1 00:00:05,120 --> 00:00:08,160 Speaker 1: Welcome to the Naughty but Nice Sham, your host Rob Shoota, 2 00:00:08,240 --> 00:00:11,280 Speaker 1: joined by our friend Mark Lupo from US Weekly magazine. 3 00:00:11,280 --> 00:00:14,480 Speaker 1: Market There, Hey, Rob, he loan, Marks, are you're back 4 00:00:14,520 --> 00:00:17,120 Speaker 1: in the city. You left your mother Doris on Long 5 00:00:17,200 --> 00:00:21,959 Speaker 1: Island without any power, You abandoned ship. You're a terrible person. 6 00:00:22,120 --> 00:00:25,079 Speaker 1: How is she? She's doing better now the power is 7 00:00:25,120 --> 00:00:27,480 Speaker 1: back on, so she can finally listen to our show. 8 00:00:28,440 --> 00:00:31,720 Speaker 1: A little Birdie tells me she only listens to Thursday shows, 9 00:00:31,840 --> 00:00:34,400 Speaker 1: the only one that you're Rod. Is that true? She's 10 00:00:34,479 --> 00:00:37,239 Speaker 1: not the best with technology, so it took a lot 11 00:00:37,280 --> 00:00:40,040 Speaker 1: for her to get to this point. So let's just okay, 12 00:00:40,040 --> 00:00:43,360 Speaker 1: Well we'll set on the Thursdays. Let's start giving Doris 13 00:00:43,400 --> 00:00:46,200 Speaker 1: shout outs on different shows to see if she responds. 14 00:00:46,479 --> 00:00:48,360 Speaker 1: I have a feeling she's not going to. But we 15 00:00:48,440 --> 00:00:51,560 Speaker 1: love you, Doris. I'm so happy your powers back. And Mark, 16 00:00:51,840 --> 00:00:53,400 Speaker 1: it's good to see you too. Do you know what 17 00:00:53,440 --> 00:00:57,560 Speaker 1: time it is? It is? This is a great lead story. 18 00:00:57,600 --> 00:00:59,880 Speaker 1: You're not going to hear about it until tomorrow. It's 19 00:01:00,040 --> 00:01:03,960 Speaker 1: to be the cover of US Weekly nationwide on newsstands tomorrow. 20 00:01:04,200 --> 00:01:08,640 Speaker 1: What's going on with Brad Pitt and Angelina Jolie. Rob, 21 00:01:08,680 --> 00:01:11,800 Speaker 1: I had some breaking news that's going on between Brad 22 00:01:11,800 --> 00:01:14,520 Speaker 1: Pitt and Angelina Jolie. Things were looking so good for 23 00:01:14,560 --> 00:01:18,160 Speaker 1: the couple, but they've taken a turn for the worst. 24 00:01:19,319 --> 00:01:22,600 Speaker 1: I know. Let me explain. So Brad Pitt has had 25 00:01:22,959 --> 00:01:27,360 Speaker 1: enough with Angelina Jolie's games. I want to point out 26 00:01:27,440 --> 00:01:30,360 Speaker 1: I think we've already covered this in days past. Angelina 27 00:01:30,480 --> 00:01:34,800 Speaker 1: Jolie requested to disqualify or essentially fire, the judge that 28 00:01:34,959 --> 00:01:38,680 Speaker 1: is handling their upcoming their upcoming custody trial. No, Rob, 29 00:01:38,880 --> 00:01:41,240 Speaker 1: they've been divorced. The couple has been They filed for 30 00:01:41,280 --> 00:01:43,960 Speaker 1: divorce four years ago. One piece of the divorce that 31 00:01:44,040 --> 00:01:47,120 Speaker 1: has not been finalized is their custody of their children. 32 00:01:47,120 --> 00:01:50,240 Speaker 1: They have six children together. While a source of telling us, 33 00:01:50,280 --> 00:01:53,160 Speaker 1: Brad feels Angelina has gone way too far and he's 34 00:01:53,200 --> 00:01:55,200 Speaker 1: going to fight back, and he's going to fight back 35 00:01:55,320 --> 00:01:59,120 Speaker 1: in a big way. Now, Angeline is claiming that the 36 00:01:59,280 --> 00:02:01,880 Speaker 1: judge that I have a judge that's handling their custody 37 00:02:02,040 --> 00:02:06,480 Speaker 1: their custody situation, did not disclose his working relationship with 38 00:02:06,520 --> 00:02:10,720 Speaker 1: Brad's attorneys. Grad At fired back, saying, of course, there's 39 00:02:10,800 --> 00:02:14,320 Speaker 1: documented evidence that the judge even married a couple of 40 00:02:14,360 --> 00:02:17,040 Speaker 1: two thousand and fourteen. So well, she was there for that. 41 00:02:17,280 --> 00:02:20,040 Speaker 1: She knew that she was there. She was there for that. 42 00:02:20,120 --> 00:02:23,000 Speaker 1: It's turning into he said, she said, petty mess. But 43 00:02:23,040 --> 00:02:26,280 Speaker 1: the real victims here. It's not Angelina, it's not Brad. 44 00:02:26,360 --> 00:02:30,400 Speaker 1: It's their children. They're left in this limbo. They don't 45 00:02:30,440 --> 00:02:32,639 Speaker 1: know which way to go. Rob, what do you think 46 00:02:32,639 --> 00:02:35,520 Speaker 1: of this mess? Oh, it's awful. This should be done 47 00:02:35,520 --> 00:02:38,280 Speaker 1: and dusted. It was done years ago. What they're fighting 48 00:02:38,320 --> 00:02:41,800 Speaker 1: over his custody and also I think some financial situations 49 00:02:41,800 --> 00:02:45,400 Speaker 1: have still yet to be resolved. It's really sad for me. 50 00:02:45,480 --> 00:02:47,760 Speaker 1: What I do know is that Brad Pitt and his 51 00:02:47,919 --> 00:02:50,959 Speaker 1: people are some of the nicest in Hollywood. They really 52 00:02:50,960 --> 00:02:53,560 Speaker 1: are good people. We've we've worked with them over the years. 53 00:02:53,720 --> 00:02:56,560 Speaker 1: They're decent, they're kind. You know, they're not they're not 54 00:02:57,160 --> 00:02:59,920 Speaker 1: You can't walk all over them that. They're strong, they're professional. 55 00:03:00,360 --> 00:03:02,760 Speaker 1: But it takes a lot to get Brad Pitt angry. 56 00:03:02,760 --> 00:03:05,120 Speaker 1: But once the gloves are off and they sound like 57 00:03:05,160 --> 00:03:08,120 Speaker 1: they are here, he's going to fight. I don't know 58 00:03:08,160 --> 00:03:10,520 Speaker 1: what's going on here. I think it might be that 59 00:03:10,600 --> 00:03:12,960 Speaker 1: Angelina has said she wants to move to London. She 60 00:03:13,000 --> 00:03:16,040 Speaker 1: really wants to leave the U s A. She can't 61 00:03:16,120 --> 00:03:19,839 Speaker 1: do so until this custody agreement is made, and he's 62 00:03:19,880 --> 00:03:22,200 Speaker 1: not going to allow that. He doesn't want his kids 63 00:03:22,240 --> 00:03:24,040 Speaker 1: in a different country. He wants to be able to 64 00:03:24,080 --> 00:03:26,320 Speaker 1: see them. I think most people would say that's been 65 00:03:26,360 --> 00:03:30,640 Speaker 1: a really responsible good father. I think Angelina here, I'd 66 00:03:30,639 --> 00:03:34,560 Speaker 1: be really, really careful. It sounds to me as if 67 00:03:34,639 --> 00:03:38,080 Speaker 1: the verdict is not going the way she wants, and 68 00:03:38,160 --> 00:03:40,480 Speaker 1: so what do people do when they get angry and 69 00:03:40,520 --> 00:03:43,120 Speaker 1: feel like they're not winning. They want to change the rules, 70 00:03:43,200 --> 00:03:46,200 Speaker 1: or in this case, change the judge. I don't know 71 00:03:46,240 --> 00:03:48,880 Speaker 1: about this, Mark. I think the twins now, Knox and Vivian, 72 00:03:49,200 --> 00:03:51,560 Speaker 1: they're twelve years old, so they're getting to an age 73 00:03:51,560 --> 00:03:53,920 Speaker 1: where they will be able to read this and see it. 74 00:03:53,920 --> 00:03:56,400 Speaker 1: It's going to be on the internet forever. It all 75 00:03:56,440 --> 00:04:00,240 Speaker 1: makes me a little bit sad. I wouldn't want to 76 00:04:00,240 --> 00:04:04,000 Speaker 1: provoke Brad, though he's a sleeping giant. If he gets angry, though, 77 00:04:04,040 --> 00:04:08,240 Speaker 1: I think this is going to get really, really unnecessarily nasty, 78 00:04:08,240 --> 00:04:10,240 Speaker 1: which brings us to our pole question of the day. 79 00:04:10,640 --> 00:04:14,840 Speaker 1: Brad Pitt says Angelina has gone too far this time? 80 00:04:15,160 --> 00:04:20,000 Speaker 1: Are you team Angelina or Team Brad Pitt? Go vote 81 00:04:20,279 --> 00:04:23,600 Speaker 1: on our Twitter page at Naughty Nice rub, leave a 82 00:04:23,600 --> 00:04:26,760 Speaker 1: comment on our Facebook page Naughty Gossip, and be sure 83 00:04:26,839 --> 00:04:30,960 Speaker 1: to check back tomorrow to hear the results. This story 84 00:04:31,040 --> 00:04:32,839 Speaker 1: is wild, Mark, I really want to get into it 85 00:04:32,920 --> 00:04:36,320 Speaker 1: with you. So Hugh Jackman is revealing that his audition 86 00:04:36,400 --> 00:04:40,760 Speaker 1: for X Men to play Wolverine lasted just twenty seconds. 87 00:04:41,080 --> 00:04:43,560 Speaker 1: So he was talking to Jimmy Fallon about walking in 88 00:04:43,600 --> 00:04:45,280 Speaker 1: the room. He was pretty sure he wasn't going to 89 00:04:45,320 --> 00:04:48,680 Speaker 1: get the role. Actually, Hugh Jackman was not the first choice. 90 00:04:48,680 --> 00:04:51,520 Speaker 1: He was the second choice. The first choice was an 91 00:04:51,520 --> 00:04:54,760 Speaker 1: actor called Dougray Scott. You might not have heard of him, 92 00:04:54,760 --> 00:04:57,520 Speaker 1: but he was in Mission Impossible too. They really wanted 93 00:04:57,600 --> 00:04:59,800 Speaker 1: him to do it, but because of timing he might 94 00:04:59,839 --> 00:05:01,840 Speaker 1: not be able to do it. He actually couldn't do it, 95 00:05:02,040 --> 00:05:04,520 Speaker 1: so they needed a b plan. They needed a backup plan. 96 00:05:04,880 --> 00:05:07,760 Speaker 1: That person was Huge Jackman, So he got the job 97 00:05:08,080 --> 00:05:11,880 Speaker 1: in twenty seconds. It's changed his life. Let me ask you, Mark, 98 00:05:12,240 --> 00:05:16,279 Speaker 1: how long does it take for you to get to 99 00:05:16,320 --> 00:05:19,719 Speaker 1: know somebody? If somebody walks into your life romantically or business? Wise, 100 00:05:20,000 --> 00:05:23,720 Speaker 1: is twenty seconds long enough. I think twenty seconds is 101 00:05:23,839 --> 00:05:26,720 Speaker 1: long enough for me to know whether I'm interested or not. 102 00:05:27,240 --> 00:05:30,200 Speaker 1: I do think that energy speaks before you do, so 103 00:05:31,480 --> 00:05:32,960 Speaker 1: I hear you, know, I hear what you're saying. Now. 104 00:05:33,000 --> 00:05:36,320 Speaker 1: When you came into meeting for for your job US Weekly, 105 00:05:37,320 --> 00:05:39,520 Speaker 1: I think I think you could probably put on a 106 00:05:39,520 --> 00:05:42,559 Speaker 1: good audition, a good interview. It obviously went well because 107 00:05:42,560 --> 00:05:45,400 Speaker 1: you've got the job. What are you like in twenty seconds? 108 00:05:45,400 --> 00:05:47,320 Speaker 1: Are you're a shy a version of yourself, or you're 109 00:05:47,360 --> 00:05:50,840 Speaker 1: more exaggerated, or you're pretty much you rub I think 110 00:05:50,880 --> 00:05:55,159 Speaker 1: I'm a slightly exaggerated version of myself. I smile, I'm friendly. 111 00:05:55,200 --> 00:05:58,080 Speaker 1: I don't oversell it because I don't want to oversell it, 112 00:05:58,080 --> 00:06:00,080 Speaker 1: but I do, you know, I let the person. I 113 00:06:00,120 --> 00:06:01,840 Speaker 1: try to be real and try to have fun of 114 00:06:01,880 --> 00:06:04,000 Speaker 1: the person. You're real. This is dangerous, but we'll play it. 115 00:06:04,760 --> 00:06:06,400 Speaker 1: I'm gonna give you my impression of you in the 116 00:06:06,400 --> 00:06:08,280 Speaker 1: first twenty seconds. So I met you for the first 117 00:06:08,320 --> 00:06:10,440 Speaker 1: time when you were a producer at the Wendy Williams 118 00:06:10,480 --> 00:06:12,400 Speaker 1: Show and I was a guest. Thank you very much. 119 00:06:12,520 --> 00:06:14,720 Speaker 1: So I'd storm in and you'd meet me and come 120 00:06:14,760 --> 00:06:17,000 Speaker 1: and prepare me and put me in my dressing room 121 00:06:17,000 --> 00:06:20,919 Speaker 1: and produce away. I knew within twenty seconds that you 122 00:06:20,960 --> 00:06:23,760 Speaker 1: were kind, you were decent. I knew you were smart, Mark, 123 00:06:24,000 --> 00:06:26,720 Speaker 1: I knew you were honest. And actually everything I thought 124 00:06:26,760 --> 00:06:29,440 Speaker 1: about you in the first twenty seconds has come true. 125 00:06:29,440 --> 00:06:31,960 Speaker 1: You are that guy. Well did you think of me? Mark? 126 00:06:32,040 --> 00:06:34,479 Speaker 1: Be careful, I could hit pause on this on this 127 00:06:34,560 --> 00:06:37,120 Speaker 1: recording if I want to. What did you think about me? 128 00:06:37,520 --> 00:06:39,400 Speaker 1: It's so funny, Rob, because we've known each other for 129 00:06:39,480 --> 00:06:41,760 Speaker 1: so long now. When I look back when I first 130 00:06:41,800 --> 00:06:45,880 Speaker 1: met you, I just thought, who is this loud personality? 131 00:06:45,960 --> 00:06:48,960 Speaker 1: That it's just so over the top and confident and fun. 132 00:06:49,520 --> 00:06:51,960 Speaker 1: And I can tell right away that you are the 133 00:06:52,040 --> 00:06:54,080 Speaker 1: kind of guy who likes to have a good time 134 00:06:54,560 --> 00:06:57,279 Speaker 1: and nothing more, nothing less. I do like to have 135 00:06:57,400 --> 00:07:00,120 Speaker 1: a good time. Think about it, did you know look 136 00:07:00,120 --> 00:07:02,240 Speaker 1: at your partner? Look at your friends? Did you know 137 00:07:02,320 --> 00:07:05,400 Speaker 1: who they were? In twenty seconds? Isn't that interesting? What's 138 00:07:05,440 --> 00:07:08,400 Speaker 1: going on with Harry and Megan? Mark? Oh, I have 139 00:07:08,440 --> 00:07:10,920 Speaker 1: a good story for you, Rob. So Harry and Megan, 140 00:07:11,000 --> 00:07:14,320 Speaker 1: we haven't seen too much of them during this quarantine, 141 00:07:14,400 --> 00:07:17,640 Speaker 1: with the exception of them buying their home or Rob 142 00:07:19,440 --> 00:07:23,000 Speaker 1: Megan Harry they're ready to come back into the spotlight. Yes, 143 00:07:23,160 --> 00:07:27,360 Speaker 1: Variety is reporting that the couple is shopping around a 144 00:07:27,560 --> 00:07:31,400 Speaker 1: top secret project in Hollywood. They're taking lots of high 145 00:07:31,480 --> 00:07:35,280 Speaker 1: powerful meetings to pitch a project, which is there's not 146 00:07:35,320 --> 00:07:38,520 Speaker 1: too much detail about other than Harry Megan want to 147 00:07:38,560 --> 00:07:40,600 Speaker 1: be producers. They don't want to be in front of 148 00:07:40,600 --> 00:07:43,680 Speaker 1: the camera. They want to produce something. And they've gotten 149 00:07:43,680 --> 00:07:47,680 Speaker 1: the attention of some top executives, including one at NBCUniversal 150 00:07:47,800 --> 00:07:52,760 Speaker 1: that an executive who actually worked on Megan's show suits. So, Rob, 151 00:07:52,880 --> 00:07:56,040 Speaker 1: I you know, I can't help but think that Megan 152 00:07:56,120 --> 00:07:58,480 Speaker 1: and Harry's publicist might have I don't know, put this 153 00:07:58,560 --> 00:08:01,200 Speaker 1: release out and is trying to get buzz around them. 154 00:08:01,240 --> 00:08:03,640 Speaker 1: You know, we talked about them so much. Their name 155 00:08:03,720 --> 00:08:05,800 Speaker 1: really resonates. But Rob, do you think this is something 156 00:08:05,840 --> 00:08:08,400 Speaker 1: that you'd be interested in hearing about? It's really wild. 157 00:08:08,400 --> 00:08:10,320 Speaker 1: So I've been hitting the phones. I have lots of 158 00:08:10,720 --> 00:08:14,200 Speaker 1: TV and movie producer type sources in l A. And 159 00:08:14,240 --> 00:08:17,600 Speaker 1: I actually know somebody that works at a company that 160 00:08:17,680 --> 00:08:21,640 Speaker 1: they went into meet with. Um, it's wild. They didn't 161 00:08:21,680 --> 00:08:23,680 Speaker 1: do it in person. This has all been done over 162 00:08:24,000 --> 00:08:26,120 Speaker 1: zoom and Skype and all the all the methods that 163 00:08:26,160 --> 00:08:28,800 Speaker 1: we're using with the pandemic. But I was told the following. 164 00:08:28,800 --> 00:08:31,360 Speaker 1: The reason we don't know many details about this is 165 00:08:31,400 --> 00:08:34,360 Speaker 1: because there aren't many details. The two of them have 166 00:08:34,520 --> 00:08:37,000 Speaker 1: not thought this through. So they can get a meeting 167 00:08:37,040 --> 00:08:40,000 Speaker 1: with anybody because they're Harry and Megan, So anyone's going 168 00:08:40,040 --> 00:08:41,800 Speaker 1: to pick up a phone and do a zoom with 169 00:08:41,840 --> 00:08:44,160 Speaker 1: them or a phone call. The problem is is that 170 00:08:44,200 --> 00:08:46,040 Speaker 1: when you picture a new show, if it be a 171 00:08:46,080 --> 00:08:48,679 Speaker 1: documentary or a reality show or a scripted show, you've 172 00:08:48,679 --> 00:08:50,920 Speaker 1: got to show something. So most people go in with 173 00:08:51,080 --> 00:08:54,000 Speaker 1: very elaborate decks, They go into power point and they 174 00:08:54,040 --> 00:08:58,040 Speaker 1: do these really really sort of detailed proposals. Additionally, a 175 00:08:58,080 --> 00:09:01,120 Speaker 1: lot of times people give you what is called sizzle reel. 176 00:09:01,559 --> 00:09:04,320 Speaker 1: What a sizzle reel is is basically a five minute 177 00:09:04,440 --> 00:09:07,160 Speaker 1: version of highlight reel of what the show would be. 178 00:09:07,840 --> 00:09:09,720 Speaker 1: And so they send you those you look at them. 179 00:09:09,760 --> 00:09:12,600 Speaker 1: That is the traditional way of pitching a TV show, 180 00:09:12,760 --> 00:09:15,680 Speaker 1: regardless of what it is, a documentary, reality show, that's 181 00:09:15,679 --> 00:09:18,240 Speaker 1: how you do it. They haven't done that, so they 182 00:09:18,280 --> 00:09:21,480 Speaker 1: haven't put in the work now because of who they 183 00:09:21,480 --> 00:09:24,120 Speaker 1: are They obviously can get great meetings, but they're not 184 00:09:24,160 --> 00:09:27,440 Speaker 1: going to sell something that doesn't exist. Everybody wants to 185 00:09:27,480 --> 00:09:30,320 Speaker 1: be a producer or a TV star. Our friends do. 186 00:09:30,360 --> 00:09:32,360 Speaker 1: To Mark, I have so many friends that asked me 187 00:09:32,400 --> 00:09:34,920 Speaker 1: to get the reality shows, and I always say to them, 188 00:09:35,160 --> 00:09:37,400 Speaker 1: what would you do for an hour? Tell me what 189 00:09:37,520 --> 00:09:40,800 Speaker 1: you would do for an hour? Most people have no idea. 190 00:09:41,040 --> 00:09:43,000 Speaker 1: When you were at Wendy, Mark, the amount of people 191 00:09:43,040 --> 00:09:45,280 Speaker 1: that must have asked you to put them on Wendy Williams, 192 00:09:45,320 --> 00:09:47,559 Speaker 1: which sounds great, But what are you going to tell 193 00:09:47,600 --> 00:09:50,360 Speaker 1: Wendy and the audience for four or five minutes. Most 194 00:09:50,360 --> 00:09:52,760 Speaker 1: people don't know the answer to that. So I'm being 195 00:09:52,760 --> 00:09:57,200 Speaker 1: told here Mart Harry and they're gonna very unprepared. She 196 00:09:57,240 --> 00:09:59,559 Speaker 1: should know better because she's worked on TV. He has 197 00:09:59,600 --> 00:10:02,720 Speaker 1: somewha of an excuse because he's never really done this before. 198 00:10:03,200 --> 00:10:06,360 Speaker 1: I don't know. They are big stars. People are interested 199 00:10:06,400 --> 00:10:09,160 Speaker 1: in them. That's the other problem to Mark. I'm hearing 200 00:10:09,280 --> 00:10:13,120 Speaker 1: what every TV network wants is for those two to 201 00:10:13,160 --> 00:10:15,439 Speaker 1: sit down and tell all they could get a show 202 00:10:15,520 --> 00:10:18,120 Speaker 1: in a minute. If they did a ten part series 203 00:10:18,440 --> 00:10:20,800 Speaker 1: on being Harry and Megan, they could get a reality 204 00:10:20,840 --> 00:10:23,680 Speaker 1: show tomorrow. Mark, if we followed them around their new 205 00:10:23,720 --> 00:10:26,120 Speaker 1: life in l A, Him adjusting to not being in 206 00:10:26,120 --> 00:10:29,160 Speaker 1: the palace or having butlers and waiters and everybody else 207 00:10:29,200 --> 00:10:30,920 Speaker 1: to help him, I'd watch that. They don't want to 208 00:10:30,920 --> 00:10:33,040 Speaker 1: do that. They don't want to gossip. They want to 209 00:10:33,040 --> 00:10:35,200 Speaker 1: do very serious stuff that I'm not making fun of. 210 00:10:35,360 --> 00:10:37,360 Speaker 1: They want to save the planet, they want to do 211 00:10:37,400 --> 00:10:43,000 Speaker 1: stuff on race relations, all very very worthy important causes. However, 212 00:10:43,320 --> 00:10:45,319 Speaker 1: you've got to have some meat to the bones. You've 213 00:10:45,360 --> 00:10:47,880 Speaker 1: got to be able to tell me what you are 214 00:10:47,920 --> 00:10:50,640 Speaker 1: gonna do. Does that make sense? Mark, Or's rob It's 215 00:10:50,679 --> 00:10:53,280 Speaker 1: so funny, it's it's exactly spot on it. And I 216 00:10:53,320 --> 00:10:56,480 Speaker 1: feel like Harry and Megan have become such tabloid e 217 00:10:56,679 --> 00:10:58,839 Speaker 1: type figures that it's going to be hard to take 218 00:10:58,880 --> 00:11:02,200 Speaker 1: them seriously when they're doing pushing projects to see if 219 00:11:02,240 --> 00:11:05,360 Speaker 1: the world when I hear about is their problems at home. 220 00:11:06,760 --> 00:11:08,439 Speaker 1: It's like, think about it. Put it on a very 221 00:11:08,440 --> 00:11:10,520 Speaker 1: basic level. If one of your friends has had a 222 00:11:10,600 --> 00:11:12,719 Speaker 1: huge fight with their family members and maybe left home, 223 00:11:12,880 --> 00:11:15,440 Speaker 1: was no longer talking to their grandma or their family 224 00:11:15,520 --> 00:11:18,160 Speaker 1: or their brother when you meet them for drinks. As 225 00:11:18,240 --> 00:11:21,839 Speaker 1: important as it is to save the world, to save animals. 226 00:11:21,960 --> 00:11:23,959 Speaker 1: It is. You ain't gonna be talking about that. When 227 00:11:23,960 --> 00:11:26,320 Speaker 1: they sit down at Botty Mark. You're gonna be like, Oh, 228 00:11:26,360 --> 00:11:29,000 Speaker 1: what's going on with your brother? You want all the dish. 229 00:11:29,360 --> 00:11:31,199 Speaker 1: They won't do that. So this is actually going to 230 00:11:31,280 --> 00:11:34,040 Speaker 1: be much harder to sell than they think, Oh, I've 231 00:11:34,040 --> 00:11:37,600 Speaker 1: got some dish here. Mariah Kerry is releasing a new album. 232 00:11:37,760 --> 00:11:40,120 Speaker 1: She said it's just for her fans. So she has 233 00:11:40,160 --> 00:11:41,719 Speaker 1: a book coming out this year and she's going to 234 00:11:41,800 --> 00:11:45,240 Speaker 1: release an album at the same time. It's called The Rarities. However, 235 00:11:45,640 --> 00:11:49,560 Speaker 1: this album appears to be songs that were cut from 236 00:11:49,600 --> 00:11:53,520 Speaker 1: other albums that now she's gonna plong together and push out, 237 00:11:53,559 --> 00:11:57,360 Speaker 1: so with minimal amount of work, because the songs already exist, 238 00:11:57,600 --> 00:11:59,360 Speaker 1: she's gonna put them on an album and put out 239 00:11:59,760 --> 00:12:02,280 Speaker 1: a lot of musicians called these trunk songs. What they 240 00:12:02,320 --> 00:12:04,560 Speaker 1: mean is they're in the trunk, so maybe they weren't 241 00:12:04,600 --> 00:12:06,680 Speaker 1: good enough to be on your albums. Often when you 242 00:12:07,000 --> 00:12:09,480 Speaker 1: release record an album, you do more songs, so you 243 00:12:09,520 --> 00:12:11,720 Speaker 1: do about fifteen songs and then you cut it down 244 00:12:11,720 --> 00:12:14,600 Speaker 1: to the twelve best and then the other three four 245 00:12:14,720 --> 00:12:16,960 Speaker 1: I just sort of left behind and they put them 246 00:12:17,000 --> 00:12:19,600 Speaker 1: in the trunk for a rainy day. Namaya is going 247 00:12:19,679 --> 00:12:22,319 Speaker 1: to push them out, so it's not really for the 248 00:12:22,400 --> 00:12:25,600 Speaker 1: fans because we've sort of got the hits already. Does 249 00:12:25,600 --> 00:12:28,160 Speaker 1: this drive you crazy? Like I don't mind you putting 250 00:12:28,160 --> 00:12:30,360 Speaker 1: out the greatest hits album? In fact, I love that, 251 00:12:30,720 --> 00:12:32,520 Speaker 1: but I don't want the songs that weren't good enough 252 00:12:32,559 --> 00:12:34,960 Speaker 1: to be on the on the original album. What do 253 00:12:34,960 --> 00:12:38,720 Speaker 1: you think, Mark rob It's so funny. I think that 254 00:12:39,120 --> 00:12:41,400 Speaker 1: I have two things, and I'm hoping for one that 255 00:12:41,520 --> 00:12:44,880 Speaker 1: the trunk songs that they do release them. I hope 256 00:12:44,880 --> 00:12:48,240 Speaker 1: that they're songs from the nineties early thousands when Mariah's 257 00:12:48,320 --> 00:12:51,000 Speaker 1: voice was really big and powerful. I would love to 258 00:12:51,040 --> 00:12:54,280 Speaker 1: hear that voice again. And maybe they could give those 259 00:12:54,280 --> 00:12:56,480 Speaker 1: songs as like a free bonus to the book. I 260 00:12:56,480 --> 00:12:59,840 Speaker 1: don't think I'm looking to purchase them, right, I'm curious 261 00:12:59,840 --> 00:13:03,680 Speaker 1: to hear them. And I agree Mariah has so many hits. 262 00:13:03,679 --> 00:13:06,480 Speaker 1: She has an album, two albums full of hits. Let's 263 00:13:06,559 --> 00:13:09,400 Speaker 1: revisit them, let's re imagine them and have fun with 264 00:13:09,440 --> 00:13:11,160 Speaker 1: the hits. It's all I really want. That's what I love. 265 00:13:11,400 --> 00:13:12,600 Speaker 1: And if you want to do it for your fans. 266 00:13:12,600 --> 00:13:14,800 Speaker 1: It's like if you go to see Madonna or whoever 267 00:13:14,840 --> 00:13:17,320 Speaker 1: in concert. I want the hits. That's why he stopped 268 00:13:17,320 --> 00:13:21,120 Speaker 1: buying Madonna's tickets. I don't want the new songs. That 269 00:13:21,240 --> 00:13:24,800 Speaker 1: Indian War Chant album she had it was awful. I 270 00:13:24,840 --> 00:13:27,840 Speaker 1: want the big, big hits. So Maria, you can put 271 00:13:27,840 --> 00:13:30,000 Speaker 1: out anything you want, but don't try to tell me 272 00:13:30,120 --> 00:13:32,440 Speaker 1: this is for the fans. I don't want it. I 273 00:13:32,480 --> 00:13:34,680 Speaker 1: want you to thinking the old hits. God, I've sund 274 00:13:34,760 --> 00:13:36,200 Speaker 1: so bad there. I do love her. I know you 275 00:13:36,240 --> 00:13:39,560 Speaker 1: love it too. What's happening with Ben Affleck, Mark Rob 276 00:13:39,640 --> 00:13:41,800 Speaker 1: The story is, it's really it's a feel good story. 277 00:13:42,400 --> 00:13:46,360 Speaker 1: Ben Affleck, sources are telling us, hasn't wanted to reach 278 00:13:46,440 --> 00:13:50,640 Speaker 1: for a drink since he's met his girlfriend, Anna day Armist. Yes, 279 00:13:50,800 --> 00:13:53,640 Speaker 1: you know we've known Ben to have his ups and 280 00:13:53,720 --> 00:13:56,480 Speaker 1: downs to struggles with alcohol addiction, and he's gone to 281 00:13:56,559 --> 00:14:00,960 Speaker 1: rehab several times. Well, since he has met Anna, she 282 00:14:01,080 --> 00:14:02,840 Speaker 1: kind of came in and gave him what he was 283 00:14:02,840 --> 00:14:05,400 Speaker 1: looking for. She's filled that last spot in his life, 284 00:14:05,480 --> 00:14:08,040 Speaker 1: that partner he was looking for, that kind of his 285 00:14:08,200 --> 00:14:10,920 Speaker 1: yek to his yang. And you know Anna has his 286 00:14:11,000 --> 00:14:14,040 Speaker 1: great personality. She's great with his kids, she's an actress. 287 00:14:14,080 --> 00:14:16,440 Speaker 1: They have a lot in common. And also she's not 288 00:14:16,520 --> 00:14:19,080 Speaker 1: about the party life. She's not looking to have a drink. 289 00:14:19,360 --> 00:14:21,880 Speaker 1: She really kind of balances him out. And right now, 290 00:14:21,920 --> 00:14:24,640 Speaker 1: he's not looking for a coping mechanism. He's just looking 291 00:14:24,640 --> 00:14:27,840 Speaker 1: for someone to spend his time with. And he's working out, 292 00:14:27,960 --> 00:14:31,600 Speaker 1: he's eating healthy, he's he's really feeling great. And Rob, 293 00:14:31,680 --> 00:14:33,840 Speaker 1: I want to point out I do want to make clear, 294 00:14:34,120 --> 00:14:36,880 Speaker 1: you know, sobriety and the journey that he's on his 295 00:14:37,160 --> 00:14:39,840 Speaker 1: a lifelong journey, and you can't pin it on one person. 296 00:14:40,200 --> 00:14:42,920 Speaker 1: But I do think that she is a nice compliment 297 00:14:43,000 --> 00:14:45,520 Speaker 1: to him at this moment. What do you think, Yeah, 298 00:14:45,640 --> 00:14:47,720 Speaker 1: I think that he seems really happy. He looks great, 299 00:14:47,840 --> 00:14:49,920 Speaker 1: he's smiling again. It was just his birthday. She brought 300 00:14:50,000 --> 00:14:52,080 Speaker 1: him a motorbike. They were out on that together. They 301 00:14:52,080 --> 00:14:53,720 Speaker 1: looked like a really good pair of The problem I 302 00:14:53,800 --> 00:14:55,920 Speaker 1: half with this and we're treading carefully because, as you said, 303 00:14:56,040 --> 00:14:59,160 Speaker 1: it's a very serious subject. I found, particularly me and 304 00:14:59,200 --> 00:15:02,000 Speaker 1: my friends, when you look for somebody else to save you, 305 00:15:02,120 --> 00:15:05,320 Speaker 1: it's never really gonna work. Puts way too much pressure 306 00:15:05,320 --> 00:15:07,520 Speaker 1: on them. You've got to be saving yourself. I think 307 00:15:07,560 --> 00:15:10,280 Speaker 1: we can all agree to that. And it also sort 308 00:15:10,320 --> 00:15:13,360 Speaker 1: of implies that the other people he Will was with 309 00:15:13,480 --> 00:15:15,480 Speaker 1: were not a good influence, like and we know that's 310 00:15:15,480 --> 00:15:19,240 Speaker 1: not true. Jennifer Gardner is a saint, an absolute saint. 311 00:15:19,560 --> 00:15:21,960 Speaker 1: So it's a little bit complicated this story. For me, 312 00:15:22,200 --> 00:15:24,760 Speaker 1: I'm really happy he's in a good place. I've known 313 00:15:24,840 --> 00:15:27,240 Speaker 1: him a little bit when I worked for Jennifer Lopez. 314 00:15:27,280 --> 00:15:30,280 Speaker 1: Did I mention that? I mentally every show Mark, every 315 00:15:30,280 --> 00:15:32,320 Speaker 1: show I talk about when I work for Jenny, even 316 00:15:32,400 --> 00:15:35,360 Speaker 1: Jennifer's like shut up. But when I worked with Jennifer, 317 00:15:35,440 --> 00:15:37,480 Speaker 1: she was dating Ben. So I've seen Ben at his 318 00:15:37,560 --> 00:15:39,840 Speaker 1: best and his worst. He seems to be in a 319 00:15:39,880 --> 00:15:43,400 Speaker 1: really good place. I'm happy for them, but do be careful, everybody. 320 00:15:43,800 --> 00:15:48,320 Speaker 1: Don't think people can save you. Yes, put yourself in 321 00:15:48,400 --> 00:15:52,560 Speaker 1: a great environment. Cut off the negative bad friends, lovers, 322 00:15:52,600 --> 00:15:55,840 Speaker 1: boyfriend's girlfriends. Put yourself in the best place you possibly can. 323 00:15:55,920 --> 00:15:58,880 Speaker 1: But it's still up to you. It's up to me 324 00:15:59,000 --> 00:16:00,600 Speaker 1: right now, and we're going to take a break. We 325 00:16:00,640 --> 00:16:06,200 Speaker 1: will be right back in just a minute. Welcome back 326 00:16:06,240 --> 00:16:08,200 Speaker 1: to the Naughty but Nice Sha I'm your host, rub 327 00:16:08,240 --> 00:16:11,280 Speaker 1: should with my mate Mark Lupo from US Weekly, Mark, 328 00:16:11,320 --> 00:16:15,200 Speaker 1: how are you, darling? I'm better now? Do you think 329 00:16:15,240 --> 00:16:17,880 Speaker 1: Doris has enjoined the show? So far? Mark? She has 330 00:16:17,960 --> 00:16:21,760 Speaker 1: her bag of pop horror and now just Doris. Doris 331 00:16:21,840 --> 00:16:23,560 Speaker 1: is Mark's mother. If you're listening for the first time 332 00:16:23,600 --> 00:16:26,920 Speaker 1: and number one fan, um does Doris fast forward through 333 00:16:26,960 --> 00:16:30,560 Speaker 1: the items I do and just listen to yours Robs. 334 00:16:30,600 --> 00:16:32,520 Speaker 1: She plays your items over and over again, and I 335 00:16:32,520 --> 00:16:35,920 Speaker 1: don't think she's even heard my terrible Doris, You've got 336 00:16:35,960 --> 00:16:40,680 Speaker 1: excellent taste. Okay, let's get to the bubbles. Thank you, Mark, 337 00:16:40,680 --> 00:16:42,760 Speaker 1: a little late, but thank you. So. On the last 338 00:16:42,800 --> 00:16:46,560 Speaker 1: show yesterday, we talked about big stars, big celebrities don't 339 00:16:46,600 --> 00:16:50,200 Speaker 1: want to join and Tyra Banks in Dancing with the Stars. 340 00:16:50,480 --> 00:16:52,840 Speaker 1: Tyra really thought she could call all her mates and 341 00:16:52,880 --> 00:16:55,560 Speaker 1: get them into the ballroom. That doesn't look like it's happened. 342 00:16:55,920 --> 00:16:59,320 Speaker 1: Should the show just be canceled? Should we just be 343 00:16:59,400 --> 00:17:01,520 Speaker 1: done with Dance with the Stars. Let's have a look here, 344 00:17:03,080 --> 00:17:06,280 Speaker 1: said cancel the show. Mark, that over it. I find 345 00:17:06,760 --> 00:17:10,400 Speaker 1: that when you try to fix things sometimes they never 346 00:17:10,560 --> 00:17:13,399 Speaker 1: quite work. So if Dancing with the Stars needs a 347 00:17:13,520 --> 00:17:17,119 Speaker 1: reboot and refresh. Maybe it's just time to say goodbye 348 00:17:17,560 --> 00:17:20,160 Speaker 1: and remember all those lovely memories. What do you think 349 00:17:20,160 --> 00:17:22,159 Speaker 1: on this mark? Should we try to save Dancing with 350 00:17:22,200 --> 00:17:24,920 Speaker 1: the Stars or cut it? What do you think? Well, 351 00:17:24,960 --> 00:17:28,000 Speaker 1: Doris is a huge fan of Dancing with the Stars 352 00:17:28,040 --> 00:17:31,600 Speaker 1: and she was very upset with Tom Brand's exit. Although listen, 353 00:17:31,600 --> 00:17:33,400 Speaker 1: I I do have faith and Tira. I think she's 354 00:17:33,560 --> 00:17:36,520 Speaker 1: very fiery and fun and I just interviewed Jay Manuel 355 00:17:36,600 --> 00:17:38,479 Speaker 1: from her show and he wants to be on, So 356 00:17:38,520 --> 00:17:40,679 Speaker 1: I think I found he would do it. That's actually 357 00:17:40,680 --> 00:17:42,639 Speaker 1: really exciting. She wouldn't have him on. They're not in 358 00:17:42,640 --> 00:17:44,600 Speaker 1: a good place, you know what. More, maybe you can 359 00:17:44,600 --> 00:17:47,800 Speaker 1: offer Doris to be our official Dancing with the Stars 360 00:17:47,800 --> 00:17:51,000 Speaker 1: correspondent and with the shows back on TV, maybe Doris 361 00:17:51,000 --> 00:17:52,480 Speaker 1: could give us a little review each week. What do 362 00:17:52,560 --> 00:17:56,760 Speaker 1: you think that would be hilarious? Doris? Doris offers yours. 363 00:17:56,960 --> 00:17:59,720 Speaker 1: Get your people to call my people. I don't have 364 00:17:59,760 --> 00:18:04,480 Speaker 1: any Okay, don't forget to vote on today's Twitter Today's pole. 365 00:18:04,520 --> 00:18:07,359 Speaker 1: You can vote on Twitter which is naughty Nice Rob. 366 00:18:07,480 --> 00:18:10,880 Speaker 1: Or you can go to our Facebook page Naughty Gossip 367 00:18:11,200 --> 00:18:13,800 Speaker 1: and leave a comment. Are you team Brad or are 368 00:18:13,880 --> 00:18:18,320 Speaker 1: your Team Angelina. Be sure to check back tomorrow for 369 00:18:18,440 --> 00:18:22,879 Speaker 1: your results. And now, it's a Nicest of the Day, 370 00:18:25,920 --> 00:18:28,359 Speaker 1: Our nicest of the day. It's one of my favorite 371 00:18:28,400 --> 00:18:32,359 Speaker 1: people on this planet. It's Pink, Uh, the recording artist. 372 00:18:32,400 --> 00:18:35,840 Speaker 1: Of course. Pink showed off a really awesome picture of 373 00:18:35,840 --> 00:18:38,960 Speaker 1: herself on Instagram. She's on a surfboard surfing a wave. 374 00:18:39,400 --> 00:18:43,000 Speaker 1: Her legs are unfull display, and she joked that she 375 00:18:43,080 --> 00:18:46,200 Speaker 1: has thunder thighs and she captured the picture. I always 376 00:18:46,200 --> 00:18:49,080 Speaker 1: wondered why God gave me thunder thighs. It's because he 377 00:18:49,200 --> 00:18:52,640 Speaker 1: knew I'd use them. Rob, she just is so much fun. 378 00:18:52,720 --> 00:18:55,080 Speaker 1: She she is comfortable with her body, and I think 379 00:18:55,119 --> 00:18:58,680 Speaker 1: she really promotes other women to feel comfortable about their body. 380 00:18:58,760 --> 00:19:01,199 Speaker 1: She's athletics, she's in a funny build. I've seen her 381 00:19:01,240 --> 00:19:03,800 Speaker 1: fly off the ceiling at the Grammys. Like She's just 382 00:19:03,840 --> 00:19:06,720 Speaker 1: a really, really all around awesome person. Rob, Why do 383 00:19:06,720 --> 00:19:08,399 Speaker 1: you think she's the nicest of the day. Oh, I 384 00:19:08,440 --> 00:19:12,000 Speaker 1: think you win this. She's absolutely awesome. You're absolutely right. 385 00:19:12,040 --> 00:19:15,040 Speaker 1: She's cool. She's really comfortable in her own skin. She's 386 00:19:15,040 --> 00:19:18,000 Speaker 1: actually made me feel more comfortable in my skin. I 387 00:19:18,040 --> 00:19:23,240 Speaker 1: have an exceptionally large nose and firm. From the earliest age, 388 00:19:23,359 --> 00:19:25,840 Speaker 1: I always got teased because of my big nose. As 389 00:19:25,840 --> 00:19:28,439 Speaker 1: I got older, my face sort of grew into my nose. 390 00:19:28,800 --> 00:19:32,240 Speaker 1: But because of pink I now I now have really 391 00:19:32,280 --> 00:19:34,679 Speaker 1: come to love it. Things that people make fun of 392 00:19:34,920 --> 00:19:38,199 Speaker 1: are actually probably your best asset, Mark, What what is 393 00:19:38,200 --> 00:19:41,240 Speaker 1: it about yourself that you've had to grow to love? 394 00:19:41,800 --> 00:19:44,840 Speaker 1: It's just what's so hard for me is having such 395 00:19:44,880 --> 00:19:47,439 Speaker 1: a big ass and and all the attention that I 396 00:19:47,520 --> 00:19:50,399 Speaker 1: get for it. Oh, it's terrible, Mark, It's terrible. But 397 00:19:50,480 --> 00:19:52,200 Speaker 1: you know now as I got an older it's common handy. 398 00:19:52,520 --> 00:19:54,879 Speaker 1: Oh I'm sure it has. Well, say no more about that, 399 00:19:54,880 --> 00:19:58,000 Speaker 1: because Doris is listening. Your big bottom. You're like the 400 00:19:58,080 --> 00:20:03,840 Speaker 1: King Kardashian of the norty. But okay, let's do naughtiest 401 00:20:03,960 --> 00:20:07,199 Speaker 1: of the day. Naughty, naughty, naughty, naughty. Todd Chris Lee, 402 00:20:07,600 --> 00:20:11,119 Speaker 1: who I secretly really do enjoy, appears to have a 403 00:20:11,200 --> 00:20:15,440 Speaker 1: new face. So he's looking very, very young, very refreshed. 404 00:20:15,640 --> 00:20:18,800 Speaker 1: People are asking what actually happened there? Did you go 405 00:20:18,960 --> 00:20:22,440 Speaker 1: under the knife? He's replying that he didn't go under 406 00:20:22,560 --> 00:20:24,920 Speaker 1: the knife. But if it makes you feel better, think 407 00:20:24,960 --> 00:20:28,280 Speaker 1: whatever you want, then his daughter Savannah. She spilt the 408 00:20:28,280 --> 00:20:32,080 Speaker 1: beans and said that her dad's been getting Bonetox Inchections 409 00:20:32,119 --> 00:20:34,600 Speaker 1: to smooth at the wrinkles. Lisa Renna said he looks 410 00:20:34,600 --> 00:20:37,880 Speaker 1: twelve years old. He responded to Lisa saying thank you, 411 00:20:38,240 --> 00:20:44,560 Speaker 1: and he also thanked lasers, botox, God and prayers. Now 412 00:20:44,760 --> 00:20:48,200 Speaker 1: I like me God as much as everybody else. He's 413 00:20:48,280 --> 00:20:51,959 Speaker 1: too busy to be worried about Todd's face the pictures. 414 00:20:51,960 --> 00:20:54,679 Speaker 1: Who are Naughty? Gossip dot Com. It's time for a 415 00:20:54,760 --> 00:20:56,760 Speaker 1: moment of rob So hopefully we'll make your laugh for 416 00:20:56,800 --> 00:20:59,000 Speaker 1: giggle for twenty minutes or so. But now we're gonna 417 00:20:59,000 --> 00:21:00,680 Speaker 1: be a little bit more serious, just for a moment. 418 00:21:00,960 --> 00:21:05,200 Speaker 1: The most important, most important person in your life is you, 419 00:21:05,760 --> 00:21:08,680 Speaker 1: So it is impossible to treat anybody else like they 420 00:21:08,680 --> 00:21:13,480 Speaker 1: are important until you believe that you are important yourself. 421 00:21:13,800 --> 00:21:17,399 Speaker 1: You've got to value your opinions first. Nobody has a 422 00:21:17,440 --> 00:21:21,399 Speaker 1: hundred percent of the information about you except you, so 423 00:21:21,520 --> 00:21:24,240 Speaker 1: you're in the best position to make the best cause. 424 00:21:24,560 --> 00:21:27,400 Speaker 1: Be careful what you decide to do, and always come 425 00:21:27,440 --> 00:21:30,720 Speaker 1: from a place where you think you are important. Mark 426 00:21:30,800 --> 00:21:33,320 Speaker 1: where are you on this? You're You're a confidence hat Chap. 427 00:21:33,400 --> 00:21:36,199 Speaker 1: Do you think you're important? I think you have to 428 00:21:36,400 --> 00:21:39,240 Speaker 1: really live in your truth. But also you have to 429 00:21:39,359 --> 00:21:43,479 Speaker 1: push forward. Um. You know, perception drives reality, so you 430 00:21:43,520 --> 00:21:45,680 Speaker 1: want to, you know, let people know who you are. 431 00:21:45,800 --> 00:21:48,040 Speaker 1: And even if you don't feel it that you own it, 432 00:21:48,080 --> 00:21:49,959 Speaker 1: you have to push through so that you can make 433 00:21:50,000 --> 00:21:54,560 Speaker 1: that reality your own. Let's all today say I am important, 434 00:21:54,600 --> 00:21:57,399 Speaker 1: I am important, and have a wonderful day. That's it, 435 00:21:57,600 --> 00:21:59,679 Speaker 1: marking around out of time. Thank you Mark. We love 436 00:21:59,720 --> 00:22:02,840 Speaker 1: having you with us on Thursdays. Hi Doris, thank you 437 00:22:02,920 --> 00:22:05,879 Speaker 1: for listening to the Naughty but Nice with Rob Shooter Show, 438 00:22:06,080 --> 00:22:09,440 Speaker 1: a production of I Heart Radio. Don't forget to subscribe 439 00:22:09,440 --> 00:22:12,560 Speaker 1: on the I Heart Radio app, Apple podcast or wherever 440 00:22:12,800 --> 00:22:15,240 Speaker 1: you listen. Leave us a review. These reviews are really 441 00:22:15,320 --> 00:22:17,800 Speaker 1: really important. I didn't realize this when I first started 442 00:22:17,840 --> 00:22:20,800 Speaker 1: the shows, but the reviews actually helped with the algorithm 443 00:22:21,080 --> 00:22:22,679 Speaker 1: to get the show out there. So please, if you 444 00:22:22,720 --> 00:22:24,920 Speaker 1: have a moment, leave a review. You can even leave 445 00:22:25,000 --> 00:22:27,080 Speaker 1: one for Doris. Did you see Doris got a good review? 446 00:22:27,119 --> 00:22:31,439 Speaker 1: Mark as she has a stellar review. Oreageous that Doris 447 00:22:31,560 --> 00:22:34,440 Speaker 1: is getting reviews, So please leave a review and all together, 448 00:22:34,440 --> 00:22:36,800 Speaker 1: and I remember if you're going to be naughty. You've 449 00:22:36,840 --> 00:22:42,879 Speaker 1: got to be nice, Take care everybody. It's not even 450 00:22:43,080 --> 00:22:43,760 Speaker 1: nice with