1 00:00:00,160 --> 00:00:04,160 Speaker 1: It is time for ask the CLO Chief Love Officer, 2 00:00:04,200 --> 00:00:07,400 Speaker 1: Steve Harvey in the building with your love questions. 3 00:00:07,440 --> 00:00:08,440 Speaker 2: For your love questions. 4 00:00:08,560 --> 00:00:12,800 Speaker 1: Ronda in Denver writes, my parents have been married for 5 00:00:12,840 --> 00:00:15,520 Speaker 1: twenty seven years and my father moved out of the 6 00:00:15,600 --> 00:00:18,960 Speaker 1: house before Christmas and my mom had a big argument 7 00:00:19,000 --> 00:00:21,800 Speaker 1: and he wants to call it quits. They've argued all 8 00:00:21,840 --> 00:00:24,160 Speaker 1: of my life, so I can't imagine why he wants 9 00:00:24,200 --> 00:00:27,560 Speaker 1: to leave now. My mother is expecting a miracle, but 10 00:00:27,680 --> 00:00:30,800 Speaker 1: he is dead set against going back. How do I 11 00:00:30,840 --> 00:00:34,000 Speaker 1: break it to her nicely that her marriage is over? 12 00:00:36,640 --> 00:00:39,680 Speaker 3: He done moved out? Well what do you? What do you? 13 00:00:39,800 --> 00:00:43,839 Speaker 3: Why are you breaking it to her nicely? Listen to 14 00:00:43,880 --> 00:00:44,520 Speaker 3: what you said? 15 00:00:44,920 --> 00:00:51,080 Speaker 4: Your mother is praying for a miracle, Well listen to me. 16 00:00:52,120 --> 00:00:53,880 Speaker 3: Once you start praying for. 17 00:00:54,040 --> 00:00:59,760 Speaker 4: A miracle, you already know that's the situation you in. 18 00:01:00,240 --> 00:01:06,080 Speaker 4: Disimalten you it wants you looking for a miracle. So 19 00:01:06,200 --> 00:01:09,120 Speaker 4: your mama, No, you ain't gonna break this to her. 20 00:01:10,120 --> 00:01:12,200 Speaker 4: He tone moved out for Christmas. 21 00:01:12,600 --> 00:01:17,360 Speaker 3: He was skipped, missile told jingle bells, egg knocked fruitcake. 22 00:01:17,720 --> 00:01:21,360 Speaker 3: Damn that fruitcake. I don't want your package. I don't 23 00:01:21,360 --> 00:01:21,960 Speaker 3: want nothing. 24 00:01:22,040 --> 00:01:24,880 Speaker 4: Don't nobody like fruitcake, don't I don't. I don't know 25 00:01:24,920 --> 00:01:27,119 Speaker 4: nobody like frue cal? What is in green things that's 26 00:01:27,120 --> 00:01:27,360 Speaker 4: in it? 27 00:01:27,400 --> 00:01:31,480 Speaker 3: Ain't never? What is that green stuff to be in? 28 00:01:31,600 --> 00:01:34,959 Speaker 4: Who has it in him? This fruitcake in his can? 29 00:01:35,080 --> 00:01:37,280 Speaker 4: Put this back in his can? And Chris setting it 30 00:01:37,319 --> 00:01:39,560 Speaker 4: out on the table. I ain't never seen nobody cutting 31 00:01:39,640 --> 00:01:44,520 Speaker 4: fruitcake anyway. He didn't want none of that. Nothing so done. 32 00:01:44,760 --> 00:01:48,560 Speaker 4: He don't want your gift. He moved out foulk Christmas. 33 00:01:50,040 --> 00:01:52,360 Speaker 4: When a man moved out for Christmas, he moved into 34 00:01:52,400 --> 00:01:54,360 Speaker 4: a place. He ain't got no tree, he ain't got 35 00:01:54,360 --> 00:01:58,680 Speaker 4: no lights up. All he wanted to do was have peace. 36 00:02:00,080 --> 00:02:02,280 Speaker 4: You ain't got to break nothing to your mama. She 37 00:02:02,480 --> 00:02:09,119 Speaker 4: no here, your mama Jesus back before him. 38 00:02:10,560 --> 00:02:15,200 Speaker 2: Yeah, that's that. That's probably all right. 39 00:02:15,280 --> 00:02:17,240 Speaker 3: That's probably statement. 40 00:02:18,280 --> 00:02:21,760 Speaker 1: Moving on to Anonymous in Philly, Anonymous rites, I'm in 41 00:02:21,800 --> 00:02:24,000 Speaker 1: a long distance relationship with my girl. 42 00:02:24,680 --> 00:02:25,720 Speaker 2: Uh and my girl. 43 00:02:25,560 --> 00:02:29,799 Speaker 1: Visits me often besides because she flies free. She popped 44 00:02:29,880 --> 00:02:32,440 Speaker 1: up on me this past weekend and I wasn't home. 45 00:02:32,760 --> 00:02:34,960 Speaker 1: She didn't call me or say a word, but she 46 00:02:35,080 --> 00:02:36,880 Speaker 1: was sitting in my bed when I got home. 47 00:02:36,960 --> 00:02:40,320 Speaker 2: The next morning around seven a m. 48 00:02:40,720 --> 00:02:44,400 Speaker 1: I told her I passed out drunk at my friend's house, 49 00:02:45,040 --> 00:02:48,480 Speaker 1: but I had on short simphlip flops and it was 50 00:02:48,560 --> 00:02:52,480 Speaker 1: snowing here. She's not trying to hear my excuses. How 51 00:02:52,520 --> 00:02:54,000 Speaker 1: do I get out of this one? 52 00:02:55,200 --> 00:02:55,760 Speaker 2: Interesting? 53 00:02:56,040 --> 00:02:59,360 Speaker 4: Hey, dog, let me ask you a question. When you 54 00:02:59,440 --> 00:03:01,959 Speaker 4: came in a house is seven a m. With them 55 00:03:02,080 --> 00:03:06,480 Speaker 4: shots and them flip flops? 56 00:03:08,800 --> 00:03:11,320 Speaker 3: Where what's you coming from? 57 00:03:12,360 --> 00:03:15,920 Speaker 4: All I can say is now, when you said you 58 00:03:16,080 --> 00:03:20,200 Speaker 4: passed out at a friend's house, do you live in 59 00:03:20,240 --> 00:03:24,760 Speaker 4: an apartment? Get you downstairs? Upstairs? 60 00:03:25,120 --> 00:03:27,959 Speaker 3: Where was you at with these shots and these flip flops? Over? 61 00:03:30,160 --> 00:03:31,280 Speaker 3: Because that sounded like walking? 62 00:03:34,760 --> 00:03:36,240 Speaker 2: Need this one? 63 00:03:37,520 --> 00:03:39,000 Speaker 3: Well, hear what you do? 64 00:03:40,400 --> 00:03:41,040 Speaker 2: I want to hear it. 65 00:03:41,080 --> 00:03:43,480 Speaker 4: When you get in a situation like this, dog, listen 66 00:03:43,520 --> 00:03:45,840 Speaker 4: to me, the best defense is a good offense. 67 00:03:47,360 --> 00:03:47,600 Speaker 3: Yeah. 68 00:03:48,840 --> 00:03:53,800 Speaker 4: The bigger question has to be why is you in 69 00:03:53,840 --> 00:03:55,920 Speaker 4: here in my bed at seven am? 70 00:03:56,720 --> 00:04:00,960 Speaker 3: Yes, this thing and you got to make that the issue. 71 00:04:01,640 --> 00:04:04,920 Speaker 2: Yes, Like give us some example. He wrote to you. 72 00:04:05,040 --> 00:04:07,320 Speaker 4: Like right now, this is days later. So what you 73 00:04:07,400 --> 00:04:09,560 Speaker 4: got to do is this right here? And you know what, 74 00:04:09,600 --> 00:04:10,680 Speaker 4: I've been thinking about this. 75 00:04:12,240 --> 00:04:12,840 Speaker 3: And you know what. 76 00:04:14,640 --> 00:04:18,080 Speaker 4: For a person to constantly disrespect my wishes and just 77 00:04:18,160 --> 00:04:21,000 Speaker 4: pop in on me without telling me. I just that 78 00:04:21,360 --> 00:04:24,640 Speaker 4: ain't what I'm really looking for, because it just makes 79 00:04:24,680 --> 00:04:28,360 Speaker 4: me think that there's some trust is trust issues that 80 00:04:28,440 --> 00:04:31,680 Speaker 4: you're having and the fact that I can't come and 81 00:04:31,720 --> 00:04:34,919 Speaker 4: go freely without having to feel like I constantly be 82 00:04:35,000 --> 00:04:37,760 Speaker 4: in checked. That's really not the type of relationship I 83 00:04:37,760 --> 00:04:40,240 Speaker 4: would look at. So I want to just step back 84 00:04:40,279 --> 00:04:40,760 Speaker 4: from this. 85 00:04:40,760 --> 00:04:43,640 Speaker 3: For a little bit. Come on, bar let you decide 86 00:04:43,880 --> 00:04:44,279 Speaker 3: do it. 87 00:04:44,360 --> 00:04:46,640 Speaker 4: You know how you want to move forward in our 88 00:04:46,720 --> 00:04:50,960 Speaker 4: relationship in terms of trust, because I trust you. You 89 00:04:51,120 --> 00:04:54,200 Speaker 4: come into my place and I trust you. But this 90 00:04:54,320 --> 00:04:58,200 Speaker 4: type of thing right here just breeks of distrust for 91 00:04:58,360 --> 00:05:03,400 Speaker 4: me and I've done nothing, nothing to deserve this type 92 00:05:03,480 --> 00:05:04,480 Speaker 4: come off trump. 93 00:05:05,080 --> 00:05:07,200 Speaker 2: Yeah, didn't she write the right person? 94 00:05:07,360 --> 00:05:12,360 Speaker 3: You better see here? If she come on, clo make 95 00:05:12,440 --> 00:05:13,039 Speaker 3: me proud. 96 00:05:13,400 --> 00:05:20,400 Speaker 4: No, that's I'm sorry, Automatic, I'm so sorry. 97 00:05:18,880 --> 00:05:21,400 Speaker 3: That you got got to get this off. 98 00:05:22,120 --> 00:05:29,359 Speaker 1: That's why I came and how she get you a key. 99 00:05:27,240 --> 00:05:30,840 Speaker 4: And that's because I trust you, But you're using it 100 00:05:30,920 --> 00:05:34,080 Speaker 4: to surprise me. And now all of a sudden, it's 101 00:05:34,080 --> 00:05:37,440 Speaker 4: a lack of trust and the person that I showed 102 00:05:37,440 --> 00:05:40,159 Speaker 4: the ultimate display of trust there by giving you a key. 103 00:05:40,440 --> 00:05:44,200 Speaker 4: Now you popping up without saying, that's unbelievable to me. 104 00:05:44,279 --> 00:05:48,040 Speaker 3: I can't. I just can't see myself you disgusted? How 105 00:05:48,040 --> 00:05:50,000 Speaker 3: do you walk out the room and you broke up 106 00:05:50,040 --> 00:05:50,360 Speaker 3: with her? 107 00:05:50,360 --> 00:05:53,360 Speaker 4: Didn't you walk crying? 108 00:05:53,400 --> 00:05:54,440 Speaker 3: Don't you my eyes? 109 00:05:55,080 --> 00:06:05,040 Speaker 2: Yeah? Yeah, yeah, emotions. You got hands on your face. 110 00:06:06,440 --> 00:06:07,240 Speaker 3: That's to walk out? 111 00:06:08,760 --> 00:06:09,120 Speaker 1: All right? 112 00:06:09,360 --> 00:06:12,760 Speaker 2: Okay, well, anonymous, you wrote to the right person. Take 113 00:06:12,800 --> 00:06:14,560 Speaker 2: that and run with it, all right. 114 00:06:14,839 --> 00:06:18,080 Speaker 1: Moving on to Kinetra in Charlotte, Kineti writes that I'm 115 00:06:18,080 --> 00:06:21,000 Speaker 1: thirty years old and I've been in an open relationship 116 00:06:21,040 --> 00:06:23,800 Speaker 1: for most of my adult life. My boyfriend and I 117 00:06:23,880 --> 00:06:26,000 Speaker 1: do not live together, so it's fine if I have 118 00:06:26,120 --> 00:06:29,480 Speaker 1: company or if he has friends over gets awkward, though, 119 00:06:29,520 --> 00:06:31,640 Speaker 1: if I have company and he wants to stick around 120 00:06:31,720 --> 00:06:35,200 Speaker 1: and watch us being intimate. I never do that to him. 121 00:06:35,520 --> 00:06:37,640 Speaker 1: So why is he being like this all of a sudden? 122 00:06:37,760 --> 00:06:39,080 Speaker 1: Is this jealousy? 123 00:06:39,240 --> 00:06:41,400 Speaker 2: Or what what. 124 00:06:41,480 --> 00:06:43,719 Speaker 3: Do you have? Y'all? 125 00:06:43,760 --> 00:06:48,600 Speaker 4: Ain't got nothing, he don't won't you? You in an 126 00:06:48,640 --> 00:06:52,679 Speaker 4: open relationship? You just didn't know it was? Why open? 127 00:06:54,320 --> 00:06:54,520 Speaker 3: Yeah? 128 00:06:54,600 --> 00:06:55,480 Speaker 2: Oh, there's openings. 129 00:06:55,640 --> 00:07:00,279 Speaker 4: So yeah, you had an open relationship. He will to 130 00:07:00,279 --> 00:07:03,400 Speaker 4: stick around and watch y'all. Ain't got nothing. Why is 131 00:07:03,440 --> 00:07:05,240 Speaker 4: he like this all of a sudden? Why is he 132 00:07:05,400 --> 00:07:07,000 Speaker 4: like what? 133 00:07:07,000 --> 00:07:07,680 Speaker 3: What do you have? 134 00:07:07,760 --> 00:07:11,640 Speaker 4: You have no barriers in your relationship. You have no rules, y'all, 135 00:07:11,680 --> 00:07:13,560 Speaker 4: just two people that see each other and can go 136 00:07:13,600 --> 00:07:14,160 Speaker 4: see who. 137 00:07:14,040 --> 00:07:15,800 Speaker 3: You want to see. What do you have? 138 00:07:16,440 --> 00:07:16,840 Speaker 2: Why? 139 00:07:16,960 --> 00:07:25,400 Speaker 4: Why is he like this? You like open relationships? Well 140 00:07:25,480 --> 00:07:31,280 Speaker 4: that's open it all the way. Let's get this thing open. 141 00:07:32,840 --> 00:07:33,840 Speaker 3: Whin open? 142 00:07:37,800 --> 00:07:40,880 Speaker 2: Why open open up? 143 00:07:43,720 --> 00:07:45,480 Speaker 3: This is Steve Harbin Martin show Man. 144 00:07:46,160 --> 00:07:49,760 Speaker 2: I don't like fake shouters at shirt. 145 00:07:51,280 --> 00:07:54,680 Speaker 4: I don't like people that's running laps around the church. 146 00:07:54,840 --> 00:08:02,480 Speaker 4: Then stop and say, excuse me, the spirit don't feel 147 00:08:02,480 --> 00:08:03,240 Speaker 4: a damn thing. 148 00:08:03,640 --> 00:08:05,600 Speaker 3: Hold. If you in the spirit running to that wall, 149 00:08:05,680 --> 00:08:08,880 Speaker 3: get everything God got f That's not how that works. 150 00:08:10,280 --> 00:08:12,480 Speaker 2: Hudge The Rock Morner 151 00:08:12,520 --> 00:08:14,520 Speaker 3: Steve Morning Show coming up right up there,