0:12:31.160 --> 0:12:34.040
<v Speaker 1>I know that that as a as a stand up

0:12:34.040 --> 0:12:35.559
<v Speaker 1>I'm gonna be stand up till I die, you know,

0:12:35.600 --> 0:12:38.120
<v Speaker 1>because I'm naturally funny. I don't go out there and

0:12:38.200 --> 0:12:41.439
<v Speaker 1>do set routines. But I know. And when Death Comedy

0:12:41.520 --> 0:12:46.319
<v Speaker 1>Jam came out on HBO, uh, you had to audition

0:12:46.880 --> 0:12:49.920
<v Speaker 1>live or you could send a tape to Mr Bob something.

0:12:50.400 --> 0:12:55.120
<v Speaker 1>Well Roa McDonald but got his best tape since the Barb,

0:12:55.160 --> 0:12:57.679
<v Speaker 1>and Barb was frank. He said, Rashan, look listen to Rashan.

0:12:58.200 --> 0:13:02.160
<v Speaker 1>You are funny, but all your performances are in front

0:13:02.200 --> 0:13:04.880
<v Speaker 1>of white audiences, he said. He said, I don't know

0:13:05.800 --> 0:13:09.040
<v Speaker 1>if your comedy will translate like that. He said, do

0:13:09.280 --> 0:13:10.960
<v Speaker 1>you have to go and show me what you can

0:13:11.040 --> 0:13:14.640
<v Speaker 1>do in front of an audience that their favorites with

0:13:14.800 --> 0:13:17.640
<v Speaker 1>death comedy Jam does No. He was just protecting me.

0:13:18.000 --> 0:13:19.840
<v Speaker 1>But Bob didn't want to do was just he wouldn't.

0:13:20.040 --> 0:13:22.000
<v Speaker 1>He wasn't putting people out there just be booking him.

0:13:22.240 --> 0:13:24.280
<v Speaker 1>He had an eye for the understanding. This is the

0:13:24.320 --> 0:13:26.719
<v Speaker 1>market we're going after. What you're doing over there, you

0:13:26.880 --> 0:13:29.520
<v Speaker 1>kill it, you kill it, but it may not translate.

0:13:29.960 --> 0:13:32.199
<v Speaker 1>And until you can show me that it will translate,

0:13:32.480 --> 0:13:35.040
<v Speaker 1>I gotta hold off on the opportunity with death comedy Jam.

0:13:35.679 --> 0:13:38.040
<v Speaker 1>So so what I had to do. I had to

0:13:38.120 --> 0:13:41.080
<v Speaker 1>go to Oakland Ball. Bob said, Hey, I said, Bob,

0:13:41.160 --> 0:13:43.680
<v Speaker 1>they have an Oakly Comedy competition. He has the right

0:13:43.760 --> 0:13:45.760
<v Speaker 1>place to go with shall that's the right place to go.

0:13:47.200 --> 0:13:49.800
<v Speaker 1>And I went out there. I went out there and

0:13:49.920 --> 0:13:52.599
<v Speaker 1>I killed. I made the finals of the competition, and

0:13:52.720 --> 0:13:55.720
<v Speaker 1>Bob said, you know something, you can do death comedition

0:13:55.760 --> 0:13:58.280
<v Speaker 1>and he booked me. But I had to work. I

0:13:58.360 --> 0:14:00.520
<v Speaker 1>had to work, you know. I. You know the thing

0:14:00.559 --> 0:14:02.280
<v Speaker 1>about it, The reason I tell people that story is

0:14:02.400 --> 0:14:05.920
<v Speaker 1>that it shows you that you had rules I could have.

0:14:06.160 --> 0:14:08.200
<v Speaker 1>I could have powered it. I could have bad mouth

0:14:08.280 --> 0:14:09.680
<v Speaker 1>box on it. But he should look at it, Bro,

0:14:10.160 --> 0:14:13.599
<v Speaker 1>You're funny because I'm not in the business of embarrassing you.

0:14:14.080 --> 0:14:16.680
<v Speaker 1>A book and a show with comics, you don't deliver

0:14:16.800 --> 0:14:20.320
<v Speaker 1>results on the show, I lose my job too. Yeah.

0:14:21.000 --> 0:14:23.040
<v Speaker 1>The funny thing about that, though, is, you know, the

0:14:23.120 --> 0:14:26.600
<v Speaker 1>Bay Area Comedy Competition is finally coming back after this

0:14:26.800 --> 0:14:30.480
<v Speaker 1>long high. Edita also, I think that that that was

0:14:30.680 --> 0:14:33.920
<v Speaker 1>very important for a stand up comedian to see if

0:14:34.000 --> 0:14:37.280
<v Speaker 1>they really had the chops and not that really differentiated

0:14:38.400 --> 0:14:42.560
<v Speaker 1>the real comedians with the comics, and see you as

0:14:42.600 --> 0:14:45.600
<v Speaker 1>a real comedian and you was able to take it.

0:14:46.280 --> 0:14:48.680
<v Speaker 1>He was able to take what I had said to

0:14:48.800 --> 0:14:51.520
<v Speaker 1>you and work on it, and then you came out

0:14:51.600 --> 0:14:55.320
<v Speaker 1>there and it was like yes, and Bob was right.

0:14:55.400 --> 0:14:57.760
<v Speaker 1>I just shifted up a little bit. Now, I just

0:14:57.880 --> 0:15:01.600
<v Speaker 1>shifted up a little bit because if I just walked

0:15:01.640 --> 0:15:05.560
<v Speaker 1>out that, you know, that's a beauty. And in our relationship,

0:15:05.600 --> 0:15:07.640
<v Speaker 1>you know, open a very popular comedy club called the

0:15:07.720 --> 0:15:10.400
<v Speaker 1>Hip Hop Comedy Stuff. He came down to Houston audition

0:15:10.480 --> 0:15:13.040
<v Speaker 1>and comedians there. So that's what we're talking about relationship.

0:15:13.280 --> 0:15:15.520
<v Speaker 1>It was not only from a standpoint he and I

0:15:15.760 --> 0:15:20.280
<v Speaker 1>shared the same love giving people opportunities, finding fresh talent

0:15:20.600 --> 0:15:22.920
<v Speaker 1>and exposed them to a bigger model. And that's what

0:15:23.040 --> 0:15:26.040
<v Speaker 1>your show doing right now with with Laugh Mall Laugh Tracks,

0:15:26.080 --> 0:15:28.640
<v Speaker 1>which is in the second season on True TV. Now

0:15:29.320 --> 0:15:30.920
<v Speaker 1>you know the other part to it, though, I just

0:15:31.040 --> 0:15:34.840
<v Speaker 1>wanted to add and is you didn't have to. It

0:15:34.960 --> 0:15:37.160
<v Speaker 1>didn't just because that Cham didn't mean to go out

0:15:37.200 --> 0:15:40.360
<v Speaker 1>there and just be runchy. But it's such about where

0:15:40.480 --> 0:15:43.120
<v Speaker 1>you are with with your stand up you know what

0:15:43.160 --> 0:15:46.920
<v Speaker 1>I mean. It's just about being funny. You was never runchy,

0:15:47.400 --> 0:15:50.240
<v Speaker 1>but you was able just to be like funny with it.

0:15:50.400 --> 0:15:54.320
<v Speaker 1>And what happens with last Mob Laugh Tracks is I'm

0:15:54.440 --> 0:16:00.680
<v Speaker 1>thinking stand up comedy, the jokes that you could paint

0:16:00.720 --> 0:16:03.680
<v Speaker 1>the picture of the story that you're telling. It ain't

0:16:03.760 --> 0:16:06.920
<v Speaker 1>a one minute on and off. It's a three minute

0:16:07.040 --> 0:16:10.880
<v Speaker 1>story with the beginning, a middle, and an end. You know.

0:16:11.360 --> 0:16:13.680
<v Speaker 1>So I think that what we're doing this last on

0:16:13.800 --> 0:16:17.320
<v Speaker 1>our Lab Tractors, they're bringing stand up comedy back to

0:16:17.440 --> 0:16:20.120
<v Speaker 1>the part form that it was so you can see

0:16:20.280 --> 0:16:23.600
<v Speaker 1>more of African Americans and you know, just people with

0:16:23.800 --> 0:16:28.560
<v Speaker 1>flavor even have stands, um have sitcoms because you know,

0:16:28.720 --> 0:16:33.280
<v Speaker 1>from Ray Romano to d l Too to Berney. Their

0:16:33.440 --> 0:16:37.080
<v Speaker 1>sitcoms was based off of their stand up. You know,

0:16:38.680 --> 0:16:40.880
<v Speaker 1>that's where it is. Yeah, you know, it's really funny

0:16:40.880 --> 0:16:42.360
<v Speaker 1>because you know what I was looking at. I was going, like,

0:16:42.440 --> 0:16:44.680
<v Speaker 1>my routine I should do on snoring. How's it the

0:16:44.720 --> 0:16:47.800
<v Speaker 1>people who fall asleep? Who snore managed to fall asleep first?

0:16:48.200 --> 0:16:51.320
<v Speaker 1>You know that we are a perfect routine for what

0:16:51.440 --> 0:16:53.480
<v Speaker 1>you're doing, because that whole time, while I'm doing a routine,

0:16:53.760 --> 0:16:55.760
<v Speaker 1>you see a guy in the bed, he's snowing, his

0:16:55.840 --> 0:16:58.280
<v Speaker 1>wife looking at him going sounded like a fog horn

0:16:58.400 --> 0:17:00.920
<v Speaker 1>over there. All that are out of the house. You know,

0:17:01.400 --> 0:17:04.800
<v Speaker 1>you know we're doing a little So that's so I was.

0:17:04.880 --> 0:17:07.000
<v Speaker 1>I was, I was, I was having so much fun

0:17:07.320 --> 0:17:09.800
<v Speaker 1>looking at the creative side of it. But I'm gonna

0:17:09.840 --> 0:17:11.600
<v Speaker 1>just tell you what sold me on. It was the

0:17:12.080 --> 0:17:15.720
<v Speaker 1>lip sync being able to match up the dialogue of

0:17:15.840 --> 0:17:19.200
<v Speaker 1>what the actors were saying with what the comedian was saying.

0:17:19.520 --> 0:17:21.720
<v Speaker 1>That was, I'm gonna tell you some man that is

0:17:21.880 --> 0:17:25.680
<v Speaker 1>dead on from a comedic standpoint, Dude, I participate in

0:17:25.800 --> 0:17:26.920
<v Speaker 1>be a part of the end of day of the

0:17:26.960 --> 0:17:30.560
<v Speaker 1>week because you're not. You're not. Because I remember a

0:17:30.600 --> 0:17:33.399
<v Speaker 1>long time ago, you know, when they had BT comic view,

0:17:33.440 --> 0:17:36.119
<v Speaker 1>they tried to do something like this, but they did it.

0:17:36.240 --> 0:17:39.640
<v Speaker 1>So but if the comics came across in a negative light,

0:17:40.440 --> 0:17:43.680
<v Speaker 1>and so this right here is so positive. Plus, man,

0:17:43.720 --> 0:17:46.080
<v Speaker 1>you can just drop those videos on social media, go

0:17:46.280 --> 0:17:49.160
<v Speaker 1>viral because you're telling the story because, like you said,

0:17:49.520 --> 0:17:52.520
<v Speaker 1>it really is on a bigger perspective. Whether it's Tim

0:17:52.600 --> 0:17:55.439
<v Speaker 1>Allen you know what I'm saying, or like s Ray Romano,

0:17:55.960 --> 0:17:59.600
<v Speaker 1>Uh Seinfeld, Steve Harvey. All these people are doing are

0:17:59.640 --> 0:18:02.840
<v Speaker 1>taking license of their comedic life and putting it too

0:18:02.840 --> 0:18:05.320
<v Speaker 1>a half hour sitcom. That's what you're doing with multiple

0:18:05.359 --> 0:18:08.200
<v Speaker 1>community is the other part to it. Though the other

0:18:08.359 --> 0:18:12.080
<v Speaker 1>part too, it is okay, you take a song, all right,

0:18:12.560 --> 0:18:14.359
<v Speaker 1>No different than and when you talk about the lip

0:18:14.480 --> 0:18:17.639
<v Speaker 1>syncing and stuff, people would go to soul training and

0:18:17.760 --> 0:18:22.600
<v Speaker 1>take your lips and soul. Right did you take this?

0:18:22.880 --> 0:18:26.240
<v Speaker 1>You take a joke like you teat to the joke

0:18:26.640 --> 0:18:30.320
<v Speaker 1>like it's your soone, okay. Instead of making a music

0:18:30.520 --> 0:18:34.399
<v Speaker 1>video now you're making in comedy video base once of

0:18:34.520 --> 0:18:38.440
<v Speaker 1>your three minutes. Yes, so now what happens is you

0:18:38.640 --> 0:18:41.240
<v Speaker 1>own that thing. So when other people were out of

0:18:41.280 --> 0:18:43.040
<v Speaker 1>here like it was this thing and people could have

0:18:43.160 --> 0:18:46.600
<v Speaker 1>the same premise, but how do you present it? This

0:18:46.800 --> 0:18:49.760
<v Speaker 1>is the way you present that you're my love is Free,

0:18:50.040 --> 0:18:52.719
<v Speaker 1>And somebody else might have the same song my Love

0:18:52.960 --> 0:18:55.480
<v Speaker 1>is Free, but it's done a different way. You know

0:18:55.560 --> 0:18:58.240
<v Speaker 1>what I mean. But it's your, it's your song, it's

0:18:58.280 --> 0:19:00.840
<v Speaker 1>your it's your joke. I'll tell this is talking to

0:19:00.880 --> 0:19:04.320
<v Speaker 1>Bob Sumner. He's the executive producer of Laugh Mall Laugh Tracks,

0:19:04.359 --> 0:19:06.800
<v Speaker 1>which is in the second season on True TV, and

0:19:06.880 --> 0:19:10.000
<v Speaker 1>incredible founder of Comedians. He's an impact of careers, not

0:19:10.080 --> 0:19:12.880
<v Speaker 1>only in my careers, but careers like Cedric the entertainer

0:19:13.000 --> 0:19:16.040
<v Speaker 1>of course, Bernie mc monique. The list goes on, Chris Tucker,

0:19:16.080 --> 0:19:18.120
<v Speaker 1>The list goes on and on, people who have changed

0:19:18.160 --> 0:19:20.639
<v Speaker 1>the landscape. You know, I look at you like a

0:19:20.720 --> 0:19:23.879
<v Speaker 1>grandfather of all of us because of the fact that you,

0:19:24.280 --> 0:19:26.240
<v Speaker 1>you know, you touched us in such a cool way.

0:19:26.480 --> 0:19:28.960
<v Speaker 1>Ball when you look at you know, like when I

0:19:29.000 --> 0:19:30.560
<v Speaker 1>looked at the fact of what Steve and I did

0:19:30.720 --> 0:19:33.880
<v Speaker 1>for daytime television, you know, family, if you talk show,

0:19:33.920 --> 0:19:36.440
<v Speaker 1>and I look at Cedric when I was interviewing Cedric said,

0:19:36.480 --> 0:19:38.680
<v Speaker 1>that's et Cedric seeing you on CVS, I said, I

0:19:38.760 --> 0:19:40.800
<v Speaker 1>know you did the w B. I know you did

0:19:40.840 --> 0:19:43.200
<v Speaker 1>the but you on CBS now and he went, You're

0:19:43.280 --> 0:19:46.359
<v Speaker 1>right with Shawn, that's a big difference. You know, I

0:19:46.480 --> 0:19:48.440
<v Speaker 1>look at that man, you know, I look at I.

0:19:48.840 --> 0:19:51.560
<v Speaker 1>I just I just marvel man at the uh at

0:19:51.600 --> 0:19:55.359
<v Speaker 1>what what what's being accomplished across the board? Well? What

0:19:55.600 --> 0:19:57.520
<v Speaker 1>what is your take on all that? Man? Because because

0:19:57.560 --> 0:20:00.639
<v Speaker 1>all you were doing was just looking for known talent

0:20:00.800 --> 0:20:03.000
<v Speaker 1>or some talent that was known and putting on a show.

0:20:03.200 --> 0:20:06.560
<v Speaker 1>HBO green lit the show and and it turned into

0:20:06.600 --> 0:20:11.639
<v Speaker 1>a phenomenon, man selling out arenas. Wow, Well my thing

0:20:11.800 --> 0:20:14.760
<v Speaker 1>is this man? And in my lane, nobody was really

0:20:14.840 --> 0:20:17.800
<v Speaker 1>doing a lot of things I was doing, Like, for one,

0:20:18.000 --> 0:20:20.040
<v Speaker 1>you know, I started out in the music industry and

0:20:20.119 --> 0:20:24.000
<v Speaker 1>I was a DJ, and I bought the DJ constant

0:20:24.280 --> 0:20:27.960
<v Speaker 1>to commity. You know, That's why I had plead the

0:20:28.080 --> 0:20:30.760
<v Speaker 1>d jay on the Comedy Game, because I was doing

0:20:30.880 --> 0:20:34.600
<v Speaker 1>that in my little rooms that I had, And you

0:20:34.720 --> 0:20:37.840
<v Speaker 1>know I always did that. Um Berry Gordy and what

0:20:38.000 --> 0:20:42.720
<v Speaker 1>he did with um taking all these young talented artists

0:20:42.760 --> 0:20:44.760
<v Speaker 1>out of the boost the projects and what have you

0:20:45.320 --> 0:20:48.800
<v Speaker 1>and churched them into superstars and music I pretty much

0:20:48.880 --> 0:20:52.119
<v Speaker 1>wanted to do that same thing this comedy, and a

0:20:52.200 --> 0:20:55.480
<v Speaker 1>couple of a couple of quotes that happened recently that

0:20:55.640 --> 0:20:58.520
<v Speaker 1>I saw that was kind of interesting. Mike Epps in

0:20:58.640 --> 0:21:02.800
<v Speaker 1>Every magazine stated that I was like the Yoda or

0:21:02.960 --> 0:21:08.960
<v Speaker 1>Mozart of And it was crazy because just Um recently

0:21:09.040 --> 0:21:12.280
<v Speaker 1>Academy Award winner who's one of my best friends, Regina King,

0:21:12.880 --> 0:21:15.280
<v Speaker 1>we was on the teleconference and she was trying to

0:21:15.480 --> 0:21:19.200
<v Speaker 1>explain to the people who I was, and she said,

0:21:19.280 --> 0:21:24.680
<v Speaker 1>if anybody saw Reggie Hudland's Um Black Godfather, The Story

0:21:24.760 --> 0:21:28.800
<v Speaker 1>of Clarence Ablon, the documentary, she said, well, if Clarence

0:21:28.880 --> 0:21:32.640
<v Speaker 1>Aberhood was you know who he is. To the music industry.

0:21:33.119 --> 0:21:36.880
<v Speaker 1>She said that I'm the black guy from the comedy.

0:21:37.520 --> 0:21:40.040
<v Speaker 1>And when you look at it, when it goes back

0:21:40.320 --> 0:21:44.920
<v Speaker 1>to the continent, you know, there's there's only a few

0:21:45.840 --> 0:21:49.840
<v Speaker 1>comedians who I haven't had an imprint on that are

0:21:49.880 --> 0:21:53.359
<v Speaker 1>doing big things right now. And one of them, like

0:21:53.520 --> 0:21:56.080
<v Speaker 1>when we talked about you know, your your career, and

0:21:56.240 --> 0:21:58.920
<v Speaker 1>how I had said to you you needed to like

0:21:59.080 --> 0:22:02.080
<v Speaker 1>try to find you know, what you're doing, so you

0:22:02.119 --> 0:22:05.120
<v Speaker 1>could come over to you know, the urban side of things.

0:22:05.560 --> 0:22:07.520
<v Speaker 1>The same thing happened with a young lady by the

0:22:07.560 --> 0:22:11.600
<v Speaker 1>name of one to site. Okay, I'm so happy to

0:22:11.760 --> 0:22:16.080
<v Speaker 1>see Wanda in her career, but she fell in right

0:22:16.200 --> 0:22:20.119
<v Speaker 1>when Deaf Jim was moving out, and and and and

0:22:20.240 --> 0:22:23.119
<v Speaker 1>the trip is. Wanda used to be my go to,

0:22:23.359 --> 0:22:26.200
<v Speaker 1>like you as my Houston go to. One of the

0:22:26.760 --> 0:22:28.920
<v Speaker 1>Wanda would be the one who would set up my

0:22:29.040 --> 0:22:33.879
<v Speaker 1>showcases in the d c A. But she never once said, Bob,

0:22:34.200 --> 0:22:36.400
<v Speaker 1>I'm doing this for you put me on the show

0:22:36.960 --> 0:22:39.520
<v Speaker 1>was even about that. She was just going about it

0:22:39.600 --> 0:22:43.480
<v Speaker 1>her way because she knew how to be entrepreneurial. Then

0:22:44.760 --> 0:22:46.600
<v Speaker 1>she was looking at she was doing this stuff and

0:22:46.680 --> 0:22:49.159
<v Speaker 1>now look at her the big time to produce it

0:22:49.240 --> 0:22:51.320
<v Speaker 1>and that thing. I'm so proud of her, you know,

0:22:51.480 --> 0:22:54.080
<v Speaker 1>but it's just it's ways to do it. Because I

0:22:54.200 --> 0:22:56.800
<v Speaker 1>still have some comedians from back in the day. They're

0:22:56.800 --> 0:23:00.960
<v Speaker 1>still upset me because they didn't get there because the

0:23:02.760 --> 0:23:06.000
<v Speaker 1>right right right right right right right right right right.

0:23:07.040 --> 0:23:11.000
<v Speaker 1>Well you, Bob, thank you for coming on my show. Um, definitely, Uh.

0:23:11.400 --> 0:23:13.840
<v Speaker 1>This show has been amazing money making conversation because it

0:23:13.880 --> 0:23:16.720
<v Speaker 1>allowed me to really realize my personal impact in the

0:23:16.800 --> 0:23:18.879
<v Speaker 1>industry and then talk to people who are making an

0:23:18.920 --> 0:23:23.080
<v Speaker 1>impact even today, decades later, and you're one of the people,

0:23:23.160 --> 0:23:26.520
<v Speaker 1>one of the stars of establishing a brand of comedic

0:23:26.880 --> 0:23:29.600
<v Speaker 1>comedic talent in the industry as so many different levels.

0:23:29.640 --> 0:23:33.280
<v Speaker 1>I'm talking to Bob Summer, executive Sumner, executive producer of

0:23:33.359 --> 0:23:36.200
<v Speaker 1>Laugh Mob Laugh Tracks, which is on in the second

0:23:36.280 --> 0:23:38.560
<v Speaker 1>season on True TV and you can see it on

0:23:38.680 --> 0:23:41.360
<v Speaker 1>Friday nights. Bob, thank you for calling my show my man.

0:23:41.400 --> 0:23:44.760
<v Speaker 1>I appreciate you. Brother. Listen one last thing, you know,

0:23:44.840 --> 0:23:47.960
<v Speaker 1>I'm also of Curative Comedy at the Apollo Theater. See

0:23:48.119 --> 0:23:50.440
<v Speaker 1>see see now that come on, now we're gonna let's

0:23:50.440 --> 0:23:53.200
<v Speaker 1>gonna extend this interview. Talk about that. Now. See see

0:23:53.240 --> 0:23:54.560
<v Speaker 1>what you ain't gonna do to me, Bob, what you

0:23:54.560 --> 0:23:58.920
<v Speaker 1>ain't gonna like? So, by the way, by the way,

0:24:00.000 --> 0:24:01.440
<v Speaker 1>when I went out to l A to build my

0:24:01.600 --> 0:24:06.159
<v Speaker 1>brand web, I went to the comedy store. When I

0:24:06.200 --> 0:24:09.520
<v Speaker 1>started giving comedians an opportunity there who wasn't getting the

0:24:09.600 --> 0:24:14.040
<v Speaker 1>opportunity then as a thing, as time went by, you know,

0:24:14.359 --> 0:24:18.320
<v Speaker 1>some thing's happening over there that was not under my control.

0:24:18.960 --> 0:24:26.640
<v Speaker 1>And I was like, um, ceremoniously, um just scored it away. Racis.

0:24:27.040 --> 0:24:29.480
<v Speaker 1>But you know, God is so good. As a matter

0:24:29.480 --> 0:24:33.200
<v Speaker 1>of fact, chicken is good. God is great, Okay, And

0:24:33.920 --> 0:24:36.439
<v Speaker 1>I had an opportunity. I got a phone call from

0:24:36.480 --> 0:24:39.040
<v Speaker 1>the world famous Apollo Theater to see if I would

0:24:39.040 --> 0:24:42.720
<v Speaker 1>be interested in helping them bring the comedy, you know,

0:24:42.880 --> 0:24:47.520
<v Speaker 1>comedy back. So what we did was we um we

0:24:47.880 --> 0:24:52.919
<v Speaker 1>we actually brought in the first three non musical performers

0:24:52.960 --> 0:24:56.240
<v Speaker 1>into the Apollo Walker thing, and that would be Red Fox,

0:24:56.440 --> 0:25:00.680
<v Speaker 1>Richard Pryor in the late Greek um Jackie Mom's Maze.

0:25:01.440 --> 0:25:04.480
<v Speaker 1>And that just kicked us off into a series that

0:25:04.640 --> 0:25:08.720
<v Speaker 1>we do called The Apollo Comedy Club. And we're five

0:25:08.840 --> 0:25:11.440
<v Speaker 1>years in over there, and what I'm doing is just

0:25:11.680 --> 0:25:14.880
<v Speaker 1>what the Apollo does. Stars are born, legends are made.

0:25:15.440 --> 0:25:18.920
<v Speaker 1>I'm showcasing a lot of the next generation. There's one

0:25:19.080 --> 0:25:23.200
<v Speaker 1>guy in particular, UM named Marshall Brandon, who I honestly

0:25:23.280 --> 0:25:27.520
<v Speaker 1>believe is the next Bernie Max slash Robin Having. He

0:25:27.680 --> 0:25:30.920
<v Speaker 1>captivates audiences like that, but nobody really knows who he

0:25:31.119 --> 0:25:38.120
<v Speaker 1>is yet. But you and I we're gonna talk. Hey, Bob,

0:25:39.840 --> 0:25:44.960
<v Speaker 1>look at just a twenty Roshan and Bob, this is

0:25:45.000 --> 0:25:46.639
<v Speaker 1>what I've been doing all my life. This is what

0:25:46.720 --> 0:25:48.639
<v Speaker 1>you've been doing all your life. We just have not

0:25:48.800 --> 0:25:52.600
<v Speaker 1>produced anything together, but understand that will change in twenty

0:25:53.200 --> 0:25:57.440
<v Speaker 1>Bob something, the incredible talent, Scole, the incredible producer. Just

0:25:57.600 --> 0:26:01.840
<v Speaker 1>just google his name. Is you any r first name Bo,