WEBVTT - Wolves of Glendale, Our Close Friends

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<v Speaker 1>Just before we would get into this.

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<v Speaker 2>Yeah, yeah, no.

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<v Speaker 1>Rock and roll shit here, I mean is grabbing your

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<v Speaker 1>stuff for like like I do to help.

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<v Speaker 2>Roddy, kicking the microphone and all that. This is all like,

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<v Speaker 2>this is our equipment. This is nice equipment. We actually

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<v Speaker 2>take care of it because for us, it's like a

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<v Speaker 2>professional job. Doesn't have to be some like immature, infantile,

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<v Speaker 2>you know, adolescent.

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<v Speaker 1>We know the formative.

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<v Speaker 2>You know, acting out against whatever you know, unseen authority.

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<v Speaker 2>You want me to imagine that you're you know.

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<v Speaker 1>Uh now, we're really gonna do.

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<v Speaker 2>It thumbing your nose at like it's not here. We

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<v Speaker 2>don't do that here. What we'd like to do actually

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<v Speaker 2>is be uh productive and create native meaning creating something,

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<v Speaker 2>not destroying something, and be helpful to one another.

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<v Speaker 1>Uh.

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<v Speaker 2>We obviously are getting content from this. We're getting a show.

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<v Speaker 2>You guys are being compensated in a way because we

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<v Speaker 2>are going to well sort of. I didn't hear about

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<v Speaker 2>we're getting paid for this. He was about to say, yes,

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<v Speaker 2>and I am uh speaking, and I will continue as

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<v Speaker 2>soon as you're done with your question. Okay, Okay, I

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<v Speaker 2>think that's it.

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<v Speaker 3>Yeah, are we getting paid exactly?

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<v Speaker 2>And that's feeling a little.

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<v Speaker 1>I can hear that. I can actually hear that. The

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<v Speaker 1>numbers crunching in your head of three of us and

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<v Speaker 1>two of them, check your fucking math. I got three

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<v Speaker 1>guys right over there. Aren't to the teeth with machine guns.

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<v Speaker 2>They're all on this is my fucking family, dude.

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<v Speaker 4>Yes, on the very quickly they could become our family,

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<v Speaker 4>because if you know anything about us, we're basically from

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<v Speaker 4>the street.

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<v Speaker 2>We come from nothing. And I can tell these guys.

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<v Speaker 1>Are no hear he's wearing a gold chain. These guys

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<v Speaker 1>are rich as hell. These guys, I can tell that's

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<v Speaker 1>not real gold. I'm not trying toll you out family moneyla,

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<v Speaker 1>generational money.

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<v Speaker 2>Yeah, watch is cool.

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<v Speaker 3>And you have a PlayStation shirt which does scream money

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<v Speaker 3>to me.

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<v Speaker 2>And it screams there are people Casey finances own film recently.

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<v Speaker 3>Really yeah, And.

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<v Speaker 1>This is a movie guy. He's a director. He hates music.

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<v Speaker 2>Yeah, he's not a music guy. He is a film

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<v Speaker 2>individual artist. What is by the way, this movie is

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<v Speaker 2>gonna freak you guys out. It's very rock and roll.

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<v Speaker 2>What's called devil suck my dick, But I sucked it

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<v Speaker 2>even harder and it's actually one of the most badass, scary,

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<v Speaker 2>funny movies.

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<v Speaker 1>That sounds sick.

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<v Speaker 5>It's cool, it doesn't sound really good.

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<v Speaker 1>If you do need songs for it, or a custom

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<v Speaker 1>song for it, we would happily write.

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<v Speaker 5>I do.

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<v Speaker 1>Actually, I am looking for some music, dude on our side,

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<v Speaker 1>I don't think so. We just got a job. Yeah,

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<v Speaker 1>the devil. You know that thing somebody like slices with

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<v Speaker 1>a sword and they say you miss, but then they

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<v Speaker 1>fall in half vertically. Casey can do that with him

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<v Speaker 1>machine gun. Damn the blade like the machine precision, the

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<v Speaker 1>precision of stable hands, surgeon hand.

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<v Speaker 2>It must be a high rate cut like a blade.

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<v Speaker 1>Yeah, he gets it right.

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<v Speaker 2>Yeah, No, I also do. It's like a laser.

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<v Speaker 3>It's more like a laser gun than a gun.

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<v Speaker 1>Right.

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<v Speaker 5>One of those hot knives, those hot sure you can

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<v Speaker 5>cut bread with?

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<v Speaker 2>Yeah?

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<v Speaker 1>You do?

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<v Speaker 2>You heat your knife before you cut bread?

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<v Speaker 1>Always?

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<v Speaker 2>What do you do?

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<v Speaker 3>I usually just take like a room temp knife and

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<v Speaker 3>and cut my bread. But it's a sharp knife. No,

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<v Speaker 3>I just cut it and I leave it on the counter.

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<v Speaker 3>But I'm not using a hot knife. I'll use a

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<v Speaker 3>sharp knife.

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<v Speaker 1>Oh you're supposed to eat it.

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<v Speaker 2>But the bread is just decorative then in your home

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<v Speaker 2>decorative loaf. The term term decorative loaf, I don't wonder

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<v Speaker 2>where that came from. Finally connecting those.

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<v Speaker 3>Downtamp sharp knife, No, no need to heat the knife.

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<v Speaker 1>But then the low the loaf is supposed to be decorative,

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<v Speaker 1>not the slight.

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<v Speaker 2>You're making a slice right, even in that case, isn't

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<v Speaker 2>isn't it more? Isn't it more aesthetically appealing if it

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<v Speaker 2>has been sliced with a hot knife because the lines

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<v Speaker 2>are clean.

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<v Speaker 3>Obviously there's kind of like there's team Blue team going on,

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<v Speaker 3>but we can all agree a loaf is decorative sliced

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<v Speaker 3>or not.

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<v Speaker 2>Well, it depends on the loaf.

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<v Speaker 5>I mean it's good, look like ship, which.

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<v Speaker 2>I'm sartin to fear that yours does. Does your loaf look.

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<v Speaker 3>I'm don't know if you have to believe that it

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<v Speaker 3>looks pretty good for.

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<v Speaker 5>His loaf is low?

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<v Speaker 1>What are your songs sound like?

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<v Speaker 5>Great question?

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<v Speaker 2>And thank you and thank you for that?

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<v Speaker 1>Do with like? Can you I know you don't have

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<v Speaker 1>the instruments or whatever, but can you like kind of

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<v Speaker 1>do one?

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<v Speaker 2>Oh did you bring the instruments?

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<v Speaker 1>We didn't?

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<v Speaker 4>All right, mine are in the other room, but I'm

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<v Speaker 4>not willing to.

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<v Speaker 1>You brought more than one?

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<v Speaker 2>I did.

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<v Speaker 4>We Yeah, we came from playing some music and I

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<v Speaker 4>didn't want them to get too heated in the car.

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<v Speaker 4>A lot like that knife but but yeah, not willing.

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<v Speaker 1>To grab his knife play. Yeah, yeah, I stick all

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<v Speaker 1>my knife off the oven.

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<v Speaker 2>Will not talk about this before right now? No, I don't.

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<v Speaker 1>I don't care what you do.

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<v Speaker 2>I don't know what you do outside of the band.

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<v Speaker 1>You go to burning man, I don't go teams in trouble.

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<v Speaker 3>Red team is fine. By the way, Red team is fine.

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<v Speaker 3>Blue team and we are not.

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<v Speaker 2>We want to make that clear or not not? What

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<v Speaker 2>about my vibe gives off mega.

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<v Speaker 1>Red Team over here, just team over here, thanks partisans,

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<v Speaker 1>Blue team, and I think cases with us Blue Team,

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<v Speaker 1>I mean, and yeah the Devil just on my back.

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<v Speaker 1>Yeah blue is back, all right?

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<v Speaker 4>But no say our songs are just kind of like

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<v Speaker 4>kick ass rocking awesome, your favorite ship.

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<v Speaker 1>Fun, but like making the sounds of the instrument, yeah

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<v Speaker 1>a little bit.

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<v Speaker 5>I like to hear I play drums.

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<v Speaker 3>And I'll do like a synth based thing like The

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<v Speaker 3>Devil's dig.

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<v Speaker 1>I'm sorry, you're are you pitching right now? Is that

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<v Speaker 1>what I'm hearing? Okay, it really sounded like I don't

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<v Speaker 1>know if you knew you were doing this? That was

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<v Speaker 1>almost exactly what his movie is about. I don't like he.

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<v Speaker 2>Knew what's the I was doing.

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<v Speaker 1>I was playing a synth bas but I want to

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<v Speaker 1>make absolutely sure about that that might.

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<v Speaker 2>Sound for the space that you're looking for.

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<v Speaker 1>It was in the eighties necessarily what the rest of

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<v Speaker 1>the movie feels like. But it is very interesting, and

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<v Speaker 1>I am open to a theme.

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<v Speaker 3>I sing a synth based sound, and well the rhythm

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<v Speaker 3>of that synth base.

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<v Speaker 1>I don't know how you knew this is exactly the

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<v Speaker 1>pace that his main character walks around.

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<v Speaker 2>What are the odds of that? It's pretty.

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<v Speaker 1>Sorry that one footstep and then every single one is

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<v Speaker 1>one footstep and he actually doesn't exactly like his figures

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<v Speaker 1>around what he wants to see from his from his performers,

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<v Speaker 1>the walk of the movie, and it's also the pace

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<v Speaker 1>of the fillatio that happens in the film. Also, yeah,

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<v Speaker 1>is it Casey in the film with whoever's playing the devil?

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<v Speaker 1>Or how does it work? No? No, no, I'm not an actor.

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<v Speaker 1>I'm only a director.

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<v Speaker 2>Okay, So only Yeah, come on, most important, you're actually

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<v Speaker 2>kind of doing all the jobs. I mean, really, I'm glad.

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<v Speaker 2>I'm glad someone sees it that way. Thanks Sean.

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<v Speaker 1>Yeah, he's awesome. He's so cool, man.

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<v Speaker 2>Man, he's like a true artist. Yeah, and he's actually

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<v Speaker 2>humble about it. But it's like he is doing all

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<v Speaker 2>the jobs, like he could act, but he just has

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<v Speaker 2>to hold the camera and he also has to hold

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<v Speaker 2>the boom.

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<v Speaker 5>Is this your debut my debut feature film?

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<v Speaker 1>Wow? Okay, congratulations, but it doesn't actually tell you so awesome.

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<v Speaker 1>He's he actually did make a short film that was

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<v Speaker 1>incredibly long.

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<v Speaker 5>It was really long.

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<v Speaker 1>It was real, it felt.

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<v Speaker 2>Like it was I mean when I saw that thing,

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<v Speaker 2>I was like, are you sure this is a short film, man?

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<v Speaker 2>Because it felt like it took four ever And.

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<v Speaker 6>Yeah, sort of like when you're at like a fast

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<v Speaker 6>food restaurant, it like takes too long ago more like

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<v Speaker 6>not so fast food.

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<v Speaker 5>Sure, well something like that.

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<v Speaker 2>By the way, just to do this is like a

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<v Speaker 2>comedy thing. If you want to make it even more specific,

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<v Speaker 2>you could pick a chain and actually Taco Bells in

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<v Speaker 2>trouble right now. The lettuce and they knew about the lettuce.

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<v Speaker 2>So like, if we're gonna be kind of insulting the

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<v Speaker 2>whole genre of fast food, we could really dig in

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<v Speaker 2>and do something about taco bell. That could even be

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<v Speaker 2>a song that goes in the movie, right, Yeah, taco bells,

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<v Speaker 2>dirty lettuce.

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<v Speaker 1>Walk by a taco bell?

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<v Speaker 3>Okay, so taco bell is featured in the film in

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<v Speaker 3>the background.

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<v Speaker 1>Yeah, you see it.

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<v Speaker 2>So then there you go, we can do that.

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<v Speaker 1>Okay, that sounds great. Do you actually something that you

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<v Speaker 1>would score it for, like someone walking by a taco bell? Yeah,

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<v Speaker 1>pretty fast. Yeah, it's like a big scene.

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<v Speaker 2>It's like important.

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<v Speaker 1>Sort of what happened with the taco bell stuff, because

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<v Speaker 1>it seems like you didn't quite understand the news story.

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<v Speaker 2>Yeah, like you felt like you were they got.

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<v Speaker 1>In trouble for people people wanting to the taco bell.

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<v Speaker 1>What is the controversy? I thought you said because of

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<v Speaker 1>the diarrhea, which made me think that you like had

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<v Speaker 1>gotten it.

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<v Speaker 2>Yeah, to be about that, That's what happened to me.

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<v Speaker 1>Since we are uh committing libel on the show of

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<v Speaker 1>a major corporation, since we've decided to do.

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<v Speaker 2>That, yeah, since we are risking getting sued into the

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<v Speaker 2>Stone Age let's at least have the details, right, sure.

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<v Speaker 3>Okay, so does it not have to do with getting.

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<v Speaker 2>It doesn't happen from walking by the Taco bell, So

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<v Speaker 2>it just like I've got to sorry.

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<v Speaker 1>I didn't have proper backstory the character as well. I

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<v Speaker 1>think he said it was the lettice. They knew about

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<v Speaker 1>the letters that was actually a letts that was sold

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<v Speaker 1>at Taco Bell, not that people ate somewhere else, and

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<v Speaker 1>then went to like have diarrhea at the taco but

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<v Speaker 1>you are it was going to come up for you.

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<v Speaker 1>Do not touch me again, So sorry, your hand was

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<v Speaker 1>very close to me. I know it was there. It

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<v Speaker 1>was there for a while. It was there in the box.

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<v Speaker 4>I'm gonna keep it totally here. But I was thinking,

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<v Speaker 4>maybe you have the specifics on this that the character

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<v Speaker 4>maybe ate at Taco Bell and then was walking in

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<v Speaker 4>front and had to, you know, dump and this is your.

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<v Speaker 5>Short film is the real feature.

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<v Speaker 2>There's the feature that we're working. Do we ever say

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<v Speaker 2>how long?

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<v Speaker 1>I just want to go back for a second to

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<v Speaker 1>didn't think so to the Scooby moment, thank you, thank you,

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<v Speaker 1>thank you for hearing that we try not to blow

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<v Speaker 1>by stuff on the show.

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<v Speaker 2>Good bad are indifferent. We do want to give everything

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<v Speaker 2>it's it's due.

0:11:21.600 --> 0:11:24.280
<v Speaker 1>That was fucking unbelievable.

0:11:24.880 --> 0:11:28.400
<v Speaker 2>I was transported. I mean it was just nostalgia, like

0:11:28.480 --> 0:11:29.160
<v Speaker 2>pure and simple.

0:11:29.280 --> 0:11:29.560
<v Speaker 3>I was.

0:11:29.600 --> 0:11:32.800
<v Speaker 2>I was raised by TV. You know, that's an interesting

0:11:32.840 --> 0:11:36.400
<v Speaker 2>thing about me, where like all these cartoons that have

0:11:36.520 --> 0:11:38.559
<v Speaker 2>just been sort of lost to the sands of time,

0:11:38.760 --> 0:11:41.040
<v Speaker 2>like they live up here, and every now and then

0:11:41.080 --> 0:11:44.960
<v Speaker 2>something like this will happen where I'm fully transported into

0:11:45.360 --> 0:11:49.800
<v Speaker 2>my childhood. Yes, yes, this morning just yeah, a bowl

0:11:49.880 --> 0:11:54.240
<v Speaker 2>of uh yeah, cheer pops. Yes, I don't know what

0:11:54.280 --> 0:12:01.880
<v Speaker 2>the right twisty spoon or something.

0:12:02.360 --> 0:12:04.360
<v Speaker 1>And is that part of it too? Is that part

0:12:04.400 --> 0:12:07.600
<v Speaker 1>of like what the songs or like what you guys, Yeah, we.

0:12:07.679 --> 0:12:09.840
<v Speaker 6>Like to evoke a lot of nostalgia in our songs.

0:12:10.400 --> 0:12:12.400
<v Speaker 6>I was raised the same way, you know, growing up

0:12:12.440 --> 0:12:16.920
<v Speaker 6>cross legged. I was raised cross watching wacky races and

0:12:16.960 --> 0:12:18.680
<v Speaker 6>like chriss cross apple sauce.

0:12:20.480 --> 0:12:22.880
<v Speaker 1>It was hard. That was that was our generation. But

0:12:22.960 --> 0:12:24.800
<v Speaker 1>like having to be like carried on to the bus

0:12:24.880 --> 0:12:25.240
<v Speaker 1>like that.

0:12:25.520 --> 0:12:29.680
<v Speaker 3>Yeah, mode have to find a seat that feels good

0:12:29.720 --> 0:12:30.960
<v Speaker 3>when you're crossing it all the time.

0:12:31.400 --> 0:12:36.760
<v Speaker 2>Yeah, shirt covered in ch cho pops on that big

0:12:36.800 --> 0:12:39.760
<v Speaker 2>twisty spoons, trunk Yeah yeah.

0:12:39.280 --> 0:12:41.040
<v Speaker 5>And then someone break out Twister and you're.

0:12:40.920 --> 0:12:46.199
<v Speaker 2>Like, leg fine for you guys, that's not a Chris

0:12:46.200 --> 0:12:47.280
<v Speaker 2>cross over here.

0:12:47.360 --> 0:12:49.679
<v Speaker 3>Yeah yeah yeah, I'll be sitting Yeah.

0:12:49.720 --> 0:12:51.360
<v Speaker 1>You guys generate, I'll just spin it.

0:12:51.679 --> 0:12:57.640
<v Speaker 2>I'll be the the red spinner. No, yes, yeah, I'm

0:12:57.640 --> 0:13:00.960
<v Speaker 2>the equipment manager, right yeah, every game. I love the game,

0:13:01.040 --> 0:13:05.160
<v Speaker 2>you know Twister? Yeah, well that's that. Yeah, that's a

0:13:05.200 --> 0:13:06.920
<v Speaker 2>really crucial rule. I mean case, I'll be right.

0:13:06.960 --> 0:13:09.400
<v Speaker 1>He does actually be good for you because I just

0:13:10.120 --> 0:13:12.160
<v Speaker 1>did it exactly and that's that's what I do.

0:13:13.360 --> 0:13:16.480
<v Speaker 3>That's the Red Team vibe for me. And just to clarify,

0:13:16.600 --> 0:13:18.839
<v Speaker 3>like I did vote Democrat. It's not like a red

0:13:18.880 --> 0:13:22.480
<v Speaker 3>blue Democrat Republican thing. I feel like in terms of

0:13:22.480 --> 0:13:26.040
<v Speaker 3>like blowing welcome back to save.

0:13:25.880 --> 0:13:29.560
<v Speaker 1>America or whatever, the like, literally a completely different shows.

0:13:29.600 --> 0:13:31.520
<v Speaker 2>You feel like we blew past it. Want not even

0:13:31.559 --> 0:13:33.760
<v Speaker 2>the same network. This is on the big money players.

0:13:33.920 --> 0:13:37.120
<v Speaker 1>I'm I'm just trying to talk about did we have

0:13:37.160 --> 0:13:40.160
<v Speaker 1>that conversation Yeah with them, yes, at it.

0:13:40.320 --> 0:13:42.400
<v Speaker 2>But oh yeah we kicked the tires on Crooked.

0:13:42.440 --> 0:13:45.120
<v Speaker 1>We had to. That's our due diligence, wasn't a fit. Yeah,

0:13:45.240 --> 0:13:46.920
<v Speaker 1>because we don't do that ship.

0:13:47.080 --> 0:13:49.560
<v Speaker 2>Sure, they were going to make us take some stances

0:13:49.559 --> 0:13:50.640
<v Speaker 2>that we weren't comfortable with.

0:13:50.760 --> 0:13:52.199
<v Speaker 1>Yeah, damn wow.

0:13:53.240 --> 0:13:56.120
<v Speaker 2>For you guys man. Yeah, ultimately, the shows for everybody,

0:13:56.160 --> 0:13:59.920
<v Speaker 2>the shows to be enjoyed. It's escapism, it's entertainment. It's

0:14:00.080 --> 0:14:03.760
<v Speaker 2>like what you guys I assume do. But it's just

0:14:03.760 --> 0:14:05.160
<v Speaker 2>instead of music, it's a podcast.

0:14:05.280 --> 0:14:07.560
<v Speaker 1>Yeah. Yeah, that's cool. It would be cool to hear

0:14:07.600 --> 0:14:09.400
<v Speaker 1>our songs, but podcast it is kind of like that.

0:14:09.440 --> 0:14:12.040
<v Speaker 2>We're like a band, but if the band was a podcast, yeah,

0:14:12.080 --> 0:14:13.080
<v Speaker 2>it sounds really good.

0:14:13.160 --> 0:14:16.839
<v Speaker 1>Yeah, that's awesome because so many of these bands are

0:14:17.160 --> 0:14:20.280
<v Speaker 1>just doing a song music.

0:14:20.760 --> 0:14:23.240
<v Speaker 5>Yes, I do know what if the song was only

0:14:23.320 --> 0:14:23.840
<v Speaker 5>like hot.

0:14:23.680 --> 0:14:28.440
<v Speaker 1>Takes boring, you know we ought to do Yeah, we

0:14:28.560 --> 0:14:31.280
<v Speaker 1>gotta we gotta write a hit song.

0:14:32.360 --> 0:14:35.120
<v Speaker 2>I mean, think about it for Casey's movie. It's so big. Yeah,

0:14:35.160 --> 0:14:38.480
<v Speaker 2>because if we're we've got a placement already and then

0:14:38.760 --> 0:14:42.640
<v Speaker 2>it's rising tide lifts all bow. Sure, sure we gotta

0:14:42.680 --> 0:14:43.600
<v Speaker 2>write a hit man.

0:14:43.760 --> 0:14:46.000
<v Speaker 4>I mean, there's eight of us in here. I feel

0:14:46.040 --> 0:14:47.480
<v Speaker 4>like if everybody has.

0:14:47.800 --> 0:14:51.400
<v Speaker 2>If everyone brings their a game, yeah you know what

0:14:51.480 --> 0:14:56.120
<v Speaker 2>I mean, Like there's a delicious stew a simmer?

0:14:56.400 --> 0:14:56.920
<v Speaker 1>Is there not.

0:14:58.960 --> 0:15:02.400
<v Speaker 2>Different ingredient that I think?

0:15:02.520 --> 0:15:05.280
<v Speaker 1>I just like think it's important to clarify, like which

0:15:05.280 --> 0:15:11.800
<v Speaker 1>instrument you guys each play? Yeah, Podcastically, I'm noticing something

0:15:11.840 --> 0:15:16.800
<v Speaker 1>really fascinating, which is you are the bass player of

0:15:16.880 --> 0:15:17.560
<v Speaker 1>the podcast.

0:15:17.880 --> 0:15:19.680
<v Speaker 2>He's a guitar player in the band.

0:15:19.440 --> 0:15:24.440
<v Speaker 1>But he is establishing this voice.

0:15:24.960 --> 0:15:25.200
<v Speaker 5>Yeah.

0:15:25.440 --> 0:15:29.640
<v Speaker 1>Yeah, And I'm not always like listening, you know, like

0:15:29.720 --> 0:15:31.520
<v Speaker 1>I'll notice it every once in a while. You know,

0:15:31.800 --> 0:15:32.520
<v Speaker 1>you want to feel it.

0:15:34.640 --> 0:15:36.800
<v Speaker 2>Sometimes you go, oh, that's a nice steady rhythm that's going.

0:15:36.840 --> 0:15:39.200
<v Speaker 2>But you can also totally ignore it.

0:15:39.440 --> 0:15:44.080
<v Speaker 6>Yeah yeah, like as bassed they call it felt not heard, yes, yeah, yeah,

0:15:44.200 --> 0:15:44.640
<v Speaker 6>yeah yeah.

0:15:44.880 --> 0:15:47.320
<v Speaker 4>I also feel like on most speakers nowadays, you can't

0:15:47.440 --> 0:15:48.800
<v Speaker 4>you really make it out.

0:15:48.680 --> 0:15:51.880
<v Speaker 3>On an iPhone anyway, it's not a bass.

0:15:53.560 --> 0:15:58.840
<v Speaker 2>Right below registers gone below. Man, I wish, yeah, I

0:15:59.400 --> 0:16:02.520
<v Speaker 2>want to a whole different speaker system on my.

0:16:02.480 --> 0:16:05.880
<v Speaker 4>Eyes on your phone, get himp it out, you can

0:16:05.880 --> 0:16:06.680
<v Speaker 4>get a checked out.

0:16:07.440 --> 0:16:10.520
<v Speaker 1>I want to do that. I want to do that

0:16:10.720 --> 0:16:13.360
<v Speaker 1>and something that I can like invite people over again

0:16:14.000 --> 0:16:18.080
<v Speaker 1>to see you know what. Yeah, it's like, what does

0:16:18.080 --> 0:16:20.560
<v Speaker 1>it tell to me if I'm like check like check

0:16:20.640 --> 0:16:23.240
<v Speaker 1>this out, and it's like already here. I need to

0:16:23.760 --> 0:16:24.600
<v Speaker 1>actually get that.

0:16:25.800 --> 0:16:27.800
<v Speaker 2>I got to get some reason for them to come

0:16:27.840 --> 0:16:29.080
<v Speaker 2>to my house. Yeah.

0:16:29.120 --> 0:16:30.760
<v Speaker 4>That's the kind of thing where if I'm on the

0:16:30.800 --> 0:16:33.160
<v Speaker 4>fence about going over and then you're like, well, I

0:16:33.200 --> 0:16:36.320
<v Speaker 4>got this kind of sick basic speaker system.

0:16:36.480 --> 0:16:39.560
<v Speaker 3>Yeah, but if you attached to the phone which can't

0:16:39.640 --> 0:16:39.960
<v Speaker 3>leave the.

0:16:39.880 --> 0:16:44.600
<v Speaker 2>House, you know, the speaker system I'm picturing the phone

0:16:44.640 --> 0:16:45.960
<v Speaker 2>is probably not going to come out of the house

0:16:45.960 --> 0:16:48.600
<v Speaker 2>and won't leave the house, whichld be great way to

0:16:48.600 --> 0:16:49.560
<v Speaker 2>get people into the house.

0:16:49.640 --> 0:16:53.800
<v Speaker 1>Yeah, because I can't, I will no one goes over

0:16:53.880 --> 0:16:59.400
<v Speaker 1>andymore like you want to come home and see my

0:16:59.480 --> 0:17:03.320
<v Speaker 1>etching and they're like sure, like show them to me

0:17:03.360 --> 0:17:05.080
<v Speaker 1>on your phone, and it's like, yeah, I do have

0:17:05.119 --> 0:17:08.080
<v Speaker 1>an album that says etchings on my phone. But like

0:17:08.119 --> 0:17:11.920
<v Speaker 1>I need to get you from jury duty to the spot, right,

0:17:12.040 --> 0:17:12.200
<v Speaker 1>you know.

0:17:13.600 --> 0:17:16.920
<v Speaker 2>I don't stop at the museums or anything. Don't go

0:17:17.040 --> 0:17:19.920
<v Speaker 2>there because like you're gonna get distracted. There's so much

0:17:19.960 --> 0:17:23.720
<v Speaker 2>to see there, and the real museum in a way,

0:17:23.920 --> 0:17:28.480
<v Speaker 2>the real forgotten art is actually this sense of community

0:17:28.520 --> 0:17:30.560
<v Speaker 2>you get when people go over, which I don't do

0:17:30.600 --> 0:17:32.200
<v Speaker 2>anything when it goes.

0:17:33.600 --> 0:17:36.879
<v Speaker 1>Yeah, people need to get to host people. People.

0:17:37.119 --> 0:17:42.639
<v Speaker 3>People need to host people, come over for some puffs

0:17:42.640 --> 0:17:43.720
<v Speaker 3>since host.

0:17:44.800 --> 0:17:47.960
<v Speaker 2>And I think that she chosen my pepos this kind

0:17:48.000 --> 0:17:53.959
<v Speaker 2>of nostalgia community hearing that you would think so drums

0:17:54.119 --> 0:17:57.040
<v Speaker 2>in the podcasting it is this.

0:17:57.160 --> 0:18:00.720
<v Speaker 1>It's like the show with the people like the same,

0:18:03.880 --> 0:18:06.280
<v Speaker 1>no changing pitch but loud right.

0:18:06.760 --> 0:18:06.960
<v Speaker 2>Yeah.

0:18:07.080 --> 0:18:10.520
<v Speaker 1>But then we have coming here with Scooby Doo.

0:18:11.520 --> 0:18:17.720
<v Speaker 2>You know what I mean, the red hot Ferrari.

0:18:18.359 --> 0:18:28.000
<v Speaker 7>Yeah, brand guitar, Yeah, Ri guitari guitar, guitar, Ferrari guitar.

0:18:28.560 --> 0:18:33.480
<v Speaker 5>Awesome, Eric, I love being the guitarist of our podcast.

0:18:33.520 --> 0:18:35.560
<v Speaker 2>Man guitar, guitar.

0:18:35.440 --> 0:18:41.479
<v Speaker 3>Ferrari guitar, Yeah, oh my god, wolves Rari guitari, doctor

0:18:41.600 --> 0:18:44.399
<v Speaker 3>drums and basic bitch yeah.

0:18:45.000 --> 0:18:48.800
<v Speaker 2>Hell and together we are on the podcast. Band. The

0:18:48.800 --> 0:18:50.400
<v Speaker 2>band is Wolves of Glendale.

0:18:50.840 --> 0:18:52.520
<v Speaker 1>That's introduced.

0:18:52.680 --> 0:18:53.800
<v Speaker 2>Kind of funny, isn't it?

0:18:53.920 --> 0:18:56.040
<v Speaker 1>Yeah? Sometimes it is funny.

0:18:56.640 --> 0:18:58.240
<v Speaker 2>Yeah, get it's pretty.

0:18:58.400 --> 0:19:00.320
<v Speaker 1>Introduce yourselves and say it it's funny.

0:19:00.119 --> 0:19:01.119
<v Speaker 2>Say what's funny?

0:19:01.160 --> 0:19:03.159
<v Speaker 1>I wanted to view introduce your band is funny? To

0:19:03.200 --> 0:19:05.280
<v Speaker 1>say it's funny, and what's the band is funny? And

0:19:05.480 --> 0:19:08.360
<v Speaker 1>differ got it Okay, got it, and sorry.

0:19:08.200 --> 0:19:10.080
<v Speaker 3>As our real names or is our podcast band names,

0:19:10.119 --> 0:19:11.919
<v Speaker 3>just to I don't want to make any wrong.

0:19:12.480 --> 0:19:16.720
<v Speaker 2>Aready emotional, I want to confuse people.

0:19:18.640 --> 0:19:19.080
<v Speaker 8>Want to get it.

0:19:19.320 --> 0:19:22.119
<v Speaker 2>Yeah, I just want to say there's a lot of

0:19:22.119 --> 0:19:23.040
<v Speaker 2>people talking it once.

0:19:25.640 --> 0:19:29.879
<v Speaker 1>Eric, of course for sucking an evil one a huge

0:19:29.880 --> 0:19:30.640
<v Speaker 1>movie coming.

0:19:30.400 --> 0:19:34.520
<v Speaker 3>Out, Sucking on the Devil's dick coming on his back.

0:19:34.680 --> 0:19:38.960
<v Speaker 1>Yeah, truly look out for this movie. It's fucking what happens.

0:19:39.000 --> 0:19:41.119
<v Speaker 1>He sucks the devil's dick and then he comes on

0:19:41.760 --> 0:19:44.800
<v Speaker 1>exactly exactly killer's soundtracks in this film.

0:19:45.040 --> 0:19:47.479
<v Speaker 6>Eric, you want to go ahead, but sure, I'm Ferrari

0:19:47.560 --> 0:19:51.760
<v Speaker 6>guitari ak Eric Jackowitz, Wolves of Glendale, And I think

0:19:52.400 --> 0:19:55.159
<v Speaker 6>our band is funny because we sort of write funny,

0:19:55.560 --> 0:19:59.199
<v Speaker 6>you know, catchy songs that skewer everyday life and it's

0:19:59.200 --> 0:20:00.840
<v Speaker 6>pretty relatable to people.

0:20:01.600 --> 0:20:05.000
<v Speaker 1>So okay, well, good idea of skewer all of every

0:20:05.080 --> 0:20:09.320
<v Speaker 1>day life. Really good. Leave that many people to listen

0:20:09.400 --> 0:20:12.479
<v Speaker 1>to the show. You're screwing up skewing all of every

0:20:12.560 --> 0:20:16.680
<v Speaker 1>day life. Your name is for our guitari. I sort

0:20:16.680 --> 0:20:21.120
<v Speaker 1>of felt like we just came up with that, right,

0:20:21.280 --> 0:20:25.199
<v Speaker 1>Like I, like I said, you were the guitar player.

0:20:25.760 --> 0:20:27.520
<v Speaker 1>And then you said you're the Ferrari of the band.

0:20:27.520 --> 0:20:29.200
<v Speaker 1>And then didn't he say for ori guitar.

0:20:29.800 --> 0:20:33.720
<v Speaker 2>Yeah, but he was introducing himself as his podcast band persona,

0:20:33.800 --> 0:20:34.399
<v Speaker 2>as I know.

0:20:34.480 --> 0:20:37.400
<v Speaker 1>But is that a pre existing name?

0:20:38.000 --> 0:20:41.200
<v Speaker 5>Yes and no, Well it was always his energy.

0:20:42.840 --> 0:20:45.520
<v Speaker 3>He's like the Ferrari of the band, and so loosely

0:20:45.600 --> 0:20:47.560
<v Speaker 3>we probably said for our guitar once or twice.

0:20:47.359 --> 0:20:50.879
<v Speaker 2>And that would be even though drums up until today.

0:20:51.000 --> 0:20:56.520
<v Speaker 1>Correct, But I introduced the whole thing about you playing

0:20:56.600 --> 0:21:00.920
<v Speaker 1>other instruments in the podcasts, like guitar. I can see

0:21:02.040 --> 0:21:05.119
<v Speaker 1>he said Ferrari guitar, and you're saying you've said that before.

0:21:05.560 --> 0:21:08.919
<v Speaker 5>It's like that Robin Williams. Everyone accuses him of stealing jokes.

0:21:09.400 --> 0:21:10.720
<v Speaker 5>It's like everyone I've.

0:21:10.560 --> 0:21:12.720
<v Speaker 2>Never known again, can we that.

0:21:15.880 --> 0:21:16.360
<v Speaker 1>Everyone?

0:21:16.560 --> 0:21:19.000
<v Speaker 2>I think we should be careful because I'm in the room.

0:21:19.119 --> 0:21:23.240
<v Speaker 2>I've never done that. You know, this is like rich

0:21:23.359 --> 0:21:25.880
<v Speaker 2>it's been like a while, but like, let's have leave

0:21:25.960 --> 0:21:27.320
<v Speaker 2>some room, you know what I mean?

0:21:28.000 --> 0:21:30.360
<v Speaker 5>Okay, not ever, I'm generalizing.

0:21:29.720 --> 0:21:31.520
<v Speaker 1>And we might still want to work with his PolyGram

0:21:31.640 --> 0:21:34.800
<v Speaker 1>or whatever. Generally, Yeah, I would to rob it on stage,

0:21:34.880 --> 0:21:36.800
<v Speaker 1>by the way, I love Robbing William. If you want

0:21:36.840 --> 0:21:37.960
<v Speaker 1>to write that down, General Is.

0:21:40.600 --> 0:21:43.600
<v Speaker 5>I was it, call me general Is reporting for duty.

0:21:43.840 --> 0:21:46.160
<v Speaker 1>Just get if you burp next time you get fully

0:21:46.240 --> 0:21:46.800
<v Speaker 1>under the table.

0:21:46.920 --> 0:21:48.959
<v Speaker 2>Yeah, yeah, I can do that and I will thank you.

0:21:49.040 --> 0:21:51.760
<v Speaker 1>I will or just like go to the bathroom or something. Yeah.

0:21:51.800 --> 0:21:53.760
<v Speaker 4>But yeah, we've been on tour and in vans and

0:21:53.760 --> 0:21:55.240
<v Speaker 4>stuff for a long time, so a lot of nicknames

0:21:55.240 --> 0:21:55.760
<v Speaker 4>will come out.

0:21:55.800 --> 0:21:57.119
<v Speaker 1>So guitar.

0:21:58.920 --> 0:22:01.199
<v Speaker 2>The first time, basically we've said it before is all

0:22:01.240 --> 0:22:01.600
<v Speaker 2>we're saying.

0:22:01.880 --> 0:22:04.399
<v Speaker 4>Trying to take something away from It's not like I

0:22:04.440 --> 0:22:06.560
<v Speaker 4>don't mean here, but I think we've said that at

0:22:06.640 --> 0:22:07.320
<v Speaker 4>least a few times.

0:22:07.320 --> 0:22:08.000
<v Speaker 5>I remember that.

0:22:08.480 --> 0:22:11.760
<v Speaker 1>Yeah, see that's wild. Yeah, Tom, you want to do your.

0:22:11.680 --> 0:22:12.440
<v Speaker 2>Pretty cooky shure.

0:22:12.480 --> 0:22:15.000
<v Speaker 3>My name is Tom McGovern, but you can call me

0:22:15.080 --> 0:22:17.520
<v Speaker 3>doctor drums in this arrangement podcast.

0:22:17.520 --> 0:22:18.920
<v Speaker 1>Well that's that's fine.

0:22:19.359 --> 0:22:22.520
<v Speaker 2>Probably the one, yeah, exactly, just needed a bridge's kind

0:22:22.560 --> 0:22:24.480
<v Speaker 2>of right there. Call him basic bit exactly.

0:22:24.720 --> 0:22:26.160
<v Speaker 3>And I saw it in your eyes when you said

0:22:26.200 --> 0:22:29.160
<v Speaker 3>guitar ferrari. You were foment at the mouth to say

0:22:29.200 --> 0:22:30.000
<v Speaker 3>basic bit. Yeah.

0:22:30.240 --> 0:22:32.800
<v Speaker 2>To be fair, it hit placehold are last at the

0:22:32.800 --> 0:22:34.800
<v Speaker 2>table over there? Honestly, if this one is really funny

0:22:34.800 --> 0:22:37.560
<v Speaker 2>that one maybe doesn't score and so exactly. Yeah, it

0:22:37.640 --> 0:22:38.280
<v Speaker 2>was actually, and.

0:22:38.200 --> 0:22:40.720
<v Speaker 3>I'm willing to kind of take the hit the joking land.

0:22:40.840 --> 0:22:43.919
<v Speaker 1>It was a dunk, it was a slim shack diesel,

0:22:44.200 --> 0:22:44.480
<v Speaker 1>it was.

0:22:44.400 --> 0:22:46.040
<v Speaker 5>A diesels smashing back.

0:22:46.040 --> 0:22:50.640
<v Speaker 3>It was shack diesel, shack jummies, shack dance with the Jabwakies.

0:22:50.920 --> 0:22:52.399
<v Speaker 1>Yeah, that was great.

0:22:52.440 --> 0:22:53.159
<v Speaker 3>I don't remember that.

0:22:53.160 --> 0:22:56.600
<v Speaker 1>Actually, I'll show you right you guys, that makes me

0:22:56.640 --> 0:22:59.160
<v Speaker 1>feel a lot better. Actually, because you sang before that

0:22:59.280 --> 0:23:01.120
<v Speaker 1>you didn't know any think about our show or heard

0:23:01.160 --> 0:23:03.080
<v Speaker 1>about it makes you think like, wow, does he only

0:23:03.119 --> 0:23:05.359
<v Speaker 1>like God? Really so up on culture?

0:23:05.640 --> 0:23:09.120
<v Speaker 2>Yeah, with the rest of you've never seen anything good?

0:23:09.280 --> 0:23:12.760
<v Speaker 3>No, I've never ever seen the movies you're talking about

0:23:12.800 --> 0:23:15.280
<v Speaker 3>before this, never seen any of those movies, right, Lucky

0:23:15.320 --> 0:23:16.720
<v Speaker 3>number seleven, number seleven.

0:23:16.800 --> 0:23:18.240
<v Speaker 2>Yeah, I've never seen the Devil.

0:23:18.320 --> 0:23:20.840
<v Speaker 1>You never saw the Inside Out we put back together.

0:23:20.920 --> 0:23:22.960
<v Speaker 2>That was a prequel. The cases him over like a

0:23:23.000 --> 0:23:24.119
<v Speaker 2>table and did him harder.

0:23:24.520 --> 0:23:26.760
<v Speaker 1>No, I never seen all that one. You never saw

0:23:26.800 --> 0:23:29.639
<v Speaker 1>he bent him over like a table. No, it didn't.

0:23:30.880 --> 0:23:32.720
<v Speaker 1>And Eric Moore Cinophile I've heard him mention it.

0:23:32.960 --> 0:23:34.440
<v Speaker 2>Yeah, dude, it's incredible.

0:23:35.000 --> 0:23:36.240
<v Speaker 5>Eleven Psychopaths.

0:23:36.680 --> 0:23:39.520
<v Speaker 4>No, it's good, it's a fun There was a whole genre,

0:23:39.560 --> 0:23:41.679
<v Speaker 4>There was a whole genre action movies that came out

0:23:41.760 --> 0:23:42.879
<v Speaker 4>in this next period.

0:23:42.920 --> 0:23:45.720
<v Speaker 2>There was there was an era of movies, and that's

0:23:45.760 --> 0:23:46.160
<v Speaker 2>my fault.

0:23:46.200 --> 0:23:48.879
<v Speaker 1>I introduced something from before and sort of yeah, just

0:23:48.920 --> 0:23:51.199
<v Speaker 1>implied that that was I don't know what to do

0:23:51.359 --> 0:23:53.399
<v Speaker 1>on this show. I felt like, explain mine.

0:23:54.000 --> 0:23:55.919
<v Speaker 2>I don't think at the time I can know, so

0:23:56.160 --> 0:23:58.760
<v Speaker 2>just to yeah and so, so that people understand prior

0:23:58.800 --> 0:24:02.639
<v Speaker 2>to the podcast being recorded, this will be helpful context

0:24:02.680 --> 0:24:04.159
<v Speaker 2>for them. They can go back down and enjoy the

0:24:04.200 --> 0:24:07.040
<v Speaker 2>previous three minutes after I do this. So, prior to

0:24:07.119 --> 0:24:09.880
<v Speaker 2>the podcast being recorded, we were having conversation where we

0:24:09.880 --> 0:24:15.400
<v Speaker 2>were talking about the DVD of Lucky Number seleven, which

0:24:15.440 --> 0:24:17.440
<v Speaker 2>I think Eric he enjoyed.

0:24:17.920 --> 0:24:18.520
<v Speaker 1>Good movie.

0:24:19.200 --> 0:24:21.520
<v Speaker 2>I enjoyed it, and I enjoyed it too, And then

0:24:21.520 --> 0:24:23.439
<v Speaker 2>he said there was an era of movies that was

0:24:23.480 --> 0:24:26.760
<v Speaker 2>like Lucky Number seleven and seven Psychopaths, which I was saying, well,

0:24:26.840 --> 0:24:29.000
<v Speaker 2>those movies are far enough apart. I don't think it

0:24:29.040 --> 0:24:31.680
<v Speaker 2>really qualifies as an era so much as they both

0:24:31.960 --> 0:24:36.160
<v Speaker 2>where it sounds like seven they were closer together.

0:24:36.200 --> 0:24:36.800
<v Speaker 1>Than I remembered.

0:24:36.800 --> 0:24:38.520
<v Speaker 2>But then he also brought up bad times at the

0:24:38.520 --> 0:24:41.400
<v Speaker 2>El Royal, which I think was like another six years later. Yeah,

0:24:41.640 --> 0:24:44.920
<v Speaker 2>more later, Yeah sure, but so then so.

0:24:44.840 --> 0:24:46.360
<v Speaker 5>It's less of an era, more of a subject.

0:24:46.480 --> 0:24:48.000
<v Speaker 2>But at the time, I don't think I knew your

0:24:48.080 --> 0:24:48.520
<v Speaker 2>name was.

0:24:48.640 --> 0:24:52.639
<v Speaker 3>Ericson before we started recording.

0:24:52.760 --> 0:24:52.960
<v Speaker 1>Yeah.

0:24:53.040 --> 0:24:56.880
<v Speaker 2>Yeah, And now having that context, I'm going, oh, maybe

0:24:56.920 --> 0:24:59.680
<v Speaker 2>he's just saying Ara to kind of get his kind

0:24:59.720 --> 0:25:00.600
<v Speaker 2>of sounds.

0:25:00.840 --> 0:25:02.560
<v Speaker 3>That's an interesting take on that.

0:25:02.560 --> 0:25:04.880
<v Speaker 1>It's very accurate. He is always trying to just get

0:25:05.080 --> 0:25:09.560
<v Speaker 1>anybody about him gets to Eric.

0:25:09.880 --> 0:25:12.000
<v Speaker 2>Yeah, and it's about as clothes as I can get

0:25:12.000 --> 0:25:14.119
<v Speaker 2>to make any sense of why you would say it

0:25:14.160 --> 0:25:14.600
<v Speaker 2>was an era.

0:25:14.840 --> 0:25:17.000
<v Speaker 6>Well, it's just you know, it's because it sounds like

0:25:17.000 --> 0:25:18.840
<v Speaker 6>his name. I mean, have you been to the Taylor

0:25:18.840 --> 0:25:19.920
<v Speaker 6>Swift Eric's tour.

0:25:21.880 --> 0:25:23.880
<v Speaker 1>But that you didn't even get it right, said Eric.

0:25:24.040 --> 0:25:26.560
<v Speaker 4>You said your name, but it's not even subliminal to

0:25:26.600 --> 0:25:28.080
<v Speaker 4>if you if you say the name.

0:25:28.200 --> 0:25:33.840
<v Speaker 2>The Taylors with Eric's, you said taylorst Eric's to was alone.

0:25:35.359 --> 0:25:37.159
<v Speaker 2>No one could have tricked me if it came first.

0:25:38.359 --> 0:25:40.440
<v Speaker 4>Maybe let's say something else and then try to slip

0:25:40.480 --> 0:25:43.840
<v Speaker 4>that in and we'll see you know. So like, oh,

0:25:43.920 --> 0:25:45.520
<v Speaker 4>you know, it was my dad's birth the other day.

0:25:45.520 --> 0:25:47.840
<v Speaker 4>I'm not sure what to get him, have any ideas?

0:25:48.520 --> 0:25:49.800
<v Speaker 5>And then I say what and then like.

0:25:49.800 --> 0:25:51.280
<v Speaker 1>Something about the Erics.

0:25:51.600 --> 0:25:54.840
<v Speaker 2>Eric's to Okay, it was my dad's birthday the other day,

0:25:54.840 --> 0:25:58.880
<v Speaker 2>and I congratulations, man, yeah.

0:25:58.680 --> 0:26:04.280
<v Speaker 6>It Target and I saw Taylor Swift. Uh there was

0:26:04.320 --> 0:26:08.919
<v Speaker 6>a nerksto our shirt, so pick that up for your

0:26:09.000 --> 0:26:11.760
<v Speaker 6>dad or my dad? And that was yeah, yeah, so.

0:26:11.720 --> 0:26:13.000
<v Speaker 5>I got him in Taylor work.

0:26:14.160 --> 0:26:19.560
<v Speaker 1>That was pretty Eric Junior his name Junior if he's

0:26:19.600 --> 0:26:21.040
<v Speaker 1>your dad's great question.

0:26:21.080 --> 0:26:23.800
<v Speaker 6>Well, it's more of a nickname. It's more of a

0:26:24.040 --> 0:26:26.720
<v Speaker 6>why is that his nickname? Because he I mean, he

0:26:26.760 --> 0:26:29.719
<v Speaker 6>always looks really old? He looked old, so they called

0:26:29.800 --> 0:26:32.960
<v Speaker 6>him Eric Junior like a funny thing.

0:26:33.080 --> 0:26:43.120
<v Speaker 2>Yeah, that's funny. That's funny, you know. Speaking of Taylor Swift, Yeah,

0:26:43.840 --> 0:26:47.440
<v Speaker 2>we got to write a hit song, dude, am I right?

0:26:47.640 --> 0:26:48.560
<v Speaker 1>Yeah we are.

0:26:48.720 --> 0:26:52.320
<v Speaker 2>We gotta get something on that ship. We've been putting

0:26:52.320 --> 0:26:52.960
<v Speaker 2>it off.

0:26:53.600 --> 0:26:56.240
<v Speaker 3>What we song about, what we write, because we're skewering

0:26:56.280 --> 0:26:56.920
<v Speaker 3>every day life.

0:26:57.000 --> 0:27:00.320
<v Speaker 2>Right, Well we don't have to be, we don't. That's

0:27:00.400 --> 0:27:01.400
<v Speaker 2>what you've been doing.

0:27:01.880 --> 0:27:04.680
<v Speaker 1>Something immediately sells out their entire concept. But we don't

0:27:04.680 --> 0:27:06.480
<v Speaker 1>have to do that. Well, it's just kind of you know,

0:27:06.520 --> 0:27:09.399
<v Speaker 1>it's not really working. They've built for years and years

0:27:09.440 --> 0:27:10.680
<v Speaker 1>well that it's.

0:27:10.480 --> 0:27:12.000
<v Speaker 4>Not really working for us. I feel like if we

0:27:12.040 --> 0:27:13.840
<v Speaker 4>start something new, maybe maybe.

0:27:14.400 --> 0:27:18.040
<v Speaker 3>A bump, and we do need a bump. Oh my goodness,

0:27:18.040 --> 0:27:18.760
<v Speaker 3>do we need a bump.

0:27:18.760 --> 0:27:20.200
<v Speaker 5>We got the Hollywood hand bump.

0:27:23.240 --> 0:27:24.240
<v Speaker 2>They did.

0:27:24.560 --> 0:27:28.359
<v Speaker 3>Did you see that physical case, physical button, physical tax on?

0:27:28.880 --> 0:27:31.000
<v Speaker 1>Ye, he ordered a double.

0:27:31.280 --> 0:27:34.240
<v Speaker 2>Yeah, we do something, guys.

0:27:34.640 --> 0:27:38.080
<v Speaker 1>I have actually had the touch and experience with them already,

0:27:38.359 --> 0:27:40.440
<v Speaker 1>and I think I've made myself pretty clear about where

0:27:40.480 --> 0:27:45.200
<v Speaker 1>I question of like do they touch me? Uh, happy

0:27:45.240 --> 0:27:46.159
<v Speaker 1>to explain it again.

0:27:46.400 --> 0:27:46.920
<v Speaker 2>I mean.

0:27:48.359 --> 0:27:52.000
<v Speaker 3>No, that's all good man, We don't even need to

0:27:52.000 --> 0:27:55.720
<v Speaker 3>talk about that. And even made accident right because you

0:27:55.720 --> 0:27:56.520
<v Speaker 3>were near him, and.

0:27:57.680 --> 0:27:59.199
<v Speaker 2>This one I think would have been that was an

0:27:59.240 --> 0:28:01.600
<v Speaker 2>intentional piece. He's hard to produce himself.

0:28:02.160 --> 0:28:08.640
<v Speaker 4>No, this is amaze right, Yeah, this is Ethan Edinburgh

0:28:08.680 --> 0:28:09.359
<v Speaker 4>talking here.

0:28:09.560 --> 0:28:09.919
<v Speaker 2>Uh.

0:28:09.960 --> 0:28:12.720
<v Speaker 4>You might know me as basic Bitch from Wolves of

0:28:12.760 --> 0:28:15.560
<v Speaker 4>Glendale and Wolves of Glendale podcast band, and I think that,

0:28:16.320 --> 0:28:18.520
<v Speaker 4>you know, I would say we're funny, you know, Uh,

0:28:18.960 --> 0:28:20.359
<v Speaker 4>I'm not gonna say all the time, and I'm not

0:28:20.359 --> 0:28:20.840
<v Speaker 4>gonna say it.

0:28:20.840 --> 0:28:23.720
<v Speaker 1>A good they were funny.

0:28:22.400 --> 0:28:27.680
<v Speaker 2>I never got it funny and how it's funny.

0:28:27.720 --> 0:28:31.080
<v Speaker 4>Yah, And I couldn't really get anything. I wouldn't say

0:28:31.080 --> 0:28:33.560
<v Speaker 4>I know how it's funny or why. But I think

0:28:33.600 --> 0:28:37.040
<v Speaker 4>we try for sure, you know, and sometimes something hits

0:28:37.119 --> 0:28:39.520
<v Speaker 4>random that someone says or someone falls over and it's

0:28:39.520 --> 0:28:40.400
<v Speaker 4>pretty fucking funny.

0:28:40.440 --> 0:28:40.880
<v Speaker 1>Yeah.

0:28:41.000 --> 0:28:43.560
<v Speaker 2>Yeah, Well, I'm clem Dog, I'm the lead singer of

0:28:43.600 --> 0:28:48.400
<v Speaker 2>the group. I'm on vocals. Sh it's really funny. The

0:28:48.480 --> 0:28:50.480
<v Speaker 2>lyrics are like funny, but in a way that's also

0:28:50.560 --> 0:28:52.400
<v Speaker 2>sort of like moving, touching. And the way that I

0:28:52.440 --> 0:28:55.440
<v Speaker 2>sing it too, is like very emotional and like actually

0:28:55.600 --> 0:29:01.200
<v Speaker 2>like kind of hits uh like into the sort of

0:29:01.240 --> 0:29:04.160
<v Speaker 2>center of your being. And so I'm the lead singer

0:29:04.160 --> 0:29:04.560
<v Speaker 2>of the group.

0:29:04.600 --> 0:29:08.200
<v Speaker 1>I'm sort of like the star, and I'm the hayes Man.

0:29:08.240 --> 0:29:09.680
<v Speaker 1>I'm the other lead singer of the group.

0:29:10.080 --> 0:29:11.520
<v Speaker 2>Yeah, we sing together, we sing.

0:29:11.960 --> 0:29:15.880
<v Speaker 1>We sing all the songs together, co lead singers. Yeah,

0:29:15.920 --> 0:29:16.840
<v Speaker 1>we're each the leads.

0:29:17.080 --> 0:29:19.160
<v Speaker 2>We're both you're sharing.

0:29:18.880 --> 0:29:21.040
<v Speaker 5>It at the same time, or like you sing equal

0:29:21.080 --> 0:29:22.200
<v Speaker 5>amounts the same time.

0:29:22.280 --> 0:29:24.920
<v Speaker 2>We don't harmonize a different songs at the same time. Yeah,

0:29:25.600 --> 0:29:26.760
<v Speaker 2>you guys have the same register.

0:29:26.960 --> 0:29:29.880
<v Speaker 3>Yeah, but you're not singing the same lyrics. You're seeing

0:29:29.880 --> 0:29:31.600
<v Speaker 3>different lyrics, different melodies at the same time.

0:29:31.680 --> 0:29:31.840
<v Speaker 1>Yeah.

0:29:31.880 --> 0:29:34.360
<v Speaker 2>We don't like to be penned into just like, oh,

0:29:34.360 --> 0:29:36.760
<v Speaker 2>I can only do his lyrics or whatever I'm forcing

0:29:36.840 --> 0:29:38.680
<v Speaker 2>him to do. You gotta do my lyrics, you know

0:29:38.720 --> 0:29:41.320
<v Speaker 2>what I mean. Like it's a democracy in that way,

0:29:41.520 --> 0:29:44.680
<v Speaker 2>and we just kind of go our own way. We've

0:29:45.040 --> 0:29:46.520
<v Speaker 2>landed on the same lyrics before, and.

0:29:46.840 --> 0:29:49.760
<v Speaker 1>We will accidentally say the same time.

0:29:50.440 --> 0:29:52.040
<v Speaker 2>It's got to be exciting one.

0:29:51.880 --> 0:29:55.400
<v Speaker 1>Two, three free. That's awesome as ship.

0:29:56.040 --> 0:29:59.280
<v Speaker 2>See that wasn't at the time. Yeah, it was close.

0:29:59.320 --> 0:30:00.719
<v Speaker 2>You both have like an f thing and you can

0:30:00.800 --> 0:30:01.800
<v Speaker 2>tell they were going to get it.

0:30:02.400 --> 0:30:04.760
<v Speaker 1>You said like you almost said it wasn't quite at

0:30:04.760 --> 0:30:07.440
<v Speaker 1>the same time. Was the one it was a lag

0:30:08.600 --> 0:30:10.640
<v Speaker 1>which I thought you were different words and it wasn't

0:30:10.720 --> 0:30:11.320
<v Speaker 1>quite a Ya.

0:30:11.920 --> 0:30:14.040
<v Speaker 2>It doesn't happen every time, but it was pretty We're

0:30:14.080 --> 0:30:18.400
<v Speaker 2>not warmed. We'll do it again, guys.

0:30:18.520 --> 0:30:24.360
<v Speaker 4>Closer close, I mean I was almost exact close over

0:30:24.440 --> 0:30:24.840
<v Speaker 4>a second.

0:30:24.880 --> 0:30:25.680
<v Speaker 1>It was. That was great.

0:30:28.640 --> 0:30:29.240
<v Speaker 2>They don't have them.

0:30:29.880 --> 0:30:32.320
<v Speaker 5>I'm sensing a real lenon and McCartney.

0:30:32.560 --> 0:30:38.000
<v Speaker 2>Yes, yeah, inspired and yeah beautiful.

0:30:37.560 --> 0:30:40.160
<v Speaker 5>And set better because they don't even like singers.

0:30:39.880 --> 0:30:42.160
<v Speaker 1>At You know, it's not going to end. One of

0:30:42.240 --> 0:30:45.040
<v Speaker 1>us is not going to like arrange the other's murder,

0:30:45.560 --> 0:30:49.440
<v Speaker 1>you know, like it's not gonna like come on, is

0:30:49.480 --> 0:30:51.000
<v Speaker 1>that a real to get to that point?

0:30:51.040 --> 0:30:52.600
<v Speaker 2>Is that a real conspiracy theory?

0:30:53.440 --> 0:30:58.360
<v Speaker 1>No, it's a fact. Yeah, here we go do that.

0:31:00.080 --> 0:31:02.800
<v Speaker 4>You got to forgive Tommy hasn't consumed most media or

0:31:02.800 --> 0:31:03.640
<v Speaker 4>culture I didn't have.

0:31:03.760 --> 0:31:06.360
<v Speaker 5>You're saying crazy, he hasn't even seen looking number eleven.

0:31:06.480 --> 0:31:08.680
<v Speaker 2>I'm saying you guys grew up on TV. I didn't read,

0:31:08.800 --> 0:31:09.920
<v Speaker 2>barely had.

0:31:09.800 --> 0:31:13.880
<v Speaker 1>A TV raised he raised by culture vultures.

0:31:13.960 --> 0:31:16.560
<v Speaker 3>Sure, yeah, I had the cross legged thing going on

0:31:16.640 --> 0:31:18.880
<v Speaker 3>for sure, But as first TV went like, we didn't

0:31:18.880 --> 0:31:21.000
<v Speaker 3>have cable, I couldn't have video game consoles.

0:31:21.120 --> 0:31:23.200
<v Speaker 4>Just so you're up to date, it seems like Paul

0:31:23.440 --> 0:31:27.080
<v Speaker 4>was a bit of an egotistical maniac psycho and he

0:31:27.160 --> 0:31:31.640
<v Speaker 4>got real jealous of John and his I mean genius.

0:31:31.720 --> 0:31:35.200
<v Speaker 4>I would say, and uh talked to this guy who

0:31:35.240 --> 0:31:39.160
<v Speaker 4>then walked up on him and shot him, who wrote Blackbird?

0:31:42.000 --> 0:31:42.200
<v Speaker 1>Yeah?

0:31:42.800 --> 0:31:43.680
<v Speaker 2>Was he was John?

0:31:44.600 --> 0:31:47.400
<v Speaker 1>Let it be? Or was that Paul was Paul.

0:31:47.440 --> 0:31:50.320
<v Speaker 4>As well, but you know he was still jealous of

0:31:50.360 --> 0:31:51.600
<v Speaker 4>other stuff that John did.

0:31:51.720 --> 0:31:54.800
<v Speaker 1>So, but you're putting it together like, yeah, blackbirds singing

0:31:54.800 --> 0:32:00.680
<v Speaker 1>in the dead of night, you sing you're dead ringdo

0:32:00.760 --> 0:32:01.240
<v Speaker 1>didn't sing?

0:32:01.560 --> 0:32:05.360
<v Speaker 2>But didn't What was the other song you wanted to know?

0:32:05.400 --> 0:32:06.480
<v Speaker 1>If you wrote let it be?

0:32:06.680 --> 0:32:09.680
<v Speaker 2>We're is like, don't look into this any deeper. Well,

0:32:09.800 --> 0:32:12.320
<v Speaker 2>just believe the story of the newspaper reported, right.

0:32:12.320 --> 0:32:14.360
<v Speaker 5>It's like, I don't ask no questions.

0:32:14.880 --> 0:32:17.800
<v Speaker 2>Let it be be. There's some words wisdom for you.

0:32:18.280 --> 0:32:22.280
<v Speaker 2>Let it be. Let it be. Don't yourself trouble.

0:32:23.000 --> 0:32:23.440
<v Speaker 1>Mm hmm.

0:32:23.960 --> 0:32:25.120
<v Speaker 5>Call the Mary.

0:32:26.360 --> 0:32:27.600
<v Speaker 2>Comes to me, comes to me.

0:32:27.800 --> 0:32:31.120
<v Speaker 8>Let it be when you Yeah, when you and you

0:32:31.160 --> 0:32:39.160
<v Speaker 8>know what mother Mary is right, we.

0:32:39.080 --> 0:32:41.240
<v Speaker 2>Know all about that. Yeah we smoke.

0:32:41.320 --> 0:32:42.280
<v Speaker 5>We don't do that.

0:32:42.360 --> 0:32:47.640
<v Speaker 2>Here, but we but we do, Yeah, we do. It's

0:32:47.680 --> 0:32:48.280
<v Speaker 2>not allt here.

0:32:48.160 --> 0:32:50.400
<v Speaker 1>At the studio. I just want to think, did maybe

0:32:50.440 --> 0:32:51.640
<v Speaker 1>pick up that burp a little bit?

0:32:51.720 --> 0:32:53.040
<v Speaker 2>I went under the table, did I I.

0:32:53.080 --> 0:32:58.000
<v Speaker 1>Didn't quite get when I was actually, but actually think

0:32:58.080 --> 0:33:00.440
<v Speaker 1>you should just your sort of parallel to the next

0:33:00.440 --> 0:33:02.320
<v Speaker 1>someone at your house. Next time you need to do

0:33:02.800 --> 0:33:04.640
<v Speaker 1>you need to go to your I live in Culver City,

0:33:04.640 --> 0:33:06.040
<v Speaker 1>which is roughly forty five minutes away.

0:33:06.040 --> 0:33:07.240
<v Speaker 2>It would take me and I don't have to get back.

0:33:07.280 --> 0:33:11.000
<v Speaker 1>Did I misspeak trying not to docs us as well?

0:33:11.240 --> 0:33:14.560
<v Speaker 2>Yeah? Sure, now they knows.

0:33:15.080 --> 0:33:18.600
<v Speaker 1>You could argue that four hours the direction perimeter, please

0:33:18.640 --> 0:33:22.600
<v Speaker 1>do not. That's literally the fans need is a perimeter.

0:33:23.320 --> 0:33:25.320
<v Speaker 2>A lot of our worst fans live in Culver City,

0:33:25.360 --> 0:33:27.360
<v Speaker 2>and if they start just driving forty five minutes in

0:33:27.360 --> 0:33:29.520
<v Speaker 2>every direction, eventually they will find together.

0:33:29.600 --> 0:33:29.760
<v Speaker 1>Yeah.

0:33:30.200 --> 0:33:31.480
<v Speaker 2>Yeah, I'm sorry about that.

0:33:31.680 --> 0:33:36.960
<v Speaker 6>It's fine Anti Hollywood had but meeting in Culver City

0:33:37.040 --> 0:33:40.600
<v Speaker 6>right like a Arcana Books and the Helms Bakery.

0:33:41.080 --> 0:33:43.000
<v Speaker 2>I've heard about this, and I just want to say,

0:33:43.000 --> 0:33:46.200
<v Speaker 2>why would you know that? Why would you know I've

0:33:46.240 --> 0:33:46.880
<v Speaker 2>been invited?

0:33:48.640 --> 0:33:51.000
<v Speaker 1>Because these guys are usually paying a lot of attention

0:33:51.080 --> 0:33:55.560
<v Speaker 1>and laughing a lot. That's a normal thing they are.

0:33:55.960 --> 0:33:59.200
<v Speaker 1>And they're usually in another room, and I can usually

0:33:59.200 --> 0:34:01.680
<v Speaker 1>hear them actually like beating their room.

0:34:01.760 --> 0:34:05.400
<v Speaker 2>You can hear them. Damn, they're laughing hard. Yes, And

0:34:05.440 --> 0:34:08.200
<v Speaker 2>now that I'm seeing them physically in here and I'm

0:34:08.200 --> 0:34:10.759
<v Speaker 2>feeling the energy of this episode coming off of them,

0:34:11.040 --> 0:34:15.759
<v Speaker 2>I'm going, we are uh doing some kind of disservice,

0:34:15.880 --> 0:34:20.200
<v Speaker 2>and I know that it's not me, and I know

0:34:20.600 --> 0:34:23.799
<v Speaker 2>that it's not his because he does the show every

0:34:23.800 --> 0:34:25.200
<v Speaker 2>week that they love his ship.

0:34:25.320 --> 0:34:27.680
<v Speaker 1>Yes, I've been here and he does it like every

0:34:27.760 --> 0:34:29.239
<v Speaker 1>third week, so I'm here.

0:34:30.640 --> 0:34:32.560
<v Speaker 4>I'm here once or twice a month and it's still

0:34:32.640 --> 0:34:35.319
<v Speaker 4>its s Well. Is it maybe a technical thing like

0:34:35.400 --> 0:34:41.080
<v Speaker 4>the mics or the mics on. Maybe they're typing, Oh okay.

0:34:41.080 --> 0:34:43.440
<v Speaker 1>I thought maybe it was like how to turn a

0:34:43.480 --> 0:34:45.120
<v Speaker 1>mic on, trying to problem solve.

0:34:44.920 --> 0:34:47.080
<v Speaker 6>And maybe they're sort of texting each other on the

0:34:47.080 --> 0:34:48.880
<v Speaker 6>computer saying, oh my god, this is so funny.

0:34:50.160 --> 0:34:54.160
<v Speaker 2>Wow, that had to be off Mike at that point.

0:34:54.200 --> 0:34:56.920
<v Speaker 1>I mean, I was like that, So I I just

0:34:56.960 --> 0:35:01.080
<v Speaker 1>want to.

0:34:59.160 --> 0:35:02.280
<v Speaker 2>Help figure this out out because I know three burps

0:35:02.320 --> 0:35:02.799
<v Speaker 2>and like, I.

0:35:02.800 --> 0:35:04.560
<v Speaker 1>Know what you're gonna say. It was louder and it

0:35:04.600 --> 0:35:05.280
<v Speaker 1>was the same.

0:35:05.440 --> 0:35:07.160
<v Speaker 5>He doesn't.

0:35:08.160 --> 0:35:16.520
<v Speaker 7>Doubt it's because I drank it, Detective alert.

0:35:17.320 --> 0:35:18.680
<v Speaker 2>But how could you tell it was empty? If it

0:35:18.719 --> 0:35:19.000
<v Speaker 2>was thing?

0:35:19.440 --> 0:35:20.760
<v Speaker 1>Don't call me detective alert.

0:35:20.880 --> 0:35:22.640
<v Speaker 2>I saw you love it. I saw the way you

0:35:22.680 --> 0:35:27.239
<v Speaker 2>moved it. Very astute, wow, various, all the kind of

0:35:27.239 --> 0:35:33.200
<v Speaker 2>ship on another level, well, no as a as a

0:35:33.200 --> 0:35:39.320
<v Speaker 2>comedical commentator, you know on society, someone who secures everyday

0:35:39.360 --> 0:35:45.400
<v Speaker 2>life to borrow a phrase you do, you do have

0:35:45.440 --> 0:35:48.160
<v Speaker 2>to observe, you know, you have to absorb these things.

0:35:48.200 --> 0:35:50.319
<v Speaker 2>What's different about this can from that one? Yeah?

0:35:51.520 --> 0:35:55.840
<v Speaker 1>Color, it's a different color, right, okay? Right? Are we

0:35:55.960 --> 0:36:00.360
<v Speaker 1>hoping to get out of both? That's a great should

0:36:00.520 --> 0:36:06.319
<v Speaker 1>Is there something like from from being here? Is there

0:36:06.719 --> 0:36:07.840
<v Speaker 1>something happening?

0:36:08.960 --> 0:36:11.640
<v Speaker 3>I didn't come in with any desire to leave with

0:36:11.719 --> 0:36:13.200
<v Speaker 3>anything happening.

0:36:12.840 --> 0:36:15.000
<v Speaker 2>For you guys? Is there an album or a.

0:36:15.400 --> 0:36:17.279
<v Speaker 5>You know, you just wanted to come and hang out,

0:36:17.760 --> 0:36:19.160
<v Speaker 5>you know, and just say what's up?

0:36:19.200 --> 0:36:21.600
<v Speaker 3>And a couple of things going up?

0:36:23.800 --> 0:36:25.120
<v Speaker 5>Was up with it?

0:36:25.160 --> 0:36:27.280
<v Speaker 6>But also, like you know, we are dropping an album

0:36:28.040 --> 0:36:29.520
<v Speaker 6>August twenty eighth.

0:36:29.480 --> 0:36:33.120
<v Speaker 1>Yeah it is. The album is sick with it for sure,

0:36:33.440 --> 0:36:36.359
<v Speaker 1>But like, that's not when we came here. Can we

0:36:36.440 --> 0:36:39.400
<v Speaker 1>phrase this differently? I hear people say this. I know

0:36:39.440 --> 0:36:42.040
<v Speaker 1>you're just copying everyone else when you say you're dropping

0:36:42.080 --> 0:36:46.880
<v Speaker 1>an album. We drop things, we don't care about drop

0:36:47.000 --> 0:36:47.680
<v Speaker 1>things because.

0:36:47.440 --> 0:36:49.759
<v Speaker 2>When we're done with careless, when we're done with them,

0:36:49.840 --> 0:36:52.520
<v Speaker 2>or when we don't care if they break or not. Yes,

0:36:52.600 --> 0:36:56.160
<v Speaker 2>I see what you mean. So yeah, that's fair. You

0:36:56.200 --> 0:36:56.880
<v Speaker 2>have a better.

0:36:56.640 --> 0:36:57.080
<v Speaker 1>Word for this.

0:36:57.160 --> 0:37:00.239
<v Speaker 5>To we say release an album, is that then.

0:37:00.280 --> 0:37:02.800
<v Speaker 1>We release.

0:37:03.239 --> 0:37:05.080
<v Speaker 5>I forget. I want to forget that what.

0:37:05.000 --> 0:37:06.920
<v Speaker 2>You're moving on from something that you release.

0:37:07.640 --> 0:37:11.640
<v Speaker 5>We're presenting presenting pretty good lot.

0:37:11.880 --> 0:37:14.560
<v Speaker 3>You could present something pretty bad though. You could present

0:37:14.680 --> 0:37:15.960
<v Speaker 3>bad news to somebody.

0:37:16.320 --> 0:37:18.520
<v Speaker 2>It's rare that. Yeah, I would say, like I'm going

0:37:18.600 --> 0:37:20.760
<v Speaker 2>to present you with Yeah.

0:37:21.000 --> 0:37:23.480
<v Speaker 3>How about I'm gonna I'm gonna I'm gonna.

0:37:23.200 --> 0:37:26.200
<v Speaker 1>Give But who was that? What I know it wasn't

0:37:26.239 --> 0:37:26.759
<v Speaker 1>Scooby Do.

0:37:27.800 --> 0:37:30.919
<v Speaker 2>Clearly someone that if we could do makes me feel safe.

0:37:30.960 --> 0:37:36.240
<v Speaker 1>If we could stick to a more Scooby coded area,

0:37:36.719 --> 0:37:39.080
<v Speaker 1>I think you do. I present you with cancer.

0:37:39.520 --> 0:37:40.480
<v Speaker 2>That's the way Scooby with.

0:37:42.400 --> 0:37:48.120
<v Speaker 1>No, that's not because I's ruining Scooby Doo and this moment.

0:37:47.920 --> 0:37:49.080
<v Speaker 2>I kind of thought that was good.

0:37:49.200 --> 0:37:51.640
<v Speaker 6>I wish that they made doctor Scooby Doo. He was

0:37:51.680 --> 0:37:53.880
<v Speaker 6>sort of a missed opportunity back in the day, like

0:37:53.920 --> 0:37:54.439
<v Speaker 6>doctor mar.

0:37:54.440 --> 0:37:57.000
<v Speaker 3>Doctor Mario Mario, doctor Donkey Kong.

0:37:57.400 --> 0:38:01.560
<v Speaker 1>Right, Yeah, his with Scooby he would do was actually

0:38:01.600 --> 0:38:06.520
<v Speaker 1>really progressive, which was his philosophy was every word is

0:38:06.560 --> 0:38:14.320
<v Speaker 1>the art word, right, so instead of word that's stigmatized,

0:38:14.320 --> 0:38:18.520
<v Speaker 1>that's the art work everywhere, every word in the.

0:38:18.520 --> 0:38:21.520
<v Speaker 2>Alphabet, they're all equally. You can't get in trouble.

0:38:21.760 --> 0:38:26.279
<v Speaker 7>He's not doing anything that one's he would use that word,

0:38:26.280 --> 0:38:28.040
<v Speaker 7>but he would use every word and they would all

0:38:28.080 --> 0:38:28.680
<v Speaker 7>be with R.

0:38:29.239 --> 0:38:32.080
<v Speaker 1>Did he use that one? Yeah, Yeah, there's a couple

0:38:32.080 --> 0:38:34.120
<v Speaker 1>of there are. Ye he's gonna I mean.

0:38:34.400 --> 0:38:38.000
<v Speaker 2>Yeah, you've seen him say it.

0:38:38.360 --> 0:38:39.080
<v Speaker 1>Unveiling.

0:38:40.040 --> 0:38:44.359
<v Speaker 2>Unveiling is pretty good. Unveiling unmasking dramatic kind.

0:38:44.239 --> 0:38:45.919
<v Speaker 1>Of implies, Like unveiling is.

0:38:45.880 --> 0:38:51.439
<v Speaker 3>Like, unveiling is good my favorite so far now to.

0:38:51.360 --> 0:38:52.960
<v Speaker 2>See my b someone you love.

0:38:53.480 --> 0:38:58.000
<v Speaker 4>So maybe we'll get a clean we're unveiling a new album.

0:38:58.080 --> 0:39:04.000
<v Speaker 2>Maybe unveiling but you're not. Maybe doesn't lie. I don't know.

0:39:04.200 --> 0:39:06.160
<v Speaker 2>I just didn't ever get to pitch one, so like

0:39:06.280 --> 0:39:08.040
<v Speaker 2>I just don't know if I want to be done with.

0:39:07.960 --> 0:39:08.480
<v Speaker 1>The whole.

0:39:10.440 --> 0:39:15.560
<v Speaker 2>Let's hear your pitch man. Yeah, like literally the show

0:39:16.920 --> 0:39:18.600
<v Speaker 2>singer on cage.

0:39:18.920 --> 0:39:20.319
<v Speaker 1>Is that a word? Yeah?

0:39:21.280 --> 0:39:23.120
<v Speaker 2>Ruining an album that's not better?

0:39:23.239 --> 0:39:27.680
<v Speaker 6>Is it that that's not the opposite.

0:39:26.960 --> 0:39:29.080
<v Speaker 2>The other way? Yeah, I don't think that should be it.

0:39:29.840 --> 0:39:34.120
<v Speaker 2>Maybe unveiling is actually the better landing place for it. Yeah,

0:39:34.360 --> 0:39:36.160
<v Speaker 2>But ruining spot lighting or.

0:39:36.560 --> 0:39:39.960
<v Speaker 1>Caging is a little bit of lifting the elephant, which, like,

0:39:40.040 --> 0:39:41.600
<v Speaker 1>I don't think we want to.

0:39:43.120 --> 0:39:49.720
<v Speaker 3>They're touring a lot, respect respect where we're.

0:39:50.000 --> 0:39:52.640
<v Speaker 1>Is that one of their songs? Yeah, okay, what.

0:39:52.719 --> 0:39:57.520
<v Speaker 5>Song is that? Bond walking in the bagging.

0:39:59.560 --> 0:40:02.120
<v Speaker 1>Fos. This is better than what you guys were saying,

0:40:02.200 --> 0:40:03.360
<v Speaker 1>was your yes.

0:40:05.520 --> 0:40:12.879
<v Speaker 2>I can sing? Than when I was going to see Oasis,

0:40:13.360 --> 0:40:17.200
<v Speaker 2>you know. They somebody, uh was at a dinner next

0:40:17.239 --> 0:40:18.839
<v Speaker 2>to me and I said, oh, I'm going to see

0:40:18.840 --> 0:40:21.840
<v Speaker 2>Oasis tonight and they said, I saw Cage the Elephant

0:40:21.880 --> 0:40:24.560
<v Speaker 2>last night by themselves, and my advice is go in there,

0:40:24.680 --> 0:40:27.200
<v Speaker 2>watch Cage the Elephant and just go home because they're

0:40:27.200 --> 0:40:32.160
<v Speaker 2>going to blow awaysies off the state. And I said, well,

0:40:32.280 --> 0:40:33.480
<v Speaker 2>probably not right.

0:40:33.360 --> 0:40:38.520
<v Speaker 9>Like I'm there, I'm happy to hear that they're gonna

0:40:38.520 --> 0:40:40.880
<v Speaker 9>put on a good show that it would still stay

0:40:41.320 --> 0:40:44.759
<v Speaker 9>like no matter how good they were, at least the

0:40:44.800 --> 0:40:46.960
<v Speaker 9>next band, especially if it's Oasis.

0:40:47.239 --> 0:40:51.759
<v Speaker 1>Yeah, they don't tour that often. It's yeah, was like

0:40:52.040 --> 0:40:55.160
<v Speaker 1>I wanted to go. I was there. Honestly, I saw

0:40:55.239 --> 0:41:01.200
<v Speaker 1>Cage the Elephant and I found myself getting up going stretch.

0:41:01.440 --> 0:41:04.840
<v Speaker 1>Well that's it for me. In the middle of the

0:41:04.920 --> 0:41:07.920
<v Speaker 1>set in the middle. No, when they were done, when

0:41:07.920 --> 0:41:09.879
<v Speaker 1>they're done, when they were done, there's actually a lot

0:41:09.920 --> 0:41:14.160
<v Speaker 1>of time between their so like when they were done,

0:41:14.440 --> 0:41:17.280
<v Speaker 1>got it, I just found myself getting up and taking

0:41:17.320 --> 0:41:18.600
<v Speaker 1>my ass a big swell.

0:41:18.760 --> 0:41:22.479
<v Speaker 4>Yeah, because you couldn't imagine the show getting any better

0:41:22.520 --> 0:41:23.680
<v Speaker 4>because you were like, well.

0:41:23.440 --> 0:41:25.880
<v Speaker 1>That's like, that's as good as it's going to get.

0:41:26.000 --> 0:41:28.960
<v Speaker 2>I mean, they're the cage. But even if slightly worse,

0:41:29.000 --> 0:41:30.520
<v Speaker 2>it would still be It would be like I just

0:41:30.520 --> 0:41:32.520
<v Speaker 2>saw a great show and the other band was good too.

0:41:32.600 --> 0:41:34.279
<v Speaker 2>I feel like that would be worth staying. It was

0:41:34.360 --> 0:41:37.279
<v Speaker 2>kind of my position. It's like, I don't know, six

0:41:37.360 --> 0:41:40.799
<v Speaker 2>year old woman in Pasadena like and I and I

0:41:40.920 --> 0:41:43.440
<v Speaker 2>just you know, I wasn't gonna win the argument. So

0:41:43.480 --> 0:41:45.400
<v Speaker 2>I did promise to do that, and I half broken

0:41:45.400 --> 0:41:47.520
<v Speaker 2>a promise to her. And I do believe that a

0:41:47.560 --> 0:41:49.080
<v Speaker 2>curse was placed on me from that day.

0:41:49.160 --> 0:41:50.080
<v Speaker 5>You were going to pay for that.

0:41:51.080 --> 0:41:53.520
<v Speaker 2>It's going to sting for a long time, maybe having

0:41:53.560 --> 0:41:54.480
<v Speaker 2>to do this episode.

0:41:54.480 --> 0:41:55.000
<v Speaker 1>I don't know.

0:41:55.120 --> 0:41:58.000
<v Speaker 2>I don't know what will happen. I don't know, Like

0:41:58.080 --> 0:41:58.680
<v Speaker 2>I don't know.

0:42:01.120 --> 0:42:04.719
<v Speaker 1>So far. I mean, you know, I don't know.

0:42:05.480 --> 0:42:08.319
<v Speaker 2>Just from like Casey's reaction so far to this one, Like,

0:42:08.400 --> 0:42:11.640
<v Speaker 2>I have to feel like Casey's in pretty quiet, dude,

0:42:11.880 --> 0:42:14.040
<v Speaker 2>I know, and you say that, and he may be

0:42:14.040 --> 0:42:16.200
<v Speaker 2>writing a movie in his head. Like when he goes quiet,

0:42:16.239 --> 0:42:19.879
<v Speaker 2>somebody he's coming up with some of his best artist's question.

0:42:19.960 --> 0:42:24.760
<v Speaker 1>Yea laughing is it because the devil dropped his drawers?

0:42:25.080 --> 0:42:26.400
<v Speaker 2>It's funny scene at the devil.

0:42:26.840 --> 0:42:28.239
<v Speaker 6>So it's sort of like a honey, I shrunk the

0:42:28.320 --> 0:42:30.160
<v Speaker 6>kids sort of thing. Honey, I blew up the baby

0:42:30.320 --> 0:42:31.920
<v Speaker 6>like that, suck the devil's.

0:42:31.640 --> 0:42:34.920
<v Speaker 1>Honey, I suck the Devil's dropping our album face and

0:42:34.960 --> 0:42:36.600
<v Speaker 1>de finished on my car hood or whatever.

0:42:37.160 --> 0:42:41.120
<v Speaker 2>It's like like just like really like intense stuff that's.

0:42:41.160 --> 0:42:46.719
<v Speaker 3>Hot today, elevated horror, that's twisted, hot outside, hot noon.

0:42:47.200 --> 0:42:48.680
<v Speaker 2>What do you guys really talk about on the show,

0:42:49.760 --> 0:42:53.920
<v Speaker 2>So we haven't really decided. Yeah, it's food, fast food

0:42:53.960 --> 0:42:55.720
<v Speaker 2>restaurants that we enjoy.

0:42:56.600 --> 0:43:00.640
<v Speaker 1>So the talk about part was probably talking about again

0:43:01.120 --> 0:43:02.280
<v Speaker 1>because a good area.

0:43:02.520 --> 0:43:04.799
<v Speaker 2>It was a good area. It was not executed in

0:43:04.800 --> 0:43:06.200
<v Speaker 2>a way that I think we'll even be able to

0:43:06.280 --> 0:43:06.719
<v Speaker 2>use it.

0:43:06.800 --> 0:43:09.480
<v Speaker 1>Interesting God, yeah, I mean to.

0:43:09.480 --> 0:43:10.760
<v Speaker 5>Get something clean about food.

0:43:11.120 --> 0:43:16.160
<v Speaker 3>Yeah, you guys, I love chicken parm if we could

0:43:16.880 --> 0:43:19.759
<v Speaker 3>that was not clean because I was speaking, sorry, get

0:43:19.800 --> 0:43:22.400
<v Speaker 3>it clean. Yeah, let's get it clean.

0:43:22.560 --> 0:43:24.200
<v Speaker 2>Let's get something sort of interesting.

0:43:24.680 --> 0:43:25.200
<v Speaker 5>Eric do it?

0:43:25.520 --> 0:43:26.000
<v Speaker 2>That's okay?

0:43:26.200 --> 0:43:26.680
<v Speaker 1>Is that all right?

0:43:27.080 --> 0:43:27.960
<v Speaker 2>He's guitar Ferrari.

0:43:28.040 --> 0:43:30.640
<v Speaker 1>I think maybe we got yours wasn't necessarily clean, but

0:43:30.760 --> 0:43:32.440
<v Speaker 1>I'm going to let Eric get this moving on with

0:43:32.600 --> 0:43:35.880
<v Speaker 1>this suggestion, and then so I think Eric's going to

0:43:35.920 --> 0:43:42.080
<v Speaker 1>get Eric's clean take on food and one, two three, and.

0:43:43.440 --> 0:43:48.440
<v Speaker 5>I like chicken Farm so close.

0:43:48.200 --> 0:43:49.440
<v Speaker 2>To his literally got that?

0:43:49.480 --> 0:43:53.800
<v Speaker 3>Yeah, yeah, yeah, I think mine was similar to that.

0:43:54.160 --> 0:43:56.240
<v Speaker 1>Extremely was it? Was it clean?

0:43:56.320 --> 0:43:59.360
<v Speaker 2>But like I kind of want to use his just

0:43:59.400 --> 0:44:01.680
<v Speaker 2>because it least it's a stronger stand. Can we go

0:44:01.760 --> 0:44:04.520
<v Speaker 2>back to we have that mark kind of sincere? Can

0:44:04.520 --> 0:44:07.280
<v Speaker 2>we use Tom? Can we clean up any of Hayes's

0:44:07.280 --> 0:44:10.920
<v Speaker 2>audio on the Love Chicken Palm from Tom? Because you know,

0:44:11.040 --> 0:44:13.239
<v Speaker 2>if we if we separate the tracks, I feel like

0:44:13.239 --> 0:44:16.200
<v Speaker 2>it could be worth just like turning Hayes down. These

0:44:16.200 --> 0:44:17.839
<v Speaker 2>are bumping up the Love.

0:44:18.239 --> 0:44:20.080
<v Speaker 1>Maybe take at least a month to do that.

0:44:20.680 --> 0:44:23.120
<v Speaker 2>Yeah, there's no rush to get this out. When is

0:44:23.160 --> 0:44:24.760
<v Speaker 2>this come out? When is this dropping?

0:44:25.120 --> 0:44:26.120
<v Speaker 5>Hopefully before our album?

0:44:26.280 --> 0:44:34.879
<v Speaker 2>We're not dropping, sorry, dropping. Yeah, it's just a habit.

0:44:34.960 --> 0:44:37.359
<v Speaker 3>It's an habitual thing. I said dropping because we've said that,

0:44:37.640 --> 0:44:37.840
<v Speaker 3>you know.

0:44:38.800 --> 0:44:40.600
<v Speaker 2>Yeah, yeah, what was that