WEBVTT - Kim "Studies Show" Cattrall

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<v Speaker 1>Celebrity book Club.

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<v Speaker 2>Hi, I'm Kim Katrell and I'm doing a documentary about

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<v Speaker 2>the sexual lives of Toronto residents. We're going to talk

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<v Speaker 2>to ten sexually active Greater Toronto residents about what turns

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<v Speaker 2>them on, what turns them off, and what makes them climax.

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<v Speaker 2>First up, Davis thirty four.

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<v Speaker 1>I like when a woman gets home from work.

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<v Speaker 2>Kira twenty nine. This thing happened to me when I

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<v Speaker 2>was twenty eight, where I only liked guys with broad shoulders.

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<v Speaker 2>Now I like guys with slender shoulders. I don't know

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<v Speaker 2>what happened, but it just gets me off. Shira thirty three.

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<v Speaker 1>I was with my last boyfriend for seven years when

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<v Speaker 1>I realized I'd never had an orgasm before. So I

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<v Speaker 1>went to the Chicago Art Institute and I brought my

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<v Speaker 1>favorite toy, a candlestick brass rested, and I did everything

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<v Speaker 1>that you can imagine right there in the impressionist room.

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<v Speaker 2>Tanya twenty two. I love early morning sex, especially with

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<v Speaker 2>a powerful man with an an even bigger espresso machine.

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<v Speaker 2>Poor Mia shot of Dick.

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<v Speaker 1>Cage twenty one. I don't think a big dick really

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<v Speaker 1>matters that much. I've never gotten complaints about my normal dick.

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<v Speaker 1>I think other guys dis are totally cool. When I'm

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<v Speaker 1>at the urinal, I look at them, or I don't

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<v Speaker 1>look because I don't think it really matters that much.

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<v Speaker 1>It's just a beautiful object.

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<v Speaker 2>Alan. I was with my wife for many years until

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<v Speaker 2>one day she dressed up as a man. I've never

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<v Speaker 2>been so hard in my life. Turns out I go

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<v Speaker 2>both ways. Judy twenty eight. I don't know what to

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<v Speaker 2>do with balls. Who's that knocking at the door. It's

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<v Speaker 2>all your friends. You've filthy horse, your husband's gone, and.

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<v Speaker 1>You've got books and a bottle of wine to kill.

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<v Speaker 1>It's Hollywood, it's books, it's gossip.

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<v Speaker 2>I'm sure it's memoirs. Celebrity book Club. Read it while

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<v Speaker 2>it's hot. Celebrity book Club. Tell your secrets. We will

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<v Speaker 2>talk celebrity books.

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<v Speaker 1>No boys are aloud, say it loud and pounds celet

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<v Speaker 1>book Clubs.

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<v Speaker 2>Spuzz me in. I brought the queer vow. Oh hey,

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<v Speaker 2>best friend, lover, coworker, acquaintance. Strange.

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<v Speaker 1>How I am feeling really alive in my body today?

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<v Speaker 1>You know, my human body, which is one of the

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<v Speaker 1>most peculiar instruments on this earth, isn't it.

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<v Speaker 2>It's so interesting. It's full of nerves, full of hair,

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<v Speaker 2>full of different sensations. It's been studied, It's been studied

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<v Speaker 2>since three thousand BC.

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<v Speaker 1>Why is sex always ancient? Just always antiquity?

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<v Speaker 2>Like sex is always like in Roman times from the

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<v Speaker 2>bath they would feed on grapes and the phallacies were

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<v Speaker 2>open and played with.

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<v Speaker 1>Let's just get into it. So what did we read

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<v Speaker 1>this week?

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<v Speaker 2>We read it with me Petrel.

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<v Speaker 1>Who you may know from Sex and the City as Samantha.

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<v Speaker 2>The sexiest cast member.

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<v Speaker 1>And has a book and documentary.

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<v Speaker 2>Yeah, that are kind of the same exact.

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<v Speaker 1>Their companion pieces.

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<v Speaker 2>Sold separately at Bs and Nobles and Borders. And her

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<v Speaker 2>book and documentary, Sexual Intelligence, which is very like two

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<v Speaker 2>thousand and six six and especially it's a glossy coffee

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<v Speaker 2>table book that is about.

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<v Speaker 1>Desire, desire, human sexuality and history and men and women bodies.

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<v Speaker 2>The differences between their bodies and how the glitterist has

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<v Speaker 2>more nerves than any other part of the body. But

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<v Speaker 2>the fallas.

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<v Speaker 1>Is so interesting, so like half of the movie Slash Book,

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<v Speaker 1>it is just always going back to ancient Roman, ancient

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<v Speaker 1>times and ancient people's worshiped.

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<v Speaker 2>The fallous but afrodity. And the reason this book came

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<v Speaker 2>about is because she said, you know, playing Samantha, one

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<v Speaker 2>of the most famous sexual characters on television, people would

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<v Speaker 2>see her as the sexpert and come up to her

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<v Speaker 2>and tell her their randy stories. They're Samantha stories and

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<v Speaker 2>be like, oh my god, like you must be an expert,

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<v Speaker 2>a sexpert. Yes, And she was like, I was actually

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<v Speaker 2>embarrassed to say I'm not Samantha, Like I actually don't

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<v Speaker 2>have amazing sex every night, and I don't have the

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<v Speaker 2>craziest stories. So it inspired her.

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<v Speaker 1>In a note from cam in the beginning of the book,

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<v Speaker 1>she goes, after the first two seasons sex and the

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<v Speaker 1>city people began coming up to me wanting to share

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<v Speaker 1>their own Samantha scenarios. This was flattering, but could sometimes

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<v Speaker 1>be embarrassing as well. People assume that I, like Samantha,

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<v Speaker 1>had always enjoyed fabulous sex, when in fact the opposite

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<v Speaker 1>was true, as is the case.

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<v Speaker 2>For many women.

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<v Speaker 1>Sexual fulfillment came late with the publication of my first book, Satisfaction,

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<v Speaker 1>The Art of the Female Orgasm. I wanted to reach

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<v Speaker 1>out to women and men with the hope that what

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<v Speaker 1>I had eventually learned could work for them, and finding

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<v Speaker 1>my own fulfillment. And then she goes, I'm not a

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<v Speaker 1>sex expert or a therapist. Still the male and the

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<v Speaker 1>questions continued. It seems there remained so much more to

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<v Speaker 1>explore and learn. I decided to call this new project

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<v Speaker 1>sexual intelligence because I wanted to be just that, a

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<v Speaker 1>gathering of information and insights.

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<v Speaker 2>And is it a gathering of.

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<v Speaker 1>Okay, it's so many quotes from experts, and just like

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<v Speaker 1>studies show, study show, And in her book The History

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<v Speaker 1>of the Female.

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<v Speaker 2>It soys what's love got to do with it? Love,

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<v Speaker 2>in all its complexity and irrationality, has not always held

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<v Speaker 2>the value it does today. In the fascinating history Love

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<v Speaker 2>in the Ancient World, authors Christopher Miles and John Julius

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<v Speaker 2>Norwich tell us, for the ancients, love did not make

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<v Speaker 2>you better, It made you worse, like she's always like,

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<v Speaker 2>Quoting a different book about how the Romans had sex.

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<v Speaker 1>Psychology refers to Roy Baumeister suggests that women have more

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<v Speaker 1>erotic plasticity than men. Their sex trips are shaped more

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<v Speaker 1>by circumstances and by social and cultural forces. The common

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<v Speaker 1>suture recommends saffron, musk, and sandalwood as substances whose smell

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<v Speaker 1>blends with that of the woman and encourage your sexual exectation.

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<v Speaker 1>Even the Bible contributes the literature on fragrances and desires.

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<v Speaker 2>Okay, here's a little witclosure book. Here's a little quiz,

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<v Speaker 2>and everyone play along. In the Bible book book in

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<v Speaker 2>the Bible, what does she say are the aphrodisiac sense

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<v Speaker 2>that a man puts on a bed to lure his woman?

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<v Speaker 2>Was it what I just said? Is it saffron and musk?

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<v Speaker 1>No?

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<v Speaker 2>Wait? Is it like camel? It's like mr oh, okay,

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<v Speaker 2>cinnamon and aloe, which I'm like, hmm, I just like it.

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<v Speaker 1>Because cinnamon is so fall and it's so just like

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<v Speaker 1>mom apple pie.

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<v Speaker 2>Well then I made this kind of crazy connection this yes,

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<v Speaker 2>thank you, thank you, because she says one of the

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<v Speaker 2>most deronic sens are like pumpkin and spice and cinnamon.

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<v Speaker 2>And we think, oh Christian girl, autumn, and why are

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<v Speaker 2>these girls so obsessed with their pumpkin lattes? And it's

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<v Speaker 2>actually because they're so turned on by it. But society

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<v Speaker 2>tells us a woman can't say, hey, honey, come home,

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<v Speaker 2>I'm a horny I'm baking pumpkin bread. She has to say, oh,

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<v Speaker 2>I love pumpkins because I love Hocus.

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<v Speaker 1>It's always comes back to the madonnah or complex. But

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<v Speaker 1>I think this is actually so interesting because the classic

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<v Speaker 1>feminine sense are not actually the sense we ironically associate

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<v Speaker 1>with eroticism and desire.

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<v Speaker 2>It's the quote.

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<v Speaker 1>Mascot little wood right, and like leather right in tobacco,

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<v Speaker 1>like alcohol with whiskey. It's like those are like sexier sense,

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<v Speaker 1>whereas like these traditional feminine ones are like kind of

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<v Speaker 1>associated with like either purity or matronliness. Yeah right, like

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<v Speaker 1>this Christianity who like the floralness. Yeah, it's either Christian

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<v Speaker 1>or it's you've already had kids. And now you smell

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<v Speaker 1>like a flower. You smell like an old flower. Your

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<v Speaker 1>vagina is sealed. You are no longer sexual department store.

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<v Speaker 2>And I'm so glad we're talking about scent right now

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<v Speaker 2>because something happened to me so interesting today. I'm wearing

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<v Speaker 2>your lover's father's shirt right now.

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<v Speaker 1>Wow, talk about outles blical, biblical.

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<v Speaker 2>And I was on the train week of Cinnamon. I

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<v Speaker 2>was on the train and I was like, what is

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<v Speaker 2>that smell? And I. I was looking around at men.

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<v Speaker 2>I was like, who smells kind of bad but manly

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<v Speaker 2>on on the train and I was looking around. I

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<v Speaker 2>was just kind of women with books and I was

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<v Speaker 2>like not adding up. And then I was in the bathroom.

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<v Speaker 2>And then I went into the bathroom, I said, the

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<v Speaker 2>smell is still with me, and I realized it was.

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<v Speaker 2>And it was this collection of.

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<v Speaker 1>Men journey in center of my boyfriend's father, me, my boyfriend.

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<v Speaker 2>Yeah, your closet, Landlord Ridgewood all into one when researchers said.

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<v Speaker 1>The Smell and Taste Treatment and Research Foundation in Chicago

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<v Speaker 1>conducted a study on the effects if any of fragrances

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<v Speaker 1>and sexual assle. They use floral sense and threw in

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<v Speaker 1>the smell of big Simon buns as a control. As

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<v Speaker 1>each hoop smelled each testcent, individual blood flow in men's

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<v Speaker 1>penises was measured using a small blood pressure cuff called

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<v Speaker 1>a follometer penis. To the research, to surprise, the sticky

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<v Speaker 1>buns raise their subjects blood flow more than any other scent.

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<v Speaker 2>So you see science proofs that is to fall. Yes,

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<v Speaker 2>because why do we call also fall couffing season?

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<v Speaker 1>Oh, because we all put our fallometers on.

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<v Speaker 3>As we go to Cinnabon, we're getting our pumpkin is

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<v Speaker 3>beeping off the chiseling.

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<v Speaker 2>Mama VENTI, I'll have a venty and signed me. If

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<v Speaker 2>you know what I'm saying, you know the book and film,

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<v Speaker 2>I will say. The only difference is that in the

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<v Speaker 2>book Kim sorry Kittrell, So it's Katrell Trell, and I've

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<v Speaker 2>always said.

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<v Speaker 1>It is very much spelled like Coatrol. She's in Liverpool, Darling,

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<v Speaker 1>and she grew up in British Columbia, in a small

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<v Speaker 1>town on Vancouver Island, which is not Vancouver. It's like

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<v Speaker 1>this island off the coast. It's like Vancouver is on

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<v Speaker 1>the mainland, and then this is a large island off

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<v Speaker 1>the car.

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<v Speaker 2>And she doesn't really have like a British accent. She

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<v Speaker 2>has this kind of Canadians.

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<v Speaker 1>Like a sexually international Canadian accent.

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<v Speaker 2>It's like a sex accent. It is. First of all,

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<v Speaker 2>she's also a sex therapist. She was born to write

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<v Speaker 2>this book.

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<v Speaker 1>She's also ben forty one, like since nineteen seventy one,

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<v Speaker 1>because when you look at her in her like first roles,

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<v Speaker 1>she's already been this woman who's sexually wise beyond her years.

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<v Speaker 2>Right, and being like, well, I like it when.

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<v Speaker 1>I think partially because she has that like Cindy Crawford

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<v Speaker 1>mole that sometimes she's covering up, but sometimes she has

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<v Speaker 1>I think it's also like.

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<v Speaker 2>The haircut, the bangs, her kind of huskier voice in

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<v Speaker 2>the documentary. And this bisexual person is also quoted in here,

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<v Speaker 2>so in.

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<v Speaker 1>The Bye Girl the documentary who it looks like a

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<v Speaker 1>Parker Posy character Kissy. I'm talking y two k bisexual

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<v Speaker 1>Canadian name than Kisty.

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<v Speaker 2>So they are all these like men and women who

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<v Speaker 2>are interviewed in the documentary and.

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<v Speaker 1>All and just like the softest like micro silk play.

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<v Speaker 2>Microsal microfiber shirts, all have the craziest haircuts, but also

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<v Speaker 2>just such like barbell piercings in this way. Yeah, Like

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<v Speaker 2>the guys are very penis piercing.

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<v Speaker 1>I'm obsessed with the guy who's just like, if you

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<v Speaker 1>can get two women in bed with you, they've got

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<v Speaker 1>to be pretty dumb.

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<v Speaker 2>They're like two and in bed. Sure, I'll take it, Okay.

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<v Speaker 2>They all kind of seem like lesbians, but then there's

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<v Speaker 2>this one lesbian who's actually.

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<v Speaker 1>By Yeah, that was confusing, really, Pierre run with the piercing.

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<v Speaker 1>She was so butch. I was like, then when she's

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<v Speaker 1>were talking about men, I was like, mom.

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<v Speaker 2>Mus yeah, I was like what and she was like,

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<v Speaker 2>there's nothing like when a bulge is against fabric. And

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<v Speaker 2>she was like, I like it big. But then she

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<v Speaker 2>was like, nothing's better than when like a girl is

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<v Speaker 2>eating you out with a tongue ring, which is also

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<v Speaker 2>the most nineties thing. And I remember like when I

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<v Speaker 2>was first kind of coming into my own sexuality and

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<v Speaker 2>like hearing that being like, wait, I should get like

0:14:23.160 --> 0:14:23.880
<v Speaker 2>a tongue rings.

0:14:25.360 --> 0:14:28.640
<v Speaker 1>Yeah, I know, tongue ring oral sex. It was so

0:14:28.680 --> 0:14:31.240
<v Speaker 1>also talked about like dude, have you ever gotten head

0:14:31.280 --> 0:14:32.640
<v Speaker 1>from a girl with a tongue ring?

0:14:32.920 --> 0:14:36.520
<v Speaker 2>Yes? Fucking fucking crazy, Like you don't even know what

0:14:36.560 --> 0:14:39.520
<v Speaker 2>a blowjob is until you've experienced. First of all, no

0:14:39.520 --> 0:14:41.480
<v Speaker 2>one has tongue rings anymore. No one.

0:14:41.600 --> 0:14:44.640
<v Speaker 1>Everyone has a fucking nose ring. Everyone has the bull

0:14:44.760 --> 0:14:45.880
<v Speaker 1>piercing laurence.

0:14:46.000 --> 0:14:48.160
<v Speaker 2>Is that good for lingis?

0:14:49.960 --> 0:14:52.280
<v Speaker 1>Well maybe if your nose is really buried in there.

0:14:52.520 --> 0:14:55.440
<v Speaker 2>Well, the nose is always good I think for punde lingus.

0:14:55.680 --> 0:14:57.000
<v Speaker 2>So you say it acts as a.

0:14:57.200 --> 0:15:00.240
<v Speaker 1>Phallus, what if you maybe did like kind of a

0:15:00.360 --> 0:15:03.320
<v Speaker 1>nasal attachment that was such a like rubbery.

0:15:04.000 --> 0:15:07.640
<v Speaker 2>Instead of like let me get my knob, like let

0:15:07.640 --> 0:15:09.920
<v Speaker 2>me get my strap, it's like let me get my

0:15:10.080 --> 0:15:15.400
<v Speaker 2>full like ebeny. It's kind of a medal play mask.

0:15:16.120 --> 0:15:23.560
<v Speaker 2>It's like the big like orse so knowlence costumes question, Stephen,

0:15:24.360 --> 0:15:30.320
<v Speaker 2>do you dress up in the bedroom? Erotic place is

0:15:30.360 --> 0:15:34.840
<v Speaker 2>so important? Studies show that in ancient times, I mean,

0:15:34.960 --> 0:15:36.480
<v Speaker 2>let's go back to the fig leave well.

0:15:36.480 --> 0:15:38.640
<v Speaker 1>First of all, my favorite bird of the documentary is

0:15:38.680 --> 0:15:41.400
<v Speaker 1>at the very beginning, after the intro, which is completely insane,

0:15:42.080 --> 0:15:46.040
<v Speaker 1>cut to her standing in front of the Toronto skyline

0:15:46.360 --> 0:15:50.200
<v Speaker 1>and she just goes, let's talk about sex, and you're

0:15:50.280 --> 0:15:54.920
<v Speaker 1>just like, why Toronto, Why is this the capital of sex?

0:15:55.320 --> 0:15:56.520
<v Speaker 2>Why?

0:15:57.160 --> 0:16:02.760
<v Speaker 3>There's no explanation because it's being like cities, because there

0:16:02.880 --> 0:16:05.200
<v Speaker 3>is a travel budget for the She's at some like

0:16:05.880 --> 0:16:10.160
<v Speaker 3>Scottish like land art that's made in like medieval times.

0:16:10.320 --> 0:16:12.800
<v Speaker 2>Has this huge like machiness Pallas.

0:16:12.840 --> 0:16:15.720
<v Speaker 1>She goes to Cypress, to Aphrodite's beach, just to walk

0:16:15.720 --> 0:16:19.280
<v Speaker 1>out of the waves and be like Aphrodite.

0:16:18.440 --> 0:16:24.080
<v Speaker 2>The original seductress. For generations we've been influenced. And then

0:16:24.120 --> 0:16:27.320
<v Speaker 2>it's very like such a like early film collage of

0:16:27.440 --> 0:16:30.080
<v Speaker 2>just like Hollyberry and Incomes of the Beach and Cyndy

0:16:30.200 --> 0:16:34.200
<v Speaker 2>Crawford and be like, where would we be without Afrodite.

0:16:33.640 --> 0:16:37.640
<v Speaker 1>Without the sirens and water which is so connected to sexuality.

0:16:37.920 --> 0:16:40.840
<v Speaker 2>And then she's in the rocks as like a random

0:16:40.920 --> 0:16:41.920
<v Speaker 2>guy is like.

0:16:42.200 --> 0:16:45.880
<v Speaker 1>Giving her an oyster that she's then slurpy because the

0:16:45.880 --> 0:16:49.200
<v Speaker 1>oyster represents feminism desiacs okay.

0:16:49.200 --> 0:16:51.280
<v Speaker 2>And then my other favorite part in her travel and

0:16:51.360 --> 0:16:54.240
<v Speaker 2>hears a quote of it when she happens upon like

0:16:54.280 --> 0:16:58.160
<v Speaker 2>a stone carving of a dick, and then she's like, oops,

0:16:59.560 --> 0:17:03.000
<v Speaker 2>Dallas is recarved into the pavement on street corners, set

0:17:03.040 --> 0:17:05.920
<v Speaker 2>in bricks on the outside walls of buildings and even

0:17:06.000 --> 0:17:12.880
<v Speaker 2>outfitted with little bronze bells called ttuliba and dangled over

0:17:13.000 --> 0:17:15.720
<v Speaker 2>doorways and entrance halls. Talk about having a lot of

0:17:15.720 --> 0:17:20.080
<v Speaker 2>balls in the air because it's like she's being like,

0:17:20.160 --> 0:17:23.080
<v Speaker 2>I'm not Samantha, but then this book will be filled

0:17:23.119 --> 0:17:28.040
<v Speaker 2>with like little Samantha sides being like now that's a fallows.

0:17:29.080 --> 0:17:31.680
<v Speaker 2>And then the most amazing photo she.

0:17:31.760 --> 0:17:35.120
<v Speaker 1>Is standing next to this like Scottish wind chime that's

0:17:35.160 --> 0:17:37.360
<v Speaker 1>like a massive metal dick with wings.

0:17:38.200 --> 0:17:41.240
<v Speaker 2>It's like a dick whale that is winged and has

0:17:41.320 --> 0:17:44.400
<v Speaker 2>its own dick, an alerg dick, and is like held

0:17:44.400 --> 0:17:44.919
<v Speaker 2>by bells.

0:17:45.320 --> 0:17:47.679
<v Speaker 1>So she talks about the decline of the fallis es

0:17:47.720 --> 0:17:52.679
<v Speaker 1>central to western art and how yes, and so in

0:17:52.880 --> 0:17:57.480
<v Speaker 1>ancient Greece and ancient Rome, the Fallas was like represented

0:17:57.520 --> 0:18:01.520
<v Speaker 1>like separately, and in Pompeii there's all these large dicks everywhere.

0:18:02.240 --> 0:18:07.240
<v Speaker 1>But then the phallas became like smaller in statues we

0:18:07.280 --> 0:18:09.399
<v Speaker 1>all know, like ancient statues had small dicks because it

0:18:09.440 --> 0:18:12.080
<v Speaker 1>was like a man having a big dick was like

0:18:12.359 --> 0:18:15.320
<v Speaker 1>too unreliable, because like there's such just a anthelion where

0:18:15.320 --> 0:18:17.720
<v Speaker 1>she's like, if a man has a big dick, you

0:18:17.760 --> 0:18:19.239
<v Speaker 1>can't trust you can't trust him.

0:18:19.240 --> 0:18:22.480
<v Speaker 2>And then she goes hmm hm.

0:18:23.400 --> 0:18:26.320
<v Speaker 1>But then, like the Middle Ages and Christianity brought on

0:18:26.400 --> 0:18:28.800
<v Speaker 1>a lot of repression and the fig leaves and this

0:18:28.880 --> 0:18:34.240
<v Speaker 1>sort of fear of the disclosure of the phallas making love.

0:18:34.320 --> 0:18:39.439
<v Speaker 2>And she's like King Torontola or whatever like brought his daughter,

0:18:39.760 --> 0:18:41.919
<v Speaker 2>like the King of Naples, Oh yes, and then he

0:18:42.080 --> 0:18:43.400
<v Speaker 2>covered up all of the.

0:18:43.440 --> 0:18:46.280
<v Speaker 1>Art unwittingly brought his daughter along to tour artifacts excavated

0:18:46.400 --> 0:18:49.320
<v Speaker 1>from sites in Pompey. What he saw shocked and embarrassed him,

0:18:49.320 --> 0:18:50.680
<v Speaker 1>and he ordered that a room he set aside of

0:18:50.720 --> 0:18:53.720
<v Speaker 1>the National Archeological Museum of Naples for all offending wall paintings.

0:18:53.960 --> 0:18:58.480
<v Speaker 2>And and here we were as pagans, freely making love.

0:18:58.840 --> 0:19:01.000
<v Speaker 1>You know, it is true, obviously, it's like we think

0:19:01.040 --> 0:19:05.960
<v Speaker 1>about depictions of female nudity have been very common throughout

0:19:06.160 --> 0:19:08.760
<v Speaker 1>art for millennia. But then of course you look back

0:19:08.800 --> 0:19:11.720
<v Speaker 1>at Manet and Olympia and everyone was the context was

0:19:11.760 --> 0:19:14.840
<v Speaker 1>always very virginal with the women or it was like godly,

0:19:14.920 --> 0:19:18.159
<v Speaker 1>it was otherworldly. It was never like a real woman

0:19:18.320 --> 0:19:19.879
<v Speaker 1>showing her real pussy.

0:19:20.320 --> 0:19:25.480
<v Speaker 2>Spread, right, It's always kind of women resting, yes, or

0:19:25.520 --> 0:19:26.679
<v Speaker 2>women at war.

0:19:26.720 --> 0:19:29.600
<v Speaker 1>Yes, or like women posing for the painting in the

0:19:29.600 --> 0:19:32.880
<v Speaker 1>way we understand she's just doing it. It's like anatomy, but.

0:19:32.800 --> 0:19:36.679
<v Speaker 2>They're not like being so like reverse cowgirl like certainly

0:19:36.760 --> 0:19:38.520
<v Speaker 2>not Statue of David.

0:19:39.280 --> 0:19:42.959
<v Speaker 1>And that's why Olympia caused such a hullabloo at the

0:19:42.960 --> 0:19:46.560
<v Speaker 1>Salon in the eighteen eighties, because she was making eye

0:19:46.640 --> 0:19:49.800
<v Speaker 1>contact with the viewer and her like attendant was there.

0:19:49.680 --> 0:19:51.720
<v Speaker 2>And not just kind of this dazed eye. And then

0:19:51.960 --> 0:19:54.800
<v Speaker 2>you know, in the documentary, Shelter mentions what the Metropolitan

0:19:54.840 --> 0:19:59.439
<v Speaker 2>Museum of Art had an exhibit of Lucian Freud and

0:19:59.480 --> 0:20:04.600
<v Speaker 2>there was warnings, yes, saying content warning, trigger warning, there's nudity,

0:20:05.000 --> 0:20:07.520
<v Speaker 2>but yeah, there's nudity throughout the met Yes, but he

0:20:07.720 --> 0:20:12.080
<v Speaker 2>was this modern showing of sexuality.

0:20:11.800 --> 0:20:14.720
<v Speaker 1>Because nudity without sex is fine. And I think what's

0:20:14.760 --> 0:20:18.720
<v Speaker 1>interesting about Hiding the Pallas is it's almost we can

0:20:18.840 --> 0:20:23.360
<v Speaker 1>desexualize the vagina, but we like can't be sexualize a penis? Now,

0:20:23.440 --> 0:20:25.440
<v Speaker 1>why is that misogyny?

0:20:25.560 --> 0:20:31.120
<v Speaker 2>Misogyny exactly? And this book is also so classic nineties

0:20:31.200 --> 0:20:33.840
<v Speaker 2>early two thousand and away, where there's an amazing photo

0:20:33.840 --> 0:20:37.680
<v Speaker 2>of two speakers. One speaker says man, and there's one

0:20:37.720 --> 0:20:41.040
<v Speaker 2>switch and that's off on and off and on, and

0:20:41.080 --> 0:20:45.040
<v Speaker 2>then a woman's speaker is like knobs.

0:20:46.880 --> 0:20:51.120
<v Speaker 1>Because women are attracted to so many more things ideas and.

0:20:51.040 --> 0:20:54.480
<v Speaker 2>Power and brains, but also fear. But what I think

0:20:54.560 --> 0:20:55.360
<v Speaker 2>is interesting.

0:20:55.000 --> 0:20:58.720
<v Speaker 1>Tightnancy about this book is that it would ultimately argue

0:20:58.760 --> 0:21:01.359
<v Speaker 1>the reverse as the documentary, which is that sexuality is

0:21:01.359 --> 0:21:05.280
<v Speaker 1>so complicated and we are all animated by fantasy. Wit

0:21:05.359 --> 0:21:07.720
<v Speaker 1>I love the insane like lesbian who's maybe not a

0:21:07.800 --> 0:21:11.520
<v Speaker 1>lesbian in the documentary, who's just like if people heard

0:21:11.560 --> 0:21:13.679
<v Speaker 1>my fantasies, they would put me in.

0:21:14.119 --> 0:21:17.800
<v Speaker 2>Oh yes, you're like whoa, You're like, what are they?

0:21:17.840 --> 0:21:19.920
<v Speaker 2>This is the one who was like the tongue rang

0:21:20.000 --> 0:21:20.400
<v Speaker 2>one and.

0:21:20.359 --> 0:21:22.359
<v Speaker 1>She looks just like a women's hockey coach.

0:21:22.119 --> 0:21:25.200
<v Speaker 2>Like she's like the bushes. Then like the one who

0:21:25.200 --> 0:21:27.800
<v Speaker 2>actually is a lesbian is like just the most like

0:21:28.560 --> 0:21:33.800
<v Speaker 2>nineties our bodies, our bodies, ourselves, like bad nineties haircut.

0:21:33.840 --> 0:21:38.200
<v Speaker 2>That is like lesbian bed death. It's real. But then

0:21:38.280 --> 0:21:41.200
<v Speaker 2>also it w was is surprising. She's the one that says,

0:21:41.480 --> 0:21:43.800
<v Speaker 2>I didn't even look at my vagina with a mirror

0:21:43.840 --> 0:21:44.800
<v Speaker 2>till two years ago.

0:21:44.920 --> 0:21:47.359
<v Speaker 1>I just watched that episode of Sex and the City

0:21:47.440 --> 0:21:48.200
<v Speaker 1>the other day.

0:21:48.440 --> 0:21:50.720
<v Speaker 2>One of the most classic episodes of television of all time,

0:21:50.760 --> 0:21:55.000
<v Speaker 2>when Charlotte finally looks, and it's Samantha, of course, being like, honey,

0:21:55.119 --> 0:21:57.719
<v Speaker 2>you've never taken a mirror and looked down there and

0:21:57.800 --> 0:22:01.520
<v Speaker 2>see what's all the working parts? And Charlotte's like, why.

0:22:01.480 --> 0:22:04.119
<v Speaker 1>No, Because it's also when her doctor tells her her

0:22:04.200 --> 0:22:05.680
<v Speaker 1>vagina's depressed.

0:22:05.960 --> 0:22:08.000
<v Speaker 2>Which is funny, kind of in the History of Sex

0:22:08.040 --> 0:22:09.920
<v Speaker 2>and the City two of those characters, because I think

0:22:10.280 --> 0:22:14.480
<v Speaker 2>Charlotte is the one that ends up being more kind

0:22:14.520 --> 0:22:17.520
<v Speaker 2>of sexually free and kinky.

0:22:17.200 --> 0:22:21.840
<v Speaker 1>Because she's so ltr and which she knows, as Samantha says,

0:22:22.000 --> 0:22:25.840
<v Speaker 1>Sorry Samantha, As Kim Katrell says in this book, oxytocin

0:22:25.960 --> 0:22:30.880
<v Speaker 1>can decrease between years two and three in a relationship,

0:22:30.920 --> 0:22:36.639
<v Speaker 1>and that's why divorces peak around year four worldwide seven

0:22:36.720 --> 0:22:37.960
<v Speaker 1>year itch more.

0:22:37.880 --> 0:22:39.800
<v Speaker 2>Like four year stretch.

0:22:41.920 --> 0:22:45.920
<v Speaker 1>Book Club.

0:22:50.640 --> 0:22:50.960
<v Speaker 2>Club.

0:22:52.280 --> 0:22:54.960
<v Speaker 1>She's like, the seven year itch is when you've had

0:22:55.040 --> 0:22:58.760
<v Speaker 1>the chemicals like four year dip for three years too

0:22:58.800 --> 0:23:02.359
<v Speaker 1>long or whatever, which is you know, this.

0:23:02.240 --> 0:23:04.600
<v Speaker 2>Is interesting, let's talk about Let's talk about.

0:23:04.400 --> 0:23:06.480
<v Speaker 1>The seven year itch and the four year X because I.

0:23:06.480 --> 0:23:09.480
<v Speaker 2>Remember this famous article in New York Times magazine that

0:23:09.600 --> 0:23:12.520
<v Speaker 2>was like about the search to find the female viagra.

0:23:12.800 --> 0:23:15.280
<v Speaker 1>Well, and she says that it's impossible because women have

0:23:15.320 --> 0:23:17.440
<v Speaker 1>so many knobs that like, it doesn't work on women,

0:23:17.720 --> 0:23:21.400
<v Speaker 1>and I can't just have blood rushing to the clit

0:23:21.480 --> 0:23:23.040
<v Speaker 1>and all of a sudden a woman's horning.

0:23:23.200 --> 0:23:25.959
<v Speaker 2>But I do think there is something a little false

0:23:26.000 --> 0:23:31.520
<v Speaker 2>in that. I feel like studies have shown and not

0:23:31.680 --> 0:23:34.280
<v Speaker 2>totally where they were like, oh, no, you couldn't have

0:23:34.320 --> 0:23:37.240
<v Speaker 2>a female viagra, and they were like, you can lubricate

0:23:37.280 --> 0:23:40.680
<v Speaker 2>a woman, but she wouldn't necessarily be turned on, which

0:23:40.720 --> 0:23:43.720
<v Speaker 2>may be true. But I'm like, but also, aren't they interconnected,

0:23:44.200 --> 0:23:46.119
<v Speaker 2>because then it's like if a woman does take the

0:23:46.160 --> 0:23:47.840
<v Speaker 2>pill and then she does feel like she can be

0:23:47.920 --> 0:23:51.840
<v Speaker 2>more what, then maybe her mind will open to more

0:23:51.880 --> 0:23:53.400
<v Speaker 2>of these kind of fantasies.

0:23:53.400 --> 0:23:56.320
<v Speaker 1>I think part of it is so wrapped up in

0:23:56.480 --> 0:24:00.639
<v Speaker 1>the mythology of the biology of the woman.

0:24:01.200 --> 0:24:05.800
<v Speaker 2>Because a woman can't get hard, so the viagra can't.

0:24:05.560 --> 0:24:09.720
<v Speaker 1>Work well, yes, and because the vagina is a cave.

0:24:09.800 --> 0:24:11.840
<v Speaker 1>A cave is full of mystery. It's a dark space.

0:24:11.880 --> 0:24:14.240
<v Speaker 1>We don't know what's in there and we never will.

0:24:14.359 --> 0:24:16.600
<v Speaker 2>But it turned out a woman actually can get hard,

0:24:16.640 --> 0:24:21.800
<v Speaker 2>as studies have shown. Glitteris doesn't gorge. It doesn't gorge

0:24:21.800 --> 0:24:22.720
<v Speaker 2>when turned on.

0:24:23.440 --> 0:24:26.440
<v Speaker 1>But I think because it is not as visibly obvious.

0:24:26.640 --> 0:24:29.320
<v Speaker 1>If a man is hard, he is visibly hard. But

0:24:29.400 --> 0:24:34.280
<v Speaker 1>if a woman's glitterist is visually engorged, you might need

0:24:34.720 --> 0:24:38.160
<v Speaker 1>you mean, some other note To an outside observer, it's

0:24:38.160 --> 0:24:41.959
<v Speaker 1>not immediately apparent, and that is why we will continue

0:24:42.560 --> 0:24:46.639
<v Speaker 1>to push the mythology that a woman's attraction is purely

0:24:46.720 --> 0:24:51.760
<v Speaker 1>mental and is purely spiritual and motivated by social concerns.

0:24:52.040 --> 0:24:54.640
<v Speaker 2>And you know, it's funny in this racle they say

0:24:54.920 --> 0:24:58.480
<v Speaker 2>a woman is actually more likely to feel before you're

0:24:58.560 --> 0:25:02.440
<v Speaker 2>itch to be like okay, you know, like because it

0:25:02.840 --> 0:25:04.040
<v Speaker 2>is not being like I know if you've had a

0:25:04.080 --> 0:25:07.560
<v Speaker 2>four year itch, so you're gonna collogize, right, And the

0:25:07.600 --> 0:25:11.280
<v Speaker 2>man is actually more fine with having the same old

0:25:11.320 --> 0:25:14.320
<v Speaker 2>sex with the same old woman, maybe over and out

0:25:14.440 --> 0:25:17.200
<v Speaker 2>year after year. And the woman actually needs a little

0:25:17.200 --> 0:25:20.840
<v Speaker 2>more excitement, a little more change, yes, and is not

0:25:20.880 --> 0:25:25.280
<v Speaker 2>gonna get turned on by Bill saying hey, han, what

0:25:25.400 --> 0:25:26.439
<v Speaker 2>about sex tonight?

0:25:26.600 --> 0:25:29.399
<v Speaker 1>Yes, but I also think that that also just comes

0:25:29.440 --> 0:25:31.680
<v Speaker 1>back to like typical daynam And it's like, I think

0:25:31.720 --> 0:25:35.720
<v Speaker 1>the man is more fine with the same old, same

0:25:35.760 --> 0:25:38.680
<v Speaker 1>hold because he's been conditioned by society, by our review

0:25:38.720 --> 0:25:41.639
<v Speaker 1>of marriage, to view sex as something that like either

0:25:41.720 --> 0:25:43.560
<v Speaker 1>your wife gives you or she doesn't give you.

0:25:43.840 --> 0:25:46.200
<v Speaker 2>So it's like, if you're getting it, be happy, Yeah,

0:25:46.240 --> 0:25:48.679
<v Speaker 2>like dude, you should be happy do this. Yeah, Oh

0:25:48.720 --> 0:25:49.760
<v Speaker 2>you're getting your poll wet.

0:25:49.800 --> 0:25:52.240
<v Speaker 1>So it becomes this thing where it becomes Low's comm denominator,

0:25:52.280 --> 0:25:54.600
<v Speaker 1>and it's just like, well, then all he has about

0:25:54.640 --> 0:25:57.160
<v Speaker 1>is getting his pole wet. But in reality, the man

0:25:57.280 --> 0:26:01.359
<v Speaker 1>does have deeper fantasies that probably not being explored because

0:26:01.359 --> 0:26:04.720
<v Speaker 1>he's also like, it'd be really faggoty to explore a fantasy.

0:26:04.359 --> 0:26:06.640
<v Speaker 2>Where he's like, oh, well, I couldn't like tell you

0:26:06.680 --> 0:26:09.040
<v Speaker 2>what I wanted this right, And this is why it

0:26:09.080 --> 0:26:13.199
<v Speaker 2>goes back to community communication, which is so important in

0:26:13.240 --> 0:26:17.400
<v Speaker 2>a sexual dynamic, even when you're fetish just not communicating.

0:26:18.400 --> 0:26:21.880
<v Speaker 1>How much would you say your father has influenced your type?

0:26:23.480 --> 0:26:26.919
<v Speaker 2>Yeah, this whole book is very just like kissing, and

0:26:27.000 --> 0:26:34.440
<v Speaker 2>your attraction is so influenced by like breastfeeding and your parents' sexuality.

0:26:35.359 --> 0:26:36.800
<v Speaker 1>Wait, I love the way that page you were just

0:26:36.840 --> 0:26:39.840
<v Speaker 1>on ninety one. Yeah, this image of her holding a swan.

0:26:40.320 --> 0:26:43.520
<v Speaker 1>She's wearing a bedazzled bikini.

0:26:44.440 --> 0:26:46.840
<v Speaker 2>Kind of like and the Mermaids, And there's just.

0:26:46.760 --> 0:26:49.320
<v Speaker 1>A large pol quote that says, how many people have

0:26:49.400 --> 0:26:53.840
<v Speaker 1>been baffled by a domination fantasy? What about imagining we

0:26:54.080 --> 0:26:55.919
<v Speaker 1>are the opposite sex and that.

0:26:55.960 --> 0:26:57.920
<v Speaker 2>It's a photo of which is also so sex And

0:26:57.960 --> 0:27:01.000
<v Speaker 2>the city Samantha in like a business suit.

0:27:01.320 --> 0:27:05.600
<v Speaker 1>Oh wait, yeah, but she's also doing like a Charlie's Angels,

0:27:05.600 --> 0:27:07.960
<v Speaker 1>blowing out a finger gun. And then the other one

0:27:08.000 --> 0:27:09.960
<v Speaker 1>of her in the clouds is her holding a writing crop.

0:27:10.359 --> 0:27:13.040
<v Speaker 2>And then okay, the poll quote under the swan is

0:27:13.119 --> 0:27:18.200
<v Speaker 2>and some fantasies are well just playing odd creating them.

0:27:18.240 --> 0:27:18.760
<v Speaker 2>What's funny?

0:27:18.800 --> 0:27:21.320
<v Speaker 1>Sex in this City is so obviously the most important

0:27:21.359 --> 0:27:23.480
<v Speaker 1>Joe of all time. But I've been watching like season

0:27:23.520 --> 0:27:27.199
<v Speaker 1>four and there's all these like moments when everyone's like

0:27:27.640 --> 0:27:29.960
<v Speaker 1>freaked out. I mean, like Carrie's kind of like she's

0:27:30.800 --> 0:27:32.000
<v Speaker 1>she's always read out. She s freaked out with a

0:27:32.000 --> 0:27:35.760
<v Speaker 1>guy wh wants to piss on her. They're always like ew, Samantha, no,

0:27:36.200 --> 0:27:38.840
<v Speaker 1>like that's not cool, and like Samantha's freaked up the

0:27:38.880 --> 0:27:39.480
<v Speaker 1>baby talk guy.

0:27:39.720 --> 0:27:42.439
<v Speaker 2>Then Miranda is freaked out by the guy who like

0:27:42.480 --> 0:27:44.520
<v Speaker 2>goes down on her and then is like goes to

0:27:44.600 --> 0:27:48.600
<v Speaker 2>kiss her, and she's like, are you kidding me? A napkin,

0:27:48.760 --> 0:27:50.000
<v Speaker 2>I'm all over.

0:27:50.760 --> 0:27:53.800
<v Speaker 1>I'm like when Samantha is a lesbian for two episodes

0:27:54.200 --> 0:27:57.040
<v Speaker 1>and they're all just like, whoa, please stop saying the

0:27:57.080 --> 0:27:59.000
<v Speaker 1>word vagina. It's not cool.

0:27:59.200 --> 0:28:01.399
<v Speaker 2>Yeah, I don't want to hear that.

0:28:01.720 --> 0:28:05.359
<v Speaker 1>It's also because Miranda's so freaked out and you can't

0:28:05.440 --> 0:28:08.840
<v Speaker 1>understand it, Like she's wearing like six turtlenecks and she's

0:28:08.920 --> 0:28:12.119
<v Speaker 1>just like, what are you talking about?

0:28:13.840 --> 0:28:16.320
<v Speaker 2>And then it's when Charlotte has anal and they're like

0:28:16.600 --> 0:28:20.160
<v Speaker 2>what but he's your husband, and Charlotte's like, exactly.

0:28:20.280 --> 0:28:22.480
<v Speaker 1>Here's a question I have for you, Lily. Do you

0:28:22.480 --> 0:28:23.480
<v Speaker 1>think you have a type?

0:28:24.280 --> 0:28:27.359
<v Speaker 2>I was actually thinking about that so much during this book,

0:28:27.480 --> 0:28:31.160
<v Speaker 2>And you know, on one hand, I do think I do,

0:28:31.440 --> 0:28:33.719
<v Speaker 2>and then the other I actually don't think I do.

0:28:34.040 --> 0:28:37.080
<v Speaker 2>I know some would say, what's you have? I think

0:28:37.240 --> 0:28:43.880
<v Speaker 2>some would say, you know, I like a blonde. What

0:28:44.000 --> 0:28:45.800
<v Speaker 2>do you think that comes from? You know, does it

0:28:45.840 --> 0:28:48.680
<v Speaker 2>come from the rejection of my brunettess or is it

0:28:48.720 --> 0:28:54.760
<v Speaker 2>the creation of this kind of you know, stereotypical male sexuality.

0:28:55.040 --> 0:28:59.360
<v Speaker 2>It's about my desire to be this American blooded man

0:28:59.440 --> 0:29:03.840
<v Speaker 2>with the poor event and a blonde and fulfilling that fantasy. Yes,

0:29:04.280 --> 0:29:07.320
<v Speaker 2>my persona even more than the blonde. Yes.

0:29:07.520 --> 0:29:09.520
<v Speaker 1>I think that's one hundred percent true. And I think

0:29:09.680 --> 0:29:13.600
<v Speaker 1>our own sexual identity is so wrapped up in our

0:29:13.720 --> 0:29:14.920
<v Speaker 1>fantasy of another person.

0:29:15.040 --> 0:29:16.600
<v Speaker 2>What do you think is your type. Well, I think

0:29:16.680 --> 0:29:18.880
<v Speaker 2>I do have this type. I think you have a

0:29:18.920 --> 0:29:21.640
<v Speaker 2>few types of a couple types, and I think everyone does.

0:29:21.960 --> 0:29:26.160
<v Speaker 1>Yes, some would say a few hundred times hello.

0:29:26.440 --> 0:29:30.640
<v Speaker 2>Oh honey, my type it's allid Toronto.

0:29:31.680 --> 0:29:34.160
<v Speaker 1>Does he live in Toronto? Does he have a pulse?

0:29:36.520 --> 0:29:38.480
<v Speaker 1>But I think you know certainly that the types of

0:29:38.480 --> 0:29:40.800
<v Speaker 1>men that I've dated in long term relationships, they are

0:29:40.840 --> 0:29:44.600
<v Speaker 1>all these kind of like very American men if you

0:29:44.720 --> 0:29:49.840
<v Speaker 1>were so hot, Like they're kind of these all American types.

0:29:49.880 --> 0:29:52.800
<v Speaker 2>Yet so funny because you're always desiring this kind of

0:29:52.840 --> 0:29:53.640
<v Speaker 2>franco file.

0:29:53.800 --> 0:29:55.920
<v Speaker 1>Yes, and I think my fantasy is so much more

0:29:55.960 --> 0:29:59.680
<v Speaker 1>Mediterranean and it is like the guy who's serving her

0:29:59.680 --> 0:30:02.480
<v Speaker 1>oways on a rock in Cypress. But then I always

0:30:02.560 --> 0:30:05.520
<v Speaker 1>end up dating these like super kind of like the

0:30:05.560 --> 0:30:10.360
<v Speaker 1>baseball archetype, the lacrosse archetype. Like you know, there's the

0:30:10.480 --> 0:30:13.600
<v Speaker 1>art bro, or there's the midwestern guy, like the colorade

0:30:13.600 --> 0:30:14.560
<v Speaker 1>of the western Massachusetts.

0:30:14.560 --> 0:30:15.960
<v Speaker 2>But there's these kind of different states.

0:30:16.080 --> 0:30:18.200
<v Speaker 1>Yes, but they all have this kind of like semi

0:30:18.320 --> 0:30:20.280
<v Speaker 1>rural masculinity to all of them.

0:30:20.440 --> 0:30:23.440
<v Speaker 2>No, And I think of the gay guy version of

0:30:23.480 --> 0:30:27.000
<v Speaker 2>that is like to be this girl, yes, right, yes,

0:30:27.080 --> 0:30:29.600
<v Speaker 2>and to want this guy because then I look like

0:30:29.640 --> 0:30:30.560
<v Speaker 2>you can change a tire.

0:30:30.720 --> 0:30:33.400
<v Speaker 1>Yes, And so my kind of like desire to be

0:30:33.520 --> 0:30:35.560
<v Speaker 1>like a girl name let's call her Madison.

0:30:37.200 --> 0:30:39.800
<v Speaker 2>Maybe her name is Madison. Maybe she grew up in

0:30:39.840 --> 0:30:43.000
<v Speaker 2>suburban Toronto, went to a really good school, had a

0:30:43.040 --> 0:30:46.280
<v Speaker 2>really good family, shot really good grades, wants to be

0:30:46.360 --> 0:30:46.840
<v Speaker 2>a writer.

0:30:47.360 --> 0:30:49.840
<v Speaker 1>And it's funny because I've only really really traversed the

0:30:49.920 --> 0:30:52.320
<v Speaker 1>fantasy of like the European. I mean, I lost some

0:30:52.440 --> 0:30:54.880
<v Speaker 1>virginity to a British guy. My first boyfriend was British.

0:30:54.960 --> 0:31:00.760
<v Speaker 1>But then after that, Yeah, it's semi rural. Yeah, Western

0:31:00.760 --> 0:31:05.280
<v Speaker 1>mass Colorado, northern Washington, Wisconsin.

0:31:05.880 --> 0:31:08.600
<v Speaker 2>My type is northern Washington.

0:31:09.400 --> 0:31:14.160
<v Speaker 1>So this like Toronto, which all makes me the Madison ultimately.

0:31:14.360 --> 0:31:16.160
<v Speaker 2>Yeah. But then at the end of the day, I'm like,

0:31:16.200 --> 0:31:17.920
<v Speaker 2>what is my type? I think my type is a

0:31:18.480 --> 0:31:21.240
<v Speaker 2>mischievous smile. My type is a certain type of humor.

0:31:21.960 --> 0:31:24.840
<v Speaker 2>Maybe a little bit of bossiness in the streets, but

0:31:26.200 --> 0:31:31.800
<v Speaker 2>not bossy in the apartment. Not bossy in the apartment.

0:31:31.880 --> 0:31:35.840
<v Speaker 2>Now do you think your mother's breastfeeding influenced your sexuality? Oh?

0:31:35.920 --> 0:31:40.080
<v Speaker 1>Of course she had very large nipples, which is why

0:31:40.120 --> 0:31:41.479
<v Speaker 1>I desire a small one.

0:31:41.720 --> 0:31:43.840
<v Speaker 2>It's because in ancient times.

0:31:43.440 --> 0:31:45.840
<v Speaker 1>As a rejection of the feminine.

0:31:46.320 --> 0:31:50.400
<v Speaker 2>Right, the tinier the nipple, yes, the more you were attracted.

0:31:52.280 --> 0:31:54.920
<v Speaker 1>Nipples of course, were very tiny in Western art for

0:31:55.000 --> 0:31:59.520
<v Speaker 1>centuries until they started to gain prominence as a rejection

0:31:59.720 --> 0:32:00.880
<v Speaker 1>of the female form.

0:32:01.200 --> 0:32:03.840
<v Speaker 2>There's a guy that's interviewed in this book who says

0:32:03.920 --> 0:32:06.120
<v Speaker 2>one of his turn ons is a woman who's really

0:32:06.120 --> 0:32:10.640
<v Speaker 2>good at martial arts. Now, that's what I'm saying. The

0:32:10.680 --> 0:32:14.640
<v Speaker 2>man's attraction is towards the brain. You know, it's like, yes,

0:32:14.800 --> 0:32:18.239
<v Speaker 2>maybe he has mourning wood, but a man who likes

0:32:18.360 --> 0:32:20.240
<v Speaker 2>martial arts, that's saying something.

0:32:20.600 --> 0:32:22.520
<v Speaker 1>Do you think it's just like because there's all sorts

0:32:22.520 --> 0:32:24.760
<v Speaker 1>of like a cultural fetishes that could come into play

0:32:24.760 --> 0:32:28.400
<v Speaker 1>there where he's associating martial arts with you know, a

0:32:28.440 --> 0:32:31.360
<v Speaker 1>badass woman, a woman, you know, like a dominant woman,

0:32:31.640 --> 0:32:37.280
<v Speaker 1>a woman of asia possibly yes, a woman of wearing robes,

0:32:38.040 --> 0:32:41.200
<v Speaker 1>which also has sexual connotations. And then the sword as

0:32:41.280 --> 0:32:45.680
<v Speaker 1>fallis and so maybe there's also like a latent homosexual attraction.

0:32:45.880 --> 0:32:50.280
<v Speaker 2>Right, I would say, like the martial arts, the desire

0:32:50.360 --> 0:32:53.440
<v Speaker 2>of domination is the most ereotypical thing is you know,

0:32:53.560 --> 0:32:57.280
<v Speaker 2>the businessman who wants to get walked on by stilettos. Now,

0:32:57.320 --> 0:33:01.920
<v Speaker 2>the word stiletto, the trial first says, came up in

0:33:01.960 --> 0:33:07.880
<v Speaker 2>America in the fifties and it's a long heeled shoe.

0:33:08.040 --> 0:33:14.160
<v Speaker 1>Aphdity means sea foam, as Aphrodity did emerge from the

0:33:14.200 --> 0:33:18.600
<v Speaker 1>waves of the Mediterranean and that's why women are so

0:33:18.640 --> 0:33:21.080
<v Speaker 1>assoctutid water. And then it's like the documentary cut to

0:33:21.080 --> 0:33:23.360
<v Speaker 1>that random woman just being like, oh, water is so

0:33:23.400 --> 0:33:24.120
<v Speaker 1>sexual to me.

0:33:24.840 --> 0:33:28.440
<v Speaker 2>I find the shower very erotic. Oh yeah, okay, like

0:33:28.480 --> 0:33:30.800
<v Speaker 2>I would say, like the more like basic woman that's

0:33:30.840 --> 0:33:34.440
<v Speaker 2>interviewed is this woman who says she's attracted to artsy guys,

0:33:34.800 --> 0:33:37.400
<v Speaker 2>but then she describes the guys she's attracted to, and

0:33:37.440 --> 0:33:40.440
<v Speaker 2>it's like, okay, everyone, She's like, I'm actually attracted to

0:33:41.120 --> 0:33:44.760
<v Speaker 2>really tall guys. Yeah, oh yeah, with really broad shoulders.

0:33:45.120 --> 0:33:48.040
<v Speaker 2>She's like, here's the thing. If they're tall without bron shoulders,

0:33:48.240 --> 0:33:52.560
<v Speaker 2>then I don't like them. Dark eyes, dark hair, curly,

0:33:52.680 --> 0:33:55.960
<v Speaker 2>dark hair. And then she's like, yeah, why do I

0:33:56.040 --> 0:33:59.280
<v Speaker 2>have these fantasies of having sex in water?

0:33:59.600 --> 0:34:01.640
<v Speaker 1>And it's just it's like tall, dark and handsome, like

0:34:01.680 --> 0:34:02.800
<v Speaker 1>Guyana Beach it's.

0:34:02.680 --> 0:34:06.040
<v Speaker 2>Like, yeah, that's fantasy. And then all these just like

0:34:06.080 --> 0:34:09.239
<v Speaker 2>a nerdy dad scientists who have all written books called

0:34:09.280 --> 0:34:13.360
<v Speaker 2>arousal are interviewed, and this one, like dad arousal expert,

0:34:13.440 --> 0:34:16.840
<v Speaker 2>is like, you know, actually, when people have fantasies of

0:34:16.920 --> 0:34:19.840
<v Speaker 2>having sex and nature, it's actually that they want to

0:34:19.880 --> 0:34:23.600
<v Speaker 2>be free from the chaine of society. Yes, maybe they

0:34:23.680 --> 0:34:26.160
<v Speaker 2>want to be caught. Some people want to be caught

0:34:26.200 --> 0:34:26.920
<v Speaker 2>some people don't.

0:34:27.040 --> 0:34:28.360
<v Speaker 1>Have you ever had sex in nature?

0:34:29.000 --> 0:34:32.040
<v Speaker 2>No? Oh yeah, well.

0:34:31.880 --> 0:34:34.640
<v Speaker 1>Maybe before you're forty.

0:34:34.760 --> 0:34:37.440
<v Speaker 2>It's not something I necessarily you.

0:34:37.440 --> 0:34:40.000
<v Speaker 1>Don't fantasize about. The liberation desire.

0:34:40.239 --> 0:34:43.720
<v Speaker 2>It's more sex in yes, other places, but I wouldn't

0:34:43.719 --> 0:34:45.719
<v Speaker 2>call it the other places nature that.

0:34:45.680 --> 0:34:50.600
<v Speaker 1>I've had to them as like friends, parents, guests, rooms.

0:34:51.680 --> 0:34:55.160
<v Speaker 2>You know, kind of more the American car, Yes, the

0:34:55.200 --> 0:34:56.840
<v Speaker 2>European nightclub.

0:34:56.400 --> 0:34:59.959
<v Speaker 1>Which is another side of masculinity, yes, American car. I mean,

0:35:00.160 --> 0:35:04.200
<v Speaker 1>I think obviously game al culture is really very nature,

0:35:04.320 --> 0:35:09.160
<v Speaker 1>very nature focused for cruising reasons, for social reasons, and

0:35:09.160 --> 0:35:11.479
<v Speaker 1>then I think obviously that is bound up in social

0:35:11.520 --> 0:35:14.360
<v Speaker 1>ideas of liberation, and so I think that the social

0:35:14.360 --> 0:35:17.600
<v Speaker 1>aspect of is interesting. But I do wonder about the

0:35:17.840 --> 0:35:23.080
<v Speaker 1>bye of physical relationship with nature, with feeling with dirt,

0:35:23.280 --> 0:35:27.680
<v Speaker 1>with bark, with sand, with water, and what that does

0:35:28.200 --> 0:35:29.399
<v Speaker 1>to eras well.

0:35:29.440 --> 0:35:31.640
<v Speaker 2>It also if we go back to the phallus in

0:35:31.680 --> 0:35:33.680
<v Speaker 2>the game and culture say, oh, you know the beach.

0:35:33.960 --> 0:35:37.000
<v Speaker 2>To me, who was born with the anatomy of more

0:35:37.000 --> 0:35:41.120
<v Speaker 2>of the labia minor, you know, the sex and the beach,

0:35:41.560 --> 0:35:48.000
<v Speaker 2>it seems, oh, what's going to get inside? It's getting

0:35:48.000 --> 0:35:51.719
<v Speaker 2>a little more shaped, it's getting a little more exfoliated.

0:35:52.320 --> 0:35:56.680
<v Speaker 1>Yes, no, And I think that obviously anatomy wise there

0:35:56.760 --> 0:35:59.759
<v Speaker 1>is more room to experiment. Of course, men are always

0:35:59.760 --> 0:36:02.520
<v Speaker 1>pissed on trees, and then that has its whole like

0:36:02.960 --> 0:36:07.600
<v Speaker 1>the sexual markers of domination and territoriality like coming to

0:36:07.680 --> 0:36:10.799
<v Speaker 1>play there. But I actually wonder if there is in

0:36:10.920 --> 0:36:14.480
<v Speaker 1>nature itself. We were talking about mother nature, right, I'll

0:36:14.520 --> 0:36:16.880
<v Speaker 1>admit I've had sex in a bog before, and I

0:36:16.920 --> 0:36:19.839
<v Speaker 1>think that a different bod a different.

0:36:21.360 --> 0:36:27.479
<v Speaker 2>Okay, not the bobo. Just wanted to make things clear here.

0:36:27.560 --> 0:36:31.680
<v Speaker 1>But it has a very mossy, spongy texture that is

0:36:31.680 --> 0:36:34.840
<v Speaker 1>in some ways very feminine, right it almost I wonder

0:36:34.880 --> 0:36:37.680
<v Speaker 1>if it is like men who were in the vision. Yes,

0:36:37.840 --> 0:36:40.560
<v Speaker 1>it is a return to the womb that we crave.

0:36:40.840 --> 0:36:44.839
<v Speaker 2>You're breastfeeding essential and you're saying, oh, we're here, but

0:36:45.040 --> 0:36:49.799
<v Speaker 2>mother is watching, and mother is saying it's okay. Well,

0:36:49.840 --> 0:36:51.560
<v Speaker 2>and it goes back to the brain thing. And you know,

0:36:51.600 --> 0:36:54.719
<v Speaker 2>to quote Christian Cavaleria, the question always is, you know.

0:36:55.000 --> 0:36:57.839
<v Speaker 1>Sexual expert Kristin Cavaleri, and she.

0:36:57.880 --> 0:36:59.799
<v Speaker 2>Was like, what would I do if I had a

0:37:00.120 --> 0:37:02.920
<v Speaker 2>parade where I would like jerk off all day long?

0:37:03.000 --> 0:37:08.799
<v Speaker 2>Then I would piss? And I do think in that

0:37:08.840 --> 0:37:13.520
<v Speaker 2>way like sex outside would be easier with the foulus.

0:37:13.480 --> 0:37:19.960
<v Speaker 1>Absolutely and oral of course, although isn't oral easy anywhere

0:37:20.000 --> 0:37:20.560
<v Speaker 1>for a woman?

0:37:21.040 --> 0:37:25.560
<v Speaker 2>Or do you really need like the bed? I would

0:37:25.600 --> 0:37:28.920
<v Speaker 2>call it easy, okay, you know what I mean, Like

0:37:29.120 --> 0:37:31.880
<v Speaker 2>you could, but it's not easy. It would be more

0:37:31.920 --> 0:37:33.839
<v Speaker 2>idea because you have to get a little bit more

0:37:34.360 --> 0:37:35.160
<v Speaker 2>to get under.

0:37:35.360 --> 0:37:35.560
<v Speaker 1>You know.

0:37:35.680 --> 0:37:38.080
<v Speaker 2>It's it's like you're kneeling and the dick is just

0:37:38.200 --> 0:37:41.600
<v Speaker 2>in your face. Hello, good morning Seattle. Right, ok, you

0:37:41.680 --> 0:37:43.759
<v Speaker 2>have to kind of get under and spread. It's a

0:37:43.880 --> 0:37:46.480
<v Speaker 2>little stand and finger.

0:37:46.760 --> 0:37:51.400
<v Speaker 1>Fingering, yes, which I saw it. That panel once said

0:37:51.960 --> 0:37:54.520
<v Speaker 1>that the lesbians at re speech in the seventies would

0:37:54.560 --> 0:37:56.400
<v Speaker 1>stand in a shopping bag and figure each other so

0:37:56.440 --> 0:37:57.719
<v Speaker 1>cops couldn't see under the door.

0:37:57.760 --> 0:38:00.800
<v Speaker 2>Exactly. That's easy. You can absolutely fin you're in a bog.

0:38:01.160 --> 0:38:05.280
<v Speaker 1>I want to talk about the connection between sex and comedy.

0:38:06.239 --> 0:38:10.400
<v Speaker 1>Michael Bowder explains, we feel guilty and ashamed of sex,

0:38:10.840 --> 0:38:14.160
<v Speaker 1>and so what jokes do is play on our guilt

0:38:14.200 --> 0:38:18.280
<v Speaker 1>and shame, make us laugh and enable us to enjoy sex.

0:38:18.800 --> 0:38:22.640
<v Speaker 1>It's a form of mastery. That's so interesting because in

0:38:22.719 --> 0:38:27.680
<v Speaker 1>this context, sex becomes something we fear, something we must tame,

0:38:28.200 --> 0:38:33.319
<v Speaker 1>and comedy jokes allow us to be in control over

0:38:33.320 --> 0:38:34.360
<v Speaker 1>the dominion of sex.

0:38:34.719 --> 0:38:36.640
<v Speaker 2>No one said it, but sex is almost like stand

0:38:36.680 --> 0:38:39.160
<v Speaker 2>up the first time you do it. Yes, you're so

0:38:39.600 --> 0:38:43.400
<v Speaker 2>they're so much frame and you probably won't kill No,

0:38:43.600 --> 0:38:44.520
<v Speaker 2>you probably won't come.

0:38:44.640 --> 0:38:47.399
<v Speaker 1>But when you get that first chuckle for the.

0:38:47.360 --> 0:38:49.760
<v Speaker 2>Audience, oh, there's nothing better.

0:38:49.840 --> 0:38:52.719
<v Speaker 1>It's the thumbs up and you say, I can keep going.

0:38:52.480 --> 0:38:54.920
<v Speaker 2>And it's the building, and it's the building. Yes, But

0:38:55.160 --> 0:38:58.120
<v Speaker 2>let's talk about actual jokes during sex.

0:38:58.440 --> 0:39:01.719
<v Speaker 1>Hmm, okay, when you're doing the borsch belt routine in

0:39:01.800 --> 0:39:02.959
<v Speaker 1>the booder, I.

0:39:02.840 --> 0:39:06.239
<v Speaker 2>Think it's about right telling exact jokes. But I do

0:39:06.280 --> 0:39:08.400
<v Speaker 2>think it's so important to have a little bit of

0:39:08.480 --> 0:39:12.400
<v Speaker 2>humor and be able to laugh. Yeah, because also sometimes

0:39:12.400 --> 0:39:15.759
<v Speaker 2>things can get awkward, things can get weird.

0:39:15.680 --> 0:39:19.080
<v Speaker 1>If I may be radically vulnerable for a second. I

0:39:19.200 --> 0:39:26.319
<v Speaker 1>actually think that I tend to laugh more on a

0:39:26.640 --> 0:39:31.160
<v Speaker 1>second sexual outing with a man, because the first time,

0:39:31.320 --> 0:39:35.160
<v Speaker 1>oh yeah, is almost a little it's like pretty performative.

0:39:36.280 --> 0:39:38.560
<v Speaker 1>I mean, you're so into the fact that like, oh,

0:39:39.560 --> 0:39:42.600
<v Speaker 1>we're in a hallway, like oh, the mayor d is

0:39:42.640 --> 0:39:43.520
<v Speaker 1>coming right.

0:39:43.600 --> 0:39:45.439
<v Speaker 2>I'm British. But then the.

0:39:45.360 --> 0:39:47.759
<v Speaker 1>Second time, I think can be more giggly. I think

0:39:47.800 --> 0:39:50.880
<v Speaker 1>as a relationship goes on and the oxytocin wanes, I

0:39:50.960 --> 0:39:55.239
<v Speaker 1>actually find you probably giggle less unless you're reacting to

0:39:55.280 --> 0:39:59.719
<v Speaker 1>something funny that's actually happening in real time, because you're

0:39:59.719 --> 0:40:02.120
<v Speaker 1>actual doing more fantasy work.

0:40:02.360 --> 0:40:04.680
<v Speaker 2>See it's so funny. I find the opposite. I actually

0:40:04.680 --> 0:40:06.680
<v Speaker 2>find that the giggling is even more.

0:40:07.120 --> 0:40:10.720
<v Speaker 1>You giggle more than ever at year eleven or fifteen.

0:40:11.160 --> 0:40:14.040
<v Speaker 2>Yeah, because I feel like more of Actually, yeah, those

0:40:14.080 --> 0:40:19.560
<v Speaker 2>first times are so like yeah, performative, interesting, not all

0:40:19.600 --> 0:40:22.160
<v Speaker 2>the time, but then like you know, sometimes it is

0:40:22.200 --> 0:40:23.640
<v Speaker 2>a little more giggly.

0:40:23.920 --> 0:40:26.520
<v Speaker 1>See, I feel like the sex now this is now

0:40:26.680 --> 0:40:31.520
<v Speaker 1>nobody wants this like literally, see, I feel like the

0:40:31.560 --> 0:40:35.480
<v Speaker 1>sex with my rabbi now is it's like because we've

0:40:35.520 --> 0:40:39.240
<v Speaker 1>been in a relationship for a longer time. It's more like, Oh,

0:40:39.480 --> 0:40:42.400
<v Speaker 1>this is this is what I paid for, This is

0:40:42.400 --> 0:40:44.040
<v Speaker 1>why I subscribe to the sub stack.

0:40:44.120 --> 0:40:47.000
<v Speaker 2>You know what I mean? No laughing aloud. It's more

0:40:47.120 --> 0:40:50.040
<v Speaker 2>like sometimes our laughter filled and sometimes are not. It

0:40:50.120 --> 0:40:53.040
<v Speaker 2>depends on the play session, if you will.

0:40:53.239 --> 0:40:55.640
<v Speaker 1>I guess, yes, it does depend on the play I'm

0:40:55.680 --> 0:41:01.040
<v Speaker 1>not thinking like a little chuckle. I'm thinking like big laughs.

0:41:01.120 --> 0:41:04.440
<v Speaker 2>Yeah, I guess I'm talking about more like little giggles.

0:41:04.560 --> 0:41:07.839
<v Speaker 2>Oh yeah, I mean little giggles are always we're talking

0:41:07.840 --> 0:41:11.680
<v Speaker 2>about this, Like who talk about hooping and hollering? Watching

0:41:12.120 --> 0:41:16.760
<v Speaker 2>Kim Katrell walk through Cyprus, I was screaming with laughter.

0:41:17.000 --> 0:41:19.960
<v Speaker 1>Yeah, I mean the movie is like one of the

0:41:20.000 --> 0:41:21.479
<v Speaker 1>funniest movies I've ever seen.

0:41:21.520 --> 0:41:23.680
<v Speaker 2>It's three ninety nine to round.

0:41:23.560 --> 0:41:28.360
<v Speaker 1>And turning around and facing camera. She'll be like walking

0:41:28.400 --> 0:41:31.239
<v Speaker 1>away and like wearing just like a weird top with

0:41:31.280 --> 0:41:34.480
<v Speaker 1>like seven key holes in it, and then like turns

0:41:34.520 --> 0:41:37.440
<v Speaker 1>around and faces the camera and just like and what's

0:41:37.680 --> 0:41:41.280
<v Speaker 1>more interesting than sex with desire?

0:41:42.000 --> 0:41:45.040
<v Speaker 2>Can I ask you a question, do you think me

0:41:45.239 --> 0:41:48.040
<v Speaker 2>early more than parents? I actually, for me, I think

0:41:48.120 --> 0:41:51.480
<v Speaker 2>early media. Probably I watched define sexuality.

0:41:52.040 --> 0:41:55.640
<v Speaker 1>Yeah, I mean, of course, like movies completely defined sexuality.

0:41:55.680 --> 0:41:57.400
<v Speaker 2>Would you like to share and be vulnerable?

0:41:57.719 --> 0:42:00.440
<v Speaker 1>I mean, like, what dominating my fantasy?

0:42:00.560 --> 0:42:02.680
<v Speaker 2>Or do you think what turned you on to something

0:42:02.760 --> 0:42:04.759
<v Speaker 2>that you didn't even know you were turned on by?

0:42:05.400 --> 0:42:08.000
<v Speaker 2>And you can be vague just named the film of

0:42:08.000 --> 0:42:12.000
<v Speaker 2>a situation interesting In music, you know, maybe the fast

0:42:12.040 --> 0:42:16.840
<v Speaker 2>paced techno of French electro, of daft punk. While driving?

0:42:17.040 --> 0:42:18.680
<v Speaker 1>Yeah, I mean, you know, I look back at like

0:42:18.800 --> 0:42:21.879
<v Speaker 1>Charlie's Angels too full Throttle and Justin Thireau and that

0:42:21.960 --> 0:42:24.359
<v Speaker 1>film and his abs, But I also think like those

0:42:24.360 --> 0:42:26.760
<v Speaker 1>are obvious things. It's like, oh, it's a guy with abs.

0:42:26.920 --> 0:42:29.160
<v Speaker 2>Well, it's so funny you mentioned Charlie's Angels because I

0:42:29.160 --> 0:42:31.880
<v Speaker 2>remember walking with you in the erotic town of Salem,

0:42:31.960 --> 0:42:35.360
<v Speaker 2>Massachusetts once at a field trip and you said to me,

0:42:36.840 --> 0:42:39.360
<v Speaker 2>Lucy Lou is so hot.

0:42:40.000 --> 0:42:42.600
<v Speaker 1>That is interesting.

0:42:43.480 --> 0:42:48.400
<v Speaker 2>Fourteenth Yeah, and she is, for sure, she totally is.

0:42:48.800 --> 0:42:55.200
<v Speaker 2>And I was like, I think it was like, yes,

0:42:55.280 --> 0:42:56.440
<v Speaker 2>seeing girls.

0:42:56.080 --> 0:42:59.040
<v Speaker 1>Be dark, there's an anti social nest there a little

0:42:59.040 --> 0:43:01.760
<v Speaker 1>bit because like dark girl wants to be submissive because

0:43:01.760 --> 0:43:03.680
<v Speaker 1>it's like naughty.

0:43:03.080 --> 0:43:05.200
<v Speaker 2>Yes, And then I think on the gay factor, it's like,

0:43:05.320 --> 0:43:07.759
<v Speaker 2>maybe the dark girl is most likely to kind of

0:43:07.760 --> 0:43:13.120
<v Speaker 2>be like be a lesbian, yeah, and not be fucking conventional.

0:43:13.520 --> 0:43:16.440
<v Speaker 1>Right, that's also true, and it's just like, yeah, it's

0:43:16.600 --> 0:43:18.760
<v Speaker 1>a flouting of convention in general.

0:43:18.920 --> 0:43:21.000
<v Speaker 2>But then it's so virginal. But then in the opposite

0:43:21.040 --> 0:43:23.560
<v Speaker 2>it's you know, what's more attractive that the basic right

0:43:23.560 --> 0:43:28.360
<v Speaker 2>is the lacrosse player, the cheerleader who goes dark. It's funny.

0:43:28.400 --> 0:43:29.520
<v Speaker 1>Then I think, you know, I was so into you

0:43:29.520 --> 0:43:31.840
<v Speaker 1>and McGregor when we routines as well, and as I

0:43:31.880 --> 0:43:33.960
<v Speaker 1>came out as bisexual in ninth grade, I started to

0:43:34.000 --> 0:43:37.879
<v Speaker 1>really pursue a Uman McGregor crush with a plump and

0:43:38.360 --> 0:43:41.719
<v Speaker 1>for me, he was a man, but there was also

0:43:41.719 --> 0:43:43.160
<v Speaker 1>something a little bit gay and European about him, and

0:43:43.200 --> 0:43:45.239
<v Speaker 1>so he was there was an accessibility there that I

0:43:45.280 --> 0:43:48.560
<v Speaker 1>felt he was like a bridge to a sexuality I

0:43:48.640 --> 0:43:51.080
<v Speaker 1>could have. And I didn't yet know if I wanted

0:43:51.080 --> 0:43:52.680
<v Speaker 1>to be him or fuck him, but I was like

0:43:52.880 --> 0:43:55.120
<v Speaker 1>I could live in a world of europeanist one.

0:43:55.000 --> 0:43:56.960
<v Speaker 2>Day, yes, and I would like to bring up the

0:43:57.000 --> 0:43:59.439
<v Speaker 2>movie that I think of kind of an ironic route

0:43:59.440 --> 0:44:02.120
<v Speaker 2>for me, a life less Ordinary, which is Cameron Diaz

0:44:02.200 --> 0:44:05.000
<v Speaker 2>and you and McGregor, and it is kind of this

0:44:05.160 --> 0:44:12.600
<v Speaker 2>like sexy erotic European electronic music alternative mmm mm hm.

0:44:13.480 --> 0:44:17.120
<v Speaker 1>And so once again you see your punk identity being

0:44:17.320 --> 0:44:19.960
<v Speaker 1>validated in the erotic narrative.

0:44:20.120 --> 0:44:22.719
<v Speaker 2>It is ideas. And she is more a blonde you're saying,

0:44:22.960 --> 0:44:25.400
<v Speaker 2>I'm not, oh so she's no, But she's kind of

0:44:25.480 --> 0:44:28.960
<v Speaker 2>dark in that movie, a little more like Kimeron's is

0:44:28.960 --> 0:44:31.080
<v Speaker 2>always a guy's girl. It's a guys girl. It's kind

0:44:31.080 --> 0:44:33.000
<v Speaker 2>of like, what if I said this.

0:44:33.200 --> 0:44:35.759
<v Speaker 1>Do you see orgasm as freedom?

0:44:36.040 --> 0:44:39.880
<v Speaker 2>Yes? I think she brings up in this book studies show.

0:44:40.760 --> 0:44:43.239
<v Speaker 2>You know, it's the only time in life, you know,

0:44:43.320 --> 0:44:46.920
<v Speaker 2>you're not trying to do this. Politics aren't being discussed

0:44:48.560 --> 0:44:49.120
<v Speaker 2>really let go.

0:44:49.520 --> 0:44:51.640
<v Speaker 1>The French of course called Le putino, which means the

0:44:51.680 --> 0:44:54.120
<v Speaker 1>little death, and it is a death because it is

0:44:54.160 --> 0:44:58.799
<v Speaker 1>a release quite physically literally released. But also do we

0:44:58.880 --> 0:45:02.240
<v Speaker 1>lose our cells in create a space for something larger

0:45:02.280 --> 0:45:06.279
<v Speaker 1>as she argues, or is it just sensation? It's so

0:45:06.360 --> 0:45:09.080
<v Speaker 1>hard to say because it's like the one moment when

0:45:09.080 --> 0:45:13.239
<v Speaker 1>you really can't be thinking about something truly, except those

0:45:13.320 --> 0:45:16.560
<v Speaker 1>times though, when you know you're psyching yourself out, like

0:45:16.600 --> 0:45:18.759
<v Speaker 1>you're like, oh, like, don't think about my dad while

0:45:18.760 --> 0:45:21.279
<v Speaker 1>I'm coming, And then like because you're trying to not

0:45:21.360 --> 0:45:23.279
<v Speaker 1>think about it, then you're thinking about it, you know,

0:45:25.360 --> 0:45:27.400
<v Speaker 1>and then you're like running your fingers along in the

0:45:27.440 --> 0:45:29.560
<v Speaker 1>dry cleaning in your dad's closet and you're just like,

0:45:29.560 --> 0:45:30.080
<v Speaker 1>why am I here?

0:45:30.120 --> 0:45:31.680
<v Speaker 2>Why am I here? And like you can't get out

0:45:31.719 --> 0:45:35.960
<v Speaker 2>of there. You're smelling his big socks. Run the marathon in.

0:45:37.600 --> 0:45:39.880
<v Speaker 1>But other than that, I feel like that's.

0:45:39.680 --> 0:45:43.399
<v Speaker 2>Always more for pre but more during. Yeah, your lights

0:45:43.400 --> 0:45:45.600
<v Speaker 2>at don't think about that because that's such a thing

0:45:45.680 --> 0:45:47.400
<v Speaker 2>you're not supposed to think about during.

0:45:47.440 --> 0:45:52.240
<v Speaker 1>It is just like total utter loss.

0:45:51.680 --> 0:45:54.200
<v Speaker 4>Of what you're supposed to do in this I wonder

0:45:54.239 --> 0:45:56.239
<v Speaker 4>you know, we haven't discussed porn yet, but you know,

0:45:56.280 --> 0:46:00.000
<v Speaker 4>there's a lot being said today about how porn ruins fantasm,

0:46:00.320 --> 0:46:02.360
<v Speaker 4>and people both on the left and right under the

0:46:02.400 --> 0:46:08.440
<v Speaker 4>spectrum have said that porn is changing the way that

0:46:08.800 --> 0:46:14.319
<v Speaker 4>people view their own sexuality and their expectations from sexual partners,

0:46:14.920 --> 0:46:18.200
<v Speaker 4>their expectations of their own identity, creation and how they

0:46:18.280 --> 0:46:19.320
<v Speaker 4>see themselves.

0:46:20.440 --> 0:46:23.840
<v Speaker 1>I'm wondering to what extent that's true. Obviously, I've been

0:46:23.880 --> 0:46:26.360
<v Speaker 1>looking at porn for most of my career.

0:46:26.400 --> 0:46:27.280
<v Speaker 2>As a man.

0:46:27.480 --> 0:46:30.000
<v Speaker 1>It's hard to say how much has influenced me or

0:46:30.080 --> 0:46:34.480
<v Speaker 1>not because I'm very into taboo, power dynamics and porn.

0:46:34.920 --> 0:46:41.399
<v Speaker 1>I think the stepfather, the stepfather, the military man. It's

0:46:41.520 --> 0:46:44.239
<v Speaker 1>like the boy scout leader and the truth, the.

0:46:44.239 --> 0:46:46.760
<v Speaker 2>Class of the teacher, the football.

0:46:46.400 --> 0:46:48.640
<v Speaker 1>Code, Like there's always something like that, and like the

0:46:48.840 --> 0:46:51.839
<v Speaker 1>more like difference the cop and the guy who's been

0:46:51.880 --> 0:46:53.560
<v Speaker 1>accused of shoplifting.

0:46:53.960 --> 0:46:57.640
<v Speaker 2>Like it's kind of like fast food everything in moderation.

0:46:57.840 --> 0:47:00.800
<v Speaker 1>Oh, in terms of porn not affecting you're but it's like,

0:47:00.880 --> 0:47:02.640
<v Speaker 1>but all those fantasies to me are kind of like.

0:47:02.520 --> 0:47:05.600
<v Speaker 2>They're there before. Yeah, they're only they're there to kind

0:47:05.600 --> 0:47:08.840
<v Speaker 2>of help you come along. I don't mean to do

0:47:08.880 --> 0:47:09.840
<v Speaker 2>it in new ways.

0:47:10.160 --> 0:47:12.359
<v Speaker 1>But I think the criticism would be that it's like

0:47:12.560 --> 0:47:17.560
<v Speaker 1>you're watching people like be so porny in the way

0:47:17.600 --> 0:47:19.560
<v Speaker 1>they move and interact with each other physically.

0:47:19.880 --> 0:47:22.279
<v Speaker 2>Right, they're saying that like porn ruins the way you're

0:47:22.320 --> 0:47:23.520
<v Speaker 2>having sex, because.

0:47:23.320 --> 0:47:25.520
<v Speaker 1>Then you're not being like curious and exploring with your

0:47:25.560 --> 0:47:30.880
<v Speaker 1>fingers and really inhaling someone's scent and their leather and

0:47:30.920 --> 0:47:33.239
<v Speaker 1>they're better and they're cinnamon and you're not like.

0:47:33.160 --> 0:47:35.000
<v Speaker 2>They're pumpkins burying your.

0:47:34.960 --> 0:47:37.080
<v Speaker 1>Like plague nose and their cinematon.

0:47:37.200 --> 0:47:39.600
<v Speaker 2>I know, I'm like, does Kim Katrell because.

0:47:39.360 --> 0:47:40.920
<v Speaker 1>You're just like thinking about a porn just kind of

0:47:41.400 --> 0:47:42.440
<v Speaker 1>watching porn.

0:47:42.680 --> 0:47:43.920
<v Speaker 2>I feel like she's.

0:47:43.680 --> 0:47:47.719
<v Speaker 1>Watching porn in a way where she's like lighting candles

0:47:47.760 --> 0:47:50.839
<v Speaker 1>and watching like an eighties porn like with her love.

0:47:50.880 --> 0:47:53.360
<v Speaker 2>No, I know, I think it's like candles. I almost

0:47:53.440 --> 0:47:55.719
<v Speaker 2>wonder if it's like seventies it's.

0:47:55.800 --> 0:47:58.440
<v Speaker 1>Yeah, it's definitely older porn. But she's like interested in

0:47:58.520 --> 0:48:00.319
<v Speaker 1>like a new directtion.

0:48:01.560 --> 0:48:04.560
<v Speaker 2>Right, this is a sweetish direction, right, it's a little

0:48:04.600 --> 0:48:07.680
<v Speaker 2>more erotic films like whatever I happened to NC seventeen

0:48:07.840 --> 0:48:11.600
<v Speaker 2>an erotic film for me? Yeah, that was the Doom

0:48:11.680 --> 0:48:16.040
<v Speaker 2>Generation Gregor Rocky erotic thriller. Yes, I was like seeing

0:48:16.160 --> 0:48:19.040
<v Speaker 2>things that, like I was like, I've never seen this before,

0:48:19.520 --> 0:48:22.080
<v Speaker 2>and she is more of the erotic film than like

0:48:22.200 --> 0:48:24.399
<v Speaker 2>with what she's been mareed three times but is now

0:48:24.400 --> 0:48:27.200
<v Speaker 2>single good for her? I know her last marriage was

0:48:27.200 --> 0:48:28.360
<v Speaker 2>to an audio technician.

0:48:28.840 --> 0:48:31.160
<v Speaker 1>Wow, I bet you know how to turn her mouth.

0:48:31.320 --> 0:48:33.680
<v Speaker 2>Because sound is also so huge.

0:48:34.360 --> 0:48:36.719
<v Speaker 1>Sound is really big because it's.

0:48:36.640 --> 0:48:38.959
<v Speaker 2>About receiving the sound from your lover.

0:48:39.280 --> 0:48:42.239
<v Speaker 1>Yes. Sound is because if they're just.

0:48:42.200 --> 0:48:43.680
<v Speaker 2>Silent, then it's.

0:48:43.560 --> 0:48:46.920
<v Speaker 1>Like hello, Yeah, it's funny.

0:48:47.040 --> 0:48:47.400
<v Speaker 2>I don't know.

0:48:47.440 --> 0:48:48.160
<v Speaker 1>I'm into both.

0:48:48.400 --> 0:48:50.439
<v Speaker 2>I'm into sound and visuals. But almost now i'm thinking

0:48:50.440 --> 0:48:52.120
<v Speaker 2>about it, I'm like, maybe I'm more into sound.

0:48:52.320 --> 0:48:54.840
<v Speaker 1>I'm into both a loud lover and also like a

0:48:54.920 --> 0:48:55.879
<v Speaker 1>deadly silent lover.

0:48:56.040 --> 0:48:58.600
<v Speaker 2>Well, because that's erotic into its own. Yes, because it's

0:48:58.640 --> 0:49:00.959
<v Speaker 2>like I'm taking over you're just here.

0:49:02.440 --> 0:49:05.120
<v Speaker 1>It creates more space for my sound.

0:49:05.600 --> 0:49:09.879
<v Speaker 2>You're like the loud one. It's about you're the loud one,

0:49:10.200 --> 0:49:12.120
<v Speaker 2>and it's about kind of more. I think you're more like,

0:49:12.400 --> 0:49:15.480
<v Speaker 2>let me have more like the silent football coach, right,

0:49:15.960 --> 0:49:33.359
<v Speaker 2>so you can be Madison studies show segments how does

0:49:33.400 --> 0:49:36.000
<v Speaker 2>she live? What does she wear? What does she eat?

0:49:36.239 --> 0:49:40.600
<v Speaker 2>Are we doing that for? Or okay, what does she eat?

0:49:40.920 --> 0:49:45.240
<v Speaker 1>Peaches, oyster, chocolate, pomeg cinnamon.

0:49:46.320 --> 0:49:49.080
<v Speaker 2>You know what's actually such? I think an erotic, more

0:49:49.239 --> 0:49:53.400
<v Speaker 2>chemicatrolic erotic meal. In this way, it's so like cherry

0:49:53.560 --> 0:49:57.080
<v Speaker 2>cinnamon lamb chops.

0:49:55.840 --> 0:50:00.200
<v Speaker 1>Like something kind of like so the Sandra d used

0:50:00.200 --> 0:50:01.600
<v Speaker 1>to have the cooking show. If you said, there's like

0:50:01.640 --> 0:50:05.839
<v Speaker 1>someone who posts like unhinged recipes, and like there's one

0:50:05.840 --> 0:50:10.760
<v Speaker 1>where she's there just like it's chocolate cherry wine ribs.

0:50:10.880 --> 0:50:13.880
<v Speaker 1>And she's just always been like, I'm making a blueberry

0:50:13.920 --> 0:50:18.000
<v Speaker 1>sauce for my like a dobo like chocolate tacos.

0:50:17.520 --> 0:50:21.120
<v Speaker 2>And that's very like I'm forty three, I'm divorced and

0:50:21.160 --> 0:50:25.680
<v Speaker 2>I'm seducing another forty five year old businessman. Yeah, and

0:50:25.719 --> 0:50:30.520
<v Speaker 2>the way to his stomach is cabernet. Yeah, and chocolate ribs.

0:50:30.640 --> 0:50:34.200
<v Speaker 1>No, She's definitely like red meat, red fruit. I mean,

0:50:34.239 --> 0:50:37.440
<v Speaker 1>it's just that literalism of just like red being passion

0:50:37.560 --> 0:50:38.600
<v Speaker 1>and so I'm gonna eat red.

0:50:38.880 --> 0:50:42.600
<v Speaker 2>I'm like, I don't think food for me, it's food.

0:50:42.480 --> 0:50:43.320
<v Speaker 1>Is so erotic.

0:50:43.440 --> 0:50:47.520
<v Speaker 2>For you, You're red side. Food is erotic. But like

0:50:48.320 --> 0:50:51.280
<v Speaker 2>if we're talking about like what's kind of the most erotic,

0:50:51.320 --> 0:50:55.000
<v Speaker 2>it's being not fault I tell you that that's for me.

0:50:56.440 --> 0:51:00.839
<v Speaker 2>But of course, but the day food and making its full.

0:51:01.280 --> 0:51:04.760
<v Speaker 1>There's nothing actually more food driven than lack of food,

0:51:05.000 --> 0:51:07.680
<v Speaker 1>because it's hunger. It's hunger itself, and it's hunger for

0:51:07.760 --> 0:51:10.320
<v Speaker 1>what is it hunger for pussy or is it hunger

0:51:10.360 --> 0:51:10.759
<v Speaker 1>for veal?

0:51:10.760 --> 0:51:18.040
<v Speaker 2>Parmegan It's then feel.

0:51:16.080 --> 0:51:21.560
<v Speaker 1>Like that's really Italian like lesbian sext toy line.

0:51:21.760 --> 0:51:28.480
<v Speaker 2>Feel now I got veal on the braid. Okay, so

0:51:28.640 --> 0:51:37.040
<v Speaker 2>Kim Katrell, It's champagne, it's chocolate covered strawberries, balsamac It's

0:51:37.080 --> 0:51:41.120
<v Speaker 2>Mediterranean style. Yeah, it's great, believes so many.

0:51:41.760 --> 0:51:43.799
<v Speaker 1>It's anything that can be like fed to you while

0:51:43.800 --> 0:51:46.080
<v Speaker 1>you're reclining on a rock.

0:51:48.000 --> 0:51:48.839
<v Speaker 2>What does she wear?

0:51:49.200 --> 0:51:51.480
<v Speaker 1>Honestly, she should walk in a Couslado show.

0:51:51.560 --> 0:51:55.240
<v Speaker 2>Oh my god, Yeah, because she's like creative nitwear. Yeah,

0:51:55.320 --> 0:52:00.919
<v Speaker 2>it's off the shoulder, elbow patches and then slits on

0:52:01.040 --> 0:52:03.520
<v Speaker 2>the sleeve. But then also it's like I think she's

0:52:03.560 --> 0:52:09.400
<v Speaker 2>still just like body con leopard coat, stilettos, sweater.

0:52:09.400 --> 0:52:12.560
<v Speaker 1>Because she's pushing seventy and she looks amazing and she

0:52:12.800 --> 0:52:15.040
<v Speaker 1>is just kind of being like, I'm gonna do classic

0:52:15.200 --> 0:52:19.000
<v Speaker 1>power women's beltic stuff. Obviously, her character in The Sex

0:52:19.000 --> 0:52:21.879
<v Speaker 1>and the City dresses in this really loud.

0:52:21.760 --> 0:52:24.520
<v Speaker 2>Like business Patricia sex business.

0:52:24.280 --> 0:52:27.440
<v Speaker 1>One where she's always wearing like a crazy pink suit

0:52:27.520 --> 0:52:29.360
<v Speaker 1>and like the animal prim send.

0:52:29.239 --> 0:52:31.600
<v Speaker 2>Like the belt. In her personal life, I.

0:52:31.520 --> 0:52:35.040
<v Speaker 1>Think she is like more sexy, but it's more coastal

0:52:35.080 --> 0:52:37.640
<v Speaker 1>because she grew up on Vancouver Island. It's always like

0:52:37.680 --> 0:52:39.920
<v Speaker 1>a little bit rocky, a little bit like.

0:52:40.360 --> 0:52:45.799
<v Speaker 2>She's sitting actually looking over because she's cold beat and

0:52:45.840 --> 0:52:49.840
<v Speaker 2>I think she's wrapping her maybe nude body in a

0:52:49.960 --> 0:52:51.320
<v Speaker 2>huge cashmir blanket.

0:52:51.480 --> 0:52:56.400
<v Speaker 1>Yes and throws yes, and like booties.

0:52:57.200 --> 0:53:00.160
<v Speaker 2>She's not like very sneaker. I don't think no oh,

0:53:00.880 --> 0:53:03.640
<v Speaker 2>and I think she is stilettos and like stomping on

0:53:03.680 --> 0:53:06.200
<v Speaker 2>her audio. Guy, how does she live?

0:53:06.280 --> 0:53:11.080
<v Speaker 1>She's definitely has framed photos of boundary bursting burlesque babes

0:53:11.800 --> 0:53:15.480
<v Speaker 1>like j Baker ships.

0:53:16.920 --> 0:53:21.759
<v Speaker 2>On her wall and so May West quotes same. And

0:53:21.800 --> 0:53:26.040
<v Speaker 2>also I think it's like paintings of legs. Yeah, and

0:53:26.120 --> 0:53:31.600
<v Speaker 2>fallus sculptures. Its house so fabulous. It's sexy Buddha.

0:53:31.880 --> 0:53:34.720
<v Speaker 1>And does she live in like Scotland, Toronto or.

0:53:35.000 --> 0:53:39.120
<v Speaker 2>I think she's London, Okay, And so also she's pulling

0:53:39.160 --> 0:53:40.560
<v Speaker 2>out like ancient.

0:53:41.560 --> 0:53:45.640
<v Speaker 1>She hates Carrie Bradshaw. She lives in London. So what

0:53:45.680 --> 0:53:47.719
<v Speaker 1>I like about this book is at the end there's

0:53:47.760 --> 0:53:49.920
<v Speaker 1>not even a note from her. There's just a note

0:53:49.960 --> 0:53:53.600
<v Speaker 1>from the publisher. The publisher would like to acknowledge with

0:53:53.760 --> 0:53:57.320
<v Speaker 1>enormous thanks the following people for their invaluable help on flagging, enthusiasm, generosity,

0:53:57.360 --> 0:53:59.640
<v Speaker 1>and grace during the making this book. Kim Ktrell, who

0:53:59.680 --> 0:54:02.160
<v Speaker 1>gave a this wonderful opportunity to work with her. They're

0:54:02.239 --> 0:54:04.480
<v Speaker 1>kind of being like, she didn't write it, but we

0:54:04.560 --> 0:54:06.680
<v Speaker 1>thank her for sort of for involvement in the book.

0:54:07.120 --> 0:54:09.799
<v Speaker 2>And then this big quote, desire is like the sun,

0:54:10.239 --> 0:54:16.400
<v Speaker 2>It nurtures, it burns, it's heat irresistible. You're like, oh, okay, Waters,

0:54:17.760 --> 0:54:18.320
<v Speaker 2>I mean earth.

0:54:18.640 --> 0:54:20.840
<v Speaker 1>Desire is life is Freud said, everything is erotic. I

0:54:20.880 --> 0:54:22.719
<v Speaker 1>don't know if it's a direct quote, but it's basically

0:54:22.800 --> 0:54:25.279
<v Speaker 1>what his kind of thing was. And it's like, I

0:54:25.360 --> 0:54:27.279
<v Speaker 1>do think the lesson of the book is it's like

0:54:27.680 --> 0:54:30.960
<v Speaker 1>sexuality is in everything, and it informs everything we do,

0:54:31.040 --> 0:54:33.640
<v Speaker 1>and if you are not in touch with the living world,

0:54:33.640 --> 0:54:35.879
<v Speaker 1>in the world around you, your sex life is not.

0:54:35.840 --> 0:54:38.080
<v Speaker 2>Going to be satisfying exactly. I don't think it is

0:54:38.120 --> 0:54:40.399
<v Speaker 2>an on and off switch, and I think we need

0:54:40.440 --> 0:54:43.080
<v Speaker 2>to kind of throw these ideas of what turns a

0:54:43.120 --> 0:54:45.960
<v Speaker 2>man on what turns a woman on? It's really what

0:54:46.080 --> 0:54:47.320
<v Speaker 2>turns mom or Earth.

0:54:47.200 --> 0:54:50.600
<v Speaker 1>On, yes, and what turns her off? Climate change?

0:54:50.760 --> 0:54:55.719
<v Speaker 2>Thank you, so use plastics d growth. Now.

0:54:56.040 --> 0:54:59.600
<v Speaker 1>Also, let me just note the book was printed in Singapore.

0:55:00.680 --> 0:55:04.719
<v Speaker 2>That makes sense. I feel like she like.

0:55:04.800 --> 0:55:07.960
<v Speaker 1>Had this idea and like told the documentary to HBO

0:55:08.000 --> 0:55:10.360
<v Speaker 1>and they're like, I mean, we can't say no because

0:55:10.400 --> 0:55:12.040
<v Speaker 1>like in the city is like such a big deal.

0:55:12.080 --> 0:55:13.880
<v Speaker 1>You can kind of do whatever you want. But like

0:55:13.880 --> 0:55:18.520
<v Speaker 1>we al should have a book to random and they

0:55:18.560 --> 0:55:20.440
<v Speaker 1>like went to random house and they were like.

0:55:20.400 --> 0:55:26.160
<v Speaker 2>This is random, Okay, who are you in the book?

0:55:29.280 --> 0:55:32.040
<v Speaker 2>I mean, I think you're kind of aphrodity or I

0:55:32.160 --> 0:55:33.920
<v Speaker 2>was emerging from the sea. Thank you.

0:55:34.760 --> 0:55:36.799
<v Speaker 1>But you're also affro dating because you are such a

0:55:36.840 --> 0:55:37.400
<v Speaker 1>water book.

0:55:37.520 --> 0:55:43.239
<v Speaker 2>No, I know, and I'm always coming out like both mean,

0:55:43.320 --> 0:55:48.560
<v Speaker 2>like what happened in there? I don't know. I give

0:55:48.719 --> 0:55:53.080
<v Speaker 2>this book well, I give the documentary film five to

0:55:53.080 --> 0:55:57.880
<v Speaker 2>five out of five fallacies. The book, the photography, the

0:55:57.920 --> 0:56:02.279
<v Speaker 2>visuals are amazing. Personally, I would like a lot more

0:56:02.400 --> 0:56:06.680
<v Speaker 2>personal information from Kim on like what turns her on,

0:56:06.880 --> 0:56:09.719
<v Speaker 2>but I respect her privacy. I guess at the end

0:56:09.760 --> 0:56:10.080
<v Speaker 2>of the.

0:56:10.160 --> 0:56:15.400
<v Speaker 1>Day, Yeah, it's pretty random, or even more about like

0:56:15.760 --> 0:56:18.000
<v Speaker 1>I don't know because the stories in the book it

0:56:18.080 --> 0:56:20.120
<v Speaker 1>is so general, it's just studies show. It could have

0:56:20.120 --> 0:56:21.880
<v Speaker 1>been more interesting. She was a little bit more like

0:56:21.960 --> 0:56:25.400
<v Speaker 1>when we were in Cyprus, like I saw this hot guy, yeah,

0:56:25.520 --> 0:56:28.520
<v Speaker 1>or like I talked to the Cypriot, like who has said.

0:56:28.360 --> 0:56:31.640
<v Speaker 2>Dating like this is? Like at first did laugh in the.

0:56:32.160 --> 0:56:34.040
<v Speaker 1>Journey and I wish it were a little bit more

0:56:34.080 --> 0:56:36.400
<v Speaker 1>of a global survey of sexuality and a little less

0:56:36.440 --> 0:56:37.880
<v Speaker 1>just like study show.

0:56:38.280 --> 0:56:42.759
<v Speaker 2>And then the five Toronto bisexuals that she go watch.

0:56:42.760 --> 0:56:45.480
<v Speaker 2>The movie branded on Apple TV do Yourself a Favor,

0:56:45.760 --> 0:56:54.240
<v Speaker 2>Okay best CEO. Stephen and Lily was produced by.

0:56:55.080 --> 0:56:59.920
<v Speaker 1>One in four women in the Italian Peninsula who've never

0:57:00.080 --> 0:57:00.960
<v Speaker 1>had an orgasm.

0:57:01.280 --> 0:57:06.400
<v Speaker 5>Darby Masters, supervising producer is a man in Toronto who's

0:57:06.520 --> 0:57:10.080
<v Speaker 5>dated many women at one time and lives to tell

0:57:10.120 --> 0:57:14.360
<v Speaker 5>the tale Aboo Zafar. It was also produced by the

0:57:14.440 --> 0:57:16.720
<v Speaker 5>Goddess herself, Christina Efron.

0:57:16.880 --> 0:57:21.720
<v Speaker 1>Our engineer was New York photographer Bahid Fraser, who's been

0:57:21.720 --> 0:57:25.400
<v Speaker 1>capturing glimpses of women's private parts since the early two

0:57:25.400 --> 0:57:27.760
<v Speaker 1>thousands in and around the New York City area.

0:57:28.160 --> 0:57:33.440
<v Speaker 2>Music actually is full of sex and thank god we

0:57:33.520 --> 0:57:36.800
<v Speaker 2>have a theme song by a sexy music producer known

0:57:36.800 --> 0:57:37.919
<v Speaker 2>as Stephen Phillipswurst.

0:57:38.600 --> 0:57:41.840
<v Speaker 1>The concept for this podcast, which originally created by seminal

0:57:41.960 --> 0:57:47.880
<v Speaker 1>sexologist and podcast production company Prolog Projects. We're no longer

0:57:47.920 --> 0:57:50.280
<v Speaker 1>affiliated with them, but we wish them the best in

0:57:50.320 --> 0:57:51.320
<v Speaker 1>their erotic journey.

0:57:51.640 --> 0:57:54.640
<v Speaker 2>Find us and support our research on Patreon, dot com,

0:57:54.680 --> 0:57:57.960
<v Speaker 2>slash CBC the pod, and a huge thank you to

0:57:58.000 --> 0:58:00.720
<v Speaker 2>all of our lovers who have been leaving make five

0:58:00.800 --> 0:58:06.040
<v Speaker 2>Star Refuse. They make us feel very pleased.