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Speaker 1: It's the best Bits of the week with Morgan. I

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Speaker 1: kill just the bits.

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Speaker 2: Come on, come on, it is Saturday. You know what

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Speaker 2: that means. It's best Bits time, y'all.

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Speaker 3: I'm so happy you're here. They've got a lot to

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Speaker 3: talk about on the show this week, but before we

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Speaker 3: do that, be sure to check out Part one this

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Speaker 3: weekend with Scooba Steve. Not only did we talk about

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Speaker 3: crazy things that have happened at weddings, I have a

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Speaker 3: wild story where I pulled an all nighter and potentially

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Speaker 3: going to a singles event in Nashville for Valentine's Day. Also,

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Speaker 3: what is the time that we were so angry we

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Speaker 3: did something crazy? And you know, Scooba Steve has a

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Speaker 3: great story for that one.

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Speaker 2: So go to part one, listen to that.

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Speaker 3: Part three you'll hear listener Q and as So, Jessica

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Speaker 3: wanted to know all about how Scuba met his wife,

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Speaker 3: how it was a show.

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Speaker 2: Bit and then they fell in love.

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Speaker 3: And then McKenzie wanted us to talk about hobbies because

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Speaker 3: she's trying not to drink so much.

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Speaker 2: So a lot of cool stuff on Part one, Part three.

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Speaker 3: But like I said, big show, well big five shows.

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Speaker 2: You say that guys, my brain's hurting. It's Saturday.

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Speaker 3: Big shows happened this week on The Bobby Bone Show,

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Speaker 3: and that's what we're about to dive into. That's where

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Speaker 3: you're here for to get a recap. So let's go.

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Speaker 3: It's the tale as old as time. Raymundo believes Sam

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Speaker 3: Hunt would like to hang out with him. So raymonda

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Speaker 3: commented something on Sam Hunt's Instagram posts. Sam Hunt responded

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Speaker 3: and well, Ray took it very literally. And that is

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Speaker 3: all I'm going to say. Because you'll hear this and

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Speaker 3: you'll think Ray may have a little bit of a

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Speaker 3: stalker problem happening with Sam Hunt. I'm just gonna point

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Speaker 3: the obvious and let you hear for yourself.

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Speaker 4: Number seven, Raymundo, our audio producer, is the biggest Sam

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Speaker 4: Hunt fan.

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Speaker 5: He traveled across the country to go.

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Speaker 4: To a show, went to the meet and greet, He

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Speaker 4: got a Christmas gift from Sam wants and didn't take

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Speaker 4: it off forever. He comments on every picture he is

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Speaker 4: the he dresses like him. Ray loves Sam Hunt. And

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Speaker 4: so you post on every picture I do and what

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Speaker 4: did you post? And what picture was it?

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Speaker 6: He was outside, it was his first snow, his child's

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Speaker 6: and he did a captain said first snow or something

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Speaker 6: said awesome, man, I'm gonna bring over a thirty rack

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Speaker 6: of beer. I'll bring some Baileys and hot chocolate for

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Speaker 6: the chicks. Let's hang, and then he responds back bring it.

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Speaker 7: Wow, whoa jo?

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Speaker 5: I won't know? You should?

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Speaker 8: You should?

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Speaker 4: So this is what happens. This picture is posted. It

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Speaker 4: just has snow day exclamation point. It's Sam and his

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Speaker 4: right arm is holding his young child's probably a year old. Okay,

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Speaker 4: young child's got to be in on Sam, doesn't. Ray

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Speaker 4: does say the following I'm heading to your hill now.

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Speaker 4: I picked up a thirty rack for the boys and

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Speaker 4: some cocoa and Bailey's for our ladies. And then at

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Speaker 4: Sam hunt Music says bring it and it has nineteen.

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Speaker 7: Likes on it.

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Speaker 8: That's what hit.

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Speaker 4: So Ray thinks he should actually get it and go

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Speaker 4: to Sam's house. You guys out of your mind. First

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Speaker 4: of all, I bet that's not even Sam who wrote that.

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Speaker 4: Oh that's probably a social media person.

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Speaker 8: No no, no, no, no no. They wouldn't just happen to

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Speaker 8: reply to Sisson Ray Mundo. They know that Ray. That

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Speaker 8: is Sam?

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Speaker 4: Does Sam want ready to come to his house and

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Speaker 4: bring a thirty rack and Coco and.

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Speaker 9: Bailey's no, I mean no, because here's the thing.

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Speaker 5: Ray is already at a thirty pack of beer. I

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Speaker 5: guess I think.

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Speaker 9: Sam gets the start, like the that he's being playful, sarcastic,

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Speaker 9: like him headed to your hill now, like he's not.

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Speaker 9: So he's replying with also just like the fantasy playful man.

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Speaker 4: But I don't think Ray was being playful. I think

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Speaker 4: Ray was like throwing some bait out there.

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Speaker 6: Yeah, and we it's a little bit of time offul

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Speaker 6: work to we're out of here early. So then I

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Speaker 6: was thinking I followed his brother on Instagram, do I

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Speaker 6: hit him up and asked for the addie the address,

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Speaker 6: so then I would just roll up. If Sam's not

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Speaker 6: doing anything, you're not writing music right now, it's a

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Speaker 6: snowstorm outside.

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Speaker 4: I think as long as you have a screenshot to

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Speaker 4: prove it, yeah, it's totally fun.

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Speaker 7: That's like your pass.

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Speaker 8: Oh my god.

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Speaker 4: But there was a thing that was a little sus then,

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Speaker 4: but you put that in underneath the winch wiper when

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Speaker 4: you drive to his house, the screen got like a

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Speaker 4: parking pass. You put the screenshot under the Witchwiper.

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Speaker 5: What happened?

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Speaker 6: So he did that post and then within twelve hours

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Speaker 6: he did another post and it was for his tour.

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Speaker 5: I don't understand.

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Speaker 6: I feel like his label wanted me to then really

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Speaker 6: get back into the Sam Love man. Me and him

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Speaker 6: are friends again, and then they wanted me to post

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Speaker 6: his tour and then want to go to his Nashville

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Speaker 6: show in March.

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Speaker 9: Is that why you didn't comment on the tour post?

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Speaker 6: Because I'm looking for your Yeah, because then I thought

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Speaker 6: I got gotten.

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Speaker 5: I'm just a pawn. But that's okay because you love

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Speaker 5: him so much, you're happy to get caught.

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Speaker 7: I'm fine with that.

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Speaker 5: Yeah. See, he's fine with that. He's fine getting got.

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Speaker 8: I don't know why you didn't say what's that dress?

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Speaker 8: Or DM them?

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Speaker 4: Hey, just say did you really mean this? That'd be funny, dude,

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Speaker 4: Like I'm half cringing.

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Speaker 5: It plays out for everybody to see. But like you know,

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Speaker 5: the artist doesn't say bring it. They usually just ignore you,

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Speaker 5: or if they see it, they that's funny.

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Speaker 4: Ray.

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Speaker 5: So what should he do?

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Speaker 4: Then?

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Speaker 5: Let's let's have Ray have an execution point here. What

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Speaker 5: should he do? He dms them with a picture of

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Speaker 5: the thirty Iraq and and all that and be like, dude,

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Speaker 5: it's funny.

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Speaker 8: Yeah, I like it, and say what time works for you?

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Speaker 7: Do that?

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Speaker 5: Do that with a picture? Dam the picture. But he

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Speaker 5: doesn't follow you, does he?

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Speaker 4: I don't know, So send him the picture of you

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Speaker 4: holding that stuff, okay, and be like, hey, I got it.

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Speaker 5: Just hit me up with the address.

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Speaker 8: Sounds good.

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Speaker 5: So you're half.

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Speaker 4: Playing because you can always be like, I'm joking. But

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Speaker 4: then also if it's like, yeah, bring it, then you

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Speaker 4: go okay.

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Speaker 5: So that's why I brought it to you, guys.

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Speaker 7: Perfect.

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Speaker 5: Yeah, I feel like he did. It's just a joke,

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Speaker 5: but I'm anxious to see where this takes us.

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Speaker 9: Sam doesn't follow Ray. I checked.

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Speaker 7: Oh no, it's okay.

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Speaker 5: You still message him the picture, all right? He follows

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Speaker 5: Michael Ray.

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Speaker 7: Oh maybe he thinks Michael Ray is Ray. Oh my god.

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Speaker 5: That's it.

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Speaker 1: It's the best bits of the week with Morgan. Number two.

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Speaker 3: When you're in a relationship, there are just some things

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Speaker 3: you don't say to your partner.

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Speaker 2: But maybe you get.

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Speaker 3: Really mad, or you get really sassy, or you're just

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Speaker 3: joking around and you've said something accidentally. Well, Bobby has

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Speaker 3: a whole list of things that you're not supposed to

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Speaker 3: say these phrases.

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Speaker 2: To your partner.

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Speaker 3: And the show gotvulnerable and everybody kind of admitted different

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Speaker 3: experiences they've had with said phrases. And maybe if you

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Speaker 3: hear them, it'll make you feel a little bit better.

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Speaker 3: Maybe you've said one of them.

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Speaker 2: Or maybe if you're perfect and you've never.

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Speaker 3: Said these phrases and you never would and you're single

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Speaker 3: and you're a dude, please call me.

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Speaker 2: That's all I'm going to leave it for now.

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Speaker 3: For all my relationship, married, wonderfully in love people, these

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Speaker 3: are the phrases.

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Speaker 2: You might need to write down so you don't ever

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Speaker 2: say them to your partner.

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Speaker 4: Number six, don't say these phrases to your partner, no

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Speaker 4: matter how angry you get.

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Speaker 5: That's the head this article by Bold BOLDI.

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Speaker 4: So they list ten things you should not say to

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Speaker 4: your partner, regardless of.

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Speaker 5: How mad you get.

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Speaker 4: And it's a tough situation to be feeling emotional and

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Speaker 4: you're reacting and not responding. And it doesn't have to

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Speaker 4: be your partner. You fight with anybody.

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Speaker 5: It's tense.

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Speaker 4: You say things sometimes you don't mean, just as a weapon.

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Speaker 4: But let's go through the list and be honest. If

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Speaker 4: you ever say it, Okay, you're just.

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Speaker 5: Like your parent. If I said that to my.

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Speaker 4: Wife, she'd be like, you say thank you. And now

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Speaker 4: if I said that to her, that'd be a compliment.

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Speaker 4: So I would never use that one because her parents

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Speaker 4: are awesome, bese like your parents awesome. Yeah, then we

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Speaker 4: make out a compliment. But you do you ever say that?

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Speaker 4: Have you ever said that in a way that wasn't positive?

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Speaker 8: Yes?

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Speaker 5: And what are you referring to? Just what do you

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Speaker 5: mean specifically? I'm not gonna say that. Well know, like

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Speaker 5: what trait just something that her parent does.

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Speaker 7: And I'm like, you're acting like your.

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Speaker 8: I say, you're just like your mom, because her mom

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Speaker 8: is correcting, like like she'll be visiting and I'll do something.

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Speaker 8: She's like, oh, you shouldn't do it that way, and

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Speaker 8: I'm like, got it. And then my wife, oh, he

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Speaker 8: you know, we're okay. And then they leave and my wife,

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Speaker 8: you shouldn't do it that way. I say, you are

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Speaker 8: exactly like your mom right now?

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Speaker 5: And how does she react to that?

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Speaker 8: She's like, I'll work on that.

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Speaker 5: Oh, she says that that's good.

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Speaker 9: Yeah, I've had that said to.

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Speaker 5: Me you're just like your parent.

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Speaker 9: Yeah, and it was it was frustrating because I was

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Speaker 9: could say that about my mom, but then when somebody

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Speaker 9: else is it about my mom, like comparing me to her,

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Speaker 9: I'm like suddenly like, what what are you saying about

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Speaker 9: my mom? And then what are you saying about me?

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Speaker 5: But the next one is so harsh. I would never

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Speaker 5: even think to say it, Oh, I wish I.

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Speaker 7: Never met you? No?

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Speaker 10: What?

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Speaker 4: No, Like when I'm arguing, I'll say stuff in the

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Speaker 4: it's you know, it's a game, it's a strategy, it's

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Speaker 4: a battle.

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Speaker 5: But I would never say I wish I never met you.

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Speaker 5: I've said that to my parents, but not my wife.

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Speaker 5: You have no choice to meet them.

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Speaker 8: I know.

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Speaker 7: But it was like so frustrating.

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Speaker 5: You know, you're like, I wish you didn't know you

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Speaker 5: really were you an adult?

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Speaker 7: No, that's when I was a kid.

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Speaker 5: That doesn't feel like an adult thing. That was yesterday. Guys,

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Speaker 5: all right, the next one, you always are? You never

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Speaker 5: and I do that. I don't always always. I mean

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Speaker 5: you're doing it right now, you two. Yes, always, I

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Speaker 5: always do it.

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Speaker 9: Yes, Yeah, I'm guilty of that, but also know that

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Speaker 9: you shouldn't do.

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Speaker 5: It both because I go, yeah, you always do it.

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Speaker 5: She's like, don't say always, because you know I don't

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Speaker 5: always do anything, but she always but then you, but

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Speaker 5: you always do this too, where you told me not

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Speaker 5: to do always. Then she's like, what, yeah, I throw

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Speaker 5: off yeah, number the next one. You're overreacting, oh yeah, constantly.

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Speaker 4: And I'm probably say that yeah yeah, and I'm probably

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Speaker 4: the one overreacting.

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Speaker 5: But I'm like, you're overreacting. Don't worry, it's not a

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Speaker 5: big deal. And she's like, well, to me, it is.

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Speaker 9: You're not validating your feelings when you say that.

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Speaker 5: I know I'm wrong. We're all wrong.

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Speaker 8: We're not saying we're right. But I always tell her

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Speaker 8: you're always overreacting.

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Speaker 5: Oh you're always the worst. Is that here we go,

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Speaker 5: you're reacting again, exactly irrational.

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Speaker 4: If I would have never met you, you'd never overreacted.

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Speaker 5: Always with all of them.

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Speaker 4: Yeah I did that one, this one, oh never, I

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Speaker 4: wouldn't even think again this one popping into my head to.

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Speaker 5: Say, you're so hard to love.

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Speaker 7: No, that's.

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Speaker 5: Right, that's quirky. No, you're hard to love hard?

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Speaker 9: Do you think it could be said? Kinds have like

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Speaker 9: like you're hard to love like negative or like you're

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Speaker 9: you're hard to love because you don't.

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Speaker 4: Like I think she could say that to me and

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Speaker 4: I would not be mad and I would understand.

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Speaker 5: But my wife is not hard to love.

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Speaker 4: I think I could be hard to love sometimes because

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Speaker 4: I do not understand how to accept it or at

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Speaker 4: times reciprocate it healthily. Right, But I think I wouldn't

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Speaker 4: get that upset at that because I am.

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Speaker 9: I think it's just been how it's said numbers.

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Speaker 5: I would never say that. I would never say you're

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Speaker 5: hard to love.

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Speaker 7: Weird.

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Speaker 5: The next one, I don't care anymore?

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Speaker 9: Oh?

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Speaker 7: Yeah, oh all the time?

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Speaker 8: Who does?

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Speaker 4: And only say that about things I care anymore about?

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Speaker 4: If I say I don't care anymore, you know I

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Speaker 4: really care?

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Speaker 8: So true?

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Speaker 5: Next one, why can't you be more like dot dot dot?

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Speaker 10: Oh?

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Speaker 7: My wife does that to me?

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Speaker 5: Be like, who's she compared me? Yeah? She confers me

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Speaker 5: to the other dads like She'll be like, well, other

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Speaker 5: dads do this. I'm like, no, I'm not other dads,

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Speaker 5: go marry those.

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Speaker 9: Can't you be more like?

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Speaker 7: Never?

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Speaker 5: No, I wouldn't. I know better than to compare her

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Speaker 5: to someone else. But she compares you to other dads.

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Speaker 7: Yes, well she just says, like other dads do that,

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Speaker 7: and I'm like, well.

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Speaker 5: Marry that thing. Oh you say, go marry then, well,

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Speaker 5: then go marry those dads. Then what in the world?

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Speaker 5: How about this is all your fault?

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Speaker 7: Yeah no, no, I don't say that.

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Speaker 5: I might, but in a way that isn't so on

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Speaker 5: the nose.

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Speaker 7: You rephrase it.

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Speaker 8: M h.

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Speaker 5: How like how about, well, we're only here because of you.

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Speaker 9: That's the same thing, like we'relling in this situation because you.

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Speaker 5: I think, I'm just trying to be honest here.

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Speaker 4: I'd feel like I unfairly could say that kind of thing, like, okay,

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Speaker 4: but we're fighting right now because of you.

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Speaker 9: Oh yeah, I could see that you need to shut.

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Speaker 5: Your hole because you're sitting over there just shooting a

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Speaker 5: little at me.

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Speaker 8: You are, you're playing a little video?

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Speaker 5: Do you ever do? This is all your fault?

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Speaker 8: Oh yeah? Like if we're late somewhere, and then she's like,

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Speaker 8: I can why are we always late? And I'm like,

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Speaker 8: this is your fault.

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Speaker 7: I can hear you saying that got her.

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Speaker 8: Like you're the one that was doing this this or

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Speaker 8: this not getting ready, Like this is your fault.

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Speaker 4: The phrases you should never say. These next ones are hardcore.

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Speaker 4: There's two more. No one's going to admit to saying this.

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Speaker 4: And you probably haven't said this. I haven't said this.

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Speaker 4: I hate you.

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Speaker 8: I hate you.

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Speaker 5: What about to your parents when you were a kid?

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Speaker 5: Oh yeah, I had parents to say that to.

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Speaker 9: My daughter told me the other day, talking to me

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Speaker 9: is pointless.

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Speaker 7: Oh okay, well that's different.

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Speaker 5: I feel that though. Yeah, she's got a point. You

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Speaker 5: like that, you.

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Speaker 8: And maybe she'd be more like Bobby and listen to her.

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Speaker 9: No, I was. It was over text, and we were

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Speaker 9: trying to set up a time to have a conversation

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Speaker 9: about what she wanted to talk about. But I didn't

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Speaker 9: want to set her expectations, like I already know the answer,

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Speaker 9: but I would like to hear her out. And then

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Speaker 9: she said, did you say you already know the answer though,

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Speaker 9: just because the.

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Speaker 5: Answer, you want to hear her out.

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Speaker 9: I do want to hear her out. I do want

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Speaker 9: to hear her out, but I didn't want her going

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Speaker 9: into it. I kind of laid out some reasons why

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Speaker 9: I was saying what I was saying. I want to

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Speaker 9: give her reasons, and then I she read the reasons

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Speaker 9: as even though I said, we're still going to have

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Speaker 9: a talk, I want to hear where you're coming from.

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00:13:05,559 --> 00:13:10,840
Speaker 9: Her response was not to be rude, but this like,

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Speaker 9: we just don't even need to have the talk because

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Speaker 9: talking to you is pointless.

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Speaker 4: I think what she meant to say was talking to

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Speaker 4: you about this and trying to commit you to change

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Speaker 4: your mind pointless.

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Speaker 9: Yeah, I know it was the moment. I remember saying

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Speaker 9: stuff like that to my mom, so I get it.

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Speaker 5: I just she wasn't wrong though, she just said you

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Speaker 5: weren't going to change your mind. Well, so the conversation

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Speaker 5: was pointless.

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Speaker 9: But it's not pointless for me to hear where.

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Speaker 5: She's coming digestice versus Shire.

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Speaker 9: Shoot, it's not pointless for me to hear where she's

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Speaker 9: coming here.

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Speaker 5: Number ten, the final one, you're useless.

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Speaker 4: Oh now, I'd only say that once I've ever did.

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Speaker 7: That's the last.

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Speaker 5: That's a hardcore no.

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Speaker 4: No, that's like you don't even respect it that he

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Speaker 4: I never get to a point in an argument where

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Speaker 4: I just lose respect for the person completely.

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Speaker 8: Right, Like, I mean she is I say she does,

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00:14:01,640 --> 00:14:04,000
Speaker 8: she has you, so I can't really say that she's useless.

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00:14:04,040 --> 00:14:06,920
Speaker 8: I mean, there's just she cooks dinner. She does cook dinner.

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00:14:07,840 --> 00:14:09,959
Speaker 7: Gosh, laundry and stuff laundry.

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Speaker 9: Yeah, I mean you're Yeah. That is like you were

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Speaker 9: fighting to the extreme and you have.

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Speaker 4: Just level And yeah, I do say you always are you?

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00:14:21,400 --> 00:14:23,400
Speaker 4: Never I do say you're overreacting. I do say I

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Speaker 4: don't care anymore. I think those are the three.

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Speaker 8: But on there it's it doesn't say you're not allowed

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Speaker 8: to say you're irrational, so I say that I do that. Yeah.

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00:14:31,680 --> 00:14:33,920
Speaker 4: So I mean they say it's not acting rational right now,

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00:14:34,400 --> 00:14:36,640
Speaker 4: and it's hard for me to be rational with someone

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Speaker 4: who's being irrational. And she's like, but what if you're

378
00:14:39,080 --> 00:14:41,040
Speaker 4: being irrational and you just can't tell him being irrational

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00:14:41,080 --> 00:14:42,200
Speaker 4: because your irrationality.

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Speaker 7: And I'm like, oh, dang it, you good point.

381
00:14:46,120 --> 00:14:47,320
Speaker 8: You want to say something made me go ahead?

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00:14:47,360 --> 00:14:51,800
Speaker 9: Take No. I was just curious in you know, hearing

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00:14:51,800 --> 00:14:53,680
Speaker 9: all those You shouldn't say them to partners or friends

384
00:14:53,760 --> 00:14:55,520
Speaker 9: or at work or whatever, But do you ever say

385
00:14:55,520 --> 00:14:56,600
Speaker 9: any of those things to yourself?

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00:14:56,840 --> 00:14:57,040
Speaker 7: Yeah?

387
00:14:57,040 --> 00:14:58,560
Speaker 4: Everyone, I say all those to myself every day, all

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Speaker 4: of them in the mirror. It tsagurated for work.

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Speaker 11: You're.

390
00:15:02,160 --> 00:15:03,840
Speaker 9: Right, but it's like, well we shouldn't say him the others,

391
00:15:03,840 --> 00:15:05,640
Speaker 9: so we shouldn't say him to ourselves either.

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00:15:05,720 --> 00:15:09,360
Speaker 5: I try to prove me wrong every day. You're ugly.

393
00:15:10,360 --> 00:15:13,120
Speaker 5: That's why your parents left SORR.

394
00:15:16,120 --> 00:15:19,280
Speaker 1: It's the best bits of the week with Morgan.

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00:15:19,360 --> 00:15:22,960
Speaker 3: Number two, there was a viral video going around of

396
00:15:23,040 --> 00:15:26,920
Speaker 3: el King performing at the Opry and she had a

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00:15:26,960 --> 00:15:29,200
Speaker 3: lot to drink and she was saying some things and

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00:15:29,600 --> 00:15:32,200
Speaker 3: listeners had a lot to say about it. So Bobby

399
00:15:32,240 --> 00:15:35,280
Speaker 3: decided to share his thoughts on the whole situation. And

400
00:15:35,320 --> 00:15:37,880
Speaker 3: you guys always enjoy when Bobby will share things from

401
00:15:37,880 --> 00:15:40,400
Speaker 3: a different perspective. So I wanted to put on here

402
00:15:41,000 --> 00:15:43,800
Speaker 3: his opinions and what he thought of the video that

403
00:15:43,920 --> 00:15:46,000
Speaker 3: was going around, and just his thoughts on el King.

404
00:15:46,120 --> 00:15:46,720
Speaker 2: So here you go.

405
00:15:46,760 --> 00:15:50,120
Speaker 3: This is Bobby's thoughts on el King performing at the Opry.

406
00:15:50,760 --> 00:15:51,640
Speaker 1: Number five, we.

407
00:15:51,720 --> 00:15:54,360
Speaker 5: Got this voicemail from Jennifer in San Antonio.

408
00:15:54,400 --> 00:15:54,760
Speaker 7: Here you go.

409
00:15:55,200 --> 00:15:58,000
Speaker 11: I was just curious about your thoughts on el King's

410
00:15:58,040 --> 00:16:02,120
Speaker 11: performance at the Opry weekend. I know you play there

411
00:16:02,160 --> 00:16:04,640
Speaker 11: a lot, so just wanting to know your thoughts.

412
00:16:04,840 --> 00:16:05,960
Speaker 5: I saw this on TikTok.

413
00:16:06,680 --> 00:16:08,720
Speaker 4: That's where it came to me, and it was my

414
00:16:09,640 --> 00:16:11,360
Speaker 4: for you a bunch and I thought I was old.

415
00:16:11,760 --> 00:16:13,600
Speaker 4: I didn't realize this was at the Dolly part and

416
00:16:13,640 --> 00:16:18,280
Speaker 4: birthday tribute appearance. She looked pretty drunk when she was performing.

417
00:16:18,280 --> 00:16:18,960
Speaker 7: Have you guys seen this?

418
00:16:19,080 --> 00:16:21,400
Speaker 4: No, Okay, I have questions that I'm going to ask

419
00:16:21,640 --> 00:16:22,360
Speaker 4: after I play this.

420
00:16:22,360 --> 00:16:23,240
Speaker 5: What were your thoughts on it?

421
00:16:23,520 --> 00:16:23,680
Speaker 10: Oh?

422
00:16:23,760 --> 00:16:27,440
Speaker 9: I just I popped up on Instagram. I thought, yeah,

423
00:16:27,560 --> 00:16:30,120
Speaker 9: same thing as you were, like, okay, well she had

424
00:16:30,360 --> 00:16:31,720
Speaker 9: some stuff to drink.

425
00:16:31,800 --> 00:16:32,640
Speaker 5: So or something.

426
00:16:32,720 --> 00:16:36,359
Speaker 4: They did a big Dolly part in seventeenth birthday celebration

427
00:16:37,080 --> 00:16:39,720
Speaker 4: and a lot of people were like, hey, look, this

428
00:16:39,880 --> 00:16:42,960
Speaker 4: is not good what she did. She posted at the

429
00:16:42,960 --> 00:16:45,320
Speaker 4: operat had to apologize for her too. But I'll play

430
00:16:45,360 --> 00:16:47,000
Speaker 4: you some of it. This is the beginning of it.

431
00:16:47,040 --> 00:16:47,800
Speaker 7: Play that number.

432
00:16:47,640 --> 00:17:06,879
Speaker 10: One say these things is Dallas their birthday.

433
00:17:09,040 --> 00:17:11,320
Speaker 4: It feels like Karaoki at the bar when you can't

434
00:17:11,400 --> 00:17:12,680
Speaker 4: give up with the lyrics.

435
00:17:14,640 --> 00:17:20,879
Speaker 2: Everyone's like, oh, believe we've bought tickets.

436
00:17:22,200 --> 00:17:23,200
Speaker 10: I'm not gonna fly.

437
00:17:24,200 --> 00:17:27,880
Speaker 5: You're bought tickets for you ain't getting your mom bag.

438
00:17:28,920 --> 00:17:29,800
Speaker 5: This sounds a little drunk.

439
00:17:29,840 --> 00:17:30,760
Speaker 7: Huh A little bit.

440
00:17:30,960 --> 00:17:33,600
Speaker 4: Let me play another one. Here is I think it's

441
00:17:34,800 --> 00:17:36,640
Speaker 4: her rent what she's done with the song even more.

442
00:17:36,720 --> 00:17:37,080
Speaker 7: Here you go.

443
00:17:37,400 --> 00:17:38,680
Speaker 1: You ain't getting your mom bag.

444
00:17:39,000 --> 00:17:39,800
Speaker 10: I'll say one thig.

445
00:17:40,240 --> 00:17:44,119
Speaker 9: I'll take you one thing that's true good, and you

446
00:17:44,200 --> 00:17:45,040
Speaker 9: ain't getting.

447
00:17:47,440 --> 00:17:48,760
Speaker 10: I'll tell you one name more.

448
00:17:49,800 --> 00:17:50,840
Speaker 9: I'll say one name more.

449
00:17:50,920 --> 00:17:52,760
Speaker 5: Hi, my name is okay, I'm.

450
00:17:56,560 --> 00:17:59,880
Speaker 7: We're celebrating birthday, the good old birthday.

451
00:18:01,240 --> 00:18:06,440
Speaker 10: Go go go ahead, every sar mom celebrating overdo we.

452
00:18:06,560 --> 00:18:08,800
Speaker 7: Celebrating now his birthday with the bottle?

453
00:18:09,200 --> 00:18:11,760
Speaker 2: Ah selebate birthday in one way?

454
00:18:12,560 --> 00:18:14,200
Speaker 10: Hell, let's give them one of yours.

455
00:18:14,440 --> 00:18:20,000
Speaker 5: Have about that? I don't know, Go ahead on. Let

456
00:18:20,000 --> 00:18:22,080
Speaker 5: me see if I tell you one thing.

457
00:18:22,160 --> 00:18:23,960
Speaker 2: I can barely play another person's.

458
00:18:23,680 --> 00:18:25,160
Speaker 10: Song, let me play one of mine.

459
00:18:25,760 --> 00:18:26,680
Speaker 7: So here's the thing.

460
00:18:27,080 --> 00:18:28,760
Speaker 4: She has a song called Drunk I don't want to

461
00:18:28,760 --> 00:18:31,640
Speaker 4: go home.

462
00:18:32,040 --> 00:18:33,040
Speaker 5: You know, a little brand.

463
00:18:33,040 --> 00:18:33,960
Speaker 7: It's her m O man.

464
00:18:34,640 --> 00:18:36,240
Speaker 5: I like l a lot, So I'm biased.

465
00:18:38,200 --> 00:18:40,120
Speaker 4: I guess nobody wanted to say, hey, maybe you shouldn't

466
00:18:40,119 --> 00:18:44,159
Speaker 4: go on or when you have a song drunk and

467
00:18:44,200 --> 00:18:46,560
Speaker 4: I don't want to go home, it's like, hey, you're

468
00:18:46,600 --> 00:18:48,200
Speaker 4: really being who you say you are, Like people will

469
00:18:48,280 --> 00:18:50,520
Speaker 4: like that, Yeah, she does. I guess the only thing

470
00:18:50,520 --> 00:18:52,640
Speaker 4: that makes me uncomfortable is the cursing because that goes

471
00:18:52,680 --> 00:18:55,480
Speaker 4: out on like the AM radio on a lot of stations,

472
00:18:56,240 --> 00:18:58,480
Speaker 4: and they're bad words. And as someone who's been fined

473
00:18:58,480 --> 00:19:03,000
Speaker 4: by the FCC, like that makes me go. But I

474
00:19:03,000 --> 00:19:05,119
Speaker 4: bet you she wishes she probably wouldn't have gone on

475
00:19:05,160 --> 00:19:08,840
Speaker 4: as drunk. But my question is, I've never been drunk,

476
00:19:08,880 --> 00:19:12,000
Speaker 4: So do you think she knew she was as drunk

477
00:19:12,000 --> 00:19:13,679
Speaker 4: as she was? Like, when you're that drunk, do you

478
00:19:13,760 --> 00:19:15,240
Speaker 4: know you're that off?

479
00:19:15,680 --> 00:19:17,840
Speaker 8: Yes? And you think you can play it off. You

480
00:19:17,920 --> 00:19:21,080
Speaker 8: think you can act like, oh look I got it composed.

481
00:19:21,320 --> 00:19:25,680
Speaker 8: Oh yeah, no one will notice. It doesn't really work.

482
00:19:26,880 --> 00:19:29,520
Speaker 4: And have you ever done anything and said anything drunk

483
00:19:29,520 --> 00:19:31,760
Speaker 4: that a day or two later you look back like,

484
00:19:31,800 --> 00:19:32,840
Speaker 4: oh I wish I wouldn't have done that.

485
00:19:33,000 --> 00:19:35,200
Speaker 5: Yes, okay, so that's normal too, right guys.

486
00:19:36,440 --> 00:19:37,679
Speaker 7: Amy's the only one that answered.

487
00:19:37,560 --> 00:19:42,320
Speaker 9: Yeah answering, Yeah, yeah, yeah, surely.

488
00:19:42,680 --> 00:19:45,120
Speaker 5: So how do you think she's feeling today?

489
00:19:45,320 --> 00:19:46,959
Speaker 4: Do you think she's like, oh I wish I wouldn't

490
00:19:46,960 --> 00:19:50,560
Speaker 4: have done that, or is she just you know, that's

491
00:19:50,600 --> 00:19:52,160
Speaker 4: who I am, or a little bit of both.

492
00:19:52,320 --> 00:19:54,960
Speaker 9: Maybe maybe a little bit of both. Maybe they were

493
00:19:54,960 --> 00:19:57,680
Speaker 9: all just like, hey, yeah, we're here, we're celebrating Dolly's birthday, Like,

494
00:19:57,760 --> 00:19:58,760
Speaker 9: let's have a good time.

495
00:19:58,840 --> 00:20:01,080
Speaker 4: The operation said, we deeply regret apologize for the language

496
00:20:01,080 --> 00:20:03,360
Speaker 4: that was used during last night's second Opera performance.

497
00:20:04,600 --> 00:20:06,200
Speaker 5: Yeah, so it's kind of the language.

498
00:20:06,800 --> 00:20:07,520
Speaker 8: This is who she is.

499
00:20:07,600 --> 00:20:09,920
Speaker 4: It's also not Stephen Curtis Chapman doing this, right, Christian

500
00:20:10,000 --> 00:20:12,119
Speaker 4: artist who's being somebody that's not like it's.

501
00:20:11,960 --> 00:20:13,560
Speaker 9: Definitely not the first time someone said too much to

502
00:20:13,640 --> 00:20:14,359
Speaker 9: drink at the Opry.

503
00:20:14,480 --> 00:20:16,399
Speaker 5: And again that's kind of true. It's a little bit of.

504
00:20:16,359 --> 00:20:19,720
Speaker 9: Her brand, right, Yeah. Yeah, I think it's probably the

505
00:20:20,080 --> 00:20:22,960
Speaker 9: language for the radio and maybe the kids in the audience.

506
00:20:23,000 --> 00:20:25,080
Speaker 5: There are kids in the audience. I think Hank Williams,

507
00:20:25,160 --> 00:20:26,959
Speaker 5: like was drunk at the Opry, backed out and got

508
00:20:27,040 --> 00:20:30,359
Speaker 5: kicked out. Yeah, he kicked out the lamps, the bulbs

509
00:20:30,400 --> 00:20:32,400
Speaker 5: that were floor of the stage. Yeah, there you go.

510
00:20:32,840 --> 00:20:35,200
Speaker 8: Yeah, because I think like she hosted New Year's Eve

511
00:20:35,520 --> 00:20:37,560
Speaker 8: like in Nashville, and I think people said the same thing,

512
00:20:37,640 --> 00:20:40,040
Speaker 8: like she was drunk. Yeah, so I think that's just

513
00:20:40,160 --> 00:20:40,720
Speaker 8: who she is.

514
00:20:42,400 --> 00:20:45,200
Speaker 4: I think if she wasn't as likable, people would probably

515
00:20:45,200 --> 00:20:46,000
Speaker 4: be a little angrier.

516
00:20:46,359 --> 00:20:49,359
Speaker 7: She's awesome. She did sound kind of mean though in

517
00:20:49,400 --> 00:20:49,880
Speaker 7: that clip.

518
00:20:49,840 --> 00:20:52,919
Speaker 9: Yeah, found her to be in dear, Really, you.

519
00:20:52,920 --> 00:20:53,920
Speaker 7: Ain't getting your money back.

520
00:20:54,240 --> 00:20:56,520
Speaker 5: I think she's like joking like I suck, get your

521
00:20:56,520 --> 00:20:56,920
Speaker 5: money back.

522
00:20:57,480 --> 00:20:59,160
Speaker 8: And then she's like, I can't even sing her song.

523
00:20:59,160 --> 00:21:00,000
Speaker 8: You think I can sing my.

524
00:21:00,280 --> 00:21:03,439
Speaker 9: Yeah, it's funny, like I don't know, I don't know.

525
00:21:03,520 --> 00:21:05,320
Speaker 4: Well, you said there's a learning experience. I'm not gonna

526
00:21:05,359 --> 00:21:08,960
Speaker 4: hate on her. The curse words bothered me a little bit,

527
00:21:09,440 --> 00:21:10,480
Speaker 4: just because there are kids.

528
00:21:10,280 --> 00:21:13,440
Speaker 5: In the audience. Absolutely, but rather than that, you know, just.

529
00:21:13,400 --> 00:21:15,440
Speaker 8: Maybe right, I don't think it's that bad.

530
00:21:16,480 --> 00:21:17,400
Speaker 5: Well, she didn't know the word.

531
00:21:17,440 --> 00:21:19,080
Speaker 4: I mean she got off the words and started doing

532
00:21:19,560 --> 00:21:20,760
Speaker 4: nomin nomenama.

533
00:21:21,240 --> 00:21:24,000
Speaker 9: And also we don't know the full picture or her

534
00:21:24,080 --> 00:21:25,600
Speaker 9: what she has going on. Like if it was someone

535
00:21:25,640 --> 00:21:28,640
Speaker 9: that we knew, maybe, I mean, she could be having

536
00:21:28,680 --> 00:21:30,800
Speaker 9: a good time, but when you know someone maybe really

537
00:21:30,840 --> 00:21:33,439
Speaker 9: has a problem something like that would be very like

538
00:21:33,480 --> 00:21:35,000
Speaker 9: I think we'd be talking about it in a different way,

539
00:21:35,080 --> 00:21:37,159
Speaker 9: Like we don't know her circumstance. But you know, if

540
00:21:37,160 --> 00:21:39,640
Speaker 9: someone was out and we knew publicly they had a problem,

541
00:21:39,680 --> 00:21:40,280
Speaker 9: it'd be like.

542
00:21:40,280 --> 00:21:41,800
Speaker 7: I don't know, I don't know if that's her thing.

543
00:21:42,040 --> 00:21:43,360
Speaker 9: No. I don't think so either, but I like.

544
00:21:43,280 --> 00:21:44,679
Speaker 4: Her band person jumps in. It's like, no, no, we're

545
00:21:44,720 --> 00:21:46,600
Speaker 4: gonna do some good songs here. She like tries to

546
00:21:46,640 --> 00:21:48,400
Speaker 4: save her I know, no, I got you. I got you,

547
00:21:48,520 --> 00:21:49,600
Speaker 4: And I was like, no, you don't.

548
00:21:49,760 --> 00:21:51,479
Speaker 5: It's Dolly's birthday.

549
00:21:50,720 --> 00:21:56,600
Speaker 1: It's the best bits of the week with Morgan.

550
00:21:56,720 --> 00:22:02,480
Speaker 2: Number two, The Man, the Myth, the Legend. Chris Stapleton.

551
00:22:02,960 --> 00:22:05,000
Speaker 2: He is back in studio this.

552
00:22:04,920 --> 00:22:06,560
Speaker 3: Week, and it was super fun to hear from him

553
00:22:06,600 --> 00:22:09,159
Speaker 3: because he's just great. I feel like the more Chris

554
00:22:09,200 --> 00:22:11,680
Speaker 3: Stapleton comes in the studio, the more we hear some

555
00:22:11,920 --> 00:22:15,399
Speaker 3: very just normal human stories from Chris Stapleton. And I

556
00:22:15,440 --> 00:22:16,840
Speaker 3: don't know about you guys, but when I think of

557
00:22:16,920 --> 00:22:18,960
Speaker 3: Chris Stapleton, I kind of think of like a unicorn,

558
00:22:19,520 --> 00:22:21,600
Speaker 3: and I just don't think he's real. So when he

559
00:22:21,640 --> 00:22:24,280
Speaker 3: talks about real stories about being a dad and going

560
00:22:24,359 --> 00:22:26,720
Speaker 3: bungee jumping and being afraid of things, I'm like, who

561
00:22:26,760 --> 00:22:27,040
Speaker 3: are you?

562
00:22:27,160 --> 00:22:28,919
Speaker 2: This is not the Chris Stapleton that I pictured in

563
00:22:28,920 --> 00:22:29,280
Speaker 2: my head.

564
00:22:29,480 --> 00:22:31,160
Speaker 3: So that's what you're going to get is a very

565
00:22:31,200 --> 00:22:35,080
Speaker 3: down to earth, real human Chris Stapleton in this interview.

566
00:22:35,119 --> 00:22:37,280
Speaker 2: And I think you'll love it, So tune in for

567
00:22:37,359 --> 00:22:37,880
Speaker 2: the whole thing.

568
00:22:37,960 --> 00:22:39,760
Speaker 3: And if you want to watch it, you can jump

569
00:22:39,800 --> 00:22:41,880
Speaker 3: out real quick go to our YouTube page and watch it.

570
00:22:41,920 --> 00:22:44,680
Speaker 2: But if you're just an audio listener, want to hang out.

571
00:22:44,840 --> 00:22:47,080
Speaker 2: This is the full interview with Chris Stapleton.

572
00:22:47,040 --> 00:22:50,840
Speaker 1: Number four, so Bobby Bones Show Interviews in.

573
00:22:50,840 --> 00:22:51,840
Speaker 5: Case you didn't know.

574
00:22:52,160 --> 00:22:54,040
Speaker 4: All right, coming in from the Hondaie Green room right

575
00:22:54,080 --> 00:22:58,800
Speaker 4: now is our buddy, Chris Stapleton, I mean his broken

576
00:22:58,800 --> 00:22:59,919
Speaker 4: Halo's monster.

577
00:23:01,720 --> 00:23:04,360
Speaker 5: He's up for three awards at the sixty sixth Annual

578
00:23:04,680 --> 00:23:05,399
Speaker 5: Grammy Awards.

579
00:23:05,400 --> 00:23:08,720
Speaker 4: Coming up doing those shows with George Straton, Little Big Town.

580
00:23:09,040 --> 00:23:12,639
Speaker 4: He is the voice of Monday night football from Kentucky.

581
00:23:12,960 --> 00:23:15,360
Speaker 4: What else is there to say about this guy? Uh

582
00:23:16,200 --> 00:23:18,720
Speaker 4: no can sing that we don't that we don't know

583
00:23:18,800 --> 00:23:21,680
Speaker 4: and a door and love coming into the studio now

584
00:23:21,920 --> 00:23:23,480
Speaker 4: here he is, Oh there he is, Come on here, Chris,

585
00:23:23,520 --> 00:23:24,080
Speaker 4: Chris Stables.

586
00:23:24,200 --> 00:23:27,040
Speaker 1: Yeah, Friday morning conversation.

587
00:23:26,720 --> 00:23:29,000
Speaker 5: With see a buddy.

588
00:23:29,000 --> 00:23:31,080
Speaker 7: What's your hat there? That's Nashville?

589
00:23:31,840 --> 00:23:38,639
Speaker 4: Oh yeah, okay, right there on it boom Nashville sounds.

590
00:23:38,800 --> 00:23:39,080
Speaker 8: I think.

591
00:23:39,119 --> 00:23:41,120
Speaker 5: So you a big baseball guy.

592
00:23:42,119 --> 00:23:42,920
Speaker 7: I like baseball.

593
00:23:43,280 --> 00:23:45,320
Speaker 4: I used to be a big baseball guy. And that's

594
00:23:45,320 --> 00:23:47,639
Speaker 4: still a kind of a baseball guy. But baseball is

595
00:23:47,720 --> 00:23:50,080
Speaker 4: kind of too slow now. They played too many games,

596
00:23:50,280 --> 00:23:52,239
Speaker 4: one hundred and sixty two games. I can't keep up

597
00:23:52,240 --> 00:23:53,840
Speaker 4: with enough to be a big change. The rule though,

598
00:23:53,960 --> 00:23:56,240
Speaker 4: the pitch clock, yeah, and that speeds it up.

599
00:23:56,200 --> 00:23:57,879
Speaker 5: But it's still one hundred and sixty two games.

600
00:23:57,920 --> 00:23:59,480
Speaker 7: You don't have to watch all of them. I do.

601
00:24:00,080 --> 00:24:00,719
Speaker 5: I'm gonna bet them.

602
00:24:01,160 --> 00:24:03,040
Speaker 7: No, no, no, no, no, So I gotta I gotta.

603
00:24:02,800 --> 00:24:04,199
Speaker 5: Watch them all. What about football?

604
00:24:04,200 --> 00:24:05,040
Speaker 7: You watch a lot of football?

605
00:24:05,119 --> 00:24:05,679
Speaker 5: No?

606
00:24:05,680 --> 00:24:08,000
Speaker 7: No, I mean I don't watch a lot of sports period.

607
00:24:08,080 --> 00:24:09,639
Speaker 7: I like to go to games.

608
00:24:10,160 --> 00:24:11,639
Speaker 5: What's your favorite kind of game to go to?

609
00:24:12,400 --> 00:24:15,840
Speaker 7: A good one? Yeah, doesn't know any sport. It doesn't matter,

610
00:24:16,320 --> 00:24:17,720
Speaker 7: you know, if it's a good game. I don't you

611
00:24:17,720 --> 00:24:20,560
Speaker 7: know a slow game that's, you know, kind of sloppy played.

612
00:24:20,600 --> 00:24:21,760
Speaker 7: I don't want to see that, but I want to

613
00:24:21,760 --> 00:24:23,320
Speaker 7: see guys, you know, getting affort.

614
00:24:23,480 --> 00:24:26,439
Speaker 5: What about coaching? Would you ever coach your kids?

615
00:24:26,520 --> 00:24:26,680
Speaker 9: Ever?

616
00:24:26,880 --> 00:24:29,320
Speaker 7: You want to coach anything? I'm a terrible teacher. I'm

617
00:24:29,320 --> 00:24:32,000
Speaker 7: a terrible coach. I don't think I could do any

618
00:24:32,000 --> 00:24:32,280
Speaker 7: of that.

619
00:24:32,400 --> 00:24:35,040
Speaker 4: Why you're a warm I feel like you're a warm person.

620
00:24:35,359 --> 00:24:37,600
Speaker 4: You know, you write lyrics, you know what to say.

621
00:24:37,960 --> 00:24:39,760
Speaker 4: Why don't you feel like you never assistant coached?

622
00:24:39,960 --> 00:24:41,359
Speaker 7: No, No, I couldn't do it.

623
00:24:41,880 --> 00:24:42,560
Speaker 5: No patience.

624
00:24:43,280 --> 00:24:46,600
Speaker 7: I have patience. I just don't have the skill to teach.

625
00:24:46,640 --> 00:24:48,240
Speaker 7: It's a real skill. It's a like a talent.

626
00:24:48,280 --> 00:24:49,480
Speaker 5: It's not Eddie coaches kids.

627
00:24:49,560 --> 00:24:50,719
Speaker 7: Yeah, nine year old basketball?

628
00:24:50,760 --> 00:24:51,800
Speaker 5: Yeah, dude, never played a game?

629
00:24:51,920 --> 00:24:54,560
Speaker 7: Is like I do it? He thinks about a square

630
00:24:55,520 --> 00:24:56,520
Speaker 7: get better? Yeah?

631
00:24:56,600 --> 00:24:59,120
Speaker 5: Yeah, we wont a few games, just.

632
00:24:59,080 --> 00:25:02,800
Speaker 7: A few Okay, well you know, I don't know. I

633
00:25:02,800 --> 00:25:04,040
Speaker 7: mean a lot of it has also has to do

634
00:25:04,119 --> 00:25:06,840
Speaker 7: with our work on the weekends a lot, so yeah,

635
00:25:06,880 --> 00:25:08,159
Speaker 7: you know, and then a lot of a lot of

636
00:25:08,160 --> 00:25:09,640
Speaker 7: those things happen on the weekends.

637
00:25:10,000 --> 00:25:12,280
Speaker 4: The great thing about working on the weekends is you like,

638
00:25:12,359 --> 00:25:15,520
Speaker 4: if you want to like drop drop your kids off

639
00:25:15,520 --> 00:25:17,040
Speaker 4: of school, you can probably do that. And think about

640
00:25:17,040 --> 00:25:18,399
Speaker 4: that for artists like you, guys are able to have

641
00:25:18,440 --> 00:25:21,800
Speaker 4: like a somewhat normal in an abnormal life, like that

642
00:25:21,840 --> 00:25:24,520
Speaker 4: would be pretty nice because you're gone every weekend.

643
00:25:24,560 --> 00:25:26,720
Speaker 7: Not every weekend. I mean you try to adjust that.

644
00:25:26,840 --> 00:25:28,240
Speaker 7: Yeah you're not, But.

645
00:25:28,359 --> 00:25:29,840
Speaker 5: Like my life, I gotta wake up at three o'clock

646
00:25:29,840 --> 00:25:30,240
Speaker 5: in the morning.

647
00:25:30,520 --> 00:25:32,800
Speaker 7: It sucks. I don't know, no I do.

648
00:25:32,920 --> 00:25:34,399
Speaker 5: It sucks, Chris. I think you didn't hear me.

649
00:25:34,480 --> 00:25:35,200
Speaker 7: What time are you done?

650
00:25:36,359 --> 00:25:36,879
Speaker 5: Ten pm?

651
00:25:37,000 --> 00:25:38,840
Speaker 7: Ten pm? Okay, and you have to go to bed

652
00:25:38,880 --> 00:25:39,640
Speaker 7: at lock? What time?

653
00:25:40,480 --> 00:25:40,960
Speaker 5: Ten pm?

654
00:25:41,160 --> 00:25:41,600
Speaker 7: Ten pm?

655
00:25:41,720 --> 00:25:43,120
Speaker 5: Yeah, I'm at work all day, all night.

656
00:25:43,240 --> 00:25:45,959
Speaker 7: Yeah. I don't have any kids yet though, right, So

657
00:25:46,280 --> 00:25:48,040
Speaker 7: I have five. So you and I have nothing to

658
00:25:48,080 --> 00:25:49,480
Speaker 7: talk about you, So let me.

659
00:25:49,440 --> 00:25:51,000
Speaker 4: Ask you a couple of questions about me then, because

660
00:25:51,000 --> 00:25:52,240
Speaker 4: we're eventually we're gonna have kids.

661
00:25:52,320 --> 00:25:56,040
Speaker 7: Right, what's fun about them? There's lots of.

662
00:25:56,040 --> 00:25:58,679
Speaker 4: Stuff because I feel like it's like it's they're just

663
00:25:58,760 --> 00:26:03,680
Speaker 4: taking up time, Like, what's what's fulfilling about you? I

664
00:26:03,720 --> 00:26:05,960
Speaker 4: don't have any kids, right, I'm literally asking you a question.

665
00:26:06,000 --> 00:26:09,560
Speaker 4: You have five kids, but what's what can what do I?

666
00:26:09,840 --> 00:26:11,359
Speaker 4: What do I do? You just always got to take

667
00:26:11,400 --> 00:26:13,400
Speaker 4: care of them. I've been very selfish my whole life.

668
00:26:13,440 --> 00:26:15,119
Speaker 4: I've lived by myself, and I get married till forty

669
00:26:15,240 --> 00:26:17,440
Speaker 4: and I have any kids. But it just feels like,

670
00:26:17,600 --> 00:26:19,320
Speaker 4: holy crap, once you have a kid, you don't even

671
00:26:19,359 --> 00:26:20,119
Speaker 4: have a life anymore.

672
00:26:20,119 --> 00:26:22,960
Speaker 7: Trure or false? I think that's false. You have a

673
00:26:22,960 --> 00:26:24,960
Speaker 7: different life. Okay, you know it's a different life. Your

674
00:26:24,960 --> 00:26:28,600
Speaker 7: life is is you know, it's in a lot of

675
00:26:28,600 --> 00:26:32,080
Speaker 7: ways dedicated to to you know, helping them become I

676
00:26:32,119 --> 00:26:34,280
Speaker 7: just feel like I'm selfish for that. I don't think

677
00:26:34,280 --> 00:26:36,960
Speaker 7: you are. I think you probably have it like you

678
00:26:36,960 --> 00:26:37,879
Speaker 7: do all of charity.

679
00:26:37,640 --> 00:26:38,320
Speaker 5: Work I do.

680
00:26:38,600 --> 00:26:39,960
Speaker 4: I think a fear too is I don't have a

681
00:26:40,040 --> 00:26:42,280
Speaker 4: dad growing up, right, and I didn't have parents that

682
00:26:42,320 --> 00:26:45,320
Speaker 4: were together. Okay, my mom was out. I never saw models,

683
00:26:45,359 --> 00:26:48,359
Speaker 4: I never saw parents. Okay, So maybe I feel like

684
00:26:48,440 --> 00:26:50,440
Speaker 4: maybe I'm just scared I'm gonna be a terrible parent

685
00:26:50,720 --> 00:26:53,880
Speaker 4: and I'm using all of this as as a cover

686
00:26:54,000 --> 00:26:54,320
Speaker 4: for that.

687
00:26:54,480 --> 00:26:56,320
Speaker 7: Okay, well, I mean that could that could be true.

688
00:26:56,359 --> 00:26:58,480
Speaker 7: That sounds like a I'm not a therapist here, but

689
00:27:00,280 --> 00:27:02,439
Speaker 7: well this got real hard planet there.

690
00:27:02,480 --> 00:27:04,560
Speaker 4: But you got five kids, I'm scared to death I'm

691
00:27:04,560 --> 00:27:07,240
Speaker 4: gonna be like my biological father and but jump out.

692
00:27:08,160 --> 00:27:11,480
Speaker 7: Well, I mean I think there's a wanting to be

693
00:27:11,480 --> 00:27:14,800
Speaker 7: better than the parents that you had. Yeah, even if

694
00:27:14,840 --> 00:27:18,840
Speaker 7: you had good parents, is if you start there, you're

695
00:27:18,840 --> 00:27:19,800
Speaker 7: in a good spot. Yeah.

696
00:27:19,840 --> 00:27:21,560
Speaker 5: I think it just scares me when somebody says they

697
00:27:21,560 --> 00:27:22,600
Speaker 5: have two kids, I'm.

698
00:27:22,400 --> 00:27:24,960
Speaker 7: Like, what like, what what other thing's scary you?

699
00:27:25,480 --> 00:27:25,840
Speaker 5: Heights?

700
00:27:26,160 --> 00:27:28,480
Speaker 7: Hides? I'm scared of heights. I got that one. You

701
00:27:28,520 --> 00:27:29,440
Speaker 7: ever jump out of a plane?

702
00:27:29,640 --> 00:27:29,800
Speaker 9: No?

703
00:27:30,000 --> 00:27:32,399
Speaker 7: I didn't want it to. I did jump on a plane. See,

704
00:27:32,600 --> 00:27:33,760
Speaker 7: you're scared of huts, you jump out of it.

705
00:27:33,760 --> 00:27:34,440
Speaker 5: I didn't by myself.

706
00:27:34,480 --> 00:27:36,040
Speaker 4: I drove up to the place by myself because I

707
00:27:36,040 --> 00:27:37,920
Speaker 4: was scared to death and said I want to I

708
00:27:37,920 --> 00:27:39,160
Speaker 4: want to jump out of a plane. And they thought

709
00:27:39,160 --> 00:27:40,760
Speaker 4: I was like a suicide bomb or something, because by

710
00:27:40,760 --> 00:27:42,280
Speaker 4: myself going I want to jump out of a plane.

711
00:27:42,359 --> 00:27:44,480
Speaker 4: And so I went up with a family I didn't

712
00:27:44,520 --> 00:27:46,840
Speaker 4: know and jumped out of a plane.

713
00:27:46,880 --> 00:27:48,760
Speaker 7: Did you do it because you were afraid of it? Yes?

714
00:27:49,640 --> 00:27:52,240
Speaker 7: So by that logic, are you gonna have kids just

715
00:27:52,280 --> 00:27:53,200
Speaker 7: because you're afraid of it?

716
00:27:53,320 --> 00:27:55,720
Speaker 4: Not just because I will have kids because I love

717
00:27:55,760 --> 00:27:57,400
Speaker 4: my wife and she and I think I do want

718
00:27:57,400 --> 00:27:59,520
Speaker 4: to have kids. But if I jump out of the

719
00:27:59,560 --> 00:28:01,960
Speaker 4: plane and I die, that's on me. I'll bring a

720
00:28:02,040 --> 00:28:03,960
Speaker 4: kid into the world and I suck. That's on them.

721
00:28:05,520 --> 00:28:07,800
Speaker 7: You know this, and you know listen, you're going to fail.

722
00:28:09,600 --> 00:28:14,159
Speaker 7: We're all going to fail as parents. You can't be

723
00:28:14,240 --> 00:28:18,879
Speaker 7: a perfected parent. And I think you have to allow

724
00:28:18,920 --> 00:28:22,560
Speaker 7: yourself that and then you know, discussing with your children too,

725
00:28:22,680 --> 00:28:25,080
Speaker 7: like you know, it's okay to apologize, you say, hey man, sorry,

726
00:28:25,119 --> 00:28:27,119
Speaker 7: I was out of line there. And that's not something

727
00:28:27,119 --> 00:28:29,520
Speaker 7: that we had as a generation. I don't think before us,

728
00:28:29,600 --> 00:28:34,040
Speaker 7: or even particularly before our parents' generation. Like, but I

729
00:28:34,040 --> 00:28:38,000
Speaker 7: think that's probably the healthiest way to handle it, is

730
00:28:38,400 --> 00:28:40,760
Speaker 7: allow yourself to be human in it, and your kids

731
00:28:40,760 --> 00:28:43,800
Speaker 7: will see that and hopefully, you know, forgive you for

732
00:28:44,240 --> 00:28:49,200
Speaker 7: your shortcomings and then really kind of adopt your your strengths.

733
00:28:49,480 --> 00:28:50,960
Speaker 5: I'll have a kid, you jump out of a plane,

734
00:28:51,000 --> 00:28:52,120
Speaker 5: We'll make the deal right here.

735
00:28:53,120 --> 00:28:54,520
Speaker 7: I don't think I'm allowed to jump. I don't think

736
00:28:54,520 --> 00:28:58,480
Speaker 7: my life insurance jump out. Listen, I want to jump

737
00:28:58,480 --> 00:28:59,880
Speaker 7: out of a plane at one point time. Why what

738
00:29:00,000 --> 00:29:02,560
Speaker 7: happened that made you not jump out? Well, I was

739
00:29:02,720 --> 00:29:05,160
Speaker 7: young and single, you know, I just never did it.

740
00:29:06,000 --> 00:29:08,440
Speaker 7: A bunch of jumping. If you've done that one no, no.

741
00:29:08,400 --> 00:29:10,480
Speaker 5: I feel like that's less safe than airplane.

742
00:29:10,480 --> 00:29:11,720
Speaker 7: And yeah, see I got in line to do that

743
00:29:11,760 --> 00:29:14,360
Speaker 7: one one time, or one of those things like a tower,

744
00:29:14,880 --> 00:29:17,760
Speaker 7: and while I was in the line, it's snapped on

745
00:29:17,800 --> 00:29:20,600
Speaker 7: a guy. No way, I'm not kidding.

746
00:29:20,960 --> 00:29:23,200
Speaker 9: You are how many people in front of you?

747
00:29:23,680 --> 00:29:24,080
Speaker 5: Oh?

748
00:29:24,160 --> 00:29:26,600
Speaker 7: Maybe? I mean it's a long line. It's maybe twenty

749
00:29:26,640 --> 00:29:29,240
Speaker 7: five thirty people. While you were there. Oh, I was

750
00:29:29,240 --> 00:29:32,560
Speaker 7: in line, snapped on a guy and and now they

751
00:29:32,560 --> 00:29:35,640
Speaker 7: had the big cushion below. Because maybe this happens all

752
00:29:35,680 --> 00:29:38,000
Speaker 7: the time. I don't know, but you know, the guy

753
00:29:38,080 --> 00:29:39,880
Speaker 7: landed in the thing and he was fine. But that

754
00:29:40,040 --> 00:29:41,880
Speaker 7: was the moment that I got out of line. A

755
00:29:41,880 --> 00:29:44,880
Speaker 7: bunch of jump, there's no way. What's amazing is other

756
00:29:44,880 --> 00:29:45,600
Speaker 7: people stayed in the.

757
00:29:45,600 --> 00:29:49,440
Speaker 9: Line because the odds is going to break, right.

758
00:29:49,440 --> 00:29:50,760
Speaker 7: Yeah, well they're going to fix that.

759
00:29:51,720 --> 00:29:54,720
Speaker 5: I'm out. I'm out when it does that. So where

760
00:29:54,720 --> 00:29:55,760
Speaker 5: do you find your joy? Not work?

761
00:29:55,800 --> 00:29:57,720
Speaker 4: Because we talk about work a lot and your music

762
00:29:57,760 --> 00:29:59,760
Speaker 4: and your grade. You're the best A plus king of

763
00:29:59,760 --> 00:30:01,640
Speaker 4: the war world. But like, what do you like that's

764
00:30:01,680 --> 00:30:03,000
Speaker 4: not music related at all?

765
00:30:05,360 --> 00:30:06,960
Speaker 7: Well, I love my job and I love what you know,

766
00:30:07,040 --> 00:30:08,560
Speaker 7: I love it. You know, I would sit and play

767
00:30:08,560 --> 00:30:13,040
Speaker 7: a guitar for enjoyment, and technically that's probably work, but

768
00:30:13,080 --> 00:30:16,080
Speaker 7: it's also something I would just sit and do, and.

769
00:30:16,000 --> 00:30:18,040
Speaker 4: It's probably something that since you love it, you've gotten

770
00:30:18,080 --> 00:30:19,920
Speaker 4: really good at That's what I tell people when I

771
00:30:19,920 --> 00:30:21,200
Speaker 4: speak to them. It's like, if you find something that

772
00:30:21,200 --> 00:30:22,960
Speaker 4: you love to do, you'll you'll naturally get better at

773
00:30:22,960 --> 00:30:24,400
Speaker 4: it because you love to do it, so you can

774
00:30:24,400 --> 00:30:25,480
Speaker 4: be doing it so much.

775
00:30:25,480 --> 00:30:28,000
Speaker 7: Right, you know, but just make you make your vacation

776
00:30:28,080 --> 00:30:33,040
Speaker 7: your vocation kind of thing, you know, And but definitely guitar,

777
00:30:33,160 --> 00:30:35,920
Speaker 7: but you know, just spending time with a family, and

778
00:30:35,960 --> 00:30:39,360
Speaker 7: you know, being around my kids and watching them, you know,

779
00:30:39,400 --> 00:30:40,880
Speaker 7: doing whatever they want to do. You know, if it's

780
00:30:41,320 --> 00:30:44,200
Speaker 7: playing video games or you know, building legos with them,

781
00:30:44,280 --> 00:30:46,880
Speaker 7: or drawing pictures or whatever that is. You know that

782
00:30:47,400 --> 00:30:48,959
Speaker 7: those things I enjoy a bit.

783
00:30:49,040 --> 00:30:49,520
Speaker 5: Can you draw?

784
00:30:49,560 --> 00:30:51,760
Speaker 7: Are you pretty good artists? No? I mean I'm okay,

785
00:30:51,880 --> 00:30:55,040
Speaker 7: I'm not. You know, I draw a mean cartoonish tegasaurus.

786
00:30:55,040 --> 00:30:55,960
Speaker 7: I would, I'll tell you that.

787
00:30:57,120 --> 00:30:58,600
Speaker 5: Is that from having to draw a stegosaurus?

788
00:30:58,640 --> 00:30:58,760
Speaker 8: Yes?

789
00:30:58,840 --> 00:31:00,440
Speaker 5: Yeah, it's not natural ability?

790
00:31:00,840 --> 00:31:03,479
Speaker 7: Yeah, my my. You know, my oldest children, when they

791
00:31:03,480 --> 00:31:07,240
Speaker 7: were younger, they used to want to draw a dinosaurs, like, yeah,

792
00:31:07,440 --> 00:31:09,560
Speaker 7: so I'm looking up pictures of dinosaurs trying to figure

793
00:31:09,600 --> 00:31:10,560
Speaker 7: out how to draw a dinosaurs.

794
00:31:10,640 --> 00:31:12,640
Speaker 5: Did you know Eddie thought that dinosaurs were not real

795
00:31:12,880 --> 00:31:16,480
Speaker 5: until recently? I thought it was just like like Greek mythology,

796
00:31:16,480 --> 00:31:18,000
Speaker 5: you know, like, oh, yeah, they roamed the earth.

797
00:31:18,040 --> 00:31:18,280
Speaker 7: Cool.

798
00:31:18,320 --> 00:31:20,760
Speaker 5: He's got four kids, by the way, But by now,

799
00:31:20,760 --> 00:31:22,200
Speaker 5: I do believe, Chris, they are real.

800
00:31:23,840 --> 00:31:25,120
Speaker 7: Hold on, I'm gonna have to process.

801
00:31:25,200 --> 00:31:26,720
Speaker 5: Yes, exactly the same thing.

802
00:31:27,040 --> 00:31:30,080
Speaker 4: College degree, educated, four kids to college.

803
00:31:30,600 --> 00:31:32,440
Speaker 7: Samu's state, Okay.

804
00:31:32,520 --> 00:31:33,480
Speaker 5: Did not believe in dinas.

805
00:31:33,600 --> 00:31:34,480
Speaker 7: Do they believe in dinosaurs?

806
00:31:34,520 --> 00:31:36,480
Speaker 5: Theyre uh, well, we never talked to I mean, you

807
00:31:36,480 --> 00:31:38,120
Speaker 5: don't go to college and talk about dinosaurs.

808
00:31:38,880 --> 00:31:40,920
Speaker 7: You didn't take like a geology class. Nope, you know

809
00:31:40,960 --> 00:31:41,720
Speaker 7: something like that. Nope.

810
00:31:41,760 --> 00:31:44,800
Speaker 5: And I remember going Chris to the museum and seeing

811
00:31:44,840 --> 00:31:47,240
Speaker 5: like Prince or whatever, like, oh that's cute, like they're

812
00:31:47,240 --> 00:31:47,800
Speaker 5: making that up.

813
00:31:47,840 --> 00:31:50,360
Speaker 4: I don't know, it's like Zeus to him. Yeah, he

814
00:31:50,480 --> 00:31:52,520
Speaker 4: thought that he thought the t rex was like Zeus.

815
00:31:52,840 --> 00:31:54,480
Speaker 7: I mean, well, Zeus is not in the Museum of

816
00:31:54,640 --> 00:31:57,440
Speaker 7: Natural History. I mean maybe he is. I don't know.

817
00:31:57,320 --> 00:31:58,960
Speaker 7: You know, I've changed my mind, Chris, I believe in

818
00:32:01,720 --> 00:32:02,320
Speaker 7: having a hard time.

819
00:32:02,600 --> 00:32:04,400
Speaker 5: No, we didn't do. For a long time.

820
00:32:04,440 --> 00:32:06,000
Speaker 4: We thought it was a kidding. But he really didn't

821
00:32:06,160 --> 00:32:08,040
Speaker 4: know enough about him to think that they were real.

822
00:32:08,080 --> 00:32:09,680
Speaker 7: You sure this is not like a Andy Coffin thing

823
00:32:09,720 --> 00:32:12,040
Speaker 7: where it is not perpetuating the myth that he didn't

824
00:32:12,040 --> 00:32:12,360
Speaker 7: believe it.

825
00:32:13,200 --> 00:32:14,840
Speaker 5: It is not. I thought so too for a while.

826
00:32:15,040 --> 00:32:16,640
Speaker 4: Is it true that you have a specific car that

827
00:32:16,680 --> 00:32:19,360
Speaker 4: you've had with you forever and that you play guitar

828
00:32:19,560 --> 00:32:21,360
Speaker 4: and same old guitar, same car, and that's what you

829
00:32:21,360 --> 00:32:23,680
Speaker 4: go to the studio with every time you go, Not

830
00:32:23,760 --> 00:32:24,080
Speaker 4: the car.

831
00:32:24,240 --> 00:32:24,880
Speaker 7: No, I was hearing.

832
00:32:25,120 --> 00:32:26,480
Speaker 4: I was reading urban legends about you, and that was

833
00:32:26,480 --> 00:32:29,280
Speaker 4: the thing that good luck, I know there's a lot

834
00:32:29,280 --> 00:32:30,920
Speaker 4: of weird ones, so that that's not true at all.

835
00:32:31,520 --> 00:32:31,720
Speaker 6: No.

836
00:32:32,480 --> 00:32:34,000
Speaker 7: I mean, I've got I've got an old I've got

837
00:32:34,040 --> 00:32:36,680
Speaker 7: the jeep. It's on the interior of the the Traveler

838
00:32:36,680 --> 00:32:39,280
Speaker 7: cover and I drive that. You know that jeep and

839
00:32:40,040 --> 00:32:45,040
Speaker 7: you know it's not necessarily for it's not like a ritual.

840
00:32:45,160 --> 00:32:47,440
Speaker 4: And it's not one from your age seventeen that you've

841
00:32:47,480 --> 00:32:48,760
Speaker 4: had the whole time you refuse to get out of.

842
00:32:48,880 --> 00:32:52,320
Speaker 4: That's that's not that's the legend. No, No, dang, I

843
00:32:52,400 --> 00:32:53,480
Speaker 4: need to start legends about me.

844
00:32:54,360 --> 00:32:55,120
Speaker 5: You have you were?

845
00:32:55,320 --> 00:32:56,640
Speaker 7: Oh I don't as well.

846
00:32:56,960 --> 00:32:57,320
Speaker 5: Let's hear it.

847
00:32:57,440 --> 00:32:58,440
Speaker 7: Come on, I want some legends.

848
00:32:59,200 --> 00:33:00,600
Speaker 9: I want your legend.

849
00:33:00,640 --> 00:33:05,320
Speaker 5: This is you have like largest scrotom ever, and and

850
00:33:05,360 --> 00:33:06,040
Speaker 5: it would be like.

851
00:33:07,400 --> 00:33:08,400
Speaker 7: How is that a legend?

852
00:33:08,440 --> 00:33:10,240
Speaker 5: Well, it's not true, but it was like I was

853
00:33:10,280 --> 00:33:10,800
Speaker 5: known for that.

854
00:33:11,280 --> 00:33:12,760
Speaker 7: Is that the first thing we popped in your mind

855
00:33:13,240 --> 00:33:14,840
Speaker 7: to make it that you wanted to be an untrue

856
00:33:14,920 --> 00:33:15,920
Speaker 7: legend about yourself?

857
00:33:16,120 --> 00:33:18,800
Speaker 5: I think so, Chris, you're not boy band? Oh I

858
00:33:18,800 --> 00:33:21,080
Speaker 5: do have one. I was an Otown Yeah, okay, you

859
00:33:21,240 --> 00:33:24,680
Speaker 5: remember I want it all nothing at all, not really,

860
00:33:24,720 --> 00:33:26,240
Speaker 5: but I was in a boy band Otown.

861
00:33:26,360 --> 00:33:27,680
Speaker 7: Okay, how'd you do?

862
00:33:28,200 --> 00:33:30,240
Speaker 5: They kicked me out? They kicked you out, and that

863
00:33:30,360 --> 00:33:31,560
Speaker 5: is a nerve and legend about me.

864
00:33:32,160 --> 00:33:33,560
Speaker 7: I think you should keep that one rolling.

865
00:33:33,680 --> 00:33:35,920
Speaker 5: Yeah, I do too. I've never lost paper rock scisitors

866
00:33:35,920 --> 00:33:36,200
Speaker 5: in my.

867
00:33:36,160 --> 00:33:38,840
Speaker 7: Life, never once. That's that's pretty good.

868
00:33:39,160 --> 00:33:41,000
Speaker 5: I learned to look in people's eyes and I can

869
00:33:41,040 --> 00:33:42,400
Speaker 5: beat them. I know where they're going to go with it.

870
00:33:42,480 --> 00:33:45,640
Speaker 7: You're like, you know, World Series of Poker, but with.

871
00:33:45,880 --> 00:33:47,479
Speaker 5: I've never lost. I've never lost two out of three.

872
00:33:47,480 --> 00:33:49,120
Speaker 4: I've lost one out of three, but I've never lost

873
00:33:49,160 --> 00:33:50,920
Speaker 4: two out of three, not in the last ten years,

874
00:33:51,040 --> 00:33:53,280
Speaker 4: which is crazy. And so people will come up playing

875
00:33:53,400 --> 00:33:54,080
Speaker 4: all the time and I play.

876
00:33:54,200 --> 00:33:54,720
Speaker 7: I never lost.

877
00:33:54,760 --> 00:33:55,240
Speaker 8: It's crazy.

878
00:33:55,320 --> 00:33:56,800
Speaker 5: So that's another one that's not true.

879
00:33:56,880 --> 00:33:59,400
Speaker 9: Okay, I'm just I've made so you were selling it

880
00:33:59,480 --> 00:34:02,240
Speaker 9: right then, but you went from never lost to just

881
00:34:02,320 --> 00:34:03,360
Speaker 9: lost every once in a while.

882
00:34:03,640 --> 00:34:05,040
Speaker 4: No, no, No, One out of three is not It's

883
00:34:05,080 --> 00:34:07,800
Speaker 4: like the World Series. You can lose three games.

884
00:34:08,080 --> 00:34:09,319
Speaker 7: He's calling a match two out of three.

885
00:34:09,600 --> 00:34:11,280
Speaker 5: Yeah, yeah, yeah, it's like when Wimbledon.

886
00:34:11,360 --> 00:34:12,839
Speaker 7: Do you refer to out of three or three out

887
00:34:12,880 --> 00:34:13,200
Speaker 7: of five?

888
00:34:13,520 --> 00:34:14,799
Speaker 5: Two out of three, two out of three.

889
00:34:15,320 --> 00:34:16,600
Speaker 7: I think I like three out of five.

890
00:34:16,920 --> 00:34:18,440
Speaker 5: Let me ask you about music, because we're gonna just

891
00:34:18,680 --> 00:34:19,560
Speaker 5: just talk like this forever.

892
00:34:19,680 --> 00:34:21,440
Speaker 7: I gotta get some that's what the people want.

893
00:34:21,520 --> 00:34:23,400
Speaker 4: I know, I know some do, but someone will be like,

894
00:34:23,520 --> 00:34:25,320
Speaker 4: you had one of the greatest artists of our lifetime

895
00:34:25,320 --> 00:34:26,560
Speaker 4: in and you net even talk about music.

896
00:34:26,920 --> 00:34:28,560
Speaker 5: So I'm gonna let do a little bit of this.

897
00:34:29,280 --> 00:34:31,680
Speaker 4: Whenever someone asked you to be on a song, would

898
00:34:31,680 --> 00:34:33,040
Speaker 4: you rather than ask you to play guitar on a

899
00:34:33,040 --> 00:34:34,080
Speaker 4: song or to sing on a song?

900
00:34:34,760 --> 00:34:37,319
Speaker 7: I would rather ask them to or they would ask you.

901
00:34:37,360 --> 00:34:39,520
Speaker 7: I would rather them ask me to be in on

902
00:34:39,560 --> 00:34:40,880
Speaker 7: it from the beginning.

903
00:34:41,640 --> 00:34:45,040
Speaker 5: As in the creation, production wise, or the right way.

904
00:34:45,160 --> 00:34:52,320
Speaker 7: Yeah, that's what I would prefer, but you know, depending

905
00:34:52,360 --> 00:34:54,319
Speaker 7: on who they are and what the song is, and

906
00:34:54,600 --> 00:34:57,000
Speaker 7: those are different scenarios, you know, Like I do like

907
00:34:57,040 --> 00:35:01,720
Speaker 7: to play guitar, but also I find out the older

908
00:35:01,760 --> 00:35:04,920
Speaker 7: I get, the more I'm I really want to be

909
00:35:06,200 --> 00:35:09,840
Speaker 7: in on the the creation of things. We'm gonna let

910
00:35:09,880 --> 00:35:10,279
Speaker 7: that's what I want.

911
00:35:10,280 --> 00:35:11,560
Speaker 4: I'm gonna let you in on a song that I'm

912
00:35:11,560 --> 00:35:13,040
Speaker 4: working on. I haven't even started yet, but it's the

913
00:35:13,080 --> 00:35:16,480
Speaker 4: hardest sing along ever, okay. And it's called plural Rural Murals,

914
00:35:17,080 --> 00:35:19,000
Speaker 4: and it's you're driving through the one no want to

915
00:35:19,000 --> 00:35:21,000
Speaker 4: write this with me. You're driving through the country and

916
00:35:21,040 --> 00:35:23,160
Speaker 4: there's a lot You're looking everywhere and it's they're everywhere,

917
00:35:23,280 --> 00:35:25,680
Speaker 4: so plural more than one rural because it's the country.

918
00:35:25,680 --> 00:35:26,400
Speaker 7: Thanks for explaining.

919
00:35:27,880 --> 00:35:29,960
Speaker 4: So we're driving and it's like, all right, everybody sing

920
00:35:29,960 --> 00:35:32,080
Speaker 4: along and it's about plural rural murals. And the thing

921
00:35:32,120 --> 00:35:35,080
Speaker 4: is you can't. It's hard to sing it. So if

922
00:35:35,080 --> 00:35:36,879
Speaker 4: you're man of your word, you just got in early

923
00:35:36,920 --> 00:35:37,359
Speaker 4: on that one.

924
00:35:37,440 --> 00:35:38,759
Speaker 7: Okay, we'll do it.

925
00:35:38,840 --> 00:35:43,520
Speaker 9: Okay, did you just come up with that?

926
00:35:43,600 --> 00:35:44,799
Speaker 5: I know I'm been thinking about it for a long time.

927
00:35:44,960 --> 00:35:46,880
Speaker 9: You've been thinking about plural rural murals.

928
00:35:46,880 --> 00:35:48,239
Speaker 4: The hardest thing along ever. I want to write the

929
00:35:48,239 --> 00:35:50,839
Speaker 4: hardest thing along ever. It's funny and catchy, but it's

930
00:35:50,840 --> 00:35:51,200
Speaker 4: like that.

931
00:35:51,320 --> 00:35:54,440
Speaker 7: The course, well, would the verses be just as uh,

932
00:35:54,880 --> 00:35:55,839
Speaker 7: tongue tongue tied.

933
00:35:55,960 --> 00:35:58,399
Speaker 4: They don't have to be, but the first verse should

934
00:35:58,400 --> 00:36:01,400
Speaker 4: probably setting it up, and then you do the chorus,

935
00:36:01,400 --> 00:36:03,160
Speaker 4: and then the tongue ties in the second verse because

936
00:36:03,200 --> 00:36:06,239
Speaker 4: now you know the joke, and then that then the bridge.

937
00:36:05,920 --> 00:36:09,880
Speaker 7: Just Billy Joela just just just do like a a

938
00:36:09,880 --> 00:36:12,120
Speaker 7: bunch of things that that rhyme and ways that are

939
00:36:12,120 --> 00:36:14,640
Speaker 7: hard to say, and then that's the chorus. You know,

940
00:36:14,680 --> 00:36:15,680
Speaker 7: it doesn't have to make sense.

941
00:36:16,480 --> 00:36:18,080
Speaker 4: I don't feel like that's enough to be considered a writer.

942
00:36:18,200 --> 00:36:19,520
Speaker 4: So you don't give no percentage on that one.

943
00:36:19,640 --> 00:36:20,879
Speaker 7: You call him Billy Joean not a writer.

944
00:36:21,080 --> 00:36:26,880
Speaker 5: No, so I did not call him off that. I

945
00:36:26,880 --> 00:36:27,359
Speaker 5: did not say.

946
00:36:27,640 --> 00:36:27,759
Speaker 10: Uh.

947
00:36:28,400 --> 00:36:31,360
Speaker 5: So white Horse is interesting because you wrote that song originally.

948
00:36:30,880 --> 00:36:31,520
Speaker 8: For the.

949
00:36:34,080 --> 00:36:36,160
Speaker 7: It was a Lone Ranger film. Yeah, yeah, lone Ranger

950
00:36:36,239 --> 00:36:40,120
Speaker 7: I mean loosely. But I walked in to rite with

951
00:36:40,239 --> 00:36:43,240
Speaker 7: Dan Dan Wilson. He's like, hey, they're looking for songs

952
00:36:43,280 --> 00:36:45,719
Speaker 7: for neither one of us necessarily, I don't. I don't

953
00:36:45,760 --> 00:36:49,600
Speaker 7: think had like an end to do the Lone Ranger film.

954
00:36:50,400 --> 00:36:52,240
Speaker 7: He had just heard that they were looking for songs

955
00:36:52,239 --> 00:36:54,080
Speaker 7: for it, and it sounded like a good idea. And

956
00:36:54,160 --> 00:36:56,920
Speaker 7: sometimes you just need a catalyst, you know, in a

957
00:36:56,960 --> 00:36:58,960
Speaker 7: session like that to write something, and so that was

958
00:36:59,000 --> 00:37:01,359
Speaker 7: our catalyst that day, like, hey, well, let's right, what

959
00:37:01,400 --> 00:37:04,080
Speaker 7: would a Lone Ranger movie song be? And that's what

960
00:37:04,080 --> 00:37:04,520
Speaker 7: this was.

961
00:37:04,760 --> 00:37:07,799
Speaker 4: When you write a song, do you send it off

962
00:37:08,000 --> 00:37:10,560
Speaker 4: and let it be free and you know the people

963
00:37:10,560 --> 00:37:12,960
Speaker 4: that picked the songs pick the songs, or do you

964
00:37:13,000 --> 00:37:14,440
Speaker 4: go this is one I think is a really as

965
00:37:14,440 --> 00:37:16,080
Speaker 4: a single, we should run with this one? Or do

966
00:37:16,120 --> 00:37:17,640
Speaker 4: you feel like they're all singles and you let those

967
00:37:17,680 --> 00:37:18,200
Speaker 4: people do that.

968
00:37:20,000 --> 00:37:21,440
Speaker 7: It's probably a little bit of both, I think. I

969
00:37:21,440 --> 00:37:25,759
Speaker 7: think Damon and the folks over Universal would say, we

970
00:37:25,840 --> 00:37:29,160
Speaker 7: have discussions about it, and sometimes I make them uncomfortable

971
00:37:29,160 --> 00:37:32,640
Speaker 7: and sometimes they make me uncomfortable, and somewhere in the

972
00:37:32,680 --> 00:37:35,480
Speaker 7: middle of that we arrive on what the path is.

973
00:37:36,040 --> 00:37:38,520
Speaker 7: And I think this was not an obvious thing to

974
00:37:38,560 --> 00:37:38,960
Speaker 7: go with.

975
00:37:39,719 --> 00:37:42,600
Speaker 4: Probably that's why I ask about that question about this song,

976
00:37:42,680 --> 00:37:46,920
Speaker 4: because again, there's no context of Lone Ranger. It's says

977
00:37:46,960 --> 00:37:48,520
Speaker 4: this is a Christia's new song on the wh White Horse.

978
00:37:48,640 --> 00:37:52,200
Speaker 7: Right, Well, then there shouldn't be you know that movie.

979
00:37:52,440 --> 00:37:55,399
Speaker 7: You know, it shouldn't be really that. It has nothing

980
00:37:55,440 --> 00:37:57,680
Speaker 7: to do with it that movie really other than that's

981
00:37:57,719 --> 00:38:00,360
Speaker 7: the story of how the song came to be. Yeah,

982
00:38:01,760 --> 00:38:03,839
Speaker 7: you know, as far as picking it for a single, yeah,

983
00:38:04,040 --> 00:38:09,920
Speaker 7: I do like to be, for lack of a better word, disruptive,

984
00:38:10,760 --> 00:38:13,360
Speaker 7: you know, like and do things that are maybe a

985
00:38:13,360 --> 00:38:16,480
Speaker 7: little harder to sell or maybe different enough.

986
00:38:16,560 --> 00:38:17,480
Speaker 5: Yeah, why would you do that?

987
00:38:17,719 --> 00:38:19,080
Speaker 7: Why would I do that? Or why do I want

988
00:38:19,080 --> 00:38:19,359
Speaker 7: to do that?

989
00:38:19,440 --> 00:38:19,520
Speaker 8: Now?

990
00:38:19,560 --> 00:38:20,560
Speaker 5: Why would you do that?

991
00:38:21,040 --> 00:38:22,839
Speaker 4: Do you ever pick one that you think will be Yeah,

992
00:38:22,880 --> 00:38:25,279
Speaker 4: this one sounds like a traditional radio single because you

993
00:38:25,320 --> 00:38:28,040
Speaker 4: do constantly put out songs that go number one that

994
00:38:28,120 --> 00:38:29,879
Speaker 4: don't sound like other songs that have gone number one.

995
00:38:30,800 --> 00:38:33,640
Speaker 7: Well, I think that's the only thing that you can

996
00:38:33,680 --> 00:38:38,360
Speaker 7: have to differentiate yourself from something that sounds like everything.

997
00:38:38,400 --> 00:38:40,839
Speaker 4: You know, you have songs on your albums. I'm a

998
00:38:40,960 --> 00:38:42,920
Speaker 4: big fan, by the way, Bobby here a big fan thing. Okay,

999
00:38:43,600 --> 00:38:47,239
Speaker 4: thank you, Bobby Washington Post. You have songs that are

1000
00:38:47,280 --> 00:38:51,520
Speaker 4: definitely more radio we'll call it radio friendly that don't

1001
00:38:52,040 --> 00:38:54,000
Speaker 4: hit the radio as singles, and some of your songs

1002
00:38:54,040 --> 00:38:55,759
Speaker 4: that don't feel like they would be radio singles hit

1003
00:38:55,840 --> 00:38:58,000
Speaker 4: radio and then become a single. Like it's almost like

1004
00:38:58,000 --> 00:38:59,920
Speaker 4: you're picking harder songs just so you can do it

1005
00:39:00,040 --> 00:39:01,799
Speaker 4: for the sake of it, because that's who you are.

1006
00:39:03,239 --> 00:39:05,080
Speaker 7: Well, I mean, you may be giving me too much

1007
00:39:05,120 --> 00:39:08,840
Speaker 7: credit that I'm picking them. Holy there's a definitely discussion

1008
00:39:08,920 --> 00:39:12,040
Speaker 7: around it, and I have opinions in it. But you know,

1009
00:39:12,080 --> 00:39:13,640
Speaker 7: sometimes like all right, well, if you guys think that's

1010
00:39:13,640 --> 00:39:16,480
Speaker 7: what we should do, let's do that. Or sometimes like, well,

1011
00:39:16,480 --> 00:39:17,960
Speaker 7: I think we should do this. I know that's going

1012
00:39:18,000 --> 00:39:20,080
Speaker 7: to be difficult for you and may only make it

1013
00:39:20,120 --> 00:39:22,239
Speaker 7: to number sixteen, but let's let's do that, because I

1014
00:39:22,280 --> 00:39:25,920
Speaker 7: think that I'm always trying to look for things that

1015
00:39:25,960 --> 00:39:28,600
Speaker 7: represent the album, and if you can represent out the

1016
00:39:28,640 --> 00:39:31,120
Speaker 7: album over the course of putting singles out on the album,

1017
00:39:31,160 --> 00:39:36,160
Speaker 7: I think that that is for what I like, you know,

1018
00:39:36,719 --> 00:39:38,520
Speaker 7: the things that would draw people to the album go home, Well,

1019
00:39:38,520 --> 00:39:40,160
Speaker 7: that's different. Maybe I'll go check out what else is

1020
00:39:40,200 --> 00:39:43,759
Speaker 7: on the album. And that's always my goal, and I

1021
00:39:43,800 --> 00:39:48,880
Speaker 7: think that is probably different a different mentality than other

1022
00:39:48,880 --> 00:39:52,200
Speaker 7: people have than when they just want the biggest hit

1023
00:39:52,239 --> 00:39:52,640
Speaker 7: they can have.

1024
00:39:53,160 --> 00:39:57,600
Speaker 5: When you're writing songs as your day job and you're going,

1025
00:39:58,000 --> 00:40:00,000
Speaker 5: you know, five days a week and your Monday Tuesday,

1026
00:40:00,160 --> 00:40:01,560
Speaker 5: there's writing sometimes two times a day.

1027
00:40:01,760 --> 00:40:03,480
Speaker 4: I don't do that anymore, but anymore, but you did

1028
00:40:03,640 --> 00:40:05,279
Speaker 4: because you have like one hundred and seventy cuts right

1029
00:40:05,280 --> 00:40:07,000
Speaker 4: so there for years you're right now you're writing a bunch.

1030
00:40:07,400 --> 00:40:08,880
Speaker 7: Yeah, I know. I mean when I first I got

1031
00:40:08,880 --> 00:40:10,279
Speaker 7: I got to town, I would write two and three

1032
00:40:10,280 --> 00:40:10,759
Speaker 7: times a day.

1033
00:40:10,800 --> 00:40:13,560
Speaker 4: But how do you keep coming up with new ideas?

1034
00:40:14,000 --> 00:40:16,120
Speaker 4: Because almost it's almost like a new way to say

1035
00:40:16,120 --> 00:40:18,520
Speaker 4: the same thing, like how how do or do you

1036
00:40:18,560 --> 00:40:20,360
Speaker 4: Sometimes if it didn't work before, do you try that

1037
00:40:20,400 --> 00:40:23,360
Speaker 4: same idea again in a different way.

1038
00:40:24,520 --> 00:40:27,800
Speaker 7: I don't like to recycle myself necessarily, but there's certainly,

1039
00:40:28,520 --> 00:40:32,800
Speaker 7: you know, things that you can lean into technique wise

1040
00:40:32,920 --> 00:40:37,400
Speaker 7: that that make that makes sense, you know, I know

1041
00:40:37,480 --> 00:40:39,160
Speaker 7: how the song goes, you know.

1042
00:40:39,160 --> 00:40:41,600
Speaker 5: Like you get writer's block coming up with ideas.

1043
00:40:43,640 --> 00:40:46,480
Speaker 7: I'm sure I probably do. I don't necessarily think of

1044
00:40:46,520 --> 00:40:49,200
Speaker 7: it as that the common when they come and they

1045
00:40:49,320 --> 00:40:52,200
Speaker 7: don't and you know, when you're doing the thing where

1046
00:40:52,239 --> 00:40:55,840
Speaker 7: you go in and you're working, you know, as like

1047
00:40:55,840 --> 00:41:00,600
Speaker 7: a blue collar working in like a songwriter. Would you

1048
00:41:00,640 --> 00:41:02,840
Speaker 7: go in and you work like a job and you

1049
00:41:04,239 --> 00:41:06,040
Speaker 7: and you go in and even if you don't have

1050
00:41:06,080 --> 00:41:09,120
Speaker 7: anything that day, nine times out of ten year co

1051
00:41:09,160 --> 00:41:13,440
Speaker 7: writer has something or you sit there. If you go

1052
00:41:13,640 --> 00:41:17,600
Speaker 7: someplace with a purpose to do something, I think you

1053
00:41:18,280 --> 00:41:21,600
Speaker 7: get really good at turning that thing on, you know. Like,

1054
00:41:22,480 --> 00:41:24,680
Speaker 7: so I have no problem walking into a room and going,

1055
00:41:25,160 --> 00:41:27,279
Speaker 7: let's write a song. And I and I'm a big

1056
00:41:27,320 --> 00:41:29,760
Speaker 7: strumming hum guy too, so I start from a melody.

1057
00:41:29,800 --> 00:41:32,239
Speaker 7: I start from the musical side of things a lot

1058
00:41:32,280 --> 00:41:33,880
Speaker 7: more than I would start from a lyrical side of

1059
00:41:33,880 --> 00:41:36,480
Speaker 7: things anyway. And then I would find words in a melody,

1060
00:41:36,680 --> 00:41:41,440
Speaker 7: you know, I'd start humming nonsense until a word popped out,

1061
00:41:41,640 --> 00:41:43,680
Speaker 7: and I will what does that mean in the context

1062
00:41:43,760 --> 00:41:45,719
Speaker 7: of what this song is? And then you try to

1063
00:41:45,800 --> 00:41:49,799
Speaker 7: form an idea around that. But you know, and I've

1064
00:41:49,800 --> 00:41:52,200
Speaker 7: also walked in in a co writer's handed me an

1065
00:41:52,280 --> 00:41:53,759
Speaker 7: entire lyric and said, hey, I can't I don't have

1066
00:41:53,800 --> 00:41:57,439
Speaker 7: a melody for this. You know, it can be that

1067
00:41:57,719 --> 00:42:00,200
Speaker 7: or the other. The converse can be true. People want

1068
00:42:00,239 --> 00:42:03,920
Speaker 7: to walk in with this wholly formed melody and go

1069
00:42:04,600 --> 00:42:06,600
Speaker 7: I need I need lyrics over top of this. You know,

1070
00:42:07,320 --> 00:42:10,040
Speaker 7: it can go any number of ways, and you have

1071
00:42:10,040 --> 00:42:12,800
Speaker 7: to be open to doing it any way that presents

1072
00:42:12,800 --> 00:42:14,839
Speaker 7: itself that day. And so I don't want to worry

1073
00:42:14,840 --> 00:42:18,640
Speaker 7: about ideas. I don't worry about running out of ideas

1074
00:42:18,680 --> 00:42:23,680
Speaker 7: because chances are if you have an idea, it's already

1075
00:42:23,680 --> 00:42:28,319
Speaker 7: been done some way anyway. So I don't have any

1076
00:42:28,360 --> 00:42:32,720
Speaker 7: notions that we're reinventing or coming up with wholly original

1077
00:42:32,760 --> 00:42:34,759
Speaker 7: things all the time, because you just can't do that.

1078
00:42:35,719 --> 00:42:38,480
Speaker 5: I don't have a melody for plural ural murals. Okay,

1079
00:42:39,640 --> 00:42:41,440
Speaker 5: I just think I'm not. I have a shuffle. I

1080
00:42:41,480 --> 00:42:44,080
Speaker 5: have the lyric. No, it's more of like a it's

1081
00:42:44,120 --> 00:42:46,200
Speaker 5: more like soul, like something that Stapleton would do.

1082
00:42:46,360 --> 00:42:48,560
Speaker 7: But it things like a shuffle to me.

1083
00:42:48,800 --> 00:42:50,600
Speaker 5: Yeah, I don't even know what that means, a shuffle,

1084
00:42:50,960 --> 00:42:53,080
Speaker 5: but I went around just sometimes I just nod and

1085
00:42:53,120 --> 00:42:55,759
Speaker 5: say stuff, how'd you get involved in the mom?

1086
00:42:55,800 --> 00:42:57,399
Speaker 7: Man, this is a country of Music show. You can

1087
00:42:57,400 --> 00:42:58,200
Speaker 7: know what a shuffle is?

1088
00:42:58,400 --> 00:43:00,680
Speaker 4: Well, I know, like the time of a show, that's

1089
00:43:00,680 --> 00:43:02,640
Speaker 4: all you're talking about, Like a waltz and a shelf.

1090
00:43:02,800 --> 00:43:05,560
Speaker 5: Yeah yeah, yeah, yeah, I know that it's a shuffle. Okay,

1091
00:43:05,600 --> 00:43:06,960
Speaker 5: I know a shove of cards.

1092
00:43:07,080 --> 00:43:08,759
Speaker 7: Yeah. Are you good at it?

1093
00:43:09,400 --> 00:43:09,879
Speaker 5: Oh? Yeah?

1094
00:43:09,920 --> 00:43:11,400
Speaker 4: My grandma taught me how to gamble when I was

1095
00:43:11,440 --> 00:43:14,640
Speaker 4: six years old. I used to cheat a lot. Yeah,

1096
00:43:14,760 --> 00:43:18,399
Speaker 4: my grandma can I can go. I can go under

1097
00:43:19,000 --> 00:43:20,800
Speaker 4: from under pretty quick withoutnybody noticing.

1098
00:43:20,920 --> 00:43:22,640
Speaker 5: But having a long time. Yeah, but I used to

1099
00:43:22,640 --> 00:43:23,040
Speaker 5: do in college.

1100
00:43:23,040 --> 00:43:24,440
Speaker 4: I would cheat and make That's how I made a

1101
00:43:24,480 --> 00:43:27,000
Speaker 4: lot of money was cheating at cards. And then I

1102
00:43:27,000 --> 00:43:28,880
Speaker 4: played poker for a long time, would try and I

1103
00:43:28,920 --> 00:43:31,240
Speaker 4: would go to Vegas every weekend.

1104
00:43:31,640 --> 00:43:33,480
Speaker 5: Want a big tournament. Once it was pretty cool. Yeah,

1105
00:43:33,520 --> 00:43:34,239
Speaker 5: you know how to do it?

1106
00:43:34,400 --> 00:43:36,600
Speaker 4: And then I had to stop cold turkey because I

1107
00:43:36,600 --> 00:43:39,560
Speaker 4: have All I was doing was consumed in cards, doule

1108
00:43:39,560 --> 00:43:44,279
Speaker 4: brunts and books odds. I was just everything I did

1109
00:43:44,360 --> 00:43:46,200
Speaker 4: was doing this show and reading about cards.

1110
00:43:46,200 --> 00:43:46,800
Speaker 7: So I stopped.

1111
00:43:47,719 --> 00:43:50,080
Speaker 5: What are you obsessed with knives?

1112
00:43:50,480 --> 00:43:51,839
Speaker 7: I wouldn't say imbased for them.

1113
00:43:51,920 --> 00:43:55,360
Speaker 5: Guitars probably, Yeah, more guitars are knives.

1114
00:43:55,640 --> 00:44:01,719
Speaker 7: Oh guitars yeah really yeah? Well, amplifiers, gear, you know,

1115
00:44:02,400 --> 00:44:08,359
Speaker 7: anything that can be made useful in creating music, even

1116
00:44:08,400 --> 00:44:09,480
Speaker 7: if it's in the most.

1117
00:44:11,360 --> 00:44:14,759
Speaker 5: Wild weird way you know what do you mean wild weird?

1118
00:44:14,920 --> 00:44:14,960
Speaker 8: Like?

1119
00:44:15,040 --> 00:44:19,640
Speaker 7: Oh, just like buying a nineteen seventies drum machine, so

1120
00:44:19,880 --> 00:44:22,320
Speaker 7: you know, something weird or not? Probably the instruments. I

1121
00:44:22,360 --> 00:44:25,800
Speaker 7: can't even play drums, you know. I'll buy things I

1122
00:44:25,880 --> 00:44:28,359
Speaker 7: can't even play just to see if I can make

1123
00:44:28,400 --> 00:44:29,560
Speaker 7: them lead to something.

1124
00:44:30,480 --> 00:44:33,879
Speaker 4: Like creatively, sometimes you'll you'll find something that will it'll

1125
00:44:33,920 --> 00:44:35,520
Speaker 4: give you a sound or a texture and that can

1126
00:44:35,719 --> 00:44:36,640
Speaker 4: take you somewhere else.

1127
00:44:37,640 --> 00:44:38,520
Speaker 7: Yeah, that's pretty cool.

1128
00:44:38,680 --> 00:44:40,560
Speaker 5: What instrument you think would help you do? Play a

1129
00:44:40,680 --> 00:44:41,280
Speaker 5: row murals?

1130
00:44:43,480 --> 00:44:43,840
Speaker 7: Exactly?

1131
00:44:43,840 --> 00:44:45,640
Speaker 5: I don't know you too much. Still you think about it? Yeah,

1132
00:44:45,640 --> 00:44:48,200
Speaker 5: it's over your head. Okay, Look, I got two final

1133
00:44:48,280 --> 00:44:49,560
Speaker 5: questions for you. You know I love you, So I

1134
00:44:49,640 --> 00:44:51,200
Speaker 5: got two final questions for it. I would keep you,

1135
00:44:51,200 --> 00:44:52,000
Speaker 5: I keep you all day.

1136
00:44:52,360 --> 00:44:52,480
Speaker 10: Uh.

1137
00:44:54,120 --> 00:44:57,840
Speaker 4: You are known as a prolific songwriter now and guitar player.

1138
00:44:58,280 --> 00:44:59,600
Speaker 4: But I'm going to ask you to put that back

1139
00:44:59,600 --> 00:45:01,319
Speaker 4: on somebody else. Have you ever been in the room

1140
00:45:01,360 --> 00:45:02,919
Speaker 4: and it could be one of your buddies, it could

1141
00:45:02,920 --> 00:45:05,640
Speaker 4: be somebody who wrote with the first time that had

1142
00:45:05,680 --> 00:45:07,560
Speaker 4: a concept or a lyric that you're just like, Oh

1143
00:45:07,680 --> 00:45:09,000
Speaker 4: my god, that is awesome.

1144
00:45:10,120 --> 00:45:12,960
Speaker 7: Yes, pretty much every time I ride with.

1145
00:45:13,000 --> 00:45:14,680
Speaker 5: Somebody, what comes to mind is one of the last

1146
00:45:14,719 --> 00:45:15,360
Speaker 5: times that happened.

1147
00:45:17,000 --> 00:45:19,960
Speaker 7: I mean, once again, I've co written with somebody maybe

1148
00:45:20,040 --> 00:45:24,160
Speaker 7: once in the last two years, so I don't do

1149
00:45:24,239 --> 00:45:25,160
Speaker 7: a lot of that anymore.

1150
00:45:25,320 --> 00:45:27,839
Speaker 4: Well, what about one of your hits from five years ago?

1151
00:45:28,360 --> 00:45:30,600
Speaker 4: Somebody gives you like a great lyric inside of it.

1152
00:45:30,760 --> 00:45:32,440
Speaker 7: Well, I mean most of the time when that happens,

1153
00:45:33,239 --> 00:45:35,520
Speaker 7: it would have been with Mike Henderson, who's no longer

1154
00:45:35,600 --> 00:45:38,680
Speaker 7: with us, but he was a poet, you know, and

1155
00:45:40,760 --> 00:45:42,600
Speaker 7: I would walk into that a lot. In that room,

1156
00:45:42,640 --> 00:45:46,040
Speaker 7: it needs to be blown away, yeah, just like well, okay, yeah,

1157
00:45:46,120 --> 00:45:49,799
Speaker 7: I'm My function in that room most of the time

1158
00:45:50,200 --> 00:45:54,080
Speaker 7: was to make up a melody. Do you get tagged?

1159
00:45:54,120 --> 00:45:56,480
Speaker 4: Or people want to always show you people singing Tennessee whiskey.

1160
00:45:58,600 --> 00:46:00,719
Speaker 4: I would assume everywhere you go, not a lot.

1161
00:46:00,800 --> 00:46:03,479
Speaker 7: I mean, people will send it to me when they're

1162
00:46:03,520 --> 00:46:06,040
Speaker 7: in some place that they don't think that they're gonna

1163
00:46:06,160 --> 00:46:10,160
Speaker 7: hear it. Like somebody be in Mexico and send a

1164
00:46:10,320 --> 00:46:13,560
Speaker 7: Mariachi band Planet, which is awesome.

1165
00:46:13,960 --> 00:46:14,120
Speaker 5: You know.

1166
00:46:14,360 --> 00:46:15,640
Speaker 7: Yeah, that's like that song.

1167
00:46:15,840 --> 00:46:17,480
Speaker 4: When I was on Idol too, everybody would try to

1168
00:46:17,480 --> 00:46:22,239
Speaker 4: sing that you have made that song just ubiquitous in

1169
00:46:22,360 --> 00:46:25,359
Speaker 4: all the music. And I don't know if that gets

1170
00:46:25,400 --> 00:46:27,719
Speaker 4: to you because you're in it, but man, it's even

1171
00:46:28,160 --> 00:46:30,480
Speaker 4: from all this shows and musical and this, everybody wants

1172
00:46:30,480 --> 00:46:33,160
Speaker 4: to sing that song all the time, where it's like, cool,

1173
00:46:33,560 --> 00:46:36,760
Speaker 4: that's good, but let's stop, like yeah.

1174
00:46:37,080 --> 00:46:38,480
Speaker 7: I mean, it's kind of the point. I mean, I'm

1175
00:46:38,480 --> 00:46:40,719
Speaker 7: sure there's there's it's become.

1176
00:46:42,080 --> 00:46:43,680
Speaker 5: Eda James at Last, they do that too a lot,

1177
00:46:44,320 --> 00:46:47,040
Speaker 5: like great song, but when so many people sing it.

1178
00:46:48,320 --> 00:46:51,600
Speaker 7: Yeah, well it's hard, you know, like willing Else is

1179
00:46:51,600 --> 00:46:54,320
Speaker 7: Crazy is another song like that that I'm not saying.

1180
00:46:54,920 --> 00:46:56,680
Speaker 5: It's not Willier this song, but it's the people that

1181
00:46:56,800 --> 00:46:58,000
Speaker 5: keeps in every version of it.

1182
00:46:58,080 --> 00:47:01,640
Speaker 7: And there's so many versions of song just like sometimes

1183
00:47:01,719 --> 00:47:04,960
Speaker 7: you know, and sometimes they're they're done too, like you

1184
00:47:05,040 --> 00:47:08,200
Speaker 7: don't need to do them, and but there's always somebody

1185
00:47:08,280 --> 00:47:10,880
Speaker 7: that can you know, bring something to it, so that

1186
00:47:11,040 --> 00:47:14,160
Speaker 7: that's always I mean, and I think the real challenge

1187
00:47:14,160 --> 00:47:18,960
Speaker 7: when you have a song that becomes that recognizable or

1188
00:47:19,239 --> 00:47:24,200
Speaker 7: or fun for people to sing, the challenge becomes what

1189
00:47:24,360 --> 00:47:27,759
Speaker 7: can you bring to it? And it's almost like some

1190
00:47:27,920 --> 00:47:32,320
Speaker 7: kind of game for people for singers almost you know,

1191
00:47:32,440 --> 00:47:34,640
Speaker 7: like I'm gonna put this on it and.

1192
00:47:36,640 --> 00:47:38,120
Speaker 5: I don't know, do you ever not want to sing

1193
00:47:38,200 --> 00:47:38,880
Speaker 5: that song anymore?

1194
00:47:39,000 --> 00:47:39,040
Speaker 8: No?

1195
00:47:39,320 --> 00:47:40,520
Speaker 7: Why would I not want to sing that song?

1196
00:47:40,560 --> 00:47:41,879
Speaker 5: I don't know if you're sing it so many times.

1197
00:47:42,440 --> 00:47:44,080
Speaker 7: I mean, I've a lot of songs, but a lot

1198
00:47:44,080 --> 00:47:46,960
Speaker 7: of times that that song is the reason that you're

1199
00:47:47,000 --> 00:47:48,319
Speaker 7: sitting there talking to me right now.

1200
00:47:48,480 --> 00:47:51,239
Speaker 5: Now. You're on before that we had you on before.

1201
00:47:51,280 --> 00:47:53,680
Speaker 7: That's true, that's true, you did, but but that's the

1202
00:47:53,719 --> 00:47:55,120
Speaker 7: reason that you continue to talk to me.

1203
00:47:56,600 --> 00:47:58,400
Speaker 5: I'm in love with you. That's why I talk to you.

1204
00:47:58,760 --> 00:48:00,279
Speaker 7: And I have a lot of people on on this

1205
00:48:00,360 --> 00:48:03,000
Speaker 7: show that sometimes and I probably was in this category

1206
00:48:03,040 --> 00:48:07,480
Speaker 7: at one point where and forgive me for not know

1207
00:48:07,520 --> 00:48:10,360
Speaker 7: how it works, but I think you probably have to

1208
00:48:10,360 --> 00:48:12,360
Speaker 7: have them on because they have a current single out.

1209
00:48:12,280 --> 00:48:14,120
Speaker 4: Or I used to have to do that, not anymore

1210
00:48:14,640 --> 00:48:15,960
Speaker 4: do anything really I have don't think I don't want

1211
00:48:15,960 --> 00:48:18,400
Speaker 4: to do anymore. Everyone's lot a client thing, but mostly

1212
00:48:18,480 --> 00:48:18,759
Speaker 4: it's like.

1213
00:48:18,840 --> 00:48:21,480
Speaker 7: Yeah, well, but also sometimes it's a relationship thing. I'm

1214
00:48:21,480 --> 00:48:23,960
Speaker 7: sure where it's like, hey, I got my guy here,

1215
00:48:24,200 --> 00:48:27,360
Speaker 7: bring him on for sure? This is this is the

1216
00:48:27,400 --> 00:48:29,479
Speaker 7: new act. She she's really good. I think you should

1217
00:48:29,560 --> 00:48:31,520
Speaker 7: check it out, and you and you and you have

1218
00:48:31,600 --> 00:48:33,319
Speaker 7: to roll the dice on those things sometimes, I think,

1219
00:48:34,000 --> 00:48:36,640
Speaker 7: and that's one of the strengths of this show. I think,

1220
00:48:36,640 --> 00:48:38,800
Speaker 7: because you bring people along that nobody's ever heard of it,

1221
00:48:38,880 --> 00:48:40,280
Speaker 7: which I was one of those people.

1222
00:48:41,080 --> 00:48:44,120
Speaker 5: At some point, Megan Maroney covered what are You listening To?

1223
00:48:44,200 --> 00:48:46,640
Speaker 5: You played that on the show before. Have you heard

1224
00:48:46,680 --> 00:48:47,080
Speaker 5: a version?

1225
00:48:47,239 --> 00:48:47,880
Speaker 7: I don't think I have.

1226
00:48:47,960 --> 00:48:50,960
Speaker 5: Oh my god, it's awesome. It's like that song was

1227
00:48:51,000 --> 00:48:51,319
Speaker 5: so good.

1228
00:48:51,320 --> 00:48:53,600
Speaker 4: I was always so disappointed that wasn't that first song

1229
00:48:53,719 --> 00:48:56,320
Speaker 4: because when you was that song, I loved it.

1230
00:48:56,560 --> 00:48:58,360
Speaker 7: I think everything worked out like it was supposed to.

1231
00:48:58,360 --> 00:48:58,839
Speaker 7: It's all good.

1232
00:48:58,880 --> 00:49:00,120
Speaker 5: You believe in that. Do you believe everything we can?

1233
00:49:00,160 --> 00:49:02,480
Speaker 7: I like I do, even you know, but particularly in

1234
00:49:02,560 --> 00:49:06,640
Speaker 7: the times that you're frustrated thinking that something's supposed to

1235
00:49:06,680 --> 00:49:12,200
Speaker 7: be I don't understand this is this is a good whatever.

1236
00:49:12,320 --> 00:49:13,919
Speaker 7: And I mean it applies to any part of life.

1237
00:49:13,960 --> 00:49:19,800
Speaker 7: I think you know, when things aren't working out like

1238
00:49:19,880 --> 00:49:21,720
Speaker 7: you think they should, and you've done all the things

1239
00:49:21,760 --> 00:49:24,160
Speaker 7: that you think you're supposed to do to get the

1240
00:49:24,239 --> 00:49:28,000
Speaker 7: result that you think you're supposed to get, and it's

1241
00:49:28,080 --> 00:49:32,920
Speaker 7: just not lining up. I think if you can take

1242
00:49:32,920 --> 00:49:35,400
Speaker 7: a deep breath in those moments and go all right, well,

1243
00:49:35,400 --> 00:49:37,840
Speaker 7: there's a reason none of this is lining up. I

1244
00:49:37,920 --> 00:49:41,000
Speaker 7: don't know what it is at this moment. I can't

1245
00:49:41,040 --> 00:49:46,080
Speaker 7: see it. I'm not happy about it, but but move

1246
00:49:46,120 --> 00:49:51,120
Speaker 7: on with time and keep on pushing, and eventually you

1247
00:49:51,239 --> 00:49:52,799
Speaker 7: get to the to a place where you're like, oh,

1248
00:49:53,200 --> 00:49:55,920
Speaker 7: the reason that this didn't happen is because this other

1249
00:49:56,000 --> 00:49:56,879
Speaker 7: thing needed to happen.

1250
00:49:57,320 --> 00:49:59,799
Speaker 5: And that's like Marcus really is like meditation is the book,

1251
00:50:00,080 --> 00:50:02,080
Speaker 5: give the whole book right there. And also it's like

1252
00:50:02,160 --> 00:50:05,239
Speaker 5: that's what's why he hasn't taken plural murals. There's gotta

1253
00:50:05,239 --> 00:50:06,439
Speaker 5: be a real that must be a really good.

1254
00:50:06,360 --> 00:50:07,560
Speaker 7: I mean, I've been thinking about it the whole time.

1255
00:50:07,600 --> 00:50:08,640
Speaker 7: I do think it's a shuffle.

1256
00:50:08,760 --> 00:50:14,359
Speaker 4: Okay, well let me know that's just the melody, okay, Chris. Last, last, last,

1257
00:50:14,440 --> 00:50:15,680
Speaker 4: last question, last last question.

1258
00:50:15,920 --> 00:50:17,600
Speaker 5: When are you? When are you doing new more music?

1259
00:50:18,400 --> 00:50:19,439
Speaker 7: When am I doing more music?

1260
00:50:19,680 --> 00:50:22,560
Speaker 4: I record November, I know, but less like I've listened

1261
00:50:22,560 --> 00:50:24,040
Speaker 4: to it a lie. I still like it, but I'm saying,

1262
00:50:24,320 --> 00:50:26,160
Speaker 4: you know, there's higher you gonna do.

1263
00:50:26,200 --> 00:50:29,200
Speaker 7: Lower. I hadn't thought about it until now. But you know, no,

1264
00:50:29,800 --> 00:50:33,799
Speaker 7: that's not a real thought currently. There wasn't any thought

1265
00:50:33,880 --> 00:50:36,040
Speaker 7: and carrying that on through into something.

1266
00:50:37,000 --> 00:50:41,319
Speaker 5: But is anything recorded right now? Oh no, okay, I.

1267
00:50:41,360 --> 00:50:45,200
Speaker 7: Mean listen, all records have things that are recorded that

1268
00:50:45,480 --> 00:50:47,000
Speaker 7: don't exist in the.

1269
00:50:47,520 --> 00:50:51,800
Speaker 5: Way that have happened since for a new something nothing exists.

1270
00:50:52,160 --> 00:50:54,719
Speaker 7: No, okay, all right, that's good. We're done.

1271
00:50:54,719 --> 00:50:59,480
Speaker 4: Then I'm done with them. Good, all right, Chris, congratulations.

1272
00:50:59,520 --> 00:51:01,239
Speaker 4: I love when you I'm around man, thank you. Yeah,

1273
00:51:01,280 --> 00:51:04,240
Speaker 4: it's awesome. You guys heard of this guy, Christableton. Okright,

1274
00:51:04,360 --> 00:51:06,040
Speaker 4: all right, well Chris, good to see arious, Christappers and

1275
00:51:06,040 --> 00:51:08,920
Speaker 4: everybody all American Road Show back out, so go check

1276
00:51:08,960 --> 00:51:11,360
Speaker 4: it out. He's got a bunch of great acts, the

1277
00:51:11,400 --> 00:51:14,839
Speaker 4: Warren Treaty freaking love them. Awesome, Alan Stone, love them.

1278
00:51:14,880 --> 00:51:17,040
Speaker 4: I could go to the whole list. You have great taste, Well,

1279
00:51:17,160 --> 00:51:18,320
Speaker 4: my wife has great taste.

1280
00:51:18,480 --> 00:51:23,120
Speaker 7: And because she is always the front, you know, she's

1281
00:51:23,200 --> 00:51:26,040
Speaker 7: the tip of the spear on on steering some of

1282
00:51:26,080 --> 00:51:30,719
Speaker 7: the opener stuff. So she's the discovery person in our house.

1283
00:51:31,080 --> 00:51:32,480
Speaker 7: I listened to the music that I listened to when

1284
00:51:32,480 --> 00:51:35,680
Speaker 7: I'm seventeen. A lot you know or guys that are dead.

1285
00:51:35,880 --> 00:51:36,040
Speaker 8: You know.

1286
00:51:37,360 --> 00:51:38,200
Speaker 7: Well that's a good combo.

1287
00:51:38,360 --> 00:51:40,520
Speaker 5: He sounds dark man, Yeah, don't. I'm not ready to

1288
00:51:40,520 --> 00:51:42,360
Speaker 5: go there. All right, there he is Chris Staples and everybody.

1289
00:51:42,440 --> 00:51:42,839
Speaker 5: Nice job.

1290
00:51:44,960 --> 00:51:48,640
Speaker 1: It's the best Bits of the Week with Morgan number two.

1291
00:51:50,040 --> 00:51:53,200
Speaker 2: Yeah, I'm just living my best rom com life over here. Okay.

1292
00:51:53,280 --> 00:51:56,360
Speaker 3: I just live in general like I am in a movie.

1293
00:51:56,640 --> 00:52:00,640
Speaker 3: I talked last weekend about romanticizing.

1294
00:52:00,120 --> 00:52:01,919
Speaker 2: My life with Amy, and that's my goal for twenty

1295
00:52:01,960 --> 00:52:03,719
Speaker 2: twenty four. And I've kind of always been that way.

1296
00:52:03,800 --> 00:52:06,759
Speaker 3: But like, I just love movies, and I think there's

1297
00:52:06,800 --> 00:52:09,240
Speaker 3: something too treating your life like it is a movie

1298
00:52:09,360 --> 00:52:09,560
Speaker 3: in the.

1299
00:52:09,560 --> 00:52:10,280
Speaker 2: Best way possible.

1300
00:52:10,280 --> 00:52:13,120
Speaker 3: Obviously, not like the action comms and there's aliens coming

1301
00:52:13,200 --> 00:52:15,600
Speaker 3: from the sky, but like you're excited about everything and

1302
00:52:15,680 --> 00:52:17,600
Speaker 3: you do things that are fun instead of just the

1303
00:52:17,680 --> 00:52:18,919
Speaker 3: monotony of everyday life.

1304
00:52:19,360 --> 00:52:22,800
Speaker 2: And so I had a very creative date idea for

1305
00:52:22,880 --> 00:52:25,839
Speaker 2: an upcoming fourth date with a man that has been

1306
00:52:25,920 --> 00:52:29,920
Speaker 2: nicknamed the Cowboy, and I got roasted for it.

1307
00:52:30,840 --> 00:52:32,520
Speaker 3: I thought this was a great idea, and you know what,

1308
00:52:33,320 --> 00:52:35,760
Speaker 3: I did have this date and it was a great idea,

1309
00:52:36,120 --> 00:52:38,080
Speaker 3: and all you dirty minds were wrong. It was a

1310
00:52:38,120 --> 00:52:41,120
Speaker 3: great time. Nothing crazy happened. I laughed my butt off

1311
00:52:41,400 --> 00:52:43,680
Speaker 3: and I really enjoyed it. But this segment right here,

1312
00:52:44,200 --> 00:52:47,319
Speaker 3: you're about to hear me get roasted, and I hope

1313
00:52:47,360 --> 00:52:48,040
Speaker 3: it makes you laugh.

1314
00:52:48,440 --> 00:52:49,560
Speaker 1: Number three had to.

1315
00:52:49,560 --> 00:52:50,160
Speaker 5: Talk with Eddie.

1316
00:52:50,160 --> 00:52:50,960
Speaker 7: We were in his jeep.

1317
00:52:51,160 --> 00:52:52,880
Speaker 4: I was like, man, you gotta take your wife. You

1318
00:52:52,960 --> 00:52:54,520
Speaker 4: got to take your wife this comedy thing she wants

1319
00:52:54,560 --> 00:52:57,440
Speaker 4: to go to in California. Yeah, like she would love it.

1320
00:52:58,120 --> 00:53:00,400
Speaker 5: She has to go to the show. And Eddie's like,

1321
00:53:00,640 --> 00:53:03,480
Speaker 5: we can't do that. Like expensive, it's La, man, and

1322
00:53:03,560 --> 00:53:05,359
Speaker 5: this ticket's going to be not going to be cheap,

1323
00:53:05,400 --> 00:53:05,919
Speaker 5: but it's ny.

1324
00:53:06,480 --> 00:53:08,040
Speaker 7: You know, we got time. We've got time to save.

1325
00:53:08,160 --> 00:53:08,520
Speaker 7: A lot of.

1326
00:53:08,560 --> 00:53:11,120
Speaker 5: Listeners too, have sent voicemails. Here's one from last night.

1327
00:53:11,840 --> 00:53:15,120
Speaker 11: Eddie, You're complaining about your wife wanting to go see

1328
00:53:15,880 --> 00:53:17,120
Speaker 11: these comedians in La.

1329
00:53:17,480 --> 00:53:19,200
Speaker 2: It's expensive. You can't do it.

1330
00:53:19,760 --> 00:53:22,880
Speaker 11: You travel all the time, you go everywhere. You and

1331
00:53:23,000 --> 00:53:25,799
Speaker 11: Bobby are always in all these cities doing your podcasts,

1332
00:53:26,080 --> 00:53:29,399
Speaker 11: and your wife is in Nashville every day, day after day,

1333
00:53:29,760 --> 00:53:32,200
Speaker 11: taking care of your four kids. Give that woman some

1334
00:53:32,360 --> 00:53:34,120
Speaker 11: adventure and take her on that trip.

1335
00:53:35,360 --> 00:53:36,920
Speaker 7: We're working. I agree.

1336
00:53:37,120 --> 00:53:40,520
Speaker 5: I don't go on vacation so you can do something

1337
00:53:40,560 --> 00:53:43,880
Speaker 5: fun with your bification. Wow, that is true, and I

1338
00:53:43,960 --> 00:53:45,920
Speaker 5: need to start thinking more like that, Like I need

1339
00:53:46,040 --> 00:53:47,719
Speaker 5: to like not be like, oh, we just do work.

1340
00:53:47,840 --> 00:53:49,279
Speaker 5: So when I'm not working, I just want to stay

1341
00:53:49,280 --> 00:53:51,520
Speaker 5: home because that's my mentality. Because she stays home though,

1342
00:53:51,600 --> 00:53:52,680
Speaker 5: and she wants to go do something.

1343
00:53:52,760 --> 00:53:54,960
Speaker 8: She deserves to go. No, but you are right. You're working, dude,

1344
00:53:55,000 --> 00:53:57,719
Speaker 8: So I would tell your wife, Hey, sorry, I'm working

1345
00:53:57,760 --> 00:53:58,600
Speaker 8: when I go on these trips.

1346
00:53:58,719 --> 00:54:01,520
Speaker 5: You love her my wife? Yeah, love her deeply.

1347
00:54:01,800 --> 00:54:04,719
Speaker 9: Let's a sports team in La the ram for too

1348
00:54:04,800 --> 00:54:05,560
Speaker 9: much access for.

1349
00:54:05,680 --> 00:54:07,200
Speaker 5: May No, I'm not. We're not gonna do a work thing.

1350
00:54:07,239 --> 00:54:08,279
Speaker 5: He does that why he's doing work?

1351
00:54:08,360 --> 00:54:13,040
Speaker 4: No, he needs to take his Wife'll pay for the trip.

1352
00:54:13,120 --> 00:54:14,480
Speaker 4: He needs to take his wife and just do this.

1353
00:54:14,760 --> 00:54:17,120
Speaker 4: It's two Southwest tickets and a hotel. You can do it,

1354
00:54:17,600 --> 00:54:18,439
Speaker 4: and don't take the kids.

1355
00:54:18,440 --> 00:54:19,000
Speaker 5: I'll watch them.

1356
00:54:20,280 --> 00:54:20,960
Speaker 7: No, you wouldn't.

1357
00:54:21,719 --> 00:54:23,520
Speaker 5: Okay, you'll l eve and have four You may come

1358
00:54:23,560 --> 00:54:26,040
Speaker 5: back with less exactly. But do you love her? Yes

1359
00:54:26,120 --> 00:54:26,239
Speaker 5: or no?

1360
00:54:26,360 --> 00:54:28,719
Speaker 7: I do love her? Man, And we talked about it,

1361
00:54:28,880 --> 00:54:31,080
Speaker 7: and I, yeah, I think you're right, Like I probably

1362
00:54:31,080 --> 00:54:31,520
Speaker 7: should do.

1363
00:54:31,560 --> 00:54:34,320
Speaker 5: This, and it's in May. You can get the tickets

1364
00:54:34,320 --> 00:54:38,440
Speaker 5: earlier so they cost less. No problem. Hotels though in

1365
00:54:38,640 --> 00:54:41,160
Speaker 5: La do they're expensive. They're not cheap like King does

1366
00:54:41,239 --> 00:54:44,399
Speaker 5: not that everything expensive, dude, everything Welcome to the world.

1367
00:54:44,480 --> 00:54:45,759
Speaker 7: That's why I don't like to leave the house.

1368
00:54:45,800 --> 00:54:46,479
Speaker 5: How long you've been married?

1369
00:54:47,040 --> 00:54:50,200
Speaker 7: Gosh, about to be nineteen years? Eighteen years right now?

1370
00:54:50,239 --> 00:54:52,000
Speaker 5: Blame going like, what would you tell Morgan about love?

1371
00:54:52,400 --> 00:54:55,200
Speaker 7: Oh, Morgan, just be patient.

1372
00:54:55,320 --> 00:54:57,319
Speaker 5: Love's there and you're gonna fall in love and when

1373
00:54:57,320 --> 00:54:59,359
Speaker 5: you find that person, Morgan, it's gonna be the most

1374
00:54:59,400 --> 00:55:01,880
Speaker 5: beautiful thing your life. Except you don't want to take

1375
00:55:01,920 --> 00:55:03,120
Speaker 5: on on trips when they really want to go.

1376
00:55:03,320 --> 00:55:05,600
Speaker 7: Yeah, because you know you work a lot. Yeah, you

1377
00:55:05,640 --> 00:55:05,920
Speaker 7: know what I mean.

1378
00:55:06,239 --> 00:55:08,160
Speaker 5: How's it going with you? What's what's your dating situation?

1379
00:55:08,640 --> 00:55:10,120
Speaker 2: I'm still going on dates.

1380
00:55:10,440 --> 00:55:14,160
Speaker 3: I have a potential prospect right now, you're going on

1381
00:55:14,239 --> 00:55:15,719
Speaker 3: our fourth date together day?

1382
00:55:15,800 --> 00:55:18,800
Speaker 4: Okay, So for like a relationship, Yes, a prospect. What

1383
00:55:18,840 --> 00:55:20,640
Speaker 4: if you heard you call him a prospect?

1384
00:55:20,840 --> 00:55:21,880
Speaker 2: Well, what else do you call it?

1385
00:55:22,040 --> 00:55:22,520
Speaker 8: Like, a dude?

1386
00:55:25,000 --> 00:55:27,480
Speaker 5: Is he the only is he the only prospect right now?

1387
00:55:27,680 --> 00:55:28,040
Speaker 2: Currently?

1388
00:55:28,160 --> 00:55:31,399
Speaker 5: Yes? Okay? And then four dates when does it start

1389
00:55:31,480 --> 00:55:32,680
Speaker 5: to get serious?

1390
00:55:32,719 --> 00:55:32,879
Speaker 8: Maybe?

1391
00:55:32,920 --> 00:55:34,239
Speaker 5: Isn't the word? When does it start to get a

1392
00:55:34,239 --> 00:55:35,520
Speaker 5: little more serious.

1393
00:55:35,800 --> 00:55:36,480
Speaker 7: After what date?

1394
00:55:36,800 --> 00:55:37,440
Speaker 10: I feel like?

1395
00:55:37,680 --> 00:55:40,160
Speaker 2: I mean, I guess it depends more on timeline than dates.

1396
00:55:40,280 --> 00:55:43,839
Speaker 3: More like a month in you're kind of starting to evaluate, like, Okay,

1397
00:55:43,960 --> 00:55:46,000
Speaker 3: do I want to just see this person only because

1398
00:55:46,000 --> 00:55:47,960
Speaker 3: I'm still on the dating apps and stuff. Even though

1399
00:55:48,080 --> 00:55:50,120
Speaker 3: like it's our fourth date and I do I'm really

1400
00:55:50,160 --> 00:55:53,360
Speaker 3: interested in him, I'm still not putting all my eggs.

1401
00:55:53,160 --> 00:55:53,800
Speaker 2: In one basket.

1402
00:55:54,120 --> 00:55:54,319
Speaker 6: Is he.

1403
00:55:56,000 --> 00:55:57,640
Speaker 5: Like your last boyfriend's like a loser?

1404
00:55:58,480 --> 00:56:00,359
Speaker 2: No, so far he's not a loser. But I mean

1405
00:56:00,440 --> 00:56:03,960
Speaker 2: that you know, No, he doesn't like that energy.

1406
00:56:03,920 --> 00:56:06,560
Speaker 5: Right, it's definitely an energy. But did the old boyfriends

1407
00:56:06,600 --> 00:56:09,600
Speaker 5: have that energy? Toy? Did muscles a little too big?

1408
00:56:10,640 --> 00:56:10,840
Speaker 8: You know?

1409
00:56:11,239 --> 00:56:13,759
Speaker 5: Uh? Here changed a little?

1410
00:56:13,840 --> 00:56:14,000
Speaker 7: Yeah?

1411
00:56:14,080 --> 00:56:17,960
Speaker 4: Hat change, like necklace change. You know, it's just a

1412
00:56:18,000 --> 00:56:21,440
Speaker 4: whole vibe. This guy more of like one of us.

1413
00:56:21,680 --> 00:56:25,200
Speaker 3: He's more of a country cowboy. He has been nicknamed

1414
00:56:25,239 --> 00:56:28,000
Speaker 3: the cowboy by you and my girlfriend.

1415
00:56:28,040 --> 00:56:29,000
Speaker 5: Does he wear a cowboy hat?

1416
00:56:29,239 --> 00:56:31,440
Speaker 2: No, he wears cowboy boots though, And.

1417
00:56:31,520 --> 00:56:33,319
Speaker 5: You've been on four days. What's the most fun date

1418
00:56:33,360 --> 00:56:34,040
Speaker 5: you've been on with him?

1419
00:56:34,719 --> 00:56:37,960
Speaker 3: Oh, well, we went to we went and got like

1420
00:56:38,200 --> 00:56:40,480
Speaker 3: Mexican food somewhere, and then we bar hopped like three

1421
00:56:40,520 --> 00:56:41,799
Speaker 3: different bars and that was really fun.

1422
00:56:42,160 --> 00:56:42,680
Speaker 5: We vibed.

1423
00:56:42,719 --> 00:56:45,560
Speaker 2: But like our next date, we're playing board games in twister.

1424
00:56:51,040 --> 00:56:53,560
Speaker 5: Yeah, mine so much fun.

1425
00:56:53,719 --> 00:56:54,080
Speaker 9: You know that.

1426
00:56:57,400 --> 00:56:58,200
Speaker 2: It can be intimate.

1427
00:56:58,280 --> 00:57:00,719
Speaker 3: But guys, I I chose twin sir, because I think

1428
00:57:00,760 --> 00:57:01,960
Speaker 3: it's funny and it's a fun.

1429
00:57:02,200 --> 00:57:05,160
Speaker 9: But where at my house? He's coming here, had.

1430
00:57:05,440 --> 00:57:07,120
Speaker 5: You's got to need the animals and it's only YouTube

1431
00:57:07,160 --> 00:57:08,520
Speaker 5: playing Twister at your house? Yeah?

1432
00:57:08,600 --> 00:57:08,920
Speaker 7: Oh boy?

1433
00:57:09,000 --> 00:57:11,399
Speaker 5: Oh yeah, no, no, no boy, oh boy. Question.

1434
00:57:11,600 --> 00:57:12,960
Speaker 8: Yeah, is it make a twister?

1435
00:57:13,200 --> 00:57:18,880
Speaker 5: No, that's not how it starts, right, you couldn it

1436
00:57:19,000 --> 00:57:19,640
Speaker 5: can not.

1437
00:57:19,720 --> 00:57:20,160
Speaker 8: For adults.

1438
00:57:20,200 --> 00:57:21,640
Speaker 4: It can, but it's going to be tough for it

1439
00:57:21,840 --> 00:57:25,360
Speaker 4: just to be that date number four, day number five. Oh,

1440
00:57:26,360 --> 00:57:29,800
Speaker 4: at date number five, her house plan twister alone. They

1441
00:57:29,800 --> 00:57:30,760
Speaker 4: ain't gonn twist long.

1442
00:57:30,800 --> 00:57:36,240
Speaker 5: Nope, new, well you know with the board, you know,

1443
00:57:36,400 --> 00:57:37,680
Speaker 5: right hand only I read for a little bit.

1444
00:57:37,880 --> 00:57:40,800
Speaker 8: They're not going to spend that dial very often.

1445
00:57:40,920 --> 00:57:43,000
Speaker 2: Nice twisters, this fun innocent game.

1446
00:57:43,520 --> 00:57:44,680
Speaker 9: What game did he suggest?

1447
00:57:45,280 --> 00:57:46,960
Speaker 2: Well, we were talking about playing cards and stuff too.

1448
00:57:47,000 --> 00:57:48,400
Speaker 2: That's also what we're playing.

1449
00:57:49,160 --> 00:57:52,680
Speaker 9: She texted like, no, we can play twister doctor.

1450
00:57:52,800 --> 00:57:56,560
Speaker 5: Oh yeah, twister. He saw Twister. I was like, hey, guys,

1451
00:57:56,640 --> 00:57:58,520
Speaker 5: he got the cartoons feed No no no no no

1452
00:57:58,560 --> 00:57:59,560
Speaker 5: no no no no no no no no no.

1453
00:58:00,080 --> 00:58:00,960
Speaker 9: Oh he's stretching.

1454
00:58:01,440 --> 00:58:04,880
Speaker 4: So when do you want him to stop? Does that

1455
00:58:04,960 --> 00:58:06,439
Speaker 4: a conversation like, hey, get off the app?

1456
00:58:06,760 --> 00:58:06,960
Speaker 8: Yeah?

1457
00:58:06,960 --> 00:58:08,800
Speaker 3: I feel like that's a conversation when you like really

1458
00:58:08,840 --> 00:58:12,400
Speaker 3: want to exclusively see each other, that's a conversation that happens.

1459
00:58:12,800 --> 00:58:14,480
Speaker 4: How do you have to get off the app? Conversation

1460
00:58:15,000 --> 00:58:16,840
Speaker 4: instead of the defining relationship.

1461
00:58:17,720 --> 00:58:19,760
Speaker 3: I think they're one and the same. You know, it's

1462
00:58:19,840 --> 00:58:21,600
Speaker 3: kind of like, okay, we're only seeing each other.

1463
00:58:21,800 --> 00:58:23,360
Speaker 2: That's kind of like, okay, get off that.

1464
00:58:23,640 --> 00:58:25,800
Speaker 5: Do you wait for him to pull himself off the app?

1465
00:58:25,840 --> 00:58:27,080
Speaker 5: Like somebody has to do it first?

1466
00:58:27,600 --> 00:58:29,520
Speaker 2: Yeah, because you know, you know, I've had this theory.

1467
00:58:29,560 --> 00:58:31,600
Speaker 2: You always want somebody that did a little bit more

1468
00:58:31,640 --> 00:58:33,840
Speaker 2: in love with you. This is a little bit more

1469
00:58:36,080 --> 00:58:36,480
Speaker 2: note a lot.

1470
00:58:36,560 --> 00:58:37,840
Speaker 5: You can't everybody can't.

1471
00:58:38,240 --> 00:58:39,800
Speaker 7: Can't you be the one that loves a little more?

1472
00:58:40,680 --> 00:58:43,680
Speaker 5: I am in mine? Yeah, I'm way more love my

1473
00:58:43,680 --> 00:58:44,280
Speaker 5: wife than she has me.

1474
00:58:44,440 --> 00:58:47,400
Speaker 2: Oh yeah, And you want the guy to be for

1475
00:58:47,560 --> 00:58:49,480
Speaker 2: some reason. It just makes sense. I don't know how

1476
00:58:49,520 --> 00:58:49,960
Speaker 2: to explain it.

1477
00:58:50,040 --> 00:58:51,440
Speaker 9: Would you ever do a thing where you get out

1478
00:58:51,480 --> 00:58:52,320
Speaker 9: your phones together.

1479
00:58:52,080 --> 00:58:54,200
Speaker 5: And you're like twister at my house?

1480
00:58:55,440 --> 00:58:56,840
Speaker 7: Kidding, be amazing.

1481
00:58:56,920 --> 00:58:58,360
Speaker 9: Could they do this thing where they get out their

1482
00:58:58,400 --> 00:59:00,120
Speaker 9: phones together and they're like, all right on the count's you,

1483
00:59:00,120 --> 00:59:01,480
Speaker 9: We're going to delete the app together.

1484
00:59:02,240 --> 00:59:03,040
Speaker 2: No, that would not happen.

1485
00:59:03,960 --> 00:59:04,960
Speaker 8: That's very awkward, And.

1486
00:59:06,560 --> 00:59:08,000
Speaker 9: I'm trying to figure out how you even know if

1487
00:59:08,000 --> 00:59:08,760
Speaker 9: they really delete it.

1488
00:59:09,320 --> 00:59:10,560
Speaker 2: Let's tell your.

1489
00:59:10,520 --> 00:59:11,800
Speaker 5: Friends will tell you not too.

1490
00:59:12,320 --> 00:59:14,000
Speaker 1: I mean they would see Yeah, you'll.

1491
00:59:13,840 --> 00:59:15,919
Speaker 5: Get a screenshot real soon if he's not off the app.

1492
00:59:17,280 --> 00:59:20,960
Speaker 1: It's the best bits of the week with Morgan number two.

1493
00:59:26,720 --> 00:59:28,760
Speaker 3: You know, I always get nervous when the lunchbox comes

1494
00:59:28,840 --> 00:59:30,200
Speaker 3: up to me and he's like, hey, I need your help.

1495
00:59:30,240 --> 00:59:32,000
Speaker 3: I need you to come with me and we have

1496
00:59:32,040 --> 00:59:34,040
Speaker 3: to leave the studio to go film something because I'm like,

1497
00:59:34,160 --> 00:59:36,880
Speaker 3: what secondhand embarrassment am I going to get today?

1498
00:59:37,480 --> 00:59:38,800
Speaker 2: And that happened this week.

1499
00:59:39,000 --> 00:59:42,000
Speaker 3: He went to Starbucks because Starbucks said you could bring

1500
00:59:42,000 --> 00:59:43,680
Speaker 3: any cup and we'll fill it up with coffee. Because

1501
00:59:43,680 --> 00:59:47,640
Speaker 3: they're trying to reduce the impact for environmental things on

1502
00:59:48,160 --> 00:59:51,880
Speaker 3: using one time cup situation. So Lunchbox shows up in

1503
00:59:51,880 --> 00:59:54,560
Speaker 3: the back of Scuba Steve's truck with a four foot

1504
00:59:54,640 --> 00:59:56,760
Speaker 3: tall sonic cup that normally sits in our studio.

1505
00:59:56,760 --> 00:59:58,440
Speaker 2: You've probably seen it on videos or pictures.

1506
00:59:58,960 --> 01:00:01,520
Speaker 3: And he tries to get that, and I'm sitting in

1507
01:00:01,600 --> 01:00:05,440
Speaker 3: the backseat like cranked as a little twister pun intended

1508
01:00:05,520 --> 01:00:08,680
Speaker 3: from that last segment and trying my hardest not to

1509
01:00:08,800 --> 01:00:10,120
Speaker 3: laugh while trying.

1510
01:00:09,920 --> 01:00:12,440
Speaker 2: To discreetly video him doing this whole thing.

1511
01:00:13,360 --> 01:00:15,480
Speaker 3: And what you're about to hear is what I was

1512
01:00:15,560 --> 01:00:17,680
Speaker 3: there and got the second hand embarrassment from because it

1513
01:00:17,840 --> 01:00:22,160
Speaker 3: was warranted. Lunchbox tried to get a giant cup filled

1514
01:00:22,200 --> 01:00:25,040
Speaker 3: with coffee for free, well essentially for like four dollars,

1515
01:00:25,480 --> 01:00:26,920
Speaker 3: basically free if they actually would have.

1516
01:00:26,920 --> 01:00:29,440
Speaker 2: Filled up the whole thing. So this will also give

1517
01:00:29,440 --> 01:00:30,200
Speaker 2: you a good little laugh.

1518
01:00:30,240 --> 01:00:33,840
Speaker 3: On a Saturday, here is Lunchbox at Starbucks with a

1519
01:00:33,920 --> 01:00:34,480
Speaker 3: giant cup.

1520
01:00:35,000 --> 01:00:35,520
Speaker 1: Number two.

1521
01:00:35,720 --> 01:00:38,320
Speaker 4: Amy had a story about Starbucks trying to reduce waste,

1522
01:00:38,360 --> 01:00:40,520
Speaker 4: so they say you can bring your own cup and

1523
01:00:40,560 --> 01:00:41,160
Speaker 4: they'll fill it up.

1524
01:00:41,240 --> 01:00:42,520
Speaker 5: Yeah, we were like, can you bring any cup?

1525
01:00:42,560 --> 01:00:42,840
Speaker 7: How big?

1526
01:00:43,200 --> 01:00:45,960
Speaker 4: And so we have this massive cup in our studio.

1527
01:00:46,520 --> 01:00:50,960
Speaker 4: It is almost four feet tall. It measures at almost

1528
01:00:50,960 --> 01:00:54,040
Speaker 4: four hundred and fifty ounces. It's basically a decorative giant

1529
01:00:54,440 --> 01:00:59,240
Speaker 4: sonic cup. It's not a real cup, however, you can

1530
01:00:59,280 --> 01:01:03,360
Speaker 4: put stuff in it. So Lunchbox took this cup loaded

1531
01:01:03,360 --> 01:01:04,000
Speaker 4: it into his car.

1532
01:01:04,240 --> 01:01:04,920
Speaker 7: So, yeah, you did.

1533
01:01:05,080 --> 01:01:05,120
Speaker 9: No.

1534
01:01:05,240 --> 01:01:06,919
Speaker 8: I loaded in the back of Scuba's truck.

1535
01:01:07,000 --> 01:01:08,200
Speaker 5: I was gonna say it's big.

1536
01:01:08,200 --> 01:01:10,520
Speaker 8: Because I didn't know how I would do it. And

1537
01:01:10,680 --> 01:01:13,800
Speaker 8: so I'm in the bed of the pickup truck in

1538
01:01:13,920 --> 01:01:15,680
Speaker 8: the drive driving Scuba.

1539
01:01:15,760 --> 01:01:17,240
Speaker 5: He's driving, and you're back there with the cup.

1540
01:01:17,360 --> 01:01:19,280
Speaker 8: Yeah, And so he pulls up past the speaker where

1541
01:01:19,280 --> 01:01:21,000
Speaker 8: I'm at the speaker, and I'm the one doing the

1542
01:01:21,200 --> 01:01:23,320
Speaker 8: ordering with the big old cup because I want to

1543
01:01:23,360 --> 01:01:24,000
Speaker 8: know where they.

1544
01:01:24,000 --> 01:01:25,400
Speaker 5: Fill it up, because that's what they said, right, you

1545
01:01:25,440 --> 01:01:28,120
Speaker 5: bring a cup, they fill it up. Yeah, okay, here

1546
01:01:28,200 --> 01:01:28,400
Speaker 5: we go.

1547
01:01:29,440 --> 01:01:30,520
Speaker 2: What can I get started for you?

1548
01:01:30,680 --> 01:01:30,800
Speaker 10: Oh?

1549
01:01:30,840 --> 01:01:32,440
Speaker 8: Yeah, you guys are doing that where you can bring

1550
01:01:32,520 --> 01:01:36,760
Speaker 8: your cup and you'll fill it up with coffee or whatever, right, right, Yeah,

1551
01:01:36,800 --> 01:01:38,760
Speaker 8: So I'm gonna do I'm gonna bring my cup and

1552
01:01:38,760 --> 01:01:39,320
Speaker 8: I'm gonna.

1553
01:01:39,120 --> 01:01:40,720
Speaker 7: Fill it up with regular coffee.

1554
01:01:43,320 --> 01:01:46,520
Speaker 8: I guess I mean grande because that means big, right.

1555
01:01:46,560 --> 01:01:47,280
Speaker 2: It's a big cup.

1556
01:01:47,920 --> 01:01:50,479
Speaker 5: Alrighty, and then it's just going to be three party

1557
01:01:50,560 --> 01:01:50,760
Speaker 5: for it.

1558
01:01:50,760 --> 01:01:54,080
Speaker 8: All right, thank you. They don't know what this cup

1559
01:01:54,160 --> 01:01:54,560
Speaker 8: is waiting for.

1560
01:01:56,040 --> 01:01:58,080
Speaker 5: What's it's not Grande's big thing is the biggest one?

1561
01:02:00,600 --> 01:02:02,840
Speaker 5: Ronda in Spanish means big ye yeah, yeah, but this

1562
01:02:02,920 --> 01:02:03,400
Speaker 5: is Italian.

1563
01:02:03,440 --> 01:02:07,080
Speaker 9: I think Randi's medium. I don't Starbucks.

1564
01:02:07,320 --> 01:02:09,680
Speaker 4: I don't know, so maybe it's a big meat. Regardless,

1565
01:02:10,880 --> 01:02:13,440
Speaker 4: this cup is there. When when you first said hey,

1566
01:02:13,640 --> 01:02:16,080
Speaker 4: she was like yeah, what was she confused?

1567
01:02:16,160 --> 01:02:17,960
Speaker 8: Yeah, because I guess they have a camera, right, they

1568
01:02:17,960 --> 01:02:20,160
Speaker 8: can see so you can see that's what. But no, no,

1569
01:02:20,240 --> 01:02:22,600
Speaker 8: but they couldn't see the cup. The cup's laying.

1570
01:02:22,480 --> 01:02:24,000
Speaker 5: Down, so you're just a hillblat in the back of

1571
01:02:24,000 --> 01:02:24,240
Speaker 5: the truck.

1572
01:02:24,280 --> 01:02:25,760
Speaker 8: I'm the hill billy in the back of the truck.

1573
01:02:25,800 --> 01:02:28,000
Speaker 5: And they're like, okay, all right. So here he is

1574
01:02:28,040 --> 01:02:34,120
Speaker 5: pulling up to the window. Hello, I'm just trying to

1575
01:02:34,160 --> 01:02:34,760
Speaker 5: fill up the cup.

1576
01:02:35,680 --> 01:02:36,680
Speaker 8: It's just black coffee.

1577
01:02:37,880 --> 01:02:39,520
Speaker 2: Unfortunately we can't fill that up.

1578
01:02:39,680 --> 01:02:41,200
Speaker 8: Oh, because it won't fit through the window.

1579
01:02:41,920 --> 01:02:43,480
Speaker 2: No, because it's not a personal No.

1580
01:02:43,520 --> 01:02:44,520
Speaker 7: No, this is what I drink out of.

1581
01:02:44,600 --> 01:02:48,680
Speaker 2: Look, I got my shraw. I'm sorry to her. Well,

1582
01:02:48,760 --> 01:02:50,480
Speaker 2: so we can't filled out up the coffee on may Bee.

1583
01:02:50,480 --> 01:02:51,840
Speaker 3: This the most you can fill up is going to

1584
01:02:51,880 --> 01:02:52,760
Speaker 3: be about twenty out.

1585
01:02:55,040 --> 01:02:56,520
Speaker 8: I mean, I've been through the window if you need

1586
01:02:56,560 --> 01:02:56,760
Speaker 8: me too.

1587
01:02:57,080 --> 01:02:59,280
Speaker 2: But that's not the thing is we can't fill board

1588
01:02:59,280 --> 01:02:59,880
Speaker 2: than twenty out.

1589
01:03:00,280 --> 01:03:02,040
Speaker 8: Okay, why don't we just put twenty ounces in there?

1590
01:03:03,120 --> 01:03:03,400
Speaker 9: All right?

1591
01:03:04,920 --> 01:03:06,880
Speaker 2: And then it just three three forty four?

1592
01:03:07,240 --> 01:03:11,800
Speaker 8: And can I get two creams for that? Two creams?

1593
01:03:11,840 --> 01:03:20,680
Speaker 5: Thank you so much? You too? They poured twenty ounces

1594
01:03:20,680 --> 01:03:22,240
Speaker 5: in the cup. Yeah, how'd they get it there?

1595
01:03:22,920 --> 01:03:25,520
Speaker 8: She took a cup, stuck it out the window, and

1596
01:03:25,600 --> 01:03:31,760
Speaker 8: poured it into the sounic cup. She took the creamers,

1597
01:03:31,880 --> 01:03:33,680
Speaker 8: poured them in a cup and handed me the cup

1598
01:03:33,720 --> 01:03:34,880
Speaker 8: with creamer, and I poured it in.

1599
01:03:35,920 --> 01:03:36,680
Speaker 5: What'd you learn from this?

1600
01:03:37,120 --> 01:03:38,959
Speaker 8: I learned that they will not fill up any cup,

1601
01:03:39,080 --> 01:03:40,520
Speaker 8: only a twenty ounce cup.

1602
01:03:40,600 --> 01:03:43,040
Speaker 5: Up to a twenty ounce, up to a twenty ounce cup,

1603
01:03:43,320 --> 01:03:45,040
Speaker 5: and this four hundred and fifty ounce.

1604
01:03:46,880 --> 01:03:48,600
Speaker 8: And it wasn't because it wouldn't fit in the window.

1605
01:03:48,800 --> 01:03:50,680
Speaker 5: I never heard it was up to twenty ounces in

1606
01:03:50,760 --> 01:03:52,080
Speaker 5: your story? Did you keep that from us?

1607
01:03:53,440 --> 01:03:55,000
Speaker 8: Yeah? And she didn't think it was a personal cup,

1608
01:03:55,040 --> 01:03:56,480
Speaker 8: So I proved I put the straw in there.

1609
01:03:56,480 --> 01:03:57,600
Speaker 7: I was like, put his mouth on it.

1610
01:03:57,840 --> 01:04:01,080
Speaker 5: Look who was laughing in the background, other people in

1611
01:04:01,160 --> 01:04:03,760
Speaker 5: the other workers. Did they know you're messing with her?

1612
01:04:03,880 --> 01:04:04,960
Speaker 5: Or do they just think you're an idiot?

1613
01:04:05,360 --> 01:04:08,120
Speaker 8: I think they thought I was just an idiot. I mean,

1614
01:04:08,120 --> 01:04:10,920
Speaker 8: because they were I mean, she was so angry.

1615
01:04:11,240 --> 01:04:13,320
Speaker 5: Yeah, she didn't sound like she was part of a joke, right,

1616
01:04:13,400 --> 01:04:14,160
Speaker 5: But everybody.

1617
01:04:13,880 --> 01:04:17,000
Speaker 8: Else around her was enjoying it except for her.

1618
01:04:17,200 --> 01:04:17,720
Speaker 5: I enjoyed it.

1619
01:04:17,960 --> 01:04:20,240
Speaker 7: Yeah, that's all. Yeah, video that's correct.

1620
01:04:20,480 --> 01:04:21,680
Speaker 5: Yeah, okay, we'll put it up.

1621
01:04:21,960 --> 01:04:22,560
Speaker 7: Yeah, all right.

1622
01:04:22,640 --> 01:04:24,600
Speaker 5: Go over to Bobbybones dot com to see the video.

1623
01:04:25,760 --> 01:04:29,440
Speaker 1: It's the Best Bits of the Week with Morgan. Number two.

1624
01:04:30,960 --> 01:04:35,040
Speaker 3: The dating topics continue, but this time it is not me, no, no, no,

1625
01:04:35,280 --> 01:04:37,760
Speaker 3: this is Amy. She got a message from a guy

1626
01:04:37,960 --> 01:04:40,800
Speaker 3: asking what her dating protocol is, like, how is she

1627
01:04:40,880 --> 01:04:41,560
Speaker 3: going to go on a date?

1628
01:04:41,640 --> 01:04:42,480
Speaker 2: What does it look like?

1629
01:04:43,040 --> 01:04:45,320
Speaker 3: All the details of what that is, and she's like, guys,

1630
01:04:45,360 --> 01:04:48,320
Speaker 3: I have no idea what's happening. So she brought it

1631
01:04:48,400 --> 01:04:50,840
Speaker 3: to the show a little reluctantly. I think you can

1632
01:04:50,880 --> 01:04:52,920
Speaker 3: hear in her voice in this segment, but it's an

1633
01:04:53,040 --> 01:04:56,880
Speaker 3: Amy single update, well single Amy I'm not going to

1634
01:04:56,920 --> 01:04:58,280
Speaker 3: sing the song because I'm terrible at it that they

1635
01:04:58,360 --> 01:05:00,520
Speaker 3: do in the studio, but we do have an update

1636
01:05:00,560 --> 01:05:02,320
Speaker 3: on her potentially going on a date.

1637
01:05:02,600 --> 01:05:05,680
Speaker 2: So about for the dude the number one spot, number one?

1638
01:05:05,840 --> 01:05:06,400
Speaker 5: What's your deal?

1639
01:05:07,040 --> 01:05:07,480
Speaker 9: What do you mean?

1640
01:05:07,600 --> 01:05:12,439
Speaker 5: You know your deal? I'm like your deal? I don't

1641
01:05:13,120 --> 01:05:14,960
Speaker 5: I know, I don't know what I can I don't know.

1642
01:05:15,400 --> 01:05:18,160
Speaker 9: I'll just say I haven't gone out on.

1643
01:05:18,640 --> 01:05:21,480
Speaker 5: A date, but I so I'm asking, like, what's the situation?

1644
01:05:22,400 --> 01:05:23,200
Speaker 5: What can I even ask?

1645
01:05:24,040 --> 01:05:24,080
Speaker 3: Like?

1646
01:05:24,200 --> 01:05:25,360
Speaker 7: Are you? Are you dating?

1647
01:05:25,400 --> 01:05:28,080
Speaker 5: Are you trying to date? Since you've been divorced?

1648
01:05:28,560 --> 01:05:33,120
Speaker 9: I have been messaged about a d d M.

1649
01:05:34,160 --> 01:05:37,160
Speaker 8: Yeah, well okay, let's go what are you?

1650
01:05:37,440 --> 01:05:38,280
Speaker 7: Why are you being fishy?

1651
01:05:38,360 --> 01:05:42,320
Speaker 9: Because I don't person No, I bet you especial app.

1652
01:05:42,360 --> 01:05:43,160
Speaker 9: I don't know for sure.

1653
01:05:44,680 --> 01:05:45,480
Speaker 5: I beut. You're on an app?

1654
01:05:45,600 --> 01:05:47,800
Speaker 7: Is an app? An app on dating app?

1655
01:05:50,440 --> 01:05:53,600
Speaker 9: You heard the question talk about details.

1656
01:05:54,240 --> 01:06:01,000
Speaker 4: But you got weird? I know, because but you said

1657
01:06:01,040 --> 01:06:02,800
Speaker 4: somebody message you. So I said, said a DM, you

1658
01:06:02,840 --> 01:06:04,640
Speaker 4: get a lie and just said yes, But I said, you.

1659
01:06:04,680 --> 01:06:07,480
Speaker 2: Like what, I don't want to lie?

1660
01:06:07,720 --> 01:06:13,200
Speaker 5: Okay, so go ahead, Well I won't pry somebody message. Yeah.

1661
01:06:13,360 --> 01:06:17,200
Speaker 9: So been messaging with someone and then they said, what's

1662
01:06:17,240 --> 01:06:19,760
Speaker 9: your protocol for going on a date? I was like,

1663
01:06:20,480 --> 01:06:22,520
Speaker 9: I don't really have a protocol because I haven't gone

1664
01:06:22,560 --> 01:06:23,880
Speaker 9: out with anybody.

1665
01:06:24,440 --> 01:06:26,560
Speaker 4: So did you say that I don't have a protocol

1666
01:06:26,560 --> 01:06:27,680
Speaker 4: because I haven't gone out with anybody?

1667
01:06:27,800 --> 01:06:30,040
Speaker 9: No, I said, I don't have a protocols and new

1668
01:06:30,160 --> 01:06:33,200
Speaker 9: to this, and then I just said, do you put.

1669
01:06:33,120 --> 01:06:34,120
Speaker 5: Divorced in your profile?

1670
01:06:35,000 --> 01:06:35,920
Speaker 8: You do?

1671
01:06:36,920 --> 01:06:39,479
Speaker 5: No, Amy, If you don't, then you do. This sounds weird,

1672
01:06:40,560 --> 01:06:41,560
Speaker 5: like you've never dated.

1673
01:06:41,600 --> 01:06:45,640
Speaker 9: And I know, like I'm I don't know, Okay, I

1674
01:06:45,760 --> 01:06:49,360
Speaker 9: don't know. It's He said, what's your protocol for going

1675
01:06:49,400 --> 01:06:51,880
Speaker 9: out on a date? And I said I don't have

1676
01:06:52,000 --> 01:06:55,200
Speaker 9: a protocol, and then I got nervous. I didn't know

1677
01:06:55,200 --> 01:06:57,880
Speaker 9: what to say, so I just said, you haven't murdered anybody?

1678
01:06:58,000 --> 01:06:58,720
Speaker 8: Right, a girl?

1679
01:06:58,840 --> 01:06:59,800
Speaker 5: Question marks?

1680
01:07:00,320 --> 01:07:02,160
Speaker 7: That was your third second question?

1681
01:07:02,720 --> 01:07:05,760
Speaker 5: She hadn't done this a lot or whatever. And then

1682
01:07:05,800 --> 01:07:06,600
Speaker 5: his answer was and.

1683
01:07:06,720 --> 01:07:09,120
Speaker 9: I feel like, maybe did I set the bar too low?

1684
01:07:09,960 --> 01:07:13,200
Speaker 9: He was it was a joke though, so right, I know,

1685
01:07:13,320 --> 01:07:16,640
Speaker 9: but it's not obviously can say that about more than that.

1686
01:07:17,200 --> 01:07:22,720
Speaker 9: But yeah, there was communication back and forth before that,

1687
01:07:22,920 --> 01:07:24,080
Speaker 9: and then now nothing.

1688
01:07:24,280 --> 01:07:26,600
Speaker 5: Like, oh, after you said that he ghosted, he's out.

1689
01:07:26,880 --> 01:07:27,920
Speaker 9: Well, I don't know that he's out.

1690
01:07:28,000 --> 01:07:31,920
Speaker 5: Maybe he's on a break, he murdered someone, or he's

1691
01:07:31,920 --> 01:07:33,520
Speaker 5: going to murder you, or.

1692
01:07:33,880 --> 01:07:38,040
Speaker 9: Okay, the options are he has murdered somebody, he's like, okay, busted.

1693
01:07:38,480 --> 01:07:39,680
Speaker 5: He that's how he gets.

1694
01:07:41,840 --> 01:07:43,280
Speaker 9: He or he doesn't think that.

1695
01:07:43,600 --> 01:07:46,040
Speaker 5: Was funny because his family was murdered.

1696
01:07:46,640 --> 01:07:49,480
Speaker 7: Oh right, I didn't think about that.

1697
01:07:50,200 --> 01:07:52,800
Speaker 2: He hit a little too close, or.

1698
01:07:54,560 --> 01:07:58,640
Speaker 9: Or he is he doesn't log on all the time,

1699
01:07:58,840 --> 01:08:00,840
Speaker 9: or he takes little breaks and.

1700
01:08:01,000 --> 01:08:03,080
Speaker 4: Yeah, I think that's the story you make up, because

1701
01:08:03,080 --> 01:08:05,400
Speaker 4: I would make those stories up to just generally to

1702
01:08:05,880 --> 01:08:06,720
Speaker 4: cushion the blows.

1703
01:08:07,600 --> 01:08:09,280
Speaker 5: But I don't think that was I think that's funny.

1704
01:08:09,400 --> 01:08:11,520
Speaker 9: Yeah, what was I supposed to say, like what's my protocol?

1705
01:08:11,560 --> 01:08:11,920
Speaker 7: I don't know.

1706
01:08:12,240 --> 01:08:14,919
Speaker 5: I don't know is that common to ask like what's

1707
01:08:14,960 --> 01:08:16,519
Speaker 5: your protocol? I've never heard that before.

1708
01:08:16,560 --> 01:08:18,760
Speaker 4: I think it's just him trying to start a conversation

1709
01:08:19,040 --> 01:08:22,360
Speaker 4: in that direction. In that and also you're talking about

1710
01:08:22,479 --> 01:08:26,160
Speaker 4: like they're both I'm assuming the guy it's got to

1711
01:08:26,200 --> 01:08:29,320
Speaker 4: be at least forty right, right, So it's like, uh.

1712
01:08:30,200 --> 01:08:31,240
Speaker 7: Well, I answer it like that.

1713
01:08:35,520 --> 01:08:41,240
Speaker 9: He is he's sort something I don't know details.

1714
01:08:41,720 --> 01:08:43,320
Speaker 5: Or not to get. I don't either, I don't know.

1715
01:08:43,640 --> 01:08:44,800
Speaker 5: That's why I start as like what what?

1716
01:08:45,360 --> 01:08:45,599
Speaker 7: Okay?

1717
01:08:45,840 --> 01:08:47,160
Speaker 2: So I know I'm going to get.

1718
01:08:47,680 --> 01:08:50,280
Speaker 4: Would you say to her, So Morgan, as someone who's

1719
01:08:50,320 --> 01:08:52,479
Speaker 4: lived on the apps, what would you tell Amy in

1720
01:08:52,520 --> 01:08:53,000
Speaker 4: the situation?

1721
01:08:54,120 --> 01:08:56,160
Speaker 3: I think it was great that you were yourself and

1722
01:08:56,400 --> 01:08:57,960
Speaker 3: that's what you should do. You should not try and

1723
01:08:58,040 --> 01:09:00,280
Speaker 3: be anybody else. And you were being very play and

1724
01:09:00,360 --> 01:09:02,880
Speaker 3: flirty in that situation. And if he doesn't respond, then

1725
01:09:02,920 --> 01:09:03,719
Speaker 3: you move forward.

1726
01:09:03,800 --> 01:09:04,400
Speaker 9: That's flirty.

1727
01:09:04,960 --> 01:09:07,960
Speaker 5: Yeah, you're joking, you're okay, murdered anyone? Okay.

1728
01:09:08,120 --> 01:09:11,519
Speaker 9: I didn't say, but it was meant as that kind

1729
01:09:11,600 --> 01:09:12,200
Speaker 9: of right.

1730
01:09:12,760 --> 01:09:15,320
Speaker 5: Okay, Well let us know if he replies, I will

1731
01:09:15,880 --> 01:09:16,360
Speaker 5: good luck?

1732
01:09:17,000 --> 01:09:17,479
Speaker 7: Got Lee?

1733
01:09:19,400 --> 01:09:23,120
Speaker 9: What's your upper Can I get more comfortable with this eventually?

1734
01:09:23,280 --> 01:09:24,680
Speaker 5: I guess I don't know.

1735
01:09:24,800 --> 01:09:26,960
Speaker 9: Your time. I feel so uncomfortable.

1736
01:09:26,960 --> 01:09:28,679
Speaker 5: What's your upper aged index?

1737
01:09:29,000 --> 01:09:29,360
Speaker 9: Fifty?

1738
01:09:30,479 --> 01:09:31,080
Speaker 5: That's all, that's all.

1739
01:09:31,160 --> 01:09:34,679
Speaker 9: That's how you go I put like thirty to fifty

1740
01:09:34,840 --> 01:09:35,960
Speaker 9: thirty Okay.

1741
01:09:35,760 --> 01:09:43,519
Speaker 5: I don't know. Yeah, you don't want to go up

1742
01:09:43,560 --> 01:09:44,160
Speaker 5: from fifty at all.

1743
01:09:46,080 --> 01:09:48,240
Speaker 9: Maybe I've changed it to thirty five because when thirty

1744
01:09:48,240 --> 01:09:51,040
Speaker 9: two year old. No, no, no, no, sorry, But I

1745
01:09:51,120 --> 01:09:53,479
Speaker 9: was thinking about how I think I've increased it because

1746
01:09:53,560 --> 01:09:55,559
Speaker 9: when a thirty two year old messaged me about something,

1747
01:09:55,640 --> 01:09:58,880
Speaker 9: I was like, well, this feels weird. And I was like,

1748
01:09:59,080 --> 01:10:02,560
Speaker 9: I don't know the age thing, and they said, is

1749
01:10:02,640 --> 01:10:04,080
Speaker 9: it a total deal breaker?

1750
01:10:05,160 --> 01:10:07,880
Speaker 7: They said, that's a deal breaker.

1751
01:10:08,000 --> 01:10:10,680
Speaker 5: Well, let us know how this transpires. We won't pressure you.

1752
01:10:10,840 --> 01:10:13,519
Speaker 9: Okay, Oh, I will thank you for being kind of

1753
01:10:13,560 --> 01:10:16,880
Speaker 9: gentle in gentle yes to me during this time.

1754
01:10:17,520 --> 01:10:20,439
Speaker 5: It's weird he just disappeared though, because obviously he was interested.

1755
01:10:20,800 --> 01:10:23,320
Speaker 4: That shouldn't make him not interested that one question, unless

1756
01:10:23,320 --> 01:10:25,200
Speaker 4: somebody has been murdered in his family or he has

1757
01:10:25,320 --> 01:10:25,880
Speaker 4: murdered someone.

1758
01:10:26,160 --> 01:10:27,680
Speaker 5: Right, But I think you do have to put it

1759
01:10:27,720 --> 01:10:29,439
Speaker 5: like an emoji smiley face that you're kind of just

1760
01:10:29,560 --> 01:10:30,880
Speaker 5: I don't think so. I think it's known as it's

1761
01:10:30,880 --> 01:10:32,280
Speaker 5: a no joke, right Morgan.

1762
01:10:32,800 --> 01:10:33,280
Speaker 2: Yeah, for sure.

1763
01:10:33,320 --> 01:10:37,680
Speaker 9: The emojis sometimes from the older guys is weird to me.

1764
01:10:38,880 --> 01:10:43,000
Speaker 5: I don't know why older as in fifty fifty's not

1765
01:10:43,040 --> 01:10:43,839
Speaker 5: that much older.

1766
01:10:43,680 --> 01:10:46,840
Speaker 9: Than you, I know, but I'm I'm struggling with all

1767
01:10:46,960 --> 01:10:50,360
Speaker 9: the emojis and the smiling from men in general or

1768
01:10:50,520 --> 01:10:56,439
Speaker 9: from why don't have that many communications? I can't talk.

1769
01:10:56,760 --> 01:10:58,920
Speaker 9: I don't have I have a message with that many people.

1770
01:10:59,040 --> 01:11:01,840
Speaker 9: But there is a fifty year old and there was

1771
01:11:01,960 --> 01:11:04,880
Speaker 9: lots of laughy faces and smiley faces.

1772
01:11:04,720 --> 01:11:07,000
Speaker 5: And yeah, that's weird. You can't go can't go heavy

1773
01:11:07,000 --> 01:11:10,240
Speaker 5: heavy emoji early, I know, I agree like it.

1774
01:11:10,479 --> 01:11:14,680
Speaker 4: Or if they sign their messages like yeah, like they

1775
01:11:14,880 --> 01:11:17,439
Speaker 4: THEY'RERTE A message are like signed cl like no, did

1776
01:11:17,479 --> 01:11:18,120
Speaker 4: I know who it's from?

1777
01:11:18,400 --> 01:11:18,559
Speaker 5: Right?

1778
01:11:18,840 --> 01:11:19,040
Speaker 7: Yeah?

1779
01:11:19,160 --> 01:11:20,599
Speaker 5: Okay, well keep us updated.

1780
01:11:20,640 --> 01:11:22,000
Speaker 9: Okay, it's out high in here.

1781
01:11:22,400 --> 01:11:24,400
Speaker 7: No, that's pretty chilly.

1782
01:11:24,479 --> 01:11:29,000
Speaker 1: Yeah, it's the Best Bits of the Week with Morgan

1783
01:11:29,120 --> 01:11:29,519
Speaker 1: number two.

1784
01:11:30,640 --> 01:11:33,120
Speaker 2: All righty y'all, that's it for me on Best Bits

1785
01:11:33,160 --> 01:11:33,760
Speaker 2: Part two.

1786
01:11:34,040 --> 01:11:35,920
Speaker 3: Please again go check out part one Part through with

1787
01:11:35,920 --> 01:11:38,519
Speaker 3: Scuba Steve this weekend. It's really exciting. If you've never

1788
01:11:38,600 --> 01:11:41,240
Speaker 3: given it a chance, I hope you do. We're pretty

1789
01:11:41,320 --> 01:11:43,439
Speaker 3: entertaining over there, and it gets a little unhinged, especially

1790
01:11:43,520 --> 01:11:45,800
Speaker 3: listener Q and I was very unhinged. I always try

1791
01:11:45,800 --> 01:11:48,080
Speaker 3: and keep them in a short time because I'm trying

1792
01:11:48,080 --> 01:11:50,320
Speaker 3: to be respectful of everybody's times, and you know, there's

1793
01:11:50,320 --> 01:11:51,760
Speaker 3: only so much time in a day, and all these

1794
01:11:51,760 --> 01:11:54,840
Speaker 3: people have families and partners. But Scuba comes in here

1795
01:11:54,920 --> 01:11:57,400
Speaker 3: man and he just rolls, and I'm like, buddy, you

1796
01:11:57,439 --> 01:11:58,439
Speaker 3: got to get home to your wife.

1797
01:11:59,080 --> 01:11:59,920
Speaker 2: It's the old thing.

1798
01:12:00,640 --> 01:12:02,840
Speaker 3: So I'm telling you it's worth that. Check out Part

1799
01:12:02,880 --> 01:12:05,679
Speaker 3: one Part three. If you don't, though, thanks for checking

1800
01:12:05,680 --> 01:12:08,320
Speaker 3: out Part two. I hope you have a fabulous weekend.

1801
01:12:08,520 --> 01:12:09,439
Speaker 3: We will see you later.

1802
01:12:10,080 --> 01:12:12,920
Speaker 1: That's the best Bits of the week with Morgan. Thanks

1803
01:12:12,960 --> 01:12:15,000
Speaker 1: for listening. Be sure to check out the other two

1804
01:12:15,040 --> 01:12:18,840
Speaker 1: parts this weekend. Go follow the show on all social platforms.

1805
01:12:19,360 --> 01:12:21,280
Speaker 5: And follow at web girl Morgan to

1806
01:12:21,320 --> 01:12:23,639
Speaker 1: Submit your listener questions for next week's episode.