1 00:00:01,200 --> 00:00:03,520 Speaker 1: Like, lately, I'm doing like you've seen me do it. 2 00:00:03,520 --> 00:00:05,360 Speaker 1: I used to do it on set all the time. 3 00:00:05,640 --> 00:00:07,600 Speaker 1: I like pretend I would like and I'd like, do 4 00:00:07,680 --> 00:00:10,160 Speaker 1: a cigarette out of my mom. I'm like, yeah, that's 5 00:00:10,200 --> 00:00:11,039 Speaker 1: show business, kids. 6 00:00:11,200 --> 00:00:21,040 Speaker 2: More and More Better, More and More, Got a little 7 00:00:21,040 --> 00:00:26,440 Speaker 2: bit more Better More. 8 00:00:27,080 --> 00:00:30,360 Speaker 3: Welcome to More Better, a podcast where we stop pretending 9 00:00:30,360 --> 00:00:32,680 Speaker 3: to have it all together and embrace the journey of 10 00:00:32,720 --> 00:00:34,919 Speaker 3: becoming a little more better every. 11 00:00:34,800 --> 00:00:39,000 Speaker 1: Day, or at least trying to. That's Stephanie Beatrice and 12 00:00:39,040 --> 00:00:43,360 Speaker 1: that's most of a Merrow. Welcome back you guys, hilcome back. 13 00:00:43,880 --> 00:00:45,919 Speaker 1: How you doing, mel You know. 14 00:00:46,280 --> 00:00:52,159 Speaker 3: Girl, remember a few weeks ago when I was like, 15 00:00:52,400 --> 00:00:54,640 Speaker 3: I'm on point, man, I'm doing all these things. 16 00:00:54,800 --> 00:00:58,200 Speaker 1: I'm the again Bandy Believe and I'm killing it and 17 00:00:58,240 --> 00:01:01,040 Speaker 1: you were like You're gonna get burned out. And you 18 00:01:01,040 --> 00:01:03,960 Speaker 1: were like, I don't know what I mean. And guess what. 19 00:01:04,080 --> 00:01:06,280 Speaker 1: I'm sick. Oh, you're sick. 20 00:01:06,880 --> 00:01:08,800 Speaker 3: I'm not that sick. I just have like a cold 21 00:01:08,959 --> 00:01:11,480 Speaker 3: or it's like bad allergies. I also got sick last 22 00:01:11,520 --> 00:01:15,360 Speaker 3: week too, with either like a stomach bug or food poisoning, 23 00:01:15,959 --> 00:01:18,600 Speaker 3: so obviously my body's like chill. 24 00:01:18,720 --> 00:01:21,240 Speaker 1: The fuck out, the fuck out? Yeah, did you get 25 00:01:21,280 --> 00:01:24,839 Speaker 1: the poops or just the bombs? I just had the nausea. 26 00:01:24,880 --> 00:01:30,880 Speaker 1: Actually no output, no output, just the best case scenario, truly, 27 00:01:31,080 --> 00:01:36,240 Speaker 1: except I felt like throwing up all day. Oh yes, ah, yes, yes, 28 00:01:36,319 --> 00:01:40,080 Speaker 1: the first three months of my pregnancy. Yes, yes, that's 29 00:01:40,120 --> 00:01:44,920 Speaker 1: no output, just the feeling of a feeling all day. Yeah, 30 00:01:45,280 --> 00:01:49,520 Speaker 1: tried to make myself throw up. Didn't happen. No, that's source. 31 00:01:49,760 --> 00:01:53,720 Speaker 1: I'm sorry. Yeah, I'm sorry to get graphic listeners. Hey, 32 00:01:53,800 --> 00:01:55,960 Speaker 1: how are you? You know what they're doing? They know 33 00:01:56,000 --> 00:01:59,440 Speaker 1: who we are at this point, I'm fine, Uh we are. 34 00:02:00,000 --> 00:02:05,800 Speaker 1: I'm packing up to leave Toronto. We leave tomorrow. We 35 00:02:05,880 --> 00:02:13,400 Speaker 1: wrapped season two of Twisted Metal. Thanks so tired. I 36 00:02:13,440 --> 00:02:17,040 Speaker 1: spent most of my day in pajamas the last two 37 00:02:17,120 --> 00:02:20,720 Speaker 1: days trying to get stuff done on my laptop or 38 00:02:20,720 --> 00:02:24,120 Speaker 1: on my phone. And uh yeah, I feel what a 39 00:02:24,120 --> 00:02:27,280 Speaker 1: great time to wrap though. I was just thinking, like 40 00:02:27,360 --> 00:02:30,720 Speaker 1: wrapping right before the holidays, when like things are slowing 41 00:02:30,760 --> 00:02:33,160 Speaker 1: down anyway, and there's usually not like a lot of 42 00:02:33,320 --> 00:02:36,720 Speaker 1: work starting at this time of year, Like, yeah, probably 43 00:02:36,760 --> 00:02:39,760 Speaker 1: we'll get a nice break, which I'm happy. I love 44 00:02:39,800 --> 00:02:44,080 Speaker 1: that for you. I better I was looking through my 45 00:02:44,160 --> 00:02:48,240 Speaker 1: pictures trying to find some photo of something, and you know, 46 00:02:48,360 --> 00:02:50,640 Speaker 1: your phone really acts like a scrap book of time. 47 00:02:51,600 --> 00:02:55,600 Speaker 1: And I was looking at stuff, going like, I just 48 00:02:55,960 --> 00:02:59,639 Speaker 1: need to stop, like it, I need to actually physically 49 00:03:00,600 --> 00:03:03,880 Speaker 1: yeah moving, and you know, and I'm in a very 50 00:03:04,000 --> 00:03:07,640 Speaker 1: lucky position where I can stop. I don't have to 51 00:03:07,720 --> 00:03:12,480 Speaker 1: work for the next month maybe, and that's wonderful. But 52 00:03:12,840 --> 00:03:15,560 Speaker 1: what happens is my brain goes like, what if you 53 00:03:15,600 --> 00:03:18,920 Speaker 1: run out of money? What if you die? What if? 54 00:03:19,280 --> 00:03:22,840 Speaker 1: What if? What if the worst possible thing happens and 55 00:03:22,880 --> 00:03:25,520 Speaker 1: your family is stranded about you. It's like my brain 56 00:03:25,600 --> 00:03:28,760 Speaker 1: just goes like work, work, work, work, work, you know. Yeah, no, no, no, 57 00:03:28,760 --> 00:03:32,040 Speaker 1: no no. So and you can take forward to hunkering down. 58 00:03:32,120 --> 00:03:34,680 Speaker 1: And you can hunker down. You just did two shows 59 00:03:34,680 --> 00:03:37,119 Speaker 1: in a row. You can hunker down. Yeah, it's time 60 00:03:37,160 --> 00:03:39,960 Speaker 1: for me to let go a little bit and take 61 00:03:39,960 --> 00:03:42,360 Speaker 1: the break. So that's what I'm doing. It's more better. Actually, 62 00:03:42,520 --> 00:03:45,960 Speaker 1: transition into my segue. Wow, my segues are getting really good. 63 00:03:46,000 --> 00:03:47,680 Speaker 1: What are you doing? It's more better lately. 64 00:03:48,320 --> 00:03:53,880 Speaker 3: I am staying afloat. 65 00:03:54,600 --> 00:03:58,080 Speaker 1: That's good. That's good. That's all I got. All it 66 00:03:58,080 --> 00:04:00,000 Speaker 1: sounds like maybe you're recognizing that you do need to 67 00:04:00,000 --> 00:04:02,760 Speaker 1: slow down a little bit. Maybe you can't. Yes, that's true. 68 00:04:03,120 --> 00:04:06,920 Speaker 3: I am I think No, I yes, I and I 69 00:04:07,000 --> 00:04:10,640 Speaker 3: have slowed down the last week or so. I think 70 00:04:10,680 --> 00:04:13,200 Speaker 3: getting sick last week sort of forced me to and 71 00:04:13,240 --> 00:04:16,400 Speaker 3: then I was like, okay, let me like listen to 72 00:04:16,440 --> 00:04:17,200 Speaker 3: my body a little more. 73 00:04:17,200 --> 00:04:18,960 Speaker 1: So Yeah, I'm listening to my body a little more, 74 00:04:19,080 --> 00:04:26,800 Speaker 1: more better. That's good. That's good. I like it more better. Okay, 75 00:04:26,920 --> 00:04:31,480 Speaker 1: So this week's topic, go ahead. Oh no, you you go, No, 76 00:04:31,680 --> 00:04:35,800 Speaker 1: you go, Mossa, Stephanie, Okay, we have a fun one today. 77 00:04:36,160 --> 00:04:42,400 Speaker 1: We have a voice note from a listener. Finally, if 78 00:04:42,440 --> 00:04:45,200 Speaker 1: you need help with something in your life listener and 79 00:04:45,240 --> 00:04:48,440 Speaker 1: have a suggestion for a future episode, please email us 80 00:04:48,480 --> 00:04:52,279 Speaker 1: at Morebetter Pod at gmail dot com and include a 81 00:04:52,360 --> 00:04:54,360 Speaker 1: voice note. This is our first voice note and I'm 82 00:04:54,360 --> 00:04:55,800 Speaker 1: really excited. Let's listen to it. 83 00:04:56,160 --> 00:04:59,400 Speaker 4: Okay, Hey Stephanie, Hey Melissa. I just wanted to thank 84 00:04:59,400 --> 00:05:02,240 Speaker 4: you guys for have an ariel on the episode. It 85 00:05:02,320 --> 00:05:05,800 Speaker 4: was really awesome to hear from like a cool Hollywood 86 00:05:06,160 --> 00:05:10,080 Speaker 4: stylist type person that wearing sweatpants and a T shirt 87 00:05:10,200 --> 00:05:13,679 Speaker 4: or jeans and a T shirt is just okay. Especially 88 00:05:13,720 --> 00:05:16,919 Speaker 4: as an artist myself, I've always felt like I needed 89 00:05:16,960 --> 00:05:20,440 Speaker 4: to have these sort of oftentimes like uncomfortable but really 90 00:05:20,480 --> 00:05:25,840 Speaker 4: elevated outfits when really I just want something really clean, simple, practical. 91 00:05:26,560 --> 00:05:29,480 Speaker 4: And to hear that from Ariel was just like great. 92 00:05:29,600 --> 00:05:31,560 Speaker 4: It just made me feel so much more confident and 93 00:05:31,600 --> 00:05:35,720 Speaker 4: not weird, like in the style that I like. So 94 00:05:35,839 --> 00:05:40,479 Speaker 4: thank you Ariel. And one more question that I just 95 00:05:40,560 --> 00:05:42,680 Speaker 4: have is that I know both of you have had 96 00:05:42,800 --> 00:05:46,960 Speaker 4: voice acting experience, and I was just wondering what that's 97 00:05:47,040 --> 00:05:49,800 Speaker 4: like because I haven't really seen people talk about that 98 00:05:50,040 --> 00:05:52,040 Speaker 4: a whole lot. I've seen a lot of voice actor interviews, 99 00:05:52,040 --> 00:05:55,080 Speaker 4: but I've never seen them actually talk about the actual 100 00:05:55,120 --> 00:05:57,640 Speaker 4: like act of doing it. So I was just wondering. 101 00:05:58,440 --> 00:06:02,040 Speaker 4: Thank you, guys, and I hope you continue the More 102 00:06:02,040 --> 00:06:04,920 Speaker 4: Better podcast. It's really made me feel more better. Thank you. 103 00:06:05,160 --> 00:06:09,480 Speaker 1: That's so cute. Oh my god, I I love it. 104 00:06:09,520 --> 00:06:14,240 Speaker 1: I'm so I that's adorable and I want to be friends. 105 00:06:14,800 --> 00:06:17,440 Speaker 3: Yeah, that was such a good one. Thank you Archie 106 00:06:17,560 --> 00:06:19,440 Speaker 3: for that voice note. So yeah, we're going to talk 107 00:06:19,440 --> 00:06:24,360 Speaker 3: about voice acting today today's episode, which we've both done. Uh, 108 00:06:24,600 --> 00:06:27,360 Speaker 3: you've done a bit more, a lot more than I have. 109 00:06:27,800 --> 00:06:28,599 Speaker 3: I don't know about that. 110 00:06:28,640 --> 00:06:31,240 Speaker 1: We've both done quite a bit. We're very again, we're 111 00:06:31,360 --> 00:06:32,400 Speaker 1: very lucky, hash. 112 00:06:32,560 --> 00:06:39,680 Speaker 3: Very lucky, bless What how how about you? Because I 113 00:06:39,680 --> 00:06:41,919 Speaker 3: don't know that I know this? What how was your 114 00:06:42,360 --> 00:06:44,200 Speaker 3: What was your journey with voice acting? 115 00:06:44,279 --> 00:06:44,359 Speaker 2: Like? 116 00:06:44,400 --> 00:06:46,719 Speaker 1: What was first time you did? 117 00:06:46,800 --> 00:06:46,960 Speaker 2: Was it? 118 00:06:47,080 --> 00:06:50,800 Speaker 1: During Brooklyn? When I was a kid, I had this 119 00:06:50,960 --> 00:06:53,560 Speaker 1: Fisher Price. It was brown and it was It had 120 00:06:53,560 --> 00:06:55,360 Speaker 1: a handle on the top and you could put a 121 00:06:55,360 --> 00:06:58,640 Speaker 1: blank tape in it and you could press record, could 122 00:06:58,640 --> 00:07:02,240 Speaker 1: play fast, forward, rewind and stop, obviously, but there was 123 00:07:02,279 --> 00:07:07,159 Speaker 1: a record option, and I would eat up blank tapes. 124 00:07:07,200 --> 00:07:09,200 Speaker 1: My dad would buy like a bunch of blank tapes 125 00:07:09,200 --> 00:07:11,240 Speaker 1: and give them to me, and I would pretend to 126 00:07:11,280 --> 00:07:14,960 Speaker 1: do like radio shows, like old style radio shows, and 127 00:07:15,040 --> 00:07:17,960 Speaker 1: I would do different characters. I would interview myself, I 128 00:07:18,000 --> 00:07:21,880 Speaker 1: would do commercials like I At one point I remember 129 00:07:22,040 --> 00:07:28,200 Speaker 1: taping over music that I had bought, or my dad 130 00:07:28,200 --> 00:07:30,120 Speaker 1: had bought, or somebody had bought music, and I was 131 00:07:30,160 --> 00:07:32,440 Speaker 1: taping over the music because I'd ran out of blank tapes. 132 00:07:32,480 --> 00:07:34,920 Speaker 1: But like, I remember wanting to do it from the 133 00:07:34,960 --> 00:07:38,800 Speaker 1: time that I was a little kid, little kid, so cool. 134 00:07:39,680 --> 00:07:42,680 Speaker 3: I don't think I even had like really an awareness 135 00:07:43,280 --> 00:07:45,880 Speaker 3: about it, which is so weird because it's such a 136 00:07:46,040 --> 00:07:48,800 Speaker 3: heighten awareness around acting. 137 00:07:48,520 --> 00:07:50,480 Speaker 1: Theater and acting lead and TV. 138 00:07:50,880 --> 00:07:56,360 Speaker 3: But like for some reason, not radio necessarily, or animation 139 00:07:56,960 --> 00:07:59,960 Speaker 3: or just voice acting, I think in general, until I 140 00:08:00,200 --> 00:08:02,280 Speaker 3: was older, I think that's so cool that you did 141 00:08:02,320 --> 00:08:03,040 Speaker 3: that as a kid. 142 00:08:03,280 --> 00:08:05,840 Speaker 1: I mean, I watched so much animation when I was 143 00:08:05,840 --> 00:08:09,280 Speaker 1: a kid. I watched those animated Disney movies like I 144 00:08:09,320 --> 00:08:12,160 Speaker 1: can quote them. I can. I mean, it's very annoying 145 00:08:12,200 --> 00:08:15,240 Speaker 1: to listen or watch those old ones with me, because 146 00:08:15,320 --> 00:08:19,880 Speaker 1: it is. It's a lot. And I watched a lot 147 00:08:19,920 --> 00:08:22,120 Speaker 1: of cartoons as a kid, too, like I watched the 148 00:08:22,200 --> 00:08:26,080 Speaker 1: old like. I mean, I just watched. I consumed a 149 00:08:26,120 --> 00:08:28,120 Speaker 1: lot of that stuff. And I knew in the way 150 00:08:28,120 --> 00:08:31,240 Speaker 1: that I didn't really understand acting as was like a 151 00:08:31,360 --> 00:08:33,400 Speaker 1: job until I was a little bit older, probably like 152 00:08:33,440 --> 00:08:36,240 Speaker 1: middle school, kind of understood it more. But because I 153 00:08:36,320 --> 00:08:37,720 Speaker 1: wasn't I didn't grow up on the East Coast. I 154 00:08:37,760 --> 00:08:39,959 Speaker 1: didn't see plays, it wasn't, you know, I didn't have 155 00:08:40,000 --> 00:08:43,640 Speaker 1: access to that world that way. But cartoons I understood 156 00:08:43,640 --> 00:08:46,360 Speaker 1: there must be somebody doing that voice. I didn't exactly 157 00:08:46,440 --> 00:08:48,800 Speaker 1: know like all the parameters around. I didn't know there 158 00:08:48,840 --> 00:08:51,040 Speaker 1: was Mike's and booths and stuff like that, but I 159 00:08:51,120 --> 00:08:55,480 Speaker 1: knew and and I think I had seen some kind 160 00:08:55,480 --> 00:08:59,360 Speaker 1: of special on TV that was like, you know, the 161 00:08:59,360 --> 00:09:02,800 Speaker 1: Magic of Disney or something, and they showed some of 162 00:09:02,840 --> 00:09:06,920 Speaker 1: the actors in the booth. So when I remember seeing 163 00:09:07,000 --> 00:09:09,840 Speaker 1: video of Jodie Benson in the sound booth singing part 164 00:09:09,840 --> 00:09:13,959 Speaker 1: of your World, and I was like, oh, well, that's 165 00:09:14,120 --> 00:09:22,040 Speaker 1: that's for me. That's clearly what I was. I also 166 00:09:22,160 --> 00:09:28,960 Speaker 1: like remember Mulan, particularly the the who is That Girl? 167 00:09:29,000 --> 00:09:31,000 Speaker 1: I see what is the song that song called? You 168 00:09:31,040 --> 00:09:33,920 Speaker 1: know what I'm talking about? Oh yeah, yeah, yeah, yeah Reflection. 169 00:09:36,440 --> 00:09:40,880 Speaker 1: I would go inside our bathroom, close the door, turn 170 00:09:40,920 --> 00:09:44,440 Speaker 1: the lights down, and sing reflection to myself in the 171 00:09:44,440 --> 00:09:48,240 Speaker 1: mirror until I cried, like I was fully having like 172 00:09:48,280 --> 00:09:52,079 Speaker 1: acting like so I was unbeknownst to myself. I was 173 00:09:52,120 --> 00:09:54,480 Speaker 1: like training for it from the time that I was 174 00:09:54,480 --> 00:09:57,000 Speaker 1: a kid. I would just I just loved it. I 175 00:09:57,040 --> 00:09:58,880 Speaker 1: loved it. And then what was your first thing? Like 176 00:09:58,920 --> 00:10:01,640 Speaker 1: how did you break in? You know? I think it 177 00:10:01,880 --> 00:10:05,160 Speaker 1: was because of Brooklyn nine nine. I think some people 178 00:10:05,320 --> 00:10:09,920 Speaker 1: saw that show and saw that you're doing the voice well, 179 00:10:10,040 --> 00:10:12,280 Speaker 1: or that that was the voice that I had, and 180 00:10:12,360 --> 00:10:15,600 Speaker 1: so I got hired to do stuff with maybe that 181 00:10:15,720 --> 00:10:19,040 Speaker 1: in mind. And then when I was in the booth 182 00:10:19,120 --> 00:10:23,080 Speaker 1: finally like actually doing like first recordings and stuff, I 183 00:10:23,080 --> 00:10:27,520 Speaker 1: would like, you know, I'd show up and be like hi, 184 00:10:27,679 --> 00:10:30,160 Speaker 1: so they knew it was very different than Rosa, and 185 00:10:30,200 --> 00:10:32,920 Speaker 1: then I would sort of try to plant seeds of like, 186 00:10:33,160 --> 00:10:34,840 Speaker 1: you know, I do a lot of other stuff, like 187 00:10:34,880 --> 00:10:36,440 Speaker 1: I can do a lot of other stuff, like I 188 00:10:36,440 --> 00:10:38,280 Speaker 1: could do this or that or whatever. So they call 189 00:10:38,320 --> 00:10:41,520 Speaker 1: me whenever you need Mouren Bouchard was actually one of 190 00:10:41,559 --> 00:10:44,880 Speaker 1: the first people that gave me a break on Bob's Burgers, 191 00:10:45,760 --> 00:10:49,600 Speaker 1: and I had watched his animated show Home Movies, and 192 00:10:49,640 --> 00:10:54,200 Speaker 1: I loved, love, loved their stuff. That was the first 193 00:10:54,280 --> 00:10:55,920 Speaker 1: I think that was the first one of the first 194 00:10:55,920 --> 00:10:58,680 Speaker 1: things I did, Yeah, was that. And then you know 195 00:10:58,760 --> 00:11:01,600 Speaker 1: what kind of what it hard about voiceover work is 196 00:11:01,640 --> 00:11:05,559 Speaker 1: that it's hard to start, Like it's hard to get 197 00:11:05,640 --> 00:11:07,920 Speaker 1: ye first one. But then once you have that first one, 198 00:11:08,360 --> 00:11:10,800 Speaker 1: it's easier to get because people go, oh, it's just 199 00:11:10,840 --> 00:11:14,040 Speaker 1: like directing, like yeah, once you do it once people 200 00:11:14,040 --> 00:11:19,439 Speaker 1: are like, oh, you know what you're doing. Yeah, totally, yeah. Agree. 201 00:11:27,280 --> 00:11:28,160 Speaker 1: What was your first? 202 00:11:28,800 --> 00:11:34,480 Speaker 3: Do you remember my So, my very first was in 203 00:11:34,520 --> 00:11:37,840 Speaker 3: my early twenties with my first the first agency I 204 00:11:37,920 --> 00:11:42,360 Speaker 3: was with in New York. They were mostly a commercial agency, 205 00:11:42,640 --> 00:11:45,600 Speaker 3: but they had a theatrical department, so they did get 206 00:11:45,679 --> 00:11:50,000 Speaker 3: me for acting, but their commercial side was really big, 207 00:11:51,200 --> 00:11:54,120 Speaker 3: and so they sort of just it was like automatically, 208 00:11:54,160 --> 00:11:58,240 Speaker 3: I was, you know, in the commercial thing, and they 209 00:11:58,320 --> 00:12:00,800 Speaker 3: just like put me in voiceover and sent me out 210 00:12:00,840 --> 00:12:05,560 Speaker 3: on auditions like off the Bath. Uh, and I booked 211 00:12:05,559 --> 00:12:07,960 Speaker 3: a couple I think I wanted to say I booked 212 00:12:07,960 --> 00:12:11,640 Speaker 3: a commercial. And then I did book an animated show, 213 00:12:11,679 --> 00:12:13,400 Speaker 3: but it ended up being non union. 214 00:12:14,120 --> 00:12:14,480 Speaker 1: Oh. 215 00:12:14,520 --> 00:12:16,320 Speaker 3: And so then I got that weird call where they 216 00:12:16,320 --> 00:12:18,800 Speaker 3: were like, hey, I don't know how this one slipped through, 217 00:12:19,320 --> 00:12:22,600 Speaker 3: but like you can't do this because it's non union. 218 00:12:24,320 --> 00:12:26,520 Speaker 1: And I was like, oh no, oh, no, I got it. 219 00:12:26,640 --> 00:12:27,520 Speaker 1: I can't do it. 220 00:12:28,040 --> 00:12:30,240 Speaker 3: And I was really bummed because I was really yeah, 221 00:12:30,280 --> 00:12:31,920 Speaker 3: I was like somebody fucked up or something. 222 00:12:31,920 --> 00:12:33,400 Speaker 1: I don't know, somebody missed something. 223 00:12:34,880 --> 00:12:38,560 Speaker 3: And I was bummed because I was really excited to 224 00:12:38,559 --> 00:12:41,800 Speaker 3: do an animated show. And then I realized, oh, my god, 225 00:12:41,880 --> 00:12:47,120 Speaker 3: this is I really like this. Yeah, And then I 226 00:12:47,160 --> 00:12:50,400 Speaker 3: switched agencies and then I moved to LA and then 227 00:12:50,440 --> 00:12:53,160 Speaker 3: I couldn't get I would tell them, hey, I was 228 00:12:53,160 --> 00:12:56,080 Speaker 3: doing voiceover in New York with this other agency and 229 00:12:56,160 --> 00:12:58,960 Speaker 3: I really liked it, and I booked a couple things, 230 00:12:59,040 --> 00:13:01,160 Speaker 3: and what kind of at the run around a little 231 00:13:01,200 --> 00:13:05,760 Speaker 3: bit of like okay, and then like nothing, and I 232 00:13:05,800 --> 00:13:07,640 Speaker 3: was just like what. 233 00:13:09,360 --> 00:13:11,480 Speaker 1: I submit. I don't know. I don't know if it's 234 00:13:11,520 --> 00:13:14,240 Speaker 1: like maybe it's hard to get us submitted for things 235 00:13:14,280 --> 00:13:17,679 Speaker 1: when we've never done it before. Maybe I don't know. 236 00:13:17,760 --> 00:13:21,120 Speaker 3: But nobody even was like Okay, make a reel or 237 00:13:21,160 --> 00:13:24,560 Speaker 3: like maybe I had to also just like have more 238 00:13:25,200 --> 00:13:28,000 Speaker 3: gumption at that time and like take things more into 239 00:13:28,040 --> 00:13:29,959 Speaker 3: my own hands and like I kind of made a reel. 240 00:13:30,000 --> 00:13:31,920 Speaker 3: I could have like pursued it more, but I was 241 00:13:31,960 --> 00:13:33,760 Speaker 3: just sort of like Marry, like I was sort of 242 00:13:33,800 --> 00:13:38,720 Speaker 3: annoyed by it weirdly. And then I remember when we 243 00:13:38,800 --> 00:13:42,520 Speaker 3: did Brooklyn. I actually remember Andy a couple of times 244 00:13:42,679 --> 00:13:44,520 Speaker 3: being like, do you do voiceover like you should do, 245 00:13:44,679 --> 00:13:46,880 Speaker 3: because you know I would just mess around, fuck around 246 00:13:46,920 --> 00:13:49,240 Speaker 3: on set Wallwood, you and I both would we do 247 00:13:49,280 --> 00:13:50,800 Speaker 3: our stupid voices. 248 00:13:51,960 --> 00:13:54,760 Speaker 1: And uh. 249 00:13:54,800 --> 00:13:56,480 Speaker 3: And then I think after like the second or third 250 00:13:56,520 --> 00:13:58,960 Speaker 3: time that he asked me, I was like, you know what, I'm. 251 00:13:58,840 --> 00:14:01,199 Speaker 1: Gonna say something to my age. Sometimes you just need 252 00:14:01,240 --> 00:14:04,360 Speaker 1: that encouragement for your friends. Yeah. That was like when 253 00:14:04,400 --> 00:14:07,040 Speaker 1: you were like, you better audition for in the Heights, 254 00:14:07,040 --> 00:14:08,320 Speaker 1: I was like, I'm not a singer, and you like, 255 00:14:08,360 --> 00:14:13,560 Speaker 1: you better fucking audition for shit. You're so pushy about it. 256 00:14:14,520 --> 00:14:17,400 Speaker 3: I really was listener, She's not actually exaggerated, but that's 257 00:14:17,440 --> 00:14:18,520 Speaker 3: the reason I got it. 258 00:14:18,559 --> 00:14:20,520 Speaker 1: I kind of yelled at her. I wouldn't never have 259 00:14:20,560 --> 00:14:23,840 Speaker 1: auditioned for us. Sometimes you just need that friend. It's like, hey, 260 00:14:23,880 --> 00:14:26,360 Speaker 1: you're actually good at this, you need to should do it. 261 00:14:26,520 --> 00:14:28,680 Speaker 1: You should do that. Yeah, and then yeah, that's what 262 00:14:28,720 --> 00:14:30,520 Speaker 1: Andy did for you, and that that's what Andy did, 263 00:14:30,600 --> 00:14:32,640 Speaker 1: and it was it was really great. And then the first, 264 00:14:32,760 --> 00:14:35,040 Speaker 1: I think, I want to say, Modoc was the first 265 00:14:35,520 --> 00:14:39,680 Speaker 1: I feel like bigger thing that kinda then got me 266 00:14:39,760 --> 00:14:43,080 Speaker 1: all these other jobs. And that was pat Oswald and Jordan. 267 00:14:43,640 --> 00:14:46,000 Speaker 1: That was a big deal. That was a big deal. 268 00:14:46,680 --> 00:14:51,000 Speaker 3: Yeah, and they later told me that they sort of 269 00:14:51,040 --> 00:14:52,840 Speaker 3: like had me in mind for it, But I still 270 00:14:52,840 --> 00:14:54,680 Speaker 3: like I auditioned I had to send in like a 271 00:14:54,720 --> 00:14:55,920 Speaker 3: bunch of tapes. 272 00:14:57,320 --> 00:14:58,960 Speaker 1: And it was just really fun. 273 00:15:00,080 --> 00:15:02,440 Speaker 3: Yeah, that's awesome and so and now I love that 274 00:15:02,520 --> 00:15:06,440 Speaker 3: it's become Yeah, another thing that I do, and I 275 00:15:06,480 --> 00:15:11,440 Speaker 3: feel like, but I also feel like I've learned so much. 276 00:15:11,520 --> 00:15:13,120 Speaker 3: I love my favorite thing, and I want to know 277 00:15:13,120 --> 00:15:14,960 Speaker 3: if this is one of your favorite things. My favorite 278 00:15:14,960 --> 00:15:17,920 Speaker 3: thing is when I book something and they have a 279 00:15:17,960 --> 00:15:20,520 Speaker 3: few of the voice actors in the booth at the 280 00:15:20,520 --> 00:15:24,600 Speaker 3: same time and there's someone who's done it forever, because 281 00:15:24,640 --> 00:15:27,680 Speaker 3: those are the people I learn from the most. They 282 00:15:27,680 --> 00:15:31,600 Speaker 3: have all these like weird, cool tricks that they do, 283 00:15:31,960 --> 00:15:35,000 Speaker 3: you know, like like some of them will like make 284 00:15:35,160 --> 00:15:38,440 Speaker 3: sounds before they say a line, or some of them 285 00:15:38,680 --> 00:15:42,600 Speaker 3: will like you know, really use their body, which was 286 00:15:42,640 --> 00:15:45,680 Speaker 3: something I definitely like picked up for myself. 287 00:15:45,880 --> 00:15:50,080 Speaker 1: Or like right, like, they have all these kind of things. 288 00:15:50,120 --> 00:15:52,680 Speaker 3: Depending on the line, they might do something to like 289 00:15:52,800 --> 00:15:55,720 Speaker 3: gear up into it that isn't necessarily something you would 290 00:15:55,760 --> 00:15:58,520 Speaker 3: do for on camera, but for voice acting. 291 00:15:58,360 --> 00:16:02,400 Speaker 1: Really helps and I just I love watching those guys. 292 00:16:02,440 --> 00:16:06,400 Speaker 3: They're like two masters of that particular craft and it's 293 00:16:06,440 --> 00:16:07,440 Speaker 3: really cool to watch. 294 00:16:07,840 --> 00:16:11,560 Speaker 1: Yeah, I feel like, you know, I haven't gotten the 295 00:16:11,600 --> 00:16:14,120 Speaker 1: experience to do much in the same room with people. 296 00:16:14,200 --> 00:16:17,960 Speaker 1: Although the first the first maybe two times that I 297 00:16:17,960 --> 00:16:20,680 Speaker 1: did Bob's there were people that we were all in 298 00:16:20,680 --> 00:16:23,120 Speaker 1: the same room together, all on mice, and that was 299 00:16:23,160 --> 00:16:27,720 Speaker 1: really nice because the improvisation that was happening, we could 300 00:16:27,760 --> 00:16:30,400 Speaker 1: just overlap a little bit and like it didn't matter. 301 00:16:30,480 --> 00:16:34,360 Speaker 1: You weren't just alone sort of, you know, most of 302 00:16:34,400 --> 00:16:37,200 Speaker 1: the time, if you don't know anything about voice over acting, 303 00:16:37,240 --> 00:16:40,840 Speaker 1: most of the time you are by yourself in a booth. 304 00:16:40,920 --> 00:16:43,120 Speaker 1: It could be very small, but it's you and a 305 00:16:43,200 --> 00:16:47,880 Speaker 1: music stand with your script and a microphone and headphones, 306 00:16:48,000 --> 00:16:50,760 Speaker 1: and then everybody else is in another room that's like 307 00:16:50,800 --> 00:16:54,280 Speaker 1: across from you through a window, and you're kind of 308 00:16:54,320 --> 00:16:57,960 Speaker 1: isolated in there. So it's really lucky when, like you're saying, 309 00:16:58,400 --> 00:17:00,680 Speaker 1: there are other actors in the same space with you, 310 00:17:00,760 --> 00:17:02,960 Speaker 1: because you can visually learn from them and see what 311 00:17:03,000 --> 00:17:06,080 Speaker 1: they're doing, and you can like play off their performance 312 00:17:06,119 --> 00:17:08,920 Speaker 1: and you can, you know, like you said, learn from them. 313 00:17:09,040 --> 00:17:12,760 Speaker 1: I have spent more time, I think alone in the booth. 314 00:17:12,840 --> 00:17:18,440 Speaker 1: But because I'm alone, my child like and I say 315 00:17:18,520 --> 00:17:24,040 Speaker 1: childlike because like I think childlike, child pretend is so free. 316 00:17:24,119 --> 00:17:27,120 Speaker 1: It's ultimately way freer than any pretend that we will 317 00:17:27,119 --> 00:17:29,280 Speaker 1: ever be able to do as adults, because we're just 318 00:17:29,840 --> 00:17:33,920 Speaker 1: looking at it through the mesh of adulthood and our 319 00:17:34,080 --> 00:17:37,080 Speaker 1: insecurities and our vulnerabilities, and people are watching me and 320 00:17:37,119 --> 00:17:41,439 Speaker 1: they're listening to me. And so when you're alone in 321 00:17:41,480 --> 00:17:46,159 Speaker 1: the booth, and maybe you're lucky enough to have, you know, 322 00:17:46,200 --> 00:17:48,560 Speaker 1: a booth that isolates you in a way that you 323 00:17:48,560 --> 00:17:51,520 Speaker 1: can still obviously you can still hear everybody through your headphones, 324 00:17:51,560 --> 00:17:56,040 Speaker 1: but you really are alone in the space, then I mean, 325 00:17:56,080 --> 00:17:58,040 Speaker 1: I think I recorded most of a Gunho with my 326 00:17:58,080 --> 00:18:01,880 Speaker 1: eyes closed, because I saw so many of the images 327 00:18:02,040 --> 00:18:04,080 Speaker 1: they would show me, you know, like this is the 328 00:18:04,080 --> 00:18:05,639 Speaker 1: part we're recording today, and then they would show me 329 00:18:05,680 --> 00:18:08,720 Speaker 1: the storyboards, and so I could see it in my mind, 330 00:18:09,200 --> 00:18:11,600 Speaker 1: and I would close my eyes and I could see 331 00:18:11,600 --> 00:18:13,200 Speaker 1: the characters, and I could see the world, and I 332 00:18:13,200 --> 00:18:15,280 Speaker 1: could see everybody that was talking to me. And so 333 00:18:15,359 --> 00:18:18,359 Speaker 1: I inhabited it physically in a way that helped me 334 00:18:19,359 --> 00:18:23,000 Speaker 1: free my voice into that character, into that fifteen year 335 00:18:23,040 --> 00:18:35,080 Speaker 1: old girl, you know. Yeah, And there was this camera 336 00:18:35,119 --> 00:18:37,640 Speaker 1: what they call it, but like there's this big bar 337 00:18:38,320 --> 00:18:42,919 Speaker 1: that it looked like an upside down you okay, And 338 00:18:42,960 --> 00:18:44,800 Speaker 1: it had these like it was very heavy. I think 339 00:18:44,840 --> 00:18:46,719 Speaker 1: at one point they might have bolted into the floor, 340 00:18:46,760 --> 00:18:49,040 Speaker 1: but it was the poll like a pull bar, and 341 00:18:49,080 --> 00:18:52,240 Speaker 1: so like for all of the the stuff you know, 342 00:18:52,320 --> 00:18:55,320 Speaker 1: like where you're like, oh like that, like I would 343 00:18:55,359 --> 00:18:58,000 Speaker 1: actually pull up on the bar or like yank on 344 00:18:58,040 --> 00:19:00,280 Speaker 1: the bar. It was so helpful. Oh my god, yeah, 345 00:19:00,280 --> 00:19:04,480 Speaker 1: that's so helpful. It was incredible, Like and now it's 346 00:19:04,480 --> 00:19:06,240 Speaker 1: easier for me to do that stuff. But like it 347 00:19:06,359 --> 00:19:09,120 Speaker 1: definitely sounds more real when you're actually when you're trying 348 00:19:09,160 --> 00:19:12,399 Speaker 1: to yank something right, and then like you know, stuff 349 00:19:12,520 --> 00:19:17,680 Speaker 1: like you just feel so free to do stuff like 350 00:19:17,960 --> 00:19:21,200 Speaker 1: when you're running, you know, running in place and not 351 00:19:21,240 --> 00:19:25,640 Speaker 1: feeling dumb about being like you know, like breathing into 352 00:19:25,640 --> 00:19:28,160 Speaker 1: the you know, like it you just go for it 353 00:19:28,240 --> 00:19:32,040 Speaker 1: in a way that I think at least I try 354 00:19:32,080 --> 00:19:36,000 Speaker 1: to pull some of that into my work on film sets, 355 00:19:36,119 --> 00:19:39,680 Speaker 1: TV sets and stuff. But sometimes you really do need 356 00:19:39,720 --> 00:19:43,320 Speaker 1: to look you know, elegant or put together or you 357 00:19:43,320 --> 00:19:48,760 Speaker 1: know whatever in the moment, and you you maybe the 358 00:19:48,800 --> 00:19:51,399 Speaker 1: physical thing doesn't really match like what you need to 359 00:19:51,440 --> 00:19:54,160 Speaker 1: look like on screen. So like does that make sense? 360 00:19:54,200 --> 00:19:54,560 Speaker 1: You know what I mean. 361 00:19:54,640 --> 00:19:56,679 Speaker 3: Yeah, yeah, yeah, yeah, yah yeah it does because I 362 00:19:56,680 --> 00:19:59,080 Speaker 3: think in voice acting everything is like a tiny bit 363 00:19:59,160 --> 00:20:03,359 Speaker 3: heightened because trying to convey so much more through your voice, 364 00:20:03,560 --> 00:20:06,560 Speaker 3: and so you will do something. Sometimes it is something 365 00:20:07,080 --> 00:20:10,440 Speaker 3: physical that you have to do that doesn't necessarily match 366 00:20:10,480 --> 00:20:14,239 Speaker 3: what you're saying or the intention, but like that's what 367 00:20:14,280 --> 00:20:17,960 Speaker 3: you need to do to get the right sound or 368 00:20:18,680 --> 00:20:23,000 Speaker 3: emotion through and on set you would just feel really 369 00:20:23,000 --> 00:20:26,040 Speaker 3: fucking dumb doing it. Kind of yeah, that's there is 370 00:20:26,160 --> 00:20:29,359 Speaker 3: something about when you're in the booth by yourself. 371 00:20:29,520 --> 00:20:32,639 Speaker 1: You know, and sometimes it is about sound, right, Like 372 00:20:32,680 --> 00:20:36,040 Speaker 1: sometimes it's like, yeah, I remember one of our directors 373 00:20:36,040 --> 00:20:37,520 Speaker 1: from Angantha was trying to get me to make this 374 00:20:37,680 --> 00:20:40,720 Speaker 1: sound and he was like, you know, like like make 375 00:20:40,840 --> 00:20:44,359 Speaker 1: He was specifically trying to get me go like that, 376 00:20:45,119 --> 00:20:49,320 Speaker 1: and I was like, oh, in my mind, I thought like, oh, okay, 377 00:20:49,400 --> 00:20:51,720 Speaker 1: so make a sound sort of like that, make a 378 00:20:52,600 --> 00:20:56,200 Speaker 1: make the expression of like exhaustion or like frustration kind 379 00:20:56,240 --> 00:20:58,960 Speaker 1: of like tired of it, over it. And I tried 380 00:20:58,960 --> 00:21:01,119 Speaker 1: all these things and he was like, literally, I just 381 00:21:01,200 --> 00:21:03,679 Speaker 1: want you to put your lips together and then like 382 00:21:03,680 --> 00:21:06,120 Speaker 1: like let the breath out, right, because in his mind, 383 00:21:06,119 --> 00:21:09,600 Speaker 1: he had something very specific that he wanted and you 384 00:21:09,640 --> 00:21:11,920 Speaker 1: can see it. It's that take in the film where 385 00:21:11,960 --> 00:21:13,760 Speaker 1: she sits down in her bed and like leans back 386 00:21:13,800 --> 00:21:17,480 Speaker 1: and goes like, it's that take that he wanted. And 387 00:21:17,520 --> 00:21:20,439 Speaker 1: I tried like a million things. Sometimes it's just the 388 00:21:20,560 --> 00:21:23,440 Speaker 1: sound that they have in their mind matched to an 389 00:21:23,440 --> 00:21:27,040 Speaker 1: image that they've been working on. You know, they know more. 390 00:21:26,960 --> 00:21:30,080 Speaker 3: A little more intimately than they do sometimes because they've 391 00:21:30,080 --> 00:21:32,080 Speaker 3: been working on it for five years and you have 392 00:21:32,160 --> 00:21:33,119 Speaker 3: to trust them that. 393 00:21:33,320 --> 00:21:33,520 Speaker 1: Yeah. 394 00:21:33,600 --> 00:21:36,600 Speaker 3: Thing is like I find this a lot with like 395 00:21:36,760 --> 00:21:39,480 Speaker 3: sound effects, like sounds like you just described where it 396 00:21:39,520 --> 00:21:41,120 Speaker 3: gets very technical and. 397 00:21:41,080 --> 00:21:42,120 Speaker 1: It's very technical. 398 00:21:42,320 --> 00:21:45,760 Speaker 3: Yeah, even if you do one that in your mind 399 00:21:45,920 --> 00:21:50,560 Speaker 3: feels right right intention it doesn't sound right. It doesn't 400 00:21:50,600 --> 00:21:53,000 Speaker 3: write to them like the thing to them, and you 401 00:21:53,040 --> 00:21:56,240 Speaker 3: have to like just figure out the technicality of that 402 00:21:56,320 --> 00:21:57,320 Speaker 3: specific sound. 403 00:21:57,600 --> 00:22:02,400 Speaker 1: And it's interesting. Lynn said something similar. Linn Manuel Miranda 404 00:22:03,480 --> 00:22:08,240 Speaker 1: said something similar about Welcome to the Family. Madriuel. He 405 00:22:08,359 --> 00:22:11,560 Speaker 1: was like I kept doing like let's go, you know, 406 00:22:11,720 --> 00:22:13,600 Speaker 1: Like I was like, let's go. He was like no, No, 407 00:22:13,680 --> 00:22:18,600 Speaker 1: like let's go. Like, yeah, you really wanted a very 408 00:22:18,640 --> 00:22:22,560 Speaker 1: specific thing, and it becomes your job as a voice 409 00:22:22,560 --> 00:22:25,160 Speaker 1: over actor, and you get hired more and more if 410 00:22:25,200 --> 00:22:28,280 Speaker 1: you can give the thing that they want, right, Like, 411 00:22:28,400 --> 00:22:30,320 Speaker 1: if they have a very specific thing in mind, it's 412 00:22:30,359 --> 00:22:33,119 Speaker 1: your job to go, how can I give them that 413 00:22:33,240 --> 00:22:38,400 Speaker 1: very specific thing while still remaining like feeling honest about it. Yeah, yeah, 414 00:22:38,400 --> 00:22:40,679 Speaker 1: And so like that becomes your job. Is like marrying 415 00:22:40,720 --> 00:22:43,280 Speaker 1: those two things and kind of trying to find you know, 416 00:22:43,480 --> 00:22:46,040 Speaker 1: and also it's your job. On the other the flip 417 00:22:46,040 --> 00:22:47,800 Speaker 1: side of that is also to bring things that maybe 418 00:22:47,800 --> 00:22:49,720 Speaker 1: they hadn't even thought about, you know, like to bring 419 00:22:49,760 --> 00:22:51,960 Speaker 1: your own creativity and to bring stuff that they would 420 00:22:52,000 --> 00:22:56,159 Speaker 1: never have done until you were in the room you specifically, 421 00:22:56,320 --> 00:22:59,000 Speaker 1: that's yeah, that's the other thing about voice overacting. It's 422 00:22:59,040 --> 00:23:02,000 Speaker 1: really fun because like people can sound like each other 423 00:23:02,280 --> 00:23:06,400 Speaker 1: for sure, But I do think it's like a combination 424 00:23:06,520 --> 00:23:12,520 Speaker 1: of the fingerprint of your individual personality and the voice 425 00:23:12,520 --> 00:23:15,760 Speaker 1: that you're doing and the script. It's like all those 426 00:23:15,760 --> 00:23:19,760 Speaker 1: things combined makes them for a very like specific performance. 427 00:23:20,800 --> 00:23:23,320 Speaker 3: Have you had because this has happened to me a lot, 428 00:23:23,359 --> 00:23:28,400 Speaker 3: and it's always embarrassing every time, and it's hilarious to me. Uh, 429 00:23:28,440 --> 00:23:32,679 Speaker 3: where you like come in for something and usually I 430 00:23:32,680 --> 00:23:35,280 Speaker 3: mean usually this is like an offer situation, so a 431 00:23:35,359 --> 00:23:38,080 Speaker 3: very nice offer situation where like you did an audition 432 00:23:38,200 --> 00:23:39,520 Speaker 3: and so you just kind of like go in. 433 00:23:39,640 --> 00:23:40,840 Speaker 1: You're like, oh my god, it's so nice. 434 00:23:40,880 --> 00:23:42,600 Speaker 3: They want me to be here, and you like get 435 00:23:42,640 --> 00:23:45,920 Speaker 3: your your audition, your sides or whatever, and you get 436 00:23:45,960 --> 00:23:48,440 Speaker 3: an idea and like I've gone in and like done 437 00:23:48,480 --> 00:23:50,679 Speaker 3: a voice and they go, oh no, no, no, no, we 438 00:23:50,800 --> 00:23:53,879 Speaker 3: just we just want your voice. 439 00:23:59,480 --> 00:24:03,479 Speaker 1: Most of the time. Actually, no, I get your answer. 440 00:24:03,680 --> 00:24:07,000 Speaker 1: Was I honestly get like, oh, can you do like 441 00:24:07,040 --> 00:24:09,920 Speaker 1: a more like a gravelly or like like a tougher 442 00:24:10,280 --> 00:24:11,400 Speaker 1: you know, like oh. 443 00:24:11,359 --> 00:24:17,119 Speaker 3: Like closing, yeah, like that's so funny, like grittier or 444 00:24:17,240 --> 00:24:19,520 Speaker 3: like I think honestly could show. 445 00:24:19,560 --> 00:24:22,440 Speaker 1: Those kind of lower voices a lot in your stuff. 446 00:24:22,920 --> 00:24:24,800 Speaker 1: I think the first time that somebody was like I 447 00:24:25,040 --> 00:24:29,399 Speaker 1: think it was in Ganto where they were like, you know, 448 00:24:29,680 --> 00:24:32,159 Speaker 1: you know, like sometimes it would have to tell me 449 00:24:32,240 --> 00:24:34,960 Speaker 1: like don't let it go into your lower register, like 450 00:24:35,000 --> 00:24:37,960 Speaker 1: try not to let it go there, but like mostly 451 00:24:38,040 --> 00:24:41,600 Speaker 1: do your own voice, like do you do you don't 452 00:24:41,640 --> 00:24:43,560 Speaker 1: try to get it up higher or anything like that, 453 00:24:43,680 --> 00:24:46,600 Speaker 1: Like just sit in the place that's normal for you. 454 00:24:46,680 --> 00:24:52,560 Speaker 1: And I was like, really show my reaction? Really sure 455 00:24:52,920 --> 00:24:55,679 Speaker 1: that because I've heard it and it's pretty nasal. 456 00:25:00,640 --> 00:25:03,840 Speaker 3: Is there anything about voice acting that you want that 457 00:25:03,880 --> 00:25:06,600 Speaker 3: you think you like, specifically want to get better at 458 00:25:06,680 --> 00:25:07,080 Speaker 3: more better? 459 00:25:07,160 --> 00:25:11,440 Speaker 1: Oh my god, Yeah, I want to get better at 460 00:25:11,880 --> 00:25:16,000 Speaker 1: having a more Like I think I want to get 461 00:25:16,040 --> 00:25:20,040 Speaker 1: better at having a bigger library of voices to choose from, 462 00:25:20,160 --> 00:25:22,960 Speaker 1: you know what I mean, Like like lately I'm doing 463 00:25:23,000 --> 00:25:24,879 Speaker 1: like you see me do it. I used to do 464 00:25:24,920 --> 00:25:27,159 Speaker 1: it on set all the time. I'd like pretend that 465 00:25:27,200 --> 00:25:29,520 Speaker 1: I would like and I'd like do a cigarette out 466 00:25:29,560 --> 00:25:31,919 Speaker 1: of my I'm like, yeah, that's show business kits. Like 467 00:25:31,920 --> 00:25:34,639 Speaker 1: I want more like in my repertoire, Like yeah, and 468 00:25:34,680 --> 00:25:37,479 Speaker 1: I probably just need a little time by myself with 469 00:25:37,520 --> 00:25:40,440 Speaker 1: my voice note recorder on my phone to like dick around. 470 00:25:40,520 --> 00:25:42,960 Speaker 1: But I don't have time, you know. Yeah, but I 471 00:25:43,000 --> 00:25:46,080 Speaker 1: wish I had more of a repertoire. What about you? 472 00:25:46,440 --> 00:25:49,560 Speaker 3: Yeah, I think similarly. I think, Yeah, I think I 473 00:25:49,680 --> 00:25:53,399 Speaker 3: just want to do more of it, And yeah, I 474 00:25:53,560 --> 00:25:58,000 Speaker 3: have have more of a range. I feel like there's 475 00:25:58,200 --> 00:26:01,280 Speaker 3: right now just kind of like a few voices that 476 00:26:01,320 --> 00:26:02,400 Speaker 3: have been go tos. 477 00:26:02,840 --> 00:26:05,520 Speaker 1: You know, it helps a lot weirdly reading books to 478 00:26:05,760 --> 00:26:09,119 Speaker 1: my kid. Yes, you know what I mean, Like you do, 479 00:26:09,240 --> 00:26:10,800 Speaker 1: you do a lot of I do a lot of accents, 480 00:26:10,800 --> 00:26:14,879 Speaker 1: shitty accents. She doesn't know. You know that it's a 481 00:26:14,880 --> 00:26:18,320 Speaker 1: shitty accent. And then they want it every fucking, every 482 00:26:18,359 --> 00:26:21,200 Speaker 1: fucking time, and then that sometimes I'm like, I don't 483 00:26:21,240 --> 00:26:22,800 Speaker 1: want to read the books tonight because it's like a 484 00:26:22,840 --> 00:26:24,879 Speaker 1: one woman show for an hour and a half of 485 00:26:24,920 --> 00:26:26,440 Speaker 1: reading books. Same. 486 00:26:26,720 --> 00:26:29,240 Speaker 3: I always wonder if other actors feel like this. I'm 487 00:26:29,240 --> 00:26:33,320 Speaker 3: not getting pale. Sometimes I delay this all day today. 488 00:26:33,400 --> 00:26:36,639 Speaker 3: I don't want to do it to perform for you. 489 00:26:36,880 --> 00:26:39,680 Speaker 1: I'm just so tired right now. I'm so sorry. Yeah. 490 00:26:39,760 --> 00:26:42,520 Speaker 1: I think most parents feel that way, but the actors 491 00:26:42,560 --> 00:26:45,480 Speaker 1: specifically have a like we feel the need to like 492 00:26:45,600 --> 00:26:48,480 Speaker 1: do the voices or do the you know, before the 493 00:26:48,520 --> 00:26:54,560 Speaker 1: sudden sets. On her sixteenth, we're reading Sleeping Beauty and 494 00:26:54,600 --> 00:26:56,840 Speaker 1: I did the whole poison. Now ros is like, do 495 00:26:56,960 --> 00:27:00,439 Speaker 1: it again. I'm like, my god, okay, but I mean, 496 00:27:00,480 --> 00:27:02,080 Speaker 1: like that's the stuff that like stuck in my mind 497 00:27:02,080 --> 00:27:04,320 Speaker 1: as a kid. Though it really affected me, those like 498 00:27:04,359 --> 00:27:07,119 Speaker 1: those voices that were like whoa, that is a scary bitch, 499 00:27:07,240 --> 00:27:10,960 Speaker 1: like she's scary. Yeah, yeah, I love that. 500 00:27:13,320 --> 00:27:14,400 Speaker 2: More Better. 501 00:27:15,720 --> 00:27:17,720 Speaker 1: This was fun to talk about. This was fun to 502 00:27:17,760 --> 00:27:18,200 Speaker 1: talk about. 503 00:27:18,320 --> 00:27:22,000 Speaker 3: Thanks for the suggestion, Archie, Oh, Archie, we hope this 504 00:27:22,080 --> 00:27:23,440 Speaker 3: helped make a bunch of voice notes. 505 00:27:23,560 --> 00:27:24,800 Speaker 1: Archie. Just fuck around. 506 00:27:25,280 --> 00:27:28,320 Speaker 3: Yeah, just get creative, find your voice. You can always 507 00:27:29,040 --> 00:27:31,880 Speaker 3: make there's places you can go. I mean, I think 508 00:27:31,880 --> 00:27:34,560 Speaker 3: you have to pay money, but also if you're tech savvy, 509 00:27:34,600 --> 00:27:37,800 Speaker 3: you can make your own real a voice stuff. Yeah, 510 00:27:37,880 --> 00:27:39,960 Speaker 3: if you're trying to break in, most. 511 00:27:40,080 --> 00:27:43,880 Speaker 1: Laptops come with the garage band already in them, and 512 00:27:43,920 --> 00:27:46,879 Speaker 1: you can just stick on a little mic that you 513 00:27:46,920 --> 00:27:51,040 Speaker 1: get from Amazon and start to dick around and see 514 00:27:51,040 --> 00:27:52,560 Speaker 1: what you come up with. Yeah. 515 00:27:53,200 --> 00:27:57,400 Speaker 3: So we hope you enjoyed it. Yeah, we'll see y'all 516 00:27:57,960 --> 00:27:58,480 Speaker 3: next time. 517 00:27:58,720 --> 00:28:04,080 Speaker 1: Yeah, bye bye, More Better. Do you have something you'd 518 00:28:04,080 --> 00:28:05,560 Speaker 1: like to be more better at that you want us 519 00:28:05,560 --> 00:28:06,960 Speaker 1: to talk about in a future episode. 520 00:28:07,000 --> 00:28:09,400 Speaker 3: Can you relate to our struggles or have you tried 521 00:28:09,440 --> 00:28:10,600 Speaker 3: one of our tips and tricks? 522 00:28:10,800 --> 00:28:13,720 Speaker 1: Shoot us your thoughts and ideas at Morebetter pod at 523 00:28:13,760 --> 00:28:16,639 Speaker 1: gmail dot com and include a voice note if you 524 00:28:16,640 --> 00:28:19,359 Speaker 1: want to be featured on the pod. Ooh, More Better 525 00:28:19,359 --> 00:28:23,240 Speaker 1: with Stephanie Melissa is a production from Wvsound and iHeartMedia's 526 00:28:23,280 --> 00:28:27,439 Speaker 1: Mikultura podcast network, hosted by Me, Stephanie Beatriz, and Melissa 527 00:28:27,480 --> 00:28:30,760 Speaker 1: KUMERA More Better is produced by Isis Madrid, Leo Clem, 528 00:28:30,800 --> 00:28:34,560 Speaker 1: and Sophie Spencer Zabos. Our executive producers are Wilmer Valderrama 529 00:28:34,600 --> 00:28:38,240 Speaker 1: and Leo Clem at wvsound. This episode was edited by 530 00:28:38,320 --> 00:28:41,719 Speaker 1: Isis Madrid and engineered by Sean Tracy and features original 531 00:28:41,800 --> 00:28:44,080 Speaker 1: music by Madison Davenport and Hey Loo Boy. 532 00:28:44,120 --> 00:28:46,880 Speaker 3: Our cover art is by Vincent Remis and photography by 533 00:28:46,920 --> 00:28:51,080 Speaker 3: David Avalos. For more podcasts from iHeart, visit the iHeartRadio app, 534 00:28:51,160 --> 00:28:53,800 Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows. 535 00:28:54,120 --> 00:29:05,080 Speaker 1: See you next week. Saga Bye, Allan Tokitomas Mayhor